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A Call to Arms
Overview
The Drakh launch a devastating attack against Earth. Leads into the sequel series, "Crusade." Tony Todd as Captain Anderson.
Production number: TNT MoW4 Original air date: January 3, 1999 DVD release date: August 17, 2004 Written by J. Michael Straczynski Directed by Mike Vejar Novelization by Robert Sheckley
Plot Points
- @@@915442325 The telepath war took place sometime between 2262 and 2267.
- @@@915442325 The Drakh obtained a Shadow planet-killer when their masters left. It was the only one, and it has been destroyed.
- @@@915442325 As a result of the joint human-Minbari effort to build a new class of large warships ("Movements of Fire and Shadow") two prototypes were built, the Excalibur and the Victory. Both feature powerful weaponry, including a main gun that almost completely discharges the ship's power reserves in one burst. The Victory was destroyed defending Earth and the Drakh wiped out the Alliance's shipyard, leaving the Excalibur the only ship of its class for some time to come.
- @@@915442325 Earth has been infected with an extremely advanced plague built with Shadow technology. It was released into Earth's atmosphere before the Drakh could adjust it to attack Earth's biologies. Alliance scientists, though they lack the technical ability to counteract the plague, have examined it and believe that it will take the disease about five years to fully adjust to human physiology. Some people will fall victim earlier, but once the disease has adapted itself, nobody will be left alive on Earth.
- @@@915442325 As a result of the plague, Earth has been quarantined.
- @@@915442325 The Rangers have been given a new top priority: seeking out all the worlds where ancient races have walked, in the hopes of uncovering technologies that might help cure the plague. The Excalibur will act as a research vessel and will follow up on any leads the Rangers uncover.
Unanswered Questions
- @@@915442325 Where are the technomages?
- @@@915442325 Is Dureena the last of her kind, or were others able to escape before the Shadows destroyed her world?
- @@@915442325 For what purpose did the Shadows build the plague? Was it simply intended as a means of genocide, or does it do something else as well?
- @@@915442325 Why did Galen go to Babylon 5?
- @@@916161855 Were any of the B5 crew (Ivanova and Franklin, for instance) on Earth during the attack?
Analysis
- @@@915442325 One element of technomage society is a group known as
the Circle. It's unclear whether there's just one, but individual
technomages appear to be accountable to the Circle.
- @@@915442325 How long has the Thieves' Guild operated on Babylon 5?
Garibaldi clearly learned about it at some point. Was he aware of
it while he was head of security on the station? Has he told Zack
about it?
- @@@915442325 The jump points formed by various Alliance and Drakh
ships looked different than earlier in the series. Was there an
advance in hyperspace technology in the five years since the founding
of the Alliance?
At least one advance in hyperspace technology (Earth's, anyway) was in evidence: Sheridan ordered the Excalibur to move off the hyperspace beacon to slip around the Drakh fleet. Perhaps improved hyperspace navigation is a benefit of the Minbari or Vorlon components of the Excalibur's design; Earth-built ships were previously unable to navigate in hyperspace without using the beacons ("A Distant Star"). Whether the rest of Earth's fleet has been upgraded with improved navigation systems remains to be seen.
- @@@915443113 What was the null-space effect that took the Excalibur
from Daltron 7 to the Drakh fleet? Do the Drakh have the ability to
set up an instantaneous link between two points in space? If so,
that's a capability that's beyond anything the Shadows were seen to
have; Shadow ships traveled in hyperspace regularly.
- @@@915442325 The Shadow plague may be nanotechnological rather than
biological in nature. The fact that it's known to be actively
adapting to Earth's biology implies that it possesses at least
rudimentary analytical powers; if it were simply mutating at
random there would be no way to give any kind of estimate of
how long it'd take to affect humans.
Does each individual germ or nanodevice act autonomously or are they in communication with each other? Perhaps the plague as a whole is a sentient being of sorts, its component parts exchanging information as neurons do but on a much larger scale.
- @@@915442325 Sheridan appeared to believe that on some world, there
would be a ready-made cure for the plague; he didn't state the
Excalibur's mission in terms of seeking out new technologies that
might allow a cure to be developed by the Alliance. His assumption
only holds true if the Shadows used their plague in the distant
past; in that case some of the older races might have found a way
to combat it. If, on the other hand, the plague was a more recent
development or it was never deployed, the First Ones might not
have had an opportunity to develop a cure specifically aimed at it.
- @@@915602941 Since he seemed to have some knowledge of the whereabouts
of the First Ones
("Voices of Authority")
Draal and the Great Machine might be a logical place to begin the
search for a cure to the plague. Exactly how much information he
has is unclear; he might have only known about those First Ones
who were still around when he took up stewardship of the Great Machine.
- @@@915471360 As a key member of the Alliance, Earth is no doubt host
to thousands of alien visitors of various races. Will they be wiped
out by the plague as well? Will it adapt to their respective biologies
at the same rate as humans', or will it leave them alone in favor of
eliminating the dominant lifeforms on the planet?
- @@@915701816 Sheridan is probably not terribly popular on Earth. He
mentioned people are still wary of him from "the last time
[he] led a fleet to Earth Space." He is also actively
supporting Mars, which may not be very popular on Earth.
And now, many will probably blame him for the plague the Drakh unleashed on Earth, as it was revenge for the Shadow War, a war in which Earth took little to no part. It is likely that many people will die in the plague, even if a cure is eventually found (Sheridan said some would die of it sooner than others).
This may help explain the attitude of the academics 100 years in the future ("The Deconstruction of Falling Stars"), who seemed annoyed at the mythology surrounding Sheridan.
- @@@916162342 How will the quarantine be maintained? There are
undoubtedly some number of people on Earth who'll want to leave
despite the quarantine -- maybe they don't believe the plague really
exists, for example. How will they be prevented from piloting a
ship off the planet?
An Alliance blockade is a likely possibility; it'd be too risky to allow Earth to patrol its own skies since the people on patrol might very well be the ones who decide to leave.
If there are in fact alien ships orbiting Earth shooting down anyone who tries to leave, that probably serves to make Sheridan even less popular, even among those who believe the plague really exists. No doubt some on Earth will use the situation to stir up the same anti-alien sentiment President Clark was able to tap into. If so, after a cure is found and the quarantine ends, Earth might not be a very supportive member of the Alliance. Resentment from the time of the plague may well be the seeds of Earth's later break from the Alliance ("The Deconstruction of Falling Stars").
Notes
- @@@915700823 Technomages were introduced in the season-two episode "The Geometry of Shadows."
- @@@915827189 The flu hasn't been cured in 2267.
- @@@915442325 This movie acts as a bridge between the original B5 series and the sequel, "Crusade." Originally, TNT planned to premiere the movie on January 3, 1999 and begin airing "Crusade" the same week, but "Crusade" ended up being delayed.
- @@@915471020 Drazi sex organs are located under their left arms, and include an orifice that can be used to stash small items.
jms speaks
- @@@889490546 Just got clarification and verification:
Thirdspace does indeed air July 19th, and another B5 TV movie airs
November 23rd, and one more on January 3rd.
- @@@915700588 Why wasn't the movie promoted heavily?
I am in total darkness when it comes to understanding TNT's philosophy of promotion. They did little for this, I guess because it was the last of B5 in someone's view, promoted the hell out of the Houdini flick, which cost about 3 times more than we did...and we ended up getting exactly the same ratings. With a little real promotion, we could've done even better. - @@@915700588 It did 2.8, which was a higher number than they were expecting
(they'd sold the ads at 2.7, which means they made money off it), and
equal to the Houdini movie.
- @@@894388070 A Call to Arms isn't a Crusade pilot, it's a B5 movie that
somewhat sets the stage for the new show, but is not a part of it.
- @@@911070058 How would you characterize the movie?
It's very different than all the rest; I thought that River would be the better story of the last two, but Call is a better *movie*, oddly enough. It rips straight through with the action of ItB, but very self-contained. - @@@894134577 Why no Mira Furlan in this movie?
Basically, I'm just trying to move around the characters because we have a huge cast, and we can't afford to have every one of them in every movie. Mira had big parts in two of the movies, so we gave some other folks a chance (like Josh Cox, who had not been in any of them, and Tracy). We even did one without Bruce (River) so we could again spread things around a bit in an attempt to be fair to the largest number of cast members. - @@@912704656 When does Crusade take place?
Five years after the events of Season 5. - @@@915610802 About the score by Evan Chen
I suppose we could've stayed with the safe choice, with Chris, or done a nice, safe, droning Voyager style score that you don't even notice, but we're looking to take chances, and that means some people will like what you do, some won't. Some won't like it because it's different. Neil Gaiman told me that a number of fans of any form, including his own, say they want something new and challenging that takes chances...but if they don't like the form of that chance, they blame you for somehow doing it wrong...and they want the next new thing to be just like the last thing you did.I can't tell you the number of people who said "why can't you just do the John Williams style music instead of this?" Because it's been done, and it's cliche, and by god we're going to push what's "expected" to try some new things. Otherwise what the hell's the point?
"Of course, you've been through this before. I seem to recall a lot of people complaining when Christopher Franke replaced the composer for the pilot. I don't doubt that a lot of the people screaming loudest now are the very ones who complained about Franke when he started."
I don't know about the latter, but I can sure confirm the former. And that's why I sometimes wish the viewer responses were logged as much as my own have been. When we brought in Chris to replace Stewart Copeland, you can't *believe* how much email I got from people saying to trash him, fire him, it's that "euro-trash techno- crap" most called it. "He uses sounds and banging instead of music," people complained (which he did mainly in the first two seasons), "it's distracting and it's not appropriate, get rid of him."
But we didn't. I told people to give him time to settle into the show, and on the other hand to let them get used to a different kind of sound than what they expected. ("I guess you couldn't afford to hire a real composer like TNG uses," was another popular line.)
Evan ain't Chris, nor should he be, nor should he *have* to be. He is a brilliantly talented composer. This is his first shot at a dramatic series, and as he settles in (as Chris settled in), I think people are going to be as loyal to what he's doing in Crusade as they were to Chris in B5. He's a classically trained composer, who threw it all away to come study jazz under some of the best jazz men in Chicago...washing dishes to support himself when he had been at the top of his field in China...because he loves music, and loves to experiment.
In the course of Crusade, we're going to see some places we've never seen before...and thanks to Evan, we're going to hear some things we've never heard before. He's a find, and a genuine, fresh talent, and I stand behind him 100%.
And the people who say they are fans of Chris Franke's should think twice before doing to him what so many people did so rudely to Chris when he first came aboard.
- @@@915700588 It kind of goes to show you how thin the layer of trust
goes...you'd think by now, after doing 5 years of B5, people would
think to cut a little slack and give a chance, assume that there's an
intent here, rather than saying suddenly I'm an idiot for not putting
in the kind of music they expected.
What's most interesting, and in some ways most galling, is the number of posts I've seen in the last day or so from people who watched CTA again, and said, "On second viewing, the music didn't bother me as much, and I kind of like it in places." Maybe they should've been a little less quick on the trigger and the condemnation.
As for some of the comments I've seen, basically saying he should be killed (literally, someone suggested putting a gun to his head and pulling the trigger) to some *very* xenophobic comments about his being asian and that's the problem, with *that kind* of music...they do not even merit a reply.
- @@@915610802 Actually, Chris Franke is sufficiently impressed with
Chen -- who has never scored a TV show before, this is his first shot
and he shows much potential, we're very happy -- that he's going to
release Chen's score to ACtA and later episodes via his own label.
- @@@915610802 "Is Franke gone then with the end of B5 and is Chen
the Man behind Crusade's music? Or is Call an interim step music?"
Yes and no. If there are any other B5 TV movies, or features, we'll almost certainly use Chris. For Crusade, it's Evan.
- @@@915610802 "Submitted for your consideration: sometimes the
music and sound effects became confused - was that a weapons
discharge/hit, or a techno-percussion note? Were the repeated
clashing/crunching sounds at the end of the battle mood conveying
music, or the sound of the Drahk hatches opening to spew out the
bio-weapon? I also thought that the music was occasionally mixed too
loudly."
The first part of that is a common problem in an action show; most of the really interesting music happens at the bottom, using the lower frequencies. But the lower frequencies are also where you'll usually find explosions, clashing, crunching, banging and the like...so sometimes the two get muddy. You clear out one or the other as much as you can, but sometimes it overlaps and you get fuzziness in the track.
As for mixing it loudly...yeah, I've generally done that on B5. I like my music loud.
- @@@915700588 I like the music. I like the edginess of it. I wouldn't do
that particular style on a regular basis, because I think it would wear
thin after a while, but for this movie it was right. He's doing more
thematic stuff for the series, but keeping the approach of using a
variety of styles, including Chinese scales and stuff, which makes the
episodes sound nifty and exotic.
So yeah, I like it...but I also like the kind of edgy, growly stuff Ry Cooder did for LAST MAN STANDING, so go figure.
- @@@915610802 I spot the music on everything, from movies to the
episodes. That means sitting with the composer and saying "music in at
1:07:13 (one minute, seven seconds, 13 frames), out at 2:23:18." When
we did the pilot, I wasn't sure how much music it did or didn't need,
never having done this before, so I went drier than I should have.
In the case of CtA, I knew we were going to have some wall-to- wall music later, so I held back a bit earlier on, otherwise you do way too much to fit in, and you over-burden the composer. River was also spare at the top.
- @@@915610802 What's "ramming speed?"
Ramming Speed.If you are approaching a target at speed X, you still have a chance to peel away at the last moment. If you are approaching a target at the top speed your engines can provide, such that you cannot turn away or be deflected, that's speed Y. Speed Y is ramming speed.
- @@@915700588 "Seems an odd order. Why not maximum speed or full
speed ahead? Does EF rules provide for ramming of other starships?"
Because it also implies "...and we're going to HIT that ship." Ramming speed says both. You could say, "Give me maximum speed, set a course to RAM the ship," or you could say "Ramming speed." Same exact content, shorter terms. Brevity is our friend. Pedantry is not.
- @@@915700588 Will the disease be totally implausible to
people who know about biology?
We have covered all three of the virus concerns in the way we built this particular virus, thanks to help from the Jet Propulsion Laboratory, which consulted with us on its design. Trust me, it's solid, and totally thought-through. - @@@921525450 The novelization says Galen was an apprentice
to Elric. Is that official or just the author's invention?
Yes, that's canonical.
A Call to Arms
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
ISN News Broadcast:"Meanwhile, on Earth and Minbar preparations continue for next month's celebration marking the fifth anniversary of the Interstellar Alliance. Aside from one brief conflict with the Centauri Republic early in its first year, ISA President John Sheridan has delivered on his promise to maintain peace among all its member worlds. Although ISA Vice-President Delenn continues to make appearances during these preparations, Sheridan himself has not been seen for several days. Speculations on his absence range from the flu to a good will mission to Narn.
"In other news, ground was broken today in Earthdome for a monument dedicated to the many who died in the recent telepath crisis, including..."
Sheridan has not been seen because he has joined Garibaldi on a secret trip to oversee the final stages of the construction of the prototypes for the destroyer class White Star ships ("Movement of Fire and Shadow"). Garibaldi is taking a bit of time away from managing Edgars Industries on Mars ("Objects in Motion") at Sheridan's request.
The head of the construction project, Drake, is being too cautious for Garibaldi's taste. But Sheridan points out that reverse engineering Vorlon and Minbari technology to fit human technology is uncharted waters, and caution is necessary. The construction is top secret, not the least because the other races are likely to object to Earth, Minbar, and Sheridan being the sole beneficiaries of the project. Sheridan is sure no one can follow them to the construction site, as they are aboard a White Star, the fastest known ship. But he is wrong. A small probe follows them into and through hyperspace, projecting the image to a small crystal globe.
The globe is held by a man called Galen. He is interrupted and told he must explain his behavior and account for his activities to something called "the circle," and everyone involved. Although annoyed, he agrees to do so.
Sheridan and Garibaldi arrive at the construction dock. Two prototypes are there, the Victory and the Excalibur. Sheridan is welcomed by Drake, who gives him the tour. They are still battling some minor problems, haven't fully figured out the artificial gravity for example. But the ships are mostly ready, and the controls are intuitive and easy to master for Earthforce personnel.
"How does she handle?" asks Sheridan, excited; but they haven't actually tested it yet. And when they try, the propulsion system fails, despite Drake's assurances that there would be no problems.
Sheridan is told a message from Delenn has arrived. He takes it by himself in the conference room, but the message is all garbled. Sheridan is transfixed, seemingly for a few seconds. But Garibaldi enters, breaks the spell, and claims Sheridan has been there for almost half an hour. Garibaldi suggests he get some rest while Drake works out the bugs. Sheridan agrees.
"Things were so much easier on Babylon 5," muses Garibaldi.
On Babylon 5, a female alien arrives, and a weapons violation is detected. Zack Allan demands she turn over her weapons, and she does so silently: about a dozen or more blades and other low-tech weapons. Before leaving, she asks where the lost people, the neglected and forgotten, go. Zack directs her to Downbelow, Brown sector.
Aboard the Excalibur, Sheridan dreams. He finds himself on a desolate, burning world, ruins aflame all around him. A voice calls out to him: Galen. The world is dead, Galen says, murdered. Not an attack, but a test. Galen says he is the one who sent the message Sheridan received earlier; he needed a connection for the electron incantation.
A ship arrives. Galen claims it is the killers, come back to check on their work. He and Sheridan must leave, to ensure his probe goes undetected. Before leaving, he shows Sheridan the name of the world: Daltron 7.
Sheridan awakes as the ship begins to move. It is being towed to the firing range.
On Babylon 5, the alien female works her way through Brown sector, following hidden signs painted on the walls and ceilings. And she is being followed. Finally, she makes her way to an opening in the ceiling, where she is hit on the head. She falls unconscious to the ground...
... and dreams. She is on the dead planet Sheridan was on. "No. I can't be back," she says to herself. Sheridan suddenly appears, and she throws herself at him in rage. But she passes right through the image, and as she does, Sheridan changes, becoming a Drakh. The Drakh holds in his hand a miniature galaxy. He closes his fist over it, and disappears.
And then Galen appears. "This is not your world, Dureena Nafeel," he booms at her. "But it shares the same fate as your world. When the time comes to choose your target, be sure to pick the right one. Because you will only get one shot." An earthquake hits, and Dureena falls; she awakes back on Babylon 5.
She is chained, lying on a small platform, surrounded by many beings, both human and alien. She is asked her name, and to show a mark: a tattoo bearing the same designs as the markers she followed to get there. It marks her as a member of the Thieves' Guild. She is asked the name of her teacher, and his teacher before him. She answers, and says she has been a thief long enough to be good at it. But apparently, she is challenged, not good enough to avoid being followed and chained up.
"What chains?" she asks simply, and the manacles fall in pieces to the ground. Dureena attacks the man who followed her, knocking him out. She was captured only because she chose to be captured, to meet the Guild. The leader of the Guild welcomes her and gives her the local rules: no inteference with other members, nothing violent, nothing to draw attention to them. They'll protect her and give her a place to stay in exchange for ten percent of her take; but if captured, she is on her own. The Guild must remain a secret organization.
The leader has one more question: they have never seen an alien like her before. She is far from home; why did she come to Babylon 5? "I don't know," she replies, and leaves.
On board the Excalibur, Sheridan is shown the weapons. He is not impressed with Level One, though; it isn't much more firepower than an average White Star. As destroyers, these ships should pack more punch. Garibaldi orders Drake to go to Level Two. But Drake lets them know there is a problem. The main guns are based on Vorlon design, and were intended for far more advanced ships. They use up almost all available power, and should be used only as a last resort. Sheridan orders a demonstration anyway.
Before he can give the order to fire, the view changes: the Excalibur is aiming straight at Earth. Sheridan is confused, gives orders to stop. Sheridan looks again, but the Earth is gone. Sheridan sits back down and orders the main guns to fire. They do so with impressive results, but all lights dim inside. According the Drake, there's barely enough energy left for life support and gravity. After firing, the ship cannot maneuver or fire again for at least one minute.
Sheridan starts to reply, but finds himself elsewhere again. Several robed men are around a campfire. "It's a mistake! You shouldn't have brought him here!" one of them says. They are chastising Galen for breaking the isolation without proof. But Galen claims that they need to break it to get the proof. And Sheridan is the only one who can get it. The others relent, but warn Galen he will be the first to die if their security has been compromised through his actions. They disappear, leaving Galen and Sheridan along. Sheridan can now piece together the clues: Galen and the others are technomages ("The Geometry of Shadows"). Galen explains they are not hurrying to return from hiding. They have, however, been watching the Drakh. They think the Drakh are preparing to move. Sheridan points out that the Drakh have no homeworld and the Shadows are gone; how much power can they possibly have?
Galen replies that Sheridan himself must find the answer to that question, because Galen believes the Drakh will start by attacking Earth. Sheridan begins to ask more questions, but Galen has said everything he is allowed. Sheridan and his companions must discover the rest. However, he is not to tell anyone about what he is doing or why. The Drakh have spies everywhere. Before leaving, Galen shows Sheridan four faces: a Drazi, a human, Sheridan himself, and an alien, a good match for Dureena Nafeel; and an image of Babylon 5 high overhead.
And then, Sheridan finds himself back aboard the Excalibur. Drake is explaining that the hull can reflect 80% of any energy weapon. "We have to go right now," Sheridan interrupts. Garibaldi wants to know where. "It was above the faces," replies Sheridan, "above them all. Babylon 5."
While enroute, he refuses to tell Garibaldi why they are going; and he makes a sketch of the three faces he saw in the vision. Garibaldi is worried; he offers to stop by Minbar and talk to Delenn, but Sheridan insists he is fine. He also asks Garibaldi to find out everything he can about Daltron 7. "Never heard of it," says Garibaldi. "Me either," replies Sheridan, a response that adds to Garibaldi's doubts and misgivings about Sheridan's rationality. On his way out, he asks for a connection to Capt. Lochley.
The Charon, and Earth Alliance destroyer, is in hyperspace also on her way to Babylon 5. The first officer is questioning the Captain on the new destination. They are disobeying orders and not informing Earthdome. "I know what I'm doing," answers Captain Anderson enigmatically, and adds to himself: "I hope."
Lochley welcomes Sheridan aboard. He gives her the drawings, and asks her to find out where they are. "Are you sure they are here?" she asks. "No," replies Sheridan. "But if they aren't here yet, they soon will be... I think." With that, he leaves Lochley and Garibaldi, both utterly confused.
In the Zocalo, Dureena is stealing wallets and money belts when security arrives with the drawing. She tries to flee, but is stopped and captured. Lochley informs Sheridan. "Who is she?" he asks. Lochley doesn't understand; after all, he drew her. Since she was caught with stolen wallets, she is being deported. Sheridan asks where she is from, and is told she is from Zander Prime. Lochley thought it was a dead world, however. It is now, replies Sheridan. It was one of the last planets destroyed by the Shadow planetkiller ("The Long Night") during the Shadow War.
Sheridan then gets a message from Captain Anderson. He doesn't know him. "Hello, Mr. President," says Anderson. "By any chance, have you been looking for me?" Lochley looks at Sheridan's drawing: Anderson is the human drawn there. "So it would appear," replies Sheridan with a faint smile.
They meet in Babylon 5's conference room, and Captain Anderson explains the man in his dreams told him to find Sheridan. Dureena is then brought in, and when she sees Sheridan, she attacks him like she did in her dream.
Dureena blames Sheridan for the destruction of Zander Prime. For attracting the Shadows, and not being there to help despite requests. But Sheridan explains they didn't know about the attack until it was too late; and even if they had heard, they didn't have anything to stand up to the Shadow's planetkiller. He's asked himself over and over, since the war, if there was anything he could do to save more people. But there wasn't. He also points out it was the Drakh and the Shadows who destroyed her planet, and the Drakh are still around. She then recalls Sheridan's transformation in her dream. Sheridan offers her the chance to strike at them. Dureena relents. Perhaps this is what the dream meant.
Meanwhile, Garibaldi is in Lochley's office. "You think he's lost it?" he asks. Lochley isn't sure. Finding Dureena and Capt. Anderson, dead matches for Sheridan's drawing, has given her pause. "All I know is he isn't behaving rationally," she adds. "It's almost as if he's acting under some sort of outside influence."
Sheridan is worried the Drazi hasn't arrived yet, but they cannot wait any longer. Why us? asks Dureena. Sheridan thinks each of them brings something to the mission to increase the odds of success. Captain Anderson points out the Charon isn't powerful enough for the sort of thing they are contemplating. They need something bigger, and nastier. "I think I may just have the thing..." replies Sheridan.
In the morning, Garibaldi arrives in Lochley's office for a meeting with her and Sheridan. But Sheridan isn't there. He skipped out and is well on his way to the construction yard. Garibaldi asks for a line to Drake, anticipating him.
But Sheridan is a step ahead. He contacts Drake and tells him there's been a breach in security. All messages should now come through a new frequency, and no other messages should be replied to or acknowledged. Garibaldi won't be able to delay him.
Sheridan, sitting on the captain's chair, asks Capt. Anderson if he really wants to go through with this: going AWOL and risking his career. Anderson explains that during the civil war, they had a chance to join Sheridan but didn't; and they were wrong not to. Earth is in danger now, and this time he intends to be on the winning side. The crew feels the same way. "We let you down once," says Anderson. "We won't do it again."
They arrive at the dockyard, and over Drake's objections they commandeer the Excalibur and the Victory, leaving him behind. Sheridan takes command of the Excalibur, and Anderson of the Victory. Dureena joins Sheridan, and they head out to Daltron 7.
Once there, they find the dead world of Sheridan's dream; but Daltron 7 is supposed to be the next best thing to paradise. A pattern of craters seen from orbit is the same as that produced by the Shadow planetkiller.
There are no life forms, but they do pick up a Drazi distress signal. When they go down to investigate, they find the Drazi of Sheridan's dream dead, a data crystal hidden inside his body.
Meanwhile, Capt. Anderson's people have been doing an analysis of the planet and records. He asks Sheridan if he is sure this is the work of a Shadow planetkiller. Sheridan is. "We have a serious problem then," replies Anderson. "Because if what I'm reading is correct, this just happened over a week ago." The Shadows left a planetkiller behind. And everytime Sheridan and the Alliance have ran into leftover Shadow technology, they've gotten their butts kicked.
Garibaldi has by now reached the dock, and Drake explains that Sheridan stole the prototypes, and seemed crazed. Garibaldi heads out to Daltron 7, taking Drake with him.
Meanwhile, Capt. Anderson calls his wife and daughter on Earth, to reassure her everything is fine and he hasn't deserted, merely been "transferred by a higher force." He also reassures his daughter, who is afraid of going to sleep because of nightmares, that he will protect her from the monsters.
Later, Anderson and Sheridan look at the contents of the data crystal they found on the Drazi. He too had dreams, which led him to Daltron 7. There, he saw and recorded the Shadow planetkiller in action. Then he followed the deathcloud to where the fleet was concentrating. Finally, he returned to Daltron 7 to see if anybody was left and to wait for the others, hoping the dark ones would not find him first.
And then, five small ships arrive: Drakh fighters. The Drakh send a message, trying to figure out who the two ships are; they don't recognize the design. On Dureena's suggestion, they try to bluff their way into the Drakh's good graces, pretending to be allies. But the Drakh receive an extremely powerful tachyon-enhanced transmission and start attacking.
Sheridan and Anderson fight back, destroying several of the fighters. A few more try to escape, and head for a strange, black, null-area in space. Sheridan orders the main guns to fire, and destroys the fighters. But inertia carries him through the null field, unable to maneuver for a full minute after firing. On the other side, which matches the coordinates the Drazi gave for the Drakh fleet, the Drakh wait. As soon as he can, Sheridan turns around and heads out through the null field, a few small fighters in pursuit. The rest of the fleet is already on its way.
Sheridan and Anderson move ahead, and jump to hyperspace before the Drakh can catch up; the fighters are caught in the collapsing jump point and are destroyed. Then, the Victory and Excalibur slip past the main fleet in hyperspace, and head for Earth at top speed.
Sheridan calls Lochley. He tells her of the Drakh fleet and the Shadow deathcloud. Lochley is skeptical; she thinks Sheridan may have indeed flipped. But Sheridan insists, and asks her vehemently for her trust and help. Delenn is already scrambling as many Alliance ships as she can together. Sheridan wants Lochley to call Earth and tell President Luchenko ("Rising Star") to do the same. Sheridan isn't much liked or trusted on Earth, so he needs her to make the call. Lochley can hardly believe she is doing this, but she does as he asks.
Meanwhile, Garibaldi is told someone aboard the White Star tapped into communications a while ago. Before he can investigate further, they receive a call from Sheridan. Sheridan tells Garibaldi about the planetkiller. Garibaldi is also skeptical. Sheridan wants to warn him the Drakh are onto them, and know about the new ships.
Garibaldi mentions that he has found out about Dureena's membership in the Thieves' Guild. She is not to be trusted, he says. Maybe it is her fault. Sheridan is partly taken aback, but Dureena points out that if she is the leak, she is stupid, as she could have gotten killed with him.
"Killed how?" asks Garibaldi, and Sheridan recounts their brief encounter with the Drakh, and the tachyon signal they received. The signal told the Drakh who they were. Garibaldi makes the connection with the anomaly in the communication system of his ship...
... and hears a PPG powering up next to his head: Drake. Mars born, he owes no loyalty to Earth, and the Drakh made him a great offer. He is the leak. Garibaldi cuts the communication. Then he points out to Drake that if he shoots Garibaldi, the Rangers around him will take him down. One of them activates a fighting pike, distracting Drake. Garibaldi then quickly disarms him and puts him in a headlock.
"Now, you are going to tell me everything you know," says Garibaldi. Drake, frightened, nods slowly. Garibaldi later contacts Sheridan, and confirms everything. The Drakh are headed for Earth, want to make a statement to the Alliance by wiping out Earth in a big show of force. The only silver lining is that they only have one planetkiller. If Sheridan can destroy it, they won't have another one to worry about.
Sheridan arrives in Earth space. Lochley has apparently convinced Luchenko, and Earthforce has mobilized its ships. Aboard the Earth Destroyer Hermes, General Yuri Mikhailovich Denisov, in command of the EarthForce ships, is annoyed and thinks this is all some sort of exercise. Sheridan's assurances that this is for real are soon confirmed, as the Drakh fleet jumps into normal space.
Sheridan tells Gen. Denisov to leave the fleet to the defense grid ("Endgame"). He wants the destroyers and Alliance heavy ships to form a wedge around the Excalibur and the Victory and lead them into the planetkiller itself. "Then what?" asks Gen. Denisov. "Then we kill it," replies Sheridan. "Somehow."
The General agrees and leads them in. While enroute, Sheridan uses the Excalibur's advanced sensors, more advanced than anything they've had previously, to analyze the deathcloud. It has a superstructure inside, a lattice of some kind, which is what they must destroy.
Sheridan notices the center of the lattice is bigger and reinforced: probably the command center. That's their target.
"When the time comes to choose your target, be sure to pick the right one. Because you will only get one shot." Galen's words echo in Dureena's head.
"No," she tells Sheridan simply. "If you hit that part you'll fail and your planet will be destroyed." She explains that a thief learns to look where you aren't supposed to look; that the most valuable items are never inside the safe, but next to it. Next to the central point of the lattice is a joint, seemingly the same as others in the structure. "There's nothing special about it," Dureena explains. "Then why is it surrounded by short range weapons? Why are they so determined to protect it?"
Capt. Anderson has been monitoring the situation. Enemy ships are closing in, and the deathcloud is approaching Earth. They are running out of time. They can hit one target but not both. Which one? Sheridan has to choose quickly.
"Hers," Sheridan replies. The Victory and the Excalibur accelerate towards the deathcloud.
But the deathcloud's defenses are formidable, and more Drakh ships join the defense as they figure out what is happening. The fire isn't getting through to the target. The Victory is hit severely, and its main weapons array destroyed. The planetkiller is minutes away from Earth.
"My daughter is out there, Phil," Capt. Anderson tells his first officer. "I made a promise to her that I'd protect her from the monsters. What kind of father am I if I can't keep my promise?"
Anderson contacts Sheridan. He suggests that Sheridan fire his main gun; although it will probably miss at that range, and leave the Excalibur vulnerable for one minute, it will clear away the defending ships. The Victory can cover her for a minute and get within range. Then the Victory will fire her main guns while the Excalibur covers her. It's a long shot, but it is their only one. Sheridan agrees and fires.
The Excalibur misses the joint barely, but destroys the enemy ships in the way. Captain Anderson then issues the order: "Ramming speed." Sheridan can't do anything, his ship out of power. The Victory heads in, taking hit after hit. Despite extensive damage, the ship makes it all the way to the joint, and destroys it in a fiery crash. But the Victory doesn't survive.
Anderson's sacrifice isn't in vain. The planetkiller begins to collapse. The missiles fire prematurely, hitting the superstructure itself. With the Excalibur back on line, Sheridan heads out. He escapes as the deathcloud collapses into itself and is destroyed.
Before they can even take stock, they see the remains of the Drakh fleet heading towards Earth. They watch in horrified silence as the ships descend into the atmosphere, and start releasing some sort of dust. The defense grid hits many of them, but they only fall towards the surface, releasing more dust on their way down.
Sheridan looks down in silence. "What is it?" asks Dureena, who does not understand what is going on. "What happened?"
Galen is looking over the results of the battle in his crystal globe when a voice calls out to him. "The circle requires your presence."
Sheridan is back on Babylon 5, explaining to Lochley and Garibaldi. "So, they finished analysing whatever it was the Drakh sprayed into Earth's atmosphere?" asks Lochley.
"It's a biogenetic plague," replies Sheridan. "Earth has been completely quarantined, nobody allowed in or out. The death cloud was the only one the Drakh had left, but it wasn't the last weapon in their arsenal. From the complexity of its structure, the bioweapons division back home thinks the plague was probably engineered by the Shadows."
"How much time do they have?" asks Garibaldi. "Looks like that's the only bright spot in this," replies Sheridan. "The Drakh didn't have time to finish adjusting it our biology, or they just didn't know how. But either way, its going to take time for the plague to adjust to a new host. They're saying 5 years. Could be less. But probably five years is the best guess for now."
"And... at the end of five years?" asks Lochley.
"Every man, woman, and child on Earth will be dead. Unless we can find a cure."
Since the plague is Shadow technology, they won't be able to solve it on Earth in five years. "But since this came to us from outside," adds Sheridan, "maybe we can find a cure out there." There are other races, as old as the Shadows; one of them must have a cure. "We'll find them. We have to."
Sheridan adds: "I've told president Luchenko we'll put all the resources of the Alliance and the White Star fleet at their disposal. We'll turn the Excalibur into a traveling research vessel, manned by the best crew we can find. The Rangers will search every corner of space, looking for clues to a cure. Then the Excalibur and her crew will go in to follow it up."
On their way out, Sheridan says, the Drakh hit the construction dock, destroying years of work. It will take time to make up for it, and so, for now, the Excalibur is the only of one of her kind.
Meanwhile, Galen arrives on Babylon 5, and joins Dureena.
Sheridan finishes: "Those who command the Excalibur will never stop, never give up, and never slow down until a cure is found. And we'll take any help we can get, wherever and whoever it comes from. Because this is a cause that surpasses borders, and differences, and distrusts. This is a mission about the survival of Earth itself. What we do over the next five years here, at home, and across the darkness between the stars, will determine whether an entire world will live... or die. It's a fight we can't afford to lose.
"And we won't. We won't."
A Day in the Strife
Overview
Sheridan and Ivanova try to deal with an association of cargo pilots. An alien probe makes first contact with the station. G'Kar's position among the Narn is threatened by the arrival of a Centauri-appointed liaison. Stephen Macht as Na'Far. Marshall Teague as Ta'Lon. Anne Betancourt as Dr. Gonzalez.
P5 Rating: 7.85 Production number: 303 Original air week: November 20, 1995 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by David Eagle
Backplot
- The Centauri diplomatic mission on Minbar has been closed for several years.
Unanswered Questions
- Who sent the probe?
- Will Franklin's continuing use of stims have greater repercussions, especially now that he's willing to lie about it?
- What will become of Na'Far? And of Ta'Lon, for that matter -- will he remain on the station, and will he look after Sheridan?
Analysis
- Vir is leaving Londo just when Londo seems to need him most; Londo is becoming darker and darker, as his conversation with Na'Far demonstrates. Now he'll have nobody to slow his descent (though it's not clear how much he listened to Vir in the first place.)
- The favor Delenn owed Londo was most likely the one he earned by transporting her and Draal to Epsilon 3 in "A Voice in the Wilderness, part 2."
- Franklin's stim use is nothing new; it was touched on as recently as "Confessions and Lamentations." He may feel he has no choice and no problem, but he seems to be ignoring the example of Dr. Rosen in "The Quality of Mercy," who lost her medical license over her stim use.
Notes
- A picture of the probe is available.
- Vir's departure has, in part, a real-world cause: actor Stephen Furst is starring in a sitcom on the Fox network. He will still appear on Babylon 5 from time to time.
- Sheridan's reference to the probe as a "berserker" is probably a nod to Fred Saberhagen's "Berserker" novels, which feature huge automated war machines that seek out and destroy sentients.
- A small gaffe: At the end of the episode, when the probe is headed away from the station, Sheridan asks the tech if there are any security bots in the area. The tech replies that there is just one, at 5000km. The next shot is of the bot in question, except that there are clearly 2 bots in the shot, and they look identical.
- A related goof: Sheridan orders a securebot sent to look at the probe, but the display on the screen reads "Maintbot 12."
jms speaks
- "A Day in the Strife," a fair number of threads, a day in the
life episode with everything that can go wrong going wrong, some
elements of humor but mainly a straight-ahead kind of episode...
- Is Marshall Teague playing the same character he did in
"All Alone in the Night?"
Yes, it's the same character, and his name is Ta'Lon. - "A narn resistance is going to be pretty hard to organize."
*Exactly* the issue we'll explore in "A Day in the Strife." (Well, one of many issues.)
- How many Narn dead are there?
Actually, yes, there are millions of dead; I think that either Vir or Na'Far gets it right in "Strife," and the other misstates the figure in the same episode. - Just went back and checked the script; Ta'Lon refers to millions in
his meeting with Sheridan. (Knew I wasn't nuts....)
- Londo's comment, "It's nothing personal, Vir," was the same one
the bomber echoed in "Convictions."
Yeah, "it's nothing personal" does echo the other theme; those who inflict great harm tend to shrug it off that way. - You will see Vir many times again in the course of the third season.
- Why didn't they ask Delenn or Kosh for help with the
questions?
Because Delenn doesn't know that information offhand, any more than you or I would have casual access to detailed scientific information from our own world just off the top of our heads; she'd still have to go to her own homeworld for the info, as our characters did. And it's not that we didn't have it, it was just collating it all. And given how Kosh answers questions, would you really want to use his responses in this thing? - My sense is that Delenn is not a godlike font of information; I don't
think anyone, alien or human, at the station would just happen to know
all the information required. How much would Delenn know about
molecular biology, for instance? (And if you asked Kosh a question
about the subject, he'd probably come back with "The heart does not
sing with its parts." Not exactly useful.)
Anyone there would have to go back to their own world for experts in the various fields...so you're back where you started. Earth *has* the info, it's just getting it, and getting it fast. If you add the overlay of going through another government, you're going to run out of time that much faster.
Logically, a probe like this would be sent off looking for information on the very cusp of technology that could pose a threat. That's why it *didn't* go off when the probe presumed them to be a less developed civilization; it was looking for civilizations that *are* sufficiently advanced to pose a possible threat; Sheridan says exactly that as he walks across C&C.
Interesting aside on this, btw, in the "where do you get your ideas?" department. The US House Science Sub-Committee held a series of hearings into the question of extraterrestrial contact during the 1970s, to determine what we should do in the event of contact. The most likely scenario, the scientists agreed, was a probe coming into our solar system. So what do we do in response to a message asking if anybody's home?
Believe it or not, it was the consensus of the Subcommittee that we should not respond...in case it was a berserker, just as shown in the episode. That is our government's official policy on the subject.
- I just went through my stuff trying to find it...there was a formal
report published by the Government Printing Agency in around 1978 or
so. I think it was entitled something like "Prospects for Contact by
Extra- Terrestrial Intelligence," and went into the whole CETI issue
at great length. (Back then, it was CETI, for Contact With
Extra-Terrestrial Intelligence, changed shortly after the House
hearing on the subject to SETI, Search For Extra-Terrestrial
Intelligence.) Any GPA office should have the report on file.
- Would the explosion have taken out a planet?
No, it probably couldn't take out a planet, though it'd sure disrupt all communications in and out for a long time, maybe throw up a dust curtain to bring down the temperature quite a bit. Certainly it'd debilitate the planet long enough for additional probes to be sent in. If one can do the job, one does the job; if more are required, more are sent. - What kind of alien was sick in medlab?
I'll have to go back and check, but from memory I'm pretty sure he's a Llort. - What happened to Na'Fon?
When he failed to convince the other Narns to accept him as their new leader -- which was the whole point to his being sent to B5 in the first place -- he had no choice but to go home. - @@@864890926 Why don't we ever see worker-caste Minbari?
Worker caste tend to fade into the background; we've seen them here and there; pilots and traders (visible in "Strife") are worker caste, and others. They don't have as much a stylized manner of bone-carving as the other castes.
A Day in the Strife
Synopsis by Matthew Murray (mmurray@wsu.edu)
Sheridan and Ivanova try to keep order as they meet with the transport
association to work out the new ship
screening policy on Babylon 5. Ivanova tries to appease the crowd, but
they will not listen to anything she has to say. One man stands up and
accuses them of hoarding the weapons so they can control everyone. He
challenges Sheridan, saying that, without his gun, Sheridan would be afraid
to fight. Sheridan steps down from the rostrum and hands his PPG to
the man, taking his less-powerful weapon away and using it instead.
When Sheridan asks the man to use the PPG, the man backs down.
Sheridan retrieves his PPG, and tells Ivanova to adjourn the
meeting until the next day, which she does. The crowd files out, and
Sheridan is upbraided by Ivanova for handing the man the PPG until Sheridan
explains that he removed the PPG's energy source prior to giving it to
the man. Two Narns enter the room, and one introduces himself.
"Captain Sheridan? Counselor Na'Far. I've just arrived and wanted to
check in with you. I'm here to replace citizen G'Kar."
Na'Far explains to Sheridan and Ivanova that the Centauri believe G'Kar is creating an armed resistance on the Narn Homeworld, and they want it stopped. Sheridan asks Na'Far why he doesn't want the occupation stopped; Na'Far says that he feels it is not yet the time for action, and that he has been instructed to take over on Babylon 5. Sheridan denies his request, and insists that Na'Far work out his problems with G'Kar alone. Na'Far politely, but reservedly, thanks him and leaves.
In Earhart's, Garibaldi tells a very tired Dr. Franklin a story, but Franklin is in no mood. Ivanova comes by and sits down with them. Franklin says that he has been worried about Sheridan, who has been under an extreme amount of pressure recently, but Ivanova insists that he has had to be, because he has had more to deal with. Franklin receives a call from MedLab, asking him to take an extra shift. He reluctantly agrees, and goes off to the bathroom. While he's gone, Garibaldi tells Ivanova that he looked through Sheridan's file when he came aboard the station, and that he feels Sheridan is capable of handling any problems that arise. Ivanova leaves, running into Franklin on the way out. He is much more energetic now, and tells Garibaldi that he plans to ask a beautiful woman sitting nearby to dance, which he does.
Na'Far talks to Londo, to whom he was instructed to report
prior to contacting G'Kar. Na'Far asks if he may speak with G'Kar, but
Londo avoids the request, instead asking whether or not it would be
safe to visit Narn, if the captured Narns are doing what they
should, and if the executions are continuing. Na'Far answers
affirmatively to each. Londo says that Na'Far may leave, which he
does. Vir, who witnessed this, asks Londo if it was really necessary
to break the Narns' spirit as well, but Londo insists that the Narn must lose
their pride, or they'll pose another problem later.
Lt. Corwin tells Sheridan that they have been monitoring an alien probe that has entered Babylon 5 space, a probe of no known design. The probe, which appears to have no weapon systems, begins transmitting a code to Babylon 5, a series of repeating signals that will take the computer several hours to decode.
Londo tells Delenn that he feels the rift that has grown between them
is unfortunate, and that he misses her as a friend. He tells her that
he has done her favors in the past, and now wants her to repay him. He
says that he believes Vir would be an excellent choice for a new
Centauri diplomatic mission to Minbar. Delenn asks why he feels Vir
should be sent to Minbar, and Londo attempts to lie to her, but she
catches him. "Over the last two years," he tells her, "to my
considerable surprise, I have become very fond of Vir. Sometimes in
his eyes, I see a younger version of myself, before... He would be
better off away from here. Away from what must be. He would only get
in the way." Delenn suggests that perhaps Londo needs Vir, but Londo
insists this isn't true, and gives Delenn Vir's papers. Delenn says
that she will do what she can. Londo leaves.
Garibaldi and Franklin sit down for an Italian dinner in Garibaldi's quarters, and Garibaldi begins to talk to Franklin about his use of stims. Garibaldi tells him that, for obsessive compulsives like themselves, it can be easy to form addictions. Franklin insists that he doesn't have a problem, but Garibaldi, who noticed Franklin's stim use back at Earhart's, tells him that he checked the records and found that Franklin purposefully takes extra shifts, even though he is always overworked. Franklin is upset that Garibaldi did this, but promises Garibaldi he doesn't have a problem, and will cut back on his use of stims.
While Sheridan sits at a bar, Na'Far's bodyguard, Ta'Lon, the same Narn
Sheridan rescued the previous year from the Streib ship, appears and
tells Sheridan that he wants to repay the debt he owes. In his desire
to help the Narn after the Narn-Centauri War began, he ended up
Na'Far's bodyguard, but says that he is no longer sure if he is
protecting Na'Far from outsiders or other Narns. Ta'Lon tells Sheridan
there is a debt he must repay as a matter of honor, and though Sheridan
is initially resistent, he accepts Ta'Lon's offer.
Lt. Corwin reports to Ivanova that the computer has finished analyzing the probe's language codes. It was sent to initiate contact with other life forms, and promises that, if a list of just over 600 questions in many complex scientific and mathematical fields are answered within 24 hours, they will be rewarded with cures for disease and highly-advanced technology, but should they fail, they will be vaporized in a 500,000 megaton explosion when the probe self-destructs.
Ivanova and Sheridan try to work through solutions to the problem, but are unable to come up with any acceptable alternatives other than answering the probe's question. Ivanova tells him that most of the questions are very technical and some nearly theoretical, and that she had to send some of them back to Earth to be answered.
Na'Far tells G'Kar that many Narns are starving, and that the
resistance is keeping the Narns on the homeworld from getting the food
sent by the Centauri. G'Kar tells him that they don't want the help of
the Centauri, but Na'Far says that Centauri food may be their only
chance for survival. G'Kar explodes, telling Na'Far that he isn't
responsible for the Narn invasion, and that he doesn't want to be
blamed for those problems. G'Kar insists that the resistance is
working to secure their own food and resources, but Na'Far despairs that
they will ever be able to bring in enough. G'Kar says that the
Centauri are simply trying to control them, a fact to which Na'Far
concedes, but insists that the time for action is not yet at hand.
Na'Far begs G'Kar to postpone his battle against the Centauri and
return home, while Na'Far looks after things on Babylon 5.
G'Kar says the other Narn on Babylon 5
will not accept Na'Far, and therefore he must stay, but
Na'Far tells him that the Centauri will persecute and imprison their
families if he remains.
Dr. Franklin tries to treat an alien patient, but is unable to
communicate with him, and there is no translator available. Ivanova
calls and asks Franklin if he has received answers to the questions
he relayed to Earth.
Franklin, under a great deal of pressure,
orders the patient away and looks in his desk to see stims inside, but
quickly closes the desk without using them.
Vir insists that he doesn't want to go to Minbar, but Londo assures him that he will have a good time, and that it is a good career move, and that he will still return to the station now and then. He assures Vir that he is simply trying to protect him, and is capable of taking care of things himself. Londo is confident that Vir will adjust to his life on Minbar.
"Londo, if I leave, you'll be alone!" Vir objects.
"Ah," Londo replies, "I have always been alone."
Na'Far and Ta'Lon leave G'Kar's quarters and are accosted by some of the members of G'Kar's resistance, who insist that he is merely a puppet of the Centauri designed to carry out their will on Babylon 5. One of the Narns insists that Na'Far's sole purpose there is to break their souls, and wants him to go back to Narn. A battle ensues, but is interrupted by G'Kar who stops them and tells them that they cannot succeed if they fight amongst themselves. If the only way to solve these problems is to return to Narn, he agrees to do so.
With only six hours left, Babylon 5 has all but 75 questions answered, and they continue to process more all the time. Sheridan asks if they might be able to power up the weapons slowly so the probe wouldn't be able to detect it, but this crisis is interrupted by another: Corwin tells him that the transport association is demanding another meeting, which Sheridan reschedules seven hours later.
Garibaldi visits G'Kar, who is in the process of packing to return to
Narn. He explains his reasons, but Garibaldi tries to explain that the
Centauri will kill him should he return, a fact which G'Kar is only too
aware of, but believes is only the solution. Garibaldi tries to
convince him to stay, but G'Kar will not. G'Kar thanks him for his
concern, and Garibaldi leaves.
Dr. Franklin, talking to a doctor on Earth, is outraged to hear that they do not have answers to all the questions he asked. He blows up at her, telling her to find the other answers, or else he will do what he can before he dies to discredit her. He shuts off the link, and opens his desk again. This time, he succumbs and injects himself with stims.
Na'Far tries to rally the Narns aboard the station to his way of thinking, and tells them that one great victory is better than numerous small victories. He does a good job of persuading them of this, but there is one thing that this plan omits that they all want to have.
With three minutes remaining, C&C rushes to get the answers
transmitted, but Sheridan stops Ivanova, saying that he thinks there is
something unusual about the situation, namely why a more advanced
race would wish to give less-advanced races technology beyond their
own. He says that wishing to eliminate lesser races, in that
case, doesn't make any sense. He proposes that the entire thing is a
ruse, designed not to destroy races who haven't reached a certain level
of technological awareness, but rather to destroy races who HAVE, and
present a threat to the probe's creators. With only 15 seconds
remaining, Sheridan orders the information to not be sent. The probe
leaves. Sheridan
orders all of the answers relayed through a securebot a large distance away
from the station. The probe self-destructs, destroying
both itself and the securebot, but leaving the station intact. While
Ivanova tries to get the debris back to the station for study, Sheridan
laments that he now has to face the Transport Association again.
As G'Kar leaves the station, he is stopped by the many Narns of the resistance, who insist that G'Kar is valued and needed on the station. They refuse to let him leave, and though he tries to insist he is leaving in order to help them, they will not let him leave. He reminds them that their families may be in jeopardy, but they all realize this and are ready to accept what happens if it means the freedom of all Narns. Even Ta'Lon has been convinced to stay and join the Narn resistance, and tells G'Kar that only with his help can they eventually succeed. G'Kar agrees to stay aboard the station.
Garibaldi and Franklin sit in Earhart's discussing recent events, and though Garibaldi apologizes for what he said about the stims, Franklin tells him that he does have his use of them under control, since he managed to get through the previous days' trials without using them at all. He asks where Ivanova and Sheridan are, and Garibaldi tells him not to ask...
...Because they're embroiled in a Transport Association meeting, this one even louder and more disorganized than before.
Londo and Vir walk together in the docking bay, not saying a word. As Vir boards a ship, he looks back to Londo, who does nothing but nod. Vir enters the ship, and Londo turns and walks away.
A Distant Star
Overview
Disaster strikes an old friend of Captain Sheridan. Dr. Franklin offers nutritional advice to some reluctant patients. Russ Tamblyn as Capt. Maynard. Miguel A. Nuñez, Jr. as Orwell.
Sub-genre: Suspense P5 Rating: 7.34 Production number: 204 Original air date: November 23, 1994 DVD release date: April 29, 2003 Written by D.C. Fontana Directed by Jim Johnston
Watch For:
- Captain Maynard's footwear.
Backplot
- Sheridan's first commander, on Earth-Mars patrol duty, was Jack Maynard, who Sheridan admired greatly. "I thought he knew everything," Sheridan says. "He did, too."
- The Earth Alliance has a small fleet of huge Explorer-class ships that travel out on the rim of known space, mapping new systems and installing new jump gates. More specialized scout ships follow later to perform detailed or specific surveys of these newly opened systems.
- The Explorer ships, which are considered choice commands, can also repair jumpgates.
- Navigation in hyperspace involves locking onto jumpgate signals. There seem to be no natural reference points in hyperspace, so a ship must keep its own internal navigation references or lock onto the signals of nearby gates or it will become lost. Until this episode, no ship lost in hyperspace had ever been rescued.
- Minbari society is built upon a strict caste structure and obedience to superiors within that caste structure. Delenn has challanged that organization, and the Minbari are beginning to react.
Unanswered Questions
- Is something living in hyperspace? (This isn't a new question; it was the subject of a front-page Universe Today story in "And the Sky Full of Stars.")
- Why does Delenn feel she is more "one of us" now than she's ever been? Is it because she views humans and Minbari as joined, and she feels she's a part of both halves?
- How does hyperspace work in the B5 universe?
Analysis
- The appearance of his friend and mentor Jack Maynard suddenly throws Sheridan's new duties aboard Babylon 5 into contrast with his training and experience, kindling a strong sense of dissatisfaction with the job. "I've been beached," he says. This is sure to crop up again in the future. Despite his newfound energy at the end of the episode, what Captain Maynard said is still true; being a governor and a diplomat isn't what Sheridan trained or even wished for. If he's itching for action when a crisis comes up, that might cause him to look less thoroughly for peaceful solutions than someone like Sinclair might.
- Delenn's transformation is something that's clearly a mystery to the general Minbari population, suggesting that it is either unprecedented or so rare as to be unheard-of. Yet she seemed to know what she was doing, as did at least some of the Grey Council. The Council is likely harboring many secrets that aren't simple matters of religion and spirituality; what other technologies do they possess that the Minbari public knows nothing about?
- Jumpgates act as locator beacons in hyperspace, providing a three dimensional homing signal detectable for a thousand kilometers or so there. To be useful in the featureless and chaotic void of hyperspace it would have to provide both a relative and an absolute reference much like a VOR does for aircraft. If the beacon can respond to ship data requests, then range data and traffic information could also be transmitted to the approaching (or departing) ship. Just how this works is not explained.
- Hyperspace is a featureless place, yet it has currents and eddies that corrospond to gravity in normal space. Sheridan says, "We know there is a drift in hyperspace that can pull a ship down the gravitational incline." Gravity works in hyperspace, though apparently not in quite the same way that it works in real space. Electromagnetic waves also propogate in hyperspace, but become distorted rapidly over distance in a random and variable way. Jumpgate beacons are, therefore, very short range -- more like lighthouses in hyperspace -- and communications with ships in hyperspace is possible only when the vessel is near a jumpgate.
- What looks like a great deal of hand-waving over the Cortez accident
can be explained upon close examination of the circumstances. The
timeline of the accident seems to be:
- Cortez enters the jumpgate.
- Cortez exits the jumppoint in hyperspace and attempts a restart of her primary power system. The fusion reactor restart fails, and the power system spikes, producing a powerful electro-magnetic pulse (and presumably a sizable radiation pulse) which takes out some systems aboard Cortez, including main propulsion, navigation, and some computer systems. Cortez is now adrift.
- Many hours later Cortez gets some main power back and systems running. Captain Maynard, after getting a damage report that tells him that nav won't be back up for 48 hours, puts up a distress call, which is received (barely) by B5. At this point Cortez is under power, but without reference points the best they can do is hold station against the pull of a nearby gravity well.
- B5 receives the distress signal, and Captain Sheridan decides to make a rescue attempt. Cortez is effectively just "offshore" in hyperspace, and despite Ivonova's misgivings he feels they stand a chance of recovering her. Five fighters are launched into hyperspace by B5, and they form up on a line facing down the local gravity well at 1000km intervals.
- The fighters set up the search pattern, with Cdr. Galus (fighter group commander) and Lt. Keffer together at the far end. This puts them about 4000km away from B5.
- A shadow ship enters hyperspace almost on top of Galus, colliding with and destroying his fighter. It also rams Keffer's Star Fury, but only knocks out some systems (comms, nav, and propulsion). Keffer begins firing (presumably on internal references) in the direction of Galus's last position. Cortez figures it out, and at about the same time Keffer's fighter gets communications back online. Rather than risk losing a good bearing back to the jumpgate, Keffer tells Captain Maynard to take Cortez directly back to the gate, leaving him behind in his unmaneuverable Star Fury. He is unable to keep station and will drift, eventually losing any reference back to B5.
- About 24 hours later (more or less -- it seems like the next night, end of shift in C&C, about midnight) Keffer is running out of oxygen--but his Star Fury has succeeded in getting his thruster systems back online. Shortly after that he spots another shadow ship, and using that as a reference point he navigates back to the jumpgate and returns to B5.
- This may not have been as much of a crisis as it seemed to be. Cortez, given its stated function of running about on the rim, must carry its own jumppoint generator. The problem was the lack of main power. Since it has already been stated that opening a jumppoint takes a great deal of energy, the size of the Cortez fusion plant would therefore be determined by the power requirements for creating the jumppoint. With only partial main power, she was unable to do so. But given the size of the ship and its presumed independence, it is possible that Cortez could have repaired her main power plant herself, and then opened a jumpgate of her own. This possibility explains why Captain Maynard didn't broadcast a mayday immediately following the accident -- he assumed they could get Cortez out of trouble themselves. It was only after he received the damage report detailing the slow recovery of main power and the long repair time for navigation that he decided to call for assistance.
- This episode further delineates the technological capabilities of the Shadows, though not explicitly. They use the same hyperspace the major races do. (As opposed to, for example, the Sigma 957 aliens from "Mind War," who appeared to use something different.)
- Though the Shadows presumably noticed the Starfuries and the Cortez and realized they could be seen as well, they took no action against the human ships. This is somewhat in contrast to their apparent desire to remain undetected. Several explanations are possible. Perhaps the Shadow ship was in a hurry; perhaps its weapons aren't functional in hyperspace; or, most intriguing, perhaps it realized that the ships were from Earth and chose to leave them alone for that reason.
Notes
- Captain Maynard has seen a shadow ship in the past, though he didn't
recognize it as such, and now Lt. Keffer has seen one as well.
- Garibaldi's special dinner:
Bagna Cauda (from Jeff Smith's -The Frugal Gourmet-)
1/2 cup olive oil
1/4 lb. butter (1 stick) - not margarine!
5 cloves garlic, finely chopped
6 anchovy fillets, mashed
black pepperHeat oil and butter together in top of double boiler. In a small skillet cook the garlic in a bit of this oil until soft. Add the anchovies, and cook till the fish turns into a paste, about 5 min. Mix this paste with the hot oil and butter. Transfer to a chafing dish or fondue pot to keep warm on the table (it congeals as it cools.)
- @@@864543530 The Egyptian blessing: "God be between you and harm, in
all the empty places where you must walk." This blessing was
quoted by creative consultant Harlan Ellison in his short story,
"Paladin of the Lost Hour."
- Delenn's speech about "starstuff" is very similar to a section of
Carl Sagan's Cosmos, as well as a section of the play
The Effect of Gamma Rays on Man-in-the-Moon Marigolds.
- (unverified) As the Cortez exits the jumpgate, its hull numbers can be read, "14286." Later, when Sheridan grants clearance for it to leave, its number is stated as "C199."
jms speaks
- To be filed under the heading of, "What I does, I takes the rap for;
what I does not, I doesn't take the rap for," when we discussed the
hyperspace accident in our production meetings, Jim -- our director --
asked if he could so some fratzing and sparking, some fire...I said I
did not *want* huge gouts of flame, just a few small sparks, fine, a
bit of smoke from components burned out, fine...and that day I was
over in the other facility overseeing a mixdown of the audio...and
guess what he did in my absence? Yup.
- So many questions about hyperspace came up over the last year or so
that we figured they should be addressed; be assured, we're staying
as clear of technobabble as ever, despite my Spousal Overunit's
absolute and unshakeable conviction that *everything* is, at its
root, a math problem.
- To get in and out of hyperspace you have to know where you are and
where you're going, otherwise you'll come out even *more* lost,
hundreds of light years from home; you jump in, and you're even
further gone now.
- @@@846702887 Once in hyperspace, you can ride the navigational beams
between beacons (narrow beam stuff, to cut through the interference,
as noted in "Distant Star"), and by corrolating the beacons, know where
you have to come out.
That's my story and I'm sticking to it.
- And the Cortez might've been able to locate some stars, but any fix
on its position would only have been within a few light-years, not
nearly precise enough for their purposes. They'd still be lost.
- Should a ship have been named after Cortez, considering what
effect his arrival had on the native Americans?
If Cortez had NOT landed in northern Mexico, do you think it would have remained undiscovered until now?Fact #1: somebody was bound to discover the Americas.
Fact #2: any sufficiently advanced civilization or culture will inevitably attempt to exploit any civilization or culture not sufficiently advanced to fight back on a level playing field.
Blaming explorers for exploring has always seemed to me really kind of silly; do people *really* think that if Columbus hadn't landed here, it'd be 1994 and we still wouldn't know the world was round and that this continent was here? It doesn't matter who discovered it, the same result would've come. Somebody had to discover it sooner or later.
- @@@846702887 Did the Cortez spin to produce gravity?
Yes, it rotated to create its gravity, as you can see quite clearly in the episode. - (He coughs and speaks in his Executive Producer Voice:) "I *LIKE* the
opening title sequence."
Now...onto other matters.
We re-mixed the narration and music today in the titles, and it's a LOT better. I slightly shifted the placement of some of the lines, and Bruce's rendition is very nice. Really carries the weight. Look for it to appear starting in episode #4.
- Actually, we just redid the narration with Bruce yesterday, and it's
MUCH better. We'll be able to get it in starting in episode #4.
While we were at it, btw, we took the opportunity to re-do the faceplate shot in the main title sequence. It was fine, but it could've been better. Now it is. Expect it around the same time as the new VO.
Originally compiled by Dave Zimmerman
A Distant Star
At C&C, Ivanova delivers a message to Sheridan from Captain Maynard of the Cortez. The Cortez is coming to Babylon 5 to pick up supplies. Ivanova notices that they are asking for a lot of supplies, and Sheridan explains that it is because they have been travelling for five years. The Cortez is an Explorer ship, a rare sight for most people since such ships are nearly always out mapping the edges of known space. Sheridan is informed that the ship is coming through the jumpgate, and everyone is amazed by it; it's nearly as long as Babylon 5 itself. Sheridan tells everyone at C&C to take a good look.
The Cortez.
Sheridan and Captain Jack Maynard of the Cortez spend some time getting reacquainted. Maynard talks about some of the mapping he did on the rim, and says that he returned to fix one of the Euphrates jump gates and to resupply.
Delenn approaches them, and Sheridan introduces the two. Delenn makes a request to convene the council to discuss the problems in sector 19, and Sheridan agrees to do so. Maynard is confused about Delenn's apperance, not understanding how a Minbari can look so unusual.
"There's the story she told us," Sheridan explains, "but then the Minbari never tell you the whole truth."
Maynard agrees. They talk about Babylon 5, and Sheridan talks about how busy the job is keeping him. Maynard says that he never thought Sheridan would accept such an assignment.
Garibaldi is in MedLab, being examined by Dr. Franklin. Garibaldi says that he appreciates Franklin's help, but eats whatever he wants whenever he wants, and as much as he chooses. Dr. Franklin says that Garibaldi can no longer do that, as he is iron-deficient and has high blood pressure. Dr. Franklin says that, to remedy the situation, Garibaldi needs to be put on a restricted diet. Garibaldi objects, saying that it is almost time for him to make Bagna Cauda, an Italian fondue that contains olive oil, garlic, butter, anchovies, and other ingredients, but Franklin says he shouldn't have it, and that he should stay away from salt and bread especially. Garibaldi says that, without those things, he can't make Bagna Cauda. Dr. Franklin still won't allow Garibaldi to eat it, and gives him a list of other things he shouldn't eat. Garibaldi looks at the list and is angered that most of his favorite foods are there.
Unpleasant diet plan.
Dr. Franklin says that he is serious and that this gives him the opportunity to call in the ranking officers for a nutritional profile, as they probably all have poor eating habits.
Sheridan tells Maynard about his first day on Babylon 5, regarding the Narns and Centauri, the Vorlons, the Minbari's feelings toward him, and Delenn's chrysalis. Sheridan says he is handling things one day at a time. Maynard says that he never imagined Sheridan would be on the station. He wonders why the President would choose someone the Minbari didn't like. He also wonders how Sheridan is doing, since this job was not what he was trained for. Sheridan says that he can make a difference on Babylon 5, and that doing that is important. Maynard doesn't understand how Sheridan could be satisfied with a desk job, but Sheridan says, "Well, it's a hell of a desk to be tied to."
Toasting Sheridan's desk job.
Garibaldi reports to Sheridan about a recent wave of shoplifting cases. Sheridan is upset that Garibaldi would come to him with such a minor problem. He says that he is sure Garibaldi can handle the problem, and expects a full report as soon as the guilty parties are apprehended. Garibaldi thought that Sheridan wanted to know everything that happened on the station. Sheridan says he wants to know everything important that happens, but wants Garibaldi to take care of the details.
Sheridan, Ivanova, Warren Keffer, and the leader of Zeta Squadron are in the officer's lounge, listening to some of Captain Maynard's stories about the rim. Maynard says he wants to hear their stories, but the others say that his stories are more interesting. Keffer asks Maynard where he is headed next, and Maynard says that he is going back to the rim to build jump gates so the area can be explored. Ivanova asks about Maynard's experiences in hyperspace, but Maynard is unsure what she means. Keffer tells Maynard about the Universe Today article a few months earlier asking if something was living in hyperspace. Maynard isn't sure about the answer to that, but does say that he has seen something out there, and that it is "stranger than any one of us can imagine."
Sheridan escorts Maynard back to his quarters, and asks if his comments about hyperspace were true, or if he made it up. Maynard says that they were true. "Well," he continues, "it wasn't in hyperspace, though. But you know, things can get kind of weird out on the rim, too. It's funny. You never know what you're going to find when you look over the edge of what's known and into what's not. We were in sector 857. I took my nav officer, Lietuenant Patrick, with me for a look around in one of our scout ships. Well, I noticed that we'd gotten out of sight of the Cortez, and I was, I was just about ready to turn back when I saw something. It was maybe a thousand kilometers away--black against space. Now, the reason that I knew it was there is that it blotted out the stars behind it. I don't know the exact shape of it, but...it was big. I turned to Pat, to ask him if he could see it, and when I looked back, it had vanished."
Sheridan tells Maynard that he is the second person in a month to tell him that something strange is happening out on the rim. He asks if Lieutenant Patrick saw anything. Maynard says he only saw a blink--a change in space. "He doesn't know what it was any more than I do," Maynard continues. "But it's there. And it was real. It still sends a shiver up my back when I think about it."
Garibaldi is talking with a young man named Orwell. Orwell tells Garibaldi that it will be very difficult to obtain the items he wants. Garibaldi says he can pay for it, but Orwell thinks it will be difficult to obtain because Garibaldi won't accept substitutes, and it is extremely difficult to find the items. Garibaldi offers a bonus and tells Orwell not to mention anything about it to Dr. Franklin.
"How much to tell nobody?" "You
couldn't afford it."
Meanwhile, Sheridan is in MedLab, talking to Dr. Franklin, who says that Sheridan should lose ten pounds, and should avoid meat, fat, and should eat lots of vegetables.
"I'm not sure I understand the intent of this meeting, Teronn," Delenn tells the Minbari who is speaking with her.
He explains that the other Minbari on the station are afraid that Delenn is no longer one of them.
"I am more 'one of us' at this moment, than I have ever been. More than you will ever know," she tells him. She says that she appreciates the concern, but says she can't tell him anything else.
He tells her that they need to understand what has happened.
"Understanding is not required. Only obedience."
Teronn says that they would be obedient if they could be assured that she was still one of their own kind. He says they have the right to know if she is. "If you can not give us what we need," he continues. we will ask permission to send a representative to speak directly with the Grey Council...unless you object." She does not object. Teronn leaves.
Dr. Franklin tells Ivanova that she too needs to go on an increased diet in order to replenish deficiences in calcium, iron, and other minerals that are hampering the healing of her leg. He hands her a food plan, and after looking at it, she protests that she will gain weight. As she leaves angrily, she says, "Figures. All my life, I've fought against imperialism. Now, suddenly, I AM the expanding Russian frontier." As she leaves, Dr. Franklin adds, "But with very nice borders."
Sheridan escorts Maynard to the Cortez. Sheridan tells Maynard that he wishes he were going along. Maynard says he understands Sheridan's feelings, but does regard his job as just a job. He says that interesting things don't happen very often, but Sheridan doesn't agree. "The adventure is out there, Jack. A man has to go meet it."
Maynard says that sometimes, you don't need to find it, because it will find you. Captain Maynard is then called to the Cortez. He and Sheridan say their goodbyes and leave. Sheridan goes to C&C, where he gives the final departure clearance to the Cortez. He watches it enter the jumpgate and disappear.
Later, Ivanova is in Sheridan's office, talking to him about problems she is having with two of the delegations on board. He tells her that such problems should be her concern, but she informs him that they will not accept a solution from anyone but him. Sheridan reluctantly agrees to help solve the delgations' problems, but Ivanova is not completely satisfied. She tells him that she feels he has been acting strangely ever since the Cortez arrived. She asks him if he wants to talk about it.
"I command starships, Susan," he explains to her, "not cities in space. These problems, the...the petty complaints, the endless bickering, the constant negotiations. Jack Maynard said this isn't what I was trained for, and he's right. I mean, I am constantly sandbagged, swamped, drowned, and snowed under by nothing but trivia. I mean, look at this desk. I can't find a thing on it. You know me. Is this me? Huh?"
She tries to tell him that command a starship and commanding Babylon 5 are two different challenges, but that one is not more difficult than the other. She doesn't accept this as an answer because he never had difficulty with problems such as these on a starship.
He says that Captain Maynard was right. "They have turned me into a bureaucrat, a politician."
Ivanova asks him if he believes President Clark was wrong in assigning him to the post.
"I don't know," Sheridan answers. "Maybe he was, and it's just taken this long to sink in."
The Cortez is in hyperspace when an explosion rocks the ship. After they completed the jump, their fusion reactor spiked, dropping power to 30%, and causing the ship's tracking system to malfunction. This caused them to lose their lock to the jump point and rendered them incapable of leaving hyperspace. Though they are flying blind, they continue to move through hyperspace, hoping to eventually locate a jump point through which they can exit.
Ivanova, Garibaldi, and Sheridan are sitting at a table together, eating dinner. They eye the plates before them with great distate, not seeing the types of food they would normally eat. Garibaldi explains that he was able to solve the problems with the shoplifters. Sheridan tries to eat some of his salad, but can't. He points at Garibaldi and accuses him of being at fault for the food plan. Garibaldi tries to absolve himself of blame, but the three find a better solution: Ivanova gives her food to Garibaldi, who gives his to Sheridan, and Sheridan gives his to Ivanova. They are all about to eat the meals they would prefer when Dr. Franklin walks by and catches them. They all quickly switch plates around again and begin eating their proper meals.
Almost enjoying a meal.
The Cortez is still flying blind, and while power has returned, they do not have the time necessary to fix the navigational systems of the ship, as it would take them 48 hours, by which time they would no longer be able to locate the jump gate's signal. Captain Maynard orders their communications officer to send a mayday. Though the officer doesn't believe it could travel far enough in hyperspace to be of any use, they send it anyway. Babylon 5 receives the mayday, and Sheridan responds to it, saying that help is on the way. He orders all available pilots to their squadron bays. Ivanova reminds Sheridan that no ship has ever escaped from hyperspace in such a situation. Sheridan knows that, but rushes off to prepare anyway.
Dr. Franklin is examining Delenn in MedLab. She objects to being examined so much, but he says that, in addition to curiosity, he has a responsibility to make sure she is healthy after her change. She says that she is, and has suffered only minor problems, such as dizziness and fatigue. He asks if anything else is bothering her, and she says no. He also asks if the other Minbari are accepting the change without question.
"Of course," Delenn says. Changing the subject, she asks Dr. Franklin about a new delegation coming to the station. Dr. Franklin doesn't understand, but Delenn explains that Garibaldi was waiting for them. "I believe," she tells him, "they're called Bagna Cauda?"
Sheridan and Ivanova are in the squadron bays, addressing the pilots who will go out to attempt to rescue the Cortez. Sheridan says that they must try, even though no ship has been found when lost before. They don't know where the ship is, but they do know that, while the first mayday sent by the Cortez was strong, they are fading now.
Galus, the leader of Zeta squadron, asks how they can find the ship if they do not even know how to begin looking.
Sheridan says that he has an idea, although it is a risky one. "The first fighter will stop just inside the gate, and lock onto the gate's signal," Sheridan explains. "The second fighter will proceed 1000 kilometers further in, and lock onto the signal of the first one. The third fighter will lock onto the signal of the second one, and so on." He also says that they could increase the range, if necessary, by moving subsequent fighters further out. While it is a dangerous mission, all the pilots understand and prepare to leave, though both Sheridan and Ivanova wish they were going with them.
Sheridan addresses all fighters as they prepare to leave on the mission. "An old friend of mine once quoted me a ancient Egyptian blessing: `God be between you and harm, and all the empty places we must walk.' Bring the Cortez home." The fighters then leave the station and enter the jumpgate, to search for the Cortez.
There is no longer a signal from the Cortez, but the fighters are positioned inside the jumpgate, relaying the message to each other, and broadcasting it in hopes that the Cortez will receive it, though there hasn't been a response yet. Soon, the Cortez does receive the signal from Babylon 5, and responds, saying that their lock-on still isn't functioning. Sheridan orders the Cortez to continue broadcasting their mayday so that a fighter can find them and lead them out of hyperspace. The fighters chosen for this are Galus and Keffer. They have difficulty locating the Cortez, because the radio locator "doesn't want to settle." Eventually, the fighters move out so far that they lose contact with Babylon 5.
Starfuries to the rescue.
Ivanova and Sheridan are both in C&C, anxiously awaiting any information about the Cortez, but they hear nothing. Sheridan asks Ivanova to take a break, but she doesn't want to any more than he does. Sheridan says that Maynard is too good a friend to leave his post. "If this turns into a wake," he says to Ivanova, "I want to be here." Sheridan explains that Maynard was his first commanding officer; Sheridan worshipped him. Ivanova understands his feelings, and says that she will be there for him if the Cortez does not make it back, but asks him to remember the Egyptian blessing, given him by Maynard, in the meantime.
Keffer locates the mayday from the Cortez, and radios Galus, telling him so. Galus tells Keffer to go, saying that he will maintain position while Keffer finds the Cortez. Keffer soon finds the Cortez, and approaches it. Keffer loses contact with Galus when a Shadow ship appears in hyperspace and collides with Galus' ship, destroying it. On its way, the Shadow ship also collides with Keffer's ship, though luckily it only sends it spinning away, stabilizers offline.
Maynard and the Cortez manage to locate Keffer's ship, but notice only that he repeatedly fires in the same direction as his ship spins. Captain Maynard determines that this must mean Keffer wants him to go in the direction of the fire. They begin to lay in the course when they regain contact with Keffer's Starfury. They offer to come and retrieve him, but Keffer says that both vessels will be lost if they waste time picking him up. Maynard understands, and orders the Cortez to be taken back to Babylon 5.
Sheridan, Ivanova, and the others are relieved at the safe return of the Cortez and most of the Starfuries, though saddened that two fighters did not make it back.
Orwell is waiting impatiently for Garibaldi, who soon arrives. Orwell explains that he had difficult obtaining the items Garibaldi wanted, but did manage to do so, and opens a case for Garibaldi's inspection. Garibaldi begins examining the contents when he is interrupted by Dr. Franklin, who realized that Orwell had the ability to gather the ingredients for Bagna Cauda so far away from Earth. Orwell leaves, and Garibaldi says that he wants Bagna Cauda for his birthday. Dr. Franklin doesn't accept this as an excuse until Garibaldi explains further. "My father always made Bagna Cauda for me on my birthday. Pop was a great cook, and Bagna was his speciality. When he used to cook it, I mean, the smell, oh man, the smell would fill the whole place. It's funny, you know. When I watched him cook, I knew he was doing it because he loved me. He just could never say it, so he did that instead. He's been gone a long time. So, now, I make it myself once a year, honoring him, you know. It's...it's the only part of him I got left." Franklin believes the story, and tells Garibaldi to make enough for two people.
Sheridan is in the arboretum when Delenn comes in. She expresses her sympathy over the loss of the two Starfuries. Sheridan says that the hardest part of command is sending others out to die. She tries to tell him that because he did so, they managed to save others; he was in the right place.
He asks what makes her think that he belongs on Babylon 5, and she answers. "The universe puts us in places where we can learn. They are never easy places. They are right. Wherever we are is the right place at the right time. Pain sometimes comes. It is part of the process of constantly being born."
Sheridan says he thinks she's been doing thinking about this on her own.
"Perhaps," she tells him. "We are both, I suppose, going through transitions. But the universe knows what it's doing."
Sheridan says that he wishes he had the faith in the universe that she did.
"Then I will tell you a great secret, Captain," Delenn says to him. Perhaps the greatest of all time. The molecules of your body are the same molecules that make up this station, and the nebula outside, that burn inside the stars themselves. We are starstuff, we are the universe, made manifest, trying to figure itself out. As we have both learned, sometimes the universe requires a change of perspective."
Keffer is still lost in hyperspace, and running out of air, though he finally gets his thrusters back on-line. He cannot, however, locate the jumpgate because his lock-on systems are not functioning. Suddenly, another Shadow ship appears, flies a brief distance, and vanishes. Keffer tells the computer to analyze its flight path and tells it to correlate with the last sighting.
An unlikely savior.
Sheridan is about to give up on Keffer's return when the jumpgate activates, and Keffer comes through it, requesting permission to dock. Sheridan happily agrees.
Keffer proposes a toast to Commander Galus. Ivanova asks Keffer if he could determine anything about the object that hit him, and indirectly, saved him. He says he couldn't tell anything about it, but that because he knew its position when it first appeared relative to his position, he was able to find his way out, using its origination point the second time as a reference. But he didn't know what it was. "There was just this feeling that something dark and dangerous had gone by," he explains.
Maynard agrees that the feeling is powerful. Keffer wants to learn what the object was, but Ivanova says there are more important matters to attend to. She promotes Keffer to the leader of Zeta Squadron.
Garibaldi and Dr. Franklin are in Garibaldi's quarters, preparing to eat the Bagna Cauda. Though Franklin initially objects, once he tastes it, he admits that he likes it very much. Garibaldi offers him dessert. Franklin says he didn't authorize dessert, but Garibaldi doesn't care -- he simply chooses not to give any to Franklin, who then objects to that, but soon loses his cares in the Bagna Cauda.
Franklin digs in.
Ivanova enters Sheridan's office where Sheridan is hard at work. Ivanova tells Sheridan that the others would like to see him in the officer's club. Sheridan says that he has much work to do, but will try to catch up to them in an hour or so. He asks Ivanova if she has ever had a long talk with Ambassador Delenn.
"From time to time."
"She and the universe seem to have a special relationship."
"Don't we all?" says Ivanova as she leaves.
Sheridan leans back in his chair to contemplate what Ivanova and Delenn have said. "Starstuff," he says, smiling.
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
A Late Delivery From Avalon
Overview
As Sheridan and Ivanova try to gain recognition of the station's new status among the alien governments, a traveler arrives with an unbelievable story out of distant legend. Michael York.
P5 Rating: 7.79 Production number: 312 Original air week: April 22, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
An episodic soundtrack is available.
Backplot
- G'Kar has been using a human courier to get messages back and forth between the station's Narn and the homeworld.
- The first Earth vessel to encounter a Minbari warship was the Prometheus. As the Minbari ship approached with gun ports open, a sign of respect ("Legacies") the Prometheus' captain ordered its crew to open fire. The resulting battle destroyed two Minbari warships and killed the leader of the Grey Council, Dukhat.
- 20,000 people were sent to defend Earth in the Battle of the Line. Only 200 survived. (Presumably the bulk of the 20,000 were aboard large ships, not individual fighters.)
Unanswered Questions
- Given how badly outmatched humans were during the war, how did the Prometheus manage to inflict so much damage? Simply a matter of the element of surprise?
- How much truth is there in Marcus' joking speculation about the Vorlons? Or in his drawing of parallels between the B5 crew and Arthurian legend? (If there's a lot of truth there, then who is the Morgana Le Fay figure?)
- What is the "dawn of a new age" Marcus referred to when he told Franklin about the Ranger pin? Any relation to the Third Age of Mankind as mentioned in the opening monologues of seasons one and two?
Analysis
- Relying on a large number of races for the station's defense may turn out to be a logistical nightmare. Ivanova will have to deal with questions like the structure of the chain of command (does she have the authority to order a Vree ship to fire?) and what to do about races who've agreed to participate but whose enemies haven't, which could lead to a situation like the one in "The Fall of Night." Still, as a simple show of force and a deterrent, the arrangement may well end up being sufficient.
- How did Marcus know about the events in "Comes the Inquisitor?" He arrived on the station after that was all over. Perhaps Sheridan or Delenn told him. Is the fact that the Vorlons have visited Earth in the past now common knowledge?
- The Prometheus didn't destroy all the Minbari ships, since Delenn held Dukhat in her arms as he died ("Severed Dreams.")
- At what point did the Soul Hunter ("Soul Hunter") show up during the battle between the Prometheus and the Minbari ships? From Arthur's description, it sounded like the battle didn't last long; the Soul Hunter would almost have had to be onboard Dukhat's ship before the fighting began.
- The Drazi ambassador now speaks for the League of Non-Aligned Worlds, whose membership seems to have gotten much smaller than a year ago. Perhaps many of the races have been taken over by their neighbors already, with Shadow help ("Severed Dreams.")
- @@@832096377 Arthur's line about returning "because I am most needed here and now" is analogous to Sebastian's description of Delenn and Sheridan as "the right people in the right place at the right time" ("Comes the Inquisitor.")
Notes
- @@@832007836 For more information about Arthurian legend, see Arthurian Resources on the Internet.
- @@@838499380 It should be noted that Arthurian legend is exactly that: legend. While there are historical figures who match bits and pieces of the legend, there almost certainly was never an actual King Arthur.
- The Minbari name for the Ranger pin is Isil'zha.
- Prometheus is a figure from Greek mythology, a Titan who gave fire to mankind. For more information see The Creation of Man by Prometheus.
jms speaks
- Michael York is currently shooting with us in "A Late Delivery From
Avalon," and doing an amazing job. This may turn into one of our best
episodes, from a performance and emotion perspective. I had a few
doubts about the script -- it has a kind of writing style I don't use
very often, and very stylized in appearance -- but it's coming out
great.
- York finished with us quite some time ago. Great episode, and a nice
man. Very friendly, very polite, nothing of the "I'm a STAR"
attitude one often gets with...well, *stars*. He was even very nice
when I gleepily asked him to sign my laserdisk of CABARET.
- York's a major film actor who's starred in many films,
including one of my personal favorites, "Cabaret." Also in the
"Logan's Run" movie.
- @@@839199590 If you've got someone new to the show, who might not
know the backstory very well, then probably the Michael York episode,
"A Late Delivery From Avalon" would be a good one.
- I *really* like this episode a lot. The performance,
the music, everything works; I tried to get a little artsy, try out
some different kinds of stuff, stretch some muscles I haven't used
enough, and it came out very nicely. It's just nifty.
- I like this one a lot. Not really an arc episode,
except in going into some backstory elements, but just nicely done.
I'm quite proud of this one.
- The Delenn/Arthur moment played out very well; no
lines, not a word, just the images, and the emotions under the surface.
- @@@865184429 I'll say one thing about one of those eps, but I won't say
which one; when people hear what it appears to be about, the immediate
reaction is going to be "Oh, god, they're not doing THAT are they?"
and there'll be a lot of sarcasm and head shaking...until the
episode airs, and folks see that what it's about...is *not* what it's
about...and I think it'll be a very popular episode thereafter.
- About the title
I often labor a long time on these things, to try and give them many layers, or turn the title in on itself, or do a play on words. I can't start work on a script until I have a title, because the title sets the mood. - Did Arthurian legends influence the heroic-epic style of B5's
storyline?
Well, if you're going to look at heroic epic, sure, the Arthurian story is a classic...but the earliest and best of these remain the Illiad and the Odyssey. Homer was definitely hitting all cylinders with that.If there's an aspect that informed B5's development, it's the arc of that heroic epic, which if you look at it dispassionately, is as much about the people *around* the hero as the hero himself. And all too often, the hero achieves the goal, but falls or falters or is changed by the end of it. Much of what passes for contemporary "heroic epic" assumes that it means the Good Guys Win. Heroic here as a term goes back to its much earlier origins, a "heroic effort" is something that takes everything you have, against terrible or impossible odds.
Yes, you achieve the goal...but you fall in battle in the fields of Troy. Yes, you create Camelot, but in the end you are destroyed and Camelot falls. There's tragedy and mistakes side by side with the glory and the gains. The accounts of Arthur's meeting with Mordred at Camlan field, and how the final battle began is classic ironic drama, a tragedy of great proportions...and an aspect of that fed directly into the development of the B5 backstory, as you'll learn later this season.
Histories are written about the soldiers who won their battles; but songs are sung about the soldiers who fell in battle struggling for a greater cause. What inspires us is the unfinished work, the dream of picking up the fallen standard and taking it ten more feet up the hill, knowing that even if you fall, the next man in line will take it another ten feet, until finally the hill is taken. Humans are constantly throwing their lives away on causes logic tells us are hopeless...but which in time become real for that reason.
It's a dangerous romance with myth, heroism, and death. On the one hand, it inspires an Arthur...on another, it inspires a car bomber to blow himself and 27 bystanders to bits en route to an appointment with Allah.
What makes the heroic epic work is that it taps into all the myths and archetypes that have been with us for all of recorded history, and much of its oral history. Where B5 gets into this area is in trying to look at the kinds of myths and epics that have gone before, and finding not the specifics, but the themes which are universal, the *sense* and the feel of it, which are intangible, and which is what makes doing an epic so hard. Either you feel the structure, or you don't; if you try to hammer it down into a formula, a step-by-step process, it turns to quicksilver in your hands and slips away. You have to take it all in, then listen to the inner voice and write accordingly.
I remember a stanza from a poem I read a long time ago; "Love will die if held too tightly; love will fly if held too lightly; lightly, tightly, how do I know, whether I'm holding or letting love go?" This kind of fiction operates on the same basis. Substitute the word epic or story for love, and the logic holds.
So the epic hero or story can't be a *model*, to use your phrase; it can only be an inspiration for what has gone before...an echo in the back of your mind that whispers and guides you through all the dark places.
- @@@865184429 Was the "who is Morgana Le Fay?" scene a dig at people
on the net who say B5 is just some other story with different
trappings?
The references given (he said vaguely, to avoid spoiling anybody) were first and foremost intentional to the story and to set up stuff...but as I wrote it, the way this stuff has been discussed online did come to mind, and on some level it was probably a slight *plink*, yes.Sort of a "yeah, well, TWO can play at that game, and most of you missed THIS particular analogy, so THERE."
I am in serious need of a vacation, I think....
- Where did the 515 date for the Battle of Camlan come from?
I dug through a number of recent Arthurian texts, and that date come out the most often; I've heard the other date, which was about 20 years later, but the one most often used is the 515 date, at least in what I researched. - @@@844028193 Virtually all food used is real, for health reasons. The
liquid drunk
by G'Kar and Arthur in "Avalon" is Yoo-Hoo; the mountain of stuff
Garibaldi's eating in the Zocalo in first season is piled meatloaf; the
spaghetti and bagna cauda was real; the only problem is that no matter
what you do, it's going to get cold after 18 takes, even with reheating,
and by the 17th take...well, it's an ugly sight.
- Was the Excalibur in the episode a real sword?
Yes, it's a real sword...I'm trying to remember where we got it, it may have been a vendor in these things, one of many that frequent catalogs and Ren faires. - @@@846742073 What happened to it after Delenn took it?
It went back to our prop department.... - @@@846742073 You were being clear, I was just being puckish.
Well, in theory.
I actually haven't worked out what she did with the sword, or who has it now. I have several options on this, all of them interesting, and never made the final decision. Maybe they used it to make the new emblem. Lemme dwell on this.
- @@@882037869 Was that the real Excalibur?
Since that wasn't really Arthur, the odds of that really being Excalibur are substantially reduced. - @@@890935544 Will we hear more about "Arthur's" exploits with
the Narn?
It's one of those stories I doubt we'll hear much about. - Was some of the music by Clannad?
No, we can't use any outside music; it all has to be done via our composer (unless we purchase the rights, obviously). Here, though, it's all Chris. We had a long conversation about the kind of music I wanted, I encouraged him to think in terms of Celtic music, natural instruments primarily instead of synth or electronic instruments, that sort of thing. But no, no Claanad was used. - @@@865184429 I think Chris did a great job on this one (he's done some
spectacular work overall this season, on Severed, Interludes, Ship and
others later this season). What I'd told him in this case I wanted was
as much as possible in the way of natural instruments as opposed to
synth, so that it fit more with the feel of the episode.
- How is the station supporting itself now that it's seceded?
We'll establish in coming episodes that they have to become more self sufficient; the Minbari will help some, others will also have a reason to help support the station for the advantages it gives them, the services it provides, and eventually docking fees will have to rise if they can make a go of it. - Marcus and Franklin make a good team, it's a
nice balance. And Marcus did fit in well with the whole Arthur
storyline (it's kind of an obvious but well-fitting match).
As for Marcus' line...sometimes offhand remarks are only offhand remarks...and sometimes they aint....
- Because we've played back and forth with this
stuff before, a la the Inquisitor, it *could've* been him, which made
it all the more interesting. Certainly Marcus *wanted* it to be
him....
- @@@837191770 What was Delenn told before she went to
Medlab?
She was told the whole background...including who David really was. She was in a way taking the pain from someone who had attacked the very ship she and the other Grey council members had been aboard. - @@@839199590 Is there anyone among the humans from whom Delenn
could receive absolution?
You're right, that's a good question. - @@@865184429 The ability to forgive is certainly one of the foremost
principles of sentient life, even Draal would agree with that.
- @@@837967627 The Earth/Minbari war ended in 2247, and there were several
ships in the initial contact convoy, the Amundsen and the Prometheus.
- You basically had two large convoys meeting one another. Two Minbari
ships were hit and destroyed, a third damaged badly; this was the one
carrying Dukhat and the Grey Council, including Delenn.
Just for the record, what happened after that...the Minbari ships opened fire, and a number of the Earth ships were fragged. The rest fled as the Minbari ships hesitated, waiting to see what happened to Dukhat. When it was learned that he was killed, they took off and pursued the ships back to an Earth base. Initially, one of the Earth captains explained that they had encountered hostiles (trying to cover his ass), and when the Minbari ships appeared, all hell broke loose.
It was shortly after this "cowardly attack" on their ships, and the assassination of their leader, that the Minbari declared what is in essence a jihad, a holy war, against Earth. The worker class went along with it, even though the religious caste was unsure...but divided, they couldn't raise sufficient objections to the war to stop it initially.
- The contact was made late in the year, and while that was the
first blow, it takes a while for any war to really get going; you
aren't at war instantly. The Minbari had to pull their forces
together, make the open declaration of war, establish supply lines and
all the other elements needed for warfare.
- @@@839199590 Open gun ports as a sign of respect?
It goes back a long time...if you look at certain members of the animal kingdom, they will often flash their teeth or growl to establish their identity, to show equality with someone else. You have to step outside a human perspective and ask how an alien would show respect, which may not be how we would logically do so. (Heck, in many cultures here on earth, a perfectly normal habit -- crossing your legs and the bottom of your foot showing -- is taken as a grave insult in some cultures. Certain customs are deeply rooted in cultural backgrounds or incidents that are often incomprehensible to us.) - @@@839199590 "Different (alien) doesn't mean illogical in my book."
I can think of a number of Zen schools of thought that you would consider vastly illogical...but quite human. There are many things we would consider illogical to a western mind that are perfectly reasonable elsewhere.
- @@@839199590 "However, neither is it appropriate to view all alien behavior as
acceptable just because it is different....."
Never implied it was. In general, on the B5 station, though, if an alien acts toward one of its own kind in a cultural oddity (to us), we tend not to interfere unless so requested; if, however, an alien turns that cultural oddity toward one not of its own species, then the B5 staff would definitely intervene.
- There's a small clue about the third age in the discussion
between Marcus and Franklin about the ranger pin. I mean, it's really
pretty blatant.
- The name of the Ranger pin is spelled Isil'zha.
The Minbari term for Ranger One, btw, is Entil'zha.
Z'ha'dum is where the shadows live. Odd, that reversal....
A Late Delivery From Avalon
Synopsis by Katrina Glerum (kat@midwinter.com)
The Commander and Captain are relieved to see the first Earth transport
arrive since their secession from the Earth Alliance, as they need the
trade to pay the station's operating costs. However, their defense
needs are still uncertain since the Minbari war cruisers can't be
expected to hang around outside forever.
The scarcity of trade isn't bad news for everybody. The postal worker
gouging Garibaldi one hundred credits for his last care package from
Earth, is positively loving the power it gives him to set his own
rates. In fact, the man treats Garibaldi's refusal to pay as
dismissively as the dangerous glint in his eyes.
Meanwhile on the transport, one of the passengers tosses in his bunk
with nightmares. He stumbles down a narrow corridor between doors that
refuse to stay shut, terrified by the sights beyond them. He runs, and
finds a shining sword standing at the end, awaiting his grasp.
Dr. Franklin is impressed to find that Marcus has diagnosed and perhaps
saved the lives of some sick lurkers, both because of Marcus's
perceptiveness and his concern. When he questions further about
Rangers, he learns that the brooch they wear is a symbol of Minbari and
human souls melding into one. But what really intrigues the doctor is
that in their training Rangers learn "about terror--how to use it, and
how to face it."
Their conversation takes them past customs just as the restless dreamer
sets off a dozen alarms by striding through the security gates wielding
a broadsword and naming himself Arthur, King of the Britons. Marcus is
able to fast talk him into medlab where Franklin questions him about
his identity. "Arthur" replies that his last memory is of dying on the
battlefield of Camlan, all his mighty knights dead around him, and that
before he could rest he needed his brother Bedevere to give Excalibur
back to the Lady of the Lake. His return now to Babylon 5, he claims,
signifies that he must be most needed here and now.
When Marcus mentions Arthur in the war council, Sheridan is not
impressed, but the doctor seems almost eager to believe that the
Vorlons might have been responsible for preserving and restoring
another legend, even though the practical part of him discards the
notion. He can't investigate for psychological trauma however
because the man has escaped medlab.
In DownBelow Arthur finds a distraught old woman, weeping because she
has been preyed upon by ruffians, and he swears to help her. He finds,
challenges and vanquishes a small group of villains, only to be
outnumbered again by their friends. However, a champion emerges from
the shadows in the form of G'Kar, who has been conducting business of
his own DownBelow, and together they set things right.
Garibaldi isn't too keen on the idea of a crazy knight roaming the
station with a big sword, and tells his security to find Arthur.
Sitting over a couple flagons of ale, G'Kar is still pumped with
enthusiasm over their victory. He grows even more impressed as Arthur
tells him of chivalry and the purpose of the Round Table, and he
subsides in awe when Arthur dubs him Sir G'Kar, the Red Knight.
Garibaldi, on the other hand, is suffering from a lack of sufficient awe--for the Post Office. He breaks into the package storage room only to find the postal worker ready and waiting to turn him away.
Arthur is lost again on the field of Camlan, telling G'Kar about the
misunderstanding that had started the battle in which his knights met
their deaths, but visions of Minbari vessels destroying Star Furies are
dancing in his head.
Sheridan addresses ambassadors from the League of Nonaligned Worlds,
petitioning them to join an alliance to defend the station in return
for being able to use the station for trade, travel and even peace
negotiations among themselves.
Marcus is able to convince Arthur to return to medlab, but promptly
regrets it when he learns that Franklin has discovered the dreamer's
true identity, and intends to tell him. When Marcus argues let the man
believe he is King of the Britons, Franklin contests that the truth
will help the man heal. So Franklin tells "Arthur" that he is David
McIntyre, and was Gunnery Sergeant on the EAS Prometheus which opened
fire on Minbari vessels in a first contact situation and thus sparked
the Earth-Minbari war. The memories flood back into him. In his
fertile imagination they mix with a vision of himself trying to give
back Excalibur but being struck down from behind by a black knight, and
this knocks him into a state of catatonic shock.
The Captain is delighted to hear that enough of the League worlds are
signing on to the mutual defense treaty to keep the station in
business, but nobody's happy about what happened to "Arthur." Franklin
is the most upset, berating himself for trying to fix everything
again. With Marcus however he finally figures out what McIntyre came
to the station to do: to give up the King's responsibility, the King's
pain, the King's sword, to the Lady of the Lake.
It is Delenn who is called upon to take up Excalibur, and thus relieve
the poor man's guilt for the war and its hundreds of thousands of
deaths.
Garibaldi pays in full for his package, but springs a little surprise
of his own on the post office. Rent for the space the office uses is
due...and it costs one hundred and one credits.
His spirit transparently lighter, McIntyre leaves the station bound for
Narn, where G'Kar thinks he would make an excellent organizer of the
resistance movement. Watching him depart, Marcus suggests that
Sheridan is forming a new Round Table with himself as Arthur, Kosh as
Merlin, Franklin as Percival, Marcus as Galahad, and Ivanova as Gawain.
Mordred is obvious, Marcus says, but who is Morgana Le Fey?
A Race Through Dark Places
Overview
Bester asks Talia to investigate an "underground railroad" of unregistered telepaths. Walter Koenig as Bester.
Sub-genre: Intrigue P5 Rating: 8.38 Production number: 207 Original air date: January 25, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Jim Johnston
Watch For
A minor character from a previous episode, who turns out not to be so minor after all.
Backplot
Michael Garibaldi says, "The Corps got started because of our own fears." The sudden appearance of real psi abilities in otherwise unremarkable people caused so much concern among the general population that those showing such talents were gathered together into a group that could be more easily controlled -- and Psi-Corps was born. Its members are deeply conditioned to prevent any psi from using his or her talents to dominate normal people or disrupt society. But this conditioning isn't absolute, and attitudes molded early in life can still evolve over a persons lifetime.Given that psis were forced into this essentially closed society, shunned by the rest of humanity, it isn't surprising that the loyalties of the telepaths turned to the Corps itself. Soon Psi-Corps gained control of itself, and eventually the organization began pursuing its own goals. The leadership began to exert ever greater control over the lives of the members, in an effort to enhance the abilities of their people.
The level of control exerted by the Corps over its members grew as they began seeking to enhance the abilities of their people, extending even to marriage and reproduction. Eventually the onus became too great and too pervasive for newly awakened psis to tolerate, and they began seeking ways to escape. The Psi-Cops exist to counter this, to search for and either capture or eliminate psi talented people who escaped early detection or who fled Psi-Corps.
Now the Corps has become a power in its own right. Though the organization was intended to keep psis under control, it has itself come under the control of those very people. As a group, they must feel seperate and different if not outright superior to the rest of society, and who have long been held in a position of subservience. They are organized, ruthless, and determined to pursue their own agenda.
"We created our own monster." -- John Sheridan
Unanswered Questions
- Where have all the unregistered psis been going?
- How long has this "underground railroad" been running?
- We see Ivanova giving Sheridan his morning briefing, and in it she says that B5 has been running in the red for a while because, "there's been a lot of Earth Force military transports coming through." Where were they going?
- Has Talia turned completely against the Corps?
- Why, and by whom, was Bester told that Sheridan would be sympathetic to the Psi-Corps?
- How much did Talia tell Ivanova about the situation, and about what's happened to her?
- "What am I?" "The future." What does that mean? The future of telepaths? Of humans in general? Does it refer to Talia's new powers, to the fact that she's now likely to work against Psi-Corps from within, or something else? Is there even more to Ironheart's gift?
- Will Bester notice that his gun was never actually fired?
Analysis
- The core of Psi-Corps indoctrination was summed up by Bester.
You were raised by the Corps,
Clothed by the Corps.
We are your father,
And your mother.
What Psi-Corps has become was also demonstrated by Bester. Standing with another Psi-Cop, he looks down at a captured rogue telepath who he has just forcibly mind-scanned. "He's dead," the other Psi-Cop says. "It doesn't matter," Bester replies, apparently assuming she was concerned he wouldn't be able to read the man any more. Talia doesn't see this, since it happened on Mars Colony, but she does meet a stream of rogues who are on B5, in transit through the "underground railroad." From them she learns, first hand and with undeniable truth, that the experience she has had with the Corps is far from unique. Indeed, her experiences were mild compared to the stories she hears. Abductions. Experiments. Breeding programs that don't rely on volunteers for subjects. And as a telepath speaking to telepaths, she can't avoid the full truth and force of the events she hears.
- How can a Psi-Corps operative turn against the Corps? The impossibility
of it is clear: The highest rated, strongest telepaths are "turned
into" Psi-Cops. When the guardians are stronger than everyone else,
how do you turn against them? Unless you are truly exceptional like
Matthew Stoner in "Soul Mates" you can only
flee, immediately, before someone else scans you and reads your
intention. Matthew Stoner may or may not have eluded the clutches
of Psi-Corps for a time, but in the end he was firmly returned to
them. Talia Winters' whole life experience tells her that she
cannot turn against the Corps, no matter what her
opinions may be about the integrity or intentions of the organization.
But several events changed her mind about this -- and it was not the tales of woe told by the folks in the underground railroad, though they undoubtedly inclined her toward rebellion. What allowed her to rebel was the realization that her shields were much stronger than she thought they were. A year ago Jason Ironheart, a victim of Psi-Corps experimentation, visited the station (cf. "Mind War.") He became something vastly powerful, and departed. But before he left, he gave his onetime love Talia Winters a gift, the very thing that Psi-Corps was trying to induce in him: telekinesis. And the strength to keep that gift secret.
- Talia's telekinetic powers are at least somewhat stronger than
suggested at the end of
"Mind War."
She can not only move her penny with her thoughts -- she can cause
it to fly across the room with enough force to embed itself in the
wall.
- Telepaths can combine their powers through physical contact. What
are the limits to such unions? Would a hundred linked telepaths
begin to approach some of Ironheart's power, or perhaps become
greater than just a collection of individuals? Does this perhaps
have something to do with the Minbari prophecy suggesting that
humans are destined to walk among the stars? (cf.
"Babylon Squared")
Or it could simply be that by touching, the telepaths were able to help each other focus their individual energies; that's supported by the railroad leader's comment that what they did shouldn't have worked.
- The "Underground Railroad." The timeline of the underground railroad
stretches back to before B5. There is a group of people that have
actively been working to keep people with psi ability out of
Psi-Corps. Dr. Franklin implied that it was mostly doctors, and it
makes sense that their ability to alter or manipulate medical and
genetic records would make them logical and necessary members. But
there is no reason to assume that the organization is comprised
solely of doctors.
Dr. Franklin was a member before he came to Babylon 5. When Jason Ironheart came to B5 he brought with him another rogue, who disappeared into downbelow while Jason went through his spectacular confrontation with Bester and his subsequent transformation. This unnamed telepath (who we've met before, in "Chrysalis") apparently contacted Dr. Franklin. Between them, they extended the underground railroad through B5 -- though where the rogues were going after B5 is unclear. Nor is it clear that Dr. Franklin will actually put a stop to the railroad. Dr. Franklin's answers to Captain Sheridan's demand that he put a stop to it were quite evasive. The telepaths actually at the station agreed to leave, which they intended to do anyway. Dr. Franklin admitted that his part in it was over, and that others would have to take over -- but he never actually said it would stop.
Ironically, the person Garibaldi first suspected was aiding the railroad was Ivanova. He was wrong. She wasn't connected to it. But neither was Talia at the time. Now Talia is talking to Ivanova. What did they discuss, alone and late at night in Ivanova's quarters?
- Did Ironheart's unnamed friend have ulterior motives when he put
Garibaldi onto Devereaux' trail in
"Chrysalis?"
There's evidence the Corps was involved in Santiago's death (cf.
"Revelations")
so it's plausible the man knew something of the plot, and wanted to
foil it without revealing himself.
- Along similar lines, Bester's request to Talia that she keep an eye
on Sheridan and the others for their reactions to President Santiago's
death implies that he knows something other than an accident occurred,
even that he (or someone he's associated with) was involved. His
offhand comment that he'd been told Sheridan would be sympathetic
to the Psi-Corps also implies that there may be more to Sheridan's
appointment as head of Babylon 5 than meets the eye.
- "Who'd have thought?" John Sheridan asks Ambassador Delenn. He was
speaking at the time about the common trait of laughter, shared by
humans and Minbari, but he could equally have been speaking of the
whole scene. A human ship captain, commanding a giant station
on the fringe of human controlled space, having a quiet dinner with
the Minbari ambassador -- who also happens to be a member of their
ruling body and who is also, to some degree "half-human." Moreover,
she has apparently chosen him to teach her about humanity on a
personal level. How personal this can get... who can say?
- Finally, there is a telepath who can operate on the side of the "good guys." True, there are all the telepaths who have passed through the "underground railroad," but they are untrained or at best, trained but fleeing. Talia is fully trained and Psi-Corps doesn't know that she has turned--and she is strong enough to maintain her independence. It's likely she will be a very important player now, and her personality may develop in new directions now that she isn't under the heavy hand of Psi-Corps.
Notes
- This episode takes place in March, 2259, three months into Sheridan's tour of duty with B5.
- There is a subthread in this episode about lack of sleep. Bester gets Talia out of bed, Talia gets Ivanova out of bed, and Ivanova and Sheridan spend a night sacked out in his office (he in his chair, she on the couch). Coincidence?
- "Knock Knock" (who's there) "Kosh" (Kosh who?) "Gesundheit!" -- Sheridan
- @@@876775538 Judy Levitt, who plays the Psi Cop opposite Bester in the scene on Mars, is Walter Koenig's wife.
- Production gaffe: In the scene outside Earhart's, when Delenn is asking Sheridan to dinner, a boom microphone is visible for an instant at the top of the screen.
jms speaks
- Favorite line in the next new episode, from Sheridan: "I'm not saying what I'm saying. I'm not saying what I'm *thinking*. For that matter, I'm not even *thinking* what I'm thinking."
- BTW, just to note a little something you might not notice in the show...we've adopted the tradition of putting the symbol for a given ship onto the bar in Earhart's, as many real contemporary officers' clubs and airforce/naval base clubs put the logos or markings of big planes or ships that come through there. The Cortez symbol is the most visible among the various emblems you can see in a shot of the bar in "A Race Through Dark Places." It comes at the moment we follow *another* old military tradition.
- @@@846703182 As for the sound mix...yeah, we put a great deal of work into that aspect, for the surround effect. If you fire up "Race" there's a LOT going on in that one. It takes a great deal of time, but it's worth it.
- Yes, originally, "Soul Mates" was to air after "Race." At that time, PTEN was initially going to show just 6 new episodes, and we would have come in after the rerun break with "Race," then "Soul." When the ratings came in and looked good, they didn't want to interfere with the growth, and indicated they wanted to show 7 new eps in the first batch. "Race," as you can see, was a very complex episode visually, and the only way to get it ready to run #7 in the first batch would've been to compromise the integrity of the show, and we simply won't do that for ANY reason. "Soul Mates," on the other hand, required very little in the way of post production, so that was moved forward into the #7 slot.
- Q: How many telepaths does it take to screw in a lightbulb?
A: - I always have to have a title before I begin writing, since the title always influences the feel of the show. I try to design one that is literary, or refers to a literary influence; it should have a certain rhythm, and avoid coming at the subject of the episode too dead-on. For instance, one could call the recent Psi Cop episode with Bester, "Capture" or "Chase." But I wanted it to be evocative, to conjure up the image of people slipping through the shadows, pursued by others, and to continue this season's trend toward titles that indicate a coming night. Hence, "A Race Through Dark Places."
- No repeat of Bester's salute from "Mind War"
Also, bear in mind that Bester's parting shot in "Mind War" was exactly that, in essence an "Up yours" but subtle. There was no reason for that to be given to anyone in "Race." - @@@846703182 Correct, the penny was/is a keepsake.
- Where did Ivanova's outfit in the last scene come from?
I think it came out of the Victoria's Secrets catalog....
Originally compiled by Dave Zimmerman
A Race Through Dark Places
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Ivanova is in Sheridan's office, reporting to him about the budget problems Babylon 5 is facing, due in part to the increased number of EarthForce military transports passing through Babylon 5. That is forcing the station to reroute its commercial traffic, though EarthForce claims it is only temporary. She tells Sheridan that EarthForce, in order to reduce the deficit forming on Babylon 5, wants the two of them to either move out of their quarters, or pay rent of thirty credits per week, as they are the largest quarters on the station. Sheridan refuses to pay the rent, and tells Ivanova that, because of the work they do, they deserve the quarters they have. He tells Ivanova to inform EarthForce that they have no intention of paying for the extra space.
On the Mars colony, the PsiCop Bester is interrogating another telepath. "This is unnecessary, you know. If you'd just give us the information we need, we could stop this. We don't blame you. You fell under the influence of outsiders. They used you and then abandoned you. You mean nothing to them. You were raised by the Corps. Clothed by the Corps. We are your father and mother. Don't force us to do this." When the man refuses to speak, Bester continues, "We know there's an underground railroad helping unregistered telepaths. We know you gave them access to our files. Who was your contact? Who's running the operation?" The man claims he doesn't know, and that they don't use names. Bester asks where the central clearing house is for the railroad, but the man refuses to answer, instead, he recites "Mary had a little lamb." Bester reaches out and holds his hand above the man's throat, scanning him; the man dies painfully. "I caught it," Bester says. "Just before he died. Betrayed by his final thoughts. Babylon 5."
"We don't blame you."
Sheridan is in Earhart's, talking to Dr. Franklin about the problems he's having with EarthForce. Dr. Franklin tries to convince him that he might be making a mistake, but Sheridan refuses to pay rent on his quarters. Dr. Franklin jokingly offers to let Sheridan sleep on the spare cot he requisitioned for medical purposes. They meet up with Ambassador Delenn, who asks to speak with Sheridan privately. She asks him to help her better understand what it is to be human. "Though I now look more like you, I'm not like you. And if I am to be a bridge of understanding between humans and Minbari, it would help if I knew more about your people." She explains that she wants to go out to dinner with him, to sit and talk with him, as long as it is not about business. Sheridan agrees, and they make plans for that evening.
Delenn invites Sheridan to dinner.
A ship carrying Bester arrives on the station, and Bester tells C&C that he wants to have a meeting with full command staff. In the meeting, he explains, "For some time now, we've been aware of an underground railroad smuggling unregistered telepaths away from Earth to the outer colonies where the Corps can't reach them." Ivanova tells him that she doesn't see a problem, but he claims that unregistered telepaths are a security risk. He explains that he learned the railroad was centered on Babylon 5, and that he wants it closed down. Bester asks for their cooperation, but Sheridan asks to speak with the others before committing to a decision. Bester leaves with Talia. After he leaves, Sheridan asks Garibaldi whether or not Bester was right in his request. Garibaldi explains that he was, because, whether they like it or not, they are obliged to uphold the laws of the Earth Alliance, and the law compels them to help the PsiCorps.
"It's damn ironic, isn't it?" Garibaldi says. "The Corps got started because we were afraid of telepaths, and now they're victims of our own fears. We took away every right they had and shoved them into a big black box called PsiCorps. Now, look at them. Black uniforms, jack boots, giving orders... Some days they scare the hell out of me."
"Yeah," Sheridan tells him, "if you ask me, we created our own monster. Maybe we deserve it." Sheridan tells Garibaldi to help him in any way he can, but still keep an eye on him. As Garibaldi leaves, Ivanova reccommends to Sheridan that he check the files on Bester, because of the trouble he made before regarding Jason Ironheart. (cf. "Mind War")
Bester tells Talia on their walk that he is confident they will do what he asks. Talia asks him if he scanned them. Bester answers that it's against the law to scan normals. She asks him if he's scanning her, and though he claims she'd feel it, she says she wouldn't know if it was a surface scan. As he tries to convince her that he would only do such a thing if he believed she was doing something inappropriate, he hears the word "murderer" whispered over and over in his mind. He asks Talia if she heard it, but she says she didn't. He tells her to drop her defenses and listen again, but she still hears only the background noise of the area. "They're here," he tells her. "I was right."
Strolling through the bazaar.
Meanwhile, the underground railroad continues its operation. One telepath reports to another, Rick, who is apparently in charge, that Bester is there. Rick asks if Bester sensed him, but the telepath isn't sure. He says that they need to warn the runner and get out of there. He knows that Bester will attempt to stop them, and, in that event, their only option is to kill him.
That evening, Delenn, clad in an attractive black dinner dress, enters a restaurant and meets Sheridan, who is astonished by her appearance. He is not the only one, as many others around his table notice her. He asks her what she might like to order, and they look at the menu together.
Meeting for dinner.
Meanwhile, Garibaldi enters Earhart's and finds Ivanova there. He attempts to talk to her about official business, but at the mention, following military tradition, she forces him to buy the next round of drinks. He explains that he really does need to talk to her privately, and they find a table by themselves. He tells her that he needs a contact on the underground railroad. She wishes him luck, but is not sure what that has to do with her. She tells him that, even though she resents the PsiCorps, she is not responsible. He explains to her that he knows someone high up on the station must be responsible for such a large operation, and that he suspected it was her. She assures him that she is not responsible, and tells him that she wants to go back to her quarters and get some sleep. "That's the other thing I wanted to talk to you about," he tells her.
After dinner, Sheridan and Delenn are enjoying some pleasant conversation, discussing such topics as household pets and humor. Sheridan says he never thinks of Minbari laughing, but she tells him that the Minbari think no race can be truly intelligent without laughter, and that learning to appreciate humor is a large portion of their religious development. Sheridan explains to her that such things are not uncommon on Earth. "It would appear that we have much more in common than we imagined," Delenn tells him. Smiling, Sheridan agrees.
Talia is getting ready for bed when she is interrupted by a call from Bester. Bester tells her that he regrets the way he has treated her, especially in regards to Jason Ironheart. He tells her he wants to get to know her better, and invites her to join him for breakfast the next morning. She tells him that she will be there, and he hangs up. She walks over to a mirror and looks into it. Seeing her face, she remembers the time, about a year earlier, when Jason Ironheart came onto the station. She remembers his confiding in her, and Bester's attempt to kill him, his transcendence, and his mysterious gift to her. As she recalls those traumatic events, a penny on a nearby table slowly begins to move, flies from the table, and imbeds itself into a wall. "He's been in my mind twice today," she says as she watches the penny. "Why isn't he seeing this? Or was that the other part of the gift?"
An exhausted Sheridan approaches his quarters and attempts to use his card to open the door. He tries twice, but the door refuses to open. Ivanova appears, noticing his trouble, and informs him that EarthForce sealed their rooms until they decide to move to smaller quarters or pay rent. She tells him that she was on her way to rent a room, but he won't let her do that.
The unregistetred telepaths are gathered together, apparently assembling weapons. Rick insists that they do something again. Another telepath says that they are safe as long as they are hidden from him, but Rick knows better... he knows the telepath Bester killed to obtain the information cracked, and that they must be stronger to keep him off the track. Everyone agrees, and they all begin reciting "Mary Had a Little Lamb," apparently using it to block out all other thoughts.
"Do it again."
Ivanova is curled up on the couch in Sheridan's office, while he reclines in his desk chair. He tells her that they need to be strong and cannot show weakness. She agrees reluctantly. To lighten the mood, he tells her a joke. "How many Minbari does it take to screw in a light bulb?" She doesn't know, so he explains. "None. They always surrender right before they finish the job, and they never tell you why. Knock knock." "Who's there?" "Kosh." "Kosh who?" "Gesundheit." Ivanova is less than amused.
The next morning, at breakfast, Talia and Bester are talking about the situation back home, especially regarding the death of the president. He asks her to keep an eye on the people on the station, wondering what they have to say about the president's death. Seconds later, he hears something else in his head -- plans to attack. He leaps away just in time, shouting at Talia to get down. He fires at and kills his attackers, but as Talia attempts to escape, she is grabbed by several people, knocked out, and dragged off.
Bester addresses the staff, telling them about the attack. He admits, however, that he doesn't know what happened to Talia. He tells them that he thinks she's fine, because they were after him. When Garibaldi asks Bester if the thought had occurred to him that they may have kidnapped Talia to get to him, Bester simply says that she doesn't know anything that could endanger either him or the Corps. This greatly upsets Garibaldi, who begins screaming at Bester that he should have notified security as soon as he knew she was gone. Bester tells Garibaldi that, if he really wants to find her, he needs to double the efforts of security. "You've got two bodies to start with. Make the best of them."
Talia begins waking up from her unconciousness, hearing voices in her head as she does so. She awakens to find herself lying on the floor, surrounded by people. She rises and attampts to walk around the room, and meets with no resistence. She walks over to Rick, and he tells her that they don't want to hurt her, but they will if necessary. Realizing this is the leader of the underground railroad, she tells him that they are only hurting themselves, and that the Corps just wants to protect them. He says he doesn't believe that and that she doesn't either. He also tells her that she is "almost there." She asks what he's talking about, and what he wants with her. He tells her that he wants her to understand.
Talia and her captors.
Dr. Franklin reports to Sheridan that he heard from the people running the underground railroad, who said that Talia isn't hurt. He tells Sheridan that they want to arrange a meeting between Sheridan and the head of the operation, but if anyone besides Sheridan arrives, the meeting is off. Dr. Franklin tells him that they want to find a solution to the situation without anyone else being hurt. Sheridan asks Dr. Franklin if he can trust them, and Franklin says he can, but refuses to explain how he knows that. Sheridan agrees to the meeting.
Talia listens to the story of one of the telepaths, who explains to her how his brother took medication to suppress his telepathic powers, which didn't stop him from speaking out against the PsiCorps. However, one day, when the PsiCorps came to inject him with the suppressing medicine, he never woke up. Talia refuses to accept that the Corps would kill someone, but the man insists it's true. Rick tells her that she's afraid of the truth. She tries to explain to him what the Corps gave her, but he tells her they took even more away, forcing her to wear a badge and wear gloves, and taking away her freedom. He tells her that the PsiCorps tries to keep telepaths seperate, but still dependent. She can't believe what he's saying. He tells her that he knows what happened to Jason Ironheart, that he was a rogue and ran away, just like all the others on the underground railroad.
Bester enters Garibaldi's office, where Garibaldi is waiting. He asks what Garibaldi wants, and Garibaldi tells Bester that he needs to see him, even though he doesn't want to. Bester tells Garibaldi that they both have the same interests and want to protect Talia, but Garibaldi doesn't believe it. Bester tries to convince Garibaldi that he has a wife and daughter, and is hardly the monster Garibaldi believes him to be, but Garibaldi cannot believe that story either. He tosses Bester some information, and tells him that he has learned the would-be assassins were living in Downbelow. Bester determines, as Garibaldi did, that the rest are probably down there as well. Garibaldi tells Bester that he will meet with Bester in one hour to go down there together. Bester agrees.
Talia is still with the other telepaths, this time listening to the story of a P-11 telepath who was asked to marry a man, another P-11, so that they could increase the chances of creating a baby as powerful, or more so, than the parents. When she refused, she was taken away during the night, only to discover a short time later that she was pregnant. After she had the baby, it was taken away, and she never saw it again. She escaped the hospital and never turned back. Rick talks to Talia again, telling her that the original function of the Corps has been lost through time. He wants to stop it, and he asks for her help. She can't easily agree, because it has been her way of life since childhood. She asks him why he wants her involved, and tells her that she's special. "Your friend Ironheart was my friend, too. They experimented on both of us. They pushed me up here," Rick tells her, pointing to his head, "they made me a P-12, maybe even a P-13, but Ironheart...he went further than I did. Further than anyone will ever go again. When he escaped, I went with him. Helped set all this up. I know he touched you. I know he gave you something. I know you can help us if you want to."
Sheridan arrives at the predetermined place to meet with the leader of the operation, when he inexplicably meets up with Dr. Franklin. Sheridan tells Franklin that he should leave, or else scare off the leader. But Franklin is the leader. Sheridan tells Franklin that he'd better have a good explanation. Talia appears. "I think he does, Captain, and I think you should listen to him. I think you should listen to all of them."
"I think you should listen to him."
"Back on Earth," explains Dr. Franklin, "I heard things. The kind of things you're not supposed to hear about. Genetic manipulation, breeding telepaths against their will, so-called relocation camps for rogue telepaths that aren't much better than concentration camps. It started when a few doctors began referring latent telepaths to each other, keeping them out of circulation -- losing reports, and changing medical history files. We couldn't just keep moving them around like checkers -- we had to get them away from Earth. They were filtered into Babylon 5 on business visas. Last year, I set up a clinic downbelow so we could start processing runaways and changing records without anyone from MedLab knowing about it. I trust my staff, but the PsiCorps has a knack for intimidation." Sheridan tells Franklin that he agrees, in principle, with what Franklin is doing, but that he is bound to obey the law as a soldier. Franklin is also bound, by an oath to protect lives. Sheridan doesn't want to turn Franklin in, because it would embarrass EarthForce, and give them another reason to shut down Babylon 5, but, if he doesn't turn him in, he becomes just as guilty.
"No," Talia tells Sheridan. "There's a third option."
Bester appears, without Garibaldi. He looks around for a while, turns a corner, and sees a group of telepaths there, with Rick in the front. Bester tells Rick that, if they return peacefully, they won't be harmed. Talia appears from behind the other telepaths, all together in a tight group, and tells him that he is lying, and that they will only be destroyed as a lesson to the others. "You want to keep us frightened and isolated. Not just from normals, but from each other. That's the real reason we wear gloves, isn't it? To keep us apart. But what happens when the gloves come off?" She raises her gloveless hands, and the other telepaths do the same.
The entire group joins hands together and begin fighting Bester collectively. He tries to stop them, but is unable. The telepaths, however, are making no progress. "It's not working," Rick says, straining against what he is doing. "Someone's fighting us." He suddenly realizes who it is, and turns to Talia. "You!" She shouts out to Bester, and they both fire on the entire group, quickly killing them all. He surveys the bodies, telling her that he would rather have taken them all alive, but that the leader is dead, and an example has been set. He tells her that the body will die when the head is cut off, which he orders her to do. He tells Talia he was convinced by her ruse.
Joining forces.
"The Corps is mother, the corps is father," she tells him. "I know where my loyalties lie." He tells her that security will be there soon. He suggests that they leave seperately, and hopes that she will deny all knowledge of the incident; she agrees. Bester leaves, and she walks off in the other direction.
Sheridan suddenly appears in the room, where all of the telepaths, including Talia, are gathered together, holding hands. They drop their hands as Sheridan explains that he only saw Bester appear in the corridor, then walk away. But Talia explains that they projected an image into his mind telepathically, and that he believed what he saw completely. Sheridan asks them how they did it, assuming that a PsiCop would be able to see through the trick. Talia tells him that they could only do it together, and that a single telepath could never have done it. Franklin tells Sheridan that, because Bester is convinced what he saw actually happened, he will not press the issue, not wanting to answer lots of questions about the dead telepaths. Because Sheridan doesn't have the defenses to block a scan, Talia recommends that he not see Bester before he leaves. Dr. Franklin also informs Sheridan that, because of the attention drawn to it, the underground railroad will no longer pass through Babylon 5, but that others will take over for him. Sheridan tells the telepaths that they are free to leave, but that he doesn't want them back. The telepaths agree and file out. Sheridan and Franklin leave back toward the elevator, Sheridan warning Franklin that he will turn him in if he does it again. Franklin tries to get Sheridan to admit that he agrees with Franklin's actions, but Sheridan won't. When Franklin asks him what he's saying, Sheridan only replies, "I'm not saying what I'm saying. I'm not saying what I'm thinking. As a matter of fact, I'm not thinking what I'm thinking." He tells Franklin that all he wants is a drink. Franklin reminds him that he also needs a place to stay, something which Sheridan had forgotten about.
As Talia returns, Rick emerges from the shadows and startles her. He says that she can never return, but she tells him that she can't leave the Corps. He points to his head. "No, I mean in here. You know too much. If Bester scans you, you...Can you keep him out?"
"I think so. Jason's little gift."
"He gave you more than you know. What we did back there...shouldn't have worked. Not with that PsiCop. You tipped the balance. I felt it when we were joined. You're more than you think you are."
"Then what am I?"
"The future," Rick says as he vanishes again into the shadows.
Ivanova appeals to Sheridan to the repeal the protest, since she believes that Earth Central will never concede. She tells him, however, that she will continue with the protest if he will. She also tells him that he snores, a fact he vehemently denies, but which she insists. She asks to sleep on the couch, but he says that she can sleep in her own quarters instead. She asked if he gave in, but he tells her, "I'm deducting sixty credits per week from the budget set aside to maintain combat readiness, and applying it against the rent." Ivanova asks on what grounds he's doing that, and he responds, "On the grounds that I'm not ready to fight anybody until I've had a decent night's sleep in my own damn bed." She thinks it's a good solution, and leaves Sheridan's office to go to sleep.
Ivanova, ready for bed.
Talia accompanies Bester to the docking bay. Bester tells her that he is very disappointed that Sheridan was not as supportive of the Corps as he had been told. He tells her to keep an eye on Sheridan as well, and Talia says that won't be a problem. He leaves, but as he is walking away, he stops suddenly, turns back toward her questioningly, then walks away.
Ivanova is interrupted by the door chime just as she climbs into bed. She answers the door, and Talia enters carrying a bottle of wine and two glasses. At first, Ivanova wants her to leave, but Talia soon changes her mind. Removing her gloves, Talia tells her, "I just wanted to say that you were right and I was wrong about the Corps. I can't go into details, but in light of recent events, I think we need to reevaluate our relationship. Which is just a formal way of saying that I needs someone to talk to, and, strange as this sounds, you're the only one I can think of. Unless my being here offends you."
"I come bearing gifts."
Ivanova shakes her head. "No, you don't offend me. But that does."
Talia looks down at her collar and sees the PsiCorps badge there. Without saying a word, she removes it and sets it on a nearby table. "Better," Ivanova tells her, and the two sit down and begin to talk.
A Spider in the Web
Overview
Talia is caught in a treacherous web of intrigue after she witnesses a murder. Adrienne Barbeau as Amanda Carter. Michael Beck as Abel Horn. Jessica Walter as Senator Voudreau.(Originally titled "A Trick of the Mind")
Sub-genre: Mystery P5 Rating: 8.04 Production number: 206 Original air date: December 7, 1994 DVD release date: April 29, 2003 Written by Lawrence G. DiTillio Directed by Kevin Cremins
Watch For:
- Sheridan's drink.
- San Diego.
- Shattering glass.
- "Erronium."
Backplot
- Talia's first assignment was on Mars Colony, where she scanned several members of the radical group Free Mars (cf. "A Voice in the Wilderness.")
- Sheridan is a conspiracy buff; he collects information about all sorts of black projects and secret organizations.
- After the last rebellion, the Mars Conglomerate, a powerful group of business interests, nearly pulled out of Mars.
- In the 2230s, the Earth Alliance began experimenting with electronic brain implants. The experiments were unsuccessful because the machines couldn't operate in conjunction with conscious thought. Later, after the project was officially closed down, a group within the Earth Alliance began trying a different approach. They took people who were nearly dead and, with telepathic deep scans by one or more members of Psi Corps, fixated the subjects' minds on the moments of their deaths, blocking out all other conscious thought. That allowed the implants to operate as long as the subjects remained fixated.
- A secret group within the Earth government called Bureau 13 is deeply involved in, if not responsible for, the continuation of the experiments. Bureau 13 has at least one officially deceased PsiCop in its employ, possibly even its head.
Unanswered Questions
- Who is the Bureau 13 "Control" Officer on B5?
- If the cyber-experiments failed, what is Abbut, the "vicker" from "Deathwalker?"
- Is "Abbey," Talia's mentor from her first year in Psi Corps, the Bureau 13 PsiCop?
- The station's computer system has a secret override built in which Bureau 13 has access to. What, if any, other subversions are in place on Babylon 5?
- What role, if any, will the T'Kar play in the future, assuming they decide to come to Babylon 5? What's so special about them?
- What did Sheridan learn when he was on the T'Kar ship?
Analysis
- Since Talia scanned Free Mars members, it's reasonable to assume that Psi-Corps is still doing so. Why, then, were they apparently caught unawares by the rebellion in "A Voice in the Wilderness?" In that episode, the Psi-Corps representative expressed surprise at the size and well-equipped nature of Free Mars, something that presumably would have been discovered during the course of scans. Either some within Psi-Corps are actively hiding such information from the rest of the Corps (and from Earth) or Free Mars is run very tightly and almost no members know enough to compromise the organization as a whole.
- Sheridan's interest in secret organizations and conspiracies may explain why he was so ready to believe in an assassination plot against the President (cf. "Revelations.") Most other people seem to believe the accident cover story (cf. comic "In Darkness Find Me.")
- What about Abbut, the "Vicker" or "VCR" from "Deathwalker?" He was quite clearly human, and also clearly carrying a brain implant. (Indeed, his brain was exposed, surrounded and penetrated by what looked like quite extensive implants. The exact quote by Garibaldi was, "Most of the cyber experiments were a bust." Abbut could have been one of those few that worked. In principle implants recording and monitoring what Abbut experiences are fundimentally different from an implanted AI that controls your actions.
- In a related but more tenuous vein, what about the Technomages? Some aspects of their abilities (all based on technology, remember) seem to imply non-vocal, non-manipulatory control over their gear. The production of an orange blossom while walking, talking and gesturing. Sleight of hand is one explanation, (sidestepping the issue of how the orange blossom was produced,) but an alternative one is that they have some kind of control device implanted someplace -- not necessarily their brains. This would also explain their preternatural knowledge. Elric always seemed to know more than anyone else, and some of that could have come from a built in data system or an implanted link to one. Add to this Elric's ability to pull up holograms literally in the palm of his hand, and the arguement seems strong for such an implant. But again, it could be nothing but an IO path, not an AI, and so again different from the cyber experiments' failures.
- @@@887743545 Sheridan said Earth's cyborg research took place in the 2230s. That places it just after the Dilgar war ("Deathwalker.") In "Deathwalker," Na'Toth recalled that the Dilgar were experimenting with brain implants. Was Earth continuing the Dilgar research? Did they receive research data after the war, the same way the allies obtained Nazi advances in rocket technology after World War II?
- B5's computer system is compromised. At the very least, communications are insecure and under the control of the Bureau 13 AI, including both local and interstellar channels. This is supported by the way the public computer console is quickly taken over by the AI, and the quickness with which it handled the exchange between the Bureau 13 Psicop in San Diego and the control officer on site at B5. The extent of the problem isn't known, but the AI isn't omnipresent. It doesn't prevent Captain Sheridan from modifying the environmental sensors, for instance.
- Is Bureau 13 set up in a cell structure, like an organized underground or revolutionary movement? We know of two Bureau 13 members, and we saw them interacting via the Bureau 13 computer. They never saw each other, and never refered to one another by name. This hints that Bureau 13 is indeed set up this way, which points to an an explanation for the episode title. The cell structure of an underground, with its singular links between cells, is indeed a web. And at the center of such a web would be a central directing authority -- A Spider in the Web.
Notes
- The title shown onscreen is "Spider in the Web," but all previous references to the episode by JMS and others have called it "A Spider in the Web," so that's the title listed here. The longer title was also listed on the title page before the original satellite uplink.
- The name "Bureau 13" may be a role-playing game reference; it is the name of the US paranormal investigations branch in the game "Stalking the Night Fantastic." (Of course, that could just be a coincidence; another theory is that it refers to P13-level telepaths.)
- The ship that fired on Abel Horn was the Earth Forces Cruiser Pournelle, according to the computer readout on his history.
- Sheridan orders a Jovian Sunspot; the only other time that drink has been referenced is in "Deathwalker," which also involved Talia and a cyborg of sorts. Probably just a coincidence.
- According to Isogi, Ms. Carter's great-grandfather John piloted the first colony ship to Mars. "John Carter of Mars" is a classic SF story by Edgar Rice Burroughs; the character also appears in other Burroughs stories such as "Princess of Mars." See the Project Gutenberg home page.
- The animation of the destruction of Abel Horn's ship by an EarthForce cruiser over Phobos is quite detailed. When his ship is hit, the window Abel Horn was looking through shatters, and the air rushes out carrying odd bits and debris with it.
jms speaks
- Having lived in San Diego from 1974-81, it's just my way of giving a wink to the old home town. Though there are some important things going on underground, in areas no one goes...the choice of SD is just a bit of fun.
- San Diego was nuked by terrorists some time earlier; but if you dig deep enough, you could probably build something with enough money; and who knows how bad it *really* is.
- @@@846703007 How big was the San Diego Nuke? Big enough, and dirty enough, to make the area officially uninhabitable for a long time.
- The San Diego wastelands was a physical model, yes.
- Local in-house joke: Abby's last name...Normal.
- If you're a telepath, Psi Corps IS your family. (And no, that wasn't Abby, too young; also not a case of programming/rebuilding...the DECEASED is a cover to get her out.)
- Actually, the age on Abby is fairly straightforward...Talia came to the Psi Corps as a young child; she was assigned to an adult Psi Corps member to help her adjust. So Abby would be anywhere from 15-20 years older than Talia. Or more.
- No, the Bureau 13 rpg precedes our show; we weren't aware of it at the time we did the episode.
- @@@846703007 We hadn't heard of the Bureau 13 game when we did the episode, it was just something we came up with 'cause it sounded neat. Later, we found out there was a game by that name. At which point I decided that it wouldn't be appropriate to use that name again, and had a good conversation with some folks at the game company about it. There was no problem, I just didn't want to walk on their turf intentionally or otherwise. Logically, any secret group is going to change its name from time to time *anyway* (it's not like they're in the yellow pages or anything), so the organization would remain under varying names.
- The security guard didn't trigger the detonation; he picked up some energy buildup on his scanner the moment Horn's heart stopped.
- Basically, Garibaldi's third favorite thing...is whatever the member of the opposite sex is having....
Originally compiled by Dave Zimmerman
A Spider in the Web
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
While Sheridan and Ivanova take care of minor station affairs, Talia waits for a friend who soon arrives, Taro Isogi. They greet each other, and he asks her what she thinks of his new Mars proposal. "It's like all your proposals," she says. "Too progressive, too risky, and too costly in the short run. But if you can make it happen..." He says that he must make it happen so that FutureCorp can expand beyond Earth, with Mars as the next logical step. Talia says that senate will be against it and that the Mars Conglomerate will bury him, but Isogi says he is prepared, if they can convince Mars to share the risk. He says that, if his plan doesn't go through, many innocent people, and his dream, will die on the path toward Martian independence.
Another woman enters. She introduces herself as Amanda Carter, of the Mars colony business affairs committee. Isogi introduces Talia to her. Carter says that she read Isogi's proposal, and that he is either insane or very brave. He says that people probably felt much the same way about her great grandfather John, when he piloted the colony first ship to Mars. She sits down to discuss the proposal with Isogi and Talia.
The negotiations begin.
In a small office deep in the midst of the San Diego wastelands, a woman sits at a desk, with many monitors and displays around her, one of which is showing a speech made by President Clark soon after President Santiago's death. A component on the desk beeps, and she answers it by saying, "Thirteen?"
A strange circular pattern of lights appears on a screen. A computerized voice says to her, "All components have arrived safely on Babylon 5. Control is prepared to go on-line." She orders the operation to commence. On Babylon 5, in a cargo bay, a large container marked CLASSIFIED CARGO opens, and a hand reaches out, as something or someone emerges.
Sheridan receives a call from Earth, from Senator Elise Voudreau. She tells him that Isogi has arranged a meeting with Carter, who she describes as an "outspoken advocate of Mars independence," and who she believes is conspiring with FutureCorp to finance another rebellion on Mars Colony. Sheridan asks her for proof, and she tells him that if the current Mars Conglomerate could be removed, FutureCorp could get a foothold in space if they had an exclusive trade and services agreement with Mars. She says that most of the members of the Mars Conglomerate wanted to leave after the last rebellion. Sheridan apologizes, but says that he cannot interfere. She tells him to investigate the matter, and report anything of interest to her. He says that his duties don't include spying, to which she replies, "These are volatile times, Captain. Practicality is more important than principles, if lives are to be saved. I'll expect to hear from you soon." She breaks off the communication.
Isogi tells Carter that Mars has resources that could be used by alien worlds, which in turn would supply Mars with economic base enough to win Mars its independence in about ten years. Carter says that it will be hard to convince the committee of this, and that they will need lots of assurance. Talia points out that her words aren't entirely true--it is Carter that needs the assurance, since Carter believes the committee will accept her recommendation. Carter says that Mars is in great turmoil now, and that she doesn't want to propose anything to the committee without knowing all that is expected of them. Isogi explains that it is for that reason that he chose Babylon 5 for the negotiations, since the representatives of the alien worlds involved in the plan are located there.
Carter says that she will speak with the business affairs committee, says that she might have an answer by the next day, and leaves. After she is gone, Talia explains that Carter likes the idea, though she does have her doubts. Isogi asks Talia what she thinks, and she says that there is a great financial risk, and that the legal maneuvering will be difficult. They agree to go to dinner.
While Sheridan and Ivanova discuss a new alien delegation that has come to the station, Talia and Isogi walk along a corridor, talking about the benefits of Isogi's plan. He says that Mars can be the beginning of a new life for humans. As they talk, a man approaches the two of them. "Free Mars," he says. He clutches Isogi's neck, and throws Talia to the ground. Electricity streams forth from the man's hand, electrocuting Isogi. When Isogi drops to the ground, dead, the man comes after Talia, but as he approaches, she senses something. In his mind, she sees a strange image which looks like a ship being blown apart as seen from the inside. The man sees it in his own mind as well, and walks away, confused. Talia goes over to Isogi's body, but can do nothing to help him.
"Free Mars!"
In Sheridan's office, Sheridan asks Talia if she was sure she didn't understand the meaning of the images from the man's head. She says that all she saw was a blur of light and sound, followed by blackness. She explains that, although all he said was "Free Mars," he was feeling no emotions, and had only those images in his head, much different from other Free Mars advocates she scanned when she worked on Mars.
Sheridan asks her why someone from Free Mars would kill Isogi, and she says that there would be no reason, as his solution was peaceful. Sheridan tells her that Earth Central disagrees, and that they believe that he had planned to back another rebellion on Mars. She tells him that Isogi wouldn't do such a thing, and that someone is lying to him. He suggests that someone may be lying to her, even though she is a telepath, because Isogi was an old friend of hers. Crying, she says to Sheridan, "Taro Isogi spent his life improving the lives of others. He built a business based on that principle, and he never broke a rule or harmed another to do it. Mars was his dream, Captain, now he's been murdered for it, and you're trying to cast the blame on him." Sheridan apologizes, and Talia asks to go back to her quarters. Sheridan says he will arrange for an escort, and Garibaldi appears to perform the job. On their way in the elevator, Garibaldi tries to cheer Talia up, and is partially successful. He also promises to find the person responsible.
The man who murdered Isogi approaches a communications terminal and enters a code. The same circular light pattern that appeared on the console in the office in the San Diego wastelands comes onscreen. The computerized voice asks for a report, and the man says that phase one has been completed. The voice orders him to download all the data accrued during the mission, and then erase the source file. The man removes the flesh-colored covering from his hand, revealing a black extension, lined with circuits. He inserts a finger into the transfer port. An image of Isogi being killed appears on the screen, followed by one of Talia on the ground. The computerized voice analyzes the information, telling about Talia's position and telepath rating. The voice says, "Control states Miss Winters could jeopardize mission. Eliminate her, then continue with phase two." The communication ends, and the man asks the station's computer to locate Talia.
Consulting with Control.
On C&C, Sheridan orders all outgoing traffic to be held, as he doesn't want the murderer leaving. Ivanova asks if he knows who did it. He says he doesn't, but that Talia was an eyewitness. Ivanova asks if she is okay. Sheridan says that she is, and that he believes the killer wanted a witness. Sheridan asks Ivanova what she thinks of Talia. Ivanova says that she is interesting. Sheridan observes that Ivanova doesn't usually describe people as "interesting." Ivanova says that she doesn't know Talia very well, though she has talked to her several times before. She reminds him how she feels about telepaths.
Sheridan asks her if Talia can be trusted, and Ivanova says that she believes so, but that Talia is very loyal to PsiCorps. Sheridan asks her if she trusts PsiCorps, and Ivanova says that she doesn't and asks Sheridan if he does.
"Telepaths are gifted and cursed in ways I can never hope to understand," Sheridan answers. "But they're still human beings -- good, bad, or indifferent. I trust in individuals, not organizations."
"Then you may trust Miss Winters," Ivanova says.
Amanda Carter is in her quarters when Sheridan enters. He tells her he wants to ask her questions about Isogi. She declines, saying that her affairs are none of Earth Force's business. Sheridan tells her that in this case they are, because of Isogi's murder. She asks who could have done it, and Sheridan tells her that the man who did it said, "Free Mars." She says that Free Mars was not informed of the meeting, and that they would have had nothing to gain anyway. She says that someone didn't like the idea of Mars gaining its independence.
Sheridan delivers the bad news.
Sheridan asks who would go to such lengths, and she says that the senate and Mars Conglomerate would both be opposed to the deal, though she couldn't believe that either group would go as far as murder. Sheridan says good-bye to her, but says he might have to ask her some more questions. As he leaves, she says that she wants to help in any way possible, as "whoever killed Taro Isogi killed Mars' best hope for the future."
Sheridan enters Garibaldi's office, where Garibaldi is going over the medical report, and tells Sheridan that he died of electrocution. They found finger marks on Isogi's neck, but no prints or striations. Sheridan asks if it may have been a slaver's glove, but Garibaldi said it couldn't have been. He says that it must have been some sort of prosthetic weaponry, though he doesn't know why the power source didn't show up on scanners. Sheridan says that he might need to enlist some "special help," though he doesn't want to elaborate further until they have more information. Sheridan orders Garibaldi to watch over Talia, and continue the investigation, including Earth government and "Corp secure areas." Garibaldi agrees, but wants to know what Sheridan has in mind. Sheridan declines to answer what he is thinking, but does hope that he is wrong. He then leaves.
Talia is being escorted by a security guard when a voice behind them calls out, "Hey, Earthers!" The man who killed Isogi runs up to the security guard and electrocutes him. Talia tries to escape, but the man catches her and prepares to electrocute her, saying only "Free Mars." Unable to break free, she sees more of the scene she saw in his head earlier; this time she sees another ship firing. While the man is stunned, she runs away, looking for help. The man looks at his hand. "What have they done to me?" he wonders. He wanders off.
Talia explains to Sheridan her recent experience. "The images in his mind were the same as before, except this time I saw an Earth Alliance ship. A big one, a cruiser I think. It was firing at him. And I know this sounds crazy, but it hit him and he died." Sheridan has difficulty believing this. "It was as if he were reliving the thought of his death over and over again, clinging to it as if it were the only thought he had." Garibaldi comes into Sheridan's office, and tells them that Medlab was able to analyze the DNA of some of the assailant's hair. He puts the analysis up on the screen, and Talia confirms the man as her attacker. Garibaldi explains that the man is a leader of Free Mars, by the name of Abel Horn. Sheridan recognizes him as the man who claimed responsibility for destroying Richie Station on Mars, and he wants him captured. Garibaldi says that there is a problem -- according to Earth Force intelligence, Horn is dead, his ship destroyed during the rebellion. Talia is able to interpret that as the image from his mind. Sheridan doesn't explain anything to Garibaldi, but orders Talia put in protective custody, and a fugitive alert placed on Horn. Garibaldi escorts Talia out of the office.
Amanda Carter enters her quarters, and runs into someone who is already there -- Abel Horn. She says that she thought he was dead, and he explains that he was attacked over Phobos, but that a friend of hers rescued him and helped him. He says that he has been on the run and hiding until he heard that she was on Babylon 5. She asks him why he killed Isogi. He says that the murder charge is a lie, and that he only came to see her. He says he needs to get back to Mars, and that she is the only one that can help him. She says that she can't help him because she doesn't want anyone to know that she was once a member of Free Mars, and she doesn't want to jeopardize Mars' chance at independence. Horn threatens to tell her secret if he doesn't help her, and she says that she can't believe blackmail is something he would stoop to. He tries to tell her he's changed, and removes the covering on his hand, when he cripples over in pain. She asks him what is wrong, and he says that he needs her to help. He says that Talia can help him, and asks Carter to find her.
Horn begs for Carter's help.
Garibaldi is with Talia telling her that she is safe, and that she can get an escort if she needs to leave. He is about to leave when she offers him some tea. He agrees to stay, saying that it is his third favorite thing in the universe.
Ivanova tries to deal with the problems cropping up from keeping the ships docked aboard Babylon 5, but Sheridan says that he doesn't think the murderer is trying to leave, though he does order her to check all ships before letting them go. He says there is something else he wants to check, and leaves.
While they drink their tea, Garibaldi tells Talia that his father taught him everything he knew about security, and that he misses him now that he is dead. Talia says she never knew her parents, but had someone help her through her first year at the PsiCorps academy. Garibaldi receives a call from Sheridan, who tells him to come to his quarters. As Garibaldi leaves, Talia thanks him for talking with her, and Garibaldi says it was his pleasure.
Garibaldi goes to Sheridan's quarters, and Sheridan shows him some data regarding a project entitled Lazarus. Sheridan explains it was part of Earth Force's experiments with cybernetics. Garibaldi knew that they weren't able to make them work because humans couldn't function with machines put in their brains. Sheridan tells Garibaldi that they then experimented with using people on the brink of death. "The theory was to 'hard-wire' the subject's brain with a computer intelligence that kept the brain functional while the body was repaired. Then, using telepathic deep scan, the subject was fixated on the moment of his death, shutting down all conscious thought. The computer takes complete control, while the subject is dying over and over again in his subconscious." Sheridan tells Garibaldi that Talia sensed that from Horn, and that it is possible that Horn is someone to whom that happened. Garibaldi says that he thinks that Sheridan's information could be wrong, but Sheridan disagrees, saying that he had two opportunities to kill Talia, but didn't do so, which might mean that Talia made him realize who he was, which screwed up his programming. Garibaldi and Sheridan both express uncertainty at this idea, but Sheridan says that, if he is correct, there might be some way to locate Horn.
Viewing the Lazarus files.
Meanwhile, Horn lies, unconscious, on Carter's sofa. Carter walks over to her communicator and tells the computer she wants to send a message to Talia. At the mention of Talia's name, Horn's eyes open suddenly. When she contacts Talia, she asks Talia to meet her in her quarters in thirty minutes. Horn tells Carter that he knew she'd help, but as she tries to explain, he hits her, knocking her unconcious.
Sheridan and Garibaldi believe that they have found a way to track Horn. Though Sheridan's information on Project Lazarus is quite old, the power crystal of the cybernetic computer emits radiation. It wouldn't show up on environmental scans, but if they reconfigure the sensors, it might be detectable. Garibaldi receives a call from security, telling him that Talia has asked for a security escort to meet with Amanda Carter. Garibaldi assigns an officer, telling him that he will meet them outside, just in case. Sheridan tries to reconfigure the scanning device, but has difficulty. Garibaldi walks over and tells him to "let the wizard have a go." Sheridan does, and Garibaldi attempts to reconfigure the scanners, but only succeeds in causing the door to the room to open and shut repeatedly. Garibaldi admits that the task is difficult and leaves. "Thanks, Mr. Wizard," Sheridan says as Garibaldi leaves.
Garibaldi meets up with Talia on her way to Carter's quaters. Garibaldi asks why she is going there, and she says that Carter wants to push Isogi's plan through. Talia isn't sure if she can convince FutureCorp to go along with it, but, if she can, it would be honoring Isogi's memory. She enters Carter's quarters, and finds her on the floor. As she examines the body, Horn grabs her, warning her that he will kill her if she screams.
As Sheridan completes the reconfiguration of the sensors, Horn orders Talia to tell him what the images in his head means. He lets go of her, and asks her to help him. She scans him again. She sees the same images as before, with the addition of several others. After the destruction of Horn's ship, she sees the inside of a room where he is being operated on by several doctors, who supply him with a cybernetic prosthesis on his hand. Also present in the room is a female PsiCop, who looks at him and smiles. "Ours now. All ours." Talia loses the scan, and she tells Horn what happened to him. She tells him that, while he was dying, he was scanned, operated on, and then rebuilt. She asks him who the PsiCop is, but he doesn't respond.
"All ours."
Sheridan's environmental scan finishes, and he learns that Horn is in Carter's quarters. Sheridan calls Garibaldi, telling him what he just learned. He orders Garibaldi to take Horn alive. Garibaldi and the other security officers enter, but, as they do, Horn grabs Talia and threatens to kill her. Garibaldi tells Horn to think about what he's doing, but Horn says he can't. Horn orders Garibaldi and the others to drop their weapons, which they do. Horn picks one of the guns up. Garibaldi says that he will see Horn dies painfully if he kills Talia, but Horn says that he is already dead. Sheridan bursts in and says that Horn isn't really dead, but that he is being used to betray Mars. Horn asks how Sheridan knows this, but Sheridan says that Horn knows as well. Sheridan tells Horn that he wants to help him, but that he wants Talia to be freed as well. Horn lets go of Talia, who runs to Garibaldi. Sheridan tells Horn to put the weapon down. "It was the Earthers, wasn't it?" Horn asks. "It wasn't...it wasn't enough just to kill me." Sheridan says that he will help Horn learn who is responsible if he puts down the gun. "Mars will never be free until the sands run red with Earther blood," Horn says to Carter, who just regained conciousness. He fires at Sheridan, but misses. Sheridan draws his weapon quickly and hits Horn, who falls to the ground. Before he dies, Horn thanks Sheridan for killing him. A security guard scans Horn, and detects a dangerous energy surge. Realizing what is going on, Sheridan evacuates everyone from the room, right before Horn explodes, leaving no evidence.
Carter apologizes to Talia; she only asked Talia to talk to her because she believed that Talia could help Horn. Garibaldi asks how Carter knew so much about Horn, and Carter explains that Horn wasn't always a terrorist. She was once in love with Horn, and he convinced her to join Free Mars which, at that time, wasn't violent. But, when it became more violent, she left it, and him. Garibaldi doesn't believe this. But Carter insists that she is telling the truth, that she has just ended her career by telling it. Carter says that she still believes in Isogi's ideas, and Sheridan tells her that, if she will do her best to make Isogi's plan go through, they won't report the incident. Talia even agrees to help talk to FutureCorp to convince them that the Mars government had nothing to do with the murder. Carter thanks Sheridan for his help, and Talia, Sheridan, and Garibaldi leave. Garibaldi asks Sheridan why he did what he did, but Talia explains that Horn didn't want to kill her -- only to be scanned by her. Sheridan asks her if she did, and she tells him that she did, and that she saw the image of the operation. Sheridan asks her if she recognized anything, such as a face or a uniform. Talia says that she didn't, and is escorted back to her quarters by Garibaldi.
Garibaldi enters Sheridan's office, and asks him how he knew about the Lazarus Project. Sheridan explains that, while some people collect art or coins, he collects secrets, such as black projects, secret organizations, and conspiracies. Garibaldi asks if one of those secrets includes who was behind the recent incidents. Sheridan tries to avoid answering, but Garibaldi says that he needs to know if there is a threat to the station. Sheridan says that the threat goes far beyond the station, and Garibaldi agrees, saying that, if Horn was what Sheridan believed, the situation has nothing to do with Free Mars. Garibaldi knows that to do something like this would take a lot of power and money. He suspects Sheridan knows who is behind it.
Sheridan tells Garibaldi his suspicions, after making Garibaldi promise to not tell anyone else. "For the past six years, there have been rumors about a...rogue agency operating deep inside Earth gov. A dirty tricks squad dealing in black projects and Star Chamber justice. It took me over three years just to get the name: Bureau 13. And the man who gave me that name died soon after. I am convinced that they exist and that they are behind this incident."
"Why?" asks Garibaldi.
"Isogi was a danger to Earth policy on Mars. I think his death was a warning to the other corporations. I also think Horn was meant to destroy Free Mars from the inside, and, possibly, ruin Amanda Carter as well. Unfortunately, I can't prove any of it."
"If this is true..."
"Then everything we believe in is in jeopardy. There is a spider in the web, Mr. Garibaldi, and I intend to find it... and kill it."
"There is a spider in the web..."
Inside the office in the San Diego wastelands, the woman working there answers another communication. "Thirteen." A screen with the familiar circular light pattern appears, and the same computerized voice says, "Report from Babylon 5 control mission only partly successful. Isogi terminated but unit was destroyed before he could leave station for Mars."
"Is the bureau at hazard?" asks the woman.
"Control does not believe so."
"Belief is not enough. He is to follow up until he is certain. Thirteen out." The woman turns around, and we see her face -- she is the PsiCop from the images Talia found in Horn's mind.
Talia searches through her computer, looking for records of the PsiCop from Horn's mind. As she recalls the information she found in Horn's mind, the computer completes its search. Talia looks over the information. On the computer screen is a picture of the woman -- the same one from Horn's memory. Under her picture is but one flashing word: DECEASED.
A Tragedy of Telepaths
Overview
The telepath situation continues to deteriorate. The attacks on Alliance ships continue. Londo and G'Kar find an old friend in a nearly forgotten place. Robin Atkin Downes as Byron.
Originally titled "Cat and Mouse"
P5 Rating: 8.18 Production number: 510 Original air date: March 25, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@890895097 Na'Toth was on Narn when the Centauri bombed it ("The Long, Twilight Struggle.") She was captured by Centauri troops, along with other Narns, and brought to Centauri Prime to serve as entertainment in the royal palace. When she proved insufficiently entertaining, she was locked in a cell and forgotten. Londo and G'Kar have returned her to the care of the Narn, but G'Kar believes it'll be some time before she recovers from the experience of being locked in a Centauri prison cell for two years.
- @@@890895097 The militant faction of Byron's telepaths have obtained weapons and have staged violent attacks on station personnel. They believe they're doing what they're doing because it's the only way to protect Byron; he is dismayed that they're killing in his name.
- @@@890895097 At Lochley's request, Bester and a team of bloodhound telepaths have come to the station to take the telepath colonists away.
- @@@890895097 The attacks (presumably still by Centauri forces) on Alliance ships continue. The attackers have attempted to up the ante by planting evidence that points to various members of the Alliance being responsible for the attacks, but Sheridan has so far managed to keep the member races from attacking one another in revenge.
- @@@890895097 Sheridan has positioned a fleet of White Stars near a Drazi fleet at the border of Brakiri space. If the Drazi attack the Brakiri in retaliation for the apparent Brakiri attacks on Drazi ships, Sheridan says, the White Stars will retaliate against the Drazi. This gambit is working so far, but both the Drazi and the Brakiri are furious about what they see as an infringement on their right to self-defense.
- @@@890938620 According to reports received by Londo, Centauri weapons manufacturing has risen 15 percent recently, something counter to normal Centauri peacetime policy.
Unanswered Questions
Analysis
- @@@890938620 The increased weapons production is presumably being used
at least in part to back the attacks on Alliance ships. But a
sustained increase of 15 percent in the manufacturing output of
a technologically advanced race like the Centauri would produce a
lot of weapons and supplies. Is someone stockpiling arms
for a larger conflict? Are other races' production facilities
being similarly coopted?
The Centauri may be easier to use for such purposes than many other races because of their unquestioning acceptance of monarchy, as Londo demonstrated; if the order to increase production looked like it came from the Royal Court, most Centauri probably wouldn't question it in public.
Notes
- @@@890895097 Centauri don't like fresh spoo, but Narns do; Centauri consider it an insult to be offered fresh spoo. That may have added to Londo's indignity in the Zocalo in "Midnight on the Firing Line," in which G'Kar offered him a plate of fresh spoo.
jms speaks
- @@@890000654 Why the title change?
Cat and Mouse was a) a working title which I kept out there to b) avoid possible spoiling of various directions for as long as possible. - @@@890333069 I figured, a flock of geese, a herd of buffalo, a tragedy of telepaths...actually, though, the credit for that must go to John Copeland, who came up with it over lunch one day.
- @@@891305244 Why was Na'Toth listed in the credits at the start
of the episode? It spoiled the surprise.
Screen Actors Guild rules specify where you can and can't put credits, and those rules don't concern themselves with spoilers. - @@@891547710 SAG rules specify where credits go; it's sometimes a
bummer if you're trying to keep something secret, but there you go.
The Na'Toth thing was something I wanted to do, called Caitlin, she was up for it, and I wrote the ep.
A Tragedy of Telepaths
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
Byron's telepaths are dug in in Brown Sector, and threatening a hunger strike until their demands for a homeworld are met ("In the Kingdom of the Blind"). Sheridan cannot intervene, since his hands are full with the attacks on the Alliance ships, and the alien ambassadors blaming each other. So Lochley sends a message to Bester, asking for help.
The telepaths are using telepathic suggestions to slow down security, which is trying to burn through to where the telepaths are. When Lochley comes down to investigate, Zack tells her about the air ducts. They are too small and fragile to send a security team, but one person could make it through. Lochley wants to go in: a telepathic suggestion from Byron.
Meanwhile, on Centauri Prime, G'Kar is eating some fresh spoo and Londo is reading some reports. The reports indicate a 15% increase in production of war materials, which doesn't make sense for peace time, and is in fact contrary to standard Centauri procedure. G'Kar is unconcerned, and offers Londo some of the spoo. But Londo refuses, saying that only a Narn can tolerate fresh spoo. G'Kar is suddenly interested: the spoo was going to the south wing of the palace, and was not meant for him. Who was it meant for? Londo reveals that there are some cells in that area of the palace, and G'Kar demands to be taken there.
In a dark cell, they find a Narn chained to the wall: G'Kar's aide,
Na'Toth. At first, Na'Toth thinks G'Kar is also a prisoner, but G'Kar
explains that the war is over. Na'Toth then recounts her experiences:
she was on the Narn Homeworld when the Centauri bombed it with
asteroids ("The Long, Twilight
Struggle", "And the Rock Cried Out, No
Hiding Place"). She was later taken captive by the Centauri and
taken to the Royal Palace as entertainment, a task for which she
proved unsuitable. As punishment, Cartagia ordered her put in the cell
two years ago.
G'Kar demands to know why she is still a prisoner. "I have no idea," replies Londo; "she was probably just forgotten." Having received a royal order that was never countermanded, the guards have kept her prisoner there. And Londo, even though he is the Prime Minister, cannot order her release: that would be countermanding a royal order, which is treason and punishable by death. Only the Regent can order her released, and they cannot count on his help. Londo cannot do anything until he is Emperor. But G'Kar points out Na'Toth may not survive that long. "There is nothing I can do," says Londo. "There is something you can do," says G'Kar angrily; "you will find it, and you will do it! One way or another, we are leaving here with Na'Toth."
On Babylon 5, Lochley gets ready to go in through the air
ducts.
In Sheridan's office, Garibaldi explains that in his opinion, the problem is not Byron, but rather the telepaths that got out before Byron sealed himself in. He is worried about sabotage. Garibaldi also has another piece of information: the Drazi found debris from a Brakiri ship where the latest attack on their ships occured. They plan to introduce it as evidence on the next council meeting.
Lochley finally makes it through to where the telepaths are, and is
taken to see Byron. Lochley explains that everyone in the Alliance was
tense because of the attacks on their ships, and wanted someone to
lash at; Byron's threats gave them a target. "Any chance you may have
had of getting a homeworld for your people," Lochley adds, "is pretty
much shot to hell." She tells him that they have to give up and give
up now, otherwise people are going to die when they come to
them. Byron regrets the deaths that are coming, but again refuses to
leave.
As a final plea, Lochley asks him for help in identifying the telepaths who are outside and are a threat. But despite Byron's disagreements with them, he will not turn them in. "We don't betray our own kind," Byron explains.
Lochley offers to take anyone out with her, but no one wants to leave. Lochley is now confused. "Why did you let me come here?" she asks Byron, and adds "Why did you agree to see me?"
"To say goodbye," answers Byron. He adds "While you have not gone out of your way to be kind to us, you have been fair, and that requires comment. Especially since I have a feeling this will be the last time we will see one another." He shakes Lochley's hand, and Lochley turns around and leaves the way she came.
Londo is in his quarters when G'Kar comes in. G'Kar has arranged for a Narn ship to meet them halfway to Babylon 5 to take Na'Toth home to Narn. Despite this arrangements, Londo still does not know how they will get her out of the palace. A Centauri woman enters to inform him that a cruiser bound for Babylon 5 will depart that night. Londo is struck by an idea, and asks the woman for a loan of her clothes, a request with which she complies.
In a closed session of the Interstellar Alliance Council, the Drazi
ambassador accuses the Brakiri of working with the telepaths and
attacking their ships. The Brakiri are outraged and deny the
charge. The Drazi have dispatched warships to their border with the
Brakiri: for every Drazi ship destroyed, the Drazi will destroy a
Brakiri ship.
The Gaim ambassador also has an announcement, however. The Gaim have found debris as well, but it is from Drazi ships, not Brakiri. The Brakiri now accuse the Drazi of orchestrating it all.
Sheridan disagrees. He points out that it must be a trick by someone else. Furthermore, Garibaldi has analyzed the debris and concluded the pieces were not shot off, but rather were cut off and left behind. "They planted them," says Sheridan, "where they knew you would find them, hoping for exactly this reaction." But Sheridan still doesn't know who is behind it all. He asks the ambassadors to work together to find out, or at least to give Sheridan more time to figure out who is behind the attacks.
But the Drazi are through waiting: "Any ship that crosses into Drazi space without proper authorization," warns the Drazi Ambassador, "will not survive the mistake!" He leaves the meeting, and the other ambassadors follow him.
In Centauri Prime, Londo enters Na'Toth's cell. After ascertaining she
is the only prisoner left, he orders the guard never to come back and
not to let anyone else go there. He implies Na'Toth will be dead soon,
and as a final order, tells the guard to wait three days and then wall
up the hallway. The guard obeys and leaves.
"Have you come to kill me, Mollari?" asks Na'Toth in a weary
voice. "No," replies Londo. "I will kill you," says Na'Toth, softly,
"at the very first opportunity." "Yes," replies Londo, "I suspect
you'll have to get in line for that honor." He unchains her as G'Kar
comes in with the clothes Londo borrowed.
Londo's plan is simple: with Na'Toth dressed and veiled as a Centauri
woman, they will simply walk to their ship. The Royal Court has been
trained to turn a blind eye to inappropriate behavior, so Londo walks
hand in hand with Na'Toth, pretending to be drunk and being quite loud
in his promises of future delights and adventures. As he predicted,
everyone they meet turns away and pretends not to notice, and they
make their ship safely.
On Babylon 5, Bester arrives. "I told you they were trouble," he reminds the Captain smugly, "but you wouldn't listen. That's all right, I'm used to it. I'm here now. It's all going to be just fine."
The telepaths who left Byron have found out that Bester is back, and
realize the Bloodhounds cannot be far behind. Since they cannot count
on help from Lochley, and they will not let themselves be taken back
to the Psi Corps, they decide to fight back. They attack some security
guards, and telepathically get the code for the weapons locker from
one of them.
Bester arrives with Lochley to where security is still trying to cut
through, and helps block the telepaths inside, thus allowing the
welder to cut through the doors without being slowed down. Lochley
promises Bester that if he can get the telepaths out safely, he may
take custody of them.
Just before they cut through, the armed telepaths open fire and kill
the welder and a security guard before withdrawing.
Inside, Byron is distraught at the knowledge that his people are
killing in his name. "I've got to stop it," Byron tells Lyta. "There's
nothing you can do," she replies. "Yes," counter Byron, "yes there
is."
Sheridan and Delenn invite the Drazi, Gaim and Brakiri ambassadors to
a private meeting. They tell the Drazi that White Stars are now
watching their ships massed on the border, and will intervene if they
attack any Brakiri ships. According to the terms of the Alliance, no
member race may attack any other member race. The same threat of
retaliation applies to the Gaim and the Brakiri. The three Ambassadors
are outraged, and consider this an attack on the sovereign rights. But
they cannot stand up to the White Stars. Sheridan asks for more time
to gather evidence, and the three reluctantly agree.
"We will wait for a little while," the Drazi Ambassador says, and then
he warns: "But we will not forget this. You threatened to use force
against us when all we wanted was to protect ourselves. Every great
fall begins with a single mistake. This was yours."
En route to Babylon 5, Na'Toth is taken to a Narn transport. It will
be difficult for her to heal, especially her spirit, but G'Kar is
confident she will make a full recovery, given time. Londo admits to
G'Kar that saving was Na'Toth was a very exhilarating experience for
him, and he enjoyed it immensely.
And on Babylon 5, Bester welcomes some of his associates to the station: the Bloodhounds have arrived, and the storm is about to begin.
A View from the Gallery
Overview
As the station defends itself against an alien attack, two ordinary crewmen, Mack and Bo, try to carry on and keep the station running. Robin Atkin Downes as Byron. Lawrence LeJohn as Bo. Raymond O'Connor as Mack.
P5 Rating: 7.87 Production number: 505 Original air date: February 11, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Story by J. Michael Straczynski & Harlan Ellison Directed by Janet Greek
Plot Points
- @@@887271921 An alien attack force of unknown origin is sweeping through local space, probing for weak planets that are ripe for invasion. The force has attacked the Gaim and Babylon 5 already, but seems to be no match for the White Star fleet.
- @@@887272469 During the initial occupation of Narn, the Centauri tried to demoralize the resistance movement by bombing the seven largest cities on the planet.
- @@@887272469 G'Kar spent much of his childhood in bomb shelters thanks to the Centauri bombardment.
- @@@887272469 Brown sector is considered an undesirable assignment by the maintenance crew; it's generally staffed by new people.
- @@@887306541 Before the Dilgar War, Franklin's father was captured by one of the factions in a civil war after his ship crashed. Though injured, he survived because a military doctor treated him despite the protestations of the other members of the faction. When Franklin saw his father alive and learned what had happened, he decided he wanted to become a doctor and that he would always care for all the injured, whether they were his own people or the enemy.
Unanswered Questions
- @@@887271921 Who were the aliens?
- @@@887271921 What does the device Bo used on the floor do?
Analysis
- @@@887272469 Byron's telepathic reach is long; he was able to send his
senses out into the space around the station, find a single Starfury
pilot, and transmit the pilot's experiences into the mind of a
non-telepath. Assuming, of course, he wasn't inventing the scene
for Bo's benefit.
- @@@887394198 Before he projected the Starfury experience into Bo's
mind, Byron asked Bo whether the plight of the pilots really mattered
to him. That's the same question Byron asked of Lyta before agreeing
to help Garibaldi. What significance does the question have to Byron?
- @@@889495008 Telepaths seem to have a perspective on death that's quite
different from that of normals. Lyta's story about being inside the
mind of a dying person
("The Paragon of Animals")
is one difference. And now Byron has revealed that telepaths can read
telepathic imprints on inamimate objects someone has recently died near.
That ability was foreshadowed in
"Walkabout,"
in which the new Kosh was able to view an afterimage of his
predecessor's death.
- @@@887324144 The "crawlers" Mack found in the C&C console and
which were mentioned as being common in Brown Sector may be related
to the infestation in
"The Very Long Night of Londo Mollari,"
which prompted new import regulations on food.
- @@@887394198 If Lochley was concerned enough about the safety of the station to order Sheridan and Delenn to be ready to flee in lifepods, why wasn't Draal's help enlisted in the station's defense? Does she know about Draal's promise to put the Great Machine at Sheridan's disposal ("The Long, Twilight Struggle?")
Notes
- @@@874172141 The script for this episode was written in one day.
- @@@887305792 The conversation between Mack and Bo about Ivanova's departure was a reference to the controversy stirred up on the net and elsewhere when Claudia Christian's departure from the show was announced.
- @@@887739335 The price of spoo is highly volatile: near the beginning of the episode, as Mack and Bo ate lunch, Mack claimed it cost 10 credits an ounce. At the end of the episode, he said it cost 15.
- @@@887306068 The Narn day is 31 hours long.
- @@@887306541 Sheridan referred to Delenn's promise to see him again "in the place where no shadows fall." She spoke those words before entering the Markab isolation area in "Confessions and Lamentations."
- @@@890719511 The incident recalled by Mack and Bo, in which Sheridan chased down someone who injured Delenn, was in "Ceremonies of Light and Dark."
- @@@887306823 Byron seems to be a "Hamlet" fan; he quoted Hamlet's speech to Yorick's skull from Act 5, Scene 1.
jms speaks
- @@@871230814 Harlan is working on something now, and suggested
something that I then based an episode on, so we share story credit on
"A View from the Gallery."
- @@@887394198 One of the things I always do is look for ways to turn the
series format on its head, and show us our characters from other
perspectives, since perspective is so much at the heart of the show.
Whether that's jumping forward in time, or an ISN documentary, or
seeing everything through the eyes of a third party (or two), it's
always a risk, because it's never what one expects to see, and a lot of
people like to see what they expect to see.
- @@@893013143 Writing a script is invariably faster than fixing an
outside script. I can write a script from zero in an average of 5-7
days. On a few rare occasions it's gone longer, but when that happens,
I find I lose the white-heat of the story, and it wanders a bit. In a
few cases I've written a script in a day or two (A View from the
Gallery all came out of my keyboard in one day, between about 4 p.m.
and 3 a.m.)
- @@@887657318 About the Ivanova-rumors scene
It was never meant as a shot at Claudia, but rather at the folks out there whose only interest is in rumors, and starting trouble, and feeding feuds. - @@@887657240 Did the actors who played Bo and Mack learn to mimic
you and Harlan Ellison?
No, they didn't. What they did do...they got along famously, the two actors, and they spent their off-hours rehearsing the scenes, over and over, until they got it down to a patter, very natural. They loved the roles. - @@@889481855 While there was a little of Harlan in Mack, there wasn't
intentionally any jms in Bo.
- @@@887477381 Lochley's hairstyle was really severe. Did she pull
it back in a hurry?
Scoggins did exactly what you suggest, Diane. She figured, "This isn't about hair." She was awakened, and had to get to C&C fast, she ain't gonna do her hair, just ponytail it back.She didn't realize, in making that choice, that it would make her a) look that severe in the uniform, since she was still getting used to it, and b) give her the Ivanova "peanut-head" as she used to call it. She later realized this was a bit of an error, and has never done it since.
- @@@887305885 Why could Byron alone project to Bo's head, while
it took the whole group of telepaths to control the alien?
Because there's a substantial difference in will and intent in making a person who's come to murder you turn around, and creating a momentary illusion in someone's head. It's the degree of effort involved. - @@@887394198 Garibaldi's position is hardly covert if Lochley
chews him out in public.
No, there's nothing secret in Garibaldi being head of covert intelligence, any more than it's secret who the head of the CIA is. There was no reason she couldn't say that in front of them, or anyone else; it's common knowledge. - @@@887823099 "Well, actually she still wouldn't discuss it in public."
What public?
These are two STATION PERSONNEL, who work for her, who are part of the military command structure, who have the same loyalty oaths as she has. They didn't have this conversation in the Zocalo, in front of civilians, it was in a closed area with two other STATION PERSONNEL, who are entrusted with a high enough security clearance that they can work on C&C firing consoles during heavy action, in a situation where every second counts in getting things ready for the next wing of an imminent attack.
This is a non-starter issue, frankly.
- @@@887477381 Where are the portholes visible from outside the
station?
Look carefully at the station. It is in segments; and at the outer wall of each of those segments, as with the sanctuary, you can get an outer view. You can see the lights from some of these areas that have portholes in the station when it's dark. - @@@887657240 Why wasn't Draal called?
I don't think Draal wants to be bothered each and every time B5 is in a hassle. He specifically said he wanted to be left alone. Otherwise you also get into a "god in the box" deus ex machina situation where, "Oh, we're in trouble, quick, get Draal." Truth is, if they called him every time they got in trouble, he'd never get ANY sleep.Now, if B5 had failed in stopping this advance force, and the main fleet came in, then yeah, they might very well call him. But this was just an advance force, and she knew they could take it, and she was right...so where's the need for Draal? He should be a last resort ONLY.
- @@@887963699 But wouldn't she want to minimize casualties?
True, but is it *her* resource to do with any time she wants? It is a separate institution and operation, that has said, politely and not terribly politely, that on balance it would prefer to be left alone. - @@@887823099 "Hmmm, wouldn't Draal likely be aware of what was
happening so close anyway? And would it not be possible that he may also
be aware of how strong the force was, how soon the white stars would
arrive, etc, and thus know if he was needed as a last resort?"
You're not describing Draal, you're describing God, and he ain't in this show. For one thing, we couldn't afford him....
- @@@887903603 "The "let them attack someone else, just not us" was
actually a little startling to me. If they were going to blow these guys
up, I kinda wished they'd put a little more effort into it rather than
just foisting them off onto the next, perhaps less-fortunate people."
Given that this is a little-known, distant, entire *race* out preying on weaker races, of which this was just an expeditionary force, how (short of planetary genocide) would you have stopped them? Moreover, is that really Lochley's (or B5's) mandate, to eliminate every hostile race out there?
A View from the Gallery
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
In hyperspace, a probe is destroyed by passing fighters. Shortly thereafter, Capt. Lochley is awakened by a call from Lt. Corwin, telling her of the probe's destruction. "Is it them?" she asks, but the probe was destroyed too quickly to give much information. She gets up and goes to C&C.
When she gets there she informs the command crew that this is probably the scouting party they've been warned about. A large hostile force is looking for likely invasion prospects, and Lochley expects them to attack Babylon 5. She hopes to convince them that the station is more trouble than is worth, to save themselves from a difficult battle later on.
She orders that a lifepod be made ready for Sheridan and Delenn. Although Corwin assures her neither one will agree to leave the station, she vows to knock them unconscious herself if necessary to get them into the pod. Finally, she orders a stand-by Red Alert.
In Blue Sector, Bo and Mack, two maintenance workers, hear about the Alert as they finish working on the tubes behind a wall. Later, as Bo sweeps the floor with a piece of equipment and Mack works on a computer terminal, they overhear Lochley and Sheridan as they walk by arguing. Lochley wants Sheridan and Delenn in the lifepod, or at the very least to know where they are at all times. With all the White Stars away, this will give her one less thing to worry about, and allow her to do her job of protecting the station. At first Sheridan will have none of it, but finally agrees to do what he can after grudgingly admitting he would be doing the same thing in Lochley's position.
As they both leave on a lift, Mack and Bo comment on their approval of Sheridan's hands-on approach to everything. They like the fact that he is always down in the trenches, with everyone else. He is a good man, they both agree.
Later, their lunch is interrupted by a full blown Red Alert, as the scoutships activate the Jumpgate, and Mack and Bo are called for some service calls. Mack goes to C&C, and Bo goes to MedLab.
In MedLab, Franklin is organizing his team to deal with the wounded, and asks Bo to look at the console on the IsoLab. It is only giving them access to standard atmospheres, and he needs to be able to ask for anything on the fly, in case they need some strange atmosphere to treat the invaders. As Bo works on the console, he asks Franklin why he bothers getting ready to heal the invaders, rather than just letting them die. By way of explanation, Franklin relates that his father once got caught in the middle of a civil war of mid-range colonies. The Ares, on which he was XO, crashed, and two months later, when the Earth forces retook the base, his father and two other injured soldiers were found alive. The Doctor at the base had taken care of them despite the objections from his CO, because he believed life was sacred. It was then, Franklin says, that he decided to become a doctor, and it is why he will try to save anyone, regardless of sides.
"So... what happened to the doctor that helped your dad?" asks Bo. "Shot and killed by his own men," replies Franklin quietly. "They said he was a traitor." Bo then finishes the work on the IsoLab console.
In C&C, the secondary targetting console is on the blink, and Mack gets to work on it as the crew prepares for the three scoutships, which come in firing. Starfuries and the defense grid get two of the scouts, but in the meantime the aliens scan the station and try to access the codes for the defense grid. As the third scoutship is about to escape, Mack gets the secondaries back on line, which destroy the last alien ship. Lochley is relieved, and goes to talk to Garibaldi.
Mack joins Bo, who is now working on a deck in Blue Sector. Mack says he likes the new captain and is glad she's on their side. Bo replies that the rumors are she fought on the side of President Clark during the Civil War, but Mack dismisses his concerns. Many people were on the other side, he says, and one shouldn't listen to rumors anyway. As Bo finishes the work, they are called to fix a problem in Brown sector. They get in the lift, and are later joined by Lochley and Garibaldi.
Lochley and Garibaldi are arguing. Lochley is demanding to know why Garibaldi didn't tell her the aliens could download the tactical codes, but Garibaldi claims he is innocent. The Gaim didn't say anything, and he didn't think to ask. Lochley angrily tells him that it is his job to think of quesitons like that, and demands he go back to the Gaim and ask all the questions he didn't think of in the first place. With the assault fleet on its way, she wants a fighting chance of surviving the next 12 hours. Lochley and Garibaldi get off, and Mack and Bo go on their way.
After Mack and Bo finish fixing the problem in Brown sector, they are ordered to the Sanctuary to prepare it for a religious ceremony, as Lochley announces over the monitors that the first wing of the attack is coming through the jump gate.
From the sanctuary, Bo and Mack can see the firefight and explosions outside the station: a red explosion for human pilots blowing up, green for the invaders. Eventually, a lone White Star arrives and joins the fight, and Mack and Bo note a breaching pod closing in on the station. All personnel are ordered to the shelters. The station is being boarded.
Bo and Mack are on their way to the shelter, but the lift shorts out and stops. When they force the doors open, they find themselves in the middle of a firefight in Brown sector between the invading aliens and Zack's security forces. Zack orders them out and covers them, and they stumble into Byron's telepaths.
Byron assures them they are safe, and advises them to stay until the fight is done. Mack and Bo eventually figure out these people are the recently arrived telepaths, and when the fight dies down they get up to leave. Bo expresses his desire to be out in space fighting alongside the starfury pilots, and Byron uses his telepathic ability to make him believe he is, for a few seconds. Bo silently thanks him as they leave.
In the shelter, they overhear Londo and G'Kar. Londo is complaining about the situation, but G'Kar is quite calm. G'Kar practically grew up in shelters such as this, escaping from Centauri bombardment of the Narn cities, so he feels quite at home. Londo complains that the White Stars aren't there to protect them, and G'Kar reminds him they are coming back from guarding the Imphili homeworld ("The Paragon of Animals"). They both leave to "see how things are out there," as the second wave of invaders comes through.
One of the invading ships is damaged and crashes onto the station, making a sizeable hole in the hull. As maintenance bots put out the resulting fires on the outside, all maintenance personnel are called to Red One to deal with the fires on the deck burning through the hull.
As Mack and Bo are going there, they pass Sheridan and Delenn. Sheridan insists Delenn should get on the lifepod, but she refuses. Sheridan enlists Bo and Mack to escort her to the pod. "Look," says Sheridan to Delenn, "with luck the rest of the White Stars will get here on time and we won't even need the pods." "But what if we do?" asks Delenn. "What if the station falls?" "Then, as you said to me once," replies Sheridan, "I'll see you again in a place where no shadows fall" ("Confessions and Lamentations"). They kiss and Sheridan leaves Delenn in Mack and Bo's care.
Before they get to the pods, however, Delenn asks them their names. Delenn also asks what would happen to a lifepod if, shortly after launch, the equipment were accidentally smashed from the inside. Mack and Bo agree it would either crash on Epislon 3, or explode. Delenn then makes it plain that if she is put in a lifepod and forced to watch the station fall, her pod would suffer such an accident. "The President is right, ma'am," argues Bo. "It's not safe here for either one of you." "I know," replies Delenn. "But it is home for both of us." Mack and Bo let her depart, and she smiles at them before leaving.
The station shudders and Mack looks through a porthole and yells in triumph. "The cavalry is here!" he says. The White Stars have arrived at last.
With help from the White Stars, the fighting is soon over, and Mack and Bo get back to work. The shelter is a mess, and according to Bo there is a lot of work to do: a damaged hull to repair, garbage to be picked up, debris to be cleaned up from space surrounding the station, and airlocks to fix in Brown Level. "Typical," complains Mack. "They call all the shots, they get all the glory, we clean up the mess."
Then they see dozens of bodies lying still on the deck, draped in sheets. Dr. Franklin is going over them one by one, closing their eyes, making notes, and finally pulling the sheet over their heads. "Well," says Bo somberly, "maybe not all the mess."
As the cleanup continues, Mack and Bo are working on C&C and overhear Corwin reporting to Lochley that not a single alien made it back to report on Babylon 5. Lochley is pleased, and does not expect them to try again.
"Captain, ehr... Captain Lochley!" yells Mack suddenly. The Command Deck falls into an expecting silence, as Mack continues lamely. "Well, Captain, ah, I know you're new here and all and, ah, I just wanted to say, you're okay in my book, ma'am." "Thank you," says Lochley sincerely, smiling widely. Mack goes back to work.
Later that day, Mack and Bo are on their way to lunch when they pass Sheridan and Delenn, walking hand in hand, in a corridor. "Hello Mack, Bo," she greets them by name as they walk by.
"Bo?" "Yeah?" "She remembered my name." "Our names." "I think I'm in love..." "She's married!" "We'll work something out."
A Voice in the Wilderness, Part 1
Overview
Seismic activity on the planet near the station uncovers what may be signs of an extinct alien civilization. An old mentor pays a visit to Ambassador Delenn. The unrest on the Mars Colony intensifies. Louis Turenne as Draal. Curt Lowens as Varn.
Sub-genre: Suspense/mystery P5 Rating: 8.50 Production number: 120 Original air date: July 27, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Janet Greek
Backplot
- Before Sinclair asked him to be security chief on Babylon 5, Garibaldi was working for the security division on Mars Colony, where he fell in love with a woman named Lise Hampton. Their relationship was rocky ("I was pretty messed up") and ended when he accepted the B5 assignment.
- The Psi Corps has a secret training facility very close to one of the Mars Colony cities.
- There is growing lack of purpose and dissatisfaction among the ordinary citizens on Minbar.
- One of Londo's wives was a dancer at a club, who comforted him when he was depressed. He married her that night, and regretted it the next morning and ever since.
- The planet the station is orbiting is called Epsilon 3.
Unanswered Questions
- What came through the jumpgate?
- What is the function of all the machinery buried beneath the planet's surface?
- Why was the alien connected to the machines, apparently against his will?
- How was he able to project himself to Sinclair and Londo on the station?
- Was the defense system designed to prevent someone from finding the machinery, or to stop someone from rescuing the alien?
Analysis
- The alien might well be native to Epsilon 3, since he was able to breathe the atmosphere once he was disconnected from the machinery. In the shuttle, Ivanova can be seen fitting him with a breather unit, presumably since the shuttle's air is Earth-style. Perhaps the proximity of Babylon 5 to Epsilon 3 is not a simple coincidence.
- A possible inconsistency: if the missiles were being fired from within the fissure, how could Sinclair and Ivanova safely enter it? All their cover fire was high in the atmosphere; the missiles could have hit them before they had time to react once they were underground. Of course, it's possible the missiles are only useful above a certain altitude (true of some present-day surface-to-air missiles,) but in that case, why wasn't the fissure protected by short-range weaponry?
Notes
- The scene with Ivanova and Sinclair crossing the tunnel bears similarity to a scene from the 1956 film Forbidden Planet. (See jms speaks)
jms speaks
-
We're halfway through filming the two-parter, "A Voice in the
Wilderness," which is coming along nicely. From a CGI and sets point
of view, this is the largest and most ambitious thing we've shot yet,
with ore of each category than in any other episode.
-
In the two-parter, btw, [Christopher Franke] went absolutely full-out and
gave us some of the best scoring of the season...gorgeous stuff, second only
to either "Sky" or "Chrysalis."
-
...Delenn has quite a few moments when she's laughing,
and funny, but always in a dignified fashion; it's a strange but very
appealing combination. (And there's one scene she's in that is played
*absolutely* straight, but is fall-down funny.)
-
It was always intended to be a two-parter, and was written that
way. Background: the B5 2-hour pilot has done VERY well overseas in
cassette form. Many of the prejudices in the american press that caused
us problems don't exist overseas (it's done *extremely* well in Japan on
laserdisk, in Germany, and England, among others). So they asked if we
could do a two-parter that could be sold as a two-hour episode overseas.
By all means, sez I. So I structured it accordingly.
Bit of B5 trivia: during the dead of winter last year, I got hit by the flu as badly as I've ever been hit. Temperature so high that I was near delerious at times, but refused to go to the hospital (I don't like doctors, and I was under deadline and couldn't afford the potential time away.) We're talking mondo sicko here. It was during this time that I wrote "The Quality of Mercy," a script which I have *no* memory of ever writing. I know it's here, and I know I wrote it on an intellectual level, but the process...gone in the fever.
It was also around this time -- either at the top or bottom of the flu, I can't remember now -- that I wrote the "Voice" two parter. And here's the trivia part...this isn't the original two-parter that I wrote. My brain already deteriorating, I wrote something that even I could see wasn't up to par. Wrote the entire two-hour script. Printed it up, and gave it to Doug and John. Before they could even respond, I looked at it and decided it had to go. So I trashed the entire script. By now we were getting very close to pre-production, and I was getting sicker and sicker...but I more or less locked myself in my office, swallowed down massive amounts of vitamins (as much as my stomach could handle), kept forcing down coffee, and wrote 12 hours a day for about six days, after which the original draft was finished. Turned it in; did some mild polishes thereafter, but what was filmed was essentially what I turned in in first-draft stage. In this case I do remember some of the process because the only way I could focus was to keep the stereo up full blast; in the writing of "Quality," it didn't help...I was beyond recall.
-
I tried to develop a basic language structure for each of the races
on B5. There are certain commonalities to the structure of names. I
came up with some prefixes and suffixes, and assigned meanings to them,
the same as real names. For instance, Rathenn (referred to by Delenn
in "Voices") and Delenn have the same suffix, which has a specific
meaning. You can break it down; Ner-oon (Legacies), Del-enn, Rath-enn,
Der-onn, and so forth. The various parts do have specific meanings,
but I generally keep that to myself, just for amusement.
-
I try not to hype shows that I like unless I know beyond a doubt that
it's absolutely kick-ass. I like "Voice" a lot; it is the point at
which we really start cranking, speeding things up as we barrel
toward "Chrysalis." I think the CGi is nothing less than terrific,
Christopher Franke went balls-to-the-wall and did an *amazing* job
with the music, the performances are good. I like it a lot. I haven't
commented upon it a lot because it's kind of the weird child in the
brood; when I write, I generally write tight and fast. By the third
act, you're *moving*. In this case, you have to pace yourself out
*very* differently, so part of my brain keeps doing this "c'mon, speed
it up, speed it up" when I'm watching the first part because I'm used
to a different one-hour kind of pacing.
Kathryn says I'm nuts. But then this is nothing new.
Anyway, I do think it's pretty cool, and does a lot with virtual sets and composite sets.
-
Re: the elevator/transport tube gag...yes, we set this stuff up WAY
in advance. The first time is in the tube where he tells Talia
about his second favorite thing in the universe. The second time is
in "Mind War" when he gives her the mental once-over and she belts
him. And then we paid it off later with her line about him always
being there.
One nice thing about the way we're doing this show is that we don't just have to set up gags within an episode; we can set them up *weeks* ahead of time, as long as the payoff is self-contained, but then when you see the earlier shows, now you get more out of it.
-
A First Contact situation is one unlike any other: you don't want
junior officers around to screw it up. Remember, the Earth/Minbari
War began when a First Contact situation got screwed up. EA's policy
is that it's better to risk two people than a full war, and those two
people have got to be command-level personnel. Soldiers get killed;
it happens. And yeah, you can leave a backup person at the shuttle
...but what if *he's* the one to make actual first contact? You're
screwed. Ivanova and Sinclairhave been trained in this; in "Soul
Hunter," Sinclair makes reference to the rules of First Contact
Protocol. If you like, I'll elaborate on this in some future episode.
-
Re: the commander and Ivanova going...remember, this is a First
Contact situation, and that requires the presence of at minimum one
command officer under EA regs. Two is preferred. You don't want
junior officers hanging around or taking hostile stances which might
provoke a fight. Remember that the last major First Contact
situation was with the Minbari, which went afoul and gave us the
Earth/Minbari War. EA would rather lose two replaceable officers than
start another war via misunderstanding or a fouled move. This is a
part of their First Contact Protocol, referenced in "Soul Hunter." (I
should probably expandupon this a bit in future episodes.)
-
RE: the big bridge shot...the storyboard artist came up with 3 shots
we could use. One of them was a wide shot across a crystalline ground
like area, through which a path can be seen at ground level, but it
was narrow and still really didn't convey the scale of what I wanted.
One other was not much different. The third was a downshot designed
to pull back, and though I knew it would make folks say "Krell!", I
knew that it was the right shot for that scene, so chose that one and
decided to live with it.
-
It's real simple.
Ron Thornton showed me three variations on the
Great Machine shot. Because you're looking at a composite shot, you have
to shoot either sharply angled down, or dead across, and full-figured,
since you have to put them into another piece. That meant either a
horizontal shot, or a 3/4's vertical shot.
Two of the shots on the storyboards were horizontal; one showed our characters way off in the distance on a ribboned path lined by crystals. It'd be pretty, but it looked like another tunnel shot, and I wanted to show something that wasn't claustrophobic. Also, we'd be limited in the camera move, and our characters would look kinda like peanuts. Not terribly dramatic. The second shot just didn't work for me, I don't entirely recall the reason now. The third possibility seemed the most dramatic...it was a high angle shot, it had depth, it would let us start on our characters and do a camera move/pullback in post production, it worked on every level.
My second thought was, "Shit, somebody's going to gig us on the Forbidden Planet thing." Nonetheless, it was the right shot, for the right reasons, and we chose to go with it.
-
How does one come up with stuff like Londo's song? Easy, really; you
start by putting yourself in the position of an alien trying to
understand us. And if you step back for a second, we do some *very*
weird stuff. What he says about the song is exactly right in terms of
its meaning.
-
Yeah...I love Londo's song, that whole scene. The director wanted to
cut Ivanova's coda after her mantra, but I really felt we needed it,
and it played perfectly with her Russian character, which tends to
have this unusual relationship with higher forces (he said vaguely).
I love character based humor, because it's very powerful once you know
the characters, and it can really blind-side you if done right.
Ivanova's reaction in the core area was about as real as would
probably happen, but it's funny to hear her *say* it.
-
Londo and Garibaldi really are two sides of the same coin, in some
ways. There's an odd friendship there, almost grudging; Londo had
little to gain by cheering up Garibaldi, except a drink perhaps, but
that's what friends do.
-
I love monologues. They are a legitimate part of any drama. The MTV
generation has had its tastes so thoroughly bastardized by quick cuts,
lowering the attention span further and further, that any bite of more
than ten seconds and they start to wander, it becomes a block of words
and they blur out.
Go rent Network by Paddy Chayefsky, watch nearly any of the TZs by Rod Serling, go see "The Lady's Not for Burning" by Christopher Fry...all chockablock with moments where you park for a moment and let fly with a chunk of dialogue that smashes your head against the wall. Not every single exchange has to be foreshortened so that you lose the *impact* of what's being said. Because people's attention spans have been greatly foreshortened, suddenly more than 3 lines at a time is somehow viewed as wrong. It ain't. Just that lots of folks are afraid to try it, afraid to rely on just the words and the actors. And sometimes it works, and sometimes it doesn't. But it's legitimate.
The monologue in particular, done right, isn't just to convey information, it's to create a mood, to paint pictures with words, to expand on the obvious. Yeah, I could've just written, "The narns hate us, we hate them, it's equal math." But that doesn't carry the same meaning, the same sense as "so here we are...victims of mathematics." The use of the word "victim" connotes, hey, it's not my fault. Yeah, the former is shorter, but you lose the rhythms, the imagery, and the *sense* of what is intended. You could say, "The narn hate us." But to say, "if the narns gathered together in one place, and hated, all at the same time, that hatred would fly across dozens of light years and reduce Centauri Prime to a ball of ash," draws a picture, lends power to the emotion.
Point being...I like 'em, there's nothing wrong with them, and they're staying.
-
Re: your suspenders of disbelief becoming unhitched....
You will learn how the alien knows English in the next part of the two parter. (Hint: after all, he's been there for a long while, in a high-tech machine...you'd think maybe he could monitor transmissions.)
I don't think the Sinclair or Ivanova did automatically believe him; but they also had no real reason *not* to believe him. And granted the place was going to hell, quakes and danger. He wasn't armed, he seems rather sick, had to be helped away, almost carried...they won't turn the station over to him, they'll keep him isolated on the station, but there was no reason *not* to try and help him.
How do you know he's a good guy? You don't. But he wasn't exactly imprisoned in that thing; it was a support, more than anything else, a was shown by the fact that they were able to get him out fairly easily.
(And yes, your first guess was correct, it is a life support gizmo.)
Regards to your suspenders.
-
Once removed from his place, Varn was able to lead them back to their
shuttle. It's not terribly dramatic, and I figured that was a fairly
logical leap, so didn't feel the need to put in a scene which would
just consist of Varn saying, "Left....now right...."
-
Ivanova's line: "We don't know if we can find our way back or not,"
not that it was closed off. So showing them wandering around to find
another open tunnel seemed not dramatically interesting; you have to
pick what's important and what's not, and what will work dramaticall
on screen. If she had said "there's no other way out," then you
would've had to show it. She didn't. One can also argue that the
alien showed them which way to get out. Either way...all you've got
is one hour to tell your story. You can't show everything, you have
to let your audience assume some things.
Roy: there is a quantum difference between a computer game and a TV show. It's not "lowest common denominator," which means making the story stupid; I'm saying that if you showed the missiles at full speed, YOU WOULD NOT SEE THEM AT ALL. And, again, there's nothing nearby with which to get a sense of how fast they're going, no landmarks, so it's very hard to convey that. Again, look at space footage; the shuttle is going *incredibly* fast...but as far as we can tell it looks nearly motionless, because there are no landmarks.
Re: not explaining WHY the Starfuries can't enter the atmosphere, we did that. Ivanova says that they're not built to function within an atmosphere. Now, I could stop the scene for a long dissertation on the relative aerodynamics of planes with wings vs. starfuries, but here you say only what you have to. You show, don't tell.
It seems like in the same breath, it's accused of catering to the lowest-common denominator, and being over the head of its viewers by requiring them to *think* about what they're seeing.
Which means we're probably doing it right.
-
It seems to me that every generation thinks that things are changing,
usually for the worse. In some cases, they may be right. The B5
story is set at a point in time where things are very much in a state
of flux. Every so often, the wheel turns. Everybody's feeling a
sense of growing uncertainty, of the chairs being moved around.
They're right.
-
Actually, this was not the first B5 or Sinclair had heard about the
escalating problem on Mars; remember, that was the main reason that
Ben Zayn had been sent to B5 in "Eyes," smoking out sympathisers with
the Free Mars movement.
-
The Mars Colony situation will be raising its ugly head on and off
again for quite some time to come.
Also, the fissure wasn't created by the quakes; Tasaki mentions it was artificial, but nudged open by the tremors.
-
No, a shuttle like this, which is designed to function in alternate
atmospheres, and may have to evacuate groups, has about 7 standard or
most common atmosphere cannisters. Medlab has the same thing, but in
larger numbers. This is SOP on the show.
- No, the sets weren't redresses of regular sets; they were built new and entirely for the two-parter; you can get a better look at them in the second part, and some angles of the first.
A Voice in the Wilderness, Part 1
An elderly Minbari male arrives on the station and asks to be shown to Ambassador Delenn.
Asking for directions.
Epsilon 3, the planet B5 is orbiting, is experiencing large earthquakes. Ivanova and Sinclair clear Dr. Tasaki, a geologist, to take a shuttle closer to the planet and collect data.
On his way to a negotiation session, Sinclair runs into Talia Winters waiting for the transport tube. She comments that Garibaldi is always in the tube waiting for her, and sure enough, he's there when the door opens. She opts to take the stairs.
As Dr. Tasaki's shuttle nears the surface of the planet, a powerful energy beam suddenly fires into space from below ground, knocking the shuttle out of control. Ivanova orders two Starfuries to tow the shuttle back to base. When he returns, Tasaki is eager to go down again the next day with more equipment, to try to figure out what's causing the beam.
Sinclair is presiding over a negotiation between Delenn and Londo about trade routes. The negotiation proceeds smoothly, which Londo attributes to G'Kar's absence. Delenn assures him that G'Kar's anger will fade with time, but Londo insists that the Narn hatred of the Centauri is intense enough to reduce Centauri Prime to ash if it could be made physical -- and the Centauri react to that hatred by hating the Narn all the more. After Londo leaves, Delenn comments to Sinclair that if Londo is right, if future generations won't be born into a brighter world, "then life is pointless, and evolution vastly overrated."
Londo describes the
Narns' hatred.
Later, Ivanova tells Sinclair that the beam is a signal, perhaps a beacon, though nobody has been able to decipher it. She remarks that the day's Earth Force status report didn't say anything about the Mars colony, very unusual as it's mentioned every day.
Delenn is returning to her quarters when she's met by the Minbari male who boarded the station earlier. His name is Draal, and he's an old teacher of hers.
Sinclair is preparing for bed, watching the news on TV. The anchor is interrupted by a special report from the Mars colony: an armed revolt has begun, and heavy fighting is reported. The news show is able to broadcast a few moments of a field report before the reporter is cut off. Sinclair shuts off the television, disturbed.
Before he can contemplate further, a flickering image appears in midair across the room, an alien man who pleads for Sinclair's help before vanishing abruptly.
Pleading for help.
The next morning, Sinclair and Ivanova talk about the situation on Mars over breakfast. Sinclair, of course, was born there, and it's his home that's being blasted apart; but neither of them has friends or family there any more. Garibaldi, according to Ivanova, is taking the news badly.
Draal joins Delenn in her quarters. After thanking her for arranging for his quarters, he says that he left Minbar because it's changing for the worse, the people growing dissatisfied, self-involved to the exclusion of others; they've lost their sense of purpose. He says that he's "going to the sea" -- journeying out into the sea of stars in the hopes of finding a place where he's needed. Delenn is shocked.
Garibaldi tries to get a comm channel to Mars, but the government has imposed a communications blackout and he's not highly-placed enough to get through despite the blackout.
Ivanova briefs Dr. Tasaki and his crew, reminding them that the Starfuries escorting them are only designed for spaceflight and won't be able to help if the shuttle goes into the planet's atmosphere. Tasaki agrees not to do that, and the shuttle and escort are launched.
Ivanova briefs the shuttle
crew.
Garibaldi goes to Talia and explains that when he was working security on Mars, he met and got involved with a woman named Lise Hampton. It was serious, but when he accepted Sinclair's offer to come to Babylon 5, he and Lise broke up angry with each other. They haven't spoken since, but now he's worried sick about her. He asks Talia to try to get him a comm channel via the secret Psi Corps training facility on Mars -- a facility, Talia notes with surprise, that he's not supposed to know about.
Garibaldi talks
about Lise.
Ignoring Ivanova's order, Tasaki takes the shuttle into the upper part of the atmosphere to get more detailed sensor readings. Suddenly, a barrage of missiles is launched from the surface. One of them strikes the shuttle, but after Ivanova has the Starfuries disorient the missiles from orbit, Tasaki and his crew manage to escape safely.
Back on the station, Tasaki shows Sinclair and Ivanova a high-resolution image he captured just after the missiles were launched. It shows them coming from deep inside a fissure in the surface, five kilometers below the surface. Sinclair easily convinces Ivanova that the two of them should take a shuttle down to take a closer look, justifying his presence because it might be a first contact.
Tasaki describes the
image.
Garibaldi is in the zocalo, looking miserable. Londo cheers him up by telling him a story. Londo was sitting in a club one day, looking miserable, when one of the dancers kissed him and told him it couldn't be that bad. He married her, regretted it the next morning, and has regretted it ever since.
On his way back to his quarters, Londo sees the same alien Sinclair saw earlier. Once again, it asks for help, then vanishes.
With orbiting Starfuries disorienting the missiles, Sinclair and Ivanova take a shuttle into the fissure, where they discover an artificial tunnel in the rock face. They land on a platform inside and put on breathers to go have a look around.
Distracting the
planetary defenses.
Talia speaks with a member of the Psi-Corps, someone at the Mars facility. The woman refuses to let Garibaldi have a link -- doing so would confirm the existence of the facility, and he might be asking for a channel just to find out if the place really exists -- but she offers to look Lise Hampton's name up in the files and see if she's all right. Fighting is occuring less than a quarter-mile away from the facility, it seems; the Free Mars movement was much better armed and organized than anyone suspected.
Sinclair and Ivanova explore some smaller side tunnels on foot. They pass a dead alien, then nearly stumble into a high-tech deathtrap, but Sinclair sees it in time and the two of them make it through uninjured. They find themselves on a bridge spanning what looks like the hollow core of a gargantuan machine, miles tall with huge parts moving up and down the walls.
Sinclair and Ivanova cross
the bridge.
Delenn and Draal visit Londo, who complains that he's unable to comprehend Earth people. As an example, he quotes a song he's been studying for a week. "It doesn't mean anything," he complains.
Talia visits Garibaldi in the command center and tells him Lise Hampton isn't on the survivor list. Garibaldi refuses to believe that something has happened to her, but seems somewhat numb.
An earthquake cuts off the tunnel behind Sinclair and Ivanova. Continuing forward, they see another projection of the alien Sinclair saw on the station. This time, though, the real alien is just around the corner, strapped into the center of a huge machine on the wall. "Help me," he says, "or your people, all your people, will die."
They help him out of the machine and take him back to the shuttle. With fighter cover, they head full-speed back toward the station. Sinclair orders Garibaldi to have a medical team standing by.
Garibaldi is relieved to hear that they're returning, but his relief is cut short when a tech announces that a ship, a big ship, is coming through the jump gate. He looks down at his computer display. "What the hell?"
To be continued...
Synopsis by Steven Grimm
A Voice in the Wilderness, Part 2
Overview
Sinclair fights two turf battles at once as alien invaders claim the planet the station orbits, and an Earthforce captain disagrees with him about how to deal with the situation. Ron Canada as Capt. Ellis Pierce. Louis Turenne as Draal. Curt Lowens as Varn. Denise Gentile as Lise Hampton. Aki Aleong as Senator Hidoshi.
Sub-genre: Action P5 Rating: 8.49 Production number: 121 Original air date: August 3, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Janet Greek
Backplot
- In his youth, Londo led the Centauri raid on a planet called Frallis 12.
- Five hundred years earlier, the last of Varn's race died, entrusting him with a legacy, the guarding and caretaking of Epsilon 3. Some time prior to that, a violent, cruel faction of the race was cast aside by the rest, and since Varn took over Epsilon 3, they have been searching for it.
- Some Earth citizens feel they're heavily subsidizing the Mars colony, and that may in fact be true.
- The Centauri contributed a substantial amount of money to the construction of Babylon 5.
Unanswered Questions
- What is the intended use of Epsilon 3?
- What needs to happen before it will be deemed ready for consumption by the rest of the galaxy?
- Was Takarn's ship the only one of its kind, or are more outcasts from Varn's race still out there, searching (or heading) for Epsilon 3?
- Are there any other planets like Epsilon 3 waiting to be discovered?
Analysis
- The station potentially has a powerful new ally in Draal. It remains to be seen if he will prove willing to come to the station's defense in the future, but the threat of retaliation by Epsilon 3 might be enough to keep any would-be attackers at bay.
- Garibaldi's tentative hopes of one day getting back together with Lisa have now been dashed. This might make him that much more likely to hit the bottle again. (cf. "Survivors")
- Assuming Earth is successful in putting down the revolt on Mars, a continued presence will likely be necessary to keep things from flaring up again. This is bound to have political consequences back on Earth, and possibly on Babylon 5, as Earth has a harder time claiming the moral high ground if it's occupying one of its own members with soldiers.
- Londo's sense of adventure, now reawakened, might lead him to go even further in his quest for the "good old days." Between this and his possession of the Eye (cf. "Signs and Portents") he may be a much more influential figure than he appears.
- Delenn's assessment of Sinclair jibes with the hints in "Grail" that she considers him a "true seeker," someone whose life is devoted to a cause.
Notes
- @@@858798423 The heavy cruiser EAS Hyperion was named after the Babylon 5 Internet archive (and home of the Lurker's Guide) originally located at Hyperion.COM.
- Ivanova seems to enjoy saying "Boom!" (cf. "Grail")
- @@@839744251 When Capt. Pierce is going to launch fighters to land on the planet and Sinclair threathens to destroy them, Pierce argues for a moment and then backs down. When he turns briefly to the screen and a computer graphic is displayed showing him calling down the ships, one of the ships in the top left corner of the screen has the flight number THX-1138, the name of one of George Lucas' first films.
- @@@867349958 More SF references can be found in the list of words being downloaded from the station's language files by the aliens. For instance, "ORAC" is a computer from the British series Blake's 7, and "Skynet" is from The Terminator. The phrase "I am not a number, I am a free man" (from the title sequence of The Prisoner) can also be seen on several consecutive frames.
jms speaks
- BTW, have named an Earth Alliance Cruiser Hyperion, in notation of the library....
-
Does the Earth Alliance have capital ships?
Of course there are capital ships. We never said otherwise. There's one later this season, for instance, the EAS Hyperion, a heavy Earth cruiser. There aren't as many as they'd like -- the majority having been wiped out in the war -- but they're building 'em as fast as possible. (The Hyperion, though it's never mentioned, is one of the leftover capital ships, not one of the newer ones.) -
Will we see other ships like the Hyperion?
That design will never be seen again. - Correct; the Hyperion didn't have a gravity-positive section.
- Of course, insofar as I recall, it wasn't stated in the episode that Varn's people actually *built* the Great Machine; after all, if they could build it, why would the others have been searching for it so frantically for the last several hundred years?
- Actually the Hyperion is one of the few surviving heavy cruisers from the Earth/Minbari War period; after we lost a LOT of our ships, there were some new ones commissioned, which we haven't seen yet, which are far cooler than even the Hyperion (though we'll see them next season).
- The captain of the Hyperion specifically states that he was already IN hyperspace, en route to another system, when he was ordered to stop here. His ship was already in the area. Also, there is a fair amount of time between the actions on the planet initially, and the arrival of the Hyperion...enough to know there's some kind of tech there, based on the initial attacks. The Hyperion continued to monitor reports as they came in.
-
And there we get into the contradiction; Ivanova and Sinclair down on
the planet would be mainly more run-and-jump...Draal talking about his
feelings, Delenn showing she is upset that her friend is going away
and will never be seen by her again, their obvious friendship, that to
me is characterization. And not just throwaway stuff, either, but
important down the road.
But hey, what do I know....
A Voice in the Wilderness, Part 2
(Continuing where Part 1 left off)
Garibaldi is relieved to hear that Sinclair and Ivanova are returning from the planet, but his relief is cut short when a tech announces that a ship, a big ship, is coming through the jump gate. He looks down at his computer display. "What the hell?"
The ship is an Earth Alliance heavy cruiser, the Hyperion, Captain Ellis Pierce commanding. He says he's been ordered to take control of the situation.
The Hyperion
comes through the gate.
In Medlab, Sinclair and Franklin watch over the alien from Epsilon 3. Franklin says he is still studying the alien's biology, but that he seems to be stabilizing.
Pierce is waiting in Sinclair's office, looking at an onscreen introduction to Babylon 5's facilities, when Sinclair arrives. Pierce says his crew will enjoy getting a little R&R on such a "cushy" station. Sinclair wants to know who authorized Pierce to take over; Sinclair has jurisdiction over Babylon 5's sector. Pierce says the Hyperion was in hyperspace when it received orders to divert to Babylon 5. The potential of the technologies Sinclair has discovered are enormous, and Earth wants a show of force so other races don't try to get a piece of the action before Earth has had its pick; if the Hyperion weren't present, the situation could get very messy. Sinclair angrily replies that the situation was fine until Pierce charged in with a heavy cruiser and shook things up.
Pierce tells Sinclair
why he's there.
Garibaldi is at a bar, drinking water and watching the news with some other patrons. The top story, of course, is the revolt on the Mars colony. Earth is sending in shock troops to quell the rebellion. The other bar patrons are delighted, and start insulting the Mars colonists. "We pay taxes so they can have the best atmosphere reprocessors, water reclamation... They ought to be damned grateful." One of them suggests, jokingly, that Earth should do "what my grandfather always said: nuke 'em till they glow and shoot 'em in the dark. That'd take care of 'em, just like magic." Infuriated, Garibaldi performs a magic trick of his own, assaulting the mouthy bar patron and stalking off.
Sinclair confers with Senator Hidoshi, complaining that he'd been told personally by President Santiago that he has jurisdiction over Babylon 5's sector. He threatens to resign over the issue unless Hidoshi can get Santiago to reaffirm his authority in the matter. Hidoshi says he'll see what he can do, but it might not be much as the President is preoccupied with the Mars colony revolt.
In the command center, Ivanova tells Sinclair that the Hyperion has just launched an expedition to the planet's surface, and that the planet's defense systems, much more active than before, are preventing them from getting close. Sinclair demands that Pierce call off the expedition, making up a story about needing a special jamming device to get through the defense systems.
Ivanova then tells Sinclair that they've been monitoring greatly increased seismic activity from the planet, activity that seems to be artificially induced and that's increasing in severity. If it continues to do so, the planet will rip itself apart, taking Babylon 5 with it.
Later, Ivanova reports that they've discovered the planet is honeycombed with passages and fusion reactors, some of them miles in diameter. The fusion reactors seem to be set to overload. She estimates less than 48 hours until the planet is destroyed. Garibaldi says it would take at least three days to evacuate the station even if all the ships in the sector were called in.
Discussing the
situation.
Londo catches up with Ivanova in the corridor and demands to know what's going on. He presses her on the issue, until she replies, "You want to know what's really going on down there right now? Boom. Boom boom boom. Boom boom. Boom. Have a nice day."
Delenn and Draal are returning to Delenn's quarters when Draal hears the sick alien's voice calling out to him. The two of them head for Medlab.
Sinclair goes to talk to Garibaldi about the incident in the bar. Garibaldi expresses his frustration at finding himself helpless; he can't help Lise, doesn't even know if she's alive or dead. "The planet we're parked next to is about to go up like a Roman candle. What am I supposed to do, arrest it?" He says he just snapped. He and Sinclair discuss his reluctance to call Lise over the years -- he was afraid she'd reject him, and even more afraid she wouldn't -- and Sinclair promises to try pulling a few strings to get Garibaldi a comm channel to Mars. He asks Garibaldi to make sure Ivanova leaves the station if they end up needing to evacuate.
Draal and Delenn arrive in Medlab. Franklin tries to stop them from going in to see the alien, but the alien awakens and calls out to Draal. He says everyone must stay away from the planet, that it will explode without a heart, "without another."
Draal and Delenn listen
to the alien.
After getting that confirmation that expeditions to the planet will only hasten its detonation, Sinclair arrives in the command center to find that Pierce is about to launch another group of ships to the planet. He knows what the alien (whose name is Varn) said, but feels that Varn has every reason to lie to keep people away. Sinclair threatens to shoot Pierce's ships out of the sky if they approach the planet, and orders the station's fighters to prepare for launch. Convinced that Sinclair feels he has nothing to lose, Pierce backs down.
Suddenly, an unknown alien ship enters through the jumpgate and scans the station's language and translation files. Its captain, Takarn, who appears to be of the same race as Varn, claims that the planet belongs to his people, who have been searching for it for 500 years. He gives Sinclair and Pierce ten hours to leave the area, or he'll take the planet by force.
The Hyperion and Babylon 5
are scanned.
Before Sinclair can respond, Pierce answers Takarn with his own ultimatum: withdraw within nine hours, or the Hyperion will attack.
Varn tells Sinclair that the newcomers are outcasts, rejected by his people, who are all long dead now. He has been guarding the planet, connected to the heart of the machine, for five hundred years. He monitored Babylon 5's construction, learned its languages from its transmissions, but the time wasn't right to reveal himself until his failing health forced the issue. He warns Sinclair that the newcomers must not be allowed to take the planet. It is for the future.
Sinclair talks to Delenn and Draal, who claim that Varn didn't tell them anything more than what he told Sinclair. Sinclair leaves, and as Delenn and Draal talk about what Varn meant by "another," Londo enters and says the three of them need to talk.
Pierce tells Sinclair that he needs Babylon 5's forces to make an effective attack against the alien ship. Sinclair assures Pierce that when the time comes, he'll commit his forces to the battle.
Londo, Delenn, and Draal talk about Varn; Londo tells them of Varn's appearance in the hallway earlier. He wants to help, to take a risk, as he did years before when he led the raid on Frallis 12. He realizes that one of the group will have to stay behind permanently.
Londo volunteers his help.
Ivanova clears a transport to leave the station: "The more we get out now, the fewer we'll have to evacuate later." It flies off -- it's a shuttle with Centauri markings -- just as Garibaldi links in to report that someone has stolen Varn from Medlab.
Takarn signals the station, furious that they're allowing a transport to try to go to the planet. Ivanova checks, and sure enough, the Centauri shuttle is headed for the surface. Takarn launches his attack, prompting Babylon 5 and the Hyperion to unleash their fighter wings. The battle is joined.
Londo, piloting the shuttle, seems delighted to be back in the thick of things. "Who says the good old days are gone, eh?" Draal and Delenn, tending after Varn, look a little nervous about Londo's daredevil piloting style.
Londo looks for the
landing thruster controls.
On the station, Sinclair and Ivanova note that the planet isn't attacking the Centauri shuttle for some reason. Garibaldi goes after it in a shuttle of his own.
Deep within the planet, with the battle raging furiously overhead, Garibaldi finds Delenn, Draal, Londo and Varn in the room where Sinclair and Ivanova discovered Varn initially. Draal tells Garibaldi that he's staying behind; someone has to run the machine, and it will give him the purpose, the life in service of others, that he has long been missing among his own people.
The Hyperion fires
its main gun.
Back in space, the battle continues. The station takes a direct hit, sustaining serious damage. It's about to be fired on again when a strange force emanates from the planet, causing all the controls in the command center to go dark. A translucent image of Draal appears, informing all three parties that the planet belongs to none of them. "It belongs only to itself, and to the future." As the planet's secrets would give a huge advantage to any race that had them to itself, he places the safekeeping of the planet in the hands of the Babylon 5 Advisory Council, whose enlightened self-interest he hopes will cause them to leave the place alone. But if not, he warns that the defense systems are now fully operational, and any ship that attempts to land will be destroyed.
Emanation from Epsilon 3.
The aliens, apparently not believing the threat, fly toward the planet. As promised, a tremendously powerful weapon fires from the surface, vaporizing them instantly.
Delenn says an emotional farewell to Draal. Varn, staying behind to watch over Draal, assures her that the planet is wondrous, that Draal's life will be extended. He will "see all the futures, hear all the songs, and touch the edge of the universe with his thoughts."
As the Hyperion leaves, Pierce says he's received a message from Earth reaffirming Sinclair's authority. He apologizes to Sinclair. After the ship leaves, Ivanova tells Sinclair she has a channel to Mars for Garibaldi.
Garibaldi is delighted to learn that Lise is alive, even more so to talk to her. She was caught in the crossfire while getting food, but her wounds aren't serious and she's expected to recover. She says the fighting has begun to die down; the Earth-supported provisional government seems to have the upper hand. Garibaldi tells her he's sorry he ever left, and asks if he can meet up with her on his next leave. She tells him she's married, and expecting a baby. The news crushes him.
Later, Garibaldi is in an observation area, staring out into the stars, when Delenn joins him. He asks why she and Londo didn't come to Sinclair once they realized someone needed to be in the planet. She says she didn't, "because I know in my heart that if I had, Commander Sinclair would be down there now. He is searching for a purpose. But his destiny lies elsewhere." Garibaldi asks how she managed to get Londo to go. She says she offered him a deal. She now owes him a large favor, which she's sure he'll collect eventually, but she says he enjoyed the adventure, as it awakened something in him that had long been buried.
Delenn joins
Garibaldi.
"One thing I've discovered," Garibaldi says. "Some things are better left buried." He leaves.
Delenn gazes out across the stars. "Good night, old friend," she says. "Sleep well."
Synopsis by Steven Grimm
Acts of Sacrifice
Overview
G'Kar asks Sheridan to intervene militarily on behalf of the Narns; Ivanova tries to institute an ambassadorship with a visiting alien. Paul Williams as Taq. Ian Abercrombie as Correlilmerzon.
Sub-genre: Drama P5 Rating: 7.97 Production number: 212 Original air date: February 22, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Jim Johnston
Backplot
- The Narn pushed the Centauri off their world through a war of attrition, so it was no longer worth the Centauri's effort to stay -- open, direct warfare is new to them.
Unanswered Questions
- What was that gift?
- Will the Lumati's alliance with Earth be significant?
Analysis
- The situation between the Narn and the Centauri on Babylon 5 seems destined to explode sooner or later, even if things were quelled the first time. If one side begins to lose badly, revenge will be a natural reaction. Perhaps it will be just such an incident that pushes Earth into taking sides, assuming that's going to happen.
- It also seems like only a matter of time before the Minbari smuggling operation is discovered; eventually it's plausible that the Centauri will get sick of the Minbari nosing around in the middle of war zones, though they may decide they don't want to risk fighting them. How much trouble Sheridan will be in if his plan is discovered remains to be seen.
- Given the Lumati's feelings about natural selection, it's unclear how desirable they'll be as allies. If Earth needs help, they might well decide that that means humans are inferior, and withhold their aid.
Notes
- In keeping with his newfound importance, Londo's outfit has changed slightly; it is crisper, darker, with a slightly more military look.
- On a more editorial note, this episode is arguably the first to drive home how different the situation is now than it's been in the past. The dark undercurrents that have always been present in the series begin to surface here, in the form of G'Kar's desperation, Londo's casual lack of concern over the killing and his calm assurance that the Centauri will defeat the Narn, Sheridan's loss of composure with G'Kar, and the general sense of hostility around the station.
- The Lumati's arrogant attitude toward other species bears some resemblance to Star Trek's Prime Directive.
jms speaks
- On an unrelated note...just finished another script tonight, "Acts of
Sacrifice," which despite its rather ominous title is more a slice of
life episode...and contains probably the funkiest, weirdest sequence
that I have ever written. Full tilt whacko.
- [Londo is] a fascinating character to explore, and the most careful
balancing act of the bunch; part of the character's appeal is that on
a very fundamental level, you *like* him, and you don't want to see
him on this terrible slide downward. So every so often, you have to
pull him back, go in a different direction, remind us of his basic
humanity and potential for heroism. He is, really, any of us caught
in a web of events spinning more and more out of control every day.
- @@@846703699 At the start of year one, Claudia came to me and said
she'd love to do more funny stuff in her role; don't change anything in
the story, just let her have some fun here and there before All Hell
Breaks Loose in year three. I let her have that.
- As it happens, I made it a point to be on-set the day we shot what we
ended up calling "the Ivanova dance." Wanted to make sure it was done
correctly. We only had to shoot it about three times, only in the
master, no coverage. The crew was absolutely breathless after the
first take, from keeping from laughing. It was very funny.
- Actually, not to split hairs, the idea of sex sealing deals goes
back a heck of a lot longer than Larry Niven. It's been part of treaty
signing and stuff going back to ancient Egypt, other parts of the middle
east, even parts of medeival europe.
- To the question raised: yes, if Sheridan had shown the Lumati around,
the request would have been made to him, as it was to Ivanova.
- Is Zathras (cf.
"Babylon Squared")
a Lumati?
Zathras is not part of the Lumati species. - What's the deal with all the fans behind Sheridan's superior?
I will only say that I was as surprised by those fans as anyone else (I was in editing all day when that was shot).Well, we're always saying around here, the more fans the better....
- Was G'Kar laughing or crying?
It's both; laughing at the absurdity, and crying...about as close as we've seen to a nervous breakdown. - I think one need look no further than the latest communiques from
Dole and Newt to get some idea on the progenitors of the Lumati.
- Was Katsulas actually fighting, or was it a stuntman?
It was a little of both, yes. - Given that the Narns were agrarian prior to the arrival of the
Centauri, and were under their heel, and got most of their tech FROM
the Centauri leftovers, no, they're not more advanced. It's a lot
like the Russian situation, seemingly this tremendous power, but once
you look deep, not as well off as they'd like you to think.
Claudia loved the scene when I first described it to her, prior to finishing the script. She was dying to do it, and kept sort of "doing" it around people for some time prior to filming.
- The Narn were not out in space prior to the Centauri arriving.
While Paul Williams was on set for this ep, I had him sign my two CDs of the "Phantom of the Paradise" soundtrack. Ah, power....
Acts of Sacrifice
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
The Narn and the Centauri are engaged in battle, while the Narn attempt to evacuate civilians from a planet. Several ships are destroyed, and despite the efforts of one large Narn war cruiser, they are unable to completely stave off the Centauri attacks, though they do assist one stray transport in escaping before they too are destroyed by Centauri fire.
G'Kar shuts off the viewscreen, which Sheridan, Ivanova, Garibaldi, and Franklin had all been watching. G'Kar explains that the Centauri attacked without warning, killing over 5,000 Narns, expressly breaking a promise to not attack civilian targets. Sheridan asks why Londo is not there to make a statement, but Ivanova tells him that the Centauri government believed the ships contained not civilians, but weapons. G'Kar dismisses this as a lie, but is calmed down when Sheridan offers to intervene on their behalf, promising to talk to his government. This pleases G'Kar, who leaves. As he leaves, Sheridan receives a message from C&C saying that the ship he has been waiting for just arrived.
Sheridan and Ivanova arrive on C&C, and Sheridan explains that the Earth government wants to persuade the Lumati to side with them in the case of the conflict, and that they have come here for negotiations, which Sheridan has decided Ivanova should take care of. He tells her that she should do whatever is necessary, as long as they agree to ally with the Earth government or become a part of the League of Non-Aligned Worlds. Ivanova accepts this task.
As the Lumati ship arrives and docks, Delenn finishes watching the recording of the Centauri invasion, which she believes is inexcusable. G'Kar asks her if her world will be willing to help the Narn, and tries to appeal to her sensibilities. "The war is young, the Centauri are still in the process of committing their forces, some in their government are unsure about the entire affair. They only need a reason not to fight." He tells her that her decision could save many lives. She tells him that she doesn't know if the Minbari should help the Narns or not, as they may simply seek revenge on the Centauri afterwards, and the Centauri will come to her asking for help. He tells her that he believes they had no other choice. He asks her if he should beg, but she refuses. She explains to him that she was there when the Earth-Minbari war began and that, by virtue of a mistake, an entire race was almost obliterated. She says she doesn't believe the Minbari can help with good conscience, but that the Council may be able to use non-violent means to help the Narn. This doesn't satisfy G'Kar, who thanks her for her "honesty" and leaves hastily.
G'Kar pleads for help.
Several Narns stand at a bar sharing a drink, watching a group of Centauri at a table nearby insulting their race. Their claim that destroying all the Narns would be a good thing angers the Narns, who throw a bottle at them. This nearly starts a conflict, which is quickly averted by a passing security officer.
Ivanova meets the Lumati delegation in the docking bay, and introduces herself to the two Lumati. One speaks and identifies himself as Correlilmerzon. She asks the other his name, but the same one speaks again with the same response. He explains that he speaks through his translator, as it would be inappropriate to speak with an inferior life form. He says that he must investigate further before he can speak to her directly, and that, once he decides, he may honor them by meeting other Lumati. Ivanova isn't thrilled at hearing this, but takes the two off on a tour of the station.
The Lumati arrive.
Londo sits in a chair in his quarters, listening to a merchant complaining about his inability to deliver his products on time due to excessive paperwork. He wants the process to be expedited, hopefully by a helpful word from the influential Londo. The merchant says that, if Londo will help him, he will be glad to provide Londo with some of his illegal or hard-to-find merchandise. Londo promises to see what he can do, and the merchant leaves. Vir asks Londo if he should log this visit with the rest, and Londo tells him to do so, saying that, now that he has gained influence, everyone wants to be his friend. He says that his desire for respect has backfired. He tells Vir to leave and to send the others away.
"I've become a wishing well with legs."
A small skirmish between a group of Narns and Centauri is broken up by a security officer who attempts to keep one Narn and one Centauri away from each other. The Narn picks up his weapon and, despite the officer's warning, charges on the Centauri. The officer shoots the Narn, killing him. The Centauri manages to sneak away.
Sheridan is in his office, yelling at G'Kar that the Narn was ordered to put down his weapon. G'Kar says that the Narn had a right to defend himself, but Sheridan tells him that the Narns started the incident. Sheridan calms down a little and tells G'Kar that, while he is doing the best he can to get Earth to help the Narn, skirmishes like these are making things difficult, and he promises to tell Londo the same thing, since he doesn't want Babylon 5 becoming a war zone. Sheridan says if G'Kar cannot control his people, he will have them all thrown off the station and sent elsewhere. Saying nothing, G'Kar leaves.
Ivanova and the Lumati arrive in MedLab, where they meet Dr. Franklin, who is fascinated by the symbiotic relationship between the two. Correlilmerzon asks (through the translator, as usual) why such a facility exists--the weak should die, and the strong should remain. He says that saving the weak members of races pollutes the genetic pool, which doesn't serve evolution. Though Ivanova tries to intervene, Dr. Franklin defends himself saying that he doesn't believe any life is inferior to any other. They debate a little further, but before they leave, the translator tells Franklin that he thinks his "strange notions" will disappear with time. Dr. Franklin is not pleased by that comment, either.
After losing a game gambling, Londo meets up with Garibaldi, who asks only to speak with him briefly. Garibaldi agrees to have a chemically inoffensive drink with him. While they wait for the drink, Londo gives Garibaldi several ducats, saying it is the money he owed Garibaldi from helping him out of several gambling debts. Londo tells Garibaldi that he wants the two of them to be friends and be happy for each other. Londo asks why everyone is afraid of him, and Garibaldi says that, because of recent events, they aren't sure if they know him anymore. Londo tells Garibaldi that he appreciates Garibaldi's kindness and hopes that he will not change just because Londo has, and he hopes Garibaldi will continue to be there for him. Garibaldi says he will try to stop by for the drink later.
"Don't worry, it's not a bribe."
G'Kar meets with a large group of Narns on the station, telling them that, because of their disagreements with the Centauri, they are risking not receiving aid from Earth. The other Narns disagree with needing allies, but G'Kar explains that, now that they are in direct war with the Centauri, they need to approach the situation differently. He doesn't want anything getting in the way of their winning the war, and he realizes it is difficult to just stand by and watch what's going on, but G'Kar tells them they must do it. One Narn tells him that his message was heard and understood, and G'Kar leaves. "Now we send a message of our own," the other Narn says. The Centauri who earlier started the fight where a Narn was killed is brought forth, bound and gagged. The Narn stabs him. "Leave him where they can find him, and tell the others we attack in six hours. And when we finish, there must not be one Centauri left alive on this station!"
Dr. Franklin examines the murdered Centauri, while Sheridan and Garibaldi look on. Sheridan asks if there is any conclusive proof that the Narns were responsible, and Franklin says there is some evidence, but no real proof. Garibaldi suggests they inform Londo, but Sheridan recommends against it, not wanting to cause undue trouble, especially since they can't prove the Narns murdered the Centauri. Sheridan tells Garibaldi that delaying telling Londo about the murder will give him some time to maneuver and maybe save many lives. Meanwhile, Londo waits in the bar for Garibaldi, but leaves when it becomes apparent he is not coming.
The next morning, the Lumati arrive at Ivanova's quarters, telling her that they believed she had not showed them all the areas of the station, but only a few, and they wanted to get a better idea of what humans are like. She says that she would have appreciated being told of their coming ahead of schedule, and then tells them that, if they will wait outside until she is ready, she will take them anywhere on the station they want to go. They agree to this and leave.
The Narn who earlier opposed G'Kar talks to a weapon merchant, who shows him several long, curved blades. The Narn asks the merchant if he has many of those, and the merchant assures him he does. In a dark corner, Na'Toth watches and then quietly slips away.
Shopping for Drazi knives.
Sheridan receives a message from Earth which denies his request for intervention. Sheridan tries to convince them otherwise, but the Earth government has decided that the Narns will have to fend for themselves. This decision does not appeal to Sheridan, and he decides to try something else, and begins by calling Delenn.
Na'Toth tells G'Kar what she saw, and G'Kar is quite upset by this. Na'Toth offers to inform Sheridan, but G'Kar tells her not to, saying that an attack will eventually occur unless he stops it at the source himself, and reclaims his authority. The two of them leave together.
Ivanova and the two Lumati are touring Downbelow, Ivanova explaining to them that, when people arrive on Babylon 5 but are unable to afford passage to leave, they usually end up down there. She tells the Lumati that they shouldn't be seeing this, but Correlilmerzon disagrees, saying that they approve of the way humans seperate the stronger membersr of their species from the weaker members. She tries to tell him that it's unintentional, but he is already convinced otherwise, and tells her that they will institute this in their own world as well. As the translator begins to explain, Correlilmerzon takes over personally, and tells Ivanova that Downbelow has convinced them to ally with Earth. Ivanova tries to protest, but realizes she has been successful and leaves with them.
Ivanova, Correlilmerzon, and translator.
The Narns are meeting to discuss their plans when G'Kar and Na'Toth arrives. G'Kar tells the Narns that his authority can only be taken by force, since it was bestowed upon him by the Narn government. A fight ensues between G'Kar and the head Narn, and though others try to intervene, Na'Toth holds them off. The fight ends with G'Kar dropping the opposing Narn and then ordering the other Narns to go back to their quarters, telling them that if peace on Babylon 5 is the only way to win the war, that is what they shall have. He doesn't see the dropped Narn come up behind him and slash him with a posioned Drazi blade. G'Kar rounds on him, dropping him again. Na'Toth helps the injured G'Kar out of the area.
Sheridan talks to Delenn telling her his plans. He explains that they can get medical aid to the Narns and help get some Narn civilians to safety. He says that this help is unofficial, and therefore doesn't violate Earth's orders. Sheridan tells her that, though there is a risk, it is up to them to make up for what the governments think is not in their best interests. Sheridan also tells Delenn that he learned there is a considerable surplus of food on Babylon 5 that could be transferred to Minbari ships to be taken to Narn territory. Those ships, when emptied, could be filled with Narn and taken to safety. Delenn admits to Sheridan that her resources are not what they once were, but she will help in any way she can.
Sheridan explains his plan.
Ivanova and the Lumati are in Sheridan's office, finalizing the deal. "Tradition is important to my culture," Correlilmerzon explains. "Our important agreements are symbolic with coming together in perfect union." Ivanova agrees to this, but is taken aback when Correlilmerzon tells her that the traditional manner of closing such agreements is by having sex. Ivanova is taken aback by this idea and fakes a call from C&C to get out of it. She leaves hastily, leaving Correlilmerzon and the translator there, puzzled.
Sheridan arrives in Garibaldi's office, to see Na'Toth and the renegade Narn there. Na'Toth explains that the Narn has "come to understand the concepts of honor and obedience." The Narn reluctantly agrees, and he is led away. Garibaldi tells Sheridan that he feels this will escalate problems even further, and Sheridan agrees, saying that the trial won't help any either. "Could this situation possibly get any uglier," asks Garibaldi.
Ivanova is walking with Dr. Franklin, explaining to him the situation she's in. He tells her that, because of their extremely limited contact with the Lumati, they didn't know that they treated sex like a handshake. He tells her that she should talk to the Captain, but she refuses. He also offers to inject her with something to make her sick. "After all, he doesn't know a thing about anybody's biology but his own. He'd probably fall for it." Ivaova suddenly gets an idea and tells Franklin that she will give Correlilmerzon exactly what he wants, and hurries off.
Na'Toth arrives back in G'Kar's quarters, telling him that Sheridan wants to see him and Delenn in his office. Though G'Kar is still in pain, he has treated the poison and tells her that, no matter how much pain he is in, he will do anything to help the Narns.
When he hears what Sheridan and Ivanova have to tell him, however, he is much saddened to learn how little help they can give him. Delenn tells him that they can't enter the conflict between the Narns and the Centauri, but that they will help save as many Narn lives as possible. G'Kar also laments the fact he can't talk about it, or the aid will disappear. Sheridan assures G'Kar that they will go through with the plan, but it has to be done quietly. Despite how upset he is that he can't get more aid, G'Kar thanks them, and tells them he will honor their request. He leaves, but is unable to contain his tears soon after he does so.
Correlilmerzon and the translator arrive in Ivanova's quarters, where she is waiting for them. She tells them that she set aside as much time as necessary to have sex the way the Lumati do it, claiming it would take too long to do it like humans. Correlilmerzon asks if she means that Lumati sex is inferior. She says no, but tells him that it would be too much to ask him to do it on such short notice. He insists that they do it human style. She asks him if he is sure, and if he knows what is involved, and he says he does, as ignorance would be a sign of inferiority. She begins by taking a few deep breaths, and then dances around him several times, singing a rhyme and doing a little dance about human mating rituals, covering such topics as the initial pick-up, dinner, drinks, the kiss, and finally, the sexual act, which she highlights with a high-pitched orgasmic yell. Out of breath, she tells him, "God, you're good!" Correlilmerzon asks what he does next. "Old style, you roll over and go to bed. New style, you go out for pizza and I never see you again." Stunned, Correlilmerzon leaves, but the translator remains long enough to kiss her hand, before he leaves as well.
Sex, human style.
Londo is in Sheridan's office, being told of the murder of the Centauri. Sheridan suggests to Londo that he delay the trial as long as possible. Londo asks to see a picture, which is provided for him. Londo tells Sheridan and Garibaldi that he knew the murdered Centauri. "He was trouble. I always said things would not end well for him, and they would be his fault." Londo says that because the Centauri had no family and no one to care for him, the Narn that killed him should be deported, with his personal property being auctioned off with the money going to the Centauri war fund. Londo leaves.
Sheridan arrives at the bar to find Ivanova there. He tells her that the Lumati told Earth they are anxious to work with Babylon 5, and that they said some very complimentary things about her. Sheridan also gives her a gift that Correlilmerzon left for her. She reads the card attached, which says, "Next time: my way." She opens the gift to find a strange yellow device inside, with beads and jewels attached.
"Commander," Sheridan asks her, "is there something you'd like to tell me?"
Garibaldi arrives back at the Zocalo, where Londo is sitting. Garibaldi thanks Londo for being so lenient. "The Narns are falling before us. Soon, they will have all the trouble they could wish for. What else does one need? And, if it makes your life a little easier in this difficult time, it is a happy coincidence. It is good to have friends, is it not, Mr. Garibaldi? Even if, maybe, only for a little while?"
Garibaldi shares this sentiment with Londo as they drink. "Even if only for a little while."
All Alone in the Night
Overview
Sheridan is kidnapped and taken to an alien ship. The Grey Council decides Delenn's fate. General Hague makes an unofficial visit to the station. Robert Foxworth as General Hague. Marshall Teague as the Narn.
Sub-genre: Action/intrigue P5 Rating: 8.33 Production number: 211 Original air date: February 15, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Mario DiLeo
Watch For
- A momentary change of clothes.
Backplot
- The Minbari have installed a new leader.
- Sheridan's appointment to Babylon 5 was more than a coincidence. He was picked by Santiago, who knew that his record made him look like a hard-nosed military man, just the sort Santiago suspected Clark would want to replace Sinclair with. But Santiago also knew that Sheridan was a patriot who would stand against the forces seeking to undermine the Earth government. In his first months on the station, Sheridan's real assignment was to evaluate the crew, find out who could be trusted.
- General Hague, and others, are working to expose the machinations behind Santiago's death and other recent events. They suspect the Psi-Corps is behind the conspiracy, but so far have been unable to prove anything.
- Alit Neroon (head of the Star Riders clan, cf. "Legacies") has replaced Delenn on the Grey Council.
Unanswered Questions
- Sheridan's dream is a big unanswered question, lent weight by Kosh's comment after Sheridan's return. See Analysis.
- Why was Neroon appointed to the Council?
- What does Delenn think is about to happen? Why does she believe she is about to descend into darkness and fire?
- Is the foray by the Streibs related to what the Shadows are doing, or is it just coincidental timing?
- How did the Narn know so much about the Streibs and their ship?
- What was done to Sheridan? He was left with three scars on his face, one of them on his forehead. Might he be carrying an implant of some sort now?
Analysis
- Neroon's appointment to the council is troublesome. Presumably new members are approved by majority vote. The three warrior-caste members probably voted for him; that means one or two of the remaining five members must have voted for him as well, probably from the worker caste. Valen's wishes seem to be held in less than the highest regard by some Minbari.
- With four members, the warrior caste now effectively controls the Grey Council. On any issue they need only win over one other member to have a majority. It is unclear how far the Council's power extends now that a new leader has been installed, and that leader conceivably sides with the religious caste, but it looks like hard times have arrived for Delenn's compatriots.
- That being the case, how does this mesh with Sinclair's gathering of rangers? (cf. "The Coming of Shadows") Some of them, recall, are Minbari. Are they primarily religious caste? Is there enough difference of opinion within the warrior caste about humans that he's able to attract warriors?
- We never actually hear Sheridan's answer to Hague, though it is probably "yes." If it isn't, Sheridan's meeting with the rest of the command staff may be a ruse to draw Hague's people out into the open -- on the assumption that Hague will try to work via one of the others -- and expose the counterconspiracy. Sheridan's possible link with Psi-Corps (see below and "A Race Through Dark Places") makes this at least a plausible scenario, if an unlikely one.
- There's more to the dream sequence
than is apparent at first glance,
and it's chock full of ambiguities. A shot-by-shot rundown with
analysis (another, simpler, possible interpretation follows the
rundown):
- Sheridan is in his quarters, in uniform. The lights are out.
- Ivanova is in the quarters with him, in uniform, hair draped
over her left shoulder. The door is open. She raises her
fingers to her lips and says, "Shh."
Analysis: Someone or something has entered Sheridan's mind to give him a message, and is warning him to watch and listen, not try to participate. The "something" might also simply be part of Sheridan's own subconscious. This probably relates to Kosh's answer to Sheridan's first question. - Sheridan looks confused.
- Ivanova, now with a raven perched on her right shoulder,
says, "Do you know who I am?"
Analysis: The raven is typically symbolic of death; Ivanova may represent destruction, perhaps eventually siding with the forces of darkness. In older literature, the raven was often a thief, rather than a harbinger of death. - Sheridan looks to his right, and finds himself in a Babylon 5 corridor. He looks up.
- On a catwalk, in harsh lighting, gripping the railing, is
another Sheridan. He looks to his right.
Analysis: It's unclear what kind of uniform the Sheridan on the catwalk is wearing; possibly a Psi-Cop uniform. The angle of the shot is similar to Sinclair's first view of Knight Two in "And the Sky Full of Stars." This Sheridan perhaps represents another side of Sheridan's personality (more on that below.)
Garibaldi, also apparently on the catwalk, is in uniform and
has a dove(?) on his left shoulder. "The man in between is
searching for you," he says.
Analysis: "The man in between" may refer to the Sheridan on the catwalk, a part of Sheridan that isn't sure which side it should be on. Of course, it could be a reference to someone else entirely: someone between light and darkness, for instance. (Sinclair?) As for Garibaldi's dove, the dove is traditionally a symbol of peace, perhaps implying that Garibaldi will work to stop the Great War. "Babylon Squared" strongly suggests that Garibaldi will ally himself with the side of light.- Ivanova, in a veil and black dress, is standing behind
Sheridan, who is now wearing a turtleneck and a jacket.
Analysis: This funereal garb lends some weight to the idea that Ivanova represents death. (It really is Ivanova, though some readers have disagreed; see jms speaks.)
As he turns, we get a brief glimpse of a metal pin on the
left breast of his jacket: a Psi-Corps badge. And in fact,
his jacket appears to be the uniform of a Psi-Cop, with the
leather strap down the right side in front.
Analysis: Sheridan's change of clothes is perhaps the most ominous part of the entire sequence. Combined with Bester's comment in "A Race Through Dark Places" that he was told to expect Sheridan to be sympathetic to the Psi-Corps, it suggests some yet-to-be-revealed connection between Sheridan and the Corps, something that may cause a conflict of interest as he works with Hague's people.- Ivanova, still veiled, says, "You are the hand."
Analysis: Hands abound in Babylon 5, from Kosh's hand in "The Gathering" to Londo's dream hand in "The Coming of Shadows." Presumably Ivanova isn't referring to Kosh's hand. If she is referring to the hand from Londo's dream, it suggests that Sheridan will become a pawn in Londo's machinations; recall Elric's comment in "The Geometry of Shadows" -- the hand reaching out across the stars is Londo's. Alternately, if Sheridan's Psi-Cop uniform is taken to mean that he's symbolic of Psi-Corps as a whole, perhaps she means that Psi-Corps, not Sheridan, is the hand. Or, more sinister, that Sheridan is unknowingly acting on behalf of the Psi-Corps, perhaps as the result of some mental conditioning (which would explain Bester's comment at the end of "A Race Through Dark Places.") - Kosh is standing behind Sheridan in the corridor; Sheridan is back in his normal uniform. Sheridan starts to turn toward him.
- In what seems like a simple switch of camera angles, Sheridan
now appears to be sitting down in front of a backlit wall
with an organic look not unlike that of the Streib ship's
interior. "Why are you here?" he asks.
Analysis: The change of scenery suggests that "here" refers to a different place or time or context than the rest of the sequence. Perhaps the question means, "Why are the Vorlons involving themselves with the other races?" Of course, it could mean what it looks like: "Why are you in my dream?" - "We were never away,"
Kosh answers from the corridor. "For
the first time your mind is quiet enough to hear me."
Analysis: Depending on the meaning of Sheridan's question, the answer says different things. If the former refers to the Vorlons in general, the answer can be taken to mean, "We've only just allowed you to notice us." The second part of the answer suggests that Sheridan's question refers to the dream, though. See below for a possible explanation of this question and the rest of the dream. Also note that Kosh uses both "we" and "me" -- see jms speaks. - Sheridan is back in the corridor, standing. "Why am I here?"
he asks, in a tone that makes the question sound unconnected
to the previous one.
Analysis: Again, it's unclear what "here" means. Babylon 5? The dream? His circumstances? - "You have always been here," answers Kosh.
Analysis: Kosh's repetition of this statement after Sheridan's return may mean it is very important; or perhaps Kosh was indirectly telling Sheridan that the dream wasn't a simple construct of his subconscious. (Of course, Kosh might have read Sheridan's mind outside medlab and pulled the line from Sheridan's memory of the dream.) As for the meaning of the line itself, only time will tell. "You" might refer to Sheridan himself, or to some group (e.g. the human race) of which Sheridan is a part.
- Another way of looking at the dream sequence, more metaphysical,
is that Sheridan entered a psychic continuum, an astral plane, for
lack of a better term. That makes many of the comments less ambiguous:
- "We were never away. For the first time your mind is quiet enough to hear me." This is the first time Sheridan has been in a mental state to consciously recognize the plane; Kosh and everyone else have always been there to some degree.
- "You have always been here." Sheridan has always had some presence in this psychic world; he just hasn't been able to consciously recognize it.
- "The man in between" refers to someone between the physical and spiritual worlds. Perhaps the Sheridan in the sequence is Sheridan's spiritual side, and "the man in between" is Sheridan, searching for his higher soul.
- Ivanova and Garibaldi, as shown in the sequence, are either the projections into this other world of the real people, or are abstractions for something else (darkness and light?)
- Sheridan's Psi-Cop uniform may mean that the Corps plays a part in bridging the physical and astral worlds.
Notes
- The Streibs are probably a reference to Whitley Strieber, whose popular
book "Communion" dealt with alien abduction.
- @@@864692014 Effects glitch: When Ramirez' damaged Starfury jumps back
to normal space, the vortex is orange, not blue as it normally is when
a ship is arriving.
- Marshall Teague, the Narn, also played Nelson Drake, the assistant
turned living weapon, in
"Infection."
- Ravens and doves, from the King James Bible:
- And it came to pass at the end of forty days, that Noah opened
the window of the ark which he had made; and he sent forth a
raven, which went forth to and fro, until the waters were dried
up from off the earth. Also he sent forth a dove from him, to
see if the waters were abated from off the face of the ground;
but the dove found no rest for the sole of her foot, and she
returned unto him into the ark, for the waters were on the face
of the whole earth; and then he put forth his hand, and took her,
and pulled her in unto him into the ark. And he stayed yet
another seven days, and again he sent forth the dove out of the
ark; and the dove came in to him in the evening; and lo, in her
mouth was an olive leaf pluckt off; so Noah knew that the waters
were abated from off the earth. And he stayed yet another seven
days, and sent forth the dove, which returned not again unto him
any more. --Genesis 8:6-12
- And Elijah the Tishbite, who was of the inhabitants of Gilead,
said unto Ahab, As the Lord God of Israel liveth, before whom
I stand, there shall not be dew nor rain these years, but
according to my word. And the word of the Lord came unto him,
saying, Get thee hence, and turn thee eastward, and hide
thyself by the brook Cherith, that is before Jordan. And it
shall be, that thou shalt drink of the brook; and I have
commanded the ravens to feed thee there.
So he went and did according to the word of the Lord; for he went and dwelt by the brook Cherith, that is before Jordan. And the ravens brought him bread and flesh in the morning, and bread and flesh in the evening; and he drank of the brook. --1 Kings 17:1-6
- And it came to pass at the end of forty days, that Noah opened
the window of the ark which he had made; and he sent forth a
raven, which went forth to and fro, until the waters were dried
up from off the earth. Also he sent forth a dove from him, to
see if the waters were abated from off the face of the ground;
but the dove found no rest for the sole of her foot, and she
returned unto him into the ark, for the waters were on the face
of the whole earth; and then he put forth his hand, and took her,
and pulled her in unto him into the ark. And he stayed yet
another seven days, and again he sent forth the dove out of the
ark; and the dove came in to him in the evening; and lo, in her
mouth was an olive leaf pluckt off; so Noah knew that the waters
were abated from off the earth. And he stayed yet another seven
days, and sent forth the dove, which returned not again unto him
any more. --Genesis 8:6-12
- Some raven references in various other mythologies:
- Hugin and Munin: Odin's two ravens (thought and memory)
- Kurkil: Mongol creator god who flew to create the Earth and mankind
- Mictla or Mictlantecuhtli: Aztec god who rules the underworld
- Moragga: Celtic. The incarnation of the Goddess as war.
- Raven: Amerindian creator and trickster god. Created all living creatures out of wood and clay. Similar to Coyote.
- Yangwu: Chinese. The sun-crow.
- Yetl: Amerindian. The thunder-raven who dragged the flooded earth above the water.
- In Japanese culture, the dove symbolizes war because doves were used as messengers during battles.
jms speaks
- One episode will look very much unconnected to the arc until the last five minutes, at which point there's a revelation that will likely astonish some and confirm suspcions for some other viewers.
- Streibs, actually. Similar to, but not quite the same as the Grail bunch.
- Delenn's flyer is called Zhalen.
- Re: we/I... yes, it's interesting, isn't it? You'd almost think it was contradictory or something.
- And of course there's the story of the man who dreamed he was a butterfly, and when he awoke, wondered if he was actually a human who dreamed he had been a butterfly, or a butterfly who was dreaming he was a human....
- Who was the woman in the veil?
It's Ivanova. - In a way, there are several Sheridans in that dream, signifying changes currently in the works, changes yet to come, messages forthcoming or unrecognized. It's a very reflective dream, which will grow clearer the deeper one gets into the show.
- Certainly there are some archetypes that always creep into a work of this sort; for all we all not Jung at heart...?
- You'll see at least one piece of Sheridan's vision decoded before season's end.
- Remember, Kosh was the one who sent those images into Sheridan's brain, not anybody else; he was communicating useful information that may come up down the road, but in rather symbological form.
- Yes, Sheridan was speaking in the Drazi's native language, trying (without success) to get through; they're a cranky species to start with, and this didn't help.
- Sheridan learned a smattering of various languages while on patrol on the Agamemnon.
- @@@850607230 During the Minbari war, the Narns were selling us weapons, so Sheridan and other Earthforce captains had to learn at least a smattering of Narnish for purposes of negotiations.
- The aliens from Grail are similar to, and distant relatives of, the streibs, but not the same, no. A closer shot would've revealed red slitted eyes instead of the black eyes of the one in Grail.
- Pledging oneself to someone's side is not common, and carries great significance. From that point onward, you are bound to that person until your death, and you must defend that person at the cost of your own life.
- Some tie-ins...remember Sheridan in "A Distant Star" saying that he was feeling beached, abandoned? His unsureness in taking on this post, what if it was a mistake? A number of his actions come into a clearer light once you know he was in essence checking them all out, and putting on a hard "I'm a nice guy" attitude.
- Wasn't attacking the Streibs an act of war?
The Streib saw an alliance between Earth and Minbar at that moment, which is the LAST thing they wanted to go up against. Also, you don't go to war at the drop of a hat just because somebody sinks or shoots down one of your ships. This is one of the cliches in storytelling. And what the Streibs were doing was totally unjustifiable in any event. Do you gear up for the massive hassle of total war -- supply lines, fleets, all the rest -- because of this incident? Remember, the purpose of the ship was to find races weak enough for them to attack with impunity; they don't want to go up against a force that can strike back. - I doubt we'll be seeing these guys again for a long time, if ever. So I don't consider them on the level of certain shadows or stuff. They came, they grabbed, we whomped.
- By the way, in addition to the re-appearance of Neroon, you may have noticed that the first Grey Council member Delenn addresses is the same one we saw in "Points of Departure."
- Membership in the Grey Council is usually for life; a person can choose to leave but only under truly extraordinary circumstances (kind of like being appointed to the Supreme Court). In Delenn's case, though, remember that she didn't quit, she was booted out.
- Sheridan and the other fighters flew at a slight angle right past the window in C&C. I don't see where the problem is in this. The window wasn't used as a monitor, it was used as a window. The starfuries came out of the cobra bays as the station rotated them planet-side, they banked, and headed toward the gate, passing C&C.
- Ejecting would not have purchased Ramirez's life because when the system came back on line with its analysis, it announced that the radiation was "already at terminal levels." From the instant he heard that, he was a dead man waiting to stop moving. He could've sent the ship back, risking a faulty autopilot...and might've died for nothing if it encountered the *slightest* glitch en route.
- One of the themes in this show is how you face life...and how you face death. Ramirez faced his honorably. In the end, honor and dignity are all we have left.
- If you trust Sheridan, there's no need for a lengthy report; plus, a written report, no matter how well encrypted, can be broken or fall into the wrong hands. The best record of a secret meeting that could get you fired or killed is no record at ALL.
- Re: Kosh's voice carrying some emotion...starting at about "All Alone in the Night," or maybe one before (memory fades), I took on the job of directing the voice sessions for Kosh. He was moving from a neutral delivery to things that had to carry specific emotions and implications for the future, and nobody else knows what all this stuff means, so it fell to me.
- Also, I noted somewhere in a preview for upcoming episodes, among the things coming, "conspiracies of light as well as dark." Perhaps that is now clearer.
All Alone in the Night
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Ambassador Delenn is in her quarters, examining a mobile hanging there. Lennier comes in, asking why he was summoned. She tells him that she received a message from the Grey Council, saying that, now that the new leader is in place, she should return so it can be decided whether she can remain part of the Council, or should be removed from it. She tells him that she is leaving shortly, and is not certain if she will return, as they may remove her from Babylon 5 as well, because she made the decision to undergo her transformation. She tells him that she is leaving him as much information as possible about her work so that, in case she doesn't return, he will have everything he needs if someone else is assigned to the station. She says to him that she feels very alone. He takes her hand and tells her she will never be alone.
"Never alone, Delenn."
"The last two ships that came through sector 92," Commander Ivanova explains to Captain Sheridan, "both reported unusual sightings." He asks what details they provided, but she tells him that they discovered little more than a disturbance or flash of light, but that at least one transport just vanished in that area. Sheridan knows that it can't be the raiders, as they are out of commission, but something is clearly going on. He asks what squadrons are available to investigate, and she tells him that alpha and zeta squadrons are unavailable, and the leader of delta squadron is sick. She offers to reassign the leader's second to command, but Sheridan decides to do it himself. Ivanova insists he take a full escort with him, and he agrees, though she is still uneasy about his going on the mission. "I'll be in and out in an hour," he tells her. "What could go wrong?"
Meanwhile, a group of several Narn ships is attacked by a huge ship. All of the Narn ships are destroyed, and the pilots killed, except for one Narn pilot, whom the ship brings into its depths with a blue beam.
Lennier arrives in the docking bay, where Delenn is waiting, and he tells her that her flier is recharged, and can leave at any time. He has borrowed a flier as well and intends to accompany her. She tries to dissuade him, in case her disfavor with the Council becomes associated with him, but he insists.
Sheridan arrives in his quarters and receives a message from Ivanova, telling him that his escort is ready for him and that General Hague is arriving earlier than planned. She complains that she should have been informed of the General's visit, but Sheridan tells her that it is a private matter, and nothing to worry about. And since he will have returned from his trip by the time the general arrives, there is nothing to worry about.
Delenn and Lennier arrive at the Grey Council's ship. She tells him that he must wait outside while she enters the Council chamber. He tells her that he will wait, and pray, for her. "Until later, Satai," he says to her as she enters the chamber.
Sheridan and his escort explore sector 92, but they find no debris or strange radiation there. They prepare to return to the jumpgate and Babylon 5, when a jump point forms, and a large, strangely-configured ship emerges. Sheridan orders his people to take evasive action. The ship fires on him. He manages to eject right before his ship explodes, but most of the other starfury pilots aren't so lucky--with the exception of one starfury, the rest are destroyed trying to rescue the captain. The starfury that remains is disabled by a blast from the strange ship. The pilot, Lt. Ramirez, is the only one to see Sheridan's ejection pod be taken aboard the ship.
Ramirez receives a message from his computer, telling him that the ship has been severely disabled and that a leak in the fusion reactor has caused radiation in the ship to reach terminal levels. Since the communication system is not functioning, he redirects all the energy he can to the system controls, and re-enters the jumpgate he came through.
Ivanova greets General Hague, who arrives in the docking bay. He asks where Captain Sheridan is, and Ivanova tells him that he had to look into another problem. Hague says it is unlike Sheridan to be late, but Ivanova tries to convince him that nothing is wrong, and takes Hague to C&C.
Sheridan awakes to find himself in a strange, cavernous room on the alien ship, strapped to a table. He calls out, to see if his abductors are there, but no one answers. A panel opens in the ceiling and a strange device with surgical implements is lowered into the room above his head. Sheridan tries to shy away from the machine as it edges closer to his face.
Delenn stands in her light at the Grey Council, surprised to find no other council members there. She addresses the Council in the traditional fashion, but is greeted only by Hedronn appearing out of the shadows, telling her that the rest of the Council will not come. She tells him that she was summoned, but Hedronn tells her that she was not called to serve on the Council, but rather receive judgement. She says she is allowed a hearing and entitled to defend herself, but Hedronn disagrees. "You were told to wait," he says to her, "before taking this action. Before becoming alien to us. You have been away from us for too long, Delenn. Your contact with the humans has changed more than your appearance. If you are no longer one of us, how can you be one of the Nine?" She tries to convince him that her heart has not changed, but he says that the Council no longer knows her heart. He tells her that the Council voted to remove her from their number.
"You were told to wait."
Before she leaves, she asks about her position as Ambassador to Babylon 5. He says they haven't decided on that yet, but that she has the right to make a statement to the Council. She thanks him and asks who her replacement to the Council was. Hedronn doesn't answer, and only says that she will be called when the Council is ready.
Ivanova and General Hague are unable to contact Sheridan, and are about to try something else when Ramirez's starfury comes through the jump gate. Ivanova scans the ship, learning that it has been shot up pretty badly and there are minimal life signs. She calls down to MedLab to inform Dr. Franklin.
Sheridan lies on the table, three spots on his face bleeding profusely as the alien device retracts into the ceiling. He calls out again, but there's no answer. A long metal bar falls to the floor as his restraints come off of their own accord. He sits up just in time to miss being hit by a Drazi wielding a similar metal bar. Sheridan tries to speak to the Drazi, but finds the only way he can communicate is by grabbing the metal rod and fighting. The alien doesn't respond to anything Sheridan says, but apparently is controlled by a device attached to its head. Sheridan asks who his captors are and why they are doing this, but receives no response. They continue fighting, and Sheridan eventually triumphs as the Drazi is accidentally impaled on his own weapon.
Hoping the worst is over, Sheridan is surprised to see another alien appear, this time a Narn -- the same one captured by the aliens earlier -- swinging a sword at him furiously. The Narn says nothing to Sheridan, but is also apparently controlled by a device attached to his head. Sheridan and attempts to fight off the Narn, and suffers little more than a cut to the leg, but when the Narn corners Sheridan and has the chance to kill him, the Narn says to him, "Kill me!" Sheridan realizes that their alien abductors probably kidnapped them to do battle. Sheridan defends himself, eventually knocking the Narn to the ground. Sheridan checks the Narn and discovers that, luckily, he is still alive.
"Kill me!"
Dr. Franklin does everything he can to help Ramirez, but before he can even really begin to do anything, Ramirez dies. Garibaldi tries to convince Dr. Franklin that he did everything he could, but Franklin just backs off. Ivanova arrives and reports to Garibaldi that they learned from the starfury's data record that Sheridan has been taken aboard an alien vessel of unknown origin and design.
The Grey Council has convened, and Delenn enters the Council chamber and stands in a blue light in the center of the other members. She addresses them. "For twenty cycles I have stood beside you as one of the Nine. I called many of you friends. Now you call me outcast. You know me. You know I believe in the task that is before us, the great war that is coming. I have not turned my back on you. In trying to help, I have sacrificed all that I was and all that I am. We can no longer allow ourselves to be separated by names and borders. Our two sides must unite or be destroyed. Do not make my sacrifice a vain one. Allow me to finish what I started. In the name of our friendship, the future of our people -- let me remain on Babylon 5."
"I am more than happy to have you remain with the humans," a voice from behind her says. Delenn turns around, knowing that this is her successor. She says she doesn't know him, but he says she does. He removes his hood, and she recognizes him as Neroon of the Warrior Caste, from the Starrider's clan. Delenn doesn't understand. Valen chose three Minbari from each caste -- the Worker, the Religious, and the Warrior -- to serve on the Grey Council. Her replacement should have been from the Religious caste. She cannot understand why the Warrior caste had been given such great power. Neroon tells her that the Warrior caste is the caste that has suffered the most over the ages, dying as they defended the Minbari, and that, if a great war is coming, the Warrior caste should lead against it. She doesn't think the Warrior caste should be allowed to make policy. Neroon tells her that the Warrior caste was lied to and never told the reason for the Minbari surrender against the humans; if they'd known the truth, they never would have surrendered. He says that Delenn is an affront to the Minbari race and that she doesn't belong with either the Minbari or the humans, which makes her the perfect emissary. He tells her to go to Babylon 5 -- and stay there. The lights around the other Council members blink out, leaving Delenn alone in the chamber.
All alone in the night.
Sheridan sits beside the defeated Narn, who awakes to discover that Sheridan has removed the device on his head. Sheridan tells the Narn that there is no food or water for them. Sheridan says the Narn and the other alien were the only other living beings he's seen. He asks the Narn why they've been captured, and the Narn says they were captured as specimens so that their captors can study and analyze other races, possibly in preparation for an invasion. Sheridan tells the Narn that they are probably being tested to see how they react toward other species. Sheridan tells the Narn he will get him to a doctor, but that they must escape first. Sheridan asks the Narn why he wanted him to kill him. The Narn says, "There is no escape. Better to die," just as he falls unconcious.
Delenn emerges from the Council chamber. "Satai Delenn?" Lennier asks, but she says that she is only Delenn now. She tells him that the Grey Council thinks she can best serve her people by staying on Babylon 5. Lennier says that the Council is very wise, so their decision must be correct. Delenn tries to convince Lennier to leave her and go home to his family, but he says that he will stay by her side. She remembers the first time they met; she wants them to be treated as equals now. "Very soon now, I will be going into darkness and fire. I do not know if I am fated to walk out again. If it is your choice to come with me, then I could not wish for a better, or braver, companion." They leave together.
General Hague asks Ivanova about a recent sighting of the alien ship, and Ivanova tells him that they have attacked twice more, as if they are collecting specimens. Hague says that that may be their weakness -- the longer they take collecting specimens, the more time Babylon 5 has to find them. Luckily, Ivanova enlisted the help of the alien ambassadors, and Hague put in some messages of his own. As he is telling Ivanova this, the Agamemnon, Captain Sheridan's previous command, enters through the jumpgate, ready to assist Babylon 5 as necessary.
Sheridan is lying down in his alien prison, barely able to keep from falling asleep. Soon, he succumbs, and has a dream...
...He is in his own quarters, which are very dark. He turns, looks across the room, and sees Ivanova standing there, her hair draped over her left shoulder. She puts her finger over her mouth and says, "Shh." A large black raven appears on her shoulder. "Do you know who I am?" she asks him. He turns around and looks behind...
...and finds himself somewhere else, a corridor on Babylon 5. He looks above him and sees himself standing on a platform, bathed in an eerie white light. The Sheridan on the platform shifts his gaze. He sees another figure on the platform -- Garibaldi, also bathed in the white light, and with a small white bird, a dove, sitting on his shoulder. "The man in between is searching for you," Garibaldi tells Sheridan. Sensing another figure behind him, Sheridan turns...
...and finds himself wearing a black Psi-Cop uniform, complete with badge. He is facing a tall figure in a veil, again Ivanova. "You are the hand," she tells him. He finds himself wearing his normal uniform and turns around again...
...this time seeing Ambassador Kosh standing there. "Why are you here?" Sheridan asks him.
"We were never away," Kosh intones. "For the first time, your mind is quiet enough to hear me."
"Why am I here?"
"You have always been here," Kosh says...
...and Sheridan awakes. He looks at the wall beside him and notices that it is, in fact, movable. He looks at the Narn's sword, sitting beside him, and begins developing a plan.
Delenn and Lennier make contact with Babylon 5, telling them of their impending arrival. Delenn asks if there is a problem, and C&C tells them that Sheridan is missing. Delenn tells them to send her the information. After looking at the information, Delenn informs Babylon 5 that she knows something about the ship they are searching for. "The ship which has taken Captain Sheridan is known to us. They are called the Streibs. Over the years, they have sent out ships to investigate defenses and acquire samples of any life forms they encountered. Their last expedition was into Minbari space. We tracked them back to their homeworld and made sure they understood the depth of their mistake." Delenn transmits the coordinates of the Streib homeworld.
The Narn wakes as Sheridan attempts, with great difficulty, to open a door he has discovered. The Narn helps him as the ship is rocked -- Sheridan believes it is because they jumped back into normal space, either stopping to pick up more life forms, or because they've arrived at the alien homeworld. The latter turns out to be true; the Agamemnon and several Starfuries emerge from a jump point near the Streib ship, guns blazing.
Delenn contacts the Streibs and instructs them to release their prisoners. Sheridan and the Narn, surmising that the ship is under attack, use the distraction to lift the walls and finally escape beyond the room. The Narn wants Sheridan to leave him behind, but Sheridan will not do so. After taking care of a passing Streib, a survival pod opens up nearby. Sheridan grabs the Narn and drags him into one.
At the same moment, the Streibs decide to eject all of their captives into space. This incenses Ivanova, who orders the Streibs to be destroyed, which the Agamemnon is easily able to accomplish with a few blasts. Ivanova determines that Captain Sheridan is sending her a signal, and Sheridan and the Narn are rescued.
Back on Babylon 5, Sheridan asks Dr. Franklin how the Narn is, and he says that the Narn will live. When Sheridan asks Dr. Franklin if Ramirez will live, Dr. Franklin says that the radiation did him in. Sheridan feels sad that Ramirez had to die, and says he feels that such a young life being taken isn't fair. "No, it's not," Dr. Franklin tells him. "Death never is." Sheridan, still pondering the situation, leaves MedLab. In the hallway outside, he turns around and sees Ambassador Kosh.
"You have always been here," Kosh tells him, and turns away.
Sheridan is in his quarters when General Hague arrives. Hague activates a small device, which he explains is to counteract any listening devices that may be in the room. Sheridan expresses anger to the general that it has taken so long for someone to debrief him. Hague explains that this is due to the death of President Santiago, and asks what Sheridan learned. Sheridan tells him that Garibaldi, Ivanova, and the rest are all good, loyal officers, and that he doesn't like having to spy on them. Hague tells Sheridan that Santiago knew that Babylon 5 was important, and that, if he died, President Clark would appoint a "hard-nosed jarhead" to run it. Sheridan's record made him appear that way, so he was a perfect choice. Figuring that Sheridan was pliable, Clark would leave him alone, and he could perform certain actions without the President's knowledge. Hague explains that not everyone on Earth beleves President Santiago died in an accident, and he also tells Sheridan that, though many military officers probably had a part in the assassination, they weren't in charge. Sheridan guesses that the Psi Corps is to blame; Hague agrees.
Talking to the General.
Hague tells Sheridan that it is up to them to learn what is going on, and stop it, and Sheridan can use the resources of Babylon 5 to help without Clark suspecting. Sheridan asks how Hague can be so sure that he won't inform the government of Hague's plans, and Hague explains. "A soldier's record tells a lot about a person. Not just what he's done, but how he's done it, and why. You have an uncommon failing for someone in your position, Captain. You're a patriot. You believe as I do that when we put on this uniform, we took a solemn vow to protect Earth against threats from outside, and from within. It's a difficult decision. You risk losing your entire career if you say yes. Worse still, now that you've had a chance to evaluate your staff, you have to decide if you can trust them enough to bring them in on this, knowing that you're putting them in equal jeopardy." Sheridan says it isn't much of a reward, and Hague agrees. Hague tells him that they must do something immediately and that, when he leaves, he will go back to Earth and begin the operation. He says Sheridan's help is essential if they are to retake Earth's government, and asks Sheridan for his decision.
Ivanova arrives outside Sheridan's quarters, and is let in, only to find Garibaldi and Franklin there with Sheridan. Sheridan tells her to sit down, and activates a device similar to Hague's to render any listening devices useless. "Ever since the death of president Santiago, something unpleasant's been going on back home. You know it, and I know it. We've stood by too long. That's going to change. Quietly, discreetly, an inch at a time--for now, strictly within the rules. We have to do something, or risk losing everything we hold dear. Now, we'll get some help from inside Earth Dome, but the bottom line: if anything goes wrong, we're on our own." He offers each of them the chance to leave before they hear something they may have to report, but each of them declines.
"We're with you Captain," Ivanova says. "Wherever this goes, however it ends, we're with you."
And All My Dreams, Torn Asunder
Overview
The evidence of a Centauri connection to the cargo ship attacks is revealed to the Alliance.
P5 Rating: 9.21 Production number: 517 Original air date: June 10, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Goran Gajic
Plot Points
- @@@897549573 The Alliance has formally declared war on the Centauri.
- @@@897549573 Londo and G'Kar have returned to Centauri Prime, where they've been imprisoned because Londo refused to allow G'Kar to be arrested as ordered by the Regent.
- @@@897585142 Zack has discovered Garibaldi's drinking problem, but has agreed to give Garibaldi time to work it out on his own. Garibaldi's drunkenness has started to cost lives, and contributed to the start of the war since he was unable to warn Sheridan about Centauri ship movements.
Unanswered Questions
Analysis
- @@@897585142 Why didn't the White Stars have a secondary contact
other than Garibaldi? Garibaldi wouldn't have been in his office on
alert 24 hours a day even if he weren't drinking; given the gravity of
the situation, it's odd that the White Star captain didn't try to get
in contact with someone else (Delenn or Lennier, for example, would
presumably have been sufficiently trustworthy) to make sure the report
was heard in time.
- @@@897585142 In a sense, the minister was probably right; the
attacks really are being staged by a third party, namely the
aliens in the Royal Court. And it's possible their goal is exactly
what he accused the Narn of: to implicate the Centauri. Perhaps they
want to see Londo's empire crushed by the Alliance,
revenge for Londo's rejection of the Shadows
("Into the Fire.")
- @@@897592140 Sheridan's declaration of war on the Centauri gives
Londo's comments in
"War Without End"
a different spin. Londo said, "There's the legacy of your war,"
referring to the flames engulfing the city below the Centauri royal
court. Perhaps Alliance forces were responsible for the destruction,
and Londo's comments about Sheridan allowing the Shadows' minions to
come to Centauri Prime referred to the fact that they caused the war
to start.
- @@@898534358 Londo and G'Kar watching the Centauri fleet fly overhead
is a visual reference to Londo's dream in
"The Coming of Shadows"
in which he watches a fleet of Shadow ships fly over the palace.
His dream eventually came true in
"The Hour of the Wolf."
- @@@898541873 Which parts of his book do G'Kar's later chapters correct?
Perhaps the parts the Narn in
"The Ragged Edge"
was referring to when he quoted the book as saying the Centauri
shouldn't be trusted.
- @@@898537086 Garibaldi's failure to warn Sheridan was foreshadowed in
his dream in
"Darkness Ascending."
- @@@909090791 Sheridan's blockade of Centauri space could make life more difficult for his father, who needs a rare Centauri drug to treat a blood disease ("The Exercise of Vital Powers").
Notes
- @@@902861573 Garibaldi had a bowl of oranges on his table, a pretty expensive commodity on the station ("The Geometry of Shadows.") That may mean he's making a lot more money as Director of Covert Operations than he was as the station's security chief. Or, more likely, that Lise isn't above spending some money to keep his diet healthy; she can no doubt afford to ship oranges just about anywhere.
- @@@897593295 Director Goran Gajic is Mira Furlan's husband. The character of Aldous Gajic in "Grail" was named after him.
jms speaks
- @@@897935317 "I have to say this was one of the best episodes of
the entire series. If this is any indication of what the rest of the
season is like.......watch out."
Well, the next episode is even more so...and the one after that, more so still. You get a slight breather for an episode or so -- still very strongly arc, though, just not as in-your-face hardhitting -- and then the last are whammers.
"I suspect a stream of apologies to you are about to begin."
Yeah, right, and pandas will fly out of my butt.
- @@@887704242 Haven't seen the director's cut yet, but Goran did a
great job, based on dailies.
- @@@897585142 It was shot for shot what I wrote...but at the same
time, a director can realize that well, or poorly. I thought that
Goran did a terrific job.
- @@@897933568 How much of the tension in the opening scene was
thanks to the director?
It's shot for shot what was in the script, but at the same time, a director must take that shot and make it live. Goran did that admirably. He kept the camera moving, framed his shots very nicely, got into the emotion of the scene, and worked very well with the editor; we only did a light dusting in the editing room.Since a number of folks have asked, here is the opening scene as written. (I only have the first draft in my home computer, modifications were done in the office, which involved trimming some of this for time.)
****************
FADE IN: EXT. BABYLON 5: A new shot, closer, emphasizing the darkness of the station in eclipse. INT. DELENN'S QUARTERS - BEDROOM Sheridan is in bed, alone as we will discover in a moment. He rolls over, stirring, and we SHOOT PAST HIM to the doors, where we SEE a single flickering light through the translucent glass. He sits up. INT. DELENN'S QUARTERS - FRONT ROOM REVERSING past Delenn to the bedroom doors. She is seated on the floor, a single candle burning before her, the flame halfway down it, praying or meditating as the doors open and Sheridan stands in the opening. His voice is quiet. SHERIDAN Delenn...? Are you all right? She nods, distantly, not taking her eyes off the candle. SHERIDAN You should sleep. It'll be morning soon. You'll need all your strength for what's ahead. She nods again, but doesn't move. He gives it a BEAT, knowing she is in a place where he can never reach her, then goes back into the bedroom, leaving the door open. We PUSH IN SLOWLY on Delenn's face TIME-CUT - HER QUARTERS - LATER - ON THE CANDLE The fragile, guttering flame has now burned three-fourths of the way down. As we slowly PAN UP to Delenn's face, not having moved in all this time, we become aware of the SOUND of the shower running. She doesn't note it, until it stops. Then there's a BEAT and she looks up toward ANGLE - THE BEDROOM Still mainly dark, suggesting pre-dawn, mainly just the light spilling from the bathroom entrance as Sheridan comes out in a robe, toweling his hair. His manner here is sober, almost somber. He's trying to keep this normal, but knows that this is going to be a difficult and momentous day. The more we can set that tone here, the better. SHERIDAN It's...all yours. She nods, distantly. WIDEN as he goes to the bed and sits. He pulls on one slipper, puts his foot down, and picks up the other slipper...and just sort of stops. He doesn't want to put it on. He doesn't want this day to come. He doesn't want to do what he knows he's going to have to do. The slipper just dangles from his fingers, the strings cut. Delenn gets up, approaches and sits next to him, both with that faraway, haunted look. She touches his back, and leans against his shoulder for a moment, both taking comfort and strength in the momentary contact. Then she gets up and moves into the bathroom, the robe sliding off her shoulders as she steps OS. A BEAT, and Sheridan finds the wherewithal to put on the other slipper...and sits there momentarily as we HEAR the VO SOUND of a GAVEL POUNDING, and the VO SOUND of the council, along with: SHERIDAN (VO) There comes a moment, in all of our lives, when we have to do something we'd rather not do. When we know something we'd rather not know. This is one such moment. He stands and moves OS.
- @@@897935317 Was the part about Sheridan dropping the slipper
added in a later draft?
Yeah, that was a visual pun written into the script, the other shoe dropping...but also reflecting that kind of low energy thing in the morning, when you put one slipper on, and you just *don't* want to leave...and you just let the energy drain away, and the slipper falls from your hand...which also overlaps the gavel dropping, as scripted.I took a great deal of care in blocking out every shot in that one, as opposed to some other cases, as with Mike Vejar, where I wrote, in "The Face of the Enemy," "They pull down Sheridan like a pack of wolves bringing down a lion" knowing that he would then take that and turn it into art. And he did.
- @@@897935317 Why did they check the bodies to determine what kind
of weapon was used? Why not the debris from the ships?
That's what was said, in addition to the rest. Reference was made to examining the damaged ships. - @@@897935317 Why doesn't Sheridan warn Londo about the Shadows'
allies being on Centauri Prime as he saw in
"War Without End?"
Well, do bear in mind that the events in "War" were 17 years after the fact, so the shadow allies could have come at any time; Sheridan didn't fully understand what a keeper was, and also bear in mind that there is no reason to suspect anything in this situation. People can indeed start wars without having keepers on them, you know. We do it all the time. He would have to have some overwhelming proof...and even then, if he says anything to Londo, he might risk changing the timeline, and that would have potentially disasterous consequences.
And All My Dreams, Torn Asunder
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
Before dawn, Sheridan awakes and find Delenn missing; she is in the living room, staring silently at a candle. Sheridan asks her to come in and sleep, as she will need all her strength in the morning. But she does not answer. The morning finds her still in front of the candle.
"There comes a moment in everyone's life," Sheridan tells the Alliance Council, "when you have to do something you would rather not do. When you know something you would rather not know. This is one such moment." Having promised to come forward with any conclusive evidence he finds, Sheridan is now ready to reveal to the Council the evidence that indicates the Centauri Republic is behind the attacks on Alliance shipping lines.
The Council meeting is closed; everyone is there, except for Londo and Vir. They were not invited, and when Londo tries to go in, he is stopped by Zack and armed security guards.
On his way to testify before the Council, Dr. Franklin drops off his evidence in Londo's quarters. Autopsies of bodies killed in the attacks reveal that the frequency and type of energy weapon used in the attacks are consistent with Centauri-manufactured weapons. Then comes Garibaldi, who also stops by Londo's quarters. Garibaldi confirms that the weapons were used in typical Centauri fashion. He also shows the button that he tore from one of his attackers in the Drazi homeworld ("The Ragged Edge"), a button that Londo has identified as part of the uniform of the Palace Guards in the Centauri Royal Court. He also explains that only one Centauri vessel has been attacked in the last three months: an old ship, scheduled to be scrapped for parts, and that apparently carried no cargo or crew.
Finally, G'Kar stops by Londo's quarters. Londo asks if he is there do drop off his evidence, what he saw and heard on Centauri Prime while pretending to be Londo's bodyguard ("A Tragedy of Telepaths").
"I was not pretending," G'Kar answers. "I went to Centauri Prime as your guest, your protector. Perhaps even as your conscience. But not as anyone's eyes and ears. So, no, I will not be testifying before the council." He mentions Londo's concerns over the increased war production, and the secrecy surrounding ship movements. G'Kar believes Londo knew something was happening, but that he did not know what until now.
"Don't tell me what you think I know!" Londo snaps back. "Still, I suspect I should thank you for respecting my privacy." So, why is G'Kar there? To let Londo know the Council is ready to see him.
At the Council, Londo denounces the evidence as inconclusive and circumstancial. The Centauri have sold weapons to many other worlds, including many Alliance members. He also points out that many weapons and ships were left behind on Narn. Perhaps the Narn are trying to throw blame on the Centauri?
But Sheridan has one more piece of evidence left: the recording Lennier made of the secret Centauri staging area and the attack he witnessed ("Darkness Ascending"). The alien ambassadors are outraged, and Londo is clearly shocked. He withdraws to consult with his government. Sheridan has a message for the Centauri: because of its actions, the Centauri Republic will now stand alone. The Alliance will blockade Centauri space until the Centauri Government acknowledges and apologizes for the attacks, and reparations are provided.
Hours later, Londo finally hears back from the Royal Court: the Regent has pronounced the evidence a fraud. The Minister offers two explanations: one, that the material is a deliberate fraud. But Londo dismisses this; if Lennier says he saw the attack, then he saw it, exactly as he described. This leaves option number two, says the Minister: that the incident was staged for Lennier's benefit, probably by the Narn. Londo and Vir are both very doubtful of this explanation. But the Regent has drafted a response to the Alliance:
"Item one," Londo tells the council, "the Centauri Republic categorically denies any involvement with these attacks. We are the victims, victims of an elaborate hoax. We will identify those responsible when more information is at hand. Item two: the Centauri Republic will not be threatened or intimidated by anyone, including those we might once have considered friends. As a result, effective immediately, we are withdrawing from the Alliance."
Finally, the Centuari do not recognize the legality of the blockade. Warships will accompany all Centauri transports, and anyone firing on the transports will be considered to be committing an act of war.
Londo will leave for Centauri Prime immediately, despite Sheridan's warning that he will not be allowed back on board Babylon 5 until the situation is resolved, if ever. Vir tries to stop Londo, but Londo wants to get to the bottom of this, find those who are truly responsible. He figures the Council will back down when the truth comes out, even apologize. Vir is to stay behind, a link to the Alliance.
Delenn goes to G'Kar's quarters at his request. G'Kar will again accompany Londo to Centauri Prime as his bodyguard, to protect him from those within his government who have kept this information from him. G'Kar figures Londo will find out who is behind it, and stop the attacks, of which Londo would never approve. Londo is, by G'Kar's estimation, their last chance to stop the war, and so he must be protected. Finally, G'Kar has written some new chapters for his book, trying to correct some of the things he wrote at the beginning, when he was an angrier person. If things go badly, he wants Delenn to make sure these chapters reach Narn.
"G'Kar, have I ever told you that you are one of the finest writers that I have ever met?" asks Delenn, "And that it has been an honor to work besides you in the Alliance?" "Not in words," he answers. "But the thing about losing one eye is that it makes you look deeply into the eyes of another. I found in yours all the things I will ever need in this life, or in any other."
Sheridan has been trying to reach Garibaldi for about an hour without success. He asks Zack to find Michael and have him meet Sheridan, urgently. Garibaldi has passed out in his quarters. Although he tries to hide his drunkenness when he finally opens the door, Zack easily finds him out. At first, Garibaldi lashes out at Zack, but Zack doesn't back down. If this goes on, Garibaldi will hurt himself, and take many people with him on the way down. Zack is his friend, and doesn't want Garibaldi to throw it all away, after so much hard work. But he doesn't know if he will turn him in. Garibaldi asks for some time to work a few things out, and Zack agrees... for now.
In hyperspace, a lone White Star keeps tabs on a Centauri armed convoy. Sheridan explains it to Garibaldi: the Centauri have made good on their threat, and all transports are traveling under escort. On the Alliance side, the alien worlds have stationed warships at their jumpgates. A confrontation is inevitable, since the Centauri are unlikely to hesitate to open fire on them. What Sheridan proposes is to use the White Star fleet as a buffer between the two sides. Some ships are following the Centauri, and will radio in when the Centauri are about to jump. Garibaldi will coordinate the information, and arrange to have as many White Stars as possible waiting when the Centauri jump into normal space, stationed between the opposing forces. He hopes even the Centauri will back down from firing on the White Stars. It is an important and difficult assignment, and it may be the only way to prevent an all-out war. "You can rely on me," Garibaldi promises. "I'll get it done."
On Centauri Prime, the Palace is heavily guarded and many ships fly overheard. The Minister keeps Londo away from the Regent, and later prevents Vir from Contacting Londo. The Centauri Government is preparing for war, and is isolating itself from Babylon 5.
In his quarters, Garibaldi has again passed out, and misses an incoming report. The Centauri are confronted by several Drazi ships when they jump in, and the only White Star in the vicinity is the one that was following the convoy. It is not enough: a firefight soon starts.
Vir is moved to different quarters to protect him from the other aliens, almost too late. He and Franklin have to fight off some Brakiri, who want to take out their anger on Vir.
In the Council Chambers, Garibaldi claims they just missed the convoy; in an operation this complicated, it was bound to happen. Then, the alien ambassadors break in, demanding action. Where is the support Sheridan promised? Why are the White Stars not attacking the Centauri? In the ensuing yelling match, Sheridan finally loses his patience:
"We gave you a promise, and we are bound by that promise," he yells angrily. "And damn you for asking for it! And damn me for agreeing to it! And damn us all to hell, because that is exactly where we are going! We talked about peace. You didn't want peace! We talked about cooperation. You didn't want cooperation! You want war! Is that it? You want a war? Well, you have a war!"
In the middle of the night, Londo is awakened by the Minister, who is followed by armed guards. The Alliance has issued a formal declaration of war; all communication with Babylon 5 has been severed for security reasons. And since G'Kar is still on the Advisory Board of the Alliance, he is to be arrested. Londo tries to stop it, but it is an order from the Regent. It must be obeyed on pain of death. Although G'Kar is willing to endure the Centauri cells once more, Londo will have none of it. G'Kar is his guest: where Londo goes, G'Kar goes, and where G'Kar goes, Londo goes.
"Don't worry," Londo tells G'Kar. "Even one as arrogant as this one would not take it upon himself to imprison his own Prime Minister."
Later, as the cell door closes on both Londo and G'Kar, Londo turns to G'Kar: "Shut up."
On Babylon 5, Sheridan joins Delenn in prayer...
And Now For a Word
Overview
Babylon 5 is embroiled in a deadly conflict between the Narn and Centauri; an ISN reporter covers the story and tours the station. Kim Zimmer as Cynthia Torqueman. Christopher Curry as Senator Quantrell.
Sub-genre: Introduction/Intrigue P5 Rating: 8.43 Production number: 214 Original air date: May 3, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Mario DiLeo
Watch For
Backplot
- The Narn homeworld was invaded by the Centauri around 2110. The occupation lasted for approximately 100 years.
- G'Kar joined the resistance after his father was executed by the Centauri.
- 41% of Earth Alliance citizens feel that Babylon 5 isn't worth the time and expense.
- The Centauri have been using the space around the station as a transfer point for weapons for the war effort.
- Over 250,000 humans died during the Earth-Minbari War.
- Back on Earth, the Clark government has formed the Office of Public Information and the Ministry for Public Morale -- both very Orwellian names. (see jms speaks)
- Senator Hidoshi, Sinclair's main Senate contact in season one, is no longer in office.
- Sheridan received the EarthForce Silver Star for valor during the Earth-Minbari war.
Unanswered Questions
- How long have the Centauri been using Babylon 5's space to move weapons?
- Will the news report affect the public's perception of Babylon 5, and if so, will the station become more popular or less?
Analysis
- Delenn's emotions seem to come to the surface much more readily now
than they did before her change. (see
jms speaks)
- The Earth-Minbari War wasn't very devestating at all in terms of
loss of life. 250,000 dead is tiny compared to, for example, the
tens of millions killed in World War II. Since most of the war
was probably fought in space, in ships with relatively small crews,
that's understandable -- in fact, that many dead probably means
that Earth's combat fleets were nearly eliminated in their
entirety -- but the war seems to have had an impact on
Earth far greater than warranted by human losses. Human pride may
ultimately have been the bigger casualty.
- The fact that the Narn cruiser destroyed a similarly-sized Centauri
ship in a one-on-one battle suggests that the two are fairly evenly
matched technologically. If the Centauri are indeed crushing the
Narn military, as denied by G'Kar, they must have far superior
numbers, or frequent help from the Shadows.
- One reason for keeping Babylon 5 around was conspicuously absent
from Senator Quantrell's list: the planet below the station is one
of the most strategically valuable places in the known galaxy,
considering what lies beneath its surface (cf.
"A Voice in the Wilderness.")
Given that the planet's contents were entrusted to the Babylon 5
Advisory Council, it's in everyone's best interest to keep the
station up and running.
Earth would probably prefer to keep the planet a secret to keep people from trying to take it (and Babylon 5), so it makes some sense that Quantrell didn't mention it; but given the battle that took place over control of the planet, it must be a poorly-kept secret at best.
Notes
- "Subliminal" text during the Psi Corps ad: "The
Psi Corps is your friend. Trust the Corps."
- @@@841689985 Though the subliminal message was onscreen long enough
to satisfy American television regulations, in France, the message
was clipped out altogether due to tougher French rules.
- @@@833749598 The Minbari have three languages: Lenn-ah, Fik, and
Adrenato.
- When present-day fighter pilots fire weapons, they say
"Fox one" over their tactical radio frequency when they
use radar-guided missiles, "Fox two" when they
use heat-seeking missiles,
"Fox three" for smart missiles, and "Fox four" (or
"Guns, guns, guns") for guns.
Someone during the battle said "Fox five," suggesting some other sort of weapon. ("Fox five" is also used for lighthearted remarks about midair collisions during dogfights!)
- Interplanetary Expeditions, which has a brief ad at the beginning of
the episode, is the same firm that financed Dr. Hendricks' dig on
Ikara 7 in
"Infection"
-- in which it was discovered to be a front for a bio-weapons supplier.
- Note the pine-tree air freshener on the bridge
of the Heyerdahl during the teaser.
- The Heyerdahl is probably named for Thor Heyerdahl, whose Kon-Tiki expedition attempted to prove that South American natives could have populated some South Pacific islands.
jms speaks
- "And Now for a Word," will, I
think, be very popular, and to my knowledge does something that has
never been done in SF television before.
- Speaking of which...on Monday I turned in a script called "And Now For a
Word." It's probably the most unusual episode to date...so much so
that I was very concerned about Warners approving it, and indicated in
my letter (which explained why it was done, and why it should be
produced) that I wouldn't be putting in for a script payment until I
knew they would accept it and let us make it. Finally heard back
today that they've approved it. This will be shot as episode 214, and
what you've just read is ALL I intend to say about this script between
now and shortly before it airs in May. (Though when we cast the guest
star, which we're in the process of selecting now, that I'll be able to
announce.) It's not controversial per se, but does take our entire
show and put it on its head for the entire hour. (I also had to make
sure we *could* physically produce the darned thing prior to turning
in the script.) No speculation, please; just let it be what it is, and
see it cold.
- For those who've been nudging other folks to try out B5, you may want
to tell them that this coming batch of eps is probably the best time to
dive in. In particular, our second new show (airing the first week of
May) is designed in part to help new viewers coming to the show to catch
up on background. (No, not a clip show, or anything like that...I think
you'll like it.) I also *strongly* recommend that you videotape this
episode, entitled "And Now For a Word." There's something in there just
(or primarily) for the videotapers. Consider this a heads-up from the
inside. You'll know what it is when you sorta see it. (See
Notes)
- There's a thing you do in theater training where you're told to talk
about a subject, never use the word "I" ...but in the end wind up
telling us more about *you* than the subject you're speaking about. So
I began to wonder if I could apply this exercise, in a limited way, to
an episode of the show. I can't say more than that without spoiling
things, but suffice to say you learn a lot about all kinds of people,
and the way you learn it says a lot about those involved. It's a
*very* subversive and tricky episode, and I *very* much suggest taping
it, so you can go back and check something out later. You'll know
what. If you don't, you'll kick yourself later.
- RE: the FCC...what we did in the commercial was totally legit. We
researched and found that the FCC considers a subliminal to be 2 frames
per second (out of the standard 24). So we made the blip 4 frames
total.
- @@@846703929 We've done a couple of steady-cam/CGI composite shots,
but not that much; in "And Now For a Word," you'll sometimes see a
floating recorder in C&C moving around...that was a steady-cam in use,
and we composited in the CGI. It is, however, time-consuming, so we
only do that sort of thing as required.
- The device of using a reporter's appearance
to go to another POV is
not new to either B5 or MASH (though B5 is first to use it in SF).
Where I would draw the distinction is in the sense that "Word" is
actually very subtly subervsive. It's ostensibly about B5 (the
broadcast itself) but you learn a LOT about Earth in the process...how
the government wants the Mars situation interpreted ("an Earth-loyal
population held hostage by a violent minority"), the government
changing back home (suddenly we have an Office of Public Information
and a Ministry for Public Morale), how they see the end of the Minbari
war, and so on. It's designed to show more than just who's being
interviewed; you reflect home as well.
- The battle shouldn't have been audible in the station, right?
Except, of course, that you have a space batttle going on right outside B5, and explosions barely feet from the hull, plus debris hitting the shell of the station and making it ring, so you're going to hear stuff. When the oxygen tank outside the main living area in Apollo 13 blew, it sounded like a bomb going off. It happens. - Jeffrey Smith: your analysis of Delenn is dead-on...I don't quite
think she really understood what was required of her, and what would
happen; I think she believed it would go somewhat other than it has,
which has given her pause, she's rattled, alone and realizing the
magnitude of what is before her, and her choice to undergo the
chrysalis. And that is EXACTLY the core of a huge Delenn episode in
the last part of this season.
- Why did the battleships keep missing each other?
Actually, all sides in battle use ECM (Electronic Counter Measures) to throw off the targeting systems on the "enemy" vessels. But usually it only takes a couple of quick firings to compensate (which is what we've done). - New Vegas is on Mars.
- The reporter didn't talk to Talia because the story wasn't about
what it's like to be a telepath. That's a different story. This was
about B5 and those who run it. Talia doesn't directly work for B5,
she's employed by the Psi Corps.
- The Torque- part of her name came from Torquemada, that's correct.
Just seemed appropriate since we were shortly doing an episode with an
inquisitor.
- After we made initial contact with aliens, first being the Centauri,
there were a lot of disruptions to the social and religious and
political paradigms, many of which are whole stories unto themselves.
There was also a lot of paranoia running around. Earthdome was
constructed in Geneva to be more or less impervious to an initial
assault from other races, should any come. (It was really something
of a fiction, the way the star wars defense program might not have
been really effective, but the theory was to protect the seat of
Earth government.) So it dates back about a hundred years. (And
it's NOT in the middle of a blasted heath; that was done in the comic
by the inker, who should've colored it a nice green.)
- "Whoever thought up the idea of *security cams* for FX shots...."
That's how it was scripted. - G'Khamazad.
And G'Quon's primary follower/co-prophet was G'Lan.
Remember that name.
- It's also worth noting that this was likely Delenn's first real
encounter with Earth media/reporters on this level. She's never been
put into such a situation before, being challenged on-screen, which
would be the height of disrespect back home. (We refer to her desire,
after this, to learn more about the press in a later episode this
season.)
- Very few have noted the play on the title. The usual complete phrase
is, "And now for a word from our sponsor." So what was the only
sponsored commercial shown (in the 2259 version)...?
- Interplanetary Expeditions was the bogus company from
"Infection." Is it more than just a throwaway here?
Yeah, I'd say it's fair to say that you haven't heard the last of Interplanetary Expeditions. Remember the rule: before you use the gun, you show it on the mantle. You play fair. And create the context in which the payoff later works. - How can "Word" be a commentary on current allegations of bias (which
I think are out of all proportion) since the media is now supposedly
anti-government (nonsense), and the newscast in "Word" was more than
just a bit spoon-fed government propaganda?
- "Z'ha'dum" has only been seen by a few people at this early stage, but folks like it. The big one, though, is really "And Now for a Word," which has gotten more responses from crew, cast and others than any other script to date. From top to bottom, everyone is absolutely excited about it. It's going to be a very challenging shoot, but the result, I think,will be worth it.
And Now For a Word
Transcript by Matthew Murray (mmurray@wsu.edu)
Note: Due to the unusual format of this episode, a transcript is being used instead of a typical synopsis. The idea of a transcript has JMS' blessing.
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ISN Network
"36 Hours"
September 16, 2259
- Announcer
-
We interrupt your evening schedule to bring you the following special program.
September 16, 2259. The Interstellar Network News presents "36 Hours on
Babylon 5" with your host, Cynthia Torqueman, reporting live from the ISN News
Center, in Geneva.
- Torqueman (at anchor desk)
-
Good evening, I'm Cynthia Torqueman. In the hundred or so years since
humanity went to the stars, we've established outposts and colonies on over
two dozen worlds in fourteen solar systems. Out of all those far-flung
outposts, only the Mars Colony, plagued by scattered groups of separatists,
who have used acts of terror to intimidate the Earth-loyal majority, has
proven more controversial than the Earth Alliance station, Babylon 5. Located
in a sector of space near Epsilon Iridani, designated neutral territory,
Babylon 5 has defied the odds and continued to operate as a free port, a
center for diplomacy, and a showpiece for the Earth Alliance Resources and
Technologies division. From its highly publicized debut three years ago,
recent polls indicate a growing dissatisfaction with the time, money, and
effort consumed by this space-borne community. So, tonight, we take you to
the center of the controversy. An ISN crew and I recently spent 36 hours
aboard Babylon 5, asking hard questions and, on occasion, get in a little over
our heads. In the process of putting this report together, it didn't take us
long to learn the most important rule of survival aboard Babylon 5: expect the
unexpected.
- Video Footage
-
(The bridge of a ship. Babylon 5 is visible outside, with two much
smaller ships in front of it)
- Torqueman (voiceover)
- This footage was shot from our position on the bridge of the Earth transport Heyerdahl, on the final approach to Babylon 5. The voices you are hearing are those of the ship's captain and B5 Command and Control.
- Ivanova
- Confirmed Heyerdahl. We...Narn transport N'ton, return to your holding position at once. I repeat, return to your...
-
Narn ship
- Shadraka.
- Ivanova
- Centauri vessel Malios, break off.
- Narn
- N'tok! N'tok!
(The Narn ship fires on the Centauri ship several times, destroying it.)
- Torqueman (at anchor desk)
-
A terrible explosion, conspiracy involving several of these individuals
[pictures of Sheridan, Londo, and G'kar appear over her shoulder],
lies, deception, and the deaths of hundreds of people. All this and more on "36
Hours Aboard Babylon 5," here on the Interstellar Network News. We'll be back
with our story right after this break.
- Announcer
- "36 hours...," sponsored by Interplanetary Expeditions. Exploring the past to create a better future.
Commercial break
- Torqueman (from a chaotic docking bay)
-
Thirty minutes ago, a Narn vessel opened fire on a Centauri transport without
warning or explanation. The bodies of the dead and wounded are being brought
to this central docking area for transfer to various MedLab facilities on
Babylon 5, which are already working beyond maximum capacity. Behind me is
Dr. Stephen Franklin, Chief of Staff. Doctor? Doctor Franklin?
- Franklin (to medical assistants)
-
...for immediate surgery and full CAT scan. I need more regent packs over
here, people.
- Torqueman
-
Dr. Franklin, Cynthia Torqueman, ISN news. What happened here?
- Franklin
-
I don't know. Somebody said something about an ambush. (to assistants)
All right, keep his head elevated thirty degrees minimum or he'll choke on his
own blood.
- Torqueman
-
Can you say what the reason was...
- Franklin
-
I'm sorry...
- Torqueman
-
Captain Sheridan! Cynthia Torqueman, ISN news. Do you have any comment on
what just happened here?
- Sheridan
-
No, no comment at this time. (to Franklin) Doctor...
- Torqueman
-
What about the Narn vessel that attacked the transport.
- Sheridan
-
We dispatched a fighter wing to apprehend them. We won't know anything more
until they're in protective custody. If you will excuse me please.
-
- Ambassador Londo Mollari, Centauri Republic
-
This is exactly the kind of behavior that endangers the very purpose of
Babylon 5. This place is dedicated to finding peaceful solutions to our
problems. For the Narn to carry their vendetta against our people into
neutral territory like this is reckless and irresponsible. And though we
mourn our own losses, we have felt strongly about our friends from Earth, ever
since we first encountered your world a hundred years ago. To endanger your
people for no reason...
- Torqueman
-
Then the attack on your transport was completely unprovoked?
- Ambassador Mollari
-
Of course.
-
* * *
- Ambassador G'kar, Narn Regime
-
He's lying.
- Torqueman
-
Then can you tell us why your ship opened fire on the Centauri transport?
- G'kar
-
I'll issue a statement after I have consulted with my government.
- Torqueman
-
Are you saying your government sanctioned this attack?
- G'kar
-
No.
- Torqueman
-
Do you think attacks of this nature put everybody aboard Babylon 5 in
unnecessary jeopardy?
- G'kar
-
We are already in far greater jeopardy than you can possibly imagine.
-
- Torqueman
-
For all the apparent danger in this part of space, it seems to have had little
effect on travel. Nearly a quarter of a million humans and aliens are here at
any given moment. While most are in transit to distant worlds, many others
actually live and work here. What does it take to call a place like this
home?
-
* * *
- Eduardo Delvientos. Dock Supervisor. Guild dockworkers on B5: 1500.
-
Well, it's a...it's a job. I've been in a lot worse places, let me tell you.
It gets crazy around here sometimes, you got fifty, sixty ships a day coming
through here, loading and unloading, and every last one of them is a priority
job, at least that's what they tell us. (to a worker) Hey, watch those
crates over there. Get 'em over to the side. No, no, the other side. (to
Torqueman) We had a couple of problems here last year, try to hit us with
some budget cuts. You know, same old song. But that's the past. You gotta
go along to get along, you know what I mean?
-
- Second Lieutenant David Corwin. Earthforce personnel on B5: 6500.
-
Overall, I've found this to be a good working environment, and a valuable
experience. I've learned a lot while I've been here.
- Torqueman
-
And you've never felt that your safety has been compromised?
- Corwin
-
No ma'am.
- Torqueman
-
So this has been a positive experience for you?
-
(Corwin smiles and nods)
- Torqueman
-
You enjoy working with everyone?
- Corwin
-
(Glancing at Ivanova over left shoulder) Yes. It's a calm, pleasant
environment. I don't think I've ever seen anyone get upset here.
-
- Captain John J. Sheridan. Recipient, Earthforce Silver Star for Valor in Minbari War.
-
I guess it's the old joke, "You don't have to be crazy to work here, but it
helps." I suppose there is a...certain attraction to being out here on the
edge like this. A new frontier...
- Torqueman
-
New frontier is right. When Babylon 5 went online in 2257, oddsmakers from
New Vegas to Lloyds of London were predicting it wouldn't last six months.
- Sheridan
-
Hmm. Well, I've never been very much on gambling. Never quite found the time
for it.
- Torqueman
-
You were originally a starship captain, correct?
- Sheridan
-
Yeah. The Agamemnon. She was a real beauty. One of the first Omega class
destroyers to come off the assembly line after the war. Our job was part
military patrol, part diplomatic mission. We went around to most of the Non-
Aligned Worlds, put in an appearance, kept the peace, that sort of thing.
- Torqueman
-
Babylon 5 has been through some dramatic changes in administration since it
became operational. Would you attribute these changes to...bad management,
or, to quote former Senator Hidoshi, "Is this horse just to big for anybody to
ride?"
- Sheridan
-
Changes are part of the military life. Everybody goes into this knowing that
tomorrow you could be someplace you hadn't even heard of 24 hours ago. I've
been stationed so many places over the years I can't even remember most of
them. But you're right. Some days this is one hell of a big horse.
-
- Dr. Stephen Franklin. Chief of Staff. Medlab facility. Speciality: Xenobiology
-
You know what the folks back home don't understand, the ones who've never
left Earth, is just how dangerous space can be. Aside from incidents like
this, just the everyday reality of living your days and nights in a big tin
can surrounded by a vacuum. I remember my first time on a transport, on the
Moon-Mars run. I was just a kid, maybe seventeen. A buddy of mine was
messing around, and zipping through the halls, and he hid in one of the
airlocks. I don't know, I guess he was gonna try to scare us or something, I
don't know...But just as I got close, he must have hit the wrong button
because the air doors slammed shut, the space doors opened, and he just flew
out into space. You know, the one thing they never tell you is that you don't
die instantly in vacuum. Just hung there, against the black, like a puppet
with his strings all tangled up. Or one of those old cartoons where you run
off the edge of a cliff and your legs keep going. You could see that he was
trying to breathe, but there was nothing. The one thing I remember, when they
pulled in his body, his eyes were frozen. A lot of people make jokes about
spacing somebody, about shoving somebody out an airlock. I don't think it's
funny. Never will.
-
- Torqueman
-
Although the airlocks on Babylon 5 are considerably safer, the last three
years have shown that the station itself is anything but secure. In its
first year of operation, there were half a dozen murders, three acts of
sabotage including a bomb that blew out two levels, and a barely averted
attack by the Vorlon Empire. Since then, there have been fifty deaths by
violence. So the question remains, given its cost in lives and money, is
Babylon 5 serving any useful purpose, or, as we're about to see, is the whole
thing falling apart at the seams?
-
- G'kar
- I've just been briefed by my government, and I'm prepared to issue the following statement. The Centauri ship that was attacked by one of our vessels was not simply a commercial transport. It was secretly transferring weapons of mass destruction to ships bound for the front lines where they were to be used in the war against our people. They have turned Babylon 5 into a weapons supply post, and we cannot allow this to continue, even if it means shutting down Babylon 5 completely.
commercial break
- Announcer
-
"36 Hours on Babylon 5" continues with Cynthia Torqueman.
- Torqueman (at anchor desk)
-
According to figures released by the newly-formed office of public morale,
President William Clark has risen to dramatic new levels of popularity,
because of his administration's emphasis on addressing the needs of Earth. As
a result, recent hearings in Earthdome have openly questioned how much time
and money should be invested in a project that seems perpetually bogged down
in non-human conflict. So, we took that question to Senator Ronald Quantrell.
-
* * *
- Senator Ronald Quantrell. Chairman: Babylon 5 Senate Oversight Committee. (in his office)
-
Well, obviously, Babylon 5 is something President Santiago believed in very
strongly and I think we owe it to his memory to try to make it work.
- Torqueman
-
That doesn't exactly sound like a ringing endorsement.
-
Quantrell
-
Well, clearly we've taken a lot of heat, and the cost overruns have been
appropriately astronomical. But let's remember that the Babylon Project was
conceived right after the Earth-Minbari war. At that time, the idea of a
diplomatic station designed to keep anything like that from happening again
was very appealing.
- Torqueman
-
And now?
- Quantrell
-
Now? Well...still too early to tell. Certainly we've rebuilt our military
forces to a point far in advance of where they were fourteen years ago. If
the Earth-Minbari war started today, I think things might have gone a little
differently. So, while I'm not sure how much...concrete benefit we really
derive from Babylon 5 any longer, I suppose it still does keep us in a highly
visible position with other races, and of course it's very important to
interstellar commerce and trade.
-
* * *
- Sheridan
-
Well, with all due respect to Senator Quantrell, speaking as someone who did
his part in the front lines, I'd have to say we still haven't fully recovered
from the Minbari war. And we haven't anywhere near the level of technology
we would need in the event of another major conflict. And anybody who thinks
that we could hold our own with the Minbari, the Centauri, and, God forbid, the
Vorlons, is just plain kidding himself.
- Torqueman
-
You sound angry about it.
- Sheridan
-
No, I'm not. It just...it just sounds to me like...like jingoism and
self-deception and armchair quarterbacking. Any time you lose a war, you
just...you just wait a few years, and you'll hear from everyone who thought
that we could have won if they'd have done the fighting.
- Torqueman
-
Except, of course, Captain, we didn't lose the war. The Minbari did
surrender.
- Sheridan
-
(Pause, then smile) Of course.
-
- Torqueman
-
Who are the people who run Babylon 5, and what do they do here? What are
their hopes and dreams? I'm standing in what's called the Observation Dome,
or C&C, short for Command and Control. When the Captain is otherwise engaged
with diplomatic or business affairs, this place is under the watchful eye of
its perky and energetic commander, Susan Ivanova.
- Commander Susan Ivanova (to a ship)
-
All right, make one more sweep pulling in whatever you got, then head for the
barn.
- Torqueman
-
Commander Ivanova, would you mind telling us what it is you're doing here?
- Ivanova (showing her a control panel displaying the HAZMAT team)
-
We're investigating Ambassador G'kar's allegations that the Centauri transport
was carrying weapons, justifying his government's attack. The HAZMAT team
outside is checking the debris for any unusual levels of radiation or trace
elements that could indicate the presence of unauthorized weapons.
- Torqueman
-
While we wait for the analysis, would you mind telling us a little about
yourself, how you got here?
- Ivanova
-
Well, there's really not much to tell. I was born in the Russian Consortium,
but spent most of my life at school abroad. Graduated from OTC ten years ago.
- Torqueman
-
How did you come to join Earthforce?
- Ivanova
-
After my brother Ganya was killed in the war, I felt that I had to try and
finish what he started. Of course, as my luck runs, the war was over before I
saw any action.
- Torqueman
-
Now, Commander, I'm sure there's more to your story than that.
- Ivanova
-
Yes.
-
- Security Chief Michael Garibaldi
-
What do I hope for? I hope to get through this interview without getting
myself fired. How's that for a start? Hmm. I don't know, it's one of those
questions I don't think about in words. Maybe because so many times it seems
like, if I say what I want, it never comes.
- Torqueman
-
There must be something.
- Garibaldi
-
Yeah. There are...little hopes I guess. Every day I get up and I hope nothing
will happen. I'd love to be just bored out of my skull for twenty-four hours.
And, uh, I guess I keep hoping that someday, somewhere I'll make a difference.
That at the end of the day, everything we've gone through for the past few
years will, uh, mean something.
- Ivanova (over communicator)
-
Garibaldi, we just got back the HASMAT report. We've got a problem.
- Garibaldi (getting up)
-
See what I mean? Always something.
-
- Torqueman
-
So far, we've spent most of our time here talking to the humans, but aliens
make up nearly forty-two percent of Babylon 5's population. Many of them live
here in the so-called "Alien Sector," which provides alternate atmospheres for
fourteen different species. Ironically, the "Alien Sector" is how the aliens
here refer to the human part of the station proving once again that beauty...
and the beast...are in the eye of the beholder. Probably the most elusive of
all the aliens is Ambassador Kosh Naranek, a representative of the Vorlon
Empire, sent here roughly two years ago. Nothing is known of the Vorlons, in
fact three expeditions sent into Vorlon space over the years have never
returned. The Vorlon government said they had met with accidents...and suggested
no further expeditions. Even their appearance is a mystery, compounded by the
fact that Ambassador Kosh can only leave his quarters in an encounter suit,
which contains his atmosphere and other life support equipment. A few moments
ago, while we were setting up this shot, we got our first glimpse of the
Vorlon as he was leaving his quarters just behind me. This is an ISN
exclusive, presented here for the first time.
- Video Footage
-
(Cynthia Torqueman, wearing an oxygen mask, is speaking with someone
else also wearing a mask.)
- Man's Voice
- It's Ambassador Kosh, over here!
- Torqueman
- Maxie, quick, the camera!
-
(The camera pans to reveal Ambassador Kosh.)
- Torqueman
- Ambassador Kosh! Ambassador! Cynthia Torqueman, ISN news. Can we ask you a few questions?
-
(The doors in front of Kosh close.)
- Torqueman
- Ambassador Kosh! (to camera) Did we get that? Tell me we got that. Did we get it?
-
* * *
- Torqueman
-
Second in elusiveness to the Vorlon is Ambassador Delenn of the Minbari
Federation. After initially refusing several requests for an interview, she
finally agreed to talk to us.
-
- Torqueman
-
Since very few humans have ever been allowed on Minbar, perhaps you could
start by telling us a little about your world.
- Ambassador Delenn. Minbari Federation.
-
We are the seventh planet from our sun
[a graphic of Minbar appears over her
shoulder].
Almost one quarter of Minbar is covered by our north polar icecap.
Because our world is rich with crystalline deposits, many of our cities are
cut directly out of crystal formations. During the spring, the patterns of
color caused by the light are breathtaking. Let's see, what else? We have
three basic languages, Len'au, Feek, and Audronado, which is the language of
the Religious Caste.
- Torqueman
-
Can you give us an example of Audronado?
- Delenn
-
Neech sach schnek, slem-ba. I am your friend, in peace.
- Torqueman
-
Your appearance, though, isn't typical of your people, is it?
- Delenn
-
No.
- Torqueman
-
According to station records, you looked quite different a year ago. [An
image of Delenn's old appearance appears over Delenn's shoulder.]
- Delenn
-
I volunteered for this change, in the hope that it would lead to a better
understanding between our peoples.
- Torqueman
-
Over a quarter million humans were killed in the war with your people. How
do you think the families of those victims will feel about your...change?
- Delenn
-
I, uh...I don't know. I uh...I would hope...
- Torqueman
-
I think they would feel hurt, betrayed. That by assuming a human face, you're
taking a part of us you're not entitled to. What would you say to them? To
all the husbands and wives and children and brothers and sisters of the people
who were killed in the war with your people, and now see a Minbari...with a
human face?
-
Delenn
-
I'm uh...I'm sorry, I can't...can we...can we stop this? Please?
- Ivanova (over communicator)
-
Ambassador Delenn, you're needed in the council chambers. Ambassador?
Ambassador Delenn?
-
- Torqueman
-
We've just been informed that there's been a new development in the Narn
attack. The Babylon 5 Advisory Council and the League of Non-Aligned Worlds
have been convened to hear this update. We've been given permission to record
these proceedings in the council chambers.
- G'kar
-
And now, thanks to Commander Ivanova's investigation, we have proof of what
we've been saying all along. An inspection of the destroyed Centauri has
found conclusive proof that she was carrying fusion bombs and support
equipment for ion cannons, mass drivers, and heavy-energy weapons!
- Sheridan (banging gavel)
-
Now we have already filed a complaint with the Centauri government on the
grounds that Babylon 5 is neutral territory, and is not to be used as a
staging ground or a munitions depot.
- Londo
-
If I may make an observation...
- Sheridan
-
It is this kind of irresponsible activity, Ambassador, that endangers this
station and everyone here. It will not be tolerated!
- Londo
-
Classified shipments and weapons are transferred outside the station, from ship
to ship. The risk to Babylon 5 is minimal.
- Sheridan
-
Oh, we've already seen your minimal risk, Ambassador.
- Londo
-
Caused by their attack on one of our vessels! Our ships have the right to carry any
cargo they choose. We will not surrender our sovereign rights.
- Delenn
-
The sovereign rights of any race end with the threat of innocents.
- G'kar
-
Enough! They're doing what they always do--using details to distract us from
doing what must be done! There are seven more Centauri vessels berthed
outside, and I have reason to believe that they also carry weapons of mass
destruction to be used against our people. My government demands that these
ships be impounded and their weapons seized!
- Londo
-
No, no, no! We will not allow this!
- Sheridan (banging gavel)
-
This is Babylon 5's space. And here, we have sovereign rights.
- Londo
-
Our ships will defend themselves against any who try to seize them.
- Delenn
-
Perhaps, if the transports return to Centauri space...
- G'kar
-
We cannot allow those ships to leave here with their weapons. They'll just
turn right around and use them against us.
- Sheridan
-
Then how do you intend to...[there is a loud sound, and the lights in the
room dim suddenly] What the hell?
- Ivanova (over monitor)
-
Captain, we need you in C&C. We've got a shooting war going on out here.
- Video Footage
- (Securecam 15 shows several shots being exchanged before one ship is destroyed. The blast causes debris from the ship to strike the camera, and the image fades to static.)
commercial break
- Torqueman
-
The sounds you hear are heavy weapons on the Narn and Centauri vessels doing
battle just outside Babylon 5. The station is on a priority one alert, and
people are being evacuated to shelters. We're en route to C&C to try and
cover the battle. As we speak, our vidsystems are being plugged into the
station's external cameras and communications systems, and we should be
seeing...
- Video Footage
-
(Securecam 02 shows an image of several ships firing at each other.)
- Voice of starfury pilot
- Coming in. Reading five, repeat five incoming hostiles. No reply. Got the beacon targeting systems online.
-
(The image shifts to a camera inside a starfury cockpit.)
- Voice of pilot
- Delta leader to hostile vessels. You are ordered to cease fire at once. Do you copy? You are ordered to surrender or we will open fire.
-
(Securecam 08 shows a Centauri vessel destroyed by a Narn ship. The
image shifts to Securecam 23, which captures more shooting before it
is disabled by fire from a Narn ship.)
-
- Sheridan (in C&C)
-
Damage report?
- Ivanova
-
Levels brown ninety through ninety-two report damage. Hull breach in blue
seventy. Dropping pressure doors.
- Sheridan
-
Get a repair crew down there, stat.
- An Officer
-
Aye, sir.
- Sheridan
-
Any reply yet?
- Ivanova
-
Negative. Hostile forces continue to fire at each other. They've started
targeting our ships.
- An Officer
-
Delta squadron requesting permission to fire.
- Ivanova
-
Ambassadors Londo and G'kar on the link. They're saying that if we open fire
on their vessels, they'll consider it an act of war.
- Sheridan
-
Screw 'em. We have a quarter million people here to defend. If they won't
stop this, we will. (to ships) All fighters, open fire. Fire at will.
- Video Footage
-
(In the cockpit of the delta leader.)
- Pilot
- Roger, Babylon Control. Delta squad, open fire. Target engines and navigation if possible, but if you have to take them out, do it. (to himself) Come on. Come on. Heaters lit. Come to papa. Got it. Bombs away.
-
(He fires on a small Narn ship as he passes by the observation dome.)
- Pilot
- This is seven. Target splashed.
- Ivanova
-
Two Narn vessels destroyed, two damaged and out of the fight. Remaining
Centauri vessels are offering to surrender.
- Sheridan
-
All right. Pick 'em up, bring 'em in, and throw them in the brig. And I want
every one of those ships scanned for weapons. And tell Ambassadors G'kar and
Londo that I want to see them in chambers now.
- Ivanova
-
And what if they refuse?
- Sheridan
-
Then you can throw them in the...
- Ivanova (motioning toward camera)
-
Ahem.
- Sheridan
-
Then invite them again, as firmly and politely as you can. This nonsense has
gone far enough.
-
- Torqueman
-
The "nonsense" Captain Sheridan referred to is the Narn-Centauri war, which,
over the past several months, has grown into a conflict which threatens to spill
into other systems and lead to an escalation of hostilities. Prior to the
battle we just witnessed, ISN spoke with representatives from both sides, in
order to better understand the history of this conflict.
-
- G'kar
-
Roughly one hundred and fifty of your years ago, the Centauri came to our
world. Narn was a green and fertile place then. We greeted them in peace,
and spent the next hundred years in chains. But we never gave up hope. We
formed a resistance, learned their secrets, turned their own machines against
them, and finally drove them from our world.
- Torqueman
-
How did you become involved with the resistance?
- G'kar
-
My family lived in G'kamizad, one of the larger cities on Narn. My father...
served in a Centauri household during the last years of the rebellion. I was
barely a pouchling at the time. My mother was ill, unable to escape through
the underground, so we all stayed. It was a difficult time--we were striking
deep into Centauri resources. Things were tense. One day, my father spilled
a cup of hot jala on the mistress of the house, and...and she had him killed.
They took him out, tied his hands together, and hung him from a Jalwa tree for
three days. I came to him the last night against my mother's orders, and he
looked down at me. He said he was proud and to go and fight and...be all the
things he never was. Then he died. The next morning I ran away and killed my
first Centauri.
- Torqueman
-
Why do you think they invaded back then?
- G'kar
-
Why does any advanced civilization seek to destroy a less-advanced one?
Because the land is strategically valuable, because there are resources that
can be cultivated and exploited, but most of all, simply because they can.
You have experienced much the same on your own world. There are humans for
whom the words "never again" carry special meaning, as they do for us.
- Torqueman
-
How do you respond to reports that your military has lost six out of the last
seven engagements with the Centauri forces, and now the war consists mainly of
holding actions and forced retreats?
- G'kar
-
Centauri propaganda. We will never fall back. We will never surrender.
-
* * *
- Londo
-
When we first met the Narn they were, what, a primitive people. We gave them
technology centuries ahead of their own, took them with us to the stars,
taught them laws, civilized them. They repaid us with terror and death.
- Torqueman
-
So you're saying that the Centauri originally came to help the Narns?
- Londo
-
Of course. And at considerable expense, I might add. Which is why we finally
left. We wished them well, but the cost, you've seen.
- Torqueman
-
Then you weren't driven off the Narn homeworld?
- Londo
-
Please. The Narn have rewritten history enough, don't you think? If they
wanted us gone, we were hardly going to force the issue. But ever since, they
have grown more and more irrational, have gone out of their way to harm us,
to seize Centauri territory. Finally, we had to take a stand. They were the
ones who declared war. Not us. We want only peace.
-
- Torqueman
-
"We want only peace." Both sides say the same thing. But as we've just seen,
the reality is anything but peaceful. With the skirmish outside concluded,
and the captured Centauri vessels about to undergo a complete search, things
seem to have calmed down a bit.
- Ivanova
-
What is it?
- Officer
-
Jump point forming in sector seven.
- Ivanova
-
Are they crazy? That's practically on top of us.
- Officer
-
Reading one Centauri battle cruiser.
- Torqueman
-
Maxie, do we still have a feed from the external monitors? Are they on-li...
- Video Footage
-
(Securecam 27 shows an enormous Centauri cruiser appear through a
jump point.)
- Officer
-
We've got Ambassador Mollari on the link.
- Ivanova
-
Put him through. Ambassador Mollari, what the hell is going on here?
- Londo
-
I'm sorry this has come as such of a surprise, Commander, but I warned you
not to interfere. You have no right to search or detain our ships. If we
don't act in our own defense, we invite the same from others.
- Officer
-
Centauri cruiser is arming weapons, opening her gun ports.
-
Londo
-
The cruiser will blockade Babylon 5 until our ships are returned to Centauri
custody intact and unopened. Any ship attempting to enter or leave Babylon 5
will be fired upon, boarded, and sent back. We will use the minimum possible
level of force, but if provoked, we are prepared to use deadly force. Even
against Babylon 5 itself.
-
- Announcer
-
ISN. The galaxy's most important network.
-
- Commercial
-
-
(A young boy sits alone in a living room, dejected. His mother comes
in.)
- Mother
-
John, why aren't you outside playing with the other kids?
- John
-
They hate me.
- Mother
-
Now, John...
- John
-
It's true. I'm just...I'm different, Mom. I can feel what they
think about me, and they know I can. I called one of them a liar
because I knew he wasn't telling the truth somehow. And he just kept
hitting me until I said I was the liar. I just don't know what to do
anymore.
-
(A Psi Cop appears in the far corner of the room.)
- Psi Cop
-
Don't worry, Johnny. We'll take care of it from here.
- John
-
Mom! Look! A Psi Cop!
-
Psi Cop
-
That's right, Johnny. You know, there a lot of other kids
who feel just the same way you do. They're confused and afraid, but
they don't have to be. The problem isn't that other kids don't like
you, it's that they don't understand you. But we do. You're special.
You're a latent telepath about to come into full bloom.
- Mother
-
My Johnny? A telepath?
- Psi Cop
-
Probably. But to be sure, take him down to the Psi Corps
Testing Center first thing tomorrow.
- Mother
-
How do I find one?
- Psi Cop
-
We're everywhere...for your convenience. We have offices
in schools and children's hospitals. We even have mobile testing
centers that travel the country. And if he qualifies, we'll give
him an education, a job, a purpose. And, we'll pay all his bills
for life.
-
Mother
-
Oh my!
-
(A large Psi Corps symbol appears on the screen, with the words TWO
WEEKS LATER below it.)
- Mother
-
Oh, John. I can't believe it. You've come so far. Just look
at you. We're all so proud.
- John
-
And I'm proud to be part of the Psi Corps.
- Psi Cop (to camera)
-
So remember. If you know someone who might be a
telepath, or think you might be one yourself, help them get the help
they need. Call the Corps!
-
Announcer
-
Call government information for more on a Psi Corps center
near you. This message has been brought to you by the Ministry for
Public Information and your local Psi Corps recruitment office.
-
(While the announcer is speaking, the words "THE PSI CORPS IS YOUR
FRIEND. TRUST THE CORPS." flash across the screen for an instant.)
-
(A young boy sits alone in a living room, dejected. His mother comes
in.)
Other commercials
- Torqueman
-
As we enter our thirtieth hour aboard Babylon 5, the Centauri-Narn crisis has
not diminished. The various parties to the dispute have gathered in council
chambers behind me, in closed session, to discuss the crisis. Meanwhile, all
traffic, in or out of Babylon 5 has come to a halt, due to the Centauri
blockade. [Sheridan appears from the council chambers.]
Captain, any progress in the negotiations?
- Sheridan
-
All sides are still talking. That's all I can say for now.
- Torqueman
-
Well, is it true that some of the senate have suggested that you accomodate
the Centauri by releasing their vessels without further searches?
- Sheridan
-
As the commander of record on Babylon 5, I doubt that the senate would attempt
to undermine my position in these negotiations by armchair quarterbacking.
[He enters an elevator, and G'kar appears from the council chambers.]
- Torqueman
-
Ambassador G'kar, do you have anything to say?
- G'kar
-
Only that this should prove once and for all that the Centauri are a menace
to more than just our world. This kind of thing cannot be allowed, and we
will take whatever steps are necessary to make that perfectly clear to them.
- Torqueman
-
Well, what does that mean? Ambassador G'kar!
-
- Senator Quantrell (in his office)
-
Certainly the events on Babylon 5 which took place during your recent visit
are emblematic of what many of us at Earthdome have been worried about for some
time. By placing an Earth installation between warring factions, we risk being
drawn into a conflict which has nothing to do with us, or Earth interests. If
we had not been in that place at that time, the terrible loss of life might
have been avoided.
- Torqueman
-
On the other hand, senator, they are at war with one another. People die in
war.
- Quantrell
-
Yes, but it wouldn't have happened in our backyard. What happened next came
with the reluctant support of Earthdome, but hundreds of deaths...I don't see
how we can support that sort of thing. I'm only glad you made it out alive,
Cynthia. We need all the good reporters we can get.
-
- Torqueman
-
Ten minutes ago, Captain Sheridan received a coded transmission from Earthdome
on the current crisis. After considerable negotiations, we've been allowed
back into C&C...
- Sheridan
-
Captain John Sheridan, Babylon 5, to Centauri cruiser. My government has
rejected your demand that we release your ships. We will not consider any
demand made under terrorist threat. We have activated our defense grid, and
are prepared to defend all ships coming through here. Any hostile action
taken by you against ships entering or leaving this station will be considered
an attack on Babylon 5 itself, and we will respond accordingly. If they send
back a reply, don't acknowledge it.
- An Officer
-
Aye, captain.
- Sheridan
-
We'll let 'em sweat for a while.
- Ivanova
-
I hope this works. I know that our defense grid can probably hold them off, but
the repurcussions...
- Sheridan
-
Oh, they're bluffing. I can't believe they'd take on the whole station. That'd
bring Earth in on the side of the Narns, and the last thing the Centauri want
is a war on two fronts.
- An Officer
-
Docking bay nine just linked in. The transport's ready to go.
- Sheridan
-
Bring her up. Activate autopilot. We'll run the transport from here, make
sure no one gets hurt. Just in case they're not bluffing.
- Ivanova
-
Bring the maintenance bots around for a closer look.
- Video Footage
-
(Securecam 23 shows the transport leaving Babylon 5.)
- Voice
- Move Securecam 23 to high overhead and Maintbot 9 through 14 at twelve-click intervals...
- Ivanova
-
You realize that if they do attack the transport, they'll turn right around
and fire on us next, figuring we'll have to retaliate.
- Sheridan
-
I know.
- Video Footage
-
(Maintbot 12 shows the transport making its way toward the Centauri
cruiser.)
- Sheridan
-
All tracking stations. If you see their weapons targeting us, open fire.
- Video Footage
-
(Maintbot 17 shows the transport nearing the Centauri cruiser.)
- Sheridan
-
Any reply from the cruiser?
- An Officer
-
Negative, sir. No response.
- Ivanova
-
Their weapon system is still armed. I don't like this.
- Video Footage
-
(Maintbot 9 shows the transport begin to pass under the cruiser. The
image shifts to inside the transport, where it continues under the
cruiser with no problems. The image shifts back to Maintbot 9, where
the transport makes its way past the cruiser.)
- Ivanova (as the officers at C&C clap)
-
Well, the transport's through. We called their bluff.
- An Officer
-
Getting a signal from the Centauri cruiser. They want to talk.
- Sheridan
-
Open a channel. Let's be gracious about this.
- Torqueman
-
Captain, any thoughts on the...
- An Officer
-
Second jump point forming in sector ten.
- Video Footage
-
(Maintbot 06 shows a Narn cruiser arrive through a jump point.)
- Sheridan
-
Oh, hell. Babylon Control to Narn cruiser. We do not, repeat we do not require
assistance. Do not interfere. We have the situation under control...
- An Officer
-
Narn cruiser powering up weapon systems.
- Sheridan
-
No! Listen to me, we do not need...
- Video Footage
-
(Maintbot 12 shows the Narn cruiser firing on the Centauri cruiser
several times, but hitting once. The image shifts to Securecam 23
where the Narn ship continues to fire, but is hit several times in
return by the Centauri creature. There are explosions on both ships.)
- Sheridan
-
All civilians to the shelters. Get me that cruiser, and I don't care how you
do it.
- An Officer
-
Aye, sir.
- Video Footage
-
(Maintbot 02 shows the Narn ship attacking the Centauri ship, which
causes a piece of debris to fly directly toward the observation dome.)
- Ivanova
-
Close blast doors, now! [The doors close, and the Dome is rocked as the
debris strikes it.]
- Video Footage
-
(Maintbot 12 shows the two ships exchanging more fire before the
Centauri cruiser is blown apart.)
- An Officer
-
Narns have destroyed the Centauri cruiser. They're trying to open a jump
point.
- Ivanova
-
Can they make it?
- An Officer
-
I don't think so. They're hit bad. Jump engines are malfunctioning.
- Video Footage
-
(Maintbot 02 shows the Narn cruiser trying to generate a jump point
and enter hyperspace, but the jump point looks malformed.
The ship begins to explode. The view shifts to Securecam
15, which shows the remainder of the explosion of the ship.)
-
* * *
- Torqueman (at anchor desk)
-
As journalists, we would be remiss in our responsibilities if we suggested
that events such as those you've just witnessed were typical of the situation
on Babylon 5. Like anyone else, they have good days and bad days. But there
can be no question that it is a flash point that can only grow hotter as time
passes. And yet, growth only comes through pain and struggle, so perhaps we
should allow Babylon 5 time to realize, or one day, even exceed the dreams we
have invested in it. We'll be back with some concluding thoughts right after
this message.
-
Commercial break
- Torqueman
-
After the crisis was over, the debris cleared, and the bodies counted, we
asked each of the people involved in this story one question: Given the
danger, at the end of the day, as Mr. Garibaldi said, is it worth it?
-
- Garibaldi
-
Absolutely. Sure, when things get tense out here, we have to be careful. Our
search of the Centauri vessels we captured proved that they were bringing in
weapons of mass destruction, offloading them outside the station, and sending
'em on to the front lines. Now that we know that, we can make sure it doesn't
happen anymore. We learn. That's what humans do.
-
* * *
- Londo
-
Misunderstandings aside...yes, I definitely think it's worth it. We must simply
work harder to make sure we communicate with each other to prevent this sort
of tragic situation from ever happening again. A violent attack by Narn forces
is an unacceptable response to a peaceful protest by my government. And with
the intervention of Earth, perhaps we can keep them from making a similar mistake
in the future.
-
* * *
- G'kar
-
I don't know anymore. I used to think so, but now...
-
* * *
- Ivanova
-
Yes.
-
* * *
- Delenn
-
Of course it is. For the simple reason that no one else will ever build a
place like this. Humans share one unique quality: they build communities. If
the Narns or the Centauri or any other race built a station like this, it
would be used only by their own people. But everywhere humans go, they create
communities out of diverse, and sometimes hostile, populations. It is a great
gift and a terrible responsibility--one that cannot be abandoned.
-
* * *
- Quantrell
-
Well...I guess we'll just have to see, won't we?
-
* * *
- Franklin (to medics)
-
All right, med 2. Go. Go. (to Torqueman) Look, if we weren't here right
now, half the people in this room would be dead. That should be a good
enough answer for anyone.
-
* * *
- Delvientos
-
Sure. What, are you kidding? I have a retirement pension to make, you know?
-
* * *
- Sheridan
-
Yes, but not for any of the reasons that you've probably been told. The job of
Babylon 5 is not to enforce the peace, it's to create the peace. And this place
was built on the assumption that we could work out our problems and build a
better future. And that, to me, is the key issue. See, in the last few years,
we've stumbled. We've stumbled at the death of the president, the war, and
on and on. And when you stumble a lot, you...you start looking at your feet.
You know, we have to make people lift their eyes back to the horizon and see
the line of ancestors behind us saying, "Make my life have meaning." And to
our inheritors before us saying, "Create the world we will live in." We're
not just...holding jobs and having dinner. We're in the process of building
the future. That's what Babylon 5 is all about. Only by making people understand that
can we hope to create a better world for ourselves, and our posterity.
-
- Torqueman
- I'm Cynthia Torqueman, ISN news. Good night.
And the Rock Cried Out, No Hiding Place
Overview
Londo uses G'Kar and Vir to gain power in the Centauri Royal Court. Sheridan is consumed by his analysis of the Shadows' strategies. Louis Turenne as Brother Theo. William Forward as Lord Refa.
P5 Rating: 8.71 Production number: 320 Original air week: September 8, 1996 (UK) October 14, 1996 (US) DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by David Eagle
Watch For
- A Centauri guard leaving his post.
- @@@904014086 A musical allusion.
Backplot
- The Minbari have been constructing a fleet of warships based on the White Star design. They are manned by Rangers.
- Sheridan has stayed away from Delenn up until now because "she has enough problems of her own."
- There is a thriving underground on Earth opposing President Clark.
- Na'Toth is believed to have been on Narn at the time of the Centauri attack ("The Long, Twilight Struggle.")
Unanswered Questions
- What does the countdown to Z refer to? (See Analysis)
- Why didn't Delenn inform Sheridan of the fleet of White Star-class ships before now?
- How long have the Minbari been building the ships?
- How big is the White Star fleet?
- What will Sheridan use the data crystal given to him by the Reverend for?
- Will Virini use the data crystal that Londo gave him? Will it result in Refa's family being discredited?
- Will G'Kar respect Londo more now that he has freed the Narns, or does he see Londo's ploy as purely self-serving?
- @@@845932780 How did Londo get G'Kar to listen to him long enough to describe the plot, and how did he convince G'Kar it wasn't a trick?
- @@@845932842 Virini mentions that Londo's house is gathering a lot of funds. Where is Londo getting the money?
- @@@845972766 Did Refa's telepath find out about any of the activities Vir has been involved in, such as his work to help the Narn?
- What is the real reason for the Shadows' attack pattern?
- Is Na'Toth in fact still alive?
Analysis
- It seems likely that the "Z Minus..." times refer to Z'ha'dum, but they might also refer to a more specific "Zero Hour." The question remains, what happens at Z? A Shadow offensive? An offensive against Z'ha'dum? Someone's arrival on or from Z'ha'dum?
- G'Kar, in cooperating with Londo and killing Refa, has become an unwitting help to Londo in serving the Shadows. His desire for revenge against Refa and his need to save a small number of his people seems to have served the Shadows' greater purposes, at least to the extent that Londo's good fortune is part of their plans.
- @@@846748219 G'Kar may have been in on Londo's plan even before he left Babylon 5, possibly even before Vir spoke to him. The story about Na'Toth was solely intended to lure Refa to Narn; there was no need for Londo to deceive G'Kar about his intentions, since G'Kar would almost certainly have been willing to risk a trip to Narn for the sake of two thousand prisoners.
- If the already-poisoned Refa could be considered "one who is already dead," Londo may have just passed by one of his prophesized chances for redemption.
- Neroon's statement in "Grey 17 is Missing" that non-Warrior Minbari had constructed ships may have been foreshadowing of the fleet revelation.
- @@@846749879 Why did Delenn find Sheridan's attempt to think like the Shadows so abhorrent? Are there things about them she knows but hasn't revealed yet that would cause that reaction?
- @@@846746161 Delenn said that the first wave of White Star-class ships was now ready. How many waves are planned?
- @@@846747247 Now that Londo thinks he has avenged Adira's death ("Interludes and Examinations") will he be less eager to continue dealing with the Shadows? And will he ever discover that it was Morden, not Refa, who arranged to have her killed?
- @@@846891016 A few readers have commented that since a replica of the Centauri throne room is being built on Narn, perhaps that's where Sheridan's flashforward ("War Without End, Part Two") takes place. That's unlikely, though, since Londo forces Sheridan to look out the window and see the devastated landscape of Centauri Prime.
Notes
- The song from which the title is derived, "No Hiding Place," refers to the Book of Revelation, in which man attempts to hide from the wrath of God in mountains and rocks. Revelation 6:15-17.
- @@@904014086 During Refa's death scene, as the vocalist sings, there's a closeup of G'Kar just as she sings the name "Jesus." G'Kar-as-Jesus allusions are found elsewhere in the series as well, but this may be the most direct one.
- The mass driver attack affected the climate of Narn much as it's theorized a nuclear winter or asteroid/comet strike would affect Earth: the particles thrown up by the asteroids used in the bombardment have created a layer in Narn's atmosphere blocking out the sunlight and altering the heating of the atmosphere, which has disrupted the wind patterns on the planet.
- @@@846006824 Refa's death scene may be a homage to "Cabaret," one of JMS' favorite films. See jms speaks.
jms speaks
- Where does the title come from?
It's from an old gospel song/spiritual. - @@@843940517 Did Harlan Ellison suggest it?
No, as a rule, Harlan doesn't suggest titles; "Rock" came from the quote from the Bible, which was later made into a gospel song, used in the show. So it's a real song, though I did write 2 for "Walkabout." - @@@865189277 Why's it called that? Because it's quite appropos.
How do we fit it? Not a big deal. Longest title up to now was one I did
for MURDER, SHE WROTE, a quote from Moby Dick, "To The Last Shall I
Grapple With Thee."
- @@@843940517 The song in "Rock" is an old gospel song. I've always
had a soft spot
for old gospel songs and spirituals because of their wonderful use of
language and imagery, and you can dance to 'em. Not that I dance, but
the theory is there, at least.
- @@@844403652 My own take on "And The Rock Cried Out, No Hiding Place,"
which airs tomorrow in the UK...I like it. The Brother Theo stuff is a
tad stilted in a couple of places, but it's only a couple of minutes,
and the rest works real well. It's a very subversive episode in its
way, and a part of it still creeps me out.
- @@@843940517 I like symmetry...both as a word, and as a concept.
It plays into the show a lot, showing the balance that the universe
tends to impose whether we like it or not. What goes around, comes
around.
- @@@864607027 Some of the Narn buildings looked like Hiroshima after
the atomic bomb. Intentional?
Yes, there was some element of that. It's not a moral judgment thing, but a referential point. As for Narn architecture overall, I told them I wanted sort of an alien culture as the Soviet Union might've designed it.... everything tending toward the blocky, the functional, less aesthetic than you would find on Minbar. This is a culture that has crawled up from war, and functionality is more important. - @@@843940517 Was there a Narn standing in the queue of
telepaths?
Not in the queue, but providing security within the station... remember, many of the Narns have joined B5 security. - @@@843940517 We're generally very careful about what aliens show up
in what scenes.
- @@@843940517 Was the fact that the countdown started at
14 days an intentional reference to the season finale being two
weeks later?
Somewhat intentional; in the long run, the show will end up either aired daily, or stripped weekly, so either way the 14 days until climax works well, as it does now for the UK. - @@@843940517 The countdown aspect does add a lot to this, gives it a
forward momentum and a kind of subliminal ominousness. And as for the
Refa situation presented in counterpoint...I love how that came out.
It's almost subversive in a way...just gives me the quiet chills.
- @@@845932780 Re: the rabbi singing the gospel song...a couple of
points. First, if you're visiting someone's church, it's only
considered polite behavior to go along with what's there. I have a
number of Catholic friends who would sometimes go to temple with Jewish
friends...and when it came time to sing, would do so. Why should it
not work the other way around?
Second, as I seem to recall, the line about "no hiding place" is taken from the Old Testament, which forms a substantial portion of Judaic teachings (but not the whole of it, a mistake many make). Yes, there's some later stuff worked in, but the heart of it is from a common ground.
- @@@845932780 Waitaminnit...I retract part two of my reply...I think I
just stooged the origins of that song.
(whaddyawant from me, I just spent 12 hours putting my hard drive back together....)
- About the juxtaposition of Refa's fate with the song
It's comical...and it ain't comical...it's designed to elicit conflicting emotions, between what you *are* feeling, what you *should* be feeling, and so on. I like uneasy laughter.... - @@@843940517 That was one of those scenes which, when you do it,
you know it's gonna stay around for a while....
- @@@843940517 When I thought of that one, I just sat there and
grinned. It's so perverse, but yet so appropriate, all at the same
time. Just to further add a bit of creepiness to it, in the sound mix I
had the editors verb up the music toward the fade out, so it had a
slightly distorted edge to it. The details are everything in a scene
like that.
- @@@845974553 Vir has to be *very* careful...he's on the razor's edge
these days. The higher up you go, the more you know, the higher the
stakes and the greater the risk of choosing badly.
Re: "funny yet chilling," those are the scenes I love most...the ones where you're utterly conflicted, it's grotesque or frightening on the one hand, and comic or absurd on the other. It leaves you uncertain which way to jump emotionally, and I love that feeling...caught betwixt and between.
- @@@846006824 Originally in response to
"Severed Dreams."
"Cabaret" is one of JMS' favorite movies.
In a sense, it's going from one emotion or thematic element to a very different, but equally strong one, either as bookends or through intercutting. Going from the high of the victory, to the sudden shot of the dead troops, is thematic counterpoint.Here's another...in "Cabaret" you've got a scene where the performers in the Cabaret are doing the sort of German dance where you slap your knees and thighs and chest...and they take it a bit further, slapping one another, it's all for comic effect...but during this, you're intercutting the owner of the cabaret being beaten to within an inch of his life by some Brownshirts outside. You go from comic to brutal and back, with the result that the happy little dance suddenly takes on ugly characteristics, and the beating takes on the sense that the participants are having a sick kind of fun, that it's all just another kind of dance, a ritual.
That's what you have to look at as a writer...how this scene works, and how it interacts with the scenes in front, behind and "beside" it (for things happening simultaneously). Sometimes, with the proper counterpoint, you can add whole new levels of meaning to a scene, or make the scene much stronger than it would've been on its own.
- @@@846748723 That was an elaborate scheme if the goal was simply
to have Refa killed.
Londo points out that he could easily have killed Refa elsewhere...as he says, the point was to do it on Narn so that he could dishonor his house back home. - @@@843940517 Was William Forward the one who said, "Why me?" as
mentioned in one of your Usenet messages?
Yes, it was with the actor who plays Refa that I had that conversation. He was initially bummed out, figured I was doing what I was doing in "Rock" because I wasn't happy with his performance or something. So I pulled him aside and explained the situation, and indicated that we'd likely use him again as an alien character, under prosthetics. If he hadn't done such a good job, this wouldn't have happened, because no one would've cared about the character. - @@@843940517 You said a major character would die in season 3.
Refa wasn't major.
Well, given that Refa has been around for two years, and Keffer was only in a few in one season, I'd hardly put them in the same league. Part of all this is how you define "major." Usually, I've refrained from using that term...I would say someone you've seen since the first year, for instance, or an important character.Certainly I was primarily referring to Kosh in my original note about all this...but a lot of folks took that and extended it past that point, which I just let go rather than correct, because the show should do any correcting.
- @@@843940517 I think the message of mine you're referring to are the
ones I wrote with Kosh in mind, not Refa. But since I obviously
couldn't say that at the time, some of it sloshed over into how folks
viewed later episodes.
- @@@843940517 Will 500 Narns die in retaliation?
Except, of course, that going on at length about the death of Refa would require revealing what he was doing there...and I doubt very much that the Royal Court would like even the suspicion that one of its own was making deals with the Narns to become public knowledge...so it's extremely unlikely that there would be any retribution. This is one the Centauri would prefer to sweep under the rug, I think. - @@@845974432 Why didn't Refa's allies help him?
Bear in mind that all of Refa's people were *back on Centauri Prime*. He didn't bring them with him; to send word to Centauri Prime to bring them all the way out here, then on to Narn, would double the time required to get there, and by then the "rescue" would've been over. That was part of Londo's scheme...he wouldn't have much time, he had to get in and get out. Refa only brought a few with him, and they were needed to watch Londo and guard Vir.As for the Centauri back home...you proceed from the assumption that all Centauri act as one. I'm basing this somewhat on the early Roman civilization and government, where one side would sell out the other, arrange for deaths and murders, turn people over to their hated enemies as long as it advanced their position, or if they were allied with persons of power on a particular side. Why did the Roman guards escorting Tiberius (a much less worthy emperor) kill the heir to the throne in "I, Claudius" (a much better leader, and well liked among the military)? Because they were told to do so.
SF in TV has the tendency to portray aliens as monolithic...they put the good of their species as a whole above everything else. Some do that; some do not. Just as with humans.
- @@@864607027 Refa had a flashlight, not a gun.
- @@@864607027 Refa was his last name/family name.
- @@@864607027 Minister Virini looked disappointed by the
outcome.
Not sure it was so much a look of disappointment as..."Okay, I know something here isn't on the level...but he's got it very well surrounded...and is it worth sticking out my neck to get into this?" - @@@848346057 Why wasn't Na'Toth replaced?
I briefly considered giving G'Kar a second, after the revolving door Na'Toths, but as I looked at it...as you say, the others all DO have one like that, and I figured it might be good to have someone *without* that...especially after the fall of Narn, when the staff would be canceled. And there's something I like about G'Kar being alone in all this. Anyway, it varies the mix a bit. - @@@843940517 Why did G'Kar help Londo?
Well, you combine the release of 2,000 prisoners, many of whom were likely resistance fighters, and the payback to one who orchestrated the bombing of Narn, and that adds up to a pretty good incentive to get Refa even WITHOUT Londo's presence in the deal. - @@@845974106 I wouldn't say they hate one another any less now than
before; and yes, he would've sent word to G'Kar and arranged a private
meeting, just the two of them.
- @@@864607027 These two characters, Londo and G'Kar, are linked at
the hips. That is their beauty and their tragedy. And you will see
some new colors to this in the first part of season 4. This story is
as much about them as anyone else.
- @@@846748219 I think that if Londo sent word via the Babcom unit
that he wanted a one-to-one with G'Kar, and that thousands of Narn lives
were on the line, he would come. G'Kar has nothing to fear from Londo
as long as he's on B5...and if anything, I think he'd be amused if Londo
did try anything.
- @@@843940517 Wayne Alexander was listed as playing G'Dan. Which
one was he?
He was the Narn who first met G'Kar on their homeworld; the only one with any lines.Wayne has a considerably larger role in year 4 as an alien named Lorien.
- @@@843940517 Why doesn't Vir leave Londo now?
I don't know if Vir really has anywhere else to go.... - @@@843940517 John and Delenn kissing in front of a big group of
warships seemed a little odd.
I guess it's really a matter of perspective. It depends on what the fleet is *there* for, as well. - @@@843940517 Why didn't Delenn mention the fleet before?
Well, as she indicates, she didn't *have* them before. - @@@845932780 I don't think she was so much withholding the information, as they just weren't ready yet, and the need for them wasn't there yet.
Originally compiled by Jason Snell.
And the Rock Cried Out, No Hiding Place
Synopsis by Katrina Glerum (kat@midwinter.com)
Z Minus 14 Days
The station is a flurry of activity as war preparations continue. Since they can jam the Shadows, telepaths of many races are being recruited and assigned to Army of Light patrol ships. G'Kar insists that each telepath should be given a Narn bodyguard.
Londo thinks G'Kar has been permitted to escape Centauri wrath for too long, however. Vir is appalled that Londo could care about petty revenge when the entire galaxy is suffused with war.
Appreciating Brother Theo for the stability his monks have offered in the
chaos, Ivanova joins him in Docking to greet some religious "colleagues."
Personal and professional rivalry aside, Brother Theo seems genuinely
pleased to meet the Baptist minister, rabbi, Buddhist monk and Islamic
cleric who have arrived.
Looking weary and haggard, Captain Sheridan is lost so deep in contemplation that he is oblivious to Delenn's teasing. Nothing about the Shadows' strategy makes any sense. The timing and location of the attacks seem random and illogical, but the individual engagements are tactically very logical. The Captain isn't eating properly, hasn't slept well since Kosh's death, and is suffering from nightmares. So Delenn bullies him into meeting the new arrivals for dinner that night.
Another arrival has the Centauri flustered - or at least Vir. Nothing seems to faze Londo any more, not even Lord Refa and Minister Virini. Londo outlines his plan to ensnare G'Kar by having Vir pass on the tale that G'Kar's former assistant Na'Toth is imprisoned on the Narn homeworld. G'Kar will then rush back to Narn to rescue her and be taken captive by Londo's agents. Vir refuses until Londo threatens to humiliate and destroy Vir's family in retribution.
As smarmy as ever, Lord Refa presents his case to the Minister of why his house should achieve ascendancy over that of Mollari. The ambassador has spent too much time among aliens, he claims, and is no longer loyal. The Minister wants the rivalry between the two houses ended and is apparently on the station to determine which of the two deserve his support.
Cringing pathetically, Vir takes his mission to G'Kar, while Londo informs the Minister that the division between the two houses will be ended soon through his relieving the Empire of an ongoing embarrassment. Vir can't contain his anger when he realizes that Londo intends to kill G'Kar in order to curry royal favor. His outrage does not go unnoticed by Refa's spies. Vir is captured and interrogated by Lord Refa himself. When he tries to hold out, a telepath easily rips Londo's plan from his mind.
At dinner it is revealed that the religious leaders are part of an organized resistance and intelligence gathering movement on Earth, and come bearing information for B5. Before leaving, Reverend Dexter says that he wants to hold a religious gathering on the station. The Captain agrees over Brother Theo's humorous objections.
Reverend Dexter finds Sheridan still working late in his office, and asks him who he shares his heavy responsibility with. Sheridan grows irritated with the minister's presumption, especially with the implication that Sheridan is not being a good officer and the suggestion that he should share his burden with the woman who loves him.
Z Minus 13 Days
Peering into the cold, wind-wracked desolation of the former Narn capital,
G'Kar gathers his forces for a mission into the secret caverns below the
city. The ruins above are being rebuilt and redecorated to look like the
Centauri Imperial Palace. Refa has just arrived and requests a security
detail from Lord Drego to assist him in capturing G'Kar.
Musing in the war room, Delenn and Sheridan realize that the Shadows are
corralling refugees into zones where they can be annihilated with ease.
This war is "as much about terror as territory," he argues. A strike
against defenseless refugees would have a great demoralizing effect on the
Alliance. "It's what I'd do," he crows.
"What?" Delenn gasps.
When he tries to explain that they need to think like the enemy, she grabs him by the arm and drags him out of the war room telling him he seriously needs a break.
G'Kar and his Narns proceed underground. Refa and his guards pick up the trail and follow him into an ambush. Refa gloats, "You have taken your last steps as a free Narn!"
Back on the station, Reverend Dexter begins his sermon. The enemy is not
just something different. "We are all alien to one another," he argues.
"The enemy is fear. The enemy is ignorance. The enemy is the one who tells
you that we must hate that which is different."
As the service continues, a far eerier ritual begins deep under the surface
of Narn. Refa orders his guards to attack G'Kar. His face shows the first
signs of fear when they fail to move. Then G'Kar brings out a holo
projector with a recording of Londo telling his nemesis his fate. In return
for Mollari freeing 2000 incarcerated Narns, G'Kar has captured Refa, the
Centauri who is personally responsible for the planetary bombardment of Narn
and the deaths of 5 or 6 million Narns.
Holding aloft a data crystal, G'Kar admonishes his Narns only to leave this on the body and keep the face and head intact for identification later.
"No hiding place!" the gospel singer begins in the B5 chapel. As the congregation joins in joyously, Refa scrambles down a corridor into the arms of waiting Narns. "There's no hiding place down here!." He runs terrified back the way he came. "You know the sinner's gonna be runnin' at the knowledge of their fate!" Refa barrels into a crowd of eager Narns. "They'll be runnin' trying to find a hiding place when it comes their time to die!" Even the Minbari begin to catch the spirit and try to sing along. "No hiding place!" Refa's crest drowns under a sea of spotted heads, and he is brutally attacked by the Narn as G'Kar watches, then leaves.
Mollari gives the data crystal found on Lord Refa's body to Minister Virini,
and explains how Refa had betrayed the Centauri to the Narn and G'Kar to the
Centauri. The minister seems surprised that Londo asks for nothing in return
for exposing this plot. Vir is furious again however, this time for being
set up and lied to. Londo says he knew that Refa had a telepath with him,
so of course he had to tell Vir what he wanted Refa to believe. But Vir is
not placated.
Delenn has a final surprise for the Captain. In the long period of
preparation before the war, the Minbari have completed an entire fleet of
White Star class ships.
Z Minus 10 Days.
And the Sky Full of Stars
Overview
Sinclair is kidnapped and interrogated by members of a pro-Earth group, determined to find out what transpired when the commander was briefly missing in action during the final battle of the Earth/Minbari war -- something Sinclair has never been able to remember. Judson Scott as Knight One. Christopher Neame as Knight Two. Jim Youngs as Frank Benson. Justin Williams as Mitchell.
Sub-genre: Suspense P5 Rating: 8.90 Production number: 106 Original air date: March 16, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Janet Greek
Watch For
- A newspaper headline describing some unusual political machinations.
- Sinclair reacts to something just before his ship is manipulated.
- A small device is held up in front of Sinclair at one point. Remember what it looks like; it'll appear again later in the season.
Backplot
- In the days before the Earth/Minbari war, Dr. Franklin used to hitchhike starships, trading his services as ship's doctor in exchange for free passage to places he'd never been before.
- Franklin: "Towards the end, when things got bad for our side, those of us involved in xenobiology were told to hand over our notes to be used in genetic and biological warfare. [...] I took an oath that all life was sacred. I destroyed my notes, rather than have them used for killing."
- After his squad was shot down at the Line,
Sinclair's ship was disabled and taken aboard a Minbari cruiser.
He was tortured and examined, and at one point stood unfettered
within the circle of the grey council itself. When they didn't
respond to his questions, Sinclair suddenly walked up to one of
them and pulled back the hood, revealing the face of Delenn. He
was then knocked out again, and some time later returned to his
ship with no memory of the experience.
(A synopsis of the events at the Line as Sinclair re-experiences them is available. There is also a separate Guide page devoted to those events.) - Knight Two: "Your ship was off the
screens for 24 hours. You didn't just black out, your ship
disappeared!"
Sinclair: "The screens malfunctioned, the hearing proved that." - This would explain why Sinclair "fell off the merry-go-round" promotion-wise. Officers who've inexplicably disappeared in the presence of the enemy tend to hit a glass ceiling even if their loyalty is officially accepted.
- The Knights may be part of a covert operation within Earth Force that's trying to find collusion between Earth officials and the Minbari.
Unanswered Questions
- Franklin asks Delenn, "How were you involved in the war?" She declines to answer, even though he had just answered the same question from her. Toward the end of the episode it's revealed that Delenn did indeed play a significant role in the war, but little is yet known about what that was. (cf: "Babylon Squared")
- Sinclair's absence was first realized when Delenn reported that he didn't show up for a meeting with her in the Council room. What was that meeting to have been about?
- Delenn said she checked with Ivanova before asked Garibaldi about Sinclair's absence. Ivanova is willing to page Sinclair about everyday problems - why wouldn't she call his link when he's mysteriously long overdue for a diplomatic appointment?
- Later, Delenn asks Ivanova if there's anything she can do to help, and Ivanova replies that the crew is doing everything possible. Yet why is she strolling down a corridor with Delenn, rather than following leads and scouring for new ways to find Sinclair?
- How was Sinclair flawlessly abducted from his quarters?
- How did Knight One get Benson's body off the station? (see jms Speaks)
- Who were the Knights working for?
- Why wasn't telepathy used for the interrogation? It would have been no less legal than what the Knights did, and a telepath would probably have had better skills at dredging up old memories. The whole power source problem (which ultimately sunk the Knights' plan) could have been avoided - only the stimulation technology need have been brought on board.
- Is Sinclair really a Minbari plant?
- Why was Delenn's superior on the station?
- What is it that the Minbari don't want Sinclair to remember about his experience on the Line???
Analysis
- Sinclair: "Everyone lies, Michael. The
innocent lie because they don't want to be blamed for something
they didn't do, and the guilty lie because they don't have any
other choice."
This is extra reason to think twice before taking anything said in this episode at face value. Nor should one assume that a lie covers up wrongdoing. - Earth Force was researching the use of genetic and biological warfare against the Minbari. These are offensive, not defensive methods, effective only on planets. They must have been planning a desperation ground strike of some kind. (cf: "Soul Hunter")
- After he punches Knight Two in VR, Sinclair looks at his hand, making a fist and releasing it. Scenes of him in the cybernet chair after that show him clenching his fist in real life as well, in unison with continued fist-clenching in VR. Sinclair is rediscovering, slowly, how to get his brain to control his body. The pain of the remembered zap in the council chambers is later enough to propel him all the way back, if groggily.
- While looking for Sinclair's body outside, station forces discover the body of Benson floating outside Red Sector. Garibaldi visually identifies him (other Security folks had not been able to), and says, "Whoever killed him couldn't have carried the body very far without being noticed." He may be wrong in this conclusion - Knight One could have dumped it into a nondescript cart and gone a long way, for example.
- Garibaldi: "If they dumped the body out of an airlock, the station's gravity wouldn't let it get far." This is true only if the body was dumped out of a no- or low-velocity airlock. Perhaps Garibaldi's assertion is correct because there aren't any high-velocity airlocks on the station other than the Cobra Bays.
- Knight Two: "Look at Earth: Alien
civilization. Alien migration. Aliens buying up real estate by
the square mile. What they couldn't take by force, they corrupted!
Inch by inch!"
This sounds very much like Homeguard propaganda - perhaps there is a connection. (cf: "War Prayer") - Delenn exhibits ignorance of the powers of Earth telepaths - Ivanova had to explain to her that Talia, a P5, was not capable of a search-and-recover mission.
- Ivanova's only contribution to the search effort was to track all ships that left Babylon 5 in the previous 8 hours, which turned out to be wasted effort. This and several Unanswered Questions suggest she may have been working with the Knights.
- Delenn: "It's me, commander."
Sinclair: "I know - I know you. I know who you are."
Delenn: "I'm your friend, commander. Ambassador Delenn. Your friend."
Sinclair: "NO! I know you. I know you." [Knight One prepares to fire, Sinclair shoots him down]
Delenn: "Welcome home."
[Sinclair collapses]
By his emphatic denial above, it should be clear to Delenn that Sinclair is remembering something about his discovery of her at the Line. He later denies remembering anything, but she must wonder if he's lying. (If the Analysis in the Line Guide page is correct, however, she should be certain he is lying.) - Knight Two apparently remembered nothing about himself after Sinclair's destructive escape fried his memory. However, the word "Commander" brings him up short, and he remembers Sinclair's name, saying "There's something in my head. It says: 'Maybe you're still inside. Maybe we're both still inside.'" His phrasing there indicates that this is not his own current thought, but a thought that survived his brain damage. So, what did Knight Two, in full possession of his faculties, mean by that suspicion? The most obvious answer is "inside the simulation," but this is a very weak explanation, and goes nowhere.
- Knight Two's last experience would have been watching Sinclair's recollection of his Grey Council experience, including his discovery of Delenn (whom Knight Two may not have recognized).
- See also the Guide page devoted to Sinclair's recollection of the events on the Line.
Notes
-
Universe Today Headlines:
- Sports: Zero-G Tennis Results Inside
- Is There Something Living in Hyperspace?
- Homeguard Leader Convicted: Jacob Lester Found Guilty In Attack on Minbari Embassy
- Narns settle Raghesh 3 Controversy
- EA President Promises Balanced Budget by 2260
- Psi Corps in Election Tangle: Did Psi-Corps Violate its Charter by Endorsing Vice-President? (see jms Speaks)
- San Diego Still Considered Too Radioactive for Occupancy:
A new study published by Earthforce Nuclear Regulatory Office declares San Diego, struck by the American States first act of nuclear terrorism over 100 years ago, still uninhabitable for the next 300 years. - SPECIAL SECTION: Pros & Cons of Interspecies Mating
- Copyright Trial Continues in Bookzap Flap: Books Downloaded Directly into Brain: Who Owns Them?
- Is There Something Living in Hyperspace? (a repeat)
- New Binary Star Discovered
- Inside: Universe Today: Babylon 5 Edition:
- Classified 5-70
- Crossword 60
- Editorial/Opinion 10-11A
- Lotteries 11C
- Horoscope 8A
- HoloComics 9E
- The text of all the articles are instructions for the "Babylon 5 Equation Editor," which looks like genuine documentation after a search and replace has been performed from the product's name to "Babylon 5."
- Source for Universe Today information: "Cinefantastique," April 1994, p. 35
- Dr. Franklin now has baseline medical readings for a healthy adult Minbari.
- Casino regulations for officers: no gambling on duty, off-duty gambling is limited to 50 credits per week.
- Garibaldi has security access to Sinclair's quarters.
- Jeffrey David Sinclair
2218: Born on Mars Colony May 3rd.
2237: Enlisted in Earth Force Defense.
2240: Promoted to Fighter Pilot.
2241: Promoted to Squad Leader (!) - Sinclair's ancestors have been fighter pilots for many generations.
- Knight Two: "If I fail, more will come after me, until the job is finished."
- Sinclair: (to Mitchell) "I tried to warn you, but you wouldn't listen. You never listen."
- Payoff money was deposited to Benson's account at 0300, presumably soon after he delivered a big power supply to the Knights. At 0700 Sinclair "went missing" - presumably this was when Delenn was supposed to meet with him in the Council room (see Unanswered Questions).
jms speaks
- Absolutely unlike anything ever produced before for television.
Directorially, and in terms of the visual effects, the CGI, the
performances, right across the board, it's a stunner. And just...I
can't convey this enough...different. It just takes TV SF and yanks it
to a whole other level of complexity.
- As for a production report...things are going swimmingly. Today we started
getting dailies on our first day of shooting on "And the Sky Full of
Stars," which deals with the Battle of the Line. This is not going to
look like your conventional episode of television. We've brought in
equipment that you don't normally see on a television set, certain kinds
of cranes and lenses and lighting packages that will give this
particular episode a very strange, almost surreal look. It's quite
remarkable.
And Ron's pushing the envelope on the CGI...compositing some live action stuff with CGI that'll blow your TV out.
It's going *well*.
- Spent a very, very, very long day today in editing...not out of any
problems, but because of the *astonishing* amount of detail we're
putting into "And the Sky Full of Stars." Leaving out all the live-
action shots, there are 25 CGI shots in one and a half minutes in
one sequence alone. (By way of comparison, there were 55 or so in
the full two hour pilot for B5.) So we go frame by frame, making
sure that everything meshes properly, through some pretty intense
gistics. You'll understand when you see it.
I've never seen the like of this particular episode before. It's a real gem.
- On returns... Garibaldi's aide: yes. Knights: yes, but not
identified as such.
- Lurkers is indeed a net reference.
- Psi Corps, as a government-regulated agency, is prohibited from
endorsing candidates or taking a political stance.
- I would *never* pull a "he wakes up and it was all a dream" on the
series. I hate that kind of story.
- It has *always* been my sense that the body was
slipped out an access airlock in the zero-g cargo area. Every
other access -- like the boarding area and standard cargo area --
is under close security to prevent this kind of thing, or the
influx of contraband. There's really nowhere to GO from the zero-g
section, so it's a little looser. As for how he got the body
there...there is an answer, and a reason, and if you look at this
episode again after the season is over, even the nitpickers who
brought it up will be able to figure it out. I didn't address it
in the issue because I didn't think anyone would make a federal
case out of this, and for other reasons that will in time become
apparent. Several other nits picked at this episode will *also* be
clarified by season's end. It's not easy to sit quietly, knowing
the answer, and being unable to tell it, but that's simply what I
have to do for the time being.
-
Psi Cops are *authorized* to carry firearms. The Knights had an in
with Security, and by virtue of high government contacts, got their
stuff on board. Those seem to me not requiring much explanation.
-
I can't believe this "explain how the guns get aboard" discussion is
still going on. This isn't the Enterprise, to use the cited example,
which is a *military vessel*, and only the occasional rare civilian
gets on board. There are a QUARTER MILLION PEOPLE on board at any
given moment. (People = humans and aliens.) Not staying there, but
in a state of flux. Going and coming. Anywhere from 50 to 100 ships
per day dock at B5. Thousands upon thousands of boxes, crates, cargo
loads, pallets, you name it. If you stopped and inspected every
single box that came through, the system would grind to a halt. So
you do the best you can, you catch whatever you can, scan as much as
possible, and accept that some stuff is bound to slip through.
Further, this is the kind of explanation that has nothing to do with a story, only with someone's need to have something explained to them. I think the time is spent better elsewhere.
- Yes, that is a triluminary on the grey council staff in "Sky."
(cf. "Babylon Squared")
- Bear in mind, though, that Sinclair really had no reason to doubt what he
remembered happening on the Line until the Minbari assassin uttered those
seven fateful words. As for others...there have been suspicions, but more
broadbased...and we'll deal with those a bit here and there.
- Also, check the readout on Sinclair's screen as he's trying to engage the
enemy. You'll see "negative lock" popping up. One problem in fighting the
Minbari vessels is that they have a kind of stealth tech that makes it very
hard for our weapons to lock on.
-
Bill Mitchell from "Sky" is a reference to General Billy Mitchell . . .
- Yeah, it was an off-the-cuff reference to Billy Mitchell . . .
(Didn't really mean that much; just thought it wuz cool.)
-
Re: "Sky"...my theory is to *never* assume prior knowledge of the
background info that goes into an episode. If you never saw the
pilot, you will miss *nothing* going into "Sky" (though it'd be nice
because of one quickie flashback to know where that came from). I
don't think anyone will have a hard time following that one.
-
This was one segment of the battle; there were others going on in
other areas as well. It's said that no one ever *saw* the Battle of
the Bulge; each saw a small part of it. Same here.
Reality is, no matter how big we would've made it, more would've been wanted. (If anything, it seems that the more we show, the more is wanted.) But all things considered, best to have folks wanting more than wanting less....
(And remember, we're managing to do all this with roughly *half* of TNG's budget. Give us their budget, and I'll show you ALL of the Battle of the Line, and the ENTIRE Earth/Minbari War, PLUS all their home worlds.)
Nonetheless, as we go deeper into the season, the CGI/action sequences do get bigger and more detailed in many places. In "Signs and Portents" (formerly "Raiding Party"), you'll see three pretty good sized squadrons of ships engaged in a very fast-paced battle that goes on for most of an act and a half, as opposed to just a few scenes in "Sky." Big battles weren't really the *point* in "Sky," it was more about his REACTIONS and his personal fate. There were a number of action/battle shots we had on hand, but decided not to use because we didn't want to dilute the *point* of the scene.
And as stated elsewhere...yes, you'll be seeing the Minbari war cruiser(s) again.
-
Actually, as you'll see in "Sky," sometimes the Good Guys *do* get
their ships hit; sometimes they blow up and kill the person (as you
will see), and sometimes they do damage without destroying the ship,
in which case there is an eject mechanism that separates the cockpit
part from the rest of the fighter, which contains the volatile
reactors.
So in those circumstances, a flight suit is a *very* good idea....
-
We actually had a lot more shots we could've used to prolong the
sequence, but felt we *really* had to get to Sinclair, and go into
his point of view more. Also we step-printed the CGI to give it a
more dream-like appearance, since we're seeing this from inside
Sinclair's memory, and he wasn't really able to *see* all this,
particularly stuff happening around and behind him, this is more his
*sense* of the events of that time. The sections we didn't step-print
were those where he was RIGHT THERE, to make a subtle distinction.
-
What? Who, me? Near as I remember, the Question was, "What happened
at the Battle of the Line?" Answer: Sinclair was taken aboard the
Minbari cruiser, tortured, interrogated, mind-wiped and shoved back
into his ship.
The Question *now* is, "WHY was Sinclair taken aboard the Minbari cruiser, tortured, interrogated, mind-wiped and shoved back into his ship?"
That question was not asked heretofore...so how could it be still unanswered?
-
A number of people have commented that they weren't much surprised by
Sinclair being taken aboard, because on the nets -- and this has ONLY
taken place on the nets -- this speculation has been bandied about
for some time. We now have ten zillion speculations on the reason
*why*. I will not comment on them one way or another (though I
suppose I could point, without making the real comparison between
types of typists, to the idea that an infinte number of monkeys typing
on an infinite number of keyboards would eventually produce Hamlet
simply by chance combination; sooner or later, something close to the
reality might be stumbled upon...and let me ask a simple question:
what purpose does that serve? It only lessens the enjoyment of those
who would simply like to enjoy what happens WHEN it happens).
Any good detective knows that you can't really begin to speculate about motive until you have all the information right at hand. At this point there is information you don't have...and absent that, any guesses will either be wrong, or close enough to hinder the fun but still essentially incorrect. It's like trying to guess the contents of a box without knowing the size of the box...it could be a marble, it could be an elephant or a pre-fabricated house.
All I'm suggesting is that you consider not trying to come up with every possible angle, and let the show progress on its own. Right now everybody seems to be scrambling to make sure every even remotely feasible possibility is covered, and there an infinite number. As an organized activity, this will in time only prove frustrating. By the end of the season, as with being near the end of a movie, you'll have enough info on hand to start making some educated guesses. To do so now is to begin the proess of calling out possible endings during the first five minutes of a movie...you'll miss the important things, and annoy the people sitting behind you.
I'm not saying stop; I'm just saying...relax, a little, I guess, and simply be aware that you *cannot* scatter-shot this thing without having access to all the information. It's like trying to guess the beginnings of World War One without knowing *any* of the background of the countries involved. Suffice to say that the reason would not be simplistic, or cliched, or *easily deduced*. One thing I learned in two years on "Murder, She Wrote" was to come up with a fairly complex mystery, something that can't be easily solved going in, but which makes perfect sense after you have all the facts and know which clues were the real ones, and which were simply red herrings.
Just a thought....
-
We'd initially offered Walter [Koenig] the role of Knight Two in
"Sky," but when his health prohibited using him, we went to Patrick
McGoohan, who loved the script, wanted to do it, but was going to be
out of the country at the time of shooting. We then shifted Walter
to "Mind War."
-
Thanks. I love Patrick's work. Problem is he's *very* fussy on the
roles he takes. (And justifiably so.) He has to be sold on the
script or there's no deal. We'd sent him a copy of "And the Sky Full
of Stars," which would have had him as the main interrogator, Knight
Two...and he liked it, and was prepared to do it...when we checked our
respective calendars and discovered that he was going to be out of the
country when we were scheduled to shoot.
We hope to get him at some later time. He's just terrific.
-
The CGI scenes were deliberately step-printed to give the shots a
more dreamlike look.
-
The CGI won't look as good in slow motion because we step-printed
them deliberately, in order to give them a more dream-like appearance.
For us, this wasn't about the ships, it was about one of the men in
the ship, which is why we kept him in sharp focus, and went to step-
printing whenever we went outside (and since we're seeing this from
his memory, clearly he wouldn't actually have *seen* most ofthis,
it's his *sense* of what happened). You'll get plenty of clear CGI
in "Signs and Portents," airing in May.
-
Actually, there's a second shot in which you can see a body being
thrown out; it's between Mitchell and Sinclair being hit. Remember
that the body is strapped in in an angular fashion, and look for it
as it blows (as I recall) from left to right. It's there.
-
This weekend, I was at the Space Frontier Foundation to receive an
award for Babylon 5 for Best Vision of the Future, part of which was
its recognition of our *deliberate efforts* to get things right.
Zero-G maneuvering, civilian use of space, a working O'Neill station,
on and on, all the stuff you think happens by "coincidence." And
which has not generally HAPPENED on TV before. In attendence were
the Delta Clipper team of engineers, astronaut Pete Conrad, leading
researchers with NASA, JPL, McDonnell-Douglas, you name it.
And one of the people there, who had been with SDI and the Space Program for 12 years, currently a top-level NASA consultant, pulled me aside and said that after seeing the line about the gravity not letting the body get very far . . . he said he sat down to do the math required to come up with the actual MASS of B5, starting with the 2.5 million tons of actual structure, plus likely vegetation, quarters, occupants, ships docked inside...and when you add it all up, it came to about the same mass as a fairly small moon...and IT WOULD BE ENOUGH TO KEEP THE BODY FROM -- AS STATED IN THE SCRIPT -- GETTING VERY FAR.
The body would drift from the station a bit, get pulled back, hit the hull, bounce, drift a bit, and be pulled back. Or go into a slow elliptical orbit. (He mentioned that in the history of the Apollo program, little bits of debris that would flake off the outside of the ship would remain in proximity to the ship, just on the basis of ITS mass and gravity, and it's not very big.)
A couple of other high-level engineers backed him up, and said that it was quite reasonable.
-
The 2.5 million tons of spinning *metal* refers only to that part,
the metal casing. It doesn't include the furniture, the structures,
the Garden, the 250,000 humans and aliens...so the total mass of the
thing is MUCH greater than the 2.5 megatons. Also, the body was
shoved out of the area around the cargo bay, non-rotating, which
would also cut down on the momentum (as opposed to shoving out out of
the rotating part, where it would speed away at 1g).
-
Yes, it was always my assumption that the body was dumped out through
the zero-g section, since that has more traffic with cargo loaders
and unloaders and less security than the passenger-oriented bays and
airlocks.
-
There is a security problem on B5, yes. And we hope to deal with it
at some point. It's inevitable, really; 250,000 residents, huge
crates being moved in and out every day, people going and coming...
they try to confiscate what they can, but a lot slips through.
-
The second shot to Knight One is a gut-shot, and the security guard
is shot through the chest.
Bear in mind, also, that some of this may be expected by folks here on the nets because of the ongoing conversations, speculation and the bits of info I drop here; but for 99.9% of the rest of the nation, this IS new info. And even with the nets, I suspect that there are some surprises here....
-
'Universe Today' Headline
I lived in San Diego from 1974-1981, and it's actually a great place, so I'm inclined to tweak it once in a while, just for funsies.... -
The wisp of smoke is a wisp of smoke, nothing more important than that.
If something living in hyperspace bothers you...good, it
should. The Psi Corps article is in frame for a reason. Yes, we
sometimes put additional or important information in the background,
but I don't think we can be fair and assume that everyone sees it, so
if you don't see it in one place, it's stated out loud later on...the
background stuff is to give the alert viewer a fighting chance to
guess some stuff BEFORE it happens; when stuff DOES finally happen,
all the required information is supplied at that time.
- Correct, Gregory. One of the things we learned from the pilot was that we shoved too much information at people too fast. So I deliberately held back a lot of arc stuff in the beginning of the series, allowing people to move gradually into the B5 universe, learn more about it, and THEN start whapping them with the arc. It isn't until "Mind War" and "Sky" that we really begin cranking the arc.
Originally compiled by Matthew Ryan mattryan@pobox.com
And the Sky Full of Stars
A solemn-looking man, known to us only as "Knight Two," has arrived on Babylon 5. Shortly after his arrival, he sees another man ("Knight One") in the waiting area and moves over to him quietly.
Meanwhile, right outside the waiting area, a security officer named Benson is getting beaten up by two gamblers to whom he owes a significant sum of money. The gamblers threaten him with death if he does not pay them within 24 hours.
Knight Two has moved into his quarters. Knight One arrives, bringing a three-dimensional image projector with him. He activates it, and it shows a lifelike picture of Commander Sinclair. "I've identified the target," he says.
Sinclair and Garibaldi have summoned security officer Benson in order to question him about possible debts he's been accumulating. They inform Benson that B5 security officers are strictly limited in their gambling--if an officer becomes indebted to the "wrong people," he would become vulnerable to blackmail, resulting in a security risk to the station. Garibaldi claims to have information that Benson has been exceeding the gambling limits, but Benson insists that he's done nothing wrong. Sinclair, however, not wanting to take any chances, removes Benson from the active duty roster pending an investigation in the matter. After Benson leaves, Garibaldi comments that he believes Benson is lying.
"Everyone lies, Michael," replies Sinclair. "The innocent lie because they don't want to be blamed for something they didn't do, and the guilty lie because they don't have any other choice." Knight Two and Knight One are building a complex gadget in Knight Two's quarters. They have everything they need except for a power source; Knight One claims that it is impossible to smuggle an energy source onto the station because it would be picked up by the scanners. "So I improvised. It'll be here."
Benson, in the meantime, has stealthily made his way to a storage room ...
In the medical lab, Dr. Franklin is examining Delenn. He expresses his thanks to Delenn for allowing him to examine her; he says that he rarely gets the chance to examine Minbari--unless there's something wrong with one of them; he says that to have data on a healthy Minbari will give him a basis from which to operate. After the examination, Delenn rises and asks Franklin about a rumor she heard from one of the other doctors--that Franklin used to hitchhike aboard spaceships. Franklin confirms this rumor; he had "wanted to see it all," so he traded his services as a doctor in exchange for free passage on various ships. He explains how he did this until the Earth-Minbari war started, but then pauses. Delenn asks him if he was involved in the war. He replies that toward the end of the war, all xenobiologists were asked by Earth Force to turn over their notes on Minbari physiology so that effective genetic and biological weapons could be created. Delenn asks him if he did, indeed, hand over his notes.
"I took an oath that all life is sacred. I destroyed my notes rather than have them used for killing," he answers.
Delenn smiles and thanks him. When Franklin asks her, however, what her involvement in the war was, she only answers that the matter is "a topic for another time."
Benson, after securing an energy pod from the storage area, delivers it to Knight Two's quarters. The Knights promise to pay him promptly. After Benson leaves, the Knights connect the energy supply to the device they've been building. "I think we're ready to proceed," they agree.
Sinclair, asleep in his quarters, is having a traumatic dream about the Battle of the Line, the final battle of the Earth-Minbari war. Sinclair's squadron is fighting a Minbari cruiser. One of Sinclair's friends, Mitchell, ignores one of Sinclair's suggestions and breaks from formation, feeling that he can get a clear shot at the Minbari ship. Sinclair has a feeling, however, that Mitchell is entering a trap. Just as he realizes that his friend is about to die ... he wakes up and rises to get himself a drink. As he looks around his room, he notices that his computer is not working. He calls a maintenance team, but there is no response. Worried, he calls security; again, there is no response. He gets dressed quickly and leaves his quarters, running to the bridge.
Sinclair on his
way to the bridge.
When he gets to the bridge, however, it is empty, and the computer is not activated. He tries communicating with Earth Central, but does not receive a response. Finally, he attempts to activate the computer; at length, the computer responds. Sinclair, slightly relieved, asks the computer if an evacuation of B5 has been ordered; the computer replies that there was no evacuation. Sinclair then asks the computer to scan for other life forms on B5; sure enough, the computer finds one other life form and notifies Sinclair of the life form's position. Sinclair runs to the location, but finds nothing at first. "What the hell is going on around here," he asks himself.
Suddenly, the lights in the corridor start flashing off, one by one, and a mysterious voice answers him. "Maybe you're asleep. Maybe you're insane. Maybe you're dead. Maybe you're in Hell. Not that it matters much, Commander Sinclair, because wherever you are, wherever you go, you're mine!" Sinclair turns around to find Knight Two staring at him.
Delenn has arrived at Garibaldi's quarters. She appears concerned and tells Garibaldi that she was supposed to meet with Sinclair an hour before. Garibaldi calls Sinclair and receives no response; sharing now in Delenn's concern, he begins to search for Sinclair personally.
Sinclair angrily asks Knight Two what he's done to Babylon 5; Knight Two replies that he hasn't done anything. He explains to Sinclair that they are both inside a "cerebral matrix" (a "virtual-reality cybernet"). "It's shadow-play," explains Knight Two, "without form or substance. But I'm real, commander, and you're real. And the pain--the pain for you is also real." Knight Two steps back, and a "cerebral discharge" surrounds Sinclair, putting him through agonizing pain.
Garibaldi has rushed to Sinclair's quarters. When he enters the quarters, however, he finds them empty. Alarmed, he contacts Ivanova and explains the situation to her.
Knight Two, outside the matrix, orders Knight One to cut the cerebral discharge. Inside the matrix, he begins to speak with Sinclair again. He notices how important the station is to Sinclair--how his thoughts seem to be rooted in Babylon 5. He explains to Sinclair that they will "walk together across the bridge of synapses and neurons into the very heart of your memories" in order to find the truth about what happened to Sinclair at the Battle of the Line. Knight Two tells Sinclair that he doesn't believe the testimony that Sinclair gave to Earth Force Defense after the war: that, during the twenty-four hour period where he was out of contact with Earth Force Defense, he merely blacked out. "We're finally going to get to the truth," Knight Two says, "even if it kills you."
Garibaldi, Ivanova, and Dr. Franklin are discussing strategies to find Sinclair. Garibaldi has organized a search party, drawn from all nonessential B5 personnel, but that the search still might take a few days. Franklin warns that "a few days" might be too long if Sinclair were injured. Ivanova has contacted a nearby station and asked them to track any ships that have left B5 in the last eight hours. Garibaldi suggests that they also send a few maintenance "bots" to patrol the hull of B5--"If someone shoved [Sinclair's body] outside, the station's gravity won't let it get far. Just in case."
"Mr. Garibaldi," Ivanova replies, "there are days I'm very glad I don't have to think the way you do."
Meanwhile, inside Sinclair's mind, Knight Two is continuing his probing into Sinclair's mind. "Your name is Jeffrey David Sinclair. Rank: commander. Age: 39. Born on Mars Colony, May 3, 2218, 9:15 A.M., Earth Standard Time. Enlisted in Earth Force Defense, 2237; promoted to fighter pilot, 2240; promoted again to squad leader less than a year later.... Smart money said you'd make admiral one day. So what happened, commander? Why'd you fall off the merry-go-round?"
Sinclair listens to his
dossier.
Sinclair merely tells him to "go to hell." He refuses to tell Knight Two anything. "I'm betting you don't have a lot of time. Security's probably tearing this place upside down, looking for me."
"Assuming you're still on Babylon 5," replies Knight Two. Proceeding with his search for information, Knight Two tries to get Sinclair to reveal "the truth" by conjuring up an image of Mitchell, Sinclair's old friend and fellow officer who died in the Battle of the Line. Knight Two's plan appears to be working, because as soon as Sinclair sees Mitchell, his old memories of the Battle of the Line spring to the forefront of his mind. Sinclair relives the battle--he sees again what he saw in his dream, except that this time, he actually sees Mitchell's ship exploding. After that part of the battle plays itself out, Mitchell begins to speak with Sinclair again. At first, Sinclair refuses to speak with Mitchell; he tells himself that Mitchell's image is just an illusion. When Mitchell, however, accuses Sinclair of being a traitor ("We fought for you. We fought beside you on the Line. We swore we would all go down together, but you're alive, and we're dead, because of you!" says Mitchell), Sinclair feels that he has to respond. He replies, "I tried! I tried!"
"Tried to do what, commander?" asks Knight Two.
Sinclair answers by reliving the part of the Battle of the Line where he tries to ram the Minbari cruiser. Knight Two urges Sinclair to continue because, as Sinclair himself said, all of the incidents which Knight Two has seen so far were in Sinclair's original report of the battle ten years ago. Sinclair, however, claims that he cannot continue--"I don't remember. I blacked out. I've never been able to remember!"
Knight Two moves closer to Sinclair. "You don't want to remember! You don't want to remember the twenty-four hours in which you betrayed your own race. The day you became a traitor. The day you sold out--"
"That's enough!" screams Sinclair. As he says this, he suddenly hits Knight Two in the stomach. Knight Two, taken by surprise, vanishes from the matrix without a trace. "Well, well. Looks like the pain is real for both of us," comments Sinclair.
Delenn is talking with Ivanova; Delenn explains how concerned she is and offers her assistance in finding Sinclair, but Ivanova says that they're already doing everything they can to find Sinclair. Delenn suggests the use of the station's telepath, Talia Winters, but Ivanova explains that Winters is only a P-5 and, consequently, needs to be in close proximity with people in order to scan them. Winter's isn't trained, according to Ivanova, for a search-and-recover mission.
Knight One, meanwhile, is concerned about Knight Two, who snapped out of the cybernet suddenly. Knight Two, however, claims that he's all right. He says that he needs to be put back into the cybernet quickly, for Sinclair was right--they don't have much time. Knight One estimates that the search parties on the station will find them on B5 in about four hours. "He's tough. Breaking him isn't going to be easy," says Knight Two. Knight Two orders Knight One to increase both the power of the cybernet and the dosage of psychotropic drugs with which Sinclair is being injected. "We're close.... The more I walk through his mind, the more I'm convinced he's hiding something," explains Knight Two.
One of the security officers is giving a report to Garibaldi. He explains how, although the search teams have covered a lot of territory, there still is no sign of Sinclair. Garibaldi orders the officer to split the search teams into even smaller units--he also orders the officer to bring in every possible available officer. The officer explains how he's already brought in everyone--"even Benson." Garibaldi is annoyed that Benson was brought back to duty, but the security officer explains that he checked Benson's record, and Benson isn't in any debts. In fact, he says, there's even a surplus in Benson's account. Garibaldi, however, is suspicious, for the other day, the account was empty. He checks the account again and finds that one very large deposit was made, followed by numerous withdrawals. Garibaldi assumes that these withdrawals were used to pay off debts--and notes that the large deposit was made only four hours before Sinclair was known to be missing. Garibaldi orders the security officer to find and bring back Benson for questioning.
Knight Two has reentered the cybernet. Again, he asks Sinclair for the truth about the Battle of the Line. Sinclair suddenly finds himself surrounded by a circle of people wearing grey cloaks. "What are you doing here?" he asks. "What do you want?" Before he receives an answer, however, one of the grey figures shoots him.
Meanwhile, Benson has arrived at Knight Two's quarters. When Knight One answers the door, Benson frantically asks for protection. "You've got to help me. The whole station's looking for me. They think I had something to do with the commander's disapp--" Suddenly, Benson hears a scream from the back of the room. He curiously enters the quarters and is surprised to find Commander Sinclair attached to the cybernet device. He's not given the chance to think about it for too long, however, for Knight One shoots Benson almost immediately.
Back in the cybernet, Knight Two confronts Sinclair about the grey figures. He asks Sinclair to reveal what he's hiding, but Sinclair insists that he's not hiding anything.
"We all hide things, commander. That's why we bounced back [to the station] again, isn't it? This is where you hide, behind duty and responsibility and obligation," says Knight Two.
"Things you'd never understand!" replies Sinclair.
Knight Two disagrees, however. "We're both patriots in our own way. If I fail, more will come after me until the job is finished." He presses Sinclair again, telling him that they're going to find out what Sinclair is hiding.
Some security officers have found a body floating outside the hull of Babylon 5. The body turns out to be Benson's.
Meanwhile, in the cybernet, Knight Two is again expressing his disbelief at Sinclair's rendition of the events at the Line. Knight Two asserts that Sinclair could not have simply blacked out, for his ship "disappeared" from the sensing screens. Sinclair, however, counters that the postwar hearings proved that the screens malfunctioned. Knight Two explains what he believes to be the sequence of events that occurred at the Line: The Minbari (Knight Two says) realized the extent and power of Earth Force defense and realized how difficult it would be to invade Earth. Therefore, they surrendered and decided to work through more covert means. At the Battle of the Line, Sinclair surrendered to the Minbari rather than give up his life. The Minbari took him aboard and asked him to work for them--to be a covert operative. "You agreed [to work for them]. You and God-knows-how-many-other people."
"You're insane. I never betrayed Earth," insists Sinclair, but Knight Two questions him--if Sinclair doesn't remember what happened, how can he be sure he wasn't a traitor?
Sinclair, however, becomes annoyed with Knight Two: "That's enough! You talk about the war. You talk about Mitchell and the rest, but you didn't know them. They were my friends. I watched them die, one by one. For years afterwards, whenever I saw a Minbari, I had to fight the urge to strangle them with my bare hands.... We never had a chance.... When I looked at those ships, I didn't just see my death. I saw the death of the whole damn human race."
"Then why did they surrender?" asks Knight Two.
"I don't know. Maybe the universe blinked. Maybe God changed his mind. All I know is that we got a second chance."
Knight Two is still skeptical. He asks Sinclair if anything has ever made him doubt his story--that he simply "blacked out." Sinclair replies that nothing ever made him question it--except for what the Minbari who tried to kill Ambassador Kosh said to him: "There is a hole in your mind." (cf: "The Gathering") At Knight Two's further prompting--and after Knight Two convinces Sinclair that Sinclair, himself, wants to know what happened-- Sinclair allows his memories to overcome him again. He again experiences the Battle of the Line. He sees what he has seen before; except, this time, the take him further. The Minbari cruiser stops his attempt to ram into it. The cruiser uses some type of energy field to pull Sinclair's ship in. Sinclair is taken aboard the cruiser and transported to a room where a bunch of grey figures stand. At first, he is hanging in the air, arms bound to the bottom of a triangular metal frame. One of the figures holds up a small metal device (cf. "Babylon Squared") that shimmers with some kind of energy.
Later, the grey figures form a circle around Sinclair, who has been freed. Suddenly, he moves over to one of the grey figures and pulls back the veil that covers the figure's face. "I know you. I know who you are. I know you," says Sinclair. Before he can say any more, however, another grey figure shoots him and knocks him out.
Outside the cybernet, however, Sinclair gathers up enough strength to break the shackles that bind him to the cybernet device. As he disconnects from the machine, the feedback knocks out Knight Two. Knight One storms into the room, but Sinclair punches him, knocking him out. He picks up a gun and escapes from the room. He is delusional, however; he mumbles to himself about how the Minbari have broken through and how he must get back to his ship.
Sinclair begins running through B5's corridors. One officer, a member of the search party, sees Sinclair and beckons to him. Sinclair, however, in his delusional state, believes she is a Minbari and shoots at her. Fortunately, he does not kill her, and she links in with Ivanova. She begins to explain that she has seen the commander; however, before she can finish, Knight One shoots her in the back.
Knight One follows Sinclair; they shoot at each other unsuccessfully. Garibaldi finally finds Sinclair, but is utterly surprised when he is shot at by his commander. Dr. Franklin, a few seconds later, links in and informs Garibaldi that he has found the room where he believes Sinclair was held. Franklin believes that Sinclair may have been given large dosages of psychotropic drugs and may consequently be delusional or even dangerous.
"I'm your friend, commander. Ambassador Delenn. Your friend," she replies.
"No!" he says, as he raises his gun. For a moment, it appears as if he's going to shoot her. Instead, however, he points his gun in a slightly different direction and shoots Knight One, who had just arisen and was about to shoot at Sinclair. Knight One drops to the floor, dead.
"Welcome home," says Delenn.
One day later, Sinclair awakes in the medical lab. Dr. Franklin has finally flushed the psychotropic drugs from Sinclair's system. Sinclair asks to see Knight Two, who has been taken; Garibaldi replies, however, that Knight Two is about to leave the station. Earth Central has decided to exercise jurisdiction in this case because they believe Knight Two to be a member of an organization which wishes to implicate members of the government as being traitors to the Minbari (in fact, there are even rumors that the organization is a covert operation run from within the government itself). Franklin explains that he doesn't think the trial will reveal much, because when Sinclair disconnected himself from the cybernet device, the feedback "fried most of [Knight Two's] memory." Sinclair still, however, wishes to see his former captor. As expected, Knight Two reveals little information--in fact, he even claims that he cannot remember his own name. However, just as he's walking away from Sinclair, he turns around and says, "Commander Sinclair, there's something in my head. It says, 'Maybe you're still inside. Maybe we're both still inside.'"
Sinclair goes to visit Delenn in her quarters. He thanks her for her help in rescuing him--he notes that it's strange that seeing her was the only thing that could help him. As he is about to leave her quarters, she asks him if he remembers anything concerning the Battle of the Line? He pictures in his mind the unveiling of the mysterious grey figure; aloud, however, he says that he cannot, unfortunately, remember anything. It is not clear whether Delenn knows he's lying or not. After Sinclair leaves, a Minbari man, silver triangle on his head, arrives from another room in Delenn's quarters. "He must never know what happened. If he should find out, he must be killed. Do you understand, Delenn?" says this man. Delenn replies that she does, indeed, understand.
Sinclair, alone finally in his quarters, is making an entry in his personal log: "I remember. I was taken inside a Minbari cruiser, interrogated, tortured. Was that the Grey Council? Maybe. Maybe. Before they surrendered, they must have blanked my memory and let me go. And Delenn--what was she doing there? What is it they don't want me to remember? I have to find out. I have to!"
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Appearances and Other Deceits
Overview
As a group of propaganda specialists visits the Excalibur to try to improve its image, the crew comes across a derelict alien ship. John Vickery as Mr. Welles.
Production number: 113 Original air date: July 28, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Stephen Furst
Plot Points
- @@@933615846 Mr. Welles ("The Fall of Night") is still working as a propagandist for the Earth government.
- @@@933615846 Somewhere in the galaxy there exists a race of aliens who are able to pass their consciousness from one body to another by touch, effectively possessing the new host. They reproduce by subdividing as they spread, the old host retaining part of the alien presence and passing it on to the new. Rather than send their physical bodies out on risky space journeys to colonize other worlds, they sent out a series of probes, each imbued with a piece of the alien consciousness. As the probes are discovered, the aliens take over the worlds in question.
Unanswered Questions
- @@@933615846 Where is the mind-altering aliens' original homeworld?
- @@@933615846 How many other probes are drifting through space waiting to be discovered?
- @@@933615846 Where did the derelict spacecraft come from?
Analysis
- @@@933615846 Though it turned out to be correct, Max's line of thought about the alien writing missed an obvious possibility. He noted that the writing on the ship and the aliens' spoken language seemed to bear no relation to one another. The explanation could have been as simple as the ship being manufactured by one group of aliens and crewed by another; the crew might have bought or stolen the ship from someone else.
- @@@933658333 As the alien was being forced out the airlock, it tried to say to Gideon, "I know what you're looking for. I know where you can find it!" Was it referring to a cure for the Drakh plague? If so, did it in fact know of a cure, or was it just trying to tell whatever lie was necessary to save its life?
Notes
- @@@931207368 Director Stephen Furst played Vir in the original series.
- @@@931207368 The costume changes in this episode are a result of a quirk in the series' production: after five episodes were filmed with the "new" costumes and set designs introduced in this episode, TNT increased the show's budget. This episode and the ones before it in the airing sequence were filmed after the budget increase. Had the series continued beyond 13 episodes, the 14th episode would have featured an "accident" in the laundry room that forced the crew back to their more expensive uniforms.
jms speaks
- @@@935688992 It's obvious that the episodes filmed 6th through
13th were intended to air before the first 5 that were filmed. Why
on Earth would you do that?
Let me ask you a real simple question:What makes you think it was my decision?
TNT wanted the "new-look" episodes aired first. They wanted to push the first 5 back as far as possible. I initially figured we'd do 5-6 of the "new look" ones first, the minimum possible, then the first 5, then the new-look (black uniform) ones to the end.
TNT *mandated* that the black-uniform ones would go first. It was not my choice. I have NO control over broadcast.
Not only did they want to hold them back, they were debating if they'd even allow us to FINISH post on the first 5. It was a struggle to let them finish 'em, and they were the last ones to go through post.
Before you fire, it's always a good idea to know what the target is first.
- @@@934310433 "As Gideon was preparing Greenberg's body for Airlock'nLoad,
the alien within was pleading:"Don't do this! I know what you're looking
for!" Was this a reference to the Plague/Cure?"
Yep. But since the body couldn't talk aloud, it couldn't communicate this effectively.
Appearances and Other Deceits
Atonement
Overview
Delenn is recalled to Minbar to resolve a problem concerning her relationship with Sheridan, and must finally face up to her role in the Earth-Minbari War. Sheridan sends Marcus and Franklin to Mars on a secret mission. Brian Carpenter as Callenn. Reiner Schone as Dukhat.
P5 Rating: 8.55 Production number: 409 Original air week: February 24, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@856745633 After the last Shadow War, Valen, who was still genetically partially human ("War Without End, Part Two,") had children. The children, fearing persecution because they weren't pure Minbari, fled Minbar until after Valen's death. They returned and had children of their own, spreading human genes through the Minbari population to the present day.
- @@@856745633 Valen's body was never found after his death.
- @@@856745633 Delenn is a descendant of Valen, and as such had some human DNA even before her transformation in "Chrysalis."
- @@@856745991 The Grey Council elected not to make contact with humans, who they heard about through the Centauri. When the Grey Council's cruiser came upon the human convoy some time later ("A Late Delivery from Avalon") only Delenn, who had researched humans in the meantime, knew which race they belonged to. Dukhat realized that the Minbari practice of approaching with gun ports open could be dangerous, but before his order to close them could be carried out, the Earth ships attacked.
- @@@856745633 Enraged over the death of Dukhat, Delenn gave the order that started the Earth-Minbari War. She was later unable to stop it from proceeding.
- @@@856745633 The Triluminaries used by the Grey Council were made specifically for Sinclair. They activate in the presence of Sinclair/Valen's DNA. They were made on Epsilon 3 and brought back in time by Sinclair ("War Without End, Part Two.")
- @@@856979209 Franklin has given G'Kar a prosthetic eye, which can see and transmit images to G'Kar's brain even when it's not in its socket.
Unanswered Questions
- @@@856745633 Why was Valen's body never found? Is he perhaps still alive or in suspended animation?
- @@@856809066 In "Babylon Squared," Delenn was given a triluminary and told there were still two left. Why was Sinclair given three of them, when only one was required to operate the chrysalis machine? ("Chrysalis," "War Without End, Part Two")
- @@@856809127 Did Delenn maintain the secret of Valen's human DNA, allowing Callenn to cover up for her as he suggested?
- @@@857554159 Exactly what is the dreaming? Does it have a will of its own, or does it simply stimulate the dreamer's subconscious?
- @@@856979209 How far can G'Kar's eye transmit? Is it useful for spying purposes?
Analysis
- @@@856745633 Callenn said the number of Minbari with traces of human
DNA were beyond measure. A rough estimate can be made, however. If
Minbari couples have, on average, two children, and have children at
age fifty (since Minbari have longer lifespans than humans, a longer
delay between generations is plausible) then in a thousand years,
there would be twenty generations of Valen's descendants, the most
recent numbering about 1,000,000. That estimate assumes no
interbreeding among his descendants, and a variation in the number
of children of the first few generations could greatly alter the number.
Still, it's a useful discussion point.
1,000,000 probably works out to a tiny fraction of the Minbari population, which, it's not unreasonable to assume, is many billions of people spread across various worlds despite Lennier's claim ("Points of Departure") that Minbari population has been on the decline for some time.
On the other hand, if Valen's descendants were markedly more prolific than average Minbari, e.g. with a 30-year generation time rather than a 50-year one (and both numbers are pure conjecture!) there'd have been 33 generations, with 8,600,000,000 in the most recent, in which case the term "countless" would easily apply. Obviously interbreeding, very probable in a population that size, would reduce the number markedly.
Either way, a substantial percentage of the Minbari population most likely still has pure Minbari genes. This is supported by Dukhat's reaction to the triluminary glowing when Delenn touched it; if Valen's progeny were in fact a large percentage of the population, presumably previous Grey Council members would have triggered the triluminary.
- @@@857892773 Callenn's horror at the prospect of human DNA mingling
with Minbari genes parallels the newscast in
"The Illusion of Truth,"
which attempted to suggest that Delenn and Sheridan wanted to
introduce Minbari genes into humans. In fact, just the opposite has
occurred.
- @@@857586065 David, Delenn and Sheridan's son
("War Without End, Part Two")
will be a direct descendant of all three of The One.
- @@@877199700 Dukhat's conversation with Delenn is echoed years later
when Lennier arrives on Babylon 5
("The Parliament of Dreams")
and she tells him the same thing Dukhat told her: "I cannot have an
aide who will not look up. You will be forever walking into things."
In "Rumors, Bargains, and Lies," Delenn said she'd been training Lennier as Dukhat trained her. Delenn eventually succeeded Dukhat as leader of the Minbari, both in this episode and in "Babylon Squared," though she turned the position down in both cases. Will the parallel between Lennier and Delenn in her youth continue into the future? Is Lennier destined to a prominent place in Minbari society?
- @@@865624085 Dukhat said he could override the Council's decision
to avoid contacting the humans. What is the relationship between the
Council and the leader? Do they simply serve as an advisory body,
with the final decisions ultimately made by the leader?
- @@@857586446 Lennier's pledge to Delenn, to be by her side through
fire, storm, darkness, and death, echoes the pledge of the Nine to
the One in the Minbari ceremony in
"The Parliament of Dreams."
- @@@865732097 Delenn feels responsible for the Earth-Minbari War. Her
father committed suicide, heartbroken over the war
("Grey 17 Is Missing.")
Does Delenn thus feel personally responsible for her father's death?
- @@@857335050 Why did Dukhat suspect Delenn was descended from Valen?
With so many descendants, he couldn't have followed Valen's entire
bloodline, even assuming it was all documented. Perhaps he simply
researched the heritage of all the acolytes working with the Grey
Council.
- @@@875586691 Delenn's childhood vision
("Confessions and Lamentations,")
in which a figure appeared to her in a temple and said he wouldn't
allow "any of my little ones" to come to harm there, takes on new
significance now. If the figure was some kind of manifestation of
Valen, "little ones" might have referred to his descendants, and
the vision might have been Delenn's first clue that she was
somehow related to him. If so, the vision was probably a powerful
motivating force for her, perhaps even the source of her belief in
her own destiny.
If Delenn told Dukhat about the vision, or he found out about it some other way, that might explain his suspicion that she was a descendant of Valen.
- @@@857335050 Did Dukhat know Valen was part human? Callenn was aware
of it; was it common knowledge among the Grey Council after Sinclair
was interrogated and the triluminary indicated his relation to Valen?
("And the Sky Full of Stars")
- @@@857890134 Do Valen's descendants have distinguishing features?
Perhaps the presence of human DNA explains why a small number of
Minbari men have facial hair, e.g. Dukhat, Draal
("A Voice in the Wilderness")
and Kalain
("Points of Departure.")
- @@@857326883 In
"Soul Hunter,"
the soul hunter recalls that the Minbari made a wall of bodies to stop
Dukhat's soul from being taken. Although soul hunters appeared as the
battle began, no attempt to stop them was shown, and Delenn was
seeminly unaware of them as Dukhat lay dying in her arms. Perhaps the
soul hunter was speaking metaphorically; there were so many Minbari
dead that their ability to sense death didn't lead them to Dukhat in
particular. However, since the soul hunter recognized Delenn years
later, he must have arrived at Dukhat at some point, perhaps after she
ordered the attack on the humans.
- @@@857889258 Zack's discomfort with his new uniform mirrors his
discomfort with the Earthforce uniform in
"Voices of Authority."
- @@@857325791 G'Kar is wearing rags around his eye in the flashforward
in
"War Without End, Part Two."
Where was his eye? Destroyed or discarded, or simply recharging or
sending him images from somewhere else?
- @@@857325791 Ivanova is likely still the leader of half the Drazi on Babylon 5. She wore the green leader's sash to the party. Presumably the fact that all the formerly green Drazi are now wearing purple ("The Geometry of Shadows") didn't cause any problems.
Notes
- @@@857326883 One of the heavy cruisers in the Prometheus convoy is the Hyperion ("A Voice in the Wilderness, Part Two.") The name can be seen briefly on the side of the ship in one scene. According to coproducer George Johnsen, that was intentional, not just an accidental reuse of a computer model, implying the Hyperion escaped from the Minbari counterattack on the Earth base.
- @@@900954390 More than five days may have elapsed between the first scene, Zack's fitting, and the second, the arrival of Callenn and his entourage. ("Thirdspace")
- @@@856981120 A slight inaccuracy: The ship carrying Franklin and Marcus is shown to have zero gravity. But the exterior shot shows its engines firing. The resulting acceleration (in the vacuum of space, any thrust will result in acceleration) would have pushed all the objects in the cargo hold toward one of the walls. Of course, it's possible the engines were glowing but not actually in use; perhaps they were in some sort of standby mode.
- @@@857891914 Continuity glitch: During the conference scene with Sheridan, Franklin, and Marcus, Franklin is reading over his documents with the folder flat on Sheridan's desk. When the view shifts to show all three characters, Franklin is holding the folder.
- @@@875231634 The tune sung by Marcus is "I Am the Very Model of a Modern Major General," from "The Pirates of Penzance" by Gilbert and Sullivan. Marcus misquotes the song slightly: he says, "quote the facts historical," when the original lyrics are, "quote the fights historical."
- @@@857376446 Delenn's family name, Mir, may be a reference to Mira Furlan's first name.
- @@@859361670 Sheridan's line about his true face being mashed up against a pillow and drooling was based on a rec.arts.sf.tv.babylon5.moderated message commenting on "Shadow Dancing," where the Minbari ritual was first introduced.
jms speaks
- @@@857554603 Did Dukhat come out the way you imagined him?
Yeah, that's pretty close to how I saw him in my head. Definitely a bigger than life fellow. - @@@857685549 When I introduce a new character, I just kinda see a
sense of the character in my head, an outline...if you take off your
glasses, and you're nearsighted, that will give you some sense of it.
When an actor comes in and hits it, the character goes into sharp focus.
- @@@850297586 Will Delenn appear in flashbacks with her pre-chrysalis
appearance?
Yes, Mira got into the original year-one makeup. It's funny...when I walked out onto the set, and saw her in that prosthetic, the first words that came out of my mouth were, "It's *you*! I haven't seen you in almost three years, how've you been?"I don't think Mira quite knew what to make of me.
- @@@855996679 Actually, though the tougher Delenn is in flashbacks in 2
weeks [referring to this episode], the foreground/contemporary story
has her very tough, and very
smart. Basically, the next mini-arc sequence focuses a LOT on
Delenn...she has many facets, and while part of that is the
relationship, there's steel there as well, and we're going to explore
that. As she at one point comments to Sheridan, "I appreciate that you
have come to care for what I have become... but never forget who I am,
or what I can do."
After this arc of hers, nobody's ever going to make that mistake.
- @@@857376321 How could Dukhat override the Grey Council, if he was
simply a member?
There's the One, and the Nine...when Dukhat was alive, there were 9 grey council members and him as the head of it, making ten. (Look at the picture and count the number of people.) 1 and 9.Valen called together the Grey Council, formed the first one; until then the castes had been in constant competition. He wanted to operate outside of that a bit, so he made sure he was not one of the Nine. That tradition has continued.
- @@@857547292 But when he introduced Delenn, there was an empty
spotlight.
No, if you keep watching Dukhat comes in, followed by Delenn, through the opening (the empty spot) and then another Minbari comes in to fill that spot.(Sudden thought...I have to check to see if we *used* that shot or if it was just in dailies...but if you count the Minbari there at the end of the scene, you'll find the count is correct.)
- @@@857328008 Calenn was not Delenn's brother; the grey councilor speaks
of brothers in the generic sense.
Draal, in his first appearance, also had a small beard.
- @@@857554509 Other Minbari have had facial hair; including Draal
v1.0 and Kalain in "Points of Departure." It's certainly not common,
though.
- @@@857547292 Who were the other ships at the battle?
Those were Soul Hunters, who in the first season we learned showed up to attempt to grab Dukhat's soul...they were prevented from successfully boarding the ship by the Minbari, who threw up a wall of bodies to stop them (which is why there were few around with Delenn and Dukhat; Soul Hunters are a pretty advanced sort, the terror of Minbari, and it took a lot to stop them). After Dukhat died, Delenn went down and joined in, confronting them about this. - @@@857554776 Others in the Council died, as was noted when the one
says, "Our brothers?" "Dead," Delenn says. So there were others.
- @@@864693044 Won't Sheridan be upset when he finds out Delenn
ordered the war?
"Listen, honey, while you were out I went to the store and I bought some new candles, you know how we're always running out, and Lennier took the cat in to be cleaned, and oh, did I mention I was directly responsible for the deaths of two hundred and fifty thousand of your best friends and fellow officers? Pass the sugar."She'll never tell him.
Because it's over...what would be the point, except to ruin what they have now.
- @@@864693194 The reality is...in war, one does what one does.
Afterward, as we heal, we try to forget what we did, and what they did.
He killed as many Minbari as he could; she was on the Grey Council that
directed the war. One doesn't go into it.
- @@@857889979 Why didn't Sinclair leave Dukhat a message warning
him about meeting the humans?
He could have left Dukhat a message...but tampering in the future is VERY chancy business, and could even make things worse, for all we know. - @@@857889418 Did the triluminary sense Sinclair?
Yeah, we showed it glowing when Sinclair was catpured. Since it happened with Valen, they assumed it was because he had a Minbari soul, maybe Valen reborn. - @@@864692860 Dukhat was not descended from Valen; yes, the Grey Council
now knows who Sinclair was; and general knowledge of what happened
would certainly have an upsetting effect on Minbari society, so they
will continue to keep it indefinitely back-roomed....
- @@@859454397 Some Minbari on the Grey Council think that Sinclair opened
up the "soul door," for lack of a better term, and Delenn's actions can
be seen as a kind of back-fire, closing the door again. Ain't
necessarily what's true, but what they believe.
And yes, they would've had Delenn remain childless, but would be allowed to marry a Minbari. And, again, it's a matter of marrying a non-Minbari with or WITHOUT kids...it's a very inflammatory sort of thing from a cultural perspective.
- @@@857376321 Did Delenn's human DNA allow her to undergo the
transformation? Will this be important in the future?
Yeah, the human DNA definitely helped...and overall, this isn't so much the arc as the overall story and history. It's filling out the world. - @@@857547292 Is it a coincidence that Delenn's family name is
Russian for "peace?"
Yeah, there's that, and it nicely intersects with the fact that Delenn is portrayed by MIRa Furlan. It's kind of a bank shot. - @@@857554225 Mir is her family; you are generally born into a caste
unless you at some point decide that the calling of your heart is
elsewhere, at which point you enter training for that other caste (with
the permission of your caste leaders) until such time as it's finalized
that that's what you want, at which time you're assigned to a clan
within that caste. If you choose to stay in the caste you're born
into, you automatically are in your familiy's clan.
- @@@865731956 Lennier is religious caste; and all members of a given
clan belong to one caste.
There are, for instance, no religious caste members of the Star Riders (military caste) clan.
This seems to be contradicted by "There All the Honor Lies," in which Levell, a warrior, was a member of Lennier's clan.
- @@@857554509 How does the dreaming know whose memories to probe?
Is it whoever drinks the drug first?
I think the order or dominance of the drug is probably determined by the contents of the script.... - @@@856981247 "My question is, since we can see that the ship's engine
is running, why aren't all of the objects in the hold laying against
the bulkhead as a result of the ship's movement? Aside from that, it
was a pretty neat effects shot."
Because it's accurate; it's the same reason you don't see everything slammed up against the back wall of the shuttle even though it's circling the earth at thousands of miles per hour.
Ed. note: This is wrong; that effect does occur on the shuttle when its maneuvering thrusters fire, which is why shuttle crews lock everything down during maneuvers. See Notes.
- @@@857325171 The ship with Marcus and Franklin *wasn't* spinning...
hence, no gravity.
- @@@857327683 Coproducer George Johnsen
Re: your comment that the Hyperion was more likely a re-used computer model. All of the models used in the show are stored "nameless" with a link to the naming/numbering file that has to be activated to add the name to the ship to avoid this kind of problem. (Instigated when it happened on an earlier episode). The ship in the picture is the Hyperion 'cuz Joe wanted it that way. - @@@857554509 There was the Prometheus, which was there; and others,
including the Amundsen. The one you saw, which looks a bit like the
Aggy but without the rotating section, is another, smaller class of
destroyer also seen, I believe, in [Severed] "Dreams."
- @@@874689595 How did the Earth ships hit the Minbari ships, if
human targeting systems can't lock on? Why weren't Franklin and
Marcus floating?
They targeted visually, it was close enough to do so.A hit with full guns of a major destroyer and accompanying ships will kill damn near any single ship that does not have some kind of defensive screen going (fighers or counter-lasers or missiles or the like).
The fightes were launched in main while on approach.
Franklin and Marcus *were* strapped in, which if you look more closely you can see.
- @@@857889979 In your comments on
"War Without End, Part Two,"
you said Valen had no children. Is your message right, or is the
episode?
What airs is considered canon; in 15 years, nobody's gonna be hauling these messages around. But the show will still be on the air. If it airs, it's canon.And in another one of those posts, I did mention that on just a couple of small occasions, I have fibbed when asked major story arc questions to protect future storylines from being deflated....
- @@@862818943 If you check the archives, when people said, "But what
about the relationship between Sinclair and Delenn we see?" (and this
is back a long time ago), I said that there is a relationship there,
yes, but it isn't what you think it is. Now we see what it was.
- @@@859316095 Minbari society doesn't seem to have been affected
much by the loss of the Grey Council.
The problems caused by the breakup of the Grey Council will form a major part of the story arc about mid-season. - @@@860558543 Was the song Jason Carter's idea?
The song was in the script; Jason then had to learn it. - @@@865288657 What was involved in using the song in the end
credits?
Nothing, really...we just grabbed one of the audio bits from the day's filming and dropped it in.
Atonement
Synopsis by Katrina Glerum (kat@midwinter.com)
A very aggrieved Zack is being subjected to a Minbari fitting of his
new uniform. His mocking of the ceremonial piping and general Minbari
fashion sense earns him a pointed reminder about looking gift horses in
the mouth. Zack admits to Lennier that he's really upset about taking
the Chief's rightful place. He insists that it's temporary though.
Greeting a Minbari delegation at the gate, Delenn requests one more day to spend with Sheridan. She promises to tell him where she is going, but not why. She is quite unsettled when the lead delegate suggests that it would be more honest to tell the Captain that if the Dreaming does not go well, she will not be permitted to return to him.
Wearing her green Drazi leader's sash, Ivanova makes her way to a Drazi
religious party.
Dr. Franklin is fitting G'Kar with a new prosthetic eye. G'Kar's
initial outrage when he realizes it's not his natural color dissipates
quickly when Franklin mentions that it will keep sending signals even
when it is removed from the socket. G'Kar
instantly pops it out and waves at himself at arm's length.
On his way to Delenn's quarters, Sheridan passes a lift just as a battered, bedraggled Commander Ivanova emerges supporting herself on a cane. "Don't - Even - Ask," she utters and hobbles painfully away.
Sheridan shakes his head, and enters Delenn's room. She greets him
wearing a sleek and revealing gown. He is pleased but baffled. She
reminds him of the Minbari custom of women watching men sleep for three
nights to determine their true nature, and requests that this be their
third night because tomorrow she must leave. He is happy to agree, but
it's clear from her indisposure that she isn't telling him everything.
He has to leave it unquestioned though and head off to a meeting with Franklin and Marcus. Fed up with President Clark's lies about the station, Sheridan has decided to send them on a mission to Mars to begin their retaliation. Franklin offers to ask a few questions about the Captain's missing father while they're there, but the Captain declines. It would only endanger the resistance.
Delenn caresses John's sleeping face in farewell and departs. She
fails to notice Lennier waiting for her in the corridor. "I have
pledged myself to your side," he reminds her. She cannot leave him
behind.
And so Delenn returns to Minbar where she is brought before her clan.
The clan leader, Callenn, disapproves of her liaison with Sheridan.
Taking an offworlder as mate has been forbidden since Minbari first
contacted other races. He claims that he seeks to only understand her
decision, not judge it hastily, and thus she must submit to the
Dreaming to discover the reasons for her actions and agree to
obey her clan's ruling on the subject.
Lennier volunteers as her second, to protect her in the
Dreaming. They both take deep draughts from a ceremonial
chalice, then enter through a guarded door into a room filled with
mist. Lennier recognizes from her actions that this is not the first
time Delenn has been in the Dreaming. Once as an acolyte she was
second to Dukhat. She begins to relive that time when she attended the
greatest of the Minbari and was terrified.
"There's nothing to fear in the Dreaming. Only that which we
take with us," he told her.
Suddenly she was on a ship being attacked. Dukhat, dead in her arms. She screamed and screams, then and now.
Her eyes black with horror, Delenn is comforted by Lennier.
She plunges back into the past again. Delenn was curtly summoned by
Dukhat as he strode swiftly past her down a corridor. Glancing
nervously at her fellow acolytes she followed him humbly into the Grey
Council Chambers. As he stalked around the circle, he began to tell
her how the Grey Council had decided not to make contact with a
recently discovered species known as "Humans." He called them silly
cowards, drew her into the middle of their circle and asked her what
she would do. After stammering a little she replied, these humans are
a mystery presented by the Universe as a gift.
Dukhat crowed with delight. This foolish young acolyte, he chided the Council, carries the attribute of simple curiosity which you have lost.
Since he had thus alienated her from every member of the Council, Dukhat took charge over Delenn's education. He instructed her to look him in the eyes. "I cannot have an aide who will not look up," he said. "You will be forever running into things."
Presiding over the Council years later, Dukhat watched Delenn become a
member. As she uttered the sacred oath and held her hand up to the
triluminary, it suddenly glowed blue. The other Council members were
visibly surprised and disturbed.
Later in her quarters, Dukhat congratulated Delenn again and began to
answer her question about the triluminary. It was brought by Valen,
and one story was that Valen was from far in the future. He had just
started explaining why he selected Delenn as his protégé
long ago when they were interrupted by a chiming.
From the Council chambers they noticed a fleet of unknown ships
approaching. Delenn recognized them as humans. Suddenly they noticed
with horror that circling the scene was a group of Soul Hunter ships. Dukhat
ordered the gun ports closed on their ship, but the Earth ships opened
fire and in the battle Dukhat was struck down. With the Council divided
between taking revenge or taking stock, it was Delenn who cast the
determining vote to pursue the humans without mercy.
The war became a holy war, relentless and
all-consuming. Even though she regretted her moment of rage soon, it
was too late.
Lennier tells Delenn that her relationship with Sheridan shows that she
is still seeking absolution for her guilt in the death of so many
humans. She asks him crossly, whether he truly believes that. No, but
this is what the clan will say when we tell them what the
Dreaming has shown, he replies. Callenn summons them forth
telling them to rest until the morrow, when they will tell what they
have seen and a judgment will be reached.
Delenn is distraught. Trying to sleep, she watches Dukhat die in her
arms again and again, and for the first time notices his lips move, but
she can't make out what he is saying. She decides to go back into the
Dreaming again. The clan leader tries to prevent her, but it's
too late. She and Lennier have already imbibed the potion. Handing
him the vessel she demands that he follow her in this time, so he can
understand. Callenn is apprehensive, but she comforts him with Dukhat's
own words to her long ago. "There is nothing to fear in the
Dreaming. Only that which we bring with us."
The Earth ships were attacking. Pandemonium and destruction in the corridors, and Dukhat was lying in her arms.
"Listen!" Delenn commands Callenn and Lennier.
Blood dripping from his mouth, Dukhat struggled to say, "There was a purpose in my selection of you. Your heritage. You are a child of Valen."
Hours later, Lennier appears with an ancient scroll he has sneaked from
the Council archives which Delenn says proves her case. Lennier is
still confused, though. Delenn explains that since Valen was really
Jeffrey Sinclair, human and Minbari DNA have already merged. She
herself is one of his descendants, which explains why the triluminary
glowed for her. There is no purity in the Minbari race that can be
saved by her casting aside her alliance with Sheridan, she argues.
Callenn begs her not to make this public, because it will disturb the
society deeply, and suggests a compromise. He will tell the clan that
she is fulfilling an ancient custom from the warring days of Minbar
when the victor would offer a daughter as a bride to the loser, as a
symbol of life.
Sheridan greets Delenn as she docks. She tells him nothing except that everything is fine now, and inquires after Marcus and Franklin.
A transport lumbers along through natural space. Locked away deep in its belly, a singing Marcus is methodically driving Franklin insane.
Babylon Squared
Overview
Babylon 4 returns as abruptly as it vanished, but its reappearance may bode ill for the future. Delenn receives a momentous offer. Kent Broadhurst as Major Krantz. Tim Choate as Zathras. Denise Gentile as Lise Hampton.
Sub-genre: Intrigue/mystery P5 Rating: 8.57 Production number: 118 Original air date: August 10, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Jim Johnston
Watch For:
- A man shouts at Garibaldi and Sinclair; what he says might provide clues about the nature of the opponents in another scene.
- Look closely at what's inside a transparent case given to Delenn. It's an object that's been shown in a previous episode.
Backplot
- Babylon 4 was stolen by people from the future, apparently at Sinclair's behest during that time period, to act as a base of operations in a tremendous war being fought between the forces of light and darkness.
- Sinclair will be a great leader, possibly the leader, of the forces of light in that war.
- At some point, long before he participates in Babylon 4's disappearance, Sinclair will flee a place (most likely Babylon 5, cf. "Signs and Portents") that is about to be overrun by some evil creatures. Garibaldi will stay behind to fight, but will force Sinclair to leave. A transcript of the scene in question is available.
- The Grey Council stopped the war because of a prophecy. Valen (a revered figure, see jms speaks) said that humans, or some among them, had a destiny with which the Minbari could not be allowed to interfere.
- Delenn is on Babylon 5 to study humanity, to determine whether the prophecy is correct.
Unanswered Questions
- Will Babylon 4 appear again? If so, when?
- Was it really Sinclair in the suit? If not, who or what was it?
- What was Sinclair trying to prevent from happening?
- Who was waiting for Delenn and Sinclair?
- Will Delenn keep her position on the council?
- What is the purpose of the triluminary?
- What was happening in Sinclair's flashforward? Who or what was attacking the station? Is it related to the destruction of the station as foretold in "Signs and Portents?"
- What was the crazed man referring to when he shouted about "monsters" and said, "I see you... you think I can't?" (see Analysis)
- Is the Grey Council's cruiser the same place Sinclair was taken during the Battle of the Line? (cf. "And the Sky Full of Stars")
- Why is Delenn so convinced she must remain on Babylon 5, even at the risk of her standing in the Council?
- What "change" does Delenn believe is coming?
Analysis
- None of the races have demonstrated an ability to travel through time. Yet within Sinclair's lifetime, such technology will either be developed, discovered, or introduced by people from the distant past or future. Does it exist already? If so, who has it? Zathras' people may be the ones to provide the technology.
- The voice that speaks to Sinclair sounds like Delenn's, but her face is intentionally not shown. Presumably there is a reason for that; Delenn may be due to change in some way that will alter her appearance.
- After Babylon 4 completes its time jump, a voice (presumably a computer) announces that the atmosphere was breathable. Why wasn't it breathable before? Zathras clearly had no trouble breathing in the past, so is something about the future Sinclair different that prevents him from breathing a normal atmosphere?
- In the past, when we've seen Grey Council members, they have had silver triangles on their foreheads ("And the Sky Full of Stars" and "Signs and Portents" during Morden's visit to Delenn.) Yet no such triangles were visible this time. What do the triangles mean, and what causes them to appear? (see jms speaks)
- The attacking force
in Sinclair's vision of the future seemed to be invisible.
Witness the fact that Garibaldi's men were firing in seemingly random
directions, as if they didn't know where the enemy was. It also seems
unlikely that they'd use a flamethrower if they could aim at their
opponents. When the unknown force finally cut through the wall, it
was forced inward, but nothing could be seen forcing it. This also
explains what the crazed man on B4 was talking about; he'd seen
visions of a battle against invisible foes too.
The only instance of invisibility seen in the series up until this episode was in "The War Prayer," and it was developed by the Earth Alliance military, suggesting perhaps that the attackers might be humans.
- Garibaldi flashed back to an event two years earlier. That may suggest that Sinclair's flashforward (if indeed that's what it was) was to two years in the future, which would put the scene somewhere in the year 2260, season three of the series.
Notes
- Babylon 4 is larger than Babylon 5.
jms speaks
- The one I'm most looking forward to writing just now, though, is
"Babylon Squared," in which we finally show what happened to Babylon
4, and in the process ask more questions than we answer (though at
least we DO answer the questions we asked about the fate of that
station in general...you'll know what happened to it, just not yet
what it means). The end of this episode will cause more speculation
and consternation and astonishment than anything you've seen on TV in
a long, long, very long time.
- What a weird day...filming "Babylon Squared," and one minute I'm
standing in the anteroom/hallway of a Minbari cruiser that leads into
the Great Hall and the chambers of the Grey Council...a few minutes
later I'm standing in a section of Babylon 4, and the whole atmosphere
of the crew is *very* different, the whole sensibility is strange...
very strange.
"Babylon Squared" has a *very* different look to it, and a very eerie and foreboding feel about it, which I like a lot. Jim Johnston, who directed "Soul Hunter" and several others is doing it. Very moody.
- Yesterday, I got the final air-check versions of "Babylon Squared"
and "Chrysalis" to QC before delivering them to PTEN. Watched both
of them three times in the same day. They're just stunning.
Probably the two best episodes of the entire season.
- Yes, you will see the Major Conflict that leads to the situation with
Babylon 4. We're building toward a massive conflagration here.
- Yes, you will definitely, at some point, see the flip side of the
B2 episode.
- No, actually, B2 was structured for maximum jarring effect, thus the
sudden cuts back and forth, the sickly green light in B4...makes the
person watching feel unexplainably anxious, which was a subliminal
but definite intent. So no, nothing much was cut. And yes,
eventually we will see the flip-side of the B4 story.
- In B-squared, we saw the present
events in the vanishment of B4; in a future episode, we'll actually see
our characters make the decision to go back in time and yank B4 forward,
what went wrong, and so on.
- @@@877971397 The One's suit was very similar to the suits in
"2001."
Re: the suit...that wasn't an intentional 2001 nod...we went to Modern Props to get a space suit for Babylon Squared, and the only one they had on hand that would work for us was one left-over from 2010, which I asked the folks in costume to change as much as possible...though it was pretty much what it was regardless. So that one wasn't intentional. - Nope; Zathras is one of his race, which aren't offspring of any
other two groups.
- When Zathras shows up in time, it'll definitely be recognizeable as
Zathras.
- B5 is smaller than B4 because they sunk most of
their budget into B4; on B5 they had to get outside
funding, and scrimped.
- B1-B4 were located in roughly the same sector, with B4 using some of
the materials from 1-3 leftover. B5 was constructed about 3 hours
(traveling time in real-space) from the location of B4.
- No commander had yet been assigned to Babylon 4. One Major Krantz
had been assigned to oversee the final stages of construction, and
was on board -- along with about 1300 others in the construction
crew -- when the station vanished. The station had only been on-
line 24 hours, and the discussions of a commanding officer had just
begun when it disappeared.
- Major Krantz wasn't so much in charge of B4 as he was (as noted in
dialogue) assigned to oversee the final stages of construction. His
job was to get the station finished, then turn it over to someone
else to run.
- Why no triangles on the Council's
heads?
While the triangle is one element of the Grey Council symbology, it is not present and visible at all times and under all circumstances; it has a particular purpose or meaning. - The triangle only manifests itself for specific reasons, at specific
times, neither of which were appropriate to that moment. And yes,
the Triluminary is much cooler...and does something quite interesting.
- Valen was the one who brought Minbari
civilization together, he is their Christ-figure. And yes, the
heavyset Grey Council member is the same one as in "Sky."
- @@@840129143 Does the Grey Council live permanently on that
ship?
They stay on the cruiser almost entirely during their tenure in the council, only leaving for personal family crisis/situations and the like. - Garibaldi's closing lines in Sinclair's flashforward are
reminiscent of "Aliens."
When you're shooting a show, invariably you get to the stage and find that you have, for instance, three lines, one per character in the room...and you're trying to get them out the door, and it moves better if you give one line to one character and the other two to the other character. That sometimes happens. But rarely. In the Garibaldi's yell case, it was written as a quick shot, he yells and we're out. The director wanted to extend the shot a bit, visually. I wasn't in the studio at the time, so Jerry improvised a series of yells.This sort of thing is *extremely* rare on the show; the actors and directors know they *cannot* change dialogue on the set without approval from me or Larry. On any given script, no more than about 3-6 lines get modified for staging purposes once we get to the set. And always with approval required. This is an absolute, hard and fast rule. The only reason the Garibaldi thing happened is that they figured it was just a yell, so nothing could get messed up story-wise (which is the primary reason this is so strict; change one word in a line and it could screw up plot points three episodes down the road) by having him yell a few specific lines. If I'd been there for that scene, I would've written him something a little less reminiscent of "Aliens."
- The script called for Garibaldi to take up the Big Massive Gun and
fire, with a primal YELL that went on forever. Any dialogue at that
point which replaced the yell came from the actor. The "you're
already dead" was only relevant to the scene, not T2.
- Re: Garibaldi in the flash-forward scene...no, it wasn't any kind of
"homage" to Aliens. (And for the most part, I try and stay clear of
any kind of homage unless it's primarily a throwaway; I want my story
to be MY story, not a bunch of homages.)
The single most moving kind of story for me is the "last man on the bridge"...the last defender who has to hold the line while others get away, knowing he will probably not survive it. This has great power for me, and for many others, which is why it shows up again and again in films, literature, TV and other venues. The Garibaldi scene has NOTHING to do with Aliens, and everything to do with that figure.
Re: *why* it is that humans are special...has nothing to do with sacrifice, or dedication (well, that's not quite true, it has something to do with it), but that's not the totality of it. There's one more element you don't know about yet, that won't be revealed until season two, episode one, "Points of Departure." Once you see that episode, you'll fully understand that there is one very particular thing about humans that is very special indeed.
- I kinda *have* to play fair with the story; if you hear Delenn's
voice, then you can be sure it's Delenn.
In one form or another.
- "So who IS the One? Some of the evidence points to Sinclair, but
other bits seem to indicate Delenn. Yet neither seems to fit all the
facts above."
Exactly.
What you have here in your message are two pieces of the puzzle. You're confounded by the fact that somehow they don't quite seem to fit into one another. That's because there's one last piece missing in this part of the picture, which fits in between them. The intent is to put this piece into clear view in year three, probably between episodes 8 and 11 approximately. At that point, the question of the One will be fully answered.
- Re: Sinclair as the One...funny how all this time very few folks have
really commented much on how it was that Zathras could look right into
Sinclair's face and say, "NOT the One."
- Garibaldi's eyes glow for one frame in the flashforward scene.
(sigh) Our rotoscope EFX guy was waiting for a bunch of PPG EFX to finish rendering in that battle scene, and was bored, and like many such EFX types, filled in the eyes of Garibaldi with weird stuff while waiting around. When the other scene finished rendering, he got out, believing that he had not saved that one frame. Unknowingly, he had.Nobody caught it until after broadcast.
We talked.
- "It has been divulged that Sinclair is coexisting in a parallel
dimension Babylon 4."
Actually, this has *not* been divulged...what it is is a speculation based on an offhand comment by Michael at a convention. I jump in here only because, well, that ain't it. B4 is not in an alternate dimension, neither is there an alternate Sinclair. Just a course correction to the discussion.
- With only one exception, you won't see time travel anywhere in the
five-year run of the B5 story.
- Which do you do first?
Fasten, button.Levi's Jeans forever!
- Why wasn't Franklin delivering the autopsy report?
Garibaldi is head of security, and Franklin would likely give him the report, which Garibaldi then relays. In such things there is a chain of command. And as you say, it seemed pointless to bring in the actor just for one half-page scene. - Credits for two Gray Council members?
Mark Henrickson was the...rounder of the two Minbari. The one with the staff wanted to go uncredited.No real reason, he just felt it would be better for the character to remain mysterious; and since it really wasn't a big part, it wouldn't make a real difference one way or another in his credits and resume. (I know that sounds weird, but as near as I can determine, that's the reason. He did a great job, and we're looking forward to having him again.)
- Does the triluminary have anything to do with the sculpture in
Delenn's quarters?
Yes, the Triluminary does have a function in the device she's been making.
Babylon Squared
We join Sinclair and Garibaldi in the dining hall. They are soon joined by a very tired Ivanova, who was awakened one hour early by C&C after mysterious tachyon emissions were discovered in sector 14, three hours away from Babylon 5. Though Ivanova believed the emissions were just routine, she authorized Alpha VII, a Starfury, to investigate the problem.
Alpha VII contacts Babylon 5 when it enters sector 14, and the pilot reports an increase in tachyon emissions. Though he doesn't see anything when he first arrives, the sensors register something, and he sees a large object materializing. By the time he figures out what it is, it is too late. "No! That's not possible! That can't be, it just can't be!" His last words fade into an agonizing scream as the Starfury is engulfed in blinding white light.
A startling apparition.
Ivanova calls Commander Sinclair after the pilot's last message. She is unable to contact the pilot on any open frequencies, but is still receiving the Starfury's homing beacon. According to the beacon, the ship is returning to Babylon 5 and will be there in one hour and fifteen minutes. Ivanova also reports that more bursts of tachyon emissions are occurring, and that one occurred when she lost contact with the fury's pilot. Sinclair tells Ivanova to make sure that Dr. Franklin is ready at MedLab in case there are any injuries that need to be tended to.
Meanwhile, Ambassador Delenn, in a Minbari ship, departs from Babylon 5. Though Babylon Control asks her if she wants someone to pilot the ship for her, she declines. "Some things one must do alone," she explains just before she enters the jumpgate.
Soon after, Alpha VII returns into scanner range. Alpha VII approaches the station, but does not enter the docking bay. A scan of the ship reveals that there is no structural damage and that hull integrity is okay, but there are no life signs. Soon after, Garibaldi returns to Sinclair and Ivanova with Dr. Franklin's report. "There was no damage to the body, no shock, no trauma. Everything points to death by natural causes." Though things seem ordinary at this point, when Garibaldi explains that the pilot, who just turned thirty years old, died of old age, Sinclair and Ivanova are understandably puzzled. "His internal organs are like those of a man three times his age," Garibaldi reports. Ivanova recommends that they send a team to investigate, in case there is a hazard to navigation, but Sinclair declines. "Not yet," he says. "Not until we have a better idea what we are facing. Meanwhile, I want all traffic routed clear of sector 14. Michael, I want that ship examined with a fine-tooth comb. Something fatal happened out there. I want to know what."
As Delenn reaches her destination, Sinclair, Ivanova, and Garibaldi discover another portion of the mystery. Garibaldi, after a thorough search of Alpha VII, finds the buckle off the pilot's safety harness. Scratched into the surface of the buckle is "B4." Ivanova speculates that "B4" stands for Babylon 4, the previous Babylon station that disappeared in sector 14 four years previous. Sinclair reports that the tachyon emissions from that sector were coming from the same place that Babylon 4 disappeared. The discussion is interrupted by communication from C&C, declaring that the station is receiving a distress signal from sector 14. "I thought I ordered all ships to stay clear of that area," says Sinclair. The technician from C&C affirms his orders, but then identifies the signal as coming from Babylon 4.
Delenn waits.
After the three arrive at C&C, Sinclair doesn't reply to the signal but instead orders Ivanova to retrieve the secure code of Babylon 4 from the station archives. "Ever since the war, every Earth Force command and control center was configured to broadcast its ID code on a subchannel," explains Sinclair. Garibaldi adds that the reason for it was to prevent counterfeit orders. Ivanova brings up the signal and it matches perfectly to the one being broadcast from sector 14. Sinclair orders the transmission to be patched through. "Earth station Babylon 4 requesting help. We need assistance," says the man on the other end. Sinclair responds, and the commander on the other end explains that they are caught in a flux with only 30% of their power and their escape ships damaged. They request help from Babylon 5 to evacuate their skeleton crew of 1200-1300. The commander of Babylon 4 looks nervous and begins muttering strangely. "Oh God. It's starting again. It's starting again," he says just as the communication is cut off. Ivanova notices that the date stamp on the message is four years out of date.
Though Garibaldi has a difficult time believing the station is Babylon 4, Sinclair prepares a fighter escort with an evacuation fleet to sector 14, determined to find Babylon 4. Sinclair makes a speech to the pilots of the ships warning them of the dangers and the previous death of the pilot of Alpha VII. Though he offers them a chance to withdraw because of the danger, no one does, and soon the fleet is sent off into space. Sinclair wants to learn the truth about Babylon 4, but also wants to take no chances. "If you don't hear from us in eight hours, notify Earth Central, but do not send additional ships," he tells Ivanova.
Meanwhile, Delenn reaches her destination, a gigantic ship, not unlike the one from Sinclair's memory of the Battle of the Line (cf. "And the Sky Full of Stars".) She boards the ship and is taken into a great chamber by a hooded Minbari. When she enters, she addresses the eight hooded figures around her, each of which is standing in an individual pool of light. "Summoned, I come," she intones. "In Valen's name, I take the place that has been prepared for me. I am Grey. I stand between the candle and the star. We are Grey. We stand between the darkness and the light." She is welcomed back by the council, but wonders why she has been recalled.
"It has been ten cycles," explains one member of the Grey Council, "since Dukhat has left this world to take his place with Valen and the nine who were. Ten cycles since our people have had a leader. The time of mourning is complete. We must now choose another." Another member of the council, the one who visited her on the station earlier, (cf. "And the Sky Full of Stars") explains that they have spent much time deciding who the next leader should be, and that they have decided upon Delenn as the leader because she has seen the most, and knows the most about the universe and other species. Delenn doesn't want to accept the position because she believes that her work on Babylon 5 has not been finished. She worries about a prophecy, but is assured by the council that it will take care of itself, and that an appropriate replacement will be selected for her aboard Babylon 5, and that her work there is concluded.
The fleet from Babylon 5 arrives in sector 14 to the sight they didn't really expect to see: Babylon 4. Though tachyon emissions are still present, Sinclair orders the rest of the fleet to approach the station. They encounter a distortion field near the station where tachyon emissions increase by 50%. Sinclair orders the fleet to remain back while he and Garibaldi investigate.
Approaching Babylon 4.
After docking, they are assaulted and shot at in the otherwise empty docking bay. "Monsters! I'll stop you!" shouts the assailant. "I know where you are! I see you! You think I can't? I've gotta get off this station. Come on, show yourselves!" While Sinclair diverts his fire, Garibaldi sneaks up on the assailant from behind and captures him. The commander of Babylon 4 then arrives to take custody of the assailant, who keeps insisting that he must be taken off of the station. After the three officers indentify themselves, Sinclair explains that they are from Babylon 5 and the year 2258. "We have to hurry. We have to get everyone off the station," says Major Krantz, the commander of Babylon 4. He is interrupted, however, by a flash of light that engulfs the station.
Suddenly, Sinclair finds himself elsewhere in the midst of total chaos. "Commander, they burned through levels seven and eight. Can't stop them. They're everywhere!" shouts Garibaldi, there with him, who is wielding an extremely large weapon, firing at a wall being cut through from the other side. "I rigged the fusion reactors for the time I'm done," Garibaldi says. "Get going, I'll hold them as long as I can. Jeff, it's okay. I finally understand. This is the moment I was born for!" Garibaldi pushes Sinclair into the crowd which carries him away, despite his protests, just as the wall collapses. Garibaldi and those under his command fire madly at the hole.
Garibaldi opens fire.
Another white flash occurs, and Sinclair finds himself back in his own time, aboard Babylon 4. Sinclair, very confused, asks Krantz to what happened. "It's different for everyone. A flash. Forward. Backward. All of us. The entire station. We've become unstuck in time, Commander. That's why we have to get out of here. Quickly!"
Back on the Minbari ship, Delenn is afraid of accepting the position of leader. "I cannot do it," she says. "I cannot accept the calling." She is told by another councilmember that no one has ever refused the position when offered it. Though Delenn yearns to accept the leadership of the council, her heart tells her that she must remain with Babylon 5 and that she has a part to play in the change that is coming. She wants to reconvene the Council to speak to them, something that has never been done. The other councilmember warns her that it might be a bad time, and that she must be aware of the consequences. She understands, and the council is reconvened.
As the evacuation of Babylon 4 continues, Major Krantz explains the problems they're having with Babylon 4 and the tachyon emissions and time distortions. "It started 24 hours after the station went operational. We began noticing discrepencies in the time track system. We thought it was a computer glitch. Then all hell broke loose." Sinclair asks if anything else unusual has happened, and Krantz replies by introducing him to a strange being called Zathras. "We don't know how he got aboard, where he came from, or what race he is. I've never seen an alien like him before," Krantz says, and describes how Zathras suddenly appeared with a flash in the conference room. When Sinclair enters, Zathras stands and stares intently at Sinclair, then shakes his head. "Not The One. Not The One..."
Zathras sees Sinclair.
Zathras babbles that he does as he is told. "The One is hurt. Must find. Zathras must find. Help." When asked why he is there, Zathras responds by saying that he was told the biggest of all the Babylon stations was needed. Zathras is afraid to tell for fear that he will not be able to finish his mission, but explains further after being threatened by Garibaldi:
"Great war. Terrible war. Much killings. Everyone fighting. A great darkness. It is the end of everything. Zathras warn, but no, no one listen to poor Zathras, no. Great war. But, great hope of peace. Need place. Place to gather, to fight to organize...to help save galaxy on the side of light. So they tell me. Must have. Or it is the end of all. The One leads us. The One tells us to go, we go. We live for The One. We would die for The One. We pull this place through time to save us all."
When asked where he comes from, Zathras says he came from his year of 4993, but does not know what year that is in Earth time. An officer appears and says, "Major, it's back." Zathras, Sinclair, Garibaldi, and Krantz run out of the room to see a figure in a blue space suit. The figure is having considerable trouble breathing, and is flickering, as if in and out of time. Zathras is in awe. "It is The One," he says.
The One.
The figure in the space suit is apparently in great pain, but Zathras explains that The One will sacrifice himself for others and that he stopped the taking of Babylon 4 to let its crew evacuate. Sinclair approaches The One, who reaches out his hand to him. When Sinclair touches the gloved hand, a great shock sends him flying backward. While Krantz and Garibaldi tend to Sinclair, Zathras runs to The One and hands him a small device. "Zathras fixed," says Zathras. "Take! Hurry!" The One then vanishes completely, and Zathras tries to run away, but is captured before he can escape. "You must leave now. Finished we are," Zathras warns Sinclair. "There is no more time. Leave or be trapped here forever!" Sinclair orders Garibaldi to assist in evacuation.
Aboard the Minbari ship, Delenn addresses the Grey Council. "This Council stopped the war against the humans because of prophecy, because Valen said that humans, some among them, had a destiny, which we could not interfere with. It was my place to study them...to determine if the prophecy was correct. I have not yet finished that task." Another councilmember tells her that he believes that the prophecy refers to others, but Delenn does not believe it. The councilmember does not understand Delenn's attraction toward humans, but Delenn explains that "they do not seek conformity. They do not surrender. Out of their differences comes symmetry. Their unique capacity to fight against impossible odds. Hurt them, they only come back stronger. The passions we deplore have taken them to their place in the stars, and will propel them to a great destiny. Their only weakness is that they do not recognize their own greatness. They forget they have come to this place through two million years of evolution, struggle, and blood. They are better than they think and nobler than they know. They carry within them the capacity to walk among the stars as giants. They are the future. We have much to learn from them." The council cannot understand why she should stay with the humans, but Delenn believes it is the calling of her heart. Delenn is warned that if she leaves the council, she may lose her position within it and may become outcast. She is also warned that should she leave, the council may become divided. She understands, and says that she must do what she believes is right. The council votes on whether or not to honor Delenn's request. The vote ends in Delenn's favor, and the council withdraws its decision and sends Delenn away so they may select another leader.
While Garibaldi oversees the evacuation of Babylon 4, Major Krantz and Sinclair interrogate Zathras further. They demand to know what Zathras gave to The One. He explains to them that it was a "time stablilizer. Help survive when make next time jump." Sinclair then realizes that Alpha VII was caught in the time distortion and killed by it. Zathras gave his only time stabilizer to The One. He says that when the station jumps, he will die, but that he will probably be remembered for his sacrifice. Krantz threatens to remove him from the station, but Zathras also claims that if he leaves the station, he will die as well, though he does not want to.
The station shakes again, and Garibaldi reports that tachyon emissions have increased greatly. There is another flash, and this time Garibaldi finds himself in the past, at the moment when Lise decided that she could not live with him anymore. He wants to try to change things, but is too disoriented by the experience, and events happen much as they did before. After she leaves, Garibaldi finds himself back on Babylon 4.
Lise says goodbye.
Sinclair contacts Garibaldi, who says he wants to leave the station as soon as possible. Major Krantz agrees with Garibaldi, and insists that Zathras be taken with them when they leave the station. "For the next fifteen minutes," Krantz tells Sinclair, "this is still my command. I'm going to have to answer for this station, and I want proof to go with it. Alive or dead, he's the only proof I've got. And he's going with us." Sinclair, Krantz, and Zathras, led by two security officers, attempt to leave the station, but it begins shaking again, and Zathras is caught, trapped beneath fallen debris. Krantz and the guards run away, afraid for their lives, but Sinclair stays behind, trying to help Zathras. "Leave me," Zathras cries. "You must listen to Zathras. You have a destiny. Go. Please. Go for Zathras." Though he doesn't understand, Sinclair runs away and meets up with Garibaldi, who escorts him off the station.
The station continues to break apart, and as it does so, The One returns to the station to retrieve Zathras. Sinclair and Garibaldi escape in their ship just as the distortion field goes off the scale and Babylon 4 begins to disappear again. The One walks out of a chamber into another room. "Time distortion repaired," intones a computer voice. "Present time atmosphere now breathable." The One removes his helmet, revealing an older, and somewhat injured Sinclair. "I tried," the older Sinclair says. "I tried to warn them. But it all happened...just the way I remember it." A hand in a red dress reaches up an touches him on the shoulder. "I know," says a woman's exotic voice, a voice that sounds suspiciously like Delenn's. "It's time. We have to go. They're waiting for us." Sinclair and the woman leave.
Comforting Sinclair.
Sinclair and Garibaldi from the present return to Babylon 5 and speculate along the way on what they had just experienced. "Do you think that bit was true," asks Garibaldi. "About a great war and Babylon 4 being a great base for somebody to try to bring peace to the galaxy?" Commander Sinclair doesn't know. "But if it is true," he says, "I wish them luck. The station was built to create peace. Maybe now it'll do so in a way nobody ever expected. But it's still on the same mission." They fly off back toward Babylon 5.
Not long after, Delenn prepares to leave the great Minbari ship. On her way, she meets up with a member of the Grey Council. He hopes to see her again, but Delenn believes that she will never see the inside of the Council Chamber again. The councilmember doesn't know, but before she leaves, he presents her with a gift, wrapped in a cloth. It is the Triluminary, a transparent triangle with metal edges. She doesn't want to accept it, but he assures her it will not be missed for a time because there are two others. "These are curious times," he tells her before she leaves. "I feel a great change in my bones. A new beginning, an end, I cannot say. We are surrounded by signs and portents, and I feel a darkness pressing. If ever you have need of me, I am here." She wraps the triluminary back in its cloth and returns to Babylon 5.
Delenn receives the
triluminary.
On the station, Sinclair talks to Ivanova about what happened. She expresses her regret about not being able to see Babylon 4, but Sinclair counters that they don't know where, or when, it was being taken. It might pop up again some day. He recalls Garibaldi's comparison of Babylon 4 and the Flying Dutchman -- a sailing ship, he explains to Ivanova, that vanished, only to appear again and again over the ages. "Did the Flying Dutchman ever make it home?" asks Ivanova.
"No," answers Sinclair.
Synopsis written by Matthew Murray <i9717029@unicorn.it.wsu.edu>
Believers
Overview
Dr. Franklin asks Sinclair to intermediate with an alien family who, because of their religious beliefs, refuse to allow surgery that would save their dying child. Silvana Gallardo as Dr. Maya Hernandez. Jonathon Kaplan as Shon. Tricia O'Neil as M'Ola. Stephen Lee as Tharg.
Sub-genre: Drama P5 Rating: 7.74 Production number: 105 Original air date: April 27, 1994 DVD release date: November 5, 2002 Written by David Gerrold Directed by Richard Compton
Backplot
- Some outside influence has interfered with the Minbari religion in the past.
- The Children of Time, a minor race with strong religious beliefs, would rather let one of their number die than allow invasive surgery, which they believe destroys the soul.
Unanswered Questions
- How did Ivanova defeat or escape all those raiders? There is some slight evidence she's working with them (cf. "Midnight on the Firing Line".)
Analysis
- Franklin's willingness to break the rules for a cause he believes in, though indicative of a strong moral character, seems likely to get him into hot water at some point.
- On the other hand, Sinclair doesn't want to be placed in a position in which he has to stop Franklin from doing what he believes in; Sinclair would rather sidestep the issue than have his hand forced. This is consistent with his handling of the Senator's instructions in "Midnight on the Firing Line."
- The parents' reaction when Delenn refused to help could be viewed as hypocritical; they were perfectly willing to ask Delenn to violate her beliefs so they wouldn't have to violate their own.
Notes
- Kosh is aware that he was examined by Dr. Kyle (cf. "The Gathering".) When he's asked how he would feel if a doctor performed an operation on him, he says, "The avalanche has already begun. It is too late for the pebbles to vote."
- @@@877970962 The Shakespeare corporation and the pfingle eggs are references to David Gerrold's novels "Under the Eye of God" and "Covenant of Justice."
jms speaks
- By the way, here's something interesting: an outline got turned in
this week for an episode which I won't identify just now. Came in
from one of our writers, based on an assigned premise. It's
something you've never seen done in ANY SF-TV series, and I don't
think has ever been done in TV overall. A very daring little story.
Word finally came back from our liaison with PTEN. "Number one, this is absolutely against the demographics on the show. Number two, no studio or network executive in his right *mind* would EVER approve this story in a million years. Number three...it's a hell of a story, I love it, let's do it."
This has been emblematic of our relationship with PTEN: they've left us alone, and are trusting us in our storytelling. We want to go right out to the very edge, and they're letting us, which is wonderful. They've been, and continue to be, terrific to work with.
If the end of this particular story doesn't absolutely floor you, nothing will.
- When I developed the basic Believers story, and was looking for someone
to assign it to, David was the first person we went to. He asked me
at the time why him...he's more generally associated with humorous
stuff. I had my reasons. See, lately, David adopted a young boy,
about the same age as Shon. So about halfway into the outline, David
called and said, "NOW I understand." I knew that having a child of
his own now would mean that the story would be a lot more personal.
Especially the end scene, which I knew would have to be done *very*
carefully. I think David did a great job, and under his guidance it
turned into a very moving episode. And with any luck, he'll write
more down the road.
- There's some small amount of blurring that goes on in this show; a
freelancer turns in a script, and things get added. For instance,
there was a need to really tighten up the story in "Believers,"
which could best be done by bringing in a small B story, which would
allow us to streamline and intensify the main story. So I wrote the
B story and slipped it in.
- Today David Gerrold came by the set to watch some of the shooting
on his episode, "Believers." Unlike many shows, which basically
throw the writer off the set, our writers are welcome to hang around.
It's not only okay, it's *expected* that the writer will be there at
some point, to be a part of the process. David was quite ebullient
about the whole thing; he thinks that this is the best script he's
ever written, and it's being filmed exactly as he'd hoped, if not
better. So there he was, getting autographs, muttering something
about somebody named "Hugo...."
What was interesting was one comment he made, which echoed almost verbatim something D.C. Fontana said when she came by the stage: that the atmosphere on set, with the crew, the cast, the production people is exactly the same as it was on the first season of the original Star Trek.
- I know from pfingle eggs...I let David have the reference because...
well, I don't know anymore...I think water torture was involved.
- @@@885407465 Who wrote Kosh's line about the avalanche?
That was Gerrold, as I recall. - Similarity between "Believers" & a DS9 novel?
A couple points. 1) When "Believers" was written, Peter's book hadn't yet hit the stands. 2) Peter likely got his notion of the sick kid and the religious parents from the same basic source we did: the headlines. This has been an ongoing problem in real life for some time. So he took that real premise, and did one story based on it, and we did another extrapolation. This notion did *not* originate in the Trek universe.... - And yeah, TV generally doesn't do this kind of ending. Which is
why we did it...and our liaison at Warner Bros. deserves a lot of
credit for letting us do it.
- It was important to tell David to pull no punches because in TV, most
producers *want* you to do so, and he had to know going in that this
was the way the story would go. David's a great writer, and David's a
professional...meaning he understands where the general limits of TV
are. If you're going to move the lines around, it behooves you to
tell your writer that. Knowing the rules, he went out and did a
bangup job on the episode.
- I view Delenn's comment about "suffering the interference of others"
in regards to matters of the soul in "Believers" to be a reference to
the Soul Hunter.
- What happened to Ivanova when she encountered the raiders? She
got away by long-distance firing as she retreated as fast as she
could, taking shots as she went. It wouldn't look real exciting in
the long run.
- How Ivanova got away from the Raiders was taking advantage of her
lead to run away, occasionally firing backward to deter pursuit,
until she got to the jumpgate. It wasn't really anything dramatically
interesting, and at that point you would start distracting from the
main plot...and that couldn't be allowed to happen. There's really
no place in the rest of the act where you can cut in without destroying
it. And in the tag there's no room for the pursuit, only the arrival.
- Excuse me....
You don't think that "Believers" was SF. Tough.
No, it didn't have warp gates, or tachyon emitters, or lots of technobabble...it was about people. And the dilemmas they face.
Part of what has screwed up so much of SF-TV is this sense that you must utterly divorce yourself from current issues, from current problems, from taking on issues of today and extrapolating them into the future, by way of aliens or SF constructs. And that is *precisely* why so much of contemporary SF-TV is barren and lifeless and irrelevant...and *precisely* why such series as the original Star Trek, and Outer Limits, and Twilight Zone are with us today.
Like Rod Serling and Gene Roddenberry and Joe Stefano and Reginald Rose and Arch Oboler and Norman Corwin and a bunch of other writers whose typewriters I'm not fit to touch, my goal in part is to simply tell good stories within an SF setting. And by SF I mean speculative fiction, which sometimes touches on hard-SF aspects, and sometimes doesn't. Speculative fiction means you look at how society changes, how cultures interact with one another, how belief systems come into conflict. And as someone else here noted recently, anthropology and sociology are also sciences; soft sciences, to be sure, but sciences nonetheless.
It's been pointed out that TV-SF is generally 20-30 years behind print SF. This whole conversation proves the point quite succinctly. In the 1960s or so, along came the New Wave of SF, which eschewed hardware for stories about the human condition set against an SF background. And the fanzines and prozines and techno-loving pundits of hard-SF declared it heresy, said it wasn't SF, this is crap. And eventually they were steamrolled, and print SF grew up a little. Now the argument has come to settle here. Well, fine. So be it.
I think it was Arthur C. Clarke who said that SF is anything I point to and say, "That's SF." Go pick up a copy of "A Canticle for Liebowitz," one of the real singular masterpieces of the science fiction genre, and it won't fit the narrow criteria you've set up for what qualifies as SF by your lights.
There is a tendency among the more radical hard-SF proponents to stamp their feet and hold their breath until they turn blue, to threaten that unless the book changes or the field comes around or the series cottens to *their* specific, narrow version of what SF is -- and that definition changes from person to person -- they'll take their ball and their bat and go home. Fine and good. And the millions who come to take their place in the bleachers and on the field will get to have all the fun.
Some of our episodes will fit your definition of SF. Some will not. This worries me not at all.
- The area that cannot be opened is the chest area, primarily; a nick or
cut or scratch really doesn't count; it's puncturing to the body
cavity wherein the soul is housed.
- No, the parents were not charged with murder. When a species on the
station acts against one of their own kind in a particular way, and no
other species is affected, they are judged by the laws that apply to
their own species and culture. In their culture, what they did is not
a crime, so they received no punishment. Had they done this to a
human, then yes, they would have been charged with murder.
- I'm not quite sure if we're talking about the same thing; the
two parents never said that the kid would die if he underwent the
surgery, only that his soul would escape. This would leave him
"soul-dead," for lack of a better phrase. And how are we to tell that
they weren't right? I don't think it's quite as cut and dried as you
seem to present. (And again, they were acting very much out of their
real beliefs of how the universe operates. If someone here is
injured, and declared brain dead, most folks think it's okay to pull
the plug...even though one could make the argument that there's still
a living soul in the body. This is the opposite situation; one may
argue that there is still a mind somewhere in the body, but the soul
is dead or gone. The phrase they use is that they put the shell out
of its misery. To their mind, he was dead already.)
- Actually, I disagree when you say that the doctor was right. Says
who? Not the parents. Not the episode. Nobody was really right,
when you come down to it, except maybe Sinclair, who made the correct
call. You say the boy was okay at the end...the parents didn't think
so. Who's to say if there was or wasn't a soul inside?
I think David's script walked a very fine line and really didn't endorse either side. (I've had people send me email upset because we showed that the parents were right, and others because we said the doctor was right, and others because neither was right and the ambiguity bothered them.)
- Of course the surgical scars would've been a dead giveaway that
surgery had been performed. Also, lying to them would have also been
a violation of medical ethics. This was not a story about easy
solutions.
- There's a wonderful scene in "Fiddler on the Roof" where Tevya is
caught in an argument between two Rabbis. The first one makes a
point. "You're right!" Tevya says. The second Rabbi makes a
contradictory point. "You're right!" Tevya says. A third Rabbi,
looking on, says, "Wait a minute, they can't *both* be right."
"You know," Tevya says, "you're right too."
- A lot of our episodes are constructed to work as mirrors; you see
what you put into it. "Believers" has been interpreted as pro-
religion, anti-religion, and religion-neutral..."Quality" has been
interpreted, as you note, as pro-capital punishment, and anti-capital
punishment. We do, as you say, much prefer to leave the decision on
what things mean to the viewer to hash out.
A good story should provoke discussion, debate, argument...and the occasional bar fight.
- @@@844403513 The thing about "Believers" is that, really, nobody's
right, and in their own way, from their point of view, everybody's
right.
- "The concept of loving parents being able to kill their child for
their religions seems to be unrealistic."
Funny...I seem to recall this little story in the Old Testament about how a good and wise man was asked by god to sacrifice his own son, to himself kill his own child, and he was willing to do it, and was only stopped by god saying, in essence, "April fool."
- On the "predictable" argument...I can only shrug. The kid has a 50/50
chance...he'll survive or die. And guessing the end isn't, for me,
the key; this isn't a who-dunit; it's how our characters react on the
way there, and what it *does* to them, I think.
- Since I suggested the ending to David, right down to the candles, I
suppose I'll take the rap...but the question you're raising isn't the
issue. There are only two possible results: the kid lives, or the kid
dies, there ain't much in-between. You ask, "Who on earth is going to
side with people who kill their own child?" The audience isn't being
asked to *side* with anyone, there IS no easy solution, and no one is
100% in the right.
There is a wonderful short story, which we adapted for Twilight Zone, called "The Cold Equations," where a small shuttle is going from point A to point B. There is enough fuel for the shuttle, and one pilot, and no more. The ship is bringing medicine to save 500 colonists. A young girl has stowed away on the ship to see her brother. She's discovered. If the pilot does nothing, the ship won't arrive, and he and the girl will die, and the colonists will die. If he sacrifices himself, she won't be able/won't know how to guide the ship to its destination. The only way out is to ask her to enter the airlock so he can space her and continue the mission. And that's what happens. You can't argue with math.
Sometimes, there are no-win scenarios. And what matters then is how your characters react, what they do and say, and how it affects them. That, really, was the thrust of the episode. And to go back to your question, "Who on earth is going to side...."
The operative word in your question is "Earth." No, no human is going to side with them (although I'd point out in the Bible that there is the story of Abraham, who was quite willing to murder his own son at god's request). They're not humans. They have a wholly different mindset, cultural background and belief system. People ask for ALIEN aliens, then judge them by human standards, and feel it's wrong if they don't behave like humans. These didn't. That's who and what they are. If humans side with them, or accept them, doesn't enter into it.
- The choice *had* to be either/or. That was the point; to put the
characters in a situation of conflict and see how they handle it.
Sometimes in life there are ONLY two choices, neither of them good.
Your message comes from a position of trying to avoid the hard
choices. But the episode is ABOUT hard choices. It *has* to be
either/or.
To support your thesis, you bring up the "Cold Equations" alternate ending of the pilot cutting off both his legs to make up the weight differential. Lemme explain something to you. I was there. When we turned in the script, by Alan Brennert, MGM went nuts. "You can't have a sympathetic young woman commit suicide! It'll kill the ratings!" So they (the studio exec) suggested various "fixes." One was that instead of stepping willingly out the airlock, the pilot shoots her and has to deal with the guilt. (This by them is a *better* idea?) The other was the notion of the guy cutting off his legs to make up the weight.
First and foremost, it was a dumb idea because he'd be in no shape to pilot the ship. Second it wouldn't be enough weight. And finally, the very *nature* of "The Cold Equations," what the very TITLE means, is that there are some occasions in which the choices are stark, and there is NO way around them. If the ship has X-weight, and the fuel is for Y weight, and Y is less than X, then you've got a problem that can only -- ONLY -- be resolved by someone walking out the airlock. (And yes, they tried dumping things, but the ship is lean, not much to get rid of.) That's why it's the COLD equations; not the LUKEWARM equations.
I fought like hell to retain the original ending, and won. (You probably read about this, btw, in my articles for TZ Magazine.) This is studio-think, let's find a nice, unthreatening, safe, middle-ground where we can resolve this without anybody being upset, threatened or offended by the story. I'm sorry, but life sometimes hands you hard choices, there ARE either/or scenarios, in which nobody really wins, and SF should be exploring those as well as the fuzzy feel-good stories. It's time SF grew up a little, damn it, and started confronting hard questions that can't always be resolved by reversing the polarity on the metaphase unit.
- Afterthought: I just wandered into the kitchen, still ranting (as I
am wont to do), explained it to Kathryn...who brought me up short (as
*she* is wont to do) by pointing out the antecedent to BOTH stories.
The ultimate "hard choice" example in SF-TV is of course "The City on
the Edge of Forever," fromST. There are only two choices, both hard:
either Edith Keeler dies, or the Nazis win WW II. Kirk *has* to let
her die; there's no other choice.
It is, at the same moment, gratifying and annoying to have someone around who's smarter than I am....
- There were no changes in dialogue made in "Believers" subsequent to the first airing.
Believers
Shon, a young alien boy, has developed a "congested blockage in his upper air passages." When Dr. Franklin explains to Shon's parents that Shon's condition can be cured by a fairly routine surgical procedure, the parents seem bewildered. "You will cut him open?" they ask, and explain that the "Chosen of God" cannot be "punctured" -- for their souls will escape.
"Food animals are punctured."
B5 has received a distress signal from the starliner Asimov, which has been immobilized because of a fire in its command and control center--unfortunately, the ship is now adrift in Raider territory. Ivanova (who pleas with Sinclair to send her instead of Garibaldi) is sent to lead a fighter wing to rescue the Asimov.
Dr. Maya Hernandez, one of the B5 doctors, tries to convince Shon's parents to allow the procedure, but they are quite determined not to allow it. Just as it becomes evident that the parents will not change their mind, Franklin suggests an alternate procedure. He admits that this procedure won't work as well, but it's better than nothing. After the parents leave to consider this new method, Dr. Franklin explains to Hernandez that, though this procedure will obviously not save Shon, it will at least give Franklin time to try to convince the parents to change their mind. Both doctors realize that there are only two options--surgery or death--but Franklin explains that it is sometimes necessary to "heal the family before you can heal the patient." Shon's parents return and say that they are willing to try Franklin's new procedure.
Franklin comforts Shon.
Franklin, who is speaking with Sinclair, explains his dilemma. Franklin requests that Sinclair order him to perform the surgery, but Sinclair declines, commenting that it's a dangerous precedent to set. Franklin explains that that precedent has already been set--by Sinclair's ordering Dr. Kyle to save Ambassador Kosh (cf. "The Gathering")--and when Franklin brings up the idea of making this issue official by petitioning Sinclair with a formal request to operate, Sinclair asks him to try to find another solution.
Meanwhile, Franklin's "procedure" is obviously not working. When the parents become angered, Franklin pleads with them again, but they still refuse to allow surgery. Finally, Franklin threatens to suspend their parental authority if they will not allow him to operate--and he makes a formal request for Commander Sinclair to decide this issue.
Shon's parents go to Sinclair and request that he decide in their favor. Sinclair explains his dilemma--he must consider Franklin's request, but he must also act as the parents' advocate because the parents' race has no ambassador on the station. The parents express their objection--they don't like the situation and believe that Sinclair will rule against them because "Earth people always stick together."
The parents visit Ambassador G'Kar and ask for the Narn to intervene on their behalf, but G'Kar claims that the parents' world doesn't have much to offer to Narn--and claims the Narns don't casually enter into other people's affairs. The parents then visit Ambassador Mollari, who says that he sympathizes with them but explains that it would be too expensive to intervene--if the Council was called on this matter, there would be a whole array of costs that would have to be justified. Ambassador Kosh proves just as unhelpful to the parents: concerning the issue of a patient's safety versus the concerns of the patient's world, he simply says, "The avalanche has already started. It is too late for the pebbles to vote."
Shon's parents plead with Kosh.
When the parents plea with Delenn, she says that she sympathizes entirely, but she also says that the Minbari are reluctant to get involved with the religious affairs of other people--especially because they've seen what happens when other races interfere with Minbari religious affairs. Delenn explains that both Dr. Franklin and the parents believe they are doing what's "right" -- yet how can either of them prove it?
Meanwhile, Ivanova's team has found the Asimov--but they have also picked up the signal of an approaching Raider vessel.
Sinclair explains to Garibaldi how distraught he is--the buck keeps being passed back to him. Earth Central refuses to advise, and the other ambassadors refuse to take action. Later, when Sinclair visits Shon, Shon explains that, though he doesn't want to die, he doesn't want the surgery either.
When Sinclair finishes speaking with Shon, Dr. Franklin asks him what his decision on the request will be. Sinclair explains that it's a difficult decisions: both sides, according to their own beliefs, are morally "right." "Who should I believe?" asks Sinclair. "You [Dr. Franklin], because we share the same beliefs? Or do we? ... What makes a religion false? If any religion is right, then maybe they all have to be right. Maybe God doesn't care how you say your prayers, just as long as you say them ... What we hold sacred gives our lives meaning. What are we taking away from this child? ... I have to refuse to sign the order. I can't allow you to perform the operation."
When Franklin angrily confronts Sinclair, Sinclair explains that he really had no choice in the matter. According to his personal beliefs, he would sign the order right away--but as commander of B5, he wants to ensure the neutrality of the station. He explains that he can't just set other races' beliefs aside whenever it's convenient or whenever they violate human beliefs. He also says that, though he is violating the precedent set when he ordered Dr. Kyle to operate on Kosh, that particular precedent must be stopped somewhere.
Meanwhile, Shon's condition is worsening. Franklin calls Shon's parents, who say how grateful they are for Sinclair's wisdom, and who tell Shon how proud they are of him that he is dying honorably. When Shon's parents leave, however, Franklin decides to operate on Shon anyway--he can't allow a simple legal order to get in the way of what's "right," according to him. Dr. Hernandez decides to help him.
Preparing to operate.
The Raider ship that is approaching Ivanova is meanwhile getting closer. Ivanova, in defiance of general orders to the contrary, breaks formation and pursues this Raider ship--as the rest of the squadron escorts the Asimov back to B5. Ivanova successfully destroys this ship, but notes a large squadron of Raider ships approaching after her. She reverses her thrusters, trying to escape.
Franklin's operation was successful, and Shon--who is now physically fine--comments that he doesn't feel spiritually any different than he did before. When his parents arrive, however, they angrily shun Shon--they treat him as if he were some sort of evil demon and try to exorcise him.
Shon, abandoned by his parents.
Sinclair, when he hears, angrily confronts Franklin. However, they are both interrupted by Hernandez, who summons them to the Med Lab. At Med Lab, the parents have again arrived--and this time they appear a little more complacent. They say that if it were in their power to forgive Franklin, they would--because he meant no harm, and because he did what he did out of compassion. They leave, after wrapping Shon in a "travelling robe."
A little later, when Franklin and Hernandez are researching the customs of Shon's race, Franklin comes across a description of a "travelling robe." Suddenly, he rushes out of the Med Lab, runs through the corridors, and arrives at Shon's room--only to realize that he is too late, that the parents have already killed Shon. The parents, however, don't see why Franklin is so upset--they comment, "This was not our son. This was only a shell. There was nothing to do but end the pain of the shell."
"Do not grieve, Dr. Franklin."
Later, Sinclair tells Franklin that he won't ask for his resignation--this time. However, he comments that Franklin shouldn't have made the request--then, he wouldn't have had to violate it. Franklin is quite upset with himself, however, for not knowing that the parents would kill Shon. Franklin wonders if things might not be better or easier if nobody cared about life or religion.
"What makes us human is that we care--and because we care, we never stop trying," replies Sinclair.
Meanwhile, Ivanova and her squadron have returned safely. When Garibaldi asks her about the orders she violated, Ivanova explains that sometimes things work out when one takes an educated risk. Garibaldi replies that at other times, they don't--and he explains the events of the preceding days to Ivanova.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Between the Darkness and the Light
Overview
Garibaldi is captured by the Mars Resistance. Ivanova's fleet clashes with Clark's forces. A plan to free Sheridan is launched. Marjorie Monaghan as Number One.
P5 Rating: 8.84 Production number: 419 Original air week: October 6, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@876017430 With the help of a deep scan by Lyta, who is able to break past blocks put in place by P12 telepaths, Garibaldi has convinced Franklin and the others that Bester manipulated him into betraying his fellow officers.
- @@@876017430 Garibaldi, Franklin, and Lyta have freed Sheridan.
- @@@876017430 Londo and G'Kar have convinced the League of Non-Aligned Worlds to join the fight against Clark and help Sheridan, who came to their aid against the Shadows. Sheridan's fleet now contains Narn and Centauri warships, among others.
- @@@876017430 Not all the so-called defectors to the rebel fleet have really betrayed Earth; there are some spies who have been feeding information about fleet movement back to Earth.
- @@@876017430 Earth has been adapting Shadow technology for use in its own ships. The resulting vessels are capable of putting up a strong fight against White Star-class ships.
- @@@876017430 Ivanova was mortally injured during a clash with a fleet of Shadow-enhanced Earth ships. Minbari physicians estimate she has no more than a week left.
- @@@876017430 At Ivanova's request, Sheridan has assumed command of the Agamemnon once again.
Unanswered Questions
- @@@876017430 What other Shadow technology has Earth adapted?
- @@@876017430 What impact has Sheridan's interrogation had on his psyche?
- @@@876017430 How badly was the White Star fleet damaged by the battle?
- @@@876017430 Did Garibaldi and the others leave Mars with Sheridan?
Analysis
- @@@876167753 G'Kar's feeling of debt to Sheridan is obvious:
Sheridan gave him sanctuary
("The Long, Twilight Struggle")
and aided the Narn during their war with the Centauri
("Acts of Sacrifice"
and
"The Fall of Night,"
among others.) It's less clear why Londo would be willing to put
his people on the line to the same extent. Londo, at least from his
perspective, took care of the Centauri Republic's Shadow "problem"
on his own, without Sheridan's intervention
("Into the Fire.")
While he may since have learned of Sheridan's role in sparing Centauri
Prime from destruction by the Vorlon planet-killer, he never worked
closely with Sheridan as G'Kar did.
One possibility is that Londo feels he has to repay Sheridan for telling him of the approach of the Vorlons ("Falling Toward Apotheosis.") Londo did tell Sheridan he owed him a favor in return.
Or it may be a simple matter of redemption: Londo certainly realizes that he helped the Shadows, and he may feel he needs to make up for his past misdeeds. In "No Surrender, No Retreat," Londo told G'Kar that he wanted to help the humans because they'd been friends, and he'd been ignoring his friends too long.
- @@@877023361 G'Kar praised humanity as a bridge that has allowed the
other races to work together. That's the same argument Londo made to
him in
"No Surrender, No Retreat."
Delenn has expressed the same sentiment as well, e.g. in
"And Now For a Word"
with her closing remark about humans building communities.
- @@@876778441 The League's unanimous vote ran counter to Sheridan's
request that they stay out of Earth's civil war
("No Surrender, No Retreat.")
Upon his return, however, he didn't seem to object to the presence
of the alien vessels; has he changed his mind about the need to
credibly deny that his campaign is due to alien influence?
- @@@876017430 Just how powerful is Lyta? She has set off planetary
defense systems from light-years away
("Epiphanies,")
is able to easily slide past defenses put in place by the Psi Corps'
most talented members, and can project detailed memories into the
minds of others. There must be limits to her ability; Kosh was
able to block her out
("Falling Toward Apotheosis.")
But she appears to be light-years ahead of any other human telepath
since Jason Ironheart
("Mind War.")
- @@@876778441 Lyta appeared startled when Garibaldi mentioned the
conspiracy against the Psi Corps. Did she pull the details out of
his mind, and if so, is the knowledge useful to her in any way?
- @@@876778441 Why did Number One believe the images Lyta sent to her?
Given Number One's distrust of telepaths, wouldn't she suspect that
Lyta was feeding her fictitious images? Of course, it's possible
she believed it because Lyta also transmitted the belief that the
images were legitimate.
On the other hand, it's strange that Number One's people were also convinced immediately; given the resistance's innate distrust of telepaths, why weren't they suspicious of her immediate reversal of attitude after Lyta apparently did something to her mind?
- @@@876240506 How much does Ivanova know about Marcus' feelings for
her? When he walked into the sleeping chamber, he didn't think she
suspected -- hence his "You will never know" comment -- but clearly she
suspects something now that she knows what he said to her
earlier
("Shadow Dancing.")
- @@@876788218 How was Earth able to adapt Shadow technology so
quickly, given that it's millions of years more advanced and apparently
has a completely dissimilar basis (living matter as opposed to steel
and wires?) Did Clark's people, or maybe the Psi Corps, receive
technical assistance from the Shadows at some point?
Earth's weapons researchers weren't completely new to the concept of living weapons; the confiscated Ikarran artifact in "Infection" was in their hands for nearly four years. It's possible that studying that artifact, which presumably was a less advanced form of organic technology than that used by the Shadows, gave them the context they needed to begin to understand Shadow artifacts. The ships on Mars and Ganymede ("Messages from Earth") would have provided chances for experimentation, if brief ones.
- @@@876202457 Was Sheridan's father freed too, or is he still being
held? The interrogator implied that Clark's forces still had him.
Even without Garibaldi's help, Sheridan's father can presumably
still be used as leverage against Sheridan.
- @@@877243413 Sheridan was in a rather confused mental state when he
was rescued. Will his interrogation have any lasting effect on his
psyche? Many people would be scarred for life from such an experience.
On the other hand, Sheridan has already been through a rough time --
death -- and after that, the rest may seem minor in comparison.
- @@@876775761 Why did Ivanova ask Sheridan to lead the final battle
from the bridge of the Agamemnon? Symbolism, most likely, since
she expressed concern about it earlier. But clearly, he'd be safer
on the bridge of one of the White Star ships, Ivanova's injury
notwithstanding. She must be aware that her request puts the
integrity of the fleet -- which depends on Sheridan himself as a
symbol, every bit as much as it depends on the participation of
Earth ships -- in greater jeopardy.
The symbolism aspect is the most likely explanation; a fleet led by an Earth warship will be harder for Clark to explain away as mere alien interference.
It's also possible, given the discovery that not all the defecting ships are loyal to Sheridan, that Ivanova wanted Sheridan on the bridge of the Agamemnon to ensure that its captain couldn't betray the rebel cause.
- @@@876942935 Sheridan's use of the Agamemnon
after Ivanova's fall has
symbolic meaning on another level: Agamemnon was the commander of the
Greek forces during the Trojan War, and he sacrificed his daughter
Iphigenia to ensure fair wind for his ships. Ivanova, while obviously
not Sheridan's daughter, sacrificed herself to ensure that the fleet
would make it to Mars.
@@@877632271 In Euripides' version of the Greek myth, Iphigenia was switched with a hind (a deer) at the last minute by Artemis, who among other things was the goddess of virgins. Iphigenia lived thereafter in a distant country as the high priestess in one of Artemis' temples. The "Endgame" page has more on that.
- @@@876017430 Garibaldi doesn't have very good luck with his back, between the knifing in this episode and the gunshot in "Chrysalis." An additional irony is that he was stabbed in the back while helping rescue Sheridan, who he stabbed in the back in a metaphorical sense.
Notes
- @@@876788218 Earthforce is expanding the underground Mars tunnel system, leading to instability in the existing tunnels.
- @@@876035140 Ivanova has eidetic memory (photographic memory or perfect recall, as it's more commonly known.)
- @@@876778441 The VR machine used to interrogate Sheridan is similar to the machine used to interrogate Sinclair in "And the Sky Full of Stars."
- @@@877200353 After Franklin finishes sewing up Garibaldi's wound, the team proceeds down the tunnel. Part of a discarded newspaper is visible in the background, including the headline "TIAGO" and "TED" on the next line. The headline is probably "Santiago Elected," the same newspaper headline visible in "Grey 17 Is Missing."
- @@@876778441 The Damocles, which Ivanova's fleet fought at the beginning of the episode, is named after a figure in Greek mythology. As told by Cicero, Damocles was a courtier under Dionysius of Syracuse, who had risen to power by violence. He envied what he imagined to be his ruler's pampered and carefree life, so Dionysius decided to let Damocles experience what his life was really like. In the midst of a sumptuous banquet, Damocles discovered that a sword was suspended by a horsehair over his head, ready to drop at any moment. Dionysius said he felt the same anxiety every day, surrounded by enemies waiting to take his life at the first sign of weakness.
- @@@876017671 The title most likely refers to the mantra recited by Delenn and others upon entering the Grey Council: "I am Grey. I stand between the candle and the star. We are Grey. We stand between the darkness and the light." ("Babylon Squared," among others.) It may also refer to a transition from darkness to light; Sheridan's return certainly qualifies.
jms speaks
- @@@877368075 It's a nice, quiet little episode.
Well, at least, in comparison to what's coming....
- @@@876154414 Was this episode filmed after Claudia Christian
decided to leave?
Negative. We'd finished all S4 shooting at the time this occured.Were new scenes shot and edited in?
Negative. - @@@876154935 Was there a scene missing between Sheridan shooting
the guard and his arrival on the Minbari ship?
Yes, there was a small scene that got cut for time.Good catch.
- @@@876779128 The Garibaldi material through the map sequence with
Number One was originally in "Intersections." It got shunted over to
419 when 418 ran 7-8 minutes long, and 419 ran 8 minutes short.
- @@@876776365 During the interrogation, the female interrogator
said, "Put a bullet in his head." But Earth uses PPGs now, not
bullets.
Nope. We've established (in Grey 17 is Missing, for instance) that guns are still used on Earth and elsewhere; but in a space station, you don't want a slug-thrower because it tends to a) ricochet a lot off metal walls, or b) cut through something vital that would breach the hull potentially. - @@@877026924 About Ivanova's eidetic memory
She's a latent telepath. About a P1. As has been established on the show in the past. That gives her a slight edge in many areas. Also, an eidetic memory does not equal facility with language. I have a somewhat eidetic memory. I can usually remember visuals and things said to me with extreme clarity. (Unless I'm in convention mode at the time, at which point all bets are off.) But I have a real problem with learning languages, which involves not just memorization, but *translation,* which is a skill, a knack that some others have and some don't. (Spanish rolled off me, but for some reason I have a knack for German, though my vocabulary's gone all to hell.) - @@@876779061 "These new EA ships with Shadow tech...Are they
susceptible to telepaths like the shadow vessels were?"
Negative...they don't have living beings as CPUs, they're still working at adapting the basic tech, the other stuff is still a bit advanced.
"By the way, the EA adaptation to the shadow tech is accurately done. Keep the basic Omega design and modify where needed."
Got it in one.
- @@@876779178 The Advanced destroyer group was still somewhat in the
works when they hauled it out to go after the fleet. They'd been
expecting mainly to go after other Earth ships (as was noted in the
episode), and didn't count on exclusively being confronted by
Whitestars. Still, there were a lot of them here, and they did a lot
of damage by sheer force of numbers.
Corwin would be running the station in everyone's absence.
- @@@876937571 About Ivanova's speech
Yeah, it was a bit over the top, deliberately so.I put it in the category of a boxer who's going up against an opponent who may be well matched...and wants to psych the other person out.
If you look at "Give me liberty or give me death!" or similar statements, made to rally support or make a point, they're generally bigger than life, a bit over the top. That's so we can know where the top is so we can climb up there ourselves.
- @@@877368362 "If we want to be logical here, it really seems
improbable that a White Star could run into a piece of debris. Ok,
the pilot (Marcus) wasn't paying attention, they were at high speeds
and visability was poor."
Well, if you want to go back and listen to what's being said in the episode, Marcus calls out that the navigational system was damaged, and they were trying to repair when the big chunk of debris hit them. They couldn't get out of the way for that reason.
- @@@877026924 Some have complained about the rescue, arguing that they
wanted to see a big battle. (To which answer #1 is wait 7 days.) They
wanted to see the fleet smack Mars and free him in a big battle.
Well, if you do that, you can kiss goodbye any chance of the fleet then doing what it's SUPPOSED to be doing, which is the liberation of Earth. While they're tied up and planetbound (on one side) at Mars, Earth swoops in and knocks them out. You also lose any possible aspect of surprise.
It *had* to be done quickly, through the back door, rather than the fleet that some might have been expecting, so it'd look like a Resistance job, not a Fleet job.
- @@@881082627 "Why were there no cameras monitoring Sheridan?"
Torturers rarely videotape their work, thus assuring that it can never be used against them should things not go their way all the time. This is kinda pro forma in South America, for instance.
Between the Darkness and the Light
Synopsis by Katrina Glerum (kat@midwinter.com)
Seated at a small, bare table in the Captain's quarters, Franklin asks
Sheridan how he managed to escape. Who were his contacts in the
Resistance? Sheridan peers at him suspiciously. It isn't Franklin. It's
an interrogator and they are still in Sheridan's cell. Drugged and weary,
Sheridan's mind keeps shifting the location and persons from the station to
prison. The brainwashing hasn't succeeded though. The Captain hasn't been
convinced that he is under the control of aliens.
In a busy shipping station on Mars, Garibaldi meets up with his contact. Apparently the Resistance doesn't believe that Sheridan's kidnapping wasn't Garibaldi's fault. Several men leap out of the shadows and beat him senseless. At their headquarters, Number One offers Franklin a gun and the chance for revenge. "Steven?" Garibaldi shouts when Franklin refuses. Instead Franklin rips the hood off Garibaldi's head and angrily demands an explanation.
Garibaldi stammers out how he was used by Bester, but only Lyta seems
willing to believe it. Garibaldi tells them that he knows where Sheridan
is being held, and they can get him out. But it's the same story he used
to lure Sheridan in the first place. Garibaldi pleads, "You can't let
Bester screw up my entire life and not give me the chance to fix it. I
can't go out this way!" Franklin is disgusted. Seeing Lyta, Garibaldi
begs her to scan him. She replies that no one trusts telepaths here.
Franklin wants to try it, but Number One angrily decides just to shoot
Garibaldi.
Franklin grabs her gun as it goes off, and Lyta snatches a rifle, spraying
the ceiling with fire. In the uneasy pause, Franklin covers Number One
with the rifle while Lyta goes to work on Garibaldi's head.
She immediately finds Psi Cop blocks. Her eyes go full black as she pushes
harder until she finds the memories Bester concealed. When she announces
this, Number One scoffs. Furious, Lyta whips around, fixes Number One with
her eerie eyes, and convinces her with a rapid braindump of Garibaldi's
hellish experience.
The White Star fleet engages and disables another two destroyers. Ivanova
orders the backup units to proceed with the evacuation while the main fleet
heads for the next target. When Marcus questions whether they are advancing
too slowly, she insists that this is the one chance these crews will receive
justice for their actions, and besides, defectors will be needed when they
hit Earth.
Garibaldi shows Number One where Sheridan is being held. She says that her
people can get them inside, but they're on their own after that.
On B5, a rather worried Lennier finds Delenn and informs her that Mollari
has called a full Council meeting without informing the Minbari. The
Centauri is just calling for a vote on an intolerable situation, when
Delenn arrives. It's unanimous, and with a representative from Minbar
present, it's even legitimate.
"The humans have become the glue which holds us together," G'Kar explains
when Delenn objects. The Council feels it is their responsibility to do
everything in their power to prevent Earth from turning in upon itself, as
well as to repay the debt they owe Sheridan for his defense of their
planets during the Shadow War.
In Delenn's stunned silence, G'Kar, Londo and Vir explain that they have resolved to unite their forces to aid Ivanova's fleet, but they didn't want to tell her until it was fait acompli, lest people say it was based on personal interests.
The Resistance fighter leads Garibaldi, Franklin and Lyta through old
access tunnels to the location where Sheridan is being held, but refuses to
accompany them further.
Marcus brings the duty officer from one of the disabled ships on the bridge
with the claim that he has critical intelligence. Apparently some of the
"allies" they've picked up along the way are not real defectors. Ivanova's
intention to rendezvous near Mars for the final assault on Earth, has been
passed back to Clark, who has arranged to ambush them with a fleet of new
advanced-technology destroyers. Ivanova and Marcus realize that their
standard Earth Force allies would be annihilated by an advanced destroyer
fleet. There's no time to change the rendezvous, so Ivanova decides that
the White Stars must try to take out the force alone.
Garibaldi and Franklin jump a patrol in the tunnels. They win, but
Garbaldi takes a knife in the back. Franklin stitches the wound crudely,
but can't convince Garibaldi to stay behind.
Captain James of the Agamemnon tries in vain to argue Ivanova out of her
decision. As soon as they set off, Marcus tries to convince Ivanova to get
some rest. He only succeeds by threatening to harry her until she gives
in. She agrees as long as he wakes her later and sleeps as well.
Wearing their old Earth Force uniforms, Garibaldi and crew stroll up to the
prison guard booth. The guard recognizes Garibaldi and commends him for
turning Sheridan in. He accepts Garibaldi's story about being there to
interrogate the prisoner and lets them pass.
The two cell guards stop them. Garibaldi casually mentions the lock "code" and Lyta grabs it from a guard's mind before attacking the second guard with the thought of pain. Garibaldi takes out the other one, but blood is now showing through his uniform. They hurry into the cell and Franklin sets to work trying to revive Sheridan. Through his drugged fog, Sheridan mumbles, "Michael! I was going to kick your butt for ... something. But I don't remember."
Before waking Ivanova, Marcus looks at her soulfully and utters, "You'll never know." She curses when he tells her they're almost at the target and he didn't sleep. Before rushing to the bridge, Susan reminds him of the Minbari phrase he told her was a "greeting" the last time they were here. "You are the most beautiful woman I have ever known." She knows what it means now and thanks him.
Trying to get past the guard post with Sheridan, the guards notice the blood on Garibaldi's back, and demand that the rescuers step away from the prisoner. They quickly shoot all the guards. Clumsily, Sheridan picks a gun off the floor and unloads it into one of the guards, shooting until the man is pulp. He looks at Garibaldi with very cognizant fury and insists he's fine.
The White Star fleet emerges at the rendezvous point. A dozen jump points
open on all sides and discharge a stream of destroyers. Ivanova is
horrified when she sees them. Black skins and barbs on semi-organic hulls
prove them to be based on Shadow technology. The force commands her to
surrender, and when she refuses, demands to know who she is.
"Who am I?" she asks. "I am Susan Ivanova. Commander. Daughter of Andre
and Sophie Ivanov. I am the right hand of vengeance and the boot that is
going to kick your sorry ass all the way back to Earth, sweetheart. I am
death incarnate, and the last living thing that you are ever going to see.
God sent me."
With these words she opens fire and leads the fleet into the toughest
battle they've faced yet. One by one White Stars drop, but they manage to
outmaneuver and outgun the enemy until every one is destroyed. With her
navigational controls damaged, White Star 2 is unable to avoid a huge mass
of debris hurtling towards the ship. In the aftermath of the crash,
Marcus picks himself up from the wreckage filling the bridge. He finds
Ivanova's limp body and carries it away.
Stumbling through the wide corridors of a Minbari cruiser, Sheridan
suddenly stops and stares at the sight of Delenn. They embrace and he
promises to talk about what happened to him later, but now he has to see
Ivanova, who is being tended by Minbari doctors and Marcus. Her head is
bolted into a vice-like stabilizer, her face is a mass of cotusions, and
she is rarely conscious. She rouses when John comes and begs him to tell
her the truth. Is she going to live? Painfully, he tells her, no. She
only has about a week. And so she makes one final request.
Sheridan steps onto the bridge of the Agamemnon. With the permission of her Captain, he announces that a friend has asked him to lead the final battle from here. At this, the multi-planet force sets out.
Born to the Purple
Overview
Londo's career is in jeopardy when a beautiful slave seduces him and steals a sensitive computer file. Garibaldi investigates an unauthorized use of a restricted communications channel. Fabiana Udenio as Adira Tyree. Clive Revill as Trakis. Robert Phalen as Andrei Ivanov.
P5 Rating: 6.79 Production number: 104 Original air date: February 9, 1994 DVD release date: November 5, 2002 Written by Larry DiTillio Directed by Bruce Seth Green
Backplot
- Trakis: "Do you know why a drunken fool like Mollari has the power he does? Because his family has been collecting dirt on other families for years, like all the 'noble' houses of the Centauri republic."
- Londo: "We Centauri live our lives for appearances: position, status, title. These are the things by which we define ourselves. But when I look beneath the mask I am forced to wear, I see only emptiness."
- Centauri law permits individuals to own Centauri slaves. Owners are legally responsible for the actions of their slaves. This appears to be a slave system of economics rather than of caste. According to Trakis, powerlessness and slavery is the fate of all Centauri who don't play the game of blackmail and backstabbing.
Unanswered Questions
- What was the Euphrates treaty compromise that Sinclair forced Londo to accept?
Analysis
- Londo and G'Kar agree over a drink that females are the finest of all things in life. They are much more friendly with each other now than when last we saw them (cf: "Midnight on the Firing Line"). The Narn must have been very pacifying in the meantime.
- Intense anger from a couple nearby people is enough to send Talia away for a breather.
- Londo agrees to Sinclair's compromise on the Euphrates treaty in exchange for his personal help recovering the purple files. However, this should not be taken as another example of Londo putting personal concerns above state concerns. In a profoundly blackmailable culture like the Centauri, power lost by one individual or family would always be gained by another. But if an outsider were to get hold of a treasure trove like Londo's purple files, all of Centauri would be diminished. There is an interesting parallel here to the Minbari concern for souls (cf: "Soul Hunter").
- Ivanova's brother was killed in the Earth/Minbari war, her mother committed suicide (cf: "Midnight on the Firing Line"), and she's been estranged from her father for years. Thus it's unsurprising she's so hard-edged.
- Talia is willing to skirt Psi Corps regulations when a life is at stake (though she has no concern for Londo's career). The Psi Corps' hold on remote psis appears to be pretty weak.
- @@@884630840 When she was approached about the plan, Talia asked Sinclair if Londo was serious about a woman's life being at stake. Shouldn't she have sensed Londo's distress? Strong emotions are difficult to block out, she says ("Mind War,") and with Adira's life and his career at stake, Londo would presumably be quite anxious. Of course, she may have sensed the anxiety but not its reason.
- Ivanova is willing to skirt EA regulations for personal perks. (cf: "War Prayer")
- When G'Kar meets with Trakis to exchange the information, Trakis says to him, "You said nothing about a telepath." From this it is clear that G'Kar was the one who contacted Trakis. However, Trakis knew through the bug he planted on Londo that Sinclair was onto him. So, Sinclair must have set up G'Kar's call to Trakis in such a way that it wouldn't arouse his suspicions.
- Telepath-aided negotiation must make future diplomacy much different than it is now. No posturing, tailored versions of the situation back home, empty threats, or hidden agendas. Parties have the same freedom to make choices for their governments, but there are vanishingly few tactics left to gain more advantage over one's adversary than one already has.
Notes
- The episode's title is a term dating back to Roman times, still in use in Britain. Roman senators in the days of the Republic wore purple edged togas as a symbol of royalty, since purple dye was very expensive. Today, members of the House of Lords wear purple robes for state occasions. When someone is made a peer in the UK they are said to have been "raised to the purple." Hereditary peers are "born to the purple". Perhaps this implies that the purple files are so named because they are what keeps Londo's family in its preeminent position.
- G'Kar glances no less than four times at the human dancer behind him when he and Sinclair first confront Londo about the treaty.
- Babylon 5 communications has a priority "Gold Channel" reserved for emergency communications. Sinclair's express permission is required to use it, and its existence is known only to the ambassadors and senior officers.
- Londo's family heirloom, from the earliest days of the Empire, is a stylized eye-and-teardrop.
- Universe Today main headline: Homeguard Leader Convicted
- "Fresh Air" is the finest restaurant on Babylon 5.
- Talia used to work for the "Political Bureau".
- "I like to know all there is about Babylon 5," Sinclair says, "and Garibaldi's files are very thorough."
- Ivanova appears to wear only one earring, though it's hard to tell since throughout the episode we get no more than a glimpse of the right side of her head.
jms speaks
- We're currently finishing up production on "Born to the Purple,"
with Clive Revell and Fabiana Udeno. It's a very offbeat and funny
story (by Larry DiTillio, natch) which adds a new side to Londo's
character. It puts our characters into different situations than we're
used to, and it's fun seeing how they react to these new conditions.
- Trakis, Adira's owner, was not a Centauri, but (and this is something we
may bring up at some point down the road), was at one point a Centauri slave.
- Re: Londo as a romantic character...bless your heart. You are the
first to have nailed it absolutely on the head. If I had to write a
description of the character, I doubt I could have done any better
than what you just wrote. There are a *lot* of episodes that bring
this out in him, including the next one up, "Born to the Purple,"
which I suspect will end virtually all of the hair jokes once and
for all.
Anyway...yes, and thank you, that's it *precisely*.
- Let's just say for now that you'll learn something very unusual about
Centauri "intimacy" in "The Quality of Mercy."
- Fabiana didn't shave her head to play Adira; that's a prosthetic head
piece. Ditto with all our Centauri women. (Funnily enough, the one
time we DID have a bald woman as a background extra, those not in the
know on stage kept commenting on how fake the bald-cap looked....)
- The point you raise is exactly correct; which is why we've set up
the Psi Corps in such a way as to *prevent* them from becoming a deus
ex machina all the time. This is what's always bothered me about the
way "empaths" are treated on ST; it's a terrible invasion of privacy.
The Psi Corps has strict rules about who can and can't be scanned,
and under what conditions. In "Purple," she couldn't just go scan
Trakis; she had to be hired, had to be already engaged in a business
capacity, and had to find it *only* in surface thoughts, no deliberate
poking. And this is the ONLY -- repeat, the ONLY -- time this is
done in the entire season, aside from the accidental run-in with Londo
in the pilot episode.
We'll get deeper into the rules and regs of the Psi Corps as we go, further establishing that there's a lot they're expressly forbidden from doing by law.
- I confess I don't see the problem. In real life, some women are
scientists, and doctors, and atheletes...and some women dance in
bars, some women hook part- or full-time. Some men are scholars and
diplomats and teachers...and some men are gigolos and thieves and
*also* dance in bars. Where exactly is the problem in portraying
both sides of this? Have we become so concerned with being
politically correct that we can not show a legitimate part of human
existence?
B5 has all kinds, and both sides of all kinds. Male and female, equally. I "chose" exotic dancers for a kind of sleazy, not-entirely legitimate operation, a backroom club. What would one *expect* to find there? Opera singers? You look at the situation, and you choose what is *appropriate to the situation*.
I would also point out that the dancers didn't "eagerly rush forward to betray their friend." Londo was trying to find Adira in hopes of helping her. He didn't say he was going to do anything bad to her, and he was probably known to more than a few of them. He was simply trying to find her. The coin was an added incentive. Back when I was an investigative reporter, I did some research on strip joints while I was living in SAn Diego. Spent a LOT of time talking to nude dancers (when they had their clothes on, I hasten to add). And 99.9% of them had a rule: you want to ask questions, you pay. That simple. That's how this stuff *works*. My job is to keep the B5 reality as close as possible to our reality in that respect.
Some of them probably wanted to help, knowing Londo was okay. Some probably didn't care. And some probably would've betrayed her at the tip of a coin. Life's like that. So again, where in this is the problem?
- Re: the club owner recognizing Sinclair (or not)...this is something
we discussed. Can Sinclair go places in the station and not be
recognized? In some cases, no. In a place like the Dark Star, maybe
so; this isn't the kind of place he generally hangs out in. It's a
question of how much day-to-day interaction somebody would have with
him. Yes, he's an important figure; but I'm not sure if I'd
immediately recognize L.A. Mayor Richard Riordan at first glance,
particularly in different style of dress, in an unusual location.
We're *not* going to do it a lot -- just once this season -- but we
thought it was a reasonable approach.
- This was a bit cut from the script for time; Gold Channels are ONLY
for official use, they're high-priority channels that can go anywhere
back on Earth. Commercial communications are less reliable and only
have a few channels available; you've got to wait for a call to go
through. To use a Gold Channel for personal communications is a
No-No.
- Regarding Ivanova...it's not really an attempt to pull at heart
strings, as it is to establish that this is someone who's had, and is
still having, a pretty rough life. It's a real roller-coaster for
her, and the way she survives it is to absolutely bottle it up
inside. She has had angst throughout her life, and she's in for more.
We start to track that in little ways that probably no one will notice, as well as making it the occasional story point. A little way nobody'll notice: after this episode, she starts messing with her hair, which we'd deliberately set as extremely tight until now. Suddenly she doesn't have someone for whom she has to be a certain way, and she has to start finding her *own* identity, and it ain't easy.
- Larry DiTillio's episodes this season are "Born to the Purple," and
"Deathwalker." He's currently working on a third, tentatively
entitled "TKO." And yes, he uses blood instead of ink...unfortunately,
it's mine.
- There will be both sex and romance on B5 (sometimes together,
sometimes not). It's perversely appropriate that in the B5 series,
it's not the Commander who gets laid first, or Garibaldi, or G'Kar...
it's Londo. And it's a very funny, but very touching and moving
episode.
- It's a standard bed, works fine. Though we *did* have a thing in mind where Londo sits up in bed, having just had wonderful sex, and his hair is now hanging limp...but in a sudden burst of sanity we decided against it.
Originally compiled by Matthew Ryan mattryan@pobox.com
Born to the Purple
Ambassador Mollari is sitting in a night club, intensely enjoying the show. His pleasure is interrupted by Sinclair and G'Kar, who have come, quite angrily, to tell him that he can't evade his responsibilities any longer--that tomorrow morning, Londo will be present to negotiate with the Narn over the Euphrates Sector, a point of contention between the two regimes. Londo suddenly interrupts them and tells them to sit down--for the moment in the shows that Londo has been waiting for has arrived: an erotic Centauri dancer. "Of all things in life," Londo comments, "are females not the finest?"
Adira, the Centauri dancer.
"On that, Mollari, we can at least agree," replies G'Kar. As G'Kar, Sinclair, and Londo are sitting there, Ko D'ath, the new head of G'Kar's diplomatic staff, arrives. G'Kar, to put it mildly, doesn't look very happy. Meanwhile, a man makes a pass at Ko D'ath, who rather violently throws him across the room.
After the show, Londo returns to his quarters only to find the erotic Centauri dancer, whose name is Adira Tyree, lying on his bed. Needless to say, he is overjoyed and goes to bed ...
The next morning, Garibaldi finds an anomaly in the computer system--it seems that there has been some unauthorized use of the highly-official Gold Channels. Sinclair tells Garibaldi to continue investigating.
After finishing his talk with Garibaldi, Sinclair, who is at the negotiation table with G'Kar, becomes rather upset that Londo still hasn't arrived. Talia Winters, who will be telepathically auditing the negotiations, excuses herself from the table for a moment. Sinclair follows her.
Talia tells Sinclair that she just had to get out of the room for a while--so much intense emotion in such close proximity can be difficult to block out. Sinclair explains to her how important a peaceful settlement to these negotiations is; he wants to prove that Babylon 5 is doing the job it's supposed to be doing. Further, he knows that every side truly wants a peaceful settle- ment, and explains to Talia that her job is to get rid of all the lies, until the inescapable truth of a peaceful settlement is the only thing left.
Londo, in his room, is talking with Adira. "What is it that you're getting [from me]?" Londo asks. "A washed-up, old republi- can, dreaming of better days."
"These are my better days, Londo," Adira responds, "thanks to you." Londo finally hears that Vir is paging him, so he finally gets up and goes to the negotiations.
On the bridge, Ivanova, who has been informed about the communication anomaly, tells Garibaldi that he's overreacting. She explains that it could easily be a computer error or some energy fluctuation. Garibaldi protests that he has already checked for all of these possibilities--and he says that if someone has gained unauthorized access to the Gold Channels, there might be a very serious security breach. Gold Channels, he explains, are priority channels--most people don't even know that they exist, and even if people did know, they couldn't be used without the express permission of Sinclair. Ivanova, however, brusquely brushes him off- -she'll get to the problem later, she says, when she has time. Londo finally arrives at the negotiation table, claiming to have been detained by an "important matter of state." The negotiations begin.
Adira enters her quarters, and is surprised to find a certain man, Trakis, there. We quickly find out that Adira is a slave, and Trakis is her master. He asks her if things are going well with Londo. She evades the question, but he warns her that a slave should never lie to her master--and he uses some telepathic device to determine her thoughts. He then orders her to hurry up and get the "Purple Files" from Londo. "Do you know why a drunken fool like Mollari has ... power?" says Trakis. "Because his family has been collecting dirt on other families for years, like all the noble houses of the Centauri Republic." The Purple Files, he explains, can bring down any house in the republic--the Narn would pay well for that data, he says, and he wants it. He orders the reluctant Adira to use a mind probe to get the data from Londo.
Adira evades
Trakis' question.
Later, Adira is in her quarters when Londo stops by. He brings her some exotic flowers ("Star Laces"?) and also gives her an heirloom which has been in his family for centuries--it was originally warn by a wise and powerful matriarch of his family. She refuses to take it, but he forces it on her, telling her, "You know how stubborn I am!" She finally accepts it. Londo then mentions that he's made reservations at the finest restaurant on Babylon 5. Adira expresses concern and asks what would happen if people saw them together. He explains that, although the Centauri are a class-driven society, "When I look beneath the mask I've been forced to wear, I see only emptiness. Then I think of you, and I say, 'To hell with appearances.'"
Garibaldi is reading Universe Today in his office when his computer alerts him of another communication anomaly. He attempts to track it, and comes quite close to succeeding, only to be stopped at the last moment.
Sinclair has invited Talia to dinner, ostensibly in reward for her services at the negotiations, at the same restaurant that Londo and Adira have gone to. As Sinclair and Talia are talking, she explains how Londo's thoughts at the negotiations were intensely "erotic." Sinclair comments that he's not surprised.
Garibaldi is at Ivanova's console, trying to track down the last anomaly. His efforts are not accomplishing very much; he has traced the message to somewhere in the Russian Consortium.
Londo and Adira are back in Londo's quarters. She tells him to sit down while she prepares the drinks. She sticks some type of sedative in one of them, however. When Londo drinks it, he falls back, unconscious. She sets up the mind probe and gets Londo's access codes to the Purple Files (which are, appropriately, "wine," "women," and "song."). She uses the codes at a computer console in Londo's room to gain access the Purple Files and transfer the information that they contain into a data crystal. She returns his heirloom, sadly mumbling that she's sorry; then, she leaves.
In the morning, Londo is quite upset at Vir for waking him up. Further, he complains of a terrible headache. Suddenly, he notices that Adira has left his ancient heirloom on his desk.
Adira is staring at the data crystal in her quarters when Trakis calls her and orders her to meet him in exactly 10 minutes. Reluctantly, she starts on her way.
Londo, who is extremely preoccupied by now, suddenly has what he thinks is a brilliant idea--to gives Vir full diplomatic status and tell Vir to represent to the Centauri at the negotiations. He tells Vir that he is now the "voice of the mighty Centauri Republic." Vir, changing from an expression of surprise and reluctance to one of pride, finally accepts his position at the negotiation, and virtually runs off, excitedly. "Don't give away the homeworld," orders Londo, as Vir leaves.
Adira, as she sees Trakis at the prearranged meeting place, finally realizes that she doesn't like what she's been forced to do. As she sees Trakis, she runs away from him. Trakis, in quick pursuit, violently pushes a few bystanders out of the way, but is unable to catch up with her.
Trakis finds Londo knocking at Adira's quarters. "She's not there," Trakis tells Londo. Trakis goes on to explain that he and Londo are very much alike--how Adira has betrayed them both. Adira is meanwhile speaking with a friend of hers, frantically arranging safe transport away from Babylon 5. Until the flight, her friend promises her a safe hiding place--in the friend's quarters.
Trakis tells Londo that Adira is a Narn agent. When Londo expresses disbelief, Trakis merely warns him of a danger with which Londo is quite familiar--that if the Purple Files get out, the whole Centauri Republic (not to mention Londo's career) will be finished. Trakis continues to explain that Adira is Trakis's slave--and that the only reason that he cares about this whole thing is that, by the same Centauri laws which allow him to own Adira as a slave, Trakis is responsible for any crimes which Adira commits. Trakis secretly places a audio bug on Londo. Londo, in a mixture of sadness and rage, tells Trakis to leave the quarters.
At the negotiation table, Vir walks in and proudly proclaims that he is the ambassador for the Centauri Republic. G'Kar is enraged, and, as a countermeasure, makes Ko D'ath the Narn ambassa- dor (warning her not to give away the homeworld). Sinclair, trying to maintain some semblance of order, leaves the negotiation chambers to search for Londo.
Sinclair tries to
restore calm.
Londo, who has realized that Adira stole his Purple Files, is in no mood to return to the negotiations. He explains the seriousness of the situation to Sinclair and also asks Sinclair for help. The situation must not be made public, he says, and Sinclair is the only one to help him. Sinclair says that he'll only help Londo if Londo agrees to Sinclair's compromise concerning the Euphrates Sector. Londo agrees.
Undercover, Londo and Sinclair enter the club for which Adira was dancing previously. Sinclair outwits the owner of the club into letting him see the dancers for a while. Once they see the dancers, they ask for information about Adira--where she might be hiding. One of the dancers tells them the name of a good friend of Adira--the quarters of whom are the mostly likely place for Adira to be hiding.
At the same time, Trakis, in the alien sector, is monitoring Sinclair's and Londo's conversation through the auditory bug which he attached to Londo previously. He is speaking with one of the aliens, arranging to pay for men to delay (and kill, if necessary) Sinclair and Londo in order to give Trakis to the time to capture Adira (and the data crystal).
Sinclair and Londo go heading off to find Adira but are intercepted by these hired men. Londo realizes that it must have been Trakis who sent them. Londo and Sinclair run off to hide; in the middle of the hired men's pursuit of Londo and Sinclair, however, they are ordered to call off their operations--Adira and the crystal have been captured. Londo and Sinclair overhear this unfortunate bit of information.
Sinclair and Londo
undercover.
Ivanova, on the bridge, informs Garibaldi that there has been an incident of heavy shooting down in a certain section of Babylon 5. She tells Garibaldi to go down to investigate it; she says that she'll monitor the communications for any similar anomalies. Garibaldi, however, sends some other security offices to the area of the shooting and remains in his office to monitor communications himself.
According to station logs, says Sinclair, no ship has left
Babylon 5 for the past two hours. Therefore, Adira and the crystal
must still be on board. Sinclair offers to arrest Trakis--there's
enough evidence, he says; Londo, however, declines, saying that any
arrest will hinge on his own testimony, and he cannot give it, for
fear of making this incident official. "Besides, he might harm
Adira," adds Londo. Sinclair is surprised and asks why Londo would
like to protect her--after all, she's the one who got him into this
situation. "I know," replies Londo, "but there must be some other
way." Sinclair says that he has another idea ...
Garibaldi, sure enough, has found another anomaly. This time,
he successfully traces it. He catches Ivanova communicating with
a Russian hospital--and with her dying father. Ivanova's father
sadly apologizes for his perceived lack of love toward his
daughter--he explains how, after her mother's death and her
brother's death in the war, he was too wrapped up in his own needs
to (from his point of view) successfully cater to her needs. He
apologizes profusely, though his daughter finds all of it unnecessary.
With touching words between them, he dies. Garibaldi, who
has been looking on sadly, sees and hears the whole conversation.
Sinclair, meanwhile, is speaking with G'Kar, offering him a "business opportunity." He offers to arrange a meeting for G'Kar concerning some "merchandise" that will give G'Kar an advantage over Mollari. When G'Kar asks Sinclair why he's offering this meeting, Sinclair says that Earth wants some concessions in the Euphrates Sector and knows that Narn gratitude is quite worth the price. Further, Sinclair, to ensure that the merchandise is genuine, offers to have Talia Winters sit in on the meeting. G'Kar accepts, telling Sinclair, "I never knew you could be so devious, commander."
"Coming from you, ambassador, that's a real compliment." rejoins Sinclair. G'Kar at first smiles, but suddenly realizes Sinclair's implication, and gives a perplexed, somewhat-annoyed frown.
Talia, however, when asked by Sinclair and Londo, refuses to use her telepathic skills for any purpose that involves personal matters--it's against Psi Corps regulations. However, when confronted with the possibility that Adira will die if she doesn't interfere, she agrees to scan Trakis's mind at the meeting that Sinclair arranged--however, she can only scan "surface thoughts," though there are tricks ...
The meeting between Trakis and G'Kar proceeds as Sinclair planned. Trakis mentions that he doesn't like telepaths. Talia refutes this, saying that she's only there to verify the merchan- dise ... he mustn't think of anything else--such as "where Adira Tyree might be."
Tricking Trakis.
Trakis is surprised and fooled--enough so that Talia can read his "surface thoughts" pertaining to Adira's location. She tells this information to Sinclair, who sends a security team to try to find her. Trakis, seeing that he has been fooled, attempts to run away--but is stopped by Londo's fist. "That was for Adira," says Londo, "and this"--he kicks Trakis rather hard--"is for me!" Londo searches Trakis's unconscious body and finds the data crystal without difficulty. Londo thanks G'Kar for helping to save not only Londo's career, but the entire Centauri Republic.
Ivanova, meanwhile, enters Garibaldi's quarters and notices that he didn't go down to check out the previous shootings as she had asked him to. Garibaldi comments on how there was another communication anomaly and how he has finally traced the problem: it was, he tells Ivanova, what she originally thought it was--a computer error. He says that he trusts it won't happen again; she agrees. Garibaldi, leaving the room, invites Ivanova for a drink, but she again brusquely brushes him off, saying that she's on duty. However, on second thought, she turns around and tells him, "Maybe another time."
Londo meets with Adira right before she leaves on her ship. He explains to her that Sinclair has "convinced" Trakis to give Adira her freedom--"He [Sinclair] can be a frightening man, that one!" Londo comments. Further, Londo again gives his old heirloom to Adira, telling her to wear it proudly--as a free woman. He offers her, once again, to stay, but she refuses, telling him that her wounds are too fresh. She apologizes, saying that she never meant to hurt him. They wave goodbye, and she boards her ship, leaving Londo only with memories.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
By Any Means Necessary
Overview
An accident in the docking area kills a worker, threatening to spark an illegal strike. Londo interferes in an important Narn religious observation which leads to a confrontation between him and G'Kar. John Snyder as Orin Zento. Katy Boyer as Neeoma Connoly. Aki Aleong as Senator Hidoshi.Originally titled "Backlash"
Sub-genre: Drama P5 rating: 7.84 Production number: 114 Original air date: May 11, 1994 DVD release date: November 5, 2002 Written by Kathryn Drennan Directed by Jim Johnston
Backplot
- The Narn homeworld is 10 Narn light years away, about 12 Earth light years.
- Narn ranks seem to connote some kind of religious authority; the highest-ranked Narn is expected to lead religious services.
- The Rush Act, put in place during the Earth-Minbari War, allows the Earth government to break up labor strikes using any means necessary.
Unanswered Questions
- How much trouble did Londo go through to get the G'Quan Eth plant, and did he do it solely to upset G'Kar?
Analysis
- The Earth government has a very low tolerance for troublemakers, it seems -- at least, troublemakers who operate in the open.
Notes
- @@@877717497 The G'Quan Eth plant, used in Narn religious rituals, is prized by the Centauri for use as a pleasure drug, a use the Narn consider sacrilige.
- The Rush Act was named after conservative American television and radio commentator Rush Limbaugh.
jms speaks
- Nearly all of our production crew appear in "By Any Means Necessary"
at various spots; the guy yelling "I say we STRIKE!" is our director,
Jim Johnston. And yes, John Flinn ["Grail"] was played by John Flinn,
our DP.
- The Rush Act only refers to unions, for the most part; it's not a
wide-ranging law. It was developed during the Earth/Minbari war to
deal quickly and effectively with corporations or unions which were
being difficult and otherwise holding up the war effort. (The air
traffic controllers union would be a good example of the government
doing whatever it felt necessary to resolve the situation.) The law
grants extraordinary power to resolve any kind of strike or union
action which endangers the operation of a military base or other
military operation, as Zento states. It applies only to that area,
and remains on the books, though (as is also pointed out) it hasn't
been used in a while.
- A UK poster inquires about Rush Limbaugh, for whom the Rush Act
in this episode was named
Re: who is Rush Limbaugh....Leading American proctologist.
Trust me.
- Sinclair's decision is legal...but not politic, and it will come back as
one of many decisions to haunt him in "Eyes."
- As for happy endings...you want some variety, I think; we had a tough
ending in "Believers," a bittersweet ending in "Survivors," and here
things worked out for G'Kar and Connoly, but in a way did *not* work
out for Sinclair. He's going to be hearing about this decision of
his again, in the not too distant future. He's getting further and
further behind the eight-ball with some of these decisions, and he's
going to get hammered about it.
- Exactly my point; there are differences between similar alien groups
(like the Narn) in culture, language and religion, with BAMN being
a good demonstration of the latter. Which is why I could only shrug
and say "Wait" after people started hammering on me here about
monolithic alien religions after "Parliament." We'd already filmed
BAMN by then, so I knew it was there. That's one thing about this
show that some have found out...generally, what you'd like us to do,
we've probably done or are about to do (hence the many times, when
I'm asked about something, that we can just say, "Wait until X airs
in 2 weeks" or somesush).
Still dancing as fast as I can....
- The writer for "By Any Means Necessary" is Kathryn Drennan, who is
very astute politically, a believer in the rights of workers (and all
folks, actually), and think that characters are more interesting if
they act smart than if they act stupid.
- Kathryn's last name is Drennan. Her full credit is Kathryn M.
Drennan. Not Straczynski. Probably displaying considerable wisdom
on her part. Ten thousand letters, no vowels.
Absent a collaboration on a series of articles for TZ Magazine a few years ago (a guide to the Night Gallery series), we don't collaborate. Ever. I also don't collaborate with Larry D., or any other of my writer friends. As I learned before, particularly on the one occasion when Larry and I tried it -- we co-wrote a pilot and bible for CBS based on the "Elfquest" books -- all parties concerned will live a LOT longer by keeping a respectable distance.
- One thing I can mention now, since it's nearly finished: see, I have
this real problem with nepotism. Specifically...I hate it. As a
result, I make people I know work twice as hard. The closer the tie,
the more the person has to work to prove him or herself.
Kathryn Drennan, my Spousal Overunit, is also a writer, and has written for many other shows, primarily in animation, but with some forays into other areas. (She was co-author on the Night Gallery series of articles I wrote for Twilight Zone Magazine, as one fr'instance, and was a producer with public televison for some time.)
Anyway, she desperately wanted to write a B5 script. But because of my feelings about nepotism, I refused to give her an assignment. (I can be a REAL pain in the ass.) Something similar happened when I was working on The Real Ghostbusters; she loved the show, and wanted to write for it. I put her through the wringer: she had to submit written premises, just like any other freelance writer, which were then sent on to the producers for final approval. They did not know of any relation between her and me; they based their approval only on the merits of the story. Period. And she ended up writing two episodes: "Egon's Dragon" and "The Man Who Never Reached Home." (The former is considered a favorite by many viewers of the show.) Only long after we finished production did the exec producers on TRGBs learn that there was a relationship there; it was all based on the quality of the work.
But in the case of B5, I *am* the exec producer, so it became more difficult. At first I said simply no. Finally, I set into place a number of conditions/provisions. NOT because she wouldn't do a great script, but only because I don't like the look of nepotism; I hate it, and I hate the way this town operates on the principles of nepotism. The conditions were that she had to write the script completely on spec, no assignment; not a spec outline, which is shorter, but a spec *script*. It would then have to pass muster in-house; if even one person thought it wasn't up to snuff, it got deep sixed. And revisions would not be handled by me, for the most part; she would have to work with Larry, who has a reputation (as Katherine Lawrence can attest) to not pulling his punches. No favoritism. Then the script would have to pass muster with Warners. IF, after all that, the script was approved, then it would be bought, and not a moment before. If anywhere along the line it didn't meet one of those criteria...then it would be a 50 page learning experience and nothing more.
Well, I'm pleased to say that it *did* pass muster with everyone, and "By Any Means Necessary" is now over halfway through production, with a number of people -- including Michael O'Hare -- saying it's their favorite so far, mainly for very odd reasons. The premise is one that ST would never, EVER do, which is one thing I like about it; it also shows us more on the inner workings of B5, the blue-collar types who keep the whole place operational...and what happens when that falls apart. The B story gets into a confrontation between G'Kar and Londo when Londo interferes in an important Narn religious observation.
We brought back John Snyder (Soul Hunter #2) minus prosthetics for one guest role, and Katy Boyer as our other guest star. They're both doing terrific jobs, and it's a very intense script in which we basically put Sinclair through the wringer for 48 hours and try and make him absolutely nuts. And succeed, for the most part.
Anyway...there you have it.
- The reference in "By Any Means" is to Matewan, where a terrible labor strike took place (and a film was made about it); the other is Matawan, which is where I lived for a while, but the reference is to the former, not the latter.
By Any Means Necessary
Ivanova, on the Observation Dome, is faced with the less-than-pleasant job of scheduling half a dozen impatient ships for docking at B5. To make her life more difficult, the captain of one of the waiting ships--a Narn transport--calls in and claims to be carrying a perishable cargo that he must deliver to Ambassador G'Kar. The captain is unhappy at having to wait twenty-five minutes, and Ivanova tells him that she'll do her best to minimize the delay.
Ivanova calls one of the maintenance crews in the docking bays and asks them if there's any way they can open up a bay and let the Narn transport in. After telling Ivanova how difficult she's making things for the maintenance crew, the foreman of the crew tells Ivanova that she can send the Narn ship in.
A busy day in the docking bay.
Ivanova calls back the Narn transport and tells the captain that he may dock immediately; the captain only responds, "About time." The Narn transport begins the docking procedure, but as the ship enters the docking bay, there is a sudden accident apparently caused by the bay computers. Ivanova attempts to alter the Narn ship's docking course, and she warns the Narn captain not to try to pilot the ship himself. The captain, however, panics and starts his engines--he crashes into the side of the docking bay, and his whole cargo load is lost.
Meanwhile, two people from the maintenance crew have been trapped by the explosion caused when the Narn ship crashed into the docking bay. The two trapped people are brought out, but one of them--the foreman's younger brother--has unfortunately been killed.
In his quarters, meanwhile, G'Kar is observing the holy days of G'Quan--the particular Narn religious figure that G'Kar follows. As he's solemnly chanting, Na'Toth interrupts him, bringing the news about the Narn transport. She tells him about the accident and the destruction of the transport's entire cargo hold; she mentions that the "G'Quan Eth" (spelling correction pending) aboard the ship has been destroyed. G'Kar seems extremely distraught.
G'Kar chants a prayer.
A meeting has been called concerning the accident in the bay. Neeoma Connally, a labor leader on B5, and Ambassador G'Kar attend the meeting with the usual B5 command staff. Connally is quite adamant in her belief that the laborers should not be blamed for the accident. When Sinclair suggests that the computer malfunction in the bay could have been caused by human error, Connally disagrees--but she claims that even if the accident *were* caused by human error, nothing else could be expected from an overwork and understaffed crew. Ivanova mentions that the accident can really be considered the fault of the Narn captain, who panicked and started his engines against Ivanova's direct orders, but G'Kar claims that the Narns are the victims of this unfortunate accident -- and consequently should not be blamed. Connally, however, is angered by what G'Kar says -- though the Narn ship was damaged, and though all of the cargo was destroyed, she feels the most serious catastrophe is that one of the laborers died because the accident. G'Kar offers perfunctory condolences, but he maintains that the Narn captain cannot be blamed--the captain's ship was placed in jeopardy and he reacted. After mentioning that he wants compensation for the damage, G'Kar abruptly leaves, claiming he must attend to a "pressing matter."
As G'Kar leaves, Garibaldi arrives and reports to Sinclair that the accident was indeed caused by equipment failure--it appears that the contractors installed sub-standard parts throughout the computer system. Garibaldi explains that it was probably by using these sub-standard microchips that the contractors could make such a low bid for the installation. When Ivanova explains how they'll have to reroute traffic to the other docking bays until new microchips can be installed in the damaged bay, Connally notes, "The problems dockside run deeper than a few microchips, commander." Sinclair tells Connally that he understands and that he's been trying to get the Senate to allocate a larger budget to B5. The meeting ends, and after Connally leaves, Sinclair is notified that he has a Gold Channel transmission from Senator Hidoshi--about the new budget.
Because all of the cargo on the Narn transport has been destroyed, G'Kar is desperately trying to find someone who can sell him a new "G'Quan Eth." Unfortunately for him, nobody seems to have any. Ambassador Mollari walks over to G'Kar and mentions that he's heard about the accident in the cargo bay. "If there is anything I can do to be of assistance, you will let me know, yes?" asks Londo.
Londo taunts G'Kar.
"No," replies G'Kar--and Londo walks away, laughing. As Londo leaves, Na'Toth walks up to G'Kar and tells him that her research shows that nobody will be able to deliver a G'Quan Eth in time for G'Kar's impending religious ceremony. "However," Na'Toth continues, "according to import records, there is one being on the station who has it.... Ambassador Mollari." Londo, from the other side of the room, laughs a loud, shrill laugh at G'Kar and exits abruptly.
"Why does the universe hate me?" asks G'Kar.
Meanwhile, Sinclair is speaking with Senator Hidoshi. Sinclair is disappointed that the budget was not increased--he claims that promises were made to him.
"Political realities sometimes take precedence over good intentions," replies Hidoshi. "If President Santiago can turn things around--at that time, you may receive *some* of the money you requested." When Sinclair responds that there are certain safety concerns that won't wait for the government to turn things around, Hidoshi responds, "Our experts have assured us that your new budget is more than sufficient for safe and efficient running of Babylon 5. Commander, I have every confidence that you will make it work."
After Hidoshi closes the channel, Garibaldi tells Sinclair that the news about the budget has already become common knowledge on B5--the station's business channels are broadcasting it. Sinclair calls for a meeting with Connally; Garibaldi points out that Connally will be quite upset because the dock workers didn't get any pay raises, money for new workers, or funds for upgrading equipment. Sinclair isn't surprised, however; he knows that since the workers' contracts prohibit them from quitting or going on strike, the Senate has no incentive to give the workers anything.
Ivanova, from the other end of the Observation Dome, calls Sinclair and Garibaldi over. She explains that the dock workers are all calling in sick; when Sinclair asks how serious the problem is, Ivanova replies, "Well, as far as we can determine, none of them are actually ill. They're just calling in sick."
"In other words, we have an illegal strike on our hands," points out Sinclair.
The dock workers have gathered near the docking bay and are airing their grievances--rather loudly and vociferously. "How much more of this do they expect us to take?" asks one worker. "I say strike," says another, and the whole crowd begins chanting, "Strike! Strike! Strike!"
Connally interrupts them angrily: "Stop it.... I don't want to hear the word 'strike' any more," she tells them. She says that they'll listen to all of the complaints, but she tells the workers to "try to keep a cool head during the management negotiation." Suddenly, Garibaldi arrives and walks over to Connally--he wants to escort her to Sinclair, who has already requested twice that she see him. "I've been tied up. I got a lot of sick workers here," Connally replies.
When the workers start to pretend to cough, Garibaldi is annoyed. "You think this is funny, huh? Well, I don't."
"We're as serious as a rip in a spacesuit," replies Connally, "and we want the Senate and Commander Sinclair to know it."
"By staging an illegal strike?" asks Garibaldi. "I thought you were smarter than that."
"Sinclair and Ivanova are career military," replies Connally. "I don't expect them to understand. But I figure you for blue collar under all that Earthforce grey."
Garibaldi explains that he understands their dilemma, but he feels that they're handling the problem incorrectly. He explains to her that Sinclair wants to speak with her about other possible solutions, and she eventually allows herself to be escorted to Sinclair. As they're leaving, Garibaldi tells Connally that Sinclair wants to help, but Connally is still skeptical.
When Connally arrives, Sinclair urges her to send her people back to work--if she doesn't, Sinclair is afraid that the Senate might invoke the Rush Act, a law which might force Sinclair to use troops against the striking laborers. Connally doesn't feel that the Senate has the "guts to do that" (because it would inflame public opinion), but Sinclair notes that "things are changing" on Earth and that Connally shouldn't discount the possibility of the Rush Act being invoked. Sinclair tells Connally that by going this far, she's already made her point -- and Earth Central will be made aware of the laborers' grievances. She replies that she can't send her people back to work without guarantees from Sinclair, but Sinclair tells her that he can't give her any guarantees unless her people return to work. Sinclair asks Connally to trust him, but Connally replies that the Senate controls the money--and she refuses to trust the Senate. Garibaldi points out the possible uproar of violence that might result from a clash between the workers and the government--he mentions how angry the workers seemed when he was down near the bay, but Connally assures him that the workers won't be the first to use violence--they will only defend themselves. When Sinclair tells her that he doesn't feel she fully understands the consequences of her actions, she only replies that she's quite aware of the consequences--her father was killed during a strike on Ganymede in 2237. "I have spent my entire life defending workers' rights," she tells Sinclair, "and I'm not about to stop now." She says that her people won't return to work until they are provided with better pay, higher wages, and more people.
Sinclair appeals to Connoly.
After Connally leaves, Ivanova calls Sinclair and tells him that there is another transmission for him from Senator Hidoshi.
Meanwhile, as Londo is entering his quarters, he notices that G'Kar is already inside. "You left your door unlocked, ambassador. Careless of you. I thought it best to sit here and guard your room until you returned," says G'Kar. Londo taunts him, mentioning that the holy days of G'Quan will end very soon. G'Kar isn't in the mood for games, however: "You know why I'm here," he says.
"You know why I'm here."
"The G'Quan Eth plant, yes?" responds Londo. "Difficult to grow, expensive to transport, very expensive to own, but so very important to you at this festive time." G'Kar reluctantly tells Londo that he wants to buy the G'Quan Eth plant. Londo replies that he's been saving the plant for a "special occasion"--he explains to G'Kar that when the G'Quan Eth's seeds are dropped into a mixture of alcohol, the results can be quite ... enjoyable. G'Kar grimaces, but Londo continues, "It's a shame you Narns waste them, burning them as incense." G'Kar angrily interrupts Londo and asks how much Londo is willing to sell the plant for; Londo replies, "You are asking for quite a sacrifice from me, but in the interstellar peace and friendship, ummm, fifty thousand commercial credits, in cash, in advance." G'Kar is enraged, but when he tells Londo that that price is an outrage, Londo simply responds, "Of course it's an outrage. The question is, how important is your religious ceremony to you?" G'Kar leaves quite angrily amid Londo's loud laughing.
On the Gold Channel transmission, Hidoshi tells Sinclair that Earth has been hearing reports of an illegal strike on Babylon 5. Sinclair claims that those reports are exaggerated, though he does admit that there's a problem. Hidoshi replies that such a strike would endanger B5 and would set a bad precedent for all of Earth's off-world interests. Hidoshi tells Sinclair that the Senate has sent Orin Zento ("our best labor negotiator," according to Hidoshi, "[who] has stopped this kind of thing before on many of our stations") to B5--he will be there within twelve hours. "I expect you to give him your full cooperation, and that includes providing troops if he decides the Rush Act is necessary." Sinclair responds that it would be dangerous to invoke the Rush Act on a station with more than one thousand dock workers; Hidoshi replies that the presence of so many dock workers is another "reason to end this thing decisively before it spreads."
When Zento arrives on B5, Sinclair schedules him for a meeting with Connally. Zento tells Sinclair that he wants to speak with Garibaldi; Zento wants to be ready in case he must invoke the Rush Act.
Meanwhile, G'Kar calls Londo and tells him that he has arranged payment for the G'Quan Eth. Londo, however, tells G'Kar that he has changed his mind--the G'Quan Eth is no longer for sale. "Consider this a small--a very tiny--portion of revenge for what you did to our colony on Ragesh 3, and to my nephew. Did you think that I had forgotten that?"
G'Kar, in his quarters, is enraged at Londo. After Londo closes the communication channel, G'Kar yells, "I'll kill him with my bare hands.... Sinclair can only kick my off the station [because of diplomatic immunity]. He might even thank me!" After he calms down, he begins talking with Na'Toth. He knows she's not a follower of G'Quan; she explains that her father followed a different religious figure than G'Quan, and her mother "didn't believe in much of anything." She explains that she only believes in herself. Eventually, G'Kar explains that there's still one thing he can do to get the G'Quan Eth; though he says that he hates having to use this plan, it's the only option remaining. He tells Na'Toth that there's something she can do to help him, however, in case his plan fails. Na'Toth agrees to help.
Orin Zento arrives at a gathering of the dock workers, who don't take particularly well to Zento's assurances that he "understands" their situation. When Zento tells the workers that if they abide by their contracts and return to work, Earth Central will look into the workers' problems; Connally, however, replies that the workers' "problems" have already killed a man, and as the elected representative of the workers, she can't allow that to happen again. Zento claims that despite the recent accident, the government experts assure him that there are enough dock workers on B5 for the next few years and that the workers already have adequate equipment. The workers react badly to this line of argument, however--the foreman, whose brother was killed, replies, "... you can damn well get your 'experts' to run [the] docks." Just as tempers begin to get hot, Sinclair suggests that a recess be called and that the negotiations continue the following day. Both parties agree.
Sinclair, back in his quarters, suddenly gets a message from Zento. Zento tells him that he's heard rumors that the workers have abandoned their pretense of being "sick" and have officially declared a strike. Sinclair tells Zento that he's sure the rumors are no more than mere rumors, but Zento brusquely responds, "Don't play games with me, Sinclair. I know all about you. You've let this situation escalate out of all proportion, and you can bet the Senate's going to get a full report." Zento warns that if Connally and the workers continue to strike, Zento will invoke the Rush Act. Further, Zento warns that Sinclair's troops "had better be ready" to enforce the Act.
Just as Zento closes the channel, the communicator beeps again. This time, G'Kar is on the channel--he says that he must meet with Sinclair to discuss a very important matter. Sinclair agrees, but only after G'Kar notes that he "wouldn't want to burden" Sinclair further by raising this matter before an entire assembly of the council.
Sinclair arrives at the council chambers to meet with G'Kar. "Are you telling me this is about a flower?" asks Sinclair after G'Kar explains the situation.
"Not just a flower, commander. The very symbol of my faith," replies G'Kar. He explains that all followers of G'Quan must perform a ritual using the G'Quan Eth plant at a particular time in the year ("when our sun rises precisely behind the G'Quan Mountain," says G'Kar, who also explains that people who aren't on the Narn homeworld must observe this ritual at the same time as those who *are* on the homeworld). Each year, the people who celebrate must acquire a new G'Quan Eth plant for the ritual--and now, the only person on B5 with a G'Quan Eth is Ambassador Mollari. Because this ritual is the most important of G'Kar's beliefs, because G'Kar is the highest ranking member of his faith aboard B5 (and must therefore provide the G'Quan Eth to followers of G'Quan on B5), and because G'Kar feels that it is sacrilege for Londo to possess a G'Quan Eth (for the plant rightfully belongs to the Narn, according to G'Kar, and was stolen from the Narn homeworld during the Centauri occupation), he asks Sinclair to help him. Sinclair agrees to attempt to help G'Kar.
To try to get the G'Quan Eth plant for G'Kar, Sinclair visits Londo. Londo, however, refuses to give the plant to G'Kar: "You know I would do anything for you, my good friend, Commander Sinclair--but not this.... This isn't about ... spiritual beliefs. G'Kar is only worried about losing face. The Narns--they're a barbaric people. They're all pagans, still worshipping their sun. No, I would rather burn the plant than give it to him." Sinclair leaves, and tells G'Kar--who has been waiting outside--that he's sorry, but that Londo would not listen. Sinclair, at that moment, is called to the briefing room by Ivanova. As the commander walks away, G'Kar calls Na'Toth and tells her, "Proceed!"
At the briefing room, Zento and Connally are again arguing. The talks are obviously getting nowhere; Zento says that he refuses to accommodate illegal strikers, and when he tells Connally that he strongly recommends that she send her people back to work, she simply replies, "Stuff it!" Zento says that he refuses to "pander to these people anymore"--he says that after he receives confirmation from the Senate (which he claims he'll have within the hour), he will invoke the Rush Act.
Zento and Connally argue.
On the way to the docking bay, Sinclair urges Connally to try to end this matter peacefully by sending her people back to work. She says she's sorry that this whole thing had to happen on B5, but she also maintains that it's too late for the workers to back down--they're tired of the abuses and they will finally stand up for their rights.
On the Observation Dome, the reporter from ISN (cf: "Infection") is trying to get Sinclair to comment on the labor situation. When Londo and G'Kar suddenly arrive, screaming at one another (Londo demands that Sinclair arrest G'Kar, for he claims G'Kar has stolen a statue of a Centauri deity; G'Kar responds that he has been in the presence of witnesses for the past few hours and has not stolen anything; Londo replies that G'Kar's "attack dog, Na'Toth," must have stolen it--but on G'Kar's orders), Sinclair gets rather annoyed at the disturbances. He tells Londo, G'Kar, and the reporter to leave the observation dome immediately (and threatens that if they don't leave, he'll place them in the brig). Londo claims that he's going to file an official protest, while G'Kar says that he's going to file *two* official protests.
Just as everyone leaves, Garibaldi enters. At that moment, Senator Hidoshi calls in. Hidoshi tells Sinclair that--though Hidoshi would personally want Sinclair to handle the situation as Sinclair best sees fit--Zento has convinced a majority of the Senate to invoke the Rush Act. When Sinclair replies that the only possible result of the Rush Act can be a violent confrontation, Hidoshi says that he knows that--and he fears that a violent confrontation is exactly what some people want. Sinclair reluctantly tells Garibaldi to mobilize his troops, and asks Ivanova to bring him the full text of the Senate order.
Down in the docking bay, when the workers find out that the Senate has invoked the Rush Act, they are angered but are prepared to defend themselves. When Garibaldi arrives with a few security officers, a fight breaks out.
The workers riot.
Amid the fight, Connally is arrested and dragged away by Garibaldi. As Garibaldi leaves the docking bay, he meets Sinclair and tells him that the security forces are ready to flood the bay with a somniferous gas and arrest the dock workers while they're asleep. Both Sinclair and Connally are angered by the fight, and both claim that they wanted to avoid this confrontation. Garibaldi, however, points out that the fight was started by the foreman whose brother was killed; the foreman, according to Garibaldi, threw the first punch. Sinclair tells Garibaldi to have his men to pull out of the docking bay. When Sinclair enters the docking bay, the workers temporarily calm down and let Sinclair speak.
"Under the Rush Act," begins Sinclair, "the Senate has empowered me to end this strike. I'm authorized to use any means necessary." After confirming this fact with Zento, and after Sinclair is assured that he has Zento's full support, Sinclair explains what "necessary means" he's going to use to stop the strike: First, Sinclair will reallocate 1.3 million credits from B5's military budget in order to begin necessary upgrades of docking equipment and to start hiring more workers. Second, Sinclair will declare a complete amnesty for dock workers who have struck but who have committed no other crime. Zento angrily protests, but Sinclair comments that it was Zento who allowed Sinclair to use these means by convincing the Senate to invoke the Rush Act: "You should never hand someone a gun unless you're sure where they'll point it," says Sinclair. Sinclair adds that no charges will be pressed against the workers who were involved in the fight against the security officers; on this point, Garibaldi and the foreman shake hands. Sinclair finishes by saying that all of these actions are dependent upon the workers' returning to work immediately; Connally agrees, and the workers begin work again. As the workers get back to work, Zento angrily tells Sinclair, "You know damn well you twisted the intent of that order, and you won't get away with it."
"I think Ms. Connally said it best the other day--'stuff it!'" replies Sinclair. Connally thanks Sinclair and apologizes for underestimating him.
After Connally leaves, Garibaldi politely tells Sinclair, "You look like week-old bread. Why don't you get some sleep?"
Just then, however, Ivonova calls Sinclair and tells him that he'd better come quickly because--"G'Kar and Londo are approximately half an inch from killing each other," she says.
When Sinclair arrives, he tells G'Kar to return Londo's statue. G'Kar protests--he still claims he never stole the statue--but Sinclair isn't in the mood for games. Next, he tells Londo that dangerous chemical composition of the G'Quan Eth plant makes it illegal to possess except for legitimate medical or religious purposes. Londo laughs, saying that the plant is no more harmful than a bottle of Earth whiskey; Sinclair merely tells him to file an official protest if he wishes--but to turn over the plant anyway. Sinclair mentions that Londo will be fully compensated for the plant, of course. Londo, at length, agrees. "I have already gotten my enjoyment from it anyway," says Londo. After Londo leaves, Sinclair tells G'Kar that once Londo's statue is returned, Sinclair will turn over the G'Quan Eth plant to G'Kar--of course, G'Kar will compensate Londo for it.
"Why should I turn the statue over--assuming that I knew where it was--when it's already too late for the ceremony? Mollari knows that--that's why he gave in so easily."
Sinclair tells G'Kar that light travels through space. Therefore, although the ritual must be performed in the sunlight that has touched the G'Quan mountain at a particular time, and although that particular time has already passed this year, the light that touched the G'Quan mountain ten years ago will reach the station in a few hours. "[The light has] been on a long journey, but it's still the same sunlight. Good enough for you to conduct your ceremony--wouldn't you agree?"
"Yes, it might be. Commander, you are a far more spiritual man than I gave you credit for," replies G'Kar.
"You are a far more spiritual man..."
"There are a couple of Jesuit teachers I know who might disagree with you," says Sinclair. When Sinclair reminds G'Kar to return the Centauri statue, G'Kar replies that he's sure a careful search will turn it up. As Sinclair leaves, smiling broadly, G'Kar thanks him.
Sinclair returns to his quarters and instructs his computer to hold all transmissions; however, when the computer replies that there is one transmission holding, Sinclair tells the computer to send the message through. The message is from Hidoshi, who tells Sinclair that he admires what Sinclair has done on B5 concerning the labor situation--however, the Senate doesn't. In this instance, however, the Senate has allowed Sinclair's decision to stand without comment--because public opinion is on Sinclair's side. Hidoshi tells Sinclair that he sympathizes with his decision--and is glad to see the discomfort it has caused some of his colleagues (for Hidoshi's grandfather was a dock worker himself). He is calling just to warn Sinclair that Zento has powerful friends, and that by embarrassing Zento, Sinclair has made new enemies in the government. "If I were you, commander, I would watch things very carefully. You are not the most popular person in government circles right now."
After Hidoshi closes the communication, Sinclair says to himself, "So, what else is new?" and finally goes to sleep.
Meanwhile, G'Kar is successfully carrying out his religious ceremony. "The gift of time, the gift of life, the gift of wisdom, the gift of light. For these things, were are thankful. For these things, we pray," says G'Kar, solemnly, and the ceremony continues, thanks to Commander Sinclair.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Ceremonies of Light and Dark
Overview
The Nightwatch orders its members on Babylon 5 to target Delenn in an attempt to undermine Minbari actions during the recent crisis. Londo presents Refa with an ultimatum. William Forward as Refa. Paul Perri as The Sniper. Don Stroud as Boggs. Kim Strauss as Lenann.
P5 Rating: 8.30 Production number: 311 Original air week: April 8, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by John Flinn III
Watch For
Backplot
- In the old days of the Centauri Republic, poison was a common political tool.
- Some humans learned the Minbari language from POWs during the war.
- The rebirth ceremony in "The Parliament of Dreams" was just a small part of a much larger renewal ceremony, traditionally performed in response to, or in anticipation of, a great change. Lennier believes B5's inhabitants are currently between two such changes.
- The Minbari prophecy foretells fire and darkness after the two halves of the Minbari soul unite to combat the ancient enemy.
Unanswered Questions
- How many more Nightwatch members are still on the station?
- Did Garibaldi's people get rid of the artificial intelligence?
- What else is buried in B5's computer system? (At least one unfriendly thing, as shown in "A Spider In the Web.")
- Who does Lennier believe Delenn is fated for? Sheridan? If so, is that due to his observation of the growing relationship between Delenn and Sheridan, or due to something in the prophecy?
- What was Delenn planning to give up and to tell someone at the ceremony?
Analysis
- Londo is playing a dangerous game with Refa; Refa will no doubt not take kindly to having his life threatened, and may retaliate against Londo either overtly or behind the scenes. Refa seems to have much of the royal court in his pocket while Londo's influence has waned since he broke off his association with Morden. Londo may find that he's bitten off more than he can chew.
- However, the extent of the risk he's taking is a good indication that his realization of the dark nature of his former pact with Morden is complete; after this it will be very hard to turn back. It's interesting to note, though, that his basic goal hasn't changed, only his methods; note that he tries to dissuade Refa by talking about how dangerous the current Centauri policies are to their people. Londo is still first and foremost a patriot, not unlike G'Kar (at least until Kosh's revelation in "Dust to Dust.")
- Londo and Sinclair have something in common; Londo's poisoning of Refa bears a passing resemblance to Sinclair planting a transmitter in G'Kar's intestinal tract. Or rather, claiming to -- which raises the question, did Londo really poison Refa, or just say so? Like Sinclair, Londo might figure that the poison that doesn't exist can't be flushed out by doctors.
- How did the Nightwatch get so much information about the Minbari, especially the details of Delenn's means of getting the war cruisers to Babylon 5? It may be as simple as Earth's normal intelligence channels, which, under Clark, presumably make at least some of their findings available to the Nightwatch.
- Boggs' claim that the Minbari "think [Delenn]'s the second coming!" indicates that many among the Minbari agree with Delenn's assessment of herself as the chosen one, the vehicle of prophecy (see also "Comes the Inquisitor.") Marcus also hints at this when he tells Delenn that his brother believed in the Rangers and in her; apparently her involvement with them is richer in symbolism than has previously been hinted at. How, and whether, that relates to the nature of Sinclair's involvement remains to be seen.
- This isn't the first time Delenn has been referred to as "the second coming," at least indirectly. G'Kar quoted a passage from the Yeats poem of the same name in "Revelations," a passage visually accompanied by Delenn's first look at her new appearance. Ominously, that Second Coming refers to the Antichrist.
- The Army of Light is now dressed in black uniforms. Whether that's an intentional contrast on Delenn's part, or simply her fashion sense, only time will tell.
Notes
- The voice of Sparky the Computer, the artificial intelligence, is Harlan Ellison. Sparky's name is visible both in the ending credits and, very briefly, as the last line item in the computer's status messages when it reboots.
- The recording Londo shows Refa is slightly wrong; Morden was sitting when he mentioned Refa's name ("Matters of Honor.")
- The station logo on the wall in C&C has changed. It used to be a 5 with a pair of olive branches overlaid, presumably signifying peace; now it's a 5 over a sword. The new logo can also be seen on the top of the conference room table in the scene with Delenn and the officers from the Minbari ships.
- @@@865359221 There's a minor continuity glitch involving the new logo. When the command staff walks into C&C in the final scene, the camera pans across the side of C&C to show the startled techs. The new logo is visible on the wall between two computer displays. But in the next shot of the same wall, there's no logo there.
- "Dem Bones" was also sung in the final episode of "The Prisoner."
- The formation in which one of the Starfuries peels away as the squadron performs a fly-by of the caskets is called the Missing Man formation. It is used today whenever a flyby is part of military honors at a funeral.
- As Delenn and Marcus wait for Lenann, a "Wet Floor" sign can be seen in a corridor in the background.
- Sheridan's closing line, "Babylon 5 is open for business," echoes Laurel Takashima's in "The Gathering." In both cases it marked a new beginning for the station.
- @@@834859914 Sheridan's line to Ivanova, "My hypocrisy only goes so far," is a Mark Twain quote.
- @@@834861046 Don Stroud got his scar by jumping into a crowd of men with knives to stop a woman from being raped, according to former story editor Larry DiTillio.
- @@@839219258 The eulogy recited by Sheridan is the same one spoken by Ivanova in "Soul Hunter."
jms speaks
- As it happens, episodes 8, 9 and 10 ("Messages," "Point of No Return,"
and "Severed Dreams") are kind of a triptych, linked at the hip and
designed to pull together/blow out several major hanging plot threads
once and for all, and send the show spinning off in an entirely
different direction. The hardest one to write was 10, because it's a
very emotional episode for the characters, and for me.
And next is #11, which I begin to write this weekend...and #11, year three, is the *exact* midpoint of the 5 year story. This is the hump, the dead center of the journey. It took so long to get here, and suddenly we're halfway finished.
- The episode is in the halfway mark, and that IS its significance,
because it signals a major change.
When we were midway through that episode, the halfway mark of the whole series, John, Doug and I were given these spiffy leather script books with silver inlaid initials by the crew, to commemmorate the event. It was really nifty.
- About Delenn and Lennier
As for Lennier...it's an unusual relationship, which you'll learn a LOT more about in "Ceremonies of Light and Dark." Which is all I can say for now. - I was kind of afraid that after the big Stuff Blowing
Up Episode, anything afterward would be a let down because it couldn't
have the same level of huge action (without killing everyone making the
show). So the way to deal with that is to go in an entirely different
direction; I was hoping that'd work, and glad that so far it has.
- Earthgov sees B5 in much the way China now sees Taiwan. (Though on
reflection that may not be the best metaphor....)
- You only send an ambassador if you recognize something as legitimate,
and EA will never recognize an independent B5.
- Why didn't G'Kar join in the ceremony?
Because he saw the actual co-running of security, and their duties, more important...that is physical, and concrete, and he feels is his surest way to win a seat in the new council. Actions, not ceremonies. He's very direct that way. (Which is pretty much what he said at the time.) - @@@838837617 Was this the same ceremony as in
"The Parliament of Dreams?"
Yes, it's the same ceremony; Delenn states as much in the episode. - Was this one of Londo's chances for redemption?
No, this wasn't an opportunity for redemption. It would be flagged as much more important than this. - I don't think Londo feels he needs to be redeemed; his reasons
as stated were quite sincere.
- Is Delenn being "destined for another" part of the prophecy?
It is now. - @@@838837617 Certainly various sorts of love was at the core of the episode,
and what we do for one another.
But no, not all relationships have to end badly (despite my own general history in that regard).
- Is Lennier really satisfied with Delenn's destiny lying
elsewhere?
Well, there was certainly that little catch in his voice, that hesitation, before he added "...in my heart." - "...note on Lennier: "a pure, higher love"? Pshaw, I've heard that
before and seen the results in my own life. Are Minbari so different?"
One would certainly hope so.
And there are such different kinds of feelings even among humans; yes, you're right, often it doesn't work out that way...and sometimes it does.
- I didn't see or intend any element of Lennier being racist;
but there are definitely differences in culture and physiology between
Minbari and humans. Minbari are very careful about personal space, and
they don't like to be talked to a certain way. Marcus momentarily
forgot himself, and acted inappropriately. Lennier corrected him.
- Delenn, Lenann, Lennier. What does "len" mean?
Basically, I went through and came up with common suffixes and prefixes for Minbari names, the way Russian names have combinations of certain letters (-ovna, -ova, -vich), and associated various backgrounds and castes and houses (fanes) to them. So you have Delenn, Rathenn, and others of similar name. - About the slow buildup of the Delenn/Sheridan relationship
What you say about relationships is quite true. The slow process of getting to know somebody, the courtship, the parries and feints and false starts are 85% of the fun. It's the process of getting into somebody's mind, discovering who they are. And that's what these two are doing. It's an awful lot of fun. - The "romance angles" aren't "late additions," but you don't
just leap into a romance right off. You couldn't have had the
Delenn/Sheridan thing right in the beginning of year two, it had to be
built, and grow gradually. Things are introduced as it is time for
them to be introduced. The shadows weren't even named until season two,
and didn't make their first appearance until late in season one. Is
that a late addition?
- I'm doing a lot to deepen up Marcus and Lennier, to let
people see parts of them we might not have seen before. Everyone grows
on the show; even at this point, compare Lennier to the wide-eyed
innocent who first arrived at the station and couldn't even bring
himself to look Delenn in the eyes.
The computer voice, Sparky, wasn't really a nod of any kind to Hitchhiker's. (And 2001's HAL beat them to the punch a long time before that in any event.) No, I just figured, if the computer system had a glitch, what would it sound like? Answer...Harlan.
- Actually, we had 3 more quickie scenes with the computer voice,
but the ep ran long over time, and we were locked into some
walk-and-talks where we couldn't make other trims.
- Is the name Sparky a reference to anything?
No, just figured it'd be a great name. - I also like the look between Marcus and Delenn as they stand in
the customs area...he looks like he desperately wants to say more, and
she like she desperately wants to hear it...but he turns and walks
away, the moment lost.
- @@@838837617 About female fans' reaction to Marcus
It's okay...so are most of the women who work in the editing bays at B5. The first few days of this season, as his stuff started coming in, one of them pulled me aside, and with hand firmly on my arm, to let me know she meant business, said, "Listen very carefully: I want to see a LOT more of Marcus." - @@@838837617 Was Marcus' beard different before?
Your memory is correct. Just before he did the first episode, he had to shave his full beard for some commercial audition. It hadn't grown all the way back, and we had to darken it down a bit to make it work. It's all back now. - The Nightwatch members looked a lot more sinister than in the past.
I went just a little here for a kind of metaphorical approach; prior to this, Nightwatch folks have always been presented as starched, scrubbed, visually appealing...the face they wanted others to see. Now we see their true face, the scarred, dark, empty eyes, no longer pretending to hide. So we kinda cast in that direction. - Boggs' scar wouldn't have moved like it did.
The physical dynamics of the scar *would* have worked as seen, actually, mainly because that wasn't a piece of makeup, that's a real scar, and it does work that way. - The scar is real. He had some rough times a few years
ago. (Actually, he also appeared with the scar as it's seen here in
"TKO," as Garibaldi's corner man, though there it was hidden a bit.)
He's still doing a lot of work though.
(The funny thing was seeing the occasional comment on the nets saying how fake they thought the makeup looked, and why couldn't we manage to do something a bit more realistic looking?)
- Actually, no, the song in "Ceremonies" was not intended as a
Prisoner riff or homage of any kind. If the song originated with The
Prisoner, that'd be one thing, but the song goes back a long, LONG ways
before The Prisoner was even thought of.
What happened, actually, was this...I'm a big fan of the Red Clay Ramblers, a terrific group that does sort of bluegrass but very offbeat. I was writing that episode, and I was playing with the torture aspect, and had one of their albums on. At just the moment I got to that scene, up came their rendition of "Ezekiel in the Valley of the Dry Bones." The notion was perfect, so I went back to the original version of the song, which is public domain (rather than their variation on it), and used it. Synchronicity.
- About the uniforms
I wanted it to have a crossed look, certain Minbari elements and textures, lines that are reminiscent of the Rangers, but also of Earthforce. Hence, the result. - @@@838837617 There's a certain perverseness in making those on the side of
light wear black uniforms. It reverses our expectations.
- In general, it's my understanding that the cast really like the new
uniforms. They're lighter, easier to move around in, cooler under the
lights, and they like the styling, the rogue element to it, and the
Minbari aspect.
- Couldn't Refa just have all his food and drink tested?
Of course the flip side of this is that you'd have to check every single thing you ate or drank every day, every week, for the rest of your natural life. Not the kind of life *I'd* like to live.
Ceremonies of Light and Dark
Synopsis by Matthew Murray (mmurray@wsu.edu)
Ivanova, in C&C, is joined by Sheridan. She explains to him that they
have succeeded in ridding the station of all the members of the
Nightwatch they know about, and that Garibaldi is trying to track down
the ones they might not know about. Garibaldi arrives, his arm in a sling,
and explains that he fractured it during the recent attack on the
station. He explains that most of the people on the station are
upset about the communications channels being shut down, but Sheridan
and Ivanova know they can't be reinstated until Earth can be prevented
from using them to retake the station. Garibaldi asks how long
Sheridan plans to be out of his uniform, and Sheridan explains that he won't
put it back on until the situation is resolved. He leaves to
make the rounds, which both Garibaldi and Ivanova are unsure about.
Sheridan insists he can take care of himself and leaves.
Delenn is addressing some of the Minbari from the ships outside Babylon
5, telling them that she was asked by Sheridan to thank them for
defending the station. They leave, and Lennier tells her that the
captain of the Minbari fleet wants to come aboard for a tour, which she
agrees to. Delenn asks Lennier what he thinks of the situation, but he
does not respond, instead saying that "what is, is" and that the
prophecy, which stated that the Minbari would unite with the other half
of their soul has come true. Delenn says that the prophecies may be
misleading and that, should the other parts come true, there is no guarantee
that any of them will survive.
As Sheridan makes his rounds in the Zocalo, a gunman waits, enclosed in shadows high above, targeting him with his weapon. Just as he is about to fire, he is pulled away by Boggs, a former member of Garibaldi's security staff, telling him that he was told to wait. The gunman insists that he had a good shot, but Boggs is less sure, saying instead that, should Sheridan fall, others would rise to take his place and that, sooner or later, they will get their "pound of flesh."
Delenn and Lennier approach Marcus as he returns from a voyage. Delenn tells Marcus that she has called for the Nafak'cha, the rebirth ceremony, which commemorates a great change that is coming, or one that has already arrived. Marcus feels that the time may be inappropriate, given that everyone will be embroiled in ceremonies of their own for a while.
One such ceremony is taking place where the members of EarthForce
commit the bodies of their comrades, fallen in battle against Earth, to
the depths of space, led by Sheridan, wearing his uniform one final
time.
Lord Refa arrives at a table in the Zocalo where Londo is sitting.
Refa is unhappy at being dragged to Babylon 5 instead of Londo going to
him. Londo tells Refa that he has been studying the reports from the
frontlines, and expresses dismay at the fact that the Centauri are
fighting a war on so many fronts. Refa claims the Centauri can
handle it, and that their resources are greater than Londo thinks.
Londo, however, knows about his alliance with Morden and the Shadows,
and urges Refa to do as he did and break off his contact with them.
Londo tries to convince Refa that, by fighting wars on so many smaller
fronts, should the Shadows decide to conquer the Centauri, there will
not be much of a fight. Refa laughs at him, saying that Morden and his
associates are the greatest power he knows, and that they are the key
to his ascent to the throne. Londo tells him that Refa will do as
he says because he has poisoned Refa's drink. The poison works in two
parts, and should Refa not do as Londo asks, the second part of the
poison will be introduced to Refa as well. Londo orders Refa to
bolster the lines of defense around Centauri Prime, cease attacking on
the other fronts, and break off contact with Morden, unless he wants to
receive the other part of the poison.
Garibaldi finishes accessing the command codes, and he, Sheridan, and
Ivanova follow through the procedures necessary to change the command
level passwords, which requires shutting down the security system and
restarting it. Delenn arrives, and has Sheridan go with her. She asks
him and the other senior officers to take part in the rebirth ceremony,
along with other ambassadors, G'Kar, and most importantly to her,
Londo, whom she feels is in the greatest need of rebirth. She explains
that they all need to put their pain behind them so they can prepare
for the greater struggles ahead.
Boggs explains to a few others that he has received
orders from the Nightwatch office to no longer worry about killing
Sheridan, but rather taking care of Ambassador Delenn. Once she is
done with, the support of the Minbari will vanish, allowing Earth to
retake Babylon 5. Though the gunman is worried, Boggs reassures him
that Sheridan can be blamed no matter what. The gunman is all too glad
to be back killing Minbari, as he used to do so, after extreme torture,
during the Earth-Minbari war. They begin preparing the plan against
Delenn.
Delenn, in disguise, arrives at a bar Marcus frequents in Downbelow. She asks him why he isn't preparing for the ceremony, but he tells her that he has decided against participating. She doesn't understand his reluctance, but their conversation is cut short when someone he has been waiting for comes in.
Garibaldi turns off the computer system and restarts it. When it comes back on-line, the codes have been changed, but something new has happened as well: the computer has taken on an attitude of its own, and is less than inclined to follow Garibaldi's orders, which is due to a faulty artificial intelligence program, originally planned to be integrated into the station, which accidentally came on-line. As the computer taunts him and Ivanova, they plan to get rid of it yet again.
Delenn and Lennier approach Londo about taking place in the rebirth
ceremony, but he is less than inclined to do what is necessary, which
involves giving away something that once held great importance to him,
and telling someone something he had never told anyone else. Delenn
explains that she feels he needs to make up for the past and prepare
for the future, but Londo claims he is already doing that, and has no
interest in the ceremony. He storms off.
Their meeting with G'Kar goes equally badly; he claims that he is
far too busy with all of his new responsibilities to attend. Marcus
appears and comments on how everyone else is as disinterested in the
idea as he is. Lennier reminds Delenn that she was to meet the Fleet
Captain, and she goes to the docking bay, with Marcus in tow. On the
way, they stop for a few moments, and she asks why he doesn't want to
perform the ceremony. He tells her he has nothing left to give up for it,
and that, because he didn't listen to his brother when he was first
warned about the Shadows, he has already lost everything he cared about. He
joined the Rangers to help fill the gap in himself created by the
Shadows. He tells her that he has nothing left to give up, but Delenn
says that is exactly what he must sacrifice--his grief, loss, and
painful memories. He must forgive himself for being alive.
Marcus quickly breaks off to tell security about Fleet Captain Lenann coming on
board, and Delenn goes to meet the newcomer. As he arrives, however, she,
Lenann, and one of his bodyguards are assaulted and kidnapped by the
scheming members of the Nightwatch.
As Garibaldi puts up with the neverending ramblings of the computer, Ivanova calls him to report the kidnapping. Delenn asks her captors to let her tend to the bodyguard's injuries, incurred in the gunfire. Boggs reappears and checks on the status of another member of the Nightwatch, who is busy scrambling some circuits.
While Sheridan talks to Marcus, who blames himself for Delenn's
kidnapping, Corwin reports that a call about the kidnapping is coming
in. Sheridan has it traced, and it goes through. It is Boggs who
explains his demands to have the Minbari cruisers leave in six hours,
or all the hostages will be killed. They have scrambled the Babcom
lines so the call can't be traced, and are monitoring all security
channels. He warns them not to do anything stupid, or he will have no
qualms about using violence, which he demonstrates by having the bodyguard
killed, despite Delenn's screams of protestation.
Marcus runs off to try to track Boggs down himself. Sheridan orders
Garibaldi to find out all he can about Boggs' contacts, and anything
else they may be able to use to find them.
Marcus arrives in Downbelow, and sits down for a poker game with a
group of men he had previously had an agreement with to leave alone, a
deal which he has chosen to break in order to obtain information.
None of them are willing to help, though, and he promises that, if none
of them do, he will take them all down, followed by everyone else in
the bar. The game players rise to meet the challenge, and appear to
overshadow Marcus quite severely.
Delenn and Lenann speak to each other in Minbari about a possible escape method, but the gunman understands their language, which he picked up during the war, and thwarts the plan by tightening their loosening ropes. He tells them that neither of them will survive the ordeal, but Delenn stuns him by telling him that she feels sorry for him, something he doesn't understand. She tells him that he is an unfortunate casualty of the war, and though the Earth and the Minbari have managed to come together, he has not, and he is left all alone. He starts to fire on her, but Lenann jumps up from his chair, diverting the weapon, which severely injures him. Boggs appears and stops the gunman from going any further.
Marcus, meanwhile, has kept his word, having dispatched of everyone in the bar except two of the poker players, who he soon takes care of. As he surveys the damage, realizing there is no one left awake to give him information, Lennier arrives and tells Marcus that he has come to discuss the rebirth ceremony, asking him again to come. Marcus doesn't understand why he's talking about that, and Lennier explains that it was Delenn's last request, and that, if he doesn't continue the preparations, there is nothing else to do. Lennier turns away, and Marcus grabs him on the arm, something which infuriates Lennier. Lennier rounds back on Marcus, explaining that he would like to tear apart the station looking for Delenn, but can't. As his part of the rebirth ceremony, he explains why he must do what she asks: he loves her.
Lennier explains that his love for her is not romantic love, but more higher and more noble, a "pure, perfect love," that he knows can never truly be returned, since she is fated for another. He has made a vow never to leave her side, a vow Marcus recognizes as dangerous. At that point, the last gambler Marcus downed awakes, and begins to tell Marcus, under threat of more pain, what he wants to know.
Ivanova explains that, though they still can't trace the call, they
did find a background sound which Garibaldi is able to identify as the
cooling system which feeds the fusion reactor in Grey sector. Sheridan
knows that isn't enough, but Marcus arrives with another piece of the
puzzle: the man he talked to overheard a contact in Security talk about
delivering
some equipment for call scrambling to level 14. They scan Grey 14 and
find that it has been closed off -- supposedly under Garibaldi's orders, orders
he never gave. They begin preparing their attack, which, Sheridan
explains, begins with a surrender.
As the Nightwatch members prepare to kill Delenn and Lenann,
the contact Marcus told about calls Boggs and reports that the
Minbari ships are leaving. Boggs tells his contact to send a
narrow-beam transmission to Earth. After the conversation ends, a loud
sound is heard, which Boggs rushes out to investigate. Lots of people
are running by, and one explains that a leak in the coolant system is
forcing evacuation of the sector. As the Nightwatch members try to
escape with Delenn and Lenann, they are led into an ambush led by
Sheridan and Garibaldi. Boggs is shot down, and the remaining
captors are pinned down, but when Sheridan makes a run
to save Delenn and Lenann, the gunman, only injured by a PPG shot, throws a
knife in
Delenn's back and runs. Sheridan gives chase, eventually backing the gunman
into a corner. Sheridan's rage takes over and, without a weapon,
he beats the gunman senseless.
Lennier tells Ivanova and Sheridan that Delenn will be okay, since the
knife missed her vital organs. Sheridan wants to continue with the
rebirth ceremony, but Lennier says that, since the ceremony must be
held within a certain amount of time after preparations begin, she will
not be able to conduct the ceremony. Garibaldi, meanwhile, is still
being taunted by the artificial intelligence. While he is in the
elevator, he is finally pushed too far, and shoots out the speaker.
Lennier, at Delenn's side, is delighted to see that Sheridan has
arrived. Lennier leaves, leaving Sheridan to tell Delenn that they
have decided to bring the rebirth ceremony to her. He has chosen to
give up his uniform, and confides in her that he cares about her a
great deal, and that he was willing to kill the gunman with his bare
hands to save her. After he has finished, he leaves, and Garibaldi
comes in, carrying his uniform. He tells her that he is constantly
afraid what will happen if he ever completely lets go. Ivanova is
next, and, after putting her uniform on the growing pile, admits to
Delenn that she believes she loved Talia. Franklin and his
uniform are last, and he tells her, "I think I have a problem." After
he is done, and they are all about to leave, Lennier approaches them
and tells them that, as part of the ceremony, Delenn made them
something, which is waiting in their quarters.
C&C is overcome with a quiet hush as Sheridan, Ivanova, Garibaldi, and
Franklin appear, resplendent in Delenn's gifts: striking new black and
grey uniforms. "What's the matter," Sheridan tells the shocked
officers, "Haven't you ever seen someone who's been reborn before? The
crisis, for now, is over. Tell the ships... We're open for business."
Chrysalis
Overview
First Season finale. A dying man leads Garibaldi to a discovery that could cost him his life. Londo receives help in a dispute with the Narns. Something begins to happen to Delenn. Macaulay Bruton as Garibaldi's aide. Edward Conery as Devereaux. Ed Wasser as Morden.
Sub-genre: Intrigue P5 Rating: 9.38 Production number: 112 Original air date: October 26, 1994 (*) DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Janet Greek
An episodic soundtrack is available.
Watch for:
- A convenient departure just before an important event.
Backplot
- Before the Centauri occupation, Narn was a peaceful, agrarian world.
Unanswered Questions
- What is happening to Delenn?
- What does it have to do with Kosh, or with the Vorlons? Why did seeing Kosh help Delenn make up her mind?
- What was the question she had Lennier relay?
- What is the function of the triluminary in Delenn's device?
- What is the function of the device itself?
- Why did Delenn want to tell Sinclair what happened on the Line?
- Who's behind the plot to kill President Santiago?
- Why were the jammers and triangulation devices being shipped through Babylon 5?
- Why did Garibaldi's aide kill Devereaux?
- What are G'Kar's suspicions about the attack on the military base?
- What do the Shadows want from Londo once he's in a position of power?
- What were the invisible creatures in the room with Morden? If they were Shadows, why did they come to Babylon 5 themselves, assuming Morden was still on the station? For that matter, how did they get onto Babylon 5? On someone else's ship, or is one of theirs parked outside, invisible to everyone?
- How did Morden know that Londo's name was being spoken in the highest circles of the Centauri government?
- How did Kosh know that Sinclair had forgotten something? Does he know what Delenn was planning to tell Sinclair, and if so, does that imply he was involved in what happened on the Line?
- Was Garibaldi's friend Lianna Kemmer (cf. "Survivors") on Earth Force One when it exploded?
Analysis
- The fact that Delenn decided to go ahead with the change after Kosh revealed himself to her implies that there may be a much closer relationship between the Minbari and the Vorlons than has previously been suggested. It is even possible that Delenn is turning into a Vorlon somehow, and that Kosh showed her he resembled a Minbari. On the other hand, that doesn't explain Kosh's interest in humans, who he arguably doesn't consider another race (cf. "The War Prayer.")
- Morden seems to be more than just a representative for the Shadows; they seemed to be consulting with him. If he were a mere spokesman, why would he reassure his masters?
- The Vice President is a prime suspect in the plot to kill President Santiago. He just happened to leave the President's ship shortly before the assassination attempt. He also presumably would be able to arrange for an unregistered weapon for Devereaux -- or perhaps Devereaux really was an agent working under the Vice President, in a capacity so secret Garibaldi couldn't find any reference to him.
- Casting more suspicion on the Vice President, and adding a darker, more sinister note, is the newspaper headline from "And the Sky Full of Stars" -- "Psi Corps in Election Tangle: Did Psi-Corps Violate its Charter by Endorsing Vice President?"
- It's still not entirely clear where Garibaldi's aide's loyalty lies. The killing of Devereaux and his men suggests there may be more than one level of deception at work. Or perhaps he was simply under orders to tie up loose ends and wanted to ensure Devereaux could never blow his cover if apprehended.
- The Shadows may have been the force overrunning Garibaldi's position in the flashforward from "Babylon Squared." They may also be what the crazed man in that episode was shouting about when he referred to invisible monsters.
- Chrysalis is the third stage in insect development (egg, pupa, chrysalis, and adult form.) There may be some relation to the third age of mankind referenced in the opening monologue.
- Delenn has obviously seen her change coming for quite some time; she has been building the crystal device in her quarters almost from day one. Her compatriots on the Grey Council appear to largely be in the dark about it, though perhaps not all of them, as one of them did give her the triluminary (cf. "Babylon Squared.")
- Delenn's ability to breathe the atmosphere in Kosh's quarters with only a single whiff of air from a mask is further evidence of some connection between Vorlons and Minbari. Or it could just mean the Minbari don't need much oxygen (or that both Kosh's air and the normal station air contain whatever they do need.)
- She has been disobeying the Council's order about Sinclair, perhaps ever since "And the Sky Full of Stars." That suggests she may have intentionally been hiding her upcoming transformation from them, as well. Otherwise it would presumably have come up when they considered her for the leadership of the Council (cf. "Babylon Squared.")
- Londo's disgust about the deaths of the Narn suggest he may not be the iron-fisted leader the Shadows appear to be looking for (cf. "Signs and Portents," in which Morden appeared to be looking for someone ruthless and ambitious.) In the future he may be placed in the position of deciding whether people live or die, and may have to act against the Shadows' wishes.
- G'Kar may be returning home to try to warn his superiors that a sixth race exists and is out to get them. Whether he has deduced that the intent is to cause war between the Narns and the Centauri (if, indeed, that is what the Shadows are up to) is an interesting question. It is also not clear what the Narns could do about the situation even if the leadership was convinced there was another player in the game; the Shadows appear to have an overwhelming technological advantage over most of the other races.
- On the other hand, the Shadows did dispatch four ships to take care of the Narn outpost. That suggests that one ship might not have been enough, in turn implying limits to their power.
- "And so it begins," says Kosh. That's the same line spoken by Delenn during the ceremony in "The Parliament of Dreams," after Sinclair eats the fruit. Perhaps Kosh was referring to Delenn's change rather than the death of President Santiago, and perhaps it has something to do with the possible marriage of Delenn and Sinclair in the aforementioned episode. (But see jms speaks.)
- When Kosh emerges from his encounter suit for Delenn (assuming that's what he was doing,) there's a sound not unlike wings moving through the air.
- In "TKO" (which was originally going to air much later in the season, either immediately before or one episode removed from "Chrysalis,") Walker mentions that Garibaldi was never any good at watching his back, foreshadowing the events in this episode.
Notes
- Shot twelfth out of 22 episodes due to the extensive post-production work required.
- First broadcast in the UK on October 3, 1994. PTEN didn't want to show it during August, traditionally a month of low viewership, in the US, so it was held back until the week before the first season-two episodes, becoming, to all appearances, the season-two premiere. In fact, PTEN even advertised it as such. But, as stated, it was produced halfway through the first year of shooting, so definitely qualifies as a season-one episode.
- The original satellite feed in the US was missing a special effect. In the first shot of Londo walking in the hedge maze, the scene was supposed to show the maze at the bottom of the frame and a view down the center of the station above that. The actual broadcast showed the back wall of the soundstage behind the hedges, complete with "Exit" sign. Oddly, the correct scene was used in the UK broadcast, which occurred much earlier. Bad and good pictures of the scene are available.
- Garibaldi's aide appeared in three previous episodes: "Mind War," "And the Sky Full of Stars," and "Eyes" (where he's in Ivanova's dream.)
jms speaks
-
Today, incidentally, I finished the outline for "Chrysalis," which
will be the last episode of this season, though we'll be shooting it
much earlier, about 2/3rds through the run. It's a real corker in
which we absolutely kick over the table and all hell breaks loose
*bigtime*. This one I'm *really* looking forward to writing.
-
I'm in the strange position of writing the season end episode now,
to shoot #12, since it's going to require a lot of post production
work, and it definitely puts one in a very strange state of mind.
I have to be careful to refer to things that've happened in the past
episodes, from the perspective of the last episode of the season, but
which haven't yet been written or filmed in real-time. So I'm
writing the second half of some stories before having written the
first half (though I obviously know where they're all going)...which
really bends your brain around after a while.
This episode is going to be highly classified; we're going to limit distribution of scripts, and parts of scripts, put canary traps in all of the scripts that *are* distributed, and otherwise keep this one quiet. All I can say is that we're going to kick over every table we've got. In any season finale, there are maybe 4-5 things you know when you sit down to watch the show that they'll NEVER ever do. So we're doing all of them. If this one doesn't keep you glued to your seats, you've lost your chair.
-
But I'd say that our two *best* so far are still "And the Sky Full of
Stars" and "Chrysalis." I just watched a cut of "Chrysalis" today
which finally had all the CGI in it, and had to scrape my brain off
the opposing wall, it's *that* good.
-
I have just seen the director's cut of "Chrysalis," which will be the
last episode of this season...and I think it has just displaced "Sky"
as the most heavy-weight episode of the season. Even knowing what was
coming, I just sat here, stunned, at the end of it. Seeing dailies,
bits and pieces, doesn't really prepare you for the whole thing.
What I like most about it are two things: one, by about halfway in,
you really begin to understand that anything can happen, to anyone,
and the rules that normally carry you through a television episode no
longer apply. It's a very dangerous, dislocating feeling. Two: you
get the very real feeling that, after this episode, nothing is the
same anymore. The show has taken a very profound and *irrevocable*
turn that will have lasting effects on all of our characters. Of all
the episodes so far, this one has the most feeling of being the
chapter end in a novel.
The really hard part will not avoiding the temptation to show this to
people...because it really can't be allowed to get out prior to
airing. There are too many twists and turns and revelations that spin
one off into another.
One other thing's certain: after you've seen "Chrysalis," you're going
to want to go back and check out three prior episodes...because
something that you will have read/interpreted one way, without question
or hesitation accepting it as what it obviously appears to be, will
suddenly be turned on its head, and a brand new interpretation will
emerge. And it's *real* creepy....
-
"Chrysalis" makes "Mind War" look like a still-life painting by
comparison....
-
We finally delivered "Chrysalis" to Warner/PTEN, and heard back: our
liaison over there was stunned, describes it as the best season-ending
cliffhanger he's ever seen, unlike anything done before. Suffice to
say we're pleased.
-
We have a New Year's celebration in one episode later
this season, and at some point will probably show other
stuff next year.
-
What I like most about it are two things: one, by about halfway in, you
really begin to understand that anything can happen, to anyone, and the rules
that normally carry you through a television episode no longer apply. It's a
very dangerous, dislocating feeling. Two, you get the very real feeling that,
after this episode, nothing is the same anymore. The show has taken a very
profound and *irrevocable* turn that will have lasting effects on all of our
characters. Of all the episodes so far, this one has the most feeling of
being the chapter end in a novel.
-
Someone complains about the characters not staying the same
Losing the characters she's come to enjoy? No. But the characters are changing. That's the point, and that's been the intent from day one. But what's the alternative? I've heard ST fans complain loudly and bitterly that after 7 years of TNG being on the air, nobody's really changed, nobody's been promoted into different ships or major changes in responsibilities...they've had Riker as XO for seven years, which in the real military would mean his career is *over*.
Change is the only other option.
The goal, from the start, was to create an overall story, but which would also require arcs for every single major character. They're all going somewhere. In many cases, that "somewhere" plays into the larger arc; in some cases, not. If a woman is single, then gets married, then gives birth, and she's your friend, have you "lost her" just because she's gone through these changes? Of course not. She has changed, in good or bad ways, but she's still the same person.
-
I just showed "Chrysalis" to a couple of people today, who
didn't know what was in it. And there's one thing that they had
seen over and over in prior episodes of the series which they never
thought twice about, which they just sorta accepted...only to
suddenly have this understanding totally turned on its head.
The look on their faces was *priceless*.
This is probably the longest and most extensive setup/payoff in SF television history. And afterward, once you discover what that is, if you go back suddenly there's a LOT of different meaning in prior episodes.
-
"Chrysalis," a cliffhanger of sorts, leads right into "Points
of Departure," which picks up some of the tables kicked over by
"Chrysalis," the balance of which are picked up in the second episode,
"Revelations." By the end of the second new episode, pretty much
everything is now in place for the rest of the second season...though
not everything is in quite the same position as it originally was.
-
Except, of course, that where everyone goes is important to the rest
of the story, and that the purpose of the episode is to introduce
massive change into the story overall; when Sinclair says "Nothing's
the same anymore," he's deadly serious, and so are we. The changes
won't just be transitory or for a season-end hook; these are permanent
and substantial changes in the arc.
-
Now that you've seen this much, now you can begin putting together
the other level of the metaphor that is B5...consider: a war that did not
end satisfactorily for us, not winning or losing, a sort of peace with
honor....the death of a president...the rise of intelligence agencies
and military power...start to sound familiar? Now what we begin to do
is to start moving around the pieces, shifting the mirror of the story
to reveal different aspects of ourselves, as well as tell the other
separate story of B5 itself. Again, the idea is for this story to
function on *many* different levels: future-history, myth, adventure
story, mystery and a metaphor.
-
Re: the staging of Morgan Clark taking the oath of office; I gave
very particular instructions to re-create the staging of the photograph
in which Lyndon Johnson takes over from JFK after the assassination. The
same layout, posture, background, and so on. We even had a photo on set
for reference. The creepy thing is that the day we shot the scene was the
anniversary of the day it actually took place; very weird atmosphere on
set that day.
-
Actually, I was born in 54, so we're about the same age. Oddly, I
don't remember the day of the shooting; what I *do* remember is
watching JFK's funeral, and not entirely understanding the depth of
the event, but fully grasping the emotions around me. That will
linger forever.
-
President Santiago is dead as a doorknob.
-
Re: being fooled into thinking the crystal construct in Delenn's
quarters was nothing more than a meditation thing...in general, it helps
to remember that I subscribe to Anton Chekov's First Rule of Playwriting:
"If there's a gun on the wall in act one, scene one, you must fire the
gun by act three, scene two. If you fire a gun in act three, scene two,
you must see the gun on the wall in act one, scene one."
Waste nothing.
- About the marriage ceremony in "Parliament"
The marriage was a red-herring, a bit of misdirection. The key for any magician is to get the audience to look at your hand so they don't see the elephant being wheeled onto the stage in full view. The line in "Parliament" is, "It's a rebirth ceremony all right, and sometimes doubles for a marriage ceremony." When I wrote that, I knew instantly that everyone would focus in on the second half (misdirection) and miss the first half. (Note that Delenn's "And so it begins" is echoed by Kosh in the last episode.) I put out something that I figured everybody would latch onto, ignoring the other meaning which is stated twice.
- Why did they turn Garibaldi onto his back, where the wound was?
I was told by our medical technology consultant that after you take care of the basic external wound, you always turn the body over and go after the internal damage from the *front*. I was told why three times, but still can't retain it. I think it involves easier access without cutting around the spine, and makes breathing less laborious.
-
The teaser of that episode [Chrysalis] is very
much just the sort of thing we've seen before; designed to lull you into
a sense of, "Yeah, yeah, we've seen this." Right down to the tired look
on Sinclair's face. Been there, done that. Then you yank the viewer's
blanket. And structurally, it was designed to somewhat mirror the events
in the first episode; the balance is shifting, things are going in the
reverse of what we saw before.
-
I don't like loose threads hanging around, so all this will get tied
up. In some cases, we'll see flashbacks to stuff that happened "around the
corner," so to speak, and in others we'll have dialogue explanations. We
get the scoop on what question Delenn asked Kosh (via Lennier) before
[season 2] is out.
-
If the Shadows are visible, how did they get onto the station?
In "Chrysalis," they are distortions visible in the air when they wish to be...and not when they don't.
-
"There is good reason to believe the Minbari Triluminary device
is an artifact not created by the Minbari."
DING*DING*DING*DING*DING*DING*DING*DING!
- @@@832888175 Actually, the first Triluminary was found by the Minbari, not
made by them, in a vessel they ran into about a thousand years ago.
-
About Walker's lines in "TKO"
Re: "Watch your back," and "You never did know how to watch your back," yep, that was a bit of deliberate foreshadowing for "Chrysalis." When the episode aired, I mentioned at the time that there was something in that episode that would later be seen to be ironic or ominous, but didn't seem so at first. One or two caught it, but most didn't. This show is layered very, VERY carefully.
-
Correct; Garibaldi's aide has *always* been a plant. I seeded him
in from the beginning, specifically for that purpose. It was the aide
who got Sinclair out of his quarters in "Sky," was the liaison who got
Benson on line (also in security, you'll remember), and helped dispose
of the body. If you watch his reaction in "Sky," he's the one who
brings info to Garibaldi looking to clear Benson; and when Garibaldi
sees through it, you can see his aide move off looking very worried.
Originally, it was Laurel Takashima who would have betrayed those around her, as this character did. When Laurel was transferred, I had a choice: keep that arc for her replacement (Ivanova), or give this part of it to someone else. Now, knowing how the folks here on the nets and elsewhere think, and knowing that they knew about the Laurel- possible-traitor thread, I figured that everyone would assume that Ivanova would get that part. (And, sure enough, a lot of people did.) This became a wonderfully convenient blind behind which to build the *real* plant.
And thus far, *nobody's* seen it coming. He was right there in clear view, we used him many times (also in "By Any Means Necessary," for instance), and nobody ever paid him the slightest attention.
It is, in a way, the classic magician's trick of misdirection: you try to get everyone to look at your hand so they won't look at the huge elephant being wheeled up onto the stage in plain sight.
-
No, the shooting of Garibaldi was always a very strong
part of the story for the end of first season; that line goes
all the way back to the pilot, and Laurel Takashima.
-
No, after the thread with Laurel was revealed, lots of
people *assumed* that that thread had been passed along to
Ivanova. It had never in fact been intended for her, but
when it was broached, I simply didn't reply, on the theory
that if I said it *wasn't* her, it'd narrow it down to who it
*was*.
-
"I *liked* Laurel!"
Well, yes, that's rather the point; tragedy is only tragedy if it happens to someone you care about and like.
-
The Shadowmen stuff was all CGI, no models. Spiffy stuff. And yes,
we'll find out in time what Delenn asked Kosh.
-
"If the Shadows are active on Earth, we need to ask why Psi-Corps
haven't picked them up."
Yep.
-
The chrysalis is virtually all prop, with some roto work to enhance
the glow in "Chrysalis."
-
Was it credible that President and Vice President would travel on
the same flight? Their twentieth-century American counterparts don't
fly together on Air Force One.
You're forgetting several elements.
1) It would be in the VP's best interests to go along on the trip, to help defuse any suspicion ("Boy, was I lucky.").
2) Going a few hours out of the country is one thing; you're not looking at the aspect that traveling in normal space takes a lot of time and expense...a ship as massive as EF1 is hideously expensive; two would be a major waste of government money, and they'd both be traveling side by side, further wasting money. Also, whereas Air Force 1 travels nominally alone, EF1 has a full escort of fighters, with a minimum of four in the "air" at any one time, plus another batch inside.
Going between planets is a much different process than going between here and London; and if both parties are required at the other end, the only sensible way is to have them go together.
-
Remember when I said there are things you learn midway into a series
that you can learn no other way? Yikes...
As I've mentioned before, in our season ender, "Chrysalis," we tip over every table we've got. I'm talking here *major* stuff, that profoundly and permanently affects many of our primary characters. Well, you build that as a two parter, and even *try* to resolve all of that in the second part. It doesn't work, because the repercussions are so substantial. (What it is, really, is something that'll be felt throughout the entire second season.)
You can try to pack all the loose thread-tying into part two, but it's like trying to pack 10 pounds of potatos into a 5 pound bag. One other option is making it a six parter, but *that's* really silly. So what I'm doing, I've decided, is to take the major elements and play them out over the first five or so episodes. This will give me time to give each of the threads the necessary time to play out effectively, rather than rushing things.
So Chrysalis stands alone as a season ender, and a prelude to the Big Stuff in season two. Episode 1 of year two, therefore, won't be "Chrysalis, Part Two," but have its own title, allowing me to spread the stuff over the next few episodes. (Probable title: "Points of Departure.")
I showed "Chrysalis" to some people the other day, and the reaction was across the board astonishment. Just stunned. Which was pretty much the desired result. It's an absolute left-turn for the series.
-
Since I mentioned it over on Internet (but not where it belongs), I
give y'all a little gift...Kosh's very last line of the season, in
"Chrysalis."
"You have...forgotten something."
It's not nearly as straightforward as it looks, and that one line will carry with it *major* repercussions. (And no, it doesn't refer to the 24 hours.)
-
Only two Shadowman vessels hit the Narn base at Quadrant 37, not
three.
-
Sometimes it gets wonky. We filmed "Chrysalis" twelfth in shooting
order, to air twenty-second. Part of the setup to "Chrysalis" is
"Signs and Portents," which shot 4 episodes later. Meaning the
actors had to act familiar with elements they hadn't performed yet,
and hadn't seen yet in script form. So in that case, I had to sit
down and explain what the various aspects of "Chrysalis" meant, and
where we were going, for it all to play. Later, when "Signs" was
published in-house, they got to see in more detail how the setup fit
in with the payoff.
If asked, I would probably try to refrain from telling any of the actors the full story. Let me rephrase: I simply wouldn't do it. If they would ask where their individual character is going -- and some have -- what I do is give them the general arc, but leave out a lot of specifics. For instance, Peter knows *in general* that his character is going in a darker direction, but not how he's going to get there or what it means to the overall story. And that, I think, is as it should be.
-
Every so often, a screwup takes place that is so breathtakingly stupid
that it defies all logic and reason. I just learned of one this
evening, and I'm still reeling a bit from it. Consequently, this is
address to anyone who watched the satellite uplink of "Chrysalis" or
has seen it in the US in the last day or so.
Once we deliver an episode, it goes to two places: Modern Video and CVC. CVC checks an episode of any series prior to uplink to make sure it's okay. Though they've had it for four months, they only got around to checking it the day before uplink. During this, they found a couple of small audio pops. The kind of thing that could be fixed in about five minutes. But since it was the evening, Modern Video decided to fix it for us...by *rebuilding the entire episode*.
Without calling us, notifying us, or checking with us, when we could've easily had someone on-hand there to supervise at a moment's notice.
Well, when they rebuilt the episode...they didn't use all the correct footage. Some of what was used was RAW FOOTAGE. Example: when Londo goes to meet someone in the Garden, there's supposed to be a great composite shot there of the interior of the Garden area, and a hedge maze. (The UK saw this version of it last month.) But when the episode was rebuilt, they used the raw footage segment showing Londo and a partial hedge IN THE SOUNDSTAGE, where you can see the stage wall, and the pipes, and the EXIT sign. No composite. Nada.
We don't yet know what else has been included incorrectly, because we won't see a copy until morning. Suffice to say that this is being taken care of *our* way overnight, and a correct version will be sent out via satellite in time for the Wednesday first airings in most markets, and the reruns in those markets where it's already aired.
At this moment, I am preternaturally calm about all this, having passed beyond anger earlier this evening into a kind of zen state of consciousness, utterly unable to wrap my brain around the absolute stupidity of something like this for more than two minutes at a time.
By morning, this will have worn off.
I'm looking forward to it immensely.
-
As it turns out, we discovered that there were TWO comp shots missing
(including one in DownBelow), and that's how the "to be continued" got
added in at the end. We rousted our people out of bed and had them at
the Modern Video facility at 2:30 a.m. fixing other people's mistakes,
rebuilding the entire episode so it could be birded out this afternoon.
-
If you saw TBC at the end of the episode, it was NOT the correct
version.
-
Well, we tracked down more on the screw-up, and that's how the "To be
continued" got in, and there's a second composite shot missing (from
the DownBelow area). We rousted our post production people out of bed
last night, and at 3:30 a.m. had them correcting the mistakes made by
others, reassembling the entire episode. The correct version is going
out on the bird today, tomorrow, and tomorrow night. It will also be
hand-delivered to KCOP here in town to make sure they get it.
I encourage anyone who saw "Chrysalis" over the last day or so to look at it again on the rerun; I think you'll find parts of it much better.
This has been a complete and utter meltdown, and we're all out for blood at the moment.
-
Yeah, it can make you crazy. Y'know that game, where you have a mallet
and your job is to whack the gophers as they stick their head up out of
the ground? That's as good a description of my job as I've ever seen.
And there are always new gophers....
-
KCOP Channel 13 replaced the *good* version of Chrysalis with the
messed-up version
I know...I know....
Hand me my chainsaw, I'm going shopping for dinner.
-
The mistake wasn't made by us. It was broadcast correctly overseas,
in the UK, perfectly. This was done by the video house that supplied
the satellite feed.
-
Here is Londo's arc through the five year storyline:
Funny and light; then funny and dark; then dark and tragic; then tragic and light.
-
Yeah, there's hope for Londo...but not in the way I think anybody
will expect, and not in the way Londo would like.
-
Londo is a fascinating character to write; there's layers upon
layers, and every time I sit down to write him, he surprises me with
something else. And it's certainly more interesting to watch someone
you like falling into something terrible than to set up a bad guy
from day one; no complexity or sympathy there. It's kind of like
watching an accident in slow motion. But in the final analysis, all
is not dark for Londo.
- @@@839748926 What's the story on the god Vir doesn't consider part of
the Centauri pantheon?
Ah, yes...that one wasn't an emperor, that was Zoog, which was really just a household god, primarily associated with one noble family, that somewhat imposed Zoog where possible, forced the religious establishment to recognize the temple they'd built to Zoog...it was strictly an act of vanity on their part, to create a god, and elevate a household god, which never really carries much weight, to something greater, adding to the general pantheon. -
No, alas, Tech #1, Marianne Robertson has decided that she would
like to travel next year with her husband Dick Robertson, and has
some other personal plans in mind, and thus won't be back next season.
-
Just FYI...Marianne Robertson, Tech #1, was Swedish, not Russian.
-
"JMS has specifically told us that one MAIN character will die in
Chrysalis or Points of Departure (I don't remember which)."
No I haven't.
Never said it.
Sometimes, what happens is that people guess about what's going to happen in the story...and gradually that becomes the assumption on the part of some people that this WILL happen...which in time metamorphoses into "JMS said this would happen."
This is yet another of those. Never said it.
While I understand how this happens (and it happens a lot), the only real complication that I get from it is that suddenly I'm being held to promises I never made...and if it doesn't happen as I supposedly said, then it's somehow my fault.
-
The Douglas Adams "homage." Nope. Eric Sevareid once wrote that
"working in television is like being nibbled to death by ducks." I
think it was in his book "Not So Wild A Dream," itself a line
borrowed from a poem by Norman Corwin. It's also a fairly common
phrase.
-
Scenes you should look at differently after "Chrysalis"...one that
comes to mind offhand is "Sky," in the various Garibaldi scenes
(can't be more specific than that right now).
- @@@846702735 Have we learned the fate of Garibaldi's friend Lianna
Kemmer, from "Survivors?" Was she on Santiago's ship?
No, we haven't established what happened to her, but we will in time. - @@@846702735
If we go into what happened, and where she is, it
kinda behooves us to show her.
- @@@846702735 As with her arrival at B5, she would've been handling the advance work on Io prior to Santiago's arrival.
Chrysalis
It is December 30, 2258. As the episode opens, Londo and G'Kar are arguing before the council about quadrant 37. G'Kar accuses the Centauri government of sending armed ships into Narn space, but Londo is adamant in his belief that quadrant 37 is neutral territory, because of a treaty. G'Kar declares that the Narn government no longer acknowledges the treaty because it was forced upon them. Sinclair intervenes and points out that the Narns have operated a military base on the border of Centauri space, without incident, for five years, and wonders why the problems have only now begun. G'Kar claims that outposts such as those are necessary for Narn planetary security. Londo responds, "Keep this up, G'Kar, and soon you won't have a planet to protect." G'Kar storms out of the council chamber.
G'Kar makes his accusation.
Elsewhere on the station, Garibaldi is talking to some people when a dying man stumbles over to him. The man is badly injured and can barely talk, but manages to utter one message before he dies. "You've got to stop them," he says. "They're going to kill him... they're going to kill him."
Garibaldi explains to Sinclair and Ivanova that the man, named Stephen Petrov, was a lurker from Downbelow who he had picked up for petty theft and reformed. He had been an informant of Garibaldi's for six months, though Garibaldi had not heard from him in nearly two weeks. Garibaldi is upset that Petrov had died while wanting to turn his life around, but realizes that his death may not have been in vain, if what he said was true. Though they don't know whose life may be in danger, Garibaldi is determined to find the answer.
Later, Sinclair and Catherine Sakai watch the news in Sinclair's quarters. "After which, the president and his escort left the Mars colony on a goodwill tour of the outer planet colonies. Sources close to the president have hinted that he'll give a major policy speech New Year's Day from the jump point on Io. The speech is likely to concern human-alien relations over the remainder of his five-year term," says the anchorwoman.
Watching the news.
Catherine asks Sinclair if he has plans for New Year's. He says that he doesn't, unless the conflict between the Narn and Centauri is still continuing. Catherine has made plans, but wants to surprise Sinclair. Sinclair has a surprise for her as well. He talks to her about their relationship and the problems they have had in the past, and how much he loves her. "Look," he asks her, "do you want to get married or don't you?" "Yes," she replies.
Londo and Vir are in Londo's quarters discussing the problems the Centauri are having with the Narn. Londo is upset at having to tell the council that he must give quadrant 37 to the Narns, but knows that he must do it and that he has nearly no alternative. Then, there is an incoming communication which Vir answers. When the voice asks for Londo, Vir first answers that he is very busy, but Londo recognizes the voice and takes the call personally. He recognizes the man on the other end as Morden, who had rescued the Eye from the raiders. Londo wants to talk, but Morden refuses, instead setting up a meeting at the park in one hour, to discuss a problem that Morden doesn't mention. Londo agrees, and then sends Vir away, to prepare for the meeting.
"I think I'll stick my
head in the station's fusion reactor."
Delenn and Lennier are in Delenn's quarters. Delenn is again working on the crystal structure that she has been constructing for a long time. "Did you see Ambassador Kosh?" she asks Lennier, and he responds affirmatively. "Did you relay my question precisely? Word for word?" Again, Lennier responds affirmatively, and when Delenn asks for his reaction, Lennier tells her. "Just one word. He said: Yes." Delenn stops working on the structure and leaves hastily, telling Lennier to wait for her.
Garibaldi, now in Downbelow, searches for information on Petrov's death. He is met with consternation from the various lurkers, but eventually finds one that has information for him. The strange man says that it is common for lurkers to accept assignments from people on the station when they need more people to work. "Last week, one of the guys hired us to load cargo for transport." Garibaldi asks what kind, but the man didn't ask. He suspected that the man who had asked them to load the cargo was trouble. Garibaldi asks for a name, and the man provides one: Devereaux, whom he claims hangs out in the casino. The lurker also provides one last startling bit of information. "The last time I saw Petrov was just before he went looking for you. Whatever he saw, whatever he knew, scared him half to death."
Garibaldi gathers
information.
In the park, Londo searches for Morden and eventually finds him. Londo tells Morden that he wanted to thank him for returning the Eye, but Morden waves it off. "Unnecessary," Morden says. "I'm here to be of service, Ambassador! My associates believe that you are a person of great potential, trapped in a position where your skills are unseen and unappreciated. They'd like to change that." Londo tells Morden that nothing can be changed, and that his life is as much as it will ever be, but Morden suggests trying anyway.
Morden knows of the trouble in quadrant 37 and offers to solve the problem for the Centauri. Londo doesn't believe it, but Morden persists, telling Londo to tell his superiors that he will take care of the situation. Londo does not still completely understand. "What is the price for this...help?"
"No price, Ambassador," Morden answers simply. "But at some point in the future, if we deliver on our promises, we may come to you and ask you for a favor. That's all." Morden leaves.
"We're simply here to help."
Delenn enters Kosh's quarters. She breathes from a gas mask once, then puts it away and speaks. "I have come as I said I would. Kosh, I have great doubts. I must know if it's true. I must see with my own eyes."
Kosh says nothing in response. Suddenly, a bright light comes from the encounter suit, and slowly, the top of the suit begins to move out of place. Delenn looks at what she sees and smiles. "Yes, thank you. Now I will keep the promise. Goodbye. You will not see me again as I am now." She bows to Kosh and leaves.
In the casino, Garibaldi finds Devereaux and introduces himself. Devereaux refuses to cooperate, but relents after Garibaldi forces him to go to security to identify Petrov. "Big mistake, hot shot," Devereaux says to Garibaldi. "You shouldn't poke around in things you don't understand. This is too big for you." Garibaldi does not believe this, and escorts Devereaux out of the casino.
Meanwhile, in Londo's quarters, Vir enters and tells Londo that the Centauri government wants to know if he has relayed their message to the council. Londo tells Vir to reply that he will personally take care of the problem in quadrant 37. Though Vir believes Londo is drunk, Londo assures him it is not so, and tells him to send the message.
Sinclair goes to G'Kar's quarters, where Na'Toth tells him that G'Kar is too busy, but she changes her mind after several females emerge from his bedroom. Sinclair wants the Narn to give Centauri room to maneuver, but G'Kar refuses; he considers it a dead issue. Sinclair tries to get him reconsider. The Narn, he says, are abusing their power by threatening the Centauri much as the Centauri had done to them.
"We know what we're doing," G'Kar says. "Is there anything else?"
"Just that I've had this feeling lately that we're standing at a crossroads, and I don't like where we're going. But there's still time to choose another path. You can be part of that process, G'Kar. Choose wisely. Not just for the Centauri, but for the good of your own people as well."
"We all do what we have to," G'Kar says, and asks Sinclair to leave.
"We're standing at a
crossroads."
Later, Sinclair, Catherine, Ivanova and Garibaldi are eating dinner together. Garibaldi wants to know what the occasion is, and Sinclair tells him that he and Catherine are getting married, and they want want Garibaldi and Ivanova to be the best man and maid of honor, respectively. Congratulations are exchanged, and Garibaldi tells Sinclair that he is glad to be his friend and best man. A beep comes from Garibaldi's communicator, and he receives a message that Devereaux, and the two men who were with him, is missing. Garibaldi tells Sinclair that he found something interesting about Devereaux. When he investigated Devereaux's PPG, he found no serial number stamped on the inner coil. Only special agents in Earth Force security get unnumbered PPGs, a fact which suggests to Garibaldi that something serious is going on.
In quadrant 37, a Narn perimeter guard is investigating the sector, and reports that he has found nothing. He loses contact with the base. Suddenly, something materializes directly in front of him. It is a large black ship that has many protusions resembling legs or tentacles. It fires a beam at the ship, which is instantly destroyed. A second mysterious ship appears nearby, then a third, then a fourth. Several Narn ships, fighters and large capital ships alike, attempt to intercept and return fire on the spider-like vessels, but their attempts are fruitless. All the Narn ships are destroyed, and soon the outpost on a nearby planet is destroyed as well. The mystery ships vanish, fading to invisibility as they move away from the planet.
The Narn outpost.
Ivanova, at C&C, taking an opportunity to relax since no more ships are due in for a while, watches the news. "At which time the vice president disembarked Earth Force 1. He is currently undergoing medical tests while the president continues en route to Jupiter. Reports indicate that the vice president is suffering from a viral infection and hopes to catch up with the tour as it returns from Io."
There is, however, no time for Garibaldi to relax. One of the ships that Devereaux had hired Petrov to load cargo onto was delayed by engine trouble, and he is inspecting the cargo. His aide arrives to help. Though the cargo containers are supposed to contain medical supplies, Garibaldi finds transmitters which are set to broadcast static -- a "poor man's jamming device." In another crate is a triangulation system, used to determine optimum placement for the transmitters. The device is set for a location near the transport point on Io, and the jammers are set to jam the gold channel frequency for Earth Force 1. Garibaldi links to Sinclair. "We've got a problem. Ultraviolet priority." He doesn't go into more detail, but tells Sinclair to meet him in a briefing room in twenty minutes. He rushes away. After Garibaldi leaves, his aide makes a communication of his own. "This is blue alpha," he says. "Stand by."
While Garibaldi is on his way, he comes across Devereaux and his associates. Garibaldi tries to apprehend them, but is shot in the back by his aide.
Devereaux confronts
Garibaldi.
Sinclair, in his quarters, tells Ivanova that Garibaldi has still not reported in. They both agree that Garibaldi would not call for an ultraviolet alert and then not go in to follow it up, so they surmise that something must be wrong. Sinclair continues to try to contact Garibaldi, but is interrupted by the chime of his door. He is thinks it's Garibaldi, but he's wrong. It is Delenn. "Hello Commander," she says. "I believe you recognize this." She holds up the triluminary given her by a member of the Grey Council. "Yes," Sinclair answers, remembering a hooded member of the Council holding that up to his face when he was aboard the Minbari ship at the Battle of the Line. Delenn presses further. "You remember what happened at the Battle of the Line, don't you? You remember being taken aboard our ship?" Sinclair says he remembers a little of what happened, but doesn't know everything or what it means. "I suspected as much," Delenn answers. "We have a lot to discuss, Commander. By coming to you, I am putting both of our lives at risk. But there are things you should know."
Sinclair says it's a bad time because Garibaldi is missing.
"I understand," Delenn says. "Come to my quarters, and I'll tell you as much as I can. But don't wait too long, Commander. Certain things have been set in motion, and I do not have much time." She leaves.
"I believe you recognize
this."
While Garibaldi slowly and painfully makes his way to the elevator, Na'Toth delivers some disheartening news to G'Kar about quadrant 37. She tells him that the outpost there is gone, and though G'Kar thinks they have just lost contact, she informs him that the homeworld sent a ship to investigate, and found everything gone, and all the records destroyed. There were no survivors. Na'Toth laments the 10,000 deaths, but G'Kar is preoccupied with even darker matters. "It wasn't the humans. The Centauri don't have the will. The Vorlon's don't care. The Minbari wouldn't do it. The other worlds aren't powerful enough for a strike like this," he says. "There's someone else out there, Na'Toth," he says grimly.
Things are a bit lighter around the rest of the station, however. It is now midnight, and the New Year's celebration has just concluded with the ringing in of the new year, 2259. When a couple of guests at the celebration attempt to leave, they find Garibaldi in the elevator. He has lost a great deal of blood and is unconscious.
In Delenn's quarters, she is completing the building of her crystal construct. "Are you sure there's no other way?" asks Lennier, who watches her sadly.
"What must happen will happen," Delenn says. "Valen said this day would come. Who are we to stand in the way of prophecy?" Lennier tries to convince her to stop what she is doing by asking her what will happen if she is wrong. "Then speak well of me when I'm gone," she answers, smiling faintly. She turns away from him and looks at the crystal structure for a moment. She then silently picks up the triluminary from the table and inserts it into a slot at the top of the device. It begins to glow with an eerie white light, and soon the entire device is glowing in a similar manner. "If he comes, it must be soon," she intones gravely, watching the corner of the room as something fills it, apparently coming from the glowing structure. "I have little time."
"What must happen will
happen."
Garibaldi is rushed to MedLab, where Dr. Franklin shouts to an assistant to prepare for surgery. He diagnoses Garibaldi as having massive internal damage, and he cannot operate until his condition stabilizes.
Sinclair is worried about Garibaldi, but Garibaldi moves a little and is able to offer an important warning as Sinclair listens. "They're going to...they're going to kill the president. At the transfer point on Io. Warn him! Warn him..." Sinclair rushes out as Dr. Franklin goes to work.
Sinclair quickly arrives at C&C and asks Ivanova if she has been able to get through to Earth Force 1. She tells him that all conventional channels are being jammed. They are even unable to get through on the gold channels. The C&C staff tries to reroute through civilian channels and to get Earth Central on-line as well, but they do not succeed either way. They are, however, still getting the ISN news feed, which they display so they can monitor the situation. The anchorwoman reports that, though the president was supposed to begin his New Years speech ten minutes earlier, he had not done so. She gets an emergency signal. Suddenly, Earth Force 1 bursts into flames. "Station Io is dispatching hospital ships, but it doesn't seem possible that anyone could have survived that kind of..." Sinclair tells a tech to shut the screen off. The president is dead.
Earth Force 1.
While watching Dr. Franklin and the others in MedLab work on Garibaldi, Sinclair says that he wants guards posted around MedLab around the clock and medical personnel available 24 hours a day so that what happened before cannot happen again. He says that they only have one name to go on, Devereaux, and that they need any information available about him. Sinclair leaves, and we see that he was talking to Garibaldi's aide, who just smiles and looks through the window into MedLab.
In Delenn's quarters, Lennier cries silently as he watches and listens to Delenn. Though she cries out several times, he does nothing but watch in anguish.
G'Kar and Na'Toth solemnly board a core shuttle, in which Ivanova is already seated. G'Kar asks about Commander Sinclair and Garibaldi, and Ivanova tells them that Sinclair is in MedLab with him, and that Garibaldi's situation is still very uncertain. G'Kar wants to tell Sinclair that there is little point in further mediating the dispute over quadrant 37. Ivanova has heard about what happened, and asks if they have information, but they have none. G'Kar offers his condolences over the death of President Santiago and hopes that Earth finds whoever is responsible. Na'Toth tells Ivanova that the Narn will find and punish those responsible for the destruction of everything in quadrant 37.
Back in the park, Londo and Morden meet again. Londo is amazed and outraged at what happened to quadrant 37 and the death of the 10,000 Narns there. "I didn't know you cared," Morden replies. "Ten thousand, a hundred thousand, a million, what's the difference? They're Narns, Ambassador. Your sworn enemy." Londo, however, is still shocked. He didn't think that Morden would take such drastic action. "Ambassador, your name is being spoken at the highest levels of the Centauri government. They don't know how you did it. They don't care. They credit you with saving them from another embarrassment without creating a war in the process. They've noticed you, Ambassador, which was the point of the exercise. I hear they have great plans for you." Londo still cannot grasp the scope of what happened, but Morden continues. "Ambassador, you're a hero. Enjoy it! I'll be around." He then leaves.
Sinclair tries to convince an Earth senator that the president was assassinated, but she does not believe it. She claims that their evidence has only pointed to problems with their fusion reactor, and that it was all nothing more than an accident. The senator doesn't believe that Garibaldi could know that the president might be assassinated if Earth's best agents did not. She tells him that she doesn't want a panic to be created by spreading "unsubstantiated rumors" and orders him to maintain silence on his feelings of the presidential assassination. Sinclair storms away.
Meanwhile, Garibaldi's aide calls to several other security agents who are nearby. Devereaux and his men are lying on the floor dead. Garibaldi's aide says that they tried to fire at him when they would not go in for questioning, and claims he killed them in self-defense. One of the officers says Devereaux's PPG is cold, which it wouldn't be if Devereaux had fired it. But he withdraws his comment, perhaps not wishing to contradict his superior.
Dr. Franklin begins to operate on Garibaldi.
Sinclair is at the bar, drinking. He watches the news regarding the death of President Santiago and the inauguration of vice president Morgan Clark to the presidency. "It is important that we move on to create the world that Louis Santiago would have wanted for his children, my children, and for posterity yet to come," President Clark says in an address. "We will begin by focusing more on the needs of our own people, to sustain them through this difficult time, and to prepare them for the tasks ahead."
Sinclair, sensing someone else entering the bar, turns around and sees Ambassador Kosh. "And so it begins," intones Kosh. "You have forgotten something," he continues. Suddenly realizing what Kosh meant, Sinclair rushes out of the bar and goes to Delenn's quarters.
"And so it begins."
He enters and finds Lennier still staring at the corner, and the still glowing crystal statue on the table. Lennier seems to be oblivious to Sinclair at first "You're too late," he says at last.
Sinclair follows Lennier's gaze over to the corner of the room, where he sees a large, white, faintly glowing mass. He slowly walks over to it and examines it. "What is it?"
"A chrysalis," replies Lennier. "She is changing."
"Into what?"
"I don't know," is the only reply that Lennier can give, as Sinclair looks at Delenn's eyes, just barely visible beneath the surface of the chrysalis.
Delenn's chrysalis.
Na'Toth enters G'Kar's quarters, but cannot find him. As she calls out his name, an automated message begins. "Na'Toth, by the time you get this message, I will be gone. I have certain suspicions about the attack on quadrant 37. I am taking the first transport back to homeworld. You will not be able to contact me. I will contact you. And, uh, one more thing. Tell the commander he was right. We were at a crossroads, and there is no going back. Expect me when you see me."
Londo arrives in MedLab to find Ivanova waiting there. She explains that she had relieved the commander and that he will be back on watch soon. When Londo asks about Garibaldi's condition, she says they are still operating and they still don't know what the outcome will be. Londo says that he would like to wait with her. "He is an annoying man, but I would miss him if he..." They then turn and continue to watch the operation, while Garibaldi's aide looks on silently.
Morden sits in the middle of a room, surrounded by strangely shimmering, shadowlike forms. They make a few sounds, apparently language, but not one that we can understand. "Yes, I think he's ready," Morden says to them. He continues to answer, speaking to them after they speak to him. "Perfect for our needs. No, no, he suspects nothing. When the time is right, Ambassador Mollari will do exactly as we wish. Destiny is on our side."
Catherine, with a solemn look on her face, walks over to a sofa on which Sinclair is sitting, staring intently. She puts her arms around him, but he only acknowledges her with words. "Nothing's the same any more."
Lennier maintains a candlelight vigil over Delenn as she rests, slowly changing in her chrysalis.
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Comes the Inquisitor
Overview
G'Kar tries to rally the Narn on Babylon 5. Kosh tests Delenn's allegiance by summoning an ancient inquisitor. Wayne Alexander as Sebastian. Jack Kehler as Mr. Chase.
P5 Rating: 8.47
Production number: 221
Original air date: August 8, 1995 (UK)
October 25, 1995 (US)
DVD release date: April 29, 2003
Written by J. Michael Straczynski
Directed by Mike Laurence Vejar
@@@837715831 Emmy nomination for cinematography
Backplot
- The Vorlons have visited Earth in the past, as recently as the nineteenth century, and have even taken humans to their homeworld.
- Garibaldi maintains friendships with people he knows are dealing in illegal smuggling operations.
Unanswered Questions
- How did the Rangers get the message from Narn in 24 hours? (See Analysis)
- Exactly how long have the Vorlons been visiting Earth, and for what purpose?
- How did they discover Sebastian, and what made them choose him as their inquisitor?
Analysis
- All of the key players on the side of light have now had their commitment and loyalty to their cause tested. Sheridan, Garibaldi, Ivanova, and Franklin in their battle against the current Earth Alliance administration (cf. "Divided Loyalties.") And now Delenn and Sheridan as the "spirit" and "warrior," respectively, of the Army of Light. The pieces seem to be falling into place on the side of light.
- G'Kar preaching about what the Centauri will do next is somewhat chilling. Most people just don't want to believe it. Yet in "The Long, Twilight Struggle" we heard that the Centauri have already annexed several non-Narn worlds. JMS has said that G'Kar is his Cassandra character, gifted with the power of prophesy yet heeded by none. The fact that it was a human who argued against G'Kar may be an indication of things to come.
- Based on Sebastian's comments, Sheridan determines that he is most likely Jack the Ripper. Sebastian's final comment also appears to confirm this. The murderer killed five prostitutes between August 7th and November 10th of 1888 in the East End of London (Sheridan stated the West End, but got the date correct), and was never caught. He stalked the streets at night, slitting his victims' throats and then mutilating their bodies. The nickname "Jack the Ripper" reportedly came from several letters sent to the police, but their authenticity has been questioned.
- The Vorlons have been to Earth on many occasions, and all over the galaxy in general. This is quite likely part of the reason why Kosh will be recognised by everyone if he(?) steps out of the encounter suit.
- This marks the second time a major, secretive power has sent a human representative to Babylon 5 to ask a question: the Shadows with Morden and "What do you want?" and the Vorlons with Sebastian and "Who are you?" Why do the Vorlons, in particular, feel the need to act through a third party? Delenn obviously knows about Kosh already, so why couldn't Kosh have conducted the interrogation? Perhaps he simply chooses to remain aloof and let others do his dirty work, or perhaps for some reason he felt he wouldn't have been as effective as Sebastian was.
- Sheridan and Garibaldi have given the Rangers their first trial in a combat zone, on behalf of G'Kar. They succeeded in the allotted 24 hours but we are given no information on how. Perhaps they are able to penetrate the Centauri communications network. Or perhaps it involved two "hit and run" jumps into the Narn homeworld system. The first to deliver the message to search for this family (there must already be Rangers on Narn,) and the second to pick up the required transmission. This runs the risk of being detected and caught by Centauri forces patrolling the system (a jump point presumably has a very bright characteristic energy signature on scanners). While the search might have been initiated via telepathic contact (cf. "The Coming of Shadows," specifically the Centuari Emperor's telepaths, who can communicate over interstellar distances) this is unlikely, and telepathy almost certainly cannot transmit the contents of a data crystal. Another possible explanation is that there are Centauri Rangers.
- Vir's encounter with G'Kar indicates the depth of the hatred that the Narn feel for their oppressors. An apology is no longer possible in G'Kar's eyes, only the release of his people from their occupation and the destruction of the Centauri along the way. Something inside Vir might well give soon; he has already stood up to Morden ("In The Shadow of Z'ha'dum") and tried to tell Londo of the consequences of his actions - what next?
- Vir's dismissal of the Centuari businessman, "I have already told you the Ambassador can do nothing for you." Is that a polite way of telling the businessman to go away, or has Londo's sphere of influence been reduced by his refusal to involve the Shadows again?
- There's an interesting parallel between the main storyline and Garibaldi's talk with G'Kar. Both Garibaldi and Sebastian go into their respective conversations expecting a certain outcome, but allowing room for the other person to act otherwise. The difference is that Garibaldi is an optimist -- he expected G'Kar to do the right thing -- while Sebastian expected to be disappointed as he so often had been in the past.
- This isn't the first reference to Jack the Ripper on the show. In "Mind War," Ivanova accuses Psi Corps of having "all the moral fiber of Jack the Ripper." Whether that's just a coincidence remains to be seen.
- Given the fact that Delenn was a member of the Grey Council, the choice of Grey section (by Sheridan) as the place for the inquisition was rather interesting. In addition, some elements of the lighting inside Grey 19 (the circles of light on the floor, arranged in a circular pattern, with Delenn in a center circle) were reminiscent of the Grey Council, especially the last time she was in their presence.
- On a more speculative numerological note, the number nineteen (the inquisition occurred in Grey 19) is composed of the digits "1" and "9." Taking the analysis to an extreme, perhaps the "9" represents the Grey Council and the "1" represents the chosen one.
Notes
- One of the Narn in the meeting with G'Kar is played by Dennis Michael, a CNN reporter who was doing a story on B5's makeup group, Optic Nerve, and was made up as a Narn as part of his news story.
- Was someone named Sebastian an actual suspect in the murders?
- In the original UK broadcast, the scene between G'Kar and Vir was edited to not show G'Kar cutting his hand. The edit is obvious once you know it's there.
- One of Sebastian's closing remarks resembled a Biblical quote, John 15:13: "There is no greater love than this: to lay down one's life for one's friends."
jms speaks
- "CtI is the only episode in the last four that we know nothing about."
And if I figure out how I happened to achieve that (short of just keeping my big yap shut), I'll do it some more. There should be some surprises, yes?
And it's an arc story, yes, but in a very odd way.
- (Referring to Delenn's actions in
"Confessions and Lamentations")
Re: why Delenn would do such a thing . . . hold out for "Comes the Inquisitor" . . . it gets into her rationales on such things. - "I can't wait to see how you torture us next week!"
Funny line, that, which you'll understand in a few days.
- The Inquisitor was a great episode to write, and Wayne did a killer
job with it (so to speak). That one episode has received more mail than
most others, particularly from those in the religious community, as well
as at universities, crisis centers, you name it. Something there seemed
to strike a chord.
It's easy in an SF show to cut to the EFX and let it rock; to me, the challenge is what's shown in those scenes: two people, locked in a room, no (or few) EFX, no car chases, not even much of a set...with explosions of dialogue and character. Ah loves it.
- @@@837966102 Emmy nominations
John Flinn got a nomination for cinematograhy for "Inquisitor." Last year we sent videotapes of our up-for-nomination episodes, and got three nominations for it. But WB got upset by this -- they don't do this for their other shows, we did it on our own -- and ordered us not to do it again. The other shows don't need it because they're network shows and get good exposure; most syndicated shows (non-Trek) tend not to be Emmy aspirees, so it's not a problem there. We're in between, and we were, in effect, producing videotapes, and they didn't want that. So we had to sit on our hands and not do what we knew would result in getting more noms. It's very frustrating. - @@@832092680 "With Comes The Inquisitor...how obvious was it to you that
G'Kar was
going to be the counterpoint to Delenn and Sebastian. was it an
immediate connection, or did you have to sit and look, and then
think "Ah...that's the one?"
That one was a pretty easy one.
- As for locale, it was similar to, but not exactly the same as the one
in which the Marcabs died [in "Confessions and Lamentations"], though
I did want to somewhat evoke the memory of that when I indicated the
set I had in mind.
- Sebastian was played by Wayne Alexander, a British actor of great
skill who hasn't been seen much on TV before this, but should now,
with this performance as a calling card. It was a stunning
performance.
- I don't think Wayne has done that much TV work before, he's primarily
a stage actor, but in any event, he's certainly brilliant as Sebastian.
- Why bring up Sebastian's past? Because it's integral to who he is
now, and what he's doing, and why he's doing it. Also, there's
something very important here about greying up the Vorlons a little;
of all the people they could've chosen for this job, why THIS kind
of person? It makes them a trifle more morally ambiguous, which is
necessary.
- "It doesn't fit in with the way the Vorlons have been portrayed. It
bothered me."
Good. That was the intended result.
Part of the reason for the story was to grey up the Vorlons a little; one shouldn't fall too easily for what other people *say* they are.
(One might also say much the same of the old testament god who would have Job so severely tested, btw.)
One should always be cautious of taking *anyone* at face value on B5.
"...you could consider them a force for good."
Ah, but what *is* good? And whose *version* of good are we discussing?
- I'd say there's a very good chance that the Vorlons have more than
one Inquisitor.
- Was Sebastian based on Star Trek's "Q"?
No, had nothing to do with Q, it's deciding what kind of person our Mr. Sebastian might've been, and working from there. When you have a character with as vivid and powerful as his, you don't need to look to ST for any ideas on character. And unlike Q, Sebastian has no powers of his own, just the force of his personality. - What was the last word in Sebastian's "What about" litany?
Actually, the last one, since it was going to be drowned out, was an adlib, "eternity." - @@@846713304 "What about eternity?" It was an adlib from the actor
just to cover the moment when Delenn rises, knowing it would likely
never get heard over the rest of it.
- Also, check Sebastian's reaction when he asks Delenn what if she's
wrong, "have you ever considered that? HAVE YOU?"
She responds, softly, "....yes."
Look at his face when she says this. It rattles him. It's not the answer he expected, but more important, it's not the answer he wanted, needed to hear.
He needed to hear her say that she had never had the slightest *scintilla* of doubt, that as he had been, she was a True Believer, a fanatic, incapable of doubt of mistake...and thus doomed to failure. He can't even meet her gaze; he turns, looks away, and suggests an "intermission" that is more for his benefit than hers.
There's an awful lot going on in this show, a great deal of it sub rosa, under the surface, implied in gestures or hesitations or looks, some implied, some stated outright. He *hates* the memory of Jack; it's not his name, the one thing that is his...remember, he is caught up with "who ARE you?" and his answer to that is lost in the persona created by history...his true name, is what's totally forgotten to history.
- Sebastian learns quite a bit in the
course of that encounter about himself...especially when she rubs it
in his face as she does.
- Of course, bear in mind that there *is* no correct answer to
Sebastian's question...because no matter what answer you give, the
question will be repeated. It's a process, not a goal, designed to
tear down the artifices we construct around ourselves until we're left
facing ourselves, not our roles. At some point the "answer," such as it
is, must transcend language.
Since the episode aired, I've received many notes from philosophy teachers and religious instructors and those who ran the Synanon game noting that they've used that technique as well, or intend to do so from now on.
- The episode underlines that there are two fundamental questions in
B5: who are you, and what do you want?
The order in which you answer those two questions can either make you
great...or destroy you.
- @@@846713304 About "Who are you?"
Yeah, that's one of the primal questions, isn't it? And one that we are too often distracted from considering. - @@@846713304 The key to the questions is that you generally have to
first be able to answer "who are you?" before you can intelligently
determine "what do you want?" To deal right with "what do you want"
before you know who you are is destructive in almost any situation.
- I think that, in the long run, the vorlons and the shadows will answer
the questions Who are you and What do you want...in that that's kind of
what they *are*, if that makes any sense.
Well, it will. Eventually.
- It's not that there's a *correct* answer, but that there's an
*informed* answer. If you decide what you want, before you know
who you are, you're likely to get something that will destroy you;
if you know who you are, you can then ask for something that will be
of greater use to you.
- The pain is necessary because it's easy to consider laying down one's
life intellectually; when the pain and the
agony bring it home, it's no longer as easy.
And there *is* no correct answer to "Who are you?" The only real answer is no answer, because as soon as you apply someone's term for it, you have limited yourself, defined yourself in someone else's terms.
Doing things in a refined, gentle, intellectual manner is the sort of thing Delenn's used to, she can handle that easily...the goal of Sebastian was to try and *break* her. That's not intended to be done gently. You don't break someone over a cup of tea discussing philosophical concepts and the nature of personal identity. It's also not terribly dramatic to watch.
Because of her position, rank and authority, she expected to be treated a certain way...which was why it was important to treat her just the opposite. It's easy to put oneself into a grand prophecy, to assume one has a destiny...to pay the price for that is something else again. Anyone can do the former; very few can ever do the latter.
- Sacrificing oneself happens frequently...but for just one other
person, AND in a situation where no one else would ever know about it.
Bear in mind that he wasn't testing people randomly; only those who felt
that they were chosen of god, fulfillers of prophecy...people who
assumed that they were part of some grand scheme, and thus to whom an
anonymous death is an intolerable thought.
Also, most probably never *got* that far, unable to stand the real pain of being placed in this position. Everybody can talk the talk; very few can walk the walk. Most probably just yanked off the bracelets and split, on the theory that they weren't being sufficiently coddled or glorified...or because being a potential prophet isn't as much fun as they'd thought.
- There have been a great number of films and TV programs with one sort
of interrogation scene or other; I'd commend "Closetland" for something
else on this order.
- Mentioning just the first name may not have been necessary for
UK viewers, but it was necessary for the rest of the planet.
- Of course, his real name was never Jack Sebastian; "Jack" is his
working name, Sebastian could be a first or last name.
- I tied him [Sebastian] to a specific person because
in writing, you *always* try to go for specifics, because generalities
don't really work. It's the difference, in prose, between, "The room
smelled good," and "The room smelled of cinnamon and fresh coffee."
Also, the specific connotations to who and what Jack was were essential
and integral to the storyline.
- "Jack" was the media appellation; whether Sebastian is a first or
last name is left open.
I looked at who this historical figure could be, but no one else fit into the area I wanted. It was a decision born of necessity, not whim. I needed someone far enough removed not to have any current victims' families still alive; someone known to a worldwide population (anonymous wouldn't have worked because why would Sheridan have known about him, why should we care, why should it resonate, and we'd spend time explaining what he did that would have meant cutting out other material in the episode); the other serial killers tend to have clear fates, whereas Jack vanished and is thus "available" to us; visually that period makes for a striking contrast to 2259.
And, again, you have to look at who he *was*...a fanatic, trying to clean up Spittlefields (good cause) by hatred (wrong reason) and murder (wrong means), the EXACT thing Delenn warns against at the very start of the show. (Did you know there's a letter in the London Times for that period that tries to explain the Ripper's motives as a cry ofr (for) understanding about conditions in that part of London?) He felt he was a divine messenger, learned he was not, and in bitterness has become the single best inquisitor you could've had in that job.
Every single thing about Jack made him *perfect* for that role, as mirror, menace and warning sign. So I used him. And I'd do it again. You have to find what works best for the story, and do it.
- @@@865282699 I used Jack because he was perfect for that particular job,
which was what the Vorlons had decided as well. Simple as that.
- Jack the Ripper has been used too much in SF.
So, in other words, if a historical, real character has been used in some other venue, if the use of that same character in another, wholly different world/series/show/universe is absolutely, totally and completely the right thing for that story, one should instead do what's *wrong* for the story and leave it out?Sorry. Don't buy it.
- @@@846713304 You can't exclude or include anything in your story
just because a character or concept has been used by others. If we
were to do that, then we might as well never make the show, because
others have shown starships and hyperspace and aliens. Okay, yes,
others have used Jack. But not in the same way. It was *right* for
this show...should it not be used because oths have also used this
character? I think that the moment you begin constantly
course-correcting your show in reaction to other shows, you're dead in
the water. You have to do what's right for *this* story, in *this*
episode. And I think we showed a very different aspect of the
character and the situation than has been shown before. If we just
did the same old gag -- Jack comes to B5 and begin murdring people
again -- then I'd agree. But we didn't. I think you have to judge a
show by what's IN the show, and how well it's done, not against what
has been done in other places.
Otherwise we might as well throw out starships and beam weapons and aliens and all the rest, since those have ALL been done a lot more than Jack.
- @@@846713304 The original Star Trek episode "Wolf in the Fold"
also centered around Jack the Ripper.
In the TOS show, that revelation was the whole *point* of the episode, where here it's a filligree, dropped in at the last. It also *has* to be that character, as the flip side of the story, to contrast with Sheridan's "holy cause" as warning, and because of his own reflection of what Delenn might have been if she went the wrong way for the right reasons. - On the "Jack sucks" threads, phrased various ways...doesn't really
bother me. I knew going in that some folks would react well to that, and
some wouldn't, for an assortment of reasons, some valid, some less so.
- I guess also that the key to avoid something becoming cliche is to
turn it on its head. Which was the case with Sebastian. One thing
I neglected to mention was the need to have an absolute
mirror-counterpoint to Morden. Here you've got the smiling,
pleasant, utterly charming and good looking fellow who is our
"mirror" if you will in which we see the Shadows reflected. So now
you need something dark and ominous and terrible as the mirror
through which we briefly glimpse the Vorlons, which has to be done
all in one episode, you can't develop it gradually as with Morden.
So everything about Sebastian was the opposite of Morden...and each
is the opposite of what they represent. As it appears to us now,
anyway.
- "it just didn't pay off in the long run." For you. For others it
did. Let's not start getting grandiose. You feel this way, that's fine,
but it's not the ultimate truth. Otherwise you're totally dismissing
the opinions of others who liked it a lot.
"Jack...has become a real cliche." So because others have used that figure in their work, well or poorly, no one should ever use this historical figure ever again in the next thousand years of human history. One should not do what one thinks is right for a story because of what someone else did in a different story.
Sorry. I don't work that way. By your logic, I should not be using starships or hyperspace or aliens, either, because they've been used a LOT more than Jack.
- Actually, I think I saw more *annoyance* at Jack being used from the
UK folks than the US folks, that's the main difference, I think.
Probably because it's a peaceful, wonderful country which is *still*
paying off, in the public eye, one particularly nasty creature in their
recent history. They're probably tired of hearing about him, and to
some extent, correctly so.
- Will: thanks, and you're quite right; it does say something about the
Vorlons that they'd use Jack for this purpose. Now we just have to
further define what that is.
BTW, just to append it here, not strictly appropos of your message... I've noted a number of people say, in essence, "Boy, was I disappointed that he said Jack at the end, what does he think we are, morons?" And I've seen plenty of comments from people who didn't know it was Jack until that very last moment, for whom it was a revelation.
It's pretty clear, to lots of folks, that the test was in some ways (most, actually) more for Delenn's benefit than Kosh's...lots of folks got this...and then others have said, "Well, if that's what he meant, why didn't he just have one of them come out and SAY this, say what was learned or that this was for THEIR benefit?"
So frankly, whether one comes out and says something, or does not come out and say something, someone on one side or the other is going to give you a hard time about it.
- Jack's murders took place in the East End of London, not the
West End
What happened is...basically...Joe is a moron.
I did my research. I called up the info on the encyclopedia, got all the dates right, and my eyes saw East End and for whatever stupid, idiotic reason, my fingers typed West instead of East, and nobody, NObody, caught it until now. I'd loop it, but alas the line is on his face, and it'd look real stupid, and the delivery is *so* perfect as it is; if we looped it, we'd destroy it.
So I content myself with the notion that it's west...of B5.
Now if you'll excuse me, I'm going to go shoot myself.
- Maybe the West End fell into the ocean and the East End is now
West.
No, no, it's hopeless...I'll have to turn in my writer's card.
- Unfortunately (yes, we discussed this), he says the line *on camera*,
and the shape of the mouth for West is very different than for East;
also the performance wouldn't be nearly as good. So there it is....
- Thanks. Though I knew about the gaff a LONG time before it was to
air here in the US, I let the east/west thing go through as shot for
the very first broadcast because I was afraid that the loop might
hurt the scene, and it was *so* perfectly done. That over, I decided
it was worth taking a shot at it. If your friend didn't notice, then
we did it right. So now those who taped the first broadcast have
something that'll never be seen again (if I have anything to say
about it).
- @@@846713304 Yes, I *know* it's the East End not the West End; I
looked right at my notes when I was writing the script, and they said
East and I typed West and nobody noticed it until it went out. I
could've replaced it with a looped line prior to first airing here, as
this was found during the UK airings, but looping never improves only
diminishes the performance, and he's on-camera and the words wouldn't
match his mouth. So I decided to let it go out this way once for
performance, and we'll correct this aspect with a loop in later
airings, even though that will somewhat lessen the performance aspect.
- @@@846713304 What I'd said, and maybe I wasn't sufficiently clear, but
my sense was that I wasn't going to change it *prior to the first US
airing.* I found out about the mistake -- it was a typo, I knew the
difference, I just became momentarily stupid and wrote west when I meant
to type east -- after the show aired in the UK, and had a couple of
months in which I could've chosen to make the change. But I was
concerned that the dub wouldn't have the same power as the original
performance, so I was willing to let it go until after it aired, so
it would've had that impact, then make the change later. Happily, the
loop came out *very* well, so it worked out.
- @@@846713304 Even in the fixed version, the closed captions still
say West.
Y'know, I'd totally forgotten about the captions.Nuts.
- Yeah, it's always the dopey, small stuff that slips past, and nobody
notices until it jumps out at you when it's too late.
- Sebastian's final words were part of the same sentence he began
while speaking directly to Sheridan's face...insofar as I have ever
considered the scene, he IS talking to Sheridan.
- Actually, yes, I do have a pet theory about who the Ripper was, but
I'm so embarrassed over the west end/east end typo in one of our
episodes that I don't know if I'll ever have enough courage to broach it
to anyone.
- Okay, here's one clue for any would-be Ripperologists out there.
In all the long story of Jack, when he was out doing his nightly work, only one person, a woman, wrote an actual letter, published in the London Times, offering an *explanation* for the Ripper's work, arguing that he was trying to send a message, that maybe people should listen to that message. It was as close as anyone's ever come to an actual *defense* of what he was doing.
Note the woman's name, and who her husband was...a man who was twice interviewed by Scotland Yard, and interviewed by many Church officials, the transcripts of which have been *sealed* by the Church ever since, at the request of the family...a person who was the last man to see at least one of the victims alive...and who was a direct blood relative of the man who was living with the final victim (who was killed indoors, leading to the speculation that she knew her assailant)...who suffered a breakdown just before the murders began, was obsessed with cleaning up the Whitechapel area, and after whose sudden, hasty transfer, the murders stopped...and whose profession is tied *directly* to the only thing the Ripper was overheard to say to one of his victims.
- @@@846713304 The mistake everyone makes is in going for somebody
famous, a celebrity. I've done a lot of looking into this, and have
spoken with a number of other Ripperologists, and the single most likely
person is one who's name you've never heard mentioned as a suspect, but
if you read the record, his name keeps coming up again and again and
again.
- @@@846713304 Nope, Sebastian wasn't the name of the one I'm thinking of.
And from what I've read, a lot of folks *did* need to hear the name to get it....
- How did Lennier know where Delenn was?
Well, given Delenn's position, I think she'd have let Lennier know where she was, or that he'd heard Sheridan tell Delenn in the scene we played the voice-over. - Actually, there *was* a scene where Lennier, concerned, tracks down Kosh
to inquire after Delenn's situation, which report alarms him and sends
him after Sheridan. It was filmed...but cut for time.
- Censorship by C4 in Great Britain
They SNIPPED the shot of G'Kar slicing his hand? You're kidding! I find that quite astonishing; it was done discreetly. I'm dumbfounded. No wonder there was confusion about that scene.
- You're right, btw; I was informed in another message here that they
did snip that piece of G'Kar's action. Suffice to say I had *no*
idea, and now that I *do* have an idea...I'm simply wog-boggled.
- Can G'Kar grow to forgive? I don't think so...and yet in a way he must come to something more than rage, and other than forgiveness. There is an important step in his development yet to come. And he will have to go there by a very hard road.
Originally compiled by Jason Snell.
Comes the Inquisitor
Synopsis by Matthew Murray (mmurray@wsu.edu)
In the Zocalo, G'Kar tries to convince the patrons that the Narn were
only the first victims at the hands of the Centauri, and that more will
follow. The patrons, however, become
little more than annoyed, claiming that the Centauri are only the
Narn's problem. G'Kar tries to warn them otherwise, but they refuse to
listen to him. Eventually, another Narn convinces G'Kar to stop
his speech. Vir, standing on a walkway above, has heard it all.
Delenn walks to the end of a darkened corridor where she sees Kosh partially hidden in the shadows. "Lennier said you were calling for me," she says to him.
"Yes," he replies.
"Is there something wrong?"
"You, perhaps. We have sent for an inquisitor."
"An inquisitor? Why?"
"To be sure about you. You will submit to his authority."
"How will I know who it is?"
"You will know... if you survive."
Sheridan tells Lennier and Delenn that he isn't sure he understands
Delenn's request to help the inquisitor through custody since they
aren't able to say anything about him. Delenn explains that Kosh
has doubts about whether she is fit to hold her position in the army
of Light. She explains that Kosh must be certain the choice is
correct and that she is doing the right thing for the right reasons,
and that that is the inquisitor's job. Sheridan offers to help, but
Delenn insists she must go through it alone.
G'Kar meets up with a man named Chase in his quarters, and tells him
that he needs weapons. Chase says that he has the weapons G'Kar
wants, light munitions that are easy to smuggle and use against the
Centauri, and will sell them for the right price. When G'Kar sees the
price, however, he says it is too high, since the Narn sold similar
weapons to Earth during the Earth-Minbari war. Chase decides to take
ten percent off the top of the price, which G'Kar agrees to pay. G'Kar
tells Chase before he leaves that this money is all the escaped Narns
have left -- the results will be fatal if Chase defrauds them.
C&C detects a Vorlon transport coming through the jumpgate.
Sheridan enters the Vorlon vessel's docking bay, which is quite messy
and quite dark. A man, dressed in Victorian clothes and carrying a
crystal-topped black walking stick, emerges from the shadows and
approaches Sheridan. "I believe I am expected," he says.
Sheridan and the inquisitor walk on the walkways above the Zocalo, the
inquisitor looking at the establishment in disgust as they proceed.
The inquisitor will not say why he was on the Vorlon ship, and asks to
see Delenn. Sheridan tells him that she will come when they are
finished talking. "Nothing changes," the inquisitor says.
"Corruption. Immorality. Chaos." Sheridan asks when the inquisitor
was last on earth, and the inquisitor says it was long ago. Sheridan
asks about the Vorlon homeworld and tries to get him to describe the
Vorlons, but the inquisitor refuses, and merely explains that his name
is Sebastian, he came from London in 1888, and that he was taken by the
Vorlons to be used as an inquisitor. Sheridan expresses surprise that
the Vorlons have had contact with Earth. "The Vorlons have been everywhere,"
Sebastian says. "The Vorlons... are." He demands to either be allowed
to finish the work, or to be allowed to leave, but he plans to say
nothing else. Sheridan tells Sebastian to follow him.
Garibaldi meets up with G'Kar; he has learned that G'Kar is buying
weapons for use back on Narn. G'Kar, familiar with Garibaldi's
methods, confesses to doing that, but Garibaldi tells him that he
doesn't want the weapons coming through Babylon 5. But, because he
understands and appreciates the situation, and because G'Kar was honest
about his intents, Garibaldi tells G'Kar that he has a friend who runs
a transfer station in sector 90, all alone by a jumpgate, and that,
since the man deals mostly in illegal goods, it might be good to send the
weapons through there. Garibaldi mentions it's already been arranged,
thanks G'Kar for his honesty, and leaves.
Delenn walks to gray 19, where she is to meet Sebastian. She enters
the area, which is very dark except for a few circles of light on the
floor. When she approaches the middle of the room, Sebastian's voice
tells her to stop. There are two manacles on the floor, which
he instructs her to put on. She can remove them at any time, although,
should she do so, she'll be deemed unworthy. Sebastian appears from
the dark and says to her, "Who are you?" She responds with her name,
which he says in unacceptable. She tries again, but he finds her next
answer unnacceptable as well. The mancles glow with energy that causes
her pain. This process continues for a while, but she will not give
Sebastian any answer he will accept. He ridicules her and her beliefs
that she is on a holy mission and tells her that she will not know what
to believe after he is done, and that she may die during the
inquisition. He tells her that, if she believes she is correct, she
will hold fast in the belief that the universe will not let her die.
A Centauri follows Vir, telling him that he has a message for Londo,
but Vir insists that Londo will not speak with him. He goes into an
elevator where he finds G'Kar waiting. G'Kar stares at Vir intently,
and Vir says to him, "I'm sorry. I wish... there was something that I
could do. I tried telling them, but they wouldn't listen. They never
listen... I'm sorry." The elevator door opens and G'Kar walks out.
Before he vanishes, though, G'Kar turns to Vir. He slices his hand, letting the blood drip on the floor. "Dead... dead, dead, dead, dead, dead, dead, dead, dead, dead... How do you apologize to them?"
"I can't," Vir admits.
"Then I cannot forgive," G'Kar tells him, and walks away.
Sebastian's interrogation of Delenn continues, criticizing her belief in her destiny. He tries to shake her beliefs, and tells her to call out to the universe so it can help save her. When she refuses, a tap of his cane sends pain into her body from the manacles again. She screams out in agony, but there is no apparent response from the universe. Sebastian asks her why she is where she is -- why she was born. She says she was meant to be there, and Sebastian demands to know why she believes that. He asks her what she would think if the world believed otherwise, and she tells him she would believe the world to be wrong. He asks how she can justify her being correct, yet everyone else being incorrect. She admits that she has wondered the same thing -- an answer Sebastian doesn't expect. He gives her ten minutes to rest.
G'Kar reports to the other Narn on the station that they are developing an underground communications net, though weapons have proved to be almost beyond their means. One of the Narn questions G'Kar's ability to deliver the weapons, and tells him that it may be a good idea to consider another Narn to lead them. The Narn tells G'Kar that, because he can't communicate with the homeworld, they have no reason to believe the weapons will get through. G'Kar says that the only way to win back control of their homeworld is if they stick together and don't fight internally. He proposes that he will remain leader if he can communicate with the objector's family in twenty-four hours, and agrees that, if he cannot, he will abdicate his position.
Sebastian tells Delenn that her problem is that, even though she's only
part of the army of Light, she believes she must carry the entire
army. He tells her that her only destiny is to be the "nail that gets
hammered down". Afraid, she tries to get away from him, but he calls
her a fool, which she says is better than what he is -- merely a
tormenter who is not strong enough, worthy enough, or right enough to
achieve his own dreams, so he must prove others are just as bad as he
is. The manacles send pain into Delenn again, and Sebastian asks her again
who she is, but is again not satisfied with her response, and her
belief that she has a destiny. He tells her that it would be very easy
to kill her, and that he can do it any time he likes.
G'Kar tells Sheridan and Garibaldi that he needs to get word from the
Narn on the station to the Narn on the homeworld. Sheridan tells him
that it is a difficult request to grant, but that he will do what he
can. G'Kar gives Sheridan a data crystal and leaves. Sheridan asks
Garibaldi if the Rangers are capable of taking the messages to the Narn
on the homeworld. Garibaldi says he doesn't think they're ready,
but Sheridan insists that they be ready in case something more
important comes along. Garibaldi takes the data crystal.
Lennier enters grey 19 and finds Delenn crumpled on the floor in pain.
Though he begs her to leave, she tells him that she cannot and that he
must leave without her. When the sound of Sebastian's cane comes
closer, she tells Lennier that he must leave immediately, and that the
only way to save her is to let her do this by herself. He rushes out
just as Sebastian approaches, and finds Sheridan in a nearby corridor.
He begs Sheridan to defy Kosh, since the inquisitor may be killing
Delenn.
Sebastian continues torturing Delenn with the cane and the manacles,
which are now affecting her entire body. He stands over her and tells
her that her fate was dictated long ago, and that she has no control
over what happens. The door to grey 19 opens and Sheridan arrives,
something Sebastian indicates he has been expecting.
Sheridan demands Sebastian leave Delenn alone, and Sebastian asks
why he should, and what she means to him. Sheridan tells him that he
doesn't have to answer any questions, to which Sebastian agrees, before
he sends Sheridan flying against the wall. "Your turn now," he says.
Sheridan, now held captive by Sebastian, begins undergoing his own
questioning as well. Sebastian
asks Sheridan how far he is prepared to go in the fight,
and how much he is willing to risk. Sebastian tells him that he may
have to sacrifice everything in order to survive, including his friends
and comrades. He continues the interrogation, hitting Sheridan with
energy bursts from the staff repeatedly, as he forces him to realize
what he may have to sacrifice. Delenn cries out,
demanding that he stop. She tells him that he
was sent to interrogate her, not Sheridan, and that she will give
herself up to him in order to save Sheridan. Sebastian asks her if she
is willing to trade her life for his, to which she responds that, if
she fails, other will take her place. Sebastian asks about her cause,
but Delenn insists that this is her cause -- saving lives. Sebastian asks
her if she is willing to die alone and forgotten, but she tells him
that she isn't afraid. Sebastian waves his staff and vanishes, along
with Sheridan's bonds.
The door to grey 19 opens, and Sebastian appears. "You can go," he tells them. "You've passed. Both of you."
"Passed what?" Delenn asks.
"How do you know the chosen ones? No greater love hath a man than he lay down his life for his friend. Not for millions, not for glory, not for fame... for one person. In the dark. Where no one will ever know or see. I've been in the service of the Vorlons for centuries, looking... Diogynes with his lamp looking for a man willing to die for all the wrong reasons. At last, my job is finished. Yours is just beginning. When the darkness comes, know this: You are the right people, in the right place, at the right time."
Sheridan sits at C&C when he is approached by Ivanova who tells him
that the Vorlon ship is ready to leave. He asks how extensive Earth's
history files are on 19th century England, and Ivanova tells him she
should be able to find whatever he needs. He tells her he needs to
verify a name and address. "14... 14-B Harrisford Lane, London, around
1888." Ivanova asks for the name. "Sebastian," Sheridan replies.
G'Kar and the other Narn watch the message obtained by the Rangers.
The Narn that previously questioned G'Kar's ability thanks G'Kar and
tells him that they will follow his lead.
At the docking bay, Sheridan tells Sebastian that everything is ready to go, but he won't let Sebastian leave just yet. "Mr.... Sebastian, I did a little digging, based on what you told me. The records confirm you lived on Earth in the year 1888. The records also indicate that you vanished, suddenly, without a trace on November 11th, 1888. That's a very interesting date, Mr. Sebastian. The morning after the last of a string of murders in the East End."
Sebastian turns silently toward him. "The city was drowning in decay. Choas. Immorality. A message needed to be sent, etched in blood for all the world to see. A warning. In the pursuit of my holy cause, I... did things, terrible things, unspeakable things. The world condemned me, but it didn't matter because I believed I was right and the world was wrong. I believed I was the divine messenger. I believed I was..."
"Chosen?"
"I was... found by the Vorlons. They showed me the terrible depth of my mistake, my crimes, my... presumption. I have done four hundred years of penance and service, a job for which they said I was ideally suited. Now, perhaps, they will finally let me die."
"I think that might be wise."
Sebastian puts on his hat and turns away, proceeding toward the ship, and does not look at Sheridan again as he walks. "Good luck to you in your holy cause, Captain Sheridan. May your choices have better results than mine. Remembered not as a messenger, remembered not as a reformer, not as a prophet, not as a hero... not even as Sebastian. Remembered only... as Jack."
Confessions and Lamentations
Overview
The outbreak of a fatal disease among the Markab population prompts a panic on the station; Dr. Franklin races against time to find a cure.
Sub-genre: Drama P5 Rating: 7.85 Production number: 218 Original air date: May 24, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Kevin Cremin
Backplot
- The Minbari expect Valen, the holy figure who founded the Grey Council a thousand years ago (perhaps during the last conflict with the Shadows) to return some day -- or at least, they have a religious ceremony suggesting so.
- A deadly virus appeared on an isolated island on the Markab homeworld several hundred years ago, wiping the entire population out. The inhabitants of the island were known for what was widely considered sinful behavior, and the virus came to be viewed as divine retribution by the Markab.
- Dr. Franklin visited the Markab homeworld once while he was hitchhiking on starships in his youth.
- Keffer has been taking trips into hyperspace in his spare time, looking for the mysterious ship (a Shadow ship) he saw in "A Distant Star."
- When Delenn was a small child, she was separated from her parents in an unfamiliar Minbari city. Eventually she found refuge in an old, apparently unused, temple, where she waited for hours. Then, just before her parents found her, she saw a vision of a figure, bathed in light, who told her, "I will not allow my little ones to come to harm in this place."
Unanswered Questions
- Was the virus created artificially? If so, who did it and why? (See Analysis)
- How many Markab are still alive?
- What's going on between Delenn and Sheridan?
- Will someone lay claim to the dead Markab worlds? Who?
- Was Delenn's story about the temple true, or just a story to comfort the lost Markab child? If true, who or what appeared before her? (See jms speaks)
- Will the disease spread among the Pak'ma'ra as well, or will Franklin's treatment stop it from wiping them out?
Analysis
- This episode's plague theme meshes with the story and ritual
practice of Passover. The Minbari dinnner ceremony Sheridan, Delenn, and
Lennier participate in is a ritualized meal, like Passover: foods must
be eaten in a particular order, and a table setting is left for a
revered historical figure (Elijah, Valen) who is supposed to return
some day. As the Markabs enter the de facto "quarantine" chamber, the
Markab ambassador suggests that if they pray and are pure, the plague
will "pass over" them -- a parallel with the original passover story,
where a certain sign on the house door made a plague attacking the
Egyptians pass over the Jews. Franklin's discussion of the Black Death
also mentions how Jews were unjustly accused of spreading the infection.
- Franklin appears to have forgotten about the alien healing device he
acquired in
"The Quality of Mercy"
and used on Garibaldi in
"Revelations,"
which he could have used to help his friend and thus increase
the chance of finding a real cure.
Or perhaps he knows enough about it now to know that it wouldn't have
worked on plague victims for some reason. (Obviously it wouldn't
have been of much use to the Markab population in general, since it
only works on one person at a time and only with a donor.)
- Babylon 5's crew may have inadvertently helped the disease spread
when they gathered all the Markab for blood tests; presumably some
of the subjects would have remained in their quarters if they
hadn't been dragged out and tested in a room full of possible
carriers.
- Sheridan presumably ordered Keffer to stop his expeditions because he
suspects Keffer's mystery ship is a Shadow vessel. Will he let
Keffer in on that information, or will he continue to keep it to
himself and simply let the order stand?
- Franklin's frequent use of stims to stay awake while a medical crisis
is going on (cf.
"In the Shadow of Z'ha'dum")
may spell big trouble for him if he keeps it up. Doctors on stims
are more likely to make mistakes (cf. Dr. Rosen in
"The Quality of Mercy")
and it appears the Earth medical community doesn't look kindly on the
practice of doctors drugging themselves to stay awake -- Dr. Rosen
lost her medical license as a result.
Whatever his good intentions, his obsession with solving everything on his own may lead him into a regrettable situation down the road. There isn't yet enough evidence to show that he's actually addicted to the stims, though. (See jms speaks)
- It's been argued that the Markab did die for their sins --
specifically, the sin of pride, by believing that they could keep the
disease to themselves and not involve any outsiders. Had Franklin
learned of the disease when it first hit the station, he (or another
non-Markab doctor) might well have been able to save a billion lives.
- Delenn seems to be coming apart at the seams in many ways, probably as
a result of being made a pariah among her people. If she's telling the
truth, or at least part of the truth, about undergoing her change to
help draw humans and Minbari closer together (cf.
"Revelations")
it must be frustrating in the extreme to be reviled by her own kind,
and resented by many humans (cf.
"And Now For a Word.")
Especially if she believes that she's special somehow, a unique player
in an immense drama (cf.
"Babylon Squared.")
This, in combination with the influence of her new biology, may explain
why she's reaching out to Sheridan now; he at least seems to respect
her and relate to her as an equal, and she probably trusts him a lot
more now that she sees he can be trusted with one of her biggest
secrets (cf.
"In the Shadow of Z'ha'dum.")
Or, of course, she could be planning something. She's been trying to get closer to Sheridan for quite some time (cf. "A Race Through Dark Places") and this could simply be the next step.
- On a similar note, being locked in a room and helplessly watching
thousands of people die all around can't be good for Delenn's emotional
stability. It remains to be seen if this will have an impact on her
personality; for many people it would be a profound shock.
- But Sheridan's statement that Delenn wouldn't be able to come back
out if she entered the contaminated area doesn't make sense, given
that the plague was known to be airborne; she'd be exposed to it
either way, given that the station's air is recycled (as stated in
the episode.) Presumably he was just trying to keep her from going in.
- The timing of the plague's reappearance, with
all the other events going on, is suspicious. Of course, it might be a
simple coincidence, as
Franklin suspects, just a dormant disease whose time has come. But
another interpretation is that the outbreak on the Markab island
centuries earlier was an early biological warfare test on an isolated
population, and the events in this episode were the real attack. If
that's true, who is responsible, and do they have any connection with
the approaching Great War?
Note that the Markab did have some contact with the Shadows last time they rose up, as evidenced by the Markab ambassador's speech in "The Long Dark" -- perhaps someone (not necessarily the Shadows; maybe the man at the bar was right) didn't want the Markab around to participate this time.
- Franklin's cure protects possible victims against attack, rather than
eliminating the disease. B5, with its recycled air supply, now
permanently carries the disease, which is dangerous to species with
yellow and green blood-cells (or cells that perform a similar function,
namely the manufacture of certain neurotransmitters) and might well
mutate to endanger
others. This could affect the willingness of alien groups to use the
station in the future. Even species not vulnerable to the disease
might keep away just to be safe.
- @@@834865421 When Sheridan wakes up from his nap in Delenn's quarters, he mumbles, "In the memory of the nine and the one." Presumably the nine refers to the Grey Council, and the one refers either to Valen or to The One, as mentioned in "Babylon Squared." There's also an echo of the story told in the Minbari ceremony in "The Parliament of Dreams."
Notes
- This episode features a previously unseen alien (or at least, a humanoid who's presumably alien) wearing a suit with an elaborate helmet. The helmet bears a striking resemblance to the mask of Morpheus, the King of Dreams, from Neil Gaiman's "Sandman" comic book. As "Sandman" is one of JMS's favorite comics, this may be an intentional homage.
- "Markab" is Arabic for "boat."
jms speaks
- "Confessions" isn't per se a wham episode, for instance, but it does
have some very sharp turns, and it's an extremely intense episode on a
par with "Believers." It makes no compromises and takes no prisoners,
and I imagine it'll stir up about as much debate as did "Believers," if
not more. When we did playback after doing the audio mix a few days
ago, there wasn't a dry eye in the house.
- I would also point out that, upon returning from the Moon, Apollo
astronauts were quarantined routinely in case any virus might have been
encountered; also, Mars probes today are carefully sterilized prior to
launch to prevent any virus from our ecosystem interacting with anything
that might be there. Further, there have been numerous hearings within
NASA, and in at least one case in the Senate Science Subcommittee, in
which biologists and scientists have expressed concern about the
possibility of viral contamination from new species. So anyone who says
this isn't possible simply isn't reading the literature.
- Tom, we *do* have a medical/biological advisor, whose primary
comment on the notion that a virus couldn't pass between one species
and another..."We have yet to contact one other alien life form to make
an analysis. We do not know for a fact that their biology will be
radically different than our own. Until we actually make contact, it's
as likely as not." A biologist works from what's known; unless you've
got a specimen of alien life somewhere and aren't showing it to anyone,
or you're simply making a guess, which is neither more nor less correct
until we have something testable in our hands.
- I will not defend the notion that
the episode stated that all Americans felt that AIDS was a penalty from
god because it never said that. Ever. In any way, manner, shape or
form. The problem is that some people are so caught up in the current
situation that they lose all sense of perspective. Fact is, most
people DID think that the Black Death was a punishment from God, or the
work of the devil, as Franklin says. The Markabs had a similar belief.
Nowhere was that applied in dialogue to humans or the AIDS situation.
The whole point of the episode is NOT political; it says that if you make a disease political on either side, you're gonna die. You have to set aside all that crap and just Deal With The Problem. The only "side" this episode took was in advocating compassion for those afflicted.
I have enough just dealing with what's actually *in* my series; don't compound the problem by adding things that you saw only in your own head, and which exist nowhere in dialogue or in the story. You are adding the template of your own beliefs as an overlay, and seeing this story through it. That ain't my problem. If you see this disease as political, that's your lookout. This show says that ANY attempt to politicize a disease is species-dangerous thinking. Period.
- On one level, this does indicate that we really *are* crazy over here at
B5. Here we developed this race for nearly two years. Developed their
culture. Mentioned them prominently just last episode. Had them speak
before the full Council (in "Long Dark"). Spent substantial amounts of
money making them the biggest single alien group we've got (some of the
group shots had 40-50 or more Markabs, all in full prosthetics and full
costume)...and now, never to be seen again.
It couldn't be a race we've never seen before, not if it was to have the impact I wanted. It had to be a group that's been with us from the start.
In Council scenes for the balance of the season, the Markab seat remains empty.
- "No disease in human history is 100% fatal."
Not correct. The Black Death was fatal to everyone infected by it. It was not, as Drafa, 100% contagious, but it *was* about 90% contagious. The Black Death wiped out *three-quarters of the entire European population*. (Editor's note: not quite true; three-quarters of the population in some areas was wiped out, but the total toll was closer to one quarter -- still pretty devastating. The mortality rate was high, but some people survived and were immune thereafter. It also hit Africa and Asia.)
Roll that around for a while. Three-quarters.
The only thing that saved areas of Europe was that there wasn't as much travel then as today between countries; it was reserved for those with enough money to afford it, which were very few. There were also fewer means of entry; a river and a bridge closed to refugees was often enough to keep people out. There is now MUCH freer travel. Had there been freer travel in the 14th century, it's entirely possible that the entire European population might have been completely eradicated, with those few who might've been immune dying from associated diseases, hunger and other problems caused by the presence of the disease.
One person I spoke with at the CDC (Center for Disease Control) said that, hypothetically speaking, the sudden eruption of a disease like this is possible. How likely depends on various circumstances. There are, for instance, regions in the Amazon and South America where certain kinds of plant and animal life can only be found; and those specific lifeforms can transfer diseases to humans...diseases that literally melt the flesh off your body, or in another case, cause worm-like infestations to burst through the skin covering the entire body. (Let me tell you, researching this was just a whole lotta laughs.) They are *highly* contagious. The only thing that has (so far) prevented a massive outbreak is the fact that by the time you can generally get OUT of these remote areas...you're dead.
A particularly aggressive disease could perform very much like what is described in the episode.
- @@@846704089 Any time there's a big disease,
we get Stupid. The same exact thing happened with the Black Plague, as
was mentioned in the episode...instead of blaming gays, the leaders of
the time blamed jews and lepers. The whole *point* is to drop politics
and scapegoating whichEVER disease it happens to be next...and there is
always a next...and focus on the problem: the disease.
- @@@834982268 There would've been a very few on deep space patrols, or on
isolated worlds that would've survived, yes, as was indicated in the
narration at the close of the episode, but you're talking about very,
very small numbers. The race is still effectively dead.
- What Colin misses, obviously, is that not *all* of the markabs are
"mindless religious fanatics," in that Dr. Lazarenn was not one, but
that was mainly because he had long been exposed to human/outsider
ideas, which most of his reclusive people are not.
Second, y'know, I get asked a lot, "Give us ALIEN aliens." So I do. And then I get gigged because they don't act like we'd expect humans to act. Sometimes I just throw up my hands....
- You have to listen a little closer. The dormancy period is several days
to several weeks, as Franklin says; once the disease *comes out of
dormancy*, then it kills within about a day.
- I don't think his behavior was boorish at all. After a very long day,
in which (he stated) he hadn't eaten a thing, he sits down in a cross
legged position for (if you track the time in the story) 3-5 *hours*,
alternately eating and meditating in a small, quiet room...who
*wouldn't* fall asleep?
- The fighters aren't *inexpensive*, but not hideously costly either.
Also, the pilots like to spend as much time out on patrol as possible,
to garner more flight pay. Keffer's squad was already out earlier (as
noted by Sheridan); Keffer chose to stay out a little longer doing a bit
of reconnaisance. Most of the hassle is in prepping the ship for
launch, maintainance and so on; once it's out, it's just a matter of a
bit more fuel. If he left *strictly* for this purpose, then yeah,
they'd nail his butt to the flight deck. But since he was out anyway,
it's not as big an issue.
- (Delenn's childhood experience)
Well, it's about TIME somebody noticed that little exchange in "Confessions and Lamentations." Sometimes I stick stuff so obviously in the foreground that I'm afraid it's going to be too blatant, and then nobody seems to notice it, looking instead at the tiny stuff in the background.Unfortunately, all I can say for now is that it is significant to Delenn's character and growth, and her sense of being special, and called into the religious caste.
- We joked a few times about having a mass burial for the Markab
prosthetics and costumes behind the stage....
- A man is shot by a gun. Now, you can either do a story about the guy
and his life up to the moment he was shot and killed, or you can do a
story about the people who are affected by his death. The former
story ends kinda fast. But both are perfectly valid. The main thrust
is how this story AFFECTS our main characters. Would they have been
more affected if it were the Drazi rather than the Markabs? No. It
would've been just the same. My job is not to sit here and say, "Hmm
... do I think audience members like the Drazi or the Markabs more?"
and thus base my decision based on that. I write my stories based on
what's right for the story, period. In this case, I knew it had to
be one of the League races, and in particular, those prosthetics
capable of expressing broad ranges of emotion, potentially sympathetic
characters. The instantly cut out the pak'ma'ra as primary characters.
I considered the Drazi, but my sense was that the prosthetics couldn't
convey the depth of emotion I needed. Finally, that led me to the
Markabs.
Enough terrible things happened, and continue to happen, to our major races; best to give them a break and see how they react when it's someone else.
- Delenn and Lennier's exchange after Sheridan leaves
Isn't it more fun to leave the piece untranslated? Shouldn't some things be left to the imagination? - Plague stories are trendy these days.
Next time I will try and locate every other producer in town and see what they plan to produce, so I can plan accordingly. When I wrote the episode, Outbreak hadn't been promoted yet or known about, Voyager hadn't aired, ER hadn't told me what they were going to do ...if I'd known there would be such a glut...well, I probably would've done so anyway, because this isn't so much about the plague and saying its' dangerous, but about our attitudes when we are confronted by this, which really hasn't been dealt with that much in SF. (And I'm sorry, but don't even *try* to bring the Voyager story into this; the ship is threatened by a cheese contamination? I almost fell off my chair.) - What you also have to do is step back for a moment and remember that
the dinner began prior to Keffer and the rest leaving B5; and was
ending about the time they got back. Add up the time indicated, and
you've got a ritual that has gone on for at LEAST 3-4 hours now,
probably closer to 5-6; seated in a small room, legs crossed, after
what was almost certainly a busy day. Show me somebody who WOULDN'T
doze off after a while.
- The alien with a breathing apparatus a "Sandman" reference?
It's mainly an extrapolation on an alien breather based on WW II style gas masks. - Franklin's use of stims here and in
"Z'ha'dum;" their disastrous consequences for Dr. Rosen in QoM
Ah, about time; I was wondering when someone would get around to remembering "Quality of Mercy" in this.... - The use of markabs was definitely NOT a reference to Scientology in
any way, manner, shape or form.
- @@@846704089 There is absolutely, positively, NO scientology link or
reference in the name markabs. I find the organization generally
abhorrent.
- @@@846704089 I had no idea that scientologists used an alien group
called Markab, and frankly would've changed it if I had known.
- @@@834859198 Marcabs had warships, though not a lot of them.
Confessions and Lamentations
Synopsis by Matthew Murray (mmurray@wsu.edu)
On C&C, Ivanova tells Sheridan about a Markab cruiser that is ten hours overdue that has resisted all attempts at communication. She says she wants to send out Zeta squadron to find out what happened to the ship, and that she will do so as soon as Lieutenant Keffer returns, searching for what he once saw in hyperspace. Sheridan tells Ivanova to order Keffer back to the station and curb further expeditions.
Lazarenn, a Markab doctor, examines a dead Markab with Dr. Franklin. The
death seems rather mysterious, and Lazarenn tells Franklin he would prefer
to keep jurisdiction over his own species. But, since this Markab is the
fourth dead Markab in three days dead of natural causes, Franklin is
suspicious. He tells Lazarenn that he will continue to run further tests.
Ivanova explains to Zeta squadron that their mission is to find the Markab
ship and determine the problem, if there is one. As she sends them out, she
tells Keffer that Captain Sheridan has ordered him to curb his expeditions
into hyperspace. Though he initially protests, after he is threatened with
a four-month suspension of flight priveleges, he changes his mind, and
leaves to join the squadron.
Sheridan sits down for dinner with Delenn and Lennier. Lennier has spent
two days engrossed in an exhaustive cooking ritual, preparing food for
Sheridan's dinner, so that he may better understand the Minbari. Sheridan
is anxious to begin eating, but is informed that he must also follow certain
rituals in the eating of the dinner. Delenn explains that, if they are not
followed, Lennier will have to begin again. Delenn and Sheridan exchange
bowls, give part of their meal to Lennier in thanks, and Sheridan places one
piece of food in the place set aside for Valen's return. Sheridan is then
able to take one bite before he must meditate.
Zeta squadron arrives at the Markab vessel, and attempts to open
communication, to no avail. Keffer scans the vessel, but discovers no life
signs, though there are over two hundred life forms on the vessel. All the
Markab on the ship are dead. Meanwhile, Dr. Franklin, while examining the
Markab on the station, asks to have access to the other dead Markab before
they are sent back to their homeworld.
Zeta squadron returns to the station with the Markab ship in tow. Franklin
tells Ivanova that they need a full medical team to investigate it, and that
he thinks Sheridan should be there as well. Sheridan, who fell asleep while
observing the Minbari rituals of eating, is awakened by Ivanova telling him
to go to the docking bay where the Markab ship has been brought. Sheridan
apologizes, though Delenn tells him that the meal was completed before he
fell asleep.
Sheridan arrives in the docking bay to find Dr. Lazarenn there, not wanting
Sheridan or any other non-Markab inside. Dr. Franklin explains that they
aren't wanted aboard the ship because all four dead Markab died from an
infectious disease. Dr. Franklin demands to know how terminal and
contagious the disease is. "It is one hundred percent terminal," Lazarenn
imparts. "And one hundred percent contagious."
The plague continues to spread among the Markab population as Dr. Franklin
confronts Lazarenn and demands to know why he wanted to keep the plague a
secret. Lazarenn explains that the plague is not something normally talked
about -- it is considered a disease that only occurs to an immoral people,
because the first documented case struck an immoral population isolated on
the Markab homeworld, killing the entire populace. They assumed that the
plague had been wiped out, and therefore was no longer a threat. Lazarenn
explains that Drafa, the disease, had been used to frighten children into
behaving, and was still believed to only inflict the immoral. Though the
first new case had been discovered nearly a year ago, the Markab were still
scared to admit that the problem had resurfaced, and since none of them
wanted to be considered immoral, it was kept secret, which made the disease
spread even faster. In an attempt to escape the disease, the Markab have
fled to every Markab colony, including Babylon 5, spreading the plague
throughout the Markab populace. Dr. Franklin doesn't understand why he
wasn't consulted, but Lazarenn tells him that he was forbidden by his
government, which refuses to assist in any way. Franklin's last question is
whether or not the disease is infectious beyond the Markab species, but
Lazarenn has no way of knowing.
A young Markab girl wanders through the corridors of Babylon 5, looking for something. She soon locates what she is looking for, her father, who is sitting against a wall. She touches him, and he falls over. She cries out and turns around, into the arms of Delenn.
Dr. Franklin talks to the command staff and his medical officers. The
disease is invisible while in its incubation period of up to several weeks,
but after it shows up, the patients live for about a day. Garibaldi asks
how far it has spread, and Franklin explains that they have to assume the
entire Markab population has been exposed. Sheridan asks if the plague is
limited to the Markab, but Franklin doesn't know, and says that's what they
need to find out. If the disease is airborne, the recycled air aboard the
station could put everyone at risk. Sheridan asks Franklin what to do, and
Franklin wants every Markab brought in for testing so they can discover how
the disease works. The disease, he explains, takes over the central nervous
system, keeping it from working properly. Sheridan orders Ivanova to put
the station under quarantine, keeping all ships in the station, and
preventing other ones from coming in. One of the medical officers suggests
segregating the Markab away from everyone else, but Franklin says that will
only cause the disease to spread among the Markab faster and that, if the
disease is airborne, it won't make any difference. Garibaldi says that, if
all the Markab are in one place, he can watch over them better when turmoil
strikes the station.
Turmoil does strike the station, causing a panic when no one is able to
leave the quarantined station. The Markab are continuously tested for the
plague, as more continue to get sick and die. The Markab ambassador is
outraged by the way the Markab are being treated, blaming Sheridan for
spreading fear among his people. He tries to explain that his people are
moral, and believes that Sheridan might be part of a conspiracy against the
Markab, or that even the immorality of the humans had infected them. The
Markab ambassador begins to leave, and tells Sheridan that he and the rest
of the Markab are going into isolation to protect themselves from the
immorality of others. Dr. Franklin calls Sheridan and tells him that the
disease is indeed airborne, and that his people have found a dead Pak'ma'ra
with no visible signs of death. He believes the disease may be spreading
into the general population.
The Markab ambassador herds his people into their isolation area, reassuring
them that they are pure and that they will be spared the plague if they are
good. The other races aboard the station are all too happy to see them go.
Dr. Franklin orders an autopsy performed on a dead Markab before it is too
late, but none of the other medical officers want to risk exposure.
Franklin offers to go in, but is interrupted by Lazarenn, who offers to go
in instead, since he knows much more about the plague. Since the isolation
booth is sealed, no one else will be in danger should he contract the
disease. Lazarenn enters the booth and appraoches the dead Markab to begin
the autopsy.
Sheridan receives a call from Ivanova who tells him that the violence against the Markab is increasing aboard Babylon 5. 4,000 of the station's 5,000 Markab have entered the isolation zone, but the rest may be in considerable danger if found by other races. Sheridan wants the violence stopped as quickly as possible. Ivanova suggests he get some sleep. Sheridan agrees, but as he is about to rest, Delenn enters and tells Sheridan that she wants to be allowed into the isolation zone to help the Markab. Delenn says that she has been taught to help others when they are in need, and though Sheridan tries to convince her otherwise, he is unable to dissuade her. She says that she understands the risk, and that she and Lennier should do all they can to help the Markab, since they may all be in need of similar help very soon. She knows that she may have to remain in there if she contracts the disease, but she is willing to make the sacrifice. Sheridan relents and decides to let her enter the zone. "All life is transitory," she tells him. "A dream. We all come together in the same place at the end of time. If I don't see you again here, I will see you in a little while, in the place where no shadows fall." She starts to leave, but Sheridan stops her.
"Delenn...? When I do see you again, call me John?" She smiles, nods, and leaves.
A few humans attack a Markab, and kick him in the stomach while he is down
on the ground. Garibaldi arrives and stops the torture, but the Markab is
near death. He reaches a bloody hand out to Garibaldi. Hesitating only
fractionally, Garibaldi takes the Markab's hand.
Delenn and Lennier approach the gate to the isolation zone and are admitted
by the EarthForce officer attending it. They enter quickly, and are
immediately assaulted by the great pain and death they see all around them,
though they are able to keep a somewhat pleasant attitude, knowing that they
may be able to help.
Dr. Franklin injects himself with stims in order to keep himself awake.
Lazarenn, still inside the isolation area, tries to convince Dr. Franklin to
sleep, but Franklin says that, if the plague has spread, that won't matter
much. They haven't found out anymore about the Pak'ma'ra, but more and more
Markab continue to die, though the violence has been brought under control.
Franklin explains that he doesn't understand why humans never learn from all
the diseases they face, such as the Black Death, AIDS, and Chalmer's
Syndrome. Lazarenn asks about the Black Death, and Dr. Franklin explains
how it hit Europe in the 14th century, and that it too was considered an
immoral disease, possibly sent by the devil. Cats, the familiars of the
devils, were killed by the millions, but since they were the only way to
control the rat population, the true way the disease was spread, the plague
spread even faster. Lazarenn finds the situation humorous, since often the
strategy that makes the least sense is the one that's done the most. He
then collapses against the window of the isolation booth, and explains that
his suspicions are confirmed: he has contracted the plague. He tells
Franklin to run tests as quickly as possible, now that he has someone in the
earliest stages of infection.
Delenn and Lennier minister to the Markab in the isolation zone, trying to
make them more comfortable, though it doesn't seem as if they are doing much
good. Delenn sees the young Markab girl she met earlier, who is now unable
to find her mother. Delenn calls to Lennier, telling him to find her
mother. When Lennier asks how he should find her, Delenn responds, "Faith
manages." Delenn asks the girl her mother's name, and the girl tells her
that her name is Mama. "Faith manages," repeats Lennier as he begins the
search.
Dr. Franklin examines some of the data from the tests, and continues to run
more tests, though they only have a very short period of time. Lazarenn
explains how he feels, and Franklin orders still more tests. While he is
suffering, Lazarenn thinks back to how he and Franklin first met many years
ago. It was when Franklin was on layover on the Markab homeworld, and
Franklin was hitchhiking on starships. Franklin looked upon everything as a
test in those days. "Sometimes the test is not to find the answer, it is to
see how you react when you realize there is no answer." A medical officer
comes up with the results of the Pak'ma'ra autopsy -- the plague is now
affecting the Pak'ma'ra as well. Franklin, exasperated and irritable,
orders some officers to find out what happened to the Pak'ma'ra, before time
runs out.
The young Markab girl is still worried about her mother, and asks Delenn if
she has been found yet. Delenn says no, but says she knows what the young
girl is going through. She once became seperated from her parents on a
visit to the city, and she became more and more lost until she found herself
in an old temple, where she decided to wait until her parents arrived.
Though her parents didn't come for hours, she felt safe there, and fell
asleep. A tall figure told the young Delenn that she would be fine as long
as she believed her parents would come. The figure told her that he would
not allow harm to come to her. At that moment, Delenn's parents arrived in
the temple. As she completes the story, Lennier too arrives with the young
girl's mother. The young girl runs to her mother and hugs her, and soon
turns around to thank Delenn, but is barely able to keep her balance. The
smile vanishes from Delenn's face as she realizes what is happening.
Dr. Franklin continues tests on the Pak'ma'ra, but continues to find
nothing. He tries to cross-reference Markab yellow cells with Pak'ma'ra
green cells. Lazarenn speaks up, but is unable to say much beyond, "The
yellow cells could be..." He attempts to say more, but fails, and dies
while speaking to Franklin. Franklin, in his rage, overturns a cart of
medical equipment, but his anger evaporates when the computer reports that a
match has been found.
Franklin explains to Sheridan that the plague works by neutralizing the
chemicals in the synaptic gaps of a body, which prevent the chemicals from
relating messages from the brain between neurons. A few races use
specialized cells to manufacture chemicals used in neural relays, but since
humans don't work that way, they aren't in danger. Franklin says the
disease can't be destroyed, but he can stimulate production of yellow and
green cells so that they will eventually be able to fight off the disease.
He's prepared enough for five hundred doses of the cure, but hasn't had time
to test it, and there is nearly no time left.
Franklin, Sheridan, and Ivanova go to the isolation zone and enter, and are
greeted by a grisly sight. There is nearly complete silence as they look
around the isolation zone and see that every Markab has died. Delenn and
Lennier appear. Franklin asks if anyone is left alive, and Lennier tells
him that they are all dead.
Lennier departs, but Delenn, overcome by the
situation, falls crying against Sheridan's shoulder.
Delenn tells Sheridan that he should be congratulated for finding a way to stop the plague. Sheridan tries to explain that it is because of Franklin that they were able to prevent further infection. Sheridan asks what happens next time, and Delenn says that, if they honor the memory of those who died, and remember what happened, the other races will grow, and further problems of this sort will not occur.
"Medical ships dispatched to the Markab homeworld have confirmed the death toll," an ISN reporter says. "The entire planetary population has been wiped out by the plague. Over two billion dead, in addition to another two or three million on other colonies and outposts. Although it is expected that some Markabs may have survived on isolated colonies, for all intents and purposes, the Markab civilization has been destroyed." Franklin, sitting at a bar beneath a video screen, listens painfully to the news report as other patrons of the bar joke about the deaths of the Markab and spread rumors about the dead Markab. The bartender shuts off the television set, refusing to listen anymore.
"Nothing changes," Franklin says to himself. He gets up from the bar and walks away.
Conflicts of Interest
Overview
Garibaldi takes on a new job. The resistance's counter-propaganda broadcasts begin. Sheridan proposes a plan to protect the Non-Aligned Worlds from raiders. Tim Choate as Zathras. Denise Gentile as Lise Hampton. Mark Schneider as Wade. Charles Walker as Ben.
P5 Rating: 8.04 Production number: 412 Original air week: May 5, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@862814145 Wade and his group still consider Garibaldi expendable.
- @@@862814145 Lise Hampton, Garibaldi's ex-lover ("A Voice in the Wilderness") divorced her first husband and eventually married one of the richest men on Mars, William Edgars. Among other things, Edgars is the owner of the largest medical research center on the planet.
- @@@862814145 Some medical researchers believe that one of the genes responsible for telepathy in humans has the potential to mutate into some form of communicable disease, lethal to other telepaths. There may be a cure, but there are those on Earth who'd rather the basis of the cure be destroyed to rid Earth of telepaths.
- @@@862814854 Sheridan has proposed to assign the Rangers to patrol the borders between the various parts of alien-controlled space, protecting civilian transports from the Drakh ("Lines of Communication") and others.
- @@@862814854 The Centauri have had contact with the Drakh in the past, but long enough ago that nowadays they're considered little more than legends.
- @@@862814145 Zathras had nine brothers, all named Zathras but with slightly different intonations.
Unanswered Questions
- @@@862814145 What exactly was the substance Lise was picking up?
- @@@863201143 Were Wade and Lise and their contact telling the truth about the telepath virus, or was the substance something else entirely?
- @@@862814145 Who were the gunmen? Were they with Psi Corps, or were they rogue telepaths? What did they mean by the phrase, "To the future?" (See Analysis)
- @@@864583160 Why didn't Garibaldi fire at the telepath?
- @@@862817066 Did Wade know about Garibaldi's past association with Lise? Was she part of the test, to see how emotional stress would affect his performance?
- @@@862814145 Does William Edgars' job offer conflict with whatever plans Wade and his cohorts have for Garibaldi, or is his employment just another part of the plan?
- @@@862821469 Why didn't Edgars show Garibaldi his face?
- @@@863076125 What was in the message Lise left for Garibaldi?
- @@@863716541 Why did she send it using her maiden name?
- @@@862817066 Did G'Kar and Londo take Sheridan up on his offer?
Analysis
- @@@862814145 If Garibaldi takes the job, will he be working close to
William Edgars? That would imply he'll also have frequent contact
with Lise, which likely wouldn't be easy for either of them.
- @@@862817234 His consideration of the job offer is at odds with the
glimpse of his programming, if that's what it was, in
"The Illusion of Truth."
In that flashback, Garibaldi recalled being drilled over and over
with the idea that he worked for nobody but his captors. Of course,
if Edgars is involved with his captors, that might not be inconsistent.
@@@865362949 It's also possible his captors want to get him close to Edgars, and that by taking the job he'd in fact be following their implanted orders.
- @@@863202655 Edgars claimed to have checked up on Garibaldi. Checked
up on him how? Garibaldi himself has said on more than one occasion
that his past is checkered at best, and his history isn't too closely
guarded a secret (for example, the Senator knew about him in
("The Gathering.")
Maybe Edgars was taking Garibaldi's performance as security chief
on Babylon 5 into account, or maybe his "checking up" involved talking
to whoever captured Garibaldi
("Whatever Happened to Mr. Garibaldi?")
- @@@863490143 The Daffy Duck cartoon Garibaldi was watching (1953's
"Duck Amuck!")
can be
viewed as a metaphor for his situation; depending on what was done
to him after his capture
("Whatever Happened to Mr. Garibaldi?")
he may well no longer be in control of his own fate, and is certainly
being influenced by forces he can't detect.
- @@@862814145 If the researchers are correct and the human telepathy
genes can indeed mutate into a lethal virus, what are the parameters?
Likely it's something that's telepathically transmitted. For example,
it might cause a telepath to broadcast noise on whatever medium
telepaths use to read thoughts. Telepathic interference can cause
physical effects (Ben Zayn doubling over in
"Eyes,"
or Lyta's bloodied eyes in
"Walkabout")
so it's not inconceivable that telepathic broadcasts of the right
type could kill someone attuned to them.
- @@@862814145 Which begs the question, was this some kind of genetic
timebomb intentionally implanted by the Vorlons when they modified
humans to give them telepathic ability
("Z'ha'dum?")
Since the Vorlons, according to Morden, created human telepaths to
use as weapons against the Shadows, perhaps the Vorlons also put a
time limit on human telepathy so it wouldn't remain once the upcoming
conflict with the Shadows was resolved.
That would put a different spin on the disappearance of Narn telepaths ("Ship of Tears.") The Book of G'Quan was probably correct about the Shadows killing most of the Narn telepaths. But maybe the reason the gene never resurfaced in the Narn population wasn't that it wasn't strong enough, as G'Kar supposed, but that it was only designed to last a few generations, and once the previous Shadow War was over, its time simply ran out. Of course, that assumes the Vorlons implanted telepathy into the Narn.
- @@@862956627 The threat isn't limited to Psi Corps; Ivanova's latent
telepathy makes her vulnerable to any sort of disease that's
transmitted between telepaths.
- @@@862814377 The fact that Wade was cooperating with Lise in her effort
to get the vial into her husband's hands implies that he's at least
somewhat sympathetic to telepaths, and perhaps to the Psi Corps.
If he were one of the people who wanted to see all telepaths dead,
presumably he'd've arranged for the vial to quietly vanish on
its way to Lise. That ties into the apparent contradiction mentioned
above between Garibaldi's programming
("The Illusion of Truth")
and his consideration of Edgars' job offer.
- @@@865363280 The telepathic assassins' closing
phrase
bears some similarity to a description of another telepath: Talia
Winters in
"A Race Through Dark Places."
Lurker: You tipped the balance. I felt it when we were joined. You're more than you think you are.
Talia: Then what am I?
Lurker: The future. - @@@864585035 The last time Garibaldi resigned, even briefly
("In the Shadow of Z'ha'dum")
he offered up his gun, his station ID, and his link. So did the
security staff who resigned rather than join Nightwatch in
"Point of No Return."
Why did Garibaldi keep them this time? Was he perhaps intending
to return at some point?
- @@@862814444 Sheridan said of Garibaldi, "I don't like the company he's
been keeping." How does Sheridan know what kind of company Garibaldi
has been keeping? Is he having Garibaldi watched? And is he referring
specifically to Wade's people? If so, what does Sheridan know about
them?
- @@@862817302 Was there a reason Sheridan kept the lights in his office
low when he met others there, or was it just a directorial touch?
- @@@864846643 Franklin commented to Ivanova that Mars was cold. But in "Racing Mars," the tunnels where Franklin and Marcus were staying were noted as uncomfortably warm. Significant, or was Franklin simply referring to the surface, which is indeed cold?
Notes
- @@@862814145 In "Babylon Squared," Zathras complained, "Zathras warned, but nobody listens to poor Zathras." In this episode, that's doubly true: even Zathras doesn't listen to Zathras.
- @@@864002892 G'Kar's artificial eye is now brown, rather than red like his natural one or blue like its initial color ("Atonement.")
- @@@862814145 The onscreen logo displayed while Garibaldi spoke to William Edgars read "EI" (presumably short for "Edgars Industries" or some such.) Underneath, it read, "Mars - Phobos - Deimos." Phobos and Deimos are the two moons of Mars. Presumably this implies that there are people living or working on those moons, which in fact are little more than large asteroids and would thus be attractive for microgravity pharmaceutical research.
- @@@863215545 William Edgars' voice was played by Efrem Zimbalist Jr.
- @@@864585237 The telepaths' PPG blasts penetrated the floor of the air duct. In "Grey 17 Is Missing," Garibaldi commented that PPGs are used rather than traditional guns because they don't penetrate hulls. Of course, an outer hull is likely quite a lot thicker than an air duct wall, and likely made of material with a higher melting temperature, so this most likely isn't a contradiction.
jms speaks
- @@@863023688 BTW, there's another example of a long single take
coming up soon, on Epsilon 3, which is all I'll specify. I kinda
wanted the scene to play itself out, without cutting, and to show just
how amazingly capable some of our actors can be. We're talking here
almost 4 minutes of footage, not one cut in the whole thing, very fast
dialogue, and not a single muffed line, with the performances working
wonderfully. You'll know it when you see it.
- @@@867048477 Our cast invariably comes in knowing full scenes, and
can hit them without breaking or blowing a line. So we have a tendency
at times to just let the master play out, keeping the intensity, which
can sometimes be broken by too much cross-editing. (Note that the
Zathras/Ivanova scene a few episodes back is *entirely* one shot, four
minutes.)
- @@@863716015 Re: Daffy...I knew that cartoon, and had that definitely
in mind when I wrote the script. Took some maneuvering to get WB to
let us use that much of it.
- @@@862989776 Re: the cartoon...I'm a big WB cartoon fan, and knew that
one very well, and there were two places where it would've fit with the
story; the other one, which I almost used, was when you see two Daffy's
arguing with each other.
Re: the CGI...we've been fairly conventional with the CGI in recent seasons, we're trying to get a bit more adventurous.
The Lise flashback material is all exactly as was filmed for "Babylon Squared." I think we used a few more pieces of the original footage, but it was all stet.
Why didn't we see what happened to Delenn, since she left in the previous episode?
Re: Delenn...these episodes happen close to one another in time, so you have to allow travel time for her to get to Minbar. - @@@862989776 Lise was the typical "woman in distress."
Re: Lise...well, everybody can't be a fighter; we've had guys and the occasional female character who isn't used to being shot at. I daresay I'm not terribly used to being shot at, and someone who's mainly a civilian would probably react about that same way. It's just a matter of showing that diversity realistically rather than saying, "Okay, let's have a helpless female now." Having every female (or male) hard-nosed and laughing off PPG bursts is as unrealistic as its opposite. - @@@864028652 Was there anything important in Lise's
message?
No, nothing you need worry about. - @@@863715985 Why didn't Edgars show his face?
As we'll learn shortly, he doesn't want his face seen around.But we'll see him soon enough.
(And the voice belongs to Efram Zimbalist Jr.)
- @@@865786929 Did the PPG blasts melt through the air conditioning
duct wall?
This is substantially correct. The PPG blast is extremely hot, and will melt through the plastic coating and the metal lining inside the tube. The entire energy of a PPG will not come through the tube (unless by some coincidence the exact same area is hit twice or three times), and I believe that this was propoerly portrayed in the sequence. Even if it isn't the entire energy blast, it will hurt like hell and de-mobilize an individual meat packet (person) for the bad guys to come get later.It did take a *very* long time to burn through the bulkhead door to allow them access to the hallway, and said door did mildly glow in the affected areas prior to melting through. The station hull is even more heat resistant.
George Johnsen
CoProducer, B5
Conflicts of Interest
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
Garibaldi is in his "office" in helping a man reunite with his lost
wife/daughter--an act observed by Wade. He leaves and goes out into
the hallway, where he meets with another man. Wade tells the man that
it's about time Garibaldi got his first assignment, which will be a
chance to see how sincere he really is in helping them. Wade wants to
know how he handles himself in a crunch, and if he gets himself killed,
they will know they have the wrong guy. "At this point," Wade tells
the other gentleman, "Mr. Garibaldi is eminently expendable."
Zack enters Sheridan's office to find the Captain staring, silently, at
a painting hanging on his wall. Sheridan explains that he has been
doing some thinking, and that there are some unpleasant things he needs
to take care of, which he can do now that Delenn is gone. He tells
Zack that, when Garibaldi resigned as Chief of Security, he didn't turn
in his link, identicard, or PPG. Zack tells Sheridan that he doesn't
think Garibaldi would take it very well, and that it doesn't make sense
that Garibaldi is acting the way he is. Sheridan says that he wants
this taken care of that same day. Zack agrees, but wants to know why
Sheridan is in such a hurry. "I don't like the company he's been
keeping," the Captain replies. Zack leaves.
Dr. Franklin enters the war room, which is being reconfigured as a
broadcast newsroom. He sees Ivanova, who is helping to set things up
for the first broadcast. Franklin tells her that his business on Mars
is concluded, and the rest of the resistance is on the station. He
asks how she is doing, and she says that everything is ready to go,
except that they don't have enough power to send the broadcast
everywhere it needs to go. She says that she has been trying to find a
solution for days, but hasn't had any success. Franklin suggests she
try Epsilon III--there must be a source of power down there, since they
were able to evacuate refugees there during the Shadow War with no
trouble. Ivanova tells Franklin it's the logical choice, and that
"anybody could see that in about two seconds." Franklin tells her
that, of course, he never would have thought of it, and that it is a
great idea. Without discussing the matter further, Ivanova leaves to
catch a shuttle to Epsilon III.
Zack arrives at Garibaldi's office, and asks him how he is. Garibaldi
says that he's doing fine, and that he likes working in this kind of an
environment--you get to see and know the people you help. Garibaldi
asks Zack how he is, but his response is less than enthusiastic. Zack
reluctantly tells Garibaldi that he needs his link, indenticard, and
his weapon. Garibaldi doesn't mind getting rid of the indenticard and
the link, but doesn't want to get rid of the gun. Zack presses him and
Garibaldi does give us weapon and starts to walk away, but Zack asks
him for the backup he knows he carries as well, which Garibaldi
unwillingly surrenders. Zack asks Garibaldi what he should have done,
and Garibaldi says he should have said no--that way, it wouldn't have
had to come from Zack. Without saying another word, Garibaldi turns
and walks away.
As Ivanova's shuttle leaves Babylon 5, Garibaldi is in his quarters,
dressing, and watching an old Daffy Duck cartoon, in which Daffy is
continually tormented by an unseen assailant, who is controlling his
every move and the world around him. As the assailant is revealed to
be Bugs Bunny, Garibaldi's door chimes and Wade enters. Wade tells
Garibaldi that he has a job for him. He says he wants to hire
Garibaldi as a bodyguard and expedite something secret. Wade explains
that his contact has to perform important business on Babylon 5, which
might involve security--all Garibaldi has to do is to keep the contact
out of security's way while they are on board. Wade asks him if going
against his own security force will be a problem, and Garibaldi tells
him that--if he had asked that question the day before--he would have,
but now he doesn't. Garibaldi agrees to the job.
Ivanova's shuttle lands on Epsilon III, and she begins searching the
corridors. She notices a being walking through the corridor and tells
him she needs to see Draal. When she finally sees who it is, it's a
familiar face--that of Zathras. She asks why he's there, and Zathras
explains that he works there. She says that Zathras was left 1000
years in the past, but Zathras insists they had never met before.
Zathras laughs and explains that Ivanova didn't meet Zathras, but
rather Zathras. This confuses Ivanova greatly, but Zathras explains
that there are ten members in their family, each one named Zathras, but
each one pronounced differently. Ivanova tells Zathras that she needs
power to help the broadcast, and, though he laments the fact people
always come to him for help, which he always provides, he does agree to
help her.
Garibaldi and Wade are walking through the corridors, finding the back
way through the station to get to the docking area where they will meet
the contact without security interfering. Wade explains that their
contact decided to send his wife in his place so that she can prepare
to take things over later. They find who they are looking for, and
Garibaldi recognizes her instantly--it's Lise.
Later, Garibaldi and Lise are alone in her quarters. He wants to know
what happened in the meantime, and why she lost her first husband, and
found another one. Lise explains that Franz was having an affair, and
that he used the court system, which favors Earth-born people above
those born on Mars, to file for divorce first. He got their daughter
and remarried, and plans never to tell the child who her real mother
is. Garibaldi is angry that she forgot all about him in her distress,
but Lise insists she didn't forget--she knew he was happy here and
didn't want to change that. Garibaldi tells her that she was his life
at one point, but she says they're different people now. She explains
that, six months earlier, she met Bill, and they got married.
Garibaldi realizes she must mean William Edgars, one of the richest men
on Earth. She insists that she didn't marry him because of his money,
but Garibaldi no longer wants to talk about it. He says that he will,
from that point on, only treat her as he would any client, and after
she goes back to Mars, he is going to forget any of this happened, and
now, he doesn't need to drink to do just that. Lise tells him that
she's glad, but they are interrupted by Wade, telling them their
shuttle is ready. The three of them leave.
Londo is in Sheridan's office talking to him when G'Kar arrives.
Neither ambassador is happy to see the other, but Sheridan says he
needs them both there. Sheridan explains that commercial transports
are being raided along the worlds in the League of Non-Aligned Worlds.
Because of this, smaller worlds and empires are trying to rise to
prominence, which is causing quite a few problems. In addition, there
is the added problem of the Drakh, who are now on the loose with Shadow
technology. Sheridan says that the Rangers no longer need to look out
for the Shadows' return, but that he wants to use them to monitor the
borders of the League borders, maintain the peace, and protect
civilians. G'Kar feels that this could be seen as an act of
aggression, but Sheridan says they will only go where they are invited,
in exchange for technical support and the authority to carry out
whatever they start. Londo agrees with G'Kar--this is not a good
idea. Sheridan tells them that, if Londo and G'Kar both agree on this,
that might help show the League worlds that this is something
important. Londo is afraid it might be interpreted as a sign of
weakness, but Sheridan says it should be interpreted as their trying to
build something--to work together for a common goal. Londo says it
isn't fair, and Sheridan agrees, and asks Londo if he wants to blood of
the dead on his hands. He asks G'Kar as well, but neither responds.
Zack enters his office and asks the computer for a status report. The
computer reads off a list of fairly mundane things, except for one
unauthorized entry, where 72 passengers disembarked a ship, but only 71
went through security. Only one access was recorded to the customs
bay--Security Chief Michael Garibaldi. Zack asks if more than one
security identicard is registered to him, and the computer answers this
affirmative. Zack orders the computer to cancel all identicards and
security clearances belong to Garibaldi.
Garibaldi, Wade, and Lise are waiting for their contact in Down Below.
He eventually arrives, and hands over a secure cube--extremely
difficult to open--containing a small vial. Garibaldi asks what it is,
and though Wade initially resists, Lise explains that her husband has
discovered there might be a genetic danger to some telepaths, and that
this might be the cure to stop it. Wade explains that, in order to
keep a panic from ensuing, they want to keep it quiet, since no one
would believe that the disease can only be spread to telepaths. There
are plenty of people who would want to have it for themselves, and they
have invested far too much time and money to let it fall into the wrong
hands. Garibaldi, looking around, finds that a group of people have
noticed them. He tells the contact, Wade, and Lise that they all need
to get out, but it's too late--they have been noticed. A firefight
ensues, and the four of them run off, but are closely pursued. They
are shot at from the front, and the contact is killed.
Garibaldi ushers them into another room, and then bars the door. They
try to exit out the back way, but Garibaldi's identicard no longer
works. Their assailants try to bash in the door, but Garibaldi
discovers another way out--he piles several crates on top of each other
and then takes everyone through a panel in the ceiling, just as the
assailants manage to break down the door. In the vents, Garibaldi
tells Lise and Wade to go ahead without him, while he lies in wait for
the others. They discover the hole in the ceiling, but when one of
them comes through, he simply looks at Garibaldi for a few moments, but
doesn't fire. He then vanishes down the grate. Garibaldi realizes the
implications and chases after Wade and Lise. He catches up with them,
and manages to pull them away just as PPG fire erupts through the floor
of the vent. The fire eventually stops, and Garibaldi tells them that
they need to go to Docking Bay 3--and to not stop thinking about it the
entire time. They get where they are going, but it's not Docking Bay
3, just a corridor. Garibaldi explains that they must be using
telepaths to track their movements. A security officer passes, and
Garibaldi tells him that the shooters from Brown sector will be in Bay
3, and to meet him there. Garibaldi tells Wade and Lise to pick up a
fake identicard and to get on the next transport out of there, while he
goes to Bay 3. Lise doesn't want to leave him, but Garibaldi says she
has to, and has Wade take her off. Garibaldi then runs off.
It is dark in the abandoned Docking Bay 3, and the men who chased after
Garibaldi, Lise, and Wade are there. Before long, Zack and his
security team arrive. Zack demands to know who they are what they are
doing, but only one of them has a reponse: "To the future." They both
bite down on something, and fall to the floor. Zack calls MedLab, and
tells them to get there quickly, but as he is doing so, Garibaldi
arrives in the bay as well.
Ivanova returns from Epsilon III to find Franklin waiting for her. He
asks how it went, and she explains that she thinks she has the
interface figured out. She wants to tell the Captain, but Franklin
says he doesn't think it would be a good time at the moment--Sheridan
is in a bad mood right now. As they leave, they pass Lise, who did
arrive safely.
Sheridan has both Zack and Garibaldi in his office, and demands to know
what the deaths that occurred were about. Garibaldi says he doesn't
know who they were, but that they just came at them, and killed the man
who was supposed to meet with a client of his. Garibaldi tells
Sheridan he can believe him or not, but either way, he won't say
anything else. Sheridan tells Garibaldi that he jeopardized the
station, but Garibaldi says that Sheridan nearly got him killed, and
that it all could have been handled quietly had his identicard and gun
not been taken. He didn't break any laws, though--Sheridan points out
that he trespassed, violated security, and used an unauthorized
identicard, but Garibaldi invites Sheridan to fine him, but that
otherwise, he has nothing. Garibaldi starts to leave, but Sheridan
tells him that Garibaldi is operating there because Sheridan is
allowing him to, but should anything like that happen again, Sheridan
will shut him down right away. Garibaldi doesn't say anything as he
walks out. Garibaldi arrives back in his quarters, to find that he has
a message waiting. He asks who it's from, and the computer replies
that it's from Lise Hampton. Garibaldi tells the computer to delete
the message, and then he goes to bed.
Later, Garibaldi receives a transmission from William Edgars himself. Edgars tells him that Lise has arrived home safe, and that he heard about what Garibaldi did and how, and that he is appreciative for what he did. Edgars says that his organization could use Garibaldi, and that he would like to hire Garibaldi on retainer, though he would have to come to Mars, but it would definitely be worth his while. Edgars thinks there wouldn't be much problem getting him past the quarantine, and Edgars is sure he can work things out if Garibaldi is interested. "Yeah," Garibaldi says. "I'm interested."
There is a brief flash of static, and then a test pattern appears on
the screen, followed by Ivanova's face, in the war room.
"This is Commander Susan Ivanova of Babylon 5, and this is the first
official broadcast of the new Voice of the Resistance. We're sending
this signal out to every ship that wants to hear the truth, to our
fallen comrades and freedom fighters on Mars and Proxima III, and to
Earth, which, despite what you may have heard, is still our home, and
still the one dream that we're as loyal to now as we ever have been.
Over the last three years, ever since President Clark took over, after
arranging the assassination of President Santiago, you have been
hearing nothing but misinformation, propaganda, and outright lies.
Now, we're going to tell you the truth. And we're going to keep
telling it until they shut us down, or until President Clark steps down
and returns Earth to the hands of its people. You can kill us. You
can bomb our colonies, destroy our ships, murder innocent civilians.
But you cannot kill the truth. And the truth is back in business."
Convictions
Overview
A series of bombings threatens the station, and Ivanova calls on some unusual investigators to help solve the mystery. Patrick Kilpatrick as Robert Carlson. Louis Turenne as Brother Theo.
P5 Rating: 7.75 Production number: 302 Original air week: November 13, 1995 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
Backplot
- All explosives manufactured in the Earth Alliance are laced with special chemical codes to allow them to be traced to a particular buyer.
Unanswered Questions
- What was Londo doing on a transport arriving from the Minbari homeworld? (Assuming he was; he may have been on the Centauri transport mentioned to G'Kar by Garibaldi.)
- How will the influx of missionaries affect the station?
Analysis
- Lennier has saved Londo twice now, once here and once (in a less extreme way) in "The Quality of Mercy." And now he's likely to be decorated by the Centaurum. How will that affect his position in the battle between light and dark, and his apparent new friendship with Vir ("The Fall of Night?")
- Londo apparently doesn't place absolute faith in the dream of his death twenty years in the future ("Midnight on the Firing Line," "The Coming of Shadows.") Otherwise he wouldn't have been afraid he was going to die in the elevator. (Which isn't to say he wouldn't have still tried to call for help, of course.)
- Lennier's own convictions, namely his prohibition against lying except to save face for another, seem to have weakened since his arrival, despite his pledge to do penance later. On the other hand, perhaps he justified it in his mind by figuring he was saving face for the obnoxious man by getting him to stop making a fool of himself.
Notes
- G'Kar's song in the elevator is based on the ditty he sang at the beginning of "The Parliament of Dreams."
- We may have seen Carlson before, if briefly. In "The Fall Of Night," as the Earth officials arrive, there's a man in the arrival area. He's slapped by a woman and walks after her when she leaves. The man bears some resemblance to Carlson without the beard. Perhaps the woman was his wife.
- Lennier's fake disease, Netter's Syndrome, is no doubt named for executive producer Doug Netter.
- The name Theo (short for Theodore) comes from the Greek word theodoros which means "gift of God."
- Theo mentions his group was sent by New Melleray, which is a real abbey.
jms speaks
- What's great is that this [the second] season, we haven't had one
single episode on
the level of War Prayer or Infection or Grail, some of our weaker first
season eps. The worst we've done is pretty darned good. What we're now
working for in year three is that they're all better than that at their
baseline rating. And so far, they're killer...our second episode for
year three, "Convictions," has a very different feel from anything
we've done on the show to date, a very dark, scary and gritty feel, and
probably one of the best character sequences in the series to date.
We're also doing some major EFX blow-outs of a type other than "they go
into space and shoot stuff." Very interesting, creative, offbeat stuff.
- September 7, 1995:
I am thus far *very* happy with season three; we've got three shows
in the can (edited, not yet scored or mixed), and shooting number four
as I type this. I think we're already a notch above our general
episodes
from year two, and "Convictions" is extremely intense, with a very
different look and feel from anything we've done before. Has kind of an
NYPD Blue feel to it.
- BTW, on the question of effects...here's one that's kinda
interesting, in that I've seen a few comments here and there about
how we must've mapped the CGI fireball into the hallway in
"Convictions" where Londo jumps into the transport tube. Some even
offered you could tell the fire was CGI.
Nooooooop.
Here's how that shot was done: we built a miniature hallway (actually, "miniature" ain't the right word; it was something like 30 feet long or more). Painted it so that it looked exactly like the regular B5 hallways. On film you absolutely can't tell the difference. Then we mounted the hallway *vertically* alongside the outside of the main building here. Set the camer at the top, pointing down into the hall. We built a firebomb and set it at the far end of the hall (on the bottom, in other words). We then set off the firebomb (with all the proper authorities present), so that it shot up the length of the vertical hall. We overcranked the camera so it'd start in slow- motion, then pulled the plug so that the camera slowed down to normal speed...giving the sense of the fire swelling, then suddenly rushing forward with a huge fireball. So when it looks like the "hallway" is on fire...it is. Real fire.
Next we shot Londo (Peter) against a bluescreen, reacting to this, then diving to his left. We then comp'd the bluescreen into the hallway, and used CGI to build a transport tube door to Londo's left, which then closed just as the fire reached it.
It was an utterly immense amount of work for, basically, a five second shot...but it looks 'way cool.
- Effects shots like this one were/are supervised via our EFX supervisor,
Ted Rae, working closely with the director and folks from Foundation.
- Sue: as you're looking at the fireball approaching toward camera, he
jumps to our left. Trust me on this.
- Another scene with Londo and Lennier,
btw, contains a small nod to the online fans of the show; we can't and
won't use story ideas, but there's been so much humor, reams and reams
of it, every imaginable kind of joke, that I dropped one of these jokes
into an episode...one that's come up at a lot of conventions and on the
nets endlessly. Just to acknowledge the fans in the only way I can.
- I don't actually know for certain the origin of the joke; it was all
over the nets, and the BBSs, uploaded places with several gazillion other
lightbulb jokes (after I'd made the original version of this in the show),
which is why I figured I'd drop it into the episode, since it was so common
and associated with the nets. While in the UK, I met a young man who said
that he had been the first with that variation, and I have no reason not
to believe him. (A couple other people sent me email saying that they
had also come up with that one; it's kind of obvious I guess, but again,
I have no way of knowing what's true because it was just all over the
place, never with attribution.)
- @@@833492207 Actually, variations on that joke were told at a number of
conventions; it's the obvious one to go for, given that for a while the
"how many X does it take to change a lightbulb?" question was racing
all around the nets. There were literally hundreds of them; of which,
this or a variation on it was the most common one floating around...so
I let it go in as a nod to the nets.
- Londo and G'Kar no longer really have much to discuss; they're past that
point, I figure. They hate each other.
Londo wasn't on Minbar; he was seeing someone off on a ship going to Centauri Prime.
- @@@864890688 Londo *does* have his moments when one almost likes him in
spite of oneself; the second episode of year three has scenes in which
you don't like him, and then you *do* like him enormously...then you
don't again. He's caught in the scissors...and trying madly to find
some way out of the situation he's in.
- Correct. Louis was not available to use for "Twilight" for health
reasons, but we like Louis a lot, and vowed to use him in another, even
better role, at the first opportunity. We seized it.
- Finding character names is sometimes easy, sometimes hard; it really
does vary.
And Theo was named for Vincent's brother.
- It was a mild Spring day, warm, clear, sunny, when Vincent Van
Gogh picked up his easel, and some paints, and walked a mile and a half
to an open field where he often painted landscapes. He set up his
easel, sat under a tree for a while, ate part of an apple, composed a
brief note to his brother Theo. Then he pulled out a derringer and
shot himself in the chest.
After an hour, realizing that he was not going to die for a while yet, he picked himself up and staggered the mile and half back to Theo's house, where a few hours later that evening he passed away in Theo's arms.
Some say his sad ending came about because he felt he was a burden to his brother Theo, and the guilt did him in; others because he sold only one painting during his life, for 48 francs, and he felt he would never become a painter of any worth.
On reflection, perhaps it was the thought of people bidding for his ear that did it.
- I've always liked the name Theo, from Vincent's brother, so there
was the sound of it; also the sense of it, in that Theo was a guide, a
counselor, a confidante, which Theo might come to be in this; and,
finally, Theodore means (I just lapsed on the actual definition) but
either chosen (favored) of god or messenger of god (have to check my
dictionary of names again), which is appropos.
- We'll see Theo here and there as we go along this season.
- Any relation to the technomages?
No, I wouldn't think of them in technomage terms; if you look at the history of many of these orders, they've generally pulled together people of varying skills. Ain't really that new an idea.... - Any connection between Theo's mission and the short story "The
Nine Billion Names of God?"
No, there's no connection whatsoever. The Tibetan monks in the story were specifically coming up with all the names of god in order to bring about the end of the world; Theo et al have come as an exercise in comparative religion, to learn what the other races call god, and how it compares. As others have done before, right here on good old earth. - Re: "The Nine Billion Names of God," the
whole purpose of that story had nothing to do with alien contact; it had
to do with gettting all the earthbound names of God into a computer, so
they could create the end of the world. The monks are on B5 in an
attempt at studying the different religions out there for the purpose of
better understanding...or more succinctly, comparative religious
studies, which long predate Clarke by, oh, about 500 years.
- @@@864890688 Are these the monks from
"There All the Honor Lies?"
No, these are not the monks Sheridan met earlier. - What were the floating discs at the crime scene?
It's a floating (air-compression) vidrecorder. - "B5 has gravity defying video cameras"
Only if you consider a plane or any other reasonable technology of flight to be gravity defying.
The video recorders are made of an extremely ultralight material, new alloys that in total weighs less than an ounce; it has a visible (and audible) air propulsion system, a high speed fan with a stabalizer/gyroscope that keeps it steady, and move it forward.
- @@@864890688 If you didn't notice the effect, that's good; you
shouldn't in many cases. (How many folks noticed that the two-story
shot of the blown sector of Convictions after the elevator boom is a
digitally composited set, using two different sets?)
- Why did the "bomb squad" have to go out into
space in order to gain access to the fusion reactor?
Going in the vacuum door was the fastest way to get a bunch of people in there, and presumably get a big object out again. Instead of riding transport tubes to the core shuttle, then the core shuttle to the far end, then tubes to the bottom...you jump out, get picked up and dumped at the far end. Takes 2 minutes rather than 10 or 15. Remember, this place is five miles long. - @@@833443678 "We have a wonderful security system on B-5. Our monitors
will show you everything, except a twenty foot long fusion reactor
trigger that was put in the most sensitive part of the station by a
certified nut case."
Show me where we ever said our monitors "will show you everything." They don't, they can't, and never have. This is a city, and a quarter million people live here. It would be impossible to monitor it all. As for the fusion reactor...that was a ten foot object attached to a place where only station maintenance people went, which was his job. He was cleared for that kind of access, and until/unless the device was activated, it was electronically dormant, you wouldn't notice anything. Nor did it attract much attention. Even though they *knew* something was there, they STILL had to look long and hard to find it, because it had been made to look just like everything else in the area.
And it's not like everybody *knew* he was a "certified nutcase" at the time. He didn't have an identicard that said CERTIFIED NUTCASE on it. He worked in station maintenance. Nobody knew Tim McVeigh was a nut until he blew up a building. Nobody knew that quiet little man in Boston was out strangling women in his spare time.
- Doug's reaction to Netter's Syndrome was...amused, chagrined, and the promise of swift and terrible revenge.
Convictions
Synopsis by Katrina Glerum (kat@midwinter.com)
Commander Ivanova finds Garibaldi and Zack busy mocking two Drazi
missionaries seeking assistance in the docking bay; they claim to have been
drawn to
B5 by reports that Droshalla, a Drazi holy being has
blessed the station. (In typical unfathomable Drazi fashion, their
attempts to share Zack's blessing are easily transferred to a nearby plant.)
With relative unconcern Ivanova asks Garibaldi to investigate a set of
anonymous messages to C&C declaring a countdown to chaos. The threats become
reality moments later when a lurker is blown to bits by a booby trap in
Downbelow.
Still in Docking, Zack's day improves further when the arrival of a chapter
of monks interrupts his attempts to respond to the explosion. In Downbelow,
the heavy damage and confusion mystify the crew. Although Garibaldi
determines that it was a bomb, he can't find anything worth blowing up.
Meanwhile Ivanova is unable to dissuade Brother Theo from his flock's
determination to establish a mission on the station. When she points out
that the aliens passing through B5 may not want to be preached at, that
there is little space and that they will be in the way, he readily replies
with both the words of the Bible and the fact that the monks themselves
happen to be engineers and computer experts.
Lennier is afflicted with a garrulous human neighbor while waiting in
reception for Delenn to disembark. He rises to greet her at the gate just
as there is an explosion in the corridor behind. Lennier hauls her
forward then steps past the gate to hustle Ambassador Mollari (who happens
to be arriving as well) to safety just as the pressure doors close. Delenn
watches in horror through the transparent frame as Lennier is licked by
flames and struck by falling objects.
A staff meeting clarifies that these blasts are aimed at people, not installations, and are being effective in their apparent purpose of spreading chaos and terror. Sheridan orders martial law and the bomber watches its imposition with satisfaction. While Lennier hovers in a coma, G'Kar rails at Garibaldi about the Centauri responsibility for the explosions and Londo insists to the captain and commander that the Narn are widening the range of their terror tactics. But the truth is that there is no sense to the attacks, and no one is claiming responsibility.
Londo manages to convince a doctor to let him stay with Lennier. Though his
bedside manner probably needs improvement, Londo seems to have been genuinely
moved by the young Minbari saving his life.
Meanwhile security determines from a molecular trace of the bomb materials that they were stolen from an ice mine on Beta 7, and that the bomber seems to have struck before on Proxima 3. Garibaldi balks when Sheridan orders a full investigation of all traffic from there to B5 cross checked against possible gloaters filmed by security cameras after the blasts. Ivanova has the bright idea of putting the new engineering monks to use.
Londo promises the unconscious Lennier to return, and departs on an errand. Upon finding the transport tube occupied by a smoldering G'Kar, at first he refuses to enter, but an instant later he leaps inside to escape a rush of flame from a bomb blast further down the corridor. Two hours later he rouses to find himself trapped in the damaged tube under the pitiless eyes of the former Narn ambassador. Londo proposes a plan of escape before the flames outside suffocate them, but with exquisite mirth G'Kar refuses. Though he'd like to live he would be delighted to watch Mollari die.
The monks are successful, and Brother Theo points out to Garibaldi the most
likely suspect. As a tac team in full armor assembles to go after the
bomber, G'Kar croons and cackles to his nemesis, "Not many fishes left in the
sea/Not many fishes, just Londo and me."
The team gathers near the bomber's quarters, but he's prepared for them and
demands to speak to the captain alone. Sheridan stuffs his link down his
pants and agrees to go in to negotiate. Garibaldi orders C&C not to let anyone
beep the captain under any
circumstances. The bomber wants free passage off the station, but lets slip
that the deadman switch he carries will set off a bomb to make the station
explode like the sun. This twigs Garibaldi to the fusion reactor. He
sends a squad to check it out, and as they scramble into action the bomber
attempts to terrorize the captain. All he manages is to get Sheridan thoroughly infuriated
with his threats, and to send his own nerves haywire. Why is he bombing things? His only reason is that the times are chaotic.
The squad finds the bomb in the reactor, just before Sheridan sits on his
link. When he hears the beep the bomber panics. In the ensuing struggle
the deadman switch drops, transmitting to the bomb just as it's propelled
harmlessly away from the station.
When the battered and damaged Lennier finally comes around, he explains that he saved Mollari's life at the risk of his own because "all life is sacred. But when the object of your actions does not share that belief... ahh, I fear that I have served the present by sacrificing the future."
In the "last of the debris" from the last explosion on board, a rescue team comes upon the two nearly asphyxiated enemies in the transport tube. They curse each other with familiarity.
"Bastard." Londo utters.
"Monster."
"Fanatic!"
"Murderer!"
"You are insane!"
"That is why we'll win," G'Kar gasps.
"Go be the ambassador to Babylon 5 they said. It will be an easy position. I hate my life."
"So do I."
"Shut up!"
Darkness Ascending
Overview
Lennier uncovers hard evidence about the source of the cargo ship attacks. Lise arrives to see Garibaldi. Lyta attempts to strike a deal on behalf of the rogue telepaths. Denise Gentile as Lise. Richard Ynigues as Montoya.
P5 Rating: 8.74 Production number: 516 Original air date: June 3, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Janet Greek
Plot Points
- @@@896925016 Lennier has observed firsthand an attack on civilian Brakiri ships by a Centauri attack force. He has brought a recording of the attack back to Sheridan and Delenn, who have called a closed meeting of all the Alliance worlds except the Centauri.
- @@@896926070 The Centauri royal court has learned that Sheridan and other Alliance representatives believe the Centauri responsible for the attacks on Alliance ships. They've asked Londo to do whatever he can to keep the Centauri from being blamed, and have suggested to him that the real culprits are Narns making use of ships and weapons left behind when the occupation of Narn ended.
- @@@896926070 Lyta has made a deal with G'Kar: in exchange for a few deep-space-capable ships and a considerable sum of money, she will give the Narn access to the genetic codes of hundreds of rogue telepaths, enough to allow the Narn to isolate the genetic basis of telepathy and start to engineer it back into their race. She intends to send telepathic scouting parties into deep space in search of a world suitable for habitation by a telepath colony.
- @@@896986273 Garibaldi has started having nightmares about failing to be around to help the Alliance when he's needed. In one dream, he saw a vision of Lyta, who said she'd decided to stop hiding what the Vorlons did to her and was testing the limits of her powers.
- @@@896926609 Lise has discovered Garibaldi's drinking, though for the moment he seems to have convinced her that he has it under control. He doesn't, though: despite promising to her that he wouldn't drink while she was visiting, he hasn't been able to resist the urge.
Unanswered Questions
- @@@896925016 What was happening in Garibaldi's dream? Was Lyta really involved at all?
- @@@896926609 What unpleasant secrets has Lise discovered about her newly-inherited company?
- @@@898541644 Did Lise take Garibaldi's advice and flee the station?
- @@@898541644 Was Lise fooled by Garibaldi's attempt to convince her he could stop drinking?
Analysis
- @@@896925016 Is Lennier's solo mission what Morden was referring to
as "betraying the Anla'shok" in
"Day of the Dead?"
He did indirectly disobey the chain of command by disregarding
Sheridan's order to return to Babylon 5, but on the other hand he was
arguably still well within the bounds of loyalty since he was acting
on behalf of the head of the Rangers.
- @@@896925016 Delenn strongly implied that Sheridan had considered
sending Lennier to the Centauri border, but had decided against
it. Is that the case, or was she just assuming that he would do so if
presented with the choice? If he did consciously decide not to send
Lennier at some point, why didn't Delenn attempt to argue the case with
him then?
- @@@898543790 Delenn apparently thinks the situation with the Centauri
is going to end badly. Londo was obviously surprised when she
hugged him, a departure from her normal reserve. What did she think
was going to happen to Londo such that this was her last chance to
embrace him?
- @@@896926609 Does Garibaldi actually intend to return to Mars? That
doesn't square with accepting the job of director of covert
intelligence for the Alliance. Though it's possible he could perform
many of his job duties from an office on Mars, he'd be far away from
one of the most convenient sources of intelligence information:
Babylon 5.
- @@@896986946 Garibaldi's dream was ambiguous. It may have been
completely metaphorical, his own mind warning him about his alcoholism.
His vision of Lyta may have been a manifestation of his distrust of
telepaths and his knowledge that they're still affecting his mind.
On the other hand, much of it could be literal. Kosh had the ability to visit people in dreams ("All Alone in the Night," "Interludes and Examinations") so the Vorlons might have given Lyta the same power. Glimpses of possible futures have been seen, e.g. Ladira's vision of the destruction of Babylon 5 ("Signs and Portents") or Londo's dream of the arrival of the Shadows on Centauri Prime and his eventual coronation and death ("The Coming of Shadows.") If such visions are an extension of telepathic power, it's possible that contact with Lyta was allowing Garibaldi to incorporate elements of precognition into his dream.
Depending on how much of Garibaldi's dream was based in reality, it raises some questions: What was happening in the Zocalo? Why were Lyta's eyes glowing white, instead of going black as they generally do while she's exercising her enhanced powers? (They glow white when she's possessed by a Vorlon, e.g. in "Into the Fire," but are otherwise black even when she's doing something Vorlon-related, e.g. remembering her time on the Vorlon homeworld in "Secrets of the Soul.") What exactly was she doing to Garibaldi, and why did she choose him?
- @@@896987744 The rough time the waiter at Fresh Air gave Garibaldi
may have been due to knowledge of Garibaldi's heavy drinking, since he
has had food from the restaurant delivered to his quarters while drunk
("Meditations on the Abyss.")
- @@@896987934 G'Kar's test of Lyta wasn't as useful as he seems to think: if she was scrupulous in the use of her powers, she'd have little choice but to answer "no" to his request. But if she was willing to go to any lengths to get what she wanted, she would almost certainly have been scanning him and would have easily discovered why he was really asking her to spy on the ambassadors. Armed with that knowledge, she would also have said "no." So her answer doesn't actually say much about how far she's willing to compromise her principles on behalf of the rogues.
Notes
- @@@896925016 Lyta's conversation with G'Kar took place in "The Gathering." The Narn interest in acquiring telepaths was also a factor in "Legacies."
- @@@896987744 Garibaldi mentioned that Catherine Sakai disappeared over a year ago. Her disappearance is covered in more detail in the novel "To Dream In the City of Sorrows." One possible chronological discrepancy is that according to the book, Sakai disappeared before Sinclair returned to the station in "War Without End," which would make it at least two years, not one. Of course, Garibaldi may not have found out about her disappearance until some time after it happened.
- @@@896987744 In "Meditations on the Abyss," a Minbari fighter with 15% of its oxygen remaining only had an hour's worth of air, implying a six-hour air supply. But in this episode, Montoya mentioned that fighters normally have over thirty hours of air. It's possible that the oxygen supply isn't a reserve of oxygen per se, but rather the capacity remaining in an air recycling system, and that the system recycles more efficiently when it's at full capacity.
jms speaks
- @@@897030289 "OK, so is anyone going to try to pass *this* one off
as non-arc 'filler'?"
Exactly. See, that's where I get nuts about some of the other comments. A number of folks said last week's was just filler...but last week we saw the process by which Lennier was sent to White Star 27, what he was looking for, and why...we were introduced to the captain, the mission...and now this week it pays off. It seems like the *result* is considered arc, and the set-up is considered "filler."
Similarly, Lyta's actions in this episode (and those that are going to follow) are a direct result of the whole Byron thread, which is going to spiral further in some interesting directions. Some said the Byron stuff was just filler...but it was there to move Lyta into a whole new direction that will have a substantial effect on the show and her character (and at least one other).
It seems to me that repeatedly, people dismiss something new in the mix as filler or non-arc...when in fact it's ABSOLUTE arc stuff once you've seen the whole thing. (Except for those who only seem to feel that results are arc, not setups, which is as nutty a view as I've ever heard.)
- @@@897030289 Was Lyta flirting with G'Kar?
I wouldn't say she has any sexual interest in G'Kar...she had her pleasure threshold expanded with Byron just recently, and as for her parting comment, I think it came more under the category of "you ain't getting it, but since you were still wondering..." A friendly plink. - @@@898543837 How would a human and Narn mate, anyway?
Well, as G'Kar said in the pilot, there would have to be rather substantial genetic manipulation and adjustment to allow for the different DNA structures to mix.After that, it would require the usual: dinner, flowers, and being willing to sit through a chick-flick....
- @@@898543471 Delenn didn't take any guff from Sheridan.
That's one of my favorite scenes from that episode...she basically yanks his pants up over his head and ties them in a knot. Someone trained in the religious caste can argue her way around just about anything and anyone.Minbari religious caste make Jesuits look like intellectual softies by comparison.
- @@@898544209 But she made a big assumption about why he didn't
want to send Lennier.
She's right because she's married to the guy and knows him inside and out, including how he thinks and why he does things.When you live with somebody like that, you can go out and buy a pair of shoes, and in the morning, complain that they're too tight...and never mention it again for the rest of the day...then in the evening you sigh, as you're taking them off, and he or she says, "Don't worry, we can always have them stretched."
- @@@898543523 Wouldn't the Centauri have noticed air
escaping?
The amount of oxygen taken would have been very minimal, given the size of Lennier's ship (little more than coffin-sized), and the volume would be replaced by the carbon dioxide from Lennier's ship. The hole would have been self-sealed by the Minbari fighter, which was designed to do this sort of thing in order to sneak past enemy lines.
Darkness Ascending
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
Garibaldi enters the Zocalo, which lies in ruins, fires and dead bodies everywhere. Garibaldi himself looks bloody and beaten. Among the dead is Sheridan, shot through the head. Next to him, a sign in blood reads, "You failed me." Zack Allan is also dead, next to another message in blood: "Where were you?"
Franklin is still alive, barely. "We needed you..." he gasps, before being shot. Laughter echoes through the Zocalo. Another Garibaldi, carrying a big gun, steps out from among the debris and claims responsibility. The beaten Garibaldi backs away, and something creeps out of a bar and starts engulfing him...
...and Garibaldi wakes with a start. It was a dream. Sitting on his bed is Lyta, her eyes glowing. She explains she has decided to stop hiding what the Vorlons did to her, and she is testing her limits. But Garibaldi shouldn't have woken up. "This is just a dream," she tells him, and Garibaldi wakes up again. There is no one in the room.
Then the door opens, and Lise Hampton comes in. She's come to see Garibaldi, since he had promised he would stay on Babylon 5 only for a short while (a promise he has not kept), and she misses him.
Delenn is picking up some papers from Sheridan's office when a call from Lennier comes in. Since Sheridan isn't around, she takes it there. Lennier reports three more attacks on Alliance ships, and no witnesses or evidence. However, twenty minutes before each attack, they intercepted coded Centauri signals. Given enough time, he will be able to decode them.
Lennier also asks if Sheridan knows about his mission. Delenn says he does not, but just then Sheridan starts to walk in; he stops outside, and overhears the final exchanges between Lennier and Delenn. Sheridan now knows where Lennier is and what he is doing.
Elsewhere, Lyta is trying to make a deal with a human businessman. Lyta wants a deep-range explorer ship, capable of holding two hundred telepaths. They will explore unknown planets for the man's company, using telepathy to help in cases of first contact and to make things far more efficient. In exchange, if they find a suitable, uninhabited planet, they get to form a colony.
The businessman is not interested, though. Working with rogue telepaths would invalidate their insurance, and violate their contract with the Psi Corps. They cannot afford either one. In his opinion, neither can any other company. The resources needed would be too great. Lyta thinks about it briefly after he leaves, and gets an idea: she schedules an appointment with G'Kar for later that day.
Vir is going over the day's business with Londo. The Royal Court wants the schedule of transports from Alliance worlds to Centauri Prime. A most unusual request, according to Londo, since the Royal Court has never before shown interest in this sort of thing. To Londo's surprise, this is in fact the only business for the day. An appointment with the Drazi Minister of Finance, and a photo opportunity with the Gaim Ambassador have both been cancelled. Vir thinks it has to do with the boycott of Alliance business ("The Ragged Edge"), but Londo points out that these sorts of contacts must be maintained, regardless of the situation with the Alliance. Londo is perplexed.
Lise starts to make some coffee, and discovers a bottle under the sink. She angrily confronts Garibaldi. She's seen what alcohol has done to Garibaldi before, ruining his life at least twice. Garibaldi admits to some drinking, but claims he has it under control. She demands Garibaldi not drink while she's there, if he really has it under control. It won't make her happy, but it is a start. Garibaldi agrees, and pours the contents of the bottle down the drain.
In hyperspace, aboard the Maria, Lennier is working on decoding the Centauri transmissions, when Montoya comes in to ask him about his progress. Lennier says all he has been able to decode are three words: "do not reply." He believes they are being sent to a staging base. If so, the base must have a tachyon stream to help transmissions, and if they can locate it at the moment of another transmission, they can follow it to the base. Montoya then receives a message from Babylon 5: Lennier's theory will stay a theory. The Maria has been recalled immediately, by order of Sheridan himself.
On Babylon 5, Delenn is asking Sheridan why the recall. He explains he found out about the covert mission, and since it was being done without his knowledge, he has cancelled it. It was inappropriate, Sheridan claims, to assign Lennier there without telling him. Delenn agrees, but also says it was inappropriate for Sheridan not to assign Lennier there in the first place. Although he was the best qualified for such a mission, Sheridan was trying to protect Delenn by keeping Lennier safe.
Sheridan finally admits that his was the case, just when he gets a message from the Maria: Lennier has taken a one man fighter and left the ship. They cannot find him.
Lennier is in hyperspace, following the tachyon beam as he had planned. The possible location for the base, though, is too far for his air supply to last. So he enters a meditation trance to conserve as much of his oxygen as he can ("Meditations on the Abyss").
Lyta arrives for her appointment with G'Kar. She recalls the offer G'Kar made when she came on board ("The Gathering"), when he offered to buy access to her DNA. She wants to take him up on it now. G'Kar acknowledges the Narn would like to reacquire telepaths, and her DNA would be a great help. Lyta offers him access to the DNA sequence of as many telepaths as they want, in exchange for certain considerations: a lot of money, deposited to an account on Mars; at least five deep-range starships, capable of holding a hundred telepaths each; and absolute secrecy. G'Kar expresses concerns that the last point may violate their obligations as members of the Alliance, but Lyta points out this is an internal matter for the Narn Government, and thus not subject to Alliance jurisdiction. She leaves to let him think about it.
Garibaldi and Lise arrive at the Fresh Air Cafe for dinner. Lise says she really is looking forward to Garibaldi's return to Mars: she needs him to help her deal with Edgars Industries. There is much she doesn't understand about the business, and much that frightens her. She asks what Sheridan's reaction was when Garibaldi told him he was leaving, but his evasions show he hasn't told Sheridan yet. The Maitre D' arrives and asks if they want anything to drink. Garibaldi orders coffee. When it arrives, Garibaldi claims it is the worst coffee he has ever had, stands up, cup in hand, and heads to the kitchen to complain. But once out of sight, he takes out a small vial from his jacket and pours some alcohol into the coffee before heading in again.
Sheridan and Delenn receive a report on the search for Lennier. Although three more White Stars have joined the search, they have found no trace of him. Sheridan orders them to continue. Montoya points out that the air in the fighter will be running out any time now, even if Lennier went into meditation to lower his consumption of oxygen.
Indeed, the air in Lennier's fighter is almost gone. Fortunately, a Centauri ship overtakes him, following the tachyon relay. Lennier engages full stealth, and attaches the fighter to the warship, drawing air from it. Then, the warship jumps into normal space, and Lennier's perseverance is rewarded: they have arrived at the Centauri staging base.
In bed, Sheridan is apologizing to Delenn for his earlier behavior, and acknowledges she was right to send Lennier on that mission. He is also trying to convince her it was not her fault that he is missing, probably dead. But Delenn will not accept Lennier's death until she has seen a body.
In the morning, Londo receives an urgent message from Centauri Prime. A Minister says that they have information that Sheridan and the others want to blame the Centauri for the attacks, and are even ready to fabricate evidence if that is what is needed. Londo claims Sheridan would not do that. But the Minister points out that the Narn have access to many ships and weapons that were left behind when the Centauri left Narn; and even though G'Kar would not fabricate evidence, other Narn consider him too close to the Centauri and might go ahead without his knowledge. "You must do everything you can to stop them from blaming our people for these attacks," the Minister tells Londo. "If they attempt to move against us, we will fight back." It could cause a war.
Lyta arrives at G'Kar's quarters to hear his answer. G'Kar has contacted his government, and they agree to Lyta's terms. They do have one more stipulation, however: they want Lyta and her fellow telepaths to "listen in" to the other ambassadors from time to time, and report to Narn. Lyta thinks about it briefly, but declines. Although she has discovered she can do many things she couldn't do before, she cannot do this. She still has a shred of decency left. The deal is off. She turns to leave.
G'Kar stops her before she exits. There is no such condition: he wanted to see how far she was willing to go. Had she agreed, G'Kar would have known that he couldn't trust her, and there would be no deal. Now, they can go ahead. She'll have her money, the ships, and support from the Narn.
Lennier's fighter is still attached to the Centauri ship, which is again in hyperspace, part of an attack group. Lennier starts recording when they jump back into normal space. There, they attack a convoy without warning, destroying it completely despite offers to surrender. When the Centauri depart, Lennier stays behind, floating among the debris. Once they leave, he sends out a distress call, and prays for the dead.
On Babylon 5, Sheridan receives the good news. The Maria has rescued Lennier and is heading back to Babylon 5. And he has the proof they need. Sheridan tells Delenn, and she is overcome with emotion. She leaves, and in the corridor outside she leans against a wall, crying and laughing. Londo happens to walk by, and asks if she is all right. She turns, and silently goes over and embraces him.
"What? What is this for?" Londo asks, confused. "I have never done that, in all the time you and I have been here," Delenn replies. "And I think, very soon, we will never have another chance." She walks away slowly, leaving Londo just as confused as before.
Later, Delenn and Sheridan welcome Lennier back. Lennier gives Sheridan the recordings he made, and goes off to rest. "We have worked months to get this information," Sheridan says, "and now that I have it, a part of me wants to throw it through an airlock. I was hoping we were wrong, Delenn." "So was I," replies Delenn. But now they know the truth, and they have an obligation to follow through. They will have a closed meeting tomorrow to review the evidence. Garibaldi comes in then, since Sheridan was looking for him. Sheridan says wants to meet with Garibaldi, Franklin, and G'Kar as soon as possible.
Franklin is with Londo, discussing the plans for a biological data base for the Alliance ("Strange Relations"), when Vir interrupts. He tells Londo that a meeting is in the works for tomorrow, a sure indication they have evidence to present regarding the attacks. However, everyone is invited except Londo. "I don't like this," says Londo. "I don't like this at all. This is going to be bad."
Lise is preparing dinner, and Garibaldi comes in. He wants her out and back to Mars as soon as possible. Because, barring a miracle, they will soon be at war with the Centauri.
Day of the Dead
Overview
Some of the crew are caught with the Brakiri as they celebrate their "Day of the Dead," a remembrance of the recently deceased. A pair of famous entertainers visits the station. Harlan Ellison as the voice of Zooty. Bridget Flanery as Zoe. Penn and Teller as Rebo and Zooty. Ed Wasser as Morden.
P5 Rating: 8.44 Production number: 511 Original air date: March 11, 1998 DVD release date: April 13, 2004 Written by Neil Gaiman Directed by Doug Lefler
Plot Points
- @@@889724959 Once every 200 years, a comet approaches the Brakiri homeworld and signals the Day of the Dead, in which, for one night, people can interact with those who've died.
- @@@889724959 In their youth, Lochley and her friend Zoe spent much of their time on drugs and lived in squalid conditions. Lochley's father, an EarthForce marine, had no idea where she was. Zoe eventually committed suicide, something which has haunted Lochley her entire life. After the suicide, Lochley's father located her, and shortly thereafter, putting her old life behind her, Lochley enrolled in the military.
- @@@889724959 Kosh has sent a message to Sheridan via one of the visiting deceased: "When the long night comes, return to the end of the beginning."
- @@@889724959 According to Morden, Lennier is fated to betray the Rangers. Morden also hinted that Lennier would die soon.
- @@@889724959 Rebo and Zooty have starred in a variety of shows and movies. Zooty speaks via a small handheld device, and both of them have studied Minbari, Narn, and other forms of humor. Minbari humor, Rebo says, is based on failure to attain spiritual enlightenment, though puns seem to be effective in Minbari humor as well.
Unanswered Questions
- @@@889724959 What does Kosh's message mean? Any relation to the episode "The Long Night?"
- @@@889724959 Was Morden's prediction about Lennier correct? If so, how and why will Lennier betray the Rangers?
- @@@889998781 What is Zooty's machine? What does it tell him to do?
Analysis
- @@@889998781 There are two possible explanations for the visitations.
First, one of Lochley's suspicions may have been correct, that the
whole affair was an illusion or a trick of some kind. A sufficiently
powerful telepath might have pulled memories of Dodger, Adira, Zoe,
and Morden from the people in the Brakiri section. The memories of
Morden would more likely have come from Londo than from Lennier, of
course. Zoe's message from Kosh could have been based on Lennier's
memories; Lennier almost certainly knew about the close relationship
between Kosh and Sheridan.
The other possibility, of course, is that what appeared to happen really did happen: the dead returned.
If the Day of the Dead can be taken at face value, then given Lyta's description of being inside someone's mind at the time of death ("The Paragon of Animals") and Byron's description of the echoes of a sentient mind persisting in nearby objects after death ("A View from the Gallery") it seems that there's more going on with death in the B5 universe than meets the eye.
It's possible that the echoes mentioned by Byron never actually go away, and that a powerful enough telepath can pick them up long after the fact. In that case, the Day of the Dead may be the result of group telepathy on the part of the Brakiri (several telepaths joining together can produce greatly amplified powers, e.g. in "A Race Through Dark Places.")
Clues to another possibility are found in the Soul Hunters' practice of capturing the souls of the dying ("Soul Hunter.") Perhaps the Soul Hunters aren't the only ones doing so -- and whoever else is involved does it on a much larger scale and in such a way that they aren't noticed. In that case, the tunnel of light Lyta saw in "The Paragon of Animals" might simply be a representation of the dying person's mind being extracted for storage. And her belief that the living aren't supposed to know what's on the other side of that tunnel would be consistent with a clandestine Soul Hunter-esque group that wanted its presence to remain unknown. If that's what's happening, a natural question is, why? And why would that group allow some minds to escape on a day of significance only to the Brakiri? Perhaps the Brakiri are involved with the group somehow.
- @@@889998781 All the people who returned suffered untimely
or violent deaths: Morden was decapitated on Londo's orders
("Into the Fire,")
Adira was poisoned
("Interludes and Examinations,")
Zoe committed suicide, and Dodger was killed in combat
("GROPOS.")
Is that significant, or is it simply that people who die in such a
manner are more likely to have unfinished business with the living?
- @@@889998781 Lochley's escape from the squalid lifestyle she described
was a sort of rebirth. Perhaps that's why she has a phoenix on her
flight helmet
("Strange Relations.")
- @@@889998781 Judging by Garibaldi's interaction with Dodger, he and
Lise are still together. Is she still on Mars? In the past, she
wasn't willing to tolerate Garibaldi going off to live on Babylon
5 while she stayed on Mars
("Babylon Squared.")
Has her attitude changed now, or is she expecting him to return
in the near future?
- @@@890001887 Dodger mentioned "technomancy" as a possible explanation
for her appearance. A reference, most likely to the technomages
("The Geometry of Shadows.")
How widely-known is the existence of the technomages?
- @@@889998781 Lennier told Morden that Sheridan hadn't died on Z'ha'dum.
Did he simply mean that Sheridan didn't die permanently, or does
he not believe Sheridan died at all? Given Lennier's jealous
feelings toward Sheridan (manifested, for instance, by referring
to him as "your partner" to Delenn rather than by name) it's possible
he's not inclined to believe in any of the larger-than-life stories
concerning Sheridan.
Also of note is Morden's surprise that Sheridan wasn't back for the Day of the Dead. Is that a sign that Morden, or what's left of him, doesn't know that Sheridan survived? That's unlikely, given that Morden himself survived long enough to hear about Sheridan's return to Babylon 5 ("The Summoning.") Or does Morden know something Sheridan doesn't about the nature of Sheridan's second lease on life?
- @@@890001887 Morden said to Lennier, "And you want wisdom?" Lennier
replied yes. That marks the first time he's been able to find out what
a Minbari wants (he failed to get an answer to that question from
Delenn in
"Signs and Portents.")
Telling Morden what one wants, and getting it, has usually had
disastrous consequences in the past.
Is Lennier's willingness to answer the question further
foreshadowing of his alleged betrayal of the Rangers? Will his
betrayal hinge on acquiring some sort of wisdom?
- @@@890005628 Morden told Lennier, "One does not go to the dead for
wisdom." That's not an opinion shared by the Brakiri, though: the
greeting for the holiday, judging by the conversation between the
merchant and Londo, is, "May the Comet bring you wisdom."
- @@@890001887 Morden told Lennier that the other end of the corridor
was over 200 million light-years away, while Lochley said to Sheridan
that she was 27 light-years away. Who was right? If Morden was
right, where was the Brakiri section really taken? 200 million
light-years is a distance on an intergalactic scale. The fact that
Lochley was able to contact Sheridan in real time suggests that Morden
was exaggerating the distance.
- @@@889998781 As is often the case with his pronouncements, Kosh's
message can be taken several ways. "The long night" may refer to
Sheridan's death in 19 years. "The end of the beginning" is more
ambiguous. Does it refer to the end of Sheridan's original life?
If so, it might mean Sheridan should return to Z'ha'dum (odd, since
Z'ha'dum was destroyed in
"Epiphanies")
or perhaps that he should seek out Lorien. It's even possible Kosh
was referring to Coriana 6, where, as Sheridan said, the second age
of mankind ended; what good it would do Sheridan to return there
isn't clear.
It might also refer to the end of Babylon 5, which was the site of the beginning of the Interstellar Alliance. If Sheridan is to take up residence on Minbar as planned ("No Compromises") but returns to Babylon 5 at the end of his life in 2282, also the year of the station's destruction ("The Deconstruction of Falling Stars") that might account for the ambiguity surrounding his place of death ("Deconstruction.")
Notes
- @@@889724959 Morden likes coffee.
- @@@889998781 Brakiri are nocturnal.
- @@@889998781 Garibaldi sleeps with a gun under his pillow.
- @@@889727611 Morden's head is still on the pike outside the
Centauri Imperial Palace
("Into the Fire.")
- @@@889998781 Universe Today front-page headlines:
- Meet Rebo & Zooty Up Close and Personal
- Babylon 5 will air Rebo & Zooty Movie Marathon
- Rebo and Zooty Arrive
- Interstellar Alliance Talks to Resume
- Londo Mollari to Become Centauri Emperor (this news story was briefly referred to by the Brakiri merchant Londo talked to: "You are Centauri emperor-to-be. Universe Today.")
- Reclamation of San Diego Wasteland gets Underway (the nuking of San Diego was mentioned in "Midnight on the Firing Line," and the wasteland was shown in "Spider in the Web.")
- Stocks: How your credit Rates
- Narn Consulate Opens on Mars amid Controversy
- Earth Senate Votes More Money for Titan Terraforming
- @@@889998781 The poem Dodger recited was actually "A Few Figs from
Thistles" by Edna St. Vincent Millay, not an Emily Dickinson poem.
Garibaldi's attempt was by Dickinson, however, a poem titled "Because
I could not stop for Death."
Because I could not stop for Death--
He kindly stopped for me--
The Carriage held but just Ourselves--
And Immortality.We slowly drove--He knew no haste
And I had put away
My labor and my leisure too,
For His Civility--We passed the School, where Children strove
At Recess--in the Ring--
We passed the Fields of Gazing Grain--
We passed the Setting Sun--He passed Us--
The Dews drew quivering and chill--
For only Gossamer, my Gown--
My Tippet--only Tulle--Or rather--We paused before a House that seemed
A Swelling of the Ground--
The Roof was scarcely visible--
The Cornice--in the Ground--Since then--'tis Centuries--and yet
Feels shorter than the Day
I first surmised the Horses' Heads
Were toward Eternity-- - @@@890334816 Dodger's parting line, "Parting is all we know of heaven,
and all we need of hell," is from another Emily Dickinson poem,
"#1732," published in 1896:
My life closed twice before its close -
It yet remains to see
If Immortality unveil
A third event to meSo huge, so hopless to conceive
As these that twice befell.
Parting is all we know of heaven,
And all we need of hell. - @@@890346793 Rebo's line upon arriving in customs, "I have nothing to
declare except my genius," is a quote from Victor Hugo (later quoted
by Oscar Wilde among others.)
- @@@898570635 Morden's comment that he could see the future, but not the
past, may be a reference to Dante's "Inferno." In Canto X, Farinata
degli Uberti, a heretic, prophesizes Dante's banishment from Florence.
When Farinata is asked how the dead can know the future, but not the
present, he replies that according to the Divine Plan, the damned can
see far into the future, but nothing of what is present or what has
happened. After Judgement, when there is no longer any future,
the intellects of the damned will be void.
"Ah, so may your soul sometime have rest,"
I [Dante] begged him [Farinata], "solve the riddle that pursues me
through this dark place and leaves my mind perplexed:you seem to see in advance all time's intent,
if I have heard and understood correctly;
but you seem to lack all knowledge of the present.""We see asquint, like those whose twisted sight
can make out only the far-off," he said,
"for all the King of All still grants us that much light.When things draw near, or happen, we perceive
nothing of them. Except what others bring us
we have no news of those who are alive.So may you understand that all we know
will be dead forever from that day and hour
when the portal of the Future is swung to." - @@@889727611 Dodger was a visiting ground-pounder in
"GROPOS;"
she died in battle. Adira met Londo in
"Born to the Purple"
and was killed in
"Interludes and Examinations."
- @@@889727228 The comet as a symbol of death among the Brakiri was
first mentioned in
"A Day in the Strife,"
which, by coincidence, aired in reruns on TNT the same day this episode
premiered.
- @@@877307266 Rebo and Zooty were previously mentioned in
"Rumors, Bargains and Lies"
and
"Rising Star."
In the former episode Londo complained that he didn't find them funny,
an opinion he no longer holds.
- @@@889727611 Another coincidence: On the day the episode premiered,
news organizations reported that an asteroid was expected to make a
close pass by Earth in 2028. The Brakiri comet's close approach,
of course, is what signals the start of the Day of the Dead.
- @@@889724959 The Day of the Dead has an Earthly equivalent; there's a
Mexican holiday
of the same name on November 2 (it's celebrated elsewhere in Latin
America too.) It's based partially on the Roman Catholic day of
remembrance for the deceased, All Souls Day.
Candy skulls are a common feature of Mexican Day of the
Dead celebrations.
- @@@889998781 One of Rebo and Zooty's movies was called "Sons of the New
Desert." That's a reference to a 1933 Laurel and Hardy film,
"Sons of
the Desert."
- @@@890717909 "Zoe" means "life" in Greek.
- @@@890000343 This episode was the first one not written by JMS since
"Knives"
in season two.
- @@@877307266 According to Neil Gaiman on
The Dreaming,
"It's a ghost story about religion, or a drama about comedy and the
nature of metaphor, or something like that."
- @@@879115474 Production start date: November 13, 1997.
- @@@889998781 Harlan Ellison, who played the voice of Zooty's machine,
played another machine voice previously: Sparky the computer
("Ceremonies of Light and Dark.")
- @@@889474479 This episode was originally supposed to be three slots
later in the airing sequence, but was pulled back due to the spring
hiatus on TNT (see
JMS Speaks.)
- @@@909426451 TNT used the intended the airing sequence when the
episode was rebroadcast, putting it between
"Phoenix Rising"
and
"The Ragged Edge,"
but that causes a continuity problem: Londo and G'Kar are featured in
this episode, and neither of them is on the station between
"Phoenix Rising"
and
"The Ragged Edge."
- @@@889998781 Continuity glitch, possibly due to the aforementioned
schedule shuffling: at the end of
"Strange Relations,"
Londo and G'Kar left for the Centauri homeworld, yet they were on
the station again in this episode. Not necessarily a glitch, since
they could have been to Centauri Prime and back again, but that
wasn't mentioned.
- @@@896989466 Londo's comment, "If Vir can be emperor, an Earth cat can be emperor," may be a reference to "Chrysalis," in which Londo and Vir confused cats and ducks.
jms speaks
- @@@879297730 About the casting of Rebo and Zooty
Their name came up in discussions, and they just seemed a perfect match. - @@@890000626 Neil wrote for R&Z, and we looked around for
casting...it occured to someone -- may have been me, maybe casting, I
don't remember -- that it might be better to use a real comedy team
than create one. B5 called P&T, and they said yes.
- @@@879357255 Do both characters have lines?
Yes and no.
- @@@890333127 "Was it always part of the script for Zooty to speak
through a machine, or was that something added so that Teller won't
have to speak on camera?"
The latter.
- @@@890000626 Was the audience's laughter genuine or just
acting?
Depending on which take was being shot...half and half. - @@@881861257 Why was this episode shot after
"Phoenix Rising,"
which was originally scheduled to air first?
We shot it out of story-sequence to give us more time to prep 512, which was a big episode. So it'll actually be aired as 513. - @@@895440619 It was originally intended to be set after "Phoenix Rising."
- @@@889474479 We felt it wise to adjust the airing
order so we could ramp up the following episodes prior to the NBA delay
without having any interruption in the tone of the episodes (i.e., 2
tense, 1 funny, 2 tense vs 1 funny and 4 tense in a row).
- @@@889474479 We suggested moving up DotD because the NBA playoffs
will hit after #12, and better to have 3-4 intense episodes in a row,
culminating in 12, than to break up the middle, which would've been okay
as a respite if there wasn't going to be a break, but since there is a
break now, I want to slam the last few before it hits for more impact.
- @@@889815646 How much do you have to get involved in outside
scripts?
It varies, I get involved to different degrees with different writers; with Neil, it was more "What do you want to write?" He noodled around with some ideas, ran one past me that he liked, and I liked it...he asked for a truckload of scripts for reference, picked the characters he wanted to use, researched them, we talked on the phone and via email a number of times as he refined his ideas further, then wrote the script. I tucked and nipped a little here and there, but pretty much left it alone. - @@@889815646 Neil kept the humor sort of off-base...operating on the
assumption that there are some things that become au courant or funny
because of context: Steve Martin's "excuuuuse me," for instance. Now,
it ain't funny, it's just annoying...at the time, EVERYbody was saying
it and laughing. R&Z are similar cultural phenomena...their "with a
machine" catchphrase, for instance, which the crowd new and reacted to.
To us, and Lochely, it didn't mean anything. Lochley's reaction was
tailored to be EXACTLY the same as most women's (and some guy's)
reaction to the Three Stooges: either it's funny, or you can't figure
out why people are laughing.
- @@@890000626 Why didn't you have Marcus visit Lennier?
I didn't write it. It's Neil's script. The characters he chose are the ones he wanted to play with. - @@@912190517 How did Neil know what Kosh's message should
be?
Actually, in that scene, Neil didn't write Kosh's message. He asked what it would be, and I gave him that, knowing that I'd been looking for a way to slip that in as early as season 4.
Day of the Dead
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
In the customs area, a man carrying a large bag has nothing to declare except his genius. Inside the bag, a small man holds up a small device, which also declares nothing but Rebo's genius. Rebo and Zooty have arrived on Babylon 5.
Lochley, Sheridan and Garibaldi are on their way to meet the comedy duo. Lochley mentions that the Brakiri have asked to buy a part of Babylon 5 for a night, for religious reasons.
Outside his quarters, Londo is accosted by a Brakiri salesman, who is offering a skull-shaped candy. On recognizing Londo as the Centauri Emperor-to-be, he offers the candy as a gift, and asks Londo whom he would like to meet from among the dead. "The first Emperor," replies Londo as he accepts the candy. He asks the salesman what sort of festival this is. "Tonight is the Day of the Dead," the Brakiri replies. "Tonight the dead return."
Delenn is alone in her quarters when Lennier arrives, dressed in a Ranger uniform. He is between training cycles, and having read once about the Brakiri Day of the Dead, which occurs only once every 200 years, he decided to visit. Since Babylon 5 is easier to get to than Brakir, he came to the station.
Sheridan is hosting a cocktail party for Rebo and Zooty, and confers upon them the Freedom of Babylon 5. Rebo gives a speech, interspersed with physical comedy. Most in attendance find it hilarious, but Lochley is not amused. She leaves for an appointment with the Brakiri ambassador. G'Kar overhears about the appointment and looks worried.
In Lochley's office, the Brakiri ambassador explains to the Captain that they must own part of the station by nightfall, so it will be part of Brakir for the celebration. He assures Lochley it will be returned in the morning. Lochley explains the usual operations of Babylon 5 do not allow this, but she is ready to make an exception. Before the transaction is over, G'Kar bursts into the office and warns Lochley that selling the station would be foolish and dangerous. But Lochley reminds him that according to the declaration of principles of the Alliance, religious beliefs are sacrosanct. Over G'Kar's objections, the transaction is completed.
Later, the Brakiri ambassador explains to Garibaldi that part of the station is now part of Brakir. Garibaldi's quarters are on the Brakiri side, and he goes in just as the Day of the Dead begins.
Sheridan arrives to his quarters with Rebo and Zooty for dinner. Delenn welcomes them, and Zooty's machine says something in Minbari: a pun, to which Delenn reacts by laughing heartily. Rebo explains they have studied Minbari and Narn humor, among other forms. When Delenn escorts Zooty to the table, Sheridan mentions to Rebo that he was hoping to talk to Zooty without the machine. Rebo explains that Zooty never breaks character. After ten years, Rebo has only heard Zooty say one word without the machine: "Why?" He doesn't undertand it either.
In her quarters, Lochley is reading some reports when night falls. The area of the station purchased by the Brakiri is surrounded by a shimmering energy field; at the same time, Lennier sits down to meditate in his quarters, and Londo drinks some Brevare.
In C&C, Corwin is trying to emulate one of Rebo and Zooty's hat tricks, when G'Kar enters, dressed for bed. His quarters are on the Brakiri zone, so he would like to sleep in C&C for the night. Corwin lets him.
In Lochley's quarters, the power suddenly goes out, replaced by emergency lights. Lochley is unable to contact anyone on the link.
Londo is in his quarters, talking to a portrait of the first Emperor, but the portrait is silent. His lights go out as well, and behind him a figure materializes: Adira Tyree ("Born to the Purple"). Londo is overjoyed. He tells her he is to become Emperor, but would give it all away just to have Adira by his side. She embraces him and they they kiss.
Garibaldi is asleep in his bed, but the shower turns itself on. He pulls a PPG from under the pillow and orders whoever is there to come out. A woman's voice answers and then steps out: Dodger, the gropo ("GROPOS"). Garibaldi is utterly confused; without lowering the gun, he wonders if it is a clone, a robot, or maybe the latest from Bester's bag of tricks. She assures him it is nobody's trick. "Happy Day of the Dead," she says with a smile.
In her quarters, Lochley is trying to communicate with the rest of the station, which the link claims is out of range. A small blond teenager materializes coughing, and says "Lizzie? Is that you?" Lochley is overcome and stands staring dumbly at the girl. "Zoe?" gulps Lochely, forcing back tears.
Lochley and Zoe sit on the bed and talk, both of them crying. They were runaways together, and did drugs. It's been 20 years since Zoe's death. Zoe asks Lochley what happened after her death. Lochley found Zoe's body, dead from a drug overdose. She got scared, called her parents, and her father arrived ten hours later. She later enrolled in OTC. Lochley asks Zoe something she's always wondered: "Did you do it on purpose?" but Zoe claims she doesn't remember.
Sheridan and Delenn's quarters are outside the Brakiri zone. Dinner is almost over when Sheridan gets a call from Corwin, to tell him that a piece of the station is missing: the part sold to the Brakiri. Sheridan walks over to investigate and finds the shimmering wall. He throws a fire extinguisher at the wall, but it bounces back. He goes to C&C to talk to Corwin.
Garibaldi finally puts the PPG back under the pillow. Although still perplexed, he is taking it all in stride now. Garibaldi and Dodger start to talk.
Lennier is meditating when a voice says: "Good evening, Ranger Lennier." It is Morden, although Lennier cannot place him immediately. He eventually does, however: "You worked for the Shadows," accuses Lennier. "I did lots of things, yes," replies Morden. "Looking back on it, though," he continues, "I just tried to make people happy. Anyway, it is all ancient history now, and I paid for all my crimes, huh?" he concludes with a smile.
Lennier asks him why he came, and Morden replies that he is dead, and thus it is his job. Then Morden asks Lennier why he came back. "I came for wisdom," answers Lennier. "You don't come to the Dead for wisdom, Lennier," replies Morden. He says his head is still rotting outside the Centauri Royal Palace, but Lennier insists he wants wisdom.
"Wisdom?" muses Morden. "Let's see: Delenn does not love you as you love her, and she never will." "I know that," replies Lennier. "No, you don't," counters Morden. "Not in your heart." Lennier tells Morden to go away, but he does not; now that Morden has been raised, Lennier must listen. Lennier tries to leave, only to find the shimmering wall outside. He starts to run, but soon collapses.
Sheridan enters C&C to find G'Kar asleep on the deck. Sheridan asks Corwin to contact the Brakiri homeworld.
Morden tosses Lennier back into his quarters. He explains that the other side of the corridor is 200 million light years away; no way to get there by foot. Morden continues to talk, and tells Lennier that he is destined to betray the Rangers; Lennier does not believe him. Morden then implies Lennier will die soon, and Lennier angrily denies him again; finally, Lennier settles down to meditate, saying "Our talk is done." "Your loss," sighs Morden, as he sits down to read the newspaper.
In Lochley's quarters, Lochley is again trying to contact the rest of the station. Zoe points out that they are now in part of the Brakiri homeworld, and although Lochley doesn't believe it, she manages to contact Garibaldi, who is talking to Dodger. Lochley orders Garibaldi to hack into Stellar Com and route a call to C&C.
In Londo's quarters, Adira and Londo are in bed. Lochley appears on the screen and says normality will be restored soon. "She is right," says Adira ruefully. "And when this night is done, so am I. And you will go on to become Emperor Mollari." "I don't want to become Emperor," replies Londo. "I want to stay here, with you." "Londo, I'm a dream," says Adira. "In the morning I'll be gone, and you will rule 40 billion Centauri. But not one of them will ever know you the way I know you." She settles down on Londo's chest as they both smile contentedly.
In his quarters, Garibaldi is hacking the communications system, much to Dodger's frustration; Garibaldi succeeds, and lets Lochley know before settling down to talk to Dodger for the remaining hours of the Day of the Dead.
In Sheridan's quarters, Rebo is expressing to Delenn his admiration for how calm and collected Delenn and Sheridan are in the face of this emergency. He confides to Delenn that they both admire the two of them a lot, and in fact that Rebo and Zooty plan to give up show business for politics. Sheridan comes back, and Delenn tells him of Rebo and Zooty's decision. Sheridan tries to talk them out of it, but Rebo says that no one takes comedians seriously, and they want to be taken seriously. Besides, he says, the real comedy all happens in the Senate.
Lochley's call comes in then, and she tells Sheridan everything is fine, and will probably go back to normal in the morning. This is also what the people in Brakir told Sheridan.
Morning finds Lennier meditating and Morden reading the paper; shortly thereafter, Morden disappears. Dodger and Garibaldi are talking and laughing together. Dodger senses that her time is up, and sobers up. She kisses Garibaldi on the forehead, stands up and disappears.
Zoe finishes telling Lochley a message she was given for Sheridan. Before leaving, she finally tells Lochley that she does remember her own death, and she did it on purpose because she couldn't stand her life any more. She disappears, and normality returns.
Later that morning, Sheridan and Lochley are talking. Lochley refuses to give details of her experience, saying that it was intensely personal; the same thing everyone else has told Sheridan. No one really knows what happened, though. She does give Sheridan the message she got for him. It is from Kosh: "When the long night comes, return to the end of the beginning."
Lochley leaves and is later joined by G'Kar. Lochley expects him to say I told you so, but instead he points out he was wrong; the people who were in the Brakiri territory seem more at peace with themselves. G'Kar wonders what he would have seen had he been there.
Then they see Londo, Rebo and Zooty walk by, followed by reporters. Londo is quite amused, and promises never to miss their show from now on. He also asks them to perform at his inauguration.
Before he leaves, Zooty calls the just arrived Sheridan aside, and whispers something in his ear, pointing at his device: "Because it tells me to."
Deathwalker
Overview
The station becomes a hotbed of galactic controversy when Sinclair is forced to protect a notorious war criminal -- a scientist who's invented an immortality serum. Ambassador Kosh hires telepath Talia Winters to oversee a very unusual negotiation. Sarah Douglas as Deathwalker/Jha'Dur. Robin Curtis as Ambassador Kalika. Cosie Costa as Abbut. Aki Aleong as Senator Hidoshi.
Sub-genre: Intrigue P5 Rating: 8.21 Production number: 113 Original air date: April 20, 1994 DVD release date: November 5, 2002 Written by Larry DiTillio Directed by Bruce Seth Green
Backplot
- The League of Non-Aligned Worlds and the Earth Alliance are allies, thanks in large part to Earth's intervention while the League was being devastated by the Dilgar thirty years earlier. JMS says, "The Dilgar War was one of the first conflicts that the EA got into, soon after establishing a presence in space. We mainly entered it to try and make a 'rep' for ourselves, then got more morally involved when we saw what was going on. That and the Minbari War are the only real major conflicts Earth has been involved with, and Earth was not directly at risk in the Dilgar war, though if they hadn't been stopped, that might have changed eventually."
- The Vorlons have a strong distrust of telepaths.
- The Minbari warrior castes know about the hole in Sinclair's mind.
Unanswered Questions
- What do the Vorlons know about immortality?
- Why don't they like (non-Vorlon) telepaths?
- Is this the last we'll hear about the immortality serum, or did Dr. Franklin keep the sample he was testing? (JMS has hinted that it's not a simple plot device which'll never be mentioned again.)
- Why do the Wind Swords speak often of Sinclair? What do they know about what happened to him?
Analysis
- Na'Toth's grandfather had the misfortune to be on a planet that Jha'dur
took, and her misuse of him is the source of Na'Toth's feud, yet the
Narn seem to give the incident no particular weight. What world this
was is not disclosed, but either it wasn't a Narn colony, and Na'Toth's
grandfather was simply in the wrong place at the wrong time, or it was
a Narn colony and the incident was smoothed over at the time. Evidence
seems to point to the former, but it's unclear.
- Jha'dur is a specialist in, "biochemical, biogenetic, and cyber-organic
weaponry." During the Dilgar invasion of the "non-aligned sectors" she
decimated whole planets to further her own research. Presumably the
other Dilgar were equally vicious and callous. She seems to be
especially notorious though, known by name 30 years after the event,
perhaps because her biological experiments seem especially horrible.
- At the time of the Dilgar war humanity was fresh on the interstellar
political scene, having been discovered and given jumpgate/hyperspace
technology by the Centauri. The non-aligned worlds seem to be
relatively low-tech, and they were being overrun by the Dilgar in a
particularly ruthless bid for an empire. Earth's entry into the
conflict turned the tide against the Dilgar, leading to the race's
confinement to their own system and their ultimate destruction when
their sun went nova.
- Jha'dur was shielded and hidden by the Minbari Wind Swords, members of
their warrior caste, at the close of the Dilgar war 30 years ago. The
Minbari didn't encounter humans until about 20 years later, at which
time the first contact went bad and initiated the Earth-Minbari war.
Up until now it seemed that neither side knew of the other, but how
could the Minbari have aided and supported Jha-dur for 20 years without
learning of Earth? Moreover, when the Minbari are debating
their response to the loss of their leader the Wind Swords arrive on
the scene with new, very powerful weapons. Presumably much of the
Minbari arsenal of weapons and ships derives from designs given them
by Jha'dur. The circumstances
of the first contact problem between the Minbari and the Humans may
also indicate that it was the result of a plot by Jha'dur for revenge
on those who (at least indirectly) destroyed her race.
- The serum designed by Jha'dur is insidious, requiring something
critical from living beings to make. It's unclear whether this same
process would be applicable to every species, or whether the same
serum could be used across species. But in any case it was designed,
perhaps intentionally, to cause a great deal of harm when used.
- Just what benefit the Wind Swords derived from her research is
unstated. Note, however, that she has (a) been permitted by the Wind
Swords to use up enough living entities to pursue her research, and
(b) used at least one dose on herself with
some amount left over. She has also been permitted to leave to
negotiate with the Narn, her first entry into public view since the war.
- Senator Hidoshi calls Sinclair while Jha'dur is still in medlab.
He insists that Jha'dur cannot be Deathwalker, but also insists that
she be sent to Earth immediately. Still, he clearly knows all about
the situation, which implies that he has sources of information both
on B5 and perhaps among the Minbari or the Narn.
- Talia Winters has an interesting time with Kosh during this episode.
Here we see the first of a known class of people called "vicars,"
short for "VCRs." These people are human recorders, capable of
recording sensory and environmental information for later playback
through devices directly implanted in their brains.
This demonstrates a very high degree of possible integration between
people and computers at the time of B5. How common this is and how
sophisticated it can be has yet to be seen.
- Is Kosh a telepath? During the interviews between Kosh and Abbut (the
vicar) Talia is occasionally goaded with an image dredged up from her
mind. Clearly these are not her own thoughts, and clearly Abbut cannot
be the source since human telepaths are regulated. That only leaves
Kosh him(it?)self. Yet Talia doesn't seem to have any hint that Kosh
is doing this to her. If Kosh is a telepath, what other abilities
does he have? And if he is a telepath, and the cause of Talia's
distress, what did he need the vicar for? It seems clear that
the byplay between Kosh and Abbut was intended as misdirection, to
divert, bore and confuse her leaving her open for Kosh to penetrate
her shields and stimulate the images he collected.
- Kosh collects from Talia, in his words, "Reflection. Surprise. Terror. For the future." He may intend the data as a lever or weapon against her.
jms speaks
- The Hour of Scampering is usually around tea-time, according to the
Vorlon/Human Translation Dictionary.
- How do Vorlons scamper?
The Vorlons do not scamper terribly well, but no one has yet told them this. - @@@834863442 "Understanding is a three-edged sword."
The three edges: your side, my side, and the truth in between. - Your statement about the serum being a means of getting to the truth or
her truth at the very least is quite correct. And appropos to current
reality. We look back at the Nazis, and others, and say, "Well, WE
could never do that." But of course we could. Fine tune your
attention to the frequency of misery and inhumanity, and in short
order you'll pick up Rwanda, and Bosnia and a host of others. Our
capacity for greatness is as substantial as our capacity for evil.
And we must constantly be reminded of that duality; to pretend it
simply isn't there, or is somebody else's problem, inevitably leads
to tragedy. (For those interested, btw, I would encourage you to
check out a short story by Mark Twain, called "The Man Who Corrupted
Hadleyburg." I think you will find it *most* illuminating.)
- Abbut was not - repeat, NOTan imitation of Harlan, as some have
suggested. It was originally written for Gilbert Gottfried, who we later
learned was unavailable.
- The Babylon 5 Advisory Council and the League of Non-Aligned Worlds
functions in much the same fashion as the Security Council and the
General Assembly in the U.N. The smaller worlds and alliances can't
weild as much power as any of the Big Five. Together, they as a
group get a vote equal to one of the Big Five; they can deputize one
of their number to speak for them and cast that vote, which can often
break ties or create ties. It is not a terribly equitible situation,
but it was the only workable solution that would be accepted by the
other Ambassadors. We'll see them chafing at this in "Deathwalker."
- The prosthetics on our background aliens and the League started out
okay, but we felt we could do better, and began a series of
improvements, which can be seen most clearly in "Deathwalker," where
they're all proper prosthetics rather than masks.
- We didn't have the League of Non-Aligned Worlds up and running for
the pilot. They get one vote, determined by majority decision. EAch
mamber of the main Advisory Council gets one vote, equal to that.
In "Deathwalker," you had one abstention (Kosh), two to try her
(EA and League), and three against the trial (Narns, Centauri and
Minbari). Abstentions don't count either way in such a vote; it's the
negatives vs. the positives, and there were more no's than yes's.
- You assume the crowd meeting Sinclair could be placated. They make it
clear, in dialogue: "You will have to kill us all." They could not BE
placated. Your assumption has nothing to do with what happened, or
what was said. Maybe in the ST universe, Picard can turn on the charm
and just talk people out of things. That doesn't happen here, not
easily at any rate. It was turn back or kill them. Those were the
choices.
- As far as we knew, Lennier was going to vote with Sinclair and the
League. So you hold off his change of vote for the end. You get a
few no votes, annoy the League, Sinclair raises their hope, and then
Lennier, much as he hates it, dashes that hope. It's an arc that way,
rather than a descending staircase.
- Except of course that Sinclair said that the non-aligned worlds would
have observers there at all times...there are no other Dilgar to help
break her out...the Narns have no desire to attack Earth installations
to break her out as long as they get their share of the serum...and
there really was no other alternative short of war.
- There's no one escaping Deathwalker's ship; it's just debris spinning
away. She's dead as a mackeral.
- Just to clarify...the Vorlon ship destroyed only Deathwalker's ship,
not an EA vessel. And the Vorlon ship waited until Deathwalker's
ship was far from B5, just before entering the gate, before coming out
to strike. At that range, it couldn't miss, and at that distance,
B5 couldn't react fast enough.
- The EA escort got her as far as the gate. Then peeled away. And then
the Vorlon ship came out. That's what Sinlair said: "They will escort
you as far as the gate." And even if they had stayed with her THROUGH
the gate, it would've made no difference. Vorlon ship comes through.
Fires at Deathwalker's ship. EA ships fire back. No visible effect,
the cruiser shrugs it off and goes back the way it came. Single
Starfuries wouldn't even *dent* a Vorlon cruiser. So same result.
- Sinclair was taught by Jesuits...and as far as Kosh goes, better to
have him where you can see him, than not. They *are* a powerful
group, and it wouldn't serve to ignore them. We courted them for 10
years for a first contact...and now we're stuck with them.
- Jim, your thesis comes from the underlying assumption that, as in the
Trek universe, All Things Must Be Done Fairly, the government must in
the end be wise and fair and sensible.
That ain't our universe. That ain't even *this* universe.
Sinclair must follow orders. He didn't want to escort Deathwalker off and on to Earth, those were his marching orders. *The same marching orders would be given to an ambassador representing Earth*. So your career diplomat would be in exactly the same position. What, do you think that career diplomats are independent agents of goodness? They all work for SOMEone, representing their interests.
Earth put in the majority of the money required to build and operate B5. They have the right, as such, to appoint a provisional governor, nad (and) that is the function that Sinclair mainly serves. He runs this place, AND he is responsible for maintaining good relations with other representatives. He is also on a short leash. And in some cases, as in "By Any Means Necessary," other people are sent in to handle certain kinds of negotiations.
Yes, it is a conflict of interest. So what? Do you think Earth cares much about that? Is it awkward? Yes, of course. It *should* put him in moral quandries. The Earth Government is constantly getting him into binds. What they wanted him to do in "Deathwalker" was more or less of a dubious nature. But in the end, he found a fairly moral solution to the problem. That's what he does. He finds anhonorable way out of very difficult and morally ambiguous situations. What you suggest is that we remove the moral ambiguities. Ehhh. I find that boring as hell.
Do the other species like it? Of course not. Okay, so what're they going to do? Boycott B5? And let other species take advantage of all the economic and political benefits the station provides? Let others grow in familiarity and form alliances that might in time turn against them? Not a chance. Fair or not, it's the only game in town.
So I don't buy your solution because I don't think it's a problem. You do. That's life. Political situations are rarely fair, or logical, or ethical. If politics were based on ethics this would be a MUCH better world. But politics are generally based on who has the power, and the money, and the guts.
- The Dilgar War was one of the first conflicts that the EA got into,
soon after establishing a presence in space. We mainly entered it to
try and make a "rep" for ourselves, then got more morally involved
when we saw what was going on. That and the Minbari War are the only
real major conflicts Earth has been involved with, and Earth was not
directly at risk in the Dilgar war, though if they hadn't been stopped,
that might have changed eventually.
- @@@846702265 Have we seen the last of the Dilgar?
They're dead as doornails. - And yes, the Windswords were the warrior clan involved in the events
in "The Gathering."
- Talia, like all Psi Corps members, wears gloves because she has to,
when in public, to minimize physical contact and accidental scans.
As for others wearing gloves...sometimes it's a fashion statement
... and other times, well, space is very very cold....
- Abbut was screwing around when he said "I'm a 23 myself," just
messing with her.
- "Kosh's voice-the rumblings and bells and stuff, not the translation-
seemed to be missing a lot of the lower tones and bass that I
remembered hearing previously."
He had a cold.
- "It also adds another piece of miracle tech never to be seen again."
Wrong.
In point of fact, virtually *none* of the new tech stuff is just gone...you'd be surprised what'll be showing up again down the road a piece....
- Re: B5's roster of strong women characters...this is something of a
bugaboo/obsession with me. I *love* writing strong women. (For that
matter, I love strong-willed, independent, smart women in real life
as well; I love being outsmarted, love it when someone can go toe-to-
toe with me on something.) Generally, and this isn't entirely
intentional, women on shows I work on tend to get some of the best
lines, as is often the case with Ivanova. It's not a case of being
"one of the boys," but being one of the *people*. There's a subtle
difference.
The women I write are often very close to many of the women I've been involved with over the years. So far, no one's sued....
Compiled by Dave Zimmerman and Steven Grimm.
Deathwalker
Talia Winters runs into Ambassador Kosh, who wants to use her telepathic services in an important, upcoming negotiation. She seems reluctant at first, but Kosh assures her that all arrangements--including legal clearances and payment--have already been arranged. He instructs her to meet him in Red 3 at the "Hour of Scampering."
Na'Toth, who is waiting at the docking bay for a ship to arrive, suddenly notices a certain woman come on board B5. Na'Toth is suddenly seized with rage and runs across the room, shouting, "Deathwalker." She attacks the woman who has just come aboard, hitting her viciously until the security guards can stop her.
Na'Toth attacks.
After Na'Toth is successfully detained, Sinclair is informed of the situation. He asks Garibaldi who the victim is; Garibaldi explains that the woman came from Minbari space in a Minbari ship, in Minbari clothes, and with Minbari identification--but that she certainly isn't a Minbari. When Garibaldi mentions that Na'Toth was yelling, "Deathwalker," during the attack, Sinclair's curiosity is piqued--both Sinclair and Garibaldi indicate that they are familiar with that name.
Sinclair and Garibaldi go to question Na'Toth. She explains that her family has taken a blood oath against the "Deathwalker." She took the blood oath after the Dilgar, Deathwalker's race, invaded a planet on which Na'Toth's grandfather lived. Deathwalker, explains Na'Toth, used her grandfather and the other people on the planet in her experiments. Everyone died, except Na'Toth's grandfather, who escaped--but only after having a machine--which slowly killed him--implanted in his brain. Sinclair, however, does not believe that the woman who just came on board was Deathwalker, simply because the Dilgar invasion that Na'Toth mentioned occurred thirty years ago, and Deathwalker would be an old woman by now. Na'Toth explains that her senses would never fail her when it comes to identifying someone against whom she's taken a blood oath. Sinclair, still skeptical, orders Garibaldi to examine the contents of the injured woman's ship.
When G'Kar arrives, he apologizes for the attack upon the victim and offers personally to make reparations to her. Angrily staring at Na'Toth, he requests that his attache be released into his custody. Though Sinclair refuses to release custody of Na'Toth, he does agree place her under house arrest, and allows her to be taken to G'Kar's quarters. G'Kar thanks Sinclair and leaves.
Winters, meanwhile, meets with Kosh again and agrees to work for him at the negotiations that he mentioned before--she comments that the clearances were indeed arranged and that the pay was very generous. However, she explains that there is still something she doesn't understand. Kosh interrupts her and merely says, "Understanding is a three-edged sword." Soon, a man named Abbut arrives; he greets Kosh cordially and comments, "Oh, Kosh, you old dog! You didn't tell me you were bringing a date!" Talia explains that she is only a commercial telepath, who will be sitting in on the negotiations. Kosh orders Talia to scan Abbut and to report on his thoughts. She scans the man, but comments that he has no thoughts--his mind seems completely empty. Kosh is pleased, and says that they can now proceed. Kosh and Abbut begin to utter cryptic phrases to one another.
Abbut, Winters, and Kosh meet.
In the Med Lab, one of the doctors tells Franklin that the vital signs of the victim have stabilized but that the victim's species is still unknown. Sinclair arrives, and Franklin explains to him that the victim is in surprisingly good shape, considering her injuries. Her body is healing itself quite quickly, and Franklin wishes he knew what species she was. Sinclair explains that the victim is a Dilgar, but Franklin doesn't believe him--Franklin notes that the Dilgar is a dead race, that after the invasion, the few Dilgar who were left were killed when the Dilgar sun went nova. Sinclair calls up a reference file on "Deathwalker"--the computer informs them that "Deathwalker" is a name used to refer to Warmaster Jha'dur, "the most infamous leader of the Dilgar invasion of the non-aligned sectors in 2230.... Specialist in biochemical, biogenetic, and cyber-organic weaponry." The picture that the computer displays looks like the present victim, though Franklin comments that the victim is too young to be that same Jha'dur and too old to be her daughter. He even searches for signs of cryonic freezing, but the computer scan does not turn up any relevant evidence. Franklin notes that he will have the Med Corps send him all information they have on the Dilgar. Garibaldi suddenly enters, holding a Dilgar uniform which, according to the inscription, belongs to Jha'dur. He also brings an unusual drug, which he gives to Franklin. Meanwhile, Ivanova informs Sinclair that he has a Gold Channel transmission from Senator Hidoshi. Sinclair, his curiosity piqued, leaves, but orders Garibaldi to keep quiet the situation with the victim--Sinclair says that he doesn't want any rumors concerning Jha'dur floating around the station.
In G'Kar's quarters, Na'Toth apologizes for shaming and angering G'Kar, but G'Kar tells her that no apology is necessary. He explains that he understands her need to fulfill her blood oath (and comments that he has many blood oaths himself), but tells Na'Toth that hers, in this instance, complicates matters. He explains that Jha'dur has made an important discovery that could be potentially very useful to the Narns. He tells her that, in this case, service to the Narn government is more important than her blood oath--therefore, she must not kill Deathwalker, because the Narn government has ordered them to send Deathwalker to Narn alive. Na'Toth reluctantly agrees--she will delay her vengeance, but not abandon it. G'Kar says that he's proud of Na'Toth--and promises to help her fulfill her blood oath after Jha'dur's discovery is secured.
Senator Hidoshi's message has come through to B5. The senator asks if the recently-attacked victim is still alive. When Sinclair tells him that she is, the senator orders Sinclair to send the victim to Earth immediately when she is fit to travel. Sinclair, however, protests, saying that there is evidence that the victim is Jha'dur, the infamous Deathwalker. Hidoshi, however, dismisses Sinclair's protests; he says that Deathwalker has been dead for many years. He refuses to give Sinclair any further information, and abruptly ends the conversation.
In the Med Lab, as Franklin is studying the victim's drug, the victim suddenly awakes and moves over to him angrily. "How dare you pry into my life's work?" she says to him. She asks to see Commander Sinclair immediately.
Jha'dur fends Franklin off.
Sinclair, on his way to the Med Lab, is stopped by Ambassador Mollari, who asks if the rumors he's heard about Deathwalker are true. Sinclair only tells him that he should know better than to listen to rumors.
When Sinclair arrives at the Med Lab, he dismisses Franklin from the room. She looks at him, slightly admiring him. "You know the way of command," she says, "Yes, the Wind Swords are right to fear you.... [The Wind Swords] have sheltered me for many years, in return for certain services. They speak of you often, Sinclair. They say you have a hole in your mind." She tells him that she is indeed Warmaster Jha'dur, and explains the reason for not aging: she has discovered a disease-preventing drug that also retards the aging process of all known humanoid species. "It's still unstable and difficult to produce in sufficient quantity, but it works, as you can see," she says. Sinclair immediately realizes the implications of such a drug: virtual immortality. She tells him that, with the help of Earth, she will bring it to "all the worlds of this galaxy" before the end of the year.
"Then the willows must scuttle carefully," says Ambassador
Kosh at the negotiations with Abbut--and, after Abbut asks, "Does
Saturn have rings?" Kosh ends the negotiations for the day. Talia,
however, is still curious (for she's been scanning Abbut all day
and his mind is still blank--not to mention the fact that she
doesn't understand anything either Abbut or Kosh are saying), and
asks Kosh to explain the negotiations. Kosh only replies, "You
seek meaning? ... Then listen to the music, not the song." After
Kosh leaves, Talia asks Abbut to explain the negotiations, but he
refuses, replying that it's "not too good to reflect too much." At
that moment, Talia suddenly sees herself in her own mind, reflected
numerous times, as if she were looking into a mirror. She leaves,
even more confused.
Sinclair has meanwhile sought out Lennier to ask him about
Jha'dur's involvement with the Wind Swords, a branch of Minbari
warriors (Delenn has temporarily left the station, so Lennier was
the next logical person to ask).
Sinclair speaks with Lennier.
G'Kar, meanwhile, apologizes to Jha'dur on behalf of the Narn empire. He says that the Narns are willing to make reparations for Na'Toth's attack--and he, on behalf of the Narns, makes a generous offer for Jha'dur's recently discovered drug. "You're very well informed, G'Kar," she replies, "Our reports always said you were a clever one--and a good resistance leader, too. If Earth Alliance hadn't taken a hand in our invasion, we might have helped your kind wipe the Centauri out completely."
G'Kar speaks with Jha'dur.
G'Kar comments that Jha'dur is also very well informed (and adds that the Narns aren't through with the Centauri yet)--and offers to triple whatever price Earth has offered her for her discovery. She agrees to consider his offer, if he brings her Na'Toth's head within the hour. G'Kar leaves the room, bruskly and considerably annoyed. After he leaves, she laughs a loud, evil laugh.
Sinclair, Ivanova, Garibaldi, and Franklin discuss the current situation. Franklin claims that, according to the data that he received from Earth, the woman is indeed Jha'dur--her very appearance, he adds, seems to prove her claim about her drug (assuming there isn't another reason that explains why she hasn't aged). Garibaldi is skeptical, though Franklin's analysis of the serum suggests that the drug can do what Jha'dur says it can do. Sinclair says that Earth agrees with the potential of Jha'dur's drug and has ordered Sinclair to send Jha'dur to Earth immediately. Garibaldi is angered that Sinclair seems to be willing to release Jha'dur to Earth so easily: "She wiped out entire races, destroyed whole planets, experimented on living beings. Now she wants to make everybody immortal?" says Garibaldi. He suggests that they should let the League of Non-Aligned Worlds deal with her--he suggests that Earth should just take her serum and develop it themselves, but Franklin says that the serum is too complex to realistically develop without her assistance. Ivanova suggests that Earth--though she considers its moral stance dubious--is better equipped to handle an issue like this than is the B5 staff. Sinclair agrees, and prepares to send Jha'dur to Earth. After the staff leaves, Garibaldi questions Sinclair's judgment, but Sinclair replies that if the immortality serum can be developed, a galaxy without sickness or death would result. "She can save more lives than she took, and she can make the deaths she caused have meaning," says Sinclair.
"Better pray to that God of yours you're right, Jeff," responds Garibaldi, "because if any of the League ambassadors find out about this 'deal,' they'll tear Babylon 5 to pieces."
G'Kar, in his quarters, anxiously tells Na'Toth that one of his agents has just informed him that Sinclair intends to smuggle Jha'dur off B5. He quickly contacts Ambassador Kalika, a leader of the League of Non-Aligned Worlds and tells her of the situation.
Sinclair, meanwhile, is preparing to escort Jha'dur off the station. Before she leaves, however, he asks her why she wants to bring immortality to the races of the galaxy. She responds that, if she brings immortality to the people of the galaxy, it will ensure that the Dilgar are remembered honorably--it will stand as a monument to her and her race. "Delicious irony ..." she says, "that those who cursed us will have to thank us for the rest of time."
However, on the way to her ship, Jha'dur and her escort party is stopped by a group of ambassadors from the League. The ambassadors demand that a full assembly of the Council be called immediately to discuss Jha'dur's trial--they will not allow Jha'dur to pass them ("You will have to kill us all, first," says Ambassador Kalika, who leads the group of ambassadors). Sinclair has no choice but to agree.
The League confronts Sinclair.
Talia, the day after the last session of negotiations between Kosh and Abbut, tells Kosh that she doesn't believe she can continue to monitor the negotiation. "Your belief does not enter into it," replies Kosh, "We have a contract." Soon, Abbut arrives and greets Talia again. As he kisses her hand, she suddenly sees herself in her mind--it appears as if she's in some sort of computerized matrix.
Talia among the lights.
The session of the Council is about to begin. Sinclair mentions to Garibaldi that he's sort of relieved that the matter has been made public--Jha'dur will get the justice she deserves (Sinclair figures that, though the Narns and Centauri both had once collaborated with the Dilgar and would therefore probably not want a trial, the Minbari--being an honorable race--will vote for a trial. With Earth's vote--and with Kosh's usual abstention--the Council will be tied, and the League will cast the deciding vote). Garibaldi apologizes to Sinclair for saying some hot-headed things to him regarding Sinclair's decision to comply with Earth's orders, but Sinclair tells him not to worry about it--he tells Garibaldi that he had thought the same things himself. When Lennier arrives, he tells Sinclair that he has spoken with Delenn--and has been given instructions.
When the meeting opens, Kalika presents a motion to hold a war-crimes trial for Jha'dur on Babylon 5. Londo is the first to vote on this motion--he expresses his sympathy for the League, but says that he must vote "no" because Deathwalker never committed any crimes against the Centauri. G'Kar votes "yes" on condition that the trial be held on Narn--however, when Kalika does not accept this condition, G'Kar votes "no." Sinclair votes "yes," and explains that Kosh has declined to take part in this session of the Council. Lennier explains that, since the Minbari were not a part of the conflict between the Dilgar, Earth, and the League, the Minbari have no right to judge her. He therefore votes "no." Kalika, angered at the Council and disappointed with B5's ability to treat the League fairly, storms out of the Council chambers but threatens that this will not be the last time that the Council hears from the League.
Ambassador Kalika makes her case.
After everyone leaves, Lennier apologizes to Sinclair for his vote. He explains that the Wind Swords did, indeed, shelter Jha'dur. The Minbari government did not know about the involvement of the Wind Swords at first--but when the Earth-Minbari war broke out, the Wind Swords came to the Council with devastating weapons that they obtained from Deathwalker. The Minbari government, needless to say, is embarrassed about the Minbari involvement and, just as they could not admit their when they originally found out, so they cannot let that information be made public in a trial now.
Meanwhile, a ship has come through the jumpgate. It belongs to one of the members of the League, and it threatens to attack B5 if Jha'dur is not extradited to its government. As the ship draws closer, Ivanova readies B5's weaponry and threatens to defend B5 against the ship. The League ship aborts its attack but stays near B5. However, more League ships continue to come through the vortex. One by one, they begin to surround B5. Sinclair, whom Ivanova has contacted, orders Ivanova to stall these ships.
Meanwhile, Sinclair attempts to negotiate with Kalika. He tries to draw on Earth's traditional friendship with the League, but Kalika refuses to listen. Sinclair, all his other options having run out, finally decides to inform Kalika of the full situation with Jha'dur.
Ivanova informs Sinclair that she has successfully stalled the League ships--she has gotten them to debate over which of them has the most valid claim to try Jha'dur. Sinclair is pleased, but hopes that her maneuver will buy B5 enough time. Suddenly, the League ships begin to move out of firing range of B5. Ivanova is surprised, and asks what Sinclair did. He tells her that he "played a wildcard." He tells Ivanova that the situation isn't completed yet--Sinclair will be in closed session with the League. Once again, he praises Ivanova for her ingenuity.
"A herring is just a herring, but a good cigar is a Cuban," comments Abbut, at the negotiations with Kosh. "A stroke of the brush does not guarantee art from the bristles," replies Kosh. "Do you understand, Ms. Winters?" Again, Talia finds herself seeing strange visions in her head--she is walking and is suddenly attacked by a mysterious man. She screams out in pain. "Our business is completed," says Kosh. Abbut takes off his hat, removes a data crystal from his partly cybernetic head, and gives it to Kosh.
Abbut's unusual head.
"What was on that data crystal he gave you," asks Talia.
"Reflection, surprise, terror. For the future," responds Kosh.
Kalika tells Sinclair that scientists from the League have checked Dr. Franklin's data--and they agree with it. And while Kalika agrees that the discovery is "astounding," she still feels that Deathwalker must be punished. Sinclair agrees, and proposes a compromise: Jha'dur will be delivered to Earth, where she will work with Earth scientists--in addition to a group of scientists that the League can send. After the drug is developed, the League will be given custody of Jha'dur. Kalika likes the idea, but wants to make sure that it can trust Earth to honor it later. Sinclair says that once this agreement is made public, Earth will have no choice. Another of the ambassadors from the League wants to know how the Council will react to this decision, but Sinclair says that this agreement is a private matter between Earth and the League--just as it was thirty years ago, when Earth helped the League defeat the Dilgar, as Sinclair points out. Kalika agrees: "It is fair ... and wise."
Before Jha'dur leaves, Sinclair speaks with her. She feels that Sinclair is naive to believe that Earth will turn her over to the League once the drug was developed. Sinclair says that he'll see to it personally, but Jha'dur feels this will cost him his command. Jha'dur explains to Sinclair the true purpose behind her giving the serum to Earth: "You and the rest of your kind take blind confidence in the belief that we are monsters--that you could never do what we did. The key ingredient in the [serum] cannot be synthesized; it must be taken from living beings. For one to live forever, another one must die. You will fall upon one another like wolves. It'll make what we did pale by comparison. The billions who live forever will be a testimony to my work, and the billions who were murdered to buy that immortality will be the continuance of my work. Not like us? You will become us. That's my monument, Commander."
"You will become us."
The group of ambassadors have all assembled to watch the departure of Jha'dur. Surprisingly, Kosh joins them. Suddenly, there is a report from the bridge--there's another disturbance at the jumpgate. A Vorlon ship flies through and, to the elation of many of the ambassadors, quickly targets and destroys Jha'dur's vessel. "Why?" asks Sinclair.
"You are not ready for immortality," responds Kosh.
The Vorlon ship attacks.
Later, Sinclair and Garibaldi discuss the situation. "Hell of an irony, don't you think?" asks Garibaldi, "We find a reason to keep Jha'dur alive, and the Vorlons smoke her for the same reason." Sinclair wonders things will always work out similarly: little powers at the mercy of big powers; politics before morality. Garibaldi responds that this seems to work for everyone--except Sinclair. As they speak, Talia arrives and explains that she is confused by recent negotiations she attended. She tells them that nothing about the negotiations made sense; the two parties spoke in riddles, and she kept seeing images in her mind--images which she feels were deliberately provoked. She explains that, four years ago, she was assigned to scan the mind of a suspect in a murder case. The suspect was a serial killer--she had never been inside a mind like his, and it frightened her so much that she still has nightmares about it. However, at the negotiation table recently, she feels those thoughts were deliberately provoked. When Sinclair asks Talia whom Kosh was dealing with, she tells them. Garibaldi knows who Abbut is. He explains that Abbut is a "Vicar"--a slang term, derived from "VCR," referring to a type of alien that is part machine, part sentient--they act as living recorders that can record just about everything, including brain-wave patters. Garibaldi suggests that Kosh set her up--and Sinclair guesses that Kosh did this because Vorlons are usually suspicious of telepaths, and if Kosh knows what her deepest fears are, he can use them against her later on.
Garibaldi and Sinclair wonder what Kosh could be up to--the many things he's been doing recently have piqued their curiosity.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Divided Loyalties
Overview
Lyta Alexander, the station's first telepath, returns with a warning that one of Babylon 5's officers is an operative for a top-secret government organization. A long-held secret of another Babylon 5 officer is revealed. Patricia Tallman as Lyta Alexander.
Sub-genre: Mystery/Intrigue
P5 Rating: 8.50
Production number: 220
Original air date: July 25, 1995 (UK)
October 11, 1995 (US)
DVD release date: April 29, 2003
Written by J. Michael Straczynski
Directed by Jesus Trevino
Backplot
- Lyta Alexander is part of a secret movement against Psi Corps. She's evidently been a dissident since she probed Kosh ("The Gathering.") When Lyta probed Kosh, she felt something she then hid from the years of subsequent interrogations from Psi-Corps. She has been feeling drawn to Vorlon space and has desperately tried to get there. She knows a lot more than she has ever told anyone, including what Kosh is under his suit.
- Talia Winters was programmed with a 'sleeper' personality by the Psi Corps. She is probably "Control" (cf. "A Spider in the Web.")
- Ivanova is a latent telepath. She is able to block some scans, knows instantly if someone scans her, can pick up on some feelings, but has never been able to scan anyone except her mother. She claims, though, that her psi rating is "not even a P1."
- "Universe Today" has a section called 'Eye on Minbari' which Delenn uses to find out things about her homeworld she might not neccessarily have been told yet, in addition to learning human perceptions of Minbari.
- Lyta spent some time with Psi Cops as part of her training, but left because she didn't like it and became a commercial telepath instead.
Unanswered Questions
- Exactly how much does Talia's new persona know? And what will this do to B5 in the future?
- Is there really no chance of the old Talia recovering? If not, what good is the recording Kosh made?
- How safe is Lyta's escape? Will Psi-corps get her in the end? The fact that Kosh let her off the station suggests he's prepared to risk Psi-Corps getting their grubby hands on whatever it is she knows from the scan.
- What did Lyta see when she asked Kosh to reveal himself? Something with a halo of light, but what?
- Dr. Kyle also saw Kosh. Has Psi-Corps learned anything from him that they didn't learn from Lyta?
- How involved are Sinclair's rangers with the Mars resistance?
- Was it Talia who attempted to kill Lyta?
- How did (presumably) Talia get the lights in the security section to go out, being replaced with red backups? And how did she know that she had a chance to hit Lyta? She was being taken from one cell to another on orders passed from Garibaldi to Zack to two ordinary security people. Is Zack implicated in some way, perhaps by way of his involvement in Nightwatch? It seems conincidental that in the few minutes available an attempt was made on Lyta's life.
- What about Ironheart (cf. "Mind War?") If he saw "everything," would he not have known about the implanted personality, however deep it was?
- What will Psi Corps do with Talia now that the Artificial Personality has taken control?
- Was the 'Control' mentioned by Lyta the same one installed by Bureau 13?
- Was Garibaldi really faking the transition to an artificial personality? And does he know more that he's letting on? (see Analysis)
- How will Sheridan and Delenn handle the growing feelings in their friendship?
- Why is Babylon 5 seen to be so important to several unknown individuals/groups, and who are those people?
Analysis
- Whatever Ironheart did to Talia seems to have enhanced her powers
enormously, and she seems to be growing more powerful. Psi Corps, at a
minimum, now have the psychic assassin they were trying to create, and
potentially much more. Assuming, of course, that Ironheart's gift
wasn't erased when Talia's original personality was destroyed.
- Another possibility is that Talia wasn't destroyed, that
Ironheart's gift allowed her to prevent Control from taking over,
but she's playing along as a means of continuing her own investigation
into what's going on with Psi-Corps (cf.
"Spider in the Web.")
- @@@867174534 Talia's implanted personality was foreshadowed in
"The Quality of Mercy."
After she was finished scanning Mueller, she was joined by Garibaldi
in the Garden. As they talked about her experience, she commented
to him, "Things that live inside us, Mr. Garibaldi. Terrible things.
Terrible."
- Delenn's choice of articles in Universe Today is a
revealing one. This highlights the lack of information she is receiving
now that she is no longer a member of the Grey Council. However, she
is learning to gather information from other sources and to "read
between the lines" more carefully. It appears that she is regaining
confidence in her abilities.
- During the attempted murder of Lyta while she is being transfered
between holding cells, we see the hand holding the assailants PPG. It
is wearing a black glove, very similar to those worn by Talia. However,
the lead time between Garibaldi ordering Lyta to be moved, and the
attempted assassination appears to be very short. So how did Talia
know when to leave Ivanova's quarters in order to intercept Lyta? And
does Talia know how to kill the main lights in a section? Three
possibilities present themselves:
- Coincidence. Talia, under the control of the artificial
personality (AP), goes to hunt down
and kill Lyta while Ivanova is out getting some air. The fact
that Lyta was being transferred made the attempt much easier.
Killing the main lights is knowledge that Talia has but we
aren't shown. However, in
"A Spider in the Web,"
we are shown that Bureau 13 has cracked the station
computer's security, which presumably would allow Talia to
discover both Lyta's location and the time of the transfer.
- There is an additional agent provocateur on Babylon 5. Someone
who does have the knowledge of Lyta's movements, and would know
how to kill the main lights in a section. This strongly
suggests Garibaldi, but might be Zack or another member of the
security staff. A trigger message is sent to Talia, who then
attempts to kill Lyta.
- As above, there is an additional mole on Babylon 5, but it is this individual who knows about Lyta's movements, knows how to short circuit the main lights, and attempts to kill Lyta. In this case, Talia is innocently caught up in the actions of another individual attempting to protect themselves. There is additional evidence that might be seen to support this (see below).
- Coincidence. Talia, under the control of the artificial
personality (AP), goes to hunt down
and kill Lyta while Ivanova is out getting some air. The fact
that Lyta was being transferred made the attempt much easier.
Killing the main lights is knowledge that Talia has but we
aren't shown. However, in
"A Spider in the Web,"
we are shown that Bureau 13 has cracked the station
computer's security, which presumably would allow Talia to
discover both Lyta's location and the time of the transfer.
- How does Talia know that Lyta Alexander is aboard Babylon 5? She may
have guessed indirectly from a conversation with Ivanova and done some
digging of her own, but Ivanova only asks if Talia knew Lyta - not
telling her that she was aboard. Alternatively, she learnt of this
through her PsiCorps contacts. Or Talia arranged (at the suggestion of
the submerged AP) for her quarters to be out of use so that she could
be closer to Ivanova. Once close enough, she could scan Ivanova and
learn about the cell group, also learning about Lyta at the same time.
When Talia wakes up (finding Ivanova gone) she has no gloves on.
Physical contact may be used to intensify mental contact, and Talia
might have done this while Ivanova was sleeping. Talia's new
personality indicates that there was an ulterior motive for
getting close to Ivanova.
- Garibaldi's flashbacks refer to
"Deathwalker,"
where Kosh uses a ViCaR (or VCR, an individual with an enhanced
photographic memory) to conduct a strange negotiation, with Talia
monitoring. A data crystal was also passed to Kosh from the ViCaR, and
Talia doesn't know what it contained. Kosh's comments seem to indicate
his awareness of Talia's AP and what will happen when it is activated.
So, has Kosh recorded a copy of Talia's personality onto a data
crystal? We have already seen that the Earth Alliance has the technology
to wipe a personality and build a new one
("The Quality of Mercy".)
Will this be a way for Sheridan to wipe out the AP and any knowledge
that PsiCorps might pick up from Talia? It may not be so easy (see
JMS Speaks).
- Garibaldi believed Lyta and her story. Considering how strongly this
goes against his previous behaviour, does he have an ulterior motive?
This may tie in with some of the speculation about Lyta's attempted
murder. See also the following two points.
- When Taro Isogi is killed by the modified Free Mars leader
("A Spider in the Web,")
Control identifies Talia Winters (who witnessed the murder) as
someone who should also be eliminated. Given that Lyta Alexander
referred to the (then unknown) sleeper agent as 'Control', can we draw
the conclusion that Talia was part of a Bureau 13 operation? Or are
there different sections of PsiCorps treading on each other's toes?
It seems unlikely that Talia ordered her own execution, especially if
Lyta is right about Control being programmed for self-preservation.
- Garibaldi's "faked" personality transition was taken by all the
others as being a joke in bad taste. But consider an alternative
explanation: Lyta stated that the AP would say or do anything to
protect itself, and Garibaldi was behaving out of character. He also
immediately turned everyone's attention to Ivanova. Talia was
caught unprepared for the sending of the password, but Garibaldi knew
that the password would be sent. Garibaldi knew, or could easily
have found out, when Lyta was slated to be moved, so could have pulled
the trigger. And he was ready to bring Talia into the conspiracy,
perhaps in order to expose it indirectly.
However, it is unlikely that two different sleepers would respond to the same password, and the events in the "flashforward" scene in "Babylon Squared" would suggest that Garibaldi's loyalty is not in question.
- Ivanova was also awake at the time, and unaccounted-for, making her
a suspect.
- How high up the chain of Psi-Corps command does this implanting go?
There is every indication the it's above Bester. Twice in the series
Bester has suspected and even accused Talia of conspiring against the
Corps. Why would he suspect or accuse her of this if he knew he had
an ally inside her brain?
- The Delenn/Sheridan relationship is growing stronger. Neither Delenn or
Sheridan are making a strong attempt to hide their growing trust and
respect for each other. After the events in
"Confessions and
Lamentations," Delenn has drawn emotional support from Sheridan.
Her growing affection for him is something that she clearly shows in
her face and actions while they are in the garden talking. Sheridan
also appears to be happy that he has someone who he can turn to who
will help him when all around is madness, and is wondering just where
all this is leading.
- The relationship between Talia and Ivanova is one that will attract
much debate.
At the start of the episode, it seems clear that they are just friends. Talia would not hesitate to impose on Ivanova's sleeping quarters if there were anything stronger.
During the episode, as Ivanova becomes more and more worried about revealing her (limited) telepathic ability, she relies on Talia during the expression of her feelings and doubts. There is an apparent emotional tension between them that might be interpreted as a "should I make the first move," or as Talia's giving support but hesitating to probe further, and Ivanova's "should I trust her, even though she's a telepath?"
When Talia wakes up in Ivanova's bed, finding her missing, it is tempting to jump to the "obvious" conclusion. However we know that Ivanova's quarters only has one cot (indicated in "The Long Dark" by Dr. Franklin.) Of course, Ivanova probably has a sofa/couch that might have been used.
When Ivanova has her final conversation with the dominated Talia, she indicates that it gave Talia the words that would get her close to all Ivanova knew. Just how much Talia knows about Ivanova is unclear, and we have no indication of just how close in addition to the emotional bond.
Had Ivanova and Talia had a physical relationship then Ivanova might have revealed her latent telepathy ("Do you know what its like when telepaths make love?" in "Mind War.") Since the alternate Talia didn't goad Ivanova about this, then either Ivanova maintained a block, or they didn't have a physical relationship.
- Ivanova's relationship with her mother is opened up further by her
revelation of being a latent telepath, although this is not explored
directly. Since Ivanova could initiate contact with her mother, she
could obtain a clear mental as well as physical picture of her mothers
deterioration under the PsiCorps telepathic suppression drugs. The
drugs would of course prevent any attempt at contact initiated by her
mother, and also of any blocking.
We now have a clearer understanding of how Ivanova developed her strong feelings against PsiCorps, and what she must have overcome in order to establish her friendship with Talia. This change in Talia (and the AP claiming to have directed the growth of their friendship) may have far reaching effects in her ability to trust again.
- Sheridan has now seen a part of his Kosh-induced dream
("All Alone in the
Night") come true. In the dream he saw Ivanova with a black raven
on her shoulder, and heard her say: "Do you know who I am?" At
what point will other parts of the dream come true? (If they
haven't already.)
- Why did Sheridan let Talia go so easily? He could have held her on
charges of shooting two security guards, if nothing else. Perhaps he
felt that doing so would draw too much attention to his covert
activities.
- Since a Ranger was involved in smuggling the data crystal to Lyta,
Garibaldi may have been warned of her arrival.
- Delenn appeared to be turning down closer relations with the Lumati (cf.
"Acts of Sacrifice")
when Lyta called. Why? (Maybe their method of closing treaties is
a bit closer than she'd prefer the relations to get.)
- JMS says (see
jms speaks)
that originally, Takashima
("The Gathering")
was going to be the plant, and that that
part of the storyline was transferred over to Talia with the cast
changes between pilot and series. The other events in "The Gathering,"
combined with some revelations from the comic series (cf. comic 8,
"Silent Enemies")
suggest some disturbing connections.
Psi Corps was working with Minbari dissidents to kill a Vorlon. The comic has also established a connection between Psi Corps and the Shadows, although this has not yet been seen on screen. If the comic is to be believed, there is a link through Psi Corps between the Shadows and elements of the Minbari warrior caste. The effects of that link on the coming war may be quite unfortunate for one side or the other.
Notes
- Zack is still wearing his "Nightwatch" armband ("In the Shadow of Z'ha'dum") and Garibaldi is a little bemused by it. Clearly he doesn't quite approve of the idea.
- The Pak'ma'ra have separate toilet facilities. Oddly, the warning sign next to the door is written, among other languages, in Vorlon! Or at least, in a script identical to that displayed by Kosh's ship in "Hunter, Prey."
- At least one of the fugitives in the sewers on Mars was clearly a ranger. The other may not necessarily have been. Lyta arrived in a shot-up ship and knows that two men died for the information. Obviously she has links with the rangers.
- Delenn lies yet again, and is caught immediately.
- When Delenn is dictating her response to the Lumati, the computer screen shows the text appearing (whether this is Lumati writing or Minbari isn't clear.) One odd thing about it is that it alternately flows in both directions, up and down, across the width of the screen from left to right.
- @@@862900923 Production gaffe: In the first live-action shot after the title sequence, as Sheridan enters the restroom, one of the production crew's hands (likely the director's) can be seen briefly at the bottom of the screen.
jms speaks
- "Divided Loyalties" will
produce a stunning revelation about one of our major characters.
- Pat is nothing less than terrific. If there was any sense of hesitation
in her appearance in "Divided Loyalties," it can be attributed to the
fact that she had just given birth to her son something like 4-6 weeks
prior, if that much, and this was pretty much her first day back in
the saddle.
- Does the comic series contain spoilers for the series?
There's only one case of this conflict, so if you want to avoid any spoilers, here's my recommendation: when the last issue of this current story arc comes out, resolving the Mars/Sinclair/Garibaldi thread, pick up that last issue and stick it in a bag until after the first new ep airs in October. THEN read it. You'll know it when you find it. - The impact of Talia's situation should be the same whether you saw
the comic or not. (And, remember, the idea was that the comic would
come out AFTER the remaining year 2 episodes, as a nice little
frisson, not as required data.)
- Re: things you don't expect to happen...that's kind of one
aspect I was after here. By way of comparison....
There's one great thing about The Shining, despite some other flaws in the film: they set up Scatman Cruthers (sp?) as the one guy who understands what's going on...he gets the Shining, he's a potentially heroic character, and when all hell breaks loose, he's the one to get into the snow plow, cross terrible weather, we're all sure he's going to get there and fight the menace... he overcomes weather and nonsense to get there... he blows through the front door, ready for action... and gets an axe in the middle of his chest and dies.
I *loved* that, and always kinda wanted to something of that nature, where you set someone up to be that kind of character, the future, whatever, then you yank it back and let the audience say, Oh, hell, NOW what?
- @@@846705133 "If Talia is 'the future' then why is she off the show?"
Because stuff happens. Because rocketry was the hope of the German Luftwaffe to win the war. Didn't work out that way. Just because a character says it, doesn't mean that it's guaranteed to happen at all times. A parent can look at a child and say, "He's our hope for the future," and the next day the kid gets turfed by a semi-truck. Stuff happens. Nothing is guaranteed in the B5 universe; any character -- ANY character -- is vulnerable. That, for me, is part of what's exciting.
- RE: Talia...look, you've kinda got to look at this the way I do.
Stuff happens. Yes, Talia was hoped for to be a key to the solution
of the problem. (Not the key, but a key.) But if you do that, every
single time, you become predictable. It means you, the audience,
can relax. "Well, we know now that Talia will always get through
this because she's the one they're hoping for." Suspense: gone.
Story: suddenly predictable. There's no rule that every person who
is hoped to help solve the problem in real life is gonna make it to
the end or BE that solution. So if you delete that person, now it's
"Oh, hell, NOW what're they gonna do?" which is more intrinsically
interesting to me than the other option.
Generally speaking, about once a year, toward the end of the year, I kinda look around at the characters with a loaded gun in my hand, and say, "Hmmm...if I take out *that* person, what happens? Is there anyone here I can afford to lose? Would it be more dramatically interesting to have this person alive, or dead? What is the absolute bare minimum of characters I need to get to the end of the story and achieve what I have to achieve?"
It helps to really remember that this is a *novel*, and uses the structure of a novel. That means you have to have some real suprises as you go. Anyone is fair game. To the question "Why did you get rid of Sinclair? Why'd you get rid of [spoiler removed]? Why'd you get rid of Talia? Why'd you get rid of....oh, er, that hasn't happened yet...." there is only one answer: 'cause I felt like it, and 'cause I thought it'd make the story a lot more interesting.
The stories I like best are the ones that ratchet up the tension and the uncertainty inch by inch until you're screaming. This could apply to any of Stephen King's novels (and recall that a lot of my background is in horror writing). Mother Abigail in THE STAND was supposed to be their hope for the future. So in short order she's vulture-food, JUST when she's most needed. *Because that's interesting*. It makes you say, "Oh, hell, NOW what?" (Stephen actually does that a lot in his books, and it's a technique I've learned as well.) Boromir in LoTR was a capable, skilled fighter, deemed absolutely essential to the Company of the Ring...oops, there he is by the tree, full of Orc arrows.
Stuff happens.
Same here.
- One other thought on Talia...one of the motifes we've played
with from the start was always showing Talia in mirrors...in Race,
in Z'ha'dum and others...always showing the reflection, her opposite,
just to set stuff up on an emotional/symbological level.
- @@@833442154 The Talia situation likely could've been finessed more
smoothly than it was, no mistake. Sometimes there are going to be
ragged spots. It's going to happen.
Here's the best comparison to what my position is with this show: Harlan Ellison has, on occasion, done this routine where he'll go into a bookstore and write a story in full view of everyone. As each page is finished, it's taped to the wall unti it's done. This is considered a pretty nifty trick, sustained over maybe 15-20 pages.
That's pretty much what I'm doing here. It's an ongoing story. I can't go back, I can only go forward. As each page (episode) is finished, it's put up on the wall, and I have to go on to the next one. So far I've written 2,400 pages on that wall. Again, I can't go back and change anything, and if there's a bump caused by a real world incident, it simply has to be accommodated as best I can while still going where I have to go.
From time to time, there's going to be a misstroke on the keyboard, or there's going to be a typo that I'll miss. That's inevitable when you're out performing in front of a massive crowd on the high wire without a net. As long as the totality of it all hangs together, as long as the story is told, the trick finally done...then that's what fundamentally matters.
That this happens on occasion should be obvious; that it happens as rarely as it does is the point of wonderment, I think. Remember, it's all trial and error, because no one's ever done this before. And right about now I understand why. But we're making it work.
- @@@846705133 Andrea Thompson has said in interviews that she felt
Talia got short shrift.
There are a number of actors who feel that if they're in a story then they should be at the *center* of the story. Andrea seemed to feel that if she was in an episode, the episode should be about her character, and was consistently lobbying for this, despite the fact that it would cut into the arc, and time for the other characters on-screen. Babylon 5 is an ensemble show; time on screen is determined by the story, not by whim or personal insistence.Yes, we used her 8 or 9 times in a given season; but by contract, we paid her for a full 13 episodes, whether she appeared in them or not. We were never under any obligation to give her *any* guarantee; we did so to make her feel comfortable taking on the job. For the first year he was on the show Jeff Conaway didn't have a guarantee of episodes; he was used as he was needed, and that grew with time. Andrea wanted time away from the show to do other projects; we accommodated where we could, as we do with all our cast members, but if a request comes in at the last moment, or conflicts with our schedule, we can't comply. We feel that if we're paying someone a great sum of money to be available to us, for episodes they may not even appear in, this is not unreasonable.
Finally, it was never Warner Bros. who hired her or pushed her on me. WB didn't care one way or another. I was the one who hired her, with Doug Netter. If I hadn't felt she was right for the role, I wouldn't have hired her. But I was also under no constraint to make the show into the Andrea Thompson Show. Andreas and Peter have often appeared as many times in a season as Andrea, and didn't even *have* a guarantee for the first two seasons. (Now they do.)
We did what we could to accommodate her without destroying the story arc. I regret that she has taken out her frustrations in this way. Either one is a team player, part of an ensemble, or one is not. We are very proud of the fact that the cast members as they stand now are all ensemble, team players.
- In the B5 universe, as a general rule of thumb, people don't just
come back after something like this. "Talia" has been destroyed
permanently; that's what it said in the episode, and that's the way
it'll stay.
- What was the password? I'm hideously tempted to say, "Z'ha'dum."
- One thing you have to remember is that while Talia is in the opening
credits, to Psi Corps she's just one more of many programmed
individuals in various places. The character in "Spider" was a highly
valued infiltration unit, with very expensive "parts." Of the two,
Talia would've been far more expendable.
And I don't recall that Control actually issued any death order; it was the Psi Corps/B13 in any event.
- @@@846705133 Was Garibaldi at Lyta's ship because the Rangers told
him she was coming?
No, Garibaldi was there because the ship's ID# didn't check out, as he stated, and it could've been in the process of smuggling or who knows what. - Absolutely *nothing* from prior seasons/episodes has been discarded.
So if that's your concern...don't worry about it.
In very tense situations, some people feel compelled to somehow break the tension. Hence, that sequence. [Garibaldi's "gotcha"]
- The problem in trying to keep something mysterious and
vague is that sometimes you can outsmart yourself, and get
confusing. The *theory* is that there was the Bureau as Control
overall back on Earth; and a minor Control figure on B5. And
Controls are always referred to as "he"regardless of the facts
to avoid giving any means of identification to anoutsider based
on gender.
So it would be
BUREAU CONTROL ----------------------|--------------------- | | | Earthdome Control B5 Control Minipax Control(That's a breakdown using artificial and not necessarily correct elements, just for illustration.)
It is, however, a confusing bit of terminology, so it's been amended subsequently.
- @@@846705133 Up until the coup, was the EA government pretty
good?
The EA was fairly easy going, but remember that people are used to a heavy governmental hand during the Earth/Minbari War. It's in a way similar to the situation we had post WW2; the only way we could make it past that war and survive was through strict discipline, following orders, going along with rationing, conserving, everything. And it was that positive attitude that those who came later would exploit in the McCarthy/Red Scare 1950s, and hit us sideways in the 60s. - If Talia was Control in "Spider in the Web," why would she order
herself eliminated?
My sense was that the Control part, which sometimes moved at night, reported that the mission could be jeapordized. Then B13 gave the order to eliminate. Nowhere does it say that Control said the second half of the sentence. - @@@846705133 Control was referred to as "he."
You always refer to agents in the single "he" form to avoid giving away identities.That's my story and I'm sticking to it.
- Was the hand that fired the PPG a left or a right hand?
I don't remember offhand; I'll have to check the tape. (I have a vague memory that it was a right hand originally, flopped to shoot in the other direction.) - Not that it just looked better per se, but the gunshots came from
right to left; the gun hand as originally shot fired from left to right.
It looked very funky when edited together, like it was going in a
different direction than the one it was fired in. Flopping the shot
corrected that.
- Yeah, I wouldn't waste much time on the gun-hand, frankly.
- About "The Quality of Mercy"
Yes, part of the reason for the episode was to set up the notion of an implanted personality as acheivable tech. - Couldn't Ironheart have removed Control? Was Talia the original
personality?
Control was the construct. The alternate personality was dormant at the time Ironheart was there. - Remember that Ironheart was not seeing Talia under the best of
conditions...he was fighting hard NOT to use his abilities, for any
reason, because it created mindquakes...he was pulling everything IN.
And later he was shot, also not a good position.
- Does Psi Corps have Talia's gift now? Isn't that a problem?
Logically, yes, that would eventually pose a problem. - Was the new personality formed by modifying Talia's, or was it
created from scratch?
I'd rather let this aspect slide for the moment. - Remember, the *conscious* Talia did none of those things; she would
never dream of scanning without permission. (And in Ivanova's case,
remember that she said she knows *instantly* if she's being scanned.
Note her strong reaction in "Eyes" when it happens.)
- Talia v 1.0 would not have violated Ivanova's privacy during any kind
of intimacy, as that would violate her profoundly; you can hold back,
and Talia would have, and Ivanova would've sensed if she had tried it.
The theory on telepaths making love is that they both willingly drop
the blocks they normally keep in place.
- The real Talia was becoming more and more disenchanted with PC, and
this was in time going to pull her into resistance activities, which
Talia v2.0 would only be *thrilled* about. The self-protection
mechanism only kicks in when the personality's existence is threatened.
- Why did they kick Talia off the station?
Because the longer she was there, the more she'd discover (was about to enter into Sheridan's cell group in fact), and the more damage she'd be able to do. - Oh, to be sure, they'd have preferred to have Talia accidentally fall
out an airlock rather than turn her over to the Corps...but that's cold
blooded murder, and if they go that route, then there's no difference
between them and their opposite number.
- @@@846705133 . . . Re: Talia...it's okay to be pissed about
that; it was intended to have that reaction. Things *should*
get us annoyed when Psi Corps pulls a stunt like that. And we
haven't heard the last of what happened to Talia, btw. That's
the B5 universe for you....
- Did Lyta sense Ivanova's talent?
A non-telepath can learn certain tricks to make it harder to break through, albeit briefly, so the reaction was sufficiently ambiguous and the event sufficiently brief that it wouldn't raise too many concerns. Which is why Sheridan dived in when he did; if she'd continue to block much longer, just instinctively, it would've revealed her latent potential. It was his distracting Ivanova that in a sense helped Lyta break through. - Could Ivanova sense when someone else was being scanned?
No, that she wouldn't really be capable of doing at her present level. - Of *course* the telepath issue will have to be dealt with; this is a
logical progression of the story, no?
- Was a kiss between Ivanova and Talia edited out?
Nope, no such scene was cut. It's just a slightly awkward match in the edited shots. - No, nothing was cut; we had a matching problem at one point in the edit,
where Andrea reached with her left hand in one angle, and didn't reach
out with the other, and we had to come around for the shot on Ivanova,
so it looked a tick off. But nothing was cut.
- @@@846705133 Film is shot on the stage, then transferred to video,
which is then digitized onto the Avid computer editing system, which
holds every take of every scene. A scene is shot many times from
various angles: wide master shot, three-shots (3 people), two-shots,
singles, raking twos, close ups, medium shots, extreme closeups and
sometimes downshots (as well as CGI and composite shots).
John Copeland and I then go in and work on the version of the episode edited by the director to do the producer's cut. We sit down with the editor, and go scene by scene. The usual construction is as follows: you get a wide master shot so we know the geography, where we are, and where everyone is in relation to that. Gradually you go closer, into threes or twos, then singles or closeups for dramatic emphasis, coming out into the master from time to time when someone has to move, or to break the sense of claustrophobia.
When you get in close, you have over-the-shoulder shots, meaning you're shothe same thing in reverse, so you see both sides of the conversation. You do these one at a time, for lighting purposes; you light one side of the room for the scenes looking left-right, then move the camera and the lighting around for the scenes when you're on the right side looking left (or, phrased differently, you light for Susan looking at Talia, then Talia looking at Susan). The actors then do the scene again, with the camera on the other side.
The actor has to be very careful to always repeat each movement exactly; if he picks up a teacup on th word "quibble," he has to make absolutely sure he picks up the cup on exactly that same word, every time, in every take, in the same way, in the correct hand. If the actor slips (and this sometimes happens), when you go to show tther side of the scene, you suddenly find you have a matching problem; in the shot over Talia's shoulder to Susan, the actor raised a hand; in the shot over Susan's shoulder to Talia, the actor (generic term that includes women) *didn't* raise a hand. So when you edit the two, you have a matching problem. You can sometimes avoid this by just staying on one side of the shot, but then you can't get the other character's on-face reaction to what's being said. And in that scene in particular, we *needed* to see both sides.
- We will see Lyta again.
RE: alternate lifestyles...I said when stuff happened, we wouldn't make a big deal out of it, it'd just be there...and I said we'd address it in our own way, in our own time. We've done a bit here, we'll do a bit more down the road. I won't give you or anyone a timetable; I'll do stuff as the integrity of the story permits, not sooner, not later. I will not allow this to become a political football. If you do nothing, folks yell at you for ignoring it; if you do a little, they yell for not doing more; if you do more, they yell for not doing it sooner. Screw it. I do what the story calls for, as the story calls for it.
- @@@846737775 Susan and Talia had been dancing around one another
for months; that night, though, would've been the first time they got
physically intimate.
- See, here's where I start to have a problem. For starters, I don't do
any thing to be politically correct, or politically incorrect, I do
what I do in any story because that's what the story points me
toward. Anybody who says "It's not necessary" isn't entitled to that
judgement, frankly; you don't know what's necessary to the story. And
by framing it in the "is this NECESSARY?" way is designed to make you
defend your position when such defense isn't the point; is it
NECESSARY to have humor? to have a romance? to have correct science?
No, *nothing* is NECESSARY. It's what the writer feels is right for
that scene, that story, that character.
"Oh, well, I saw it, but was all that violence NECESSARY?" This is, frankly, a BS observation usually offered by someone with an agenda, who wishes to invalidate the notion of an artistic view and impose some kind of quota, or objective criterion to what is and isn't necessary for a movie or film. As far as I'm concerned, the first person to throw this into a discussion has, frankly, just lost the argument.
Point the second: one of the most consistent comments I get, in email and regular mail, is the spirituality conveyed in the show, that we have shown, and will continue to show, tolerance toward religion, even created sympathetic religious characters. "Thank you for your tolerance," they say...until we show somebody or some action THEY don't like...and at that point suddenly it's a lot of tsk-tsking and chest thumping and disapproval; so okay, how about I just stop all positive religious aspects of the show?
It seems to me, that if I do *all that* with religion, and with thje (the) simple act of showing maybe ONE PERSON in all the long history of TV science fiction across 40 years has a different view of life, that the show is somehow degraded, or downgraded, or dropped in opinion...this simply reinforces the notion, held by many, that a lot of folks in the religious right wish to make sure no other perspective or lifestyle is ever shown on television, at any time, unless in a negative fashion.
The thing of it is, while on the one hand I'm getting praise from religious folks for addressing spirituality in my series (speaking here as an atheist), I've gotten flack from others who think it has no place in a SCIENCE fiction series, and why the hell am I putting something in that goes right against my own beliefs? "Because," I tell them, "this show is not about reflecting my beliefs, or yours, or somebody else's, it's about telling this story, about these people, with as much honesty and integrity as I can summon up. That means conceding the fact that religious people are going to be around 260 years from now." Well, fact is, all kinds of people are going to be around 260 years from now. And what did the anti-religion folks say specifically about including spirituality in my series? "It's not *necessary*," they said.
Translation: they didn't like it. Well, tough. It was right for this story, and this show. And it seems to me rather hypocritical for some folks, who applaud the show for tolerance, for my standing up to those who want to exclude religion from TV, to then turn around and say the show is diminished because it showed that same tolerance...to another group or perspective. I guess tolerance is only okay as long as it's pointed one way.
You say that as a christian, you think any sex except that between a husband and a wife to be wrong. Well, as I recall, the bible also speaks against murder. We've depicted deaths by the hundreds of thousands. (And we're talking here about the *depicting* of the act, simply showing it, not the value judgements made after the fact.) Why does the one (which is so barely hinted at as to be almost invisible) cause the show to be diminished where the other does not?
My job is not to reinforce your personal political, social or religious beliefs. My job is not to reinforce MY personal political, social or religious beliefs. Then it isn't art or storytelling anymore, it's simply propaganda. My job is to tell this story, about these people, AS people, as mixed and varied as they are today. And there is no outside objective criteria as to what is, or isn't *necessary* in a story; that is the sole province of the author. You may or may not like it. You may or may not choose to watch it. Just as people who don't like to see religion and god discussed on TV may dislike it or choose not to watch it.
But you'll excuse me if I see complaints about this one little thing from the religious side, after all I've done to present religious characters and the religious life in a positive fashion, to be hypocritical and frankly somewhat ungrateful. It's as though all this means nothing because of one thing, one outside-imposed litmus test that disregards anything and everything else that has been done.
So straight up...if I should stop tolerating or showing viewpoints that are not my own (spoken as someone who is absolutely straight), then should I now stop showing religion as well? Because that's what this comes down to. Is that what you want? Because religion is included at my discretion as well as anything else on this show. You want me to be less tolerant? Just say the word.
- Ken: yes, showing does not mean endorsing, showing just means saying
"this is here," not to make an issue of it. If I'm going to start
endorsing ANYbody's POV around here, it's going to be mine, and I think
we all know how dreadful THAT would be.
As for "including controversy rather than skirting it," this is more or less the point. The goal here is to not have our characters or our show make *value judgments* about what our characters do, because then you're hitting the audience over the head with the MESSAGE. "Believers" is a good example of that; some came away using parts of that to argue pro and anti interference in medical situations; ditto for "Confessions" which hit squarely on BOTH sides of the issue (no, you can't blame morality for disease...but then, we had our characters openly requiring blood testing, which annoys many on the other side of the issue)....my sense is that our audience is smart enough to take the elements we present them with, and discuss them, and come to their own conclusions and draw their own meanings from them. It's the part of objecting to even *presenting* the situation that seems to me a marginal position at best.
- @@@840398921 They weren't shown in separate beds. We saw Talia
reaching over to the empty space in the bed where Ivanova had been, and
finding her gone.
- I didn't show a kiss because, in my experience, it's easier on all
around if one steps into the shallow end of the pool first, and walks
into the deep end rather than diving in and splashing everybody in the
process.
- @@@840399020 Wouldn't Talia have discovered Ivanova's secret if
they were intimate?
Well, a telepath can also hold it back and avoid dipping any further into someone's mind, if not permitted or asked not to do so. - As for Ivanova...remember that the core of good drama is conflict. So
here we have a situation where a possible romantic involvement is
shaping up for her in year three. It shouldn't be made too easy. So
you create a situation that really hurts her deeply; she made a
difficult step, got over her distance, opened herself up, became
vulnerable...and got hurt very badly as a result. The same thing that
happened in first season, when her old flame was discovered to be a
big guy with Home Guard.
You now have someone who's freshly hurt, who is going to be unwilling or slow to open up again, who's now experienced every kind of relationship and NONE of them have worked...in short, she's one exposed nerve ending, perfect for someone now to come in who may be right, but for whom she has little time, and is disposed not to get involved.
Sounds a lot like my own dating history...keep them razor blades and salt sprays a'comin.....
- No, the Ivanova revelation in "Loyalties" has nothing to do with
replacing Talia; that is a moot point in many ways, since Lyta is back,
and since other things happen which take that issue off the table in
any event.
- Didn't say Talia WAS a psi-cop, Talia said she *interned with* the
PsiCops. Bear in mind that you're going to need support staff, lower
level liaisons, and a bunch of other positions as well as the actual
cops. JMS has names confused; Lyta interned with the PsiCops.
- Did Bester try to befriend Talia because she was Control? (cf.
"A Race Through Dark Places")
You're assuming Bester knows everything. Also, Bester's interest may have been more...carnal than PsiCorp oriented. - If Laurel Takashima had stayed with the crew and shot Garibaldi
in "Chrysalis," would she have been Control?
Yes, Laurel would've been Control. - Mike: your assessment is pretty much correct. Laurel was to be the
traitor initially; as I noted long, long time ago, and you quoted, she
was not, in fact, acting entirely under her own volition. There would
indeed have been an implanted personality there, acting without even
her knowing about it. And it would've been this implanted personality
that would've shot Garibaldi.
When I took Laurel off the board, elements of this were transferred to other characters. This is the kind of thing I mean when I say that even with changes here and there, the story continues to go where I want it to go. We don't necessarily remember *which* general put the briefcase with a bomb next to Hitler's chair in the bunker, only that it got done. Some chairs are moveable, some are not, as anyone who's ever written a novel from an outline can tell you...you start moving the chairs around, but you always keep going where you're going.
- Yeah, originally it was the Kosh-scan that would've gotten Lyta in
trouble; the TK aspect was originally going to come in from another
angle, but I was able to collapse the two in Talia, and then bring Lyta
in from a different direction, as you'll see in one of the first batch
of new year 3 eps.
- If Laurel *had* stayed with the show, by the middle of
year two the fact that she was Control would've been revealed
via the password incident. At that point, one particular
possibility was that her second in command under her -- a
rather dour Russian lieutenant named Ivanova -- would've been
promoted to take her place, while Laurel was moved off the
chessboard. (This was planned because we knew going in that
Tamlyn Tomita had a growing film career, and we probably
could've only kept her for a couple of years in the best of
circumstances. So why not turn that to your advantage?)
The position now being occupied by Corwin, Ivanova's second, is the position that Ivanova would've held (though more prominently) if Laurel had stayed on. (And no, Corwin doesn't now have that arc lurking in the background.)
See, it's easy to stick to an outline and never diverge if you're writing characters in a novel; in a TV show, with live actors, you have to be flexible, plan ahead, come up with contingency plans, and have threads that weave and interlock in ways to leave you maximum flexibility while still proceeding toward your destination.
- Takashima would have been the one to be Control. A Psi
Corps plant. (Her background on Mars would've been the perfect time
for it to have happened.) When Laurel went away, I took that one
thread and passed it along to Talia, setting it up as early as the very
first episode, when Talia and Ivanova first meet, and later reluctantly
have a drink.
At one point, Ivanova says to Talia, referencing Ivanova's mother, "You're as much of a victim as she was." To which Talia replies, "I don't feel like a victim." And, of course, that's exactly what she was, though she didn't know it yet. Ivanova's analysis was 100% correct.
Divided Loyalties
Synopsis by Matthew Murray (mmurray@wsu.edu)
Delenn and Sheridan meet each other at a Universe Today vending
machine. Sheridan expresses surprise that Delenn reads the paper; she
explains that, after her previous encounter with Earth's reporters, she
thought she should be better prepared and that, on Minbar, one is told
only about what one needs to know, and no more. Sheridan recycles the
copy of the paper he has and orders a new one. Delenn does the same,
but is informed by the machine that "Eye on Minbari" cannot be inserted
into her paper. Slightly embarrassed, she explains that
it is a good idea to keep track of what the humans are saying about the
Minbari, and a good way to learn things about the Minbari that she
isn't told about.
A wounded man rushes through the sewers of the Mars Colony, where he meets up with a Ranger. Just before the man dies, he hands the Ranger a data crystal. "Take it to Babylon 5. Tell them... tell them it's not safe." The Ranger takes the data crystal and escapes back into the sewers, just as the people pursuing them catch up.
Captain Sheridan and Garibaldi meet in the bathroom and begin a conversation. After making sure it is clear, Garibaldi activates a bug-jamming device and asks Sheridan if he gave any more thought to the idea of bringing Talia in on their conspiracy. Sheridan agrees to the idea, and they make plans to tell her in a few days.
Talia and Ivanova are eating, musing over their new friendship. Each blames the other for the difficulties in achieving the friendship, but their conversation is interrupted by a call from C&C for Ivanova telling her that a ship arrived through the jumpgate, and has done nothing since its arrival. Ivanova goes to C&C to investigate. As she leaves, Talia tells her that, due to a problem in her air recycling system, she needs to find a place to stay for a few days. Ivanova offers her quarters.
Ivanova determines that the ship was hit, and tries to contact the
ship. There's no response from the one lifeform on board.
She orders the ship brought aboard the station.
Dr. Franklin arrives at the ship and meets with Garibaldi, who says the
ship's serial number is faked, and that he doesn't want to report
anything until he finds out what's onboard. Dr. Franklin's aide
tells him that they found one human female aboard, unconscious, but
alive. They wheel her out, but Garibaldi recognizes her.
Garibaldi tells Sheridan that the woman, Lyta Alexander, was Babylon
5's first commercial telepath, though she lasted only a few weeks. She
scanned Kosh after the assassination attempt and discovered that Kosh
saw Commander Sinclair as the murderer, which nearly ruined Sinclair's career,
though he was later proved innocent. Garibaldi explains that she and
Dr. Benjamin Kyle, who operated on Kosh, were recalled back to Earth,
and Lyta was never the same after the scan.
In medlab, Lyta wakes up, and grabs a
piece of medical equipment. Holding Franklin at bay, she
demands to see Captain Sheridan and the rest of the command staff, and
to not be left alone with anyone. Franklin asks why, and she explains
that one of the people on Babylon 5 is a traitor, and says she can
prove it.
Lyta appears before Sheridan, Ivanova, Garibaldi, and Franklin and
tells them that Babylon 5 has a great importance to a lot of people,
and that she has to come back to warn them. She explains that the
authorities on Earth didn't believe that she didn't see what Kosh
looked like, and that their scans revealed nothing -- she retained only a
feeling, an intense belief that she had to get to Vorlon space. She
recently escaped from the Psi Corps. While
she was on Mars, she got involved in the revolutionary movement and
hired herself out as a telepath. One of the underground's agents was murdered
after he found out about a secret sleeper operation, which would
implant a new personality, suited to Psi-Corps' needs, into one's
subconscious. When a special password is sent, via telepathy, to a
person inhabited by a sleeper program, the implanted personality takes
over completely. Thus, it is possible for someone to carry the program
and not know it. Lyta learned that such "moles" were implanted in
several government agencies, including Babylon 5, although she doesn't
know who the one on the station is. The codename of the mole is Control,
and the underground suspects
he or she is in the command staff. Ivanova doubts this at first, but Lyta
insists she has the password and can send it to activate the sleeper
program. Sheridan promises they will discuss it, but Lyta warns him to
not wait too long because the personality would attempt to destroy
anything it perceives as a threat. She warns them to be on the
lookout, and that she can't be alone, because she won't be safe. She
is taken to a security cell.
Delenn and Sheridan meet, and she asks him to meet her tomorrow to talk
about the food shipments to Narn. He seems distracted, and she asks
him what's wrong, but he initially doesn't want to talk about it. He
relents and explains that he feels bad because things had been going
well, but have taken a turn for the worse. They continue their
conversation, and Delenn is slowly able to cheer Sheridan up. She
tells him that, when one is in a bad mood, one merely needs to wait.
He finds her holding his hand when Garibaldi calls informing him
that the background check has been completed. Sheridan and Delenn part
hastily.
Garibaldi tells Sheridan that, as far as he can tell, Lyta is correct in all that she said. Sheridan warns Garibaldi not to trust her, but Garibaldi says it is a gut feeling of his that she is telling the truth. Sheridan suggests that Garibaldi's aide may have been the mole, but there is no proof either way. Sheridan says that he wants to think about it overnight before making a decision. Garibaldi asks if Ivanova has come around, and Sheridan tells him that she hasn't.
Ivanova is working out her anger slamming cupboards in her kitchen when Talia comes in. Ivanova fixes some tea for them and asks Talia about Lyta. Talia tells her that they spent part of their early careers in intern programs. Ivanova asks if she feels that Lyta could be trusted, and Talia says that she thinks she can. Ivanova also asks where Lyta interned, and Talia tells her that she interned with the Psi Cops before becoming a commercial telepath. Ivanova tells Talia that she doesn't know who she can trust, and Talia agrees, saying that she feels that she can only really trust Ivanova.
Zack Allen enters Garibaldi's office and Garibaldi tells him to move Lyta to a more comfortable holding area, since she may be there for a while. As Zack leaves, Garibaldi asks about the Nightwatch armband Zack still wears. Zack says he feels it's easy money.
Talia wakes up and feels around in the bed next to her. There is no
one there, and she sits up with a start. Meanwhile, two officers
arrive in Lyta's cell and tell her that they were sent to transfer
her. They leave the cell, but on the way, they are assaulted by PPG
fire, which takes down both of the security guards. Lyta grabs a
PPG and returns fire at the assailant before running off. Though
other guards search for her, they are unable to find her.
Sheridan can't believe that she hasn't been located, or even that the attack happened, because he had almost believed she was wrong. Sheridan doesn't understand who could have done it, since very few people knew Lyta was there, but Garibaldi reminds him that the sleeper personality was probably responsible. He orders Lyta put under protective custody, and tells Ivanova and Garibaldi that he wants to let her send the scan. Ivanova is obstinate, but Sheridan says that, under the current circumstances, if they don't know who they can trust and who they can't, they won't be able to function properly.
Delenn is in her quarters composing a letter regarding trade relations with the Lumati when she receives a call from Lyta. Lyta asks Delenn to meet her in Brown 3 in an hour.
Talia arrives at Ivanova's quarters to tell her that the air recycling system has been fixed, so she'll be returning to her own quarters. Talia asks her if everything is all right, and Ivanova says she doesn't want to talk about it. Talia asks where she went the night before, and though Talia offers help yet again, Ivanova refusts it, saying that her secrets might soon come to the surface and haunt her. "After you tell someone that you've been lying to them for years, maybe even putting them in jeopardy, how are you supposed to look them in the face again?" Talia tells Ivanova that there are people around who care, though Ivanova still has doubts. Talia reminds Ivanova that she is there for her.
Delenn meets up with Sheridan in a corridor and tells him that she received a message from Lyta. Sheridan asks where she is, but Delenn promised not to tell anyone. Lyta will return, Delenn says, but only if everyone is present. Sheridan tells Delenn to tell Lyta that he agrees to her conditions.
Sheridan returns to his quarters and finds Ivanova waiting for him.
She is very troubled and tells Sheridan that she thought she was
ready. She tells him that she can't allow any telepath into her mind
ever. Sheridan tries to tell her that he understands, but she knows
he doesn't. "I've told you that my mother was a telepath, and that
since I was born she could slip into my thoughts in a way that I could
never even describe to you. But what I didn't tell you was that I
learned how to keep her out when I wanted to, and that once in a while,
I was the one that touched her mind. I'm a latent telepath."
"Susan, why didn't you tell me this before? I thought we could trust each other."
"It's got nothing to do with trust. I've spent my entire life hiding this, Captain. It's not something you can just change overnight. It's hard enough telling you this now."
"You're right. I'm sorry."
"For as long as I can remember, my mother drilled three words into my head: 'Tell no one.' She taught me how to fool the tests given in school, transferred me from one school to another, always staying one step ahead of the Psi Corps. I'm probably not even a P1--I've never been able to read anyone except my mother. I can pick up on feelings sometimes, I can block a casual scan, and I know instantly if someone's doing it. Nothing more. But that's enough for the Psi Corps to come pull you in!"
Sheridan tries to convince her that Lyta is not involved, though she is hardly convinced. He says that he believes Garibaldi, especially since he so rarely trusts anyone. Ivanova thanks Sheridan. "It's all this nonsense lately... some days, I don't even know who I am any more," she tells him. As she says that, Sheridan remembers the dream he had a few months earlier (cf. "All Alone in the Night.") As he starts to explain, he receives a message from C&C saying that Delenn has sent him a message: "Now."
Delenn brings Lyta to Sheridan's office. Sheridan tells Lyta that he agrees to let her send the password into the command staff of Babylon 5. She sends the password to Sheridan, but nothing happens. She follows up with Franklin and Garibaldi. Garibaldi frightens everyone by pretending that the password was a success. Though Garibaldi suggests they move on to Ivanova, Sheridan tells him that they will wait for now, as they have many other people to check. One by one, they bring the command staff into Sheridan's office, where Lyta, quietly in the background, sends the password to each. None of them possess the program.
After they've scanned all the EarthForce officers aboard Babylon 5,
Lyta is very discouraged that they haven't found anything and begins
turning her frustration on the troubled Ivanova. Franklin tries to
convince her that Lyta isn't implying anything, but Lyta isn't so sure,
and demands to know what Ivanova is hiding. Sheridan breaks through the
tension and tells them that this is what Psi Corps wants. Seeing no other
option, Ivanova agrees to have the password sent. Lyta tries to send
the password, but is unable to get through. "She's blocking me," she
announces. Ivanova drops her defenses and the password is sent, but
Ivanova isn't implanted with the program either. Lyta tries to
apologize to Ivanova.
"Go to hell," Ivanova responds.
Talia enters and says she's been looking for Captain Sheridan.
As she comes in, Lyta stares at her intently and sends the password.
Talia falls back and steals Garibaldi's PPG, firing at Sheridan, though
he is able to move out of the way in time. Garibaldi grabs the PPG
away from her and drags her out of the room as Sheridan orders her
under house arrest. But she doesn't go away quietly. "You blew my
cover! You're dead! Do you hear me? You're dead! The Corps is
mother, the Corps is father! You're dead, Lyta Alexander! We'll find
you! The Corps will find you!"
Garibaldi can't believe that Talia could be the one. Sheridan says that it isn't her fault, and that she's been carrying the sleeper program around for years without knowing it. Their more immediate concern is how much Talia knows. She knows about the underground railroad, but they aren't sure about how much more. Franklin will be protected by the Psi Corps' desire to keep its squelching of the railroad a secret. In addition, Franklin and the others know about the sleeper program, which Psi Corps definitely wants kept secret. Garibaldi realizes that Talia knew a lot, and if Lyta hadn't come aboard, they would have told Talia about their conspiracy. Sheridan asks if there is anything they can use to defend themselves with, and Garibaldi thinks he might have an idea: When Talia mediated for Kosh and Abbut (cf. "Deathwalker,") Kosh was given a data crystal which he claimed contained "Terror. Surprise. Reflection. For the future." Garibaldi says he will have to check on it a little more before he can be sure.
Ivanova goes to "Talia" and says that she wanted to see her before she left. She doesn't blame "Talia", but hopes that some part of her will hear her. "Talia" says that the program was complete, and that the old Talia no longer exists. "Talia" explains to Ivanova the role she played inside Talia's head, whispering instructions to her while she slept. Ivanova believed everything, all the words that were meant to get Talia close to Ivanova and what she knew.
"You're right," Ivanova tells her. "The Talia I knew is dead." She leaves.
Lyta, wearing a gas mask, enters the alien sector and goes to see
Kosh. "I'm back," she says to him. "I can't stay. The Captain's made
sure I can get away before the Psi Cops get here, but... I had to see
you again, before my ship leaves. I never told them. I never told
anyone. I hid it all away in the smallest, tiniest corner of my mind.
They could have killed me and they still wouldn't have found it. Only
at night, alone, would I open that small door in my mind where I kept
the memory of you, and listen to your voice. Listen to you sing me to
sleep. I hope I can come back again, but I don't know. Until then,
Kosh, I want to see you again, just one more time." The head of Kosh's
encounter suit opens, there's a sound like giant wings unfurling,
and a brilliant light streams over Lyta as she gazes, one more time,
upon the being within.
Duck Dodgers
Overview
Dodgers undertakes a perilous journey to Planet X, where a powerful alien force awaits. Daffy Duck as Duck Dodgers.
Sub-genre: Intrigue G5 rating: Second-favorite thing in the universe Original air year: 1953 Story by Michael Maltese Directed by Chuck Jones
Backplot
- Shaving cream is made using Alludium Phosdex.
- Earth has used up valuable natural resources and must look elsewhere in the universe for certain mineral needs.
Unanswered Questions
- How are people able to breathe at an altitude of approximately 32 miles (17,000 stories)?
- How did Marvin Martian manage to land on Planet X immediately after Dodgers did? Has Mars run out of Alludium Phosdex as well?
- What biological function is responsible for the glow emanated by Dodgers when he shouts out his name?
- Are Duck Dodgers and the infamous Sinclair's Duck one and the same?
- Was the actual matter of Planet X destroyed, or was its mineral content dispersed throughout the galaxy, where it might be found at some future date?
- How do Duck Dodgers, Porky, and Marvin, ever leave the remains of the planet?
Analysis
- When Dodgers falls several stories during the first act, he suffers only minor injuries. Perhaps Dodgers, by being DUCK DODGERS IN THE 24-1/2TH CENTURY, has powers greater than the average mortal. Further evidence corroborates this when it is considered that Dodgers survives several lethal blasts, including one that decimates an entire planet.
- Marvin Martian's ship, the "Martian Maggot" looks suspiciously like a Vorlon cruiser. And yet, Ambassador Kosh is suspected to actually be Duck Dodgers. So perhaps The Martian Maggot was actually stolen Vorlon technology.
- Duck Dodgers, representing the Earth Alliance, and Marvin Martian, representing Mars, do seem to share a great deal of technology. (Both sides use machines with brand names such as "A-1" and "Acme" and have similarly designed secret weapons.) It is thus logical that this storyline takes place after "A Voice in the Wilderness," in which the Mars colony secedes from Earth. However, this conflicts with the timeline in "Midnight on the Firing Line" in which Garibaldi and Delenn view this episode, several episodes before the revolution on Mars. Perhaps they just weren't paying attention to the signs and portents of an upcoming Mars revolution.
- JMS has stated that there is no Trek-like "transporter" technology in the B5 universe; however, Dodgers uses the Evaporator to transport himself to the airport. This may be an inconsistency in the B5 setting.
- It is reasonable to assume that the "unknown" area displayed by Dr. I.Q. Hi is equivalent to "the rim" (of known space) that the Icarus had been exploring when Sheridan's wife dissapeared (c.f. "In the Shadow of Z'ha'dum"). Could Planet X be near Z'ha'dum, or perhaps be controlled by the Shadows? Its markings indicate a long-dead civilization, perhaps one of the oldest civilizations in the Galaxy.
Notes
- This is the only Babylon 5 episode to be entirely animated, and using absolutely no CGI for special effects. Considering how well the episode turned out, Ron Thornton may have to start working on his resume.
- This episode features no regular B5 cast members. (Except, perhaps, Kosh.)
- Though the character's name is common knowledge, the name Marvin Martian is not actually uttered on-screen.
- Strangely, this episode was broadcast before the birth of JMS. How this happened is not clear, but it's probably just one of those things.
jms speaks
- I *love* "Duck Dodgers." I have virtually all of the WB cartoons on
tape or disk, and from where I sit, that's wonderful stuff that'll
be around for a long, long time. No omens, just something I thought
would be fun. (Again, connecting past/present/future, sort of our B5
theme.)
- I don't understand...what does Sinclair's duck have to do with
anything? We weren't even planning on introducing the duck until late
in season two. I suspect a leak. Nothing worse than a leaky duck.
- "How did Sinclair's duck thing get started?"
Probably by watching an attractive woman walk across the room.
- Me, I'm just waiting for somebody to refer to "The Long Dark" as "The
Long Duck"....
- It's a duck. Yes, why, of course it's a ducky. Why would I think
anything else? What a silly question.
It's a duck. A texture mapped metallic duck coming out of a jumpgate.
A duck. Of course. A duck.
AAAAUUUUUUUUUUGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHHH!
(I wanna see it...and I wanna see it now.)
- Of the options you listed, only D poses a real problem; A-C are more or less okay. The problem comes not so much from speculating on elements already introduced, as introducing *new* plot elements that have not been seen in the show to back up speculation or conjecture, which may or may not approximate what we're doing. "The Minbari surrendered because in some episode we'll see someday the Earth had developed a giant killer space duck hidden on the dark side of the moon that would nibble the Minbari homeworld to destruction." That is kind of the dividing line between what's safe and not-safe.
Duck Dodgers
Synopsis by Dan Wood (danwood@pobox.com)
In a futuristic city, a taxi cruiser spirals its way to the top of a very, very tall building. It lands on the 17,000th floor. Its oviparous occupant steps out and enters the office of Dr. I.Q. Hi, Secretary of the Stratosphere.
The duck meets Dr. Hi and the two immediately begin ascending on a small platform. Dr. Hi explains that the reason he has summoned his guest is that the world's supply of Alludium Phosdex (the shaving cream atom) is "alarmingly low." It seems that the only remaining source is on Planet X, in a region marked "unknown" as Dr. Hi points out on the rather large wall map.
The duck asserts his confidence in retrieving the material, because "There's no one knows his way around outer space like.... DUCK DODGERS IN THE 24-1/2TH CENTURY!" Dodgers accidentally falls from the platform, plunging several hundred feet, but miraculously survives the accident.
Dodgers uses an evaporator to get to the airport's launch platform, where his ship and his first mate, a pig that Dodgers describes as an "eager young space cadet," await. Dodgers launches the ship, after one false start in which he accidentally plunged his vessel into the ground.
On board, Dodgers explains the navigational techniques he will use to find the planet to his number one, who appears to have a better understanding of navigational techniques than his superior officer, though his stuttering demeanor gets in the way of simple communication. The pig then suggests an alternate method of navigation to Planet X (by following the trail of Planet A, Planet B, Planet C, and so on) to Dodgers, who dismisses the idea at first, but then claims the idea for his own, much to the chagrin of the space cadet.
After weaving its way past Planets R, S, T, U, V, and W, the ship finally lands on Planet X. The ship is marked by a large "X" shape across its surface (presumably a continent) but also bears the "X" mark in several monoliths, presumably the markings of a long-dead civilization of millenia past. Immediately upon landing, Dodgers pulls out a flag of the Earth Alliance and proclaims "I claim this planet in the name of the Earth!"
Unfortunately, Dodgers's plans are immediately thwarted when another ship, christened the Martian Maggot, lands nearby. Its occupant scrambles out and, within meters of Dodgers, claims the planet in the name of Mars.
Needless to say, a conflict develops between the two representatives of their governments. Dodgers claims that the planet simply isn't "big enough for the two of us." The Martian responds by pointing a disintegrator pistol at Dodgers, who believes he is immune because he is wearing a disintegrator-proof vest. Answering a dare, the Martian fires upon Dodgers. Ironically, the vest itself turns out to be disintegrator-proof; Dodgers, unfortunately, falls into a crumble on the ground. The vest follows shortly thereafter.
Fortunately, the space cadet -- and technology -- save the day, thanks to an Acme Integrating pistol. Dodgers, fully reconstituted, continues his territorial challenge upon the alien and threatens him with his own brand of disintegrating pistol. Unfortunately, the pistol itself disintegrates when he attempts to fire upon his opponent. The Martian fires upon Dodgers several times and misses, subsequently chasing Dodgers into his own ship.
In an attempt to deceive the martian, the first officer creates a ruse: pretend to give the Martian a birthday present, assuming that the extraterrestrial will be ignorant of explosives. The Martian gladly accepts the gift, a stick of dynamite with a very short fuse, and is caught in the explosion. Only his helmet saves him from certain death. The alien, visibly shortened by the effects of the blast, limps back to his own ship to attend to his injuries.
Meanwhile, Dodgers is furious at the Martian's resolve. He sends an ultimatum, using an ultimatum dispatcher which behaves much like a gun, but delivers a written message: "Surrender, or be blown into 17,670,002 micro-cells." The martian responds with an ultimatum answerer, which functions much like the dispatcher, only it releases a destructive charge, presumably refusing the terms of the ultimatum.
Not ready to give up, Dodgers decides to conduct espionage upon his counterpart by using the "Super Video Detecto Set" installed in his ship. The advanced state of technology he uses backfires on him, however, because it enables the Martian to fire upon Dodgers via the video screen. This is the last straw for the protaganist.
In a final act of desperation, Dodgers decides to completely annihilate his enemy by utilizing his secret weapon, manufactured by the Acme Destructo Company. He launches a line which casts a dangerous net over his opponent's ship. Unknown beknownst to either of the Earth ships occupants, the alien launches a similar weapon of his own immediately thereafter. The tension mounts as both aliens prepare to destroy their enemy. A tremendous blast is seen and heard; evidently, both systems were set off at the exact moment.
The effect is nothing short of devastating. The smoke clears to reveal Dodgers and the Martian, face to face, standing on the only remaining chunk of Planet X, measuring less than a meter across. Dodgers reiterates his claim that the planet is not big enough for the two of them, and unceremoniously pushes the alien over the edge.
As the camera's aperature narrows, it pans down to reveal Dodger's number one, barely hanging on to some root-like material still attached to the miniscule remains of the planet. The martian, precariously hanging onto the first mate, looks on as the pig proclaims, with a slight stutter, "Big Deal."
Dust to Dust
Overview
An addictive drug with telepathic effects is found on the station, prompting a visit by Bester. G'Kar reaches a turning point. Walter Koenig as Bester.
P5 Rating: 8.62 Production number: 306 Original air week: February 5, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by David Eagle
Backplot
- Londo's original assignment to Babylon 5 was at the direct request of Emperor Turhan, who chose him after everyone else turned the position down.
- Dust, an addictive drug, allows non-telepaths of several races to probe the minds of others, experiencing all the victim's memories and thoughts in the space of a few minutes. Unfortunately, this leaves the victims unconscious, and telepathic victims never recover. The more often Dust is taken, the more is required to achieve the effect the next time. Dust was originally developed, and is apparently still being produced, by Psi Corps in an attempt to induce permanent telepathy in normal humans; the experiment has been a failure so far.
- The Narn used to have telepaths, long ago, but they and their families were exterminated. The genes for telepathy were too weak in the survivors to allow the Narn to breed natural telepaths, but their abilities can still be unlocked, briefly, by Dust.
Unanswered Questions
- How much does G'Kar know about Londo's association with the Shadows? Did Kosh stop him before he was able to discover everything?
- Why did Kosh stop G'Kar? (See Analysis)
- @@@833220507 How did Kosh know what was happening?
- Was Bester telling the truth about the Psi Corps combatting secret threats to the human race, things ordinary people never hear about? If so, what are those threats?
- What happened to the Narn telepaths? (See Analysis)
- Will the Dust have a permanent effect on G'Kar, such as giving him some measure of telepathic ability?
- What did the Corps learn from Talia? Was she actually dissected, or was Bester just baiting Garibaldi? Did they find out about Ironheart's gift ("Mind War?")
Analysis
- What is the rest of the Psi Corps' business on Babylon 5? Perhaps it involves Lyta Alexander; her presence is probably common knowledge by now.
- The extermination of Narn telepaths may be connected to the Shadow occupation of the Narn homeworld in the last war. See "Voices of Authority." Or perhaps the Centauri were responsible, during their previous occupation. It's also possible, though perhaps less likely, that the Narn killed all their own telepaths.
- G'Kar asks Londo if being helpless helps him understand the plight of the Narn. But the reverse effect may have taken place as well; G'Kar has experienced at least some of the past several years from Londo's point of view now, and thus presumably understands why Londo did what he did. Whether that understanding can lead to forgiveness, though, is another question.
- Kosh's intrusion into G'Kar's probe of Londo can certainly be viewed as manipulation, especially given the use of the image of G'Lan. What Kosh is trying to achieve by appearing to G'Kar, and why he's willing to interfere with the Narn and Centauri now when he expressed no interest in them before ("Midnight On the Firing Line") isn't clear.
- In addition to the mention of the Narn and Centauri being alone and dying, reminiscent of "Midnight On the Firing Line," Kosh also tells G'Kar, "I have always been here." This echoes Kosh's statement in Sheridan's dream in "All Alone In the Night." It's still not entirely clear what he means, however. Could it have something to do with the "path" revealed to Ivanova in "Voices of Authority?"
- Kosh may have stopped G'Kar to prevent him from learning too much about the Shadows, on the assumption that G'Kar would likely speak out about them in public. Since the forces of light are still gathering, that'd be something Kosh would want to prevent. It's also likely that Kosh was maneuvering G'Kar to be of greater use in the future, perhaps testing his ability to influence G'Kar's behavior through the use of religious visions.
- Probably just a coincidence: Kosh ends G'Kar's quest for Shadow information in Londo's mind by saying, "It is enough." That's exactly what Londo said to Endawi (Matters of Honor") after recalling his dream of the Shadow ships flying overhead on Centauri Prime.
- Did G'Kar overdose on Dust? It is possible that he was about to die, given the intensity of all the images he was seeing - the drug hasn't been tested on Narn. And that would be consistant with Kosh's previous appearances, when Sheridan was in danger of dying ("All Alone in the Night" and "The Fall of Night.") Is Kosh's direct manipulation restricted only to near-death appearances?
- Who are the characters in G'Kar's vision? The man on the tree is his father (which G'Kar mentions, and which fits with his recounting in "And Now For a Word.") It's not clear who the second person is, the old man. G'Quon, perhaps? The third person we know as G'Lan, from G'Kar's exclamation in "The Fall of Night."
- @@@868381277 Kosh dodged the Vorlon question when G'Kar put it to him; in response to being asked, "Who are you?" the vision replied, "I am who I have always been," a self-referential answer that conveys reflection rather than information.
- Kosh's statement about sacrifice can be interpreted to cover the entire Narn race; he may be saying that the Narn (and perhaps the Centauri, given his earlier statement about the two races) must die so that the rest can live. If that interpretation is correct, Kosh is preparing G'Kar to accept the death of his people as inevitable. Will G'Kar continue to fight for the Narn?
- Vir's position on Minbar was a joke to Londo (strictly a means of getting him out of his hair) just as Londo's position was originally viewed. Could Vir parallel Londo's ascension to power, potentially rising to great importance in the coming war? Given his newfound affinity for the Minbari, and his distaste for Londo's politics (and especially Morden,) he could be a great ally of the Army of Light. On the other hand, Londo did get Vir the position in the first place, and at the time he told Delenn that it was to get Vir out of danger.
- Franklin continues to be on edge; could this be a consequence of his stim habit? ("A Day in the Strife")
Notes
- Dust has been mentioned before; for example, in "Hunter, Prey," Max, the kidnapper, asks Dr. Jacobs if he's a dust smuggler.
- @@@877023485 A possible inconsistency: Bester said the Corps had been working on Dust for five years. But in "Survivors," Garibaldi recalled a Dust problem on Mars 17 years ago. Perhaps the Corps took over production of an existing drug, or perhaps the Corps worked on Dust for five years sometime in the past.
- The Dust vendor's two aliases, Lindstrom and Morgenstern, are the surnames of two characters from the comedy series "The Mary Tyler Moore Show."
- Morgenstern means "morning star," one of the names used to refer to Lucifer in Judeo-Christian texts.
jms speaks
- Walter [Koenig]'s first appearance this season will be in "Dust to
Dust," #306.
- An interesting thought...as for Bester's personality, keep an eye out
for "Dust to Dust," episode #6, where you see Bester from a different
and very interesting angle. Some of what you say here, he says. (Not
about the corps, but about doing what's right as he sees it.)
'Course, whether or not one should *believe* anything he says is another question altogether.
- Re: Kosh...we'll see him again outside his suit in "Dust to Dust," but
in a somewhat unconventional fashion....
- The end credit music changed!
Yes, we did change that. Because we -- I -- forgot to have Christopher re-score it when we were re-doing the main title. - @@@865181914 Why didn't we do the music change in the end credits at
the very start of the season, you ask? Why, what a silly question, it
was all planned, all intentional, it means...er...it means....
It means we *forgot*. More correctly, *I* forgot. We were all so busy getting the new main titles done, we just kinda forgot about it until the first mix...and then we sorta looked around and said, "....oops."
- "Dust To Dust" - Looks like a non-arc episode initially, but by the end
it has a strong effect on the overall storyline, and makes some
permanent changes in one of our characters. Combines Bester, the
telepathic-assault drug Dust, weapons dealers, and brings to a head a
major part of the G'Kar/Londo thread.
- "Dust to Dust" is what I call one of my "pretty box" episodes.
I set down the pretty box in front of you, and you think you know what
it is. Then something else entirely jumps out of it at your face.
There's more coming here and there. I like pretty boxes....
- It's about time we had some heavy arc episodes!
I get this at the start of every season. Let me repeat what I've said, oh, about two dozen times already before.At the start of every season, we have new people sampling the show. Do you want the show to continue? If you do, then you have to continue to add new viewers. If viewers tune in and they're lost in the overall arc, they're going to tune out again. So you give them some stand-alone episodes in the beginning, shows that are a little more accessible, but introduce them to the characters, the situations and the universe so that when the arc begins to move again, they know enough to get into what's going on.
Sure, I could've just kept going right with the strong arc episodes. Which the new viewers, 90% of whom sample shows in the first few weeks of a new season and not thereafter, wouldn't have been able to follow well. And they would've tuned out. And it would've been a very big nail in the cancellation coffin. You can bring in new viewers, or you can get canceled and never tell the whole story. Pick one.
Second, you cannot -- CANNOT -- sustain the kind of intensity you have in the final four over the course of a season. You need to have some lighter moments as contrast or people are going to start sticking their heads in ovens all across the country. So at the start of a season, I try to do some lighter stuff, to bring people back up a little, bracing for the next drop in the roller coaster. You need peaks and valleys to develop any kind of rhythm, or to appreciate the other side of it.
I got the same thing in season one, and season two..."Why these light episodes? What's happened to this arc?" Then by season's end, the chorus usually turns to "That was a GREAT season!" So my response is, Unless you think I've suddenly turned stupid, or I've decided to betray the series I've now worked 10 years of my life to produce...will you for chrissakes *trust* me once in a while? Show a little patience. When I introduced Vir, everybody on the planet jumped funky all over me. "He's just a comic character! It's Flounder! He's dumbing down the show! Space him! He stinks! Joe's losing it!" And now, of course, we see what Vir is, and in many surveys he's now one of the most popular characters.
You know what the #1 comment from the pilot was, on the nets and elsewhere? "LOSE the guy with the funny hair! He's just ridiculous." Londo. Every time I've done something a little different in the show, I've usually been jumped on, because they're not willing to trust that I know what I'm doing...until they've seen it for a while, then they Get It, and it's "Oh, now I see it." Great, thanks, now that you've been beating on my head for six months. Next time show a little patience. (And btw, ALL of the comments related above are real ones, many of them right here on Compuserve, from people still around here.)
Every story can't be an arc story at this point; you've got to see the characters outside the arc, in the way they live their lives, in other things that happen to them, or else you won't CARE what happens to them in the arc. No, the Purple/Green Drazi story didn't move the arc ahead, but it showed you a lot about Ivanova, didn't it? So now if and when something should happen to her in the arc, you care about her. It's the difference between just being chess pieces, and being *people*.
Okay, here's the breakdown. Season 3. You had arc episodes only a bit in the first batch. "Honor," "Voices" and now a little in "Dust." You've got one more stand-alone next week, "Exogenesis." That's the last one for a LONG time. Episodes 8, 9, 10, 11, 14, 15, 16, 17, 20, 21 and 22 are ALL arc stories, most of them heavy, none less than moderate.
I said, from the start, that each season would have stand-alones and arc stories. About 20% in year one, 35% in year two, 50% in year three, 70% in year four, and 100% in year five. And the stand-alones tend to get pushed toward the beginning of a season for the reasons stated. Is nobody paying attention when I say these things? Because if so, then why do I get gigged each season at the start by people saying "HEY! HOW COME THESE AREN'T ARC EPISODES?" (And as it looks now, year 3 has closer to 13-14 arc episodes, so we're ahead a bit.)
Before people start making sweeping generalizations about the season, it might behoove you to see the season first. If anything, my concern in looking at what's been done for year 3 is that we're too GRIM for the larger portion of it, and maybe a bit complex...so I'm working to clarify a few things here and there as I do these last few.
- @@@865181914 You'll see Walter again this season after "Dust," and I'm
trying to work in one more before the end of the season, but it's
tough, given what's been going on in the latter half of 2260.
- @@@833560613 BTW, here's something to notice when you watch DTD
again. The montage scene with Londo and G'Kar lasts, I think, 10 maybe
12 seconds. But that one piece took John and me *hours* to put
together. Go through frame by frame, and you'll see some of those bits
are only 3 or 4 frames long (one second is 24 frames). We were nearly
blind by the time we were done, but it was worth it.
- RE: Bester...thanks. I'd decided a while ago that the next time
we saw him, he either had to win, or he had to be right. If he lost
again, it'd cut his credibility out. This gave me a chance to do some
interesting things with him. He's a fascinating guy...a creep, and I
wouldn't trust him for a second, but fascinating nonetheless....
- Wouldn't the telepaths have tipped Bester off that something was
going on between Sheridan and the Minbari?
Simple fact is, the rules of the Psi Corps would forbid them from engaging ANY human telepath for this purpose. So the only other recourse is non-humans. - Did Bester read Franklin when he was injected?
I think you're misremembering; Bester nudged up his right sleeve with his left hand and held it out; Franklin stuck the needle in. I don't believe he held his hand (which was gloved in any event). - @@@865181914 If Garibaldi knew Bester was drugged, why did he
suspect Bester of reading the smuggler?
I think it came out of the fact that Garibaldi doesn't trust ANYthing about Bester, and that it's not out of the realm of possibility for Bester to find some way to defeat the drug. If not, then his line was basically another way of stating "What the ___ are you pulling and why are you doing it and why the hell didn't you TELL me you were going to do this before pulling it?" - Londo knows G'Kar knows, yes. He couldn't not know.
- Was the music during G'Kar's rush of images from Londo new?
With some thematic exceptions, most of the music Chris composes for us each week is unique, and tailored for that episode. So yes, it's all mainly new.Re: the coat of welcoming...here's a little tidbit...we had to make up an entire alphabet for most of our major races (and I've been gradually building up a dictionary here and there for languages). So they came and asked if they could embroider something in Minbari on the shirt Vir's wearing when he comes back. I said sure. Did I have anything in mind? No, not really.
So I'm on the set that day, and I see the embroidered shirt, and I ask what these five letters spell, since I don't offhand read Minbari yet. He looked up at me and smiled. "It spells out ALOHA."
We have a very demented crew.
- Kosh would rather sacrifice all the Narn through manipulation
than take direct action?
Exactly. I mean, in three years, what the heck have the Vorlons actually *done* to help "our side?" Let the others do it. - Actually, I tend to agree with that assessment. They've guided
and instructed and pointed, yes...and manipulated...but they still
haven't had to step up to the plate in other areas.
And I don't think the Narns have sacrificed nearly enough yet. You can always sacrifice more.
- A person can be sincere and still manipulative, in Kosh's case.
If he believes he's right, perhaps he's willing to manipulate anyone
toward that goal, if it's worth it.
- @@@865181914 Oh, the Vorlons can be *very* invasive, when they want
to be, if it suits their purposes. There's no Vorlon prime
directive...it's manipulation, whether small or large.
- Why not sooner?
Because G'Kar needed to hit bottom, real bottom, before he would be receptive to the message...because time doesn't mean to the vorlons what it means to us...and because he was finally mentally receptive due to the dust. - @@@850297524 It was his father in the first part, G'Lan in angelic
form, since after all that was G'Lan's form.
- @@@865181914 The figure he was talking through during the scene
appeared to him as his father; the very last figure, seen departing,
was that of G'Lan.
- Well, G'Kar doubtless *thinks* he saw a spirit, possibly the
spirit of his father, possibly something else...revealed later as
G'Lan, of course, taking that image in order to give him a revelation.
- @@@840404655 Why didn't G'Kar embrace his father?
Logically, G'Kar knows that his father is dead. He saw him die. So whoever this was, wasn't his father, even though he was appearing that way. Or was a spirit, and either way, he would've been sufficiently apprehensive about it not to go blithely around embracing something he didn't understand. I sure as hell wouldn't. - Correct. They see reality, and time, and space somewhat
differently than we do.
- No, I wouldn't say that the shadows and vorlons see space, time
and reality in the same ways.
- What did G'Kar shout out?
And what G'Kar said was, "Dear G'Quon, no more...." - Did G'Kar recognize Morden?
G'Kar probably has not yet put that together; remember, he only met Morden once, for about 4 minutes, a couple of years previous to this. - Does Kosh find it easier to appear to people when they're in
altered mental states?
Yes, it helps if the person's mind is in a different state -- asleep, exhausted, in a heightened state of awareness -- for the Vorlons to make contact, which is why their presence is often associated with dream imagery. - The sign behind Kosh says, "WARNING!"
Yes, the sign does indeed say warning. Look for another sign right behind somebody at the end of "Severed Dreams." - G'Kar really beat Londo up.
Implying more than one sees is something that you kinda have to learn over time. It can be very effective, as here.You just have to kinda put yourself out on a limb, as a writer or as an actor.
This scene *should* be very affecting. It goes to Joe's Theory of Violence on TV. To wit...that we need more of it, but it has to be realistic violence. It has to show consequences. You glorify or desensitize violence when you shoot somebody, and they just go down, no yelling in pain, no sobbing as their guts fall out onto the street. It's just gunfire, loud noises, excitement and fun. If you're going to show violence, then show it for what it *is*, and show it the way people would react to it. Make the audience understand that this is a *person*, not one in a series of body counts.
- Actually, just to clarify the legalese, the judge sentenced him
to *no less* than 60 days; that's the minimum, it could be more.
- The female Psi Cop here *was* the same as in ARTDP, played by
Judy Levitt, who is also Walter's wife.
Yeah, everyone turned in great performances in this one, very intense and layered. And as a result of G'Kar's attack, the next several episodes will find him still in prison. In the B5 universe, you don't just go in for a long time at the end of an ep and next thing you're out again. He has to serve his time, and now we'll see him in a cell for a while.
And yes, you'll learn more about what happened to the Narn telepaths in coming months.
- With Ivanova, I've tried to construct a small emotional arc, in that when she arrived, she was the new kid, she was a bit uncomfortable with the job, and responded by being very formal, very businesslike, a bit on the snide side. As she's gotten more comfortable with the job, and the people around her, she's relaxed a bit around her co-workers...but if somebody crosses her, as Bester tends to do, she lets fly with some pretty sharp lines.
Dust to Dust
Synopsis by Matthew Murray (mmurray@wsu.edu)
Sheridan approaches a store owner who is having an argument with a
member of the Night Watch. The member of Night Watch says that the
store owner, who has been hanging signs expressing his negative
feelings about President Clark, is committing acts of sedition.
Sheridan tries to calm him down, and says that the shopkeeper has a right to his
opinion. He warns the Night Watch officer that, if such harassment happens
again, the responsible party will be disciplined.
Ivanova arrives in Garibaldi's office to receive a message from the PsiCop Bester, who will be arriving on Babylon 5 in seven hours. He claims that there is an individual on board who may be a danger to the station, Earth, and the PsiCorps. Garibaldi tells her that he thinks this visit, like Bester's others, is merely a ploy to check up on them. It turns out that Bester's concerns may be justified, for a crazed man, shouting, "The mountain is falling on me," is attacking people elsewhere on the station.
Sheridan warns the other members of the Babylon 5 war council that Bester will soon be on the station. He tells them that, with the current state of the station and everything that has been going on, they can't afford to be scanned by Bester, who might not obey PsiCorps regulations. Garibaldi suggests killing him if he learns too much, but Sheridan won't hear of it. Delenn tells everyone that, although risky, there may be an alternative to violence.
Vir arrives off a transport to meet Londo in the docking bay. After
exchanging a few pleasantries, Londo asks Vir to tell him everything
about his trip.
Dr. Franklin, in MedLab, is treating the man who had the crazed fits earlier when a nurse comes in with one of his victims, who nearly died in avalanche several months earlier. Since the crazed man had been shouting about a mountain falling on him, Dr. Franklin asks him to be tested for traces of Dust.
When Bester's transport arrives at the station, Ivanova orders everyone off the command deck so that she can perform a maintenance routine, but she has other ideas in mind. "They don't know you, your kind, the way I do," she says to herself. "They don't understand, they think it's some kind of a joke. But nothing works with you people. Nothing but force. Computer, activate forward defense grid. We can't risk throwing it all away, not because of you. I've been saying it for weeks now... The defense grid's been acting funny. Defense grid, prepare to fire. Fire!"
"Belay that order," shouts Sheridan, who entered unbeknownst to Ivanova. He manages to convince her that this would be throwing away her career, and that she would become exactly what she hates most. He deactivates the defense grid and tells the computer to begin docking manuevers.
After his ship docks, Bester comes aboard the station, and is taken to
Sheridan's office, where Sheridan and the others are waiting, each with
a Minbari standing by them. Sheridan introduces them as Minbari
telepaths, who he has brought to level the playing field. He tells
Bester that he doesn't trust him, and blames him for what happened with
Talia Winters. Bester tries to bait Garibaldi on that topic, but isn't
successful. Ivanova explains
that, while a human telepath couldn't block a PsiCop's scan, a group of
Minbari telepaths can. Franklin gives him the choice of either
taking the sleeper drugs to suppress his telepathic abilities, or to
put up with the Minbari telepaths. Bester chooses to submit to an
injection of sleepers.
Londo, Vir, Delenn, Lennier, and the Drazi ambassador and his aide are
meeting together to try to solve the dispute between the Centauri and
the Drazi. Londo explains that the Centauri Republic wants a buffer
zone of seven planets, which is five more than he originally wanted.
This angers the Drazi ambassador, but Londo is unwilling to say
anymore, and tells the Drazi ambassador that, if he isn't careful, what
happened to the Narn homeworld might happen to the Drazi homeworld as
well. Londo and the Drazi leave, leaving Vir alone with Delenn and
Lennier. He thanks them for supporting his visit to Minbar, and
suggests that Londo might do well to visit as well. Delenn and Lennier
are unsure that that would help, but Vir insists that he knows there is
more to Londo than meets the eye.
Bester explains to the command staff that he has come aboard the station to find one of the main distributors of Dust, a drug which allows the user to activate his or her latent telepathic gene, allowing them to invade others' minds, living their life for several hours. It is highly addictive, and more is required each time to achieve the affect. When a telepath is read by someone using Dust, he almost never recovers. Bester explains that he believes that the seller wants to sell the Dust to alien governments to use as a weapon, and that that is what the Corps is worried about.
G'Kar tells Lindstrom, the Dust dealer, that their agreement called for
no selling of Dust while he was delivering it to G'Kar. G'Kar promises
to pay him, when he learns that it works as advertised. Lindstrom
presents G'Kar with a small packet of Dust, which G'Kar explains he wants
to use as a weapon. Lindstrom tells him that the drug was designed for
human telepaths, and might not work on the Narn, whose telepaths and
their families had been exterminated many generations earlier. G'Kar
tells Lindstrom they will continue business after the Dust has been
tested, but Lindstrom warns him that it
could be dangerous. G'Kar doesn't care, and sends him on his way.
Garibaldi and Bester are walking together through a crowded area. Bester explains that he wishes to protect Earth just as Garibaldi wishes to protect Babylon 5. Bester says it is his job to protect the human race from threats that only the Corps can stop. He says they may be the only chance that the human race has for survival.
G'Kar sits crumpled on the floor of his quarters, the empty Dust packet
sitting nearby. He croaks out the word "Mollari," and leaves his
quarters. He sees and hears the world around him differently while he
is under the effects of the drug, picking up the stray thoughts of
those that walk by him, and he is scarcely able to control their effect
on him. But, he does manage to make his way through the station
slowly, toward his destination.
Garibaldi and Bester are interrogating one of the more powerful members of Babylon 5's underground about what he knows about the Dust dealer. When the man, Ashi, claims he doesn't know anything, Bester says that he's lying, explaining that strong emotions cause him to blurt out things like that sometimes, though the information can't be used officially. Ashi explains that he was approached by a man with numerous crates of Dust, but that he wouldn't help handle them. He tells Garibaldi that the man has quarters in Red Sector, that he is using the assumed name Morgenstern, and that he has a shipment coming in this afternoon. Garibaldi sends the man away with two other security officers, and then asks Bester how he was able to read the man's thoughts. Bester explains that his uniform gives him a power over others -- whether or not he can read their thoughts, they believe he can. Garibaldi accuses him of using it merely for intimidation, but Bester is quick to point out to Garibaldi that his uniform, too, can be used for that purpose.
Londo tells Vir that the report he is planning to send to the Centarum is not appropriate, and that it demonstrates great political naivete. Vir tries to explain his point of view, but Londo will not listen to anything he has to say, only allowing Vir to leave in his explanation of Minbari spirituality. Londo's door chimes, and Vir goes to answer it, but is accosted and rendered unconcious by G'Kar, who then enters Londo's quarters, a look of fire in his eyes.
Garibaldi and Bester hide behind a large crate in a storage room,
hoping that they will be able to catch the dealer and the evidence all
at the same time, according to due process, which Garibaldi accuses
Bester of ignoring all too frequently. Several men enter the room, and
begin their dealings for the Dust. Garibaldi speaks into his link
quickly, and a shrill siren fills the room, dropping all of the men to
their knees, while Garibaldi confiscates the Dust. Several other
security officers enter and cart off the men involved in the deal.
Londo, bleeding and unable to move, finds G'Kar standing over him, and tries to make an offer to him. G'Kar, still under the effects of the Dust, takes a trip into the depths of Londo's mind...
...He finds himself seeing Londo being assigned to Babylon 5, and learns that Londo was appointed to his position of Ambassador only because there was no one else who wanted it.
G'Kar takes great pleasure, while inside Londo's head, in tormenting him
about this fact. Londo begs G'Kar to leave his mind, but G'Kar refuses,
demanding that Londo show him all of the secrets he has been holding
in. He delves further into Londo's mind...
...This time seeing the meeting Londo had with Morden in the garden just before President Santiago's death.
G'Kar reacts very strongly to this, finally learning that it was
Londo who was behind the plight of the Narn. G'Kar demands to know who he
was working with, but Londo refuses to tell him. Infuriated, G'Kar rips the
information he wants from his mind. The resulting montage of images is
so strong that it thrusts him out of Londo's mind, and into his own...
...G'Kar finds himself back on the Narn homeworld, many years earlier,
witnessing the death of his father. His father asks him to honor his name
right before he dies. The image ends, and G'Kar hears a voice. He turns
around...
...To find an old Narn standing before him. The old Narn tells G'Kar that both the Narn and the Centauri are a dying people, and that they cannot simply fight forever, until both races have been exterminated. Once that happens, there can be no winners or losers. G'Kar says that he made a promise to his father to honor his father's name, but the old Narn asks him to reexamine how he should go about that. He tells G'Kar that, if they are a dying race, they should die with honor, and no longer devote their life to fighting and hatred. "We are fighting to save one another. And some of us must be sacrificed," he tells G'Kar, "if all are to be saved. Because if we fail in this, then none of us will be saved, and the Narn will be only a memory." The old Narn vanishes, but G'Kar is not alone for long...
...A strange voice fills his thoughts. "You have the opportunity, here and now, to choose. To become something greater and nobler and more difficult than you have been before. The universe does not offer such chances often, G'Kar."
"Why now?" G'Kar asks. "Why not earlier? All this time... Where have you been?"
"I have always been here," the voice replies. G'Kar finally sees its source as the sound of flapping wings fills his mind. G'Kar spins around to see the white, glowing figure of G'Lan rise up and fly into the distance.
Once G'Lan has vanished, G'Kar can only sit and sob, with the unconcious Londo nearby. Neither of them notice another visitor, Kosh, who soon takes his leave.
While Vir visits Londo, who is just regaining conciousness in MedLab,
G'Kar faces the ombuds who is presiding over the hearing where he is being
tried for his crimes. After G'Kar pleads guilty, Sheridan tries to
convince the ombuds that G'Kar's actions were caused by the Dust, and
therefore, not his fault. She disagrees, saying that the fact that he went
to Londo's quarters, constitutes premeditation. She sentences him to a
term of no less than 60 days in the station's prison facilities.
Garibaldi approaches G'Kar and offers him the Book of G'Quan, which
G'Kar had loaned him, but G'Kar asks him to keep it, since he himself
is now "somewhat closer to the source."
After being released from MedLab, Londo and Vir speak of the last few days' events, but Vir explains that he must leave that night. Londo tells him that he should never allow the Centauri government to make a joke of him or his work. Vir promises that he won't.
Garibaldi escorts Bester to the docking bay, and though Bester has enjoyed working with Garibaldi, the feeling isn't mutual. When another PsiCop arrives for Bester, Garibaldi makes a hasty exit. As they walk away, Bester says that he knew the original purpose of Dust, to create telepaths from those without latent skill, would never work, but that at least he has retrieved it; it's back among humans, where it belongs.
G'Kar sits alone in his prison cell, quietly thinking, and remembering
the words he heard the old Narn speak to him, while under the effect of
the Dust. "We are fighting to save one another. And some of us must
be sacrificed, if all are to be saved."
Each Night I Dream of Home
Overview
The Excalibur is sent on a top-secret mission and faces an attack by the Drakh.
Production number: 105 Original air date: September 1, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Stephen Furst
Plot Points
- @@@936558483 12 members of the Senate were offworld when the Drakh attacked Earth. They now act as Earth's official representatives.
- @@@936558483 The plague isn't a virus, but rather a nanotechnological device. It appears to be able to coordinate its actions across wide distances, and may even have a sort of hive-mind consciousness.
- @@@936558483 The plague has already started killing people on Earth. It is constantly reshaping itself, and sometimes happens to find a lethal, but not genocidal, configuration. The five-year time limit is based on the rate of deaths so far; even if it never discovers a single 100% deadly configuration, after that long its experiments will have wiped everyone out.
Unanswered Questions
- @@@936558483 Aside from the fact that both are nanotech-based, is there any connection between the technomage virus ("The Memory of War") and the Drakh plague?
Analysis
- @@@936558483 The plague may have some goal other than killing off all
life on Earth as quickly as possible. Its level of sophistication --
being able to differentiate between vital and non-vital organs in
the human body and navigate the bloodstream as it sees fit -- suggests
that it has already figured out quite a lot about human biology.
Something as simple as introducing large amounts of chemical waste into
its host cells would be sufficient to kill any Earthly organism.
One possibility is that it's acting as a research mechanism, designed with the intent of fully exploring the host ecosystem's biology and reporting its findings back to the Shadows.
- @@@936558483 If the plague is intelligent, can it communicate with other lifeforms? If so, it might be possible to convince it to stop its experiments, eliminating the threat without physically removing the plague itself.
Notes
- @@@936558483 Continuity glitch: Gideon and Lochley appeared to have no more than a friendly familiarity with one another in this episode, inconsistent with their earlier contact in "The Rules of the Game" (which was produced after this episode but aired earlier.)
jms speaks
- @@@936558483 Was Gideon's "Life goes on" line added after you
knew this would be the last episode, or was it just a
coincidence?
Another Babylonian synchronicity.
Each Night I Dream of Home
Endgame
Overview
Sheridan's forces make their final strike. Marcus weighs a vital decision. J. Patrick McCormack as General Lefcourt. Marjorie Monaghan as Number One. Carolyn Seymour as Senator Crosby.
P5 Rating: 9.27 Production number: 420 Original air week: October 13, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John Copeland
An episodic soundtrack is available.
Warning: This episode resolves several major plot threads. Think twice before reading on if you haven't seen the episode.
Plot Points
- @@@876782152 Sheridan's plan for the frozen telepaths ("Ship of Tears") was to smuggle them onto as many Earth warships as possible and activate them. The telepaths would wake up and merge with the ships' computer systems, making the ships unable to maneuver or attack and thus removing the need for Sheridan's forces to destroy them. The plan succeeded in disabling the better part of the Earth fleet at the Mars colony.
- @@@876781979 Sheridan's forces have arrived at Earth, prompting President Clark to commit suicide rather than face capture or trial. A member of the Earth Senate, apparently friendly to Sheridan, has at least temporarily filled in the power vacuum.
- @@@876781979 Marcus has used the alien healing machine ("The Quality of Mercy") to give his life to Ivanova, apparently dying in the process.
Unanswered Questions
- @@@876781979 What happened to the telepaths on the destroyers?
- @@@877127172 Was Bester's lover Carolyn ("Ship of Tears") among the telepaths used against the destroyers? Did she survive?
- @@@876781979 What was meant by "The ascension of the ordinary man" on Clark's suicide note? (See Analysis)
- @@@876781979 Did Clark have a vice president? Will he or she become the new head of the Earth Alliance, and if so, will Earth continue the policies of the Clark administration?
Analysis
- @@@877200229 When General Lefcourt addressed the fleet at Mars, he
didn't bother repeating Clark's propaganda about Sheridan's forces
being under alien influence. That could be a sign that few people
in Earthforce really believed it anyway, so there was little point
maintaining the pretext. Or it could have been a result of his
knowledge of Sheridan; that might lead him to believe that Sheridan
would take up arms against Clark of his own free will.
- @@@877200229 Both Sheridan and Lefcourt were in charge of Omega-class
destroyers, and they both displaced the destroyers' usual captains.
- @@@884246713 The device Franklin placed on Lyta was most likely the
one he mentioned developing in
"The Exercise of Vital Powers."
He claimed to be working on a repeater to help broadcast her thought
patterns.
- @@@876781979 The formation of the assault team on Mars was planned
oddly; all the top-ranking people were together in a single
group (Garibaldi, Number One, Lyta, and Franklin,) which would
have been disastrous if they'd failed to take over the outpost.
However, it's not an arrangement without merit: Franklin and
Lyta obviously had to be together for him to hook her up to the
device, and Number One probably wanted to keep an eye on both
Garibaldi and Lyta.
- @@@876781979 After her bad treatment at the hands of Sheridan and
company, treatment which forced her to reassociate herself with the
Psi Corps
("The Exercise of Vital Powers,")
Lyta was surprisingly willing to put herself on the line yet again.
Has her arrangement with Bester made her comfortable enough to set
aside her past annoyance with Sheridan and the B5 crew, or does she
simply believe so strongly in the cause that she's willing to
disregard personal considerations?
- @@@877286086 Marcus viewed several log entries from Franklin. The
first referred to the death of Cailyn, Franklin's lover in
"Walkabout."
The second might have referred to Marcus' recovery from his fight with Neroon in "Grey 17 Is Missing," although at that time Franklin was on walkabout and thus couldn't have recorded the log entry -- a possible gaffe. It couldn't have referred to any event before "Ceremonies of Light and Dark," since Franklin was wearing his Army of Light uniform.
The third, of course, was in reference to the use of the alien healing machine on Garibaldi in "Revelations." Franklin's flashback recounted "Revelations" as well.
These log entries paralleled Marcus' own dilemma. The first dealt with the death of a woman Franklin cared about. The second (assuming it truly referred to "Grey 17 Is Missing") was the last time Marcus was willing to give up his life for a woman he cared for, namely Delenn. And the third message was a warning about the consequences of what Marcus was contemplating.
- @@@876858859 The phrase on Clark's suicide
note ("The ascension of the ordinary man") is a cipher, but it might
have some discernable meaning. The theme of death leading to
ascension is common in religion; perhaps the "ordinary man" referred
to the innocent civilians who'd be killed by the defense platforms,
and Clark believed they'd ascend to heaven.
There's also an echo of Cartagia's belief that his involvement with the Shadows would allow him to ascend to godhood; though Cartagia's belief was rooted in Centauri religion (other emperors had been elevated to godhood, as noted by Vir in "Chrysalis") it's possible Clark believed the same was true of himself.
It's also possible that "ordinary" referred to non-telepaths: by scouring Earth's surface, a mundane was determining the fate of his evolutionary superiors, thus ascending above them.
- @@@876781979 How did the Senator know so quickly what Clark had done,
and how much damage the particle beams could cause Earth? One
possible answer to the second question is that the potential
danger to Earth might have been discussed in the Senate, for
example while debating funding of the defense platforms. And
perhaps the control panels on Clark's desk made it obvious
that he'd turned the defense platforms against Earth, though the
implication is that she guessed his plan simply from the words
"scorched earth."
- @@@876781979 It's odd that the Agamemnon was the only ship available
to destroy the last defense platform, since only moments earlier it
was in the midst of a swarm of other friendly vessels. Obviously
this was a matter of artistic license, but why couldn't one of the
Minbari cruisers, for example, have fired a beam weapon at the
platform from a distance?
- @@@876783815 Now that Sheridan's forces have removed Earth's defenses
to a large extent -- the orbital platforms are all gone, many ships
have been destroyed, and the advanced destroyer group is no more --
an aggressive alien government, perhaps the Drakh
("Lines of Communication")
might consider this an ideal time to try to attack Earth or some of
its colonies. Sheridan may have to station some of the White Star
fleet and/or the League ships at Earth to help make up for the damage
his campaign has done and ensure Earth's security.
- @@@876783815 On the other hand, after Earth has had a chance to build
up its forces again, it may be far in advance of the rest of the galaxy,
even the Minbari. Assuming Sheridan relinquishes command of his
fleet to Earthgov now that Clark is out of the picture, Earth will
have both Vorlon and Shadow technology at its disposal. Given that
some progress has obviously been made in integrating Shadow technology
into Earth's
("Between the Darkness and the Light")
it's not implausible that the Vorlon technology in the White Stars --
not to mention their Minbari components -- could be analyzed by the
same researchers. Will the Minbari stand for that if it's attempted?
How much do they value their current technological edge over the other
major races?
- @@@877072454 The parallel between Greek myth and Sheridan's command of the Agamemnon has further resonance here, especially the variant in which Agamemnon's daughter Iphigenia is saved from death by Artemis. Marcus, a self-described virgin ("The Summoning") has brought Ivanova back from the dead (assuming the alien device does in fact successfully revive her.) What parallel, if any, there will be with the rest of the myth -- Iphigenia living the rest of her life in a distant temple, far from her family -- remains to be seen.
Notes
- @@@877912167 The design of the rocket launching from Mars just before
and after the opening credits may be a visual homage to the
DC-X,
a prototype of a reusable lightweight space vehicle. DC-X performed
eight test flights between 1993 and 1995.
- @@@876786524 Effects glitch: One of the destroyers attacked by the White
Stars at Mars was the Nemesis. Unfortunately, the Nemesis defected
to Sheridan's side in
"No Surrender, No Retreat."
Of course, it could have been one of the fake defectors
("Between the Darkness and the Light")
and gone back to Clark's side after gathering information about the
rebel fleet.
- @@@877199937 Effects glitch: When the fleet first approaches Earth,
it's daytime in east Africa, Asia, and the Indian Ocean. But when
the Agamemnon is about to ram the defense platform, North America
is in sunlight.
- @@@877110295 Clark's suicide and note are similar to a scene in the
film "Dr. Strangelove." In the movie, a base commander launches a
nuclear strike against the Soviet Union. As troops try to break in
to capture him and get the abort code, he shoots himself. They
discover on his desk a sheet of paper with mad ramblings and a number
of circled letters.
And of course, many real despots in history have committed suicide rather than be captured by the enemy, such as Adolf Hitler.
jms speaks
- @@@876965010 The episode seemed rushed.
Okay, one general response here...people are seeing rush where in many cases there is NOT a rush. Look, pay attention here: WE'RE IN THE FOURTH ACT OF THE EARTH CYCLE. Like the fourth act of an episode, you have to really start cranking. You want it to be at white-heat once you hit the ground.What's in Endgame, and most of Between... was always going to be there, with or without a 5th season. I made my trims in the period PRIOR TO these episodes, for the most part.
This is the culmination of something we've been building now for three years, and I'm going to make it as damned fast-paced as I can.
So don't go into this assuming it was rushed...it's *fast*, and that's the difference here.
People complain when we do character stories that the arc isn't moving fast enough...people complain that it's moving too fast when the arc is in full gear...sombody get a concensus going here, okay?
- @@@879013222 How did you fit so much into one hour?
It's one of those things I don't know if I can explain adequately, or sensibly. A lot of it is totally instinctive, I don't sit down and think about it, I just do it. But to dissect...part of it is the intensity of the scenes, I think. Strong emotion extends time, stretches it; if you've ever been in a major traumatic situation, a few minutes can seem like hours. The more you can put your character into a situation of intense emotions, and create those same emotions in the viewer, you will in effect slow down perceived time. Also, there's the matter of context here. If you've set something up in prior episodes, in something like "Endgame" there's no set-up which means exposition and chews up time; you go right for the high point in the story bell-curve, and you stay there. So the part you're used to seeing take only a few minutes at the end of an episode becomes almost the entirety of the episode; same result. - @@@877629093 What is Earth Standard Time? GMT?
Yes, EST = GMT.And this episode wasn't rushed; it's what you do when you're bringing any story to its climax. It's like watching Aliens, going away before the last 20 minutes, coming back and saying, "Well, it moved awfully fast." It has to, you're in the big moment. No, there isn't time for everything, there is NEVER time for everything, there's always stuff we might want to see...but what's in Endgame is what was always going to be in Endgame. If I'd known there would be a 5th season at the time, I still would've written it exactly the way it was written.
The collapsing was done for the most part *long* before we ever got to this part of the season.
It's just fast because that's what you need to do at this point.
- @@@878327267 A hideous amount of rendering power and time went into
that episode, and the result is all there on-screen. The only bigger
CGI feast is in the prequel, which is approximately 21% EFX, most of it
pure CGI and composites.
- @@@877023683 The Mars surface effects looked different.
Actually, most of the prior mars shots were done by an outside contractor, who's been doing such shots for the history of the show. NDEI's boys wanted a chance to do them, and did so.They're not bad...we still need to improve a bit on the movements, and the camera still moves a bit too fast, which gives it that computer-y feel...but overall, not bad.
How long did those shots take to render?
Quite a lot, I understand. - @@@877629418 Has Mars' air pressure been increased so pressure
suits are no longer needed?
My feeling is that there's been some small terraforming, which has helped a little, but there's still a long way to go. - @@@877708577 One thing we've noted is that there's been some minor
terraforming on Mars over the 175 or so years we've been there. It's
still a hostile climate, but not as bad as it is right now.
- @@@877629093 Shouldn't moving around the surface of Mars look
odd due to its lower gravity? Or has its gravity been increased
somehow?
No, there was no change to the gravity...what should we see to show that the gravity was still less? Someone like Garibaldi is still going to weight about 75 pounds, so he's not about to go around floating or bouncing, that's pretty solid. I don't see many 13-year-olds walking around like they're on the moon.... - @@@877941352 "If you had time to spare in the episode (ho ho), you
might have
suggested the different ratio of inertial mass to weight by having
character's feet skid out from under them when stopping, bouncing off
walls while turning corners, overbalancing on turns, or catching things
they had dropped two seconds after dropping them. Maybe tossing a CGI
grenade."
Except, of course, this would've looked awfully silly on camera.
BTW, remember that Number One and Garibaldi, as well as Lyta, have experience with living on Mars, so they would automatically compensate.
- @@@876965010 Wouldn't the ship's quartermaster notice a frozen
telepath arriving?
In something like this, you don't move unless you have the main quartermaster at the Mars base ON YOUR SIDE. You stuff it all into cargo loaders and crates, and ship it up. Have you ever seen military shipments? I looked into this, and security for big crates like this is done *at the point of shipping*. - @@@880879145 "What was needed was at least talk of a major Mars
resistance attack occuring at the same time to draw off the security."
There was. Go back to the scene on the Apollo when the first word of attacks comes in...it says specifically that they're hitting a number of places *including* a White Star hitting that particular base.
- @@@877629418 How did Marcus contact B5 through the
jammers?
Because Marcus sent the signal to B5 before the fleet jumped into hyperspace, leaving Mars, toward Earth. We in hyperspace for the result, the search being concluded based on what was downloaded. - @@@876965010 Why didn't Sheridan send another ship after
Marcus?
You don't send a ship away to chase one person when you're going into a battle. You don't KNOW what ships you are and aren't going to need. In theory you took everything you had because you thought you needed it. Yeah, Marcus was a friend, but a lot of friends would die this day. You think he would put Marcus's situation ahead of the fleet? Isolate one ship and risk it to go after him? Ever been in the military? You talk about it, but what you propose doesn't make sense. Would Patton have sent back a tank because somebody fell behind? No. - @@@876017761 Garibaldi's betrayal didn't have any lasting
consequences.
You're right in terms of what Garibaldi did and didn't do, and we've avoided the ultimate repercussions in other places for other things (he said vaguely, not wanting to post spoilers)...but you can only do that so far, and if you go further you start cheating. You also remove the dramatic impact of the actions of your characters if they do not have consequences.Why did Marcus have to do what he did?
In this case, it ties very much into this character's background...and would, in another universe in which CC decided to stay, have spun out into some rather interesting developments. - @@@877971306 "Well, unless its a coincidence, the "circled doodled
message left by
madman after he commits suicide" is VERY similar to what happens in Dr.
Strangelove. Again, maybe its JMS's homage to Kubrick (like the "2001"
style spacesuit that appeared in a second or third season episode, I
forget which, of B5)."
Just to clarify this....
Re: the note...the script as written calls only for the finding of a note with the words "scorched earth" on it. It was John Copeland's idea to do the note as shown, and yes, he's said quite openly over on AOL that it was his nod to Strangelove. (John directed that episode.)
Re: the suit...that wasn't an intentional 2001 nod...we went to Modern Props to get a space suit for Babylon Squared, and the only one they had on hand that would work for us was one left-over from 2010, which I asked the folks in costume to change as much as possible...though it was pretty much what it was regardless. So that one wasn't intentional.
- @@@877026658 What did Sheridan mean by "ramming speed?"
You are in a space ship, in a vacuum, heading toward target X. You understand that it takes time to transfer energy and movement toward another plane, so you go at X-speed toward that object if you want the option of applying thrusters and angling away from the object before you slam into it.If, on the other hand, you *want* to hit the object, and you have no interest in holding back your thrusters to allow you to diverge from the target in the amount of space remaining between you and it, you proceed at Y speed, with your thrusters putting out their maximum amount of fuel.
Y = ramming speed.
- @@@877368135 "...the symmetry and symbolism in how you structured that
final battle. The story of Babylon 5 basically started with the Minbari
fleet coming to Earth to destroy it at the Battle of the Line. To
have the Minbari fleet return to Earth, not to destroy humanity, but to
save it, especially along side Earth fighters and capital ships was
stunning."
Noticed that little touch, did you....?
What goes around, comes around.
- @@@876965010 How did the Apollo monitor Sheridan's situation if
communications were being jammed?
The jammers are set up to cut off communication OUTSIDE MARS ORBIT. That's what was said, that the jammers cut in once they were past Mars (for security purposes). The same thing was said in Lines Of..., where Franklin was having a hard time getting word to B5 *past the Mars jammers*. Further, if all communications were cut off in Hyperspace, inside Mars orbit, then you couldn't have had ship-to-ship communications to tell Sheridan ABOUT Marcus, could you? - @@@877629418 Lefcourt does not think that his job is to set policy
or overthrow presidents. The military executes orders that emanate
from the head of the government, through the chain of command. Once
that chain of command was changed, the orders were no longer valid.
- @@@876858996 Why wasn't Clark allowed to present his point of
view, even at the end?
I tried to do it through his lieutenants and plenepotentiaries (hope I spelled that right, I'm too tired to get the dictionary down). ISN gives you his point of view, ditto for Nightwatch, MiniPax, others. I think if I had him just saying it out loud, it would diminish him much the way that repeated exposure to the shadow vessels gradually removed their mystery and menace. Less is more. - @@@877629093 About the return of the old ISN anchor
"I've been thinking about the rapidity of her return to ISN. I agree that there wasn't time to break her out of prison and get her old dressing room back for the morning news"When the Soviet Union fell, and the prison doors were thrown open, a number of reporters who had fallen out of favor with the Party and were sitting in cells walked out, went across the street, and went on the air within a matter of hours.
Humans are resilient and determined sorts.
Endgame
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
The alliance fleet is in hyperspace. Aboard a Minbari heavy cruiser, Marcus keeps watch over Ivanova. Delenn walks in, and tells him the transport to take Ivanova back to Babylon 5 has arrived. Marcus argues that she would want to be at the battle, and since she is dying there is nothing else to do for her. Delenn disagrees: they can make Ivanova comfortable in her last hours, and see to her needs, but not in the fleet. Marcus holds Ivanova's hand in his, and leaves without a word. Delenn also leaves, as two Minbari prepare to take Ivanova away.
At the Mars Resistance HQ, final preparations are underway. Number One arrives with an Earth Force officer, who will help smuggle the frozen telepaths onto the destroyers orbiting Mars. It will be tricky, but she'll try to make it work. Meanwhile, Garibaldi leads a small team scouting a supply base on the surface. They are two hours away. They begin to approach as shuttles leave the base to supply dozens of Earth Alliance Destroyers.
At a bunker on the perimeter of the base, an Earth Force officer asks for a status report. With Sheridan's imminent attack, they expect the Mars Resistance to take advantage of the confusion and attack. As the officer attempts to contact another station, an NCO pulls out a breather mask. The officer is getting no reponse. "What is wrong with Bravo?" he asks. The NCO puts the breather mask on, pulls out a gun, and answers: "Same thing that is wrong here." At that moment, the door to the bunker opens; with the atmosphere thinning, the attacking forces easily overpower the Earth Force personnel. The attacking forces include Number One, Garibaldi, Franklin and Lyta. The NCO indicates there was no opportunity to warn the base: the Resistance now controls the perimeter. Franklin puts a device on Lyta's head and starts working on it.
Aboard the Agamemnon, Sheridan gives the attack fleet their final instructions. In order to attack Earth, they must take out the bases on Mars first; otherwise, they would expose their flank and end up fighting on two fronts. The Earth Destroyers and White Stars will lead the assault, and the League ships are to provide support and establish a perimeter, but they are not to engage unless fired upon first.
Aboard the Apollo, leading the Earth Force destroyer group, General Lefcourt is in command. He has been called to replace the Apollo's captain because Lefcourt is a soldier of the old school: he does not take arms against his own government, no matter how justified he may feel. And because he taught Sheridan at the Academy, and knows how Sheridan thinks. Now he has to kill him, and everyone around him. "It's a terrible day," he tells the Captain. "I wish to hell I had never lived to see it."
Lefcourt is informed the hyperspace probes have picked up something, but decides to wait in normal space for Sheridan. No engagement in hyperspace has ever been anything but a disaster for both sides, and Sheridan will come out sooner or later.
On the Mars surface, Franklin finishes adjusting the implants on Lyta's head. She has to go outside to make contact; it will be really difficult because of the distance, she says. She leaves the bunker, and Garibaldi sends a final message to the fleet. Everything is ready.
Aboard a White Star, Marcus seems thoughtful. "You are thinking about Ivanova again." says Lennier. Marcus is indeed thinking about her, and how she is probably better off on Babylon 5, where there may be something they can do for her. Lennier advises him not to get his hopes up, but Marcus ignores him. Marcus has called Dr. Hobbs on Babylon 5. In all this time, he reasons, they must have come up with something to deal with near death conditions. "No." replies Lennier. "There is nothing usable on Babylon 5." Marcus asks what he means, but before Lennier can clarify, Garibaldi's message comes through.
In the bunker, Garibaldi tells everyone to get ready. He's given the fleet information accurate to within a few feet, which will enable the White Stars to jump from hyperspace inside the atmosphere. A White Star jumps in and starts attacking the base, helped by the Resistance which is using the perimeter weapons.
Gen. Lefcourt is informed that the Resistance has attacked four bases on Mars, and Sheridan's fleet is attacking a fifth. But Lefcourt does not want to be planetbound, unable to maneuver in the gravity well, and orders the fleet to stay in formation. He is curious, though. Sheridan wouldn't go on the offensive without an ace in the hole. What is it?
Meanwhile, Lyta starts contacting the frozen telepaths, now aboard the Earth destroyers. As Franklin explains, they are aboard 30 of the destroyers. They will awaken, merge with the computer systems and render the destroyers useless. They are being used as weapons, he admits, but they are weapons. He cannot remove the implants without the resources of Earth; if the Alliance doesn't win, the telepaths are dead anyway. And each destroyer has 1000 people on board. If they do not have to destroy the ships, they are risking thirty lives to save thirty thousand.
Aboard the destroyers, the telepaths awake slowly, as Lyta concentrates.
Sheridan's fleet jumps into normal space close to Mars, as Lefcourt expected. But before he can give any orders, the Apollo's systems begin to fail. Almost all of the destroyers report similar problems. In fact, all but 10 of the destroyers are out of commission. Sheridan orders a White Star squadron to open fire on them, targetting engines and weapons. Disable them, don't destroy them, he instructs. The squadron quickly accomplishes this.
Aboard the Apollo, a security detail finds the shadow-modified telepath and opens fire. Meanwhile, Sheridan is ready to proceed. Human and Minbari forces are to jump to Earth, while the rest of the League ships stay behind to keep an eye on the disabled destroyers. Marcus rejoins the fleet, but leaves Lennier in command as he goes to his quarters. He orders a search of Babylon 5 records relating to death, terminal illness, and extreme measures.
Marcus soon receives the results, and finds a reference to the alien healing device ("The Quality of Mercy.") He orders a shuttle to be made ready.
Aboard the Apollo, they have figured out the problem and eliminated the telepath, but most systems are still down; they have no engines, and no communications with the other ships, so they cannot let them know what they found out. Gen. Lefcourt angrily orders engineering to get the ship under control ASAP.
Lennier arrives at Delenn's ship. He has been tricked by Marcus into leaving Marcus' White Star. Marcus breaks formation and leaves. Delenn contacts Sheridan to let him know. They figure he is on route to Babylon 5, but they cannot contact the station: as soon as they got inside Mars orbit they hit the jammers. They are too close to turn back, and there is nothing to do but continue ahead.
The fleet jumps to normal space, and Sheridan talks to the people of Earth. He encourages those in the government who were afraid to speak up to help place President Clark under arrest, to disband Nightwatch, and to return the government to the hands of the people. As he does so, Clark writes in his office, the planetary defense grid comes online, and a group of armed security officers escort a woman down a hallway.
Sheridan continues: "This is not the voice of treason. These are your sons, your daughters, whose loyalties have never wavered; whose belief in this Alliance has forced us to take extraordinary means. For justice, for peace, for the future... we have come home."
President Clark hears people outside his office, and he types a final command for the defense grid. He takes a gun, and shoots himself in the head. The woman and the security detail break into the office to find Clark dead and a note on his desk. The note contains the phrase "The ascension of the ordinary man" over and over, with certain letters circled. The letters spell out "Scorched Earth."
As the fleet continues its attack on the defense platforms, the woman, who is Senator Crosby, contacts Sheridan and tells him of the death of Clark and his message. He has ordered the defense grid to fire on Earth, and they cannot override the command. In ten minutes, it will fire and level 40% of the surface.
"Delenn, we need you," says Sheridan. "We are there," she replies. The combined human and Minbari forces attack the defense platforms, destroying them one by one as Minbari and human pilots give their lives in the process.
The Agamemnon is hit several times by missiles, as the race to destroy the platforms continues. The Agamemnon is hit again, and is now heavily damaged and unable to fire. The nearest platform is about to fire, and no other ship is in range. Sheridan gives the order to ram the platform in a suicide run.
But before they can hit the platform, the Apollo comes out of hyperspace. "We have monitored the situation. Hold on to your hats," says Gen. Lefcourt as he fires and destroys the last platform. The Agamemnon emerges from the fireball, still in one piece.
"You'll have to stand before a board of inquiry on this one, Sheridan," says Lefcourt. "Still, welcome home, John. Welcome home."
After the battle, Sheridan is wanted in EarthDome. Franklin is heading to Babylon 5, hoping to stop Marcus, and Delenn has some business to attend to.
In an ISN special report, the reporter last seen on the air when ISN was taken over by forces loyal to Pres. Clark ("Severed Dreams") is overcome with emotion as she welcomes back their viewers and reports on the events of the past hours, alluding as well to her imprisonment and those of other colleagues.
Meanwhile Franklin continues to try to contact Babylon 5. He reviews the logs that Marcus downloaded, in which Franklin mentions the alien healing device and indicates that to save someone from fatal illness, the other person connected to the machine must die.
Aboard Babylon 5, in MedLab, a guard lies unconscious on the floor. Marcus has connected himself and Ivanova to the healing device. As he loses consciousness next to her, Marcus whispers: "I love you."
Epiphanies
Overview
Bester arrives with news of an Earth Alliance plan to further isolate Babylon 5. Garibaldi delivers some surprising news to Sheridan. Walter Koenig as Bester. Damian London as Minister.
P5 Rating: 8.43 Production number: 407 Original air week: February 10, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John Flinn III
Plot Points
- @@@855596642 With his Shadow allies gone, President Clark now views Babylon 5 as a significant threat to his power. There are still elements of the Psi-Corps loyal to the Shadows.
- @@@855596642 The telepaths rescued from the Shadows in "Ship of Tears" are being kept aboard Babylon 5 in cryonic suspension until a means can be found of disentangling them from their implants.
- @@@855596642 Lyta's telepathic powers have definitely been enhanced by the Vorlons, to the point where she can easily block a scan by a P12-level telepath while making telepathic contact across several light-years.
- @@@855596642 Z'ha'dum has been destroyed, but not before the Shadows' allies left with unknown quantities of Shadow technology and artifacts.
- @@@855596642 The Shadows' allies have arrived on Centauri Prime and begun deploying the keepers seen in "War Without End, Part Two."
- @@@855694042 After receiving a strange message from an unknown source, likely related to what was done to him in "Whatever Happened to Mr. Garibaldi?" Garibaldi has resigned as head of security. Zack has been promoted to take his place.
Unanswered Questions
- @@@855596642 Since some in the Psi Corps apparently still side with the Shadows, did the Corps participate in the looting of Z'ha'dum? If not, is the Corps in contact with the looters?
- @@@855596642 Did all the Shadows' allies go to Centauri Prime, or are there more of them headed for other destinations?
- @@@855596642 Exactly how powerful is Lyta now? Does she in fact have additional programming of which she's not yet aware?
- @@@855635078 What does Bester know about Lyta that she doesn't want others to find out?
- @@@855596642 What was the message Garibaldi received? If it activated an implanted personality or some hidden programming, why did he resign after receiving the message?
- @@@856342884 What exactly were the "station lock-down codes" Garibaldi gave Zack? Are they something Garibaldi knows, or something he might have kept a copy of?
- @@@855596642 What is Bester's "ace in the hole?" Is it Garibaldi?
- @@@855635078 How does he plan to recover Carolyn?
Analysis
- @@@855596642 Even Bester isn't let in on the entirety of Clark's plan,
just the part involving the Black Omega squadron. What else is
planned? Bester's superior said the plan involves the Ministry of
Peace and the Nightwatch, at least.
Apparently Bester either isn't strong enough to scan his superior without being detected (telepathic strength may determine one's placement in the Corps, so that's not surprising,) or he's loyal enough to the Corps as a whole to simply accept his boss's statement that he doesn't need to know the entire plan.
- @@@857587089 Bester took quite a personal risk by warning Babylon 5 of
Clark's impending plan. The entire plan was known only by a select
few, according to Bester's superior; presumably only Bester and his
superior knew about the Black Omega operation. If that was the only
part of the plan that failed, some degree of suspicion would naturally
fall on Bester as head of the squadron, subjecting his recent
activities to scrutiny. And if even one Nightwatch member noticed
Bester's presence on Babylon 5 -- not too farfetched, since he entered
through a public customs area -- Clark's people would presumably be
able to put two and two together and conclude that Bester must have
leaked the information.
- @@@855943187 The Shadows, according to Anna Sheridan
("Z'ha'dum")
believed they'd die if anything Vorlon touched Z'ha'dum. Many of
them did die when Sheridan arrived with a piece of Kosh. And now
Lyta's telepathy, enhanced by the Vorlons (and, indeed, genetically
seeded by the Vorlons in the first place) has triggered the
destruction of Z'ha'dum itself.
- @@@857890334 Why did Sheridan not realize where the Shadows' minions
were headed? In
"War Without End, Part One,"
he saw that they had gone to Centauri Prime. His failure to do
anything about their arrival there probably explains Londo's
accusation in that episode.
- @@@856343437 The pattern of light in Garibaldi's message resembles the
light shining on him from above in the escape pod in
"The Summoning."
- @@@856651345 Why did Bester, who took pleasure in needling Garibaldi
on his previous visits to Babylon 5, make no inquiry about Garibaldi's
absence from the station's command staff?
- @@@855943187 If Garibaldi's resignation is indeed a sign that he's
been programmed, the programming may be much more subtle than the
Control personality implanted into Talia Winters
("Divided Loyalties.")
The effect of the programming may simply be to cause Garibaldi to
become disillusioned about Sheridan and his cause. That would be
useful to Clark, who could use Garibaldi as a weapon in his
propaganda attack on Babylon 5.
- @@@856812639 On the other hand, it may be that Garibaldi's programming
hasn't been fully activated, and his resignation is his own choice;
he may believe he can't be trusted until he can piece together what
happened to him, and doesn't want to be in a position where he can
compromise Babylon 5.
- @@@857892236 In either case, Garibaldi's situation was foreshadowed in
"Divided Loyalties,"
in which he pretended briefly to be Control while Lyta was sending
the password to the command staff.
- @@@856651346 Was Delenn's remark to Sheridan, "We are old souls," a
casual observation, or does it have something to do with Minbari-human
soul migration? Might it relate to her observation in
"Soul Mates"
that Minbari believe that souls that have known one another in one life
meet again in later lives to relive good relationships and to
correct bad ones?
- @@@855943486 Do the Vorlons have allies like the Shadows do? If so,
are they looting the Vorlon homeworld? The Vorlons have been known
to keep members of other races on their homeworld (e.g. Sebastian in
"Comes the Inquisitor")
and presumably those people were left behind when the Vorlons
departed the galaxy. What will become of them?
- @@@855943486 At least some Vorlon technology was left behind: the
White Star Fleet. That would seem to give Sheridan a huge military
edge against Earth, whose armed forces aren't even on par with the
Minbari, let alone the Vorlons. (Assuming, of course, that Clark
and the Psi Corps didn't manage to procure any Shadow technology.)
- @@@855997432 Who is in charge on Centauri Prime? The minister told
Londo that the position of regent was mostly ceremonial. Londo is off
on Babylon 5, presumably not spending his time dealing with matters
of state. That would seem to leave a rather large power vacuum.
- @@@856167448 Why did G'Kar return to Babylon 5? It's not a sanctuary
for him any more, now that the Centauri have left Narn. Perhaps
he was simply returning to collect his belongings, or perhaps he
intends to resume his role as ambassador from Narn.
- @@@855997432 Sheridan's comment about further troubles at the beginning
of the episode, "But that's tomorrow," echoes Vir's admonition to
Londo to be happy about his victories
("Into the Fire.")
- @@@855997432 Zack and Garibaldi parallel each other to some extent. Garibaldi was willing to go on instinct and hire Zack when he was warned against it. Sinclair made the same leap of faith by hiring Garibaldi ("The Gathering.") Further, Zack's socializing with Lyta parallels Garibaldi's interest in Talia Winters. Given the way Garibaldi is acting now, do these parallels foreshadow any unpleasant developments for Zack?
Notes
- @@@855943187 Bester founded the Black Omega Squadron.
- @@@855597447 The season-three theme music was played at the end of the end of this episode during the original US broadcast, just like "The Long Night" and "Into the Fire."
- @@@856303420 A visual pun: Zack commented to his staff that he wanted to get away before the next person came through the customs area, since with his luck it'd be the Second Coming. The next people through the door were three Kings -- Elvis impersonators, a little far from Bethlehem.
jms speaks
- @@@855593777 The rest of the season will actually continue to
increase in intensity, not decrease. "Epiphanies" for me is an episode
where I can feel the gears changing between war and post-war just a
bit, but overall it's not bad. And there's some *mean* stuff coming up
very soon.
- @@@856812689 That's one more reason why I wanted to get the war out
of the way...because too many people were focusing in on the show as
being about the war. It ain't. It's about the changes that happen
before, during, and *after* a war. And what's coming up is in some
ways stronger because it's more personal.
- @@@856337711 About the dance music
Chris [Franke] wrote the music for us, in Big Band style. - @@@860653613 How was Garibaldi's message produced?
(Answered by coproducer George Johnsen)
Believe it or not, that piece started as color bars. It was twisted using Flint software from Discreet Logoc on an SGI Maximum Impact using fractal morphing plug ins.Feedback is a wonderful thing......
It is certainly concievable that Fractint would work to create a similar effect.
- @@@855800798 Sheridan was very sharp with Bester.
Yeah...Sheridan's taking a different tone with a lot of people these days. I guess being dead for a while does that to you.... - @@@855800798 Was Bester trying to scan everyone at the conference
table?
He tried to scan, but she kept blocking him. - @@@855997598 The scene between Sheridan and Delenn on the White
Star was edited.
"Was this your intention - to get a response from those of us who follow the Sheridan and Delenn story line closely? Some how, I feel manipulated and very disappointed."Yes, as I sat in the editing room, I thought, "Hmmm...if I do this, it'll get the Sheridan and Delenn fans' knickers all in a knot...."
Every scene goes through some editing...there is barely a scene we film that doesn't get a line or two or three snipped. Sometimes the edit is noticeable, sometimes it ain't. The only thing you can decide is, "Does this move the story along or not?" I was chasing about another 20 seconds (which was all we're talking about here), and the back-and-forth didn't really add anything to what was already in that scene. I treated it the same as I would treat any other scene.
- @@@855996602 Lyta doesn't officially work for Sheridan, but she has
nowhere else to go, and is beholden to him just for everyday survival
and protection against the Corps. That makes her answerable to him.
- @@@855941071 Why didn't Londo have guards while he was
shopping?
Because Londo wouldn't abide that for more than five minutes; it'd cramp his style. - @@@856342615 The G'Kar/Londo dynamic isn't quite over yet...there's
more to come, and that relationship is going to continue having its ups
and downs.
- @@@856337851 RE: the regent...well, if you want to do something
really nasty, you want to do it to somebody everybody kinda likes, so
you feel for the situation.
Ah likes doing that sorta thing...dropping anvils on characters to see what pattern splat they make....
- @@@855996861 Disneyplanet?
Give 'em time, and they'll try to buy a planet. It's inevitable.With Earth now in the present, that'd make two.
- @@@857554667 Speaking of visual puns, someone pointed out that in "Epiphanies," you've got Zack leaving customs, saying of whoever comes through next, "it might be the Second Coming and I'm five sins behind on penance," and who walks in...but the Three Kings....
Epiphanies
Synopsis by Katrina Glerum (kat@midwinter.com)
A Starfury formation spins past the observation deck amidst fireworks and
plumes of colored trails, while in the Zocolo a wild party is raging to
mark the end of the Shadow War. Sheridan and Delenn observe the celebrations
proudly, disregarding the uncertain future for the moment.
Trouble is brewing for them at home, though. President Clark sees the
station as a clear and present danger to him now that the Shadows are gone
and orders all his executive forces into action to take them out. The
first salvo is a propaganda offensive counducted with assistance from the
Psi Corps, and the station's favorite Psi Cop, Alfred Bester. If Clark can
turn public opinion against Babylon 5, he might be able to win where a
direct assault would fail.
On Centauri Prime, Mollari is preparing to return to his ambassadorial
duties. The palace is not such a safe place for him after the death of the
Emperor. As he departs, Londo bestows upon the fluttering Minister a
delightful piece of news; the Centaurum has decided to name him Regent
until a new Emperor can be selected.
While examining G'Kar, Franklin observes that he can probably fix the Narn
up with a human prosthetic eye. When he asks why G'Kar didn't stay on Narn
to lead his people, G'Kar replies that power corrupts.
Shaving himself quietly, Garibaldi draws a grim face in the steamy window.
The com panel reports an incoming message. It is untraceable and
encrypted. It displays as a rippling pattern of light, no audio. Garibaldi
watches the entire message, then deletes it.
He meets Ivanova, Franklin and Sheridan in the captain's office and
announces his resignation. They try to argue him out of it, but he is
steadfast. Their future in Earth Force is over; their chances for going
home are negligible; and if they weren't fighting the Shadows for the right
to choose their own destinies then what were they fighting for?
Zack is training a mixed team of humans and Narn in Customs. Just when he
tells them to flag anything unusual, he is astonished to see a remarkably
buoyant Londo Mollari come strolling through the gate. Zack remarks to the
trainees, "You never know who's going to walk in the--"
"Door," Mr. Bester supplies, as he strides through under guard en route to
his usual quarters in the brig.
Garibaldi opens his door to find the one-eyed Narn standing silently on his
threshold. He thanks G'Kar for going to look for him when he was lost and
as G'Kar stalks into the room he backs up stuttering apologies that G'Kar
was captured and tortured because of him. G'Kar simply picks him up and
sings, "Welcome home, Mr. Garibaldi!" He isn't angry at all, because going
in search of Garibaldi put him in the position to strike the deal with
Londo that freed his people.
When Sheridan tells him, Zack also thinks Garibaldi's action is pretty
strange. The discussion is broken up by an ISN news that all travel
between Earth and B5 is prohibited.
Zack finds Lyta surrounded by new purchases in her room. When he asks her
to come to the conference room to help them defend against Mr. Bester, she
grows angry. People use her, but no one is nice to her. A bit bashfully,
Zack explains that because of her association with the Vorlons and their
current reputation, most people are leery of her. She is relieved to hear
the truth. Taking another look, Zack offers to come over with pizza later
to help her set up her room.
Londo's joyful bargaining in the Zocolo is quelled when he sees G'Kar. He
stifles his first intention of sidling away and approaches instead. G'Kar
tells him plainly that Londo no longer exists in his universe. "Pray that
we never notice one another again."
Bester isn't happy seeing Lyta in the conference room and scoffs at her
abilities but the Captain isn't concerned, so Bester gets down to business.
He explains Clark's intentions towards the station and mentions a specific
plan. Before giving the details, Bester demands a price. He wants to be
taken to Z'ha'dum to look for abandoned technology that might help him heal
his lover. She is still in cryogenic suspension while Dr. Franklin
investigates the Shadow-made wetware in her head. When Bester attempts to
scan the command staff he is blocked, and when he attempts to scan Lyta she
mentally slaps him hard enough to jolt his head back. Sheridan agrees to
Bester's proposition. Bester describes Clark's plan. A patrol of Star
Furies blockading the last jump gate to B5 will be attacked by a wing of
Black Omegas, elite pilots under the command of Psi Corps, and the wreckage
will be seeded with "evidence" that the attack came from the station.
As Sheridan's White Star leaves for Z'ha'dum, Ivanova takes Alpha squadron
to defend the station's blockaders.
Zack visits the Chief to get the station security codes, and to tell him
he's making a mistake to quit. Garibaldi seems to satisfy Zack with a
philosophical answer about mistakes and second chances, reminding him that
the second chance he gave Zack by hiring him hadn't been a mistake.
Delenn and John share a rare quiet moment. When he complains that they never get a break she tells him he wouldn't have it any other way.
Ivanova's wing jumps out of hyperspace in time to save the patrol from the
Omegas which have just launched their attack. When the patrol leader is
confused, she tells him, "Reports of our disloyalty have been greatly
exaggerated."
Lyta appears to be concentrating when Bester comes upon her on the bridge.
He wants to know how she can block him. She is obligated to tell the
Corps, he says. Her refusal is met by a threat to reveal something she
wants kept secret.
Bester is unimpressed by his first sight of Z'ha'dum. Sensors indicate
that an evacuation of the planet is underway. The evacuees, allies
of the Shadows, are just leaving the local jump gate, and the planet
appears to be completely dead. Sheridan orders an immediate about face.
His instinct is correct as a moment later the planet explodes. No one can
rob the Shadows' grave now. Bester is enraged but Lyta surreptitiously grins.
The room where the cyrogenically suspended telepaths are kept is like a morgue. Bester shares a moment with the frozen body of his lover. He tells her door about sending his best pilots to their deaths for her. Sheridan and the others might all be laughing at his failure now, but he'd do it again in a second for her. Besides, he's got a surprise for them that will hurt them more than they can possibly imagine.
Lyta is visited by the Captain, who begins speculating about how a powerful
telepath in the amplified medium of hyperspace might have triggered the
evacuation and destruction of Z'ha'dum without Bester being any the wiser.
She explains that someone might want to hurt Bester
the way he has hurt so many other people, and that the technology on Z'ha'dum
should not fall into anyone's hands. Once her explanation is out he allows
his carefully contained fury to show. No matter how much he might agree
with her reasoning, he says that if in the future "a command level decision
were made without consulting me, I would turn you over to the Psi Corps and
let them turn you inside out. Am I perfectly, crystal clear."
"Yes sir," she replies. Before her dressing down has a chance to sink in,
a completely different visitor arrives bearing pizza.
Ivanova mentions that news of the attempted ambush has filtered back through Earth Force and only served to raise people's opinions of Babylon 5. Sheridan is disturbed, though. He has been thinking about where the allies of the Shadows might have gone. Ivanova assures him it's nothing to worry about.
On Centauri Prime, the new Regent is worrying. Having nightmares, or so he thinks. Until he staggers out of bed to the mirror. He pulls away his nightgown and is horrified to find an evil grey Keeper snuggled up to his neck.
Exogenesis
Overview
Marcus and Dr. Franklin combat an invasion by parasitic aliens that attach themselves to humans. Ivanova investigates the possibility of bringing a new member into the conspiracy. Joshua Cox as Corwin. Aubrey Morris as Duncan. James Warwick as Matthew Duffin.
P5 Rating: 7.34 Production number: 307 Original air week: February 12, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Kevin Cremin
Watch For
- Signs on the wall in the Brown Sector marketplace.
Backplot
- A race of symbiotes, the Vindrizi, has existed for half a million years. They were created as recorders, observing events all over the galaxy so that others can learn about the past when all the books and records have been swallowed by the next dark age. They survive by passing from host to host, always seeking volunteers who have nothing left to live for and want to live out their lives participating in a grand endeavor.
- The Shadows have been building up forces in sector 800, near the border of Centauri space.
Unanswered Questions
- What is the "package" from Mars that Marcus is waiting for?
- Why are the Shadows building up their forces in sector 800?
- Will Corwin prove problematic for the conspiracy of light?
- Who created the Vindrizi half a million years ago, and what made them think such living histories would become necessary?
Analysis
- It's never made clear how much time has passed before the Vindrizi's departure, but it's odd that Sheridan and company didn't jump at the chance to get all the information they could about the Shadows and the previous wars while the Vindrizi were still aboard. Of course, it's possible such discussions took place, but they're never mentioned.
- Now that Sheridan and his people know about the Vindrizi, perhaps they'll call upon them in the future.
- What came in on the ship at the beginning of the episode? The two people waiting for the ship were quite happy to see it arrive. Were they not yet joined with the Vindrizi, or did the ship simply carry more of their kind?
- Marcus seems a good deal less concerned with secrecy than his coconspirators; he was talking to Garibaldi openly, and loudly, about his network of contacts in a public place. By contrast, Ivanova and Sheridan didn't even want to be seen with him at the Earhart's party for fear of raising questions.
- Why is Ivanova so hostile toward Marcus? Have her last few romantic experiences made her want to discourage any new developments in that area? (For example, "The War Prayer" and "Divided Loyalties.")
- During the medical staff meeting, Franklin mentions that there's a need for Drazi blood. Is the station being flooded with Drazi refugees, much like it was with Narn refugees while the Narn-Centauri War was at its peak? If so, is Babylon 5 becoming a sort of haven for refugees of all stripes?
Notes
- Duncan's line, "I don't like being poked by doctors," is also spoken
by the main character Alex in Stanley Kubrick's
"A Clockwork Orange."
- The ship carrying the Vindrizi is called the Dyson, most likely named
for physicist Freeman Dyson.
- Marcus quotes from Dickens'
"A Christmas Carol" to Garibaldi, and from
Shakespeare's "Macbeth" when he wakes Duncan up. Note that Marcus
refers to Macbeth as "the Scottish play," and replaces "Macbeth" with
"Marcus" in his quote -- there is a superstition
among actors that referring to Macbeth by name is bad luck. (See
jms speaks)
The particular Macbeth quotes are from Act II, scene 2:
Methought I heard a voice cry "Sleep no more!
Macbeth does murder sleep" -- the innocent sleep,
Sleep that knits up the raveled sleave of care,
The death of each day's life, sore labor's bath,
Balm of hurt minds, great nature's second course,
Chief nourisher in life's feast.Then, a moment later:
Still it cried "Sleep no more!" to all the house.
"Glamis hath murdered sleep, and therefore Cawdor
Shall sleep no more. Macbeth shall sleep no more."Glamis and Cawdor are two earl titles that Macbeth holds.
- Marcus refers to his fighting staff as a "Copeland J5000" while trying
to convince the Vindrizi it's a medical instrument. That's most likely
a reference to producer John Copeland.
- The Vindrizi's musing about what they've experienced is reminiscent of Batty's dying words at the end of the movie "Blade Runner."
jms speaks
- "Exogenesis," which we just started filming this week, is probably our
most "ordinary" story of the batch, though it puts a new spin on
several traditional story elements.
- @@@865182196 Sometimes I do like to take stories that have always
been done one way, and turn them on their heads to see what new
possibilities tumble out. It's fun....
- "Exogenesis" - The last non-arc episode for some time. Puts Dr.
Franklin and Marcus together investigating some odd happenings in
DownBelow that may indicate some kind of alien influence. Does,
however, introduce a thread that will play out over time.
- Another "oh, yeah, I nearly forgot"...for those out there who have
young kids, or if you're a bit on the squeamish side yourself...there's
one EFX shot at the end of the teaser for "Exogenesis" that you may want
to avoid. When it was finished, John Copeland brought it into my office,
fired it up on my TV, and looked away, saying, "You look, it creeps me
out too much to look at it again." It's...pretty strong. So you'll miss
the minimum possible, here's the sequence: first there's the Screaming
Man (a), then a cutaway to two people (b), then back at the Man for the
first part of the shot (c), the two people again (d), the man (e), and
finally the two people. What you want to avoid, if there are real young
kids in the room, are shots c and e. That's it for the whole episode.
For non-netted folks, it'll go by pretty fast, but I figured it'd be
worth mentioning as an added piece of info for the netted amongst us.
- @@@865182196 How is your mental image of the arc holding
up?
The overview still holds up pretty well, I think. Toward the end of season two, I think things got just a *tad* too convoluted in places, so that's being cleared up a bit, the dry brush trimmed back, the red herrings cleared away, because we've got to start focusing on the real story, not the misdirections. That's probably the one thing I'd go back and revise, because in general, you can't just bring something up and walk away form (from) it later; it's got to either fit, or be reasonably, logically explained away. So some time has to be spent on that now. But that's been done pretty effectively in this first batch of episodes, and now we're down to really cranking on the shadow war.In four more episodes (writing-wise), I'll be at the exact midpoint in the story, which on one level is a little hard to believe; it's gont (gone) by so fast. Seems like yesterday that we just got started. Which is why the overview is very helpful; by constantly reminding me where we should be, it doesn't let me get lost in the neverwhere of TV production.
All things considered...we've had some bumps on the ride, a detour here and there, the occasional flat tire, but doggone it if the old thing seems to have a mind of its own; I started writing #7 the other day, and I'm well past halfway finished writing it, it's coming out almost as though it already existed, and I've just managed to "tune into" it, like the sculpter who knows that inside a block of wood is a horse, he just has to start chopping and cutting until he finds and relases it.
So long answer to a short question...we're still on course, and I'm still quite pleased with where we're going, and how we're getting there.
- Thanks. Yeah, Exo is the last non-arc episode for a long time,
and the last chance to catch one's breath before the big fall.
My personal evaluation of the episode is that it's okay. The second half, I think, isn't as strong as the first half. Halfway through writing the episode, we had a problem come up in production that unexpectedly took me away from the script for about a week. (Nothing major, but it had to be dealt with and it took time.) Usually, I write copious notes on a script before I begin writing it. In this case, the story was so crystalline clear in my head that I just dived in, and was blasting away terrific when the hit came midway through. By the time I got back, I'd lost some of the fingerprints of the story, and had to kind of re-find them again. Mainly, I think the expository sequence at the end could've been done better.
Needless to say, that's the last time I trusted myself without notes, no matter how well I "see" the episode in my head. It'd be a great script for second or first season, but we have to keep raising the bar, every aspect has to be better than the last thing we did, so for my money it's not quite up to that standard. Happily, it's the *only* episode this season that I feel that way about...the rest are all just nifty.
That said, I think it has some great moments for Marcus, Franklin and others...and yes, there's a lot more planned with Franklin coming up this season, particularly toward the latter third of the season.
- Thanks (I think). Yeah, I've said from the git-go that in my
view the second half of Exo isn't up to the first half. It is, in my
view, the weakest of this season's 22. On the flip side, that means
the other 21 are pretty nifty.
Agree with you on Marcus. I'm finding I have the same problem with him I have with Londo...getting him to shut up once I wire him up and let him go. He's a lot of fun to write, in that he can do the physical action stuff very well, he can do comedy, more dramatic emotional stuff...the whole range. I can take him places and do things with him that I can't in some ways for the other characters, in that he has only one responsibility, whereas the others have larger responsibilities to more people.
- @@@865182196 What did Joshua Cox think of Corwin getting to leave
C&C for a change?
He loved it. - About the avoidance of the name "Macbeth"
Just figured I'd use that description of it rather than Macbeth, to make it a bit more obscure, but also some actors do have a problem saying the name Macbeth or being around it when it's said (note: Jason isn't one of them). so it was also a courtesy. (Later on, while shooting "A Late Delivery From Avalon," one of the hair dressers made the error of referring to Macbeth out loud in front of Michael York, and had to go through the whole undo-the-curse routine, walking around the stages three times, etc.) - I like Marcus quoting literature, Shakespeare included. So
it's something I've peppered through his character, though trying to
avoid too much of it.
- Yes, Marcus and Ivanova should get along
well...assuming one doesn't kill the other first....
- @@@865182197 Why doesn't Marcus wear a link?
I just summoned up Marcus in my head. Here's what he said: "Because I won't wear the bloody thing, that's why. Bad enough you've got those pagers you wear in 1996, no privacy, no chance to get away, always at somebody's beck and call. Why not just put a leash around your neck and get it over with? It'd be faster and a good deal more honest. I'm down in the bar trying to be inconspicuous, dangerous characters on all sides, trying not to be noticed...and the link goes off, and I'm dead. Or at minimum seriously thumped. No, absolutely not. You'll never get me to wear one of those."(This is btw the reason why I absolutely *refuse* to wear a pager myself.)
- Was that Sean Connery's voice at the beginning?
It was a voice in the walla group that basically came out sounding that way. - @@@869590206 Response to the above from producer George
Johnsen
No, it is Doug Cook, one of our Walla people doing a fair Sean imitation which was not his intention. - Where did Franklin's stim abuse problem go?
It hasn't come to a head yet. Any abuser of substances has moments when he's up, and moments when he's down, moments when he seems fine, moments when he's not.
Exogenesis
Synopsis by Matthew Murray (mmurray@wsu.edu)
While a man and a woman meet a docking ship, Sheridan, Ivanova,
Garibaldi, and Franklin are celebrating in Earheart's with many other
officers Corwin's promotion from lieutenant J.G. to full lieutenant.
Garibaldi asks why Marcus wasn't invited, but Ivanova explains that,
since Earheart's is for Earth Alliance personnel only, it wasn't
appropriate for him to be invited. Sheridan agrees with her, saying
it's probably best if he keeps a low profile.
Things are not quite as celebratory, however, in Downbelow, where a lurker is screaming in pain while a strange small creature, resembling a scorpion, burrows itself into his back while the man and the woman who met the incoming ship earlier stand over him, watching expectantly. They go over to him after it has integrated itself into him, but are dismayed because their plan didn't work. Security is on its way, so they quickly take their leave.
In C&C, Sheridan speaks with Ivanova privately about Corwin, and whether or not he should be indoctrinated into their group working against the Earth government. He asks her to meet with Corwin to determine whether or not he would be a good choice.
Marcus runs into a friend of his, Duncan, who works in a bazaar. They
speak for a few moments, and though Marcus tries to convince the sickly
Duncan to see a physician, he refuses. Marcus promises to see him
again soon.
During Dr. Franklin's medical staff meeting, one of the other doctors
reports the unexplainable death of a man the previous night.
Franklin, wanting to determine the cause, asks that the body be brought to
MedLab 1.
Marcus is meeting with some of his informants, one of whom tells him
that the Shadows are beginning to gather around sector 800, on the
border of Centauri space, and that a package Marcus ordered will arrive
within a week. Marcus tells him to learn whatever he can about the
Shadow buildup. Marcus speaks with someone else who tells him
that one of his primary liaisons is no longer interested in working
with him. Marcus goes to pay the man a visit.
Dr. Franklin begins his analysis of the dead body, and while he finds
evidence of drugs, he can't find any other possible cause of death.
The computer, however, completes its scan, and finds one neural
anomaly. Franklin asks to see it, and the computer displays it: it is
the creature that entered the man earlier, and it is wrapped around his
spinal column. Franklin prepares to open up the patient.
Marcus finds his contact, Samuel, who seems to be in fine health, but has no further interest in working with Marcus, or explaining why he no longer wishes to do so. Marcus is quite suspicious about this, but leaves anyway.
While Franklin completes the autopsy, finding a small, worm-like creature in the dead man, the man and the woman seen earlier, with Samuel, stand over the body of Duncan as yet another creature bores its way into his back.
Franklin finishes studying the biomass, discovering that it is 100%
genetically neutral, meaning it can exist in any life form. He begins
working to discover if it came from the station itself, or if it was
brought there by someone else.
Marcus arrives back at the bazaar, trying to find Duncan, and is quite perplexed when he is unable to do so. He speeks to another merchant, who says that she saw Duncan earlier, but hasn't in a while.
Alone in C&C, Ivanova tells Corwin that, since he has been promoted, it might be a good idea for them to talk and get to know each other better. Though somewhat apprehensive, Corwin agrees, suggesting they meet in the mess hall, but Ivanova suggests a more private venue: her quarters. This startles him further, but he nonetheless agrees.
Marcus tries to explain to Garibaldi that the recent string of
disappearances might be a sign of a problem, but since no crime has
been committed, Garibaldi says there's nothing he can do. Marcus gets
angry at Garibaldi, claiming that he should look beyond protocol and
see what might be a serious problem, but this only angers Garibaldi
further. Garibaldi tells him that, if they are acting strangely, they
should speak to a doctor, but it isn't his jurisdiction. So, Marcus
speaks to Dr. Franklin who, at first agitated, eventually agrees to go
with him to investigate the problem.
Corwin approaches a flower vendor, and tries to explain his situation, with some difficulty, since he isn't sure himself what the situation is. Coming to the conclusion that he has a date with someone aggressive, the flower vendor gives him a large bouquet of synthetic roses, saying that no woman is ever offended by roses, except by their absence. Corwin agrees, and pays 40 credits for them.
Franklin and Marcus go to Duncan's quarters, but despite their incessant paging, he doesn't answer. Franklin reluctantly uses his medical override to open the door, and Marcus rushes in, finding something troubling inside. Franklin joins him, where they see that a strange substance has eaten through one of the walls. Marcus goes through the hole it created, and Franklin follows. It leads out into a hall, where there is another man on the ground, with another creature absorbing into his back. Franklin rushes to help him, but is stopped and held at gunpoint by a group of those previously affected.
Franklin and Marcus, in a makeshift prison cell, talk about the
situation, while Franklin explains the parasitic being he examined. He
warns that they could take over the whole station, but Marcus doesn't
understand why the creatures would take over the lurkers
rather than the crew. Franklin tries to get some of the
others to help the fallen man, but they refuse to do anything. He
tries to explain that the creatures are controlling them, but they say
nothing. Franklin asks if they can understand him, and one of them
explains that the man will stay there until they are finished, saying
that Franklin's safety may be in jeopardy should he try to interfere.
Franklin backs further into the cell, telling Marcus that they need to
escape, which might be difficult, since two of their three captors have
firearms. Marcus says that all they need to do is to get one of them
to leave, which will even up the odds. Franklin doesn't understand
this, but knows that, since Marcus told Garibaldi of their plan, he
will be there soon. It turns out, however, that Marcus did in fact not
inform him. They are on their own.
Corwin arrives in Ivanova's quarters, bearing the bouquet of roses.
It's quickly clear she doesn't consider the meeting a date;
desperate to not look foolish he claims to have found the flowers lying
outside. She says that it is silly to spend money on high-priced
synthetics, but that she finds it romantic, and confides in him that
she has a weakness for roses. She thanks him for keeping them out of
someone else's hands, but definitely wants to find out who brought them
to her.
Duncan arrives at Franklin and Marcus's prison, and tries to explain his situation, and how he was helped. He says that he was Duncan, but is now part of another species, the Vindrizi, and warns Marcus that he will hurt Marcus if he interferes. The part of him that was Duncan doesn't want that to happen. Duncan invites them to view the process, but all Franklin understands is that the Vindrizi seem to kill everyone they inhabit. Duncan tells him that only certain humans are suitable for a merger, and that the Vindrizi want only to save lives, and that there is no other way.
Ivanova gives Corwin a cup of real coffee, which she grows in the hydroponic gardens, counter to regulations. She explains that sometimes you have to bend the rules to get what you want, and Corwin agrees saying that, if it doesn't hurt anyone, or is good for Earth, he has no complaints. She asks him what he does if his orders conflict with what is good for Earth. Corwin tells her that everything will fall apart if the chain of command isn't obeyed. He says that, if he saw someone trying to gather officers to act against EarthDome, he would report them, and asks if there is anyone she wants him to watch. She says the question is merely hypothetical, asked only to learn where everyone stands. She thanks him for coming, says good night to him, and he leaves.
Still in their prison, Marcus asks Franklin about Ivanova, and if he
has done something to offend her. Franklin assures him that it just
takes her time to get to know someone, and that she hasn't adjusted to
him yet. Marcus says that he is looking forward to finding out more
about her. Franklin finds it funny that they are talking about this
in their situation. As Franklin begins to
convince Marcus that he isn't her type, several of the Vindrizi-inhabited
lurkers arrive and take Franklin away, saying that one of them is ill,
and that they need his medical expertise. They take him to a room
where a lurker is on the table, dying. Franklin tries to convince them
that the only way to save him is to remove the Vindrizi from him, but
they will not accept no for an answer saying that, should he not help,
he will be directly responsible for the man's death.
Marcus, alone in his prison, notices that the odds are now two against one. With the odds even as he sees it, he convinces one of the guards that a small device sitting on the table is actually a vital medical device that Franklin needs. Marcus instructs him on the use the device, which turns out to be his retracting pole; the guard knocks himself out with it. Marcus is able to defeat the other guard easily, and escapes his cell. He finds Franklin's hand link, and tries to use it, but the computer won't let him, since he isn't Franklin. He grabs his pole and runs off, while Ivanova, who detected the attempted use of Franklin's link, sends security to brown 84 to find the culprit.
Marcus easily defeats a guard patrolling the hallway. He grabs the guard's weapon, and quickly finds Franklin. He grabs Franklin away from the Vindrizi. The Vindrizi try to convince Franklin to continue helping the lurker, but Marcus decides to try to talk to them in order to get away safely. When he tries to threaten the Vindrizi, he is interrupted by Duncan, who begs him not to do what he's doing. Marcus asks what sort of a life Duncan will have if he is forced to remain merged with a creature. Duncan explains that he and the others weren't taken over, but volunteered.
While Garibaldi and other security officers mobilize to search the sector, Duncan explains that the Vindrizi were created over a hundred thousand years ago to be living records of history, bearing evidence of planets, cultures, and civilizations that will exist long after the other races have died and all other knowledge has been destroyed or forgotten. The only way the Vindrizi can survive is to take over the bodies of other races. They choose those near death, so that they may have new life and a purpose, which they may not have had before. Marcus says that he doesn't trust the Duncan he sees now -- only the one he knew. As if by request, the Vindrizi inside Duncan thrusts its way out of him and scurries away. Duncan explains that his life, before the Vindrizi, was destined to be completed in Downbelow, but, when merged, he saw and knew things that he had never dreamed of before. After the explanation, Franklin agrees to help the Vindrizi, but only if he can be assured that he can approve all volunteers, and that they all agree to it beforehand. The Vindrizi agree, and Franklin calls Garibaldi, informing him of his location, and ordering a medical team. Marcus tries to apologize to Duncan, but it does no good. Duncan is sad at all he has lost, but apparently bears no ill will.
Ivanova approaches Sheridan in C&C. Sheridan indicates toward Corwin, without saying a word, as if asking what her analysis of his potential was. She shakes her head, and they both look away sadly.
Marcus catches up with Duncan in the docking bay, just as he is about
to leave. Marcus tries to convince him not to, but Duncan insists he
must. In the time while he was inhabited by the Vindrizi, he learned
that he was special, and he wants to go out and find things that might
make him feel that way again. Marcus again apologizes, but Duncan says
that he realizes he did what he did only because he cared, and tells
Marcus that he realizes that maybe everyone should become special
before it's too late. Duncan tells Marcus that maybe, when he finds
what he's looking for, he'll return. Duncan boards his ship,
leaving Marcus alone.
Back in Earheart's, Franklin explains that so far, everything the Vindrizi told him is the truth. Garibaldi asks what Franklin thinks of Marcus; Franklin says Marcus did a good job, and tells Ivanova that Marcus might appreciate a second chance with her. "That's it," she says to herself. "He must have sent them!" She quickly excuses herself and rushes out.
Bearing the bouquet of synthetic roses, she marches forcefully through the station, finally arriving at a table where Marcus is eating. She thrusts the roses down on the table in front of him, haltingly ordering him to "Keep 'em," before marching away again.
"Thank you," he calls after her. "I will!" He picks up the bouquet admiringly. "Well, I guess there's hope for us after all!"
Eyes
Overview
An internal affairs investigation of Sinclair forces him to answer for his recent command decisions. Ivanova confronts a member of Psi-Corps, as well as her own fears, when she is told to submit to a scan. Gregory Martin as Col. Ari Ben Zayn. Jeffrey Combs as Harriman Gray.
Sub-genre: Intrigue P5 Rating: 8.16 Production number: 122 Original air date: July 13, 1994 DVD release date: November 5, 2002 Written by Larry DiTillio Directed by Jim Johnston
Watch For:
- Some alarming developments on the Mars colony.
- A possible change in Ivanova's attitude toward Talia Winters.
Backplot
- The unrest on Mars is continuing to escalate; now the separatists have started carrying out terrorist attacks and are arming themselves. (cf. "A Voice in the Wilderness")
Unanswered Questions
- How will the powerful backers of the investigation react to Ben Zayn's failure?
Analysis
- Several interesting hints about Ivanova and Talia Winters are dropped, most notably the fact that Ivanova was thinking of Winters when she and Gray were talking in the lounge. Ivanova's insistence that no one must ever intrude upon the memory of her mother's telepathic contact may foreshadow a less adversarial relationship between the two of them in the future. (cf. "Mind War")
- The fact that Bester was able to intervene in the investigation at all suggests that he, and possibly Psi Cops in general, wield a lot of power in the Psi Corps. It is also conceivable that Bester and at least some of the factions in the Senate who backed the investigation are related.
- Is Ivanova's reluctance to be scanned simply what she says it is -- a result of her contact with her mother and her general hatred of Psi Corps -- or does she more immediate reasons, perhaps something to hide?
Notes
- Lennier's chant, "Za ba ga bee," is the title of an album by Barnes and Barnes, of which Bill Mumy is a member. (See jms speaks)
- One of the masked men in Ivanova's dream is played by Macauley Bruton, who also plays Garibaldi's aide in "Mind War," "And the Sky Full of Stars," and "Chrysalis." See jms speaks.
jms speaks
- The last episode [of Season 1] to be shot will be Larry DiTillio's
"Eyes," which is sort of a nice wrap-up to the season, almost an
overview. Once again, nothing that happens this season is simply
forgotten...and a *lot* of it comes due in this episode. It actually
manages to incorporate references to about 6 prior episodes without
being obscure about it.
- BTW...about the time we were delivering "Eyes," somebody on one of
the nets was going on and on about how "B5 continuity *stinks*...I'll
bet we NEVER hear about Deathwalker again, or the strike, or the
Vorlons killing Deathwalker, or Raghesh 3...."
And seeing what was at that moment on my TV, I wanted to reach through the computer monitor, roll up my forefinger, and *plink* that person right upside the nose.
Unfortunately, I have not yet found a modem program that supports this feature.
But Ron is promising me something by the Fall....
- The other thing about "Eyes," btw, is that it's not something dumped
in outta nowhere to make a conflict; it's the direct payoff of events
that take place throughout the season where Sinclair breaks or bends
the rules. Lots of people on the various nets said, "Yeah, there he
goes, breaking the rules in the strike, but is this every gonna pay
off? No, probably not." If we're consistent with reality, and with
our story, and Sinclair's broken some rules, and pissed off some
people back home, then it is *inevitable* that this will eventually
come home to roost in the form of an investigation.
- BTW, for those who saw the promo for "Eyes" at the end of "Grail," I
have *no* idea what it has to do with the episode. Sometimes they
"enhance" the story to make it promote-able...but I think this time
they "enhanced" it right into a parallel dimension....
- Was Lennier's chant scripted?
When it came time for that chant, nothing had been scripted; it was supposed to be a soft, under one's breath kind of chant. Bill came and asked me and Larry if we had anything in mind. We said no, whatever you decide is fine...and he ended up chanting his album cover.Later...*much*...later...when I discovered this, we discussed it at some length.
- There's another reason
why Macauley was used as Tragedy in a dream
mainly centered around Psi Corps; it's not really something anybody
needs to see or catch. After "Revelations," it'll be clearer.
- Actually, ben-Zayn is an Middle Eastern/Arabic name.
- I believe the bike in question was a Ninja. And Jerry Doyle is
something of an enthusiast, which is part of what led us to that.
- Correct; Kawasaki did not pay us a dime to use the bike in the show.
We called around, to see who would loan us a bike, with the
understanding that we'd be tearing it apart. Because Kawasaki does
advertise with some of the PTEN shows, someone there had a
relationship with the company, and gave us a name. After we tried a
couple of other companies, we tried Kawasaki, and they agreed...not a
donated bike, just a loaner. And that's what we used.
- The masks were the basic (though somewhat modified) tragedy and
comedy masks, associated with theater. And a couple of times,
Ivanova's mother does use the Russian nickname for her as well as
the English version. Susan was taught and raised to a large extent
overseas, and they always tried to keep her in both worlds.
- Yes, Psi Corps members must wear the Psi symbol at all times when in
public. (Though since Grey was there undercover, that briefly went
by the boards.)
- New Jerusalem is a planet; there's a side-story about it that I'm
contemplating getting into, so don't want to blow it here.
- . . . Let me only emphasize some stuff here. As stated, Larry never
SAW the Drumhead. We generally make it a point NOT to watch what's
done on ST to avoid being influenced. Second, the basic ending which
you feel is strictly ST's can be seen in the Caine Mutiny, A Few Good
Men and others. "Eyes" was a direct consequence of all that preceded
it in our first season. It came about because Larry suggested that
with all that Sinclair has done, sooner or later somebody's going to
take notice back on Earth. There would have to be some kind of
investigation. Because we are doing some very specific things with
the Psi Corps this year and next, which I wanted to foreshadow, a PC
telepath was inserted into the story, to show that they are starting
to get a foothold into the military, with new laws concerning scans.
We knocked the story back and forth for some time, and it went through many different permutations. We also figured that the episode should be kind of a Cliff's Notes guide to season one, hitting the high points for those who joined the series later than those who were here at the beginning. The ending also went through various changes, but what made the most logical sense was to get the Colonel to admit bias in some fashion or another...and the only way to do this really was to get him so angry, so furious, that he'd incriminate himself enough, or open the door enough for Mr. Grey to verify the bias.
That was how the structure was arrived at. I was there. It had nothing -- *nothing* -- whatsoever to do with the Drumhead, which I have a vague memory was written by Jeri Taylor, who is a friend of mine, and further invalidates the very idea.
- Mr. Grey would've been a P10. PsiCops are P12s.
PsiCorps administrators at the upper reaches are P11 or better.
- Grey reached into Ben Zayn's head and, for lack of a better term, pushed his "pain button," the same way you can stimulate someone's memory or physical sensations with an electrode or chemicals. It was only a second, and he would've shrugged it off quickly, had Sinclair not been there to follow up.
Eyes
Garibaldi is trying to put together an old motorcycle when he's visited by Lennier. Shaal Mayan (cf. "The War Prayer") is about to visit the station again, and, given what happened the last time she was there, Delenn wants to arrange extra security. After delivering the message, Lennier takes an interest in Garibaldi's bike -- a 1992 Kawasaki Ninja in mint condition. Garibaldi has been trying to assemble it for years. He has all the parts and a manual, but it's in Japanese. Lennier offers to help, and Garibaldi gives him the manual.
Lennier accepts the manual.
Two men, one with a scar by his right eye, are looking at a file about Ivanova. "What do you think?" asks the scarred man.
"Most of the personnel will be no trouble. This one, however..."
"Anything you can't handle?"
"I don't have to handle it. Her record's spotless. There's no reason to include her."
"That's not your decision. And she will be included. Records don't always tell the whole story. That's one of the reasons you're here, Mr. Gray. Remember?"
"As you wish. When do we begin?"
"As always, Mr. Gray, when the time is right."
Sinclair meets with Garibaldi and Ivanova. A recent attack on Station Phobos, on one of Mars' moons, has been tied to Martian separatist groups, perhaps Free Mars, or one of the even more radical groups. Earthforce is concerned that Babylon 5 will be used as a transfer point to ship arms to the rebels. Ivanova points out that it'll be hard to stop; the station's trade agreements with many of the aliens allow them to sell arms. Sinclair tells the two of them to keep a close watch on incoming and outgoing ships, and notify Earthforce of any that are carrying weapons.
The scarred man, meanwhile, is sitting next to a security officer, Welch, and begins to ask him about the station and about Sinclair. He introduces himself as Aaron Franks, of Quartermaster Corporation, and says his company is interested in becoming one of Babylon 5's suppliers. Welch brushes him off; Franks goes to another station crewman and starts talking to him. Welch notifies the security station.
Welch tries to eat his
lunch.
Lennier watches a file on the history of motorcycles on Earth, and is fascinated by what they once represented. "Sexual prowess and rebellion," he muses.
Garibaldi watches Franks talk to a bartender. When Franks leaves, Garibaldi asks the bartender what he wanted. He was asking about Sinclair -- how often he comes to the bar, who he drinks with, and so on.
Garibaldi catches up with Sinclair and tells him that Franks, and an associate, Harriman Gray, both listed as representatives of Quartermaster, have been asking all sorts of questions. Sinclair tells Garibaldi to look into it, as it might be a cover for arms shipments; Quartermaster is a major military supplier. "Walk softly," Sinclair cautions. "The last thing we need is a corporate lawsuit."
Gray is in his quarters when Garibaldi comes to the door. Gray slips on a pair of black gloves and, somewhat flustered, tries to convince Garibaldi that he and Franks are there to negotiate a deal to supply the station. Just then, Franks arrives. He offers Garibaldi a drink, and is pleasantly surprised when Garibaldi turns him down. He tells Garibaldi that his name isn't Franks at all. He's Colonel Ari Ben Zayn, of Internal Investigations, and Gray is a military specialist from Psi-Corps. They're on the station, Ben Zayn says, to conduct a special investigation of Babylon 5's command staff.
Later, Ben Zayn talks to Sinclair, Ivanova, and Garibaldi. With the recent events on Mars and elsewhere, Earthforce needs to know who's loyal and who isn't. Sinclair vouches for his crew, and objects to Ben Zayn's tactic of questioning people without his knowledge. Ben Zayn says he has ever right to do so; his authority comes directly from the Joint Chiefs of Staff. He says he's not here to persecute anyone; it's a routine investigation.
Ben Zayn briefs the command
staff.
Ivanova objects to the presence of Gray; regulations prohibit the use of telepaths in routine investigations. Ben Zayn tells her there are new regulations; all staff must submit to scans. Ivanova refuses, growing angry, but Sinclair stops her and says he'll check the regulations himself. Ben Zayn attaches Garibaldi to his staff over Sinclair's objections, and the two of them leave Sinclair and Ivanova alone in Sinclair's office. Ivanova reiterates her refusal to submit to a scan.
Garibaldi tells Ben Zayn he thinks the whole investigation is a sham. Ben Zayn orders Garibaldi to collect all the files -- including classified ones -- on the station's staff, and report back with them later that night.
Lennier intercepts Garibaldi in the hallway and says he's managed to translate the manual. He offers to help with the bike; Garibaldi eventually agrees.
In his office, Garibaldi instructs the computer to put together the files Ben Zayn requested. While that's going on, he tells it to find out all it can about Ben Zayn and Gray.
Gray pays a visit to C&C, where Ivanova is on duty. As she tries, without a hint of subtlety, to brush him off, he tells her that as a child, he wanted nothing more than to be a pilot. He worked for it, applied to the academy, was accepted -- and then his talents were discovered. It is against the law for psis to serve in the regular military, but Psi Corps offered him a chance to work in its military branch. It's not the same thing as Ivanova's brand of soldiering, he says, "but half a dream is better than none."
Ivanova isn't moved at all. And when Gray says he won't intrude on her privacy, just scan those thoughts pertaining to her duty, she lashes out, exclaiming that such a scan isn't only an assault on her, but on her honor. "If you enter my mind for any reason," she continues, seething, "I will twist your head off and use it for a chamberpot!"
Later, Ben Zayn is grilling Garibaldi about Sinclair's actions -- specifically, the fact that he failed to so much as file a complaint about the Vorlons' destruction of Deathwalker's ship (cf. "Deathwalker".) Garibaldi points out that it'd be useless to complain to the Vorlons anyway, and suggests Ben Zayn ask Sinclair about such things directly. Ben Zayn answers that he intends to, at 1200 hours, and tells Garibaldi to inform Sinclair, then get some sleep.
Garibaldi goes to Sinclair, who has taken over for Ivanova in C&C. He is concerned that maybe Sinclair does have something to hide: "I know you're a by-the-book kind of guy, but let's face it, we've had to rewrite the book a few times to make B5 work." Garibaldi warns Sinclair to watch out for Ben Zayn; he's dangerous, as is Gray. Sinclair promises to take care of it all, and tells Garibaldi to get to bed.
When Garibaldi returns to his quarters, he finds Lennier chanting over the motorcycle. "I am about to embark upon the mysteries of the 'fuel injection system,'" Lennier says. Garibaldi tells him to come back sometime after 1200 the next day. After Lennier leaves, Garibaldi inspects the bike. "Not bad," he says. "Not bad at all."
Ivanova has a bizarre dream, in which her mother is injected with drugs by two dark men in masks. Gray is there, warning Ivanova not to interfere. "Only one way out," says Ivanova's mother as she's injected. Then it's Ivanova, not her mother at all, who's being held by the masked men. "Only one way out," she says, dazed. Ivanova bolts awake in bed, covered in sweat.
Ivanova's mother loses
consciousness.
Sinclair is in his quarters, studying regulations, when Ivanova comes in and offers her resignation, the only way to avoid the scan. Sinclair assures her it's not necessary -- he's found a way around the scans. He asks why she's so afraid of being scanned, anyway; didn't her mother make contact with her?
"Yes, she did," answers Ivanova. "You can't imagine what it's like. To share your own mother's love for you. To feel it in your thoughts. No one's ever been that close to me, Commander. And no one must ever intrude upon that memory. Especially Psi Corps."
Ben Zayn studies a file about Sinclair. When Gray asks why, Ben Zayn says he wants to know everything he can about Sinclair, part of the reason Gray is there. When Gray objects, claiming such things are against the rules, Ben Zayn tells him to stop being naive, and says that Bester (cf. "Mind War") will appreciate anything Gray can do.
Sinclair arrives and says he'll be ready to begin as soon as Gray leaves the room. He says he studied the regulations carefully, and found that a telepath can only be used to determine the truth of answers to specific charges, not for routine loyalty tests. Gray sides with Sinclair: "Even Psi Corps doesn't consider it a carte blanche rule."
"I don't remember asking for your opinion," Ben Zayn answers angrily, but he dismisses Gray.
Gray visits Ivanova in a lounge. She's surprised to see him, but he explains that Sinclair knows the regulations better than Ben Zayn. "I will long savor the look on the Colonel's face," he says. "Not many people are willing to stand up to him. It was very refreshing."
Gray talks with Ivanova.
Ivanova says Gray doesn't seem like other Psi Corps people; she finds his dislike of Ben Zayn unexpected.
Gray answers that he has no love for Ben Zayn; he's efficient, but lacks compassion. "As for Psi Corps, I doubt you really know any of our people very well. Especially Miss Winters."
"You're scanning me," Ivanova objects.
"I'm sorry. The thought of Miss Winters was very loud in your mind when I mentioned Psi Corps. I couldn't help but pick it up. Please, forgive me. I am surprised you were aware of it." He pauses. "Of course. She must have been in your mind numerous times before she was given the sleepers. Your mother."
Ivanova is furious, and demands that Gray not mention her mother again. Before she can say more, she's called to C&C.
Sinclair is defending his handling of the dockworkers' strike (cf. "By Any Means Necessary") when Ivanova calls in from C&C with a matter demanding his attention.
Ben Zayn tells her to handle it on her own. That's too much for Sinclair, who says he won't tolerate Ben Zayn disrupting the operation of the station. He gets up to leave, but Ben Zayn blocks his path. "I've seen plenty like you," he says. "Hotshots promoted through the ranks without any real leadership ability." He assumes control of Babylon 5, relieving Sinclair. Garibaldi barely stops Sinclair from slugging Ben Zayn.
Ben Zayn baits Sinclair.
Sinclair, says Ben Zayn, quoting a regulation, is working against the best interests of Earthforce, and he can prove it with Mr. Gray's help. Which, now that he is bringing up specific charges, he is within his rights to demand. He tells Garibaldi to confine Sinclair to quarters.
Walking to his quarters with Garibaldi, Sinclair says he'll go straight to the top and contact HQ. He tells Garibaldi to get to C&C, where Ben Zayn is no doubt telling Ivanova he's in charge.
And, in fact, that's exactly what's happening. Ben Zayn orders Ivanova to report along with Sinclair and Garibaldi for a scan in the morning, then retires to his quarters. Ivanova tells Garibaldi she won't submit.
"You'll be charged with insubordination," Garibaldi says.
"And I'll be replaced and dishonorably discharged. It's a very Russian ending. I should've expected it." She flees C&C. Garibaldi catches up to her.
"You once offered me a drink," Ivanova says (cf. "Born to the Purple".) "If that offer's still good, I could sure use it."
Garibaldi says he has something to take care of, but tells her he'll meet her in the casino in ten minutes.
Sinclair speaks with an Earthforce general. Though he has the power, the general won't intervene. It seems there are some powerful people in favor of the investigation, people Sinclair has made angry over the years, and with a vote on the President's new immigration policy coming up in the Senate, the President can't risk upsetting them by agreeing to stop Ben Zayn.
A drunk man bumps into Ivanova in the casino. "Hey, look at the cute commander," he says, fondling her hair.
"Cute?" Ivanova asks.
"Cute?"
Garibaldi tells Sinclair that Ben Zayn was among the top ten candidates for command of Babylon 5, while Sinclair was... somewhat lower. Ben Zayn, Garibaldi has discovered, is also associated with Bester, the Psi Cop whose partner was killed on the station. In fact, Bester assigned Gray to Ben Zayn. Sinclair speculates that the investigation might be Bester's way of getting revenge, as he promised he would. Further speculation is cut short as Garibaldi is called away; there's a big problem in the casino.
Ivanova throws punches left and right, holding her own in a huge brawl that's quickly trashing the entire casino area. Garibaldi arrives and manages to calm her down. He leads her away and tells his men to clean the place up.
Arriving a few minutes early to his interview, Sinclair finds Gray getting a feel for the room. He tells Gray that Bester assigned him to Ben Zayn, and, in fact, that Bester and Ben Zayn are good friends. "Maybe you're scanning the wrong people," he says, just before Ben Zayn walks in.
Ben Zayn calls Garibaldi and Ivanova in. Gray instructs Sinclair to remain calm; the scan won't hurt if he doesn't resist. Sinclair asks if Gray will be scanning Ben Zayn too; the regulations, after all, say that all involved parties are subject to scan, and Ben Zayn is certainly involved. Besides, Sinclair says to Ben Zayn, the intent of a question is often as important as the answer. "For instance, if I were to ask you why you turned a routine investigation into a personal hunt for my scalp..."
Sinclair baits Ben Zayn further, about Bester and the fact that he didn't get command of Babylon 5. Ben Zayn says he deserved Babylon 5, but thanks to the Minbari, Sinclair got it. He says he knows all about Sinclair and the Minbari, and soon Sinclair won't be their agent any more.
Ben Zayn loses his temper.
Gray says he can feel the hatred in Ben Zayn's mind, vile and filthy. Ben Zayn slaps Gray hard, sending him falling from his chair, then pulls a gun on Sinclair, Garibaldi, and Ivanova, daring them to try to take it away.
From the floor, Gray transmits intense pain to Ben Zayn, who stumbles long enough for Sinclair to grab the gun and knock him down with a punch. The investigation, such as it was, is over.
Later, Garibaldi goes to his quarters, and is dismayed to find Lennier there, putting the finishing touches on the motorcycle. "I've been working on it for years," he says. "It was sort of my purpose in life. But now it's... done."
Lennier apologizes profusely, but Garibaldi forgives him. The two of them inspect Lennier's handiwork. "Too bad we can't ride it," Garibaldi muses.
"It is quite ridable," says Lennier. It seems he installed a clean, efficient Minbari power source in place of the combustion engine.
Sinclair and Ivanova talk about the investigation as they walk down a corridor. "I never thought I'd be grateful to a member of Psi Corps," says Ivanova. "I hope things don't turn out too badly for Mr. Gray."
The circumstances, Sinclair assures her, will vindicate Gray. As for Bester, he'll stay in the shadows, but most likely the whole affair will have some repercussions on Bester, too.
As Sinclair and Ivanova enter a transport tube, Garibaldi and Lennier zip by on the motorcycle. "It's good to have things back to normal," quips Ivanova as the bike zooms up the curve of the corridor.
Synopsis by Steven Grimm
Falling Toward Apotheosis
Overview
The Vorlons step up their battle against the Shadows. Londo uncovers a new wrinkle in his plan to unseat Emperor Cartagia. Sheridan asks Garibaldi to remove Kosh from the station. Delenn gets a surprise from Sheridan. Ed Wasser as Morden. Wortham Krimmer as Emperor Cartagia. Wayne Alexander as Lorien.
P5 Rating: 8.78 Production number: 404 Original air week: November 25, 1996 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@848919207 With the help of Lorien and the original Kosh, Sheridan has successfully removed the new Vorlon ambassador from the station, possibly killing it in the process.
- @@@848919207 Lorien healed Sheridan at Z'ha'dum by transferring some of his own life energy into Sheridan. Sheridan has at most 20 years left to live.
- @@@848919207 Londo owes Sheridan a favor.
- @@@849006901 Emperor Cartagia has plucked out G'Kar's eye, as Londo saw in his dream ("The Coming of Shadows.")
Unanswered Questions
- @@@848919207 Why is Lorien keeping such close watch on Sheridan?
- @@@848919207 How does Sheridan plan to stop the Vorlons?
- @@@848919207 Why did Kosh's ship go berserk during the battle? What was it trying to do? (See jms speaks)
- @@@848919207 Now that the Vorlons have been seen without their illusions in place, will they still bother to maintain their angelic facades around the younger races?
- @@@854693691 What was the Vorlon "cause" that compelled Lyta to cooperate with them? Did they explain their true motives to her, or did they feed her a palatable lie?
Analysis
- @@@848919207 Sheridan and Lorien appear to have gotten to know each other well. What has each of them been getting from the relationship? So far, Lorien doesn't appear to be feeding Sheridan specific information about the Vorlons or the Shadows (though that could be happening offscreen.) He seems to be providing moral and philosophical support more than anything else, aside from the occasional dose of life energy. What is Sheridan giving him in return? Presumably it's something worth leaving Z'ha'dum to get.
- @@@848919207 Sheridan authorized the transfer of refugees to Epsilon 3 without even consulting with Draal. How does he know Draal wouldn't object? If the planet is still available as a defense mechanism for the station, Draal would most likely need to tell the crew where to set up camp, lest they put refugees right on top of an underground weapon. It's also interesting that the surface of Epsilon 3 is apparently habitable, given that oxygen masks were required to breathe underground ("A Voice in the Wilderness.") Perhaps the crew is assuming Draal will provide an appropriate atmosphere.
- @@@848919207 Kosh expressed outrage, not surprise, that a human could mentally imprison a Vorlon. Perhaps the Vorlons have a weakness like the Shadows', and can be contained by sufficiently powerful telepaths.
- @@@848919207 Is the difference in color between the two Vorlons significant? It may simply be due to the fact that what emerged from Sheridan wasn't just Kosh, but a combination of Kosh, Sheridan, and Lorien.
- @@@848919207 Delenn recognized Kosh immediately. Does that mean she had previously seen his true form? If so, it was most likely in "Chrysalis," though why he would let her see through his mask then isn't clear, since he most likely projected an image to her in "The Fall of Night."
- @@@848919207 Lorien's healing technique resembles that of the healing machine from "The Quality of Mercy." Could that machine be used to further extend Sheridan's life, or Lorien's, for that matter? How much life does Lorien have left?
- @@@848919207 When he used it on Z'ha'dum, it obviously extended to the original Kosh as well, since Kosh was able to battle his successor.
- @@@850299819 Sheridan's shortened lifespan may be the terrible price Delenn mentioned in the flashforward in "War Without End, Part Two." At that time, 17 years in the future, he would only have another two or three years left to live, barring other developments. (See jms speaks)
- @@@848919207 Kosh gave his life willingly to stop the other Vorlon. Perhaps that goal was what he needed to live for, his version of Sheridan's devotion to Delenn. If he had to come to terms with his own death as Sheridan did, such self-sacrifice was presumably somewhat easier when the time came.
- @@@848919207 Is the original Kosh the only Vorlon to oppose what's going on now? Perhaps they're factionalized much like the Minbari, and the new Kosh represented the more belligerent faction, which has the upper hand at the moment. In any case, why did the original Kosh care about the younger races more than his replacement?
- @@@848919207 How much of Kosh is still left in Sheridan in the form of memories and knowledge? Was Kosh's presence instrumental in putting together whatever plan Sheridan has in mind?
- @@@848919207 Londo clearly plans to strike at Cartagia on Narn, where presumably he'll be an easier target than he is in the royal palace. But even if he succeeds, what then? The Shadows will still be on Centauri Prime, with only a few days left until the projected arrival of the Vorlon fleet. It's unlikely Morden and his associates would look favorably on a request to leave the planet, and even if they went away immediately, Centauri Prime would still have been touched by the Shadows and thus would still be a target.
- @@@865731509 By failing to suggest a punishment for G'Kar, Londo has likely just wasted his first chance for redemption: saving the eye that does not see ("Point of No Return.")
- @@@850523208 Cartagia's vision of the end of Centauri Prime ("Let it all end in fire") may be related to Kosh's reply to Emperor Turhan in "The Coming of Shadows," to whom he said that things would end "in fire."
- @@@852059217 In fact, Kosh may have been saying more than the Emperor knew; perhaps he foresaw the deployment of the Vorlon planet-killer, or believed it likely, and figured it'd be used against Centauri Prime. If so, how long have the Vorlons been planning their current course of action?
- @@@859396839 Garibaldi theorized to Franklin that he might have been caught in the hyperspace backwash when the Shadows pulled out. This was first mentioned as a danger in "Signs and Portents," in which Sinclair warns Ivanova to stay away from the raider mothership to avoid being pulled into its backwash.
Notes
- @@@877241620 The list of sites accepting refugees from Ventari III,
as shown in Ivanova's broadcast:
- Tizino Prime (presumed destroyed later in the episode)
- Mokafa Station
- Drazi Fendamir Research Colony
- Kazomi III
- D'Grn IV
- L'Gn'Daort
- Nacambad Colony
- 7 Lukantha
- Oqmritkz
- Velatastat
- Lesser Krindar
- Greater Krindar
- @@@850298803 The rightmost head in Cartagia's shadow cabinet is Andreas Katsulas (G'Kar.) See jms speaks.
- @@@839551695 "Apotheosis" means "elevation to divine status," or more simply, deification.
- @@@848919344 The two Koshes left the scene of the firefight through the ceiling. If they were headed for space, they took the long way there; to get outside through the ceiling, they'd have to pass through the center of the station.
jms speaks
- @@@1728829113 In response to a
CompuServe message
That was really excellent. Let me explain to you how excellent it was: I was taking a break on CIS because I was trying to work through the heart of a scene between Delenn and Sheridan in script 403. It was a little fuzzy there in places, and I usually log off and putter around rather than trying to write it when it isn't all there yet in my head. Your analysis helped me clarify something in my own mind which was there in the first place but hadn't yet racked into focus yet. It would've done so eventually, it always does, but you may have saved me an hour or two of going back over their relationship in my head and pulling out the emotional and thematic undercurrents of what's been established over the last couple of seasons.Good stuff.
- @@@844028525 One is falling toward something which is rising, therefore
promising imminent conflict.
- @@@850550081 Which storyline does the title refer to?
Interpretation is everything...I prefer to leave it that way. - @@@848310645 Does it end in a cliffhanger?
No, it doesn't exactly end with a cliffhanger.It does, however, end on a cliff.
- @@@848682626 So earlier this week we did the audio mix on almost all
of 404, "Falling Toward Apotheosis," which airs this coming week. We
did all but 7 minutes, because they were seven...big...minutes.
Last night, after working at the stage from early morning on, John Copeland, George Johnsen and I left about 7 p.m. to go and mix the audio for those seven minutes.
We finished at 2:30 a.m. (And I had to get up at 7:30 a.m. for a meeting, no less.)
Point being...if you've got a friend with a good TV and a spiffy audio or surround sound system, you may want to watch this next one over at their place.
Just a thought.
- @@@851232246 Which seven minutes?
From Lyta's entrance to Kosh's place, to Lorien's hand. - @@@850298803 About the shadow cabinet
Yes, that's Andreas' head, which I personally moved over to where it would be beside Peter...who complained (in jest) that Andreas was again stealing the scene from him. - @@@851907178 Why is everyone acting strangely toward
Garibaldi?
The main reason for the non-big reaction to Garibaldi is that none of them really know of anything that went on. He says he just got caught in the hyperspace backwash, and his ship got swiped. And it's a fairly thin story, so there's some questioning of what's not being said, or is this the whole story? So people are bound to be a bit more tentative...and, again, there's a big huge war on, and pilots returning from missions at the height of WW2 were given a handshake and told to get back into the plane for the next mission. - @@@850328566 Have we seen a Vorlon's true appearance?
That's pretty much what they look like. - @@@865283336 Actually, we kinda decided to cut back a bit on lens
flare...because that particular one is now used in so many places, it's
become a cliche. We tried out a new kind of flare in the Kosh2 scene,
when he nails Sheridan, you can just sorta see it...once everyone else
does what we've been doing, we tend to move on to newer areas.
- @@@857328062 Why didn't Kosh project an illusion?
Because it takes concentration to pull it off, and Kosh2 was kinda distracted.... - @@@850328566 The encounter suit was mainly to mask them.
- @@@851074022 The idea was to short out and "crack" the suit, getting
the vorlon out, so the last of Kosh and Lorien and Sheridan could deal
with him in a weakened and more vulnerable state.
- @@@850328566 The Vorlons looked a bit like Shadows.
I didn't think they looked that much alike. But then, no two people ever see Vorlons in quite the same way, I guess. - @@@848919344 If Vorlons are amorphous energy beings, how was Kosh
poisoned in
"The Gathering?"
Remember, they do have a certain physicality about them, even in that form, and the nature of the poison was such that it would affect that kind of life form using a crystalline base (note in the pilot the screen reads analyzing crystalline structure, and you filter light or refract or distort it using a crystalline structure). - @@@851198236 Silicon or crystalline based lifeforms are still lifeforms,
just not the same as carbon-based lifeforms (like us).
- @@@850328566 Yes, that's a Vorlon...and there was a physicality to them,
shown by the fact that it could strike out and hit things. It's not a
ghost or anything of that nature, it can be hurt and killed.
- @@@850550437 What was Delenn doing at the fight?
Well, I think it's pretty obvious she would've known about it, given her proximity to Sheridan...and if I knew something this big was going on, sure as heck *I'd* want to be there to see it. - @@@850328567 What was Kosh's ship
doing?
It was responding to Kosh2's commands to get out of there so he/it could enter it and escape. - @@@850328567 Wouldn't the original Kosh have stopped it from
tearing the station apart?
There wasn't enough left for that...it was just a hint of him, that later needed to be bolstered by both Lorien and Sheridan to hit even a part of its original ability. - @@@850539271 Kosh went with the new vorlon into the ship, and that final
blast was what did the job ultimately.
- @@@850539271 Didn't Lyta already tell the new Kosh that
Sheridan had a piece of the old Kosh?
Actually, she said, "I think, it's possible, someone else does." But she didn't specify Sheridan, and likely wouldn't have until she knew absolutely for certain...and until she knew a little more about the vorlon she was dealing with. - @@@850550719 Was Kosh aware of what was being planned?
I'd say it was aware of this, yes...and you can hear just a trace of its voice just before it emerges. - @@@850522934 All trace of Kosh is gone. He/it will never be seen again,
in any form, exempting flashbacks, of which none are currently planned.
- @@@854124767 Was it necessary to kill the new Kosh?
Had Kosh2 left when asked, it wouldn't have had to be done, no. It was vaguely possible, but they had to plan as if he would not do so, which in fact was what happened. - @@@864588843 The idea was to force Kosh2 out of the station, to where it
could be destroyed outside with a minimum of damage to the station.
Delenn wasn't happy about it, but also recognizes that war means
sometimes having to kill somebody.
- @@@850539271 With two of their ambassadors dead, won't the Vorlons
take revenge against B5?
Of course, at the moment, the vorlons are a little busy...but given time, yes, they would do exactly that. - @@@864894531 Did the original storyline call for the first Kosh
to be killed in this episode?
Best to leave what might've been out...what is, is better. - @@@864894531 There's a lot more to be said of the story of Kosh, and
the Vorlons in general...and part of me says explain it later...and
another part says that if you explain mysteries too much, it destroys
them.
- @@@850550856 Morden is living in denial...he's afraid, and hoping he's
right. Centauri Prime has more civilians than any other planet or
colony hit so far: three billion people. The shadows are hoping a
figure that high will daunt even the Vorlons.
The wings are just how we perceived them, to some extent, though we did see a hint of wings as the last of Kosh emerged from Sheridan. (We also heard the wing flap sound, and the sound of Kosh's voice for the last time right after Lorien's "Now.")
Dr. Kyle saw the angelic form...even in its reduced state, it held itself together enough to maintain that form.
- @@@850328567 Was Sheridan almost dead in
"War Without End, Part Two?"
Yep, at the time of that flash-forward, Sheridan has at most 2-3 years left to live. - @@@855248233 Had he followed Delenn's advice, would he be in
the same situation anyway?
Had he not gone to Z'ha'dum, he would've avoided that fate, but caused another. - @@@850298803 Minbari can easily live to about 140 or so.
- @@@864894531 Was it fair of Sheridan to propose to Delenn after
Lorien's bad news?
Well, I think it's better for someone to know that first, then find out about it later. "Oh, good, we're going to spend the rest of our lives together...oh, by the way, now that you've committed, you should know...."Uh, uh.
- @@@850647613 Delenn is spending a lot of time fawning over
Sheridan.
"Considering her past role in Minbari society, though, I expect her to snap out of it pretty soon. She was *trained* to take charge, and even the things she's endured lately won't supress that conditioning forever."Oh, most definitely...count on it. She's done more than enough "oh john" stuff for my tastes...that will start to change, and soon.
- @@@850757478 Too much depression and guilt lately, and she's
been for the most part a passive character lately, while others acted
around her. Now it's about time for her to start becoming active again.
There's fire and steel in *use*, and fire and steel waiting to be
called upon...time to shift from the latter to the former.
- @@@850938080 How does the Minbari sleep-watching ritual compare in
seriousness to Sheridan's marriage proposal?
Well, I think it fair to say that with Delenn starting the ritual, there had already been kind of an implicit understanding that this was going to be more than just a fling...and there's still a long road ahead of them before this can be finalized. - @@@850328567 Why doesn't Cartagia have the telepaths seen in
"The Coming of Shadows?"
They weren't prophetesses, they were communications-telepaths, and the emperor can use them if he perceives the need to keep in contact with events in the royal court. Cartagia could give a fig for what goes at home, which will be ash soon anyway.... - @@@850523392 Cartagia wouldn't go to Narn just because Londo
asked.
Except, of course, this trip with G'Kar was in his best interest, and Cartagia is always responsive to what's best for Cartagia. - @@@850550856 For my money, the truly frightening thing about Cartagia
is that he is motivated entirely by whim, by caprice...he can give you
something wonderful one moment, then turn around and have you killed
the next. You *never* know which way he'll flip from moment to moment.
- @@@850522934 Why didn't Londo try to save G'Kar's eye?
Yeah...would've been nice if Londo had at least tried to do something about the eye that did not see Cartagia's splendor.... - @@@850978352 The Londo stuff is nice, and you do get a sense of the
kind of person he was before the empire began to slip, and his fortunes
with it. He can definitely pull it out when he wants to.
- @@@851939219 Only 3 billion people on Centauri Prime?
Basically, I figured with a culture in decline, often the birth rate goes down; it's also a fairly small world, all things considered...and a LOT of them live on other colonies, they've been spreading out a lot longer than we have...and of course they have always been sensible about birth control and population growth, one of their few wisdoms, and one we could learn from. - @@@859325143 Was Kosh's comment about Sheridan opening an unexpected
door in
"The Hour of the Wolf"
related to the change in Vorlon strategy?
They couldn't break the rules of engagement, but he did...and started things moving. - @@@859325128 Wasn't the planet-killer a break in the rules?
That *followed* his trip to Z'ha'dum...so yes, the rules began to slip after that.
Falling Toward Apotheosis
Synopsis by Matthew Murray (n9641343@cc.wwu.edu)
Please Stand By
Incoming Transmission
The face of Commander Ivanova appears on the screen. "We're
pre-empting your normal BabCom service to bring you another update on
the continuing crisis. Two more deep-range planetary colonies have
been eliminated by Vorlon forces." The image changes to that of the
Vorlon fleet. "This footage was taken as the Vorlon fleet closed in on
Ventari III. The ship eclipsing the local star is presumed to be their
main weapon, the planet-killer.
Below is a list of nearby colonies and League worlds which
are accepting refugees from Ventari III. We will continue to update
this list as the situation changes. If you are from the Ventari
system, you are asked not to return until authorized. The local
jumpgate has been destroyed, and hyperspace traffic is creating a
hazard at the jump intersection. Contact your ambassadors for
information on family members who may have escaped before the colony
was destroyed. We're taking in refugees and escaping ships as fast as
we can, but our resources are almost maxed out. We will repeat this
bulletin every twenty standard minutes until we receive new
information. Once again, please remain calm. Right now, our greatest
enemy is fear."
As the transmission breaks off, a woman tries to make her way through
the overcrowded docking bay, but is knocked down. She begs someone to
help, but no one will even stop to look at her until someone reaches
his hand out toward her and helps her stand. It is Sheridan, with
Lorien close behind. Sheridan leads her to Zack, who is standing
nearby. Sheridan and Lorien move away. The woman asks Zack if it is
true that Sheridan came back from the dead, and Zack responds that he
isn't sure, but takes her off to contact her husband.
"You heard?" Lorien asks, as he and Sheridan walk through the station.
"I heard," Sheridan responds.
"They need to believe."
"Not in me."
"You can't save them all."
"I can try."
"You'll fail."
"We'll see."
As Sheridan and Lorien walk away, the face of Ivanova, on a nearby monitor, once again asks for everyone to remain calm. "Right now, our greatest enemy is fear." However, the Vorlon fleet, undaunted, continues on its way.
Garibaldi is in his office, looking through securecam stills of the
docking bay. Zack comes in, and asks Garibaldi how he is. Garibaldi
says he's fine, but he'll be better once he gets back to work. Zack
notices what Garibaldi is doing, and asks him why, since Franklin
wanted him to take it easy. Garibaldi says if he doesn't do something,
he'll go crazy. He explains that he is worried about Lorien--wherever
Sheridan is, Lorien is. Zack says that it is probably because Lorien
saved Sheridan's life. Zack
doesn't pretend to understand it, but is glad Sheridan made it back
alive. He asks Garibaldi if he's sure he's okay, which annoys
Garibaldi. Garibaldi asks Zack if he thinks he's lying about not
remembering what happened after his disappearance, and Zack insists
that nobody thinks Garibaldi is lying.
Garibaldi, however, is still upset that he's being kept at arm's length
while Sheridan, who went through similar circumstances, is welcomed
back. Zack tells Garibaldi that
Franklin wants to do one more examination, but after that, he'll
be back on the job. Zack begins to leave, but as he goes, Garibaldi
tells him that he feels Captain Sheridan is avoiding him, even though
they were on good terms when Garibaldi left. Zack says he doesn't know
why, but is sure Sheridan has his reasons. Garibaldi, taking this in, turns
back to the securecam still of Lorien.
Londo enters the garden to find Emperor Cartagia waiting. He is
staring up at the sky, and asks Londo what he sees. Londo replies that
he only sees the stars, but a familiar voice from behind tells him he
isn't looking hard enough. It is Morden, who tells Londo the Vorlons
are out there, and attacking the worlds which have been subjected to
Shadow influence. Londo asks Cartagia if it's true, since he's heard
nothing about it, and Cartagia confirms that it is. When Morden tells
Londo that, during the last war, they put ships on planets so that
their fleet could never be entirely destroyed, Londo asks Morden if the
ships will be leaving. Morden says they won't, since he doesn't feel
that the Vorlons have the will to destroy a world as big as Centauri
Prime. Londo tells Cartagia the ships must leave, but both he and
Morden agree they won't. Morden says that, if the Vorlons meet up with
a Centauri fleet, and can see they are willing to oppose them, they
will ignore Centauri Prime and move on. Morden then bids Londo goodnight,
and vanishes back the way he came. Londo is outraged that
Cartagia would send Centauri ships to defend the Shadows, but Cartagia
says he has no intention of doing that.
Londo and Cartagia walk back into the palace, and Londo tells Cartagia
he is relieved that Cartagia won't send the Centauri ships. Cartagia
says he reached Londo's conclusion as well, and that, when he realized
that, he learned that he liked Londo very much, since they think the
same way. Because of this, Cartagia tells him, he shows Londo
something very few others have seen--his "shadow cabinet," his
collection of heads. He says he was discussing the situation with them
earlier, and that one of them, a previous minister, got the idea to not
send out the Centauri ships. Londo asks Cartagia if that means
Cartagia will ask the Shadows to leave, but no--Cartagia wants the
Vorlons to come so that the planet can become an inauguration pyre to
commemmorate Cartagia's ascension into godhood. Cartagia reasons that,
when he becomes a god, his subjects will not be able to live without him,
therefore, if he takes them all with him, no one will be sad when he
dies. "Don't send the ships," Cartagia tells Londo. "Let them come!
Let it all end in fire!"
Franklin continues to examine Garibaldi in MedLab, one test of which
includes an examination of the back of Garibaldi's head to see if there
is any evidence of his being put in a Shadow ship. Franklin tells
Garibaldi he's clean, but wonders what Garibaldi thinks happened.
Garibaldi says he thinks he was caught in the backwash when the
Shadows left the station's area. Franklin says that Garibaldi is now
clear to go back to work, but a memory stirs in Garibaldi's head, which
stops him for a moment. He agrees, and leaves. Sheridan enters, and
asks Franklin if there are any results on his tests, and he and
Franklin both go off, as Ivanova appears again on the BabCom screen...
"This is a Command and Control update. The safe haven for refugees on
Tizino Prime is no longer responding. We believe they may have fallen
to the Vorlon advance, but we can't be sure for another--I guess--ten,
twelve hours? Before they attack, the Vorlons blanket all frequencies
so no reports can get out. There have been some changes to the list of
refugee stations. We'll have that information for you shortly--we've
lost three of them. All the governments in sector 57 have declared a
state of interplanetary emergency..." Reports coming in from survivors
indicate mass destruction on a planetary scale. We continue to need
medical ships, transports, anything that can fly. We're in special
need of atmosphere-capable shuttles to evacuate survivors from the
ground. We'll rebroadcast this message in twenty standard minutes."
As the message ends, Delenn enters Sheridan's office where he has been
watching. Sheridan says that there's something in Ivanova's voice
that he hasn't heard in the ten years he's known her--fear. Ivanova is
afraid of what's happening. Sheridan tells Delenn it's the first time
he's seen her alone since he got back. Delenn says that's it been so
busy that it's understandable, but that she felt it was her fault that
he went to Z'ha'dum. She tells him she feared that, even if he
came back, he would not forgive her, and she would lose him again.
Sheridan tries to tell her she did what she thought was right, but
Delenn knows it was no excuse. She tells him she's sorry, but Sheridan
tells her that it was she that saved him when he fell at Z'ha'dum--it
was the memory of her that kept him going, and that she gave him the
reason he needed to come back. "Could I love that much and not
forgive?" he asks her. They embrace.
In the war room, Ivanova tells Zack, Franklin, and Garibaldi that the
station is up to its ears in ships of all kinds. Franklin
understands, since MedLab is the same way. Garibaldi tells them,
however, that they are going to have a much bigger problem on their
hands soon when all the survivors come to Babylon 5 looking for
someone--anyone--of their own races that survived the Vorlon onslaught.
Garibaldi knows there isn't a thing that can be done to stop it, and
the problem will get worse since they are already well over capacity.
Franklin suggests that they
shuttle as many people as they can to Epsilon III to keep the
population in check and when Sheridan comes into the room, he agrees.
Sheridan sits down and says they have an important problem-- Kosh. As
long as he's there, they can't make a move without him knowing about
it. Sheridan says that they don't know how telepathic the Vorlons are,
and Sheridan has kept Garibaldi out of the loop so that, in
case Kosh can read from a distance, he won't learn of their plans.
Sheridan tells Garibaldi he wants the Vorlon gone. He wants to give
Kosh what he expects, so that they can do what they have to do.
Sheridan wants Garibaldi to take only a few people, and Garibaldi says
Kosh will wipe up the floor with them, a fact which Sheridan
understands only too well. Garibaldi leaves to go assemble the team,
and Zack gets up to follow soon after. Lyta and Lorien come into the
room and say that their part of the plan is ready. Lorien tells
everyone that the Shadows could kill Kosh because they were both First Ones,
but that, when a Vorlon is enraged, its power is beyond human
comprehension. Franklin asks what the plan is, and Sheridan tells them
all that as long as Kosh remains, billions of lives are at stake. "So
we're going to take out the Vorlon... any way we can."
"This is Command and Control," Ivanova says on BabCom. "We have
another update on the Vorlon attack fleet. The Dura VII outpost has
fallen. I Repeat, Dura VII has fallen. All medical ships in the area
are being asked to help with the evacuation..."
Garibaldi and his security team, wearing their oxygen masks, approach
Kosh's quarters, and ask to come in, but there is no response.
Garibaldi overrides the controls, and they all go in. Garibaldi tells
Kosh that the Captain told them to ask Kosh to leave. Kosh doesn't
respond. Garibaldi says that the request is now an order, and that
they will escort Kosh to his ship. The Vorlon has but one reply,
"No." One of the officers tries to approach Kosh with his PPG, but a
blast from the Vorlon sends him against the wall. The others fire at
the encounter suit, to no avail. Kosh, fighting back, creates a
high-pitched noise which, after a few moments, shatters the glass on
the front of the teams' oxygen masks. They run out of his quarters and
the alien sector, choking and gasping for air. They know they didn't
do any good, but they sent the message that they are willing to fight
back. Garibaldi hopes it's enough, and hopes that Sheridan knows what
he's doing.
Sheridan is in his quarters when he is informed that Londo is sending him a message. Londo asks Sheridan if the rumor about the Vorlons is true, and Sheridan confirms that it is. Londo asks how far the Vorlons are from Centauri Prime, since that information is not widely distributed on the planet. Sheridan tells Londo it will be about a week before they arrive. Londo asks if Sheridan is doing anything about it, and Sheridan says that, though they won't have anything in place for a while, they are doing their best, but there are no guarantees. Londo wishes Sheridan good luck and signs off.
Lyta enters Kosh's quarters. "I heard what happened," she tells him. "I came to warn you. Sheridan and the others are going to move against you."
"It is done," Kosh replies. "They are irrelevant."
"I know, I know they can't harm you, but I was thinking, it can't hurt to have all the information you can about what's going on. To protect yourself and the cause."
"How?"
"I told you, I wasn't here when Ambassador Kosh died... I didn't have any of his essence with me. I thought he was gone. But, for a while, I suspected that someone else here had a piece of him. I think I know who it is, but I can't draw Kosh out of him... he won't let me."
"A human?"
"Yes."
"Imprisons one of us?"
"Yes."
"Intolerable!"
"If there is still a piece of him there, you can draw it out of him. Use what it knows and take it back to Vorlon when this is all over. I cared about Kosh... I'd like to know he finally made it home."
"Show me."
"The guards..."
"They will not threaten us again. Show me!"
Lyta and Kosh leave the quarters, and make their way through the alien sector to the main part of the station. Lyta leads him down a corridor. "It's this way," she tells the Vorlon. "We have to hurry... I think he might leave soon."
"Your thoughts are troubled," Kosh says, stopping.
"I'm worried about Kosh, that's all. After everything we've been through, I'd hate to lose the last of him now, and..."
"What are you hiding?"
"Nothing."
"Open your thoughts to me!"
"We don't have time for this..."
"Open..." The eyepeiece on Kosh's encounter suit opens wide for a moment, but it is too late... The plan has already begun. Sheridan, who was hiding nearby, yells at Lyta to get out of the way, which she does.
Kosh, in the middle of the corridor, is suddenly bombarded with blasts
of electricity from several junction boxes, which hit the encounter
suit directly. From other hiding places in the room, many more
security guards appear, each firing their PPG rifles directly at the
encounter suit. Delenn appears while this is going on, and watches in
stunned silence. The current continues unabated, the security officers
keep firing at the encounter suit for nearly a minute. There is a
small explosion as the headpiece of Kosh's encounter suit shatters, and
a flurry of light emerges from within. Kosh emerges from the encounter
suit, but he appears this time as an enormous, glowing, tentacled being
which begins flying around the room, attacking everything it can, and
firing energy bolts of its own.
As the Vorlon goes on its rampage, one of the security officers near
Delenn falls, and she attempts to bring him to safety. The current,
which exhausted itself shortly after Kosh was released, is no longer
effective, and Sheridan calls Ivanova for more, which she tries to give
him. While she does so, she receives a message from someone in the
docking bay saying that the Vorlon's ship is going crazy, trying to
break away from the station. She orders the ship to be cleared to
leave before it tears apart the station. Meanwhile, the Vorlon sets
its sights on Delenn as she tries to drag the security officer away
from its wrath. Sheridan sees this and jumps between them, but is
snared by a tentacle. The Vorlon
ship clears the station, but Sheridan is caught.
Lorien, who has been observing, nods to Sheridan. "Now." Sheridan manages to turn around and face the Vorlon, and as he does so, an enormous golden shape, bearing much resemblance to the other one, emerges from Sheridan's chest, and locks onto the other one. The two forms begin fighting each other. Delenn understands what has happened.
"It's Kosh... Kosh was inside him."
"Yes," Lorien tells her. "The last of Kosh. And some of him, and some
of me."
The two Vorlons, still fighting, flow through the ceiling of the
section and move through the rest of the station, eventually emerging
and coalescing onto the Vorlon ship, which is making its way away
from the station. As the two forms encompass the ship, it explodes as
well. Then, all is quiet.
Delenn runs over to Sheridan, who lies crumpled on the floor. Lorien
tells her that his life force must be replenished, and places his hand
on Sheridan's chest. Lorien's hand glows, and Delenn asks if that is
how he brought him back at Z'ha'dum. Lorien tells her that he gives of
himself to replenish Sheridan, for a little while. Delenn asks how long,
but all Lorien tells her is, "Long enough." Sheridan regains
conciousness, and Delenn holds him closely.
Londo waits nervously in Emperor Cartagia's throne room. When Cartagia
arrives, annoyed at being summoned on such short notice, Londo tells
Cartagia that, while he thinks that the emperor's coming godhood is a
momentous event, he thinks that others should see his greatness.
Cartagia asks why they should care what others think, and Londo
explains that, after the fall of Centauri Prime, there will be no one
left to sing Cartagia's praises. Once the Centauri are gone, there
will be no one left to remember him. Londo says what he has in mind is
that, if G'Kar's trial and
execution were conducted on Narn instead, the whole planet would be
able to see Cartagia's greatness. Londo convinces Cartagia that, if he
does this, his name will be remembered long after the fall of Centauri
Prime. Though Cartagia is worried about the barbarism of the Narns,
Londo convinces him that gods should not be afraid. Cartagia agrees
with Londo's plan, and sets it in motion. Londo tells Cartagia that
he will go with him in order to personally end G'Kar's life.
Dozens of warships crowd around Babylon 5--Ivanova explains to Garibaldi
that Sheridan wants the biggest fleet in history to end the war.
Garibaldi asks what will happen if they win, since there is nowhere else
for them to go. And, if they lose, that's the end. "God, I thought I
was depressing," Ivanova says as she leaves C&C, allowing Garibaldi to
ponder this on his own.
Delenn enters Sheridan's quarters to find him there with Lorien.
Sheridan says he has something to tell her that he feels she has a
right to know. Lorien explains that, when Sheridan was dying on
Z'ha'dum, he did what he could to help. He cannot prevent death, but
can extend and enhance life. Sheridan tells
Delenn that Franklin's tests revealed an energy inside him, repairing
and sustaining him. Lorien tells Delenn he did the best he could, but
that he could only give Sheridan back a portion of his life--twenty
years, barring further injury or illness. Sheridan tries to convince
her that, though he'll only be living until his early 60s, it's a
decent life-span, but Delenn is taken aback, upset since she believed
she would have a much longer period to spend with him. Lorien says
that, after twenty years, one day, Sheridan "will simply... stop."
Sheridan asks Lorien to give them a moment together, which he does.
Sheridan tells Delenn it's all right, and that he knew what he was
getting into--his shortened life is the price he had to pay. Delenn,
however, isn't so sure--she feels like she is still losing him before
she should. Sheridan tries to convince her that it's a long
time--twenty more years than he would have had otherwise. He pulls a
small box out from a hiding place and hands it to her--he says he got
it in the Zocalo, and though it isn't what he had in mind, it's merely
a temporary engagement ring. She clearly doesn't understand, and he
explains that the ring is given to a loved one as a down-payment for
another ring--the ring exchanged during a wedding ceremony. Sheridan
tells her he wanted her to have it so that she would know that,
whatever time he has left, he wants to spend with her. They kiss.
Londo arrives to find Cartagia and two guards looking after G'Kar. Londo tells Cartagia that their people on Narn are ready for their trip. Cartagia pulls Londo aside and tells him that he doesn't like the way G'Kar is looking at him. He asks Londo for advice, but Londo says that he is sure Cartagia will make an appropriate decision. Londo leaves hurriedly, and Cartagia continues to ponder the problem.
"No, I don't care at all for the way he looks at me," Cartagia says to himself. He reaches his decision. "Pluck out his eye!"
"Which one?" asks one of the guards.
"I don't know," Cartagia replies. "It doesn't matter!" He moves his finger back and forth, trying to choose between the eyes, and he settles on G'Kar's left eye. "That one," Cartagia says, and he leaves, smiling. The two guards inside move closer to G'Kar, and as one of them draws a knife, the cell door slams shut.
Grail
Overview
A traveller comes to B5, seeking the Holy Grail. A series of unexplained attacks on several Lurkers may be linked to Ambassador Kosh. David Warner as Aldous Gajic. Tom Booker as Jinxo. William Sanderson as Deuce.
Sub-genre: Mystery P5 Rating: 7.43 Production number: 109 Original air date: July 6, 1994 DVD release date: November 5, 2002 Written by Christy Marx Directed by Richard Compton
Backplot
- Babylon and Babylon 2 were sabotaged. Babylon 3 blew up before it was finished. Babylon 4 vanished without a trace in front of witnesses.
- The Minbari highly value people who spend their lives searching for something. Delenn seems to believe that's true of Sinclair.
Unanswered Questions
- Delenn seems to consider Sinclair a true seeker. What is he seeking?
- Why didn't the feeder want Gajic?
- What happened to Babylon 4? (cf. "Babylon Squared")
Analysis
- Perhaps Delenn's comments about Sinclair simply refer to his search for the truth about the Battle of the Line, if she realizes he knows something of what happened to him. Or there could be a deeper meaning.
Notes
- This episode features the series' first CGI alien (the na'ka'leen feeder, pictured above.)
- The transport Marie Celeste, which Thomas boarded at the end of the episode, is a reference to a sailing ship found adrift on the sea in 1872 by the crew of the ship Dei Gratia. The Celeste's crew was missing, as was her single lifeboat, but there were half-eaten meals in the mess hall and other evidence the crew had left suddenly. Investigators found that Captain Morehouse of the Dei Gratia had dined with Captain Briggs of the Celeste the night before departure, and Morehouse and his crew were tried for murder. There was no hard evidence, and they were acquitted. The missing crewmen were never found.
jms speaks
- In an earlier version of the story, it was indeed Kosh who appeared out
of nowhere and scragged the Feeder, saying, "Some things we do not
allow," but it seemed kinda un-Kosh-like on one level, and it repeated
the Deathwalker finish, so it was dropped.
- The grey-alien trial scene from "Grail" will be excerpted for a
two-part "Sightings" on alien abduction.
I'm *still* laughing.
- The human won the case, but damages awarded were minimal.
- Yes, this Christy Marx is the same as the one who writes games and
has written comics as well.
- Actually, Christy has gone on record (otherwise I would not have
noted it myself) that the trial scene at the top of "Grail" was
written and inserted by me, since it was a bit short.
- @@@852230750 Yeah, it's a lovely scene. I dropped it into Christy's
script because it was something I always wanted to do. I just figured,
okay, if these things really ARE happening, and it gets found out, and
we make contact with aliens, and find the ones responsible....
somebody's gonna want to sue their butts off. So it became a very
logical extension of the judicial system (tongue somewhat in cheek).
And...well, it was a hoot. I'll forgive much if it's a hoot.
- Actually, it was Christy Marx, who wrote Grail, who named Aldus after
Mira [Furlan]'s husband.
- I don't think I've really said that much about "Grail." The trick,
though, is that I don't approach the episodes in quite the same way
that a viewer does. I have somewhat different agendas and goals, and
there are times when hassles in *doing* the episode -- which in no
way affect the show itself - - affects my *perception* of the episode.
I did a small screening of "Grail" here about a week ago, to get some other reactions, and they were all very positive; they enjoyed the episode quite a bit. (Similarly, there were people who thought that "Infection" was one of the best of the season.) There is *no one* who is harsher in critiquing the episodes than I am. I want each one to be absolutely perfect. And sometimes that means that I see flaws that no one else ever will.
In any event, I definitely want people to come at this from an open minded point of view. For reasons that have nothing to do with Christy's script, it still isn't one of my all-time favorite episodes; if I said otherwise, I'd be lying through my teeth. But different opinions are what makes horse races, and as stated, most of those who've seen it so far *do* like it, so at the moment I'm considerably outnumbered....
- John Flinn, who is our DP, has at various times also been an actor,
and so we used him to play Mr. Flinn in the episode as well. A
cameo by yet another member of our talented and multifaceted
production team.
- There were no asymmetrical aliens in the pilot, but there's a real
dandy coming your way in the B5 episode "Grail." You want nonhumanoid
aliens, you *got* non-humanoid aliens....
- Yeah, the Feeder is pretty cool; wrapped up Foundation's rendering
machines for the better part of a week just to pull that one off.
- On the feeder being sentient...neither Sinclair nor anyone else on
"our" side of the story ever heard it speaking; all they knew was that
it was a killer, and it was dangerous, and had to be stopped.
- Who let the Feeders out?
Stupid bureaucrats who couldn't afford to maintain a quarantine enforcement team in the sector. - The hardest part is always writing Kosh, because you have to be very
careful how much you use him, and what he says. Too much and he
loses his sense of mystery, and you don't want him spouting fortune-
cookie type aphorisms. He has a very deliberate way of speaking in
which everything, every smallest nuance and inflection means something,
but sometimes not what it appears to mean, or comes at it from a very
different angle than normal conversation. So I go as minimalist as
possible, to get the meaning down to the smallest number of words
possible. And in one scene, one of only two he appears in, I got him
down to *one word*, and that one word -- and it's a totally inoffensive,
neutral word on its own terms -- should scare the hell out of
*everybody*.
Ah loves this show.... (Editor's note: the word in question is "Good.")
- At one time we were working out what the time-reference would be on
B5. One of the early things we talked about were cycles, but in
fairly short order I decided against it because it didn't seem to mean
much. But this was, sadly, after "Grail" had been produced, and we
couldn't dub over the cycle references with anything else, so it
stayed. It won't be appearing anywhere else henceforth. One of our
few continuity glitches.
- After "Grail," we had a discussion with Chris about funny music. We
do not anticipate further discussions. (In a full season of music for
B5, this is the only discussion we've had of a critical nature, which
is extraordinary for any series; he's done a lot of wonderful work for
us . . . .)
- Yeah, it was a bit of *really* perverse humor...Jinxo survives all
five Babylon stations, and leaves thinking all is well...on a ship
named the Marie Celeste?
We're a sick bunch, but we're fun.
- @@@846702468 "...what company in their right mind would name one of
their ships the "Marie Celeste"?
Dunno, but I'd bet good money that whoever it is, it's an Australian company. Nothing frightens those people; they're fearless.
- I would love to have David Warner do another episode, though it
would have to be an alien, for obvious reasons.
- And the grail story was fairly self-contained, not much in the way of arc related stuff there.
Grail
A transport ship docks with the station.
Sinclair sits down to eat with Garibaldi. Delenn and Lennier interrupt them; there is a distinguished guest coming aboard, Delenn says, and Sinclair should greet him.
Delenn and Lennier
interrupt a meal.
In Downbelow, a crime boss named Deuce asks another man, Jinxo, to provide him with the locations of secret passages in the station. Jinxo replies that while he did help build Babylon 5, he was mostly involved in big structural construction and can't provide that information. Deuce insists that he can -- or else. He gestures to another part of the room, where a woman is tied down in a chair. Her name, Deuce says, is Mirriam Runningdear, and she agreed to testify against him. Now she'll pay the price. He beckons to something in the shadows. A Vorlon encounter suit comes forward. The front panel opens and a tentacle extends out, attaching to Runningdear's forehead. Deuce tells Jinxo to have the plans, or 50,000 credits, within 300 cycles, before Ambassador Kosh gets hungry again.
Deuce warns Jinxo.
In a courtroom somewhere on the station, an ombudsman listens to testimony from a man who's suing aliens for abducting his great-grandfather.
Sinclair, Garibaldi, Delenn and Lennier greet a man named Aldous Gajic. He says he didn't notify Sinclair of his arrival because his mission is not Earth-related. He reveals that he's looking for the Holy Grail, and, as his order has looked everywhere on Earth, he has come to the station to talk to the alien ambassadors about its possible whereabouts. Sinclair, incredulous, excuses himself.
Delenn catches up with Sinclair and asks why he holds Gajic in such contempt. Sinclair explains that the Grail is just a legend, but Delenn counters that that doesn't matter; Gajic is a holy man, a "true seeker," devoting his life to a search for enlightenment and the bettering of his race. "I wish him luck," Sinclair says. "He's probably the only true seeker we have."
"Then perhaps you do not know yourself as well as you believe," Delenn comments, and walks off. Sinclair gets a call from Dr. Franklin; there's another brainwipe victim.
Gajic is changing money when Jinxo walks by and picks his pocket. Garibaldi is watching and grabs Jinxo before he's gone twenty feet. Gajic wants to let Jinxo go, but Garibaldi says that Gajic is a witness and insists that he testify.
In medlab, Franklin and Sinclair look at Mirriam Runningdear, who lies unconscious. Franklin says her brain has been wiped clean, synapses fused, leaving it barely able to keep her autonomic functions going. She'll live, but she'll have to start all over again, as her life experience is gone. Garibaldi is furious that his sole witness against Deuce has been "reduced to a rutabaga" and asks Sinclair for permission to sweep through Downbelow with his men. Sinclair tells him to wait until there's proof that the brainwipe is in fact connected to Deuce.
The ombudsman sentences Jinxo (whose real name is Thomas.) He is barred from the station for five years. Jinxo objects strongly: "I can't leave the station, or it's the end of the station -- and every man, woman and alien on the station!" Gajic speaks with the ombudsman and convinces him to remand Jinxo to his custody. As Jinxo leaves, he's pulled aside by Deuce, who reminds him that he has only 240 cycles left.
Bargaining with the
ombudsman.
Next, the ombudsman reads the charges against Deuce, who pleads innocence. Garibaldi tells the ombudsman about Runningdear's condition. Unfortunately, without her testimony, there isn't enough evidence; the ombudsman dismisses the case against Deuce.
Gajic takes Jinxo to his quarters and asks why he thinks he can't leave the station. Jinxo answers that it's the "Babylon curse" -- if he leaves, the station will blow up or disappear or something else will happen. When Gajic asks how he got the curse, Jinxo answers, "Don't you get it? I don't have the curse. I am the curse."
Jinxo explains that he was too young to fight in the war, so when he had the opportunity to work on the original Babylon station, he jumped at the chance. Three months into it, he went on leave, and the station's infrastructure collapsed, the result of sabotage. The same thing happened to Babylon 2. Babylon 3 blew up while he was away, and he got the nickname "Jinxo." When Babylon 4 was being built, Jinxo stayed the entire time, until it was completely finished. He thought the curse was gone. "But as I was leaving on the shuttle, I looked back, and the station just sort of wrinkled. Twisted like putty. And then it just... disappeared."
Gajic suggests that Jinxo should have been nicknamed Lucky -- he managed to escape death four times.
Franklin and Ivanova suggest a possible cause of the brainwipes: a creature from an off-limits world in Centauri space called a na'ka'leen feeder.
Describing the feeder.
Sinclair asks Londo about the feeders; Londo says they're very dangerous creatures. The Centauri lost an entire colony to them. When Sinclair lets slip that there may be one on the station, Londo makes a beeline for his quarters, and suggests Sinclair does the same.
Gajic and Jinxo visit Delenn, who says the Minbari don't have the Grail, nor had they heard of it before Gajic asked them. Lennier says they searched their files very thoroughly. Delenn tells Gajic that she will have word sent to all Minbari outposts, and if one of them hears about the Grail, they will find Gajic and tell him. Jinxo is amazed; after the war, he figured, the Minbari wouldn't be eager to help a human. Lennier explains that there are two castes of Minbari: the warrior caste and the religious caste. "The warrior caste... would not understand," he says.
"So we will not tell them, and spare them the confusion," Delenn says.
"These two parts of your society. Do they ever agree on anything?" asks Gajic.
"Yes," says Delenn. "And when they do, it is a terrible thing. A terrible force, as recent events have shown. Let us hope that it never happens again in our lifetime."
Gajic and Jinxo
visit Delenn.
In Downbelow, Kosh (or is it a feeder?) pleads with Deuce to bring him more food, older minds. The voice is high and tinny, not the usual melodic rumble of a Vorlon voice. Deuce orders a henchman to fetch Jinxo and the ombudsman.
Dr. Franklin tells Sinclair that using the file provided by Londo, he can confirm that Runningdear was indeed attacked by a na'ka'leen feeder. Sinclair tells Ivanova to run a check on every ship entering the station in the last ninety days. Garibaldi says he's going to track Jinxo down, as he saw Deuce and Jinxo talking at the trial.
Londo speaks with a Centauri government representative, trying to get the government to reinstate the quarantine on the feeders' world. Gajic and Jinxo are waiting to talk to him. Gajic asks about the Grail. Londo says he can search the Centauri-Earth trade files, but it will be very time-consuming and expensive. Vir interrupts and says he's already done it, in the interest of efficiency, prompting Londo to scold him. Gajic and Jinxo leave in a hurry.
Gajic tells Jinxo that if he finds it, he will use the Grail to heal. "Perhaps it has enough power to heal the entire human race," he says. Jinxo asks how he got started looking for the Grail.
Gajic did the accounts for a large Earth corporation, he says. He lived in a world of numbers, logical and clean. He and his family took a vacation on the Mars colony. An accident killed his family but left him alive. He mourned for a long time, and when he returned to work he found that the numbers didn't make sense. He began to wonder why he was spared. And then he met a man, the last of his kind, who told him he was a man of infinite promise and goodness. When the man died, he entrusted his legacy to Gajic. Now Gajic is the last of his kind. "The numbers add up again, Thomas," Gajic concludes. "The numbers do add up."
Deuce's men kidnap the ombudsman.
Two thugs try to capture Jinxo, but Gajic fights them off. Jinxo, panicing as he thinks of what Deuce will do now, asks if he can learn to fight like that. "You can learn whatever you like," Gajic says, "because you are a man of infinite promise and goodness." When Jinxo scoffs, Gajic points out that Jinxo is willing to stay on the station to protect its people, even at the risk of his own life.
Fighting off the thugs.
The two of them go to visit Kosh. When Jinxo sees Kosh, he runs away, terrified, warning Gajic to stay away or Kosh will eat his mind.
Gajic catches up with Jinxo in Downbelow and convinces him to talk to Sinclair if he has information about the Vorlons. Deuce's men attack; Gajic fends them off long enough for Jinxo to escape, but is captured himself.
Ivanova reports to Sinclair that she hasn't had much luck figuring out which ship might have brought the feeder onboard. Garibaldi links in and tells Sinclair the ombudsman has been kidnapped. Sinclair leaves to see the scene of the crime for himself.
The ombudsman, strapped to the same chair Runningdear was, watches in horror as the feeder approaches in the Vorlon encounter suit. Deuce reassures him that if there's any pain, it won't last long. Deuce's men bring Gajic in.
Jinxo finds Sinclair in the hallway and tells him that Deuce is going to feed Gajic to the Vorlon. Sinclair goes with him and tells Garibaldi to follow his signal.
Gajic steps between the ombudsman and the feeder. The feeder moves to attack Gajic, but stops short, then withdraws its tentacle. Gajic speaks softly. "There is nothing in the dark. No fear, no pain. Only the light. Show yourself."
The feeder, resembling a cross between a squid and a jellyfish, steps out of the suit.
Garibaldi's men blast the door in and a firefight ensues. The feeder leaps up into the pipes crisscrossing the ceiling. As the firefight continues, it drops behind one of Garibaldi's people and strikes, then, more confident, approaches the ombudsman. Jinxo leaps out from his hiding place and unties the ombudsman's hands, but he doesn't notice Deuce taking aim at his back. Gajic does, and takes the shot. The feeder is blown to pieces by Garibaldi, Sinclair, and the security team.
Sinclair consults
Garibaldi.
Before Gajic dies, Jinxo promises to continue the search.
Sinclair visits Kosh and tells him Deuce was using an excellent replica of a Vorlon encounter suit so people would think he had the Vorlons on his side, making him appear more fearsome. "Why?" asks Kosh.
"No one knows exactly what you look like," Sinclair answers. "And that makes some people a little nervous."
"Good," Kosh replies.
Sinclair and Delenn see Gajic's body off. "It's hard," Sinclair says, "to spend your whole life looking for something and never find it."
"Are you speaking of Aldous, or someone else?" asks Delenn.
Sinclair looks at her for a moment. "Aldous," he finally answers.
"There you are wrong. He found what he was looking for. What we are all looking for. A reason."
"For what?"
"Everything, Commander. Everything."
Jinxo arrives just as the coffin is about to be loaded aboard the ship. Delenn gives him a crystal. "Put this on his grave, and crush it," she says. "It will glow every night for a hundred years. It is our way with all true seekers," she continues, with a meaningful glance at Sinclair.
Delenn gives Jinxo a crystal.
"Good luck, Jinxo," says Garibaldi.
"Thomas," he answers. "My name is Thomas."
Sinclair, Ivanova, and Garibaldi are back in C&C, discussing the Babylon Curse, when Thomas' ship leaves the station. It enters the jumpgate. "No boom?" asks Sinclair. "No boom," answers Garibaldi.
"No boom today," Ivanova corrects them. "Boom tomorrow. There's always a boom tomorrow." Sinclair and Garibaldi shake their heads and leave.
"What?" Ivanova asks. "Look, someone's got to keep some damned perspective around here. One of these days... boom!"
Synopsis by Steven Grimm
Grey 17 Is Missing
Overview
Delenn agrees to lead the Rangers, but Marcus must protect her from a deadly threat. Garibaldi investigates a secret level of the station. Robert Englund as Jeremiah. John Vickery as Neroon. Time Winters as Rathenn.
P5 Rating: 6.93
Production number: 319
Original air week: September 10, 1996 (UK)
October 7, 1996 (US)
DVD release date: August 12, 2003
Written by J. Michael Straczynski
Directed by John Flinn III
Backplot
- The forces of light are now actively recruiting telepaths, but it's been a slow process.
- Garibaldi's grandmother was a police officer in Boston. (First mentioned in "By Any Means Necessary.")
- Valen originally set up the Rangers 1000 years ago, under the control of the Warrior Caste, but they have been inactive until recently.
- Grey Sector in B5 is mainly comprised of industrial units.
- No Minbari has killed another Minbari in 1000 years.
- Delenn's father died ("passed beyond the veil") 10 years ago because he was heartbroken about the Earth-Minbari war. Delenn's mother entered the Sisters of Valeria.
- @@@845319895 The security forces on B5 use PPGs rather than bullets because bullets run the risk of puncturing the station's hull.
Unanswered Questions
- What will be the limits of Ivanova's promise to Franklin?
- How will being chosen as leader of the Rangers change Delenn?
- Is Neroon right in suggesting Delenn is taking over control of Minbar?
- Who or what was responsible for an entire level of Grey sector being lost from the view of the B5 residents?
- What will happen to Grey 17 and the people there?
- What will the future relationship be between the Warrior Caste and the Rangers?
- Was Kosh present at the ceremony? If not, why not?
Analysis
- Tension among the Minbari castes is increasing. Some members of the warrior caste think Delenn is a religious zealot who is trying to grab hold of military and political power. The warrior caste is unhappy about the religious caste building warships without telling them; believes the Rangers should be commanded by one of them, now that Sinclair has left; and is unhappy about non-Minbari being trained with Minbari in the Rangers. However, Neroon's experience with Marcus may change some of these perceptions.
- Delenn's mother joined the Sisters of Valeria. Valeria is also the being that Minbari who were present at Kosh's appearance in the garden ("The Fall of Night") claimed to have seen. Is this just a coincidence, or is there a deeper relationship?
- @@@845316165 Jeremiah's group must have contained some highly skilled computer hackers. Getting the lifts to pass by their level would be the least of their troubles; since the station spins to simulate gravity, lower levels have greater apparent gravity. Everyone below their level would be expecting slightly lower gravity than they'd actually experience. Perhaps the difference would be too slight to alert people in a residential sector, but presumably industrial operations would be affected if gravity was off by a few percent.
- @@@845318928 Jeremiah clearly knew about Minbari religion, given the similarity of his view of the universe and Delenn's ("Passing Through Gethsemane.") Yet in that episode, Brother Edward clearly hadn't learned about Minbari beliefs, implying that the Minbari aren't generally open or forthcoming about them. How did Jeremiah learn about Minbari religion?
- @@@845319402 Garibaldi's makeshift gun couldn't have worked as shown. Even if the steam were enough to detonate the gunpowder in one of the bullets, the first one to go off would almost certainly have been the one closest to the back of the pipe, where the heat was greatest; all the bullets would have been propelled out the pipe at once, and probably at low speed.
- @@@845319850 Franklin's backup file on the underground railroad is code-named "Harriet." This is probably a reference to Harriet Tubman, an escaped slave who was instrumental in running the original underground railroad in the United States.
Notes
- @@@845621030 Sinclair's belongings include a medal for fighting on the Battle of the Line, his identicard, an Earthforce insignia, and the Ranger brooch.
- @@@857686152 When Garibaldi falls unconscious, the surrounding rubble includes, among other things, a newspaper with the headline "Santiago Elected." That may indicate the amount of time the cult spent sequestered in Grey 17; Santiago's re-election took place three years earlier ("Midnight on the Firing Line.") It's unlikely the paper dates from Santiago's original election; unless his previous term was less than a few years, the previous election would have happened long before Babylon 5 was constructed, possibly even before Babylon 4 vanished in 2254.
jms speaks
- Garibaldi has a big role in "Grey 17 Is Missing."
- Lennier will be getting some more screen time shortly,
in the next batch of episodes. (There's some very nice stuff with him
and both Delenn and Marcus in "Grey 17 Is Missing.")
- You'll hear about Delenn's parents in
"Grey 17 Is Missing."
- The Jeremiah thread was
one of those things that looks great on paper, but when you get it into
a camera...I dunno, it's one of those weirdnesses that happens in
television. Sometimes you've got what you think is an average script
and it just roars to life on-camera, and something that looks great on
paper, but in real life...ehh...I'm happy with all the other stuff in
the episode, but the Jeremiah thread didn't come off as it should've.
I think in part it's also my fault, in that my brain was gearing up for the stuff that begins ramping up starting with the next episode, and the Grey 17 thing was something I'd wanted to do for a long time, and there wasn't going to be a chance to do it down the road, if at all, after this season, so I went for it. As for the Zarg, that's also one of those things that didn't come off visually as I'd wanted. So overall, I'd agree...of all the season 3 eps, this one is probably the least effective of them all. But one in a season, that ain't too bad....
- @@@844797477 Why did you write all the episodes this
season?
"Was there some incident that we don't know about? It seems to me that there must have been. "Nope. No incident. The situation with year 3 was that *so much* was being paid off, and set up, and foreshadowed, and required such intimate knowledge of where the show was going, and where it'd been, that it made it nearly impossible to bring in any outside writers.
There has never been any series in television history where every episode was utterly beyond criticism. Some are better, some are worse, some are average. There are many Twilight Zones by Rod Serling that are utterly brilliant. And some that just fall flat. That's the nature of the beast. Sometimes something will look great on the page, and fall flat on the stage. (And sometimes it happens in reverse; you think you've got something that won't work, and somehow the filmed version just takes off.) There's a lot about Walkabout I like; and there's some stuff that just didn't work out. You try something different here and there, and sometimes it works, and sometimes it don't. TV, or any form of writing, is the constant process of trial and error. It's not like one day you forget how to write, or you're writing bad...you very rarely fall below a certain facility once you reach it.
There's not a writer alive who has turned out nothing but terrific stuff. Now, one could turn out a lifetime of mediocre stuff, by not trying...but I think it's better to shoot high, and sometimes fall, knowing that you'll get something great one out of every five tries, than not try at all and just do okay.
"Grey 17" is the same thing, for me. There are bits in that I like a lot. And some parts of it just fell down dreadfully. That's simply the nature of the beast. I thought I'd try something different in the tone of "Grey" and while most of the writing works (mostly), the production fell down on a couple of aspects. It happens. It doesn't mean anything.
On the other hand, the following 3, "Rock," "Shadow" and "Z'ha'dum" are some of the best stuff we've done. The preliminary P5 survey has "Z'ha'dum" as the best episode of the entire series to date. Did I suddenly learn to write better? If there were a problem with being tired, then by all rights you should see a descending order in quality. But these last 3 are some of our best work.
The real key here is something I heard someone say a while back about TV: a flaw, or a flop, or a misstep happens by accident as often as by inability; but real quality is never an accident. So the latter is more indicative of the level of the show than the former, since accidents or missteps *always* happen.
"Walkabout," for me, is a good episode with a very few clunky parts; for me, it's a middle of the road episode. "Grey" falls a bit short of that, for me. But then, I'm very hard on my shows; a lot of folks have liked "Walkabout" a *lot*. I didn't much like "Infection," but many did; and some shows I love dearly, like "Geometry," don't catch on. It's subjective. And where you say the battle falls short, others like it...so on one level, I'd caution against applying your standard as an objective one that is somehow more true than another, and thus asking "what's wrong with *you* that I had this opinion?" If everyone on the planet shares that opinion, then you've got something. Otherwise....
And there are always some people who don't want the character stuff at all, they want battles...and some for whom the CGI is of secondary interest to the plot...and those who want arc stories *only*...and those who like the stand-alones. Some of it is a function of what you want.
Anyway...point being, and I went around the barn a few times to get there, no, there's no "incident" and I don't even know what this could refer to. Some episodes work better for some people than others. That will happen whether you've got 1 person or 50 people writing scripts. I caught a lot of *very* negative comments on Peter David's script, which you cite (as well as many positive ones). The Brits in particular seem to uniformly dislike that one. And in the P5 surveys, the freelance scripts are *all* in the bottom third of the rankings. So it's really not a question of freelancers or no, it's just that TV is variable, as is any kind of writing. Not every episode is going to work for you. Nor should you expect it to. I'm very much an X-Files fan...but there are some scripts that work better for me than others. Doesn't mean anything other than that show didn't quite jell for me. That's the nature of TV.
I'm sure somebody will cite this as being defensive about it, but honest and true, I'm not. I'm just trying to explain it from this end of things. My prior exec producer said, "You're doing *real* good if, in a season, you've got one-third that are pretty good, one-third that are okay, and one-third you never want to see again the rest of your natural life." I think we do a heck of a lot better than that, and that's a heck of an accomplishment.
- @@@844381513 I think it's about 3/4ths of a good episode. Where it
falls down, for me, is the Zarg...I just have this constant desire to
go to everyone's house and personally apologize....
- @@@844393625 How did they sneak the Zarg onto the station?
There was a line about slipping the egg into the station...don't remember now if it made it through the edit or not. - @@@852231693 Entil-Zha, whoever that is at the time, is for all intents
and purposes the One for the Rangers.
- Does Neroon's revelation at the end of the episode mean that
the warrior caste is now more willing to fight beside the religious
caste?
I think he's closer to an understanding, but we'll see if the others all feel the same way. - @@@852231693 Why did Sinclair/Valen leave the warrior caste in
charge of the Rangers, if they aren't involved in the war?
Because *at the time* the Warrior Caste *was* involved, and it would've been a slap to them to do so. - Do Minbari beliefs have some bearing on the true nature of the B5
storyline?
It has some bearing, in a way, but more in a thematic than literal sense. - Was Delenn's visit to the city as a child deeply important, since
she only saw her mother twice?
You're right that it was a big deal to them, but it doesn't really center in the story much, so I don't know if it'll ever be explored. It's just background detail at this point. - What happened to Delenn's father?
He croaked. - @@@844393738 Were the people in Grey 17 there by choice?
Depends on your definition, but basically, they were there as part of this cult...but any good cult leader knows you should make it just a *bit* hard for them to get out. - @@@845974766 It's Harriet for Harriet Tubman, who ran the slave
underground railroad around the time of the Civil War.
And no matter how much Ivanvoa trains, she'll never be much past a P1, and that's more or less useless to them.
- @@@845974896 So her ability is never going to factor into the
story?
Only if one assumes everything applies only to the Shadow war.
Originally compiled by Jason Snell.
Grey 17 Is Missing
B5 is openly recruiting telepaths, but it is slow going. Sheridan recalls Franklin's underground network for helping telepaths escape Psi Corps, and Ivanova goes looking for the doctor, who is still on Walkabout.
A maintenance worker is checking a power failure in Grey 16 and links with Central to inform them he can't find the cause of the malfunction. As soon as he finishes communication, something pulls him down the shaft he was working in, and he vanishes, screaming.
On Minbar, Rathenn tells Delenn of his last moments with Ranger One, and how
his loss is being felt by everyone. Lennier arrives with a box containing
Sinclair's personnal belongings - surprisingly few, which leads Rathenn to
comment he lived his life as only passing by, not wanting to carry any
burden. Delenn assures Rathenn she will send the box to Sinclair's family
and prepares to leave. Before that, however, Rathenn tells her that Ranger
One's position must be taken without delay, and he thinks Delenn would be perfect for the job. She objects, but
Rathenn is adamant.
Garibaldi is cleaning an antique Smith & Wesson .38 that was his Grandmother's when she was on an Earth police force when Zack arrives with the report of the disappearance of the maintenance worker in Grey sector. Garibaldi decides to investigate himself.
Ivanova finds Franklin in Downbelow, starting to suffer from Stim withdrawal. She asks him for data on the telepaths. He says that he wiped it from the main computer, but he has a backup on his personal system. He trades the data in return for being left alone, "no matter what."
Garibaldi and a tech supervisor visit the site of the tech's disappearance, but find nothing. They argue about the number of Grey levels, which are mostly industrial areas. He says 30, but she says 29 -- a mix-up on the blueprints that was never picked up due to the speed of the construction of the station.
Sheridan congratulates Delenn and tells her she is the perfect choice for
Ranger One. She points out that while she may be the logical choice,
she's not necessarily the popular
choice. She decides to have her initiation ceremony on Babylon 5.
Sheridan is worried about how public such an event would be, given
that the Rangers have been a secret organization up to now. That is about
to change, Delenn assures him.
After he leaves, she is confronted by Neroon, who says he underestimated her: he didn't think she had such ambition: Calling the Rangers together after 1000 years of silence, and having the Religious Caste building Warships without the knowledge or consent of the Warrior Caste. Valen's law, he says, was quite clear: "Three Castes, Worker, Religious, Warrior. They build, you pray. WE fight!" Delenn points out that he broke that law when the Warrior Caste assumed a majority voice in the Grey Council.
Neroon demands that she renounce the leadership of the Rangers, and accuses her of creating a vaccum of power on Minbar so that she could occupy it. A religious zealot, guided by prophecy, taking command of a military structure. He tells her he is sworn to stop her - no matter the means. Lennier arrives and Delenn is distracted by seconds - time enough for Neroon to vanish.
Garibaldi takes the elevator down through each Grey level, counting the time taken
between floors. Between 16 and 17 the gap is twice as long, so he takes
the elevator back up and stops it between floors. Opening the doors, he
finds a previously unknown level, strangely designed and strewn with garbage.
He is then shot with a tranquilizer dart by a ventriloquist's dummy.
Lennier is outraged that Neroon, a former Grey Council member, would threaten
Delenn with death. After all, no Minbari has killed another Minbari in over a thousand years. Lennier wants Delenn to
tell the captain about this, but Delenn refuses, and makes Lennier promise not to tell Sheridan. They leave to prepare the ceremony.
Garibaldi comes to and is confronted by a ragtag group of people, led by a man named Jeremiah. The group believes that the universe is sentient and is striving for perfection. It hasn't got it right yet. After the next big bang, they say, everything will be perfect.
Lennier arrives at Marcus' quarters and tells him he has come to break a promise, by not breaking a promise. He promised Delenn he would not tell Sheridan a thing. He cannot tell anyone in the chain of command, because Sheridan would find out, but by telling Marcus, who is outside the chain of command, he will not have broken his promise.
Lennier informs Marcus of Neroon's intentions. Lennier can't stop Neroon without causing a civil war between the Castes, but Marcus, a non-Minbari, could. He would only need to delay Neroon -- once the cerimony is done, it cannot be undone. Marcus, without hesitation, agrees, but Lennier informs him that Neroon is one of the greatest warriors of the Minbari, specially trained in killing humans, and very good at what he does. Marcus only asks Lennier to inform him of Neroon's whereabouts, as soon as he discovers them.
Jeremiah explains to Garibaldi that the universe is alive, and each individual is a part of the greater whole. The universe is trying to understand itself -- something, he says, that the Minbari understand perfectly. Garibaldi, however, is only really concerned about escaping. That proves difficult, however - all pressure doors are locked and the tube sabotaged.
Preparations are being made for the leadership ceremony. Rangers arrive by the dozens on the station. Sheridan and Delenn talk about her past. After her birth, Delenn's mother entered a religious order, the Sisters of Valeria, has seen her only twice since. Delenn's father passed beyond the veil 10 years before. The war between the Minbari and Humans broke his heart.
Neroon and Marcus meet in a corridor. Neroon tells Marcus to step aside,
that Neroon's argument is with Delenn. Then it is also with me,
Marcus says. Marcus invokes a Minbari fight-to-the-death ritual.
They go at each other with Minbari
staffs.
In Grey 17, Jeremiah - while Garibaldi checks every corner for an exit - muses on how a new Big Bang will occur, this time conciously directed, each part of the whole concious of its larger role, and solving "a serious design flaw": that the Universe kills everything it creates. Simulating pain due to the dart, Garibaldi manages to get rid of one of the guards, and then hits another one, "persuading" Jeremiah to show him the exit.
The Ceremony is in progress, with Delenn being offered Ranger One's vest and with virtually everyone present, except Marcus, whose absence is noted by Sheridan and Ivanova.
Garibaldi and Jeremiah find the worker's bloodied vest, and Michael asks
him if they killed him. Jeremiah says no.
However, in search for perfection, the cultists have imported a Zarg,
one of the most perfect forms in the Universe, moved by instinct only.
"You have a Zarg here? Are you nuts? They're the most dangerous aliens
in the sector!" A noise approaches them...
Marcus is losing badly. Neroon says that he cannot back away from Denn-Shar, but Marcus, as a human, can. Marcus refuses. Neroon asks him why. For Delenn, Marcus replies: We live for the One and we would die for the One.
Garibaldi, using a steam tube, manges to scare the Zarg a first time, but he knows that is only temporary. He them discovers the bullets of his Smith & Wesson in his back pocket.
The ceremony is almost complete when Neroon walks in, carrying a bloody staff which he throws as Delenn's feet. There is blood now between the Humans and the Warrior Caste, he says. He does not believe that they would die for him, but they would die for Delenn.
Lennier finds Marcus and gets him to Medlab, where he will recover.
Jeremiah can't understand why Garibaldi is fighting, since the death at the hands of the Zarg is a perfect death. Garibaldi points out that Jeremiah isn't out there with the Zarg either. Jeremiah hesitates, and concludes he is not yet perfect enough. Garibaldi, using a local heat souce, detonates the bullets inside the tube and they hit the Zarg, killing it. They run.
Neroon arrives and orders Delenn and Lennier out of the room so he can speak to Marcus, one worrior to another. Neroon says that the death that took place in their battle was his own. Marcus was willing to die for someone of another race, when Neroon was going to kill one of his own kind. He muttered something about Marcus being more Minbari than himself.
As he turns to leave Marcus gasps: "Next time you want a revelation, could you possibly find a way that's not quite so uncomfortable?" Neroon laughs.
Garibaldi meets Sheridan at his office and tells him, "You wouldn't believe the day I had." Sheridan won't have any of it, though: where the hell was he while Marcus was being beaten up, someone was trying to kill Delenn and someone was invading the ceremony? Garibaldi starts telling him about the missing Grey level, the cult, the quest for perfection, the killer predator...
"Am I going too fast for you?" he asks.
GROPOS
Overview
Dr. Franklin's father arrives, leading 25,000 ground pounding soldiers on the station. The troops' arrival elicits fear from both humans and non-humans that the troops may be going on a secret mission that will involve the station becoming an armed camp. Paul Winfield as Gen. Richard Franklin.
Sub-genre: Drama P5 Rating: 7.49 Production number: 210 Original air date: February 8, 1995 DVD release date: April 29, 2003 Written by Larry DiTillio Directed by Jim Johnston
Backplot
- Dr. Franklin's father is an Earth Alliance military hero, a veteran of the Dilgar war and several internal conflicts on Earth. He was rarely around for his children when they were growing up; when he was around, he tried to run the family like a boot camp.
- With the advent of the Narn-Centauri war, the Earth Alliance is trying to solidify its hold on several strategic sectors near both, in anticipation of the day when Earth will have to choose sides.
- Sheridan served a tour of duty on the planet Akdor, in a system bordering on both Narn and Centauri space.
- Garibaldi's father, Alfredo, served under General Franklin in the Dilgar war, and was a well-regarded soldier.
Unanswered Questions
Analysis
- Babylon 5 is now heavily armed, ready to take on a warship. Which
raises the question: why wasn't it before? Mere
shortsightedness on the part of the designers -- a station like
Babylon 5 seems a natural target -- or something else? Even if
there originally didn't seem any need to heavily arm the station,
the attacks on the station in
"Signs and Portents"
and
"A Voice in the Wilderness, part 2"
should have demonstrated that B5 will come under attack
from time to time.
On the other hand, Franklin did say that the station was being upgraded with the latest from Earth Force R&D, so maybe its previous weapons were simply the best the previous generation of technology had to offer. Budget constraints may have also played a role.
- The tail end of the news broadcast mentions that more divisions
of Earth troops will join the 356th on Akdor. That implies some
sort of permanent presence on the planet itself, as opposed to
just "in the system" as General Franklin mentioned.
- Delenn's transformation doesn't appear to be getting the widespread publicity one might expect; the troops didn't seem to recognize her at all. Perhaps they simply don't follow the news.
Notes
- "GROPOS" stands for "ground pounders" and refers to the Earth Alliance's equivalent of the U.S. Marines. In fact, the term "Earth Force Marine Corps" was contained in the Gropos' marching song.
jms speaks
- @@@844403594 As for GROPOS, that one episode was so far over budget that I had to write 2 smaller ones to make up for it, and the many people you saw were really just one small group that took forever to digitally composite into looking like a much bigger group.
- @@@846703642 Who was the woman Garibaldi referred to, the one he
doesn't normally have a chance with?
That would be Talia. - Everything in the battle sequence at the end of Gropos is CGI; no models, despite the shadows. Real fire was sampled for the flames, though.
GROPOS
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
It is a quiet evening on the station, and Commander Ivanova is enjoying the peace when she receives word that the jump gate is activating and six EarthForce ships are coming through.
A shuttle from the main ship docks, and Sheridan is there to meet the commanding officer, who introduces himself as General Richard Franklin, of the 356th infantry division. Sheridan apologizes for the delay, but since they didn't know he was coming, there was little they could do. General Franklin tells him that the mission is classified, but that Sheridan will be briefed in the morning. General Franklin also tells him that he needs lodging for all 25,000 of his troops. Sheridan protests, saying that there isn't enough space, but General Franklin orders him to find it, because he doesn't want his troops aboard transports the whole time. Sheridan asks the general if he is any relation to the station's head doctor, Dr. Stephen Franklin, and the general answers that he is Dr. Franklin's father. Sheridan offers to tell Dr. Franklin, but General Franklin says he will do so himself as soon as his people are settled.
The troops arrive on the station, are identified, and then herded into groups to be taken to their billets. Commander Ivanova is trying to organize everyone together, but is having a difficult time of this. Garibaldi is also not too pleased with the sight of so many ground pounders on the station, but realizes there is little that can be done. She orders him to seal off the area and only allow military personnel inside the docking bay.
The troops come aboard.
Sheridan asks Ivanova what the status of the station is, and she tells him that, even though they have put the ground pounders in quarters with several other people, they are still very short on places to put them. In addition, she is afraid their docking schedule will have to be done away with. Garibaldi tells Sheridan that looking after the recreational areas might be a good idea as well, and Sheridan tells Garibaldi to seal off the more "colorful" areas of the station. Garibaldi tells him he already did this, but is afraid it won't do much good. The three arrive at the briefing.
General Franklin explains to them that the planet Akdor, in the Shilassen Triumvirate, is currently engaged in a civil war, and the Shilassen government has asked for aid, which the Earth Alliance wants to provide. Sheridan is confused as, just a few days earlier, he was told to refuse the request, and the general tells him that, until the senate announces their decision to the public, Sheridan's orders are the official story. Ivanova asks what the objective is, and General Franklin says it is an attack against the rebel stronghold at Matok. As soon as the senate announces their intention, General Franklin's troops will go in and take the fort. Sheridan tells him that he knows, from previous experienece, that Matok is a death-trap, to which Franklin replies that Sheridan's knowledge was one reason Babylon 5 was chosen as a staging area. Garibaldi asks how they can keep the operation a secret, and Franklin tells him that the soldiers believe they are going to Io. General Franklin also tells them that his people are going to leave new weapons for Babylon 5, so that they will have the capacity to take on a warship. Franklin explains that, with the Narn and Centauri at war, the other aliens may become more aggressive, in which case Babylon 5 needs to be prepared. Franklin orders them to return in the morning to discuss the battle plan, and for no one else to be told of the situation. Sheridan, Ivanova, and Garibaldi leave, unhappy about the situation before them.
Lieutenant Warren Keffer returns to his quarters to find two ground pounders, Yang and "Large" there. Though they are cordial to him, Keffer is upset about having to share his quarters. He tells them that they should leave, but when "Large," threatens him, Keffer stands up to him, which endears him to "Large" immediately.
Unexpected roommates.
Dr. Franklin is in his quarters, meeting with his father, catching up on current events in their family. While they are talking, General Franklin offers to have his son transferred to Bethesda Dome so that he can be of more use to Earth Force during the Narn-Centauri war. This outrages Stephen, who says his job as a doctor is to heal people. His father tells him that he should heal humans instead, but Stephen doesn't agree. "Life is life, whether it's wrapped in skin, scales, or feathers. Now, if you respected these beings instead of constantly trying to murder them, you'd appreciate that!" As soon as he says it, Stephen realizes it was a mistake, but the general leaves too quickly for him to say anything else.
"Life is life!"
In MedLab, Dr. Franklin is unhappy to see Ivanova arrive with a large group of soldiers she wants to billet in the infirmary. He initially objects, but after Ivanova quotes to him information from his medical log, saying that the patients in the infirmary can be moved, he reluctantly agrees. She can tell he's upset about something, and he explains to her what he's feeling. "He always brings out this anger in me I can't control. Now matter how I try, I always seem to want to hurt him. You know, the funny thing is, I do love him, I just can't...talk to him." Ivanova explains that she had similar feelings toward her father. She receives a call from C&C saying that she has to leave, but she offers to meet him later to talk. He agrees to do what he can about the infirmary space.
At dinner, Dr. Franklin explains to Ivanova how difficult it was growing up with his father, who always ran things as if the family were in the military. He tells her that it was difficult living with not knowing whether or not his father would come home, and that it became difficult to bear the pain, so he left for the stars. His father wasn't happy, but when Dr. Franklin joined Earth Force, the general turned around. He says that they talk very little, and only end up fighting when they do talk. He says he thinks he should give up altogether, but Ivanova doesn't agree. "Talk to him, Stephen," she says. "Tell him what you feel no matter how hard it is. I didn't and I lost the chance. Don't make the same mistake." He doesn't understand, and asks her if the troops are really bound for Io. She doesn't answer him and leaves to go back on duty.
Garibaldi and Delenn walk through a corridor talking about the Narn-Centauri war, Delenn expressing her wish that Babylon 5 remain devoted to peace during the difficult times ahead. Garibaldi becomes distracted and leaves her for a moment to check on some ground pounders, when she meets up with several. They ask her what she is. Though she tells them she is a Minbari, they persist, taunting her, and advancing upon her forcefully. She tells them she did nothing to them, but they say she needs to be taught a lesson because of what the Minbari did to them on the Line. They are about to teach her that lesson when a woman ground pounder jumps in between them and stands up for Delenn, who rushes off while the woman fights her fellow soldiers. Delenn finds Garibaldi and takes him to the conflict. The fight is soon broken up by the Sergeant-Major in charge of the ground pounders, who is about to take all them to the brig. Garibaldi intervenes, convincing him not to do so. The woman calls after Garibaldi, and she introduces herself to him as Dodger. He tells her that Ambassador Delenn wanted him to maintain peace as much as possible, and that he saved her because of that. He has a call, and has to leave. She tells him that she might see him around.
Delenn is threatened.
General Franklin explains to Sheridan the tactics he plans to use on the attack. He asks Sheridan about several options, but Sheridan tells him that there is no way to get through without heavy casualities. Sheridan suggests that they call the whole thing off, but General Franklin disagrees, saying an important reason for the invasion is to install their presence in Shilassen space, which is very close to the Narn and Centauri. Dr. Franklin comes into the room and tells his father he wants to talk, but his father wants no part of it. Dr. Franklin says that he didn't mean the things he said, but this angers his father even more. He tells him that he will talk to him later, but Dr. Franklin is not pleased with this, either. General Franklin orders his son to leave, which he does.
Discussing strategies.
After Dr. Franklin leaves, the general asks Sheridan if he feels like being a soldier is being a murderer. Sheridan says that the only truth about war is that people die. "Killing is part of a soldier's job. We can't deny it--we can only live with it and hope the reasons for doing it are justified." General Franklin says that he wishes his son could understand that, and Sheridan tells him that he feels Dr. Franklin is an excellent doctor, and that he will stand up for his principles if they are challenged. General Franklin feels that is an admirable trait, and Sheridan agrees, saying that, even though he and his father had similar disagreements, and they never stopped arguing, they never stopped loving each other either. General Franklin thanks Sheridan for the talk, and concludes the briefing.
Garibaldi and Lou Welch keep an eye on all of the ground pounders when Dodger walks up and asks Garibaldi for a tour. Welch offers to take over for Garibaldi while he is gone. Garibaldi asks Dodger what she wants to see. "A nice restaurant," she replies. "And your quarters."
Garibaldi takes Dodger to his quarters, where they are barely able to keep their hands off of each other. They sit down on the bed, and prepare to continue, but before they go any further, Garibaldi explains the troubles he has had recently, with Lise and his near-death after being shot by his aide. He tells her that, if she is the one for him, he doesn't want to ruin it by going too fast. She gets up and explains her situation to him. "You know, I didn't come here expecting to set up housekeeping. I'm a ground pounder. I'm cleaning latrines one day, the next I might be up to my hips in blood, hoping that I don't hear the round that takes me out. You got it? In between, I like to try to see what I can get, to remind myself that I'm alive. Right, it's not romance, but it's all I got time for. I'm so sorry it's not enough for you." He tries to call after her as she leaves, but she won't speak to him.
The heat of the moment.
Ivanova and Sheridan go back to C&C, finally back on-shcedule at the docking bays. Sheridan tells her to try to arrange a paid vacation for the workers, to compensate for their recent troubles. Sheridan asks about the new defense system they have, and Ivanova explains that their new arsenal really is enough to take on a warship, complete with pulse cannons, interceptors, mine launchers, and a much improved tracking system. Sheridan tells her that he hopes they will never have to use it.
Dr. Franklin is in his quarters when his father comes in. The general apologizes for dismissing him the previous day, but also says that he had every right to be angry about the way his son acted. He tells Stephen that he has no right to call him a murderer, and he can't believe that he would have so little respect. Stephen says that it isn't about respect, but rather about the way they don't communicate very well. Stephen explains to his father that it really hurts him to have such a relationship with him when he isn't sure that he will ever see him again. General Franklin apologizes, saying that he never really meant to shut him out. Stephen says it might just be their relationship, but he has always respected his father, and thanks him for the things he taught him. He also says that he regrets the things he did say to his father over the years, and takes the opportunity to tell his father the one thing he never had a chance to -- that he loves him. He says that he always has and that nothing could ever change that. The two of them hug.
Reconciliation.
In a bar, Large is telling Yang and Keffer a war story. He leaves for a moment, and Keffer asks Yang if Large ever tells anything besides war stories. Keffer asks if Yang has seen any fighting, and Yang tells him that he hasn't, but he says he's ready. Yang asks Keffer if he has, and if he was scared. Keffer says that no matter what happens, you're always scared. Large returns, and the three toast together to their health.
Garibaldi approaches the bar, where Dodger is sitting. He starts to talk to her, but she apologizes for her behavior, and says that, sometimes, she wants things too much, and pushes unnecessarily for them. She expresses her disbelief at the official talk that the ground pounders are going to Io, since she doesn't think that General Franklin would lead such a minor mission. She offers to buy him a drink, and he selects water.
Keffer tells Large and Yang a war story of his own, and accidentally nudges a soldier while gesturing. It turns out to be Private Kleist, the ground pounder who earlier assaulted Delenn, and though Keffer attempts to apologize, Kleist won't listen. Keffer suggests they settle it outside, but Kleist doesn't want to wait. The two of them begin to fight, and the skirmish escalates into a full-scale barroom brawl, with nearly everyone in the bar getting in on the action. After several minutes of fighting, the Sergeant-Major and General Franklin appear and tell them that they are moving out right away, so they all need to get their gear and leave immediately.
The bar brawl erupts.
Garibaldi and Dodger, who cooperated in the fight, say their goodbyes, and Keffer, Large, and Yang do the same thing. Keffer wishes them both luck, and comments that he hopes he'll see them again. General Franklin, meanwhile, offers to punish the ground pounders involved in the fight and make reparations. Sheridan accepts the reparations, and says that he would rather have the ground pounders with General Franklin. "Besides," he says, "I don't think we have the room."
As the 25,000 ground pounders prepare to leave, Sheridan tells General Franklin that he hopes he was wrong about Matok's defenses. General Franklin says his goodbyes to Garibaldi and Ivanova as well, and finally sees his son. Before he leaves, General Franklin tells Stephen that he is very proud of him, and will talk to him more when he gets back. They hug again, and General Franklin ships out.
Garibaldi searches through the line of ground pounders for Dodger, whom he eventually finds. He makes a date to see her when she returns, and, despite the Sergeant-Major's urging, the two share a long, passionate goodbye kiss. "You'll never know what you missed," she tells him as she boards the ship, which soon departs and enters the jump gate.
A large group of officers stands, watching a large monitor, which is displaying an ISN news broadcast about the assault on Matok at Akdor. The gruesome visuals show pictures of intense fighting and blasting from many different kinds of units. A reporter talks to General Franklin, whom Dr. Franklin is overjoyed to see. General Franklin explains the situation. "Our troops have taken control of the fortress at Matok. Most of the leaders of the rebellion have either been killed or captured, and we expect a complete surrender of all the rebel forces very shortly." The group watching the broadcast cheers, but General Franklin is pulled away by another officer, for some other reason. Lou Welch appears and hands Garibaldi the initial list of casualities. Garibaldi looks over it for a moment, and silently hands it to Keffer. Keffer looks at the report and learns that Large, Yang, Dodger--and even the ground pounder who assaulted Delenn and began the bar fight all were killed. He stands, alone, reflecting upon the situation, and the reality of war.
Hunter, Prey
Overview
A fugitive with sensitive information about the Earth government flees to Babylon 5. Tony Steedman as Dr. Everett Jacobs. Bernie Casey as Derek Cranston. Richard Moll as Max. Wanda De Jesus as Sarah.
Sub-genre: Intrigue P5 Rating: 8.20 Production number: 213 Original air date: March 1, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Menachem Binetski
Watch For
Backplot
- After the victory over the Dilgar, the Earth Alliance experienced a period of rapid expansion bolstered by a general sense of optimism, a sense that the future was bright. Somewhere along the way, that was lost -- Dr. Franklin says the future was like waiting for that special toy for Christmas, and when you get it you find that the reality doesn't measure up to your expectations.
- Dr. Franklin studied medicine at Harvard. One of his teachers, Dr. Everett Jacobs, went on to become then-Vice President Clark's personal physician. Dr Franklin says, "A lot of us looked up to him as a role model. He's the best there is."
- Dr. Jacobs examined Clark before and after the "accident" on Earth Force One that killed President Santiago -- and found no evidence of the viral infection Clark used as an excuse to leave the ship shortly before it was destroyed.
Unanswered Questions
- How and when will Dr. Jacobs' data be used?
- What did Kosh and his ship say to each other after Sheridan and the others left the docking bay?
- What did Kosh teach Sheridan?
- How did Sheridan convince Kosh to allow his ship to be used to save Dr. Jacobs?
- What did the ship "sing" to Dr. Jacobs?
Analysis
- Why was the fact that Kosh's ship is alive such a surprising thing
to have confirmed, when a simple "scan for life forms" was able to
detect it? In all their surface probes while the ship sat in the
docking bay, it seems odd that nobody
thought to scan for life, especially since it was already known or at
least suspected that Vorlons use organic technology (cf.
"Infection.")
- Sheridan mentions to Kosh that there's a council meeting to discuss the Narn refugee problem. That might be related to the smuggling operation started in "Acts of Sacrifice" -- has it been revealed already? (Not necessarily, of course; there are probably thousands, if not millions, of refugees who have nothing to do with that operation.)
- Kosh speaks to his ship, and it displays some text in an unknown
script, presumably the Vorlon written language. That implies that
Kosh and his ship are not in telepathic contact, or at least not
when he's not on board -- somewhat remarkable, considering that Kosh
and the ship have both demonstrated telepathy or something like it
(Kosh in
"All Alone in the Night"
and the ship in this episode, both with Dr. Jacobs and, more
importantly, the maintenance workers referred to by Ivanova.)
- There may be a Ranger (cf.
"The Coming of Shadows")
in this episode, though it's very subtle. As Sheridan and Garibaldi
reach the bottom of the stairs, just before Sheridan sees the red
ribbon, a man walks by the two of them, wearing the same outfit as
the Ranger from the aforementioned episode. Which might be
coincidence, except that Garibaldi notices the man, even turns and
watches him climb the stairs, before looking back at Sheridan, who
is meanwhile occupied with the ribbon.
- A couple viewers have commented that Sheridan looks a bit too
smug as he gives the data crystal to his co-conspirator at the end,
almost as if that isn't the real crystal. Is it? Does he trust
her? Is he up to something other than what the General thinks he is?
(Recall that we never heard his answer in
"All Alone in the Night.")
Also, he doesn't give her Dr. Jacobs' code to unlock the data, though
of course he could simply be giving her an unencrypted copy.
- On a related note, did Sheridan keep a copy of the crystal for himself?
- Sheridan confronts Kosh twice. The first time a bit tentatively, the second time
directly. Amazingly, he engages Kosh's interest and actually begins what may
develop into a dialog (or at least a monologue) with Kosh.
Also of note, the first time Sheridan confronts Kosh he says that Kosh "called to him." This is a reference to the dream sequence in "All Alone in the Night". Kosh replies, "I sought understanding. I listened to the song. Your thoughts became the song." Sheridan asks, "Has this ever happened before?" and Kosh says, "Once." When was that? One possibility is Talia Winters (cf. "Deathwalker") -- Kosh told her to "listen to the music, not the song."
- Kosh's second conversation with Sheridan, of course, bears close analysis,
especially given its relation to Sheridan's dream in
"All Alone in the Night."
- Sheridan: "You wanted to see me?"
- Kosh: "You wanted to see me."
- "Well, I guess everybody does. See what you really are, inside that encounter suit."
- "They are not ready. They would not understand."
Analysis: It's not obvious exactly who he means by "they." At least one person was ready to see Kosh, namely Delenn (cf. "Chrysalis.") Of course, it begs the question once again: what is Kosh, that one might not "understand" when one saw him? (And why does he care whether people understand?) - "Am I ready?"
- "No. You do not even understand yourself."
Analysis: Is Kosh speaking in a general sense here -- "You aren't self-actualized" -- or is there something specific about Sheridan that Kosh knows and Sheridan doesn't? - "Could you help me to understand you?"
- "Can you help me to understand you?"
- "Well, I can try. Is that what you want? An exchange of information? I tell you something about me, you tell me something about you?"
- "No. You do not understand. Go." Kosh turns away.
- "Dammit, what do you want? What do you want from me? You know, ever since I got here I've had the feeling that... that you've been watching me. The records show you hardly ever went to council meetings until I showed up. When I was captured... it was you who reached out and touched my mind. Now you call me here... why? Just to throw me out? Are we just toys to you? Huh? What do you want?"
- Kosh spins around to face Sheridan again. "Never ask that
question."
Analysis: Almost undoubtedly a reference to Morden's question in "Signs and Portents" -- but it raises another question of its own, namely, why does that question mean anything special to Kosh? How does Kosh know what Morden asked of the various ambassadors? Perhaps it's what the Shadows always ask, since Kosh seems to know about them. Perhaps the Vorlons were, themselves, asked that question a thousand years ago. - "At least I got a response out of you. So what'll it be, Ambassador?"
- "I will teach you."
- "About yourself?"
- "About you. Until you are ready."
- "For what?"
- "To fight legends."
Analysis: Two interpretations are immediately apparent: "to fight the Shadows" (who are legendary to the Narn and probably others) or "to dispel myths." The first seems too obvious, given Kosh's tendency to be cryptic. The second interpretation suggests that the Vorlons aren't revealing themselves because they feel they'll be associated with something from mythology. Once Sheridan learns to combat those preconceptions, he will be ready. (See Notes.) Alternately, it could refer to Sheridan himself; he's a legend of sorts to the Minbari, possibly an obstacle to the joining of humans and Minbari as envisioned by Delenn (cf. "All Alone in the Night.")
- Do we now have a clue to the telepathic abilities of the Vorlons?
This reference to "the song" and Sheridan's thoughts "becoming" the
song during his dream sequence hint rather strongly that telepathy
is the Vorlon's primary means of communication. If so, then this
confirms that Sheridan's dream wasn't altogether a dream, and that
he may have some latent/budding psi skills himself.
Further note: The constant jabber that occurs when Kosh speaks. It sounds like there are...many "voices" in it. If telepathy is common to Vorlons, then they may have some equivalent to a "hive mind", or at least constant and unbounded access to each other. If so, then why does Kosh periodically return to the Vorlon homeworld? Further, does the same physical "Kosh" return? Still further, if each Vorlon is to a greater or lesser extent all Vorlons, does it matter which physical Vorlon is present? Taken to the extreme, the tag "Kosh" is simply a convenient referent supplied by the Vorlon hive-mind to the folks at B5. (Of course, it may well be the ship that needs to return home, not Kosh at all.)
- In this episode we see that the ship is an independent entity, in essence a
living creature. It shows up as a non-human life form, even though we are shown
that Kosh himself was not on board. Further, Doctor Jacobs says that the ship
"sang to him" while he was unconcious and aboard. This hints strongly that the
ship shares "the song," which means that it's part of the Vorlon community mind.
If the ship is part of the Vorlon super-entity, and if the ship is itself organic technology, then this implies that the Vorlons can create any kind of physical creature they want, with that creature sharing the community mind. That means that the ship is nearly as much or as much a Vorlon as Kosh.
- A number of readers have speculated that the ship is actually Kosh,
and the encounter suit just a remote probe or a servant. That seems
unlikely, though, given the events of
"The Gathering,"
in which the Vorlons were ready to start shooting over an attack on
what was in the encounter suit. But it's worthy of mention.
- A Biblical reference that might be relevant, or might just be a
coincidence: During Sheridan's secret meeting,
Sarah tells him "Whatever you do, I suggest that you do it quickly."
This is the same thing Jesus Christ said to Judas Iscariot
immediately before Judas went out to betray Jesus to the Sanhedrin.
If this isn't a simple coincidence, the implication is that Sheridan
will eventually betray someone. The victim isn't clear, though.
His cadre on B5 are obvious
candidates, as is the cabal he and Hague are members of. But for that
matter, it might be the Psi-Corps (though his betrayal could be
for
the Psi-Corps, cf.
"All Alone in the Night"
and Bester's comment at the end of
"A Race Through Dark Places.")
A more whimsical connection is that the actress speaking the line is named Wanda de Jesus.
Notes
- A relevant reference might be "Childhood's End" by Arthur C. Clarke (though the shape of the Vorlon encounter suit suggests the opposite association from the one in the book.)
- When Franklin and Garibaldi stop to eat, it appears they're actually munching on Kellogg's NutriGrain Breakfast Bars (though the scene doesn't provide a close enough look at the bars to tell for sure, so it probably doesn't count as product placement.)
- During Sheridan's meeting with Sarah, they are in what looks like an equipment room. She sets up two devices, presumably to defeat any bugs or scans. The problem is that she leaves them there when she leaves. During their next meeting they are not in evidence at all, and again she isn't shown retrieving them before she leaves. Of course, Sheridan could have taken them. (See jms speaks.)
- In addition to its ants (cf. "Mind War") B5 has roaches.
- Sheridan has what he considers very good shielding on his office. He talks to Ivanova quite openly there immediately after Agent Cranston leaves.
- Kosh's comments to Sheridan bear some resemblance to the Dalai Lama's observation (cf. "Points of Departure,") namely, "It will be even better when you begin to understand what you do not understand."
- @@@834857862 Minor continuity glitch: when the station's scanners are configured to look for Dr. Jacobs, the display reads "Dr Evert Jacoby," not "Dr. Everett Jacobs."
jms speaks
- There was no intended reference to Anne McCaffrey's story; Kosh tends to speak naturally through a series of musical/tonal/atonal chords, and I figured his ship would communicate in the same way, which to another would sound a little like singing.
- @@@846703757 Will Richard Moll return?
At this point, Richard's part was a one-shot, but if we come up with the right role, I'd love to see him again. - What did Sarah leave behind at the
meeting?
It's a flashlight, and he's also holding one. You caught a very small glitch. Originally, he came out, flashed twice with his flashlight, giving the code; then she did the same, and THEN stepped out of the shadows, putting her flashlight down on the ledge beside her. It took too long, though, interminably, so when we edited it, we cut out that sequence...and hoped nobody'd notice the flashlight sitting there. - From "Infection," the visiting Doctor points out that, regarding organic technology, "some even say the Vorlons have got it." All this stuff gets set up somewhere.
Compiled by Dave Zimmerman and Steven Grimm.
Hunter, Prey
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Garibaldi arrives at C&C, and asks an officer on duty where Captain Sheridan and Commander Ivanova are. The officer tells him that they are in bay 13. Garibaldi goes down there, more than a little puzzled by their reasons for being there.
Sheridan and Ivanova stand in awe of the sight before them in the bay: Ambassador Kosh's ship. Sheridan finds its construction amazing and unbelievable and asks Ivanova about it. She tells him that for the past two years, they haven't been able to determine much about it; their scans barely penetrate the ship's skin. Sheridan reaches out to touch the ship when part of the ship pulls away and a strange-looking device fires a beam straight at Sheridan's chest. Ivanova tells him to back away slowly, which he does. The device melts back into the ship. After Ivanova tells Sheridan a story about a maintenance crew that was frightened away by the ship, Sheridan's interest is piqued. Sheridan tells her that it is time they learned something about the Vorlons, and that he intends to begin doing just that. Garibaldi arrives and tells them that he needs to talk to them, but would rather not do it in front of Kosh's ship. The three of them leave. Kosh steps out from behind a corner and "speaks" to his ship. It replies with a few lines of strange symbols, to which Kosh nods, and then leaves.
Visiting Kosh's ship.
When Sheridan, Ivanova, and Garibaldi arrive in Sheridan's office, Garibaldi explains that he just received a message from EarthForce that there is a fugitive alert out for Dr. Everett Jacobs, President Clark's former physician. Garibaldi tells them that Jacobs has enough stolen information to bring down the entire Earth Alliance, unless he is stopped. They think that he is already aboard Babylon 5, and want him taken dead or alive. Sheridan asks what Jacobs knows that makes him such a threat. Garibaldi wasn't told that, but says that, if Jacobs resists, they are ordered to shoot to kill.
Later, Agent Derek Cranston, from Earth Special Intelligence, arrives on the station. Sheridan asks him why Dr. Jacobs is such a threat. Cranston explains that Dr. Jacobs misused his security clearance to get information about covert missions and extremely important data, which could throw the government into chaos and ruin their alliance with many of the non-aligned worlds. Cranston says that Jacobs is on Babylon 5 to either sell the information or to find travel out of Earth-controlled space. Sheridan agrees to have security help, and orders Ivanova to carefully investigate all outgoing ships. Cranston thanks Sheridan for his cooperation and leaves. Garibaldi tells Sheridan that he doesn't think Cranston is telling them everything. Sheridan agrees, but says that Cranston is worried about something, which makes him want to go along with the manhunt. Garibaldi says he thinks he knows where to begin.
Sheridan agrees to help.
Dr. Franklin resents the line of questioning altogether, saying that Dr. Jacobs was a professor of his at Harvard and helped him a lot while learning about xenobiogenics. He tells Garibaldi that Jacobs was a humanitarian and could not be responsible, but Garibaldi reminds him of a time when he vouched for another doctor and the station was almost destroyed by a biological weapon. Dr. Franklin insists that there has been a mistake and that Jacobs would never have sold out Earth. "Maybe he's not the same Dr. Jacobs you knew any more," Garibaldi suggests.
An old man wanders through a marketplace on Babylon 5, stopping at one kiosk. The old man tells the merchant that he heard he could obtain "special" things from him. The old man says he needs an identicard, but when he tells the merchant that price is not an issue, the merchant refuses to sell him one; the only reasons someone would be so desperate are that they're working for security, or are being chased by some very powerful people. The merchant closes his shop, and the man wanders away, but he has already been noticed by a tall figure, watching from the shadows.
Sheridan is walking through the corridor to an elevator, when he hears an unusual sound behind him. He turns to see Ambassador Kosh walking away. He catches up to him, and reminds Kosh of a council meeting. He also tells Kosh that he was in bay 13, and because of how much everyone still doesn't know about the Vorlons, he and Kosh should try to understand each other.
Kosh looks at him. "Why?"
"You tell me. You're the one who popped into my dream when I was in that alien ship a few weeks ago. It felt like...I don't know, like you called to me."
"I sought understanding. I listened to the song. Your thoughts became the song."
"Has this ever happened before?"
"Once," Kosh intones, and walks away.
Agent Cranston is briefing the security troops on how to best search for Dr. Jacobs. Though his plan is efficient, because of the size of Babylon 5, as Zack Allen points out, it could take a long time. Dr. Cranston explains that, as an anti-kidnapping measure, all EarthDome personnel are injected with an identification crystal, which can be scanned for easily.
Sheridan asks Garibaldi if he is having any problems with the security crew. Garibaldi tells him that he isn't, and that, because of their efficiency, he would not like having to go up against them. As they walk, Sheridan notices a red ribbon tied to a nearby wall. Sheridan tells Garibaldi to continue to check up on them, and that he will check in with him later to check his progress. Sheridan exits hastily.
Sheridan, in a dark corridor, shines a strange patterns of lights into the area ahead. He walks forward and meets with a woman. "The general sent me," she tells him. "I have a message. You're in great danger, Captain. We know what you've been told. But Dr. Jacobs is not a traitor." As she sets up a device to prevent their conversation being eavesdropped upon, Sheridan asks why there is such an intensive search out for him, and the woman explains that Earth Special Intelligence is directly under President Clark's control, and that Jacobs represents a threat Clark wants stopped at any cost. Sheridan asks what the situation is, and the woman explains what happened at the beginning of the year.
"Before President Santiago was killed aboard EarthForce One, Clark got off the ship, claiming he had some kind of virus. Twenty-four hours later, EarthForce One is destroyed in an...accident, and Clark assumes the presidency. As Clark's personal physician, Jacobs knew it wasn't true. If he would ever testify to that effect, it would help prove that Clark knew what was going to happen. But, they couldn't allow that. If they killed him right away, it would look suspicious, so they kept an eye on him until they figured it was safe for the good doctor to have an accident. We heard about it, and we helped him escape."
The secret meeting.
She tells him that their plans were changed because Jacobs wasn't able to meet with his contact elsewhere, so he came to Babylon 5. Sheridan tells her that he can't pull his security officers off because it would mean revealing himself, destroying everything they've tried to build. She says he needs to do whatever he can, because it must be done. They need to accumulate as much evidence as possible, and Jacobs' testimony would be a good place to start. She tells him to make sure he gets the statement and gets Jacobs off the station alive. He tells her that he is angry things have gotten so far out of hand, and that he will have to circumvent his own security officers. She advises him to work quickly, and leaves. Sheridan calls Garibaldi, telling him to meet with him in ten minutes.
Dr. Franklin is instructing a small group of physicians in MedLab when he gets a call from Garibaldi. "Hi Doc. Just wanted to say, 'Happy birthday,' that's all. Catch you later." Franklin tries to protest, and doesn't understand the message, since it isn't his birthday, but gets the point when he sees security officers scanning nearby. Franklin orders the message to replayed frame by frame, looking for anything unusual. Several frames in, he sees two voice balloons sketched on top of the image which read, "Meet me at my place ASAP. Come alone. Wear something comfortable."
Garibaldi's message.
Jacobs, the old man, now in a deserted area of Downbelow, prepares an injection which he gives to himself. He speaks into a small recording device, and says, "I'm...uh, I'm nearly out of stims. I have to keep moving. If I fall asleep, they'll get me. And, uh, if they get me, I uh...I don't know if this will get to you Mary, but I'm tired. I'm just desperately tired. I don't know who to turn to, who I can trust." He is interrupted when several security officers appear nearby, searching some drunken lurkers. Jacobs quickly fumbles at opening a nearby cargo elevator, and when he does, he steps inside closes the door. The security offciers notice something on the scanners for just a minute, and then it vanishes. They decide to report it anyway.
Jacobs makes his recording.
Garibaldi prepares to search for Jacobs by taking two PPG weapons and dressing in extremely casual clothes. He says that his security crew is good, but that he has one advantage: Dr. Franklin, who knows a lot about Dr. Jacobs, and is someone whom Dr. Jacobs knows as well. Franklin is afraid Garibaldi will be recognized, but Garibaldi says that, because of his position, they rarely look at his face. He also puts on his disguise, a hat, and the two of them leave to begin their mission.
Jacobs steps out of the elevator, and is immediately met by the tall man who saw him talking to the merchant earlier. He tries to move away, but is met by another gentleman. The tall man tells him that he looks as if he doesn't belong in Downbelow, and asks him what he is buying or selling, or if he is running away. Jacobs says he doesn't want any trouble and will pay whatever he wants. "Yeah, you will," the tall man tells him.
Jacobs is taken to another section of Downbelow, and has his belongings taken by the two lurkers. They search through them, searching for something they might be able to sell. Jacobs tries to convince them he has nothing of value, but they soon discover otherwise when they rip open his jacket to find a data crystal and an antique pocketwatch, which attracts the large lurker immediately. Its inscription reads, "Office of the President of the Earth Alliance." The large lurker leaves to examine the data crystal, leaving the other behind to guard Jacobs.
Taken hostage.
Cranston explains to Sheridan and Ivanova that they have searched most of the station and have deduced that Jacobs must be hiding in Downbelow. Sheridan says that the sooner they get him off of Babylon 5, the better, and that Cranston is right about him being in Downbelow. When Ivanova protests, Sheridan tells her that it is the only logical choice, unless she seriously believes he might also be Downtown. Cranston asks where this place is, and Sheridan tells him it is the unofficial name for the area between the hull and the water reclamation system, one of the most unpleasant parts of the station, full of heavy machinery, pipes, and lead. Cranston decides that Jacobs would use lead to defeat the scanners, and calls security to have them search Downtown instead. Cranston leaves, and Ivanova asks him what he was talking about, telling him that the entire area was sealed off after Babylon 5 was made operational. Sheridan says that he hopes trying to burn through the walls and doors in that area will buy Garibaldi a few hours. He then receives a call saying that one of the ambassadors wants to see him. He begins to say no, but decides otherwise when he learns it is Ambassador Kosh. He goes off to the meeting.
Garibaldi and Franklin are questioning some of the people in a bazaar in Downbelow, but can't find any information. They comment on how there are no guards down there, but Garibaldi decides it must be Captain Sheridan's doing. They stop to rest and to have something to eat. While they are chatting about Dr. Jacobs and the past, when they notice a merchant trying to sell Jacobs' pocketwatch, which Franklin recognizes. Garibaldi strongarms the merchant into revealing where he got the watch.
Garibaldi and Franklin downbelow.
An officer goes to Cranston and tells him that they have someone on the line who has seen Jacobs. Cranston answers the call and talks to the man on the other end, the same one who kidnapped Jacobs from Downbelow. The man says he will turn over Jacobs for 10,000 credits, to which Cranston agrees. The man says he will call again when he is ready to exchange.
Sheridan arrives in Ambassador Kosh's quarters, and asks the purpose of the meeting. "You wanted to see me?" he asks Kosh.
"You wanted to see me."
"Well, I guess everybody does. To see what you really are inside that encounter suit."
"They are not ready. They would not understand."
"Am I ready?"
"No. You do not even understand yourself."
"Could you help me to understand you?"
"Can you help me to understand you?"
"Well, I can try. Is that what you want? An exchange of information? I tell you something about me, and you tell me something about you?"
"No. You do not understand. Go." Kosh turns away.
"Damn it, what do you want? What do you want from me? You know, ever since I got here, I've had the feeling that...that you've been watching me. The record shows you hardly ever went to council meetings until I showed up. When I was captured, it was you who reached out and touched my mind. And now you call me here? Why? Just to throw me out? Are we just toys to you? Huh? What do you want?"
Kosh spins around and intones angrily, "Never ask that question."
"At least I got a response out of you. So, what'll it be, Ambassador?"
"I will teach you."
"About yourself?"
"About you. Until you are ready."
"For what?"
"To fight legends."
The lurker guarding Dr. Jacobs hears a pounding at the door which he thinks is his companion, Max, returning. He opens the door, but finds Garibaldi instead. Garibaldi knocks the lurker out, but not before he is stabbed in the arm. Franklin tries to help Garibaldi up, and then unties Dr. Jacobs. Though they try to usher him out of there, Dr. Jacobs insists that they have to have the data crystal, which Max took. Garibaldi tells Franklin and Dr. Jacobs to wait for him nearby.
Max arrives back in the room to find the other lurker tied up. He removes the gag from his mouth, but before the other can warn Max, Garibaldi steps from the shadows, PPG drawn, and demands the data crystal. He begins shooting at Max, missing deliberately, but coming closer and closer each time. By the time Garibaldi shoots only an inch away from his head, Max agrees and hands over the data crystal.
"I'm in a bad mood."
Cranston talks to Sheridan, reminding him that, in the past, internal scanners have been used to locate radiation sources inside Babylon 5. Sheridan tells him it required a lot of difficult rewiring, but Cranston only wants to know why he was not informed about it. Ivanova comes in and tells Sheridan that Dr. Franklin needs to seem him immediately. Sheridan leaves, and Cranston turns to Ivanova. He asks her about the internal scanners and how long it will take him to wire his scanners up to Babylon 5's. She replies coldly, obviously resenting his attitude toward her. She tells him that he didn't ask for the information and that there is no way to know if the systems are compatible or if it will work.
Dr. Jacobs gives the data crystal to Sheridan and explains that it contains the information obtained from his scans of Clark which proved he did not suffer from a viral infection and that he has given Garibaldi the necessary codes to unlock the data. Garibaldi, while being treated for his arm injury by Franklin, reminds them that they will need a statement as well. Sheridan says that they have another problem now that Cranston knows they can patch their scanners into the station's internal sensors, which would make it very easy to find Dr. Jacobs. Franklin asks if it is possible to get him off the station, but Garibaldi says it isn't likely, considering they have all the docking bays covered. "Not entirely correct, Mr. Garibaldi," Sheridan says.
The configuration between the sensors and the scanners is complete. Ambassador Kosh asks for permission to depart, but Sheridan won't allow him to leave until after they scan the station. The station is scanned, but they don't find Dr. Jacobs. Sheridan tells Cranston that he is angry his station has been torn apart for no reason. Kosh asks permission to depart again, which Ivanova grants. Cranston says he doesn't understand since someone (Max) told him Jacobs was on the station. Sheridan tells Cransgon that he can't be too sure of any information he obtains aboard the station. Ivanova begins to tell Kosh that he can open the jump gate, but Cranston protests, saying that he wants the ship scanned. Sheridan tells him that it is an ambassadorial vessel, but Cranston isn't satisfied. Sheridan reluctantly agrees to scan the ship, and the scan find one life form, but it isn't human. Sheridan offers sarcastically to return the ship to the station to search it thoroughly, but warns Cranston that, if they find nothing, it could cause a major diplomatic incident. Cranston gives his permission for the ship to enter the jumpgate, which it does. Sheridan orders Ivanova to help Cranston find out where Dr. Jacobs really went, and help him in any way possible. He also tells Cranston that, as soon as Ivanova is finished, he hopes Cranston will leave. Cranston says nothing, but leaves C&C.
"Give him your full cooperation."
Sheridan, Ivanova, Garibaldi, and Franklin arrive in bay 13, where the Vorlon ship has redocked. Sheridan tells them that they are supposed to wait until the ship recognizes them, which it soon does. Sheridan explains that it knows them because it is alive. Kosh wasn't on the ship when they scanned it from C&C, and since the scan only registered one life form, it must be the ship. The ship opens up, and tentacle-like protusions extract a large pod from it. When the pod touches the ground, it opens to reveal Dr. Jacobs inside. Dr. Franklin quickly revives him from an artificial coma, which Kosh insisted on as a condition for the use of the ship. Dr. Jacobs revives. "While I was asleep," he says, "the uh...the ship...It sang to me."
The ship gives Dr. Jacobs back.
Sheridan returns to the woman sent by General Hague and hands her a data crystal, which he says contains all of Dr. Jacobs' information. She accepts it willingly. "Good. It's not enough to go public with yet, but it's a start. We'll get Jacobs onto one of our ships as soon as possible. Thank you again for your help. You've just scored a major victory for the good guys. You should be proud. Until next time, Captain."
"There's always a next time, isn't there?" Captain Sheridan asks.
"You'd better pray it stays that way, Captain. Because as long as there is a next time, at least there's a chance we'll win." She turns to leave, but offers him one final thought before she goes. "Because in this war, Captain, we need all the chances we can get."
In the Beginning
Overview
Two-hour TV movie. Covers the Earth-Minbari War in more detail, including Delenn's involvement and the death of Dukhat.
P5 Rating: 8.94
Production number: TNT MoW 2
Original air date: January 4, 1998
DVD release date: December 4, 2001 (barebones)
August 17, 2004 (full-featured)
Written by J. Michael Straczynski
Directed by Mike Vejar
Novelization by Peter David
Music by Christopher Franke
Note: This guide page assumes prior knowledge of the first four seasons of the show, since the movie originally aired after season four was complete. There are spoilers here for the series.
Plot Points
- @@@883991639 Londo was among the Centauri delegation to Earth at the
start of the Earth-Minbari War. He advised Earth's leaders not to
seek contact with the Minbari, or if they did so, to send only one
ship so as not to appear threatening. Earth's military leaders,
full of hubris after the victory over the Dilgar
("Deathwalker")
ignored that advice and sent an expedition, led by the Prometheus
("A Late Delivery from Avalon")
to gauge whether the Minbari represented a threat to Earth's
expansionist ambitions.
- @@@883991639 The Rangers existed during the thousand-year interval
between the previous Shadow War and the present, but weren't well
thought of by Minbari in general. They were poorly funded and had
few members. Their head at the time of the war, Lenonn, attempted to
persuade the Grey Council that the Shadows were awakening and that
the Rangers should be granted more funding and manpower, but his word
alone wasn't persuasive enough.
- @@@883991639 Kosh and another Vorlon, probably Kosh's replacement
("Walkabout")
were present both on Minbar and onboard the Grey Council's ship and
consulted with Dukhat. After his death, Delenn spoke to both of
them on a few occasions, though in typical Vorlon fashion they offered
little in the way of decipherable advice. Their presence was known
only to Dukhat, and later to Delenn and Lenonn, but not to the rest of
the Grey Council.
- @@@883991639 The Grey Council was on its way to Z'ha'dum, to verify
the truth of Valen's prophecy, when the Prometheus attacked and
began the war
("Atonement.")
- @@@883991639 The Centauri refused to provide Earth with weapons or
support during the war, fearing the wrath of the Minbari. The Narn,
however, were more than happy to sell modified Centauri weaponry.
G'Kar personally closed the deal with the Earth government, noting
that if the Minbari discovered the weapons, they'd likely identify
them as Centauri in origin and attack the Centauri anyway.
- @@@883991639 At one point during the war, while Sheridan was serving
as first officer aboard the Lexington, a Minbari ambush in an
asteroid field killed the captain and left Sheridan in charge. The
ship was disabled and its support vessels destroyed. He ordered his
weapons officers to remove the warheads from three tactical nuclear
weapons and plant them on nearby asteroids. Then he sent a distress
signal, which drew a Minbari cruiser into the area. Two of the nukes
were sufficient to destroy the cruiser, which later turned out to be
the flagship Black Star. His victory boosted flagging morale among
Earthforce.
This incident has been referred to several times during the course of the series, first upon Sheridan's arrival on the station ("Points of Departure") and later, in more detail, in "There All the Honor Lies."
- @@@883991639 After he destroyed the Black Star, Sheridan was sent on
a secret mission. Accompanied by Franklin and G'Kar, he was to meet
with Lenonn, the head of the Rangers, to attempt to arrange peace
negotiations. Unfortunately, Londo learned of the meeting and,
mistaking it for an arms shipment thanks to G'Kar's involvement,
arranged for a Centauri sneak attack that killed Lenonn. The
Minbari captured Sheridan and Franklin, but Delenn ordered them
released after Sheridan relayed a message from Lenonn indicating
that Earth hadn't been responsible for his death.
- @@@883991639 After scanning Sinclair with the triluminary
("And the Sky Full of Stars")
the Grey Council learned not only that he had a Minbari soul, but
specifically that he had Valen's soul. Delenn volunteered to watch
Sinclair after his memory was wiped, to ensure he never learned what
had happened to him.
- @@@883991982 Londo watched most of Delenn and Sheridan's conversation in the Centauri prison cell ("War Without End part 2.")
Unanswered Questions
- @@@883991639 What was the Omega incident? (See Notes)
Analysis
- @@@884711589 Dukhat's ritual line during Delenn's induction into the
Grey Council, "Will you follow me into fire, will you follow me into
darkness?" was a reference to Valen's founding of the Council. The
questions also occur in the Minbari rebirth ceremony
("The Parliament of Dreams")
suggesting that the founding of the Council was considered a rebirth
by the Minbari (not unreasonable, if it gave them new hope in their
losing war against the Shadows as well as fundamentally altering the
structure of their society.)
- @@@884116342 According to
"Points of Departure,"
Sheridan destroyed the Black Star by mining the asteroid belt in
Earth's solar system. The implication here, however, was that the
attack took place far away; at that point in the war, it's said
several times, the Minbari were only attacking outlying colonies
and minor, poorly-defended worlds. Of course, it's possible they
were making occasional forays deeper into Earth space as well,
possibly to force Earth to spread its defenses thin.
- @@@884711169 It only took two nuclear warheads to knock out the Black
Star. Why didn't Earth start attacking the Minbari with nuclear
weapons as a matter of course? Perhaps it was simply that any
incoming missiles or ships were destroyed before they could get close
enough to be effective, though on a few occasions (e.g. the
Battle of the Line) Starfuries did seem to get as close to the Minbari
cruisers as the Lexington's asteroids were. Was the Black Star only
vulnerable because its defenses were down due to the Lexington's
apparent lack of power? If so, that implies the Minbari have some
way to counteract the effects of nuclear explosions.
- @@@884157630 The meeting between Lenonn and Sheridan took place on
an outpost world in the Epsilon system. That may be the same system
where B5 was eventually built (it orbits Epsilon 3.) That makes some
sense, as B5 is located in neutral space bordering the major races.
@@@889493609 In the novelization, the meeting place was described as an abandoned Drazi colony (which doesn't preclude it being in the same system as B5, of course.)
- @@@883991639 How did Sheridan and Franklin get away from the Minbari
cruiser? Did the Minbari really take the time to drop them off at
some neutral location from which they could find their way back to
Earth? Unless it was done in secret, that would presumably have
attracted some attention -- two humans arriving on a Minbari ship
wouldn't have been a common sight.
- @@@884247891 When the triluminary glowed for Sinclair, Delenn
immediately knew that it meant he had Valen's soul. Why, then, did
it take her another fourteen years, until
"Atonement,"
to recall that the triluminary also glowed for her, and to
thus deduce that she was somehow related to Valen as well?
- @@@884116342 Delenn's promise to watch Sinclair explains why the Minbari insisted that he be the one to head Babylon 5 ("Signs and Portents.") Putting him in a position in which he'd be forced to have contact with her simplified her task greatly.
Notes
- @@@884157291 Londo claimed to have had 4 wives. One of them, depending
on how his statement is interpreted, could be the Centauri Republic
itself. The other three were Timov, Daggair, and Mariel, the last
two only for a short while before Londo had their marriages annulled
("Soul Mates.")
Of course, he also claimed to have been fond of all his wives, which
didn't appear to be true of Timov, Daggair, or Mariel.
Another wife may have been mentioned in "A Voice in the Wilderness part 1." Londo told Garibaldi about marrying a dancer in his youth, then regretting it soon after. She may have been one of the three wives from "Soul Mates," or not; it was never made clear.
- @@@884157394 One detail about the attack on the Grey Council's ship
was left out: the appearance of Soul Hunter ships, as shown in
"Atonement."
@@@889493609 In the novelization, a Soul Hunter appeared, and the Minbari made a wall of their bodies to prevent him from getting to Dukhat's body. Delenn was among those forming the wall.
- @@@889493609 According to the novelization,
the Omega Incident was an unjustified attack on a Dilgar ship by
Captain Jankowski. The attack led to Earth's involvement in the Dilgar
War.
- @@@884116342 During the series, Ivanova wears one earring; it's one of
a pair of lucky earrings. She gave the other to her brother Ganya
before he flew out on his final mission.
- @@@884276058 Londo quotes the human saying, "Pride goeth before a
fall." Though widely known, this is actually a misquote of
Proverbs
16:18,
"Pride goeth before destruction and an haughty spirit before a fall."
- @@@884116342 The brief glimpse of a gunner onboard the Prometheus
after the order to fire was given was from
"A Late Delivery from Avalon."
- @@@860696890 The story is framed by the old Londo Mollari
("War Without End")
telling the tale to a group of Centauri children before Sheridan and
Delenn are brought before him. (See
jms speaks)
@@@889493609 According to the novelization, the children are related to Urza Jaddo, who Londo was forced to kill in "Knives." Londo promised to care for Urza's house, thus the presence of his relatives in the royal palace.
- @@@865704805 Filming ended June 30, 1997.
- @@@884631046 A slight glitch: When Captain Sterns was killed, his
blood floats into the cabin since there's no gravity (which is logical
since the Lexington had no rotating section.) But another crewman
had blood running down his face, which wouldn't happen without gravity.
- @@@884631179 Continuity glitch: While Sheridan was on the Minbari
cruiser, his uniform's stat bar was sometimes on and sometimes
dangling.
- @@@881254979 A
sample chapter
from the novelization is available from the publisher's site.
- @@@1089729443 This movie was released twice on DVD, once as a barebones edition along with "The Gathering" and later as part of a collection of the B5 Movie Collection.
jms speaks
- @@@881861493 We've finished the producers' cuts of the two TNT
Movies, and have come through without notes. Everyone loves 'em, and
agrees that while Thirdspace is very cool, In the Beginning is the
best thing we've ever done. On every level: acting, writing, the
directing, sets, costumes...everything. This one's got Hugo written
all over it. (Which makes it hard to look at, but there you are.)
Maybe even Ace.
- @@@884632629 It's a very moving and emotional movie in a lot of
places, which was the goal. If it doesn't touch you, there ain't much
point to doing it.
- @@@884020417 How much did it cost?
If "it" means the series, it's always been under $900 thousand per episode. If "it" means ItB, the production cost was just a tick under three million bucks. - @@@854165392 TNT will show the pilot movie. The theory is to do the
prequel first, then the pilot, then the series through one run at
least, then the second original TV movie to freshen the cycle, then
onward.
- @@@867512979 In the Beginning will air in January, on a Sunday, in
a 4 hour block the other half of which is the original B5 pilot, and
then it will go to daily M-F runs of the first 4 seasons at 6 or 7 p.m.
- @@@864919949 TNT is a commercial cable network, so there will be
commercials. As I recall, the running time to which I wrote the
scripts was 94 minutes 10 seconds.
- @@@884632629 We got the ratings, and I can't release them yet,
that has to come from TNT, but suffice to say they're dancing in the
aisles over at TNT. Again, I can't give specifics yet, but they had a
very specific rating in mind that they felt was the best we would
probably get, which we beat handily, and they felt that the pilot, being
a rerun, wouldn't do that well...and it ended up doing as well as the
maximum they'd hoped the prequel would get.
They're stunned.
- @@@884374485 Turns out we virtually tripled our regular audience, and
*built* each quarter hour, which means folks were jumping in all
through, and those who came, stayed.
- @@@884374485 There were a number of big fans of the show in TNT
programming who kept bugging management to pick up the show, do the
movies...and whose necks were on the line if it didn't work...who are
now dancing in the aisles.
- @@@865719116 Is "In the Beginning" a linear story?
Never said it was linear, only that it predates B5. - @@@867175069 No, the movie won't be linear per se, but broken up by
Londo's narration, which will collapse some events together so we can
cover the whole history of the war in about 2 hours.
- @@@857584668 Plans are to have Dukhat in the B5 prequel.
- @@@867911105 Will Delenn's makeup be the version from the
pilot?
No, we're using the series makeup, rather than add one more permutation. - @@@889494163 It made more sense to put it in line with the series, since
there's 22 of the first season, and only 1 of the pilot.
- @@@865719137 You may not find out who built the Great Machine in
the series, but that will be one of the features of one of the planned
TNT movies. And there will be more on the Valen/Sinclair transformation
as well.
- @@@866443970 ItB contains surprises and turnarounds for many of the
series veteran fans, and it does a great job of laying the foundation
for the first two seasons for the newbies.
It's a most elegant dance...and I'm actually kinda proud of it.
- @@@874424493 Will ItB spoil some of season one's
mysteries?
That's an interesting question. When I sat down to write In the Beginning, my feeling was that I should look at the long term. Would the hole in Sinclair's mind be the same mystery it was in season one, or would it be kind of known thereafter? If so, then do you want to play with the mystery, or set up what actually happened? I figured, okay, let's go for the latter...let's let the audience know (which will mostly know by now anyway), and set up the background, with the characters not knowing the first season. I took basic greek tragedy as my model, with ItB functioning more or less as a Greek chorus that sets things up.If you want to play it as a strict mystery, then no, probably don't go near ItB...but frankly, if I were going to start someone off on B5, I'd definitely want to start with ItB, which sort of skims in and out of the overall storyline in a beautiful fashion.
- @@@889494163 "I know you probably couldn't have made a movie about the
Earth-Minbari War without giving away the ending, but I was kind of
hoping the details would be left more vague than they were for the
benefit of new viewers."
I came to that part of my decision-making process, and realized that in 2, 5 or 10 years, the secret ain't gonna be secret anymore...so why not play into that, and make the audience aware up front, which adds a different kind of tension, like seeing the bomb under the table when the characters eating dinner don't know it's there.
- @@@889494163 Sheridan and Franklin had already met when Sheridan
arrived on B5.
Yeah, in my notes on Sheridan I had him meeting Sheridan before, but never did much with it at the time...we never see the first time Sheridan and Franklin meet in the second season, and when we do they're hanging out pretty casually, as people who've met each other before might. Bear in mind, also, that there's about 11 years between the two incidents, and at best they were casual acquaintances on one mission. - @@@860696654 From coproducer George Johnsen
The Nova Class Dreadnaughts have been around for quite a long time, but are getting a "sprucing up" for further development. As we discovered in our own navy, there is a need for several classes of ship of varying sizes.The Omega Class are the next development in that series. The habitat section was added, as well as more armored sections. There is a further development of that class under discussion. You can also see some design elements of the class contained in the Cortez.
The newer ships under development are all of smaller classes, like the Olympus Class Corvette, the Badger heavy fighter, and the Cotten Class Deep Penetration Tender. We will see these participate heavily in the second of the TNT movies.
- @@@883993504 How long between the war and Londo's recounting of
it?
It's 35 years from the time in which Londo is speaking, and Anna and Sheridan weren't married during the war, they were married after. - @@@884374100 Didn't you promise no cute kids or robots?
Hello...is anyone there...? I always said that in relation to SERIES REGULARS AND RECURS. Every time we have a kid on the show, and we've had several, somebody throws this at me without once remembering that this applies to series regulars/recurs, like Wesleys or the bots from Buck Rogers.And then somebody gigs me for something I didn't say.
- @@@860696890 Spoiler for "War Without End
part 2"
The Londo scene in question is the one that takes place moments before Sheridan and Delenn are brought in, and then allowed to escape. (War Without End.) He can't exactly see to their execution since they outlive him in story continuity, now can he? - @@@884374485 The karmic point of no return is the whole of his
[Londo's] life, from ItB's events through the bombing of Narn,
which led to the death of hundreds of thoudands or more.
- @@@884632630 Londo's first wife was a dancer, who he was forced to
divorce by his family.
Adira reminds him of her a lot.
- @@@884632630 "But that still doesn't explain the "cared for them
all deeply" part in relation to the other three..."
We remember what, and how, we choose to remember.
- @@@884374485 "Did you consider putting the scene of the hunter
confronting the Minbari at the battle of the line into the movie?"
(Ed. note: not the Battle of the Line, but the initial attack
on the Grey Council ship, as mentioned in
"Soul Hunter.")
Yeah, for some time, in fact...but the logistics involved in staging a full-scale assault, dozens of soul hunters, the fight itself, would've taken up about 10-15 minutes minimum, which would have had to come out elsewhere, and I can't find 15 minutes in that movie that's expendable. One can only do so much in the amout of space, and time, and money, one has.
- @@@884374669 There wasn't time to do it in the movie...it would've
taken about 10-15 minutes to set it up and pay it off properly, and I
couldn't find 15 expendable minutes in ItB. There's a brief window
after the body's death where the soul hunters can still move in, so
there was time...we showed their ships moving in in Atonement, and to
do so again here would get in the way and really confuse new viewers.
- @@@884374485 About Kosh and Ulkesh, the other Vorlon
No, I wouldn't call them friends. They had a certain respect for one another, but Ulkesh always thought Kosh was soft, and Kosh always worried that Ulkesh was dangerous. In their own ways, both were right. - @@@884630587 It wasn't so much a case of Ulkesh turning against the
effort, but finally hitting the end of his patience with the humans,
and his predecessor's decision to let the "natives" get out of control.
- @@@884374485 Were Kosh and Ulkesh near the top of the Vorlon power
structure?
It's not a hierarchy as you or I would understand it...and the weird thing is, though I kinda know how it functions, I'll be damned if I can figure out how to explain it in words. - @@@884632738 Zha is the usual reference for the future, whose meaning
changes depending on whether it's a suffix or a prefix, and what it's up
against. Isil-zha usually means change, changing the future, coming of
a new age; entil-zha is the one who creates or guides the forces
creating the future; and z'ha'dum (with the broken zha) is the death of
the future, or the dark future.
Kosh and Ulkesh were contemporaries, though Ulkesh was the more military of the two, very isolationist, while Kosh was the curious one, interested in the younger races, and more willing to extend himself (with sometimes unfortunate results). Kosh always worried what Ulkesh would do without his moderating presence...and ultimately had to be the one to take him down to allow the younger races to step forward.
- @@@884374485 About the sequence leading up to the Battle of the
Line
Yeah, I'm real happy with that sequence, starting with the top of the act and straight through to the President's speech...I think it's one of those moments when we committed art. - @@@885924539 "In the "2 years" montage in "In The Beginning", we
see an Earth Alliance ship ram a Minbari cruiser amidships, blowing a
hole through its middle. Does this mean that Sheridan's was not the
only ship that destroyed a Minbari battleship during the war?"
Sheridan was the only one to score a *victory* against a Minbari war cruiser. Meaning he survived. Ramming one, and dying in the process, ain't a victory...at best it's a draw.
- @@@884632630 "I nearly cried when the President asked the military
to "hold the line" so that a pitiful few hundred could escape. In that
single moment, you feel that even if the Minbari had done it, those few
refugees would have sired a people who, eventually, would have made it.
Just at that moment, you see the echo to the ball of light flying into
the encounter suit a million years hence."
It's a very moving scene, even for me. There's something in particular about a female president making that request, and giving those orders, that is especially strong. I don't know why that should be, but somehow it is. We as a people tend to forget our own strength, and as Londo says, our stubborn nobility. We only seem to remember it when we stand on the edge of the abyss, when it's almost too late to do anything about it.
"I always have felt this show is about him."
Yeah, in many ways, it is.
- @@@879537326 Will Sinclair even be mentioned?
Nobody said he wouldn't be mentioned; using the footage we shot from "And the Sky Full of Stars," he's in the last part of the movie. Bear in mind that at the time he was a squadron leader assigned to Earth as part of the defense network there, so didn't have a great deal to do with the larger parts of the war.Basically, each character (with the exception of one or two) gets one or two scenes in the movie (we have a lot of them, remember). To bring Michael out from New York, at first class airfare, plus accommodations, salary, for one or two scenes (one of which we already *had* him for) was impossible under the budget, much as we discussed it and would've been interested in doing so.
- @@@889494471 How do you work out using footage of an actor
from one episode in another episode?
You just call up their agent and work out an arrangement. - @@@889503646 I think if you add up all the footage from other episodes,
it's probably less than about 5 minutes total.
I figure, if we shot it right the first time, why redo it? Also, if we take the position that this "happened," it should be identical, and a restaging wouldn't be identical.
- @@@882987794 Did Sinclair undergo a "preliminary psi probe" as
assumed by Delenn in the novelization?
I don't have the book in front of me, but if that refers to the one after his capture, then yes. - @@@889494471 "There was one notable flashback scene [from
"And the Sky Full of Stars"]
that did not make it into the movie, in which Sinclair rushes Delenn and
pulls her hood off. Also we never saw Sinclair surrounded by the Grey
Council and blasted by the staff. Given how "In the Beginning"
progressed I'm not sure how those scenes could have fit in."
This happened shortly after the events shown.
- @@@889503542 "That would be the only place they would fit, but then
I wonder why a Grey Council member would blast Sinclair after they
already know he has Valen's soul."
Remember that Sinclair was going for them at that moment, and the blast didn't hurt him, only knocked him out...they were deliberately *not* trying to hurt him.
- @@@880917882 About the novelization
Peter did a fine job with the book. He added a few bits here and there, for which he should get the credit, and overall did a very good job of it. - @@@881861605 I think that most of the inconsistencies you note are
primarily due to the translation from script to print, prior to Peter
seeing any of the actual footage (it's never stated in the script, for
instance, that any of the Grey Council have seen Valen).
While Entil-zha has a vague translation, which is what is stated in "Dream," we've translated isil-zha ever since Marcus appeared in the show...Franklin asks while they're in medlab, if you recall, and he points to the center stone and says it's called isil-zha, meaning the future.
In the Beginning
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
In the year 2278, a boy and a girl are playing in the Centauri Royal Palace, and come upon an open window. Through it, they can see the city burning outside. Their nurse finds them and warns that they should not be playing there and should not look outside. All the windows in the palace except for this one are covered up, and this one is for the Emperor. As they are about to leave, they are interrupted by Emperor Londo Mollari.
"It's all right," he says. "It's been a long time since I've heard the sound of laughter in this room." The Emperor asks them to come closer, and the boy identifies himself as Luc Jaddo ("Knives") and his sister Lyssa.
Londo offers Luc the opportunity to give one order. "Make it a good one," he says. As the boy thinks, Londo prompts him again: "What do you want?" "Tell me a story!" Luc replies -- a better answer to that question, Londo reflects, than his own.
"A story about great deeds," Londo eventually begins. "About armies of light and soldiers of darkness. About the places where they lived, and fought, and loved, and died. About great empires, and terrible mistakes. A true story. You see, I was there, at the dawn of the Third Age...
In the year 2243, in Earth Dome, a young Londo Mollari, liasion to the Centauri delegation, arrives at General Lefcourt's ("Endgame") office, where the general and a presidential aide are waiting. Following Earth's victory in the Dilgar war ("Deathwalker"), the Earth government has been extending their sphere of influence, making deals and treaties with the League of Non-Aligned Worlds. Some aliens have been receptive, some hostile, and some are a mystery. Among the latter are the Minbari. The General has asked Londo to his office to see if he has any information about the Minbari. Londo says the Centauri have had some dealings with them in the past, but nothing recently. The aide explains that Earth is preparing to send an expedition to Minbari space, to see if they pose a threat to Earth's expansion, and they need all the information they can get.
Londo advises them to send only one ship. He explains that the Minbari are one of the oldest space faring races, and even at the height of Centauri expansion they never dared oppose them. The Minbari won't bother Earth if they are left alone, he says. But the aide and the General are not listening, and are confident that Earth can handle whatever comes its way. Londo promises to give them the information they requested, but nothing more. "I only hope," says Londo, "that in your stumbling around you do not wake the dragon."
Meanwhile on the Minbari homeworld, Lenonn, leader of the Anla'shok (the Rangers) is meeting with Callier, a warrior caste member. Lenonn has requested more support and men for the Anla'shok, who are not well regarded by the warriors. The prophecies of Valen indicate that this is the time when the Anla'shok will be needed most, but the warrior caste elders have denied his request. Lenonn demands to see the Grey Council and make his case personally, as is his right. Callier warns that going over the heads of the caste elders will offend them, but Lenonn does not care.
That night, Lenonn is awakened by silent attendants who escort him before Dukhat, leader of the Minbari, and the Grey Council. Lenonn recalls Valen's prophecy that the Shadows would return in a thousand years, a time almost upon them now, and says the Rangers are not ready; they are few, most of them old and tired, mocked by some even in the Grey Council, and by the Warrior caste who consider them an embarrassment, who do not believe in the prophecy of Valen.
Dukhat replies that the prophecy also says the Anla'shok will arise, so why not wait until there is proof? Besides, prophecy only concerns the religious caste; what does Lenonn have for the Workers and the Warriors? "All I can say is that I believe," replies Lenonn. "What more is there to say?" The rangers need money, resources, and people; and Lenonn also suggests contacting the Vorlons.
Coplann, a member of the Grey Council and the Warrior caste scoffs at the idea. In the last hundred years no ship sent to contact the Vorlons has returned. "Let them appear," says Coplann, "to give us something to believe in." He takes their absence as further proof that no danger exists.
Delenn, not yet officially a member of the Council but in attendance nonetheless, suggests instead an expedition to Z'ha'dum, homeworld of the Shadows, to verify whether the Shadows have returned. Coplann argues that such an expedition would cause panic if it were generally known, and Dukhat agrees with him. Therefore, Dukhat announces, the Grey Council itself will go to see the truth of the prophecy, travelling in secret and via an indirect route. The Council is dismissed, and Dukhat returns to his sanctum to meditate. In his sanctum, and clearly known to him, are two Vorlons in their encounter suits.
On Earth, Lt. Cmdr. John Sheridan arrives at Gen. Lefcourt's office. Gen. Lefcourt offers Sheridan the first officer position aboard the Prometheus, which is leading the expedition to the border of Minbari space. Sheridan feels an obligation to Captain Sterns, his current captain aboard the Lexington, and he does not feel comfortable leaving the ship, or joining Capt. Jankowski aboard the Prometheus. Capt. Jankowski is considered a loose cannon by people who have served under him, and he doesn't handle first contact situations "as well as others." Although Jankowski was completely cleared of responsibility for something called "the Omega incident," Sheridan would rather avoid the situation. Gen. Lefcourt considers this a bad move for Sheridan, but if Sheridan wants to shoot his own career in the foot, that is his problem. Sheridan is dismissed.
Aboard the Grey Council ship, just prior to the ceremony to officially make her a member of the Council, Delenn notices secret supplies arriving. She discovers they are brought every week on Dukhat's personal orders, and have to do with life support and alternate atmospheres. Dukhat overhears her investigations and reminds her of the coming ceremony. Delenn confides to him her suspicions, that the supplies have to do with Vorlons who may be among them secretely, obviously known to Dukhat, but Dukhat neither confirms nor denies this. However, he tells her "If you ever have doubt about your actions, all you need do is look upon the face of a Vorlon. Once you see that all doubt is erased forever." (See Dr. Kyle's comments in "The Gathering"; also "Chrysalis.")
The Prometheus arrives at the given coordinates as the ceremony to induct Delenn is taking place. The Prometheus picks up the silhouette of the Grey Council cruiser. They were not expecting any ships in this area, and Capt. Jankowski does not understand her presence. "Unless they are waiting for us," he muses out loud. He does not want to jump back out unless thay are detected, however, to avoid putting the jump engines under strain, and thinking about the likely medals he will receive for bringing information on the Minbari warships back with him.
The first officer reminds the Captain that their orders are to avoid a first contact situation, but Capt. Jankowski ignores him and orders his ships to approach. Their scanners are having a hard time locking on, and they cannot pick up anything more than a silhouette, so Capt. Jankowski orders them to get even closer, trying to obtain as much information as they can before being detected. Over the objections of this first officer, he adds, "We handled the Dilgar, we can handle a few stray ships."
Aboard the Minbari ship, they have picked up the echo of the Earth ships. To confirm whether it is aliens, a member of the Grey Council has ordered the scanners on maximum but does not think they should bother Dukhat until they have more information.
The powerful scanners are so strong that they interfere with the Earth ship's jump engines, so the Prometheus cannot jump out. Capt. Jankowski gets more and more agitated, conjecturing that this is being done deliberately. He calls a Red Alert, and tries telling the Minbari that they mean no harm.
Dukhat is informed of the ships, and that they are talking but cannot be understood. The Grey Council member who ordered the scan says they are approaching with gunports open, as per Warrior caste custom: a sign of respect. Capt. Jankowski misinterprets the gesture and unable to tell whether the Minbari have locked their weapons on them because of the interference from the scanners, he grows ever more agitated and finally orders the ships to open fire. They manage to damage the Grey Council ship, mortally injuring Dukhat and shutting down the scanners. As Dukhat dies in Delenn's arms, the Prometheus and her escort turn around and flee.
A Council member approaches Delenn as she holds the dead body of Dukhat. The Council is divided: should they follow the humans to their base and take revenge, or wait and try to understand what happened? Delenn's vote will break the tie. Delenn, distraught over the death of the Minbari leader and mad with grief, votes for revenge: "They struck without provocation... there was no reason... Animals! Brutal... They deserve no mercy... Strike them down! Follow them to their bases and kill all of them! All of them! No mercy!"
"With the death of their leader Dukhat," continues Londo, "the Minbari went mad. They swore revenge, and began a holy war which could only end with the complete extermination of Mankind..."
Gen. Lefcourt and Gen. Fontaine host a massive briefing for Earth Force personnel, where they shows images of dozens of Minbari heavy cruisers destroying an orbitting station and Earth cruisers. The Minbari are attacking and destroying everything, even ships which are not capable of fighting any more. They are not responding to communications, and ignoring offers of surrender. Since the first engagement, Earth Force has not won a single battle, as the Minbari ships are immensely superior and Earth Force cannot even break the Minbari stealth technology. The briefing is to make sure everyone understands, and relays to their ships, two things. One, that Earth Force needs a victory, any victory, to boost morale. "And two," concludes Gen. Lefcourt, "that unless we find a way to defeat the Minbari, the human race ends with the current generation."
At the briefing are Sheridan and Capt. Sterns of the Lexington. Although the Lexington is an old ship that was not expected to see action again, it is being made ready. Also there is Ganya Ivanov, a fighter pilot who is visited by his younger sister Susan. Susan promises to join Earth Force when she turns eighteen in a few months, despite her father's likely objections, and she gives Ganya one of her earrings "for luck."
In Geneva, Londo is talking again to the presidential aide. Earth knows the Centauri will not intervene militarily, but they would like strategic and tactical support from them. And, as Londo points out, weapons. Centauri are more advanced, and the weapons may give Earth a fighting chance. But although Earth offers to pay any price, the Centauri are worried about possible retaliation by the Minbari should they find out, and consider the humans a dying race anyway because of the war. Centauri Prime will not help.
The aide returns to his office, where G'Kar of the Narn regime waits. G'Kar predicted the Centauri would react this way, but the Narn are willing to help. When the Narn drove the Centauri away from their home, they seized many weapons they have since learned how to replicate. They will sell them to Earth, but for a high price. Asked if he is worried about Minbari retaliation, he reasons that if the Minbari capture any weapons, they will blame the Centauri, which is an excellent outcome for the Narn. The aide agrees to the terms, having little choice.
The massive Minbari fleet continues its advance. But Delenn has lost her taste for the war. "Dukhat would have never approved of this slaughter," she argues to another member of the Council. Lenonn agrees with her, accusing the Warriors of being afraid of losing against stronger opponents, the Shadows, and therefore embracing genocidal war against the humans, who have no chance of victory.
Later, when Delenn and Lenonn are alone, Lenonn informs her that he has recreated Dukhat's sanctum in this new ship. Only the two of them have access to it for now, and he advises her to go there very soon.
When Delenn goes, she finds two Vorlons in their encounter suits. One of them identifies himself as Kosh, and shows Delenn a projection made by Dukhat before his death. The Vorlons have told Dukhat that the Minbari will need allies in the coming war, and have specifically mentioned the humans. Dukhat hopes that the person hearing the message will help bring them to the war against the Shadows on the Minbari side. Kosh further tells Delenn that the humans "are the key." Lenonn emerges from the shadows in the sanctum and says the war against the humans must be stopped.
Back on Earth, Dr. Stephen Franklin, recently re-enlisted, is confronted by Gen. Fontaine. Franklin spent some time hitchhicking through space, exchanging medical service for free passage. During this time, he came into contact with some Minbari who had been seriously injured. He was unable to save them, but performed autopsies and took detailed medical notes. He has not provided Earth Force with these notes, since he knows they will be used by the BioGenetic Division to attempt to create a biogenic weapon to wipe out the Minbari. As a doctor, he cannot allow that. Under the Military Code of Justice, the General cannot order him to turn in the notes, but Gen. Fontaine does not care. He has Franklin arrested and his office and home searched. He will be held under arrest until he turns in the notes the General "requested." "And God help you, son," Gen. Fontaine tells Franklin. "From now on, the blood of every soldier who dies in this war is on your hands."
In space, the Lexington and her group have been under hit and run attacks for the past few days. They are all tired and under pressure. They pick up a lone Minbari short range transport and follow it to an asteroid belt, where the transport engines apparently fail, leaving the transport adrift. Sheridan realizes it is a trap, but before the group can break formation a Minbari heavy cruiser jumps in the middle of the group. The hyperspace distortion and the cuirser make quick work of the group, destroying most of the ships in a matter of seconds. The Lexington is hit and loses engines and weapons. Capt. Sterns' chair is hit by flying debris, crushing him to death. The Lexington is left adrift in the asteroid belt, the Minbari thinking it dead already.
In Delenn's quarters, Lenonn and Delenn are trying to figure out what to do. Until now, the Minbari have only hit outer colonies, sparsely populated, but soon they will start approaching the inner colonies closer to Earth. Every day they delay will make stopping the war that much harder. Delenn suggests opening negotiations with the humans, but no member of the Grey Council can go by himself; and the humans will probably think it is a trap anyway. But, she suggests, Lenonn is respected, and has a history of service and unchallenged loyalty, making him a perfect choice. The Minbari know of the deal between humans and Narns, and Delenn suggests using the Narn as intermediaries to arrange a meeting in neutral territory. Despite the dangers, Lenonn agrees, happy to be able to serve his people again. With luck, a meeting can take place in three or four weeks.
Adrift on the Lexington, Sheridan comes up with a desperate plan. He orders three tactical nukes put on asteroids as mines. When they are ready, he sends a distress signal. The Minbari cruiser intercepts the transmission and turns back to destroy the Lexington. Before they can fire, Sheridan detonates the nukes, destroying the cruiser.
The cruiser turns out to be the Black Star, the Minbari flagship. Upon the Lexington's return to Earth, the news of the destruction, the only victory Earth Force has managed so far, is the morale boost Gen. Lefcourt was hoping for.
Gen. Lefcourt congratulates Sheridan. "You were right to stay where you are," the General says. "Thank you for arguing with me." While the Lexington is undergoing repairs, Gen. Lefcourt sends Sheridan to the rendezvous with the Minbari, now arranged through the Narn. It is to take place in an abandonded Earth listening post in the Epsilon system, and G'Kar will go as a mediator and translator if needed. Dr. Franklin, who has agreed to help as his only way out of the stockade, will also go to verify that the other party are indeed Minbari. If it is safe and the Minbari are serious, negotiators will follow, to surrender if necessary.
"We all have our orders..." muses Londo. "My orders were to prevent the Narns from using the war to establish closer ties with the humans. We learned of their mission, and we assumed it was an arms shipment. We didn't know. We couldn't know that it was an attempt to end the war. And so, I gave the order to intercept it."
A Narn heavy cruiser delivers G'Kar, Sheridan and Franklin to the listening post on the surface of a desolate planet, where they meet Lenonn. Lenonn knew Sheridan was coming, and knows what he did to the Black Star. He also knows, he says, that it was necessary. "I also know many of my people will not forget," adds Lenonn. "I speak for them. We must find a way to resolve this, so that many more of your people not get killed. We..." but before he can finish, G'Kar is contacted by his ship; someone is coming through the jumpgate. Before the ship can say anything more, they are destroyed. A Centauri cruiser has opened fire on them, and then fires several missiles at the surface. In the explosion, Lenonn is mortally wounded. Before he dies, he explains that his people will blames his death on Sheridan, so he tells Sheridan what to tell them.
"They never knew who had attacked them," explains Londo. "Each side assumed it was a renegade arm of their own government. But it was us, and it was my order that destroyed their last chance for peace..."
The Minbari soon arrive to find Lenonn dead. Sheridan, Franklin and G'Kar are brought before a hooded Delenn. G'Kar is to be sent away and the two humans questioned prior to their execution. But before they are taken away, Sheridan starts yelling. "I have a message! I know what is in Dukhat's sacred place!" When asked by Delenn what is there, he replies "Insil'zha". Delenn realizes they are not to blame for Lenonn's death and orders them released. Although stunned, the Minbari obey her. When Franklin asks G'Kar what the word means, G'Kar replies "The future."
"With their one chance for peace ruined, and Lenonn dead, the war escalated..." Londo pauses in his story and looks out the window. He explains he had all windows blocked, afraid that if he saw the burning city unprepared he would break down and cry. "But there is hope," he says. "But it will be hard. It will be so very hard..."
Londo returns to his seat and continues the story. "Where was I? Yes, the war. The humans, I think, knew they were doomed. But where another race would surrender to despair, the humans fought back with even greater strength. They made the Minbari fight for every inch of space. In my life I have never seen anything like it. They would weep, they would pray, they would say goodbye to their loved ones... and they would throw themselves, without any fear or hesitation, on the very face of Death itself, never surrendering. No one who saw them fighting against the inevitable could help but be moved to tears by their courage, their stubborn nobility. When they ran out of ships, they used guns. When they ran out of guns, they used knives, and sticks, and bare hands. They were magnificent. I only hope that when it is my time, I may die with half as much dignity as I saw in their eyes, at the end.
"They did this for two years. They never ran out of courage, but in the end, they ran out of time..."
On Earth, the Earth Alliance President addresses the military forces that are left, and tells them of the fall of Proxima and Beta Durani. Earth has also lost contact with Io, and they believe the Minbari will bypass Mars and strike Earth directly at any moment. Despite broadcasting a surrender and a plea for mercy, the Minbari have not responded. To buy more time for the evacuation of Earth, every ship capable of fighting is being asked to join the final defense of Earth. "We will not lie to you," the President says in broken tones. "We do not believe that survival is a possibility. We believe that everyone who joins this battle will never come home. But for every ten minutes we can delay the military advance, several hundred more civilians may have a chance to escape to neutral territory. Though Earth may fall, the human race must have a chance to continue elsewhere. No greater sacrifice has ever been asked of a people, but I ask you now, to step forward one last time, one last battle to hold the line against the night. May God go with you all."
Hundreds of ships of all sizes hold position around Earth as the Minbari approach in hyperspace. The Grey Council assembles to oversee the end of the campaign. On her way to the Council, Delenn stops at Dukhat's sanctum and talks to the Vorlons. She says she has failed, and the war has taken a life of its own, despite the fact that even the Warrior caste has lost its taste for it. She believes that even now they would agree to stop if there were a reason to do so, but there is none. Running out of time, unsure of what to do, she begs the Vorlons to tell her what to do. But they remain silent. As she is about to leave, Kosh says "The truth points to itself." Delenn doesn't understand, but Kosh tells her to leave before it is too late.
Alpha group, led by Jeffrey Sinclair, is first to encounter the enemy, a scouting party. "Hold the line," orders Sinclair. "No one gets through, no matter what."
The Grey Council oversees as hundreds of Minbari ships jump into normal space and start firing. They quickly destroy all of Alpha group except for Sinclair himself. Without any weapons left, his ship about to explode, he turns on a cruiser intent on ramming it. The Cruiser is the Grey Council ship.
Delenn suggests they capture a human to interrogate him about the defenses on Earth. When asked to choose a pilot, she recalls Kosh's words and chooses Sinclair's ship. The cruiser uses an energy beam to stop and tractor in Sinclair's ship, as the battle continues around him. Coplann, a Grey Council member of the Warrior caste, leaves to conduct the interrogation. Later, Delenn, unable to watch more death, leaves the room, and is intercepted by a troubled Coplann. They were using the triluminary to probe Sinclair's mind, and something happened. Coplann thinks Delenn and the rest of the Council should see this immediately.
The triluminary glows when close to the beaten Sinclair, an indication that he has a Minbari soul. Moreover, as Delenn points out, it is not any Minbari soul, but the sould of Valen himself. Coplann cannot believe it, but the trilumniary is the holiest Minbari relic and cannot be questioned. Delenn reasons that Valen was reborn as a human, a sign that humanity is important to the coming Shadow War. Since Minbari do not kill Minbari, "we cannot kill them," concludes Delenn. "In the name of Valen, and he who is Valen's shadow in this life, we cannot kill them."
The ships are to be ordered to stop immediately. As Coplann leaves to see to it, another Council member points out that the rest of the Minbari people are not ready to know this, it would cause panic. It is suggested that Sinclair's mind be wiped of this memory, to ensure secrecy, and that a close watch is to be kept on him to make sure he does not remember. "Leave that to me," says Delenn. "We will keep him close to us, one way or another."
"For the next ten years," continues Londo, "one question would obsess a hundred worlds: Why did the Minbari surrender at the Battle of the Line, on the very eve of victory? The answer to that question would change the Galaxy forever..." concludes Londo, as he finishes his tale.
Londo orders the children out, as he has things to do. Before they leave, Luc asks about Sheridan and Delenn and the end of the story. Londo tells them that Sheridan became president of a great Alliance, Delenn ever at his side. "The story..." Londo says, "is not over yet. The story is never over." "Did they live happily ever after?" asks Lyssa, the first words she has spoken out loud in the presence of the Emperor.
"That remains to be seen..." replies Londo, and the children leave. Londo orders several bottles of alcohol and asks that "the prisoners" be brought to him in an hour. When the guard leaves to execute the order, Londo turns on a projector, where she sees Delenn and Sheridan in a cell in Centauri Prime ("War Without End, Part Two.") Londo takes his cup, and in a mock toast to the screen, he says "To the future, my old friends," as he settles back on his throne to drink.
In the Kingdom of the Blind
Overview
Byron's telepaths present the Interstellar Alliance with an ultimatum. Londo and his bodyguard visit Centauri Prime. Robin Atkin Downes as Byron. Damian London as Regent. Ian Ogilvy as Lord Jano.
P5 Rating: 8.54 Production number: 509 Original air date: March 18, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@890331630 Someone is secretly using Centauri war cruisers to stage random attacks on the cargo vessels of all the Alliance worlds. The Alliance is aware of the attacks, but doesn't yet know of the Centauri connection.
- @@@890331630 The Centauri Regent continues to be controlled by his Keeper ("Epiphanies.") He has started drinking heavily, something he never did in the past, and, like Captain Jack ("Racing Mars") occasionally lets slip that something is wrong, even getting as far as asking a palace guard to kill him.
- @@@890331630 The Keeper, in turn, appears to be under the control of as-yet-unidentified aliens lurking in the shadows on Centauri Prime. The aliens, according to the Regent, believe they have a lot in common with Londo, and in fact have already thwarted one attempt to assassinate Londo. They appear to be telekinetic (though whether by psi or technological means is unclear.)
- @@@890331630 Byron has attempted to blackmail the Alliance into giving his people a homeworld by using his people to scan the minds of all the ambassadors, allegedly gathering a stockpile of sensitive information. His threat to make all the information public has backfired and erupted into violence at least once. Now the Alliance, including Sheridan, is clamoring for Byron's arrest, and most of his people (including Lyta) have sealed themselves into a small section of Brown Sector in an attempt to hold out as long as they can and give cooler heads time to prevail. A militant faction of telepaths has left the group and promises to take a more active approach, sabotaging station operations if necessary until the Alliance capitulates.
Unanswered Questions
- @@@890331630 Is the Regent dead?
- @@@890331630 Who were the aliens? (See Analysis)
Analysis
- @@@890332320 The aliens were almost certainly
allies of the Shadows. They're also almost certainly behind the
attacks on Alliance ships, which bear some resemblance to the Shadows'
tactics: random strikes of no seeming military value, designed
apparently to demoralize the Alliance and cause conflicts within its
ranks. They also appear to have the ability to turn invisible,
a signature Shadow technological trick.
Are the aliens related to the Drakh, or are they a totally different Shadow ally? If the latter, how many ally races did the Shadows have?
- @@@890332320 Are the aliens telepathic as well as telekinetic?
Ironheart implied that only telepaths can be telekinetic
("Mind War.")
But of course that might only apply to Vorlon-induced telepathy.
As Byron told his people, on some worlds telepaths evolved naturally,
and those worlds might have evolved telekinesis. It's also possible
that the aliens stopped the knife from hitting Londo via some
technological means, rather than via psi power.
- @@@890333825 Lord Vole might have also been behind the previous attempt
on Londo's life
("Strange Relations.")
- @@@890332320 The militant faction of telepaths is much more likely
than Byron's faction to hold Garibaldi hostage
("The Deconstruction of Falling Stars.")
They aren't opposed to the use of violence to get what they want,
and they're loose on the station; Byron's people will, by his own
admission, eventually be reached and arrested unless the Alliance
decides otherwise in the meantime.
- @@@890332320 Sheridan still sits behind the "Earth Alliance" placard at Council meetings. Is he the Earth Alliance representative? If not, who is, and why wasn't that person present at the council? Given that Sheridan is still held in contempt by some people back on Earth, it seems like an unacceptable conflict of interest for him to represent both Earth and the Alliance as a whole.
Notes
- @@@878893197 The title is probably a reference to a line by Gerard Erasmus: "In the valley of the blind, the one-eyed man is king." The one-eyed Keeper on the Regent seems the most likely king in this case -- certainly it appears to be in control. G'Kar is another possibility, of course.
- @@@890332320 Continuity glitch: Byron and Lyta spoke as if their first lovemaking ("Secrets of the Soul") had occurred the night before. But that would mean Rebo and Zooty's arrival, and the Day of the Dead, took no time at all. The discrepancy, of course, is simply due to "The Day of the Dead" being moved from its original intended air date.
jms speaks
- @@@893013539 Revealing that the Centauri were behind the attacks
spoiled the surprise.
Y'know, maybe you should wait to see how this pans out before you say it's a problem. I *wanted* the audience to know the Centauri are behind this, for reasons that will become clearer in the episodes that follow.Again, with this show, it ain't the who or the how, it's the *why*.
In the Kingdom of the Blind
Synopsis by Katrina Glerum (kat@midwinter.com)
Whoever has been attacking Alliance cargo transports possesses daunting resources. The strikes have been carried out against far flung shipping lines with military precision and overwhelming force while leaving no survivors and no incriminating wreckage and--unlike raiders--taking no cargo. The Alliance leadership has 24 hours before it must inform the member worlds of these findings. Sheridan orders the Rangers to patrol the major routes, but without knowing the purpose of the attacks, he can guess the disruption this is going to cause in the Alliance as the member races all blame each other.
Minister Vitelli professes joy at Prime Minister Mollari's homecoming, but in reality can't keep his eyes off the fearsome Narn at Mollari's side. The court is even more unnerved when Mollari announces that G'Kar is his bodyguard.
Byron calls his telepaths together for a meeting and announces Lyta's revelation about how the Vorlons created telepaths in order to use them as weapons in the Shadow War. Since their purpose was to serve the others, they deserve recompense in the form of a homeworld, he concludes, and that's what he intends to demand from the Alliance.
Londo receives an old friend, Lord Jano, and their conversation quickly turns to the Regent. He has been in seclusion for months, although he is occasionally found doddering around the palace at night talking to himself and always seeming to be on the verge of warning people about something that he forgets before he can divulge. Londo is surprised to hear that the Regent is usually drunk at these times since the Regent had always flouted convention by his sobriety.
Jano is worried by other oddities. Recently the Regent has made many innocuous-seeming matters top secret, such as fleet status and production figures for raw materials.
When Lord Jano returns to his rooms he finds the Regent sitting there in the dark. The Regent reminisces about Jano's boyhood and then fondly says, "If it were my decision, I would never let anyone hurt you." Jano smiles condescendingly as the Regent says woefully, "But it's not my decision, you see." A look of horror crosses Jano's face before he is flung across the room.
As the Alliance ambassadors depart the council for their quarters and offices, each one of them is tailed closely by a telepath. Then Byron goes to visit Garibaldi.
The next day in court, Lord Vitelli informs Londo that the Regent is not well enough to meet with him. Londo then sends Vitelli to investigate Lord Jano's absence before being confronted by Lord Vole who criticizes Londo for bringing G'Kar. To prove the Narn's barbarian nature, Lord Vole introduces the guard who electrowhipped G'Kar for Cartagia's pleasure. Handing G'Kar the whip, Vole grants him permission to do as he likes to the guard. A flash of anger flares in G'Kar's eyes, but Cartagia is dead and the guard was not responsible. Dropping the whip at Lord Vole's feet G'Kar reminds him that more pain is caused by the mouth than by the hand or the heart.
Lord Vitelli rushes Londo to Lord Jano's chamber where Jano's body hangs by the neck. Both Londo and G'Kar are certain that it was not suicide.
Byron asks Garibaldi's permission to address the full Alliance Council, but declines to explain why, so Garibaldi refuses. Byron plucks the shipping reports from Garibaldi's mind and says that his information about the crisis effects all the member worlds and therefore should be delivered to them all at once lest they doubt its accuracy.
Byron gets his chance, and as Lyta hands out reports detailing how the Vorlons created telepaths, he explains his real purpose in coming before the Council. Angry at being deceived, Sheridan calls Byron out of order, causing Byron to play his trump card. He announces that the telepaths who have been trailing the ambassadors have discovered all of their secrets, and if his demands are not met, he will reveal everything that has been discovered.
Sheridan's fury is nothing next to Garibaldi's. Only Delenn is open minded enough to wonder if the telepaths haven't been abused and mistreated enough to deserve what they are asking for and points out the similarities between the telepaths' case and the one which caused Sheridan to launch a civil war.
Lord Vitelli invites the Prime Minister to a meeting with the Regent. As Londo and G'Kar tread uneasily through the midnight corridors, they hear footsteps and the snick of a sword being bared. G'Kar turns to grapple with two assassins and a dropgate falls, separating him from Mollari.
Lord Vole is waiting in the next room. He throws a dagger which halts inches from Mollari's breast and hovers an instant before flying back and sinking into his own heart. Too stunned to react, Londo peers around and sees an alien in the shadows with great glowing red eyes. The dropgate rises again just as G'Kar squeezes the life out of the second Centauri assassin. Leaving the bodies littering the floor they hurry back to their chambers.
One of the telepaths has broken Byron's orders to stay put by venturing out to find supplies. He is set upon by Drazi. When the others feel it, some can't help but rush to defend him. Byron is distraught. He knows that the violence is ruining their chances of success.
Sheridan's exhaustion is palpable as he sits in the empty council room. Zack enters on behalf of Captain Lochley to request Sheridan's permission to arrest the telepaths. Although he is half inclined to agree with Delenn, Sheridan feels that he can't do anything for the telepaths until they are in custody, and so he removes his protection of them.
Byron knows the attack will begin soon. When he announces that they will close off the access points and remain peacefully under siege until they are too weak to prevent their own arrest, there is a rebellion by some of the others who find this approach too passive. They would rather fight with the secrets and weapons they have stolen. "Is there not one of you who understands?" Byron shouts in exasperation, and vows to stay despite what any of his followers do.
Lord Vitelli professes his gladness that Mollari has survived and stammers his innocence in the attack. Londo sees a hand beckoning from behind a drape and follows to find the Regent giggling madly in the throne room. He tells Mollari that he's glad they got there in time to save him, although it wasn't really him who saved Mollari, it was them. They are Cartagia's legacy, he continues, and they like Mollari. When Molari asks who "they" are, the Regent shushes him worriedly. "You will be Emperor soon," he says. When Mollari agrees, a terribly mournful look transfixes the Regent's face. "I'm so sorry."
They have a message for Mollari, he continues. He must stop making inquiries about supplies and ships. "You will understand it all soon," the Regent says.
When Mollari says he wants to understand it now, the Regent exclaims "No! No you don't! If you have ever believed me before, Londo, believe me now. You still have time. Enjoy it! Run in the sunlight! Eat! Laugh!" Suddenly spooked he whispers, "Like a fool. You have so little time." Another mercurial change descends upon him and he violently shoos Londo from the room promising him one more conversation before the end.
Londo leaves more bewildered than he arrived. The poor Regent turns to face a bug-eyed monster and is instantly punished for his loose tongue. His protests are ignored as his keeper strangles him.
Sleepless, Londo tells G'Kar that they must leave as soon as possible. The palace frightens him, and he wonders aloud "what could they be doing with our ships."
Somewhere in space an unarmed transport is destroyed by a Centauri battleship.
Zack's voice on the PA interrupts a tender moment between Lyta and Byron. He orders them to remove the barriers they have erected and surrender, and begs Lyta to come out. Lyta won't leave, but Byron tells her that he will ask her later to leave him and makes her promise to do it.
In the Shadow of Z'ha'dum
Overview
Sheridan discovers a connection between Morden and the death of his wife. The station is inundated by Narn refugees. A new Earth Alliance agency tries to recruit station personnel. Ed Wasser as Morden.
Sub-genre: Drama P5 Rating: 9.30 Production number: 217 Original air date: May 10, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by David EagleNote: this episode is more momentous than most. Think twice before proceeding to the spoilers; it's worth seeing unawares.
Backplot
- Delenn and Kosh tell Sheridan about the Shadows and the Vorlons:
- D:
- There are beings in the universe billions of years older than either of our races. Once, long ago, they walked among the stars like giants. Vast, timeless... they taught the younger races, explored beyond the Rim, created great empires. But to all things, there is an end. Slowly, over a million years, the First Ones went away. Some passed beyond the stars, never to return. Some simply disappeared.
- S:
- I'm sure this is all very interesting, but what does any of this have to do with Morden?
- D:
- Not all of the First Ones have gone away. A few stayed behind. Hidden or asleep, waiting for the day when they may be needed. When the Shadows come again.
- S:
- Shadows?
- D:
- We have no other name for them. The Shadows were old when even the ancients were young. They battled one another over and over across a million years. The last Great War against the Shadows was ten thousand years ago. It was the last time the ancients walked openly among us. The Shadows were only defeated, not destroyed. A thousand years ago, the Shadows returned to their places of power, rebuilt them, and began to stretch forth their hand. Before they could strike, they were defeated by an alliance of worlds, including the Minbari and the few remaining First Ones who had not yet passed beyond the veil. When they had finished, the First Ones went away. All but one.
- S:
- There's still one of them left. Where?
- D:
- (indicates Kosh, to Sheridan's great surprise) That is why Kosh cannot leave his encounter suit. He would be recognized.
- S:
- Recognized? By who?
- K:
- Everyone.
- D:
- For centuries the Vorlons stood alone, the last remaining guardians. Watching and waiting.
- Delenn's question to Kosh (cf.
"Chrysalis")
was, "Have the Shadows returned to Z'ha'dum?"
- The Icarus, an Earth exploration vessel carrying Anna Sheridan, arrived
at Z'ha'dum in late 2256 (see
Analysis.)
A landing party, exploring a cave, inadvertently
discovered the Shadows, awakening them. The Shadows destroyed the
Icarus so its crew could not return to warn others, and killed the
crewmembers who wouldn't cooperate. Morden was one of the crew.
- Delenn and Kosh knew about the reawakening of the Shadows immediately --
maybe even witnessed it somehow as it was happening.
- The Earth government has formed a new agency, the Ministry of Peace (nicknamed "Minipax" by its employees,) with the alleged goal of helping reduce internal tensions among the EA's populace. Its first visible action was to establish a program called the Night Watch, paying people 50 credits a week to wear black armbands and report suspicious people to the authorities so that troublemakers can be reformed before they disrupt the peace.
Unanswered Questions
- Is Sheridan's wife still alive?
- What is the Ministry of Peace really up to?
- Will Talia join?
- Similarly, what significance is there in the fact that Delenn narrated Sheridan's vision? Was she sharing it with him, or had she seen it before?
- What kind of information did Morden bring for Londo?
- What, if anything, happened to the ship that originally discovered the ruins on Z'ha'dum? Someone must have discovered them before the Icarus' arrival, since the crew of the Icarus knew they were going to explore an ancient civilization.
Analysis
- Delenn's opening remarks about the First Ones bear a striking similarity to G'Kar's comments about the beings at Sigma 957 (cf. "Mind War.") Could those beings also be First Ones? If so, are the Vorlons aware that they are still around in some form?
- Her remarks also echo her comments about humans in "Babylon Squared" -- suggesting that she believes humanity has the capacity to eventually rival the First Ones.
- Delenn stated that all but one of the First Ones have gone away, and that the last one is Kosh. But does she mean that only one race remains, or only one individual? Or is there a difference where Vorlons are concerned? (See jms speaks)
- If Kosh would be recognized by "everyone" because (as implied by Delenn) his race had once walked openly among lesser ones, it's plausible that Kosh may resemble something from legends thousands of years old -- an angel, perhaps, since the Shadows bear some resemblance to demons and Kosh's suit seems to have room for wings. This would tie in with Kosh's statement in "Hunter, Prey" that Sheridan must be ready "to fight legends" before Kosh will reveal himself -- otherwise he'd be mistaken by some as a divine being rather than an alien. Of course, angels and demons are far from the only figures in the human pantheon, let alone alien mythology, and Kosh may be something else entirely.
- Or the encounter suit may allow Kosh to control who gets visions like Sheridan's; if he took it off, everyone who tried to look at him would see something different, something personal. (See jms speaks.) This brings up a potential connection to the flashes in "Babylon Squared"; perhaps the Vorlons were involved in Babylon 4's time travel, and the flashes were a side effect of that.
- Why did Delenn demand to see Kosh in "Chrysalis" before she was willing to undergo her change? She seems to know enough about Vorlons that she would have had some idea what he looked like. Did she simply want to verify that Kosh was one of the First Ones mentioned in the Minbari history books? Or does his appearance have something more directly to do with her wanting to become partially human? That's assuming he was showing himself to her at all, rather than sending her a dream sequence.
- How did Kosh know what happened on Z'ha'dum? Or was he just inventing the scene he showed Sheridan based on what he figured must have happened? Perhaps he gleaned it from his meeting with Morden in "Signs and Portents," though Delenn claims she and Kosh have known about it for the past three years.
- The Icarus expedition seems to have set forth in late 2256. In "Revelations," which is set in early 2259, Sheridan's sister says that it's been two years since Anna's death. In this episode, Delenn implies that the Shadows were awakened three years earlier. Late 2256 makes sense if both of them were rounding.
- The Shadows on Z'ha'dum may have been awakened in 2256, but they weren't the first. The creature in "The Long Dark" awoke during the Earth-Minbari War and was headed for Z'ha'dum. What caused it to wake up before its masters did, assuming its masters are the beings the Icarus discovered?
- Delenn's question was, "Have the Shadows returned to Z'ha'dum?" That implies they were elsewhere; if so, where? Perhaps the same thing that drew the abovementioned creature to Z'ha'dum also drew the Shadows there. In that case, they may have already been awake before the Icarus arrived.
- Sheridan let Morden go so he wouldn't suspect that his true nature is known. But the damage may already be done; Morden and his associates are likely to be suspicious of his sudden release. The reason given to Morden -- "it was all a mistake" -- is going to seem especially suspicious; "the Centauri asked for your release" or "you're right; we can't hold you without charges" seem like they would have been better excuses. Of course, the latter may be what Zack told Morden.
- The Night Watch armbands seem more a tool of terror than of peace, reminiscent of the armbands worn by Nazis and other tyrannical regimes, a constant reminder to everyone that they're under observation. The program seems designed to cause people to turn in their neighbors, and it's probably naive to believe that people accused of suspicious behavior (or worse, suspicious "attitudes") will simply be put into therapy and released shortly thereafter. Combined with the Ministry of Public Morale (cf. "And Now For a Word") it suggests the Clark government is more interested in keeping the citizenry under its thumb than anything noble.
- If it's true that the Night Watch considers thoughts dangerous, they may well be involved with Psi Corps somehow; certainly it would make sense for them to try to involve telepaths in rooting out undesirables. Or, perhaps more likely, they're simply another of Psi Corps' machinations.
- The Shadows aren't the only ones inhabiting places of power. Londo observed that the technomages (cf. "The Geometry of Shadows") were usually cloistered in their places of power. And now the technomages are headed for the Rim, or beyond it, because of a great darkness approaching; what do they hope to achieve?
- Unless the holding cell cameras are very advanced, the Shadows' invisibility is not all that good. Presumably there are aliens on the station who can see well into the infrared or ultraviolet; the Shadows would be easily detected by such beings in any public area. Perhaps that's how Kosh knew who Morden was in "Signs and Portents." On the other hand, it may simply be that some aliens have seen the Shadows with Morden, but didn't think them remarkable enough to be worth mentioning; they're probably far from the weirdest-looking creatures walking around the station.
- Talia was able to detect the Shadows without even trying. That suggests that telepaths will be a valuable weapon against the Shadows -- which leads to the suspicion that the Shadows are working to co-opt Psi-Corps behind the scenes so human telepaths will be less likely to work against them. It's not clear whether her ability to sense the Shadows was typical for a P5 telepath, or a result of her enhanced abilities (cf. "Mind War.")
- It's also worth noting that Talia saw Morden darken the same way Delenn did in "Signs and Portents" -- does this mean Delenn has some telepathic ability?
- In "Infection," Franklin says the Ikarans built their war machines to fend off invasions, the last of which was 1000 years ago. Could they have been participants in the last conflict with the Shadows? Will the technology obtained by Earth in that episode be used in the upcoming war?
- Morden's triangular hand placement while he was in his cell is reminiscent of Lennier's meditation posture. Perhaps there's no connection, or perhaps there is.
Notes
- The name "Ministry of Peace" and its abbreviation Minipax are from George Orwell's "1984."
- The convention mentioned by Talia is probably not the one described in the novel "Voices" because the novel takes place before "The Coming of Shadows."
- Delenn's narrative bears some resemblance to Gandalf's description of
the coming of Sauron near the beginning of the first book of "The Lord
of the Rings." In particular, this passage:
"The rumours that you have heard are true: he has indeed arisen again and left his hold in Mirkwood and returned to his ancient fastness in the Dark Tower of Mordor. That name even you hobbits have heard of, like a shadow on the borders of old stories. Always after a defeat and a respite, the Shadow takes another shape and grows again."
jms speaks
- "In the Shadow of Z'ha'dum" is an
episode that is as emotionally raw as
"Chrysalis"
with some major
revelations that force Sheridan to make the most important decision
of his life.
- Correct; Delenn and Kosh have said nothing about G'Kar's claims
because they're trying to keep a low profile.
- The shadows know that Kosh knows, because the Vorlons *always* know;
they also know (or think) that they're in a superior position because
if Kosh should tell the others, either a) most wouldn't believe him,
or b) the shadows would move aggressively now, costing untold lives.
They're more worried about an alliance between lots of races than the
Vorlons alone.
- I would not create a race as potentially unstoppable as the
shadows without making sure they had one -- but only one -- Achilles'
heel. Though it may take our characters a long time to figure out what
that is...almost *too* long....
- No, "all but one" refers to the race,
not an individual. The First
Ones are various species/races. One of these species/races is still
around at this time. The Vorlons. Of which Kosh is one.
- @@@882988098 BTW, the one big reason that Sakai [Catherine, Sinclair's
old flame in the first season] could not have filled Anna Sheridan's
role in awakening the shadows...and this is the one thing that everyone
who advocates this theory tends to forget...is that they were *already
up and awake* in the first season, as we saw in "Signs and Portents."
They were up, around, and had had some time to build stuff up, reclaim
some of their ships, and in other ways get organized and develop their
contacts.
Also, Morden was already working for them.
- @@@838583849 Why did Delenn demand to see Kosh?
She wanted to see Kosh to assure herself that the Vorlons, who she'd never met before, were who she believed them to be, and that this was a true Vorlon and not a pretender. He had to be in place as part of Valen's prophecy. - The rim, and the "veil" beyond which the bulk of the First Ones
passed, is the Galactic rim. As for why the shadows are doing what
they're doing...that's kind of the key to the whole thing, which we
haven't turned yet.
- @@@839189753 Some of the first ones just got bored after millions of years,
and went off in general. The rest, for the most part, went beyond the
Rim for the same reason you cut down old trees to make room for new
ones.
- Are the First Ones as old as the universe itself?
Well, to some degree you're limited by the amount of time it takes to evolve life per se, then into intelligent life, then into spacefaring life. You need time after the Big Bang for planets to be formed, cool, develop environments capable of supporting life...then the long haul begins.So yes, on the one hand, you've got races that are millions of years older than humans, who were prowling around while we were still furred, fanged, and slamming bones together. But they're not as old as the universe, because they can't be.
- Exploration and archeological/scientific vessels like this usually
piggy-back on Explorer or other jump-capable ships, with an arrangement
that they'll be there for X-number of days or weeks, then another ship
will come that way and again piggy-back them out.
- Thanks. I like Vir a lot. Many folks were willing to write him off
in the beginning, not understanding that there was more beneath the
surface (a problem Vir has also had in his "life"). But you gotta be
careful; characters have a way of surprising you. And I like that, and
intended that, Vir be the first one to stand up to Morden.
- Again, look at the Kosh/Morden scene in
"Signs."
A light is suddenly blown out off to one side. Morden didn't move.
So who did it...but his constant companions?
- Kosh's command to Morden in "Signs"
His comment would have been addressed to the shadows and their current emissary. - @@@839120486 How does Morden communicate with the Shadows so
easily?
Well, one can always assume that Morden received some help, in one form or another, in adjusting to the shadows.... - The difference is just in accent. ZA HA DOOM is the way I pronounce
it, but ZA cHA DOOM is also acceptable (from someone who's learned to
more or less accept the 47 different ways in which one may pronounce
straczynski).
- And, as you note, one of things that I like to play with is the
layering of ambiguity. Let's say, just for the sake of argument, that
we set up two sides: Shadowmen vs. Vorlons, which looks like evil vs.
good. Fundamentally, I would find that boring. What you would then
have to do is get into WHY they're doing what they do, and HOW they're
doing what they do.
There is, for instance, the "good" that says, "We know what's best for you, we'll protect you, nurture you, but you'll do it our way, and we'll keep you away from ideas and beliefs you shouldn't be exposed to." Okay, maybe that fits one definition of good...but is it?
On the flip side, for instance, there's the "bad" that says "There must be conflict and death, because it's only through conflict and death that we grow stronger, that we can eventually create an ordered universe. The gene pool must be kept strong. To do that, there must be war and strife and death." Okay, maybe that fits the definition of evil, but is it?
The key, again and always, is that nothing is what it seems on Babylon 5. And even if it looks like it IS what it is, you have to look at WHY it is what it is...and maybe at that point it isn't.
One of the things about this show is that you see as much as you're willing to see. You can gloss over it, say, "Okay, these are the good guys, these are the bad guys." But the closer you look, the more you see the shades. I imagine when the Shadowmen are more fully revealed, some folks'll think we're going for a basic good/evil conflict...but believe me, there's a hell of a lot more involved in it than that.
- (From a 1993 GEnie message -- presumably we can
replace "Sinclair" with "Sheridan" now.)
I've just sat here for five minutes trying to decide how to phrase this and not give something vital away...and it's damn near impossible.
(another five minutes passes)
Okay, look...do this. Get a piece of paper. Write down the following: "Sinclair sees the hand, but Sinclair does not see the hand. And five other people standing in the room would not see the hand that Sinclair sees, or see the hand that they see."
I know it looks like gibberish. But trust me on this. Put the piece of paper in your wallet (next to the condom) and hold onto it for about two years. Assuming we're still around that long, at some point that message will make absolute and perfect sense.
- Kosh is always and forever *exactly* what he appears to be, no less and
no more. At the same time, Kosh is absolutely *nothing* like what he
appears to be.
These are not contradictory statements.
And this is about the straightest answer I've given yet on the subject, believe it or not.
- I think it would be just about impossible to put Kosh on the outside
of a mug.
- Exactly. You will note that Macabee says, of the Ministry, "...or
Minipax, as we like to call it around the office." It's an in-house
joke, not the real name of the thing.
- Re: the two speeches by G'Kar and Delenn...yes, they were constructed
specifically to echo one another, because the walkers at Sigma 957 are
one of the older races that flit through but don't really pay any
attention to us anymore.
- @@@846703990 The Vorlons are one of the remaining ancient races;
Kosh is one of the Vorlons, not the last of them.
- Kosh is a Vorlon. The Vorlons fought the Shadows. There are many
Vorlons, back home. (The Writer committed an error in that he used
too many pronouns in that segment of dialogue.)
- Was Kosh's line about Sheridan going to Z'ha'dum a warning or a
threat?
Yes. - How do you get a shot of Morden's head on a pike past the censors?
Easy.
You frame the shot so the head is draped...in shadows.
If I were to be planning such a thing, of course....
- MPs (Military Police) also wear armbands. So do the Red Cross and some
United Nations forces.
- How many times did you shoot the scene with Talia slapping
Sheridan?
Only twice. Mainly 'cause she tended to whack him real hard. [...] The take you see is the first one printed. - He said stop because Zack had found the right wavelength (at least
briefly) and didn't want him to go further and lose it again.
- Will Vir, even metaphorically, get to wave at Morden?
That would be telling. - Was the Great Machine inside Epsilon 3 built by a member race of the
First Ones?
Could be. - No, Varn was not one of the First Ones.
Bruce Boxleitner speaks
- Bruce: what has the most challenging episode been for you so
far, and why?
The episode we just finished filming today. It's called In the Shadow of Za'Ha'Dum and my character deals with some very personal issues.
In the Shadow of Z'ha'dum
Synopsis by Matthew Murray (mmurray@wsu.edu)
Garibaldi and Zack Allen are supervising the recent influx of Narn refugees. The station is running out of space and resources to treat the many injured refugees from the Narn-Centauri war before they are fit to return to the Narn homeworld. Zack suggests trying to move them out sooner, but Garibaldi tells him that is against Captain Sheridan's orders. Because Medlab is swamped, Zack asks Garibaldi to speak to Sheridan about the matter.
Vir, outside the Zocalo, finds Morden sitting at a table. Morden says that he was expecting Londo instead, but Vir explains that Londo was recalled to Centauri Prime for a consultation about the war effort. Morden tells Vir he doesn't understand why Vir doesn't like him, since he is doing so much to help out the Centauri. Vir asks why Morden sent for him.
"I sent for Ambassador Mollari," Morden tells him. "But you're here, he's not, and it can wait. If restoring the Centauri Republic means nothing to you, what does? What do you want?"
"I'd like to live just long enough to be there when they cut off your
head and stick it on a pike, as a warning to the next ten generations
that some favors come with too high a price," Vir answers. "I want to
look up into your lifeless eyes and wave like this. Can you and your
associates arrange that for me, Mr. Morden?"
Morden doesn't reply, but hands Vir a data crystal with information for Londo. As Vir is leaving, he waves to Morden, as he hopes to do after Morden is dead.
Garibaldi enters Sheridan's office and asks him for some discretionary power over the Narn refugees. Sheridan tells him that he assumed the station could handle the problem, and that it is hard to turn any of them away. He instructs Garibaldi to have Dr. Franklin sort through everyone, give them only as much treatment as they need, and then send them off as soon as possible. Garibaldi agrees, saying that it will not make Earth Central happy. Garibaldi notices a monitor on the wall, which contains a diagram of the Icarus, the ship Anna Sheridan was on when she died. Sheridan explains that he is trying to sort through the rest of his wife's possession, and was going over the mission information she sent him. Garibaldi expresses his regret, and asks to look at the information. While filing through the crew manifest, he sees a face he recognizes. Sheridan at first protests, saying that everyone on the ship died with Anna, but Garibaldi insists he knows better. "Captain, I know what I'm talking about. I've seen him before. He's alive." He shows the Captain the picture he recognizes. It's Morden.
Garibaldi insists that he knows Morden, which makes Sheridan extremely upset, since Morden should be dead. Sheridan asks why the security net didn't catch him, and Garibaldi explains that, since they don't get death certificates on everyone, Morden would not be found out unless he broke station rules, which he hasn't done. Sheridan orders Garibaldi to find Morden.
Talia is in her quarters when her door chimes. A man enters and
introduces himself as Pierce MacAfee. She greets him and asks what she
can do for him. He explains
that he is from the Ministry of Peace on Earth and would like her
support for a series of new programs.
He explains that the objective of the Ministry of
Peace is to help humans find peace with themselves, so it will be
easier to attain peace with other planets. He tells her that he will be
giving a series of presentations about the programs, and that, because
she was recommended to him by her superiors, he would like her to attend.
She agrees.
Dr. Franklin is in his office listening to medical reports, and barely able to keep his eyes open when Ivanova enters and notes that he hasn't slept in 36 hours. He tells her that he has to keep working, but she suggests he have someone else take over. When he tries to protest, she orders him to get some sleep and then join her in the mess hall for breakfast afterwards. Though he initially protests, he eventually agrees, and leaves to get some sleep.
A line of people are having their identicards checked by Zack Allen.
Morden gives his card to Zack, and is instructed to step out of line
and wait for a moment. Morden tries to avoid doing so, but when he
tries to leave, he is surrounded by several security guards.
Sheridan sits across a table from Morden, saying nothing. Morden says that it is traditional to charge someone if they are being held. Sheridan says nothing, but produces a picture of his wife and gives it to Morden. Morden asks what the picture is supposed to mean, and Sheridan's only reply is to show a news report on the Icarus. Morden finally understands the matter, and he explains that he was on board the Icarus, but doesn't remember what happened. He was in an EVA suit, unconscious, when a transport came to investigate the Icarus' disappearance. The shock and trauma of whatever happened erased his memory. Sheridan asks why Morden didn't check in with Earth Central, and Morden says that it took him a long time to remember his name, let alone file a report. He claims he sent a message, but that it must never have been recieved. Sheridan calls him a liar, and Morden tries to leave, but Sheridan won't let him.
"You're not going anywhere."
Morden reminds Sheridan that he can't be held without charges. Sheridan explains that, since Morden is officially "dead," he has no rights and no legal recourse. "You're playing a very dangerous game, Captain," Morden tells him. "It could cost you your command." Sheridan insists that Morden won't be leaving until he tells the truth.
Ivanova and Franklin sit together in the mess hall, finishing their
breakfast. Franklin mentions that he had bad dreams, dreams of the patients
he's lost. Ivanova agrees that it is difficult to
think about all of the Narn refugees since, by the time they arrive, they
are behind help. Franklin asks her if she believes in God, and she
tells him that most of the time, she does. Franklin tells her that he
is a foundationist, and believes that "God is too big to be defined by
words" and that "the closer you get to defining God, the further away
it gets." She asks what this has to do with his dreams, and Franklin
tells her that, just before patients die, he can see God reflected in
their eyes. "I've seen
a lot of reflected Gods today, Susan, and I'm wondering how we can keep
believing in them when they've stopped believing in us."
Sheridan continues his interrogation of Morden, finding discrepancies
in his story as they continue. As it continues, Sheridan becomes more
angry and more tyrannical. Sheridan asks what happened to the Icarus,
but Morden claims he doesn't know. Sheridan tells Morden that, by the
time he is through, Morden will wish he had died with the others.
Pierce MacAfee addresses a group of people in a conference room,
explaining about the Ministry of Peace. He explains that its objective
is to help people find peace with themselves. Looking at Babylon 5 as
a microcosm of Earth, MacAfee explains they have developed a system
called the Night Watch, the purpose of which is to detect possible
problems. He says it is a volunteer organization, and that it pays
fifty credits a week. All they need to do is wear a black armband, so that
people know the Night Watch is around. The Ministry of Peace wants
to raise public
awareness and help people think about peace. Zack Allen, sitting near
Talia in the audience, asks what else is entailed by being in the Night
Watch. MacAfee says that those that work against peace simply don't
know any better, and they need to be taught and rehabilitated; it's up
to the Night Watch to spot such people and report them. By
doing this, they can protect society from harmful ideas and
misinformation. "We're less interested in actions than we are in
attitudes," MacAfee tells them. "We must help protect society
against its own worst instincts." He says he is proud to be a part of
the organization, and hopes that the others will join him.
Sheridan goes to Garibaldi's office. He tells Garibaldi that he's close to getting the truth out of Morden -- all he needs is to find one provable lie in Morden's story. Garibaldi points out that Sheridan has had Morden locked up for ten hours without charges, which is blatantly illegal. He offers to have Morden followed, but Sheridan refuses. The two argue about regulations. Finally, Garibaldi says he can't be present as chief of security while something like this is going on, and threatens to resign if Sheridan persists. Sheridan says nothing. Garibaldi lays down his PPG, security card, and link, and leaves the room.
Sheridan is still sitting in Garibaldi's office when Zack Allen enters. Sheridan tells Zack that Garibaldi has taken a leave of absence, and that he wants him in charge of Morden until Garibaldi's return. Zack agrees, and Sheridan receives a call from C&C saying that Vir Cotto wants to meet with him. Sheridan says he will meet with Vir in ten minutes. Before he leaves, Sheridan asks Zack to bring Talia to the office so that he may speak with her.
Sheridan meets with Vir. Vir says he's come to ask that Morden be released;
this stuns Sheridan, who asks how Vir knows Morden. Vir is vague on the
subject. Sheridan asks why Vir thinks the station personnel have Morden.
Vir replies that Morden didn't show up for a meeting, and since the records
show he's still on the station, he deduced that Sheridan's people had Morden.
Morden is a guest of the Centauri Republic, Vir continues, and is thus
eligible for diplomatic immunity.
This stuns Sheridan, and he asks why Morden is so
important to the Centauri Republic. Vir says that it is an internal
matter, and once again asks for Morden's release, but Sheridan refuses,
on the grounds that diplomatic immunity only applies once charges are
filed. Morden, Sheridan says, is in protective custody. "Protecting him
from what?" asks Vir. "I haven't decided yet," Sheridan says, and leaves.
As Sheridan walks down a corridor, Ivanova catches up with him. She tells him that she was briefed by Garibaldi, and is worried about Sheridan's behavior. Sheridan tells her that he knows he may be acting inappropriately, but that Anna meant a lot to him, and that he can simply not let that part of his life vanish away so easily now that he has proof her death may have been something more than an accident -- if she even is dead. He says that he has to know, and that nothing else matters to him.
Talia apologizes, but tells Sheridan that she can't help him. She says that Psi Corps rules do not permit unauthorized scans in these circumstances. Sheridan tries to get around the regulations by pointing out that Morden is "officially" dead, but Talia still doesn't agree to his wishes. She says that she can do nothing unless he agrees to a scan. Sheridan asks her to wait outside, then tells Zack Allen to move Morden to a holding cell and escort Talia back to her quarters through a section of the station that will cause the two of them to pass each other.
Morden moves down the hall slowly, accompanied by a full security
escort. When he and Talia meet, their gazes lock, and she sees his
face become hidden in shadows. She holds her hands
to her head and screams, and tries to avert her gaze, but not before
she sees the vague outlines of two strangely-shaped beings next to Morden.
She falls back into Zack's arms.
Dr. Franklin examines Talia, who insists she's all right, but says that, when she looked at Morden, she felt as if she were falling into a bottomless well, and that she felt a great coldness. She also says she thought she saw a shape with him. Sheridan enters and begins to apologize, but cannot finish before she slaps him full across the face and storms out. Sheridan tells Franklin he had it coming, and Franklin agrees. Franklin gives Sheridan some advice. He knows very well how people act when someone they love dies, but it's not always possible to do anything about it, even if Sheridan sometimes thinks he can fix everything. He says Sheridan has to face that fact, but he doesn't have to do it alone. Sheridan smiles in understanding and leaves.
He is barely outside of MedLab when Delenn and Kosh appear. Delenn tells Sheridan that Morden must be released at once. Sheridan can't believe that they are interested in Morden as well, and wants to know why everyone is so interested in him. Delenn says that Babylon 5 could be in terrible danger, and that Sheridan will have to trust them, but that isn't enough for Sheridan. He demands answers. Delenn and Kosh look at each other, and Kosh nods to her. She agrees to give Sheridan the answers he wants, but warns him that, when he learns what they know, he will never be able to sleep well again. "Come, Captain," she says. "The greatest nightmare of our time is waiting for you." She hurries off, followed by Kosh, and Sheridan is close behind.
"There are beings in the universe billions of years older than either
of our races," Delenn begins. "Once, long ago, they walked among the
stars like giants... vast and timeless. They taught the younger races,
explored beyond the rim, created great empires... But to all things
there is an end. Slowly, over a million years, the First Ones went
away. Some passed beyond the stars, never to return. Some simply
disappeared."
Sheridan, impatient, interrupts. "Delenn, I'm sure this is all very interesting, but what does any of this have to do with Morden?"
"Not all of the First Ones have gone away. A few stayed behind, hidden or asleep, waiting for the day when they may be needed...when the Shadows come again."
"Shadows?"
"We have no other name for them. The Shadows were old when even the Ancients were young. They battled one another over and over across a million years. The last great war against the Shadows was ten thousand years ago. It was the last time the Ancients walked openly among us. The Shadows were only defeated, not destroyed. A thousand years ago, the Shadows returned to their places of power, rebuilt them, and began to stretch forth their hand. Before they could strike, they were defeated by an alliance of worlds, including the Minbari... and the few remaining First Ones who had not yet passed beyond the Veil. When they had finished, the First Ones went away... all but one."
"There's still one of them left. Where?"
Delenn, saying nothing, slowly focuses her gaze upon Kosh. "That is why Kosh cannot leave his encounter suit. He would be recognized."
"Recognized? By who?"
"Everyone," Kosh intones.
"For centuries, the Vorlons stood alone, the last remaining Guardians, watching and waiting. Then, last year, I sent Kosh a message." Delenn tells Sheridan of the time, before she began her transformation, that she sent Lennier to Kosh with a question, to which Kosh answered yes.
"If yes was the answer, what was the question?" Sheridan asks.
"'Have the Shadows returned to Z'ha'dum?'" She tells him.
"Z'ha'dum?" Sheridan says. "That's the world G'kar's been warning us about all year."
"Sheridan," intones Kosh, as the small circular opening in his headpiece opens. "Learn."
Sheridan looks into the hole, and his face is covered by a strange
green light. He sees a spaceship approaching a world.
"The Icarus," Delenn says, "your wife's ship, sent to investigate the ruins of an ancient race no one has ever heard of before."
"Z'ha'dum," Kosh says.
Sheridan, still mesmerized by a strange light from the encounter suit, sees the crew of the Icarus, on the surface of Z'ha'dum, exploring the planet. He sees inside a great crevice, where a strange and terrifying creature stirs, eventually opening its fiery eyes.
As the Shadow awakens, the opening in the headpiece of the encounter suit closes, and Sheridan returns his focus to Delenn. "Anna...The Icarus," he says weakly, "They found something. They woke something up."
"Yes," Delenn says. "Once awakened, the Shadows could not allow them to leave in case they would warn others. Those who would not serve were killed."
"But were they all killed? Delenn, maybe... maybe some of them were kept alive as prisoners. Anna might still be alive! Morden..."
"...must be released!"
"After what you just showed me, how can you ask me to let him go?"
"Because right now, they do not know how much we know. The last time, the Shadows lost because they moved too quickly. Now, they are being careful, gathering their forces slowly. If you push Morden, sooner or later, he will tell you what happened. Then he will be killed. And you will be killed. The Shadows will move now, before we're ready for them."
"How are they going to know?"
"Because Morden is never alone! Listen to me. Aside from the Vorlons, we do not have the First Ones to help us this time. We are on our own! We will have only one chance to stop them, and if we fail, billions will die. There comes a moment when each of us must pledge himself to something greater than himself. You told G'kar he had to decide between revenge and the good of his own people. Now you must make the same decision, Captain. It will be the most important decision of your life."
Zack tells Sheridan, who is watching Morden in his cell, that he should get some sleep. Sheridan asks Zack how much he knows about World War II, but Zack admits he doesn't know much. Sheridan tells him how the British government knew, throughout most of the war, the code that the Germans used for all their secret messages. The British discovered that the Germans were planning to bomb Coventry, but if they evacuated, the Germans would change the code. If the city weren't evacuated, hundreds would die. The British decided not to evacuate, and the city was destroyed. Sheridan says he saw an old newsreel of Churchill visiting Coventry, and is still haunted by the look in Churchill's eyes as he realized what he had done. Zack says he's glad he doesn't have to make that decision, because he doesn't think he could handle it. "How many lives is a secret worth?" he asks. A strange sound comes from the monitor on which Sheridan is watching Morden. Zack explains they had been picking up the sound for a while, but that they believe it is due to faulty microphones in the cell. Sheridan asks Zack to change the view on the monitor to scan for different wavelengths of light. Zack does so, and while he's doing it, Sheridan sees three spider-like black creatures in the room for a brief moment.
"What did you see?" asks Zack.
"Nothing," Sheridan replies. "Shadows." He tells Zack to free Morden, and tell him it was all a mistake, and that he is free to leave if he chooses. Zack leaves as Sheridan continues to study Morden's face.
Garibaldi is eating when Sheridan approaches and returns all his security equipment. Sheridan explains that he freed Morden, and that Garibaldi was correct. Garibaldi asks why Sheridan changed his mind, but Sheridan won't say. Garibaldi says that makes him uncomfortable, but hopes that, the next time something similar happens, Sheridan will listen to him. Sheridan assures him there won't be a next time. Garibaldi asks if Sheridan is okay as he leaves, and Sheridan claims he is. Zack Allen approaches Garibaldi and asks if Sheridan is all right. Garibaldi says he doesn't know, and then asks Zack about the arm band he is wearing, which displays the colors of the Ministry of Peace. Zack says that fifty credits more per week, for doing what he does anyway, is a good deal.
Sheridan, wearing an oxygen mask, enters Kosh's quarters. "I let him
go," he tells the Ambassador. "But there is a price tag attached.
You've been trying to help me so we can understand each other. That's
not what I want any more. I want you to teach me how to fight them, how
to beat them. Because sooner or later, I'm going to Z'ha'dum, and I'm
going to stop them."
"If you go to Z'ha'dum, you will die," Kosh warns.
"Then I die," Sheridan tells him. "But I will not go down easily, and I will not go down alone. You will teach me?"
Kosh has but one answer for this question. "Yes."
Infection
Overview
An archaeologist smuggles ancient artifacts onto the station, unleashing a living weapon. David McCallum as Dr. Vance Hendricks. Marshall Teague as Nelson Drake.
Sub-genre: Action P5 Rating: 6.33 Production number: 101 Original air date: February 18, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Richard Compton
Backplot
- Ikarra 7, now a dead world, was a thousand years ago home to a highly advanced space-faring society. Their technology was organic: tools and artifacts made of living tissue yet immune to decay. Invaded over a dozen times, they finally built 12 devastating organic warriors to protect them. Programmed to destroy any but "pure Ikarrans", those warriors repelled the last invasion and went on to kill any Ikarran who deviated from the ideal (ie all of them). A transcript of the scene in which this is discussed is available.
- Organic technology is, according to archaeologist Vance Hendricks, "The one trick Earth hasn't been able to crack. The ability to create living ships that thrive in the vacuum of space, to create weapons that produce their own power through internal generation, like a firefly lights up at night."
- The Vorlons have organic technology, and it's suspected that the Minbari do as well.
- Sinclair: "The last time I gave an interview they told me just to relax and say what I really felt - ten minutes after the broadcast I got transferred to an outpost so far off the star maps you couldn't find it with a hunting dog and a Ouija board." It's not clear whether or not this was a joke.
- Garibaldi: (to the reporter) "...and after walking 50 miles, we finally made it out of the desert. Later when he was put in charge of Babylon 5, Commander Sinclair asked if I'd come work security. I said yes - it's been a great time..."
- Garibaldi has been fired from 5 different jobs for "unspecified personal problems". His assignment on Babylon 5 is probably his last shot in Earth Force.
- Garibaldi was in Earth Force during the E/M war, but not on the Line.
Unanswered Questions
- Who invaded Ikarra so many times? What was so valuable about it?
- Why is Sinclair so prone to heroism (read: suicidal bravery)? He's deliberately put his life on the line three times now in the past year (cf "The Gathering", "Soul Hunter"). Garibaldi suggests an answer: when the war ended it took away the direction it gave his life, as happened to many veterans. So now he's "looking for something worth dying for because it's easier than finding something worth living for." Sinclair's not entirely satisfied with that answer, and resolves to give it more thought.
Analysis
- A "Bio-weapons" supplier backed Hendricks' original expedition to Ikarra - they must have had advance information about what was to be found there.
- Ivanova has little faith in the ethics of big government organizations (cf "Mind War", "Deathwalker").
- Franklin appeared to seriously ponder the image of great wealth Hendricks offered, before the guards took him away.
- A team from Earth Force Defense, Bio-weapons Division confiscated the Ikarran artifacts just as the dust from the weapon-chase was settling. Earth now has bio-tech of its own to study.
Notes
- Garibaldi: "The commander's a hands-on
kind of guy, he'll grab any chance he can get to take out a ship -
he's like that."
- This episode occurs right around the 2nd
anniversary of Babylon 5 going on-line.
- In a poll, 75% of "Interstellar Network News"
said B5 wouldn't last 5 minutes. Lloyd's of London put the odds at
500 to 1 against it lasting one year.
- The "Narn-Centauri negotiations" are to occur in
the near future.
- Sinclair: "How sharper than a serpent's
tooth." (His reply to Garibaldi's joking guess that Sinclair's
interview would get him shipped off the station and himself
promoted into Sinclair's position.) This is a quote from
Shakespeare (King Lear.)
- @@@884367861 Dr. Hendricks says to Franklin, "There's a Martian war
machine outside, and it wants to speak to you about the common cold."
That's a reference to H. G. Wells' "The War of the Worlds," in which
the Martian invaders are killed by common microbes.
- Sinclair: "When you become obsessed with
the enemy, you become the enemy."
- At the last, the Ikarran begs forgiveness from
the "Great Maker".
- Franklin: "I'm starting to wonder if what
we just saw is a preview of things to come" (re: Pro-earth groups).
- The Interview
Reporter: "After all that you've just gone through, I have to ask you the same question a lot of people back home are asking about space these days. Is it worth it? Should we just pull back, forget the whole thing as a bad idea, and take care of our own problems, at home?"
Sinclair: "No. We have to stay here, and there's a simple reason why. Ask ten different scientists about the environment, population control, genetics - and you'll get ten different answers. But there's one thing every scientist on the planet agrees on: whether it happens in a hundred years, or a thousand years, or a million years, eventually our sun will grow cold, and go out. When that happens, it won't just take us, it'll take Marilyn Monroe, and Lao-tsu, Einstein, Maruputo, Buddy Holly, Aristophanes - all of this. All of this was for nothing, unless we go to the stars." - Ikarra may be an Australian Aboriginal word.
The Australian DSTO (Defence Sciences and Technology Organisation) developed the anti-submarine weapon "Ikara" in the 1950's. It is no longer in use in the Australian Navy, having been fired for the last time in 1990. The Brazilian Navy may still use a variation of it.
Since the DSTO has a tradition of naming its products after warlike Aboriginal animals, it's plausible that the word refers to an animal.
- A slight visual gaffe: When the bioweapon self-destructs and falls to the ground, its head is facing to the left (away from the camera.) But when Sinclair watches him turn human again, Nelson's head is facing to the right (toward the camera.)
jms speaks
- We'll definitely be dealing with the aspects of how fighting in a war
can affect you. And this isn't just a vague promise: watch the end of
the third (currently) scheduled episode, "Infection," for a scene
between Sinclair and Garibaldi that really deals very straightforwardly
with this issue. It's a conversation you wouldn't expect to see in a
show like this.
- [Infection] has a lot of action, which you'd expect, and a big
conclusion, which you'd expect. What you *won't* expect, I think,
is what happens afterward, in a conversation no one generally has
in TV after big action stuff has gone down. And it's something to
chew on, I think....
- Thanks. Sinclair's final speech there is the simplest truth about
space exploration that I can think of...and the most
compelling..and the most overlooked. As Henry Kissinger once said,
"It has the added benefit of being true."
- Sorry; there's no one more critical of my work than me, and when it
comes to "Infection," I'd just kinda prefer it if it kinda vanished
in the night. I feel that way about only two episodes out of 22,
so that's not too bad, I suppose.
- "Infection" is definitely not indicative of the season overall; that
is, in my view, one of our weaker, possibly weakest episodes.
- And like I said...I have problems with "Infection" as well, so there
is no flame from me. I guess part of it is knowing what was in the
script that should've been carried off better, but wasn't. And part
of it is my fault; I tried to use the Nelson/machine as a metaphor;
it wasn't supposed to be about the Nelson/machine, but about the kind
of people who would create it, the kind of people who would sell it,
and the kind of people who would confiscate it even KNOWING what it
was (and of course the kind of people who would *use* it).
Unfortunatly, when you put somebody in that kind of suit, that
*becomes* the story, and from that point on you're pretty much doomed.
It was also in places too much an obvious metaphor, and the "hand of
the author" is showing too much. It was the first script written for
this season, after the long break after the pilot, and I think I was
trying to find the characters' "fingerprints" and getting into the
flow of the series, which took a script or two.
- The problem with "Infection" from a writing POV is that it was the
FIRST one written for this season, and I was having a hard time
finding the "fingerprints" of the characters again after so much time
had passed after the pilot (it was nearly a year between the revising/
shooting of the pilot, and the writing of the first series script).
As on *any* show, it takes a while to get up to speed once you hit
series. That was the real problem, and there wasn't any real way to
get past it except to write it, re-acquaint myself with the characters,
and move on. I probably would have opted out of doing it had we had
more scripts on hand, but we didn't. And oddly, many on the
production team *liked* the script quite a lot, and kept saying it had
to be done.
- I'd slice this a little finer and suggest that it wasn't so much the
*stupidity* of racism and the whole genetic purity aspect, but the
IMPRACTICALITY of such ideas. If you follow the idea to its logical
conclusion, *nobody* is pure. Which was kind of the point.
And oddly enough, there's a pro-genocide discussion in "Deathwalker."
- I allow a small smile...in the course of any given script, I put in
little things that I figure nobody will ever notice, but which for me
help just a bit to keep on track with the character, and which may
resonate to anyone paying attention. You cite Sinclair's line about
joining Garibaldi "on the LINE," and Garibaldi noting that Sinclair
keeps putting his life "on the LINE," and the similarity to the
phrase "the Battle of the Line."
It was a throwaway...but a conscious one.
He's still fighting the same battle. He's never stopped. In one way or another, he keeps putting himself out there, caught in a loop....
- Actually, the reporter's question was *not* (from a 2258 point of
view) stupid. Earth is far enough from the other major races not to
have to worry about iminent invasion. At the time of the story, there
is a VERY strong isolationist movement growing back home, which you'll
hear more about as we go in. Space travel is *expensive*, even in
2258, and there are still a lot of problems to be resolved back home.
While the Earth administration in Earthdome keeps pressing to go
further and further, various nation/states in the Earth senate are
taxed further to finance explorations which they don't always share in
equally, the Mars Colony is threatening secession...things are falling
apart by degrees. So in light of all that, the question is
*absolutely* valid.
- The ONLY reason that they were able to pick up the blasts in
"Infection" was because they were SO powerful that they registered on
the station's sensors. Ordinary PPG blasts don't show up.
- I have nothing to do with the description applied to the show by
others. In that episode, the affected person isn't "turned into" a
machine. It is sort of a living armor-like compound that grows over
the person's body, and begins to influence the person in question.
That is the sum and substance of it; he isn't transmuted, his biology
isn't changed, his brain isn't replaced, and so on.
My suggestion: judge the episode based on the episode, not on what choice of words someone else used in trying to synopsize the episode. Because Moby Dick can be summed up as, "A nut chasing a big fish." But there's obviously more to the story than that, and it's not entirely accurate.
Originally compiled by Matthew Ryan mattryan@pobox.com
Infection
A reporter from Interstellar Network News has arrived on Babylon 5, to cover the second anniversary of the opening of Babylon 5 (an event which was extremely unlikely, considering the fate of the previous Babylon stations, according to the reporter). Unfortunately for her, Sinclair is on a mission to check out a damaged transport and is therefore unavailable for an interview.
At the medical lab, Dr. Franklin is greeted by an old professor of his, Dr. Vance Hendricks. Hendricks offers Franklin an "adventure, very possibly the biggest adventure you've ever had." Hendricks, however, does not explain anything to Franklin yet--he explains that Franklin will find out in due time.
At the customs center on B5, material entering the station is checked for security reasons--any organic matter or other, possibly dangerous substances must be quarantined. At this particular time, a seemingly uneventful search is being carried out. However, the attendant carrying out the search notices a possible security violation in the cargo of a certain individual, Nelson Drake--it appears that one of his suitcases is arranged so as to hide something. "If I didn't know any better, I might think you were trying to smuggle something in," comments the attendant on duty. Nelson waits for the appropriate moment, then kills the attendant-- and brings his contraband material aboard the station.
Inspecting the cargo.
Dr. Franklin is called to examine the attendant that was killed. He finds that the attendant was almost certainly died of natural causes--a heart attack. However, at the insistence of Garibaldi and Sinclair (who has arrived back at the station), Franklin agrees to perform a thorough autopsy.
Franklin returns to the medical lab in order to meet with Dr. Hendricks to find out what this "adventure" was that Hendricks spoke about. Hendricks explains that he needs Franklin's help to study some artifacts found at a recent dig on an alien planet. First, he introduces Franklin to his assistant--none other than Nelson Drake. Nelson opens the container that holds the artifacts--
--and a sudden energy spike is detected on the bridge.
Meanwhile, at the medical lab, Hendricks explains that he was on a dig at Ikarra VII, sponsored by a corporation known as "Interplanetary Expeditions." He found some thousand-year-old Ikarran artifacts sealed deeply in a vault. He asks Franklin to run these artifacts through his medical scanners. Franklin complies and (as Hendricks apparently expected) finds that the artifacts are composed of living tissue--they are an example of organic technology--"the one trick that Earth hasn't been able to crack," according to Hendricks. Franklin is amazed, but suddenly asks Hendricks why he wasn't informed of these artifacts as soon as Hendricks arrived on the station--since organic material must be quarantined before it is allowed on the station. Hendricks simply replies that the quarantine was undergone at their previous location. When Franklin comments that there are surely better facilities back on Earth, Hendricks only insists that he needs someone he can trust. Hendricks entices Franklin, saying that Franklin will achieve his dream of "going down in the history books" if he goes along with Hendricks. Franklin, at length, agrees.
Later, Nelson is in his quarters when one of the artifacts seems to come alive. It releases a powerful energy surge toward Nelson, which propels him across the room. This energy surge apparently has had some physiological effect on Nelson, who notices (a short time after) that his skin is undergoing some type of metamorphosis.
On the bridge, Sinclair is questioning Garibaldi about the dead customs attendant--he wonders if the autopsy has shown anything yet. The death, according to Garibaldi, still seems to have been a natural one--nothing abnormal has been found yet, although the autopsy is not yet complete. Ivanova reports that some unusual energy readings have been detected--she is presently investigating them. Further, she reminds Sinclair of his interview with the ISN reporter. Sinclair acknowledges this, but it is clear the is not looking forward to it. Garibaldi asks him why he is so adverse to this interview; Sinclair replies that the last time he was called for an interview (in which he was instructed to "relax and say what I really felt"), he was shortly transferred to a far-away outpost as a result.
Franklin and Hendricks have meanwhile, for the last fifteen hours, been studying the organic artifacts. Franklin suddenly asks Hendricks what will happen when and if they finally figure out how the organic technology works. Hendricks replies that they will sell it to an Earth corporation, but Franklin expresses a certain resentment at this--Franklin says how he always thought Hendricks was the kind of man who made his own discoveries, rather than stole them from old alien civilizations. "Granted, this may be important," says Franklin, "but ... it's a shortcut.... Feels a little like grave-robbing." Hendricks replies that the only way to really explore the galaxy is through corporation grants--he explains the wondrous things he's seen on corporation-financed missions. Franklin then confronts Hendricks with the fact that he cannot find any information on the corporation that supposedly financed the expedition on which these artifacts were discovered. Hendricks avoids the question and promises to explain everything the following day.
Garibaldi is meeting with the reporter, trying to explain to her about his background with Sinclair and B5. She interrupts him, and confronts him with that background: "I've come across several rumors surrounding your record prior to Babylon 5," she says. "That you were fired five times for unspecified personal problems and that this is your last chance to make good." Garibaldi vehemently denies comment.
The organic artifacts, in Nelson's quarters, are strengthening their hold over Nelson. He is falling more and more under their control.
When Dr. Franklin next enters the medical lab, he is surprised to find Nelson standing there. Nelson has undergone some strange metamorphosis; he shoots Franklin, saying only one word: "Protect."
Later, Garibaldi is informing Sinclair about the incident that just happened to Franklin. They both go to visit Franklin in the infirmary. Franklin explains to them that the weapon Nelson used to shoot him had a similar design to the organic artifacts. Garibaldi is surprised to hear that the artifacts are organic; he asks Franklin if they were checked at customs. Franklin can only reply that Hendricks told him that they were checked--he can't offer any guarantee.
Nelson is meanwhile walking around some obscure level of B5. He has undergone an extreme metamorphosis; he is no longer recognizable as Nelson.
Sinclair goes to confront Dr. Hendricks. Sinclair tells him that, according to Franklin, the armor that Nelson was wearing was very similar to the organic artifacts that Hendricks brought aboard. Garibaldi adds that the artifacts were brought on to the station illegally--somehow, they were not put through the required quarantine, either on B5 or at Hendricks's previous location. Hendricks says that he knows as little as Sinclair and Garibaldi know--he says that Nelson told him that they were, indeed, quarantined. However, Sinclair explains that, whether or not Nelson was under Hendricks's orders, Hendricks will be held personally responsible for the incident. Hendricks, when asked, says that the organic artifacts have limited energy and might attach themselves to another organism to achieve mobility; he cannot, however, explain why they may have attached themselves to Nelson but to no one else who has been exposed to them. He guesses that the artifacts are now controlling Nelson; he cannot, however, explain =why= the artifacts might take him over. He says that he will need to study the artifacts further in order to figure out their purpose and methods. Sinclair allows him to assist Franklin in further research.
Nelson, under the control of the artifacts, shoots and kills a group of people who walk by him (on the obscure level where he was walking before). Again, he says, "Protect!"
"Protect!"
Simultaneously, on the bridge, another energy surge is detected. They pinpoint the location of the surge and determine that it is 20% more powerful than the previous surge.
Garibaldi reports that there are two deaths on the level known as "Grey-13." Garibaldi leads a security team to that area. Sinclair calls a "Level 2 Alert." Just then, the reporter from ISN enters the bridge, claiming to be interested in whatever problem is occurring--"the people have a right to know"; Sinclair orders her to leave.
Garibaldi's security team has found Nelson. The team fires at Nelson, but Nelson is unharmed. Nelson continues toward the place that he was originally heading.
Franklin, while studying the artifacts with Hendricks, discovers a certain device in Nelson's belongings. He hides the device from Hendricks's view. Meanwhile, the study of the artifacts continues.
Sinclair, meanwhile, guesses that Nelson is heading toward the Central Corridor, the area with the greatest population and, consequently, the area where Nelson can do the most damage. Ivanova reports that, although Nelson must rest after every time he attacks, his periods of rest are becoming shorter--and his power is increasing each time. Sinclair realizes that their next chance to stop Nelson may be their last chance.
Franklin has finally accesses the memory banks of the artifacts; he reports to Sinclair what he has found: In the course of Ikarran history, the Ikarrans were invaded many times. Because of these repeated attacks, they created organic weapons to use against their enemies. Because it would take too long to create an artificially-intelligent weapon, they incorporated the personality matrix and brain patterns of one of their researchers, known as Tumar. Because of the possibility, however, that their enemies might "fool" the weapons (for the weapons have personalities), the Ikarrans programmed their weapons not to accept commands from anyone but "pure Ikarrans." However, as Franklin points out (with a bit of disgust), there is no clear way to define a "pure" Ikarran--"no one is pure," he says. Franklin continues to explain that a coalition of religious fanatics and military extremists defined what it meant to be a "pure" Ikarran-- their standards were based on ideology rather than science. (Sinclair points out the similarities to Hitler's "perfect Aryan" idea in WWII). Unfortunately for everyone involved, after the weapons killed the enemies of the Ikarrans, they turned on the Ikarrans themselves, killing anyone who didn't =perfectly= match the standards of what a "pure Ikarran" was. They kept killing everyone until the last Ikarran was dead. Then, through centuries of disuse and neglect, the weapons failed. However, the artifacts that Hendricks discovered contained one of these weapons--and it has activated itself by attaching itself onto Nelson. Sinclair has an idea how to stop it: if the weapon has a personality, he will try to contact that personality and reason with it, thereby attempting to bypass the programming.
First, however, Garibaldi and Sinclair set up an extremely powerful attack against Nelson. The attack fails completely; it doesn't even slow Nelson down.
Nelson under attack.
Sinclair, therefore, feels he has no other choice but to try to speak with the personality--with Tumar. "I'm going to try to make it mad," says Sinclair; he explains that, by speaking with the personality of the weapon, he will try to lure Nelson to the docking area, which they can detach and eject--"armored or not, nothing can live in a vacuum." Garibaldi objects, but Sinclair goes anyway.
Sinclair speaks to the weapon. He attempts to anger it by saying (truthfully) that the Ikarran race is dead. Sinclair's plan works--Nelson follows him to the airlock. Sinclair explains the whole situation to Nelson--how the weapons failed in their mission, and how Ikarra was destroyed by their own hand. "Your own people-- how pure were they? They didn't feed you facts; they fed you propaganda. They programmed you with standards of genetic purity no one could match--not even your own people." Then, at the last minute, Sinclair tells the weapon to search Nelson's memory (for Nelson has seen the dead Ikarra). The weapon does this, and realizes that what Sinclair has said is true. He is suddenly overwhelmed with guilt; he drops to his knees, asking his long dead race to forgive him. Then, he destroys the organic artifact that has taken over Nelson--Nelson's metamorphosis is thereby undone, and Nelson falls to the grounds, rid of the artifact.
Later, after the whole incident has passed, Franklin confronts Hendricks. He explains that he found a cardiac stimulator in Nelson's belongings--the device, if used on a healthy person, can precipitate a heart attack. Further, Franklin explains that he has found two small marks in the skin of the dead customs attendant-- marks which were so small that they were overlooked; the marks perfectly match the cardiac stimulator's prongs. Franklin tells Hendricks that he has spoken with Nelson, and that Nelson confirms Franklin's suspicions: Nelson was acting under Hendricks's orders the whole time. Hendricks admits that this is true; he explains that "Interplanetary Expeditions," the corporation that financed the Ikarran dig, is a front for a bio-weapons supplier. Hendricks says that he suspected that the artifacts were organic weapons, so, instead of turning in the artifacts right away for standard commission, he came to Franklin in order to study them. If the artifacts were indeed bio-weapons, he felt, they would be worth millions--or more.
"You deliberately endangered a quarter of a million humans and aliens just to raise your profit margin?" asks Franklin.
Hendricks explains that he was sure he could control the artifacts--he never expected any harmful incident. He also says that he didn't know the customs guard was murdered--Nelson said that he would handle it, so Hendricks didn't question him. Franklin realizes that this was why the weapon attached itself to Nelson, not to anyone else--the program needed someone willing to kill. Hendricks makes one final appeal to Franklin--he asks Franklin not to turn him in. If Franklin doesn't turn him in, says Hendricks, then they will share the profits of the sale of the artifacts. However, just at that moment, two security guards arrive. "It's too late," says Franklin, almost sadly.
Meanwhile, Garibaldi confronts Sinclair on another matter. To do justice to this scene, I feel I must include Garibaldi's dialogue verbatim: "The whole stations talking about how you were willing to risk your life to stop that thing.... This is the third time in the last year you've put yourself on the line like this.... Jeff, you're my friend. You've been my friend a lot longer than you've been my commanding officer so I think I'm entitled to say this. We were both in Earth Force during the war; I wasn't on the line but I did my share. I know a lot of guys who came out of the war--changed. Some came out better; some came out worse. A lot of them have this problem: the war gave them definition, direction, purpose. Without it, they don't know how to fit in anymore, so they keep looking for ways to go in a blaze of glory. Some people call that being a hero--maybe so. I don't know; I've never been one. Me? I think they're looking for something worth dying for because it's easier than finding something worth living for."
Sinclair sadly, thoughtfully admits that he doesn't have an answer to this--although he also admits that he should.
Franklin and Ivanova are speaking in the war. He expresses his disgust at fundamental ideals of "purity" and "perfection"--he wonders if what just happened is a preview of what's to come, mentioning that there are many hate groups on Earth targeted against aliens. Ivanova replies that she doesn't think that humanity would be so foolish--that, hopefully, they could learn from the past. Just at the moment, however, two officials walk up to Franklin, demanding that he turn over the artifacts to them, on authority of Earth Force Defense, Bio-Weapons Division, in order that they can study them for purposes of planetary security.
The reporter has finally caught up with Sinclair, and the interview has been carried out. The reporter asks Sinclair if, after what he's been through, he feels that it's worth it for humanity to continue their presence in space. "We have to stay here," he replies. "Eventually our sun will grow cold, and go out." When this happens, he explains, the entire culture of Earth will be destroyed--a culture and history that he feels are worth preserving. Therefore, humanity must go to the stars.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Interludes and Examinations
Overview
Sheridan tries to rally support for his cause as direct confrontations with the Shadows begin in earnest. Friction increases between Londo and Morden. Jennifer Balgobin as Dr. Hobbs. Jonathan Chapman as Brakiri. Rance Howard as David Sheridan. Ed Wasser as Morden.
P5 Rating: 9.31 Production number: 315 Original air week: May 6, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Jesus Trevino
An episodic soundtrack is available.
Note: this episode is more momentous than most. Think twice before proceeding to the spoilers; it's worth seeing unawares.
Backplot
- During the last war with the Shadows, a thousand years ago, they did roughly what they're doing this time, seemingly attacking at random in the form of quick strikes. The intent may be simply to keep the major powers off guard, so they never know when the next attack will occur.
- Vorlon ships are linked closely to their individual owners.
Unanswered Questions
- Who will replace Franklin as head of medlab?
- Why did the Shadows wait until the Vorlon attack to move against Kosh? They could presumably have done it at any time. (See Analysis)
- Do the Shadows know that the Vorlon attack was just a one-time thing, or do they now believe that the Vorlons are on the march? How will that affect their strategy, if at all?
- How did Delenn know there wouldn't be a body?
- What was the flash of energy that coursed through the station after the fight was over?
- Does Lyta know about Kosh? How will she react when she finds out?
- @@@832011799 Was the data crystal on Talia Winters ("Deathwalker") placed on Kosh's ship?
Analysis
- Londo's new pact with Morden may foreshadow the loss of his second chance for redemption ("Point of No Return.") With Londo's poison coursing through his veins, Refa certainly qualifies as "the one who is already dead," and now Londo has vowed to kill him. Along similar lines, Kosh qualifies now too; Londo may attempt to kill Kosh's replacement, not realizing it's another Vorlon entirely.
- Londo played right into Morden's hands. Morden was obviously responsible for Adira's death (he paid off one of the ship's crew, and he found out about her arrival from the Zocalo vendor) and it's unlikely Refa even knew about her, much less participated in her poisoning. But any such protest on Refa's part will likely fall on deaf ears if Londo speaks to him.
- On the other hand, it's also possible that Londo is attempting to fool Morden. Certainly Londo knows that Morden is up to no good -- their conversation in the hallway, and Londo's glare when he talks about people who deserve to die -- are evidence of that. Maybe he's playing along with Morden in an attempt to trip up the Shadows' plans. The same hallway conversation offers evidence to the contrary, though; even then, Londo felt he had already been through worse than Morden's associates could dish out, and with Adira's death, that's probably only intensified.
- "The galaxy can burn. I no longer care," says Londo. This echoes the conversation between Emperor Turhan and Kosh in "The Coming of Shadows:" "How will this end?" "In fire."
- @@@832236893 Londo's conversation with Morden -- putting an end to a previous pledge and going on the offensive due to the loss of a loved one -- is in some ways a parallel of Sheridan's conversation with Kosh at the end of "In the Shadow of Z'ha'dum."
- Londo promised to pluck the Shadows' eye out if it turned toward the Centauri homeworld. Foreshadowing, perhaps, for whatever happens to G'Kar's eye in Londo's dream ("The Coming of Shadows.")
- What do the Shadows want? Delenn seems to know more than she's telling. Morden's keen interest in the Centauri's continued aggression may provide a clue, but it's ambiguous at best. If they simply want a constant state of chaos in the galaxy, their current strategy will eventually backfire; there won't be anyone left to carry on fighting.
- @@@832057944 The fact that the Shadows attacked Kosh immediately after the Vorlon victory over the Shadow fleet smacks of the notion that there was a deal of some sort between the two races: the Vorlons stay out of the fighting, and the Shadows leave them alone. If that's true, one sobering interpretation is that both races consider the war something of a game. On the other hand, the truth could be just the opposite; the Shadows may not have wanted to touch Kosh for fear of causing Vorlon retribution.
- Along similar lines, Kosh told Sheridan that the Vorlons didn't want to attack because "it is not our time." What did he mean by that? What constitutes the Vorlons' time? Kosh also mentioned that the Vorlons were still few in number, and were still preparing. Are their preparations simply a matter of boosting their manpower?
- Even in his last moments, Kosh still chose to hide behind disguises and symbolism, appearing as Sheridan's father rather than himself. Or maybe it's not by choice after all; maybe all he can do is communicate with people in terms they already understand, though his recreation of the Icarus expedition in "In the Shadow of Z'ha'dum" suggests otherwise.
- @@@832266293 A more charitable explanation is that Kosh didn't want Sheridan to realize he was in trouble, since Sheridan would have been inclined to race to Kosh's quarters to try to save him -- something that would have meant certain doom.
- @@@832056132 Kosh treated Sheridan like a child, calling him "impudent" and "disrespectful" before finally giving him what could be considered the Vorlon equivalent of a spanking. Then he appeared as Sheridan's father. That suggests a certain condescending attitude on the part of the Vorlons toward the other races. Is that attitude based on anything? Delenn said the First Ones guided the younger races; maybe to Kosh, humans are children, and the war against the Shadows is a test of maturity.
- How long has Kosh known what was going to happen to him? He implies here that Sheridan will die on Z'ha'dum because he won't have Kosh's help ("You said that if I went to Z'ha'dum I would die." "Yes, now.") Did he know why that would be when he first warned Sheridan in "In the Shadow of Z'ha'dum?" Were his lessons for Sheridan, teaching the latter to fight legends, meant to provide Sheridan with the confidence to disobey Kosh's wishes when the time was right?
- There is something of a thematic link between Kosh's expectation of death and the story of Jesus played out by Brother Edward in "Passing Through Gethsemane." Kosh knew what was coming, perhaps knew he could avoid it for a little while, but also believed it would be the wrong thing to do. So he waited in his quarters to face his executioners. Of course, Edward didn't try to fight his killers off, so the parallel isn't exact.
- Kosh's death was instantly known to the Vorlons, which suggests that all the Vorlons are linked together in some fundamental way. Perhaps the killing of Kosh, then, was less a blow against him personally than a slap in the face of the Vorlons as a whole.
- If Kosh knew what was going to happen, why did he remain in his quarters, easily found? Perhaps he believed that the Shadows would go after Delenn or Sheridan in that case, and he considers them more valuable than himself.
- Why can't Kosh's replacement continue Sheridan's education and assist him at Z'ha'dum as Kosh would have? Presumably there was nothing special about Kosh from the Vorlons' point of view. Or maybe the Vorlons are so few in number that Kosh was the only one among them who's able to provide whatever assistance he had in mind.
- The Vorlons still use conventional jump points rather than the faster hyperspace entry and exit technique employed by the Shadows. Is that a conscious decision on their part, or does it imply that the Shadows are more technologically advanced in at least some respects?
- @@@832096164 The Vorlons' telepathy must be different than what humans are capable of; the Shadow ships were able to function as the Vorlons attacked, unlike the ship near the White Star when Bester was aboard ("Ship of Tears.") On the other hand, the small Vorlon fighters did seem to be doing a good job of confusing the Shadow warship they were attacking; it seemed to spin around randomly, and never fired back.
- This episode was full of power surges and drains: the one noted by the C&C tech when Kosh and Sheridan were arguing, the lights dimming when Morden confronted Londo, the battle between Kosh and the Shadows, and whatever happened when Kosh died. Perhaps someone will put two and two together and have security promptly investigate any odd power level changes.
- @@@831974299 The C&C tech said that the power surge was "a non-localized phenomenon" -- exactly the phrase used by Delenn to describe the Minbari concept of the soul in "Passing Through Gethsemane."
- What is Earth's official reaction now that open hostilities with the Shadows have broken out? Has Sheridan usurped Earth's official relationships with all the alien governments he's recruited into his alliance? The Shadows certainly have their fingers in at least some aspects of the Earth Alliance, but they don't have total control yet; there must be some people in the Earth government advocating taking up arms against the Shadows.
Notes
- @@@831941341 The masked alien is a Gaim, whose name is probably a
reference to Neil Gaiman. The title character of Gaiman's "Sandman" --
one of JMS's favorite works -- has a mask of similar appearance.
- @@@839232139 The character of Dr. Lilian Hobbs is named after a fan, Dr. Lilian Hobbs, who won the bidding at a charity auction at the Wolf 359 convention in Manchester in 1995.
jms speaks
- Script 15 is entitled "Interludes and Examinations," and has a plot
turn I hadn't seen coming, but which fits perfectly into the arc; I
think you're going to be stunned. (I was.)
- @@@839200375 Re: titles...yeah, you got to watch out with this show,
sometimes I put on deliberately dull titles when I want to sneak up
behind you quietly. The more innocuous sounding, the more you should
worry....
- @@@865188788 The visual styles in transition between shots came from
the director, which he went over with me when we had our tone meeting.
- "Just wondering if we would see the First Ones from Sigma 957 this
season, since there are supposed to be some direct confrontations
between the Army of Light and the Shadows?"
No. It isn't their time yet.
- Let me answer this way...whenever I'm going to unveil something
on the show, I begin to point to it in upcoming episodes. I've begun
pointing to the question of what the shadows want, and why they're
doing it. So, logically, I'm now going to have to follow up on
that....
- In general, you always know when I'm going to
start answering a question, because I begin to point at it in episodes;
I'm now beginning to point to the shadows and ask, "What do THEY want?"
The answer is coming.
- It wasn't my idea. It was Kosh's idea. It was his pulling me that way
that led to it. "Trust me," he said. I followed.
And yeah, it does hurt. Pat Tallman was devastated at the screening. Even my own crew wouldn't talk to me for a day or so after the script came out.
Which is when I knew it was the right thing to do.
- @@@831941341 It's funny, out of all the awful terrible things I've done
to our characters over these 3 years, the one that honked off the whole
crew was the Kosh development. On one level, they loved it...loved how
it tightened the screws...but they still didn't want to know from me
for a day or two.
- Yeah, that's [Kosh's death]
the story turn that surprised even me. (And, of course,
I can't wait for the folks who'll say it was over a contract dispute
with the actor....)
- @@@831940922 I'm just waiting for some nit to come out of the
woodwork and announce that the real reason for what happened to Kosh
was that Kosh had a contract dispute over money or walked off the
show....
- @@@831919210 The mentor always dies in heroic sagas.
I think Kosh sort of "hit the wall" when he saw that Sheridan wasn't going to go away; I think finally he was ashamed, and recognized his fear, and in a sense the air went out of him, and he reconciled himself to what had to be.You're right about the mentor; sooner or later, the mentor has to step aside (or fall by the wayside) for the others to grow into the hero's journey. Originally this was slated to happen a bit later...I think, on some level, I was reluctant to do it, because to write this kind of stuff you have to *feel* it yourself, and I think I was avoiding that as much as Kosh was avoiding his fate. I didn't want to go through writing that. So I kept putting it off. I knew it *had* to be done...but not yet....
And that's when, for lack of a better explanation, Kosh stepped up and began to pull me in that direction in the script. It was time. His passing shouldn't be frittered away or minimized; it should happen at the right moment, and this was that moment. It's almost impossible to describe this to a non-writer, but the character, this fictional construct, was simply determined to have his way, and that was the end of it. I kept trying to dance away in the script, to go back into safer waters...but each time was pulled back in this direction, until finally I had to admit that yes, this was the right time, and the right way, to do this.
And Kosh fell.
But what finally convinced me was the realization that this was not only right for now, but right for *later*...though you won't know what that means for a while yet.
- @@@831973132 Mainly, I think I was just trying to avoid it...put it off as long as
possible...but the character knew, even more than I did, that
this was the right time to do this. It's a very hard thing to
do this to a character; the only way to get that kind of
emotion into a script is to feel it yourself as you're writing
it, and that's a painful thing to do. So I was avoiding it.
But he outfoxed me...as usual.
That's Vorlons for you.
- @@@865188788 "So, to sum up, has it been hard making these changes
after you and all of the fans have gotten to know them? Or is it simply
a matter of: "Well...it's their time...?"
It's both, kinda. In the case of one character, who's been with us a long time, and who...shall we say delicately, is en route to becoming an ex-character by the end of this season...it was hard knowing the actor, because the actor said, "Was there something I did wrong?" To which you can only answer truthfully and say no, not at all, just the opposite...you did a GREAT job, that's why we're offing you. If you'd been just mediocre, nobody'd CARE."
In another case, also later this season, it was *very* difficult for me personally to do it, very emotional...and I wouldn't probably have done it at all if the character hadn't basically grabbed me by the lapels and dragged me kicking and screaming to that point of the story and said, "Look, this is right, you know it, I know it, now DO it." So I did. (And the cast and crew were equally stunned. Of everything that's been done on the show to date, THAT one thing got the biggest reaction; nobody'd eat across from me for two days at lunch after that.)
Bottom line...you've got to go where the story leads you. That *has* to be your first and foremost obligation. If it's anything else -- catering to the audience's expectations, or your own preferences -- rather than doing what the cold logic of the story *demands* you to do...you're finished.
- The Kosh stuff, his scene with Sheridan, and his
passing, is very moving. I showed it at Marcon this weekend in Ohio,
and many folks, including Patricia Talman -- who hadn't seen it yet --
were in tears at that. That, to me, is the moment when you know you've
done something, when you can make people *feel* something. Not just a
plot exercise, but you hit down deep where it hurts, or can make
someone laugh. It's all about touching emotion...or what's the point?
- @@@839200375 Actually, there wasn't much about Kosh I disliked...except his
cryptic ways...they're all annoying that way.
- @@@834863602 When they shot the scene itself...no, not a lot of emotion
in the Kosh sequence in his quarters, because it was all very
technical, bits and pieces. But in the hallway scene with Sheridan,
and the later scene with Delenn and the others...yes, very much so.
It was *extremely* difficult to write. As a writer, the only way to evoke a feeling in your audience is to feel it yourself and communicate that honestly in the text. It was just awful.
- @@@839220461 "1. presumably Adira was actually poisoned by Mordens cronies,
since he was looking for a way to hurt Londo, and we saw him finding out
information about her?"
Correct.
"2. In the final credits, a ranger is mentioned. I don't remember seeing any rangers in this episode - where did he come in?"
His scene was snipped for time, it was a small one, didn't add much to the story, but you have to keep those credits in under SAG rules.
"3. Will we ever find out why Kosh allowed himself to be "poisoned" in the pilot episode now?"
You're assuming he allowed it.
"4. What was the flash of light running across B5 when Kosh died?"
A non-localized phenomenon.
"5. Early on, when Sheriden was talking to Delenn, he wants to know "what the Shadows are really after". Delenn looks like she is resolutely not saying anything and hoping that the conversation moves on before Sheriden presses for an answer... which it does. Does Delenn know what the shadows are after (considering the war from a 1000 years ago, I would have thought that the star faring Minbari would have had pretty good records)?"
They do, and she does, and she's making a few mistakes that may come back to haunt her in the not too distant future.
"6. Will you tell us? (answer = cryptic "YES" no doubt!)"
In the fullness of time.
- @@@865188788 The Delenn/Sheridan axis is proceeding, but I've been very
deliberately holding off the kiss, and what would follow that, so I
could do it in a very special way. You'll see soon enough....
- "JMS, why did you edit out the scene where the Ranger follows Morden and
ends up being killed by the Shadows? Don't you think fans of the show
would rather see that than the scene in the bar where Garibaldi asks for
info on Franklin's blood from the other doctor? When you edit the show
please keep in mind what the fans would what to see. Rangers and
Shadows fighting is much more exciting than a unimportant scene that
could have been left out easily."
Because it was important to set up what Garibaldi wanted, where it was, and how he was going to gain access. It had to show his concern for Franklin, the moral ambiguity in asking for this, the betrayal we see on Franklin's face, the difficulty in Dr. Hobbs dealing with his request. The ranger scene was a brief piece that was really unconnected to the rest of the story, had no setup elsewhere or payoff, was only a brief piece of action. I needed the time to establish the character and plot information in the Garibaldi scene.
And when you cite what "the fans" want to see, bear in mind that there ain't no such critter. There's what *you* like, but *you're* not the entirety of the fans. Some fans thought "Avalon" was one of the best of the series to date; others thought it was just a character piece and wanted more action and arc and called it a "waste." Some people when they read a novel read for the action, then when they come to a few pages that establish the look of the forest, or some character background, jump ahead a few pages to where the action starts up again. Some do just the opposite.
My obligation, first and foremost, is to the story, and to tell that story as best I can. If I start trying to second guess what *The Fans* want, when there is no ready concensus, when there ain't no such thing, when different fans want different things, it'll just get watered down and wander around lost.
- @@@832057944 The voice-over is something I mentioned here a few
months ago as a tool I was adding to my toolbox to use as counterpoint,
or segue, in ways I hadn't tried before. I use it again here and
there, though the key with any new tool is not to go nuts and use it
all over the place when a better one, maybe the one you already had, is
better suited to the task.
- @@@832088589 Just a quickie aside...the background/depiction of Brakiri
space was taken right from a Hubble deep-space shot. We use them a lot,
as provided to us by the folks who keep track of it all and keep it
running.
- @@@831940922 One can certainly argue that Franklin's actions were hasty,
that he is basically running away from the *consequences* of the
problem he has, as much as from the problem itself. This will, of
course, have to be dealt with.
- @@@834863400 Is Franklin still on the war council?
Franklin would be off the council for a while; he has to go and figure his life out first. - @@@839200375 You'll see more of Franklin, as he tries to deal with his
problem. At first it's not too bad, but with time....
- Why is Londo still on the station? Why do they let him stay?
B5 is still a place of considerable commerce, access to lots and lots of other races and diplomats...it serves Londo's purposes for now, and there are probably lots of Centauri back home who would prefer he stay here. As for the rest...better the devil you know than the devil you don't. At least on B5 they can keep somewhat of an eye on him. - @@@831941608 Why didn't Londo mention Adira periodically?
Basically because it's hard in an episode to just bring up something out of the blue unless you're going to use it. You're stuck with, "Boy, I wish Adira were here...so what's for dinner?" Which will mean nothing to the folks who didn't see the first season unless you then talk more about her, show her...and then suddenly you REALLY have to deal with it or it's intrusive. - @@@839200632 Will Londo discover Morden's role in Adira's death?
Anything's possible. - @@@835076861 One theme of the show is how we each deal with the
traumas that beset us, and the choices we make. The difference is in
how we handle them. In "Shadow" and "Interludes" both Londo and
Sheridan have to confront somewhat similar losses: the death of a loved
one. But Sheridan, at the last, was willing to suck in the pain and do
what was right, however much it grieved him, and forego
revenge...Londo, on the other hand, has embraced revenge.
- @@@839200632 Why doesn't Londo just have Refa killed?
Refa is a powerful guy now, with powerful allies; he [Londo] needs money, in large amounts, and more influence, so when and if Refa would get it, there wouldn't be the kinds of repercussions that might otherwise come, as with a mafia hit, for instance. - Why don't they keep Morden off the station?
They would do so, but since the fall from Earth, as Susan mentioned, they've had to hire guards who may not be above bribes, as we saw in the teaser. And Morden is good at covering his footsteps. - @@@834982205 Did Morden eliminate Adira's killer to cover his
tracks?
No, Adira's killer is still alive...can be useful, those folks. - The "crystals" were diamonds, he was bribing various people to
let him in and otherwise do things for him. And yes, Delenn's holding
back some information still, and Kosh was outnumbered.
- @@@839189267 Sheridan has doubtless noticed by now that Delenn is
holding stuff back from time to time...may even mention this in a few
episodes.
- @@@834864258 The shadows looked for Morden's opinion; he's an advisor,
in a sense, on lower-species politics.
- @@@832057944 Have the Shadows been getting bigger?
No, they're about the same height consistently; it's probably an artifact of the camera angles and lighting. - @@@832308801 How did the Shadows get aboard?
They physically come aboard. There's no beaming-in tech in the B5 universe. - About Sheridan's confrontation with Kosh
I don't think Sinclair would've handled that scene in the same way; it needed someone who'd go toe to toe with something very old and dark and dangerous in his way. He had to get under Kosh's "skin," as it were. Needle and outrage and upset him until he got through...whatever the cost. - @@@839747946 There was a bit edited out of the Sheridan/Kosh
conversation, but
nothing of real importance. It was at the beginning, as he catches up
with Kosh, and discusses his meeting with the League worlds and how
important it would be for the Vorlons to get involved.
- Bruce did a great job in that scene; there's a touch of
madness in it, which is quite understandable. As for the Rangers, they
get a new, added role later this season.
- @@@865188788 Bruce is doing a *great* job, and definitely growing into
the part.
- @@@839200375 Bruce is a hell of a lot better than some folks were
willing to give him credit for in the beginning. I think that's coming
out now as his role becomes more deep and more serious.
- @@@839200375 "The "arc" is fully alive for you now, I think. Without these
characters living and breathing inside your mind I don't see how one
man could write as much as you have over the past two seasons. What I
*have* noticed is that all the actors now seem to be responding to the
story you're telling."
Yeah, it's kind of a funny thing...the deeper we got into the season, as the actors saw only one name on script after script, and they began to understand what was coming, and it's all *very* consistent...the sense of this being a novel really came through for everyone in a very profound way. You could really feel a change in everyone's attitude, though it'd be hard to put into words. A sense of, "This is it, this is the story, we're moving now, we're doing something nobody's ever done." They know how hard it is for anyone to write this many scripts, which is why it's never been done before, and I think they not only respected that, but felt they had to rise to the challenge and give just as much at that end of it. Usually you tend to hit a slump energy-wise in your third year; not here. Everyone's just hitting all cylinders.
- @@@832145313 Sheridan has almost certainly not learned all he needed to
know.
- Why didn't Kosh leave?
Because I think, on some level, Kosh knew it was inevitable; a price had to be paid. In a way, Lincoln had the same feelings...why was he to live when so many had died? In a way, he knew he wouldn't live much longer. Also, it would mean running...and the Vorlons don't run. If he fled, another would pay the price...and that also wouldn't be right. - @@@865188789 I think Kosh realized that some things have to be, and
that as we've said from the start, there is always a price to pay.
- He knew a price had to be paid, and if it wasn't him,
it'd be someone else. Because he knew there was no getting around it.
He's too prideful to run.
Remember Gethsemane....
- Kosh fought and fought hard. And he did not go down easily...and one
might say that yes, he did not go down alone...but not entirely in the
way you're thinking.
- @@@846743027 How could you kill Kosh before explaining Sheridan's
dream in
"All Alone in the Night?"
The problem is we're telling different stories. What makes
it interesting for me is that Sheridan *isn't* prepared, Kosh *didn't*
finish his training. It isn't nice and tidy. And to stop and explain
the dream in "Interludes" would've meant taking, oh, about 3-5 minutes
OUT of that episode, and it's very tight as it is. And it would've just
been a case of, "Here, here's this bit of exposition relating to
something you've seen before."
No, the dream *does* get explained...and it gets explained *this season*, in the course of the final five. In detail. But at the right time, and in the right place. To have explained it sooner wouldn't work, it has to come at the right moment, with the last bits of information our characters need to *use* that interpretation.
- @@@840129315 Did Delenn's certainty that there wouldn't be a body
stem from her knowledge of the Vorlons, or of the Shadows?
More about the Vorlons than the shadows. - @@@865188789 Why doesn't Delenn tell Sheridan what she
knows?
Delenn's been holding back. More than she should. There will be a price. - @@@833443446 "Why didn't the Shadows get on the horn and start screaming
that they just made sushi out of Kosh. The alliance is new,
shaky, unsure of Sheridan. What a great time to screw over
everyone by announcing we killed Kosh."
Because for starters, it's bad form. If you kill somebody else's ambassador, that's not the sort of thing you proclaim proudly, it tends to bounce badly back onto you. Also, this was primarily a personal situation. There's more, but it's a bit further down the road story-wise that might help clarify this further.
- @@@832445539 Why wasn't a Soul Hunter present at Kosh's
death?
Because it was very sudden, and they learned the hard way to leave Vorlons alone. - @@@839189679 Could the Soul Hunters sense Kosh's death?
It's not that easy a question, or that straightforward a situation, as you'll see soon enough. - @@@832443832 Why didn't you show the fight between Kosh and the
Shadows?
I thought about that long and hard when writing the script, and I finally came to the conclusion that there was literally *nothing* we could show that wouldn't be disappointing...it's a conflict on another whole plane, and should have an almost cosmic or ethereal feel to it. If we showed Kosh shooting a defensive field, or a shadow opening his suit with a can opener, or anything else obvious and physical, it would've diminished the scene. The vorlons are mythic, indirect, you see them out of the corner of your eye, so it fit that the proper metaphor would be to handle the battle that way.Even if we'd had ten million bucks to do that sequence...I would've made the same choice.
- @@@832145313 Did Sebastian know about Kosh's fate when he asked
Delenn about dying alone?
Actually, Sebastian said that bit about dying alone to both Sheridan and Delenn. Who knows, he may have known something....If Kosh had run, which wasn't in his character in the first place, someone else would've paid that price.
Londo still has chances, if he doesn't blow them. You'll see a bit more about this in the two-parter.
Yes, some Vorlons do appear to us as female versions.
- @@@832145313 Did the Shadows only realize what Kosh was when they
fought him?
Oh, no, the Shadows and the Vorlons know each other from way, way back. - @@@865188789 Did one of the Shadows attacking Kosh have
wings?
No, none of the shadows there were winged. - @@@832145313 There is something thematically present about growing up,
and parents, and coming of age that threads through the story.
And yes, there's the deliberate irony...that just as we finally start to really hear from Kosh...he's gone. Snatched away just as we got close. Which would add to the feelings.
- @@@839232714 Kosh also appeared as G'Kar's father
("Dust to Dust.")
That's what Kosh tends to play into, the whole father aspect, though others might take the other approach in this. - @@@840043012 It's likely a matter of both, choosing an element which
is strongest in the other person, which for Sheridan and G'Kar would be
their respective fathers, who would also be authority figures to
them...so it's both manipulation and emotion.
- @@@832145313 What happens to Lyta now?
She'll now have to work with the incoming replacement Vorlon, who might be just a bit miffed.... - @@@831941608 As for Kosh's ship...it headed for the nearest star, the
local one, and basically dived into it....
- @@@832057944 Why was one of the Vorlon ships red?
Not special per se, just to establish that they have more than one design. - @@@834863400 Lyta was off-station running an errand for Kosh.
- @@@832057944 The red ship was simply another variation on the standard;
nothing too major about it...and yes, when Lyta returns from her
errand, she'll definitely get into this, and there will have to be some
explanations made, though not to her....
- @@@852231524 The different color just goes to show some measure of
individuality in design, and there are some hierarchies implied here.
- @@@832145313 Are there lots of Vorlons in the big mother
ship?
There's a bunch in the big ship. - @@@839232766 Why didn't the mother ship attack?
I think we just didn't see those shots; it was used in the attack. - @@@834864162 Vorlon/Shadow tech is more or less at the same level; the
Vorlons had the benefit of surprise.
- @@@865188789 Are the Shadow ships more sensitive to pain than the
Vorlon ships?
I suppose you could say they are, yes.... - @@@834864120 What were the ambassadors doing in the war
room?
Usually you only get the main war council and the support staff who monitor the progress of the war; the ambassadors were called in on Sheridan's hunch that now the vorlons would get involved. - @@@831940922 About the flash of light on Morden's mask, as compared
to the end of "Divided Loyalties"
Certainly the flash of light was an echo of Lyta's mask. As for Delenn, I think she was just stunned, just emotionallly worn out over this. - @@@832144699 Delenn mentions in the tag that the Vorlons will
be sending someone to quietly replace Kosh. It's a bit darker
character.
- @@@832236556 Will we be able to tell the difference between Kosh and
the replacement?
You'll know the difference. Believe me. - @@@831941248 The two aliens in the start of the episode were a
Brakiri and a Gaim.
"Interludes" for me marks a slight transition in the story, from one "shape" to the next up...the demarkation between the hero-cycle and the myth-cycle in the arc.
- @@@832145313 Answers to a few reader questions
1. Kosh died fighting, I guess, and I'm also guessing that he took some Shadows with him. How was this fight different than the one we didn't see in "Signs and Portents"? Were there more Shadows this time or are they getting stronger?They were not initially prepared to kill him. That was a territorial or jurisdictional squabble. This was retribution.
2. If Kosh did take out some Shadows, will more be sent to Morden as replacements?
He didn't. Hurt 'em good, but didn't take them out.
3. Did Kosh project to Delenn, G'Kar, or anyone else besides Sheridan during the fight?
No.
4. Did Garibaldi ever get a chance to speak with Kosh about the Talia/Abbut data crystal as hinted at in "Divided Loyalties"?
Yes.
5. Besides being extremely old, was Kosh an average Vorlon or particularly special in terms of strength, skill, or status? No other ambassador on the station has demonstrated the clout back home to sortie an entire fleet at a moments notice. Delenn and Londo have only called on forces from a particular faction in their polities.
He was certainly well regarded...one of the older of the vorlons.
- @@@832443729 I'll put it to you this way...Kosh was old enough to have
had a first hand familiarity with Valen. Vorlons live a REAL long time.
- @@@832444107 Valen led the prior shadow war and formed the grey council
roughly 1000 years before B5's current time.
- @@@833224665 Won't anyone notice Kosh's ship leaving?
For Kosh himself, yes, very few had direct contact with him; so that's workable. As for the ship...this objection assumes omniscience on the part of the outside characters.Consider: the quarter million people aboard B5 get their information about what happens outside second-hand, filtered through B5 itself. If the staff manning C&C decide to not show that information, or give access to it, it doesn't exist. As for the ships outside, they move to and from the jump gate, and are only interested in what's happening in this small area of space to avoid running into anything. They don't generally keep track of where all the other traffic is going; that's C&C's job.
And it isn't as simple as looking out your window. The distance from Epsilon 3 to its local star is more or less equal to the distance from Earth to our sun. That's a LOT of space and a very small ship. You are not going to be able to track it visually, and who'd want to keep an eye on it all the way to the local star?
- @@@839200632 About Kosh's ship
It was made for Kosh, as Delenn points out, was almost a part of him; it wouldn't function as well, if at all, for anyone else. There was nothing else to be done. - @@@839232464 A personal transport is assigned to one vorlon for life, changing and evolving over time. Little fighters have a more primitive system. It's not the same thing as a shadow-vessel merge. A big Vorlon cruiser has a full crew.
Interludes and Examinations
Synopsis by Matthew Murray (mmurray@wsu.edu)
"August 3, 2260. Personal diary. Ten days ago, for the first time,
the Shadows began attacking openly." As Ivanova records her diary
entry, the Shadows attack Brakiri space.
"So far, they've been hitting targets close
to the Rim--the minor powers, a few in the League of Non-Aligned
worlds. The attacks seem totally random, almost senseless. If we
thought it was nuts around here before, this has only made things
worse." Morden waits in line in the arrivals area.
"We've had to hire more security
personnel to keep things calm, make sure the wrong type of people don't
get on board. But without our resources back home for background
checks, we have to assume there will be lapses." Morden passes
effortlessly through security. "Everyone's been handling the stress
pretty well, but sooner or later, something's got to give somewhere."
Dr. Franklin, alone in a room, injects himself with stims, knocking
over a lamp in the process. "Nobody's seen Kosh in almost a week.
When the Vorlon goes to ground, I worry." Kosh waits in
his quarters. "What's going through his... its mind, I can't even
guess. And Londo... Londo is Londo. You never know which way he'll
jump next..." Londo is making preparations with Vir for the largest
suite on Babylon 5 to be filled with flowers and reserved for Adira,
who is returning to the station. "So far, we've got everything more or
less under control, as long as nothing else goes wrong." Morden enters
his quarters, and at his side appears a group of Shadows.
The Brakiri ambassador tells Sheridan and Ivanova that they cannot
fight the Shadows themselves, and asks for help. Sheridan says that he
can't help, since they no longer have Earth's support. Sheridan
explains that the Brakiri were wrong to have trusted the Shadows, but the
ambassador says he felt they were working for, instead of against, the
Brakiri. Sheridan tells the Brakiri ambassador that he asked the Gaim
ambassador to help the Brakiri, since the worlds near Gaim space
would only help if they were involved. The Gaim ambassador refuses,
saying that, if they join in the fight, the Shadows will notice them
and come after them. Sheridan tries to convince the Gaim ambassador
that the Shadows will come after them soon, but the only way the Gaim
ambassador will be swayed is if Sheridan can prove that he has power
equal to that of the Shadows.
It is another hectic time in MedLab where Dr. Franklin and another
doctor, Dr. Hobbs, argue about a patient's condition as he lies
in the isolab, victim of a respiratory failure. As they are about to
help him, Garibaldi brings in another patient in desperate need of help
of his own. The techs in the isolab report that Dr. Franklin's
treatment didn't work, yet Franklin insists that they didn't follow his
orders correctly. Dr. Hobbs tries to convince him that he may be
endangering the patient's life, but her badgering and Garibaldi's
persistence get on his nerves, causing Franklin to shout at everyone.
The new treatment works on the respiratory patient, and Franklin
mumbles out apologies.
Londo is by himself, recalling the time he spent with Adira a couple of years earlier, and the happiness that she brought him. His memories are interrupted by Vir, who has prepared the suite at Londo's behest. Londo tells Vir he will be right there, and departs to inspect it.
As Londo is on his way, however, the corridor suddenly glows with a red
light, and his path is blocked by Morden, who tells Londo that they
have something to settle. Morden tells Londo that he is disappointed
in him, that Lord Refa will no longer respond to Morden's calls,
and that the Centauri have pulled back their border campaigns.
Morden asks about the deal they made, and insists that the Centauri
government must continue their campaign. Londo believes Morden has no
interest in the Centauri Republic, and only wants to use them as a
distraction. Morden threatens Londo, saying that his associates may
turn their eye to the Centauri if Londo stands in the way. "Then we
will pluck it out," says Londo. He
pushes past Morden and makes his way down the
corridor. A Shadow appears and speaks with Morden. Morden insists
that they need Londo alive, and that he will find other ways to get what
they want.
Garibaldi arrives at Franklin's quarters. Franklin
is getting ready to put in more overtime in MedLab. He says he
can handle it, but Garibaldi doesn't agree. Franklin insists that his outburst
was a one-time thing, but Garibaldi knows it isn't.
He tells Franklin that, if he is
still having problems with the stims, he can help, but Franklin will
not even tolerate the suggestion that he might have a problem. Though Garibaldi
tries to help further, Franklin will not listen. Garibaldi tells Franklin
that he will leave him alone, but wants him to remember that he gave
him a chance, and went to him first. Garibaldi leaves.
Delenn enters the war room to find Sheridan sitting at the table, poring over reports of Shadow attacks. Sheridan says he can't understand the methods the Shadows are using. Delenn tells him that their tactics are the ones they used a thousand years previous to keep the major powers at bay. Sheridan says that their only hope is to organize all the other races into one force, something that has never been done before, and might not even be possible, since they all have their rivalries and agendas, which seem incompatible. Sheridan tells Delenn that they can't score one victory against the Shadow ships, and that, if they could, it might convince the others to join in the fight. Delenn says that that is exactly what they should do, and Sheridan asks how they do that. "I'm sure you'll think of something," she says, and leaves.
"Every day, people around here start talking more and more like Kosh,"
he says to himself, smiling. Soon, the smile vanishes, and he begins
formulating an idea.
Garibaldi searches through the Zocalo until he finds Dr. Hobbs sitting
by herself, filling out forms. Garibaldi tells Hobbs that she was
right, and that Franklin gave the wrong information to the techs.
Garibaldi tells her that he knows everyone in MedLab needs to have
blood samples taken regularly and tested, but Dr. Hobbs tells him that
the only one with the access needed to see the results is Dr.
Franklin. Garibaldi asks her to
pull Franklin's files, but she refuses to do so, though she will tell him
where the information is. She tells him that she doesn't want to see
Franklin hurt. Garibaldi agrees, and hopes it isn't too late. He gets up
and leaves, but Dr. Franklin has witnessed their transaction.
Vir is speaking with a vendor in the Zocalo about the various effects
needed to complete the welcome for Adira. After he concludes the
business, he starts off, but sees that Morden is nearby. Trying to
avoid him, he heads off in another direction, only to run into Morden
in a corridor outside. Morden asks how he can help, but Vir refuses
the offer, hurrying away instead. Morden returns to the Zocalo, and
speaks to the vendor, who he convinces to talk about what Vir ordered.
Garibaldi makes his way into Franklin's office, and begins using the
computer, but refrains at the last moment from opening the file.
Franklin sees him, but Garibaldi aborts at the last minute. Garibaldi
tells Franklin that if, on some level, Franklin doesn't know the truth,
Garibaldi can't help him.
Franklin admits that he ran a test on himself to prove that Garibaldi
was wrong, but found enough stims in his blood stream to prove that he
was, indeed, addicted to them. He tells Garibaldi how easy it was for
him to lose track, but he knows the numbers don't lie. Franklin
asks Garibaldi what he intends to do about it. Garibaldi leaves it up to
Franklin, who then quietly leaves MedLab.
Sheridan and Kosh walk together down a corridor, with Sheridan explaining his plan. "Nobody wants to fight a war unless they know there's at least a chance of winning. You can give them that hope. As one of the older races, your technology has to be at least as good as the Shadows'. Now, if we can convince your government to send out an expedition to engage one or two of their ships..."
"No," Kosh replies.
"All right, I know you can't take the entire Shadow fleet by yourselves, but if you could beat them at just one fight, it could be the break we'd need to get everyone organized. Then we'd have a real chance. You could do it, couldn't you?"
"Perhaps, but there are still few of us. It is not our time. It is
yours. We are not prepared yet." Kosh then begins to move down the
corridor, away from Sheridan.
This incenses Sheridan. "Don't turn your back on me!
Don't you even try to walk away from me! Just who the hell do you
think you are?! Oh wait, I know what you think you are, what you want
us to believe. But I don't buy it. For three years now, you've been
pulling everyone's strings, getting us to do all the work and you
haven't done a damn thing but stand there and look cryptic! Well, it's
about time you started pulling your own weight around here!" Kosh
turns around toward Sheridan, his eyepiece opening and closing slowly,
almost menacingly.
In C&C, a tech reports to Ivanova that there is an energy surge showing up on the sensors. Ivanova asks where it is, but the tech can't tell--it is a non-localized phenomenon.
"I hear you've got a saying," Sheridan continues, "'Understanding is a three-edged sword.' Well, we've got a saying, too, 'Put your money where your mouth is!'"
"Impudent," Kosh says righteously, before turning away again.
"Yeah? Well maybe that's the only way to get through to you. You said
you wanted to teach me to fight legends. Well you're a legend, too,
and I am not going away until you agree!"
"Incorrect," Kosh intones. His eyepiece glows brightly, and a force
throws Sheridan against the wall. "Leave now!" he orders.
"No!"
"Disobedient!"
"Up yours!" Sheridan is thrown against the wall by another blast from Kosh, which gives Sheridan a cut on his face.
"So, the real Kosh shows his colors at last, huh? You angry now? Angry enough to kill me? Because that's the only way I'm leaving. Unless your people get off their encounter-suited butts and do something, I've got nothing to lose! God, my own government wants to kill me, and if we lose this war, I'm just as dead! Our only chance is to get the other races on board for this fight and right now you're the key to doing that."
"It is not yet time," Kosh tells him.
Sheridan is even more upset now. "And who decides that time? You? You put me in this position. You asked me to fight this damn war! Well, it's about time you let me fight it my way!" Kosh tries to get away again, but Sheridan won't let him go. "How many people have already died fighting this war of yours, huh? How many more will die before you come down off that mountain and get involved? Ships, colonies, whole worlds are being destroyed out there, and you do nothing! How many more? How many more, Kosh? How many more dead before you're satisfied? Huh?"
Kosh hits Sheridan with a very powerful force that throws Sheridan against the wall, but this time he does not let go. "Go ahead," Sheridan invites. "Maybe one more death will help balance out the books. Go on. Get it over with. Save us both the trouble later." Kosh does not agree, and instead lets Sheridan go.
"I will do as you ask," Kosh says, and begins walking away. After a few steps, he turns back to Sheridan. "But there is a price to pay. I will not be there to help you when you go to Z'ha'dum."
"You already said if I go to Z'ha'dum, I'll die."
"Yes, now."
"All right. If that's the trade-off. If you want to withhold your help when the time comes, that's fine. I'll go it alone."
"You do not understand," Kosh tells him. "But you will." Kosh turns
away from Sheridan and silently heads down the corridor.
Ivanova reports to Sheridan that the Shadows have been attacking the
Brakiri again as Delenn leads the ambassadors from the group of
potential allies into the war room. As the Shadows attack the Brakiri,
a new jump point opens, through which pass many Vorlon ships, which
begin attacking the Shadow vessels, destroying several. Though the
Vorlons are not immune to the attacks of the Shadows, they emerge with
far fewer casualties as the battle rages on.
Londo and Vir are awaiting Adira's arrival in the cargo bay, yet after
the last passenger has left the ship, Adira still is nowhere to be
found. A group of medical officers appear from the ship with a
body on a stretcher. It's Adira. Dr. Hobbs, leading
the team, doesn't know how she died, but Londo suspects he knows--he
remembers a recent conversation with Lord Refa, on the topic of poison.
Londo instructs Dr. Hobbs to inspect her for poison, and as the body is
carried away, Londo begins crying.
The battle concluded, the victorious Vorlon ships enter their jump point and return from whence they came. Meanwhile, Morden receives word from one of his contacts, and seems troubled by what he hears.
Ivanova informs Sheridan that the news of the victory has spread and that every ambassador aboard the station is ready to sign on. Sheridan wants to go to Kosh and thank him, but Ivanova convinces him to go to bed instead, and thank him the next day. However, someone does go to visit Kosh without delay--Morden, who brings his Shadow associates with him.
As Sheridan sleeps, he dreams of his father. "John... Johnny..."
"Dad?" Sheridan says, turning around.
"I don't have much time, son," his father tells him as a great struggle
begins in Kosh's quarters. "I want you to know, you were right. I
didn't want to admit that. Just pride, I guess. You get--at my age,
you get kind of set in your ways. But it had to be done. Don't blame
yourself for what happened later." The struggle in Kosh's quarters
continues as Morden watches on emotionlessly. Sheridan's father
stumbles, apparently very weak.
"Dad, are you... Are you all right?"
"It's too late for me. I'm sorry for what I did before. I knew what was ahead. I guess... I guess I was afraid. When you've lived as long as I have, you... you kind of get used to it. I wish I could have done more for you. There's so much I should have said... And now it's too late. You're right. It's time you begin this war your way." He wrenches in pain again. "I've got to go now, John."
"No, no... don't... Don't leave," Sheridan pleads.
"It's all right, son. See... As long as you're here, I'll always
be here."
As the skirmish in Kosh's quarters ends, a pulse of white energy flashes
along the station's axis. Sheridan awakes, screaming Kosh's
name. Morden leaves the quarters of the Vorlon quietly, leaving
nothing behind but the charred, twisted remains of Ambassador Kosh's
encounter suit.
Garibaldi explains that, although he searched the quarters with great care, they found no sign of forced entry, and no sign of a body. Garibaldi suggests Kosh might not be dead, but Sheridan and Delenn know better. She says that the Vorlons asked that no one be told of Kosh's death, since such news could destroy the newly-formed alliance. Since Kosh is often not seen for weeks, it will give them time to send a replacement. Sheridan says that Kosh knew what lay ahead, hence the warning he gave. Sheridan feels guilty, believing earlier that Kosh's warning about Z'ha'dum was punishment, rather than what it was--fear. Delenn says that Kosh's encounter suit, and all his other personal effects should be placed in his ship.
Londo tells Morden that Adira's death was caused by poison, and he suspects Morden knows the cause. Morden tells him that the last he heard from Lord Refa, he was very upset with Londo, which would be understandable given the fact that Londo poisoned him. Morden says that Refa said something about "evening the score," but couldn't find out more because Refa stopped talking to him after that. Morden offers that he could have stopped him, had he known about it earlier, but he expresses his most sincere apologies. Londo picks up a piece of jewelry, which he gave to Adira, and muses about it sentimentally. Londo laments that all those die around him, except those who most deserve it. "That is about to change," Londo tells him. "You said that you would go away for as long as I wanted. I no longer want that. All I want now... is revenge. They took from me... the one thing that I have ever truly loved. And you will help me, Mr. Morden, to strike them down. Give me this... and the safety of my people, and let the rest of the galaxy burn. I don't care any more. Will you help me, Mr. Morden?"
"Of course, Ambassador," Morden says, his face displaying concern. "As
ever, I am always in your service."
Sheridan arrives in Medlab to meet with Franklin. Franklin says
that he feels he hasn't been doing a good job lately, and that he
he can't see anything else in the mirror but his job. He says he
hasn't lived very much in a long time. He admits to Sheridan that
he has been taking too many stims, hiding from the truth
about himself. He says that he no longer has the luxury to hide from his
own problems, and that he needs to stop lying to himself before someone
else pays the price. He informs Sheridan that he is resigning as Chief
of Staff of the MedLab facility. Sheridan tries to stop him, but
Franklin won't hear of it. The two shake hands,
and Franklin leaves quietly, leaving Sheridan alone.
"And then what?" Garibaldi asks.
"And then," Delenn explains, "once Kosh's belongings are loaded into his ship, it will activate itself. The ship was made for him. It was a part of him. In a curious way, it is alive. It cannot live without him." Kosh's ship leaves the station and begins flying away. The ship slowly makes its way toward a nearby star, which quickly envelops it. "So it will grieve, as we do, in its own way," Delenn concludes. "And perform its last duty, in memory of Kosh."
Intersections in Real Time
Overview
Sheridan faces an inquisitor from Earthdome. Wayne Alexander as Drazi. Raye Birk as William. Bruce Gray as Interrogator.
P5 Rating: 8.08 Production number: 418 Original air week: June 16, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John LaFia
Plot Points
- @@@866580699 Sheridan continues to be held in an interrogation center, most likely on Mars.
- @@@866580699 Clark believes Sheridan's credibility as a war hero is a threat to the credibility of the administration. He wants Sheridan to recant in public to restore the public's belief that "you can't beat the system."
- @@@866580699 Among the weapons Earth purchased from the Narn during the Earth-Minbari War were paingivers ("The Parliament of Dreams.") The paingivers appear to work as well on humans as they do on Narns.
Unanswered Questions
- @@@866828767 Was the interrogation real, or was it all in Sheridan's mind like the interrogation of Sinclair in "And the Sky Full of Stars?"
- @@@866783581 Was it really morning?
- @@@866948664 Is Sheridan's father still being held?
Analysis
- @@@866617559 With Ivanova presumably continuing the campaign to retake
Earth, it's interesting that Clark's people seem intent on breaking
Sheridan to the exclusion of trying to interrogate him for information
about battle plans or other practical matters. Perhaps they figure
that he wouldn't give up such information until he had gone over to
their side anyway, but given the fact that Clark is willing to send
Psi Corps units out to scan the general public
("The Face of the Enemy")
it's strange a telepath hasn't been brought in to pull military
information from Sheridan's head.
- @@@867089577 In
"The Face of the Enemy,"
Ivanova quoted Sheridan as saying, "The person is expendable. The
job is not." The interrogator told Sheridan much the same thing,
with one exception: Sheridan himself wasn't expendable. But that
was only true as long as there was the possibility of him performing a
different job: communicating to the public that Clark couldn't be
beaten.
- @@@866828327 The interrogator appeared to have disabled the paingivers
after Sheridan's first exposure to them; on several occasions after
that, the two of them were close together but Sheridan wasn't shocked.
- @@@866828616 Assuming the images of Delenn weren't telepathic
projections of some kind on her part, Sheridan's repeated visions of
her echoed his experience on Z'ha'dum in
"Whatever Happened to Mr. Garibaldi?"
The knowledge that Delenn is still out there, awaiting his return, is
an island of stability Sheridan can cling to.
The interrogator clearly knew of his relationship with Delenn -- not a big secret after the ISN report in "The Illusion of Truth." Will the next interrogator realize that Sheridan is using her as an anchor, and try to undermine that directly, e.g. by presenting faked evidence that something has happened to her?
- @@@866951349 "Room 17" is probably a reference to George Orwell's
"1984," in which Winston Smith, the protagonist, hears of people
taken to Room 101, but has no idea what goes on there.
- @@@867001429 The interrogator insisted that he was telling Sheridan
the truth, but also insisted that the truth is fluid. That means
little, if anything, the interrogator told Sheridan can be taken
at face value.
- @@@867173945 The interrogator said he thought his speech about poison was a metaphor for something, but he couldn't figure out what. In addition to the historical nod (see Notes) the speech can be interpreted as a metaphor for what he was trying to do to Sheridan. First he convinced Sheridan to agree to little lies (the time of day.) After a steady diet of small untruths, the interrogator hoped, Sheridan would become more and more receptive to bigger and bigger lies, until he was ready to swallow anything suggested to him.
Notes
- @@@866650292 The interrogator mentioned that Sheridan had been
interrogated once before. That referred to
"Comes the Inquisitor,"
in which Sheridan was interrogated by Jack the Ripper (played by
Wayne Alexander, who played the Drazi in this episode.)
- @@@881045445 Possible continuity glitch: When the interrogator left the
room and the loud voice started repeating its message, Sheridan covered
his ears. At the beginning of the next act, when the interrogator
returned, Sheridan's hands were bound to the chair. Of course, it's
possible other people came into the room in the interim and forced
him to listen.
- @@@867001429 The interrogator
didn't get sick from the sandwich, he
claimed, because he'd been eating a little poison every day and had
built up a resistance. This has historical precedent; for instance,
King Mithridates of Pontus, 135-63 BC, who eventually tried to
commit suicide by swallowing large quantities of poison but couldn't
kill himself because his resistance was too great.
- @@@866951349 Perhaps simply by coincidence, this "1984"esque story
is the 84th one-hour episode.
- @@@867570277 Taking numerology to an absurd extreme, add episode 84 to room 17 and you get 101, the mystery room number from "1984."
jms speaks
- @@@867048518 About the title
Each act took place in real time, no time jumps...the conversation happened as it happened. Since you had act breaks in between them, those became intersections...in real time. - @@@858187727 As this has the potential to be a very cool and somewhat
experimental episode, I'd rather say nothing until later.
- @@@864893341 I don't usually comment on this, but...if I had known
*with absolute certainty* that there would be a season 5, then season 4
would have ended with 418, "Intersections in Real Time." So you only
pull 4 episodes forward, really. You'll understand when you see it.
- @@@866949567 I like this one a lot. It takes some real chances, and
it has some nasty twists and turns. I like that in a story....
- @@@866783933 Actually, one episode coming up in this batch is,
according to John Copeland, the single most subversive thing we've ever
done on the show. It's a *mean* episode and completely, unabashedly
underhanded in its way of illuminating certain things. While, oddly
enough, ending in a positive fashion, despite George Johnsen's comment
at playback during the audio mix, "Okay, what sadistic m-----f-----
wrote this thing?"
- @@@866999499 "You understand the concepts of breaking down a human
psyche."
(shrugs) Well, sure...I work for Warner Bros.
- @@@866620204 Warner Bros.' wacky scheduling is actually appropriate
this time.
Yep...it is that. At last I have a proper cliffhanger and a proper wait afterward. - @@@866949714 Why do people do end-of-season cliffhangers?
It's basically a means to get the audience, which has been away for a long time, to come back to resolve a hanging point and jump-start them into the episodes. If it ends cleanly, apparently a lot of folks in any series will just forget to tune in the following season. - @@@868631882 Was Bruce Boxleitner's beard for real?
Bruce had some time between episodes, and began to grow the beard for real, and we darkened it down for later acts. - @@@866999499 The costumes and set design were ripoffs of "The
Prisoner."
You're wrong. The costumer has never even *seen* the Prisoner, as far as I know, and the suit he wore was one of our standard earth suits which we've used before on the show, just tailored it to fit his form. And the set design is just your basic black room with chairs, nothing more. I also doubt muchly that Flinn has ever seen The Prisoner...which was a very well and brightly lit show, whereas this played to darkness. - @@@866617925 Was the Drazi really there? He was played by the
same actor who played Jack.
The Drazi was really there...has to be, or the ep loses some of its teeth. And yeah, we kinda liked the symmetry of Wayne being in this ep. - @@@867175103 Yes, the Drazi was working with the EA the whole time,
rendering Sheridan's "victory" impotent.
- @@@867048567 What was the message of this episode?
The message is just that, that we *all* have to choose to resist from time to time, and that one individual can fight the system. And we are all that individual at one time or another. - @@@867168871 There was a lot of give-and-take in that episode, and
at times maybe the interrogator was near the truth, or a form of
it...but always distorting it, using it for his benefit. Slippery
slopes indeed....
- @@@867168871 "Theres alot of truth to your notion of the TRUTH. It
raises points I'd rather not think about. Where do these notions of
yours originate?"
Usually at 3 in the morning when I can't sleep....
- @@@866949540 Why doesn't Clark just have Bester reprogram
Sheridan?
Because they don't want him reprogrammed; as William says, another teep could see that he'd been altered. They want him *sincerely broken*. Not just rewired.And yeah, I wanted this to function almost as a play in structure. In fact, when we shot it, we did it in full-act chunks. The actors would come in in the morning, rehearse it as they would a play, then we'd shoot it the way we'd shoot a play, straight through.
- @@@866999499 But if Clark is in control of the Corps, no other
teep would scan Sheridan, right?
It matters because there are plenty of alien teeps out there as well as human ones, and you can always get a rogue in there. - @@@867168871 Did Sheridan say very little to avoid giving the
interrogator anything to use against him?
That's one reason (among many) that I kept Sheridan silent for the most part; a) because the less he says the better overall from his position, and b) the audience would want to respond for him. - @@@867168871 The interrogator looked like an ordinary
person.
Exactly. The banal face of evil. You look at most of the guys who ran Treblinka, or Bergen-Belsen, and they're largely ordinary looking guys, who could be accountants or repair men or car salesmen. They're *us*...and this was designed to remind us of that. The evil, mustache-twirling villain is too easy, and too far from the truth of it. - @@@872709849 This was one of the elements that made the episode
interesting for me; most SF tends to ignore the darker sides of the
common person. They deal with the big bad guys, the evil federations
and Darth Vaders and all the other major forces out there, but all too
often the real damage is done not by the single Evil Leader, but by the
ten million people who *follow* him, the bookkeepers who track the
bodies and the trains and the pain by placing the right figures in all
the right columns, who make the trains run on time, who run the gulags,
who build the new state empires that will be built with slave labor, any
or all of whom could say, as many have, "I was just doing my job."
Not so much "following orders," we've heard that before, applied to the military...but just "doing my job." To the interrogator, he was simply doing his job, and doing it to the best of his ability. It is something he does, then he goes home to his wife and kids, and has dinner, and sits out on the porch trying to forget what he does because he thinks he *has* to do it...assuming he thinks about it at all.
- @@@867513059 Referring to
"Comes the Inquisitor"
"It's Johnny who's "alone in the dark", facing unrelenting pressure to give up, knowing that if he dies under torture his friends may never know for certain what happened to him."Which is what the Inquisitor said he would have to face.
- @@@867447827 This story must have been based on
"Closetland." There were a bunch of similarities...
The one room;Interrogations usually take place in one cell. Take a look at "Midnight Express," or any of a dozen or so other interrogation movies.
the two main characters;
Closetland had just two; here we had others, a second interrogator, the Drazi, others.
the taunting with food and drink;
Standard fare for any such interrogation.
the recorded message about cooperation and rewards;
ditto
the talk about breaking the body to then break the mind;
ditto again
the ruse of taking the prisoner to another room, yet having it be just another prison.
Where did this happen in Closetland? It didn't, from what I dimly recall of the thing.
I based this episode on a fairly substantial amount of reading and background in knowing about how people are treated in prison camps and the like. There are only so many things you can do to someone in a closed room to try and break them. Heck, look at William Saroyan's "Hello, Out There" for other similarities that *way* precede Closetland. I'm sorry to astonish you, but the techniques of interrogation existed long before B5 or ST or Closetland came into existence, and will continue (sadly) long afterward. The techniques are the techniques, and those are well documented. The *stories* have nothing whatsoever in common.
Over the last ten years or so, there have been a number of films which have looked at the process of interrogation in South American and European countries, using a very similar structure to what was done here, because the ways in which the "problem" are handled are pretty much universal. They don't all stem from the same film, or book, or story...but rather from the realities involved. They did what they did, and we did what we did, for the same reasons: to bring this sort of behavior into the light. There have also been innumerable plays with a similar structure.
In cop movie #1, a suspect is arrested, read his Miranda rights, brought to the station, stuck into a cell with one or two other people, brought into an interrogation room with one or two cops, goes round and round with them, and finally confesses. Cop movie #2 does a similar thing...now, did movie #2 take from movie #1, or did it just draw on what is *done*?
No, I'm sorry, but I wasn't thinking about Closetland, or Star Trek, or The Prisoner, or much of anything else when I wrote this episode. I was thinking about this character, from this show, who must be made to confess to alien influence, *which has been paraded by Earthforce for almost a year now*. It is an absolute and logical extension of what has gone before. As someone who has degrees in both Psychology and Sociology, and who has been a supporter of PEN International (a multinational group that monitors the treatment of writers who are prisoners of conscience in other countires) for years, I have had a longstanding interest and familiarity with this area...and through my European roots with relatives who were in Germany and Poland when the camps were in full swing, and later when the Russian government beat down its people. I have plenty of personal background on this one.
Intersections in Real Time
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
In the dark of an empty room, Sheridan is lying on the floor, asleep, voices floating through his dreams, reminding him of how he got there. Sheridan is rousted from his sleep when the single door to the room flies open, and from the light outside steps a man with a briefcase. He studies Sheridan as several of his associates bring in and set up a chair and a desk. "Do you have any allergies or illnesses I should be aware of? Are you currently taking any medication? Have you had any trouble with your heart?" Sheridan doesn't respond. "When I ask a question, you will respond at once. You will not hesitate, you will not consider, you will not lie. Cooperation will be rewarded, resistance will be punished. Do you understand?"
Sheridan doesn't respond, but gets up and moves toward the man. When he gets fairly close, a device around Sheridan's neck causes him great pain, and he crumples to the floor. The man explains they are Narn paingivers, purchased during the war. The man explains that there is no reason to harm him, since he is not the enemy--he has no personal stake in what goes on. He is there only to do his job. He further explains that, though he has no desire to inflict pain, he will do so if it is required. He is not there to negotiate or assist him, but is there to ensure Sheridan's cooperation, and will use whatever means he feels are appropriate. He asks Sheridan if he understands, but Sheridan doesn't respond. The man pushes a button on his table, the door opens again, and two guards come in, force Sheridan into the chair, and shackle him down. The man asks Sheridan again if he understands, and Sheridan nods. "Do you any allergies or ilnesses I should be aware of? Are you currently taking any medication? Have you had any problems with your heart?"
"No," Sheridan answers.
"Good," the man replies. "Then we can begin."
Sheridan is sitting in the chair, a bright light shining on his face, when the Interrogator returns, this time, with the outside shrouded in darkness. "Good morning," he tells Sheridan, but Sheridan believes that, since it is dark outside, it can't be morning, as it was before. The Interrogator walks to the door and demonstrates that it is he who controls the lighting, not the time of day. The Interrogator opens his briefcase and begins removing his effects when he appears to have forgotten something, and retrieves his glasses from the outside. He pushes a button on the table, causing Sheridan great pain. "Never contradict me," he says. The Interrogator begins looking over Sheridan's file, when he looks at his watch. He opens a small package in front of him, and removes a sandwich, which he begins to eat. As he eats, the Interrogator explains that he finds it interesting that Sheridan had never previously shown interest in politics, and Sheridan agrees--the Interrogator explains that, in that case, it is unlikely he would try to overthrow his own government without outside influence. Sheridan insists it's not true, but the Interrogator doesn't believe him, and asks if he is that far removed from other people. He says he will write that down as Sheridan's "first fabrication."
The Interrogator asks Sheridan if he would like some of his sandwich; since they haven't fed Sheridan, and it is lunchtime, he would probably like some. Sheridan says that, a few moments ago, the Interrogator said it was morning, but the Interrogator insists that you can't have cornbeef sandwiches for breakfast. Sheridan concedes that it must be lunchtime somewhere, and takes the sandwich. The Interrogator promises Sheridan that the sandwich will not kill him, and Sheridan begins consuming the sandwich. The Interrogator explains that this proves that everything is a matter of perspective, the truth is fluid and subjective. "Out there, it doesn't matter what time it is. In here, it's lunchtime if you and I decide that it is. The truth is sometimes is what you believe it to be and sometimes what you decide it to be. My task... is to make you... decide to believe... differently. And when that happens, the world will remake itself before your very eyes." Sheridan insists it's not true, but, the Interrogator disagrees, explaining how the truth changed for Sheridan whenever there was a new enemy for him to fight. Sheridan denies this, but the Interrogator knows that a solider must accept what is ordered to believe, unless he is rejecting everything he claimed to stand for.
Sheridan finishes the sandwich, and begins commenting on it, but the Interrogator claims he's being evasive. Sheridan says it's better than being dishonest. The Interrogator points out that, while Sheridan has changed the truth to suit himself, he has never lied to Sheridan. The Interrogator says that it's for supper, and he begins to pack up his things. As he does, he explains that, if you eat a little poison every day, you will gradually become used to it. The contents of the sandwich won't kill Sheridan, but the toxins will have their desired effects in a few minutes. "I'll be back when they've had a chance to clean up the place," the Interrogator tells him as he leaves.
Sheridan is lying on the floor when the Interrogator returns, the next "morning." The Interrogator asks how is feeling, but Sheridan is too sick to respond. The Interrogator apologizes for poisoning him, but it is part of the process. "We have to break you physically before we can get to your mind." The Interrogator explains that the room is monitored throughout the day, and if Sheridan won't cooperate, he cannot be held responsible for what might happen. If Sheridan cooperates, the Interrogator promises, they will let him go. He removes a small flask and pours a drink for Sheridan, to help him out of his dehydration. Sheridan is apprehensive, but the Interrogator insists the drink is safe, and that, as Sheridan's only ally, he will tell him only the absolute truth. Sheridan begins to drink the liquid.
The Interrogator explains that he needs to correct some ommissions in Sheridan's files, and begins asking if Susan Ivanova is still his second in command. They just want to confirm her name for the records, but Sheridan won't tell him, because the Interrogator wants it. The Interrogator insists he doesn't care, but his superiors want complete information. He asks Sheridan to sit in the chair, now that his strength has returned, which he does. As he sits, though, he finds himself automatically shackled in again. The Interrogator explains it's for Sheridan's own good. "Oh, by the way, I should mention your father... He sends his regards." The Interrogator says he's being held at another facility, and that he is alive and well. He suggests that Sheridan should thank him, which Sheridan does. He explains that he believes Sheridan's father will only be held as long as Sheridan is, but that they won't let him go if Sheridan continues to resist. The Interrogator asks if Sheridan has been interrogated before, but Sheridan says he would be surprised. The Interrogator finds this odd, as he seems to have forgotten the rules. He holds up a piece of paper. "This is your confession. It goes on at some length. So, uh, allow me to summarize. You plead guilty to charges of treason, mutiny, conspiracy to commit mutiny, sedition, terrorism..."
"That's a lie!" Sheridan insists.
"...conspiracy to overthrow the government, illegal seizure of Earth property, assault on fellow officers, sabotage..."
"Now just a minute!"
"...willful destruction of public property, disobeying direct orders of superior officers, and the murder of 547 officers and crew onboard the E.A.S. Roanoke!"
"I won't sign it!"
"You will sign it! You will sign it and you will read it aloud in full view of the public so they'll know we haven't forged your image or your signature. You will name your accomplices. You will apologize to the families and friends of those who have died fighting you. And in the end, you will beg for mercy on the grounds that you're under the influence of aliens who are trying subvert the government and undermine the authority of the President."
"I demand to see an attorney! I demand the presence of a full military tribunal. You have no right..."
"No, YOU have no rights! There's no courtroom here, Captain, no tribunals, no attorneys, no justice, no mercy, no fairness, no hope, no last-minute escape. You will walk through that door when you confess and not one second before!" With that, the Interrogator leaves the room.
The door flings open and the Interrogator returns. "Good morning." After a few moments, two guards bring in a Drazi and strap him to the Interrogator's chair. The guards leave the three of them alone. The Interrogator places a recording device in front of the Drazi, and asks the Drazi to repeat what he previously told another interrogator. "I was one of those who was reponsible for manipulating Captain Sheridan into turning against his own government." Sheridan begs him not to continue, but the Drazi keeps talking. "I confess to taking part in the conspiracy to overturn your government." Sheridan tells the Drazi he's giving them exactly what they want, and the Interrogator agrees--when he's finished, they will let him go. The Drazi continues. "Those who worked with me in this conspiracy were Commander Susan Ivanova, Minbari Ambassador Delenn, Senator Ross Fowler..." The Interrogator explains that, while the Senator isn't involved, he has become a source of annoyance for the President. "I can personally verify all of the charges against him. However, Captain Sheridan was not responsible for his actions. He was not, uh, mentally competent..."
Sheridan tries to convince the Drazi that however much they tortued him, he doesn't have to let them win, and begs him again not to confess. The Interrogator says he's Sheridan's alibi--the one chance he has of avoiding the death penalty, but Sheridan thinks that the Drazi are strong, and he shouldn't let them win. The Drazi insists there is nothing he can do, but Sheridan says that, if he resists, he will eventually win. The Drazi says he is afraid, and never has been before, but Sheridan pleads with the Drazi not to give them what they want. The Drazi looks at Sheridan for a few moments, and then tells the Interrogator he will not cooperate any further. Sheridan smiles smugly at the Interrogator.
"Are you sure? You understand that this is your last chance?"
"What are you doing," Sheridan asks.
"Do you understand that this is your very... last... chance?"
"Yes," the Drazi replies.
The Interrogator touches a key on the table, and four guards enter with a gurney, which they strap the Drazi to. Sheridan protests, but they will not let him go. "Room 17," the Interrogator tells them as they wheel the Drazi out. The Interrogator returns to the subject of Ivanova, and will not tell Sheridan what they will do with the Drazi, despite Sheridan's demands that he do so. The Interrogator explains that, while the Drazi was expendable, Sheridan is not--his superiors want Sheridan honestly and sincerely broken if someone scans him. The apology must be sincere, and that would save them all time and trouble. As he is speaking, there is a scream in the background, and the lights of the room dim for a moment. The Interrogator begins packing up his things, and touches a button on the table. A recording of his own voice begins playing. "You will cooperate with the State for the good of the State and your own survival. You will confess to the crimes of which you have been accused. You will be released and returned to society a productive citizen if you cooperate. Resistance will be punished, cooperation will be rewarded." The Interrogator leaves for the "night," but his voice remains behind. "You will cooperate with the State for the good of the State and your own survival. You will confess to the crimes of which you have been accused. You will be released and returned to society a productive citizen if you cooperate..."
The light of "day" streams in as the Interrogator returns. "...You will confess to the crimes of which you have been accused. You will be released and returned to society a productive citizen if you cooperate. Resistance will be punished, cooperation will be rewarded." The Interrogator shuts off the recording, and bids Sheridan "good morning." He tells Sheridan that, unless he starts cooperating, he won't be receiving any more of the intervenous nutrition he had been receiving since being taken off solid foods. The Interrogator puts Sheridan's "confession" down in front of him, telling him that that, and a few recorded words, are all that prevent him from leaving the cell. The Interrogator asks Sheridan if he wants to leave, if he wants to be free, and Sheridan admits he does. All he has to do is sign the confession. The Interrogator says they don't want him dead, but rather as a symbol. They will not kill him, though, at least not right away--they will wait until Sheridan has been forgotten. But, until that time, Sheridan will have his freedom--they will encourage him to travel, to spread the message that "you cannot beat the system." "Sign and speak," the Interrogator says, "and you can leave here." As Sheridan looks at the Interrogator, he sees Delenn standing behind him. He smiles at her, as the Interrogator releases his arms from the shackles. Sheridan looks at Delenn for the answer, but she says nothing to him--she then vanishes as quickly as she appeared. Sheridan stares at the confession for a few moments, then spits on it. He turns to the Interrogator and utters his response.
"No."
"I... I really wish you hadn't done that, Captain. I really... sincerely wish... you hadn't done that." The Interrogator picks up the confession and his briefcase, but cannot find words. "I... I... I have no control over what will happen next," he explains to Sheridan. "It's out of my hands." He walks out of the room, the door slamming shut behind him.
The Interrogator bursts in and wakes Sheridan up. He tells Sheridan that they are doing this to him because he is a war hero, and he was made such in the public eye. People know him and recognize him, but when war heroes start believing certain things, the public listens, which threatens their credibility. And Sheridan's credibility needs to go--he says that the best way out for everyone is for Sheridan to confess and lay the blame on the alien governments. Whether it is really true or not, they can make the public believe it. They will let him live. But, it isn't the only way--they can forge Sheridan's image and his voice, after he has died. There will always be doubt that way, but the Interrogator explains that it is now an acceptable option. "I can save your life," the Interrogator says. "Right now. If you'll let me."
Sheridan explains that he has considered the Interrogator's words, that you can't fight the system, but, if the truth is fluid and subjective, maybe you can, as long as one person refuses to break, or bow down.
"But, can you win?" asks the Interrogator.
"Every time I say no," responds Sheridan.
The Interrogator moves away, back to his table. "Captain John Sheridan, will you, or will you not, sign a confession and endorse it before a public hearing?"
"No."
The Interrogator hits a key on the table, and four guards enter with a gurney, which they force Sheridan onto. He struggles, but can't escape. "You understand that this is your last chance?" the Interrogator asks as he bends over him. "Do you understand this is your very last chance?" Sheridan doesn't respond. "Room seventeen," the Interrogator tells him. The gurney is wheeled down the hall.
As Sheridan moves down the hall, a priest following him, reading him his Last Rites, he looks toward his goal--the door at the end of the hallway, through which light is streaming. In the middle of the light, Delenn is standing. Sheridan is wheeled closer, and closer...
The gurney is placed in one half of the room, the other half obscured in shadows. Sheridan is unstrapped, and the guards leave. Sheridan sits up weakly, and looks into the other half of the room, where a figure in a black mask, black robe, and black gloves is standing before a large device, covered in a black cloth. The figure adjusts his glove and walks out. Sheridan is alone for a brief moment when four guards enter the room and remove him from the gurney. One of the guards removes the the cloth from the device in the corner, revealing it to be... a chair. An interrogation chair much like the one in the room he was in a few moments ago. He is forced into the chair and shackled down. The guards move the gurney closer to Sheridan, adjust it in a few ways, and it becomes a table exactly like the one in the other interrogation room. The guards leave the room, with only Sheridan and the shadowy figure remaining behind.
Someone else comes in the room. "Good morning," the man says, placing his briefcase on the table. "Now, before we begin your interrogation, I'll need some information." Sheridan turns his gaze to the figure standing behind the new interrogator. "Do you have any allergies or illnesses that I should know about? Are you currently taking any medication?" The figure in black steps forward and removes his hood, revealing the Drazi that Sheridan had met in the other cell. "Any trouble with your heart?" The Drazi bows his head, but Sheridan is too stunned to respond to the interrogator's questions. "You will answer my questions when they are asked. Resistance will be punished, cooperation will be rewarded. Do you have any illnesses or allergies that I should know about? Are you currently taking any medication? Have you had any trouble with your heart?" Sheridan doesn't respond, but lowers his head and continues to listen. "You will answer my questions when they are asked. Resistance will be punished, cooperation will be rewarded. Do you have any allergies or illnesses that I should know about? Are you currently taking any medication? Have you had any trouble with your heart? You will answer my questions when they are asked. Resistance will be punished. Cooperation will be rewarded."
Into the Fire
Overview
The Army of Light mounts its final assault. Londo learns some surprising information about Morden. Ed Wasser as Morden.
P5 Rating: 9.30 Production number: 406 Original air week: February 3, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Kevin Dobson
An episodic soundtrack is available.
Plot Points
- @@@854957043 The first of Lorien's people were effectively immortal, but later generations grew old and died.
- @@@854957043 The Shadows and Vorlons never attacked one another directly because their goal wasn't to defeat the opposition in a military sense, but to convince their charges, the younger races, to forsake the opposing philosophy. Along the way, both races lost track of who they were and what they wanted.
- @@@854957043 All the First Ones, including the Shadows and Vorlons, are gone, ushering in the third age of mankind (which seems to refer to the younger races as a group, not just humanity.) In the first age, man was too primitive to be considered part of the larger picture. In the second age, man was intelligent and aware of the greater world, but his fate was manipulated by outside forces. Now, with all the older races gone, man has entered an age of self-determination.
Unanswered Questions
- @@@854957043 What lies beyond the galactic rim? Why do all the elder races want to go there?
- @@@854957043 How far did Lorien's broadcast of the conversations with the Vorlons and Shadows extend? Just to the crews of the ships at Coriana 6, or more broadly than that?
- @@@854989151 Does Londo sending Vir back to Babylon 5 mean that Vir is now the Centauri Ambassador?
Analysis
- @@@854957043 The First Ones were of surprisingly little help,
considering the trouble to which Ivanova and Lorien went to secure
their assistance. They amounted to little more than strange-looking
guns, just there to pop in, destroy the Vorlon planetkiller, and
do little else (though one of them can be seen destroying a few
Shadow and Vorlon ships.) Why were the Shadows and Vorlons seemingly
undisturbed by the intervention of their peers, preferring instead
to continue fighting as before? Why didn't the First Ones do anything
about the Shadow planetkiller?
It could be argued that they had to be present because Lorien needed them to see that it was time to depart. But given how reclusive most of the remaining First Ones were, they could likely have remained right where they were without ever significantly affecting mankind's reign of the galaxy. Only the Shadows and Vorlons were actively interfering with the younger races. For all intents and purposes the remaining First Ones were already gone anyway.
- @@@855428614 Sheridan's plan -- luring the Shadows to Coriana 6 with
false information, then planting bombs in nearby asteroids --
is the same strategy he employed to good effect against the
Black Star during the Earth-Minbari War
("There All the Honor Lies.")
- @@@855424386 The representation of the Shadows and Vorlons while
Sheridan and Delenn were talking to them was symbolic of their nature.
The Shadows moved around, shifted form, and spoke with many voices,
representative of chaos. The Vorlons were frozen in ice, cold and
aloof and unchanging.
- @@@865709913 The episode's title can be read as a reference to a
crucible, which certainly fits the theme of the storyline. Sheridan
brought together the concentrated forces of the Shadows, Vorlons, the
First Ones, and the younger races; as they were all forced to interact,
they were transformed.
- @@@854957043 How did Londo know Morden was accompanied by
Shadows? Perhaps he simply put two and two together after noticing
the strange sounds near Morden in
"Interludes and Examinations,"
but this is the first evidence that Londo has been doing research on
Morden's associates.
- @@@856977107 What happened to the Shadow hit by the guard's weapon?
Was its body recovered? In
"The Long Dark,"
when the Shadow warrior was killed, it didn't leave a body behind,
so perhaps it's some kind of standard protection mechanism used by
the Shadows and their servants.
- @@@855249157 By killing Morden and destroying the Shadow base, Londo
has probably sealed the fate of Centauri Prime as seen in
"War Without End, Part Two."
As Morden said, the Shadows may be gone, but they have allies, and
Londo told Sheridan in that episode that the Shadows' allies were
the ones laying waste to Centauri Prime.
Whether those allies will also be responsible for putting the keeper on Londo isn't clear. If so, they would appear to be after more than simple revenge, since they were trying to extract information from Delenn.
Ironically, if Londo had left the base and Morden alone, the Vorlons would have turned back anyway, since their planet-killer was summoned to Coriana 6 before it fired a shot at Centauri Prime. Of course, he had no way of knowing that.
- @@@889479051 When he first appeared in
"Signs and Portents,"
Morden asked G'Kar, Delenn, and Londo what they wanted. Later, in
"In the Shadow of Z'ha'dum,"
he asked the same of Vir. The irony is, only Vir actually ended up
getting exactly what he asked for.
- @@@865730452 As the Vorlon ship passed overhead, Londo and everything
around him fell under its shadow, underscoring the point about Londo's
Shadow involvement.
- @@@855688842 After Selini was destroyed, Morden clutched almost
desperately at his pendant. Just a reflex, or was it perhaps some
form of link to the Shadows?
- @@@855249157 Given his fate when Sheridan destroyed the White Star on
Z'ha'dum, and the fact that only extreme intervention restored any
semblance of his physical body
("The Hour of the Wolf")
Morden may qualify as "the one who is already dead" from
Lady Morella's prophecy
("Point of No Return.")
By killing Morden and thus condemning Centauri Prime to the dismal
future seen 17 years hence, Londo has plausibly given up a chance to
redeem himself.
- @@@855250685 The Shadows themselves may have departed, but what have
they left behind? Many of their ships were manned by other races.
Did the pilots leave for the Rim as well, or are there still Shadow
ships flying around the galaxy? What about their cities on Z'ha'dum,
and the ships they buried on worlds all over the galaxy? Did all
their representatives on Earth and elsewhere leave too?
Similarly, is the Vorlon homeworld now accessible to anyone who cares to visit? What did the Vorlons leave behind?
Lorien also may have left something behind, namely the ship he and Sheridan took to Babylon 5 in "The Summoning."
- @@@854989151 Who will force mankind to step down when our time has
passed? The Vorlons and Shadows likely wouldn't have left were it
not for Lorien's intervention. With both of them, and their peers,
gone, there'll be no father figure to coax mankind out of the way
millions of years hence, when we're the mysterious elder race
meddling in the affairs of the newcomers.
Perhaps that role will be filled by Jason Ironheart ("Mind War.") He indicated he'd be back in a million years.
Notes
- @@@855041263 In the initial US broadcast, the end credits were accompanied by the theme music from season three, not season four.
- @@@855250214 Reflecting his increased status, Vir's hair appears to be somewhat longer in this episode than previously.
- @@@855424526 The space background in the opening sequence, when the White Star awaits the arrival of more First Ones, is from a Hubble Space Telescope photo, part of the Eagle Nebula.
- @@@855594640 The island of Selini, shown being destroyed by Londo, bears strong similarity to the island of Sicily, Italy, as seen from space.
- @@@855520811 The scene in which Lorien tells Ivanova about his people and about his immortality was originally written for the previous episode, "The Long Night." That's why it takes place aboard Babylon 5 rather than the White Star, forcing a rather strange detour to the station when Ivanova would have wanted to head directly to the scene of the battle. When Lorien says, "I was told you were ready to leave," he's referring to Ivanova's departure on Sheridan's mission to find more First Ones. To cover for this inconsistency, an extra line of voiceover dialogue was added to the first scene in the episode, Ivanova telling Lorien that they need to get back to Babylon 5 and rejoin the fleet.
- @@@855595571 Lorien said there were six First Ones, but only five can be seen leaving the scene of the battle. Of course, the sixth might have left separately, or Lorien could have been referring to himself.
- @@@861607080 When Londo arrives in the throne room, he gathers his WITS about him: he orders the unnamed Minister to gather the ministers of War, Information, Transportation, and Security.
jms speaks
- @@@854987635 One of the things about the way events come to a head
and finish in ITF is that it's very unnerving...okay, *now* what? The
ongoing conflict has become something you could count on, you knew the
rough shape of what might be coming along. Now all that's kicked over,
and you have to get on with the next aspect: making a new life.
What interests me, what I wanted to do with making this show, was in large measure to examine the issues and emotions and events that precede a war, precipitate a war, the effects of the war itself, the end of the war and the aftermath of the war. The war is hardware; the people are at the center of the story.
- @@@855596749 So far the general reaction has been, "But...but...what
NOW?" which is *exactly* the reaction I was hoping for.
Everybody keeps commenting, "This is the sort of episode you have at the end, not 6 eps into your season." Yep.
We're funny that way....
- @@@855520133 Now comes more fun...again, it's all about process...going
from post-war (Minbari) to an uneasy peace, to showing how a war starts
to come about, the actual beginning of a war, its progress, then the
aftermath. That arc really is at the core of the show...the changes that
take place through this process.
- @@@855798440 I've always preferred the arc, both inside an episode, and
between episodes, and even in the course of a season, where there's the
resolution and then there's time to consider, reflect, and show the
impact of these things. It's not just about solving the technical
problem that way...it's about the people who solve the problem and how
they are affected by the problems and solutions.
- @@@855941361 It's often the aftermath that holds the greatest
interest. The Civil War tells one kind of interesting story; the
Reconstruction that followed, which endured for many years longer
than the war, tells another, just as interesting story.
There's a line one of the characters will say soon, "The duration's going to be a lot longer than the war." It's a very true comment.
One of my favorite books is "Alas, Babylon," by Pat Frank, which is about a nuclear war (written in the early 60s). But the war happens entirely off-stage, way in the distance...and the book focuses on one small township dealing with the after effects, and the day-to-day realities of surviving in a changed world. I've always been partial to that kind of storytelling.
- @@@855996831 As for the story being over...not by a long sight.
Frankly, some of what's coming in the latter part of this season is more
intense than anything we've done previously. We really focus in on the
characters and the after-shocks of the war, in ways usually ignored.
After all, we all know how nice and calm and civilized Europe was after the War To End All Wars came to an end...we hardly heard a peep from that part of the world thereafter....
- @@@848786435 As usual every season, we start out with lighter CGI
episodes, and build to big stuff as we go. That will be the same this
season as last. Our first really big CGI episode last season was
"Messages," which was around episode #8, then "Severed," episode #10.
This season we'll hit with big stuff around episode #6, which will
likely be as big as "Severed." Rather than push stuff back, we've been
able to move CGI stuff forward and expand on scenes.
- @@@854694606 Just a quick note with two purposes:
1) to alert folks interested in Lightwave to check out the B5 episode airing in about 2 weeks, "Into the Fire," the second new episode back, to see some nifty stuff one can do when one applies oneself. That episode has roughly 114 CGI shots in 43 minutes, and are easily some of the most elaborate ever done for TV. (There's some nice stuff toward the latter half of this coming week's episode, but the following one is the big blow-out.)
and
2) to plink the noses of those on here who came on proclaiming that "good sources" told them that the CGI EFX on B5 would either go to hell, or look crappy, or be less than before. We're now doing far more EFX than in any previous season, and more elaborate shots. I said these individuals were full of it then, and the facts have spoken for themselves in the time since. These individuals have since dropped away and gotten real silent. I hope they'll be as forthright now that they've been shown to be wrong as they were in their original proclamations.
Otherwise we'd have to assume that these individuals were spewing out things they knew weren't true, just to poison the well and cause us grief, and I just can't *imagine* that *anyone* would do something like that....
- @@@855334932 Why wasn't the Vorlon shown in its true form?
Because we'd still be rendering it. There are 114 EFX shots in that episode, and as it was we just barely made the satellite uplink. If it wasn't absolutely necessary, better to do it more simply. As it was, we were rendering the shadow form too. - @@@857325978 Are you happy with having to hurry season four along
in case the show isn't renewed?
Truth: I go back and forth. The "Into the Fire" thing, for instance... it would've likely been a two-part episode, but it still would've ended up exactly where it ended up. A few more big explosions, but I wonder also if that really adds anything past a certain point.From a production standpoing, since "Fire" darn near killed us in the CGI department, it's probably a darned good thing it DIDN'T go for 2 eps. That puppy had something around 120 or 140 EFX shots.
Overall, I'm actually quite happy with how this season is going, in terms of the intensity of the arc and the emotions and incidents. Parts would've been a bit more laid-back if I had decided not to cover my bets on renewal, and maybe the situation has worked out to the best (again the ABA principle, Art By Accident).
So I dunno...all I know is what's in the episodes this season, and it's pretty cool overall....
- @@@855335304 1.) The CGI was excellent and seemed very different than
in previous episodes, much larger, better defined, darker. Was this an
effort on your part, or the post-production department?"
We're trying some new rendering techniques...I think they're working very well. (Some of the stuff in the next episode has a very realistic feel to it.)
2.) Have you found some way to slow down time or compress the episode into a shorter span? When I finished this one, I swore I had watched a two hour movie.
You did. We arranged for a time dilation bubble to appear over your house.
3.) Any reaction from the actor or staff on this one? Especially, Ed Wasser? (Might be a bit of spoilers in the answer to this one)
Ed wants to come back as an alien. I see no problem with this.
- @@@855689033 Any significance to Morden's pendant?
It may have its uses. - @@@855168180 The shadow voice was definitely Ed Wasser.
- @@@857328385 Yeah, that was Ed's voice. Seemed appropos.
Definitely didn't want it to end in a big explosion. We've seen many of those; how many more can you see? One is the same as the other after a while. And if we destroyed everything, how would that show we'd grown enough to create the new age? It's a matter of evolution, not destruction.
- @@@855594069 I've suggested the
use of a minor chords version of the theme music to Chris on several
occasions, where it seemed right, here, Signs and Portents, and in
others. The change from minor to major chords does signal an emotional
transition, and it works well.
The director initially didn't want to do the Londo rage scene in one take; it was something I felt very strongly about, and I think it works well.
BTW, there's another example of a long single take coming up soon, on Epsilon 3, which is all I'll specify. I kinda wanted the scene to play itself out, without cutting, and to show just how amazingly capable some of our actors can be. We're talking here almost 4 minutes of footage, not one cut in the whole thing, very fast dialogue, and not a single muffed line, with the performances working wonderfully. You'll know it when you see it.
- @@@859738308 Why were the other First Ones still around?
They were all still hanging around here, for one reason or another, mostly to do with inertia, familiarity...but finally recognized that it was time. - @@@855424386 The Sigma 957 ship was one of the First One ships, yeah.
- @@@855334932 I don't think the shadows speaking through Lyta referred to
Delenn by name; they said only, "And you they have left for us."
The jostling from the asteroid was an accident, though the others would've figured out what was going on soon enough.
- @@@855424386 Any relation between the Vorlon representative's
outfit and Ivanova's in the
"All Alone in the Night"
dream?
No, no relation to Ivanova's outfit. I just wanted a sense of something that was both ancient and ageless, frozen, formal, distant. - @@@855596749 The woman was in ice as a symbol of their ridigity, their
inflexibility, "frozen in time," as the shadows say.
- @@@855248171 Two ancient adversaries gave up just because Delenn
and Sheridan told them to?
I think that, for me, what mitigates against that is that a) it wasn't just Delenn and Sheridan, it was with virtually every other major civilization around backing their play, and adding their support, their voice, even being willing to die for the sake of this confrontation. If it were just the two of them...they'd be scragged. The two forces needed to be shown that the others had turned against them, and that their true faces had been exposed.b) The other key for me is that neither the Vorlons nor the Shadows saw themselves as conquerers or adversaries...both believed they were doing what was right for us. And like any possessive parent, they'll keep on believing that until the kid is strong enough to stand up and say, "No, this is what *I* want."
Most wars tend to end with one singular event...sometimes it's a big bomb, or a series of big bombs...and sometimes it comes with a negotiation. The two sides meet in a room, sometimes with representatives of other nations, and together they hammer out a truce, or a peace. There's the Nagasaki solution on the one hand, and the "let's meet in a room and talk about this" of Jimmy Carter, Anwar Sadat and Minister Begin.
Both work.
- @@@855424386 There is a definite parent/child/parent dynamic going
on there, in that Lorien is, in a way, in that role to the Vorlons and
the Shadows, they're in that role to us, and we're in that role to
those who will follow. It's the endless cycle.
- @@@855593947 About the final scene between Lorien and the Vorlon
and Shadow images
One could almost argue for the whole scene as a classic "intervention" out of psychotherapy or group counseling.Very early on, John Copeland asked me, "Okay, bottom line it for me, what's the war about?" I said, "It's about killing your parents." And his eyes went wide, and I explained, "No, not literally...but at some point you have to step outside the control of your parents and create your own life, your own destiny. That process is inevitable...and if there are indeed older races, and they're interfering, that puts them smack in the middle of that same process."
It's not about who has the biggest gun, because there's *always* somebody else with a bigger gun...it's about *understanding* your way out of a problem.
- @@@884031006 Will we ever learn why the first Kosh was more
sympathetic to the younger races than his replacement?
That's a good question, and one of the things I'd like to do (but which I can't see any way to do in the series) is the whole story of who Kosh was, how he got to be who and what he was, why he felt the way he did toward humans (part of it was knowing Valen)...maybe this will have to go into one of the novels. - @@@884632799 Did Kosh go to B5 knowing that the conflict would
soon be over?
I think Kosh came late to the table. I don't think he came to B5 with that intent, but it grew in him over time that this cycle had to end, and he could be instrumental to that. - @@@856337751 The main motive for going beyond the rim...there's a heck
of a big Taco Bell out there....
- @@@856920989 The notion of the Vorlons and Shadows representing
Order and Chaos goes back to the Babylonian creation myths, that the
universe was born in the conflict between order and chaos, hence part of
the reason I decided to name this show after Babylon. That's called
*research*. It informs the show, but it is not the show.
- @@@855249157 Certainly Londo would like to avoid his fate, and Lady Morella prophesied certain ways of doing this...and he's had some chances, and blown them. As you say, he's creating the very future he'd hoped to avoid.
Into the Fire
Synopsis by Matthew Murray (n9641343@cc.wwu.edu)
"Commander's Personal Log. We're still searching for First Ones to use in our war with the Vorlons and the Shadows. There's less than twenty-four hours left before everything hits the fan. We can't afford to waste any more time. We have to get back to Babylon 5 and catch up with the fleet."
Ivanova tells Lorien that they need to move on--the five First Ones they have found are enough, and she doesn't believe there are any others. Lorien disagrees, saying that they need to have all six, and that all they have to do is wait for a response to their signal. Ivanova says she'll give him ten more minutes, but then they'll have to go back. She says she hopes Sheridan's plan of attacking Vorlon targets to force out their troops is working. Lorien admits it is an interesting tactic--possibly futile, but very human. Suddenly, a large ship appears outside, one Lorien apparently recognizes. He tells Ivanova that this race is nearly as old as the Vorlons, and hasn't spoken to any outside their race for centuries. Ivanova asks if they'll remember him, but he knows they will.
Sheridan and Delenn, in command of the White Star fleet, manage to destroy a Vorlon observation post without too much trouble, and head off to the rendevous point. After they enter hyperspace, Sheridan looks at the fleet he has assembled--thousands of ships, dozens of races, working together for the first time. "We've put together a hell of a team, Delenn," he tells her. "You should be proud. Win or lose, we'll go down fighting. Pour it on, Mr. Lennier. Take us into the fire."
As the fleet travels to Coriana 6, Lyta tells Marcus that she heard the Vorlons are planning to move against Centauri Prime about the same time they will arrive at Coriana, and she wonders why the fleet isn't making its stand there. Marcus explains that Coriana was the logical choice for the fleet to defend, since its population is twice as large. Marcus hopes, though, that they pulled enough of the Vorlon ships away to give the Centauri enough time to remove all Shadow influence.
Londo and Vir make their way to the throne room, followed by the Regent, who begs for further instructions. Londo tells him that, with the Vorlons less than 12 hours away, he wants the Shadows off the planet. He tells the Regent to bring the ministers of War, Intelligence, Transportation, and Security, and to clear the palace of everyone who worked for Emperor Cartagia. The Regent leaves to follow Londo's orders, and after he's gone, Londo tells Vir that they have very little time left, but that they need to find Morden to tell him the news.
Delenn arrives on the bridge of the fleet's flagship, where Sheridan is waiting, and tells him that Ivanova and Lorien have found all the remaining First Ones. She tries to convince Sheridan that Ivanova's ship won't help turn the tide of battle, but Sheridan explains that he promised Ivanova she would be there at the end, no matter what. He tells Delenn to radio Ivanova to arrive at the rendezvous point as quickly as possible.
Ivanova, after arriving back on the station, is preparing to leave for the battle when Lorien comes in. He says that he was told she was ready to leave, but she isn't quite--she says he seems quite impatient for an immortal. He explains that he isn't immortal, and could die if he fell ill or was injured. He was the first of the First Ones and the last of his race. Ivanova doesn't believe he can be as old as he claims, since no one could discover the technology necessary to develop an immortality serum in one lifetime. Lorien explains, however, that all of his kind were born naturally immortal. Ivanova can't accept this; she is positive that everything dies. Lorien explains that things are that way--now--but they weren't always. The generations of beings that followed his own were mortal, and could eventually die, but those of his time were immortal. He explains that his race discovered the Vorlons and Shadows as infant races and guided them, and the other First Ones, along the evolutionary path. Most of the others eventually died or passed beyond the Rim to what lay beyond. He explains that to live forever means to give up everything else--love, companionship, friendship--since those will come and go. Only races with a much shorter life span can truly appreciate these things and experience them for all they are worth. "You should embrace that remarkable illusion," he tells her. "It may be the greatest gift your race has ever received."
As the Vorlon fleet makes its way through hyperspace, the minister of Intelligence arrives in Londo's quarters and asks to speak with him. The minister tells him that the death of Lady Adira was preceded by rumors that Londo had attempted to poison Lord Refa, and the minister was asked, by Cartagia, to look into the matter. The minister discovered these two matters were connected, and continued his investigation even after Refa's death. The report he presented to Cartagia was to be kept secret until after Cartagia's death. Londo says that Refa was responsible for her death: the liner Adira was on when she died came from Centauri Prime, and the poison that killed her was of Centauri origin. The minister explains that it was not Refa who ordered Adira's murder, but Morden. He says he suspects Morden wanted to secure his position by making it appear as if Refa had killed Adira. Londo dismisses the minister. Londo, alone, finally realizing what he has done, loses control and starts tearing the room apart in rage. Crying, finally understanding how Morden manipulated him, he falls to the floor in tears.
Ivanova and Lorien are trying to get the rendezvous as fast as they can. Lorien tells her to be patient--patience and logic will win the war, not weapons and firepower. He says that Sheridan knows this, but he doesn't know if Sheridan knows he knows it.
Sheridan looks out the window of the flagship, commenting that the fleet, while not bad, is still not big enough to win. Marcus asks why they are there, and Sheridan says, "Hoping the truth will set us free... Before it kills us." He asks if the nuclear weapons are ready, and Marcus says they are camouflaged by asteroids. Sheridan tells Lyta to keep her mind open, and be ready for anything from the Shadows or the Vorlons. They need her--she is their only advantage.
Two guards bring Morden into the throne room, where Londo is waiting. Morden demands to know what is going on, and Londo tells him about the Vorlon fleet that is now headed to Centauri Prime. Londo tells him that, now that Cartagia is dead, he wants the Shadow fleet removed from the island of Selini. Morden declines, believing that the Vorlons would never attack a world with 3 billion people. Londo realizes that Morden and the Shadows are afraid. He says he must make sure that he and Morden may speak privately. Two of Londo's guards fire their weapons to the left and right of Morden, killing two Shadows, who flicker into sight only briefly as they die. Morden tells Londo he's insane, and Londo admits that--today--that's true. He gives Morden one more chance to move the ships, but Morden refuses again. Londo says that while the ships are impressive flying, at the moment, they are on the ground. Morden notes that they can sense an approaching ship miles away, so Londo doesn't have much choice. "What are you going to do, Mollari? Blow up the island?"
"Actually," Londo says, producing a small device from his pocket, "now that you mention it..." As the island explodes, Morden reels as if in pain. Londo tells him that most of the Centauri were evacuated from Selini during the night, but that some stayed to maintain the illusion. Londo orders Morden to be imprisoned, and the guards drag him away. But, as he goes, Morden promises that, even if the Shadows lose, their allies will make sure Centauri Prime pays for destroying the Shadow fleet.
Ivanova meets up with the rest of the fleet and tells Sheridan that Lorien wants to come over to Sheridan's ship right away. Almost as soon as Sheridan approves, though, Lyta realizes that both of the fleets have just arrived in the Coriana system. As soon as they appear, they begin moving toward each other. To get their attention, Sheridan detonates some of the nuclear devices, which do damage to both sides. This substantially angers both the Vorlons and the Shadows, and the battle begins.
Sheridan opens up communication with the Vorlon fleet, and implores them to not destroy Coriana 6--its residents were forced by the Shadows to allow a fleet to be based on their world, and don't deserve to be destroyed for that reason. The Vorlons, however, don't respond, and Lennier suggests they might not even be listening. Delenn asks Lyta to send the Vorlons a telepathic signal to get their attention.
As the battle rages on, Vir arrives in the throne room, where Londo is waiting. Londo tells him that, despite the Vorlon fleet on its way to Centauri Prime, they are no longer a threat, as he has removed the last Shadow influence from the planet. Londo tells Vir to go into the garden, where "a gift" is waiting. Vir does so. The gift is Morden's head on a pike. Recalling the promise he made long ago, Vir looks into Morden's eyes and waves.
Sheridan asks Lyta if she's had any luck, but she hasn't been able to open communication. Lennier informs Sheridan that the Vorlon planetkiller is almost in range of Coriana 6. Delenn is reluctant to call in the First Ones so soon, but Sheridan is not willing to let the planet die. Sheridan orders Lennier to send the signal. Lennier does, and the First Ones' ships instantly appear. Wasting no time, they concentrate their fire on the Vorlon planetkiller, which is destroyed easily. They turn their fire on the other Vorlon ships and on the Shadows.
Londo arrives in the Garden and joyfully explains to Vir that he has sent a message to the Vorlons informing them that all Shadow influence has been removed from Centauri Prime. Londo is sure they will turn back, but Vir does not share his enthusiasm. Vir tells Londo that he's wrong, that there is still one thing left that has been touched by the Shadows. He points to the sky, where the sun is being eclipsed by another Vorlon planetkiller. Londo realizes that they have come for him, and since he sent the message, they knew exactly where he can be found.
The Vorlons still refuse to communicate with Sheridan and his army, but Lennier does detect that they are sending a message to their other ships, for reinforcements.
Londo pleads with Vir to kill him so that Centauri Prime will be safe, but Vir refuses. Londo's pleas are interrupted by the planetkiller moving away to join the Vorlon fleet at Coriana.
Lorien arrives on the bridge of the flagship of Sheridan's fleet. Delenn begs him to talk to the Vorlons and the Shadows. She is interrupted, however, by the voice of Lyta, now distant and ghostly. "There is nothing to tell," she says as she turns around, her eyes glowing bright blue. "You thought we could not touch you," she tells him. "You were wrong." She focuses on him and Sheridan is paralyzed in an energy field. Delenn moves to help him, but is warned by Lorien not to do so, as it will kill him instead. "And you they have left..." Lyta says, her eyes now glazed over with black, "...for us." She glares at Delenn, who is paralyzed as well.
Lennier runs to help Delenn, but Lorien warns him that, should he interfere, they will lose the one chance they have to end the war. Lorien explains that Sheridan hoped both sides could be provoked into doing this. Lorien says that Sheridan wants everyone to know the truth, what they may be asked to die for. Lorien puts one hand in the air next to Delenn and Sheridan, and Lennier and everyone else can see what Sheridan and Delenn see...
Sheridan is wandering around in darkness, shouting, "Where are you? Show yourselves!"
Suddenly, a large block of ice is highlighted, with a woman frozen inside, a glowing amulet around her neck. Without moving her mouth, she speaks to him. "We are here. We do not understand you. We have wished only the best for you. We only want to help you."
"You're destroying whole worlds!"
"The others are a disease. You have given us the opportunity to eliminate it. We are grateful. Why do you oppose us?"
"Because I don't like being used... or lied to."
"We have not lied. Our goal is the same as yours--to destroy the darkness."
Sheridan asks why, in that case, they haven't struck at the Shadows directly, since they had the technology to destroy Z'ha'dum all along. The response he receives is, "You do not understand." But Sheridan does understand, and he says that's what has the Vorlons worried. "The Vorlons have a saying: understanding is a three-edged sword. Your side, their side, and the truth." Sheridan believes the truth is that the younger races no longer need either race to guide them.
Delenn, too, stands in the darkness, when Ivanova's voice begins speaking. Ivanova appears and walks toward her. "The Vorlons stand for Order above anything else. No passion, no dreams... just discipline. Obedience. They're frozen in place, an evolutionary dead end! Why side with the old? Embrace the new. Growth through pain and struggle, conflict and war. You of all people should understand this."
"Your race came out of the last war stronger, better." Franklin says, appearing from the darkness as Ivanova vanishes. "How much better, how much stronger will they be after this war? You will rise from the ashes with a strength and power beyond your imagination!"
"Until you do it to us again!" Delenn tells him.
"It is the cycle," Lennier explains to her. "It is the force of history itself. You cannot win against that. We have embraced it. We've helped it along, by creating conflict. Weak races die. Strong races are made even stronger. Evolution must be served. There is no other way."
"No, that's what you want us to believe," Delenn says.
Sheridan tells the Vorlon figure that he knows why they are doing it the way they are--they don't want to destroy the Shadows, they just want to destroy their message, their way of doing things, so everyone will have to follow the Vorlons. Delenn knows the Shadows feel the same way, wanting to leave the Vorlons alive so they can see the Shadows were right. "It's about ideology," Delenn says.
"Of course," Marcus says to her. "What isn't? Order versus Chaos. Choose one."
But Delenn says they shouldn't have to choose, because they aren't given all the choices available. They are only given two. The battle between the Vorlons and the Shadows is no longer about guiding or helping the younger races, it's just about whether the Vorlon or Shadow philosophy is the correct one. Sheridan knows this, too, saying they are acting like arguing parents, manipulating their children, getting them to take sides. "But what if the right choice is not to choose at all," he asks.
"What if we reject the idea that we must decide which of you is right?" Delenn asks. "What if we simply walk away?"
"You cannot do that," says another Delenn, coming of the shadows and facing the first.
"Then the war will never end!"
"That is correct."
"Then there is no hope."
"There is only Chaos and evolution."
"There is only Order and obedience," the figure in the ice says. "You will do as you are told."
"You will fight because we tell you to fight," the other Delenn says.
"You will die for us when we tell you to die for us," the woman in the ice says, "because the others know no other way."
"That's where you're wrong," Sheridan tells her.
A stray asteroid hits the flagship, and Lorien stumbles, accidentally touching Delenn.
"You've let them see," the other Delenn says. "You've let them know..."
But she cannot finish. Lorien removes both Delenn and Sheridan from their paralyzed state, and that world shatters around them. The image, and the illusion, is broken, but it is too late--the Shadow planetkiller has engulfed the fleet. Ivanova calls to confirm that she saw what Sheridan and Delenn saw, but the cloud is making the ships so cold, it is affecting the engines and preventing them from escaping. The temperature is dropping so low, it will kill them all in ten minutes. Sheridan can't believe the Vorlons and the Shadows would let the younger races die instead of ending their war, but Lorien knows they aren't finished yet. Two figures appear on the bridge--one Shadow and one Vorlon. Lorien explains they are giving Sheridan a second chance to change his mind and ask forgiveness, to choose. Lorien says that Sheridan's next words will decide the outcome.
"The Vorlons ask only one question, over and over," Sheridan tells the two figures. 'Who are you?'" He turns to the Shadow. "You... for you, the question is, 'What do you want?' I have never heard you answer that question. Who are you? What do you want?"
"You don't know, do you?" asks Delenn. "You've been fighting each other so long, you've forgotten. You've lost your way. So how can you guide us? How can we learn who we are and what we want if you don't even know it any more?"
Sheridan tells them that, no matter who wins, in a thousand years, the battle will start again. They are all a part of the cycle, but Sheridan doesn't want to be a part of it. The younger races have learned to stand on their own, and are prepared to make the mistakes they will make as they find their own way. Delenn tells the Vorlon and the Shadow that their secret is out, and asks them what they plan to do next.
"You do not speak for the rest," the Vorlon figure intones.
"They will not follow you if you are dead," says the Shadow figure.
Lennier detects a missile from the Shadow planetkiller being launched at the flagship. With only ten seconds until impact, one of the Drazi cruisers moves in front of the ship, and is destroyed by the missile's impact. The other ships in the fleet follow suit, and another missile strikes a Minbari ship, which moves in front just in time.
Delenn tells the figures that the other races as well have begun to reject them, and demands to know how they can have a war with no one to fight it. Sheridan tells them they refuse to take sides in the war, and refuse to let either race turn them against one another--they will find their own way.
"You can kill us one by one," Delenn continues, "and those who follow us, and those who follow them, on and on, every race, every planet. Until there's no one left to kill. You will have failed as guardians. And you will be alone."
"It's over because we've decided it's over," Sheridan says angrily. "Now get the hell out of our galaxy! Both of you!"
When neither the Vorlon nor the Shadow move, Lorien steps in. "As I taught you and stepped aside, now you must do the same. Our age is past. This... belongs to the younger races now. They have learned to stand on their own. They have learned... to understand. Time to let them go."
"Will you... come... with us?" asks the Shadow figure meekly.
"I have been here since the beginning. I will not leave you now. I will go with you beyond the Rim, and we will see again all those who went ahead of us, all those who we have missed for so long."
"Then... we will not be alone?" asks the Vorlon figure.
"No," Lorien tells them. "Never alone."
The two figures vanish, and the Vorlon and Shadow fleets quickly leave the system. As the power returns to the White Star flagship, the other First Ones leave as well, all at the same time, leaving only Lorien behind. "I waited a long time for someone to find me," he says. "Now, like the others, I find I hate to leave. But none of us can stay behind this time. That was why it was necessary to find all the remaining First Ones. This... is yours now. And you have an obligation... to do as we have done. To teach the races that will follow you and, when your time comes, as ours has, to step aside and allow them to grow into their own destiny. If your races survive, if you do not kill yourselves, I look forward to the day when your people join us beyond the Rim." Lorien begins dissolving, changing into a tiny ball of light. "We will wait for you..." And then he too is gone.
Londo tells Vir that he can't quite accept that the war is over, that he doesn't know what to feel. Vir says that, given all they accomplished, happy would be appropriate. Londo says that, every time he has felt happy, something bad has happened to him. Vir says that he thinks Londo should enjoy one single night of happiness while he can get it. Vir is planning to return to Babylon 5, but Londo needs to stay behind for a while and tidy up political matters, perhaps returning to Babylon 5 himself, away from whatever repurcussions he may have to face. Vir leaves, and Londo begins to enjoy his evening.
The fleet comes through the Babylon 5 jumpgate, and as the flagship approaches Babylon 5, Delenn and Sheridan sit, looking out a window as the station grows nearer. He tells her the younger races have entered a third age. First, they were too primitive to make their own decisions. Then, they were helped along by the Vorlons and the Shadows. Now, finally, they stand on their own. Sheridan says that Lorien was right, that it is a great responsibility. Delenn says that the galaxy seems smaller with the First Ones gone.
"Feels like the magic's gone," Sheridan comments.
"No," Delenn tells him. "Not gone. Now we make our own magic. Now we create our own legends. Now we build the future. Now we stop..."
"...being afraid of shadows," Sheridan finishes. Delenn smiles, and the two of them hold each other, looking out the window at Babylon 5, and the future they must begin to build.
Knives
Overview
An old acquaintance requests Londo's help. Sheridan is plagued by visions nobody else can see. Carmen Argenziano as Urza Jaddo. William Forward as Refa.
Sub-genre: Drama/Intrigue P5 Rating: 7.21 Production number: 216 Original air date: May 17, 1995 DVD release date: April 29, 2003 Written by Larry DiTillio Directed by Stephen Posey
Backplot
- In his youth, Londo was a swordfighter of no small repute, and House Mollari was one of the most well-respected in the Republic.
- Earth Force has confiscated all the files on the Babylon 4 incident (cf. "Babylon Squared,") but Garibaldi had the foresight to make a copy first.
- Refa and his associates on Centauri Prime are consolidating their power by having their political opponents declared traitors. Some of those opponents are well aware of his involvement in the assassination of the Prime Minister (cf. "The Coming of Shadows.")
Unanswered Questions
- What was the creature? Was it involved somehow in Babylon 4's movement through time, or did it just happen by Sector 14 after the fact?
- Will Londo's support of Urza have an effect on Refa's plans?
Analysis
- The fact that there's still a spacetime rift of some sort in Sector 14 suggests that it may be possible to travel freely back and forth between 2259 and whenever the creature came from. Unless, of course, the creature was involved in Babylon 4's time travel; in that case, its presence may have caused the rift to reopen.
- Londo believes he has a destiny to fulfill. What exactly does he think it is? Is it based in part on his dream? (cf. "The Coming of Shadows") Or is it a more general notion of bringing the Centauri back to power with the help of Morden, without any specific role for himself?
Notes
- The names of the last Centauri Emperor and Prime Minister, Turhan and Malachi respectively, just happen to be the first names of the actors who played those roles in "The Coming of Shadows."
- Garibaldi and Sheridan were getting a large number of foul balls on the baseball diamond. Since the station is spinning, the Coriolis effect would make playing baseball an interesting proposition, to say the least, especially near the center of rotation -- a high enough ball would pass beyond the axis and land on some other section of the interior, perhaps even the "ceiling!"
- Visual gaffe: When Londo was knocked down and he dropped his sword, the sword fell and skidded on Londo's left. But when he reached for the sword to deliver the fatal blow, it appeared that he reached to his right.
- @@@890036592 Effects glitch: In the closing shot of the station, the background starfield and part of Epsilon 3 are briefly visible through the docking bay, as if part of the station has just turned transparent.
- The Centauri method of dealing with traitors -- execution followed by confiscation of property -- is similar to what the Romans used to do, and it apparently has the same effect. Romans who knew they were about to be convicted of treason often committed suicide to prevent their families' inheritances from being seized.
jms speaks
- Actually, Sheridan WAS hitting fair and home run balls in the front of the show; later, though, when he was more rattled, they were all foul.
- Actually, the chronological order was *supposed* to be "Knives," THEN "Z'ha'dum." In "Knives" you get the reminder about Anna, then in "Z'ha'dum" you get the payoff. That was originally how they were intended to be aired, but there was *so much* CGI work and rotoscope work and creature animation involved in "Knives" that it got flopped to second in that order. So while it works *best* the way it was intended, it still works okay in this order.
- Correct, the critter in "Knives" was most *definitely* not a Vorlon.
Knives
Synopsis by Matthew Murray (mmurray@wsu.edu)
Sheridan is on a baseball field, practicing his swing, when Garibaldi
arrives. Sheridan explains that, because of difficult negotiations
between the Narn and
the Centauri, he needed to take time to get away from it all.
Garibaldi says that, despite his problems, Sheridan should be glad that he
didn't have to spend his day in the Triangle. Sheridan asks about it, and
Garibaldi explains it is a section of Grey Sector nicknamed by maintenance
where there are strange lights, sounds, and disappearances. That piques
Sheridan's interest, and despite Garibaldi's objection, he insists on
going and taking a look.
Londo and Vir step out of an elevator, discussing the authors and songs of
some of the finest Centauri operas. They lose themselves in the music, and
continue reminiscing when a black robed figure appears, arms wrapped around
Londo's neck. "How fitting you should die with a song on your lips,
Mollari," the figure tells him. The figure calls him "passo liati," and
Londo knows who it is -- an old friend of his, Urza Jaddo. Londo
asks Urza not play such a trick again, and introduces Vir and Urza to
each other. Londo suggests they return to his quarters, drink brevare and
talk, but Urza has to decline, promising they will do so later.
Sheridan, flashlight in hand, walks down one of the corridors in the
Triangle. After searching around for a few moments, he sees a body lying
on the floor. He tries to wake the figure, but sees that the
being, a Markab, is dead. Sheridan tries to call Garibaldi, but
interference makes maintaining a clear channel very difficult. Sheridan
looks at the body again, and its hand suddenly reaches up and grabs his
face. Sheridan is able to wrench the hand away, and the body falls down
dead again. Sheridan finally contacts Garibaldi and tells him to get to
Gray 10 right away.
Dr. Franklin examines Sheridan and tells him that there is nothing physically wrong with him, except for the common effects of a sudden fright. He also explains that the body's movements were due to gas buildups inside the body. Sheridan asks what killed the Markab, and Franklin hypothesizes head trauma, but will not know for certain without an autopsy. Garibaldi finds the Markab's identicard and identifies him. Sheridan tries to explain how they should proceed next, but his vision becomes very distorted. Sheridan tells Garibaldi that he feels dizzy, and Garibaldi recommends that Sheridan rest and hear a report later.
Londo begins preparing drinks, and Vir asks about Urza. Londo explains that they had been friends since childhood, though their families had been allied almost since the beginning of the Republic. Londo begins reminiscing about his youth, even though Vir doesn't understand why Londo's ties to the past are so strong. Urza enters, and Londo greets him. They drink together.
In his quarters, Sheridan is awakened by some strange
sounds. He turns on the lights, looks around
the room a little, and is confronted by a large flying creature, which flies
at him. He manages to duck and grab a PPG; he fires at the
creature, but the shots go through it and destroy a statue behind
it. Garibaldi, alerted by the gunfire, enters with another security officer.
Garibaldi asks what happened, and Sheridan explains that the
creature was a grylor, from Janos VII, which once stalked him. Garibaldi
suggests that it may have been a nightmare, but Sheridan knows, or at
least believes, it was real. Sheridan asks what happened to the Markab, and
Garibaldi says it looks like suicide, though they don't know why he would have
killed himself. Sheridan suggests it may have been a religious ritual, but
Garibaldi disagrees. Sheridan tells Garibaldi to keep searching for
answers, and says he'll be in C&C if needed.
Urza and Londo, still drinking, are getting reacquainted, talking about life
and love. When they stop to get another drink, Urza tells Londo that his
name is much spoken of on Centauri Prime, and that they believe that both his
star, and that of the Republic, is in ascension again. This pleases Londo,
though he is still quite angry at the Narns. Urza says that the previous
Emperor wanted peace, but Londo claims that the Emperor was wrong about the
Narns. Urza explains that the Narns were lured into the war by the same
faction that murdered the previous Prime Minister, which Londo says he heard
was an accident. Urza tells him that was the "official story," but not
really true. Urza tells Londo that a resolution is about to be brought
before the Centaurum, claiming that Urza's family is traitorous to the
Republic. Londo believes they couldn't prove it, but Urza says proof isn't
necessary, only the accusation, and that he will be disgraced if the
"villains" have their way. Urza asks Londo to stand with him to save his
family, and Londo says he will do what he can. This pleases Urza, who
leaves, promising a banquet to celebrate their reunion.
Sheridan enters C&C as a jump gate comes online and a ship comes through. While looking at a control panel, Sheridan begins seeing strange patterns again. He tries to clear his eyes, but when he looks out the viewport, he sees the Icarus, his wife's ship, appear and then explode. Sheridan orders the area outside scanned, but no one else has seen anything. Ivanova asks if anything is wrong, and Sheridan says that he has to see to something.
Sheridan explains what just happened to Dr. Franklin, who tells him that there is nothing physically wrong with him, but that there may be a new virus that can't be detected. He offers to put Sheridan in touch with a Markab doctor who may be able to help him, but suggests that his hallucinations are more likely stress-related. Dr. Franklin puts Sheridan on medical leave, and, despite Sheridan's protests, Franklin orders him to relax and enjoy himself.
Londo finally makes contact with Refa. Londo asks Refa if what he heard about Urza was true, and Refa says it is. Londo offers to vouch for Urza personally, but Refa won't go along, despite Londo's claims of being Urza's friend. Refa says he cannot stop the resolution, because it has already gone through. Refa says that Urza's house is already crumbling, and anyone that tries to help will go along with it. Londo becomes outraged at Refa's impudence, claiming that Refa's plans would have been no use without his help. Refa says there is little he can do, but promises he will try. Londo tells Vir to get him a drink, and then communicate with his contacts on Centauri Prime, as he will need more help.
Sheridan is back on the baseball field practicing when Garibaldi enters. Sheridan asks if they found out anything else about the Markab, and Garibaldi tells him that the Markab passed through sector 14 on his voyage here. Sheridan says he thought that sector was restricted, and Garibaldi explains it is, ever since the incident the previous year when Babylon 4 returned. Garibaldi explains that it was kept out of the station logs because EarthForce wanted to perform their own investigation. Garibaldi explains what happened to Sheridan, saying that, even though the station is gone, an anonmaly is still believed to remain. Garibaldi presents Sheridan with a copy of the information, made before it was turned over to EarthForce, and leaves Sheridan to his batting practice.
Londo and Vir enter the exquisitely decorated and catered banquet, where they meet up with Urza. The three of them sit down at a table, and Urza toasts to their friendship and to the Republic. Londo comments on the calibre of the guests at the party, and Urza tells him that, with Londo's help, they will spread the word. Londo tells him that this isn't necessary, since he helped, but Urza says that the resolution was already presented, and will almost certainly pass. Londo begins saying that Refa promised to help, but this angers Urza, who says that Refa is responsible for the resolution in the first place, and wants him out of the way because of how much he knows. Urza seems insulted that Londo would help Refa, but Londo says that he has a destiny to fulfill, and only if he does, will the Centauri return to their rightful place in the galaxy. Urza says he doesn't want to return to that kind of glory, and Londo offers to help, but Urza tells him that the way they are proceeding will never do any good.
Londo offers to leave, but Urza will not let him
go. He snaps his fingers, and a large case is brought to the table, from
which Londo draws a finely-crafted sword. Londo says he cannot accept the
gift, but Urza takes the sword from him and embeds it in the table,
challenging him to a duel to the death. Londo asks why he would do this,
and Urza tells him he would do it to save himself and his family from
dishonor. Londo accepts the challenge, and Urza tells him to return in two
hours for the duel. Londo and Vir leave.
Sheridan is watching some images of Babylon 4's return when he is suddenly
gripped by a powerful headache. He looks around the room in agony, his
vision again blurred, and he sees his parents standing there. He
approaches them, but they are enveloped in a bright flash of light.
Sheridan looks over at the frozen picture of Babylon 4 on the viewscreen,
and believes he knows what to do. He quickly leaves, leaving his commlink
behind while Dr. Franklin tries to contact him.
Vir tries to talk Londo out of the duel, but Londo will not hear of it, saying that to deny the challenge would be disgraceful.
Garibaldi receives a communication from Dr. Franklin, who asks him where the captain is. A device Franklin gave Sheridan to measure his stress monitored a strange neural surge just a few minutes earlier, which caused the link to go dead, and Sheridan would not answer communication requests. Garibaldi calls his security officers, telling them to look out for the captain.
At C&C, a Starfury is detected to be about ready to launch from the station, and the pilot is identified as Captain Sheridan. He tells Ivanova not to worry, and that he will be back soon. Sheridan overrides the Starfury's controls, opens the bay doors, and launches the ship. Ivanova calls Garibaldi.
Urza's assistants prepare him for the duel when Londo and Vir enter. Londo tries to convince Urza to not fight, but Urza refuses. Urza tells Londo that he has often beaten him with such weapons, but Londo says that his life was never on the line before. Londo begins removing his jacket.
Garibaldi, in a Starfury of his own, contacts Sheridan asking him what he is doing. Sheridan says he is giving someone a lift, and that he thinks the answer lies in sector 14. Ivanova, who has been listening, realizes the significance, and Sheridan confirms her suspicions. The two Starfuries continue their voyage.
A referee tells Londo and Urza to begin the duel. They hold their swords before them, bow to each other, and begin the fight. During the course of the fight, they both manage to inflict some damage to each other.
Sheridan arrives in sector 14 and tells the computer to scan the area. The
computer replies, saying it cannot scan the area because of increased levels
of tachyon particles. A large glowing area appears immediately in front of
Sheridan's Starfury. Sheridan begins to scream, and a long stream of light
shoots out from his mouth and into the glowing disturbance. After a few
moments, the stream of light completely vanishes into the disturbance, and
it closes. Garibaldi, right behind, grapples
Sheridan's ship. He tows Sheridan back to Babylon 5.
The fight between Urza and Londo continues, both of them very tired, and
somewhat injured. After a few moments, Urza disarms Londo and sends him
carreening to the ground, and prepares to deal the death blow, but Londo
grabs his sword and thrusts upward. Urza falls to the ground, but Londo
catches him. Londo asks Urza why he did this, and Urza tells him that he
did it for his family, because he didn't want them to share in his
disgrace. This way, Urza dies alone, and Urza makes Londo promise to look
after them, which Londo promises to do. Urza tells Londo that he will miss
him, and dies in Londo's arms.
Sheridan explains to Franklin, Garibaldi, and Ivanova that the lifeform that inhabited him was sentient, but alien, adn was trying to survive and return to its home. Sheridan explains that the alien entered the Markab's body and drove him mad. He explains that he deduced what it wanted by the images it created in his mind, using his emotions for communication. The prospect of such a new and different alien life form very much excites Franklin.
Londo pours some more bravare when Vir enters, telling Londo that the arrangements he asked for regarding Urza's family were made. Vir tries to tell Londo that he didn't have a choice and had to kill Urza, but Londo isn't sure -- he tells Vir that Urza was more skilled with the blade, and that, by the rules of the conflict, Urza's family must be taken in by him, which makes them immune to the effect of the resolution; that was the reason for the challenge in the first place. Londo tells Vir that, for the first time, he questions the choices he has made. Vir tries to convince Londo that he should make new choices, but Londo replies that he has started down the path and must continue on it until it ends. He sends Vir away, saying that he wants to try to get some sleep, if he is able.
Learning Curve
Overview
Two Minbari Rangers-in-training come to the station and learn a difficult lesson. A new underworld boss tries to take control of DownBelow. Nathan Anderson as Rastenn. Turhan Bey as Turval. Brendan Ford as Tannier. Trevor Goddard as Trace. Brian McDermott as Durhan.
P5 Rating: 7.65 Production number: 506 Original air date: February 18, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@888197814 Lochley wasn't on Sheridan's side in the civil war, though she may not have been on Clark's side either. She feels her role as a soldier is to follow orders until she's given a specific order she finds immoral. As a soldier, she says, the most important words in her vocabulary are loyalty, duty, and honor, and turning against the chain of command would mean sacrificing one of the three, rendering the other two meaningless.
- @@@887871957 Sheridan and Lochley appear to have had a relationship of some sort in the past.
- @@@887871957 Several races are now represented in the ranks of Ranger trainees, including the Pak'ma'ra, who will specialize as couriers and infiltrators since they're so unpleasant to most other races that everyone goes to great lengths to ignore them.
- @@@887871957 The two telepaths supplied by Byron to Garibaldi ("The Paragon of Animals") have begun their training.
- @@@888197896 Lennier, according to one of his instructors, is pushing himself too hard in his Ranger training, most likely in an attempt to impress Delenn.
Unanswered Questions
- @@@887927755 Did Lochley disobey any of Clark's orders during the war, as Garibaldi tried to discover?
- @@@887871157 What history do Sheridan and Lochley share?
- @@@888197814 Lochley said Garibaldi was the second man she'd met who was as stubborn as she was; who was the first? Sheridan?
- @@@888197896 Did Garibaldi read Lochley's file after Zack left?
Analysis
- @@@887871957 One aspect of Ranger training is Mora'Dum, the application
of terror. Marcus referred to that aspect during his conversation
with Franklin in
"A Late Delivery from Avalon."
- @@@887927344 The friction between the Minbari castes hasn't gone away
completely, but does seem to have been reduced to the level of
conversational sarcasm, at least within the ranks of the Rangers.
- @@@887927344 Durhan has been mentioned once before, during the
fight between Marcus and Neroon in
"Grey 17 is Missing."
Marcus was given personal training in pike combat by Durhan.
- @@@888481178 Turval's philosophy about meaningful deaths isn't shared
by Delenn: in
"The Paragon of Animals,"
she told Franklin that the Ranger's death would be meaningless if he
took his information to the grave with him. Turval wouldn't consider
it meaningless, since the Ranger was pursuing a noble cause when he
died.
- @@@887927543 This episode marks the second time Lochley has been
overruled on something she considered a station matter (the first was
Sheridan's decision to allow the telepath colony in
"No Compromises.")
Given her insistence to Sheridan that she be allowed the authority to
run the station her way, this incident probably isn't sitting well with
her. At what point will she decide she's had enough and begin to
confront Sheridan on the subject?
- @@@888197814 It's not clear whether Lochley actually fought for Clark or not. By her own admission she didn't support the rebellion, but as she pointed out to Garibaldi, not every conflict has only two sides. Her comment about making a decision that affects only oneself suggests she might have deserted or otherwise refused to cooperate. Perhaps she was even punished for it.
Notes
- @@@887871957 The station's underworld has had a hole in its power structure since the departure of n'grath ("Soul Hunter," among other episodes.) It wasn't explicitly stated, but the implication was that n'grath was assassinated.
- @@@887871957 Turhan Bey played the Centauri Emperor in "The Coming of Shadows."
- @@@889480981 A conceptual error on Trace's part: Trace's right-hand man told him that "everybody in security went up two levels or down one." Moments later, Trace posited that whatever was going on was "just these three levels." But if security went up two levels or down one, it'd only leave two levels empty: if, for illustration's sake, Trace were on level 5, the security people would have gone down to level 6 or up to level 3, leaving levels 4 and 5.
jms speaks
- @@@888197289 Lochley would never get away with chewing out a
superior like she did Garibaldi.
That might apply in a straight hierarchical organization, but Garibaldi is not her superior; they are on parallel lines of command, not vertical, he doesn't answer to her, she doesn't answer to him. She has total and complete authority over the station and is answerable only to Earthdome and, in political matters, to Sheridan.You may not think this sort of thing happens, but it does, and it would. You're talking to the only producer to go out and berate Angela Lansbury's son who was then directing an episode of Murder, She Wrote, in front of his whole crew, and still remain employed afterward.
Learning Curve
Synopsis by Katrina Glerum (kat@midwinter.com)
As Master Turval's voice drones, a class of Ranger recruits meditate, or at least attempt to. One young Minbari, fresh from the warrior caste, is too busy daydreaming about dying gloriously, while another religious caste recruit can't stop smiling as he listens to conversations around him. Another old Ranger enters to inform the teacher that Delenn has asked them to come to Babylon 5. When Turval selects the two restless recruits to accompany him as an escort, the happy one exclaims, "Babylon 5, the home of peace."
A very unpeaceful man has made his new home on Babylon 5, however. In order to emphasize that there's a new law in Downbelow, he orders a debtor executed.
The four Rangers, two old (Durhan and Turval) and two young (Rastenn and Tannier) are honored to be greeted by Entil'zha personally at the docking bay.
Garibaldi invites Zack to join him for breakfast. When Captain Lochley enters he waves her over too. To Zack's discomfort, Michael suggests that Lochley was on the "other side" during the war. This immediately heats her up, but she tries to sidestep it. Calling her on her avoidance, Michael says loudly, "I want to know, just for me, who's side were you on." The commons goes silent.
She finally declares that she did not take up arms against her own government. She is a soldier who only knows three words, she says angrily, "Loyalty, Duty, Honor." She gets up and as she strides out there is scattered clapping from station personnel in the room.
She is still steamed up when she gets to the lift. Sheridan is there and she comments acerbically that she has just had a frank discussion with Garibaldi. Sheridan grins wryly and says, "He doesn't trust you." Neither Sheridan nor Lochley is having second thoughts about her assignment, though, and Sheridan advises that Garibaldi will come around when he's ready. She grumbles about meeting "a second man as strong-willed, stubborn and annoying" as she is.
Zack is shown the dead man's body on the deck. As this is the third such execution in two weeks, he tries to convince someone in the crowd of gawkers to help his investigation by warning that it might be them next.
The gangster, Trace, is watching the crowd too. He doesn't like Zack's perceptiveness and orders him "taken out." A little later he is visited by another gangster who's been around for some time and warns against gaining too high a profile, but Trace thinks he can just keep killing security chiefs until he gets one who he can get along with.
In their report to Delenn, Durhan and Turval mention that they have no idea what to do with a Pak'ma'ra who has joined the Rangers. It's stupid, lazy, greedy and a carrion eater, Durhan complains. Delenn points out that Pak'ma'ra are found everywhere, but they are shunned everywhere too, so they would make ideal couriers. In a subsequent private conversation Turval commiserates with Delenn over the death of Marcus and warns her that Lennier is pushing himself too hard in training.
Garibaldi wraps up interviewing the two telepaths assigned to assist with intelligence gathering for the Alliance, then asks Zack to pull the Captain's personnel file. Zack objects strongly while Garibaldi argues that his suspicions are just common sense. Then Zack is called away on a tip about the murders.
The two young Rangers stroll nervously through Downbelow. They pass Trace who is giving the young woman who sent the tip to Zack a voucher for a ticket back to Earth. When she protests the plan to kill Zack, a man grabs her. Her scream reaches the Rangers and they have a quick debate over whether to assist her. Tannier, the happy religious caste one goes to her aid, while Rastenn holds back. Tannier saves the woman but is overpowered and beaten to a pulp by Trace's men.
Delenn and the other Rangers watch Tannier in Medlab. As long as Franklin can get him standing, they'll take care of the rest, Durhan says. It's time for Mora'Dum. Franklin is shocked when Delenn tells him that this is a Ranger training exercise called the "application of terror."
Delenn meets with Lochley about the matter. When Lochley suggests that letting the Rangers deal with this would amount to vigilantism, Delenn reminds the Captain sternly that all members of the Alliance have recognized the Rangers' autonomy. Lochley is annoyed that she has been overridden by both Delenn and the President, and comments, "that's not like him." She brushes aside Delenn's query about this and argues that the Rangers shouldn't be used for revenge. It's not about revenge, Delenn replies. It's about terror.
Turval finds Rastenn at Tannier's bedside. Rastenn admits that he abandoned Tannier because he was afraid of dying pointlessly. Turval leads him to see that we imbue our lives and deaths with meaning ourselves. That by living each moment like it was the last, and acting with the correct motives we can never die pointlessly, because "death will have meaning if it comes when you are in fullest pursuit of your heart."
Delenn explains to Lochley that the terror that must be conquered is Tannier's, lest it cripple him from within. As soon as Tannier can stand he will be sent back Downbelow to find the man who hurt him and confront him alone. Zack is ordered to have the sector where the attack took place cleared of all security personnel.
To Trace, the removal of security seems like a victory -- until the power goes out. In the dim glow of the emergency backup lights, Trace's men begin to drop one by one to a terrifying dance of Rangers in the dark. Running frantically to escape, Trace is finally corralled by a ring of Rangers and faced off against Tannier. He is given a fighting staff and assured that if he can defeat Tannier he will be free to leave the circle. Turval narrates the fight, managing to turn Trace's failure with both staff and fists into a lesson to the others on the nature of a bully: quick to tell others to do what he's afraid of himself.
As they leave the station, Turval asks Delenn to come back to Minbar soon. Delenn explains that her work is still on the station for now.
Watching this farewell on a station securecam, Garibaldi comments admiringly to Zack that when the Minbari start something they don't stop until they finish it. Snooping at Zack's desk, Garibaldi thinks he spies the Captain's file, causing Zack to shout at him to give it a rest.
As they prepare for bed Delenn asks John about Lochley's chance phrase. A guilty look creeps onto his face. Later, as they lie in bed rigidly, John swears that he was waiting for the right opportunity to explain. "Ten seconds after you thought of it would have been good," remarks Delenn dryly.
Legacies
Overview
A girl entering puberty exhibits telepathic abilities, and the crew must decide whether to turn her over to the Psi Corps. The corpse of the Minbari military leader who oversaw the Battle of the Line is the focus of a diplomatic incident. John Vickery as Neroon. Grace Una as Alisa Beldon.
Sub-genre: Intrigue P5 Rating: 7.87 Production number: 115 Original air date: July 20, 1994 DVD release date: November 5, 2002 Written by D. C. Fontana Directed by Bruce Seth Green
Backplot
- The Grey Council ordered the surrender at the Battle of the Line.
- Many among the Minbari warrior caste do not approve of the surrender, a fact which has caused something of a rift between the religious and warrior caste.
- Caste membership is determined by heritage. Membership in the religious caste takes precedence if one parent is in the religious caste and the other is a warrior. (This is ambiguous; Delenn's statement on the matter could be interpreted to mean that the mother's caste takes precedence over the father's.)
- The Earth-Minbari War began with the death of Dukhat, the head of the Grey Council at the time.
- The war was regarded as a holy war among the Minbari, and had the full support of the religious caste at least part of the time.
- One of the warleaders (heads of the military clans?) committed suicide rather than obey the order to surrender.
- Telepaths are highly regarded among the Minbari, and are fed and clothed by people in exchange for providing their services.
- The Narn keep alien slaves, or at least are reported to do so.
Unanswered Questions
- What is the significance of the word "chrysalis?" Note that this is the title of the first-season finale.
- How was Delenn able to sense that she was being probed?
Analysis
- Delenn's identity doesn't seem to be a secret among the warrior caste, or at least its upper echelons. The warriors seem to be playing along and keeping her secret safe.
- As JMS mentions below, in the original airing order, this episode came after "Babylon Squared." If that is the intended chronological order of the two episodes, then Delenn's statement to Neroon that she speaks for the entire Grey Council takes on different connotations; it is plausible in that case that she is lying and hadn't even consulted the Council.
- Likewise, the device used to stun the guard appears to be a triluminary; its presence makes much more sense if this episode is after "Babylon Squared." Its exact function is still a mystery; did it in fact stun the guard, put him in some sort of stasis, or something else?
Notes
- The only first season script that was developed outside the B5 offices.
jms speaks
-
Originally, this ep was to be broadcast later in the run, because I
didn't want two PsiCorps episodes back-to-back, and for one little detail that
will become clearer after "Babylon Squared" airs; it would've been better to
have followed that episode, but again, these eps are made to be watched in
just about any order, so it's okay in the long run.
-
Yeah, the audio thing with Talia is something I thought of during the
final audio mix. We wanted to convey somehow her trying to get
through and initially it was just distortion. Then I figured, wait a
second, she is going to be thinking what she's going to say before
she says it, why not pre-lap the dialogue? Unfortunately, for some
damned reason, the high-tech studio wasn't set up to do that effect,
so we took Talia's dialogue, digitized it, laid it in on a second side
track, and played the one over the other, one preceding the other by I
think about 20 frames or so. The key was to make the *second*
voicing the one synched to her lips, not the first one. Worked out
pretty cool.
-
You will see some of the warrior caste in "Legacies," coming up in
July. You don't see them much because they only go where they're
needed.
-
Generally, the religious caste takes precedence over the warrior caste.
-
From cradle to grave, the Minbari are taught that there is no greater
goal, no nobler thing than to serve. They are raised to be totally
self-sacrificing. The only exception is when someone in the religious
caste believes he or she has received a calling, which if sincerely
felt cannot be contravened (since usually this too involves serving).
So for a Minbari telepath, this is their means by which they may
serve, and they are given great respect. It never even occurs to them
to do otherwise.
Lately, there has been a bit of a change brewing; "a self-involvement above the needs of others" (as someone notes in "Voice") that has begun creeping into the Minbari race. And they're not happy about it.
-
Overall, I'd say that "Legacies" came out better than "War Prayer,"
because Dorothy had more time to get to know the characters, and
because it was better directed. (As a parenthetical, Larry DiTillio
has developed some of his own scripts as well, specifically "TKO" and
"Eyes." "Legacies" is the one I'd say was developed "outside the
office" in the sense of being a freelance effort. Everything else
was either an assigned premise or done in-house by staff.)
-
Stuff like wearing gloves is only enforced if you're a member of Psi
Corps; Allysa wasn't. In addition, though she had P10 *potential*,
the talent was sporadic, came and went.
- Regarding "Legacies," there's one brief blip in there that we're going to see again; I'm not sure I'd call it a clue, but certainly a cue...a hint of something to come. You won't have to wonder what it is; it'll be shown in a flashback in that particular yet-to-air episode.
Legacies
Sinclair and Garibaldi await the arrival of a ship bearing the body of Branmer, the Minbari general who led the attack on the Line. Branmer died on a diplomatic mission and his ship is enroute home, stopping along the way to let people pay their respects. The ship -- a Minbari cruiser, the same kind that Sinclair fought on the Line -- arrives through the jumpgate.
On the zocalo, Ivanova is taking a break. Talia Winters arrives and sits across the bar from her. Meanwhile, a girl in scruffy clothing steals a piece of jewelry from a vendor. She's spotted, and runs away, then collapses on the floor, unconscious. Talia and Ivanova rush to her side. "She's a telepath," Talia says.
The Minbari ship approaches the station. Scans indicate that it's flying with gun ports open -- armed for a fight. The captain refuses to explain, but Delenn arrives at the command center in time to explain that it's simply a way of honoring a great military leader.
In medlab, Dr. Franklin reports that the girl appears normal except for unusually high EEG readings. Talia explains that she was a latent telepath whose powers suddenly activated -- probably due to the onset of puberty -- and her mind was unable to cope with the sudden inrush of foreign thoughts. Talia offers to notify the Psi-Corps so they can send a representative, but Ivanova objects.
Franklin examines the girl.
A procession bearing Branmer's casket comes aboard. Neroon, Branmer's second in command, greets Sinclair and Delenn. Ivanova and Garibaldi lead him away to the area they've prepared for the viewing of Branmer's body. Delenn comments to Sinclair that such a viewing is very unusual, but that the Star Riders, Branmer's clan, insisted on it. She seems disturbed.
The funeral procession.
Ivanova arrives in medlab just as the girl awakens. As she gains consciousness, she's nearly overwhelmed by the thoughts of the other people nearby, but Talia teaches her how to block them out. According to Talia, who couldn't help picking up the girl's thoughts, her name is Alisa Belden, and both of her parents are dead. Ivanova and Talia argue about who has jurisdiction over Alisa; Ivanova vows that Alisa won't leave the station if she can help it.
Neroon won't allow Garibaldi's men to guard Branmer's body until the viewing ceremony. He insists on Minbari guards. He baits Sinclair about the Line, but Delenn defuses the conversation.
Neroon makes his demand.
The ceremony proceeds normally until the casket is opened. Branmer's body is nowhere to be seen.
Sinclair orders Garibaldi to begin an investigation. Neroon threatens to go to war over the issue, claiming that the last incident involving a Minbari leader, the death of Dukhat (which Garibaldi counters was a tragic accident) was the cause of the last war. He's rebuffed by Delenn, who says that no one clan has the right to dictate Minbari policy.
After Neroon and Delenn leave, Ivanova tells Sinclair about Alisa. Sinclair says he'll stand behind whatever decision Ivanova makes.
Later, Sinclair visits Delenn in her quarters. As she adds pieces to her crystal sculpture, Delenn tells Sinclair that Branmer was originally a high priest of the religious caste. When the holy war against Earth began, Branmer felt an obligation to go to battle. He felt the Minbari cause was just, but obeyed the surrender order when it came. Another warleader, Sineval, committed suicide rather than obey the order, and many among the military caste greatly resent the surrender. Sinclair notes that Neroon is one of them; he seems to be spoiling for a rematch.
Discussing Neroon.
In medlab, Alisa is trying on new clothes, courtesy of the Psi Corps, while Talia tells her that the Corps will take good care of her once she joins. Ivanova arrives and counters with the story of the Corps' treatment of her mother.
Neroon intercepts Garibaldi in a corridor. The investigation is meeting with no success so far. An aide rushes up, clutching a piece of Branmer's burial robe. He says it was found outside the quarters of the pak'ma'ra -- carrion eaters.
Garibaldi and Neroon interrogate one of the pak'ma'ra, who claims ignorance about the disappearance of Branmer's body. Convinced that the alien is hiding something, Garibaldi orders all the pak'ma'ra to have their stomachs pumped.
The pak'ma'ra denies
knowledge.
Na'Toth offers a deal to Alisa: a pampered life on the Narn homeworld in exchange for periodic tissue samples. Trying to get a glimpse of life on Narn, Alisa peers into Na'Toth's mind, and is repulsed; it's cold, alien. Franklin suggests that she take that into account while she considers the offer.
Na'Toth makes her offer.
Dr. Franklin reports to Garibaldi that analysis of the pak'ma'ras' stomach contents was negative; they hadn't dined on Minbari lately.
Neroon, furious that Garibaldi is wasting his time pumping alien stomachs, threatens to have his ship tear the station apart if Garibaldi can't solve the mystery.
Tests reveal that Alisa is at least a P10, which she jokes will probably make her worth more to the Narn. Ivanova warns Alisa against accepting the Narn offer, citing evidence that the Narn keep aliens as slaves and are likely to do so to Alisa once she's in their clutches. Talia once again suggests the Psi-Corps, provoking a heated argument with Ivanova; Alisa breaks in and says she wants to know all her options.
Ivanova takes Alisa to visit Delenn, who describes Minbari telepaths. Psi ability among the Minbari is considered a rare gift, and those who have it lead lives of public service, helping people who need their talents. In return, the Minbari people provide for all the psis' needs. While Delenn speaks, Alisa peers into her mind, and to her shock sees a vision of white-robed Minbari stunning the guards in front of Branmer's coffin, then opening the lid. Alisa flees Delenn's quarters; Delenn can clearly feel that she was being scanned. Alisa tells Ivanova that Delenn knows what happened to the body.
Discussing Minbari
telepaths.
Sinclair enters his quarters to find them a shambles. He's attacked from behind by Neroon. The two of them scuffle; Neroon claims that he wanted to search the one place that would be strictly off-limits. But Garibaldi, arriving with Alisa in tow, claims he searched Sinclair's quarters with Delenn observing, and ushers Neroon away. Alisa tells Sinclair what she saw in Delenn's mind.
Delenn and an aide are packing something into a cargo container when Sinclair bursts into the cargo area. It's an urn, containing Branmer's ashes.
Delenn claims that she's honoring Branmer's wishes; he asked for a simple ceremony, and wouldn't want his body paraded around as a symbol of war. She had planned to pass the disappearance off as a miracle, a transformation of Branmer's body so that he could take his place among the gods. Now Sinclair and Garibaldi are in a difficult position, since they've promised to tell Neroon the results of their investigation. Delenn offers a compromise: Neroon will be told the truth, but she will tell him.
Neroon is furious when he learns what happened. He vows to lead a protest personally. Delenn stops him cold, claiming that if he contradicts her claim of transformation, the Star Riders will be destroyed, dishonored, by the Grey Council, whose opinion she claims to represent. She orders him to obey her, "just as you obeyed the order to end the war," and further to apologize to Sinclair.
Neroon does so, and is surprised when Sinclair offers to pay tribute to Branmer's courage and skill in a personal message to the Minbari people. "Perhaps there was some small wisdom in letting your people live," Neroon says. "We like to think so," replies Sinclair.
Neroon and Sinclair
reconcile.
Sinclair and Delenn are talking in the stone garden when Alisa arrives and announces that she's going to live with the Minbari. Delenn claims that Alisa will help increase the understanding and communication between humans and Minbari. Sinclair agrees.
Alisa bids Ivanova and Talia an emotional farewell. Talia doesn't agree with her decision, but admits that Sinclair is right; Alisa's presence among the Minbari will benefit both peoples.
Sinclair meets up with Alisa on her way aboard the Minbari ship, and asks her if she saw anything else in Delenn's mind. Alisa responds that there was one other thing, a word, "chrysalis." "She shut down real fast when I touched that," Alisa says. She boards the cruiser, leaving Sinclair to ponder the significance of the word.
Synopsis by Steven Grimm
Lines of Communication
Overview
Franklin and Marcus try to convince the leaders of the resistance to go along with Sheridan's plan to unseat Clark. Delenn investigates a series of attacks on Minbari allies. Minbar begins to slide toward civil war. Marjorie Monaghan as Number One. Paolo Seganti as Phillipe. G.W. Stevens as Forell.
P5 Rating: 8.30 Production number: 411 Original air week: April 28, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John Flinn III
An episodic soundtrack is available.
Plot Points
- @@@862188871 At least one race, the Drakh, made its home on Z'ha'dum during the Shadows' tenure there. They evacuated before Z'ha'dum's destruction and are in search of a new home and revenge against the people who defeated their masters.
- @@@862188871 Marcus and Franklin have convinced the resistance movement on Earth and Mars to follow Sheridan's lead, and to refrain from future terrorist attacks aimed at destabilizing Earth's government.
- @@@862188871 Ivanova is preparing for an additional job, as head of the "Voice of the Resistance," an attempt to counter ISN by broadcasting opposition views, as well as messages intended for the resistance fighters themselves, to Mars and Earth.
- @@@862820397 ISN, meanwhile, seems to be preparing Earth's citizenry for an eventual assault on Babylon 5, building up public support for such a move in advance.
- @@@862215725 Sheridan was involved in the suppression of the food riots on Mars after the Earth-Minbari War, for which he's resented by some Mars residents.
Unanswered Questions
- @@@862188871 Are the Drakh the only survivors of Z'ha'dum? How many of them remain?
- @@@862188871 Are the Drakh the ones responsible for planting Keepers on the Centauri Regent ("Epiphanies") and Captain Jack ("Racing Mars")?
- @@@862724503 Why did the Drakh emissary appear to shimmer? Do the Drakh have access to the Shadows' invisibility technology?
- @@@862188871 What does the warrior caste hope to gain by forcing the other castes out of cities?
Analysis
- @@@862188871 Franklin has bought into Sheridan's cult of personality, though it's not entirely clear why. His reaction to the skeptical resistance leader is exactly the kind of thing Garibaldi complained about in "Racing Mars," and may be counterproductive in that it makes Garibaldi's allegations all the more credible.
- @@@862821766 Phillipe bombed the Red Planet Hotel, which was where Franklin and Marcus were staying. Was the appearance of the Earth security forces there a coincidence, or were they after Franklin and Marcus?
- @@@862820397 Why does Sheridan think he has the power to promise Mars independence after Clark is out of office? Does Sheridan plan to assume the presidency himself? Or was that simply more improvisation on Franklin's part? Presumably not; it's unlikely Sheridan gave him the authority to make that kind of promise without consultation.
- @@@862188871 How will Sheridan break through Earth's jamming of outside broadcasts? Franklin was able to get a message back to Babylon 5, but presumably it's a thornier problem to try to broadcast programming to all of Earth. Perhaps he'll enlist the help of Draal; Epsilon 3 likely has the power to cut through whatever interference Earth can muster. Delenn is unlikely to be able to provide any Minbari assistance, considering what's going on on Minbar, though the White Star fleet might be useful mobile transmitters.
- @@@862513121 If Number One indeed treats all her former lovers like she treated Phillipe, Franklin may be in for a rough ride.
- @@@863024596 In the first scene with Franklin, Number One rubbed her neck, similar to Captain Jack before his Keeper was discovered ("Racing Mars.") Any significance, or just a stiff neck?
- @@@862188871 The Drakh ships, especially the transport, looked more Vorlon in design than Shadow. Have they looted the Vorlon homeworld as well, or is it just a coincidence?
- @@@865362770 The Drakh aren't the only race who worked for the Shadows, though of course they might have been the only ones to escape with technology from Z'ha'dum. Neither the surgeons and pilot in "Ship of Tears" nor the creature in "The Long Dark" were Drakh in appearance, though the latter arguably bore a resemblance when it was shown briefly reflected in Mariah's tube.
- @@@862858863 It's also possible the Drakh weren't allies of the Shadows at all; the Vorlons may have similarly had minor races acting as aides, and those aides would likely be just as upset as the Shadows' about Sheridan and Delenn driving their masters away. Of course, the statement that the Drakh had just lost their home would seem to indicate that Delenn's supposition about their association with the Shadows was correct; the Vorlon homeworld is probably still intact.
- @@@862817771 The Drakh may have some kind of group mind. At the very least, they have a different notion of personal identity than most other races. They appear to regard the name "Drakh" as both a collective name and a personal one, and their emissary interrupted Forell before he could utter Delenn's name, dismissing it as "unimportant." On the other hand, they're familiar enough with the notion of individual names to recognize Delenn's once it was spoken.
- @@@862793127 Delenn's reaction to the destruction of White Star 16, while arguably justified, bore similarity to her reaction to the death of Dukhat: ordering a relentless attack on those responsible. Of course, this time she was in control of the situation and wasn't enraged, but it's interesting in light of her earlier comment that she wouldn't repeat the mistakes made during first contact with humanity.
- @@@864957852 Delenn commented to Sheridan that she felt humans could have been Minbar's most dangerous enemy due to their ability to form communities of diverse elements. This echoes her comment in "And Now For a Word," in which she said that the forming of communities was one of humanity's greatest strengths.
Notes
- @@@862815695 Marcus said he was from Arisia Colony. That's a reference to the Lensman series by E. E. "Doc" Smith.
- @@@862793127 Sheridan referred to the Drakh as "wild cards." And in fact, "Drakh" is "card" pronounced backwards.
- @@@861953516 One of the Minbari seen reacting in fear from the Drakh emissary is Dennis Michael, a CNN entertainment reporter and a big fan of the series. He was also a Narn in "Comes the Inquisitor."
- @@@862858863 As the Drakh emissary entered the White Star's bridge, the lights on the wall dimmed.
- @@@866950614 The real reason the Drakh shimmered, according to special effects technician Ken Busick, was that the costume didn't look convincing enough. So to give the Drakh an otherworldly appearance, the scene was digitally manipulated in postproduction.
jms speaks
- @@@862724503 Why did Franklin send a video message?
So they could see him and know by seeing him that he arrived safely; a text message could be sent by *anyone* who could've intercepted them. - @@@862765238 The issue of waste of bandwidth is not as big a deal to
an advanced technology (from today's standards); also, any really good
telepath could rip out those codes and keys in about 10 seconds.
Further, they would've had a password to use (as in "the board," which
he used) to verify that he was all right and not being forced to make
the call.
- @@@863020903 In that scenario, there is no such thing as ANY kind of
secure communication, which puts us pretty much back where we started.
- @@@862818984 About the Drakh ships
I indicated a flower-like design. With the lethalness behind them, it seemed like a nice contrast. - @@@862989808 White Star 16 wasn't too tough.
Of course, you have no way of knowing how many previous hits it took during the fight, and are assuming it only got two. - @@@863020810 Why did Delenn run?
As she states in the episode, they were at that time *surrounded* and if they turned to fire, would get destroyed. Firepower doesn't solve every problem; one good hand-held Lancet missile can put down a full-sized cruiser if it hits right. They were in the MIDDLE of the Drakh, just as they said, and that's NOT a defensible position. They had to get away, outside that group, so they could mount an offensive. This they did.
Lines of Communication
Synopsis by Katrina Glerum (kat@midwinter.com)
Commander Ivanova finds the Captain scowling at another ISN broadcast
"reporting on" the mistreatment of humans aboard Babylon 5. From the
tone they figure it is only a matter of time before Earth attacks the
station again, but this time as part of a "rescue mission." Just then
a more welcome message is logged from Franklin on Mars.
The meeting with the leaders of the resistance is ready to begin as
soon as everyone arrives. Franklin and Marcus' mission to Mars is well-timed.
Number One of the Mars Resistance estimates that Earth Force
will have captured and subdued all of Mars within a few months. But
she warns that some of her allies are more dangerous than she is. No
sooner are the words spoken than Marcus rushes in exclaiming that their
hotel has just been bombed and 10 civilians killed. Number One departs
in a fury.
These are not the only unprovoked attacks baffling the Army of Light.
A visiting Minbari, Forell, tells
Delenn of raiders destroying transports and ships along the
borders of various peoples dependent on the Minbari for their
protection. Even more disturbing is the news that the warrior caste
refuses to protect these allies now that the Grey Council has been
broken.
Delenn finds Sheridan in C&C and explains that she needs to take a
flight of White Stars out to determine who is attacking their allies.
He balks at her personal involvement until she reminds him not to
forget who she was, and who she is and what she can do.
Number One angrily accosts Philippe, an Earth resistance leader, for
bombing the hotel without her authorization. What he does on Earth is
his business. What he does on Mars is her responsibility, and she will
gut him if he forgets that again.
ISN is still replaying the story of Sheridan suffering from Minbari War Syndrome, when a new idea strikes the Captain. He can't wait for morning, and instead runs off to roust Ivanova from her bed and drag her into the War Room. "I've been here before," she reminds him, bleary eyed and unkempt. So he begins to explain.
"You have a face people trust," he says. When she was giving status reports during the war, she provided everyone with solid, reliable information. Now it's time to do it again, he says, but on a larger scale. This time, the War Room will become the Voice of the Resistance, broadcasting live to ships, to colonies, and to Earth, competing directly with ISN for ownership of the truth.
As he exits with brisk enthusiasm, he tells her to go back to bed,
leaving her muttering more empty threats against his safety.
The White Stars speed through hyperspace. Delenn asks Forell
how bad things are back home. The Grey Council held their society
together. Now the castes are at odds again. He tells her how the
warrior caste forced all members of the religious caste out of a
certain city in the midst of polar wastelands. Most of them died of
exposure and starvation. His family was among them. Although the
warrior caste stopped short of actually killing Minbari with their own
hands, there are few who wouldn't call them murderers for this action.
With the resistance leaders all assembled, Franklin begins his appeal.
Sheridan is offering an alliance. He will support their cause actively
if they will fight with him to overturn President Clark. If they will
carry out any order coming from Babylon 5 no matter how strange, then
when it is all done, he promises that Mars will have its freedom. But,
Franklin adds angrily, this means no more terrorist attacks against
civilians.
The White Stars pop out of hyperspace and find a distress signal being send out by a dying Pak'ma'ra. They reach the site only to find a fleet of unknown ships. Delenn is ready for first contact this time and opens a channel. When ships identify themselves as Drakh, Lennier is alarmed to discover that they speak Minbari. This could only occur if this were not true first contact.
It is instantly apparent who has talked to the Drakh before when Forell pulls a weapon on Delenn and tells her that he has brought her here to listen to their message.
Number One grants the B5 duo her grudging approval, before catching
Franklin out as a liar. There is no way Sheridan could have sent the
message to stop terrorist bombing because news of these attacks isn't
getting off of Mars. Sheepishly Franklin admits that he just threw
that in to help her.
As soon as she leaves, Marcus starts pestering the Doctor about his new
love. Franklin denies it until she walks back in and invites him to
dinner. (Marcus she assigns to guard duty.) "Touch passion, Stephen,"
Marcus advises. "Don't walk away when it calls you by name."
The White Stars follow the Drakh to their mother ship and Delenn allows
an emissary on board. Dark and deadly, the Drakh hisses, shudders and
trembles its way to the bridge.
Forell explains that the religious caste needs allies in order to
defend themselves against the warrior caste. In exchange for some
deserted worlds along their border, these Drakh will help the religious
caste in the looming civil war. The Drakh want peace, he argues. They
only want a home.
"Because they have just lost their home," Lennier finishes, mouthing "Z'ha'dum" to Delenn.
Forell admits that he couldn't have hurt Delenn, but he needed to show her that here they had a way to be the "salvation of their people."
Delenn tells the creature that she will return in a week with an answer. "You will not regret this, Delenn," Forell says. The Drakh stops and hisses with recognition, "Delenn!" before departing.
She realizes her mortal danger at that instant. Now that these Drakh
know her, she tells Forell, they will take revenge for her part in the Shadow
war. The White Star fleet is surrounded and stationary. There is no time to
escape by jump point or by fleeing. So instead, she orders Lennier to fly
straight at the mother ship, "skin dancing" along its hull until they have
built up enough speed to escape through jump points. In the process, White
Star 16 is destroyed.
Forell has been struck by a falling beam and is fatally wounded. With his
final words he begs Delenn's forgiveness. "No. I am sorry, Forell. I
should never have been away this long," she utters as his body is
carried away.
Safe in hyperspace, Lennier begins to set a course for Babylon 5, but
now with blood in her eye Delenn overrides him and orders the White
Stars to attack. The angry, attacking White Stars make short work of
most of the Drakh fighters, and as the mother ship races for the local
jump gate, Delenn's flagship beats her there and fires through her hull
from stem to stern.
Upon her return Delenn finds Sheridan in the revamped War Room.
Apparently there have been more sightings of the Drakh in other areas.
But that isn't the only bad news she brings him. "The caste system is
falling apart," she says. She must go to try and save her people from
the ravages of civil war, and attempt to rebuild the Grey Council.
Sheridan is unhappy to hear these words. But she comforts him, arguing
that humans form communities which are more powerful than the
individuals were before. This is humanity's strength, and also what makes
them dangerous. Since his return from Z'ha'dum, the Captain has been
trying to pretend that he hasn't changed. But he has. And now in
order to fight the battles ahead and rebuild what has been destroyed he
needs to be dangerous. With her gone, she knows that he will be able
to do that.
Far away on Mars, a lonely Ranger sits on guard duty, listening
to a woman's voice gasping Stephen's name.
Matters of Honor
Overview
While an Earth official investigates the mystery ship encountered by Lt. Keffer in hyperspace, Londo attempts to sever his ties with Morden. Sheridan receives a new tool in the fight against the Shadows. Tucker Smallwood as David Endawi. Ed Wasser as Morden.
P5 Rating: 8.60 Production number: 301 Original air week: November 6, 1995 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Kevin Cremin
Backplot
- A little over a thousand years ago, long before the Narn achieved spaceflight, the Shadows set up a base on one of the Narn homeworld's southern continents.
- Morden is involved with the Psi Corps and some part of the Earth government. The Corps knows about the Shadows. Morden has also been in contact with Lord Refa without Londo's knowledge.
- If Delenn is correct about Morden always having Shadow companions, then the Psi Corps, at least, presumably knows about the Shadows. Talia, in "In the Shadow of Z'ha'dum," was able -- or even forced -- to sense the Shadows when she passed Morden in the hall; presumably a Psi Cop would easily be able to do the same. (Unless, of course, Talia's perception was a result of Ironheart's gift from "Mind War.")
- The Shadows aren't particularly interested in the section of the galaxy containing the Centauri Republic; what they're after (or rather, what they claim to be after) is on the other side.
- What they are interested in, though, is the Rangers -- interested enough to have Morden go over Londo's head and get Refa to give them a world known to house a Ranger training camp.
- The Markab homeworld has been looted by scavengers since the race became extinct ("Confessions and Lamentations.")
- The Minbari religious caste, without the knowledge of some members of the Grey Council, have built a new ship using Minbari and Vorlon technology. Called the White Star, it has been granted to Sheridan for use against the Shadows.
- The fleet of Shadow ships in Londo's dream ("The Coming of Shadows") are flying over Centauri Prime, as far as Londo can tell.
- Being seen by many people is a strain on Kosh.
Unanswered Questions
- What other details of Londo's dream weren't shown in "The Coming of Shadows?"
- What in particular are the Shadows after, that they don't care what the Centauri do with a good 30% of the galaxy? What's in the remaining section? (For example, where are the major races in relation to the boundary Morden drew?)
- How did Marcus leave Medlab? Is he able to put himself into a trance deep enough to pass unnoticed in an admittedly cursory medical examination?
- What do the Shadows know about the Rangers?
- How did Ivanova find out about the Rangers?
- What is the "program" referred to by the Psi Cop?
- Why are some on Earth working with the Shadows? What do they hope to gain from the association, and how does that tie in with whatever the Shadows want?
- Will Endawi's report ever make it to real strategic analysts? Did G'Kar tell him about Z'ha'dum?
- What else can the White Star do?
- Was the Shadow vessel actually destroyed, or did it manage to escape? If it was destroyed, did it have a chance to relay information about the White Star first? (see jms speaks)
Analysis
- Lennier says, "Not all of my people are comfortable with the idea of the Rangers." That implies that the Rangers aren't as secret an organization on the Minbari homeworld as they are elsewhere.
- Likewise, the fact that Marcus' brother was able to sign up for the Rangers, and that Marcus apparently knew about them too at the time, suggests that they're operating at least somewhat in the open. That might also explain how Ivanova and the Shadows found out about them. The fact that the Drazi government apparently knew about the Ranger training base is further evidence.
- Londo severing his ties with Morden may have little impact on the Shadows' association with the Centauri; Morden may continue to meet with Refa, rendering Londo's newly prominent position among the Centauri obsolete.
- Shadow ships are actually entering and leaving hyperspace when they shimmer in and out of sight; they aren't just becoming invisible. Obviously they know a good deal more about hyperspace than most of the other races (also evidenced by the jump-point weapon they used in "The Long, Twilight Struggle.") It's interesting to note that another ancient race, the walkers at Sigma 957 ("Mind War") also had an atypical way of entering hyperspace -- assuming that's what they were doing in that episode.
- Perhaps the fact that Kosh feels he must maintain his illusory appearance when out of his encounter suit, and the fact that doing so is a strain on him, is another reason he wears the suit in the first place. If it weren't a strain to be seen by many people, perhaps he would be willing to walk around the station in full view. (Probably not, though; otherwise he'd most likely have been more willing to show himself in the confines of his quarters.)
- Was the White Star constructed with Sheridan in mind? Giving it that name seems certain to stir up resentment among the warrior caste when they find out about it, especially if it turns out that the man they call Starkiller was the intended commander from the start. (Sheridan destroyed the Minbari cruiser Black Star in the Earth-Minbari War.)
- The White Star has some obvious Minbari characteristics, not the least of which are the distinctive spade-shaped fins at the rear (also visible on Minbari flyers and battle cruisers.) If the Shadows are at all familiar with Minbari ships, they probably won't be fooled by the White Star for long.
- Either the Minbari and Vorlons have mastered the art of intuitive user interfaces, or Ivanova is an extremely quick study; she was operating the White Star's weapons systems, presumably not a trivial task, with at most a few hours of training. Perhaps the controls are partially telepathic in nature.
- The Shadows are aware of the fact that some Narn (if only G'Kar) know about them; they don't seem to consider it significant, especially now that the Narn have been beaten into submission.
- The Shadows are even willing to be heard in public; they're plainly audible telling Morden to set up a second meeting with Londo (assuming that's what they're saying.)
- Was the Shadow base on Narn a unique thing, or did they have bases on other races' worlds as well? In "The Long Dark," the Markab ambassador claimed to have heard the same stories of an ancient enemy that G'Kar was recounting. Perhaps the Shadows had a base on the Markab homeworld as well -- and if so, perhaps they unleashed the plague ("Confessions and Lamentations") in order to reacquire that base without anyone noticing. If that's the case, Sheridan may have inadvertently helped the Shadows out by destroying the Markab jumpgate; that'll make it harder for someone to stumble on the base by accident.
- Is the former Shadow presence on Narn related to the fact that there are no Narn telepaths? ("The Gathering") Given how unpleasant -- even painful -- being near the Shadows was for Talia ("In the Shadow of Z'ha'dum") perhaps prolonged exposure to the Shadows caused so much trouble for Narn telepaths that they didn't survive to breed new generations of telepaths.
- Morden has had contact with the Centauri and with Earth. Has he also been talking to other races? The Minbari warrior caste, for instance?
- When Londo asks for assurances that the Shadows won't bother the Centauri, Morden says dismissively, "You and I both know what treaties are worth." This could be a reference to the Centauri's disregard for the treaties against mass drivers ("The Long, Twilight Struggle") -- but there's another, more recent, treaty that could also be the one in question, namely the pact with Earth.
- Sheridan has now destroyed two indestructible enemy vessels in his career.
- Marcus claims his brother was killed in a Shadow attack on a mining colony. Which colony was that? Was Marcus working on a Narn mining colony, or have the Shadows been attacking other targets as well?
- Marcus' reason for joining the Rangers is similar to Ivanova's reason for joining Earthforce ("And Now For a Word.") Both of them joined after losing a brother in a war.
- Sheridan orders the White Star's aft jump engines online. If this can be taken to mean that it has two (or more) sets of jump engines, it may be that the White Star can duplicate the Shadow-killing explosion without the aid of a jump gate by using both its jump engines at the same time. On the other hand, it may be that there's only enough power to run one set of engines at a time, or that there's something about jumpgates, rather than jump points, that causes the effect. (The closed caption quotes him as saying "Half jump engines.")
- The Centauri automated defense systems appear to be able to track the White Star, evidence that Centauri weapons technology is more advanced than Earth's ("Points of Departure.")
- Endawi says that Earth pulled the Shadow footage off ISN shortly after it first aired. In what sense? Did they just record it from ISN, or did they force ISN to stop airing the report?
- In the conference room, after Endawi leaves, Delenn tells Sheridan
that she has never seen such a ship, that only descriptions of the
ships have been passed down from the last war. Presumably, if the
Minbari were involved in the last war against the shadows, they were
capable of spaceflight (recall: the Narn, who were not capable of
spaceflight, were ignored in the last war.) That they should have no
recorded images of the shadow ships from that conflict seems odd, since
recording technology would clearly have been within their grasp.
Possibilities:
- Someone, or something, quietly eradicated whatever images did exist at some point in the past. We have certainly seen the Shadows act through their agents to suppress information regarding their past activities (i.e. the Narn being beaten down.) No one said all the "information suppression" had to be as spectacular as a planetary conquest. This of course begs the question, "Who are the agents?"
- The last shadow war was so devastating that all recorded images were lost.
- Delenn was lying. (There doesn't seem to be a good reason for her to do so, though.)
Notes
- A small effects glitch is visible in the opening shot. As the camera pans down from the repair crew, look at the stationary ring around the front of the station. At about the eight o'clock position, there's a small shaded area, the bottom half of which flickers on and off.
- When Endawi leaves the conference room after meeting with Sheridan, Delenn, and Ivanova, he forgets to take his data crystal with him. It is left in the viewer. He does in fact remove it when visiting Londo. Presumably, since it was pulled just after airing on ISN, he would not want to leave copies lying around.
- This episode has Delenn's first action scene of the series.
- @@@852231177 Alcohol's effect on Minbari was first noted by Lennier in "The Quality of Mercy." It causes paranoia and homicidal rages.
jms speaks
- July 23, 1995:
Finally, one week from tomorrow, we start filming on year three, with
episode #301, "Matters of Honor," which also introduces a new recurring
character named Marcus.
- Actually, the lead guest character in the first episode of year three,
one Mr. Endawi, is a Nigerian, and our new recurring character, Marcus
Cole (a Ranger) is British, and played by Jason Carter. So you have two
non-American accents occupying major parts of the first ep next year.
- New sets: yes, and we're creating situations in which we can see more of
Earth, Mars, our other local planets, plus Narn, Centauri, Minbari and
one other major world. As the Shadow War cranks into gear, you're
going to need a place to meet in security and plan for it, so we're
also building that. We'll see more of Draal's place on Epsilon 3.
And there's one other major set that we'll see in the first episode,
and quite a bit thereafter.
New characters: well, there's Marcus Cole, a Ranger assigned permanently to Babylon 5, played by British actor Jason Carter; we'll see Lyta Alexander more this year; and Theo...what can I say about Theo...well, perhaps better to let you see for yourself.
- @@@864890560 It's predictable that I'd put someone into the show with
who's a guy with thick, long hair...since every time I look in the
mirror I realize more and more that where I'm concerned, thick, long
hair will always be an unattainable, science fiction concept....
- About the title sequence
"Why are starfuries firing on starfuries?"Noticed that, eh?
Wait and see.
- @@@864890560 Any significance to some characters' heads turning in
the opening credits?
No, I don't think even I could ever manage to be that obscure. - @@@864890560 Overall, I'm very happy
with how this season's main title sequence came out.
- @@@864890560 Why aren't there many scenes from season three in the
title sequence?
Because we have to make the season 3 title sequence *very* early in the shooting process; we need shots to go out in the first episode title sequence, but we've only shot a few episodes by the time we need to deliver. So most shots tend to come from the preceding season. - @@@898572087 What's with Ivanova's line? Isn't peace a more
desirable goal than victory?
Peace can be a surrender as well as an achievement, especially when facing an enemy dedicated to something unpleasant. Chamberlin returned from a visit to Germany with a so-called agreement in his hands, and announced that by granting concessions to Hitler, he had achieved "peace in our time."Peace is a byproduct of victory against those who do not want peace.
- @@@864890560 We had considered refurbishing C&C, but didn't get
around to it this season.
- Will the station still be damaged?
Repairs will be visible being done in the first episode. - When the fighting staff expanded, it was CGI; physical otherwise.
- What was that noise after Morden and Londo spoke?
No, you heard something, all right...just a little bit of shadow whisper for those who got it; those who don't, won't notice. - Are Morden and his "associates" equal partners?
Well, he may sometimes *think* of his associates as equals...and my cat thinks he actually owns this house.... - Delenn lied! A continuity glitch?
Re: Minbari lying...it has been established, repeatedly, that the Minbari do lie *when it means saving someone else's honor*. That was even stated, openly, in the very same episode about Sheridan's frame job, "There All The Honor Lies." Londo says, right there, that the Minbari will lie for a greater cause, another's honor. The same was done in "The Quality of Mercy." Delenn fibbed about the ship in "Matters" because in so doing, she saved Sheridan's honor.This is not a plot hole, it's been established clearly in the series on multiple occasions. We have never, ever, at any time said conclusively that Minbari never, ever lie. This is another example of certain persons simply not paying attention, and then blaming the show for their own lack of continuity in attention.
- Yes, Endawi is more or less a good guy, in that he's totally
uninvolved with Morden or anyone on that side. He was doing what he
said he'd been assigned to do.
- @@@864890560 Was that Bester in the senator's office?
No, it wasn't Bester at the Senator's office. - @@@864890560 Any reason why it wasn't?
Yes. - Was the Shadow ship destroyed?
Be of good cheer; the jumpgate blast destroyed the pursuing vessel. - It's two separate mechanisms; no one has been able to open a
jump point in a jump point because of the hideous amount of energy
needed by the ship in question. They used the White Star to open a
jump point within a standing *jump gate* that was already there, and
had a secondary source of power. The competing energies were
impossible to control, and blew the whole thing.
- @@@864890560 I don't consider the "bonehead maneuver" to be
technobabble, for several reasons. For starters, the "babble" part
isn't there; TB goes on into long explanations of neutrino waves and
particle theory and elements that have to be recalibrated, on and on
and on....
Second, a prime requisite for TB is that it's a technology that comes out of nowhere, artifically invented to create a problem and/or create a solution. Neither applies here; we've seen jump gates and jump points now for three years; we've seen them disrupted in "The Long Twilight Struggle." It was just using the tech we've already established.
In a way, it's kind of unfair that we get hammered when we use a little teeny piece of technology because ST has abused it for so many years. That's not our fault, and one shouldn't develop a kneejerk response so that ANY reference to technology becomes technobabble. If that's the case, then the term becomes meaningless.
This is, also, a *science* fiction show; if sometimes we have a touch of science, it's the nature of the show; you can't have SF without at least some measure of tech...otherwise you've got fantasy. The day we do a page and a half of discussions about particles being recalibrated, particles that didn't exist twenty minutes before the need became apparent, *then* we can get gigged on technobabble.
- @@@864890560 The more people who have to *see* Kosh as one of their
own, the greater the strain on Kosh, as you'll note in the first ep of
year three.
- Where Delenn gets all those wardrobe changes is one of those
questions that, in a real world, doesn't warrant close scrutiny.
And yes, her costumes tend to be emblematic of where the character is, and who she is. Consequently, there will be some year three additions to underscore her more assertive nature; there's a green costume in particular that shows up in the first episode that's just *killer*.
- Was Delenn's bone crest changed?
Yeah, we made some small modifications to the headpiece (good call, Corun). It merges more seamlessly behind, it's raised slightly at the crest, and the ends blend more smoothly into the skin in front, to make the whole thing more natural. - @@@840404585 Will we ever see alcohol's effect on the
Minbari?
No immediate plans for this, but knowing how my brain works, we'll probably see this sooner or later. - What was the plant pictured in G'Kar's book?
The leaf shown is the G'Quon-eth, the plant featured in "By Any Means Necessary." - Had a Minbari been running that sensor, he would've nailed it instantly;
but Ivanova had never actually encountered that ship before, and was
running off the initial scan reports. (Also it was just phasing in at
that point.)
The White Star uses local drive engines based on magnetic and gravitational principles; in a sense, it doesn't so much push itself toward other worlds as *pull* itself or *repel* itself. One side effect of creating a powerful gravitational system is the ability to create artificial gravity.
That's my story and I'm sticking to it.
- @@@839782124 The Minbari built the White Star, borrowing some
Vorlon tech, so
it's primarily Minbari, and built with their sensibilities, all the
controls are in Minbari, and so on. They allow Sheridan to command it
because Delenn said to do so, and in battle an unpredictable human
might have options that a more regimented Minbari might not.
- @@@864890560 The White Star was always in the plans for the series;
it's an outgrowth of everything that has gone before. We've seen big
warships, dreadnoughts, smaller ships, and personal fighters. This fits
right in. If you're going to have a war over a long distance, you kinda
need something to get in and out with.
- @@@864890560 Shouldn't they have taken the White Star on a test
flight? Why aren't they preparing for conflict with the
Shadows?
Yeah, but it's very hard to do a story about preparation in the sense you suggest. "Well, let's go check out the White Star.""Well...sure is a fast ship, all right...so, what're the Rangers doing? Keeping an eye on stuff? Good..good...so, what's for dinner?"
Each individual episode must be *about* something, must have a story that can stand on its own, separate from the arc, while adding to it. For what it's worth, "Voices of Authority," which was originally slated to run in the first 4, *is* a preparation kind of story...it gets into how they should be gearing up for what's coming, the accumulation of allies and resources, all that. Had it run as planned as #4, this would be answered. But the sheer volume of CGI required, which was pretty hideous, put it into the #5 slot, which we thought would still be in the first block of episodes. Then we found that #4 was the cutoff point.
All I can tell you is that what you're asking for is *there*, plain as can be, right in the very next batch of episodes. (Also, do bear in mind that the "shadow war" referenced in the show operates as more than just discussing the shadows themselves, but what's going on back home as well.)
- No, the Drazi was not a Ranger, only a supporter/collaborator (if I can
use, or misuse that term.)
At this stage, the Rangers are exclusively either human or minbari.
- @@@864890560 The Ranger colony was financially supported by the Minbari; the Drazi allowed them to use one of their colony worlds as a base.
Matters of Honor
Synopsis by Matthew Murray (mmurray@wsu.edu)
While the station is being repaired, both inside and out, Sheridan goes to the rock garden, where he meets Ambassador Kosh. He tells Kosh that, ever since Kosh had saved his life the previous week, he hadn't thanked him properly, and that Kosh hadn't returned his calls. Sheridan asks Kosh if everything is all right.
"Being seen by so many at once was a great strain. I returned to my ship to rest. You have a question?" Kosh asks.
"Nobody knows it was you. Everyone saw something different, something from the legends of their own world. But it was still a terrible risk. After taking such...such care to hide what you really are, why take that chance?"
"It was...necessary."
"Well, as answers go: Short to the point, utterly useless, and totally consistent. What I've come to expect from a Vorlon."
"Good."
"You know... I just had a thought. You've been back and forth to your homeworld so many times since you got here, how do I know you're the same Vorlon? Inside that encounter suit, you could be anyone."
"I have always been here."
"Oh yeah? You said that about me too."
"Yes."
"I really hate it when you do that."
"Good," Kosh tells Sheridan as he leaves him alone in the garden.
A large ship, piloted by a Drazi, blasts off from a planet, under
constant fire from two orbiting stations. The ship flies toward the
barrier around the planet, and manages to get through it, being
slightly damaged in the process. After the ship breaks through the
barrier, the pilot launches a smaller ship from it, which flies away,
escaping just as the larger ship is destroyed. The smaller ship is fired upon
and hit, but still able to make the jump to its pilot's destination:
Babylon 5. In order to speed up the trip, the pilot orders all
non-necessary life support power to the engines.
Sheridan tells Ivanova, who is with him in the docking bay, that he is tired of the unannounced visits of V.I.P's from Earth, since they are never given enough information. The man they are waiting for arrives and introduces himself as David Endawi, who asks that they go somewhere private, and that Ambassador Delenn join them.
Garibaldi brings the pilot of the small ship into the new Medlab facilities, and Franklin tells Garibaldi that he will have Dr. Sanchez do an examination, and inform him of the results. Garibaldi leaves, and Franklin examines the man, dressed in the uniform of a Ranger. He calls Sanchez to inform her he needs her help, but upon turning around, the Ranger is gone.
Londo is sitting at a bar drinking when Morden arrives, per Londo's
request. Londo tells Morden that he has been doing a great deal of
thinking and now, that the Narn War is over, they should reconsider
their relationship. He feels that the Centauri no longer need the help
of Morden's associates. Morden asks Londo if he is being premature in
his desire for them to disappear, since they might not know what lies
ahead, but Londo tells him he is sure, and wants Morden and his
associates to "go away." Morden agrees, telling him that he will meet
Londo in his quarters later, after meeting with his associates, to
discuss the dissolving of their partnership.
Sheridan, Ivanova, Delenn, and Endawi are in Sheridan's office when Endawi asks Delenn if, as a member of the older races, she has any information about the mysterious ship that Lt. Keffer recorded shortly before his death. Endawi asks what Keffer knew about the ship, and Sheridan and Ivanova insist they didn't know what he knew about it. Endawi explains that the ship is obviously from a highly advanced civilization, and that they are worried about the threat the ship might represent, and it is his job to gather information about it. Delenn apologizes to Endawi, but tells him she has never seen a ship of this type before. Endawi asks her if she's sure, but she insists she is. Endawi asks if a ship like this had entered Babylon 5 space, and Sheridan says no. Endawi asks for quarters to stay in until he has been able to talk to the other ambassadors, and Ivanova escorts him out. After they leave, Sheridan asks if the ship belongs to the Shadows, who Delenn had told him about several months earlier. Delenn acknowledges this, saying that it is important to convince the Shadows that they are unaware of the Shadow's but that she didn't lie: she had never actually seen on of their ships before. She says that Shadow ships are relentless and nigh invincible, but Sheridan doesn't believe it. She tells him that he will only feel that way until he sees what they can do. "Take a good look, John. That is the face of our enemy."
Lennier meets Delenn and tells her that someone is looking for her. When she tries to brush him off, Lennier changes her mind by presenting the badge of the man brought into Medlab, which Delenn recognizes immediately.
Endawi meets with Londo, and asks him what he knows about the ship from
Keffer's recording. Londo tells Endawi that this is the ship he has seen in
a dream
where he is standing on Centauri Prime, with similar ships passing
overhead, until their numbers grow so great, they blot out the sun. But,
Londo says that's all he knows about the ship, and apologizes that he
couldn't be of more help. Endawi thanks Londo, and leaves.
Delenn and Lennier, in disguise, venture into Downbelow and enter a tavern, where they sit down. The ranger comes up to them and gives them drinks, which they initially do not accept, but soon do in order to avoid drawing attention. Lennier tastes the drink and discovers it has no alcohol in it. The Ranger, who identifies himself as Marcus, says it proves he was waiting for them, since very few know of alcohol's effects on Minbari. Marcus tells Delenn he needs her help, but would prefer to discuss it in private. They leave the tavern, but are followed. They soon run into a group of thugs, who insist they give over their possessions. Marcus pulls out a Mimbari staff, and begins fighting the thugs. Delenn and Lennier join in, and the thieves are soon defeated. The three of them quickly run away.
Ivanova enters Sheridan's office, where he, Garibaldi, Delenn, Lennier,
and Marcus are already waiting for them. Sheridan tries to explain the
Rangers to her, but she has already known about them for a long time.
Marcus tells all of them that the he came from Zagros VII, a Drazi
world, where there is a Ranger training camp, created partly for
safety, and partly because certain Minbari are uncomfortable with
the Rangers. Marcus explains that the planet was blockaded two weeks
earlier by the Centauri and that he believes the Ranger camp is the target.
He pleads for Sheridan to help the Rangers
evacuate. Garibaldi says that they don't have the means for such an
attack, since it would require a powerful warship and crew, but Marcus
tells him they have the means, if Sheridan and the others have the will.
Ivanova reminds Sheridan of Endawi, and Sheridan tells Garibaldi to take
charge of him while the others prepare to go to Zagros VII. They soon
board a shuttle, file a fake destination in the station's log, and
they, and an accompanying Minbari flyer, head out.
Morden tells Londo that he wants to make sure that the Centauri are clear on the details of their separation. He brings up a map of the galaxy and draws a line on it, showing the quarter of it which the Centauri may conquer at will. As long as they don't trespass into the territory of Morden's associates, there won't be any problems. Londo asks how he can be sure that Morden's associates won't attack him, and Morden says he can't, but that they have what they want, and aren't concerned with the rest. Londo quickly agrees to Morden's conditions, but Morden tells him there is one more condition. There is one world, on the edge of the Centauri boundaries, that his associates want custody of, and he has already convinced Lord Refa to secure it until his associates can arrive. When Londo asks if he might be able to see the ships of Morden's associates one day, Morden tells Londo ominously to ensure no Centauri remain near Zagros VII when his associates get there.
The shuttle and the flyer pull out of hyperspace and arrive near a beautiful, strange, magnificent ship. "Her name," Marcus tells them, "is the White Star. And she's yours, Captain."
Endawi protests to Garibaldi that he was assured Sheridan and Ivanova
were available, but with some quick double-talk, Garibaldi
convinces Endawi that he isn't allowed to let himself know where they
went. He suggests that Endawi talk to G'Kar unofficially, since the
Centauri-Earth treaty prohibits official contact with the Narn.
As they explore the ship, Delenn explains that the White Star is a new
type of Minbari warship--smaller and faster than normal, an amalgam of
Minbari and Vorlon technology. It looks just different enough so that
it cannot be identified. She takes them to the bridge, where the crew,
consisting of members of the religious caste, busily prepares the ship
for its mission. Sheridan tries to order them to Zagros VII, but
Lennier says he must act as interpreter, since most of the crew isn't
familiar with English. The ship blasts off toward Zagros VII.
Endawi asks G'Kar if he knows anything about the mysterious ship.
With an exclamation of relief G'Kar turns an opened Book of G'Quan
toward Endawi, where there is a picture which bears a striking resemblance
to the Shadow ship. "They came to our world over a thousand of your years ago,
long before we went to the stars ourselves. They set up a base on one of our
southern continents. They took little interest in us. G'Quan believed they
were engaged in a war, far outside our own world."
"G'Quan?" Endawi asks.
"One of our greatest spiritual leaders. The Book of G'Quan is copied by hand from the original with every note and line precisely drawn. This ship and your ship are the same. I tried to warn the others that the ancient enemy was returning. But no one listened... Perhaps now they will."
"But if this is correct, why would they just disappear for a thousand years?"
"To all things, there is a time, Mr. Endawi. Perhaps this is theirs."
While on their way to Zagros VII, Ivanova asks how Marcus became a
Ranger, and he explains it was because of his brother, who died trying
to warn him about a Shadow attack on the mining colony where he was working.
Marcus promised his brother he would carry on the mission. The White
Star comes out of hyperspace, near Zagros VII, and approaches the
planet. They call the Rangers and tell them to be ready to escape.
The White Star destroys the mines and stations around the planet, but
too easily. Sheridan can't believe there wouldn't be a
Centauri warship guarding it, and asks Lennier if the scanners are
working properly. To prove they are, Lennier shows him, displaying
more of the White Star's unique abilities. Ivanova detects a
disturbance, and they put it up on the screen. It is the ship they all
saw from Lt. Keffer's flight recorder: A Shadow ship.
Sheridan declares that the Shadows must have come for the Rangers who he promises not to abandon. Delenn insists they aren't yet ready to fight, but they aren't given much of a choice when the Shadow ship attacks. The White Star manage to maneuver out of the way of its attack, which shocks Delenn, since the Shadows never miss. After they clear the last mine blockading the Rangers, they tell the Rangers to clear out. Sheridan tells Lennier to proceed to the jumpgate since the Shadows won't suspect that the White Star can open a jump point because of its small size, and he wants to keep every advantage he can. Delenn says the ship will follow them wherever they go, and Sheridan says he's counting on it. The White Star enters the jumpgate, with the Shadow ship following close behind.
Delenn pleads with Sheridan to call for help. They don't have any
chance of destroying the ship alone, since it is so much bigger than they
are. Alluding to the Black Star Sheridan tells her that he has heard that
before.
As they continue through hyperspace, Sheridan asks Ivanova what would happen if
they were to open a jump point while inside a jumpgate, and Ivanova
explains that it would be suicide: the energy released would be too
great to escape from. Sheridan asks Lennier if the White Star is
quick enough to escape, and Lennier says he doesn't know. Sheridan says
that they are probably near sector 45, and that they should use that
gate to try the maneuver. It is the jumpgate near the Markab
homeworld, which other races have been using the strip the planet
bare. The White Star opens the jumpgate, while activating her jump engines.
Just as the point forms, the White Star escapes the jumpgate which explodes
in a
fierce burst of energy, which damages the White Star, but destroys the
tailing Shadow
ship.
The original shuttle and Minbari flyer arrive back on Babylon 5 to be met by Mr. Endawi, who demands to know why they lied about where they were going and what they were doing. Sheridan and Delenn say that they had to tow a Minbari diplomatic shuttle to a nearby jumpgate. They apologize, but Endawi is on his way back to Earth. He tells them he has all the information he needs, and that he will send a copy of the report.
Back on Earth, Endawi presents his information to a senator in Earth
Dome, telling her what he found, though he reached nothing conclusive.
She tells him that she will inform him of what they find. Soon after
he leaves, two other men come into her office. One of them is Morden,
and the other is a Psi Cop. She tells them that there is
little information, and that the ship is a complete mystery to everyone
on Babylon 5 except legends. Morden suggests that the Earth government
dismiss it as an isolated incident, but the telepath disagrees, saying that a
threat to planetary security could be useful in speeding up the program at
home. Intrigued, Morden asks him to explain.
Sheridan, Ivanova, Garibaldi, Franklin, Delenn, and Marcus sit around a
large table while Sheridan outlines his plan for a War Council: Whatever anyone
learns they will share every two weeks, in hopes that together they can achieve
more than they can working separately. Sheridan tells them that they
can say anything they like during these meetings.
Franklin says, "Well, then, I have a question. Granted, I am stuck in Medlab most of the time, and granted, I'm usually the last to know anything around here, and granted, we've all been pretty busy lately, but could someone please tell me what the hell these Shadows are?"
Sheridan indicates to Delenn that she should explain, which she does. "There are beings in the universe billions of years older than any of our races. They walked among the stars like giants, vast and timeless. They created great empires, taught the new races, explored beyond the Rim... The oldest of the Ancients are the Shadows. We have no other name for them..."
Meditations on the Abyss
Overview
Without Sheridan's knowledge, Delenn sends Lennier on a mission to try to figure out the source of the raids. Martin Cast as Findell. Richard Ynigues as Montoya.
P5 Rating: 8.21 Production number: 515 Original air date: May 27, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@896325834 Delenn has sent Lennier to train on a White Star. Unbeknownst to its captain, he's secretly on the lookout for evidence of Centauri involvement with the raids on Alliance ships.
- @@@896325834 Franklin, like many Narns on the station, is reading G'Kar's book and finds it impressive.
- @@@896325834 Londo has selected Vir to be the next Centauri Ambassador to Babylon 5 (and thus presumably to the Alliance.)
- @@@896325834 The Drazi suspect that the Centauri are involved in the attacks on the cargo ships. They've attempted to bug Londo's quarters at least once.
Unanswered Questions
- @@@896325834 Did Sheridan notice Delenn's extended absence during the night, or did he go back to sleep until she returned?
Analysis
- @@@896325834 How did the Drazi find out about the Centauri
involvement? Or are they just lucky guessers? Since Londo isn't aware
of what's going on, they couldn't have found out from him, even if they
had successfully bugged his quarters at some point.
- @@@896389261 Londo was correct about Vir not being ready to be the
ambassador: Vir is thought of as weak and ineffectual by the other
races, as demonstrated by the Drazi merchant. Though Londo's comment
to Zack was probably at least partially in jest, a little confrontation
may well be necessary before people will take Vir seriously enough
to make him an effective ambassador.
- @@@896325834 G'Kar used an analogy of a light shining on a wall
to describe how people perceive God. Lennier used a similar analogy in
"Passing Through Gethsemane"
when he described the Minbari conception of the soul to Brother Edward.
- @@@896374316 Lennier cautioned Findell about joining the Anla'shok for
the wrong reasons -- but it's arguable that that's exactly what
Lennier himself has done, since one of his goals is to impress
Delenn (he said as much in
"The Very Long Night of Londo Mollari.")
That may hold the key to his eventual betrayal of the Rangers as
predicted by Morden
("Day of the Dead.")
If faced with a choice of serving Delenn directly or serving the
Anla'shok, he might well choose the former, especially if the
choice involved a significant threat to Delenn. Such an eventuality
appears to be foreshadowed here in the conversation between Delenn
and Lennier.
Findell's reasons for joining are very close to Marcus': the death of a family member and the desire to carry on that person's work.
- @@@896326426 Garibaldi's drunkenness won't remain a secret for long
if he's as careless as he was in ordering the pizza; the staff of
Fresh Air now potentially knows about his return to the bottle.
Whether that information will make it to anyone who knows Garibaldi
personally, of course, remains to be seen. It's possible that the
Fresh Air staff doesn't consider it out of the ordinary to deliver
food to a drunk off-duty crewmember.
- @@@896373347 Eavesdropping figured in both storylines: the Drazi bug
in Londo's quarters and Captain Montoya listening in on Lennier's
communications.
Franklin's installation of G'Kar's eye suggests another possible instance of eavesdropping. The eye has a long range, so it's possible someone might pick up its signals from a distance. Perhaps that's how the Drazi found out about the Centauri -- if G'Kar read a document on the subject they might have picked up the image from his eye.
If that's indeed happening, G'Kar may discover it and decide the eye isn't worth the risk. That could explain why he's missing it in the future ("War Without End part 2.")
Notes
- @@@896325834 G'Kar's old artificial eye has been replaced with one of his natural color.
- @@@896389261 G'Kar intended his book to be published after his death.
- @@@896389261 The coffee stain in the book was first mentioned in "No Compromises."
- @@@896325834 Narn: What is truth? And what is God?
G'Kar: Truth is... a river.
Narn: And what is God?
G'Kar: God is the mouth of the river. - @@@896389261 White Stars carry Minbari fighters.
- @@@896454631 Minbari fighters carry about 6 hours and 40 minutes of air (Lennier and Findell had an hour of air at 15% capacity.)
- @@@896325834 The Fresh Air restaurant delivers pizza.
- @@@896326426 While Londo is away, Vir eats at McBari's, a fast-food restaurant in Brown Sector (symbol: golden headbones.) As he puts it, "It tastes so good going down. Coming back up, it's not so good."
jms speaks
Meditations on the Abyss
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
In the middle of the night, Delenn lies in bed, awake. She receives a muted signal, stands up, and leaves. Half asleep, Sheridan asks her where she is going. She claims she only wants to get some documents from her quarters; reassured, Sheridan falls back to sleep.
But Delenn is not going to her quarters. Instead, she goes to a bar in
Downbelow. She is accosted by a human, who hits on her. First she asks
him to leave politely. When he refuses, she breaks one of his
fingers. When he goes after her again, he is stopped by a hooded
Ranger, who beats him unconscious. The Ranger is Lennier.
Lennier joins Delenn in a deserted corridor. He has a fresh scar on his cheek, given to him by a Drazi during hand-to-hand combat training. She explains that they have compelling reasons to believe the Centauri are behind the attacks on the Alliance shipping lines ("The Ragged Edge"), but no evidence. She will assign him to a White Star on a training mission near Centauri space. She hopes his experience with the Centauri, unmatched by anyone else within the Rangers thanks to his tenure as her aide, will help him find the solid evidence they need.
Lennier asks why the secrecy. Delenn explains that they need to keep the information away from the other worlds until they have evidence, and more importantly, she does not want Sheridan to know. If Sheridan finds out, he will try to stop Lennier, to protect him and to protect Delenn from hurt, should anything happen to Lennier. So she wants nobody, especially Sheridan, to know. Not even the captain of the ship he is assigned to knows his true mission.
Before he leaves, Lennier tells Delenn about Morden's visit during the
"Day of the Dead", and his
prophecy that Lennier would, one day, betray the Rangers.
Londo, meanwhile, is in his quarters when Vir arrives, loaded with
supplies. While Londo was away, Vir was eating out, so there is
nothing fresh. Londo chastises him: someone in Vir's position should
not eat like that. Vir asks what he means, but before Londo can
explain, an alarm goes off on his desk: a listening device was hidden
in one of the bags of groceries Vir just bought from
a Drazi merchant. Londo makes some disparaging remarks about Drazi in
general and the Drazi Ambassador's wife in particular, loud and clear
in front of the microphone, before he destroys the device.
Then he continues: although he thinks Vir is not quite ready yet,
Londo has decided that Vir will be the Centauri Ambassador to Babylon
5 once Londo becomes Emperor.
Lennier arrives on board White Star 27, which has unofficially been
christened the Maria by her Captain, Enrique Montoya. The
Captain is impressed with Lennier's experience, but warns that since
Lennier is officially a trainee, he will be treated the same as the
others. When Lennier asks about the name, Montoya replies that the
ship needed a proper name, so he named it after his sister. "And where
is your sister?" asks Lennier. "With God," replies Montoya,
curtly. Lennier tells Findell, a fellow trainee, that he has asked an
indiscreet question. But Findell reassures him: "The Captain does not
believe in indiscreet questions. He believes the only way to get
pertinent information is by asking impertinent questions." "Then,"
says Lennier with a faint smile, "I believe I may have finally found a
home."
G'Kar enters Sheridan's office, where Sheridan, Delenn, and the Drazi ambassador wait. The Drazi informs them of new attacks on Drazi ships, and tells Sheridan he believes the Council knows who is behind the attacks. Sheridan says they have nothing but leads, and Delenn asks the Drazi to have some patience. The Drazi Ambassador promises they will be patient, because she requests it. However, he strongly implies he knows that Centauri are behind the attacks, and thinks Sheridan and the others are just covering up because they need the Centauri for the alliance. Londo comes in then, and after inquiring about the health of the Drazi Ambassador's wife, tells them about the bug he found in his quarters. He is also perplexed at not being invited to this meeting, but leaves. The Drazi soon follows. G'Kar also leaves: Dr. Franklin has informed him that he has finally obtained a Narn artificial eye for G'Kar, and G'Kar is eager to have it fitted in.
Aboard the Maria, Findell tells Lennier the Captain wants both
of them to scout the area after the ship comes out of hyperspace. But
he didn't ask them to look for anything in particular. Findell points
out that Montoya often leaves out important information, a habit he
finds frustrating. But Lennier says Montoya is trying to teach them
the human way of doing things, and to have them react with initiative
to new situations, a new concept for the rigid and tradition-bound
Minbari. Lennier offers to help Findell adjust, but Findell haughtily
denies he needs any help.
Franklin fits G'Kar with the Narn eye, and G'Kar is overjoyed. During
the procedure, Franklin mentions he has been reading G'Kar's book, and
would like to sit in on his weekly talks on the Book of G'Kar. G'Kar
agrees.
The Maria drops into normal space, and Lennier and Findell
launch soon after. Lennier notes an anomaly: although their systems
checked fine before launching, they now only have one hour's supply of
air. But before they can contact the ship, the Maria jumps out,
leaving them behind. Lennier suggest staying put, and going into a
meditation trance to conserve air. Findell is clearly agitated, and
doesn't know if he can enter the trance. But he agrees to
try. However, an hour later Findell has almost exhausted his air
supply. Desperate, he starts flying away looking for some air. Just
then, the Maria jumps back in: it was all a training
exercise. As Captain Montoya explains in the debriefing, it is
possible that they may be left behind during a mission, since the ship
and the mission it is carrying out is more important than any
individual. He also praises Lennier's analysis and actions.
In the Zocalo, Vir confronts the Drazi vendor and demands an
explanation for the bugging. But the Drazi laughs at him: "We all know
you, Vir Cotto. We know what you are. You are weak! You are foolish!
And now you will go away or I will swat you!" He shoves Vir, who
silently turns away and retreats.
But Vir is not done. He goes to Londo's quarters and takes a sword off
the wall. Londo, intrigued, follows him out. Vir returns to the
Zocalo, and while yelling he smashes the Drazi's fruit stand. The
Drazi trembles and drops to the ground, imploring. Vir puts the tip of
the sword to the Drazi's neck, and challenges him: "Now... want to
finish our little conversation, spoo for brains?" "It.. it was a
misunderstanding!" stammers the Drazi; "It was a terribel mistake!"
Londo is watching from a distance, smiling. Vir gets restrained by a
couple of security guards, and Zack Allen arrives: "What happened to
Vir?" he asks Londo. "I promoted him," replies a satisfied
Londo. "Now, now he is ready to be the Ambassador for the
Centauri."
Aboard the Maria, Captain Montoya describes the next training
mission to Lennier, Findell, and two other cadets. They will engage in
an Easter Egg Hunt: in a dangerous asteroid field, Montoya has hidden
39 short range homing devices. Each ranger should destroy at least
ten. This means someone will fail, of course, and Findell is convinced
the Captain means him. Lennier asks Findell why he joined the Rangers,
and Findell explains he lost two members of his family, both Rangers,
during the Shadow War; it has fallen on him to carry on their
work. Lennier points out that his purpose may be flawed, and if so he
shouldn't be a Ranger.
In the field, Lennier is off to an early lead, and Findell is dead
last. Findell cuts his communications to the Maria, and heads
toward a large asteroid. Lennier follows him, and through a private
channel confronts Findell. Findell knows he will fail, and cannot bear
the shame of failure. Lennier targets Findell's engines, and then rams
the ship to knock him off collision course; the maneuver almost
destroys Lennier's own ship.
Back on board the Maria, Montoya is furious. He demands an
explanation, and Lennier claims his computer malfunctioned and fired
on Findell before he could override it. He also claims it was
Findell's maneuver that knocked him off course and prevented him from
crashing on the asteroid. Montoya fails Lennier on the exercise, but
gives Findell a neutral grade. Finally, he has chosen a new assignment
for Findell: Findell will return to Minbar, and join the recruitment
office. There, he will ask each candidate why they want to join the
Rangers. And if their purpose is not clear, if they are joining for
the wrong reasons, Findell will not let them through. It is a very
important, and honorable, task, Montoya says. One Findell is uniquely
qualified for. Glad of having an honorable way out, Findell thanks the
Captain and leaves.
Captain Montoya then tells Lennier, off the record, that Lennier did a
good job. "And I know," adds Montoya. "And you should learn a very
important lesson: Never, ever assume that no one can listen in on a
private channel."
At the end of the day, Zack is recounting the incident with Vir to
Franklin, Delenn, and Sheridan over dinner. Since nobody got hurt, and
the Drazi didn't want to admit to bugging Londo's quarters, he didn't
press charges. So Zack just took Vir aside and talked to him. On more
sober matters, Sheridan points out that they have a month at most
before the other worlds lose their patience and start attacking on
their own: they need some proof, and they need it soon.
There is an empty chair at the table: Delenn sent a note inviting Garibaldi, but he hasn't shown up. In Garibaldi's quarters, the message board is flashing, unattended. Garibaldi is on the floor, singing and drinking...
Messages from Earth
Overview
As the Senate continues to investigate President Clark, an archaeologist brings news of a development back home that forces Sheridan to act against the Earth government. The Nightwatch tightens its grip on the civilian population. Nancy Stafford as Dr. Kirkish.
P5 Rating: 9.06 Production number: 308 Original air week: February 19, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
Backplot
- Seven years ago, an archaeological team working for Interplanetary Expeditions (see "Infection") discovered a disabled Shadow ship buried 300 feet under the Martian surface, underground for at least a thousand years. Another Shadow ship, apparently with the cooperation of Earth, finished excavating the first, and both flew away. Garibaldi was witness, and recovered a Psi Corps badge from the site. See comic issue 8, "Silent Enemies." Most of the archaeologists have died or disappeared since.
- More recently, a second Shadow ship was discovered under the ice on Jupiter's moon Ganymede.
- A Shadow ship requires a living being at its core; the two merge, becoming one entity. If the pilot isn't properly prepared, the result is a confused, insane ship.
- Translating the Book of G'Quan is considered sacrilege by the Narn. "It must be read in the mother tongue, or not at all," says G'Kar.
- Shadow forces have continued to build up on the edge of Centauri space.
Unanswered Questions
- What were Shadow ships doing on Mars and Ganymede a millenium ago? Was Earth involved in the last war?
- How does Delenn know that Shadow ships have sentient beings at their core? What else does she know about them that she hasn't told Sheridan?
- What kind of preparation is needed to properly merge with a Shadow ship?
Analysis
- Sheridan's unwillingness to fire on the Agamemnon may be a sign of trouble to come; he's not ready to think of Earth's military as an enemy. How long that loyalty will last is unclear, but at some point, if conditions on Earth continue to escalate and Sheridan continues to act covertly against the government, he'll be forced to choose between firing on his own people and death or capture.
- The White Star is a Minbari vessel, yet Sheridan believed the Agamemnon would be able to track it. (See "Points of Departure.") Perhaps that was simply because the White Star was in Jupiter's atmosphere; it was thus unable to outrun the Agamemnon, and could be tracked via atmospheric disturbances.
- The White Star is a formidable vessel, in any case; it has as much firepower as several Narn heavy cruisers, judging by its attack on the Shadow vessel (see "The Long, Twilight Struggle,") although this Shadow ship might have been smaller than those faced by the Narn. The Agamemnon was able to damage the White Star, but only after it had been grazed by a Shadow weapon and subjected to atmospheric conditions far outside its safety limits.
- G'Kar's book should make for interesting reading now that he knows what's going on from Londo's point of view as well as his own ("Dust to Dust.") Given his visitation by what he believes to be G'Lan in that episode, will he consider his writings to be on the same level as the Book of G'Quan? More importantly, will other Narn feel the same way, and become followers of the Book of G'Kar?
- Dr. Kirkish says of Earth, regarding the Shadows, "They want us to become more like them." What does she mean by that? How can humans become more like Shadows, and what would that entail?
- Someone on Earth wanted to go behind the Shadows' backs; if the Shadows discover that (assuming they don't already know,) the consequences for Earth could be disastrous. Assuming, of course, that the Shadows didn't tell Earth about the second ship for their own reasons.
- The events on Mars make it clear that the Shadows were awake to some degree before the Icarus visited Z'ha'dum ("In the Shadow of Z'ha'dum.") The Icarus visited Z'ha'dum in 2256, but Kirkish saw a functioning Shadow vessel seven years ago, in 2253. The Psi-Corps connection also implies that the Shadows were aware of humanity at the time.
- Given Marcus' apparent disregard for secrecy ("Exogenesis") Ivanova would be well-advised to make sure his chart is destroyed or hidden lest a Nightwatch sympathizer stumble across it.
- Perhaps the Shadows bury their ships underground intentionally. Since the ships are at least partially alive, it's even concievable that the Shadows bury an egg or something similar, then dig up the fully grown ship later on. In that case, where else are such ships buried? Do the Shadows know, or did they lose track of their ships in the last war?
- @@@832018767 The Shadows attacked the mining colony where Marcus and his brother lived ("Matters of Honor.") Could they have been trying to prevent the miners from discovering another buried ship?
- Now that the Agamemnon has observed the White Star at close proximity, Earth Force will presumably treat it as hostile on sight in the future. That will probably severely limit Sheridan's ability to finesse his way out of another fight.
- The Shadows are far from alone in requiring living beings to merge with
their machinery. In fact, it seems to be a staple of advanced
technologies in the B5 universe:
- The Ikarran weapon in "Infection."
- The anti-agathic drug in "Deathwalker," which required an extract from another living being.
- The Great Machine in Epsilon 3, which goes berserk without a core ("A Voice in the Wilderness.")
- Shadow ships, as shown here.
Are Vorlon ships similarly powered? They show up as living beings in scans, though that isn't conclusive one way or the other.
- @@@884630518 Delenn's promise to Sheridan, "I will watch and catch you if you should fall," is strikingly similar to the Soul Hunter's comment to her when she was being held captive: "You will feel as if you are falling; do not be afraid, I will be there to catch you." ("Soul Hunter.")
Notes
- Narn is written from right to left.
- "Eternal vigilance is the price of freedom" is a variation on a quote from Thomas Jefferson, the third President of the United States (1801-1809.) The original meaning was that people should closely watch their governments to avoid excessive encroachment on personal liberty; its use by a Nightwatch member is especially ironic.
- The events on Mars were first revealed in the comic series, issues
"Survival the Hard Way"
and
"Silent Enemies,"
six months before this episode's first airing. Garibaldi also made
a reference to the story contained therein in the first-season
episode
"Infection."
- In the middle of the White Star's jump to hyperspace, there's a single frame of note. The frame takes place as the White Star emerges into hyperspace, as it heads toward the camera. The hyperspace background changes to what looks like an alien cityscape. Apparently it's a shot from Hypernauts, a children's sci-fi show whose special effects are being done by B5's effects company. (See jms speaks.)
jms speaks
- EEEEEEEEEEEEEEEEEEEEK!
For a couple months now, I've been looking down the road at episode #7, because I couldn't quite see the shape of it...I knew what I had to do in it, but I couldn't break the spine of the story...until ten minutes ago, and it hit me with all the force of a meat axe right smack between the eyeballs.
Hot damn...if I can pull this script off, it may well be the best one of the series to date. Granted it'll probably give Ron a cardiac infarction, but what the heck, he's had it too easy lately.
Oh, man, is this gonna be cool, assuming I can pull it off.
Working title: "Messages from Earth."
- A bit of a bland title?
Whether it's "bland" or not depends on what the messsages might be, yes? The only thing I'll say for the episode is that it may be one of the biggest whams of the first half of year three, and one of our most ambitious episodes of the series. Generally, my feeling is that titles should augment the episode, or add something, or collapse something into a thematic whole. When you see what convictions are at hand, the episode "Convictions" as a title works better; ditto for "Messages."Besides, a nice, quiet, inoffensive little title gives me a better chance to sneak up behind you and whack the heck out of you....
- "Messages," for my money, is so far the best we've ever done, though
I'll be more able to lock that down once I've seen the final CGI. It
and "Dreams" are real CGI blowouts; in the latter, there are literally
100 shots -- CGI, live action, and compositing -- in *four pages* of
action. This is an all time record for us (and that doesn't count the
stuff earlier in the episode).
I don't usually go this far, but folks, let me give you my personal guarantee: you're in for one hell of a ride come mid-season, with these three episodes.
- Not only did "Messages From Earth" come out as well as I'd hoped or
thought it would, it came out *better*. It is, potentially, either
one of the best or the best thing we've ever done in the whole series
to date. There are some episodes that come close this season, like
"Point of No Return," "A Late Delivery From Avalon," "Sic Transit
Vir" (for absolutely different reasons), and parts of "Dust to Dust,"
but so far -- at least until the CGI for "Severed Dreams" is
finished, which has at least a shot at knocking "Messages" out of the
box -- "Messages" is as close to perfect as we've ever come.
Like "The Coming of Shadows" there's a real sense of a *story* being told, and major events happening at breakneck speed. It's just a joy to watch.
- I'd suggest, btw, that if there are any folks you've been waiting to
bring into the fold on B5, you may want to consider 8 and 9 in the new
cycle, the last of that bunch in February. Eight is potentially one of
the best, possibly the best episode we've produced to date.
- Here's something that occured to me today. Any time you have
someone you're trying to convince about the quality of a show, and you
say, "Here, just watch it next week," that's always the one that comes
a-cropper.
"Messages From Earth" airing this coming week is possibly the best thing we've done to that point. It's guaranteed to grab anybody who watches it. So this would be a good one to use.
Pick ten friends who you know haven't yet tried B5, or are diffident about it, and give them a call. Tell them to give THIS one a look. Then all you have to do is sit back, and wait for the jaws to drop.
- "Messages From Earth" - This begins the three-episode mini-arc within
the larger arc that, by its conclusion, totally changes the
structure of the B5 universe. A mega-wham episode. Because so
much comes to a head so quickly, little can be said about it
without spoiling stuff. Our characters begin making the final
and irrevocable steps that will put them on a collision course
with everything they have believed in until now. There are
four or five episodes this season that push the limits of our
effects and CGI to the absolute wall; this is one of the
biggest.
- Re: an "edge" to the show....I suspect you're going to get all the edge
you could possibly want with episodes 8, 9 and especially 10.
Be *very* careful what you wish for.
- @@@865183215 "...I didn't think things would start moving this fast so
soon!"
Well, this is what I kinda kept trying to tell people was coming, when they said things were moving too slowly....
- Randy, I honestly don't think, after episodes 8-10 have aired,
that you're going to have any problems with how fast the main story is
progressing. And do bear in mind that the "main story" isn't just the
war; if you wanted to do that, you'd just do Space A&B. It's operating
on a whole lot of other levels. Nonetheless...this entire season is
much faster overall in developing than the two before. The first two
seasons we were mainly putting the guns into position. Now we're
pulling all the triggers.
- Thanks. Bruce did an excellet job in this episode, I agree.
As did everyone else. This is, in my opinion, about as flawless an
episode as we have ever made. It's one of those cases where the sum is
even greater than the sum of its parts...and the sum of its parts ain't
bad.
From here on through the next batch, the intensity level continues to crank up.
We definitely pushed the envelope in terms of EFX this time out; mixing and matching, and in sheer amounts of shots, and their complexity. But the result, I think, is eminently worth the effort.
- I entirely agree; I think she did a dynamite job as Kirkish. Totally
convincing. When she walked into the audition, and did the part, there
was no question...it was her.
- About the alien city
The executive producer thinks, "He's mistaken, has to be; it must be a series of patterns in the image that look like a city." Being a thorough person, however, the executive producer fires up his copy of the tape, and fast forwards to the shot in question. Pauses, then advances, frame by frame.Then stops. The executive producer stares at the screen for a very, very long time. Eventually, words form. The executive producer knows that if he posts those words here, not only will they throw him off the system, they will come to his house, burn it down, and sow the ground with salt.
The executive producer knows what that single frame is, knows that it has nothing to do with his show, knows that it's a frame from Hypernauts that somehow crossed into the EFX shot in double-exposure via a computer glitch while rendering. No one saw it. No one noticed it. Until now.
Tomorrow morning, the executive producer is going to make phone calls, and say all the words he can't say here. When he is finished, twenty seven miles of telephone coaxial cable are going to hang melted from the telephone poles. Shortly thereafter, the executive producer is going to put a gun to his head and blow his brains out, in the sure knowledge that if he does not do so, he will most assuredly do it to someone else.
The executive producer thanks you for bringing this to his attention, and would write further, but is currently modeming from a laptop computer on top of his roof, from which he is considering jumping, and the wind up here is causing line noise.
- @@@865183215 The White Star looked different.
Different camera work, mainly. - @@@865183215 The Eternal Vigilance line is from history, not Wing
Commander. Ten Green Drazi points to the person who can name its
origin.
- Where's the press during all this Nightwatch buildup?
You'll find more on this in the next three episodes. - You need a clear and present danger, and with a
population that nearly got wiped out by the Minbari, who are skittish
to begin with, you drag out the possibility of someone else doing the
same thing and it makes it a lot easier to do what you want to do.
- @@@865183215 Why aren't eggs and bacon available?
Mainly it's the expense involved per volume. It still costs big bucks, and you generally need refrigeration. - Basically, it's the cost involved in transporting something as
basically trivial as eggs. Yes, it can be done, but the cost per egg
would be quite substantial, given limited space in ships. Space flight
is still very expensive.
And yes, a shadow vessel has one "core" sentient, and once in, it's very difficult for that person to ever get out again.
- @@@865183215 Wouldn't Ivanova's religion keep her from eating
bacon?
Ivanova's not what you'd call orthodox under any circumstances. - What was the blue goop?
Actually, I think it was blueberry yogurt. - Any relation to the moment of perfect beauty in
"There All the Honor Lies?"
Yes, the way Sheridan removes his EA pin here is an echo, or a shadow, so to speak, of his moment in "Honor." The latter is meant to sort of indicate what might be ahead for him, what he may have to do at some point along the line. He has to give up things that mean something to him. (We'll get more of this philosophy in a few more eps, I don't want to get too specific here.) Visual foreshadowing.From here on in, things get very interesting....
- Yes, what he's writing will, in time, become the Book of G'Kar.
And correct, I went for a different feel in this episode, on the theory that a little change is a good thing, if used to a purpose. It's built like a series of waves, with quite moments in between.
This is the second so far to strongly tie into the comic, yes.
- Does G'Kar consider his book on par with G'Quon's?
No, he hasn't thought of it that far yet...but it will find that role. - IXP has been in business, in one form or another, for between 50-80
years.
- Who was the human in the Shadow ship?
It doesn't really matter in the long run; some poor shlub who got conned into it. - Would a human be sane after piloting a Shadow ship?
Almost certainly not. - Could someone on Sheridan's side "pilot" a Shadow ship, or are
the ships intrinsically evil?
It's certainly a *very* good question. - No, I wouldn't say there's a corrolation to life force and the shadow
ships; they need a living organism as the central processing unit
because an organic unit can think faster than most computer systems, and
react faster in terms of formulating strategy and the like.
- @@@865183215 What condition was the ship on Mars in?
It was dormant. The core element was dead, certainly. - @@@865183215 Yes, the first batch of eps from season 3, up through 9
or so, give a lot more background on the shadow ships, what they are and
how they work. And as you say, virtually everything in this show is
here for a reason; there's an offhand remark from Garibaldi in
"Infection" about his long struggle out of the Martian desert that pays
off in both the comic, and in a third-season episode. So some of the
year three stuff was being set up as early as episode 2 of year 1, in
what was designed to look like just plain old throwaway dialogue.
- Is a Shadow ship itself a kind of Shadow?
It's not a kind of shadow, no. - Is there an official name for the Shadow ships?
I just call them shadow vessels. For now. - Why didn't Sheridan use the jumpgate trick again?
Because there wasn't a jumpgate he had access to, only a jump point created by the White Star. In the prior situation, he blew up a standing jump gate. The only one in the vicinity would be at the transfer point near Io, which if destroyed would seriously harm Earth interests. - @@@846717165 Three days is the time to the jumpgate off Io. Once
you're within our solar system, it takes another several days or more
to reach Earth itself. It's fairly common to keep your jump gate a bit
removed from your "core" planet so you have warning if any aggressors
come out of it.
- How could the Agamemnon detect the White Star?
It can be for a number of reasons. The White Star was moving through a highly charged atmosphere, which would leave detectable trails; it was being fired at by the shadow vessel, which would've attracted considerable attention from the flares; diving at that speed and coming back up there would be considerble heat on the surface of the ship (not normally a problem in space); and it was pretty much shaken up/partially damaged during the fight. Also, at that range, once you're near enough, you can pick it up visually as it gets close; it's not a cloaking system, only a stealth system. - Neither situation relied on introducing new technology, only on
taking advantage of what's known currently. It's a simple equation:
ship A is more powerful than ship B. In a head-to-head situation, ship
A (shadow) will destroy ship B (white star). If you can't directly
confront a stronger enemy, you have to find some way to work around it,
outsmart it. (And fortunately, this one was flawed, "insane," as
Delenn put it.)
And the minbari know more than they're saying. But then that's generally true of them.
And yes, the shadow ship arrived with a new "core" for the buried ship.
- How does Delenn know so much about Shadow ships?
The info came from the Vorlons, and from the last war the Minbari fought against them. - The ship was hidden there to avoid it being destroyed during the war.
May or may not see General Franklin again anytime soon.
- @@@851545490 The shadows had allies, who watched over their cities,
maintained their machines, waited for their awakening...one of their
tasks was to send out one of the few dormant shadow vessels whenever
one was discovered or unearthed. This way, slowly, over centuries, the
fleet would be built back up in strength.
- There are no shadow vessels buried on Narn, no. The shadow influence
on the Psi Corps has been growing for about 7 years now.
- @@@844381189 Who sent the second ship to Mars?
They had some of their servants and allies taking care of things; whenever a signal was sent, and a ship found, they'd dispatch one of the standby ships to go and pick it up, slowly regathering their forces. - How is Sheridan going to defeat a Shadow ship head-to-head?
Exactly. The goal would seem to be impossible. So how do we do it? Is there a vulnerability that's been laid out but not picked up yet? Is there an advantage we don't necessarily see yet?We have to be smarter. Humans are at our best when against the wall. And we have to do it ourselves, in the final analysis, nobody else can do it for us.
- Was the spine that the White Star shot off the Shadow vessel
recovered?
Nope. - @@@865183215 The shadow vessel was still a little wobbly
from its long hibernation and the improper melding.
- Given that we're looking at a high-energy weapon capable of
burning through a four-mile wide Narn orbital base as though it were
made of butter, it's putting out enough energy, I figured, to lead to a
reaction with the hydrogen, whether it's a fusion reaction of some
other.
We're talking a concentrated level of energy equal to a thermonuclear reaction on a controlled level, or a fusion weapons system with an energy output well beyond contemporary science to calculate (particularly since this system is capable of delivering the energy, undiluted, to targets tens or dozens of miles distant).
- Yeah, perhaps a better word than ignite could've been used.
But hey, the guy was being shot at...I'd be sitting in a corner going
bibble-bibble...
- About the massing Shadow forces
The forces will continue to build over the course of this season. The White Star would be detected because it was inside the atmosphere, where it could be picked up by its emissions, the disruption caused in the air by the engines, and frankly by plain sight. - What's the symbol at the front of the White Star bridge?
The symbol on the WS isn't on the floor, it's the top of a console that can be used for holographic tactical displays. - The shot of G'Kar writing was flipped!
Not a gaffe; we flopped the shot because the writing was done left to right, instead of right to left, which is Narnish script. - Thanks. We've featured Minbari script going straight up and
down like Japanese, right to left with Narns, and other variations.
Because they would naturally occur.
- Also, bear in mind that Sheridan went into Earth-space knowing
the risks. For him to fire on the Aggy would be selfish, and wrong; he
knew full well that this could be a one-way ride.
If you're going to have a situation where Sheridan fires on EA ships, it has to be the ONLY way of dealing with the situation, and it has to be SUPREMELY motivated, so that it's not just him or one of our guys who's at stake. It has to be a big situation to merit taking the lives of fellow officers, in the same service.
- @@@865183215 Nobody seemed to be translating Sheridan's orders
to the White Star's crew.
Lennier was muttering his translations off-screen.That's my story and I'm sticking to it.
- I think they know the White Star (aka the unidentified ship)
got away, but they put the best face on it back home. Which is one
more reason why Clark's declared martial law. Things are spinning out
of control, he's in increasingly hot water back home, and he has to
seize control. Whoever was in that alien ship knows too much about his
operations...if that were to come out, he's finished.
- @@@865183215 Are rights suspended during Clark's martial
law?
Yes, right to assemble, free speech rights, they're all open to abridgement. Travel can also be restricted. - @@@865183215 What happened to Ivanova's discovery in
"Voices of Authority?"
That information was sent to Earth, where it's led directly to the series of current investigations that were launched...and which forced Clark's hand into declaring martial law to distract from all that. - Are we near the end of the Nightwatch plot thread?
The thread will diminish for a while, then return down the road in later seasons, after the story takes its third major turn. - Why does anyone on Earth believe Clark?
It all depends on how you frame the issue...i.e., the attacks are groundless, baseless, and part of a campaign to destroy the government, he's the attacked innocent.... - Sheridan's conspiracy should be falling apart about now.
Of course it can't hold. And they're going to go through plenty of fire. Remember, this is the first of three that accomplish that. Each escalates upon what went before. Don't worry...you'll get your wish. - Yes, the current mini-arc (8-10) is the second major turn in
the storyline. The third starts with the last episode of this season,
going into the fourth year. Then you've got one more big turn about
the last quarter or one-third of year four, and then a bit of a flip at
the end.
- We already knew everything this episode revealed.
If I can, let me address one aspect of this, for your consideration.Back when I was working on MURDER, SHE WROTE, we'd sometimes get letters saying, "This wasn't a good episode because I figured out the ending. It wasn't a surprise." (Which is, to some extent, your point here.)
The problem we had with that particular letter was this: of COURSE you figured it out. Because you were paying attention to all the clues we had put out there in the episode.
There seems to be this notion that nobody should be able to jump ahead, or else something's wrong or bad about the episode. Absolutely not true. If you're going to play fair with the audience, whether it's B5 or M,SW, you've got to put enough bits of information out on the table so that the person who's really following it can figure it out...so that at the end, those who *didn't* figure it out can back up the tape, watch for the clues or leads, and see where it all came from. That's playing fair.
If NObody gets it, you haven't done your job right.
If EVERYbody gets it, you haven't done your job right.
The best case scenario is a bell-shaped curve. Some don't have a clue what's coming, some manage to figure it out, and the majority have a kind of vague sense where it's going, but there are still surprises along the way. If the bell-curve shifts one direction or the other, then you're in trouble.
So far, B5 seems to be hewing right to the bell-curve. For every person who says "okay, this was expected," there's been another saying, "I had no *idea* this was going to happen here, or so fast." (Many of these have been right on this forum, in fact.)
Finally, do bear in mind that you have an advantage here that 99% of all the viewers don't: the discussion here on CIS, and direct comments from me. For instance, I just noted elsewhere that we've got major turns at the end of this season, and one 2/3rds into year 4. Now, if at those points, somebody says, "Well, I knew this was coming, that's bad," I intend to whap them, because the reason they likely knew it was coming was because I *said so* right here.
But that same 99% doesn't have this advantage.
This is the main difference I've noted in the mail that's come in: the net-folks are constantly trying to figure out what's coming up next, treating it like a mystery story (which, really, it's not, any more than ANY novel is a mystery in that you don't necessarily know its turns and twists as you're reading it), whereas the non-netted folks tend to just take it as it comes.
See, that's the other part of this. People on the nets tend to treat it as though it's a mystery novel, and when it doesn't hit that aspect, say it's flawed as a result...when it was never INTENDED to function as a mystery novel. It's a novel period. A mystery novel depends absolutely on the riddle at the center of it. This is a saga, which uses a different structure. It isn't a mystery any more than Lord of the Rings is a mystery, even though when I first read it I was wondering what was going to happen next.
Also, a mystery novel is done when the mystery is finally unraveled. Not so the B5 story. By the end of this season, most of the mysteries will be unraveled, and the pieces laid on the table for all to see. It then becomes a matter of what the characters *do* about it thereafter.
If I'm doing my job right, and setting up things to come properly, and giving all the clues to it, then by definition a certain number of people HAVE to figure out what's coming. As long as it's the smaller portion, that's as it *should* be. So you'll understand why I tend to get in here for a moment when that's held up as something bad or poorly done. (And, again, even you note that the only reason you knew about the shadows on Mars was via reading it here, or others read it via the comics. Again, that's a very small portion of the audience; most I've heard from had NO idea about that aspect of it. If you hadn't read it here, you likely would have been surprised by it.)
Anyway, just something to consider in all of this....
- @@@865183215 "Was the "package" mentioned in Exo the blonde woman
giving us the Mars Shadow info? Or was it the eggs and bacon? Or have
we not seen it yet?"
Yes, the package referred to Kirkish.
"It seems Sheridan is destroying his Shadow ships by using tricks - not a straight up battle. At some point won't he be one on one with a Shadow and have to deal with it?"
Sooner or later. Right now he's outgunned hideously. He'll have to find a way.
"At some point won't Sheridan have to fight Earth? (I really don't expect an answer to this one)"
Stick around.
- @@@843956012 Why didn't Kirkish notice the huge Psi-Corps
installation as shown in the comic?
The building was a lot bigger in the book than it should've been, more like a quonset hut arrangment hastily erected. - @@@843956063 I don't know if the shadow pilot was aware of the Psi
Corps research installation...they're not really aware of much of
*anything*, except their orders...I'd just suggest that there may be
something beneath that particular installation, and a reason they built
it there.
- Why didn't Garibaldi mention he was with Sinclair?
There was an outsider, Kirkish, in the room. Yes, she's helped him, but he's still going to hold back some info because he doesn't know what impact it might have on Sinclair. He's protective of him. - @@@865183215 Didn't Sheridan already know about the badge, from the
comic issue
"Silent Enemies?"
I believe Sheridan wasn't shown the badge in the comic; and Garibaldi is always cautious about what he says in front of others, like Kirkish. - Yes, Kosh should've been there. Kosh wasn't. Kosh hasn't been carrying
his weight, if you ask me. I hope this doesn't cause a problem
somewhere....
- Don't have the shadow dimensions offhand; and yes, you'd think Sheridan
might begin to wonder about Kosh's level of involvement.
- Weren't the cameras at Ganymede recording?
Of course. But who controls those cameras? Answer: the very folks who wouldn't want it to get out what they had there.
Messages from Earth
Synopsis by Katrina Glerum (kat@midwinter.com)
Garibaldi is griping about having to eat the same breakfast every day for three years when an attractive covered plate arrives for Ivanova with a little note attached. To everyone's astonishment it turns out to be fresh eggs and bacon which Marcus has miraculously managed to smuggle aboard as a surprise thank you gift. As he and Sheridan drool, Susan swears to get even for this when she can find Marcus.
At the moment however, Marcus is trying very hard not to be found, or
to be beaten up. He is busily fending off five or six men attacking
him and a woman in DownBelow. He succeeds, but just barely and the woman is
knocked out.
The daily routine continues but in the background ISN reports new
evidence regarding President Clark and the assassination of his predecessor
("Hunter, Prey,")
and that a newly discovered alien race is a threat to
planetary security
("Matters of Honor.")
Marcus' charge appears to be safe
in Medlab, but Marcus warns Dr. Franklin that she is the target of assassins.
Garibaldi checks up on G'Kar in his cell
("Dust to Dust,")
and finds him
in fine spirits. The former ambassador is using his incarceration to reflect
and write about the recent experiences of the Narn so that past mistakes might
be corrected. He is pleased to hear that Garibaldi has begun to read The
Book of G'Quan and says he will let Garibaldi read his book when it is done.
The meeting is cut short when Garibaldi is called away to a War Council
where his "package" has arrived.
The package turns out to be the woman Marcus has been protecting, Dr.
Mary Kirkish of Interplanetary Expeditions (whose slogan is "Exploring
the past to create a better future.") She tells the Council that she had
been working at a Syria Planum site on Mars seven years ago where her team had
discovered an alien ship like the one shown recently on ISN. They dug most
of it up and then were ordered to leave. From the secondary base camp they
watched unmarked shuttles fly to the site.
Then one night another alien
ship flew to the site and finished digging up the buried ship, then descended
into the dig site, from which a nerve-wrenching screech was soon heard. Both
the ships rose into the air and
flew away. Since then, one by one, the other workers at the site have
died or disappeared. It turns out that Garibaldi also saw this alien ship
when he was a shuttle pilot on Mars. He also found a Psi Corps badge at the
site. Kirkish continues, saying that another such ship has been discovered
in the crust of Ganymede. This time EarthGov wants to try to keep the ship,
possibly
to use it to control Earth. They must not have a chance to keep it, Kirkish
warns. Her story told, Lennier ushers her to a Minbari ship that will
bear her to safety.
Franklin asks, "If Earth and the Psi Corps really are working with the Shadows, this is too big. How can we fight something like that?" Obviously shaken, Sheridan dismisses the Council, but asks Delenn to stay.
Zack is sitting in Garibaldi's office when the B5 Nightwatch liaison comes in to remind him of the meeting tomorrow. Zack is uneasy with the man's gung-ho attitude and isn't encouraged when he mentions that watching unsuspecting people on security cameras makes him feel like God.
Standing deep in contemplation on an empty observation deck, Sheridan
removes the Earth Alliance insignia
from his lapel. He goes with Delenn to inform the
others of his decision. They are aghast when he tells them that he plans to
take the White Star to Ganymede to knock out the Shadow vessel before
President Clark can gain control of it. What if he is attacked by Earth
ships? Will he fire on them? What if he is captured?
He tells them he will not be captured and charges them to cover for him
while he is gone for a minimum of 4 days. He also arranges for a simulation
of his own death if he should not be able to return.
The Nightwatch liaison is happy to tell the meeting that their efforts
to expose disloyalty on B5 and on Earth have been a terrific success, but
that Earth has been sold out by traitors throughout EarthGov, Earth
Force, and the media, as part of an alien-instigated conspiracy to weaken
and overthrow the government. Thus, Nightwatch has been given greater
powers to investigate anyone who might be suspicious. One officer speaks
up, "In that case, does anyone know where the Captain is?"
He is falling asleep in his command chair halfway to Jupiter. Lennier
convinces him to retire to the sleeping quarters where he finds Delenn.
Utterly exhausted, he begins to talk about missing home and his father.
More than anything else right now, he says, he misses the sound of rain because
it can always put him to sleep. So to his great relief, with a phrase Delenn
summons the patter of rain on the roof.
Marcus is briefing Ivanova in Sheridan's office about a force building
up on the border of Centauri space when she erupts at him. She claims she
doesn't understand how to relate to him, and she tells Marcus she holds him
personally responsible for the Captain's "suicide mission" because, "Damn it!
I don't have anyone else to blame!"
Jumping out of hyperspace, the White Star picks up transmissions from the Ganymede site.
"Subject is approaching target. Repeat. Subject is approaching target."
Delenn explains that the Shadow ships need a sentient being to merge with them before they can become fully functional, and this must be happening right now. If a subject isn't prepared for the event the resulting ship will be murderously insane. The crew listen and watch in horror as the Shadow ship comes alive and begins attacking the facilities around it.
Knowing that any Earth cruiser wouldn't stand a chance against it
Sheridan quickly rides in to attack the Shadow vessel. Disoriented though it
is, nevertheless the alien ship is still capable of destroying them. They
damage it insignificantly but anger it enough to chase them into the
atmosphere of Jupiter. The Shadow ship fires but only manages to ignite the
hydrogen atmosphere. Both ships fly deeper and deeper into the gas giant
until the White Star's hull begins to buckle under the pressure. At the last
moment, Sheridan orders the White Star to pull out. The Shadow is unable to
stop falling and implodes as the White Star soars towards space.
Just as they begin to congratulate themselves the White Star is struck again. This time the enemy is the Agamemnon, the Captain's old ship, attacking and ordering them to surrender or be destroyed. Sheridan won't fire on the Agamemnon and can't surrender. As he sits in his chair indecisive, Delenn suggests opening a jump point while still inside Jupiter's atmosphere. By opening it just at the edge of space the explosive effects of the hydrogen are minimized and they are able to scuttle to safety.
ISN reports that an unidentified alien vessel has attacked and destroyed an outpost on Ganymede before being destroyed in Jupiter by the Agamemnon. In response to heightened concerns about planetary security the president is said to be considering a new plan to increase security.
As Garibaldi says, they got away with it, but only for now. The Nightwatch liaison has noticed that the Captain was missing for four days. He deduces that Garibaldi must be covering for Sheridan and suggests that Zack use his relation with the Chief to find out what's going on. Zack vehemently refuses saying he won't betray a friendship. "If he could trust me he would have brought me in this thing weeks ago," he mutters, giving away the fact that he knows something fishy is going on. The Nightwatch man angrily tells Zack he has to decide between friendship and his job.
Marcus dares to breach Ivanova's spare time in order to show her a chart
he has drawn up to explain his position on B5 and the hierarchy within the
station. As they share a laugh at his whimsy, Sheridan pages Ivanova to
turn on ISN immediately. Citing threats to planetary security, President
Clark has decreed Earth to be under martial law.
Midnight on the Firing Line
Overview
When the Narn attack a Centauri colony, Londo and G'Kar nearly come to blows. Meanwhile, raiders are attacking transport ships near the station. Paul Hampton as The Senator. Peter Trencher as Carn Mollari.
Sub-genre: Action/intrigue P5 Rating: 6.99 Production number: 103 Original air date: January 26, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Richard Compton
Watch For
- The campaign issues in the presidential election, especially the pledges of the winner of the election.
Backplot
- Earth's first contact with an alien race was with the Centauri. At the time, the Centauri claimed to be the dominant species in the galaxy, a "huge empire" - but (according to Garibaldi) this hasn't been true for almost a hundred years. Furthermore, they tried to convince the Terrans that they were actually a Centauri lost colony, which genetic analysis proved also false.
- All Centauri foresee the circumstances of their deaths in a dream. In Londo's dream, it is 20 years in the future and he and a Narn have one another by the throat. When Londo first saw G'Kar, he recognized him as the one from his dream.
- According to G'Kar, the Centauri occupation of his homeworld was a "hundred year reign of terror."
- The Sinclairs have been fighter pilots since the Battle of Britain. Jeffrey Sinclair's father taught him everything he knows about flying and combat.
- The Narn sold weapons to Earth during the Earth/Minbari war.
- The first Mars colony was destroyed by an enemy sneak attack.
- Ivanova's mother was a long-undiscovered telepath, never able to use her powers very well. When the Psi Corps finally caught up to her, they put her on very potent psi-retardant drugs. "Every day we just watched her drift further and further away from us. The light in her eyes went out bit by bit. And when we thought she could go no further, she took her own life." (cf. "Eyes" and "Legacies".)
- Londo has enough clout to get a member of his family assigned to an agricultural colony rather than admitted to the military.
Unanswered Questions
- There are two references in this episode to a major event in the Centauri empire about a hundred years ago. What happened back then? (cf: "Signs and Portents", perhaps)
- How did Kosh get into his encounter suit so quickly? When Sinclair visits to ask about his position on the Ragesh 3 situation, Kosh's suit is in plain view but un-animated, the "shoulders" at rest about two feet below the "head" (which they normally encircle). Sinclair can see a large light moving behind a translucent screen; Kosh's voice also appears to come from behind the screen. When Sinclair turns his back to go, the light flashes across him for a moment, and when he spins around the encounter suit is just reaching its full height, with Kosh as in it as he ever is.
- When Londo tells Garibaldi he couldn't possibly understand his situation, Garibaldi replies, "I understand better than you'll ever know. I know it burns, I know the things it makes you want to do." What was he referring to? (cf: "Survivors", perhaps)
- How did G'Kar know about the Centauri decision to make no response to the Ragesh 3 attack?
- Why did Kosh attend the council session?
- Is it part of a larger Narn plan to supply the raiders with weapons?
- What is Garibaldi's most favorite thing in the universe?
Analysis
- From the things they say about each others'
races at various times during this episode, neither Londo nor G'Kar
seem likely to strive for lasting peace:
- Londo:
- "We should have wiped out your kind when we had the chance!"
"On the issue of galactic peace I am long past innocence and fast approaching apathy. It's all a game, a paper fantasy of names and borders. Only one thing matters: blood calls out for blood." - G'Kar:
- "Your time has come and gone! It's our turn now. One night
you'll wake up and find our teeth at your throat."
"I will confess that I look forward to the day when we have cleansed the universe of the Centauri and carved their bones into flutes for Narn children. 'Tis a dream I have."
- Londo was absolutely consumed by anger and hatred. He would have sacrificed peace and justice for personal vengeance. (cf: "By Any Means Necessary")
- The Narn attack a distant easy target with little military value. This must have been to test the Centauri reaction - see how many ships they send in response, how hard they're willing to fight to defend any part of their territory. The Narn are forced to withdraw for non-military reasons, but they learn a great deal about their enemies with that move.
- Ivanova is surprised to hear Sinclair defend the honor of the Minbari. (cf: "The Gathering")
- The EA is not in a strong enough position at home to take an ethical stance toward its neighbors. "The Earth Alliance can't go around being the galaxy's policemen," says the senator, "They want to fight it out, let'em. Just keep us out of it - at least until after the election."
- One of the most alien moments was watching Delenn try to understand Garibaldi's cartoons and popcorn. She is at times a sage, and sometimes an innocent.
- Sinclair claims he confiscated data crystals detailing Narn communications that confirm Londo's claims about the situation at Ragesh 3. However, Sinclair has bluffed before (cf: "The Gathering"). There is no proof that the crystals actually contained data.
Notes
- Centauri have no major arteries in their wrists.
- Garibaldi knows about the habitual movements of the senior staff (Sinclair turning off his link during down time at C&C, Ivanova going to the bar after work).
- Garibaldi has had prior experience with the raiders. ("I knew they'd be back sooner or later.")
- Ships move to and from the "secondary jump point" through hyperspace via the primary.
- Starfuries can take multiple hits from Narn heavy weapons without losing function.
- Earth is ruled by a Senate and a popularly elected President, though it remains to be seen how much these positions resemble those of today's USA. America, Russia, and China are among the "states" in this democracy.
- A Senate subcommittee can dictate Sinclair's vote on the council.
- G'Kar's spoo was quite fresh that week.
- Sinclair attributes two aphorisms to his father:
"The best way to understand someone is to fight him, make him angry. That's when you see the real person."
"Ignore the propaganda. Focus on what you see." - Kosh speaks:
K: They are alone. They are a dying people. We should let them pass.
S: Who, the Narn or the Centauri?
K: Yes.
- Shipping companies buy access to the jumpgates in bulk, then sell it on the open market. However, the schedules are kept secret to protect against piracy.
- All incoming ships log their routes through Ivanova's console.
- A Narn weapons deal always includes an advisor who instructs the buyer in the weapons' use and insures they aren't sold to a third party.
- All Earth Telepaths are given three options: join the Psi Corps, go to jail, or take drugs. Unlicensed telepaths are heavily controlled in the name of protecting public privacy.
- Luis Santiago wins the presidential election over challenger Marie Crane. His platform included promises to cut the budget and keep Earth out of war. His agenda for his coming term includes cultivating a closer relationship with the Mars colony and "preserving Earth cultures in the face of growing non-Terran influences" (cf: "The War Prayer", "Survivors")
jms speaks
- The first one-hour episode of the series, "Midnight on the Firing
Line," does a fair amount of re-introduction, for those who've seen
the pilot and need to be up to speed, and some introducing for those
who haven't. It is, however, largely an action-oriented story, into
which we weave the characterization. It manages to convey some of
the same info as the pilot, but in a *much* more dramatic fashion.
- No, the show isn't a year and a half late. As it is, it's less than
one year since the pilot aired. It was our initial hope, and my
initial belief, that we'd go straight into the series as soon as we
finished the pilot. But the studio, in its infinite wisdom, decided
that since they HAD a pilot, it kinda behooved them to air it and get
the ratings before committing to a series. So we then waited until
February for the airing, got the go-ahead to production around
April/May, began shooting in July, got a whole bunch of episodes in
the can, and now we're hitting the air. That is the sum and substance
of it.
- We'd always figured on going right to series, but once we had done
the pilot, the studio said, in essence, "Well, we've got a pilot,
we don't know if the market will sustain more than one space SF
series, no other SF series has done well lately...maybe we ought
to air the pilot first, and get the ratings, before committing to
a series." And that's what happened...much to our consternation at
first, but in the long run it was a blessing in disguise, because
that interim period allowed us to really do a lot to make the show
better.
- Approximately nine months have passed since the time of the pilot and
the birth of the series.
- I *love*
"Duck Dodgers."
I have virtually all of the WB cartoons on
tape or disk, and from where I sit, that's wonderful stuff that'll
be around for a long, long time. No omens, just something I
thought would be fun. (Again, connecting past/present/future, sort
of our B5 theme.)
- "Midnight on the Firing Line" as a title was more my feelings about
the episode and the series. I knew we'd come under considerable
fire, figured it was cool.
- "...and if our future lies on the firing line, are we brave enough
to see the signals and the signs...."
-- Harry Chapin
Just a thought. - Ah, but you're assuming that the Londo-strangling-scene is as it
seems to be; maybe it is, but maybe it isn't. You don't know the
context yet.
- Down the road, we will be seeing more of Londo, and his people, and realize
that they aren't as human looking as they first appear.
- The Raghesh 3 claim is only about 20 years old; the Centauri came to
Narn over a hundred years ago.
- You're correct in your appraisal of the "coincidences" in the first
episode. Upon finding that Londo's nephew was there, they would of
course trot him out to try and undermine Londo's credibiltiy (you'll
note that G'Kar made special mention of this, as if to say, "Is the
Centauri ambassador calling his own nephew a liar?"). It'd be the same
thing if the son of an American ambassador was on-hand when hostages
were taken. As for the choice of the attack's location...Londo wanted
his nephew "far away from all this." Someplace safe. A fairly safe,
mundane place is not going to have a major military presence...and
hence is a perfect target for attack.
- RE: the spotlights, we'd figured that since the transport had been freshly
attacked, there'd be debris all over the place, and lots of particulate
matter which would show up in the light.
- Quick replies to your questions: Spoo is. What else can one say
about spoo?
The Centauri station actually was rotating, as I recall, it's the camera angle that I believe doesn't showcase it as well as it might.
The scanners on the Starfuries detected no movement, no atmosphere, no signals, no warmth of bodies.
The lights on the fighters during the examination of the rubble were visible due to particulate matter spewed out during and after the attack.
- What is spoo? Spoo....is.
(Spoo is also Oops spelled backward.)
- Spoo
is/are (the plural of spoo is spoo) small, white, pasty,
mealy critters, rather worm-like, and generally regarded as the
ugliest animals in the known galaxy by just about every sentient
species capable of starflight, with the possible exception of the
pak'ma'ra, who would simply recommend a more rigorous program of
exercise. They are also generally considered the most delicious food
in all of known space, regardless of the individual's biology, almost
regardless of species, except for the pak'ma'ra, who like the flavor
but generally won't say so simply to be contrary.
Spoo are raised on ranches on worlds with a damp, moist, somewhat chilly climate so that their skin can acquire just the right shade of paleness. Spoo travel in herds, if moving a total of six inches in any given direction in the course of a given year can actually be considered moving. They stay in herds ostensibly for mutual protection, but the reality is that if they weren't propped up against one another, most of them would simply fall down. They do not howl, bark, moo, purr, yap, squeak or speak. Mainly, they sigh. Herds of sighing spoo can reportedly induce unparalleled bouts of depression, which is why most spoo ranchers wear earmuffs even when it's only mildly cold, damp, wet and dreary outside. If there is any life-or-death struggle for dominance within the spoo herd, it has not yet been detected by modern science.
Spoo ranching is one of the least regarded professions known. Little or no skill is required, once you've got a planet with the right climate. You bring in two hundred spoo, plop them down in the middle of your ranch, and go back to the nearby house. Soon you've got more. When it comes time to cull out the ones ready for market (the softest, mealiest, palest, most forlorn-looking spoo of the pack), little physical effort is required since they're incapable of rapid movement without falling over (see above). They do not resist, fight, or whine; they only sigh more loudly. When spoo harvest time comes, the air is full of the sound of whacking and sighing, whacking and sighing. Even an experienced spoo rancher can only harvest for brief periods of a time, due to the increased volume of sighing, which even the sound of whacking cannot altogether erase. (also see above) Some have simply gone mad.
Spoo are the only creatures of which the Interstellar Animal Rights Protection League says, simply, "Kill 'em."
Fresh spoo (served at an optimum temperature of 62-degrees) is served in cubed sections, so that they bear as little resemblence as possible to the animal from which they have just been sliced. Spoo is usually served alongside a chablis, or a white zinfandel.
Further information on the care, feeding, eating and whacking of spoo can be found in the second edition of the Interstellar Guide to Fine Dining.
- Re: your desire to make and eat spoo at home...depends on whether or
not you ever want to have children later....
- @@@851198016 What does spoo taste like?
Meat Jello.Served chilled.
- At the point in which we join the tale of the last of the Babylon
stations, *everything* is in a state of flux...one government is on
the rise, another is declining, Earth is taking some new and disturbing
directions...so yes, they all feel there is a change coming. It's a
little thing, but we keep it alive to keep a sense of something moving
on a web, and each movement makes the whole thing shake just a little.
- Re: the "last" of the Babylon Stations...y'all might want to bear
in mind the syntax of the narration. It speaks of B5 in the *past
tense*. "Bablyon 5 WAS the last of the Babylon stations...it WAS
the dawn of the third age of mankind." The narration is the voice
of future history, the storyteller, long after the fact, spinning
for us the tale of the last of the Babylon stations.
- I never said it was an isolationist president. The reporter doing
the commentary at the election talked about preserving earth culture
in the face of growing alien influences, which isn't quite the same
thing as cutting off trade agreements.
- You'll get a pretty good glimpse into why Sinclair jumps into a
fighter any chance he can get in "Infection." Part of it is to
escape from stuff...the other goes much deeper, and much darker....
- Here's what I find curious (not necessarily in direct response to
anything you said, but in general on this topic)...is that when
Ivanova makes her remark to Garibaldi about snapping his hands off at
the wrists, many people have assumed that she was insulting him,
berating him, being bitchy, truly disliking and threatening him.
But the same words, put in the mouth of another male, wouldn't have drawn that reaction, and would've been classified under, "kidding around" or affable sarcasm.
Which is exactly what it is in this case. In this place and this time, they're comfortable enough to mess with each other without it being taken seriously (among these characters, that is). There are times they kinda like to phuque with each other a bit, justfor the hell of it, as comrades will sometimes do. ("Babylon Squared" has a great example of Sinclair and Garibaldi messing with Ivanova.)
- Sinclair's line, "Cut acceleration," was in regards to forward
momentum, so he could more easily spin the fighter around.
- RE: the Raider ships...they turned by a less effective system of
thrusters put in here and there, not nearly as powerful as the
systems used by the Starfuries. The reason -- verifiable by the
shape of the Raider ships -- is that Raider ships are handicapped by
the fact that they're made to function both in space *and* within an
atmosphere (hence the aerodynamic wing shapes), which gives it
something of a problem when dealing with the Starfuries, which are
made ONLY for fighting in space, and are most ideally suited to it.
The Raider ships make compromises for greater utility, which is
generally okay unless they run into superior forces of ships designed
for spaceborne combat.
- The symbol Talia wears isn't a Link or any other kind of
communications system; it is *strictly* a form of identification,
tagging her as a telepath and a member of the Psi Corps. It serves
no other function.
- Correct, Christopher Franke designed Kosh's voice.
- That the Centauri *claimed* that we were a lost colony is not the
same as indicating that we *believed* them.
- I like it when people lie in television, and we find out about it
over time. The "lost colony" routine was one such. At one point,
Garibaldi confronts Londo with this as reason for why he doesn't
trust the Centauri. Londo shrugs it off as a "clerical error."
There will be a few points in the series when we'll get information,
and we'll buy into it...and discover after a while that that
character bald-facedly lied to the other character (and, by proxy,
to us). And naturally there will be consequences to this....
- In "Midnight," Sinclair is really not given a chance to show his
character, since it's basically a reintroduction to the series, and
there is a lot to cover. He functions throughout the episode only in
his official capacity. In other episodes, you'll get to see some very
different sides to his character, particular in "Parliament of
Dreams."
- Re: Sinclair getting into a fighter...there were a number of reasons
for this, one of which being he wanted a good reason to avoid being in
on the counsel vote, given his marching orders. But more than that
...I would point out that this isn't Star Trek, and Sinclair isn't
Picard; he is first and foremost a pilot. He loves to get into a
fighter and take it out He's a fighter. That's when he is most at
ease. That's what his character *is*.
At the same time, however, there are consequences for that kind of behavior, as you point out. And there are deeper reasons for what he is doing than even he want to admit. Tell you what...table that aspect until after you've seen the last part of "Infection," which deals *with this exact issue*.
- My thought, at the time, was that if we play the reality of this for
a moment, probably *all* of the ambassadors have some kind of weapon,
smuggled in via diplomatic pouches. Garibaldi and Sinclair know
they're there...question is, is it worth starting a diplomatic incident
over, as long as they're not being used? Garibaldi is saying, in
essence, "Okay, you know it's there, and I know it's there, but now
you've made a point about it. Lose it or hide it, or I'm going to
have to charge you, and we're BOTH going to be up to our ears in it."
If Garibaldi confiscated it, there'd be a whole diplomatic hassle...
and Londo would just have another one sent to him via diplomatic
pouch.
- It's interesting what we can read into faces...in Delenn's reaction,
I saw concern, angst, but not that she believed the story. That
certainly wasn't the intent of the scene, or the script...faces are
interesting things. As for the rest, you're right; not everyone wants
to do the Right Thing For The Right Reasons. Some would prefer not to
get involved. So some might want deniability, want a reason not to go
up against the Narns, or have sold out their votes. A human looking
at that screen could tell that the person was being coerced...but what
about the other alien races, to whom a downcast face could be a sign
of joy? In any event, suspicion is one thing, but *proof* is another,
and the legal system works on *proof*. Nothing could be done until
they had the proof that Sinclair got at the end, and chose to use
behind closed doors to the same effect.
- You may think it was obvious that the nephew was reading at gunpoint,
and in fact, he was...but thinking something or suspecting something
isn't the same as proving it. Londo could say, "He was reading at
gunpoint!" And G'Kar could say, "No, he wasn't." Where do you go
from there? (And, in fact, that's *exactly* what Londo said...only
to have G'Kar deflect it.)
Re: why Londo didn't show the clips...at this point, there's not any quesion in anyone's mind about the attack taking place. The Narns say they were invited in to help quell internal strife. That the events took place isn't at issue; it's *why* and whether or not they were invited in. (As with Germany in WWII indicating that some places "invited" them in.)
Had Sinclair shown the evidence, it probably would've just hardened G'Kar. Also, most politics is back-room dealing. You do this in public, and you make a terrible enemy who'll strike back as soon as he has a chance. Let him have his dignity, save face, BUT get what you want, and there's room to maneuver in future. It's the difference between being a punch'em-out hero, and someone who has to be diplomatic, within limits.
- Sinclair did not -- repeat, did NOT -- "tell Ivanova to defy Earth's
orders and deceive the council." He set up a situation in which he
would say that he was unable to catch up with her and pass along the
Senator's instructions before he had to leave. Her line would be
that "The Commander never told me," and he would back this up. (And
that he would hedge the truth this way is hardly "perfect.")
Defying the Senator's orders would be telling them that the vote will NOT be made as ordered. That never happened.
- In "Midnight," Sinclair had to be pretty much in command mode all
during the episode as a character, so that influences the result. But
in later episodes, we get him out of those situations, out of uniform,
and into other settings where he can be more relaxed. So that's
coming, and you'll see it *very* early on in the first season.
- Yeah, the Sea Witch is the one that rotates and fires at one of the
Raiders. It's a woman's face in a green and blue background.
- As a matter of fact, in a couple of episodes you'll see a photo of
the Earth Alliance president. The photo itself is of Doug Netter, my
associate on the show and fellow executive producer. (The woman
running against the incumbent president in the election featured on
"Midnight" is played, in photo, by our wardrobe designer, Ann Bruice.)
- Yes, Vir is very obsequious in "Midnight." That's done in order to
give his character somewhere to go, as gradually he begins to stand
up to Londo and talk back.
- Re: Vir...that was the first episode filmed with his character, and
he wasn't directed as well as he might have been. We pulled him back
a lot in later episodes.
- Vir calms down. Trust me.
He even manages to nail Londo from time to time...as he does when Londo suffers a rather nasty hangover in "Born to the Purple."
- If there's anything about "Midnight" that I would change...ehh...
that's a tough question to ask any producer or writer. I can't think
of anything I've done that I wouldn't want to go back and tweak. The
only real drawback we had was that we were still building sets as we
filmed our first few episodes, so we didn't have access to all of the
full range of sets. Not that we really needed them, the story works
fine in the sets we had, but we could've moved one or two shots around
into different sets just for variety.
But aside from general tweaking, I don't think there's really anything I'd change in it. My problem is that I'm too close to it, and there are a number of episodes we shot afterward that blow it right out of the water in terms of quality, production values and the rest; I'd have to say that my favorite shows to date, in order, would be The Parliament of Dreams, Mind War, And the Sky Full of Stars, Soul Hunter, Born to the Purple, Midnight, Believers, Infection, The War Prayer, Survivors and Grail. Chrysalis, which we're shooting now, will probably take over the Favorite #2 spot from Mind War. We're fighting to make every episode better than the one before it.
We're going to have a brass plaque put up here in the offices one of these days, before we finish, saying, "If you're not here to kick ass, get out."
- What you and the others seem to be pointing out is what I've been
trying -- imperfectly, as best I can -- to communicate for some time.
In the case of "Midnight," can you follow that show and enjoy it
absolutely on its own terms? I believe that is the case. There's
another level there, the "little clues and hints" you mention, which
will just skate past most casual viewers and not in any way interfere
with their viewing of the episode...but if you're paying attention,
and you catch them, it adds a new level. The more you see, the more
you begin to perceive that second level. It's a cumulative effect
that doesn't diminish the single episodes as stand-alones.
- (Lost the last paragraph of my message.) In any event, what I'm
striving for is the idea that you can watch the episodes for the
character stories, OR the story arc, OR the individual stories, OR
all three at the same time, all in the same exact episodes. You can
get out as much as you're willing to find.
It's a very weird kind of writing...but at least on this end, it's kinda fun, actually.
- I agree, most of the plot lines are tied up pretty well (except for
the telepath issue introduced at the end, which comes back at us
again...as does, incidentally, the Raghesh 3 incident and other
stuff). In responding to some of the criticism of the pilot, I tried
to make this one far more self-contained. Which is why I much prefer
"Parliament," "Mind War" and "Soul Hunter" over "Midnight."
- Did we save anything for the rest of the season? Lemme put it to you
this way...you ain't seen *nothin* yet. "Midnight" makes just about
everything done before for TV look lame...but there's stuff coming
down the pike that'll make "Midnight" look pale by comparison. With
each show we get better, we learn more, and we can *do* more.
- In the teaser scene you refer to in "Midnight," you've got a couple
dozen fighters coming in alongside about 3-4 motherships (or capital
ships, either term will suffice). We've always said that big ships
can punch through and form their own jump points. That's how the
jump gates get there in the first place: a big ship comes through, on
its own, and leaves behind a jump gate. There's no contradiction.
One (or more) of the big ships was creating the point of entry as it
went.
- During the con appearance, Jerry told a story that *I* hadn't heard
before. There's a scene in the script "Midnight on the Firing Line"
in which Talia (Andrea) goes into a transport tube, finds Garibaldi,
and asks some questions about Ivanova. They rehearsed it several
times, this being Andrea's first time on the set, and filmed one
take. She comes down the hall, comes to the pen...and Garibaldi's
pants are down around his ankles. Needless to say, that shot did
NOT end up in dailies....
There are days I think -- between Jerry, Harlan, me and some others involved on the show -- we ought to name this Loose Cannon Productions....
- Behind-the-scenes humor: because it had been so long since the pilot,
it took a few of our actors a bit of time to get back into their
characters, to find the characters' "fingerprints" for lack of a
better term. This is quite understandable given the long waiting
period. When he needed to find his character for a scene, Peter
Jurasik mentioned that he would just stand up straight and yell,
"MISter GariBALdi!" and he'd be right back in character. Sort of
the B5 version of "Shazam!"
Minus the lightning bolt, of course.
Originally compiled by Matthew Ryan mattryan@pobox.com
Midnight on the Firing Line
Midnight on the Firing Line, as well as the Babylon 5 series, starts out at the Ragesh 3 colony, a Centauri agricultural colony. The colony finds itself suddenly under attack. As the station in orbit around the colony is about to contact its home world, Centauri Prime, the station is destroyed.
The attack
on Ragesh 3.
Meanwhile, on the Babylon 5 station. Lt. Commander Susan Ivanova, the new officer who is second in command of the station, interrupts the only quiet, restful part of Commander Jeffrey Sinclair's day--a time when he shuts off his comm-link and "escapes" from the rigor of his life. "There's a problem," she tells him.
Elsewhere on the station, Centauri Ambassador Londo Mollari is having a pleasant conversation with Security Chief Michael Garibaldi when Londo receives word that the Ragesh 3 colony has been attacked. He's informed, however, that nobody knows who the attackers are.
Londo and Sinclair meet concerning the incident. Sinclair tells Londo that Earth doesn't know anything more about the incident--the identity of the attackers is still a great mystery. Ambassadors Delenn (of the Minbari) and G'Kar (of the Narn), offer their condolences and also claim to know very little about the attack. Sinclair suggests that an emergency meeting of the Council be called to discuss the matter and lend aid to the Centauri colony.
Shortly after, on the bridge, Ivanova informs Garibaldi that they've received a distress signal from a trading ship near the station. She says that at first, she thought the incident might have had something to do with the Ragesh 3 incident, but that, instead, the ship claims to have been attacked by "raiders." Garibaldi takes a fighter out to try to come to the aid of the ship that was attacked. Right after Garibaldi leaves the bridge, Talia Winters--the commercial telepath on the station--enters the bridge and wants to speak with Ivanova. She says that because of Psi Corps regulations, she must report with the second in command, but that she hasn't been able to find Ivanova for quite a while. Ivanova rudely dismisses Talia, saying that she's rather busy right now.
Meanwhile, Sinclair is in his office, watching on "television" the latest news about the upcoming presidential election. Ivanova enters, and Sinclair informs her that there is not yet any further information on the Ragesh 3 incident. Ivanova notices the telecast and finds out from Sinclair that the presidential race is very close at the moment.
Londo is in his room when Vir, his gawky assistant, rushes in and tells him that a coded broadcast has just been received. As Vir shows the broadcast to Londo, Londo sees the incident that we saw at the beginning of the episode. He freezes the image of the broadcast and enhances the image of one of the attacking ships. He immediately recognizes it as a Narn warship, and heads out to confront his enemy G'Kar with this newly-found evidence.
Meanwhile, Garibaldi has found the ship that was attacked by the raiders. He finds it very badly damaged--and realizes that the weapons that were used to attack this ship must have been much stronger than the weapons the raiders have previously had.
Londo finds G'Kar and accuses him of deceit--since G'Kar said he previously knew nothing of the attack. G'Kar, somewhat surprisingly, tells Londo that he has just found out about the attack--but he confirms that it was indeed Narn forces that attacked Ragesh 3. "I'm sure there's some reasonable explanation," he adds. Londo asks what reasonable explanation there could be for attacking a defenseless, agricultural colony. G'Kar refers Londo to a similar attack that the Centauri made years ago against Narn holdings--and expresses his indignity at the former Centauri subjugation of the Narn. One insult leads to the next, and a fight breaks out between the two ambassadors. The fight is eventually broken up by security personnel, but not before G'Kar threatens Londo that the Narn will eventually rise and destroy the Centauri.
"The wheel turns, does it not, Ambassador?"
After the fight, Londo meets with Sinclair. He apologizes for his actions and says that he won't repeat the incident--but that he will eventually kill G'Kar. He explains that Centauri have strange premonitions of how, and even when, they will die--and that Londo has had a dream in which he will eventually die 20 years from now, with his hands wrapped around G'Kar's throat and vice-versa. Londo also explains that he had a nephew on Ragesh--a nephew for whom he deeply cares and is deeply concerned about. He vows that if his nephew has been harmed, there will be war--at any cost. He dismisses Sinclair's "galactic peace" arguments as nothing but silly paperwork and "games." "Only one thing matters: blood," says Londo.
Ivanova and Garibaldi are discussing the raiders' methods. Garibaldi says that trade routes are normally kept secret--to prevent the kind of attacks that recently happened--and Ivanova and Garibaldi come to the conclusion that there must be some leak of information from the trading companies.
Meanwhile, Sinclair goes to meet with Ambassador Kosh, the mysterious Vorlon representative who must wear an environmental suit at all times because of extreme differences between the Vorlons and the other races. Sinclair wants to know Kosh's position on the Ragesh incident, and asks Kosh if he will support sanctions against the Narn. "They are alone. They are a dying people; we should let them pass," enigmatically responds Kosh. "Who?" asks Sinclair. "The Narn or the Centauri?" Kosh's simple and almost humorous answer is merely "Yes."
Garibaldi is meanwhile sitting at Ivanova's station on the
bridge, researching the flight paths of the trading vessels. All
incoming ships are tracked through Ivanova's console.
Sinclair visits Kosh
Londo is lying down in his quarters, rather drunk. He is rather depressed, and tells Vir, his assistant, that he has received word from the Centauri government saying that they will do "nothing" about the attack on Ragesh. Londo is enraged--he feels that the Centauri government is made up of cowards, and he nostalgically pictures the former grandeur of his people--a grandeur that has all but evaporated. He suddenly gets the idea to ignore his government's message, and he forces Vir to comply with this. He tells Vir not to mention that the message was ever received--that if they can get the other powers to force sanctions against Narn, they can force their own government into cooperation. He says that he will go ahead with the emergency session of the Council--a session that will be used to decide on the actions to be taken against the Narn regime.
Talia Winters, in the meantime, finds herself in the elevator with Garibaldi. She tells him that she's upset that Ivanova is basically ignoring her, and she wants to know what she's done wrong. Garibaldi says that Ivanova takes a while to get to know people--especially while at work--and advises Talia to catch Ivanova in the casino after hours.
G'Kar and Sinclair meet in the station's arboretum. They have a sharp conversation where G'Kar tries to gain support for his people by telling Sinclair that the Narn race and humans are very much alike--and that, in fact, the Narn were one of the only people that were willing to supply weapons to the Earth in the Earth-Minbari war. Sinclair dismisses G'Kar's claim by saying that the Narn will simply supply weapons to anyone who can afford them--not out of any sense of brotherhood or similarity between cultures. Sinclair further criticizes the Narn cowardice because of their "sneak attack" on Ragesh. G'Kar is enraged.
Garibaldi presently finds that one trading company--which sold access to the "jump gates" that provide interstellar travel--seems to have had its information concerning the trade routes stolen from it. He informs Sinclair about these findings, and tells him that there's one ship which had bought routes from the company that was broken into and which still hasn't been attacked. Garibaldi says that they have only a few hours to come to the rescue of this ship.
Sinclair is meanwhile speaking with a representative of the government of the Earth Alliance--a superior of his. The representative is advising Sinclair to either delay the emergency session of the Council or to abstain from the vote; Earth cannot get involved in any type of war so soon before an election. Sinclair protests that this will hurt the Centauri case--that if Earth doesn't lend aid, others might not either. The representative doesn't seem to care, and closes the communications channel. During the conversation between Sinclair and the Earth official, Ivanova has arrived at Sinclair's room and has been standing outside of the door, waiting for Sinclair to finish. She has come to inform him that Garibaldi is going to leave on his mission to rescue the ship that was supposedly about to be attacked by the raiders. Suddenly, Sinclair seems to realize something about the allegedly-powerful raider weapons. He says that he will be replacing Garibaldi on the mission to rescue the ship. He orders Ivanova to continue the meeting; further, he tells her that she "never" heard the conversation that he had with the Earth official--and that as far as she last heard, Earth was voting for the sanctions, rather than abstaining.
As Sinclair leaves, the session of the Council is begun. G'Kar stands up and announces that the Narn regime has a valid claim to Ragesh 3 because the planet was originally Narn territory before it was invaded by the Centauri. Delenn succinctly rebuts this argument, saying that if the Narn hold a grudge for so long, peace will never come, and an endless cycle of wars will result. G'Kar claims that he doesn't want a war--he's only exercising a valid claim to the planet. Further, he claims that the Ragesh colony invited the Narn there--that the Narn never invaded the colony. To support this claim, he opens up a live link with Ragesh. Carn Mollari, Londo's nephew, appears on the screen and recites a message--clearly forced--saying that the Ragesh colony did indeed invite the Narn regime in to restore order in the colony. After the message is completed, Londo says that the message was clearly forced at gunpoint and is of no validity. However, G'Kar silences Londo by revealing that he knows that the Centauri government has taken the position that they will not intervene--he asks Londo why he is using the Council to enact a personal vendetta. G'Kar proceeds to call a vote to dismiss all charges against the Narn regime.
Sinclair is meanwhile pursuing the raiders. After successfully saving the trading ship, he outwits the raiders and finds their command base.
The battle at the trading ship
If Londo was desperate before, he's certainly desperate now. He is entirely outraged at the preceding events in Council, and has decided to take matters into his own hands. He assembles a gun from parts that he's hidden around his quarters and proceeds to attempt to kill G'Kar. As he's walking toward G'Kar's quarters, however, he bumps into Talia, who, despite her training, accidentally senses Londo's intense, emotional thoughts. She quickly informs Garibaldi, who intervenes and stops Londo from committing the murder of G'Kar.
Sinclair has returned to Babylon 5 and carries evidence with which he immediately confronts G'Kar. Sinclair has found a Narn agent on the raiders' base; it seems that the Narn were supplying weapons to these raiders, and when Narn supply weapons, they always include a Narn agent to instruct their customers on how to use the weapons and to make sure that the weapons are not resold to a third party. Further, this Narn agent had been found with logs of the communication between the attacking force on Ragesh 3 and the Narn homeworld. The logs of this communication confirm that the attack was, indeed, uninvited and unprovoked. Faced with this evidence, G'Kar is forced to tell Narn to withdraw the forces from Ragesh.
Talia meanwhile has found Ivanova in the casino, just as Garibaldi advised. Talia asks Ivanova if she had done anything to offend her. Ivanova apologizes to Talia and admits that the acted rude. Ivanova explains that her mother was a telepath--however, she had kept this as a secret to herself and had never joined the Psi Corps. On her mother's 35th birthday, the Psi Corps caught up with her and gave her three alternatives: to either join the Corps, go to prison, or take telepathy-inhibiting drugs. She chose the latter; however, as Ivanova explains, the drugs were very strong and destroyed her mother's will and personality. After 10 years, after her family thought her mother could no longer survive, her mother took her own life. Ivanova explains that she doesn't blame Talia as an individual for what happened to her mother, but says how these types of events are part of every member of the Psi Corps. However, Ivanova explains to Talia that Talia is just as much of a victim as Ivanova's mother was. When Talia responds that she does not feel like a victim, Ivanova rejoins that she hasn't yet figured out if that feeling is good or bad. When Talia suggests that they might start off on better terms the next day, Ivanova says that she very much doubts it.
In the meantime, Garibaldi is sitting in his quarters, showing Delenn his "second favorite thing in the universe"--old "Duck Dodgers in the 23rd-and-a-half century" cartoons.
Sinclair is resting in his quarters, watching with what appears to be disappointment that Santiago, the incumbent president, has been declared the victor of the election. As he is about to retire for the night, he receives a call from Ivanova: "Commander, there's a problem." It seems that a commander's job is never done ... in fact, it has just started.
Shawn Bayern bayern@minerva@cis.yale.edu
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Mind War
Overview
Talia's old Psi Corps instructor, the victim of a secret experiment, is the target of a manhunt involving the Psi-Cops. Catherine wants to survey a promising planet for possible mining, but G'Kar warns her to stay away. Walter Koenig as Bester. Felicity Waterman as Kelsey. William Allen Young as Jason Ironheart.
P5 Rating: 8.44 Production number: 110 Original air date: March 2, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Bruce Seth Green
Watch For:
- A peculiar salute.
Backplot
- Jason Ironheart was Talia's instructor and lover at the Psi Corps Training Academy. After she graduated and went into commercial telepathy, they kept in touch by letter - until a year ago when his letters stopped. As Ironheart recounts, he volunteered to undergo genetic and biochemical modification he thought was intended to make him a stronger telepath. The experiment turned out to be an attempt to make him a stable telekinetic, and it after many months and hundreds of injections it worked - stunningly! Ironheart became able to see through any mind like glass, and manipulate matter and energy both. He discovered then that those in charge were after offensive military applications for TK, like secret assassination. So, he killed the head researcher (the only person who could duplicate the work) and fled to Babylon 5, still undergoing changes to his mind and body.
- What is it like to be a telepath?
Talia: "It's like staying in a hotel room where you can just hear the people talking next door. You can try and shut it out, but it's always there. The key is not to eavesdrop unless you're invited... casual thoughts are very easy to block, but strong emotions have a way of slipping through."
"Do you know what it's like when telepaths make love, commander? You drop every defense, and it's all mirrors, reflecting each others' feelings, deeper and deeper, until somewhere along the line your souls mix, and it's a feeling so profound it makes you hurt. It's the only moment in a telepath's life when you no longer hear the voices." - Ironheart: "We all thought Psi Corps was
controlled by the government, but that's changing. The Corps is
starting to pull the strings behind the scenes; they're more
powerful than you could begin to imagine. Telepaths make the
ultimate blackmailers..."
"The Psi Corps is dedicated to one thing: control. Control over telepaths, the economy, the courts, over matter, over thought itself."
A transcript of Ironheart's meeting with Sinclair is available.
Unanswered Questions
- How much of what Ironheart said was true? He was mentally unstable, to say the least. He was also very motivated to gather fast allies.
- G'Kar (to Catherine): "Let me pass on to you the one thing I've learned about this place. No-one here is exactly what he appears. Not Mollari, not Delenn, not Sinclair. And not me." What does G'Kar know that we don't? (cf "And The Sky Full Of Stars" [Delenn, Sinclair], "By Any Means Necessary" [G'Kar])
- Just before he departs, Ironheart says to Talia: "In memory of love, I give you a gift, the only gift I have left to give." The gift, as she soon discovers, was at least the beginnings of telekinesis. What manner of telepath has she become?
- What did Ironheart mean by his final words to Sinclair? "Good-bye commander. I will see you again, in a million years."
Analysis
- If Ironheart's figures are true, and if there are 20 billion human beings in existence, then there should be a thousand people who are (or will become) stable telekinetics. If the Psi Corps' pursuit of a stable TK justified the extreme measures they attempted with Ironheart, then something about naturally occurring TK's must make them unusable. It could be that use of TK invariably drives one insane, or perhaps natural TK is insufficiently fine-controlled enough for their purposes.
- Whatever it was that the Psi Corps scientists did to Ironheart, it wasn't more than physical alterations to his brain and body. Yet those alterations started a process that led to his essentially becoming a demigod. This could represent a latent potential in humanity as a whole, of which iceberg telepathy is merely the tip. Or perhaps not - "This is a power that we were never meant to have," Ironheart tells Sinclair, "we're not ready for it."
- Ivanova hates the Psi Corps with a passion (understandably - cf "Midnight on the Firing Line") "Good ol' Psi Corps. You never cease to amaze me - all the moral fiber of Jack the Ripper. What do you do in your spare time, juggle babies over a fire pit? Oops, there goes another calculated risk!"
- In spite of this, Ivanova gives Talia a glass of water after she comes through the ordeal of being scanned by Bester and Kelsey. Ivanova's hatred is tempered with compassion for individuals. (see "jms speaks")
- By threatening to hold him accountable for endangering the station and causing the death of his partner, Sinclair strong-arms Bester into omitting from his report mention of Ironheart's real fate and Talia's willful collaboration. However, this can only be an agreement about what gets made official. Just as folks on Babylon 5 know full well that Something happened to Ironheart (with the willing help of both Talia and Sinclair) the right folks in the Psi Corps should know the same through Bester's unofficial report.
Notes
- Sinclair mentions to Catherine in the morning that he's got a budget meeting with the construction guild that day, in which he'll have to make some cuts to which he's not looking forward. ("By Any Means Necessary")
- Universal Terraform: a mega-corporation that explores and prepares new worlds for colonization or exploitation.
- The procedure for evaluating a newly discovered planet: first, an unmanned sensor probe launched by the exploring ship assesses gross features and composition. If that's promising, a manned survey is undertaken to determine its value for various purposes. Finally, if the corporation wants to continue, a life sciences probe is sent out to determine the legality of exploitation. (If there are sentient species present then the planet is off-limits.) (see "jms speaks")
- Due to an EA shortage of the material "Quantium-40," jumpgate construction is backed up 6 months. Catherine's survey mission to Sigma 957 is largely to determine whether this material is present on the planet.
- The being that appeared at Sigma 957 appeared to enter and leave through its own jumpgate. It may have been there for the Q-40.
- Just as the Narn fighters match up with Catherine's ship, part of it sloughs off as it burns up in the atmosphere. The fighters are unaffected; presumably they are atmosphere-capable ships.
- Rent for a spartan studio on Babylon 5 is 500 credits per week.
- Psi corps ratings:
P5 - level of commercial telepaths. Can easily detect deception and other surface thoughts at close range. Deeper probing is possible but difficult.
P10 - level of Psi Corps trainers. Can observe the mental actions of other telepaths, block some scans, cut through some blocks, perform long-range scans, and may have some fringe skills.
P12 - level of Psi Cops. Can communicate smoothly with normals via telepathy. Two Psi Cops can invasively probe a P5. - Stronger telepaths have a harder time shutting out "the voices".
- Upon graduation from the Academy all telepaths take a telekinesis test - it's a much sought-after skill. .1% of human beings have some level of telepathic ability, and only .01% of them have TK, half of whom are clinically insane. (see Analysis)
- Most telepaths have fewer human rights than normals. They're forbidden to possess psi abilities unless they're in the Psi Corps or in prison ("Midnight on the Firing Line"). They're required to submit to scans by Psi Cops, and aren't even allowed to have fleeting bodily contact with normals, since that would raise the chance in inadvertent scans. (see "jms speaks")
- Psi Cops are afforded greater latitude than other telepaths, "in the interest of efficiency." For example, they can perform at least surface scans on normals without permission.
- As he leaves, Bester gives Sinclair an odd salute - a circle of thumb and forefinger at the forehead - and says, "Be seeing you, commander." This is tribute paid to one of jms's favorite shows, "The Prisoner," in which the line was identical but the hand-motion framed the eye instead. An appropriate twist for a telepath salute!
- @@@884711227 Continuity glitch: After Ironheart arrives in his quarters, he pours some water into a cup. When the cup is knocked over by his mindquake a few seconds later, it's empty.
jms speaks
- In a tip of the cap to an SF writer, the Koenig
character in "Mind War" is named Bester.
- The direction and intent and background of the Psi Corps is *very*
different from Bester's "The Demolished Man." What may cause some of
the confusion is that when I decided to name the Psi Cop we'll be
seeing, knowing of Alfie's work in the genre in general, and knowing
that he was a close friend of Harlan's, I decided it would be a nice
testimony to the man to name the Psi Cop Bester. There's nothing
beyond that.
- Re: my favorite thing about this episode...it's
that when all is said and done, *nobody knows anything*. Bester
doesn't know what Ironheart is turning into; Sinclair doesn't know
if Ironheart was really telling the truth or not; nobody knows
where Ironheart went; nobody knows what the alien ship is/who they
were...the closest I can come to is to compare it to writing a
mystery novel, without revealing the killer, but *without*
frustrating anyone in the process, because there's *closure*.
- ...it was my intent to imply in the scene with
the guard and Bester ("nothing, just a drill") that he DID scan the
guard's mind. He found out what he was hiding (which is how he
managed to show up to try and cut Ironheart off from his escape),
exchanged a glance with Kelsey, and headed away quickly.
- Bester wasn't killed because a) it took a *lot*
out of Ironheart to take out Kelsey, and b) Bester *shot him* prior
to being taken down, and the pain and trauma of being shot has a
tendency to have an adverse effect on one; it took all his strength
just to knock Bester down before collapsing to the floor, his
energy (as you can see in the film) fading away....
- We'll definitely see Bester again, probably
twice next season, in one capacity or another. (And we'll *hear*
about him once more this season.)
("Eyes")
- Nope, Jason Ironheart will not be seen again,
insofar as I know. I don't like beings with that much power
running around the plotline....
- Telepaths are the ultimate minority, and when
it comes to the use of their talents, and the protection of the
rights of the hysterical majority, their rights don't mean a whole
hell of a lot.
- Thanks for noticing that. Yes, it *was* very
important (to me, at least, whether or not anyone noticed it), that
Ivanova was the one who handed Talia the water, and had that brief
moment with her. For those who understand their relationship, it
adds a tiny layer; for those who don't, because the dialogue keeps
on going over it, it's not obtrusive.
- The episode of "Mind War" broadcast henceforth
will be the one with slight alteration.
- In the pursuit in the teaser, you could see one of the binary stars
THROUGH Ironheart's ship; we deleted that shot and replaced it.
- We discovered, when we went to put in the revised CGI, that the
international versions had already been made and transferred, and it
would be nearly impossible to recall that part of the process...so it
was left alone rather than have multiple versions of the same episode
floating around.
- Funny incident today, though, also at lunch.
Walter Koenig joined some of the cast members at their table for
lunch, and as he came to the table, they all stood up at attention.
When asked why, they explained that it's protocol for junior
officers to stand when a senior officer comes to the table. It was
kind of a nice moment.
- Today, Walter Koenig's 2nd day working in the B5 universe, as a Psi
Cop in "Mind War." He's doing well, taking part in some very
difficult scenes (fight scenes and the ilke), and it's a very
powerful performance, not at ALL what people have seen before. He's
a terrific performer when given a role with some meat to it. And
the dailies look great. I think this episode will wake up a lot of
people who have never seen Walter as anything other than Chekov.
- Walter decided that an interesting character trait for Bester would
be if this skilled psi cop had a useless left hand.
- It's a funny thought, but knowing Walter as I do, I can say without
fear of contradiction that he was *not* doing Shatner. Given the
chance here to do something *utterly* outside ST, which was his hope,
and our pleasure to provide, he wouldn't do this, and having spoken
with him at some length about his character and his performance, know
that he *didn't* do this.
- Chekov is just one character, which was created by another, and played
by Walter. Agreed, too many people have seen him as just this one person;
but there's a talented actor with a great range behind that character, able
to do *many* other things. I'm glad we've been able to let him show that
range a little.
- @@@840405234 "JMS is on an anti-typecasting crusade."
That's actually true, in a lot of ways. My sense is that here we have many actors who created enduring works because they were good at what they did; they're *good actors*. But because they were so good at it, they got typecast as only able to play that. How many people snickered, wrongly, when they heard Walter was going to be Bester? "Chekhov in the Psi Corps," was the usual lament.
Until they *saw* him. And saw what he could do.
To work against the typecasting is simply payment on a debt to those who created enduring characters. And I'll continue to do it wherever and whenever I can. (Look for Robert Englund in an upcoming episode playing a very different sort of character than he's played elsewhere lately.)
- We'd initially offered Walter the role of Knight Two in "Sky," but
when his health prohibited using him, we went to Patrick McGoohan,
who loved the script, wanted to do it, but was going to be out of
the country at the time of shooting. We then shifted Walter to
"Mind War."
- "Commander" wasn't dubbed onto Walter. That was Ironheart speaking
with his back to us.
- We'll see more on Talia's additional talents in year two.
- Ironheart was created, as one of many reasons, to exemplify a problem
that is growing within Psi Corps. There will be other symptoms, though
not as grand as that one.
- The Psi Corps doesn't exist just to help telepaths avoid infringing
on the privacy of others. They service the business community, the
military, some other governmental agencies...it's important that they
control, regulate, and profit from telepaths. You can't just leave
the corps.
- "Mind War" is important to the arc because Psi Corps, and certain
aspects of it, is important to the arc.
- Some of the events in "Mind War" are significant indeed.
- The ant was paid strictly according to SAG rules (Screen Ants Guild).
- But for the other stuff...no, there's no in-joke in Sigma 957, but
***CONGRATULATIONS!*** You are the FIRST person to pick up on the
Native American line that Ironheart quotes when he goes up against
Kelsey. (And yes, I believe it is ojibwe in origin.) I've always
considered it a very powerful line (a prayer of protection against
one's enemies), and wanted to use it. That seemed the perfect
opportunity to do so.
- "Who watches the watchmen" is an old Latin phrase, sometimes
translated as "who guards the guards?" Given sufficient time I could
probably dig up the origin of the phrase; it's fairly common.
- My source on this was the original, classical quotation.
- Congratulations. I was wondering when anyone was going to hit on the
CSICOP reference. I was looking for a good name for the pit bulls of
the Psi Corps, and thought it made for a great play on words, and a
very obscure almost-pun, to name them Psi-Cops.
- Talia's stress during Psi Cop scan
It's because they dig *deep*. And to another telepath, who is sensitive to begin with...it hurts bigtime. - A Psi-rating comes through training and examination of a person's
skills over time. Ivanova's mother never went through the full
sequence to get rated. (Although they generally don't bother with
P1s through P2s, so she was at least a P3 or above, in terms of raw
ability.) A psi rating isn't hereditary.
- Talia is a P5, as Lyta was in the pilot.
- The number of psi's in each category, from 1-12, gets rarer as you
get higher. Lots of folks have a minimal tendency, very few have any
real talent.
- Yes, the abilities are often discrete; a TK may not be able to
scan anyone's thoughts.
- You don't have to read another book to "get it" re: psi's making
love. Perhaps her problem was more with the making love part than
the psi part. Haven't read Julian May's book. It's just the obvious
answer to what happens if and when telepaths make love: if they truly
open up, then you're going to get a mirror effect. Have your lady
friend stand between two mirrors and look at the effect. This ain't
rocket science.
- Scanning only hurts if it's a deep scan, trying to dredge out lost
or buried thoughts, or if the other person is resisting. It can be
anything from a headache to a migraine in intensity in general..
- There will be no more Ironhearts, and that character will not return.
- The vaporized Starfuries *weren't* from B5, they were a separate wing
not attached to this station. Black Omega is a special forces unit.
- Ironheart blew out the Omega starfuries.
- No, this [the alien] isn't the mysterious sixth race.
- And in the case of Sigma 957, one can put in a gate, start to explore
that sector of space...and discover to your chagrin that there is one
planet where you don't dare go near. It's not like they *knew* that
there was a problem on Sigma 957 before they (the Narns) put the gate
in; that was discovered only afterward. Sort of like buying a house
and then discovering that one room is haunted; you seal off the room
and tell the kids not to go near it.
- You don't leave one gate and fly light years to another; you use the
same gate for going in and going out. Explorer Ship A comes out of
hyperspace; looks around; decides that there are planets in this area
that are worth possible colonizing, exploitation, that sort of thing;
it's a very quick overview. (Or they go to systems that have been
already selected.) They construct a gate, finish the job, and move
on. Other ships can now use this gate for entering and leaving this
system. Is this clearer?
- The gate was set up in what was believed to be a reasonably fertile
and useful sector of space; the explorer craft can't take too long in
any one area. They find likely areas for exploitation, take a fast
look around, drop a gate, and move on. This allows other ships to
come in and scope out the place in detail. That's when they ran into
whatever's walking around Sigma 957. (And it's not there all the
time, only from time to time.)
- An Explorer-class vessel looks for areas that look like likely
prospects for exploitation, or which are good for logistical or other
reasons, do a fast survey, drop a gate and move on. Nobody *knew*
about the problems in Sigma 957 until well after the gate was in place.
Generally, the race that builds the gate, owns it.
- Re: the difference as to why Sinclair reacted the way he did...they
SPOKE to him in his head, the same way they did to the guard in
customs. This is different than just "listening" to someone's
thoughts, so to speak.
- The one thing that to me always typified SF was the sense of *wonder*.
Of something mysterious out there. And that is the one thing that I
feel is so missing from much of TV SF; not to pick on ST, but the
reality is that going from world to world seems like going from 7-11
to 7-11. It's all established, there's not much mystery. (Not in all
cases, I'm sure that one or two could be found, but in general.)
There should be *differences*, and things we don't understand and will
*never* fully understand. (For me, one of the best episodes in this
regard is "Mind War," specifically the tag of the episode, which still
gives me a shiver even though I've now seen it over a dozen times.)
- Actually, no...Catherine Sakai is based more closely on another
woman of my acquaintance, with whom I was involved for quite some
time. And that's all you'll get out of me on the subject.
- Incidentally..."Mind War" has come out so well that it looks like
we're going to move it up in the schedule a bit. It was originally
slated to run about episode 10 or so, but the studio is so hot on it
that it'll probably run #6, right after "Parliament." And Walter
has agreed to be the voice-over and on-camera narrator for the
Behind the Scenes/Making of Babylon 5 documentary.
- Re: moving "Mind War" up...no, doesn't affect continuity at all. If it did, it wouldn't have gotten moved. It's what's called in the biz a "moveable piece," able to go *almost* anywhere in the schedule, as long as it's after episode 3 and before episode 15, since stuff in the first few set it up, and 15 pays off part of it.
Originally compiled by Matthew Ryan mattryan@pobox.com
Mind War
Jason Ironheart, Psi-Corps Level 10, has stolen a transport vessel but is being pursued. His pursuers order him to stop, but he ignores them. Suddenly, there is a strong explosion, and only one ship emerges: Ironheart's ship, headed toward Babylon 5.
Pursuing Ironheart.
On Babylon 5, Sinclair and Catherine Sakai, his girlfriend, have just woken up. Catherine explains that she's working on finalizing a contract with Universal Terraform, an important corporation from Earth.
Meanwhile, Ironheart has arrived on Babylon 5.
Talia Winters is having a conversation with a businessman from Universal Terraform who wants to use her services in an upcoming negotiation. They enter an elevator (turbolift?) which Garibaldi is also currently using. The businessman asks what it's like to be a telepath; Winters responds that it's often difficult to block out the thoughts around her--while casual thoughts are simple to ignore, strong emotions can somehow break through whatever mental barriers she can set up. Suddenly, she turns around at Garibaldi (who has been experiencing his own "strong emotions" while staring at Winters) and elbows him in the stomach.
Elsewhere on the station, Bester and Kelsey, two Level-12 "Psi-Cops," have just come aboard Babylon 5. They telepathically "ask" a minor official to bring them to Sinclair.
Catherine Sakai is meeting with the businessman from Universal Terraform--the businessman who has brought Winters along. The businessman is concerned with the confidentiality of the planet which Catherine wishes to survey (because the planet, known as Sigma-957, may have some deposits of Quantium-40, a material important to the construction of jumpgates)--and so, following orders from his superiors, he asks Sakai to promise not to mention the planet to anyone--not even Sinclair. He has brought Winters along to verify that Sakai is telling the truth when she says she will not tell anyone about the planet--and, indeed, Winters does confirm this. The businessman also notes that, since the planet in question is in a contested region of space, they need the consent of one other major party--in this case, G'Kar, representing the Narn, will give that consent and will collaborate concerning Sigma-957.
Bester and Kelsey arrive at Sinclair's office, and begin to have a telepathic conversation with him. Sinclair gets quite annoyed, telling them that he doesn't like people "rummaging around in my head." He questions them, asking about the rules governing such use of telepathic abilities. They tell him that they are psi-cops, and because of their important responsibilities, they are given a wider latitude than other telepaths. They tell Sinclair that they are on a mission to track down a rogue telepath--one who may be putting the Earth Alliance's military structure at tremendous risk. Sinclair is hesitant to offer assistance, but they insist that he hold a meeting with the station's resident telepath (Winters), as well as security and command personnel.
Bester and Kelsey consult
Sinclair.
Ironheart is standing in his newly-rented quarters when he suddenly appears to get a terrible headache. He clutches his head, but is apparently unable to make the pain go away. Suddenly, the entire room starts shaking, almost as if to reflect his pain.
The meeting that Bester and Kelsey requested has begun. Winters, Ivanova, Garibaldi, and Sinclair are present. Bester asks Winters if she knows (or ever knew) Ironheart; she replies that Ironheart was her instructor in the Psi-Corps Training Academy. Kelsey explains that one year before, Ironheart had been reassigned to work on a covert operation with Earth Force Military Intelligence. Bester and Kelsey refuse, however, to explain the nature of his covert operation. They only say that what is in Ironheart's brain would compromise Earth Force's position and possibly lead to the deaths of covert operatives on other worlds; they believe that Ironheart wishes to sell this information to alien governments. They refuse to give any other information (particularly, they refuse to tell Sinclair what type of danger Ironheart poses to the station); they only Sinclair to find and bring back Ironheart ("Alive if possible; dead if necessary")--"We'll do the rest." The Psi-Cops asks Winters if she has had any contact with Ironheart; she replies that, since she left the academy, they have corresponded only through letters. The Psi-Cops, however, do not believe her--they order her to submit to a mental scan so that they can be sure of what she's saying. She cringes at the possibility, for mental scans can be quite painful--nonetheless, she is forced to comply. The scan is performed, and the Psi-Cops are surprised to find that Winters has been speaking the truth. "Surprising," says Kelsey, "given their prior involvement." The Psi-Cops then leave, ordering everyone (but especially Winters) not to speak with or approach Ironheart if he is found on the station.
A short time after Winters has left the meeting, Ironheart approaches her in dark corridor. She attempts to leave quickly, explaining that she was ordered not to see him. He says that he is aware of the Psi-Cops (and also that he was aware of their scan of her mind--which is why he waited until after the scan to contact her), and promises to simply explain the whole situation to Winters if she'll give him the chance.
Sakai, meanwhile, is quite annoyed at G'Kar's involvement with the mission at Sigma-957. He explains that he has involved himself only in order to protect Sakai--"Sigma-957 is not a healthy place. Strange things happen there." Sakai, however, doesn't believe him, and explains that she thinks he and the Narn just want Sigma-957 for themselves. He denies her suspicions, telling her that she shouldn't believe everything she's heard about G'Kar--"No one here is exactly what he appears," says G'Kar. "Not Mollari, Delenn, not Sinclair, and not me. My warning is sincere; ignore it at your own peril." She still, however, doesn't believe him, saying that she will, if necessary, "go over his head" and communicate with her own contacts in the Narn regime.
Ironheart, in Winters's quarters, explains that one year before, he volunteered for an ambitious Psi-Corps experiment--an experiment that, if successful, would greatly increase the powers of telepaths. He volunteered because he was told that the experiment was necessary for Earth Force Defense--each race wants to make sure that its telepaths are powerful enough. After months of the experiment, his telepathic abilities expanded beyond his belief--he could "cut through any block without even trying--all I had to do was to look at them." However, such development was a mixed blessing, because he finally realized the true purpose of the experiment: to develop "stable" telekinesis. Winters recalls the telekinesis tests she took at the academy--"I tried for days to make [a penny] move with my thoughts; I couldn't do it." He explains that only one in every thousand humans is telepathic; and only one out of every ten-thousand telepaths is telekinetic--but that half of these telekinetics are clinically insane. But the experiment was successful, says Ironheart, "It worked beyond anyone's wildest dreams."
Ironheart and
Winters.
Garibaldi tells Sinclair that he has found something which might help him track down Ironheart: one of the ships which recently arrived at Babylon 5 was a stolen transport that came from Ironheart's previous location. Garibaldi says that he is checking the guest quarters on the station. He comments that he's working as quickly as possible--he doesn't like the idea of rogue telepaths or Psi-Cops on the station. "There's just something creepy about [Psi-Cops]," explains Garibaldi, "The way they look at you like you're some kind of bug." Just then, Bester arrives on the bridge, and Garibaldi leaves relatively quickly. Bester stares at Garibaldi as he's walking away and "replies," somewhat annoyed, "Anatomically impossible, Mr. Garibaldi, but you're welcome to try, any time, anywhere."
Meanwhile, Sakai is on her way to Sigma-957.
G'Kar is in his quarters, speaking on a secure channel with Narn Military Headquarters. He says he requires a well-armed heavy fighter for a mission to Sigma-957.
Ironheart, still in Winters's quarters, explains to Winters that at first, he thought that the Psi-Corps wanted telekinesis for "big jobs"--heavy construction in 0-G, telekinetic shields on ships. He explains that the Psi-Corps, however, wanted increased control of smaller objects--the smaller the better. If precise control over small objects were perfected, telekinetics could become the ideal assassins: "Murder without a trace. No fingerprints, no poisons." Suddenly, as he speaks, the room begins to shake again. He tells Winters to run--to leave the room quickly -- for he cannot control this side-effect of his new telekinetic powers. This time, however, it's not just his room that starts to shake--it's an entire section of Babylon 5.
Sinclair is walking with Bester and Kelsey when the vibrations reach him. The Psi-Cops immediately recognize the situation as a "mind-quake." When Sinclair finds Garibaldi, Garibaldi comments that he has pinpointed the source of the disturbance, but that the entire level of the station where the disturbance is coming from is blocked by some type of energy shield. Sinclair angrily mentions that, when he asked Bester what type of danger Ironheart represented, Bester replied that Sinclair didn't need to know. He calls a meeting with Bester and Kelsey.
Sinclair accuses the Psi-Cops of placing the station in danger by withholding information from Sinclair. They merely reply that they were following orders, but Sinclair dismisses that excuse. He confronts the Psi-Cops, ordering them to explain the precise danger that Ironheart poses. Bester only replies that Ironheart is no longer entirely "human"--other than that, the Psi-Corps doesn't know exactly what he is.
Ironheart is meanwhile sitting in the middle of the rubble caused by his telekinesis. He is trying, with some success, to calm his thoughts down and stop the accidental destruction.
At the meeting between Sinclair, Ivanova, Bester, and Kelsey, Bester explains the basics of Ironheart's experiment to Sinclair. Bester says that, toward the end of the experiment, Ironheart began to show signs of paranoia, stress, and psychosis. One night, Ironheart left his room, killed the head researcher of the experiment, and escaped. Kelsey comments that Ironheart's telekinetic abilities grew stronger and more violent as time progressed. Bester tells Sinclair that Ironheart, in his present state, is a valuable commodity--and the Psi-Corps cannot allow him to fall into the hands of any alien government. He adds that the Psi-Corps wanted to keep the whole incident quiet in order that alien governments not find out about Ironheart's abilities--this reason is why they withheld the information about Ironheart's condition. "It was a calculated risk," comments Bester. (Ivanova expresses her disgust with the way the Psi-Corps have no ethical problem with taking inhumane, calculated risks). Sinclair asks how the Psi-Cops plan to stop Ironheart if he is so powerful. They explain that, during the experiment, Ironheart was programmed with a "fail-safe code," which, when sent into his brain by a powerful telepath, has the ability to shut down Ironheart--to "put him to sleep"--but not kill him. Bester and Kelsey believe that, between the two of them, they will be able to overcome any defenses that Ironheart has set up--but they can only send the fail-safe code if Ironheart is in their line of sight.
Winters walks up to one of the shields that Ironheart has set up around the level of B5 which was shaken by his thoughts. She tries to speak with him--to shout to him through the shields. When he hears (or senses) her, he drops the shields for a moment so that she can pass through. When she finally arrives to where Jason is standing, he is glad to see her. He explains that he came to Babylon 5 in order to see her--that he felt that being with her would be enough to calm his thoughts, "shut out the voices," and rest "for a little while ... before the end." He admits that he shouldn't have come to the station--he has inadvertently put people at risk, though he didn't want to hurt anyone. He tells Winters what he has learned of the Psi-Corps--that, although people believe that the government controls the Corps, the reverse is coming to be true. "[The Psi-Corps is] more powerful than you can begin to imagine. Telepaths make the ultimate blackmailers, Talia. I've seen it all." He tells Winters that he is currently undergoing a tremendous change--and that he is no longer Jason Ironheart.
Sakai has finally arrived at Sigma-957. She enters into an orbit above the planet and beings to conduct environmental research. She laughs to herself about G'Kar's warnings concerning Sigma-957.
The Skydancer
launches a probe.
Winters, after leaving Ironheart, finds Sinclair and tells him that she has seen Ironheart. She requests to speak with Sinclair privately; he agrees. When they are in private, she explains the situation to Sinclair. She tells Sinclair that Ironheart wants to see him. Sinclair asks what exactly was between Ironheart and her--why he came to this station. She explains that they had been lovers--and that Ironheart came to B5 to see Winters. "He was everything to me--the perfect model of what it meant to be in the Corps. Do you know what it's like when telepaths make love, commander? You drop every defense, and it's all mirrors.... It's a feeling so profound it makes you hurt. It's the only moment in a telepath's life when you no longer hear the voices. He came to say goodbye, commander."
Meanwhile, Sakai, at Sigma-957, suddenly sees something near Sigma-957. Neither she nor her computer can identify it, but her computer's power level is reduced drastically. Her orbit is decaying, and she will crash into the planet in less than two hours. She tries to open an emergency channel with Babylon 5, but there is not enough power to establish a link.
Sinclair and Winters arrive to where Ironheart is sitting. He greets Sinclair politely, but gets rights into the purpose of his discussion. "The Psi-Corps is dedicated to one thing, commander: control." He explains to Sinclair what he had previously explained to Winters. "But there is something even more powerful--something they didn't even know existed until I crossed the line. Not mind over matter, mind over energy.... I look at you, commander, and I see not a man, but a galaxy of subatomic particles which I can ... rearrange with a casual thought." Ironheart explains that he feels humans aren't ready for these types of powers; but if the Psi-Corps find him and bring him back, they will study him to try to figure out the combination of drugs which caused this phenomenon.
Sinclair, however, asks why he should trust Ironheart over the Psi-Cops. Ironheart explains that if he meant any harm, he could vaporize Sinclair instantly. When Sinclair mentions that Ironheart has already caused harm and destruction on the station, Ironheart explains that the "mind-quake" was an accident. Ironheart claims he never wanted to hurt anyone; however, as his telekinetic powers expand, it takes him a while to learn how to control them. Sinclair mentions the head researcher that Bester said Ironheart killed; Ironheart claims that he didn't want to kill the researcher--but since that researcher was the only one who could duplicate the experiment, he had no choice. "There must never be any more like me," he says earnestly. Ironheart explains that he only wants Sinclair's trust--and a little bit of help. He says that he needs to leave the station so that he can be free to become whatever it is that he's becoming. At length, Sinclair agrees, and arranges with Ivanova and Garibaldi to escort Ironheart off the station to the stolen transport which is docked outside.
Meanwhile, very soon before Sakai's ship would have burned up in the atmosphere of Sigma-957, Sakai's computer detects the arrival of two ships. The ships open a communication channel with her--they explain to her they are Narn vessels dispatched on the order of G'Kar to rescue her in the event that anything strange should happen in Sigma-957. They grapple Sakai's ship and escort it back to Babylon 5.
Bester and Kelsey have meanwhile discovered that Sinclair is attempting to escort Ironheart off of the station. They meet up with Ironheart as he is trying to escape; they attempt to send the fail-safe code, but Ironheart's defenses are too powerful. Ironheart is, however, forced to kill Kelsey in the struggle. He successfully escapes from Bester, then enters his ship and leaves the station.
Bester takes a shot
at Ironheart.
Sinclair and Winters, along with Garibaldi and Ivanova, watch Ironheart's ship leave Babylon 5. Shortly after, the station's sensors detect a strong energy surge; suddenly, Ironheart's ship is no longer there, and in its place is a strange configuration of floating energy. The energy entity--the new Jason Ironheart-- speaks with Winters on the bridge. As a parting gesture, he gives her "the only gift I have to give"--suddenly, a bright flow of energy enters Winters's head, knocking her unconscious.
"Goodbye, commander," says Ironheart, "I will see you again in a million years."
Afterwards, Sinclair is speaking with a somewhat-depressed Bester, who complains that his superiors will believe none of what just happened. Sinclair agrees, "Especially since in about an hour, we'll have a small accident in data storage that'll erase the file you just saw." Garibaldi suggests an alternative report: "That Ironheart's ship escaped Babylon 5 but exploded before it could enter the jumpgate." If Bester refuses to use this suggestion in his report, Sinclair threatens that he will make it known how Bester withheld information, put the station in danger, and, through his interference, cause the death of his fellow Psi-Cop. Sinclair also makes Bester promise to have his report indicate that Winters was under Ironheart's control during the incident--and that she was not responsible for her actions during the incident. Bester agrees reluctantly and leaves quietly.
After Bester leaves, Garibaldi asks Sinclair if Sinclair will report to "the senator" (probably the senator with whom Sinclair communicates periodically) what Ironheart accused the Psi-Corps of. Sinclair says that he doesn't think it will do any good--Ironheart was feverish and paranoid, so what he said might not be true. Even if it is true, without Ironheart available to testify, it would just be his word versus that of the Corps. However, they agree to keep their eyes open for anything threatening. Garibaldi then wonders out loud what Ironheart's gift to Winters was. Sinclair comments that he doesn't think she would tell Garibaldi even if he were to ask.
Meanwhile, Winters is in her quarters. She has placed a penny on the table, and when she focuses on it, she finds that he can make it move using only her thoughts....
Catherine Sakai has arrived safely with the help of the Narn ships. She finds G'Kar and thanks him for his help. She asks him, however, why he went to the trouble of rescuing her. "Why not?" he replies. When she comments that that isn't an answer, G'Kar replies, "Oh, yes it is. It's simply not an answer you like or the answer your expected. There's a difference. Narns, humans, Centauri--we all do what we do for the same reason: because it seemed like a good idea at the time. There was no profit--no advantage--in letting you fall to an untimely and most uncomfortable death. It would distress the commander to no good end." She seems to accept this reason, then asks if G'Kar knew what it was that she saw near Sigma-957. He explains that it is a phenomenon which they cannot explain: "There are things in the universe billions of years older than either of our races. They are vast, timeless ... They are a mystery, and I am both terrified and reassured to know that there are still wonders in the universe-- that we have not yet explained everything. Whatever they are, Ms. Sakai, they walk near Sigma-957. They must walk there alone." Catherine only stares in wonder.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Moments of Transition
Overview
The warrior caste demands Delenn's surrender. Bester makes an offer to an increasingly desperate Lyta. Sheridan is compelled to act after receiving horrible news from Ivanova. Scott Adams as Mr. Adams. Bart McCarthy as Shakiri. Walter Koenig as Bester. John Vickery as Neroon.
P5 Rating: 8.73 Production number: 414 Original air week: May 19, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@864065604 Delenn has formed a new Grey Council, with the worker caste holding 5 of the 9 positions. The position of leader is reserved for "The One who is to come."
- @@@864065604 In the days before Valen, when caste wars erupted, the warring leaders would gather in the temple of Varenni, which is equipped with planetwide broadcast facilities and a device called the Starfire Wheel. The Starfire Wheel would consume the opposing leaders in fire. Whichever one willing was to die for the rightness of their side would remain in the fire until death; that caste would lead.
- @@@864065604 Unable to find work, Lyta has rejoined the Psi Corps in name only, striking a deal with Bester to give him custody over her body when she dies so he can try to understand what the Vorlons did to her. In exchange, the Corps will list her as a member when potential clients try to do a background check on her.
- @@@864065604 Bester is directly involved in whatever was done to Garibaldi. Among other things, Bester's plan is to pull Garibaldi further and further from his former associates, though the ultimate purpose is still unclear.
- @@@864065604 William Edgars, Garibaldi's employer, is extremely secretive; though he's one of the wealthiest men in the Earth Alliance, no pictures of him have ever been published. He also claims to have an intense distrust of telepaths and refuses to let any of his high-level employees work with them.
Unanswered Questions
- @@@864065604 Who is The One who is to come? (See Analysis)
- @@@864065604 What will happen to Shakiri? Does he still lead the warrior caste?
- @@@864067304 What were Delenn's instructions to Lennier?
- @@@864065604 What is Bester's plan for Garibaldi?
- @@@866938177 What happened between Zack and Bester after Bester provoked Garibaldi?
Analysis
- @@@864542424 The One who is to come may be Sheridan;
in
"War Without End,"
Zathras referred to him as "The One who will be." The main thing
arguing against it being Sheridan is the generally xenophobic
attitude expressed by many Minbari in the past (e.g. Callenn in
"Atonement.")
On the other hand, perhaps such xenophobia is only a disease of the
warrior and religious castes; the worker caste might have less
trouble accepting a human as their leader.
Another candidate is David, Sheridan and Delenn's future child ("War Without End, Part Two.") As a direct descendant of all three of The One, and a partial Minbari genetically, he might be more palatable.
She might even have meant Sinclair: in "Atonement," she mentioned Valen's body was never found, and at least one Minbari ritual, the extra placesetting seen in "Confessions and Lamentations," indicates a belief in Valen's eventual return.
It's also possible Delenn didn't intend her comment in any sort of prophetic way. She may simply have been referring to the next head of the Grey Council. The Minbari went ten years between leaders after Dukhat's death; perhaps there will be a similar period of mourning for Neroon, and the new leader won't be chosen for a while.
- @@@864544191 Both Sheridan and Delenn have accepted death (Sheridan
with Lorien in
"Whatever Happened to Mr. Garibaldi?")
Will the experience change Delenn as it changed Sheridan? Arguably,
this isn't the first time for Delenn -- she accepted at least the
possibility of death in
"Confessions and Lamentations"
and gave herself in exchange for Sheridan in
"Comes the Inquisitor."
- @@@864067551 Despite Delenn's denial, the religious caste members on
her ship in
"Rumors, Bargains and Lies"
were at least partially right: her plan did involve
surrendering to the warrior caste, if only temporarily. If Lennier's
reaction was at all typical, that must have come as a horrible blow
to her caste when they heard about it.
- @@@867903582 Delenn's line to Shakiri, "The warrior caste started this
war. Now the religious caste has ended it," echoes the lesson Sheridan
learned from his father
("Severed Dreams")
-- "Never start a fight, but always finish it."
- @@@864067551 Neroon's loyalties at the beginning of the episode were
unclear. Shakiri's contempt for life clearly convinced Neroon that
Delenn's plan was the right way to go. But would he have carried out
her plan if Shakiri hadn't been so fanatical and had been able to
provide some valid justification for the war?
- @@@864541332 Neroon's sacrifice will probably play much better in the
long run than Delenn's death would have. Shakiri's fear and
actions brought dishonor to the Warrior caste; had they
simply lost to the religious caste the resentment and stain
of dishonor would have remained.
By sacrificing himself for Delenn, Neroon gave honor back to the warriors, since one of their own remained and died in the Starwheel. His conversion to religious caste assured that the honor would be shared with them as well.
Neroon's last-minute conversion meant both a religious and a warrior caste member perished on the wheel. Thus, technically, neither caste won, just as Delenn wanted.
- @@@865710832 Neroon wasn't the first Minbari to switch castes. His
former commander, Branmer, was originally religious caste but switched
to warrior caste during the Earth-Minbari War
("Legacies.")
- @@@865179896 Neroon's interaction with Delenn revolves around
sacrifice. In
"Grey 17 Is Missing,"
he was ready to attack or possibly kill her, but yielded when he saw
that Marcus was ready to sacrifice his life for her sake. Here, he
himself made that sacrifice. At the end of "Grey 17," Marcus asked
Neroon, "Next time you want a revelation, could you possibly find a way
that's not quite so uncomfortable?" Apparently not.
- @@@864588681 While Delenn was bringing peace to her people, Sheridan
was preparing to go to war with his. What will Delenn think of his
decision when she returns?
- @@@864067304 Ivanova's broadcast mentioned a Starfury squadron defecting
to Proxima 3. How many Earth ships have gone over to the resistance?
Presumably the Alexander is still at large
("Severed Dreams.")
Are there other ships of that caliber, and if so, will they take
orders from Sheridan?
- @@@864670730 Bester implied he'd seen the Voice of the Resistance
broadcasts. Does that mean the broadcasts are in fact reaching Earth
and/or Mars, or has he simply seen them because he travels a lot in
the course of his job?
- @@@864588681 Bester's contract says he gets Lyta's body if she dies
of natural causes. Would the telepath disease in
"Conflicts of Interest"
count as natural causes? If so, Bester and the Corps may have a
specific reason to want to gain control of the cure. Perhaps Bester
was the one responsible for sending the telepaths to try to procure it.
- @@@864067304 Lyta is slowly lifting the veil of secrecy she's
maintained about the Vorlons and their changes to her. In
"Epiphanies,"
she was only willing to obliquely acknowledge the possibility that
something might have happened. Here, she tacitly admitted it to
Bester, and told Garibaldi in no uncertain terms that she wasn't a
mere P5 any more.
- @@@864067304 Will Lyta be more willing to scan Garibaldi now that he
has, from her point of view, turned against her? If she were to
discover evidence of Bester's involvement in whatever was done to
Garibaldi, she'd presumably want to investigate and find out what
Bester was up to. Of course, she might still consider Garibaldi's
privacy a more compelling concern, and presumably whatever programming
he received would prevent him from agreeing to be scanned.
- @@@864845195 Sheridan's insistence that Lyta move to smaller quarters
to help the station stay financially afloat is somewhat hypocritical,
given his refusal to do the same in
"A Race Through Dark Places."
Lyta made the same argument Sheridan did against being forcibly moved:
her value to the station entitles her to special treatment.
It's worth noting that Zack said the order came from Station Resources, not from Sheridan himself, but presumably if there were a reasonable chance Sheridan would overturn the order, Zack would have asked him before burdening Lyta with the news.
And given Bester's presence on the station, was Zack even relaying a real order? Bester might have planted the belief in such an order in Zack's mind without Zack being any the wiser.
- @@@864542058 This is the second time Zack has been asked to relay
bad news to someone close: first Garibaldi in
"Conflicts of Interest,"
and now Lyta, who appears to have warmed up considerably to Zack
since he brought her pizza in
"Epiphanies."
Though Zack is clearly loyal to Sheridan, bearing bad news to
friends probably won't have any positive effect on his attitude.
- @@@864542058 Zack no longer calls Garibaldi "chief." Likely he's given up hope of Garibaldi's return. Any respect Zack had for Garibaldi was probably destroyed by Garibaldi's use of a duplicate identicard to get past customs ("Conflicts of Interest.")
Notes
- @@@862819784
Cartoonist Scott Adams,
creator of the
"Dilbert"
comic strip, has a cameo appearance in this episode. A
press release
about his appearance is available.
Mr. Adams' lost dog and cat are no doubt a reference to the characters of Dogbert and Catbert from the comic strip. Dogbert is constantly scheming to take over the world.
- @@@885536282 The new Grey Council (spellings approximate): Dalidi and Burli of
the religious caste, Mazik and Shaka of the warrior caste, and
Dulann, Katz, Zaca, Nur, and Barenn of the worker caste.
- @@@864542729 The title of this episode echoes G'Kar's closing
monologue in
"Z'ha'dum":
"The future is all around us, waiting, in moments of
transition, to be born in moments of revelation. No one knows the
shape of that future or where it will take us. We know only that it is
always born in pain."
- @@@870242784 The security guard may have been stumped by Bester's
Dickens quote because it wasn't quite right. In "A Christmas Carol,"
Marley's Ghost said, "Mankind was my business," not "Humanity is my
business."
- @@@870027128 Edgars claimed to be available 24 hours a day.
The Martian day is closer to 25 Earth hours long. But even now,
scientists divide the Martian day into 24 Martian hours, each slightly
longer than a terrestrial hour. It's reasonable to assume that that
practice continues into the 23rd century.
(More on
Mars)
- @@@866394205 This episode takes place around August 3, 2261. August 3
is a recurring date in the series: August 3, 2258 was the date of
the initial mayday from the raiders in
"Signs and Portents;"
August 3, 2260 was the date the Shadows began attacking openly
("Interludes and Examinations;")
and August 3, 2261 was the date in Bester's log entry in this
episode.
- @@@869851585 In the original US broadcast, the cruiser firing on the commercial transports was shown as the Agamemnon, Sheridan's old ship. That was a production slipup (see JMS Speaks) and in later airings, the cruiser was labeled the Pollux.
jms speaks
- @@@865613058 In response to an earlier JMS
message saying the cruiser wasn't the Agamemnon
I have to recant my correction.The image as shown in the monitor was supposed to be shown *only* on the monitor, not blown up. The animators figured, it'll be too small to read the name on it, so we may as well grab a ship out of the library rather than building a new one (a sensible choice)...but when John and I got into editing, we grabbed the original video and did that close-up...and neither of us, NObody, ever even noticed the Aggy name until after it was mentioned here...and I then checked, and to my chagrin, it was there.
But in true Soviet Revisionist fashion, you can be assured that down the road, this will mysteriously be replaced by another shot....
- @@@865288720 If you had been 100% sure there'd be a season 5,
would this have been the season 4 finale?
No, this could never have been the finale for 4. - @@@864666022 Will John Vickery return, perhaps as Mr. Welles from
"The Fall of Night?"
No, not as that role, but we're definitely open to using him in other roles, as with Wayne Alexander. - @@@867911142 We'll keep our eyes out for a way to bring him around again,
same as with Wayne.
- @@@864542729 How does this story relate to G'Kar's speech?
In a way, it was the second half of G'Kar's sentence...that life can be broken down into moments of transition and moments of revelation...and there with Neroon at the end we had both. - @@@864580628 Did he really realize he belonged in the religious
caste, or did he just do it for Delenn's sake?
Whether it was true or not, he knew his actions would bring the castes back together...so out of respect for the dead, best to leave the issue unresolved, and accept his gesture for what it was. - @@@864500122 What was wrong with Walter Koenig's hand?
As for Walter...he made the decision to play Bester with a deformed or useless hand, which he's compensating for as a teep. - @@@864580628 Then how does he put his gloves on?
Ask Walter. - @@@865362300 What's been great about B5 has been the chance to give many
talented actors like Walter and others a chance to show the many other
hues and colors they are capable of delivering, but which were rarely
seen because the material didn't allow them the opportunity. I know
Walter's loved it, and it's been great for us as well.
- @@@864580988 Were Delenn and Neroon secretly in contact, or was
the whole plan worked out in advance?
They were worked out in advance, and the instructions were for posthumous use. - @@@864500323 Did Delenn's instructions include a message for
Sheridan?
Almost certainly. - @@@864236121 Are any members of the old Grey Council on the new
one?
Yeah, some of the new council would've been on the old one.And Bester was named for a well-known SF writer, now gone.
- @@@864666022 The Grey Council stucture, visually, is designed to bring
the Starfire wheel to mind. Valen, being something of a smart cookie,
figured it would be wise to tie in whatever he was doing to the
traditions that preceded him. So they're arranged in a circle, with a
series of lights above them, and the one central light (for Dukhat, for
instance) reserved for the one who had endured and grown to leadership,
but through a somewhat less violent means.
"Finally, the diversity of cultures on Babylon 5 must be a satisfaction for you as a writer to have so many different voices to express. "MoT" for me was almost like seguing between playwrights -- Damon Runyan (Garibaldi) to Oscar Wilde (Bester) to Aeschylus (Minbar). One of the things I have found most appealing about Babylon 5 as a whole is that the language is similar to the language of the stage. That seems rare in a television milieu defined for the most part by diseases-of-the-week, talk-show spew and courtroom maneuverings."
Yeah, I like that part a lot, being able to write in lots of different voices, lots of different styles. You have to remember that I cut my teeth writing dialogue back when I was writing plays and getting them produced. I love theater, love plays, and love really well done or rich dialogue. So it echoes that now...which as you say isn't necessarily the style of dialogue seen on most television (which is why a few react weirdly to it), but I like it, and it's my show....
- @@@874513609 Lyta refused to scan Garibaldi, but was willing to
scan the Centauri in
"Passing Through Gethsemane."
Yes, it's an inconsistency; because humans are inconsistent. But it's only an inconsistency subject to Lyta's rationalizations...which are quite reasonable.She didn't know the Centauri; she knew Garibaldi...they knew beyond a shadow of a doubt that Brother Edward's *life* was in jeapordy, and that this person may hold the key to saving his life and every instant they waited meant he could be dying, whereas there is no such crisis in the Garibaldi situation...they were able to hide her identity from the Centauri whereas they would not be able to do so with her and Garibaldi....
The decision to scan or not to scan is essentially a moral or ethical decision. When someone's life is on the line, that raises one ethical concern, as opposed to Zack just having a vague suspicion about Garibaldi's character and asking her to engage in a fishing expedition. There is a quantum difference between the two of them.
Would a physician give someone the tools necessary to end his life? No. Would he do so if the person were chronically ill and in constant, terrible pain? Very possibly. It's the *context*. You can't expect people to act the same in every situation regardless of context, context is everything.
People are not robots, they rationalize, they are inconsistent, but they generally have *reasons* for it that they can justify. As somebody once said, rationalizations are more important than sex, because you can *go* a day without sex.... [Ed. note: this is a quote from "The Big Chill."]
- @@@864666022 Why didn't Lyta go to Sheridan for help?
I think Lyta had just emotionally gotten to the place where she had to do something on her own rather than continuing to rely on the kindness of strangers. - @@@864500122 Did Bester tell Edgars that Garibaldi had hired
Lyta?
Nope. - @@@864542729 Is Edgars really Bester?
Not a chance.Edgars is played by Efrem Zimbalist Jr., which by itself precludes that.
- @@@864636708 Bear in mind that Edgars also has Wade working for him right there on the station, and he is more or less Garibaldi's liaison with Edgars, so logically that would be his source of information.
Moments of Transition
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
Garibaldi is asleep in his quarters when he receives a call from
William Edgars. Edgars tells Garibaldi he has a new assignment: to
make sure a new delivery coming through Babylon 5 gets through customs
without incident and makes its way safely to Io. Edgars explains that
he doesn't trust the government, the couriers, or his competitors to
leave the packages--containing compounds for his pharmaceutical
research department--alone. Garibaldi tells Edgars he will do the job,
but asks when Edgars might want him to come to Mars. "In the fullness
of time, Mr. Garibaldi," Edgars replies before signing off.
Sheridan is in his quarters, unable to sleep. He calls C&C, asking if
they have been able to contact Delenn on Minbar. They haven't, due to
fighting in the capital city. Sheridan hasn't heard anything from her
since she left, but asks to be informed if they learn anything new. He
resumes trying to sleep.
On Minbar, the capital city is in flames and most of the buildings are
in ruins. Delenn arrives in the hallway of one of the buildings, where
Lennier is treating some of the many wounded. Lennier tells her that
they have received word from the leader of the Warrior Caste. "His
forces have surrounded the city. He says, if we don't surrender by
tomorrow, for the good of our people, he will end the war by destroying
the city and everyone in it."
Lyta is in the Zocalo with a woman who wants to hire her for freelance
telepathy work. Though all of Lyta's qualifications are in order, the
woman will not hire her when she learns that she is no longer
affiliated with Psi Corps. Lyta protests, but the woman will not change
her mind--her company needs to be protected from possible lawsuits and
other problems. She says that, until Lyta rejoins Psi Corps, there is
nothing she can do.
Neroon arrives on one of the Warrior Caste ships and meets with the
Caste's leader, Shakiri. Shakiri says that the actions of the Religious
Caste--in trying to get Neroon to turn against the Warrior Caste--prove
they are unfit to lead the Minbari. Neroon asks what the cost of the
war will be. Shakiri tells him that the cities can be rebuilt, and
that the Minbari who die in the city will be reborn into the next
generation, but that those deaths will prevent a greater loss of life
in the future. Shakiri says that war should be only be entered into for
practical gains, and that the sooner the Religious Caste learns
that--due to their actions in the Earth-Minbari war--the better. He
thinks that, when Delenn sees the rest of her caste dying, she will
surrender in order to end the loss of life. Neroon asks if it is wrong
to value life in that manner, but Shakiri says that life and death
are only two consequences, both equal, and that Warriors look upon
death as a release of obligation. Shakiri tells Neroon to go rest.
Zack is in the docking bay, trying to organize things, when he notices
Garibaldi, off discreetly in the corner, dealing with another
gentleman. He starts to investigate, but is interrupted by another
security officer, asking what he should do about a new
arrival--Bester. Zack asks why Bester is coming to the station this
time. Bester insists he has not come to the station for any
business with the Command Staff, but is there for personal reasons. He
promises he will stay out of trouble, and though Zack tries to protest, Bester
points out it is a free port, and that he has a right to be there.
Zack tells Bester he has to check with the captain, and Bester promises
to wait. Zack goes to do so, but on the way, investigates
the corner where, a few moments earlier, he saw Garibaldi and the
strange man, who are now gone. Zack runs after him and tries to find
out where the package went, but Garibaldi insists he knows nothing
about it. Zack asks if Garibaldi is working for William Edgars, bringing
packages through illegally, but Garibaldi won't confirm or deny it. Zack asks
why Edgars, an extremely wealthy and reclusive industrialist, would want to
work with Garibaldi, which Garibaldi finds offensive--he is honest, and minding
his own business. Zack asks how honest Garibaldi's work is, but
Garibaldi finds it just as honest as breaking away from Earth, taking
over military equipment, and starting their own independent state.
Garibaldi tells Zack not to bother him, and leaves.
Delenn is waiting for Lennier in one of the rooms in the capital building. When he arrives, Delenn tells him they have reached a decision, and she wants him to relay a message to the Warrior Caste--the Religious Caste is prepared to surrender, when and where the Warrior Caste wishes them to do so.
"...And news has reached us that a squadron of Starfury pilots, sent to
conduct raids against Proxima 3 in hopes of forcing them to accept
President Clark's martial law decree, have defected, joining the
Proxima resistance. This makes the fourth major defection in the last
two weeks. Refugees from sectors 400 through 600 are being taken in by
the medical colonies at Beta Iridani and the MacArthur midrange
colony..."
Lyta is interrupted watching the Voice of the Resistance in the Zocalo
when Bester arrives. She is not very happy to see him, and tells him
to say what he has to say and leave. Bester tells her he knows she is
looking for work, since the corporations she wanted to work for called
Psi Corps to check on her. Lyta tries to deny what he's saying, but he
knows better--the command staff is getting along fine, but since Lyta
has no support mechanism, her life of being a freelance freedom fighter
isn't paying well enough for her to subsist much longer. Bester says
he wants to make a deal with her--he will add her name to a list of
deep undercover agents, allowing her to work and make a living. She
will have to wear the symbol, the gloves, and give ten percent of her
fees to the corps, and, after she dies, she will have to give her body
to Bester. He knows that the Vorlons altered it, and that he feels
that what they have done for her could be done for many more telepaths
later, allowing them to be more than what they are. He shows her a
contract, which he explains will be null and void if she doesn't die
from natural causes, since Sheridan would never turn her body over
otherwise. Lyta, however, is not impressed, and turns down his offer.
She walks away, but is noticed by Garibaldi on her way out.
Neroon tells Shakiri that the Religious Caste has agreed to
surrender. In order to prove that the Warrior Caste intends
to lead differently than the Grey Council, Neroon suggests that Shakiri
accept the surrender on the planet, in the Temple
of Varenni, where disputes were settled before Valen, and where new
leaders were selected in times of war. In addition, the temple will distribute
a record of the surrender throughout Minbar. Shakiri agrees. Neroon has one
question: he wants to know what will happen to Delenn after the
surrender. Shakiri says that, in order to prevent her working
against them in the future, they will make sure the ship on which she
travels to Babylon 5 after the surrender never reaches its
destination.
Lyta is making dinner in her quarters when Zack arrives. He tells her
that Station Resources wants her to move to smaller quarters. Lyta is
very upset, but Zack explains that, with the Vorlon government gone,
she no longer has any source of income, and needs to leave.
She is very upset, but says she will try to find some way of working it
out. Zack is about ready to leave when he tells her that he needs to
hire her for a job--he wants her to scan Garibaldi without his
permission. Lyta is unwilling to do that, even for Zack. She might
consider it if it were someone else, but the two of them go back a long
way. No matter how much she needs the money, she isn't
willing to violate everything she's been taught. Zack apologizes and
leaves.
Garibaldi is at his table, just finishing up with someone who wants
Garibaldi to find his dog and cat, who are attempting to take over the
galaxy. Lyta arrives and tells him that she needs a job, and
that, because of her breaking with the Psi Corps, she can't get work
with anyone she trusts. Garibaldi explains to her that he doesn't use
telepaths, and doesn't trust them, but notes that, should he hire her,
he can also annoy Bester. He asks how wide her range is, and she
explains that it is much further than official records indicate. Garibaldi
says that he needs someone who can watch out for him in his dealings
with Edgars. Garibaldi agrees to give her a portion of his own salary,
but is interrupted when Bester arrives. They exchange a few words, but
Bester claims that Garibaldi is no longer worth his attention, and
begins walking away. As he walks by, Lyta tells Garibaldi that Bester
scanned him. This outrages Garibaldi who chases after him and backs
him against a wall. He demands to know why Bester scanned him, but his
anger is noticed by some security guards, who restrain him and drag him
away. As Lyta chases after him, Bester finds that Zack, too, saw the
whole thing.
Delenn, Lennier, and some other members of the Religious Caste, are
walking toward the temple. Lennier laments that they are surrendering,
but Delenn says that the day is not yet over. She gives him a small
tube, and says all the instructions are inside. They enter the
temple. The rite of surrender begins, and Shakiri tells
Delenn that this day is the beginning of a new age for their people,
and that the hostilities can finally stop. She says that she speaks
for the Religious Caste, and that they surrender. This overjoys
Shakiri, who starts talking about rebuilding their cities and the
Grey Council. Delenn, however, is not finished. She says that the
Religious Caste does not give up their sovereign right to form a new
government. She says that Dukhat found no dishonor in surrender, and
the she recognizes the superior forces of the Warrior Caste, that the
Religious Caste helped to arm and train. Though the Warrior Caste may
be stronger, they aren't necessarily wiser. She says that she doesn't
want to throw away all they have done for the past thousand years, and
that the Temple of Varenni was used to bring the reality of war to its
leaders, and not just those who fight and die on the front lines. She
makes a gesture, and a hole in the ceiling opens, casting a bright
white light into the circle on the floor. She explains that, if they
are ignoring the wisdom of Valen, they must completely return to the
ways of the Ancients. The leader of each of the warring castes would
step into the circle on the floor, and the Starfire Wheel would open,
and its fire begin to destroy the leaders. Those who were afraid would
send others to enter the fire, or escape, and whoever reamined in
the fire to sacrifice their life would be representative of the true
Caste that should lead the Minbari people. Shakiri vehemently objects,
but Delenn insists it's tradition, and that she is willing to endure
the Starfire Wheel for the good of the Minbari people. If the Warrior
Caste will not do likewise, they don't deserve to lead. She steps into
the circle of light on the floor. "Valen said, 'Will you follow me
into fire?'" she says. "Will you?"
Lennier protests, but Delenn will not move, and instead begs Lennier to carry out her instructions should she die. Shakiri doesn't move, so Delenn asks if he concedes leadership, if it is too easy to send others to die for him, but that he isn't willing to die for his Caste. The Starfire Wheel opens further, and the light around Delenn grows stronger. Shakiri insists that the entire thing is madness and refuses, but Neroon points out that Shakiri said that a Warrior does not fear death, and asks why he is afraid. Shakiri asks if he speaks for the Religious Caste, but Neroon says he speaks for their people, and wants to know who he speaks for, and what he is willing to do--the other Minbari people, all watching, want to know as well. Shakiri steps forward and enters the light, as the Starfire wheel opens further. Shakiri tries to convince Delenn to walk out with him, but she refuses--he insists there are other ways, but Delenn says he should have thought of that before he tore the Minbari people apart. Shakiri jumps from the light, but Delenn does not leave, as Neroon tells Lennier she promised to do. Lennier says she is making a point, for all Minbari. The Starfire Wheel opens further, nearly all the way, and Delenn is no longer able to withstand its force.
"No!" cries Neroon as he runs forth. He forces himself into the light,
picks up Delenn, and hands her through the light to Lennier. Standing
in the flame, he cries out, "I was born Warrior Caste, but I see now...
The calling of my heart... is Religious! The war is over! Listen to
her! Listen!" The Starfire Wheel opens completely, and the light
utterly engulfs him. In mere seconds, he is gone, and only the smoking
circle, where he once stood, remains.
Garibaldi is again asleep in his quarters when another message from
Edgars wakes him up. Though he is very upset, he manages to contain
his anger long enough to listen to Edgars. He has found out that
Garibaldi has hired Lyta, and doesn't want her to work for Garibaldi if
Garibaldi is working for him. Garibaldi asks why Edgars wants to help
telepaths, but not to employ them. Edgars says he doesn't trust telepaths.
He says that, if Garibaldi wants to keep his job, Lyta must not work for him.
Bester is in the Zocalo watching Lyta and Garibaldi have a heated discussion. Lyta becomes very angry and storms away from the table, as Bester simply sits and smiles. "Personal log: Bester, Al. August 3rd, 2261. By provoking Mr. Garibaldi, I have put him even further at odds with his former associates, and further on the path I need him to folow. What I came here to get, I got--even her." We now see Lyta inside her quarters, wearing long black gloves, and the PsiCorps symbol on her chest. Bester's contract is lying nearby, as she sadly looks at what she has once again become in the mirror. "Guess you could call it a bank shot," Bester continues. "Yes... I've had a nice day."
On the Grey Council ship, Lennier tries to convince Delenn that she
should wait before doing what she is planning, but she won't postpone
it a moment longer. Lennier says that, when she enters the Council
Chamber, what transpires will be broadcast all over Minbar.
She enters the chamber where the nine circles of light surround one in
the middle. None of them are occupied. She steps into the center
light, and proclaims that she is about to restore the Grey Council.
She calls forth the members of the new Grey Council--two Religious, and
two Warrior. There are still five spaces vacant, but the
tradition must be broken-- there can no longer be three of each Caste.
She calls forth five other Minbari, all from the Worker Caste. She
explains that, when the Religious Caste and the Warrior Caste fight,
the Workers are caught in the middle--they build the ships for fighting
and the temples for praying, and they look to the other Castes to guide
their hands. The Workers want to do only what is best, and, from
now on, the Religious and Warrior Castes will be in the service of the
people, not the other way around. She steps from the center circle of
light, and explains that it is reserved in memory of Neroon, until the time
it will be filled by the one who is to come. She advises the
Council to judge wisely and well, as the leader of the Minbari,
then leaves so that the Council may begin.
Ivanova comes into Sheridan's quarters, in a fury. She holds up a data crystal and explains that it was taken by a transport bringing relief supplies to Proxima 3. The crystal contains footage of an Earth Force destroyer decimating a convoy of unarmed transports. She says that the transports indentified themselves as only carrying wounded refugees, over 10,000 civilians in all. She says she's going to put the video on Voice of the Resistance as soon as she calms down.
Sheridan, likewise, is outraged. "This madness has gone on long enough. I don't care if we're not ready, I don't care if we're outnumbered or outgunned, I don't care what ISN says about us. This stops, and it stops now! Now, if earth wants to declare war on us, then it is time that we took the war to Clark. You tell the others... Starting right now, we fight back and we fight back hard!"
"I thought you were looking for some other way than firing at our own
ships," Ivanova asks. "They were following orders."
"Any crew that executes an order like that is guilty of war crimes, and
they deserve whatever they get," Sheridan continues. "No, we're riding
in, Susan. Anybody who wants to defect and join us, fine. If they get
in our way, we will knock them down. If they kill one of our ships,
we'll kill three of theirs. And we keep going. We never slow down,
and we won't stop... We're going after the colonies, then Mars... and
then Earth. And God help anybody who gets in our way."
Movements of Fire and Shadow
Overview
The Centauri situation escalates. Lyta and Franklin visit the Drazi homeworld on a mission of mercy at Vir's request. Wayne Alexander as Drakh.
P5 Rating: 9.43 Production number: 518 Original air date: June 17, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by John Flinn III
Plot Points
- @@@898143770 Sheridan has authorized the White Star fleet to engage the Centauri if they're involved in hostilities with other Alliance forces.
- @@@898143770 The White Star fleet has been taking steady losses since its construction: many ships were lost during the Shadow War, more during the conflict with Earth, and now more in battle with the Centauri.
- @@@898143770 Sheridan has asked Delenn to relay a request to the Grey Council: release the technologies needed to build White Star-class ships to Earth, which will begin construction of White Star destroyers and cruisers to supplement the existing White Star fleet.
- @@@898143770 On their way to deliver the message, Delenn and Lennier have been attacked by Centauri warships. Their White Star was left crippled and drifting in hyperspace.
- @@@898143770 Centauri ships have been destroying jumpgates.
- @@@898535531 The Centauri ships carrying out the attacks on Alliance ships have been piloted not by Centauri crews, but by Shadow-derived autopilot organisms. As a result, no Centauri bodies have been recovered from the wreckage of cruisers destroyed by Alliance forces.
- @@@898538062 Not all the Alliance races are participating in the war. The Vree, and possibly others, have declared their neutrality.
- @@@898143770 Londo has been released from prison, though G'Kar is still there.
- @@@898533327 The Drazi and Narn have launched an offensive against the Centauri homeworld, fully aware that they'll cause large civilian casualties. Sheridan is trying intercept them with a large fleet of White Stars in time to stop the attack; it's not clear if he has succeeded. (See Analysis)
- @@@898143770 The Regent, acting under the control of the Shadows' allies on Centauri Prime, has rendered the planet defenseless against the attack by ordering the ships stationed in orbit to go elsewhere in response to a fake emergency, and by deactivating the automated defense systems.
Unanswered Questions
- @@@898143770 What was done to Londo? Was his experience with the aliens real or a dream? Does he now have a Keeper ("War Without End?") If his experience was real, what was done to G'Kar, if anything?
- @@@898533328 Did Sheridan make it to Centauri Prime in time?
- @@@898537754 What was G'Kar writing in his cell? More chapters of the Book of G'Kar?
- @@@898537754 What was the gift from Sheridan that Delenn refused to wear?
Analysis
- @@@898143770 Why wasn't Delenn's ship accompanied by any escorts?
Granted, the specifics of her mission were supposed to be kept secret.
But the Minbari ambassador returning home to consult with her
government just after the start of a war would hardly appear
suspicious, and given Sheridan's obvious concern for her safety, an
escort could easily be justified even if she were simply returning
home to deliver a status report or receive new instructions.
- @@@898535531 Delenn's White Star was badly damaged by a small group of
Centauri cruisers. Since they were built to fight Shadow ships with
immensely more powerful weaponry, its relatively easy near-destruction
might seem a bit inconsistent, but that's not necessarily true.
First, Delenn was caught by surprise here. Second, in previous
combat situations, White Stars have relied heavily on maneuverability
to avoid being hit by the same weapon in rapid succession, giving their
defenses time to adapt to particular weapons (as Lennier mentioned in
"War Without End part 1.")
In this case Delenn's ship took several direct hits in a row. Third,
it might not be a correct assumption that her ship was hit by ordinary
Centauri weapons; with the Alliance and its White Stars stepping into
the fray, the Drakh and their cohorts may well have applied some
leftover Shadow technology to the weapons systems of the cruisers.
- @@@898143770 Garibaldi's drinking problem seems to have lessened in
severity a bit, perhaps as a result of Zack discovering it. It didn't
appear to interfere with his job duties as it has in the past.
- @@@898144732 Lyta said the Vorlons gave her knowledge of Shadow
technology in case she encountered any of it while working for them.
What other knowledge did they give her, and how detailed is it?
- @@@898535723 Lyta's enhanced powers were in evidence again; she forced
the Drazi assassin to shoot himself. In a similar situation, it took
several telepaths joining forces with Byron to force their will on
an enemy soldier
("A View from the Gallery,")
and they weren't trying to make the alien kill itself.
- @@@898537754 Between her deals with Vir and G'Kar, Lyta is accumulating
a large sum of money for her cause. What exactly does she intend to
spend it on, given that G'Kar has already promised her ships? Maybe
she's saving it to fund construction once a suitable colony planet
has been located.
- @@@898541560 Lyta told G'Kar that the deal between the two of them had
to be kept secret, but she told Vir what she wanted the money for
and didn't exact a similar promise from him. What part of her deal
with G'Kar was Lyta afraid would become public knowledge? The fact
that she was supplying human genes to the Narn?
- @@@898541290 Lyta mentioned that she'd heard the Psi Corps had
acquired a couple of the Shadow control modules. What has the Corps
done with them? Is there any relation to the secret mothership the
Corps keeps in hyperspace
("The Corps is Mother, the Corps is Father?")
- @@@898536972 Why wasn't the fact that the Centauri ships are operating
without normal crews detected before? Obviously the fact that they
didn't leave behind any survivors would have made it difficult for
that information to find its way back to the Alliance even if it was
detected. And Lennier's one-man fighter might not have been equipped
to perform that kind of scan when he was attached to the cruiser
("Darkness Ascending.")
But the Centauri warships have been under observation by White Stars
for a little while
("And All My Dreams, Torn Asunder")
and it seems odd that one of Babylon 5's probes could sense that
there was no crew while a White Star couldn't.
- @@@898537754 Sheridan claimed that nobody started a war "just to honk
off your neighbors." But that's exactly the goal of this war from
the Drakh point of view. Not coincidentally, it was also the strategy
of the Shadows: turn everyone else against one another.
- @@@898538344 The Narn and Drazi disobeyed the orders of the President
of the Alliance on a military matter. What will the political
consequences be? Does the Alliance charter allow member races to
carry out their own attacks against an enemy of the Alliance, or
are they supposed to defer to the Alliance? They appear to be
allowed to determine their own defense policies and refuse Alliance
intervention, but that isn't necessarily the same as carrying out
an attack. And even if military coordination isn't required under
the terms of the Alliance, given that G'Kar wrote the Declaration
of Principles, attacks on civilians are almost certainly forbidden.
Will the Drazi and Narn be removed from the Alliance?
- @@@898537754 The Centauri Minister of Defense may or may not be in
on the conspiracy. If he is, his refusal to consider Londo's proposal
was a foregone conclusion. But given that Londo discovered that
military production was being stepped up, and that that fact was
classified such that only the Regent was supposed to know about it
("In the Kingdom of the Blind")
it's entirely possible that the Minister, and his fleet commander,
truly believe that the attacks are being staged by the Narn or
someone else using surplus ship hulls.
- @@@898143770 Londo's mad dash from the Regent when he was told the
planet was defenseless may be evidence that he doesn't yet have a
Keeper (though arguably a Keeper wouldn't bother stopping him
from doing what he did since there was no chance of undoing the
Regent's sabotage.) The Regent's comment that Londo should enjoy his
remaining "free" time further implies that Londo isn't under alien
control yet.
@@@898537969 But it's possible that a Keeper isn't implanted all at once. In "Racing Mars," Captain Jack's Keeper grew back after most of it had been removed; maybe a Keeper is implanted by placing a spore of some kind in the victim and letting it grow. In that case, Londo may indeed have been implanted and the Regent may have been referring to the amount of time it takes a Keeper to become active.
- @@@898144732 The alien's comment that Londo was "sufficient" implied
that he might not have been -- how was Londo being measured?
Given that he's in line to be the next Emperor, how much latitude do
the Shadow allies have in their selection of subjects?
- @@@898535531 Once again, Londo has stood in the sand garden looking
skyward, just as in his dream
("The Coming of Shadows,")
its eventual fruition
("The Hour of the Wolf")
and his observation of the Centauri fleet
("And All My Dreams, Torn Asunder.")
- @@@898533328 It's not clear
whether Sheridan arrived too late to stop the attack on Centauri Prime.
The sequence as shown was: the Narn/Drazi fleet jumped out of
hyperspace. Londo saw some jump points open in the sky. The Narn and
Drazi started firing. What's unanswered is, were the jump points
Londo saw the same ones the Narn and Drazi opened? If not, it's
possible Sheridan's fleet arrived just in time, and the Narn and
Drazi opened fire on the White Stars, not on Centauri Prime itself.
- @@@898535531 If Sheridan didn't arrive in time, then it's possible the attack caused some of the devastation of Centauri Prime seen in "War Without End." (See jms speaks)
Notes
- @@@898537754 Two of the principles in the Declaration of Principles are rules of engagement: no destruction of jumpgates, and the return of enemy bodies.
- @@@898143770 The alien surgeons, and their drill, previously appeared in "Ship of Tears," and "The Exercise of Vital Powers," in which telepaths recalled receiving Shadow cybernetic implants.
- @@@898537827 Visual inconsistency: When Delenn and Sheridan kiss, she embraces him and puts her hand on his shoulder. The point of view shifts and they're still kissing, but her hand has jumped to his neck.
- @@@898541424 Franklin's initial refusal to ask anyone for directions to the hotel was a subtle counterpoint to his demand for directions from the Drazi doctor later in the episode.
- @@@898144732 The Minbari-human collaboration on new ships based on White Star technology may eventually form the basis for the Excalibur, the ship in the spinoff series "Crusade."
jms speaks
- @@@898328976 How many other shoes have you got to drop on
us?
A couple more shoes.And a boot or two.
- @@@898328167 "Actually, it's possible that this is all just a
coincidence of timing. After all, JMS didn't write these episodes
knowing when the breaks in the season would take place. On the other
hand, I hate coincidence and this is one hell of a big one..."
Funny thing about that. When I wrote this, this was the first part of a very tight two parter (well, actually, it's part 4 of a five parter; if you watch them straight through, one dovetails right smack into the next, it's one really huge episode). Anyway, for the fifth one, the next one to air, I decided to do a recap in the teaser, a "Previously on Babylon 5..." compilation. Hadn't done it with the others, but just decided to do it with this one, since it picks up seconds after the other.
Later, after putting it together, in a phone call with TNT, they told me about the decision to put in a break after this episode. "So you may want to consider putting a recap into the teaser, since this is a two-parter and it's been a long time and that's something you didnt' anticipate."
"Well, actually...I already did that."
A long pause. "How did you know?"
"I didn't."
Scared 'em real good with that one.
- @@@898328167 "and i guess we now know why the attacking centauri
vessels wouldn't have noticed lennier exchanging a little
breathing--since they weren't really using it thmselves."
Ding!
- @@@898328976 If the Shadows have devices for piloting combat
ships, why did they need bodies for their own ships?
The control pods mainly work via remote control, their functionality (as Lyta noted) is limited. For the shadow vessels, you need a fast reaction, independent-thinking cpu of a higher order...also because a shadow vessel is a hell of a lot more advanced and complex than a Centauri cruiser. - @@@898535531 Is this attack what caused the damage in
"War Without End?"
Of course, everyone's assuming here that the awful state we find Centauri Prime in, in WWE, is caused entirely by war.... - @@@898329151 Why wasn't the beginning of the season more like
this?
Well, it's kinda what I've been saying all along...the bigger the planned wham, the longer the quiet ramp-up. And, again, the arc was there when it didn't seem to be: this whole thing started when the raids started to take place, which goes back quite a ways. And Lyta would not be in this position, not this assertive with her abilities, had she not gone through the fire (literally and figuratively) with Byron, whose fate more or less kicked her out of her shell. The old Lyta would never have just up and gone to the Drazi homeworld on her own; but the money, needed to follow her and Byron's dream, propelled her.It was ALL there, more or less in plain view.
And without it, without all that careful and deliberate setup, this episode (and especially those that follow) would never have played as well, if at all.
- @@@902865149 "I agree the coldness was disturbing, but I feel this
reveals the deep emotion she feels at Byron's death and her consequent
ruthless determination to achieve his goals."
This was the point I was going for with people who were saying that the Byron thing was totally extraneous. To get Lyta to this point as a character -- remembering her "I'll sue" tirade as the last time she even sorta kinda got mad -- she would *have* to go through the fire, and lose something that meant enough to push her to this point. So you had to let the relationship with Byron go full term, follow it over time, and see what it meant to her to justify and motivate what happens to and with her in the last part of the season.
Movements of Fire and Shadow
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
Near a Drazi colony on the border of Drazi space, the Centauri and Drazi fight one another.
Lochley's personal journal: "The Centauri War continues to spiral
out of control. The threat of retaliation has already reached Babylon
5. Over half a dozen Centauri have been murdered in just the last
three days. In an attempt to reduce the number of casualties, I've
doubled security on every level. It hasn't helped."
Sheridan stops by Lochley's quarters late at night. He wants to tell her about the latest information. According to reliable, but still unconfirmed reports, the Centauri are targeting enemy jumpgates. Lochley is aghast. This is a violation of every rule of civilized warfare. And if the hyperspace beacon system fails, it will hurt the Centauri as much as anyone else. It makes no sense.
Sheridan agrees. This means, he says, that the Centauri are out of control, and may even strike at Babylon 5 itself. Moreover, he has just authorized the White Star fleet to fire on any Centauri vessel engaged in hostilities against Alliance ships. Babylon 5 is no longer neutral in this conflict.
Over breakfast, Sheridan is trying to ask Delenn for something he
doesn't really want to ask. Since the Alliance has been using White
Stars against pretty much every size of ship. Since the Shadow War,
through the battle for Earth, and now the Centauri War, they've lost a
lot of them. Sooner or later they will run out of ships. They need
more ships, and they need bigger ships as well.
Delenn agrees in principle, but thinks it will not be easy to
arrange. The Grey Council authorized the construction of the White
Star ships for use in the Shadow War. To develop similar
vessels, but of entirely new classes, would imply an enormous
expense. But Sheridan points out that the expense can be spread around
now. He has suggested to President Luchenko of the Earth Alliance a
joint Earth-Minbari project. Minbar will provide the specs and
material for a destroyer class ship, and Earth will handle the
construction and expenses. Since they will also benefit from the
technology involved, Luchenko is willing to go ahead... if the Minbari
agree to it first. So Sheridan needs Delenn to contact the Grey
Council and propose it.
The problem is that she needs to do it in person. The project must be kept secret until the first prototypes start rolling out of the assembly lines. And the hyperspace routes from Babylon 5 to Minbar are no longer safe, with the war going on. Nonetheless, Delenn agrees to do it. After all, it is impossible to live without risks.
Franklin and Lyta arrive at Vir's temporary quarters. He has been
moved to help protect him, and he has asked both of them to come
because he needs their help. The biggest losses the Centauri have had
have been against the Drazi. According to the Declaration of
Principles of the Alliance, opposing sides should exchange bodies of
those killed, returning them to their own people. The Centauri have
been honoring this, but the Drazi have refused to return any bodies of
Centauri dead. Vir thinks something is going on.
Vir wants Franklin to put pressure on the Drazi, as head Medical
Officer of the Alliance, and Lyta to tell if they are hiding
something. Franklin can also tell if the bodies were killed in space
or elsewhere, find out if there is a reason they refuse to return them
in the first place. Franklin points out he would have to go to the
Drazi homeworld, but Vir has made all the arrangements for
this. Franklin agrees, provided Sheridan approves.
But Lyta will not do it for free. Her fee will be five hundred thousand credits, to be deposited in an account to help rogue telepaths escape the Psi Corps. Vir is taken aback, as it is more than he can afford. And Londo is, as Vir puts it, "otherwise engaged."
In fact, Londo is in a cell with G'Kar ("And All My Dreams, Torn Asunder"). G'Kar tries to get him to leave, but Londo will not. For one, it is a question of principle: he said he would go wherever G'Kar did. Besides, he figures he can be of more help in there. The people will be outraged when they find out he is being held in prison without being charged, and the popular outcry will force the Centarum to take a stand. They may even have to issue a cease fire over the Regent's objections. He'll wait until morning. It has been three days since he has been in the cell, more than enough time for the people to get organized.
G'Kar and Londo start getting ready to go to sleep when a bright
light flashes; they both fall to the ground unconscious, and robed
figures grab Londo and drag him out of the cell, leaving G'Kar behind.
The figures are aliens. Londo is put on a table, taken through dark
corridors to a dark room, where he is examined. A device is stuck
through his throat, and the aliens continue their preparations. When
they are done, Londo awakes briefly, and sees the aliens over
him. "Who are you?" he asks, "What do you want with me?" Another
shadowy alien comes by ("In the
Kingdom of the Blind") "Yes," the
new arrival whispers. "He will be sufficient." A mask descends on
Londo's face, as his vision blurs. Then, he awakes with a start.
It is morning. He is back in the cell with G'Kar. It appears it was
only a nightmare. Londo says he has to get out. He has the feeling
something is terribly wrong, and he needs to be out to deal with
it. But he needs to save face. G'Kar obliges, by vomiting, creating a
horrible smell. Londo is "rescued" by a guard, who gags and coughs at
the stench.
On Babylon 5, Sheridan, Garibaldi, and Lochley arrive for a meeting with the Narn, Brakiri, and Drazi generals. According to them, with the help of the White Stars, they are holding their own against the Centauri. But the Narns have taken heavy losses on their already depleted forces. Lochley suggests they consolidate their defenses: the Drazi could send some ships to help the Narns, and so on. But the Brakiri ships will not take orders from Drazi, according to the Brakiri general. And the Drazi, claims the Narn, will not take orders from them. The Drazi general, on the other hand, claims they can win by themselves and do not need help from others. Clearly, no cooperation is possible.
Sheridan also wants to get a sense for the Centauri strategy. According to Garibaldi, the Centauri fleet has divided in two; one wing is defending their bases, and the other wing is attacking others, with little to no exchange between the two wings. Which, according to the Narn, is atypical of Centauri tactics. Furthermore, no overall strategy is apparent. Very strange indeed.
Lochley is called to C&C. After she leaves, the Narn suggest pooling
their forces and launching an offensive. The Drazi agrees; they want
to hit Centauri Prime. But Sheridan will not allow it, as it would
mean hitting civilians. The Brakiri points out that such
considerations have not stopped the Centauri. Nonetheless, Sheridan
does not yield, and he forbids any attacks on civilians.
In C&C, Corwin explains that a lone Centauri cruiser is approaching
through hyperspace. Their weapons are off, but the jump engine shows
unusual readings, and there are no life signs. Lochley realizes the ship
is going to blow the jumpgate, and orders Alpha Squadron to destroy
the cruiser. They manage it, barely, although the explosion causes
some minor damage to the gate. It was far too close.
Now alone, the Drazi and Narn generals take the near miss as an indication that the humans cannot fight this war properly. The Drazi suggests they join forces and attack Centauri Prime. The Narn general agrees. On this, at least, they can work together.
Sheridan contacts Delenn and Lennier, who are already en route to
Minbar. The gate at Babylon 5 will be out for a couple of days. Delenn
is relieved everyone on the station is fine. She is two days away from
Minbar, and has already scheduled a meeting with the Grey Council.
On Centauri Prime, Londo is talking with several ministers, trying to
muster support to move against the Regent. But the Defense Minister
disagrees. According to him, Centauri ships have been engaged only in
defensive actions. The rest is propaganda. The other ministers
agree. The Ministry of Defense will not back Londo in a move against
the Regent.
On Babylon 5, Garibaldi runs to Sheridan's quarters. He just found out
that thirty percent of the Narn and Drazi fleets have disappeared.
Garibaldi thinks they are on their way to Centauri Prime, but there is
no time to get proof. Sheridan needs to get between them and the
planet, or several million civilians will die.
On the Drazi Homeworld, Franklin and Lyta meet with a Drazi
doctor. The doctor claims they have not returned Centauri bodies
because they have none; the dead were in such disarray in space that
it was impossible to put them together. But Lyta knows he is lying,
and accuses him of it. Then, two Drazi climb down onto the balcony and
start firing. Franklin gets one of them with a PPG, and Lyta stands up
and uses her mind to force the second Drazi to shoot himself in the
head. The Drazi doctor is horrified and tries to leave, but is stopped
by Franklin. Lyta scans him, and then yells "Take me there! Now!"
Franklin and Lyta lead the Drazi out at gun point.
On Babylon 5, Sheridan has assembled a White Star strike team, and they head out to Centauri Prime. Elsewhere in hyperspace, Delenn's ship detects four Centauri warships. Too many to fight. And before they can notify Babylon 5, the Centauri fire and damage the White Star. The ship starts spinning out of control, and fires break out inside.
On the Drazi Homeworld, Franklin and Lyta arrive at a research
facility, and discover why they were almost killed: the Centauri ships
had no crew, only some black pods attached to the controls. Lyta
recognizes them, just as more shots are fired at them from inside the
facility. Lyta grabs a pod, and they both run out.
On Centauri Prime, Londo enters his quarters and finds the Regent
there. The Regent rambles a bit, and later acknowledges that he gave
the attack orders, "after a fashion." He also says his time is almost
over; he will die soon, and he is glad of it.
In hyperspace, Sheridan receives Franklin's report. Lyta explains that the pods are leftover Shadow technology. The Vorlons left the information behind in her. The pods are organic devices, used to control ships from a distance. This is why the Centauri military leaders did not know about the attacks, and why the defensive and offensive wings of the fleet did not mix. All attacking ships are being controlled through the pods. Sheridan wonders how the Centauri got their hands on them, but Franklin points out many Shadow servants were left behind when Z'ha'dum exploded ("Epiphanies"). It is possible one of these races sold them to the Centauri. Or, as Lyta points out, a third party may be using them to frame the Centauri. The Drazi kept the pods secret so they wouldn't have to turn them over to the Alliance, and because they have always competed with the Centauri for trade; a war is in their best interest.
Sheridan realizes now why they couldn't figure out the Centauri strategy: there was none. The objective was to turn everyone against the Centauri so they would attack them.
Delenn's ship is adrift in hyperspace, half destroyed. Delenn and
Lennier are still alive, the only ones left on the bridge. The jump
engines are off line, and most of the crew is dead. The few other
survivors are trapped in lower decks, unable to get through the
debris. They have enough fuel left in the thrusters to keep from
drifting too far off the beacon for now ("A
Distant Star"). Lennier can't even tell if the distress signal is
working, and his leg is broken. "This is bad, then," says
Delenn. "Very bad," confirms Lennier.
In his cell on Centauri Prime, G'Kar writes as the Narn and Drazi
fleets approach. Elsewhere in the Royal Palace, Londo and the Regent
are still talking. Londo asks the Regent to recall the ships, make
peace. "There will be peace," says the Regent. "But it will not
last. It never does. They said so. They also said I would be dead by
morning, and that tomorrow you would be Emperor." Londo wants to know
who they are, but the Regent does not answer. Instead, he
continues: "They asked me to send away all the ships guarding Centauri
Prime on a false emergency, and turn off the planetary defense
network." The Regent did so, just before coming to see Londo. "No!"
Londo says horrified, and runs out to a courtyard. In the sky, he can
see jump points opening in outer space.
High above Centauri Prime, the jump points open and Drazi and Narn ships jump back into normal space. They open fire...
No Compromises
Overview
As the station adjusts to the arrival of a new command officer and prepares for Sheridan's inauguration, a group of telepaths arrives looking for sanctuary. Robin Atkin Downes as Byron.
P5 Rating: 7.45 Production number: 502 Original air date: January 21, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Janet Greek
Plot Points
- @@@885448558 B5 is now under the command of Captain Elizabeth Lochley, an Earth Force officer hand-picked by Sheridan for her ability to defuse crises without resorting to violence, and her ability to fight effectively when required. He has placed her in charge of all aspects of station operation except political decisions affecting the Interstellar Alliance.
- @@@885923970 B5 hasn't rejoined Earth yet. The Alliance is discussing buying it from Earth. In the meantime it remains an independent state.
- @@@885448558 Sheridan has allowed a group of rogue human telepaths, led by a man named Byron (whose psi powers seem to be quite strong) to establish a colony on Babylon 5.
- @@@885448558 Narns aren't given their adult names at birth; they're given temporary ones for the first ten years of their lives, after which they're allowed to select their true names from whatever pantheon they've come to believe in. G'Kar was no exception.
- @@@885448558 G'Kar has assembled a declaration of principles for the Alliance. It consists of the first page of every holy book of every race in the Alliance, a reminder that the Alliance is a multitude of voices and beliefs, all worthy of respect. (See Analysis)
- @@@885448558 G'Kar continues to write his own book ("Point of No Return") and has shown it to other Narn and to Garibaldi. The other Narn have even begun quoting it.
- @@@885448558 Sheridan has named Garibaldi the head of the Alliance's covert operations division.
- @@@885924386 B5 continues to employ Narns in its security forces.
- @@@885924386 Sheridan's first assignment in Earthforce was the 54th North American Unit.
Unanswered Questions
- @@@885479607 When they first met, Sheridan told Lochley, "It's good to see you again." Under what circumstances were they previously acquainted?
- @@@885480715 Who was the girl in Simon's vision? What was happening between (or to) the two of them?
- @@@885448558 Did anyone discover the murder of the Gaim ambassador? What repercussions, if any, will it have?
- @@@885448558 Who was the original G'Kar? A character in the Book of G'Quon? Why did G'Kar choose that name? (See Analysis)
- @@@885924316 Why wasn't Lochley at the swearing-in ceremony?
- @@@885448558 Did G'Kar put the first page of his own book in the declaration of principles?
- @@@885491393 Which side was Lochley on in the civil war?
Analysis
- @@@885492665 Lochley was described as Ivanova's replacement, but she
really replaced both Ivanova and Sheridan, since the latter isn't in
charge of station affairs any more. Will Lochley bring in additional
staff to help fill that apparent gap?
- @@@885492665 Both Zack and Lochley are in the unenviable position of
having their predecessors nearby, now civilians but still
second-guessing their decisions.
- @@@885492665 Sheridan's story about washing his own socks echoes his
conversation with Lorien
("Whatever Happened to Mr. Garibaldi?")
about his life being predicated on finding something to live for. In
a less drastic sense, that's exactly what Sheridan's drill instructor
was doing by washing his socks every night. Presumably "washing my
socks" wouldn't have sufficed as an answer to Lorien, though.
- @@@885448558 How strong is Byron? He was able to project his image to
Lochley, something most telepaths don't seem to be able to do. Is
that simply a normal ability of high-level psis, or is there something
different about Byron? One other example of someone able to push
thoughts to others was Matthew Stoner, Talia's ex-husband
("Soul Mates.")
Another example was
"A Race Through Dark Places,"
in which the combined power of Talia and the rogue telepaths was able
to project images into Bester's mind.
- @@@885448558 Byron alluded to Franklin's participation in the
underground railroad
("A Race Through Dark Places.")
How many of his people did Franklin assist? Do they feel indebted to
Franklin as a result?
- @@@885479935 How was the assassin able to steal a Starfury so easily?
It's been previously implied
("Survivors,"
"A Voice in the Wilderness, part 2")
that Starfury launches -- or more specifically, the launch bay doors
-- are controlled from C&C. If that's true, the assassin might
have had inside help, which would in turn imply a wider conspiracy.
If he did receive inside help, there's some indication (not very conclusive) that it might have been Lochley. The assassin served with her in the past. Her evasive answer to Garibaldi implied that she opposed Sheridan in the civil war. She argued for the inauguration to proceed on schedule. She would have had the authority to launch the assassin's Starfury, and she wasn't present at the ceremony.
On the other hand, the assassin may have been the computer expert Garibaldi supposed, and may have launched the Starfury the same way he sent untraceable messages to Sheridan. His task would have been made easier, perhaps, by the fact that it appeared the pilot he knocked unconscious was getting dressed for a launch -- a Starfury launching on schedule would presumably raise no alerts in C&C.
- @@@885491393 How was Garibaldi able to get to a Starfury?
As a civilian (at the time Sheridan hadn't yet appointed him to any
official position) he should have been barred from the launch bay as
well. Of course, by his own admission, Garibaldi is perfectly able to
circumvent B5's security measures when he needs to.
Garibaldi's ship, incidentally, was his own personal Starfury, as evidenced by the Daffy Duck emblem on the right side, between the wings -- Garibaldi has been a Daffy fan from day one (the cartoon he shared with Delenn in "Midnight on the Firing Line.")
- @@@885448558 Sheridan's decision to allow Byron's people on B5
may be a point of contention with Lochley, even
though it was arguably a political question from the start. If she
denied Byron's request, she clearly thought it fell within her
jurisdiction to make such decisions, and may now feel that any
decision she makes can be declared a political issue by Sheridan
and overturned.
- @@@885448558 Sheridan's assumption was that by allowing the colony to
form on the station, he'd be gaining telepathic allies in any future
war between telepaths and normals. But doesn't that depend on the
nature of the war? It might be sparked in such a way that it's not
just a matter of Psi Corps versus everyone else, in which case having a
colony of telepaths, some quite powerful, aboard Babylon 5 would be a
tremendous liability. For example, Edgars' telepath virus
("The Exercise of Vital Powers")
would clearly be seen as a threat by all telepaths, regardless of their
political affiliation, and all normals would be potential carriers.
- @@@885491687 If Psi Corps propaganda can be believed (comic
"The Psi Corps and You")
the circumstances surrounding the establishment of the Corps (a
telepath foiling the assassination of the Earth Alliance president)
closely resemble those of the establishment of Byron's colony. Whether
the colony will mirror the Corps in other ways remains to be seen.
- @@@885492665 Another on-station colony, of sorts, also helped uncover a
murderous criminal: Theo's monks, who identified the bomber in
"Convictions."
- @@@885925199 Byron said his people refuse to have anything to do with
technology (except, presumably, the ships that brought them to the
station.) In some ways that makes his group the opposite number of the
technomages
("The Geometry of Shadows.")
Both achieve near-magical results, the technomages using advanced
technologies honed to an art, Byron's people using no technologies at
all. And both want to be left alone by the rest of society.
Will the two groups ever meet?
- @@@885492665 This wasn't the first time an attempt was made on
Sheridan's life following a shift in political power: in
"Ceremonies of Light and Dark,"
a gunman almost killed him in the Zocalo following B5's break from
Earth, and a ceremony celebrating the new order (the Minbari rebirth
ceremony) was disrupted.
- @@@886360919 How do Garibaldi's new job duties differ from Delenn's
as head of the Rangers? Though their presence is public knowledge
now, the Rangers have traditionally been a covert intelligence-gathering
group. Are they no longer performing that function? Will they be
reporting to both Garibaldi and Delenn, or will Garibaldi put together
a separate group answerable only to himself?
- @@@885923970 The exact workings of the Narn
naming custom are still unknown. G'Kar said that Narns pick their true
names at ten years of age, but he didn't say what that meant exactly.
He named three examples of religious persuasion: G'Quon, G'Lan, and
Na'Kiri. From that, it's possible to infer that only the prefixes of
Narn names come from their religions (G'Kar, Na'Toth, etc.) But it's
equally possible that Narns select their entire true names from their
religious texts.
- @@@885492665 Which holy books did G'Kar choose to represent humans? In
"The Parliament of Dreams,"
it was implied that humans have a far greater diversity of religious
beliefs than the other races. Did G'Kar attempt to represent all
of humanity's religions, or just the major ones? He might have had
some help from Theo's monks, who, if they're still on the station,
are already engaged in the work of cataloguing the religious beliefs
of all the races on the station
("Convictions.")
- @@@885924287 It's possible that the book
G'Kar used for the swearing-in wasn't intended to be the declaration of
principles at all, and that G'Kar is still writing the declaration.
Swearing on a holy book may be as common among alien races as it is
among humans, so G'Kar may have intended the book of holy books simply
as a ceremonial device.
- @@@885538410 The question of who controls B5 is a bit muddled. Lochley is an Earthforce officer, but at least some of her senior staff (Zack and Franklin) are, judging by their uniforms, affiliated with the Interstellar Alliance. So is Sheridan, who is in some ways her superior and in others not. The rest of her subordinates, the crew of the station, are presumably employees of a sovereign state until B5's final disposition is determined. Though on a day-to-day basis this jumble of affiliations may not be problematic, it's probably untenable in the long term. For example, if some of the crew want higher pay, as in "By Any Means Necessary," it's not clear to whom they'd make their appeal.
Notes
- @@@885492665 Sheridan and Delenn are alternating between their
quarters, apparently on a nightly basis.
- @@@885479607 Garibaldi's comparison of Sheridan to
Joan
of Arc
is another instance in which the prospect of burning in fire is used a
metaphor for imminent danger. Others are Delenn's repeated
references (following Valen) to going into darkness and into
fire, and Kosh's predicting all would end "in fire"
("The Coming of Shadows.")
- @@@885493590 As Garibaldi tried to figure out the assassin's identity,
he mused about the historical references in the message to Sheridan.
Though the error did lead him in the right direction, he was wrong
about Lincoln's assassin being a soldier on the opposite side in the
Civil War:
John Wilkes
Booth
was never in the Confederate army, though he was in the Virginia
militia for a time.
- @@@887272943 The Gaim have been around since season two (they first
appeared in
"Confessions and Lamentations")
but this episode was the first time one was shown without its helmet.
According to the
official CD-ROM encyclopedia,
Gaim ambassadors aren't typical of their species, but are specially
bred bipedal creatures engineered to more comfortably interact with
other races.
- @@@885538615 Despite the title, there were several compromises in
this episode: Sheridan and Lochley compromised over responsibility
for the station. Garibaldi took a job that's a compromise between
reenlisting and remaining a civilian. Sheridan and Delenn compromised
about their quarters.
- @@@885923970 Continuity glitch: During the swearing-in ceremony, after
the assassin was dispatched, G'Kar held out the book to Sheridan.
He was holding it in his left hand in the shots showing him from
the front, and in his right hand in the shots showing him from behind.
- @@@885923970 Possible continuity glitch: The Acheron, the ship that
brought Lochley to the station, was an Omega-class destroyer (the
type with the rotating middle section.) Later, an exterior shot
of the station showed an Earth ship nearby, but it was missing the
rotating middle section (a Nova-class destroyer.) It's not clear
that they were intended to be the same ship, though.
- @@@885755966 Effects glitch: When the Starfury is shown floating
outside the station, maintaining a more or less fixed position
relative to the window, the lateral thrusters on the right
side of the ship (from the pilot's point of view) can be seen
firing, presumably to keep up with the window as the station
rotates. Unfortunately, that's wrong. The thrusters on the
bottom of the Starfury should have been firing instead.
To see how this works, imagine B5 as a planet and the Starfury as a satellite that wants to attain a circular orbit. To do so, it has to get the desired distance away from the surface of the planet (not very far, in this case, but with no atmosphere to create drag that's fine) and move in the direction of its orbit at a high enough speed that it's always inching away from the surface at the same rate that gravity is pulling it down. Once that speed is reached, no further adjustments are required; momentum will pull it away from the planet and gravity will pull it toward the planet and the two will cancel each other out.
In the case of the Starfury and B5, there's no appreciable gravity from the station. So the Starfury would have to apply the same force gravity would have supplied, thrusting toward the axis of the station at the same rate that it was drifting away. Since the pilot's head was facing the station (implying, incidentally, that the ship had a slight spin) that would mean continuously firing the bottom thrusters.
Once the correct orbital speed is in place, any acceleration in the direction of the orbit would cause the Starfury to move past the window. In an atmosphere, of course, the side thrusters would have to fire just to maintain that speed, thanks to drag slowing the Starfury down otherwise. But there's no appreciable atmosphere outside B5, so that wouldn't have been a factor here.
- @@@887703539 Possible timing glitch: Byron visited Lochley in a cafe and asked her to meet him in two hours. Franklin interrupted her lunch by asking her to come to Medlab right away; she agreed and left. She arrived in Medlab and was there only a few minutes when she received a call from C&C reminding her of an appointment, which (judging by the fact that it was the next scene) was the meeting with Byron. That means it took her two hours to get from the cafe to Medlab to the meeting with Byron. Of course, it's possible she did something else on her way to Medlab, or that the station's transportation systems are just that slow.
jms speaks
- @@@886064865 About the title
I picked "No Compromises" because that was my approach for this season: we aren't going to give an inch on the quality of the show. - @@@874171922 John Copeland and I just did the producer's
cut on 502, the first S5 episode...and Tracy [Scoggins] is *terrific*.
I think she's going to go over like gangbusters. It's a solid episode,
and her presence adds a great deal to the show.
- @@@877413204 BTW, saw the first pass today on the S5 title sequence,
based on my outline to the editors...looks pretty spiffy, and a big
difference from what we've done before, stylistically.
- @@@885407265 Whose idea was it to put your name on the back of the
station?
I confess it was my idea...damn taggers are everywhere...it's my one indulgence in 5 years. Doesn't any good artist sign his work? - @@@885407362 This in some ways is my favorite title sequence.
It took a long time to make it, and it was very difficult to assemble.
Usually I can design the title sequence on paper, and the working with
the editors part doesn't take that long...here it took a Long Time to
painstakingly choose the images, use counterpoint dialogue, pick the
high moments and make it all flow from one year to the next, sort of a
Cliff's Notes version of the history of the show. And the music is
terrific...very mature, solid sounding.
As for the back of the station...y'know, those damn taggers are everywhere, aren't they?
- @@@885407362 In about two dozen comments so far about the S5 title,
only one has been negative, the rest loving it. It helps to place each
season for the new viewers, recaps things, hits the high points, and
the new music gives it a more mature sound. I'm pleased. (Since I
designed it, I guess I'd better be....)
- @@@885480715 Won't it confuse new viewers?
I think the newbies will be fine...unless and until you know the context of the scenes from S1-4, they're just pretty pictures. - @@@882987731 My local station didn't show the end of season 4.
Should I avoid season 5?
My gut reaction...because S5 starts pretty cleanly, and Sheridan's new situation is set up right from the git-go, I think that you'd be okay to just dive in. Not knowing at the time that there'd be any kind of problem in the airing of the final 4, but having learned from experience that nothing about this show is EVER easy or predictable, I did sort of a primer about where things stand now in the top of the teaser, done breathlessly by Corwin as Lochley arrives.(That ain't much of a spoiler since it happens in the first few minutes of the show.)
- @@@885761816 One note: due to the TNT ad blitz, we went into this on
the assumption that we were (and did) pick up a LOT of viewers who had
never before seen B5. These folks would need to be brought up to speed
on the returning characters and situations, and the regular viewers
would need to be brought up to speed on Lochley...so I wrote it with
that intention.
- @@@889549848 Robin Atkin Downes played Morann in
"In the Beginning." Coincidence?
We were impressed by his portrayal of Minbari, and that led to him coming in for Byron. - @@@885925199 Garibaldi is completely bald this season, and Sheridan
has a beard. Whose choice was that?
Jerry has been shaving his head, getting shorter each year, and it worked for where his character is going, so I let it stay...Bruce would love nothing more than to get rid of the beard (I suspect Melissa doesn't like it also), but for me it's important to make the character visually different, and to give him a more mature look, so Bruce graciously indulges me. - @@@885925199 We always start out slow each
season...especially in this case, knowing that we're going to get a lot
of new viewers, I structured the show so it would bring folks up to
date asap on who everybody is, and where things stand. Believe me,
there's plenty of tragedy and pathos lurking right around the corner.
It picks up at the end of the season, after some very rough things for
the characters, because I can't end it all on a downer, but at the same
time, it has to have meat to it.
"Isn't the Psi Corps still formally a branch of EarthGov? If so, then wasn't Captain Lochley duty-bound to report Byron's people to the Psi Cops as soon as she found out that they were rogues?"
You'll find that question answered soon enough.
- @@@885925199 About Lochley
It's easy to mistake the actor for the character in situations like this.It's a vastly different character from Ivanova also, not meant to fit in the same place, do the same things, or be the same person. They're both strong characters, but different in their approach. Ivanova tended to be a shouter, and on the impatient side...Lochley is a thinker, and more inclined to the blade than the ball-bat. But both are equally lethal.
Lochley, I think, also has the maturity of character you need to rise to the rank of captain in the military, and the voice of moral authority, which both Sinclair and Sheridan had, in comparable positions.
- @@@885925199 Oh, she has a sense of humor...but we don't see it
here in this episode any more than when Ivanova first came in, because
both are in new situations and that requires a certain degree of
seriousness. We'll see some of her humor along the way...it's also
different from Ivanova's, more a sly kind of humor, the sort that slips
past you and ricochets around the corner half an hour later to nail you
between the eyes.
- @@@885480715 About Sheridan
There's certainly a messianic streak running through the character, though he himself might challenge that notion. - @@@885925199 What is G'Kar's position now?
A lot of that will be established this season, but technically, he's still the Ambassador from Narn. - @@@886064821 The ship that brought Lochley was named the
Acheron
Actually, the Acheron is the river of woe.... - @@@885480715 "Does anyone know whether Byron's "The geometries that
circumscribe your waking life draw narrower until nothing fits inside
them anymore" came from anywhere. My first (rather obvious) guess was
that it was a line from Byron."
No, that was me.
- @@@889482428 Why did you name the character Byron?
It's a play on words that becomes a bit clearer later. - @@@885925199 "Why couldn't the young telepath just broadcast his
discovery to the others, vs. having to deliver it himself?"
Line of sight.
- @@@886401531 How does Sheridan know about the telepath
war? Did he watch
"Deconstruction"
or something?
This is hardly a new plot element...this has been brewing for 4 years now, with the growing telepath underground. As for the latter part of that comment...did you already forget that in "Rising Star" there was a conversation between Sheridan and Bester about the coming telepath war?Not my fault if you're not paying attention.
Wouldn't Garibaldi believe the telepath war had been averted since Edgars was killed?
No, Edgars wasn't trying to *start* a war, he was trying to solve it BEFORE it started. He knew it was coming, is coming, and was trying to give normals an edge. That edge is now gone. Again, you're misinterpreting or misremembering what's been established and saying it's an error on our part.If B5 is a free port, why did Byron need to ask permission? Isn't the station open to anyone?
Individually, yes...but again, pay attention, we're talking about a COLONY, which means you've got several hundred people living in one area, under one authority (Byron), with an unknown or unspecified agenda, whose presence might bring problems from the Psi Corps and elsewhere. So yeah, they're going to need somebody's permission.Why did Sheridan break his promise to Lochley?
He didn't break his promise...he moved this into a political decision, which is his purview. He said specifically, "If it's a political problem, or involves the Alliance, it's my turf." This is a strategic decision on behalf of the Alliance.How can Byron project images? We haven't seen that before. It took an entire mob of telepaths in "A Race Through Dark Places" to fool Bester.
Well, now you've got a contradiction. Either we have seen this before, or we haven't seen it before. You say where did it come from, then cite an example of where it's been seen before. And if you'll go back and rewatch that episode, you'll see that teeps can act collectively and be very strong.[...] No...again, you're distorting the situation. The task wasn't just to send an image into his [Bester's] head, it was to CONVINCE HIM that this image had really happened, and it took a lot of them to do this to a Psi Cop. That's why it took so many of them; he's a strong target. It ain't the same as doing it to a normal. You're not thinking through what you're saying.
Why don't Byron and his people just turn invisible and live on the station without anyone knowing they're there?
Maybe because they are (or are trying to be) the good guys? Maybe because they don't actually vanish, or turn off sound, they can individually manipulate somebody by pressing on receptors and distorting things like their time sense...but they're going to show up on cameras, and on sensors, and unless they want to constantly try and control every single person on the station in large groups as they pass by, they're going to be discovered, and booted off the station. So they may as well do the right thing and ask. Just because someone *can* steal doesn't mean they *should* steal.Besides, where are they going to live? Quarters have to be assigned, and they're always short on space. Food has to be paid for. On and on. Your contention doesn't make sense...they're not gods.
- @@@885480715 "That last one is what hooked me. I figured you'd be
spending the next few weeks explaining how you really hadn't broken the
cardinal rule of B5 ["No cute kids or robots"] by introducing
little Simon."
That means you went for the okeydoke...and thus didn't see the last bit coming. That was the intent.
- @@@885925271 How did the assassin manage to position himself
outside the window so precisely?
Excuse me, folks, but he was using a B5 starfury, which is programmed like all starfuries there to sync up with the station's rotation for purposes of docking, ejecting, and holding position for repair purposes. All a pilot would have to do is tell the on-board computer to sync up the thrusters with the station's rotation, and it'd be done.This is a no-brainer...which is why I didn't specify it in dialogue (also it would've killed the drama of the moment).
- @@@885925199 Was Garibaldi's "it's a little crooked" comment
about the EA logo meant as foreshadowing?
No, but it was certainly meant as a subtle double-entendre, given his recent experiences.
No Compromises
Synopsis by Katrina Glerum (kat@midwinter.com)
The EA Destroyer Acheron jumps into Babylon 5 space bearing Captain Lochley, the station's new CO. With everyone else busy preparing for Sheridan's inauguration ceremony, Lt. Corwin is the sole member of her welcoming committee. To his dismay, she seems intent on reforming the station immediately.
In an empty tube station on Mars, a man holding a music box and a PPG has a battered Ranger bound to a chair. "We live for the One, we die for the One," the Ranger utters before being shot. The man hangs a placard around the Ranger's neck and walks away. "Special Delivery For Babylon 5," it reads.
Both up early, the newlyweds are adjusting to their new routine. Delenn's dismay at finding wet socks in the shower is allayed when John explains that washing his own socks keeps death at bay. His old drill sergeant always said that the person who has nothing left to do is going to get killed. Only he would live forever, because he always had socks to wash.
Before leaving for their separate duties they agree to meet at Delenn's place tonight. They will continue alternating quarters until they can leave B5 when their permanent headquarters are completed on Minbar.
Outside the station spins a cargo bubble. A seated corpse is visible inside.
Greeting Lochley in his office, Sheridan officially acknowledges that the Captain is now in command of station operations. However, as an independent state that the Interstellar Alliance intends to purchase from Earth, B5 is politically under Pres. Sheridan's jurisdiction. He explains that he specifically requested her to run the station because she is strong yet has a history of resolving tricky conflicts without resorting to force. Lochley is pleased, but firm in stating that he'd better let her do her job without interference. Their conversation is cut short when Lochley is called away by Lt. Corwin. The question of which side she fought on in the civil war is left open between them. As she leaves his office, she is observed by a tall, blond man waiting in the corridor.
Zack's job is being interfered with plenty, but only because Garibaldi is determined that nothing go wrong with the inauguration. While discussing security procedures, they pass the killer from Mars in the Zocalo.
Lt. Corwin shows the Captain the corpse and placard, but it means nothing to them. Meanwhile, someone accesses Sheridan's Babcom and leaves him a death threat.
Lochley's working lunch is interrupted by the blond man. All sounds in the restaurant suddenly fade as he walks over, introduces himself as Byron and requests her to meet "his people" in Brown 3 in two hours. The noise quickly reestablishes itself and Byron has apparently vanished.
G'Kar's struggles with his manuscript are interrupted by the President. In recognition of the Narn's eloquence, Sheridan asks him to write the inauguration oath and a declaration of principles for the Alliance. G'Kar is overcome with honor and swears himself to the task night and day until it is done.
Dr. Franklin confirms that the Ranger was killed a week ago at close range by an expert with a PPG, but was adrift in space only a few hours.
Captain Lochley finds Byron in Brown 3 with a half a dozen people. The security team she has arranged in ambush quickly frisks and clears them all. Introducing himself as the leader of a much larger community, Byron explains that they are rogue telepaths who disavow violence and technology, and having no place else to call home, he requests permission for them to form a colony on the station. Byron introduces his wan and raggedy troupe, including Simon, a traumatized boy who communicates by transmitting visions. Lochley wants Simon in Medlab and she'll think about the rest.
The killer stalks the Gaim ambassador to his quarters and murders him there.
Sheridan returns to his quarters to find two death threats. Like Presidents Lincoln, Roosevelt and Kiyoshi, the message warns, he will pay the price for the death and destruction his war cost.
Upon examination, Franklin finds nothing physically wrong with Simon's vocal cords. Byron confirms that the boy chooses not to speak. The doctor turns away an instant and when he turns back, all the telepaths are gone, and the boy is looking down on the lab from a ventilation shaft.
Among the command staff, IA Council and Garibaldi, only Lochley agrees with Sheridan that he should continue the inauguration in the face of the threats. It's important that as President he shouldn't cut himself off from the world behind security.
Garibaldi furiously runs Lochley down in the corridor and tells her that they need to protect Sheridan from himself. She reminds him that he is a civilian without authority, and so his words mean nothing to her.
Attracted by the sound of a music box, Simon crawls to a grate where he can spy a man assembling a Gaim encounter suit. Startled by the man's thoughts of himself shooting Sheridan, Simon bangs against the shaft wall. The man shoots the ceiling, grabs his gear and runs off, leaving Simon wounded up in the shaft.
The inauguration ceremonies begin as Garibaldi's investigation homes in on the killer. Major Clemens, a former member of Earth Force, wanted for torture on Beta 9 and a trained infiltrator. Meanwhile the "Gaim Ambassador" arrives for the ceremony.
Bleeding and frantic, Simon manages to get into the gathering to get to Franklin. "No!" he shouts, and broadcasts the killer's intended assassination to everyone in the room.
The killer strikes, but misses the President before escaping. Sheridan insists on going ahead with the ceremony, even as Simon dies on the floor. The killer is able to get to a Starfury however, and launches as G'Kar begins to read the Oath of Office. Garibaldi figures out the man's intent and launches just behind him. At the moment of Sheridan's oath, a Star Fury looms outside the Observation Deck. Ordering everyone else out of the room, the killer bids Sheridan farewell. Before he can fire, Garibaldi sneaks up behind him and grapples the back of his fighter, releasing him into fire from the station's defense system.
Sheridan and Delenn hold each other in relief. To their surprise G'Kar is still on the deck. "You want to be President?" G'Kar demands.
"Yes," Sheridan replies.
"Put your hand on the book and say 'I do.'"
"I do."
"Fine. Done. Let's eat." G'Kar says and strides away.
The President receives Byron in his office. Lochley has refused the telepaths' request, but Sheridan declares it his jurisdiction and grants them rights to start a colony. Franklin is a little perplexed, but Sheridan argues that when the telepath war begins, it would do them some good to have some telepathic allies on board.
The Captain is busy decorating her own office when Garibaldi stops by. He introduces himself to her as the new head of covert intelligence for the IA, and warns her to expect him at meetings. He has a bit more snooping to do. It turns out that she once served with the attempted assassin. Garibaldi finds this curious and then asks which side she was on in the recent war.
The side of Earth, is all she'll say.
No Surrender, No Retreat
Overview
Sheridan's forces attempt to liberate Proxima 3. Londo tries to enlist G'Kar's aid in backing Sheridan against Earth. Marcia Mitzman Gaven as Commander Levitt. Richard Gant as Captain MacDougan. Ken Jenkins as Captain Hall.
P5 Rating: 9.16 Production number: 415 Original air week: May 26, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
An episodic soundtrack is available.
Plot Points
- @@@864600713 Sheridan's forces have liberated Proxima 3. In the process, several additional Earth Alliance cruisers defected to his side. Some are remaining to guard Proxima 3 against retaliation by President Clark.
- @@@864600713 During the Earth-Minbari War, G'Kar personally supervised the sale of Narn weapons to Earth.
- @@@864600713 Londo and G'Kar have agreed to throw the support of their respective governments behind Sheridan. The nonaligned worlds have apparently dissolved their mutual defense pacts with Earth and are staying out of the conflict, aside from loaning ships to help defend Babylon 5 itself.
- @@@864605370 Garibaldi has left the station for Mars, and never intends to return. He plans to try to help free Earth, but not in concert with Sheridan, whose methods Garibaldi opposes.
Unanswered Questions
- @@@864667703 What exactly will come of the declaration of support by Centauri Prime and Narn? Will they provide military support to Sheridan? Did he know the declaration was coming?
- @@@865125941 Does Londo's declaration mean that he has voided the nonagression treaty between Centauri Prime and Earth ("The Fall of Night?") Does the implantation of a Keeper on at least one Centauri official ("Epiphanies") spell trouble for Centauri support of Sheridan's cause?
- @@@865180478 What was Vir writing when he fell asleep?
- @@@866393918 What business did Garibaldi have in Centauri space?
- @@@864605370 What does Garibaldi plan to do to fight for Earth?
- @@@864605370 How does Sheridan hope to use the frozen telepaths?
Analysis
- @@@864667703 Sheridan told Commander Levitt the League wasn't getting
involved because he wanted this to be a clean fight, presumably
meaning no alien involvement. But in fact, aliens are already
involved; the crew of the White Star fleet is largely Minbari,
and the ships themselves are a Minbari/Vorlon concoction.
Earth forces being attacked by Minbari-made vessels with Minbari crews would seem perfect propaganda fodder for Clark, further "evidence" that Sheridan has gone over to the Minbari side as suggested in "The Illusion of Truth."
Of course, it could be argued that many Minbari are part human anyway ("Atonement") and thus aren't completely out of place in a human civil war, but that argument would likely do little to dampen the effect of Clark's propaganda, should he choose to concoct any.
- @@@865017413 Patriotism and its effects played a key thematic role in
this episode. Sheridan's patriotism (as described when he spoke to
the other captains about the ideals of the Alliance) drove him to
attack his own people. Garibaldi's patriotism, if his conversation
with Vir is to be believed, is strong as well, but Sheridan's
methods are abhorrent to him. Londo's patriotism led him to forsake
his friends, and now he finds himself alone. G'Kar's patriotism
lost him his eye.
Perhaps even Clark believes he's acting in Earth's best interest, though that puts him on a collision course with Sheridan.
- @@@865184651 Did Garibaldi tell Edgars about Sheridan's imminent
campaign? If so, Edgars doesn't appear to have relayed the information
to Earth Force, since the commanders at Proxima 3 were unaware Sheridan
was on the move. On the other hand, Garibaldi didn't know the
particulars of the first phase of the campaign.
- @@@865180152 Garibaldi apparently
didn't visit G'Kar to say goodbye (or at least, no such visit was
shown.) Why not, especially given what G'Kar went through while
searching for him?
- @@@865180478 G'Kar is apparently still working on the book he started
while in prison
("Messages from Earth.")
- @@@865798185 When Londo asked about G'Kar's eye, G'Kar responded,
"It sees." His eye is therefore probably not, at present, the "eye
that does not see" from Lady Morella's prophecy
("Point of No Return.")
Was his natural eye in fact the one referred to by the prophecy?
Since it needs to be recharged nightly to continue seeing
("Atonement")
and since it's not in evidence 17 years in the future, when G'Kar
and Londo kill each other
("War Without End, Part Two")
the artificial eye may yet turn out to be the one Morella was referring
to.
- @@@865180478 Londo offered a toast to the humans, who he regards as
a bridge between the Centauri and Narn. This echoes Delenn's statements
("And Now For a Word,"
"Lines of Communication")
that humanity's greatest strength is the ability to form communities
of diverse people.
- @@@865016822 The drink Londo referred to while talking to G'Kar was in
"The Coming of Shadows,"
bought by G'Kar after he learned the Centauri Emperor had come to
make peace with the Narn.
Shortly thereafter, Londo did have some inkling that he was losing his friends thanks to his activities; he offered Garibaldi a drink in "Acts of Sacrifice," acknowledging that the two were still "friends, if only for a little while."
- @@@865533963 Londo's rationale for the joint declaration was nearly
identical to Sheridan's argument for allowing the White Star fleet
to patrol Narn and Centauri space
("Conflicts of Interest.")
However, since Sheridan apparently decided not to publicize the
fact that both the Narn and Centauri had agreed to the patrols
(assuming the Narn agreed -- it's only been explicitly stated that
the Centauri did) this joint declaration is the first official
act of unity that's been shown.
- @@@865180152 Vir's nightmare presumably related to the assassination
of Cartagia
("The Long Night.")
It's odd that he cried out, "I didn't do it," when in fact he did
kill Cartagia, perhaps an indication that part of him still doesn't
believe what he did.
On the other hand, it's possible he was dreaming of something else, perhaps one of the precognitive dreams Centauri have. In that case, one candidate that'd fit his exclamation would be his discovery of the dead bodies of Londo and G'Kar ("War Without End, Part Two.")
One other Centauri has been shown awakening from a nightmare recently: the Regent in "Epiphanies," who awoke to discover he had a Keeper attached to his neck.
- @@@864920269 Earth appears to have improved its scanning technology;
White Star ships were hit more than once during the battle. Previously,
Earth weapon systems haven't been able to lock onto Minbari ships (e.g.
"Points of Departure.")
Presumably the White Stars, which incorporate much more advanced
Vorlon technology as well, are even harder to get a fix on. Perhaps
the Shadows supplied Earth with some technical tips.
It's possible manual targeting was used (novel "The Shadow Within") and the Earth ships simply got in a few lucky shots, but that runs counter to Sheridan's message to the other captains that he wouldn't consider them hostile if their weapons didn't lock on. That message wouldn't make sense if they weren't capable of locking on anyway. On the other hand, since Sheridan wanted to test the hostility of the Earth ships, he may have ordered the White Stars to turn off their countermeasures. In "Points of Departure" Minbari ships were able to make themselves trackable by the station's scanners as desired.
Either way, only one White Star was seen to have been destroyed, and then only because it smashed into a cruiser seconds after being hit. Possibly the White Stars are advanced enough that a momentary loss of control is the only real impact from a single hit by Earth weapons.
- @@@865277191 While Marcus was gathering information on the hostility of
the Earth cruisers, his contact on Proxima 3 was under attack by ground
forces. What happened to the ground forces after the space battle?
Sheridan appeared to consider the planet liberated once the commander
of the Heracles capitulated; did she have authority over all Earth
forces in the region, or are there still holdouts on the surface?
- @@@865277191 Sheridan promised to liberate Proxima, then take the battle
to Mars and finally to Earth. What about the colony on Orion 7, which
seceded from the Earth Alliance at the same time Proxima 3 did?
("Severed Dreams")
Perhaps it has already fallen, or maybe it's not under as much duress
as Proxima was, so Sheridan felt the best way to liberate it was to
take back Earth. Or perhaps it's a small colony and Clark didn't
deem it worth the effort to take back.
- @@@865016930 In
"War Without End, Part One"
the White Star's Vorlon technology adapted its defenses to shrug off
blasts from Shadow fighters after it was hit. Will the surviving
White Stars from the battle at Proxima 3 now be more resistant to
Earth's weapons, and thus even more potent weapons?
- @@@865708521 Commander Levitt knew that the League worlds had sided with Sheridan. How did she know, if Babylon 5 is officially cut off from Earth? The most likely answer is that she'd been watching the Voice of the Resistance broadcasts, which indicates that they are indeed reaching the colonies.
Notes
- @@@864885020 The Alexander ("Severed Dreams") has survived and is apparently now patrolling Proxima 3 to guard against retaliation by Clark's forces.
- @@@865016309 The Vesta's logo (visible on the bridge) is a stylized flame in a brazier. Vesta is the Roman goddess of the hearth. The Heracles' logo appears to incorporate arrows in the "H" at the bottom, probably a reference to Heracles' poison arrows from Greek mythology.
- @@@865277191 The ship that withdrew from the battle was the Juno. In Roman mythology, Juno was the goddess of light and birth. In Greek mythology she was called Hera.
- @@@866783759 The names of two of the ships that surrendered had symbolic relation to Sheridan's campaign. The Furies were goddesses who punished crimes against one's kin. Nemesis was the goddess who punished hubris -- putting oneself above the gods.
- @@@865533511 The Pollux was named after Greek mythology as well. Castor and Pollux, the two main stars of the constellation Gemini, were brothers. When Pollux was killed, Castor was so despondent that Zeus agreed to turn them both into stars so they could always be together.
- @@@865533369 Possible continuity glitch: Just before Garibaldi's
arrival, Vir drops his pen while he's asleep. When he stands up,
he's holding the pen again. Of course, he might have picked it
up upon awakening.
- @@@874859104 Effects glitch: The Earth Alliance logos on the Pollux
and the Furies are backwards. The "E" can be seen to point to the
left rather than the right.
jms speaks
- @@@864752359 Why don't we ever see Clark?
I wanted to keep Clark more a force than a person...and Vir has just been off doing his usual Vir stuff...he's back this coming week. - @@@865362300 Proxima 3 is in the Proxima Centauri system, next door to
Proxima 2, but no one goes there because the tourist season is way too
short.
- @@@865269464 "It seems to me that the White Stars (particularly in
the numbers I perceived in this Ep) should have been able to deal with
the Earth ships like lamb to a slaughter."
Yeah, if all you want is to slaughter fellow humans and officers; if you want to try to minimize the body count of your fellow officers, who you want to eventually side with you, it's more difficult, you have to keep the kid gloves on...which endangers you in the long run.
- @@@865446689 "were these White Stars tired or something? I would've
expected that a couple of them could just go slice-slice, sever the
rotating sections on the EA ships and have 'em for breakfast."
Sure, if all you're interested in is slaughtering the opposition...they were designed for "destroy"...when you have to pull your punches to avoid just going in and killing EVERYthing in sight...which will only work *against* you in the long run, it becomes more difficult.
- @@@865492857 There were a lot of ethical decisions on all
sides, something you don't usually see in military SF. Were you
in the military?
No, I wasn't in the military, just having missed the Vietnam draft. The points you mention are all the ones I wanted to get into with that episode, and the ones a lot of folks have overlooked in suggesting that it should have been an episode about slicing-and-dicing the enemy (the enemy in this case being our own species). The show, at root, is about ethics, among other things, and the ethical choices will continue to get more difficult the deeper you go. There is a very fine line that Sheridan's walking in all this. - @@@865492857 It's certainly an issue I care about quite a lot, and the
delicate balance between orders and conscience, between what you think
you should be doing vs. what you feel you *must* do, is the heart of
99% of all drama.
- @@@865578466 "G'Kar seems to know that it's Mollari at his door -- why
else would he wait so long to call, "Enter?" But how did he know --
was it an official request by Londo?"
If you recall, when Garibaldi visited Vir, Vir mentioned that Londo was arranging a meeting with G'Kar, so it was definitely set up in advance.
- @@@865269464 The Londo/G'Kar stuff was nifty...and yes, he's
struggling toward redemption as best he can, making a real effort, which
is important, because if he's going to end up with a Keeper on him
eventually, as we've seen, best to feel for him, which you can't if
he's a bad guy.
Set 'em up, knock 'em down....
- @@@865492857 If G'Kar came around too easily or quickly, it would ring false; it had to go through some time and reflection. But even though one could certainly agree with his anger over what's happened, G'Kar has to try and overcome that and even transcend it.
No Surrender, No Retreat
Synopsis by Katrina Glerum (kat@midwinter.com)
Once again the station mobilizes for war. The murder of 10,000 refugees fleeing Proxima 3 has forced Sheridan to decide that it's time to retaliate against Clark.
Sheridan calls a full Council meeting first thing in the morning. In return
for the safety his White Star patrols have brought to uneasy borders, he
declares all League World military treaties with Earth null and void. As
Starfuries run drills outside, Ivanova requests that each government
contribute a military vessel to the defense of the station. Other than
that, they must take no part in the war.
"We're going to take back our home. Or die trying," Captain Sheridan
concludes.
Marcus races through the station to the War Room with a data crystal that
holds intelligence detailing the Earth Force blockade of Proxima 3. Of six
destroyers, two were responsible for shooting down the transport.
Meanwhile, even though Franklin admits little progress on freeing the Shadow-implanted telepaths, Sheridan demands that he get them mobile as quickly as possible for an imminent mission.
To Ivanova he explains his plan for attacking Proxima 3. By offering the
combatants a chance to surrender or defect, he will attempt to minimize the
Earth Force losses; nevertheless he will destroy any ship that fights back.
Vir is roused from a nightmare by Garibaldi at the door. When Garibaldi
asks for Londo, Vir lets it slip out that the Ambassador has gone to speak
with G'Kar, then divulges the plan to attack Earth. Vir is surprised that
Garibaldi is disgusted with Sheridan's move. Even though he doesn't always
agree with Londo, Vir says he continues to follow, because sometimes Londo's
right.
Close quarters maneuvers continue outside under Lt. Corwin's supervision. Ivanova orders the fighters to only accept commands that are encrypted with the code of the day. Corwin remarks that they should trust no one.
"No," Ivanova remarks acerbically. "Trust Ivanova. Trust yourself.
Anybody else? Shoot 'em."
The destroyer Starfuries patrolling hyperspace near the Proxima 3 jump gate
are oblivious to the fleet of White Stars gathering in the murky redness
there. Marcus learns that the resistance on the planet's surface is being
demolished by Clark's ground forces.
G'Kar's writing is interrupted by Mollari's entrance. They take a couple of shots across each other 's bows until Mollari admits that he didn't come to fight but to talk. The past years have been very hard on both of them. G'Kar snorts in derision, but Mollari continues humbly, thanking G'Kar for his actions and endurance that set both of their worlds free, telling G'Kar that he has come to respect him deeply.
G'Kar scorns both the thanks and the respect.
Mollari forges ahead angrily. He is a patriot, he shouts, and yet, through
ill judgment he himself became his own enemy. So can he possibly
"understand who the enemy is?" Perhaps not. But he can understand
friendship, and the humans of Babylon 5 have been friends. Thus he has
convinced his government to put their full support behind Sheridan, and
requests that G'Kar do the same. Pouring out two drinks, he proposes a
toast "to the humans, and to the bridge that they created between us, in the
hope for a better future, for both our worlds."
As Mollari waits with glass raised, G'Kar pours his drink back in the
bottle. With heavy disappointment, Mollari departs.
Sheridan and Ivanova have the difficult task of prepping the Starfury crews
for battle. They are told to defend themselves with deadly fire and come
home alive, yet show mercy to any non-combatant.
Sheridan departs for the front leaving Ivanova to command the station. His
flagship White Star 2 sports newly painted Army of Light logos on the wings.
The commander of the fleet blockading Proxima 3 orders two destroyers to
attack the White Stars that jump out of hyperspace on the opposite side of
the planet. When he recognizes the ships as Sheridan's he orders his
destroyers to attack. Macdougan, the captain of the Vesta, engages John in
a conversation about the legality of Clark's orders. When Macdougan refuses
to enter the fray, fleet commander Hall grants a field promotion to
Macdougan's second, a rank he enjoys for about 60 seconds until the Vesta's
crew ends it.
The Pollux is destroyed, two vessels stand down, and another withdraws.
Fearing a tribunal more than death, Captain Hall orders his crew to continue
the fight until his own second relieves him of command and surrenders.
Sheridan calls the captains of the surviving destroyers together and offers
them the choice of going home or joining up. When they object to his
methods he argues that they swore to protect Earth, that they work for all
humans, not for Clark in particular. In the final analysis one ship
withdraws, one joins the defense of Proxima 3, and two join Sheridan.
As he drinks alone again in morose contemplation, Londo notices a shot
raised to the lips of another nearby. Sternly G'Kar orders Londo to issue
the joint statement of their worlds' support of Sheridan. He refuses to
sign it on the same page though. G'Kar departs just as rapidly leaving the
Ambassador choked with emotion.
As the Voice of Resistance announces the victory and encourages other Earth
Force vessels to defect, Garibaldi leaves the station for Mars vowing never
to return.
Objects at Rest
Overview
The Interstellar Alliance headquarters moves to Minbar. Lennier faces the consequences of a terrible mistake.
P5 Rating: 8.91 Production number: 522 Original air date: November 18, 1998 (US) DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by John Copeland
Plot Points
- @@@911462615 The Alliance headquarters on Minbar (in Tuzanor, described in novel "To Dream In the City of Sorrows") has been completed, and Sheridan and Delenn have moved in.
- @@@911462615 G'Kar has named Ta'Lon ("All Alone in the Night") as his successor on Babylon 5.
- @@@911462615 Franklin has appointed Dr. Hobbs ("Interludes and Examinations") as the new chief of staff of B5's medlab, thanks to her diverse experience and her willingness to stand up for what she believes in.
- @@@911462615 Tessa Holloran (Number One) is, Lochley and Sheridan agree, working out well as the new head of Alliance intelligence. She's not joining Sheridan and Delenn and the rest of the Alliance cabinet on Minbar. Sheridan feels that Babylon 5, as a center of commerce and travel, is a better venue for intelligence-gathering.
- @@@911462615 Garibaldi has taken over the day-to-day operations of Edgars Industries. Since the previous board of directors is gone ("Objects in Motion") he has gathered a group of the most vocal whistleblowers and critics from within the company and named them the new board.
- @@@911504597 Lennier has, through inaction, tried to kill Sheridan. He has fled in shame and vowed not to return until he finds a way to redeem himself in Delenn's eyes. This is just as the ghost of Morden prophesized in ("Day of the Dead").
- @@@911462615 Londo has given Delenn and Sheridan a gift for their child: an ancient Centauri urn, which Londo says is traditionally passed to the heir to the throne. The urn contains a Keeper.
Unanswered Questions
- @@@911462615 Is the giving of the urn a real Centauri tradition as Londo claimed, or just something concocted by the Drakh to get a Keeper into Alliance headquarters?
- @@@911462615 How can Lennier redeem himself? Where has he gone?
- @@@911547249 In "The Deconstruction Of Falling Stars" we learn that a something newsworthy befalls Sheridan and Delenn's son David. Could this have something to do with the keeper in the urn?
Analysis
- @@@911462615 G'Kar's statement that Ta'Lon is as ready as G'Kar was
when he first came to Babylon 5 echoes Londo's reassurance to Vir
("The Fall of Centauri Prime")
that Vir would do at least as good a job as Londo had.
- @@@911462615 Londo's request for alcohol during dinner was more
emphatic than might be expected. Has he already discovered that alcohol
can put the Keeper to sleep
("War Without End")?
If so, what was he hoping to say or do with the Keeper out of the way?
Would he have warned Sheridan and Delenn about the Urn, told them about
the Drakh, or something else?
- @@@911462615 Delenn's ability to see the Keeper, if only vaguely,
is reminiscent of her sense that Morden was touched by the Shadows
("Signs and Portents").
In this case, though, it seemed she didn't quite know what to make of
the sensation, since she didn't mention it to Sheridan after Londo
left. What enables her to sense Shadow influence?
- @@@911462615 Londo believes the Centaurum will eliminate the position of Emperor after he's gone, which implies that he either doesn't believe or doesn't remember Lady Morella's prophecy that Vir would become emperor after Londo's death ("Point of No Return"). Or, of course, the Keeper might have been forcing him to say what he said, in order to encourage Sheridan to accept the gift.
Notes
- @@@911462615 The first Centauri imperial palace was built 2000 years ago, according to Londo.
- @@@911462615 Minbari have no word for "goodbye."
- @@@911462615 Zack believes he'll still be on Babylon 5 when they turn out the lights.
- @@@911462615 Of the original major players from the start of the series, only Vir is still on the station.
jms speaks
- @@@889482760 When is the final day of season 5 shooting?
It's either March 20th or 21st, I forget.... - @@@911504597 Did you make any special notes in the script of "Objects
At Rest"?
Yeah, my instructions to Chris were the same there as for another scene next week, "break our hearts." And the two themes are actually pretty much the same, since they proceed from similar contexts. That section of "Rest" just puts me away every time. - @@@921691787 Will we ever find out what happened to Lyta
and G'Kar?
I'm writing 3 B5 short stories for Amazing Stories magazine; the first is a Londo (shortly after he became emperor) story; also doing a G'Kar/Lyta story, and a B5-setting story, all following these characters after the events of "Objects at Rest."
Objects at Rest
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
Sheridan is pacing in Command and Control, and finds Lochley; neither of them could sleep. Sheridan is about ready to leave. He asks that no ceremonies or speeches be made when he leaves. He wants to leave quietly. Lochley agrees. Sheridan also thanks her for having taken the job. Knowing Babylon 5 is in good hands makes the leaving easier.
Ta'Lon is trying to find G'Kar, and runs into Vir. Vir explains G'Kar has left, and does not plan to return; nobody knows where he went. Ta'Lon inquires whether a message was left for him: G'Kar sent for him on Narn, after all. But Vir doesn't know. After he leaves, Ta'Lon breaks into G'Kar's quarters, and his voice activates the recording G'Kar made for him ("Objects in Motion").
G'Kar couldn't wait for him to get there. The reason he called him is that he wants Ta'Lon to represent Narn in his place. Anticipating Ta'Lon's question, he explains he offered him the job for several reasons. Narn needs to get things done, and G'Kar is a distraction to this. They need someone who is warrior and priest in equal measures to speak for them, but G'Kar has become much more priest than warrior; perhaps Ta'lon, more warrior than priest, can do better. Certainly he can do as well as G'Kar did at the beginning, and can help rebuild and strengthen the ties with the Alliance.
A copy of the message will be sent to Sheridan and the others. "Serve our people reasonably, fairly, and with honor," G'Kar says. "The rest will attend to itself."
Elsewhere on Babylon 5, Franklin is also choosing his replacement to head MedLab: Dr. Hobbes ("Interludes and Examinations"). Although not the most knowledgable in certain areas, she is the one with the most experience and is not too specialized, a must for Chief of Staff in a place like Babylon 5. She happily accepts, and asks when Franklin will leave. Tonight, he says. Even Delenn's pregnancy is out of his hands; her doctors on Minbar will take care of her now. Sheridan walks by, and Franklin gets up, ready to say goodbye to him as well.
Delenn is almost done packing when Lennier arrives as a surprise. There was a break in training for personal time, and he took it to come here, despite the fact that his training is reaching a critical point now.
Number One is conducting a briefing with Sheridan, Lochley and Zack. Nothing major, only minor altercations between Drazi and Brakiri. All in all, everything is quiet, and Sheridan can leave for Minbar whenver he wants. Number One leaves, and Sheridan expresses his satisfaction at her perfomance. Lochley agrees, but wonders why she is staying on Babylon 5 rather than joining him on Minbar. Sheridan explains that Babylon 5 is still a hotbed of information: she'll have more resources on the station than on Minbar, so it makes sense for her to stay.
On Mars, Garibaldi is meeting with disgruntled middle managers. He has called the most vocal troublemakers to meet with him: those who complain when they don't like something, have a bad attitude, thinking they can do everything better than their superiors. But not to fire them: he wants them to be the new Board of Directors of Edgars Industries. Part of the job will be to tell him when he screws up and stand their ground. If they are right, they get a bonus; otherwise, "I will eat you for lunch," says Garibaldi.
Unfortunately for Sheridan and Delenn's plans to leave quietly, the news of their imminent departure has been leaked to the media. When Lennier arrives to let them know everything is ready, they leave but run into a crowd, led by Lochley. So Delenn says a few words:
"One of the most difficult words for me [to learn] was 'goodbye.' There is no corresponding word for 'goodbye' in Minbari. All of our partings contain within them the possibility of meeting again, in other places, in other times, in other lives. So you will excuse me if I do not say goodbye. Our souls are a part of this place, our hopes the foundation of our future, and we will pass this way again."
The crowd slowly parts as they make their way to their shuttle. In the shuttle bay, they meet Zack, the only one of the old gang still on board. "I'll probably still be here when they turn off the lights," jokes Zack as he says goodbye to them.
The White Star that will take them to Minbar has no captain, though: Lennier has arranged for him to remain on Babylon 5, so Sheridan and Delenn can command the ship for the trip to Minbar. After one final pass by the observation dome, where Number One, Lochley, Corwin, Ta'Lon, Zack, and Dr. Hobbes are watching them leave, the White Star heads for the jumpgate, as Sheridan and Delenn finally leave Babylon 5.
On board, Sheridan is restless and goes for a walk. He runs into a ranger, who has found a leak in the weapon coolant system. The dangerous gas is forcing an evacuation of that part of the ship, and pressure doors seal off the area just as Sheridan attempts to carry the ranger to safety. On the other side of the door is Lennier, and Sheridan yells at him to hit the access panel so he can leave. But Lennier hesitates, looks around, and seeing nobody else, runs away, leaving an astounded Sheridan behind.
A few seconds later, Lennier says to himself, "I can't," and rushes back. But Sheridan has managed to use the Ranger's fighting pike to break the door, and is dragging him out. By the time Lennier arrives, many more are already there. Delenn arrives and asks what happened. Ashamed, he runs away, takes a one man fighter, and leaves the ship. When Delenn tries to call him, he cuts off the communication.
Later, Delenn has his quarters in the training facility searched. Apparently, his diary betrays strong feelings for her, stronger than she throught he had. Lennier considers Sheridan and Delenn's union a mistake, but there is no indication he meant any harm. What happened, then? "There are moments," explains Delenn, "when we all become someone else. Something other than what we are. It takes only a moment. But we spend the rest of our lives looking back at that moment in shame. For one instant, out of a lifetime of service, he became his own worst instincts."
Although Lennier was on his way back, no one knows if it was to correct his mistake, or make sure Sheridan was dead. However, Sheridan will not let anyone know about it. "What happened with Lennier," he says," is staying on this ship." There will be a price to pay, however.
The ship arrives on Minbar, and is greeted by fireworks. Sheridan and Delenn walk into the Alliance HQ, and Sheridan is distracted by the view. Delenn walks ahead, and eventually Sheridan is lifted from his reverie by a familiar voice: "Still walking with your head in the clouds, eh Sheridan?" Emperor Londo Mollari is standing behind him. "On a joyous day like this," Londo continues, "how could I not be here?"
Later, Sheridan, Delenn, and Londo sit down for dinner. Delenn is surprised Londo is so friendly, given what he said at the last meeting ("The Fall of Centauri Prime"). Londo claims he was only playing to the audience, getting them fired up for the rebuilding. When he heard Delenn was pregnant and going back to Minbar, he couldn't fail to come and give his personal good wishes. He would raise a toast, but no alcohol is apparent. Sheridan explains he decided to leave it all behind, since it is such a danger to Minbari ("The Quality of Mercy"). Londo becomes more insistent, and Delenn senses something strange; for a second, she can see the ghostly shape of Londo's keeper on his shoulder, but the impression soon vanishes.
Londo has also brought a gift for Delenn's child. An urn, which in Centauri tradition is given to the heir to the throne when he or she comes of age. Londo has no heirs, and expects the office of Emperor to be removed once he dies. He insists that they take it, however. A Minbari whispers something to Delenn, who excuses herself. Sheridan then accepts the urn, which according to Londo should be given to his child when he or she turns 16. Sheridan notes the bottom is sealed, and Londo says he is told it contains water from the river which flowed in front of the first Imperial Palace, two thousand years ago.
In her quarters, Delenn receives a transmission from Lennier. Delenn asks him to come back, but he refuses. "I only wanted to to call you and tell you," he explains, "that I am so sorry for what happened. I never meant him any harm. I never intended for this to happen. It just happened. And, I cannot even ask you to forgive me, because I know I will never forgive myself. I only wanted to tell you one last time I'm sorry... and that I am going away. I must consider who and what I am. I need to be somewhere else until I can find a way to redeem myself in your eyes, however long that may take."
She begs him not to go, but he assures her they will meet again, and he will earn her forgiveness then. Until then, he wants her to be happy for her sake and Sheridan's. With that, he cuts the transmission and is gone.
Londo has to leave as well. But before then, there is something he wants Delenn and Sheridan to know and remember in the years to come: "I want you to know that you are my friends... That you'll always be my friends, no matter what happens. And I want you to know that this day, with you, means more to me than you will ever know." He is escorted to the Imperial Liner, where the Drakh whispers to him: "You have done well. As a reward you may have an hour free from us." A servant gives Londo a glass to drink. "Now what?" Londo asks tiredly. "Now we wait the passage of years," the Drakh replies. Inside the urn, a Keeper lies, sleeping and waiting.
In the middle of the night, Sheridan gets up and goes to another room to make a recording; a message to his unborn child. The child will come of age at 21, but if Lorien's prediction holds ("Falling Toward Apotheosis") Sheridan has at most 19 years left. So he wants to leave something behind for that day, some of what he has learned.
"Delenn is the greatest ally you will have. Her depths of courage and compassion are unmatched in my experience. Look to her for wisdom and fire in equal measure. And if you ever have doubt, talk to her. She will never judge you, she will only love you." He also shares more advice on life, and finally adds:
"Fight for what you believe in. Which brings me to the first piece of advice my dad ever gave me, and now I'm giving to you: Never..."
"Never start a fight," Delenn interrupts, finishing for him. "But always finish it."
"Always finish it," echoes Sheridan. He turns off the recorder. "Did I tell you today how much I love you?" he asks Delenn. "Yes," she answers with a smile. "But you may continue to repeat it for as long as you like." "Oh, I plan to. Every day that I can."
They embrace, and go back to bed together.
Objects in Motion
Overview
As some longtime residents prepare to leave the station, the crew races to stop an assassin. Denise Gentile as Lise. Marjorie Monaghan as Number One.
P5 Rating: 8.62 Production number: 521 Original air date: November 11, 1998 (US) DVD release date: April 13, 2004 Written by J. Michael Straczynski Story by J. Michael Straczynski and Harlan Ellison Directed by Jesus Treviño
Watch For
- @@@910856752 A cheering Minbari.
Plot Points
- @@@910856752 Number One ("Racing Mars"), whose real name is Tessa Holloran, joined the Mars government after Mars gained independence from Earth. She is now the head of security for the Interstellar Alliance, replacing Garibaldi.
- @@@910856752 After Mars' independence day, corporations which had been exploiting Mars rushed to cover their tracks. The Martian government has been going to great lengths to track down the dirty secrets of Earth-based corporations. Earth, meanwhile, has been making it very difficult for the new Martian government to conduct its business, throwing up bureaucratic roadblocks at every opportunity.
- @@@910856752 Sheridan has offered to set up a fund for Mars that's independent of any Earth influence.
- @@@910856752 Garibaldi replaced the entire board of Edgars Industries after they sent an assassin to kill him and Lise, and has set up an account that will pay a 500,000-credit reward for the board's death should anything happen to him or to Lise.
- @@@910856752 Garibaldi and Lise are now married and have left for Mars.
- @@@910856752 Lyta and G'Kar have left the station to travel among the stars in an explorer ship G'Kar purchased.
Unanswered Questions
- @@@910895819 What was the delayed-delivery message G'Kar left?
- @@@910856752 Was Delenn's visit to Minbar successful in securing an agreement to construct more White Star-class warships? ("Movements of Fire and Shadow")
Analysis
- @@@910856752 Sheridan noted that wars of independence are frequently
followed by civil wars. One example would be the Shadow War, which
ended up being about independence from the manipulation of the First
Ones; it was followed by civil wars on both Earth and Minbar.
- @@@910856752 When Sheridan told him about the plan to catch the
assassin, Garibaldi seemed skeptical that Zack had come up with the
idea on his own. That suggests that Garibaldi still considers Zack
somewhat green and inexperienced.
- @@@910856752 There was no mention of Lyta's departure or her
contributions to Sheridan's cause in his going-away speech. An
intentional omission to keep her out of the limelight, or is it
another example of the problem she's complained about in the past,
that nobody thinks of her or appreciates her unless they need
to make use of her?
Her belief that that's always the case is evident in her reaction to G'Kar's offer to take her with him; she assumes he's doing it because he wants her DNA, not because he genuinely wants her as a traveling companion.
Notes
- @@@910856752 Normals can train themselves to defend against telepathic
scans by singing songs or doing math calculations in their heads. This
is likely a reference to Alfred Bester's "The Demolished Man," in which
the main character uses a song to avoid being scanned.
@@@910938858 Telepaths in the underground railroad ("A Race Through Dark Places") also used songs and rhymes to shield themselves from telepathic scans.
- @@@910856752 Links stick to the hand using a molecular bonding mechanism that doesn't adhere to metal.
- @@@910856752 Links are DNA-coded to respond to a particular user, but that can be overridden with the right modifications.
- @@@910856752 A Minbari can be seen cheering G'Kar in the crowd at the departure ceremony.
- @@@910856752 Partial list of the previous Edgars Industries board members: Mr. Paretti, Mr. Everson, and Mr. Amastoy.
- @@@910856752 Garibaldi's parents both died a long time ago.
jms speaks
- @@@910983723 The opening credits say "Story by Harlan Ellison and
JMS" and "Teleplay by JMS." What's a teleplay?
There are two parts of writing an episode: the basic storyline, sometimes presented as an outline, and then the actual script which is a more specific elaboration on that story. Story is, "King John and Queen Mary live in the castle and they have a hard night between them."Script is:
EXT. CASTLE - NIGHT We see the banners unfurling in the breeze, and go to INT. CASTLE - NIGHT KING JOHN and QUEEN MARY are in bed. He's awake, she's sleeping. He looks up at the ceiling. KING JOHN Why me? Of all the gin joints and castles in England, why did she have to step into mine? - @@@911070244 Who wrote the scenes concerning G'Kar's
admirer? JMS or Harlan?
The general notion of the thread came up between us. The actual scenes were written by me. - @@@911440954 Before Lyta left, she looked behind her.
Did she know Zach was there, or was she just hoping someone
would be there?
She was hoping somebody would be there.
Objects in Motion
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
Number One, formerly of the Mars Resistance ("Racing Mars") is trying to enter Babylon 5, but the computer does not recognize her passport. When Zack arrives, she explains her name is Tessa Halloran, a member of the Mars Provisional Government; under the terms of the new treaty ("Rising Star"), Mars is authorized to issue its own passports and money, but Earth is dragging their feet in terms of updating they systems, in an effort to harass them; forcing Mars citizens to use Earth documents. But Number One will not put up with the blackmail. Fortunately, Franklin happens by and vouches for her to Zack, so she is allowed in.
Number One is looking for Garibaldi. Garibaldi is in his quarters with Lise. He is vomiting, going through detox, when Franklin and Number One arrive, just in time to hear more retching. Number One explains that in the next few days, someone will try to kill Garibaldi and Lise.
Once Mars declared independence, the corporations with ties to Earth ran for cover; they had been exploiting and strip mining Mars, so they were scared. The Provisional Government went for their records, and offered immunity to those who would help. They now have sources inside all major corporations still on Mars; among them, Edgars Industries, which Lise now owns. The company ran several black projects for Clarke, but Lise didn't know about them.
Garibaldi puts it all together now: someone is afraid she'll find out something she shouldn't, so they want her out of the way. Number One confirms it, and adds that since Garibaldi can help her, they want him out too. She doesn't know who is behind it, or who will do the killing, but she does know it will happen before Lise and Garibaldi leave for Mars. Franklin is surprised to hear Garibaldi is leaving, but happy for him that he is getting together with Lise.
G'Kar is on his way to see Lyta; armed security protects him, and keeps his admiring Narn at bay, including one holding a stattuette of G'Kar, who yells more insistently than the rest. G'Kar enters the cell alone. Lyta has been told about G'Kar's offer; it makes sense, she admits, but isn't too happy. She also suspects G'Kar has an ulterior motive: he wants to keep his access to telepath DNA. G'Kar is saddened by her attitude: "That's why you think I'm doing this? Just that, my own personal interest?" "Well, yeah," replies Lyta. G'Kar looks pityingly at her, and says: "Then my decision was even more correct than I imagined." He will make sure all the arrangements are made for her.
Franklin and Zack brief Sheridan on the situation, and Sheridan tells Garibaldi their plan: Garibaldi and Lise will stay out of sight and under guard. Then, an elaborate going away ceremony will be staged for G'Kar, Garibaldi, and Lise. Since this will be his only shot, the assassin will have to act then. Zack will have the place crawling with security, and will take the assassin down when he moves. Garibaldi is somewhat surprised to find out this is Zack's idea. "You taught him well," says Sheridan.
Sheridan now also knows Garibaldi is leaving for Mars. Garibaldi explains he and Lise are getting married, and he knows he is not getting his job as Head of Intelligence back. Sheridan does not contradict him, but congratulates him on the wedding.
A lone security guard is joined on a lift by a man. The man efficiently and silently stabs him, and takes his link, replacing it with another one. The body is found later, and the switch goes unnoticed. Zack doesn't understand why the security guard was killed, but he knows it was a professional. In his quarters, the assassin tries to modify the link to gain access to security channels. After some work, he succeeds.
Sheridan is seeing Number One, who reports Earth still treats Mars as a colony, making everything go through Earth. Also, dissention among the Resistance is coming to the surface. As Sheridan poins out, independence wars are often followed by civil wars. Number One agrees, and thinks Earth is increasing the pressure on the Provisional Government to cause a civil war; then they can come back and rescue everyone, and take over for the "general good." As far as she can tell, her best options are to expand her contacts. Sheridan offers to set up a diplomatic office on Minbar and an account outside of Earth jurisdiction. Number One is very happy to hear it and is very thankful. In exchange, Sheridan wants her to stick around a bit. He would rather not say why, but he has just had an idea he wants to kick around for a while. Number One, intrigued, agrees.
The preparations for G'Kar's going-away are under way in the Zocalo. G'Kar observes from a distance, and sighs sadly. Suddenly, behind him stands the Narn who was trying to talk to him earlier. He has heard G'Kar is leaving. He claims G'Kar has an obligation to either stay and teach, or go to Narn and lead. G'Kar tries to explain that his only obligation is to his own principles, but the Narn isn't listening. He spent all his money to come to Babylon 5. "We put you in this position, G'Kar," the Narn says. "Our reverence is our gift to you. And you are responsible to us. You owe us. Without us... you are nothing." "Then I am nothing," says G'Kar, and tries to leave. The Narn doesn't let him go, and shows him the statuette which he has made and is selling, his way to honor G'Kar. G'Kar takes the stattuette he is holding, and snaps it in half. "Go home," he tells him, and leaves.
"Don't; don't tell me to go home," the Narn pleads to no effect. "Don't turn your back on me, G'Kar!"
Zack arrives in MedLab to take the guard's personal effects home. He discovers that the link has some sort of adhesive on the back. This is very unusual; links are matched to their owners, and adhere using a special molecular binding material, tailor made to them. He now has a lead: the guard was killed for his link, which means it was the professional assassin after Garibaldi.
In his quarters, the assassin prepares to leave for G'Kar's going away bash, now under way. The Zocalo is full of Narn, and a few others, cheering G'Kar. The assassin blends in as G'Kar, Lise, Garibaldi, and Sheridan make their way to the podium.
Sheridan announces that Garibaldi is leaving, as is G'Kar. He praises both for their work on Babylon 5, and expresses his admiration for G'Kar. G'Kar stands up to speak. Zack orders a piercing noise to be sent to the assassin's link. The assassin lurches in pain, betraying himself, and is quickly taken down by security. The threat to Lise and Garibaldi is over.
But not the threat to G'Kar. The disgruntled stattuette maker steps forward, a PPG in his hand. "You are not worthy of us!" he yells and prepares to fire. Zack notices, and pushes G'Kar out of the way... and the shot hits Lise in the shoulder instead. She falls unconscious.
In MedLab, Franklin works on her wound, as Garibaldi looks on. G'Kar arrives to inquire on Lise's condition, but Garibaldi says they won't know anything for a while. Franklin comes out and says they've done everything they can for Lise; the rest is up to her.
Garibaldi leaves and runs into Zack, who wants to talk to him about pressing charges on the Narn. But Garibaldi wants five minutes with the assassin. Zack tells him he can't do that, but Garibaldi insists. Either Zack lets him in, or he will have to shoot Garibaldi to stop him. Garibaldi takes the assassin to Lyta, so she can find out who hired him. Lyta doesn't want to help, but Garibaldi makes it a deal-breaker: either she does, or his whole deal with her ("Wheel of Fire") is off.
Lyta begins scanning. The assassin is well trained, and blocks her for a while, but is no match for her enhanced powers. She slips in and knocks him out so he won't remember anything. She also gets the information. He was hired by the Board of Directors of Edgars Industries. Not one of the directors, but the entire board. They promised to back each other up if things went badly. And there is no proof, so Garibaldi can't do anything about it. At least not legally.
In his quarters, G'Kar is packing when Sheridan arrives. Sheridan was hoping G'Kar would stay until Delenn returned from Minbar, but the events of the last hours have convinced G'Kar that he must leave as soon as possible, or put everyone at risk. G'Kar has purchased a long range survey ship, and is ready to leave.
"I've always had the greatest respect for you," says Sheridan. "I'll miss you."
"Unnecessary," answers G'Kar. "You see, I believe that when we leave a place, part of it goes with us and part of us remains. Go anywhere in the station, when it is quiet, and just listen. After a while, you will hear the echoes of all our conversations. Every thought and word we've exchanged. Long after we're gone, our voices will linger in these walls for as long as this place remains. But I will admit that the part of me that is going will very much miss the part of you that is staying."
After Sheridan leaves, G'Kar dictates a message for later delivery.
In MedLab, Garibaldi has fallen asleep by Lise's side by the time she wakes up. Garibaldi is relieved: according to Franklin, if she woke up she would be all right. And Garibaldi has a surprise: a minister waiting outside. He wants to get married as soon as possible, before the Universe throws anything else at them. Lise happily agrees.
In the embarkation bay, G'Kar is looking over his ship when Lyta arrives, escorted and handcuffed. He asks that the handcuffs be removed, but Lyta easily takes them off herself; she only kept them on because it made everyone feel safe. The guards leave them alone. On the way to the ship, she looks around, but nobody is there to see her off. As they approach the ship, Zack steps from behind some crates and watches her leave.
On Mars, the Board of Edgars Industries has convened, and receives a call from Garibaldi. The Board claims their investigation has established that the head of security hired the assassin, and later committed suicide, leaving a note taking all responsibility. Nothing else can be proven.
Garibaldi, however, has information about the members of the board: adultery, children out of wedlock, even some questionable "accidents" that caused deaths. And he is fully ready to use this information. How did he get it? Although not the Head of Intelligence anymore, he knows who the new person on the job is, and introduces her: Number One.
According to her information, the Board is actually responsible for many of the problems Mars has been facing since independence. If she makes half of that information public, they will be skinned alive by the mobs.
Garibaldi asks her to leave the room, and continues to talk to the board. He wants all of them to resign. And he will deposit a substantial sum of money in the bank. If anything should happen to him or Lise, anything at all, it will be paid out to certain individuals who will take out every former member of the board. Enough money, in fact, to have every bounty hunter in the system after them. The former members of the Board have little choice.
Franklin and Number One are having a drink. She figures her new position will let her help Mars even more than when she was there. She certainly didn't expect the new job when she got to Babylon 5, but is happy with it. Since Franklin is leaving for Earth, their relationship ("Lines of Communication") wouldn't work out anyway. They can, however, "celebrate" one more time before he goes back on duty.
Delenn arrives back from Minbar, and is greeted by Sheridan. The Alliance Headquarters are almost ready, a week more at the most, and they can move in any time. They run into Garibaldi and Lise, who are about to leave for Mars. They say goodbye, and Garibaldi, the last of the original command crew, leaves.
"Of all the recent partings, I think this will be the hardest," Delenn tells Sheridan; "You think he'll be all right?" "Yeah, oh yeah," answers Sheridan. "But you're right. The place won't be the same without him."
"We're next, you know," says Delenn. "It occurs to me I have never walked the length of this place end to end." "It's five miles long," says Sheridan. "I know," she replies. "Coming?"
He smiles, takes her hand, and they start walking.
Passing Through Gethsemane
Overview
Lyta Alexander returns to the station at Kosh's behest. One of Theo's brothers discovers that he may have a hidden past. Brad Dourif as Brother Edward. Louis Turenne as Brother Theo. Patricia Tallman as Lyta Alexander.
P5 Rating: 8.38 Production number: 305 Original air week: November 27, 1995 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Adam Nimoy
Backplot
- Mindwipes were instituted after Earth decided that they were more humane than the death penalty. They are apparently not very complete; the old memories remain in some form or another, but are inaccessible without the intervention of a telepath. (See also "The Quality of Mercy.")
- Minbari religion is based on the notion that souls are part of a larger whole, of the universe itself, which is in the process of trying to discover itself. Souls can only be perceived via the physical bodies they inhabit, but the real soul is something only dimly related to the body.
- Valen, the great Minbari spiritual leader and founder of the Grey Council, appeared a thousand years ago. He is believed to be a Minbari not born of other Minbari, according to Lennier.
Unanswered Questions
- What happened to Lyta? Was Kosh inhabiting her body? Was the body not even Lyta's to start with? She has gills on her neck that allow her to breathe in Kosh's quarters, and several health problems have been completely repaired. What else did the Vorlons do to her, and why?
- Given how easily she pulled the information from the Centauri, have her telepathic powers increased? Or could any P5 do the same?
- What did she see on the Vorlon homeworld?
- Why is Londo so anxious to find out what she saw that he'd resort to threatening her?
- What was Lyta's mission for Kosh? Why does he want an aide all of a sudden, when he hasn't had one before?
Analysis
- If Garibaldi and Sheridan are any indication, mindwipes are widely considered to be insufficient punishment for serious crimes. How widespread that perception is isn't known.
- Could the techniques used to put a mindwipe in place be related to the method used by Bureau 13 to implant hidden personalities ("Divided Loyalties" and, more ominous, comic #8, "Silent Enemies?") Both seem to involve submerging one personality and causing another to become dominant, though in the case of Control, it's not clear which was the original.
- Edward's execution was not only a sort of crucifixion (notice how he's suspended from the metal frame) but also resembles Sheridan's suspension from what looks like the same kind of frame in "Comes the Inquisitor."
- Might Valen have been a Vorlon, or a Minbari under Vorlon influence? If, as Lennier says, he was truly not born of Minbari parents, that strongly suggests he wasn't Minbari at all, and Vorlons certainly have the power to appear as Minbari.
- If Minbari consider the universe to be a manifestation of a single soul, how did they ever find it conscienable to fight the Earth-Minbari War? (see jms speaks)
- The Vorlons didn't hear, or didn't respond, to Lyta's signals, and took five days to respond to her telepathic broadcast. What's interesting is that they apparently didn't come until she was nearly unconscious. Could that be related to what happened to Sheridan in "All Alone In the Night?" Maybe she was only able to make contact when, as Kosh said of Sheridan, her mind was quiet enough to hear the Vorlons. Or, of course, it could simply have taken them several days to locate and reach her, in which case they could even have been responding to the non-telepathic signals.
- Why didn't Franklin notice Lyta's gills? Perhaps he did and didn't feel they were worth mentioning (gill implants aren't completely alien concepts; G'Kar has them, as noted by the assassin in "The Gathering.") It's also possible she didn't get them until her errand in the middle of the episode. Franklin did note that she had elevated oxygen levels in her bloodstream, though, which would tend to indicate both that she had the gills before he examined her and that he didn't notice them. Given the powers of illusion Vorlons have demonstrated, covering up gills would probably have been a small matter with Kosh's help.
- Whatever left Lyta to enter Kosh's suit looked a lot like the creature inhabiting Sheridan in "Knives." Could Sheridan have inadvertently been inhabited by a Vorlon? Certainly it would be consistent with him being made to see things that weren't there; Kosh clearly has that power.
- Psi Corps may have strict rules against unauthorized scans, but Sheridan and Garibaldi don't hold those rules in particularly high esteem. Now that they have a non-Corps telepath at their disposal, someone whose loyalty is presumably above reproach thanks to her association with Kosh, will they begin calling her in on a regular basis?
- The Centauri telepath, likewise, seemed to show contempt for the Corps' regulations. What regulations, if any, are Centauri telepaths obligated to follow? Clearly they're not simply allowed to roam freely, since Londo had this particular telepath's name on a list.
- If Lyta can implant nightmares, other psis can presumably do the same. We've seen one nightmare: Londo's prophetic dream. Is it possible that someone or something implanted it in him? (He says, in "Midnight on the Firing Line," that Centauri have such dreams as a matter of course, but that doesn't rule out an external influence.)
Notes
- The title, as noted in the episode,
is a Biblical reference. In the New Testament,
Matthew 26:30-50,
Jesus goes to Gethsemane with Peter and two others to pray and
contemplate his imminent betrayal. They fail to keep watch over
him, and Judas is able to lead the Romans to Jesus. Gethsemane
is also referred to, not always by name, in
Mark 14:32-52,
Luke 23:39-51,
and
John 18:1-13.
- Delenn's opinion of Garibaldi's eye-for-an-eye attitude echoes that
of Gandhi, who said, "An eye for an eye leaves the whole world blind."
- Malcolm, Edward, and Charles are all names of rulers of Scotland.
- The names Edward and Charlie may also be a reference to two H.P.
Lovecraft stories. In "The Thing On the Doorstep," a character
named Edward falls in love with a woman whose grandfather has
shifted his soul into her body, replacing hers. In "The Strange
Case of Charles Dexter Ward," the title character becomes obsessed
with the memory of an ancient ancestor.
- Shooting began on September 11, 1995.
jms speaks
- I'd rather not say anything at all about "Gethsemane," because a
large part of the plot turns on something you need to discover
mid-viewing, and anything I might say would only detract from it.
It's a lovely, sad, very moving story; it's kind of my Twilight Zone
story in the B5 universe, with some very strong emotional twists as
we go along. It's not the kind of story I get to do within the B5
structure very often, and I'm extremely pleased with this one (and
Adam Nimoy did a *bang-up* job directing it; he thinks it may be his
best work ever).
- Thanks. Adam did a great job interpreting the script on
that one, and it's definitely one of our most successful
episodes...though today I took a look at another, more
completed version of episode 8, "Messages," and *man* is this
amazing...just a knockout...trouble is we keep raising our own
bar and won't accept anything less...so the pressure becomes
quite astonishing after a while.
- Adam was great in that he's a *very* serious director
who sits down and really thinks through the subtext of the
episode, the thematic aspects, the underlying symbology, and
then sits with the actor and *really* works with them so that
they fully understand the nuances of the scene. A lot of TV
direction can be rushed...you're always under the gun...so
it's rare to find someone who really takes his time and
prepares the cast.
- "Gethsemane" isn't a horror-type story at all, though it does have a
very TZish [Twilight Zone] feeling, so it doesn't owe to any of
those. Best to just let you see it when it airs.
- Brad read the script, fell in love with the part, and dived for it.
- Two things on the upcoming episode ("Gethsemane")....
1) This is episode #5 in shooting order; I'd originally planned to end the first batch of new episodes with #4, "Voices of Authority," which is a major -- and I mean major -- wham episode. But the EFX requirements were pretty hideous (though not as bad as "Messages"), so I moved "Gethsemane" into that slot, which is a very strong episode, though not an arc'er.
2) On the story question...yes, this was the story that someone else (don't want to use names, no sense in blaming anyone) had accidentally suggested while I was working on it early in season two. So I had to scuttle the script for nearly a year. Finally, very chagrined over what happened, the individual gave me a notarized form explaining the situation. At that point, I was able to reactivate the story. So no, it's not any kind of "it's okay to do this" notion about story ideas; as it is, the story was tied up for about a year, and might never have seen the light of day had not the other person made great efforts to set the situation straight.
- @@@864891412 On another service, someone without
considering what he was saying (not his fault, it just happened) said,
in essence, "What if somebody on B5 found out that he had been
mind-wiped, and used to be something awful previously?"
Well, I'd had "Passing Through Gethsemane" on the wire at that time, but
when I saw this, I had to scuttle the story. It lay there, untouched,
for over a year, until I could finally meet the fellow and get a signed
release indicating what'd happened. If that fan had not been fair and
reasonable, that episode -- which many consider one of our best --
would never have been made.
- Was there any nod to the person who suggested the idea, and what
was the story originally like?
No, no nod to the person who suggested it, since this isn't a competition, and the suggestion cost me a year where I couldn't do the story. (So I wasn't in the cutest frame of mind about this for a long time, even though it wasn't really his fault.)Basically, it would've been a one-shot, with two monks arriving to scope out B5 for the arrival of the rest later on. (You'll notice that none of the other monks get into the story here; that's a hold-over from the original outline, which I saw no need to change at this point.) So this would've been folded into an introduction to the order as they come to check out B5's facilities.
- They would've gotten the info in a different way, without resorting to a
telepath.
- Carol: *exactly* the right point. In his earlier talk about
Gethsemane, Edward mentioned that old JC had to go through all that to
atone for the sins of others; when he sees Theo later, through the
grate, he uses the same notion of atonement for the acts of another,
in this case, *his* other. The logical parallel parses pretty closely.
- Not sure he *wanted* to die, as much as he felt it was *necessary* in
order to atone for the sins of another...his own "other," in this case.
- Where was Malcolm's mind wiped?
We established in "The Quality of Mercy" that the equipment to handle mindwipes is there on-station, locked away until mandated by a court. A court assigned telepath is usually brought in to do a preliminary scan before it happens and to verify the wipe immediately afterward. In that same episode, Talia was used only because a court teep wasn't available. - Yes, B5 has a court system, authorized by the Earth Alliance
Judicial System, to conduct trials of this sort (which we've seen
before). And in this case, again, there wasn't a trial per se as
Ivanova noted; he pleaded guilty from the start, quite proud of what
he'd done. So all that remained was the sentencing.
- I'd say there were extenuating circumstances here that made it more than
just a simple murder (and not all murders get wiped, esp. in cases like
second-degree or manslaughter). He'd stalked Edward for years; arranged
to break the mindwipe; and engaged in slow, deliberate, methodical
torture unto death. The degree of premeditation is staggering.
- No, the other brothers aren't mind-wiped.
You're mis-remembering "The Quality of Mercy." Telepaths do NOT perform mindwipes. A court appointed teep makes a scan before and after for purposes of comparison, but the wipe is done by a device held under lock and key until ordered out by a court. The only reason Talia did it in QoM was because they couldn't get a court teep there in the required time (which was also stated in the episode). So here the court appointed telepath would have come and gone by now.
- Mindwiping was presented too positively.
I'm not sure I presented it positively; I just presented it, didn't make a moral judgement about it. Some of those in the show did, but then we had Edward saying it *isn't* moral, that it's a monstrous thing to do. Like any form of punishment it can seem fair to those not facing it. - There are templates used, with some variations. In a government
monitored situation (which this wasn't, they thought he was dead),
mindwipes are kept in servile positions, not allowed to achieve, as that
would be a kind of reward. Those guys you see along the roadsides
picking up trash and putting them in bright orange bags? Mindwipes.
- Re: mindwipes no longer considered people...this really is not that
much different from prison inmates, who are given numbers, have no real
civil rights, and are treated like cattle. (And many of them deserve
it; a few deserve worse; a few deserve better.)
- About the moral ambiguity
Thanks. That's really the intent; to get people to talk about the issues raised, and to examine the issues. We won't tell you what to think about an issue, because I don't have an answer myself...but if it made you stop and consider this stuff, and decide for yourself where you fall in the discussion, then it's done its job. - @@@864891412 It's a hard thing to walk the line between not
being effective and being heavy-handed...I think it worked
quite well in that respect.
- @@@864891412 The Centauri did not steal the bag; he had left long
before Edward lost it (we see him drop and leave it behind in the
hallway). As Garibaldi said, someone found it and tried to sell it.
- If the Centauri teep had had more time to react he probably would have
gone after Garibaldi...but Lyta came in too fast, and she took his
attention quickly.
- Re: the Centauri...note that Edward wasn't killed where
they found him. He was taken and killed elsewhere, in a area
they'd more or less secured for that purpose. That was the
area he knew about.
- Re: the use of Lyta to extract the info...this is the main reason why
there's a Psi Corps, and there are exacting rules, otherwise it can
easily become deus ex machina. We won't ever do this sort of thing
trivially, and here it was definitely meant to be a little
disturbing...it was a sheer matter of life or death, the guy was a
creep, and somewhere Edward was bleeding to death. Even after so many
viewings, and even having written the thing, I find that one scene
vaguely scary.
It's the best of the first four, I think. But better is coming....
- @@@864891412 The interrogation scene was disturbing.
Yes, that's definitely the sense I was going for. That scene frankly unsettles and scares me a little, because it does show our characters skirting the line...yes, it's absolutely necessary, every moment is precious if they're going to try to save Edward's life...but it's still a bit creepy. - @@@864891412 How Sheridan and Garibaldi got away with it?
"Telepath? What telepath? Never happened. Can you describe her? No? I see. Well, I don't remember seeing anyone in there, Mr. Garibaldi, do you? We'd check the logs to be absolutely sure, because we'd hate for this sort of thing to happen, but we had a small glitch in the software, and the recorders didn't work...still, we're working on it, and we hope to have it taken care of in the next few months. Would you like some more tea, Ambassador?"
- @@@833696560 What Kosh was doing with Lyta (that
sounds vaguely suggestive) wasn't a one-time event. There was a
transference going on, and that aspect will be heard from again.
- @@@833868577 Why did it take Lyta so long to get to the
Vorlons?
Well, she didn't go directly into Vorlon space; she left, went around a bit, had to find a pilot willing to take her...it was a time consuming process. - @@@864891412 Contacting the Vorlon government isn't the hard part;
getting into and out of their space is what's hard. We showed in the
pilot that B5 and Earth were in *contact* with the Vorlons; Lyta was
trying to get inside their turf, and they aren't exactly neighborly in
that respect.
- Why did it take so long for a med team to get to Edward?
They were in a pretty distant part of DownBelow, and in B5 you don't
have trains or cars; there's just the transport tubes, and the central
core shuttle. Even if they gave a damn about what happens to lurkers in
DownBelow (and they generally don't), it would still take at least 5-10
minutes to get a trauma team down there, and he was dead within about 3.
(I was once mugged half a mile from a police station and a mile from a
hospital; took 'em 30 minutes to get there.)
Sheridan and Theo didn't *discover* that Edward was using the computer; Theo was concerned that he was looking into it in general. And if they had blocked the computer in his quarters, he would have been able to access one somewhere else. They didn't know he'd actually done it until after the fact.
- The absolution scene, based on what used to be called the rites of
extreme unction, or last rights, is now called the "celebration" of
passing, and I went to the Catholic church's information office, and
got the actual text. I made a few adjustments here, condensing it a
bit (on the logic that Edward didn't have a lot of time), and
modifying a few small points here and there, on the second logical
point that in 250 years, such might have taken place (as the current
ritual has been adjusted a bit here and there over the years). So if
it felt right, it was.
- One caveat here overall...it's been complimented and commented upon
that I would expose a belief system in my show which I do not personally
agree with (presenting the face of religion even though I'm an atheist).
That I could be this tolerant is apparently praiseworthy.
I would just suggest that at some point, when and if I should offer a point of view from another perspective, which one watching might not personally agree with, the same tolerance is given, since the virtue of tolerating divergent attitudes has been deemed praiseworthy...and is something ever to strive for....
- @@@864891412 Basically, Sheridan believes in a lot of things; he's
very eclectic in his views, can incorporate lots of different
perspectives, and has a respect for all views. In one of the early
season 3 eps, in fact, one character upbraids him for having "no
clearly defined pattern of faith," to which Sheridan replies, "I'm
eclectic, open-minded."
- "The themes of faith and forgiveness were worthy of a theologian. Are
you sure there isn't something you'd like to tell us?"
Never shoot pool at a place called Pop's. Never eat food at a place called Mom's. The difference between horses and humans is that they're too smart to be on what *we'll* do.
And I have lost people. Too many people. Lost them to chance, violence, brutality beyond belief; I've seen all the senseless, ignoble acts of "god's noblest creature." And I am incapable of forgiving. My feelings are with G'Kar, hand sliced open, saying of the drops of blood flowing from that open wound, "How do you apologize to them?" "I can't." "Then I cannot forgive."
As an atheist, I believe that all life is unspeakably precious, because it's only here for a brief moment, a flare against the dark, and then it's gone forever. No afterlives, no second chances, no backsies. So there can be nothing crueler than the abuse, destruction or wanton taking of a life. It is a crime no less than burning the Mona Lisa, for there is always just one of each.
So I cannot forgive. Which makes the notion of writing a character who CAN forgive momentarily attractive...because it allows me to explore in great detail something of which I am utterly incapable. I cannot fly, so I would write of birds and starships and kites; I cannot play an instrument, so I would write of composers and dancers; and I cannot forgive, so I would write of priests and monks and minbari....
- @@@864891412 In legal terms, in order to qualify for "a crime of
passion" there cannot be premeditation; it happens suddenly, in the heat
of the moment. By virtue of stalking Edward for nine years, the "crime
of passion" defense quickly goes by the boards.
- @@@864891412 From what Ivanova tells Lyta, about two weeks have passed
since the apprehension of Edward's killer; and yes, with slight
modifications to prevent mindwipes from running into one another, they
usually use preset templates in creating a basic history for the person
to be wiped.
- @@@864891412 Why did Ivanova tolerate Lyta?
Real simple. Lyta has proven that she was telling the proof about the traitor; and she's on the run from the Psi Corps herself, putting her and Ivanova on the same side; and she helped when she was asked to try and find Edward. - If there were just one pure and unchanged
universal soul running through everything, there wouldn't be any point
in breaking itself into pieces and investing itself in different
species/people...it would just keep running into identical versions
of itself.
So the soul form in Minbari is different from the soul form in humans; also, in their view, having been civilized longer than us, their soul form is more elevated, more evolved...and thus the pieces are more precious, to them, and to the Soul Hunters.
- No, there's really just the one Minbari religion, and the warrior caste tends to follow it, but not lead it.
Passing Through Gethsemane
Synopsis by Katrina Glerum (kat@midwinter.com)
As Ivanova and Brother Edward banter over the outcome, Brother Theo and Captain Sheridan are engaged in a match of wits over chess and faith. Just as Brother Theo wins at both, Ivanova is called away to meet Ambassador Kosh's arriving ship. She has been invited to witness his ship deliver Lyta Alexander, the mysterious telepath who had helped the B5 crew find the Psi Corps plant in their midst ("Divided Loyalties").
Later, in Sheridan's office, Lyta explains how she had felt drawn to Kosh since she touched his mind years before ("The Gathering"). In a final desperate attempt to find the Vorlons, she had herself abandoned in a life pod at the edge of Vorlon space. Although she agrees to submit to a medical exam by Franklin, she refuses to tell anything about her experiences after the Vorlons rescued her. As Garibaldi sums up for them all, "Nobody's ever been to the Vorlon homeworld, and back again; and yet she goes and comes back like she just took a trip to the corner store. And now she's working for Kosh. Is anyone else as creeped out about this as I am?"
In wrapping up business negotiations, Brother Edward explains that the data transfer service his order provides is like the manuscript illumination of the Middle Ages, namely a means to earn the money they need to continue their work of "learning all the names of God from our non-human brothers." As she is about to depart, the woman asks about the black rose that falls from the monk's bag, but he is more bewildered by it than she.
Garibaldi and Delenn watch an ISN anchor report the sentence of Death of
Personality for a serial killer. The Chief explains that this type of
mindwipe is considered more humane than the death penalty, and that after a
criminal's memory has been erased, they are programmed to serve the
community they harmed.
In MedLab, Dr. Franklin is intrigued to find that not only is Lyta in excellent health, but all her prior chronic and congenital ailments are also inexplicably gone. She manages to get away just as the gleam of fanatic inquisitiveness appears in his eyes.
Returning to his quarters, Brother Edward is terrified to see "DEATH WALKS AMONG YOU" scrawled in blood across the bulkhead. When he returns with a dubious Garibaldi moments later, all signs have vanished.
Londo catches Lyta exiting a transport tube. He is extremely curious to hear what she has seen among the Vorlons. When bribery fails as an enticement, he threatens to apprise the Psi Corps of her presence on B5. Her promise to bury a never-ending nightmare in the psyche of anyone who turns her in seems to cool his ardor.
In an interview with Ambassador Delenn and Lennier, Brother Edward asks
about the Minbari faith. In return she asks him what the defining moment of
Christianity is to him personally. He replies by telling the story of Jesus
waiting all night in the garden of Gethsemene for the Roman soldiers to
seize him. Though he knew what was going to happen and he could have
escaped, Jesus chose to stay, to sacrifice himself "to atone for the sins of
others."
"A very fragile human moment," Brother Edward tells Delenn. "And I've
often thought about that night, and I honestly don't know if I would
have had the courage to have stayed."
Returning home Downbelow, Brother Edward bumps into an odd Centauri. A
moment later the corridor is pierced by a woman's scream of terror and
pain -- and the hideous whine of an electric saw. Confronted with the same
bloody message as before, the monk tries to run away, only to watch his
panicked steps begin splashing through filthy water. With accusations and
foreign sirens ringing in his ears, he collapses nearly on top of the corpse
of a mutilated woman -- one who has a black rose stuffed in her mouth.
Brother Theo finds Brother Edward sitting deeply disturbed in his quarters.
The older monk realizes the futility of his counsel, even as he asks Brother
Edward to refrain from digging after the source of these waking nightmares.
His fears are well founded, for the instant Theo is gone, Edward queries the
computer about the things he has seen, cross-referenced against criminal
records.
Quickly assessing the situation, Theo goes directly to Sheridan to enlist
his aid in tracking down the information before Edward can. Sheridan is
astonished to think that the kind, generous man they are all fond of could
have been an irredeemable serial murderer. Garibaldi's search turns up that
the troubled monk was once Charles Dexter, a.k.a. the Black Rose Killer, but
not before Brother Edward discovers the same. Security also finds that
Brother Edward's visions were not just hallucinations, but planted by
somebody trying to rattle loose the memories of the past. This suggests to
Sheridan that the strange Centauri was a telepath.
Edward waits for Brother Theo to bid him goodbye. "I am a murderer," he
says. "The sins of my former life must be atoned for." Theo begs him to
come back into the fold, "If you ask God to forgive your sins, He knows what
they are even if you've forgotten. Leave it in His hands!" But it is to no
avail. Edward goes to await his victims' avenger, who has deliberately
awakened the evil memories.
Sheridan and Garibaldi attempt to interrogate the Centauri telepath about
who hired him. When he smugly refuses to divulge anything, they toss a bag
over his head, and usher in Lyta, who easily wrenches the location of the
avenger from his mind.
Once again they are just a little too late though. By the time they find Brother Edward's battered body strung up spread-eagle on a rack, his life is nearly dissipated. Yet he forgives his tormentor. Finally, he has found the answer to his question. He did have the courage to wait in the garden of Gethsemene. As Edward draws his last breath, Brother Theo administers the final sacrament of Extreme Unction, the remission of sins.
The monk's torturer is easily caught and proudly admits to the crime, and two weeks later is sentenced to the death of personality. In the course of a conversation about the meaning of revenge and the difficulty of forgiveness, Brother Theo asks the Captain to meet the latest addition to his order, who is about to be shipped back to the monastery for training. It is the young psychopath, looking like sweet, untrammeled innocence. Under Brother Theo's reprimand, Sheridan struggles to overcome the bitter taste of forgiveness, and gives the newest monk his blessing.
After completing an errand for Kosh, Lyta joins him in his chambers. As she
faces him, a stream of energy leaps from her eyes and mouth into the glowing
orifice of his open encounter suit. It becomes eerily apparent why she has
no need of a breather in the methane environment. Puffing and fluttering
gently on her neck are a set of gills.
Patterns of the Soul
Overview
A group of refugees from Earth may be spreading the Drakh plague offworld.
Production number: 110 Original air date: July 7, 1999 DVD release date: December 7, 2004 Written by Fiona Avery Directed by Tony Dow
Plot Points
- @@@931456768 Dureena's people didn't develop spaceflight on their own; they were taken offworld to act as workers for another race.
- @@@931456768 Dureena is not the last of her race alive. A transport carrying workers for a new colony was attacked by the Shadows, and 100 of the workers managed to escape in lifepods. They formed a small colony on an otherwise uninhabited world, Theta 9.
- @@@931456768 Dureena's race is more susceptible to the plague than humans are; their genetic makeup is apparently closer to the template the plague uses as a starting point.
- @@@931456768 Gideon has access to top-secret materials thanks to a card game he played against a drunk Earth official some years earlier; the official put up his access codes as collateral and lost.
Unanswered Questions
- @@@931456768 Are there other instances of the plague being exported intentionally from Earth?
- @@@931456768 How did Max know about the Pro Zeta corporation?
Analysis
- @@@931456768 Was the cybernetic implant program related to the one involving Abel Horn ("A Spider in the Web")? The specifics were different, but may have been part of the same larger operation.
- @@@931456768 Given the huge risk involved if even a single person outside the Earth quarantine is infected and able to travel freely, Gideon has a strong motivation to report this incident to someone, even at the risk of the General Thompson finding out about it. Will Gideon do so? Since the plague can easily jump species, he could legitimately take the approach of reporting it directly to the Interstellar Alliance rather than going through his normal chain of command.
- @@@931456768 This episode has the first reference in the series to the Interstellar Alliance, though an oblique one: General Thompson claimed that his authority to redirect the Excalibur came directly from President Sheridan. Which implies that the Excalibur isn't entirely under Earthforce control; given the Alliance's founding principle of autonomy for member races, Sheridan presumably doesn't have the power to directly meddle in Earth's internal military affairs.
- @@@933044642 Dureena's race hasn't had good luck with the Shadows and their cohorts; they destroyed the worker transport, then wiped her planet out. Just a coincidence, or did Dureena's people pose some kind of threat to the Shadows?
Notes
- @@@931456768 Theta 9 is Canada. The views from orbit are images of Earth landmasses: the Great Lakes, Hudson Bay, the St. Lawrence Seaway, Nova Scotia, and Newfoundland can be seen.
jms speaks
- @@@933017794 Chambers could be seen on the shuttle in the
footage Gideon showed General Thompson. Won't people wonder why she's
still alive?
It's only ever going to be seen by the general, and bear in mind that in that shot Chambers was WAY in the background, it was only seen for a moment on the monitor, with the General more concerned about what's happening in FG, and in any event he would have to instantly recognize her by sight, and he didn't know her.
Patterns of the Soul
Phoenix Rising
Overview
The telepath situation becomes critical and Bester attempts to take control, triggering a strong reaction by Garibaldi. Robin Atkin Downes as Byron. Walter Koenig as Bester. Leigh J. McCloskey as Thomas.
P5 Rating: 8.25 Production number: 512 Original air date: April 1, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@891500932 Byron grew up in the Corps. He was rated a strong P12, so was inducted into the Psi Cops and served as Bester's protege. During one mission, Bester ordered Byron to destroy an unarmed ship full of mundanes who were helping smuggle telepaths out of Psi Corps' reach. Byron followed the order reluctantly, but shortly thereafter fled the Corps, convinced that telepaths could build a society based on nobler principles than violence.
- @@@891500932 To avoid being taken by the Psi Corps, Byron and the militant faction of the telepath colonists have killed themselves. The other members of Byron's group have been allowed to go free, despite Bester's objections.
- @@@891500932 The Psi Corps headquarters on Earth has been bombed. The bombers haven't been found, but they did leave the message, "Remember Byron."
- @@@891500932 During Garibaldi's conditioning, Bester implanted a modified version of one of Asimov's Laws of Robotics: Garibaldi is incapable of harming Bester, or through inaction, allowing Bester to come to harm. (See Notes.) As far as Garibaldi knows, the prohibition doesn't apply to all telepaths, just Bester. His inability to exact revenge has driven Garibaldi back to drinking (but see Analysis.)
- @@@891500932 Lyta's powers include sending her senses far away from her body, scouting ahead for danger. Bester is able to project himself into someone's mind from a distance, similar to Byron's projection to Lochley in "No Compromises."
Unanswered Questions
- @@@891500932 What involvement will Lyta have with the telepaths now that Byron is gone? Will she take his place?
- @@@891544383 Do the telepaths still hold all the alien ambassadors' secrets? Will they be hunted by the alien races? For that matter, will the Corps actively pursue them once they're offstation?
- @@@891500932 Who bombed the Psi Corps headquarters? Garibaldi didn't appear surprised by the news; was he involved somehow?
Analysis
- @@@891500932 The militant telepaths made poor use of their talents in
combat. They appeared to rely on verbal communication. Granted, none
of them had military training (or at least, it wasn't stated) but for
a group whose stated purpose was being able to make free, unrestrained
use of their telepathic abilities, it's odd that they didn't do so
when it would have been of some tactical advantage.
- @@@891544985 Were all the militant telepaths really killed? Sheridan
had only Byron's statement that the identicards and confessions
represented all the militants. Byron didn't have any reason to want
to lie, but was he able to extract confessions from all the parties
responsible for the violence? All the confessions and cards were
probably those of violent telepaths, but Sheridan had no way of knowing
that it was a complete set, despite Byron's promise that Sheridan would
have everything he needed to be sure.
- @@@891544383 Bester had more than one reason for wanting to take the
telepaths alive. Had he gained custody over them, he might well have
been able to extract whatever information they gained from the alien
ambassadors. He would also have discovered the information Lyta
broadcast to the group while making love to Byron in
"Secrets of the Soul."
Of course, he might already know all about the Vorlons' actions by
other means, such as the Corps' previous association with the Shadows.
- @@@891546144 The theme of suicide as redemption for past sins has
appeared before, most notably in
"Passing Through Gethsemane,"
in which Brother Edward allowed himself to be killed to atone for his
murderous past. Byron's self-immolation had a different twist, though:
after he killed Thomas, he may have come to believe that the noble
lifestyle he wanted was an impossible dream. Edward, though no
choice of his own, had given up his past tendencies but
still came to believe he needed to die to atone for them.
Byron's personality shift after being asked to fire on an innocent vessel also echoes David McIntyre's transformation into Arthur in "A Late Delivery from Avalon."
- @@@891545739 Byron's experience with Bester echoed Lyta's experience
with the Psi Cops: she was made to do something traumatic (in her
case, helping to plant images in a murderer's mind to drive him
insane, as she described in
"The Face of the Enemy")
and decided that she had to leave the Psi Cops. She left by
transferring to another division of the Corps rather than running
away entirely, but the similarity of experience begs the question of
how many other former employees of the Psi Cops have left
under similar circumstances.
- @@@891544383 Why didn't Lyta already know Byron's secret? If Talia's
description is to be believed
("Mind War")
lovemaking between telepaths involves dropping all defenses and diving
deeper and deeper into each other's minds. Given how central Byron's
experiences in the Corps were to his personality, and that, by his own
admission, he hadn't hidden his past from other members of the group,
why wouldn't Lyta have come across his memories while they were
together?
It's possible that Lyta was so much more powerful than Byron that her memories drowned his out; she did warn him that the experience might be overwhelming.
- @@@891500932 If Lyta does take Byron's place and become a champion
of rogue telepaths, she may be vulnerable to blackmail by Bester. In
"Epiphanies,"
he claimed to know secrets about her that she wouldn't want revealed.
Whatever those secrets are, they may still hold some sway over her.
On the other hand, Lyta implied she'd received secrets from Byron, so she may be able to counter-blackmail Bester just as easily.
- @@@891544985 Bester claimed that all races dealt with telepaths
through laws, religion, or extermination. That contradicts Garibaldi's
assertion in
"The Paragon of Animals"
that Centauri telepaths "can do whatever they want." The Minbari
treatment of telepaths
("Legacies")
might arguably be religious, but it's really more cultural: telepaths
are treated with respect and are expected to devote themselves to
serving others. It's unclear how other races treat their telepaths,
though, so Bester might be right in most cases.
- @@@891545421 What does the departure of the telepath colony do to
Garibaldi's plan to use some of its members as Alliance spies
("The Paragon of Animals?")
They only helped Garibaldi at Byron's behest, and with Byron gone,
it's not clear they'll feel any obligation to make good on the promise.
If Garibaldi does lose his telepathic spies, the whole exercise was
largely a waste of his time; the only piece of information he's
received from the telepaths was the warning about the Drazi fleet in
"Paragon,"
and that happened before he started spending time training operatives.
It's possible, in fact, that Garibaldi's training sessions will end up working against him: if his two trainees were among the telepaths who left the station, and they're working on their own now, their training makes them more dangerous to everyone involved.
- @@@891500932 Does Garibaldi's conditioning prevent him from revealing
its presence to people who might be in a position to either remove
it or take revenge on Bester for him? He appeared to be having some
difficulty asking Franklin about circumventing it. Could he, for
example, tell Lise about it? If not, how will he explain his return
to the bottle?
- @@@891536018 Garibaldi's return to the bottle
might not be quite what it seems. It's possible that "alcohol" is the
answer to his question, "Are there any drugs that can suppress a
telepathic block?" In that case, Garibaldi faces a choice between
confronting his alcoholism once again and being powerless to take
revenge on Bester.
Using alcohol to nullify mind control has precedent: Londo used it to evade his Keeper in "War Without End part 2," and the Regent, also Keeper-encumbered, was said to have taken up drinking in "In the Kingdom of the Blind." Alcohol only puts the Keepers to sleep, though; it doesn't actually stop them from taking control while they're awake. So the precedent is an imprecise one at best.
- @@@891709896 While he was describing Asimov's Laws to Garibaldi, Bester said that "pre-ban cyberneticists" on Earth had built them into their machines. That implies that at one time, Earth had intelligent robots or machines of some kind, but later decided to put an end to them. Why? Was there a problem with the machines? What happened, and when?
Notes
- @@@891500932 The hostage scene was foreshadowed in
"The Deconstruction of Falling Stars,"
but it wasn't previously clear who was shot.
- @@@891501107 Byron's song was the same one sung by the telepaths in
"Strange Relations."
- @@@891536018 Asimov's Laws of Robotics are:
- A robot may not injure a human being, or, through inaction, allow a human being to come to harm.
- A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.
- A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
@@@891715464 Garibaldi's programming only includes the first law, not the first two as Bester claimed (though arguably Bester was referring to the two rules contained in the first law.)
It's also possible Bester implanted the second law but didn't quote it to Garibaldi. In that case Garibaldi would have to follow Bester's orders. There's a slight hint of that possibility in Bester's mocking request that Garibaldi turn out the lights when he leave (though that could just as easily be simple baiting.)
- @@@891544383 The phoenix of the title probably refers to the birth of a new telepath movement following Byron's death by fire.
jms speaks
- @@@902864748 How would the Byron story have been different if
Claudia Christian hadn't left?
It's no secret that I would've had Ivanova becoming somewhat linked to Byron romantically (she would see him as a character like Marcus, which is why there are certain similarities, and she would take a chance only to find it wrong this time, underlining that she'd missed her one major opportunity thus far for a good relationship). This was expressed to Claudia toward the last part of S4, so she knew at that time that her latent ability would be coming out, and that she'd have a big part in S5.In this scenario, Lyta would have become a devoted follower of Byron's, much as she has, but it would have been more love from afar: protective, somewhat unrequited but hoping for more...so that when he met his fate, Lyta would end up right where she is now, just by a different road.
Phoenix Rising
Synopsis by Katrina Glerum (kat@midwinter.com)
As soon as the transport of Psi Cops arrives, Bester debriefs them on their
mission to root out and capture Byron's telepaths. He explains that the
telepaths who have left Byron are more dangerous than the others holed up
in Brown sector. Meanwhile, somewhere in the station, one of his
bloodhound Psi Cops is led by a telepath into an ambush. Bester gives the
Psi Cops their assignments and orders them to resolve the situation by the
next day.
Lochley enters to catch the end of his speech. She accuses him of enjoying the hunt, and he replies that if they weren't protecting normals from rogue telepaths, another worse method of controlling telepaths would be employed. He adds that his mission is to help rogue telepaths understand they are all on the same side. The transport tube doors open to reveal the body of the ambushed bloodhound nailed to the wall under the words "Free Byron!"
Byron contacts President Sheridan. He can convince his followers to back off if the Psi Cops leave the station. Sheridan is trying to negotiate when Bester walks in and sneers that Byron never keeps his promises. "It's over," he says.
"No, there are other ways," Byron replies and breaks off. He brushes off Lyta's question about what Bester meant.
Bester ignores Sheridan's anger and delivers a progress report. Once he's
gone Sheridan wonders to Lochley why Garibaldi hasn't been heard from.
Bester is greeted in his quarters by Garibaldi and a charged ppg.
Garibaldi demands that Bester dictate a full confession to the Babcom unit.
Bester casually admits everything but declines to record it. Garibaldi
threatens again with utter sincerity. Bester tells him to go ahead and
shoot. Garibaldi's face shows a struggle, but he just stands there with
his gun. Bester nonchalantly walks past him and sits down. "On a scale of
one to ten," he questions, "How stupid do you think I am, anyway?" He
procedes to explain that he has installed an "asimov" in Garibaldi's mind.
Garibaldi cannot harm Bester, nor through inaction allow him to come to
harm. The block is in his neural system so that he can want to kill Bester
and experience his rage, but he is "blocked at the point of action." Bester
mocks Garibaldi's futility some more and then leaves. Garibaldi raises his
ppg again at Bester's retreating back, then destroys the Babcom unit in
frustration.
Byron complains again to Lyta how he had hoped that his followers could be
nobler and less violent than they are. She changes the subject to why
Bester hates him. Byron admits that he used to be Bester's Psi Cop
protege, until one day they intercepted a transport smuggling rogues. Once
the rogues were captured, Bester ordered the squadron to destroy the
transport. "They're just mundanes," he reasoned. Byron did as he was
told, but ran away once he returned to Earth and vowed to find a better way
for telepaths to live.
The telepaths outside the Byron's stronghold are in a losing firefight.
One of them thinks of a place they can get hostages.
Garibaldi asks Dr. Franklin if there is any medical way to break a
telepathic neural block. Before Franklin can answer the telepaths rush in
shooting or subduing everyone in Medlab. Moments later on Babcom, the
telepaths threaten to kill their hostages, starting with Garibaldi, unless
they get safe passage and a homeworld. Byron watches this broadcast and
begs Lyta to find him a way to Medlab so he can stop the killing.
The telepaths lift the teek Peter from his sickbed to help them guard an access route. Franklin tries to intervene for his patient and almost gets killed.
Zack leads a sally against Peter's position, but is confused into retreating when confronted by a barrage of bedpans.
Bester gloats to the President about his error in trusting rogue telepaths. Even though Garibaldi's life is in danger, Bester still has jurisdiction over the handling of the crisis, so there's nothing Lochley or Sheridan can do, short of negotiating with terrorists.
Lyta and Byron walk around their sealed-in domain. She pauses at every air
shaft and sends her mind down each one, searching for a free path out.
Garibaldi's time is almost up. Bloodied and frightened, he and Franklin
eye the terrorists. Byron and Lyta appear at Peter's checkpoint.
Garibaldi starts trying to talk the terrorists into working with him, but
no one responds. Just then Sheridan's face comes on the console. He
declares that they will not negotiate for the lives of hostages. There is
the sound of a ppg charging and the telepaths point their guns at Garibaldi
who makes a last ditch effort to stop them. A ppg is fired, and the lead
terrorist drops. Byron has shot him.
Sheridan paces agitatedly. He tells Lochley he's probably condemned his friend to death. Byron pages them from Medlab. He offers to surrender with everyone responsible for committing crimes, if in exchange he is allowed to gather all his people together and speak with them, and then the innocent ones are allowed to leave the station peacefully. Lochley agrees.
Bester is pissed. Lochley tells him that he no longer has jurisdiction.
If he wants Byron, he needs to go through channels back on Earth. Just
then Zack comes in with the identicards and signed confessions of telepaths
who committed violence.
While the telepaths quietly commune, Bester approaches their sealed off
entrances and puts out a mental call to Byron. He offers Byron forgiveness
in exchange for coming back to the family, but Byron refuses.
Bester gathers his bloodhounds for a final attempt to grab Byron at
docking. As the violent telepaths begin to surrender to Lochley and armed
guards, Bester rushes up and demands the prisoners. One of the telepaths
panics and fires at Bester. In the ensuing fight, telepaths and guards are
shot and a fuel conduit is ruptured.
Byron and Lochley shout a ceasefire. Byron picks up a ppg and looks at the
chemicals pouring out on the floor. Byron demands that Lyta leave him now,
and thereby save his soul by saving the other telepaths who will be leaving
the station soon. She must be strong for him, he says. She walks away,
and as the remaining surrendering telepaths draw close, he charges the ppg
and aims at the fuel. Sheridan grabs Lyta and everyone runs out before
Byron and his telepaths explode.
Watching the grisly cleanup, Sheridan asks Bester if he's satisfied now. Bester seems lost. He never believed Byron hated him and the Corps so much. Franklin finds Sheridan and asks where Garibaldi is. He's worried because Garibaldi appeared so distraught and beaten earlier.
The remaining telepaths file off station under Bester's futile eye. Lyta
rushes up, calling "Wait!" One-by-one, she touches each of the telepaths
and gives them individual contact information for finding safe houses and
rescuers set up for them wherever they go. It is Byron's last gift to them
to keep them free. "Remember Byron," she tells each.
Garibaldi enters his quarters with a bottle of liquor. He pours it in a
tumbler, hesitates a moment and drains it.
Point of No Return
Overview
As the Earth Alliance plunges toward civil war, internal strife threatens to shatter the command structure of B5. Zack's loyalties are put to the test when the Nightwatch is ordered to take over station security. Londo receives another glimpse of his destiny. Majel Barrett as Lady Morella. Marshall Teague as Ta'Lon.
P5 Rating: 9.31 Production number: 309 Original air week: February 26, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Jim JohnstonNote: this episode is more momentous than most. Think twice before proceeding to the spoilers; it's worth seeing unawares.
Backplot
- After the death of a Centauri emperor, custom states that his spirit lives on in the body of his consort, who speaks both for herself and her late husband.
- Londo is destined to become emperor. That part of his future cannot be avoided, according to Lady Morella. Vir is also destined to become emperor. One will become emperor after the other dies, but it's not clear which.
- Londo has already passed up two chances to avoid the destiny he fears awaits him. There will be three more. He must save the eye that does not see. He must not kill the one who is already dead. And failing those, at the last, he must surrender himself to his greatest fear, knowing that it will destroy him.
- One result of G'Kar's Kosh-inspired revelation in "Dust to Dust" is the belief that humans are the key to the salvation of the Narn race. He also believes, as Kosh suggested, that the Narn must give up their pride and their vengeance or risk being completely destroyed, and that his people must sacrifice themselves by the hundreds or even the millions if all are to benefit in the end.
Unanswered Questions
- Is General Hague on his way to the station?
- What impact will Sheridan's new security forces have? Will they immediately turn Earth against him?
Analysis
- One of Londo's two squandered chances was undoubtedly his action in
"The Coming of Shadows,"
which sparked the Narn-Centauri War. The other is less clear.
Perhaps it was his initial meeting with Morden, or the attack on the
outpost in
"Chrysalis."
It may also have been his decision to ask the Shadows to defend Gorash 7
("The Long, Twilight Struggle,")
without which the Centauri wouldn't have been able to crush the Narn
as thoroughly as they did.
- "The eye that does not see" might refer to the Eye, the
symbol of Centauri nobility that marked the start of Londo's association
with Morden
("Signs and Portents.")
It may also refer to G'Kar's eye, which appears to be injured or missing
in Londo's dream
("The Coming of Shadows.")
- @@@832090870 The one who is already dead might be Morden, who's officially dead
according to Earth Alliance records
("In the Shadow of Z'ha'dum")
or perhaps G'Kar,
whose old life is certainly gone. It's also possible that it refers
to the memory of someone who is to die; Londo may be presented with
an opportunity to discredit someone who would otherwise serve as a
martyr. Along similar lines, it may refer to the wishes of someone
already dead; for instance, destroying the chance for peace that
Emperor Turhan sought before his death, something that would have
been the Emperor's legacy.
Another possibility is a connection to the transfer of Minbari souls to humans; the owner of a particular previously-deceased Minbari soul (perhaps Sinclair) may prove troublesome to Londo in the future.
- Londo's greatest fear might be the downfall of the Republic,
or perhaps his own death.
- It's likely Londo will squander at least the first two of his remaining
chances, given the fact that there will be a third -- assuming Morella
is correct.
- What did Sheridan and the others say to convince Zack to go along with
their ruse? It may have been as simple as convincing him that the
order from the Political Office was illegal, just like Sheridan told
the trapped Nightwatch members. Using that to convince him would
have been the safest course of action, since as a loyal officer
he'd be inclined to go along with the plan even if his sympathies had
shifted toward Nightwatch.
- What were all the non-security Nightwatch members doing during the crisis? Were they unaffected by the takeover order in the first place, and thus largely unconcerned with what was going on?
Notes
- An official press release about Majel Barrett's appearance is available.
- Many of the Nightwatch members in this episode are production staff members, including the production secretary and an assistant director.
- @@@834426130 Lady Morella is said to be returning from a visit to Ragesh 9. The Ragesh system is the same one attacked by the Narn in "Midnight on the Firing Line."
jms speaks
-
Posted to the CompuServe Star Trek forum
Before you hit the *kill* button...a thought or two in your general direction. First, if you're eager for the actual news part of this message -- and it is kinda important -- it appears at the end of this message. If you've got a second, stick around.In every interview he's given on the subject, Walter Koenig has spoken glowingly of BABYLON 5, as a show he feels is fighting for genuine quality SF in television, with serious, mature stories for fans who grew up on STAR TREK and are looking for more of that quality...none other than Majel Barrett Roddenberry has gone on record at conventions, including Toronto Trek and the recent Wolf 359 convention, as saying that BABYLON 5 was "the only other intelligent science fiction series out there" besides the ST shows, and urged ST fans to support it.
If you've tried the show, and it wasn't to your tastes...fair enough. No one should be expected to like everything. If you'd like to give it another shot, that's fine, but there is no need to defend your opinion; we respect it. Not every show works for every viewer.
If you *haven't* tried the show...if you liked the original ST and the work of Majel and Walter and Harlan and others involved in it...if you like the work of Peter David, who has written for B5 and supports it...you may want to give it a shot in October/November.
The final four episodes from year two will be broadcast starting the week of October 11th, with the new year three episodes beginning the second week of November. These nine episodes in a row contain some of the best work we have ever done. Acting, writing, directing, effects...we stand behind all of them. (The year two Final Four were held back from earlier broadcast to lead into the debut, so these are new to the US, although they have already aired to substantial praise in the UK.)
If perhaps you have been turned off by some of the more vigorous messages from B5 viewers, I'd only ask that you consider those comments in light of the fact that Paramount (NOT the people doing ST, but the studio itself) has done everything possible to hinder the progress of B5, which engenders certain reactions from everyone; and that to a man or woman, virtually all of the more vigorous posts have come from those who have long considered themselves fans of STAR TREK, voicing many of the concerns which are stated right here in this forum by current viewers...which they had long before there was a B5... as well as some of the praises found here.
The ironic thing is that there is no problem between those who make B5, and those who make ST..Jeri Taylor is a friend, Majel supports the show, when ST does an episode with great EFX we call them, when we do a good one they call us...it's almost entirely a matter of perception.
So for what it's worth, direct from those of us who make BABYLON 5, if you haven't checked out the show before, or if you're curious to see where we stand now...I would like to personally invite you to check out the new batch of episodes starting around October 11th. If you want to give us all nine episodes, that's great; if less, that's fine too. If not at all, that's also fine.
Over a late dinner with Majel, I observed that after the original STAR TREK, which for the first time presented truly *human* characters, with all their flaws and frailties and bravery and nobility, in a science fiction series, the ball was dropped, and no one picked it up again for years. She agreed with this...and it is my hope that you will find this coming season of BABYLON 5 to be that show.
Because it isn't an either/or, sum/zero game...one can watch, and enjoy, BABYLON 5 and STAR TREK equally, for different reasons, since their approaches are very different. And this is the perfect time to come into B5, since these episodes encapsulize a lot of background, and will take you quickly into the background, the universe and the characters.
Which is why, I'm pleased to announce, Majel Barrett will be appearing as a guest star on BABYLON 5 this coming season...a gesture of support from her, and a gesture of respect from all of us at B5. The deal has been signed, it's a done deal...she'll be appearing in episode #9, "Point of No Return," as Emperor Turhan's third wife, Lady Morella. We're very much looking forward to her appearance in the B5 universe.
For all these and other reasons, I hope you'll give BABYLON 5 a try.
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She'll be playing a Centauri female, the Lady Morella, Emperor Turhan's
third wife; also a prophetess and seer.
-
When we first announced casting Walter Koenig on B5, lots of people
moaned, "Oh, no, not Chekov on B5." What you got was Bester, who has
become one of our most noted and discussed characters. It's unfortunate,
but some people confuse the role with the person. "...the worst character
ever in the entire ST universe" has nothing to do with the person, or the
role she will be portraying: the Lady Morella, Emperor Turhan's third
wife, a prophetess and seer. It's a *very* serious, significant role,
absolutely unlike anything she's done before.
This, btw, is called "typecasting," which is one of the primary reasons why so many talented actors who helped to create Star Trek and other series couldn't get work for so many years...they did so good a job that they forever *became* that character. Let's not be guilty of that crime here. Majel's character will no more be Troi than Bester is Chekov.
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Ellen: thanks. As for the episode in question, it's entitled "Point of
No Return," and the role of Lady Morella was written specifically for Majel.
I hustled to get it finished prior to the Wolf 359 convention, where I gave
her a copy of the script. She read it overnight, and fell in love with the
story, the character, and what it was going to do with and to the BABYLON 5
universe (to wit: start turning it upside down). Next morning, she said
"I'm in." And she is.
Yes, it's a jms script, and is one of the most pivotal of this season, episode #9, which with the one before it, "Messages from Earth," builds to a major turning point in #10, so it should be a very popular, intense and memorable episode in every respect.
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I'd just like to say that Majel did a great job for us
on B5, and we are hoping we can come up with other opportunities
for the character to return. I know that Majel is
interested in pursuing other acting gigs outside ST, and I
wish her all the best. I think other shows would do well to
utilize her abilities; everyone had a great time working with
her, and she should be recognized for work other than ST.
- Was Morella's speech about greatness intended as a tribute to
Gene Roddenberry?
There's probably a fair amount there that could apply to Gene, yes... -
If a word comes out of a character's mouth, it's usually mine.
The bit about greatness was one of them; had a number of different
subtexts going on behind it.
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Of course, there are many who don't see such people in a Good
Light; even Washington had people out smearing his name every day
(which, among more altruistic reasons, was why he didn't want to stay
in charge forever). We are never so greatly appreciated as when we're
safely and conveniently deceased.
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Btw, on the topic of titles...it's important for the season title to
accurately reflect the events of the season. And as I've watched more and
more of season 3 being filmed, it becomes increasingly clear that "I am become
Death, the destroyer of worlds" isn't as apt, emotionally, for what's going
on. (I've actually felt this for a while, which is why I've been hesitating
on locking down the title publicly.) The single most emblematic title, and
single episode, for the whole season, really, is "Point of No Return," because
on every level, that's what happens this season.
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Thanks...it ratchets things up a bit more, certainly. The big
stuff's just around the corner.
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Most of the Omega class of destroyers are given Greek names,
such as Achilles, Alexander, Agamemnon and others.
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Correct, the Alexander would've come off the assembly line a
bit after the Aggy.
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We could've easily played the EFX full-screen, as WB used them in the promos,
after all. But it's a slow tease, a reveal. You do it big in Messages, hold
it back just a bit, at arm's length, in PoNR, then bring it all REAL close
again in the next episode. By putting it at some remove in PoNR, it makes
the viewer almost like one of those in the Zocalo, fighting for a better
look, stranded out far away, trying to figure out what's going on.
- @@@846737924 Did someone call out "Furillo, Francis" during the roll
call of security guards? Furillo was a "Hill Street Blues" character.
No, actually, the name was Pirello, Francis...hadn't realized it was a sound-alike for Furillo until dailies came in. -
I think Zack was mainly nervous in that last bit,
which may account for his twitchiness. And yes, Morella often
prophesied for Turhan.
- @@@843260322 About Morella's prophecy
There's another way to look at this, which occured to me as I was writing it, so I structured it accordingly.Morella: "You must save the eye that does not see."
Londo: "I...do not understand."
I.
Eye.
We never actually saw how she spelled or meant this.
Given Londo's background, one could almost make the case that the discussion was about him. Not saying that's it, but it's a possibility and a subtext.
- Which side is Dr. Franklin's father on?
Stephen's father is a by-the-book guy; he doesn't think his job is to set policy, only to implement policy. - Aren't those Nightwatch posters a bit too much? Wouldn't people
object?
It's not always as simple as that. You also take a uniquely Western perspective. Look around at Russia, Cuba, 1930s Germany and the beer hall putsch, Iraq, Iran...a leader can survive all kinds of opposition if he has sufficient control of the armed forces. After the Gulf War, it was generally assumed that Saddam would be gone within a few months; now his position is stronger than ever.Also, Clark didn't (ostensibly) declare martial law to protect himself, he did it because of an imminent alien threat which was detected long before these allegations came out, we just had Ganymede attacked and that's spitting distance from the primary Earth jump gate at Io...there is indication of collaboration and conspiracy among some in the Joint Chiefs (and in fact that's correct, from his point of view, given Hague's activities)...there's enough ammo there to justify martial law. Dissolve the Senate? Just happened a couple years ago in Russia, when we had tanks firing on the Senate building. Some might say that Yeltsin was in the same position as Clark in that his motives might be saving himself.
(The majority of our posters, btw, are taken from genuine WW II propaganda and war-support posters that were actually in use. We make some slight modifications, but the gist is there. Yes, we do fall for these things, we do go for these things. We always have.)
As for the USA-western perspective...during WW II we saw Japanese civilians interned in camps along the West Coast...afterward we saw people prosecuted for being Reds, saw careers and lives destroyed by even the hint of "commie" influence. If you look at newsreels and documentary footage from the time, you see a populace, fresh out of a war, who survived by focusing on the Enemy, given a new enemy. Might they have gone along with some kind fo martial law if they thought that if they *didn't* cooperate, the nation might be vulnerable to Russian nukes or invasion? I think the climate was perfect for it.
Could it happen right here, right now? No, because the surrounding climate isn't right. Could it happen if the conditions *were* right? Of course it could. We're not genetically or evolutionarily different from the Germans or the Russians or the Cubans or the Iraquis. If we think we'd never fall for that, we place ourselves in *exactly* the position of guaranteeing that we *will* fall for it. Because we won't recognize it when it happens. We can justify and rationalize it as something else.
Yeah, people back on Earth still have guns. What of it? Right now, with martial law, the streets are quiet, the news is more positive than usual for a change, the quarrelsome jerks in the senate have been given a good kick in the butt, the president's getting things *done*, we've all still got our jobs, the muggers are hiding out, life goes on except for the lawbreakers. You gonna go out on your own and start shooting at Earthforce troops armed to the teeth with *vastly* more advanced weaponry? On whose behalf? The aliens? The troublemakers? What're we rallying for? Or against? This'll blow over soon, it always does. It never lasts. Right now, just ride it out, wait and see what happens. Who knows...maybe Clark's right? Who wants to be perceived as a traitor?
Those are the thoughts of any populace in this situation. Just as when Yeltsin declared martial law in Moscow, as when Mayor Daly sent in the shock troops in Chicago, on and on.
Here's the number one rule: a population will always stay passive for as long as they perceive that they stand to lose more by opposing the government than by staying quiet. It's when they have little or nothing left to lose that they rise up; the politicos first, then, more reluctantly, the general population.
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Here's something to consider in this.
It's easy -- safe and reassuring -- to dismiss Nightwatch and the whole political climate on Earth at this time as referring to Nazi germany...SS, Stormtroopers, informers...but if we know our history, it shows that this is not so isolated as we might think. If we say it was just the Nazis, then it's a non-repeatable phenomenon, we needn't worry about it again.
But, of course, it does happen again...it did, and it will, to varying degrees. Go back to the Inquisition, and forward to Joe McCarthy and the House Un-American Activities Committee (HUAC) which destroyed lives and reputations based on association, past history, social contacts and party affiliations (the items specified by Musante to the EA folks in Nightwatch). Stalin and to a lesser extent Lenin would have been right at home in Nightwatch. Several of the leaders speaking for parties in the ruins of what was once Yugoslavia would also fit.
It's easy, and safe, for us to say, "Oh, we would never do that, only THEY did that." But the "they" in this ARE the we on the other side...and "we" have done it, are doing it now, and will continue to do it. Only when we *know* the history of such things, when we recognize the rhetoric of control, when we oppose blacklisting and scapegoating and dead-catting do we help to assure that they *won't* arise again. Remember the quote: "Those who do not remember history are condemned to repeat it."
There's a great deal of generalized historical and political metaphor in the show, never one-to-one because that's too easy, but disguised in one form or another, transumted. The Centauri Republic isn't a real republic by any stretch of the imagination...any more than the Roman Republic from which it draws some of its political structure, particularly the Centarum, the ruling body. There's a great deal of Japanese political and social structure to the Minbari, in their culture and art and some of their philosophy. You can find parallels to the story in World War II, and the bible, among a few dozen others.
Too little of TV these days is *about* anything...it's all context, no subtext. This show is about a lot of things...but never in the mode of telling you what to think. We'll ask *that* you think, that you consider the world around you, and your place in it...but defining that is your business, not ours.
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"I don't believe a conservative nightwatch would be tolerated
either."
Senator Joseph McCarthy. The House Un-American Activities Committee. You can look it up.
Also, there was a PBS documentary this past week on the blacklist; I suggest that ANYone who thinks we would never fall for something like the Nightwatch should take a look at it. It makes the Nightwatch look pale by comparison.
- The House Un-American Activities Committee wasn't that powerful.
I disagree. When even Truman was loathe to take on HUAC and McCarthy, you've got a real problem. You make the impact sound minimal; but people committed suicide when their careers were ruined by HUAC and Tailgunner Joe. I personally know writers who were at the top of their form and their careers who never worked again because they were blacklisted or greylisted.It was also the climate created by HUAC that threatened much more widely than the actions of the committee itself. Take Red Channels, a sleazy little rag published by the owner of a *SUPERMARKET CHAIN* in which he listed those he considered -- based on whim or divine revelation -- reds or sympathetic to reds. Even a publication like that had tremendous destructive power. I know one of the writers listed in Red Channels; the networks grey-listed him instantly. It was *years* before he could work again.
The whole red-baiting hysteria of the 50s came as close to destroying the American dream as any threatened invasion. If it had been led by someone a little less self-destructive than McCarthy, I hate to think what would've happened.
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"Even in the USSR the military would not support an attempt of
martial law."
You mean like when Yeltsin called up the military, dissolved the Senate, and had tanks open fire on the Senate building to keep from being ousted in a coup...you mean like that?
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Yes, right to assemble, free speech rights, they're all open to abridgement.
Travel can also be restricted.
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Thanks. No, I understand the point, I'm just getting into the
details a bit. One last point I forgot to mention was that even for
the US, there has never yet been a situation where we as an entire
*species* stood on the brink of extinction by an alien race. That'll
definitely affect your mindset a bit....
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"Zack is the key figure here. He's the one questioning if he's on the right
side and just what his allies are up to. I've heard some good analogies to
present days situations kicked around on these boards, but It seems mostly
Republicans want to accuse democrats and vice versa. What we need is more
Republicans willing to criticise fellow republicans and democrats willing to
criticise fellow democrats."
A very good point. Zack is, to all intents and purposes, the Everyman character in this; he wants, desperately, to do what's right. But he doesn't exactly *know* what's right, because he's getting conflicting information...or rather, a lack of *real* information and a plethora of agendas. Who is he to believe? Which way does he jump when he's not sure which pit holds the lion?
When a culture become factionalized, when it becomes us vs. them, everyone starts setting up consistently smaller camps...first it's democrats vs. republicans...then it's mainstream republicans vs. conservative republicans...then it's conservative republicans vs. religious right republicans (with the democrats having equal problems on their side). As soon as we forget that we're *all* US, it begins to fall apart.
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Corwin's question is really one that hits a lot; you see things
starting to fly apart, but you keep thinking it's gonna work out..then it all
goes to hell, and you're standing there trying to figure out how it all
slipped away. It's a very innocent, yet universal question.
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"...I wanted Sheridan &Co. to cut themselves free of Earthgov,
and they didn't."
'Course, if you were to do anything that monumental, you'd spike right smack in the middle of your three-part story.
One of the things about these three episodes that's again worth stressing is that they're really one story, linked carefully. Each of the three begins *one frame* after the other. After they've aired, if you sit down with a VCR and edit them together, you'll find that they flow absolutely SEAMLESSLY from one to the other. So PoNR is at the dead center of the piece that propels you toward the last third, like the second act in a three-act play (which was my structure for this).
That may help.
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We knew that at some juncture they'd be split, so numbering
them as parts 1, 2 and 3 would be awkward. And distribution hates
having to market multi-parters, for reasons of their own. So...three
episodes.
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Glad you enjoyed "Point." It sets everything up, so we can
knock it all down in "Severed Dreams." Now everyhing I need is right
where I need it to be....
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Certainly G'Kar has had...a revelation, I suppose is the best way of putting
it, and that tends to transform you. What form emerges from this remains to
be seen.
- Ta'Lon's line about answers and replies
No, I don't think that's a quote from anywhere but the show, at least insofar as I know. - Was bringing Ta'Lon back something you wanted to do from the
start?
I liked Ta'Lon, and definitely wanted to bring him back. -
We've already established in the episode that the bodyguard is the same as in
"All Alone." We did that when the two had a drink in the zocalo. It was in
dialogue.
- I liked Londo's line about politics.
Thanks, and I agree with those scenes. (For me, the Vir/Londo scene in the tag is just hysterical.) Re: "politics has nothing to do with intelligence," yeah, I kinda liked that one. I have fun.... -
Centauri are always suspicious, and if you knew you might be
emperor after the other is dead, you might be encourage to...help that
process along, however you might like someone. It's just good
business.
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When we come back, the very next episode has a very funny scene
re: Londo and Narn security. And yes, that was the Schwartzkopf.
- Is the fact that Hague was on the Alexander a reference to Alexander
Haig?
Y'know, I think this was one of those subconscious things the brain does sometimes...I hadn't put it together when I put him on that ship. It's a sad thing when you can't even trust your own brain anymore. - "Ok, at the end of this ep. Susan explains that 4 of the 5 cruisers with
Gen. Hague where distroyed. So did Earthforce get them or did Clark have the
shadows do it?"
It was an ambush by Earthforce ships. (Actually, only 3 were destroyed, the other two took off separately, trying to throw off a united pursuit. But you know how ISN's been lately....)
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Delenn was taking care of some business on Minbar.
- There's not a lower house in the EA, in the sense that each nation/state has its own various houses, and its own leader, but that leader is also part of the EA senate. One per nation/state. Each nation/state has its own constitution, but must not contravene the larger principles of the EA constitution.
Point of No Return
Synopsis by Katrina Glerum (kat@midwinter.com)
Londo insists on giving Vir unwelcome advice on how to phrase his
intelligence report regarding Minbar. Just as Vir finally loses his
temper, Londo receives a call from Centauri Prime telling him that Lady
Morella, the late Emperor Turhan's third wife, will be arriving soon.
Delighted, Londo exclaims that everything must go smoothly for this
important visit. As he goes to prepare he finds his exit blocked by a
corridor full of people in a panic because the Earth Alliance has just
declared martial law.
The latest word for Sheridan and Ivanova from Earth is that President Clark has just dissolved the Senate and the Elite Guard is moving in on defiant members in their chambers. Joint Chief of Staff General Hague is missing, but he left a message for Sheridan: "Everything's gone to hell, John. You're on your own." They head to command and control to try to steady the crew, ordering them to stay at their posts and keep a squadron of fighters on patrol at all times. Garibaldi catches Sheridan and Ivanova a moment later in the hall and relays that an alert has been posted for General Hague, who is trying to organize a counter strike. Hague is outnumbered, and the conspirators realize that if the general is captured, they will be arrested next. If he comes toward B5 they can help him, but in the meantime, they and everyone else will keep watching ISN.
Zack's viewing is interrupted by the Nightwatch liaison telling him to
come to a critical meeting in a couple of hours--and to bring extra
caps for his PPG just in case.
G'Kar's singing is interrupted by Garibaldi setting him free from
prison. He is quite pleased and obliquely promises some assistance.
Londo curses the crisis in Docking as he explains how much effort it
took to arrange Lady Morella's visit. Her importance is due as much to
her status as the ex-consort as because she is a prophetess, and Londo
hopes for some much needed advice.
The four senior officers receive a briefing from General Smits informing them that the Political Office has assigned all off-world security responsibility to Nightwatch personnel, and over Sheridan's protests orders them to obey the chain of command. This is the same order that the Nightwatch liaison is relaying to security members in their meeting. It is now their responsibility to root out the traitors who have sold out Earth throughout the station.
Returning to his quarters, G'Kar is astonished to find that Ta'lon has been guarding the door throughout his incarceration.
One by one, the security personnel approach the liaison and Zack to decide whether to accept the Nightwatch armband or quit duty and hand in their weapon and ID. Garibaldi knows what's going on and is infuriated by it. It is a matter of personal honor to him that the people he has carefully gathered and nurtured are not sold down the river by what he considers the squabbles of Earth politicians. Even though Sheridan begs him to reconsider, Garibaldi storms down to security to confront the Nightwatch armed with only the force of his character and his fierce sense of personal loyalty.
As Londo attends Lady Morella, she speaks about the late emperor's
efforts to keep the present madness at bay and then asks why Londo really
asked her to come to the station. With rare candor Londo replies that
he needs a prophecy to discover whether in the great future he
envisions for himself, he has any hope of redemption. She agrees to
give him a reading before she leaves.
Zack is unable to get the furious Chief to wear an armband or stop him
from crashing the Nightwatch enrollment procedures. Although they are
shamed, not a single Nightwatch guard wavers. Just as the Captain
predicted, Garibaldi is ousted and Zack is placed in command of
security.
Alternately musing and inspired, G'Kar tries to explain his revelation
to Ta'lon. In order to save themselves the Narn must be willing to
give up pride and vengeance, be willing to die by the millions for
others and for the Universe itself. The humans are the key, he says,
and a key that they must turn to find salvation for all.
The Captain shows Commander Ivanova the official order of martial law
on B5 which he must impose, but he refuses her offer of assistance in
order to shield her from association with this despicable command.
Nightwatch officers move through the Zocalo, breaking up groups of
tense humans clustered around the news, while Londo tries to present
the atmosphere in a brighter mood for his tour with Lady Morella. She
is not taken in by the Ambassador, but is almost swept up in a riot
that erupts between civilians cheering word of General Hague's escape
and the Nightwatch. All monitors switch to Sheridan reading the
declaration of martial law as pandemonium reigns the marketplace.
Franklin finds Sheridan filled with revulsion for the entire situation, and the Nightwatch in particular. Suggesting caution and faith in Hague, Franklin reminds the Captain that he can't disobey the chain of command. This echo of General Smits prompts Sheridan to realize that there was a hidden message in the General's briefing.
Resplendent in full battle garb, G'Kar stalks into C and C to whisper in Ivanova's ear that he has had an idea.
A stressed and weary Zack comes home to find his living room staked out by Garibaldi, Ivanova and G'Kar, with Sheridan ordering him inside from the corridor behind.
Lady Morella is disturbed when an incidental touch passes her Londo's vision of himself on the Centauri throne.
When Zack discloses to the Nightwatch liaison that the Captain intends to replace the Nightwatch security personnel with a shipload of Narn arriving soon in Bay 9, the man glows with excitement at the prospect of catching them and arresting the entire command staff for sedition.
G'Kar asks a packed meeting of Narn for their assistance, while
Sheridan broods in the darkness of his quarters. When the hour
arrives, the four senior officers stride towards a momentous encounter
and the end of their careers as they know them, and the Nightwatch gear
up to make a stand at Bay 9. When they are all in place, Zack speaks,
"Now!" into his link and dives out as the bay doors fall. Sheridan
addresses the trapped officers. He explains that any order by the
Political Office to Earth Force personnel is an illegal order, and thus
they are under arrest for conspiracy to mutiny until the order is
confirmed through the proper military hierarchy in a few hours or
days. In the meantime, the security lack will be made up by G'Kar's
Narn on the station.
Lady Morella gives Londo his reading, but as prophecy tends to be, it
is obscure and not what he wants to hear. She tells him he will have
three opportunities to sidestep the fiery future awaiting him at the
end of his journey, and has already missed two others. He must save
the eye that cannot see. He must not kill the one who is already dead.
And if all else fails, he must surrender himself to his greatest fear,
knowing that it will destroy him. In addition she tells him that he
will be emperor someday. As an aside she informs Vir that he will be
emperor also, which amuses him enormously-until he realizes that she
isn't joking. "One of you will become emperor after the other is dead."
In single file and under the watchful eyes of Narn and loyal security guards, the Nightwatch are permitted to surrender their weapons and IDs and submit to house arrest.
Sheridan expresses his gratitude to G'Kar but is disturbed and suspicious when the former ambassador demands in return to be admitted into the secret alliance he knows Sheridan has been gathering.
Seated on far sides of their chamber, Londo and Vir eye each other edgily while the Lady Morella's parting line hangs in the long silences between them.
"I never thought it would end like this," Ivanova remarks to the Captain as they gaze out his office window at the station core. General Hague is likely to be captured soon, and the other defectors have already been shot down. They understand that they are next on the list.
"Me either," he replies.
Points of Departure
Overview
Second season premiere. As a new commander assumes control of the station, a renegade Minbari warship arrives, threatening trouble. Robert Foxworth as General Hague.(Originally titled "Chrysalis, Part II")
Sub-genre: Intrigue P5 Rating: 7.92 Production number: 201 Original air date: November 2, 1994 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Janet Greek
Backplot
- During the Earth-Minbari War, Captain John Sheridan managed to score Earth's only real victory, destroying the Minbari flagship Black Star and several cruisers by mining the asteroid belt between Jupiter and Mars with fusion bombs. This earned him the name "Starkiller" among the Minbari warrior caste, as well as their continuing hatred.
- The Minbari population has been slowly declining for two millenia.
- The Grey Council ordered the end of the war after capturing Sinclair. He was the first human to have direct contact with the Council. Their original intent was to interrogate him and find out about Earth's defenses, but upon scanning him, they found that Minbari souls were somehow being reborn in human bodies. Since Minbari religion teaches that all the souls of the Minbari form a greater whole, continuing the war would mean, in effect, killing part of themselves. Realizing that the knowledge that this was happening to Minbari souls would prove destabilizing to society -- presumably some would blame humans for the shrinking population, not to mention how the humans would react to the news -- they decided to keep their discovery a secret, and protect it with lethal force if necessary.
- After the suicide of the warleader Sineval (cf. "Legacies") at the end of the war, the crew of his ship, the Trigati, defied the surrender order and vanished into exile for nearly twelve years.
- Before her service on Babylon 5, Ivanova served under Sheridan at the transfer point on Io.
Unanswered Questions
- How did a scan reveal that Minbari souls were being reborn in humans?
- Will the crew of the Trigati be considered martyrs by the warrior caste in spite of their death at Minbari hands?
- Why did President Clark already know why the war ended? (see jms speaks, and comic "In Darkness Find Me")
Analysis
- The presence of the unnamed Grey Council member on Babylon 5 implies that the Council knew Delenn would disobey its order, and further, that they know the purpose of the chrysalis. In fact, there seems to be more division within the Council than they want to admit (cf. "Babylon Squared") since one of the Councilmembers gave Delenn the triluminary even though the council had advised her to wait.
- Sinclair was the first human to have contact with the Grey Council, but there's still ample evidence that that's not the only thing unique about him. Delenn has hinted that she believes he has a great destiny (cf. "Grail" and "A Voice in the Wilderness, part 2") and even in this episode, Lennier says, "A change is coming. Sinclair was the first. There will be others," implying that something has happened to him that hasn't yet happened to anyone else.
- In fact, the Council may have identified a specific Minbari soul in Sinclair, perhaps the reincarnation of a great figure in their history; that would explain why they're so interested in him in particular.
- It's possible that the information about Minbari souls isn't even known to all of the Grey Council. When Delenn visited the Council (in "Babylon Squared") she spoke of the prophecy as the reason for ending the war, and some of the other Councilmembers weren't sure that humans were the ones the prophecy referred to. If they had seen whatever scan results convinced Delenn that humans had Minbari souls, they presumably would have argued with her about those results rather than a vague interpretation of the prophecy.
- The only thing that looked remotely like a scan in Sinclair's recollection of his capture on the Line was when one of the Minbari held a triluminary up to him. (cf. "And the Sky Full of Stars") It's at least plausible that the triluminary was instrumental in determining that Sinclair had a reincarnated Minbari soul. If its function is indeed on such a spiritual level, the fact that it was part of Delenn's machine (cf. "Chrysalis") suggests that her transformation may be as much mental as physical. This interpretation of the triluminary's function is supported by the comic issue "In Darkness Find Me."
- Sheridan's comment that he was the late president's choice to replace Sinclair is odd; why would Santiago want someone who would be sure to anger the Minbari and increase tensions?
Notes
- The Agamemnon was also a ship in the British fleet, at one point commanded by Lord Nelson (best known for the Battle of Trafalgar.)
- @@@887274116 Possible factual error: Sheridan said the Dalai Lama ate dinner with him, implying an evening meal. But Buddhist monks, including the Dalai Lama, don't eat after noon. It is, of course, possible that Buddhist practices have changed between the twentieth and twenty-third centuries, or that "dinner" wasn't meant to imply an evening meal, but rather the last meal of the day.
jms speaks
- As for Chrysalis, there's about 8 to 10 days in "story time" between
it and the events in "Points." The next few shows track in real-time.
- Why do the Minbari have a grudge against Sheridan? It was wartime,
after all.
They don't much like the way he did it, which was rather sneaky. My sense is that the Minbari have something of a superiority complex; the idea of being beaten, even briefly, by a technically inferior race is going to grate on them. Also, bear in mind, that the military caste has not been fully informed about WHY they were ordered to surrender...so there's a great deal of animosity just barely submerged there, which is pointed at the only real human they know from the war...because he cost them. - Heads definitely rolled (figuratively speaking) in the Minbari
warrior caste after the Black Star incident. They allowed themselves
to get cocky, and didn't do a proper job, which was more than an
embarrassment to them.
- It kinda bothered their sense of superiority; also, their sense of
honor lies more in the direction of one-to-one combat, rather than
mining something as a trap. Consider it the way British troops did
toward American revolutionary fighters who hid behind trees and used
guerilla tactics rather than fighting the way the British *wanted*
them to fight, out in the open, in nice, easily shot-at rows....
- We will be changing the main title sequence after "Revelations"
airs to include the new version of Delenn. Would be silly of us to
include the new version in episodes prior to her unveiling.
- The fact that Minbari believe in souls does not make it so.
If a story is rigorously SF, but some of the people who inhabit the story have belief systems, does that automatically invalidate it as SF?
I don't think it's the position of this show to state whether or not a belief system is true but rather to explore the actions of those who THINK it's true; not to resolve arguments, but to start arguments. (See "Believers" for more on this one.)
What the characters believe is subjective, and is their business. Or, as Sheridan says in a later episode, "I'm not saying what I'm saying. I'm not saying what I'm thinking. For that matter, I'm not even THINKING what I'm thinking."
- This is correct.
Sheridan did NOT tell President Clark about the
Minbari soul situation. Clark already knew about it. Sheridan's line
is, "I spoke with the president. He is the only other person who knows
why the Minbari surrendered." Also, in the first issue of the comic,
this prior knowledge on Clark's part is clear as well.
- BTW, and just for the heck of it...the line about paying off karma at
an accellerated rate is something Kathryn has been muttering for ages;
I popped it into the script for fun.
- Sheridan asked what kind of scanners the fighters were using because
he couldn't figure out why they were picking up the Minbari fighters.
He wanted to be sure nobody had snuck by some kind of new tech. Once
he knew they were the same tech as before, he knew something screwy
was up.
- Correct above; Sheridan says, quite specifically, in the conference
room with Ivanova after the Grey Council guy is gone, "they used some
kind of stealth technology WE'VE NEVER BEEN ABLE TO BREAK." It's not
a matter of old or cheaper tech; we just haven't broken their
technology yet.
- And yes, ships can sit in hyperspace (something also mentioned by
Laurel Takashima in the pilot, "If I were the Vorlons, I'd have a
warship standing by in hyperspace just waiting to attack."
- Basically, I decided to name the EA Lounge "Earhart's" because she
is an important figure in aviation history, and I wanted a 40s art
deco style to the place, down to big band music, and it fit perfectly.
There have been more women aviators, civilian and elsewhere, than we
know, particularly during WW II at home, and they deserve recognition.
- The Earthforce lounge (EA personnel only) is Earhart's, named after
the famed aviator.
(Consequently, as tradition, only swing or big-band music is ever played in Earhart's.)
Yes, we brightened things up a notch, but only a notch, because we discovered that a lot of the good work being done on the sets and the costumes wasn't being seen because we were too dark. So we went up about one f-stop, but at the same time began using more shadows, textures and colors, so the show has a denser look to it.
- As noted elsewhere...we have previously established that the Dome is
periodically on Standby Mode, when the system is performing autmoated
(automated) backups, routine maintenance, that sort of thing. It was
in "Midnight," when Garibaldi informs Ivanova that that's where he
likes to go, when it's on standby, and is quiet. It was in "Sky,"
when Ivanova asks Tech 1 if there are any more ships due in for a
while, is told no, and she puts her feet up on the console, nobody
else around.
Also, B5 tends to run on human cycles of day and night, something we try to reflect in the sets and effects, showing the Garden bright during day times, and dark during night stuff (as around dinner time in the Fresh Air Restaurant). Maintaining such cycles has been found to be critical in these kinds of environments.
The standby mode only happens every 36-48 hours, for about an hour. Most departments also have their own control areas, using C&C mainly when command personnel are required. In addition, there are folks monitoring C&C, and if anything *should* happen, someone could be there within seconds.
- The Hyperion was built before the EM war, and survived.
The Agamemnon, a much superior ship, was built afterward. Sheridan was not commanding the Aggy during the war. It's one of the best ships we've got, almost the equivilent of an aircraft carrier or battleship, and it took a lot of seniority and work to get it.
- Yes, you will see the Agamemnon again.
- Nothing has been dumbed down or simplified; in a first season episode
(in other words, the first episode of any given season), you get a lot
of sampling. If the show is obscure, or there's too much prior
knowledge required to get into it...they go away fast. So there was a
bit more straightforward exposition in this episode in order to avoid
scaring off new viewers.
And I stated, some time ago, that this was a lighter episode because it's sandwiched between two very intense episodes, "Chrysalis" and "Revelations," and I think you need some relief there.
And as Walker noted, there are times when the dome is on standby, as noted in "Midnight." The systems every 36 hours or so go through a period of self-repair and maintainance for an hour or two; if anything comes out of the gate or into local space, someone's there within seconds.
- I wouldn't look for too much of Garibaldi in the first episode; he
was shot in the back...my feeling is that, TV logic to the contrary,
it takes TIME to recover from that. Consequently, this will take a
few episodes to get even remotely back on track.
- Yes, the quote definitely comes from Lincoln. I hated the old
Babcom logo, so we dumped it.
- Re: yankeecentrism...we always strive for balance. Yes, he quoted
Lincoln, but he also noted that on his 21st birthday, he flew to see
the new Dalai Lama being sworn in.
- Thanks. If you think PoD was a "wham," then I can't wait to see
your reaction to "Revelations."
Interestingly enough, I figured on giving Sheridan a tie to the Civil War through his ancestor, General Philip Sheridan (sometimes called "Little Phil" by Lincoln). Afterward, I discovered that Bruce is a big civil war buff, so the Lincoln stuff worked very well.
One of my favorite sequences from this episode is the stuff aboard the Minbari cruiser during the Battle of the Line; the shots surrounding Delenn and the other Minbari gives it a very god-like aspect. Just wonderful.
- Yes, Sheridan is descended from Gen. Philip John Sheridan of the
Union Army.
- Sheridan is a soldier. A soldier is told, in wartime, THIS is your
enemy. You kill the enemy or your enemy kills you. Afterward,
you're in the same position American soldiers were in after the end
of WW II when it came time to reconcile with the Germans and the
Japanese. It can sometimes be very awkward...and sometimes
reconciliation takes a while.
- For what it's worth, Sheridan is neither a "space cowboy" nor a
"gung ho type." This description has nothing to do with the
character, and I'm not quite sure where you got this. Certainly I
never said or implied it.
Captain John Sheridan is a war hero, of sorts; he squeaked out the only real victory of the Earth/Minbari War. (Which means the Minbari don't generally like him a lot.) He did what he did because that's his job. He's a professional soldier. For the last two years, he's been commanding the Agamemmnon, a high-visibility Earthforce starship on deep patrol. As such, he has had to learn to work with a number of different races and species.
In some ways, his character is somewhat more well-rounded than was the case with Sinclair, over whom a general sense of doom often seemed to hang. Sheridan is often very thoughtful and introspective; at other times, he can be just a bit eccentric; he leads by respecting those who work under him, and givingthem room to grow; like any career officer, he HATES the bureaucracy with a passion, and this is the one thing that can drive him nuts; he knows that commanding B5 is a great opportunity, but he also knows that his presence brings certain complications with it, and he's very ambivilant about that aspect; he's the son of a diplomatic envoy who disappeared on his 21st birthday, running off to see (of all things) the new Dali Lama being installed; he has a very easygoing manner, and a great sense of humor. He quickly re-forms a friendship with Ivanova, for whom he has great respect and professional admiration. (For a time she served under him at Io.)
He is, actually, a fascinating and intriguing character with a lot of different shadings...none of which have *anything* to do with being a "space cowboy" or "gung-ho type."
Anyway...point being...when it was announced that there was going to be a new Lieutenant-Commander, a number of folks went ballistic and said the show would now be ruined. I said, in essence, look...I created Takashima; I can create an interesting character to replace her. And I thunk up Ivanova, who according to the rec.arts.b5 poll is the most popular character on the show. When it was announced that Sinclair would be STAYING with the show, after the pilot, a number of folks said this was bad, he was wooden, he stunk, get him off...and ended up being very enamored of him. My only reply now about Bruce...give him, and me, a chance. I genuinely think you will like what you see a *lot*.
In the course of the first season, Ivanova, Garibaldi, G'Kar, Londo, Delenn, others...they've exploded into strong characters. You need an equally strong character designed to hold his own, and be memorable, in that august company. Sheridan was designed knowing we had a much elevated playing field around the character.
Obviously, clearly, and irrefutably, an actor brings a *lot* to any role. No question. But it tends to begin with what is created. I've seen it said here, repeatedly, that none of the characters are uninteresting; they all have lives, and agendas, that make them fascinating to watch: Londo, Morden, G'Kar, Delenn, Garibaldi, Ivanova...what those characters are came out of my head, in terms of who tey are, what they say, what they believe, where they came from and where they're going. Why would I invent a new character that was any less involving, or interesting, or multifaceted? Particularly knowing that he's going to be a central character?
Speaking as someone who's been in fandom a long, long time, I know there is always a tendency for panic, to assume the apocalpse is upon us, that something is never going to be the same again. I heard this after the Enterprise was destroyed in "The Search for Spock." I've heard this a lot over the years. It's generally over-reaction and worry before anyone has even seen a frame of film.
Bottom line being...wait and see, then judge. I've tried very hard not to let you down, and I think so far I haven't done so...I have no intention of starting now. Bruce is doing an absolutely *brilliant* job as Captain Sheridan, bringing a thoughtfulness and intensity and charm and intensity to the part that is a joy to behold. Give him a chance.
- Alas, I wrote my note about Bruce around 1 or 2 in the morning, and
I meant to balance out *intensity* with *intelligence*, but my
brain saw the first letters i-n-t-e, and vapor-locked.
- How important to the Arc is Sheridan?
How critical was Aragorn to the storyline of Lord of the Rings? - The way in which Sheridan comes into the storyline is *absolutely*
consistent with everything that has come before, and everything that
follows.
- Sheridan was never on the original list [to command B5] because at
that time when the EA needed Minbari financing for B5, they knew it'd
piss off the Minbari to have it there, so he was never considered for
the post at that time.
- "Sounds like a formula to really PO the Minbari."
Yup.
- Just to clarify: in Soul Hunter we set in place the question of what
these things are, and do not resolve that question. Dr. Franklin
offers that with the correct technology, it might be possible to
make (for lack of a better term) a clone of someone's neural patterns,
copy his personality and memories into a storage device...but also
dismisses the notion of soul stealing.
I traffic in ambiguity.
- In a sense, yes, "Believers" now enters the arc...but so does "Soul
Hunter," in a big way. Replay Lennier's talk to Sheridan and Ivanova,
then play Delenn's conversation with Sinclair and the Soul Hunter in
that episode, and suddenly a lot of elements begin to intersect.
- Re: you're noticing the line, "You talk like a Minbari" from Neroon
to Sinclair in "Legacies"....yup. Sometimes this stuff is in broad
strokes, sometimes in teeny little things like that. Also ties in
even further with where Sinclair goes.
- Note that Lennier says he wishes he could have told them (us) the
*rest* of the prophecy...and there's definitely more to Sinclair, as
will be seen later in the season. Remember, the Grey Council never
tells anyone the whole truth (note how Kalain asks that question
upon being told that Sinclair is just an ambassador).
- There really wasn't/isn't time in PoD to get into the angst everyone
has over Sinclair leaving (though some of that is given to Sheridan,
oddly enough). But it WILL get brought up in subsequent episodes,
especially from Garibaldi.
- Sinclair was the first human the Minbari (or at least the Grey
Council) had ever met, having come this far for the final victory.
The Earth Explorer vessel was part of a military fleet that
encountered a Minbari convoy, there was a miscommunication, a
misperceived threat, and our ships opened fire. There was no
person-to-person contact.
- Sure, you could blind-fire at a Minbari cruiser, but it's pretty
heavily armored. And while you're shooting at it, you're not only
being hit by cruiser blasts, but the several dozen Minbari fighters
coming in behind you. And shooting at a sublight traveling fighter by
eye would absolutely never work. It *has* to be computer guided.
(BTW, for the sharp of eye...if you go back and sill-step through some of the cockpit screen shots in "Sky," you'll note that on the tac screen in Sinclair's cockpit it says something to the effect of "Unable to lock-onto target.")
- Yes, you can go in and shoot at a Minbari *cruiser* visually...but
the reality is that any long-range weapon will be intercepted by
targeting fire, and if you get up real close and personal...well,
actually, you *can't* get up real close and personal because, as
Mitchell learned in "Sky," you get shot by the fighters.
What the fighters tend to remain engaged with are the Minbari fighters, which are *incredibly* fast...much too fast to target visually.
And believe me, as Sheridan stated, Earth's been *trying* to break the stealth tech for a while, just hasn't been able to.
- Re: [Robert] Foxworth...he was someone we spoke to in case Bruce turned out not
to be available, and we liked him instantly, and he liked the show.
So for good luck, we had him come in for this role, which may appear
again. He's a terrific actor.
- What were all those ribbons on General Hague's chest awarded
for?
I'll have to check, but probably most of those medals are for actions during the Earth/Minbari War, and during the Dilgar War. I'll have to check to get anything more specific than that. - Well, my thought at the time, and I probably should've put this
into dialogue in retrospect, was that there's a window about every 36
hours when the entire C&C system goes through self-maintainance for
about half an hour, backing things up, doing self-repair, filing logs
with Earth Central, that sort of thing. They normally pick a slow
period in docking, and any other routine stuff is handled through the
backup C&C on the other side of the station axis (you can see it
directly above the docking bay when the normal C&C is directly below
it).
At first I'd considered putting that in Ivanova's mouth when she says "Of all the time he could've picked," but then the reveal of where he was and what he was doing fell flat; it needed to be a surprise or it lost its impact and the humor. Ah, well....
- It has been established, in prior episodes, that there are brief
periods when C&C is in "standby mode," during which time no ships are
due, the station is in "night" cycle, and the operational equipment
in C&C goes through routine backup and maintenance. In "Midnight on
the Firing Line," our first episode, Ivanova is told by Garibaldi
that Sinclair is in C&C when it's in standby mode because he likes
the quiet during those brief periods (usually only about an hour or
so); in "Chrysalis," Ivanova asks Tech 1 if any more ships are due in
for a while, is told no, and she puts her feet up on the console,
watching the news, with the place pretty much deserted.
This isn't the bridge of a starship; this is mainly a center of operations for docking and other station activities requiring command personnel. Every separate department -- environmental, other resources -- has its own separate control center, with lots of redundency.
In addition, there's always somebody monitoring stuff as it comes through, so if there *were* any kind of problem, there'd be somebody on site in C&C in thirty seconds. Basically, we're talking an hour or so once every 36 to 48 hours. I could've explained this in dialogue, but it would've taken the edge off the revelation and humor, and I figured we'd done this before enough times that it wouldn't be an issue.
- Just as an advisory...the woman who spoke up in PoD (the tech who
told Sheridan that Security wanted him) is not a Tech 1 replacement;
she was there just for that one episode. We have a number of folks
floating through that area now, because logically you would have
rotating crews.
- A vibe shower would theoretically use sonic waves (in combination
with other elements, like disinfecting lighting, as seen in "Signs")
to remove dirt and kill bacteria.
That's my story and I'm sticking to it.
- Delenn staying while Sinclair goes is part of WHY Sinclair goes and
Delenn stays. It's absolutely part and parcel.
- @@@834423619 Delenn had intended to tell Sinclair much about the soul issue
before entering the chrysalis.
- It's always interesting, if you have one character upon whom everyone
else leans, even depends, to *remove* that character for a time.
Because then those characters have to *react*...to either stand or
fall on their own. It shakes things up a little...and vastly
intensifies the characters.
- I'm going to test myself, and see how much I can say without saying
too much.
You have X-number of characters. They're all in the same place. You're trying to tell a story that has a great deal of scale, and covers all kinds of worlds, changing politics, alliances, on and on. The question becomes, how do you *illustrate* that? To use a line from the original Trek, when a mob guy is brought aboard the Enterprise, he says later, "All I saw was a room and five guys."
So now you start saying, "Hmmm...what if I remove Character A from the chessboard, and move him over *here* for a while? He wasn't going to be doing much for the next little bit anyway. And we won't just "deal" with that change, it's part of the story...it broadens out the story to include Place A *and* Place B. It has repercussions down the road. It comes up again in the future. Elements from Place B now become known on Place A. Character A may even make an occasional reappearance to keep us even more closely connected with Place B, which is necessary because Place B is very, very important."
What we have in mind here isn't quite comparable to anything that's been done before. The character will still be alive. The character will continue to have an impact on the story. The character will be spotted from time to time. The character will continue to show up in the comic and the novels. And through this move, you have the benefit of substantially opening up the B5 universe, you help create the realignment of characters and loyalties that was anticipated for this season, and it helps kick over the tables, as we did in Chrysalis.
Just a slight refinement on the argument.
- I can probably answer your question a little better after you've seen
the second episode of this season. For now, let's just say this: in
working out the story for year two, Sinclair's main line of connection
was to the Minbari. But the Minbari storyline was diminishing in ways
onnected to the war in year two; obviously we all know what is on the
upswing in year two, certain dark forces. I needed someone who has a
connection to *that* side of the story to personalize it, and Sheridan
brings that connection to the mix, although he doesn't know it yet.
- The Battle of the Line and the hole in Sinclair's mind was always
intended as the entry point or trigger to the story. It's like Frodo
being given the Ring in LoTR. The story isn't about that, that's how
we get INTO it. Frankly, there's no way you can sustain that one
element for five years, nor did we ever intend to do so.
The only difference in the resolution of that aspect is this: we had originally intended to resolve the missing 24 hours, and the Battle of the Line, by episode four, season two. We've simply moved it up 3 eps to the first episode. Because new players are coming onto the field, in the form of the Shadowmen, and other forces, and we now have to begin turning our attention to new mysteries.
- "Changes are coming; Sinclair was the first, there will be others."
He was referring to more changes coming.
- Sheridan, or more specifically the need for someone *like* Sheridan
began to get through clearly toward the latter part of last season,
as I began planning out season two's progression, and kept looking at
elements of the story and trying to find ways to get Sinclair into
the heart of them. They felt contrived, for the most part; and the
other characters, like Londo and G'Kar and Delenn, were *really*
moving forward in a big way. The role of Sinclair was becoming
primarily that of a "problem solver," and when that happens, a sort
of glass bell falls down around the character, and you can't do much
with him.
So what the writer has to do is break that bell in one way or another; do something totally unexpected to him, and bring in someone who has a direct, personal connection with the storyline emerging in season two, so it's not contrived or forced.
- @@@859396941 All the characters are unique; there seems to be this
bone-headed notion, that I frequently run into, of "Well,
Ivanova's just Takashima renamed," or "Sheridan's story is
just the same as Sinclair's, same guy just renamed." They're
*not* and never have been. The story of one does not devlove
automatically upon the other. If you make a change, it's
because you have something better in mind...otherwise why
make it?
- I said, from the very beginning, that once the series got rolling, no
single primary question could be allowed to go more than about one
season before answering it, otherwise you get into a frustrating Twin
Peaks situation where *nothing* is resolved. Basically, the events
begun in "Chrysalis" bleed over into three episodes; the Battle of the
Line answers were initially only a couple of episodes further down in
my outline, about episode #3. Making the change, for one thing,
allowed me to move that storyline forward to episode #1, blow through
it and get the story moving in year two faster, rather than delaying
further with loose threads from season one.
- The idea of a Chrysalis II went by the boards once I really got into
the script, and realized that C1 had tipped over too many tables to
even HOPE to resolve them in one follow-up episode. So the threads
yanked in C1 will be paid off over several episodes, hence no C2; the
first episode of year two is "Points of Departure."
- What about Catherine Sakai?
This is the one thread that I'm still trying to decide about.
- @@@834859258 They didn't get married. Wasn't time, and his new posting
precluded that.
- We're dedicated to improving all of these elements on a regular basis;
CGI, sets, directing, lighting, name it.
The music will change every year, to get in sync with where the season is going; the tone and tenor and mood will shift.
Re: the narration...last year, Michael had the benefit of being able to see the sequence prior to reading the narration, and reading with the images. That was when we were shooting in July to air in January. In this case, shooting in August to air in November, Bruce had to wing it, without any images for reference, just text. Now that we've got the opening completed (and we weren't satisfied with it or done tinkering with it until a few days before delivery), we'll probably let him do it again with the visuals before him, so he knows what he's reading to, since it'll have a *big* impact on how he delivers the stuff.
- There's a reason for this: due to time constraints, we have to get
Bruce to do the narration *without* having the images in front of him;
he had no way of knowing where beats would go with the images, or what
would be under it (since we were still putting the new opening
together), so we had to artifically build in pauses when we did the
final transfer (as opposed to year one, where we had the images
assembled long before we had Michael do the narration). What took
forever was that 5 fade/dissolve/wipe, which just killed us time-wise,
but is spiffy to look at.
Now that it's all together, we plan to have Bruce re-do the narration with the images in front of him, so he can respond naturally and make it flow, the way he would've been able to do had we had the material ready in time.
- Re: the theme music...to me, one is neither worse nor better than the
other. They're *different*, and meant to convey different moods and
themes. Each year it'll change. This year was heavy on strings and
brass; next year it'll be heavy on percussion. The main theme will be
reinterpreted and interpolated in different ways. In the B5 universe,
change is the only constant.
- Promoting Ivanova to running the station would not be logical, since from a military and diplomatic standpoint she has nowhere *near* the level of experience required. It wouldn't be done in real life.
Points of Departure
It is January 8, 2259. The Earth Alliance ship Agamemnon jumps into hyperspace. Its commanding officer, Captain John Sheridan, receives a gold channel message from General Hague of the joint chiefs of staff. General Hague tells Captain Sheridan that a Minbari warship has appeared several times in Earth-controlled space, only a short distance from Babylon 5. Hague believes that the ship may have hostile intent. Sheridan doesn't understand until Hague tells him that the ship is a renegade warship, which Sheridan correctly guesses is called the Trigati. The Earth Alliance is awaiting the arrival of a ship sent by the Minbari government to assist should the warship decide to attack. Sheridan is ordered to make personal contact with that ship to help with the search. Sheridan questions the wisdom of that action, remembering his previous encounter with the Minbari, when he destroyed one of their warships. Hague understands Sheridan's reservations, but tells Sheridan to proceed to Babylon 5 to perform one additional duty.
The Agamemnon.
On Babylon 5, Ivanova, currently in command of the station, walks through the halls and is bothered by several aliens, whom she sets in their place during an elevator ride. The action of the scene continues under her voice, a status report for the station: "It is now eight days since the death of Earth Alliance president Louis Santiago, and five days since Commander Sinclair was recalled to Earth without explanation--and the whole place has gone straight to Hell. I can only conclude that I'm paying off karma at a vastly accelerated rate. Security Chief Michael Garibaldi remains in critical condition in Medlab. Dr. Franklin's done all he can, but we still don't know if he'll recover. As for Ambassador Delenn, well, something's going on in her quarters. That's for sure."
General Hague contacts Ivanova and tells her that Commander Sinclair will not be returning to Babylon 5 and that he has been permanently reassigned to the Minbari homeworld as the first human ambassador to the planet. Hague informs her that Captain Sheridan is the new choice for the commander of Babylon 5, but Ivanova is unsure of the decision, claiming that it is "bound to be a controversial choice." Hague understands, but tells her that the decision has already been made. He ends the communication.
In Delenn's quarters, Lennier continues to maintain a vigil over the chrysalis in which Delenn is changing. Another Minbari, Hedronn, enters and addresses Lennier directly. "So...she's done it, hasn't she? She's in there. We told her to wait. `The prophecy will attend to itself,' we told her. Now we are committed to the path. I've spoken with the other members of the council. The Trigati has been seen in this sector. If it should appear, you must go to the humans and tell them what we told you. It's time they knew the truth."
An officer approaches Ivanova, and wants to talk to her about Sheridan's arrival. She orders him to have a full honor guard in place when he arrives, but he tells her that Sheridan's transport has already docked; there was a miscommunication about the time. She rushes off and meets Sheridan just as he comes aboard, and he officially takes command of the station. While his luggage is delivered to his quarters, Ivanova takes him on a tour of the station. He asks her what the status of the station is, and she recounts it for him. After hearing about Garibaldi, G'Kar, Delenn, and the ever-mysterious Kosh, the only reply he can come up with is "Interesting place you have here..."
Elsewhere on the station, there is another arrival -- a Minbari who asks the computer to show him the station, but walks away after hearing the description of the green sector -- the ambassadorial quarters.
Ivanova and Sheridan complete their tour and arrive in the new commander's quarters. She takes the opportunity to ask him about his appointment as head of the station. He tells her that he was President Santiago's second choice to head the station, probably because he had worked with many races, including the Minbari. This worries Ivanova, who reminds him that the Minbari still refer to him as "Starkiller," and guesses they won't be happy to learn he is in command of Babylon 5. He hopes they have forgotten, but doesn't believe they have. He asks her to help bring him up to speed. They talk about the crew's reaction to the President's death. Many of them are having a difficult time accepting the loss. Ivanova and Sheridan are no exceptions. Because of the recent turmoil around the station, Ivanova is especially glad to see Sheridan again; they had served together at the transport point near Io. They make plans to go to C&C so that he can deliver a "good luck speech" to the crew.
Sheridan describes his
speech.
Elsewhere on the station, Hedronn notices someone he recognizes -- the Minbari who was on his way to the ambassadorial sector of Babylon 5 -- as Kalain. Hedronn runs after Kalain, who grabs and threatens him, claiming that the Grey Council betrayed the Minbari. Kalain explains that he has intercepted a message saying that Sheridan had been chosen to lead Babylon 5. When Hedronn protests that the wishes of the Grey Council were ignored, Kalain asks if Delenn also ignored the Council. Kalain says his people have supporters in the Grey Council, who have told them that Sinclair is on Minbar, though Kalain does not believe that Sinclair being an ambassador is the whole story. Kalain lets Hedronn go, warning him to leave while he still can.
"Minbari do not kill other
Minbari!"
After she goes to check on Garibaldi's condition, Ivanova finds Sheridan and tells him that the officers on C&C are ready for him. He enters and begins his speech, talking about the visit he made when he was twenty-one to Tibet and the Dalai Lama. After eating a very simple dinner, the Dalai Lama asked if he understood. Sheridan didn't. "Good beginning," the Dalai Lama said to him. "It will be even better when you begin to understand what you do not understand."
During Sheridan's speech, a call from security says that a Minbari is demanding to speak to Sheridan. Sheridan and Ivanova leave. While they are on their way, Kalain attempts to enter the green sector, but is stopped by a security officer, whom he attacks. Kalain steals the officer's weapon and proceeds into the green sector.
It turns out that the Minbari who wanted to speak with Sheridan was Hedronn, who has some important information regarding Kalain. Hedronn tells Sheridan and Ivanova that Kalain was second in command of one of their flagships during the Earth-Minbari war and that he vanished when the war ended. Ivanova asks why Hedronn believes Kalain is here to cause trouble, but Hedronn just answers that he has his reasons.
Sheridan suspects the ship Kalain was second in command of was the Trigati. Ivanova has never heard of the ship, but Hedronn explains that at the end of the war, Sineval, one of their warship commanders, committed suicide rather than obey the Grey Council's order to surrender. When that happened, Kalain took command of the ship, and it vanished. Sheridan says that, while the ship had been seen over the years, it had never attacked. Hedronn suspects that its recent reappearance suggests it might be "out of retirement."
Sheridan doesn't understand, however, why Hedronn, who claimed that he was from the Ministry of Culture, knew Kalain, a high-ranking member of the warrior caste after twelve years. Hedronn doesn't respond, saying only that he would answer if he recognized Sheridan's authority, but he doesn't because the Minbari government was not consulted on Sheridan's appointment. Sheridan tells Hedronn that the president decided on him because the Minbari had too much influence over an Earth outpost.
"And the day that a man such as yourself is given a position of this importance is a dark day indeed," Hedronn says. "We lost many of our best warriors because of you. And we do not soon forget such things. If there is a doom on this station, it is because you brought it here." Hedronn then leaves abruptly.
Because of Hedronn's attitude, Sheridan believes that he is a member of the Grey Council, because no one else would know someone so high in the warrior caste so well. Sheridan then admits that Ivanova was correct, that the Minbari don't want him in command of Babylon 5. She points out that they are a prideful people, and that he did destroy their flagship, the Black Star. She asks how he destroyed it. Sheridan explains that, because their weapons could not lock on to the ship, due to some sort of stealth technology, he mined the asteroid field between Jupiter and Mars with fusion bombs, which don't need direct targets. It destroyed the Black Star and three other heavy cruisers. "It was the only real victory we had in the whole damn war, and I am not about to apologize for it!"
Sheridan suddenly remembers Hedronn's statement that Kalain felt betrayed by the Minbari homeworld, and deduces that, in such a situation, it would be natural to attack the representative of that world. Realizing they might not have much time, Sheridan and Ivanova rush to Delenn's quarters to find Kalain pointing a gun at Lennier. They are able to easily apprehend Kalain, but when Sheridan attempts to get a close look at the chrysalis, Lennier stops him. Ambassador Delenn is indisposed, he says, and Sheridan should come back later...much later.
Lennier defends Delenn.
Sheridan and Ivanova interrogate Kalain, asking him about the Trigati and why he has suddenly appeared on Babylon 5. Sheridan can't believe that Kalain's goal was to murder Lennier and Delenn; he had ample time to kill both of them.
"Everyone knows Minbari do not kill Minbari," Kalain says. Sheridan doesn't accept that as an answer and again asks Kalain about his presence. "Perhaps everyone is wrong."
Sheridan concludes that Kalain never intended to kill them, but that something else was going on. "Perhaps you are the problem," Kalain replies.
Ivanova tries to intervene, claiming that they are getting nowhere, but Sheridan has one more question for Kalain. "I'm told that after the death of your commanding officer, you took command of a Minbari war cruiser. But if you're here, where's your ship?"
Sheridan and Ivanova leave. Lennier catches up to the two of them outside and apologizes for his earlier behavior. He says that he needs to speak to both of them. "It concerns," he explains, "the reason you were sent here, the relocation of commander Sinclair, and the reason we surrendered at the Battle of the Line." When they reach Sheridan's office, Lennier begins his story:
"After three years, the Holy War that began when our leader was killed by an Earth explorer division was almost over. To avenge Dukhat's death, we had pursued your forces all the way back to your homeworld. The few surviving Earth ships that were ordered to defend your world at any cost... were not an obstacle. The Grey Council had come to oversee the final victory of our forces."
The scene shifts, back to the inside of the Grey Council ship, where the Grey Council is in session surrounded by a display showing the battle raging outside.
"They fight bravely. They cannot harm our ships, but they continue to try," says Delenn.
Hedronn dismisses her comment. "Whether they fight or not, they know they will die anyway. So really, is this bravery or simple desperation?"
"Perhaps they are the same thing. We should bring one of them aboard for questioning. If our next step is the final assault on their world, we must know their defenses."
"Very well, Delenn. Choose, but quickly. We are fast running out of candidates."
Delenn sees a Starfury making a suicide run at their ship. "That one," she says. A beam immobilizes the Starfury, and it is brought aboard.
Lennier continues his story. "This was the first time the Grey Council would have direct contact with a human, in this case Sinclair. He was tortured, interrogated, scanned. During the course of the scan, the Council discovered something terrible. At first, they refused to believe it, so they took in other humans and had them scanned as well. But it was true."
"What was true?" asks Ivanova.
"It is our belief that every generation of Minbari is reborn in each following generation. Remove those souls, and the whole suffers. We are diminished. Over the last two thousand years, there have been fewer Minbari born into each generation. And those who are born do not seem equal to those who came before. It almost as if our greater souls have been disappearing. At the Battle of the Line, we discovered where our souls were going. They were going to you. Minbari souls are being reborn, in part or in full, in human bodies."
"So you stopped the war to avoid harming your own souls?"
Lennier confirms that, and continues. "But the Council knew that our people, and yours, were not ready for this information. It could unravel our entire society. So we could not tell our generals the reason for the surrender. We had all memory of the examination erased from Sinclair's mind, and we let him go. It has been our secret. Now it is yours. It must be kept."
"I don't understand. If this is such a secret, why tell us?"
"Because changes are coming. Commander Sinclair was the first. There will be more."
The meeting is interrupted by a call from C&C--a Minbari cruiser, on an attack vector, is coming through the jumpgate. Warren Keffer, the leader of Zeta Squadron, watches with the other people in his squad, but can't believe what he is seeing. Sheridan arrives at C&C and orders a red alert. He activates the defense grid and puts all squadrons on standby. While this happens, Kalain, in his detention cell, removes a tooth from his mouth. He opens it, revealing a blue liquid. He puts the tooth in his mouth and swallows.
Kalain practices poor
dental hygeine.
Captain Sheridan communicates with the warship, which the commander identifies as the Trigati. She demands that Kalain be returned, since he did not kill or harm anyone aboard Babylon 5. When Sheridan refuses, she launches her fighters. Sheridan counters, launching the fighters aboard Babylon 5. He informs her that an attack could be considered an act of war.
"The war has already begun, Captain. All that remains now is honor and death."
This remark puzzles Sheridan, since no one has yet been killed. He suddenly realizes what's going on: they are attempting to start a war, but since Kalain hasn't killed anyone and the Trigati hasn't attacked, they must be trying to frame Babylon 5. This is confirmed when security reports that Kalain has killed himself. Ivanova can't believe that Minbari would attack after learning they were sharing Minbari souls, but Sheridan reminds her that the Trigati was not informed of that. The Minbari fighters close in on the station, and Sheridan orders his fighters to intercept and engage.
While the Babylon 5 fighters move to intercept, Sheridan looks at a display of both groups of fighters; somehow Babylon 5 is able to track the Minbari fighters, even though it's using the same kind of tracking system Earthforce used during the war.
Sheridan orders his fighters not to attack. He gives a message to Ivanova, telling her to transmit it through the jumpgate without the Trigati intercepting it. She does so, but doesn't think it will work if it is a distress signal, as no one could arrive in time.
A tight-beam transmission using the station laser.
The Trigati's fighters continue to advance, but Sheridan orders his fighters to maintain position. When the Trigati's fighters reach the Earth ships, they do not attack -- they fly past and return to the Trigati. Another Minbari ship suddenly comes through the jumpgate. Ivanova is afraid that the Trigati fighters were waiting for reinforcements, but Sheridan tells her that, since he knew another Minbari ship was looking for the Trigati, he figured they must be waiting in hyperspace.
The Minbari fighters fly past.
The other cruiser orders the Trigati to surrender. Sheridan continues to explain to Ivanova that, because they could track the Minbari fighters, that probably meant the Minbari wanted to be destroyed. The Trigati was in exile for twelve years, and could not go home, fight without causing a war, or surrender without being dishonored. If Babylon 5 was forced to attack, they would die at human hands, thereby becoming martyrs.
The Trigati attempts to back off and open up a jump point, but the war cruiser cuts off their engines with a beam. They order the Trigati to surrender and be boarded, but the Trigati refuses, and replies with only one word: "honor." The Trigati self-destructs in a ball of flame, apparently from their fusion reactors. A signal comes in from the war cruiser; Sheridan greets the Minbari commander.
"Perhaps to you," the Minbari on the other end says to Sheridan, "this was a tactical problem to be solved. For us, this has been a great sorrow. The crew of the Trigati were heroes to many of our people. Their death will be mourned, and your name will be remembered." The Minbari war cruiser cuts off the communication and vanishes into the jump gate.
Later, Sheridan is in his quarters, looking through his belongings, which have recently been delivered. Ivanova arrives and asks Sheridan if something is wrong. "When I got my orders," Sheridan explains, "I figured this place was a great opportunity. And now I wonder if coming here was irresponsible. This whole mess with the Trigati might not have happened if I hadn't been here. I mean, my presence, my...actions in the war...I'm to blame for bringing all this trouble to Babylon 5. What was it our friend in the Grey Council said? 'If there is a doom on this station, it is because you brought it here.' Well maybe he was right. I spoke with the president. He is the only other human who knows why the Minbari surrendered, and he doesn't believe this stuff about us sharing Minbari souls, and I can't say that I do either. But they believe it. That's why they chose Sinclair to run this place... that's why they've picked him to live on their world. He was their first human contact. Him they trust. But me? I don't know. If Sinclair had been here instead, maybe they might not have attacked."
Ivanova tells Sheridan to give himself the benefit of the doubt. Before she leaves, she tells him that he can talk to her any time, if he needs to.
Lennier is busy preparing candles in Delenn's quarters, and setting them around her chrysalis. "I told them, Delenn, as I was ordered. I only wish I could have told them the rest -- about the great enemy that is returning and the prophecy that the two sides of our spirit must unite against the darkness or be destroyed. They say it will take both of our races to stop the darkness. I am told that the Earthers will discover all this, soon enough, on their own. I hope they are right. Because if we are wrong, no one will survive our mistake." He says good night, and leaves right before the chrysalis begins moving, and Delenn begins to emerge.
"I only wish I could
have told them the rest."
Ivanova, Dr. Franklin, and Keffer discuss the recent events in a nightclub on the station. Keffer asks what they think of the new captain, and Dr. Franklin and Ivanova both believe that he will be okay. He was supposed to meet them there for drinks, but Franklin says that when he last saw Sheridan, he was going to the C&C to deliver his good luck speech.
"It was an early earth president, Abraham Lincoln, who best described our situation. 'The dogmas of the quiet past are inadequate to the stormy present. The occasion is piled high with difficulty, and we must rise to the occasion. We cannot escape history. We will be remembered in spite of ourselves. The fiery trial through which we pass will light us down in honor or dishonor, to the last generation. We shall nobly save, or meanly lose, or last best hope of Earth.'" Though there is no one else on C&C, he has still delivered his speech in time. He leaves C&C to begin the second day of his new command.
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Racing Mars
Overview
Franklin and Marcus arrive on Mars to begin their undercover mission. Sheridan confronts Garibaldi about his behavior. Mark Schneider as Wade. Donovan Scott as Captain Jack. Clayton Landey as Number Two. Marjorie Monaghan as Number One.
P5 Rating: 7.73 Production number: 410 Original air week: April 21, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Jesus Trevino
Plot Points
- @@@862331870 Mars has been subjected to a news blackout and an embargo for at least as long as Babylon 5 has, likely as far back as their refusal to submit to martial law in "Severed Dreams." People on Mars have heard little more than vague rumors about the Shadow War. They also appear to know nothing about the Rangers.
- @@@861606952 Someone has begun planting Keepers ("War Without End, Part Two") on members of the Earth resistance movement with the apparent intent of wiping it out.
- @@@861606952 A Keeper can be partially removed, but portions remain embedded in the victim, and the rest of the organism grows back, sometimes within hours.
- @@@861606952 Garibaldi has pledged to support a group that claims to feel the Army of Light has become a cult of personality centered on Sheridan, and that this will ultimately damage the cause. Garibaldi feels the same way, he says, and that's why he said what he did during the ISN interview.
- @@@861658172 Ivanova has begun setting up amnesty deals with smugglers to keep the station supplied with food and spare parts.
Unanswered Questions
- @@@861606952 Who planted the Keeper on Captain Jack?
- @@@861606952 How did they know about his involvement with the resistance?
- @@@861606952 Who are the people Garibaldi promised to help?
- @@@861606952 What was the large ship being escorted toward Mars by a group of Starfuries?
- @@@861606952 "Woo hoo?"
Analysis
- @@@861606952 The head of the group that recruited Garibaldi may have
betrayed his true intentions with a slip of the tongue. When he
first spoke to Garibaldi, he said Sheridan's actions weren't good
for Earth, weren't good for business, and weren't good for the
President -- not something likely to come from the mouth of someone
opposed to Clark.
- @@@861954426 The second time Garibaldi met with the mysterious group,
the leader made a point of saying, "Are you with us?" several times.
Could that be some kind of key phrase related to whatever was done
to Garibaldi while he was captured
("Whatever Happened to Mr. Garibaldi?")
- @@@861982136 That phrase, or one like it, was used by someone else:
Sheridan, who shouted, "Are you with me?" to the assembled crowd in
"The Summoning."
- @@@862331634 If "Are you with us?" was indeed a key phrase, Sheridan
inadvertently foreshadowed it earlier in the episode, when he told
Delenn that he could make Garibaldi come around "if I could just find
the right words."
- @@@861954426 Since Garibaldi knows the group is planning to move
against Sheridan at some point (they told him as much,) perhaps his
acceptance of their offer is, instead of a rejection of Sheridan,
actually part of a plan to root out possible threats to Babylon 5's
security. If so, a natural question is, does Sheridan know about
that plan, or is it Garibaldi's doing? Was the confrontation
between Sheridan and Garibaldi just a premeditated ploy to help
Garibaldi gain the trust of the new group? Sheridan's conversation
with Delenn after the first confrontation argues against that idea,
but it's still plausible.
- @@@862331634 It's also possible the Brakiri woman was a setup, sent by
the group to fawn over Sheridan at just the right time and push
Garibaldi over the edge.
- @@@862331634 Garibaldi's rejection of Sheridan parallels Judas'
rejection of Jesus. Both were part of their leader's inner circle.
Sheridan's warning to Garibaldi to stop undermining him can be read
as analogous to Jesus' warning to Judas at the Last Supper
(Matthew 26:24:
"woe unto that man by whom the Son of man is betrayed! it had been good
for that man if he had not been born.")
John 13:2
says the Devil caused Judas to betray Jesus; Garibaldi has also
been influenced in some way, in his case by Psi Corps
("Whatever Happened to Mr. Garibaldi?")
Many scholarly analyses ascribe motives similar to Garibaldi's to Judas. Tim Rice's lyrics for Andrew Lloyd Webber's "Jesus Christ Superstar," while perhaps not scholarly, put it succinctly:
My mind is clearer now.
At last all too well I can see where we all soon will be.
If you strip away the myth from the man,
You will see where we all soon will be.
Jesus!
You've started to believe
The things they say of you.
You really do believe
This talk of God is true.
And all the good you've done
Will soon get swept away.
You've begun to matter more than the things you say. - @@@864846302 When Marcus discovered Jack aboard the transport ship, he had his arm around Jack's neck. Why didn't he feel the Keeper? Does it have some way of hiding itself, or was it simply that Jack was wearing heavy clothing to cover his lower neck, and Marcus couldn't feel anything through the fabric?
Notes
- @@@862818754 Marcus' comment about hating parasites is probably a reference to "Exogenesis," in which his friend Duncan was taken over by an alien parasite.
- @@@862817570 Minbari have 52 rituals related to relationships. Sheridan and Delenn have now completed the first three. One is the female watching the male for three nights, and the third (according to Delenn, who called it the Third Movement of Love and Mutual Understanding) is the mutual exploration of pleasure centers.
- @@@862332082 Garibaldi's hair loss is due to something a smuggler brought aboard the station.
- @@@862188956 The Pope is a woman in 2261, according to Garibaldi. During his second confrontation with Sheridan, he said, "He's not the Pope. He doesn't look anything like her."
- @@@861606952 The subcommander and head of the resistance cell called themselves "Number Two" and "Number One," a nod to the cult classic "The Prisoner." Another reference to "Number One" can be found in "Signs and Portents."
- @@@862332082 The name "Captain Jack" is a nod to the Billy Joel song of the same name.
- @@@866747394 A slight glitch: When Captain Jack ripped open the insta-heat pack, Franklin said, "That's beef and potatoes." But his lips don't match those words; apparently the original line was something different.
- @@@867570393 Marcus and Franklin were playing "I Spy" when they discovered a spy.
jms speaks
- @@@851545085 Is B5 about the Shadow War?
Not just that, but events back on Earth, Mars and elsewhere that are either not touched by the shadow war, or barely touched by it. (In one upcoming episode, where a couple of our characters have gone to Mars, they find that very few on Mars know anything even *happened*.) - @@@856689448 Not everyone back home even knows
there *was* a war. Which our characters will find rather annoying....
- @@@862818920 About the Pope
Yeah, you heard the "her" line. Got a fair amount of flack for that one, btw.And it's Woo Hoo.
If Yahoo wants a reference they should call me....
- @@@863020881 From some extremist Catholics...and also got some flack from
Born Again Rightists over my comments in TV Guide about being an
atheist.
- @@@862989835 I don't think Earthforce cares about sexual orientation; the
reason we just set it out there without comment is that, having come
through the realization of other non-human races...a little thing like
sexual orientation, nobody even cares about anymore. It ain't an
issue.
- @@@864920072 Why didn't Ivanova ask Lyta to oversee her
negotiations with the smugglers?
Because telepaths only function in very limited ways due to privacy laws. You couldn't just use them broad-based as lie detectors in the way you suggest, because it first requires getting the *permission* of those involved, and you can be reasonably sure that smugglers aren't going to want people poking around in their heads; second, there was a large group there, and a midrange teep can usually handle only one or at most two people with any degree of accuracy; it goes down dramatically after that.I specifically set up rules for telepaths to avoid letting them become the deus ex machina, the easy solution to any problem.
Racing Mars
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
Sheridan is in his office when Ivanova arrives. He tells her that he
has been looking over his records and isn't sure how they will survive when
they begin running out of supplies, since even the black market is
unreliable. Ivanova tells him she will take care of the situation
for him, then says she is relieving him of command, since
he has taken no personal time in the previous nine months. He attempts
to argue with her, but she won't hear it, nor will she hear his
attempts at retaining command. Resigned, he leaves her alone with her
work.
Franklin and Marcus, on the transport to Mars, are trying to pass the
time by playing I Spy which, since there are very few things of note in
the cargo hold, isn't going very well. Marcus disappears and reappears
a few moments later, carrying a man in a neck-lock. "It would appear
we have a spy on our hands, Stephen."
Franklin wants to know where the man came from, and he tells him and
Marcus that he got in through an access panel, which Marcus knew to
locked. The man says the Captain of the ship is his brother, and that
he helped him get through. Franklin wants to know why the Captain
didn't tell them, but the man says the Captain must have forgotten-- he
gets forgotten a lot. When Marcus releases him, the man introduces
himself as John Demeter, commonly called Captain Jack. Marcus and
Franklin won't tell him who they are, but tell him that if he goes too
far into their section of the cargo bay, he'll pay the price. Captain
Jack says he won't push himself on them, and says that he was going to
offer to share his dinner with them, but Marcus won't have it-- they
have their own dinner: meal bars. Captain Jack, however, has something
much more appetizing: Insta-Eats. Franklin is attracted to the smell
of meat and potatoes coming from the small packet, but Marcus keeps him
from partaking, reminding him that they are to speak with no one other
than their contact.
Sheridan is in his office/quarters trying to enjoy his vacation, but
finds it difficult since every channel and station coming onto Babylon
5 has been blocked due to jamming, except ISN. Sheridan reluctantly
listens to it, only to find a replay of Garibaldi's interview with Dan
Randall. After rewatching it, Sheridan turns it off.
Sheridan approahces Garibaldi in Downbelow, and tries to talk to him
about the interview. Garibaldi no longer works for Sheridan, though,
so he isn't willing to talk-- he thinks Sheridan is upset because he's
challenging the Captain's authority. Sheridan considers it undermining
instead, but Garibaldi insists he is entitled to his opinion, and
thought free speech was something Sheridan was fighting for. Sheridan
wants to know where Garibaldi's anger is coming from-- he thought they were
friends, but Garibaldi tells him, "Yeah, well, maybe we both
thought wrong." Sheridan doesn't want Garibaldi to give Clark's
propaganda weight, and tells Garibaldi he's hurting the station and the
cause when he speaks out. Garibaldi starts to leave to meet with a
client, and tells Sheridan to go back to playing God. Sheridan follows
and reminds Garibaldi that his former job gives him credibility, which he is
using to undermine Sheridan's effort, and that, if Garibaldi doesn't stop,
he will make things very difficult for Garibaldi. Sheridan tells
Garibaldi to make a legitimate complaint if he has one, but, if it's a
personal attack, to stop. Garibaldi says he didn't make it
personal-- it was Sheridan who did so, as the focal point of a cult of
personality. The people are following Sheridan, not the cause.
Garibaldi feels Sheridan is starting to buy into his own publicity, and
Garibaldi says it's time someone started poking holes in that.
Sheridan tells Garibaldi that he doesn't want Garibaldi misusing his
authority, and hurting everyone else just to get at him. He storms
away, leaving Garibaldi behind. Among the many people in Downbelow who
witnessed this heated exchange, there is one particular group of three
men, near the back of the crowd, who seem particularly interested.
Franklin and Marcus are eating their meal bars, while Captain Jack
continues to enjoy his own fine cuisine, which Franklin is not too
happy about. Marcus reminds him that they aren't supposed to talk with
anyone until they hear their contact's passphrase, which Captain Jack
begins speaking to himself. Captain Jack explains that he wanted to
check them out first, and then offers them some of his food. He hands
Marcus and Franklin their new identicards, and explains that, since
they get very few passengers, their access to the transit bureau is
limited to what they could steal--in this case, Jim Fennermen and
Daniel Lane, on their way to Mars--for their honeymoon. Neither Marcus
nor Franklin is thrilled by this, but they resolve to make the best of
it as the transport approaches Mars.
Garibaldi is approached in the corridor by the three men who watched
his exchange in Downblow. One of them, the older of the three, tells
him they wanted to talk to him about his "former friend, Captain
Sheridan." The man explains that there are other people who share
Garibaldi's feelings about Sheridan, who aren't thrilled with Sheridan
turning against Earth. The man says he wanted to see what else they
had in common. He explains that he has extensive information on
Garibaldi, and wants to know if his objections are only half-hearted.
Garibaldi tells him he can wonder whatever he wants, and begins to walk
away, but the man stops him, saying that someone can become a threat to
a cause he believes in when other things, his ego or sense of destiny,
for instance, get in the way. If this applies to Sheridan, he asks
Garibaldi if he would feel obligated to intervene. Garibaldi says he
won't sell Sheridan out, but the man asks if Garibaldi really can just
stand by and watch the cause die, if he could have done something to
stop it. Without answering, Garibaldi walks away.
While riding in a transport tube, Captain Jack explains that they
have been hearing some interesting stories about Babylon 5 on Mars
recently--such as the Babylon 5 crew using aliens to take everything
over, or that they had written off Mars entirely. Marcus assures him
that Captain Sheridan hadn't had time to deal with it while dealing
with the Shadow War--something Captain Jack knew nothing about. They
don't get much information on Mars, he explains, but Marcus is not
thrilled about having fought in a war about which the very people they
wanted to help knew nothing. Captain Jack doesn't even know who won
the war. Marcus jokes that the worst part of it all is being married to
Franklin, are married, and though Franklin objects, he is subjected to several
more well-spirited jabs as the transport tube pulls into the station.
Ivanova is in Sheridan's office, talking to four smugglers, each of
whom had, at one time or another, been caught on Babylon 5. She says
they were doing their job, and that, with the new conflict with Earth,
they hardly seen any of them anymore. One of the smugglers explains
it's becuase the penalties have become so much stiffer now--they are in
serious trouble with the EarthAlliance, and no one is buying new
weapons. Ivanova informs them that, in such a case, they should start
thinking about the future. She wants them to help bring in needed
supplies--food, medicines, spare parts--to Babylon 5. The smugglers
protest--there is no profit in bringing in those things. Ivanova tells
them, that, as long as they work for Babylon 5, they will get all
the equipment, repairs, and service they require to stay in
operation, but, if they don't, they might fall victim to unfortunate
accidents. They will all still make a profit, but, beyond that,
Babylon 5 will be willing to overlook their crimes against EarthGov,
since everyone is entitled to a fresh start. She asks them, with all
they'll gain, what more they could ask for. One of them, as he leaves,
asks her, "You seeing anybody, Ivanova?"
Franklin, Marcus, and Captain Jack are making their ways through some
underground tunnels, to find the leaders of the Resistance. After a
short walk, they get where they are going, but find a welcome they
didn't expect--three armed men with weapons aimed right at them. The
leader tells tell them get up against the wall, but Franklin wants to
know what's going on--he thought they were expected. The leader
explains that they're expecting lots of people. He thanks Captain Jack
for bringing Franklin and Marcus to them. One of the men searches
Marcus and finds his Minbari pike. Marcus tries to explain that he's a
Ranger, which doesn't mean anything to the leader. The three men with
guns and Captain Jack lead Franklin and Marcus away. Franklin demands
to talk to someone in charge, and the leader says he's Number 2.
Marcus asks to speak to Number One, but the leader tells them they have
word that a hit squad was coming into kill the leader of the Mars
Resistance, from one of the outer sectors, and he has no reason to
believe Franklin and Marcus aren't that hit squad. The leader says he
only trusts the people he knows, and since he doesn't know Marcus and
Franklin, and they weren't specifically cleared through by Babylon 5,
he wants to test them first. He wants their identicards so they can
check Marcus and Franklin's story. If they are who they say they are,
they will talk. If not, they will be leaving "feet first." Marcus and
Franklin surrender their identicards, which Number Two takes. Captain
Jack asks to pay his regards to Number One, but Number Two wants him to
stay behind to comfort them, and to take blood samples so they can
match it against their DNA samples. Captain Jack and the two gunmen
stand behind to watch over Franklin and Marcus.
Delenn enters the garden to find Sheridan there, obviously distracted.
He explains that he's mad at himself over the way his talk with
Garibaldi turned out. He says Garibaldi is like a complete stranger,
and that he feels like he's better at fighting wars than
relationships. Sheridan says he wishes he could find a way to turn
things around, but Delenn explains that Garibaldi has to find his own
way, as does Sheridan--their paths may simply not cross anymore. "It
is the way of things." Sheridan tells her it doesn't make it any
easier, but he asks her what she wanted. Delenn tells him that Ivanova
told her that he had some time off, and she begins to tell him of
another ritual they must perform in their relationship. He tells her
he's almost "ritualed out" and asks how many more there are. She says
there are as many as 50 more, and explains that this one--the
shan'fall--is about preparation and mutal understanding. She tells him
that they will spend the night together, discovering each other's
centers of pleasure, though it is done respectfully, with prayer and
meditation, since they should know all about each other if they are to
continue with their relationship. She tells him to meet her in her
quarters, and leaves. Sheridan is obviously quite taken with the
idea.
As Marcus and Franklin wait for word from Number Two, Captain Jack
tries to apologize to Franklin for what happened, but Franklin isn't
interested in listening. Cpatain Jack pulls a picture out of his
pocket and shows it to Franklin--it's his daughter, who just turned
eighteen. He hasn't talked to her in a while, but thinks about her all
the time, and is doing what he's doing to help her. Franklin notices
her address on the back, which Captain Jack claims he wrote down so he
couldn't forget it. Marcus asks Captain Jack if he's ever met Number
One, and Captain Jack says he's met her many times, and that they're
very close--Captain Jack says he wanted to bring her back something,
but couldn't find anything. They are interrupted by Number Two who has
done his check--and the numbers and DNA don't match. He wants to know
where their contacts are, and then threatens to kill them both. He is
stopped, though, by a woman who comes in from the corridor, telling
Number Two to wait a little longer. She explains she wanted to see
them for herself, and she wants to know what they're up to. Franklin
and Marcus notice something on Captain Jack's back, and fight away
their guards as Captain Jack attempts to fire on the woman, Number
One. Franklin tackles her to the ground, moving her out of the line of
fire just as Captain Jack fires. Marcus fires himself, and hits the
creature on Captain Jack's back. The dead creature is still there, but
Captain Jack is nowhere to be found.
As Franklin studies the creature, Number Two comes in, explaining that
he found their real identicards--Captain Jack must have replaced them
with the fake ones. Franklin might have an explanation--Captain Jack
might not have had a choice. The creature was controlling Captain Jack
by overriding neural impulses. It was controlling him the whole time,
but Franklin realizes that Captain Jack had been giving him hints, such
as the photograph with his daughter's address, so that they knew where
to find her if he didn't survive. One of the scouts comes back--they
didn't find Captain Jack, but they did find out he broke into a weapons
case and stole a thermal grenade.
In the transport tube, Captain Jack's communicator beeps. He answers
it, and Number One tells him that what happened wasn't his fault. She
wants him to come back, but he won't do it. He tells her they found
him in the middle of the night and attached that thing to him. He
tried to warn them, but the creature wouldn't let him. She tells him
that they killed it, but Jack knows you can't kill it all--it always
grows back. Number One tries to convince him not to do anything
stupid. Captain Jack tells her he always wondered whether or not the
transport tubes on Mars could withstand anything, and just as the
creature begins to regrow, Captain Jack pushes a button on the grenade,
and the transport car explodes, taking Captain Jack with it, not
destroying the tube in the process.
Garibaldi is just finishing up with a client when Sheridan returns.
Sheridan says he wants to apologize for what happened, and asks if they
could try again. As he is speaking, though, a Brakiri woman comes up to
him and recognizes him as the one who went to Z'ha'dum, died, and
returned with the knowledge of good and evil. Sheridan tries to stop
her, but she insists on a blessing, which Sheridan doesn't want to
provide. Garibaldi grabs her away from him. "Come on! He's not the
Pope! He doesn't look anything like her," Garibaldi tells her.
Sheridan asks Garibaldi to leave her alone, and Garibaldi asks Sheridan
if it's because he likes what she's saying. Sheridan insists it's
because Garibaldi is hurting her, but Garibaldi won't let go. Sheridan
forces Garibaldi to let go of her, but for his attempt receives a punch
directly to the jaw, courtesy of Garibaldi. Security comes to the
rescue, but Sheridan won't let them do anything. He tells Garibaldi
that, because of all they've been through, he gets one punch for free,
but, should Garibaldi try it again, Sheridan will fight back. Sheridan
turns and walks away, as does Garibaldi soon after.
Sheridan goes to Delenn's quarters, still rubbing his jaw, and rings
the bell. Delenn lets him in, but when he enters, he is surprised to
find Delenn isn't alone--Lennier and several other religious caste
Minbari are there with him. She explains that they are there for the
ritual--they will pray and meditate, but wait outside her bedroom, to
make sure that things don't go too far. Sheridan whispers to her that
he can't do it, but she tells him that it is important to her that he
do it properly. The engagement means a lot to him, and the Minbari
ceremonies mean a lot to her. Delenn leads Sheridan into her bedroom
and closes the door.
Sheridan, apparently just after having woken up, enters an elevator to find Lennier there. Sheridan doesn't say anything, but he doesn't need to. Lennier, apparently somewhat distrought, turns to him and has only one thing to say. "Whoo-hoo?"
Number One tells Franklin and Marcus that the other leaders of the
Resistance are on their way, but it will take a couple of days. Marcus
isn't too happy about this, but Number One is willing to put them up in
a hotel where she has some control. She asks them to go out to dinner
with her, but Marcus declines, allowing Franklin to go alone with her.
Before they leave, Marcus asks her where they are staying. She tells
him it's the Red Planet Hotel, and mentions that, for some reason, they
were given the honeymoon suite. "Right. Fine," Marcus says as they
leave. "I'll remind you of this when we decide on custody of the
children."
Garibaldi is sitting alone when he is approached by Wade and his
cohorts. Wade tells Garibaldi that he heard about the fight with
Sheridan. "I, uh... I think he's lost it," Garibaldi tells them.
"He's starting to believe the things everybody's been saying about him,
and buying into this hero worship stuff. It's become about him. Not
what we've been saying, not what we've been fighting for. And if he
could see straight, he'd agree with me, but uh... In the end... We're
going to lose everything we've been working for because of one man."
"That's what happens," Wade tells him. "That's exactly what happens when one man begins to matter more than the cause. Are you with us?"
"I won't hurt him," Garibaldi insists.
"No one's asking you to," Wade says. "You give him to us when we tell you to. We'll see to it that he gets the help that he needs. Are you with us?"
Garibaldi does have to think for a moment, but does come to a decision. "I'm with you."
Racing the Night
Overview
The crew discovers a planet that was devastated by a plague similar to the one threatening Earth.
Production number: 103 Original air date: August 4, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@934310143 The Shadows used the plague in the last Shadow War, a thousand years ago. They infected a planet, not yet technologically advanced enough for starflight, that refused to allow them to set up a base. After three years of struggling to find a cure, the inhabitants of that planet froze themselves. Every two years, when the five-year clock expires, another individual is awakened to guard over the planet. Anyone who stumbles onto the planet is abducted and dissected in the hopes that they'll prove immune to the plague and thus show the way to a cure.
- @@@934310143 Gideon consults the apocalypse box ("The Path of Sorrows") to find out about new planets to explore. It knows about worlds the Rangers haven't discovered yet.
Unanswered Questions
- @@@934310143 How did the apocalypse box know about the planet? Did it know what was really going on there?
Analysis
- @@@934310143 In "A Call to Arms," Sheridan said that the reason the plague will take five years to kill everyone on Earth is that the Drakh didn't have time to adjust it for Earth biology before releasing it. If that's true, why didn't the plague act more quickly on the aliens, given that it was the Shadows themselves who released it? Maybe they released it at the very end of the last Shadow War and, like the Drakh, didn't have time to adjust it beforehand, but it's also possible that the analysis Sheridan was quoting was flawed. If so, the five-year figure might be incorrect as well.
Notes
- @@@931207368 This episode was originally slated to air first, until TNT decided that it preferred to have some introductory episodes to ease viewers into the series' premise.
- @@@934310691 Galen's closing line, "Expect me when you see me," is a quote from "The Lord of the Rings," spoken by Gandalf. The quote was also used by G'Kar in "Chrysalis."
jms speaks
- @@@936120977 Racing was finished last December.
- @@@936120833 What does the box say to Gideon?
"Things change...long time gone."And in later instances when the box talks, it's Gideon's/Gary's voice. You may take that as foreshadowing if you wish.
- @@@936120977 Also, no one else on the crew knows about the box. Well,
officially. One other person knows about it, but he's not supposed to
know. And Galen suspects something amiss from his passing comment at
the end of the ep.
- @@@936120977 "Do we find out who this is in the remaining four
(*sniff*) episodes? And if not, can you give us a little hint?"
Nope.
- @@@936121166 Gideon can take the moral high ground now. But how
long will he keep being polite when there are billions of lives at
stake?
Exactly.As Eilerson said, "Wouldn't you sacrifice a hundred Narns to save Earth?" It was a question Gideon didn't answer.
- @@@936121166 "JMS has hinted elsewhere that the cure might be found
before the end of the series. He's also said the show we think we're
watching will turn out not to be the show we're actually watching. Put
these two together, and I wonder greatly if, had the next few years
played out, he might have gradually uncovered some other, greater theme
or conflict that would overshadow the plague, and take over the plot
for the last year or so."
If not sooner....
Racing the Night
Revelations
Overview
G'Kar brings news of a terrible new enemy. The arrival of Sheridan's sister opens up old wounds for the new commander. Dr. Franklin employs an unorthodox procedure to try to bring Garibaldi out of his coma. Delenn's mysterious change is completed. Beverly Leech as Elizabeth Sheridan. Macaulay Bruton as Garibaldi's aide.
Sub-genre: Drama P5 Rating: 8.40 Production number: 202 Original air date: November 9, 1994 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Jim Johnston
Watch For:
Backplot
- Sheridan's wife Anna was killed two years ago when her ship exploded on its way to explore the recently discovered ruins of an ancient civilization on the Rim.
- The Book of G'Quan, the holy book of G'Kar's religion (cf. "By Any Means Necessary") mentions an ancient enemy that rose to power a thousand years in the past, a power so great it nearly overwhelmed the stars themselves. And the book contains drawings suspiciously siimilar to the Shadows' ships.
Unanswered Questions
- Is Delenn's new appearance an outward transformation, a complete physical rebirth, or something even more fundamental?
- What exactly has she become?
- Was the result what she thought it would be? She didn't seem to know what had happened to her when she first emerged from the chrysalis; clearly she didn't go into the process with detailed knowledge of the outcome.
- How much does G'Kar suspect about Londo's involvement with the Shadows?
- Why did President Clark order Garibaldi's aide returned to Earth? Was he aware that the clandestine transfer would take place, or did someone else arrange that to stop the prisoner from being interrogated by Clark's people?
Analysis
- The Book of G'Quan, assuming G'Kar was describing the text itself
rather than his interpretation, says that the ancient enemy came from
the rim of known space, the planet Z'ha'dum.
That implies that the Narns, or some among them, were
technologically advanced at least a thousand years ago; otherwise they
would presumably have had no way of knowing the origin of the enemy,
certainly not well enough to locate its home planet. Given that they
are not particularly advanced compared to the other major races, one
of three things must have happened:
- Some event, possibly the last great war, reduced their capabilities enough that they had to start nearly from scratch.
- They advanced technologically at a very slow pace, or not at all, over the past millenium.
- Another race used the Narn (or their world) in the war, departing when it was over and leaving the Narn with only legends of the great enemy.
- When G'Kar's wingman crashed into the Shadow fighter, the Shadow ship appeared to writhe in pain. It appears that employing living technology is a common trait of the very advanced civilizations (cf. "Infection.") The question naturally arises: are the Shadow ships ships in the traditional sense, with crews or pilots aboard, or are they autonomous entities?
- The fact that a one-man Narn fighter was able to destroy a Shadow ship implies that the Shadows can be overcome by force, assuming they aren't so numerous as to overwhelm all their opponents.
- Delenn flat-out lied when she said her government approved her transformation (cf. "Points of Departure.") Yet they have made no move to replace her as ambassador. Perhaps they fear the consequences of working against the prophecy more than they fear what she's doing.
- Dr. Franklin hasn't tried the healing machine on anyone, not even experimentally. Perhaps he hasn't been studying it -- which seems strange, given its potential to utterly revolutionize the practice of medicine. Now that he knows it works, he may be more inclined to use it in the future, possibly in place of hazardous conventional treatments.
- Anna Sheridan's research vessel was destroyed in an apparent accident on the Rim, on its way to explore an ancient civilization. The similarities to the destruction of the Narn ship sent by G'Kar are too great to ignore. She very possibly was killed by the Shadows, something which won't endear them to Sheridan if he learns about it. If that's true, the question of how the ruins of the civilization were discovered in the first place remains unanswered.
Notes
- The poem G'Kar read to Na'Toth is from "The Second Coming" by W. B.
Yeats (quoted sections emphasized):
Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.
Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of "Spiritus Mundi"
Troubles my sight: somewhere in the sands of the desert
A shape with lion body and the head of a man
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indigant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?
- Garibaldi's aide is named Jack, though it's easy to miss; Garibaldi mentions the name once after Talia leaves medlab and he speaks to Franklin and Ivanova.
- The closed captioning spells G'Quan "Sh'Quon," but JMS has used the shorter spelling on several occasions, so it's the one used here.
- Continuity gaffe: In the scene with Sheridan and his sister in his quarters, he drains his drink, walks toward the bar, and before he gets there, the glass refills and he drains it again.
jms speaks
- Re: the ever-improving CGI...there's an action scene in the teaser
of the second episode, "Revelations," that is particularly amazing. And
there is one shot of a Narn ship in extreme close-up toward the end of
the scene that looks absolutely *solid*, and every bit as real and
detailed as any model, and then some. It cannot be distinguished from
a physical object.
- One aspect of the Yeats quote, and the Lincoln quote, and the
Tennyson quote(s), and the many others, is that I think a lot of folks
at some point tuned out of, or aren't interested in, literature and
poetry because they've never really been exposed to it. So just to be a
little subversive, I work some of it into the show. I choose that which
has meaning to the show, and the characters, in the hopes that (as has
happened here), viewers will dig out the original material and be
exposed
to some *really* nifty writing. Granted that television must entertain
at minimum; it should also elevate and ennoble and educate, and this is
too good an opportunity to waste, provided one does not become didactic
about it.
- Speaking of looking into the abyss...which comes from "Revelations,"
it's a partial quote. Neitzsche: "When you look into the abyss, the
abyss looks also into you."
- Re: inconsistent writing and Narns...please bear in mind that there
are two ways to encounter shadowmen: going out there, and them coming in
to see YOU. The Narns need not be (and were not) spacefaring when they
encountered the shadowmen. Or, more accurately, were encountered BY
them.
- Copies of the evidence were made, but the question is what is the
available evidence to BE copied? Frankly, there isn't much. There are
no witnesses, very little physical evidence. If you tried to make a
case with what they've got, you'd be laughed out of the courtroom.
- Yes, since you've sussed it...the plan was to turn Delenn from
male to female in "Chrysalis," in my original plans, as well as making
her half-human. And yes, it would've had one hell of an impact...but my
concern when I made that decision not do do this back in the pilot was
based on the reality that we couldn't do it well. The "male" voice,
altered by computer-enhancement, just sounded REAL bogus; we couldn't
get it right, and I had to decide between dropping it, and doing
something the people would rightly describe as lame all season, just
for one big payoff. It was a tough call, but it had to be made.
- Why does Delenn's hair go under her bone ridge?
When Delenn's structure changed, the epidermal layer on the head grew thinner; there is now a gap between the skin, and the bone which has grown out. Hair can be draped through it, or laid over it. - Correct; the Narn bridge is CGI. Re: the explosion...we shot a
lot of live pyrotechnics for Ron's use; but don't recall offhand which
was used here, live or CGI.
- Anna chose to take Sheridan's last name. Her decision. You have the
option. Some do, some don't. If you start to pass rules that no woman
CAN take her husband's name or she's betraying something, then you're
being just as restrictive as those who insist a woman MUST take her
husband's name. Me, I'm pro-choice on every level. She felt like it.
(And I note that my own spousal overunit kept her own name. But then, who in her right mind WOULD take Straczynski...?)
- Another thing that can be now re-interpreted is the look on Jack's
face when Garibaldi didn't go for the whitewash of the security
guard's financial records in "Sky," and how that body managed to get
out of the station without security being aware of it....
- Next week, in "Revelations," you get G'Kar, Londo, Delenn, Lennier,
Na'Toth, Kosh, Garibaldi, Talia and everybody else. Because there
was SO much happening in #1, that got slid back a bit; also, there's
a fair amount of time required for everything to do what they're
supposed to be doing. (Note that we're operating pretty much in
real-time; "Points" is around 8 days after the events of "Chrysalis,"
and "Revelations" is about another week after that.)
One thing I noted here some time ago, as a large part of the reason I dropped "to be continued" from "Chrysalis" is that this is more of a three-parter than a two, and some threads pulled in "Chrysalis" won't be fully resolved in some ways until the third and fourth episodes. There is a LOT going on, and if we try to cram it all into one episode (as I at first tried with "Chrysalis, Part Two") you don't give ANY of them the proper time to have any impact.
Finally, we're getting new people sampling the first episode of the season, as is true of most shows. Thus, you have to put into dialogue a fair amount of stuff that otherwise you could just imply or rely on past experience/prior knowledge. So you kind of introduce the newbies to the situation, and that requires a fair amount of exposition. This is pretty much localized to "Points," however; with the next episode, we're up to full speed. Episode 2 deals with as many issues/plotlines as "Chrysalis," with the main difference being that here, they're *resolved* rather than left hanging.
- Yes, generally stories are self-contained, but in the case of season
endings like "Chrysalis," it takes time to get everything back up and
running again. The bigger the explosion, the longer it takes to clean
up the mess.
- Re: Lennier, the Grey Council fellow said, "Tell them what we've told
YOU," not someone else. Just to clarify.
- [Talia's] not seeing the shooter from outside Garibaldi's POV. That
shot in particular is *exactly* from Garibaldi's POV. It's a lot
like what is done in hypnosis, going back into somebody's memory and
dragging out details they might have seen but not noted; the eye sees
more than the brain recalls at any given moment. When we shot that
scene, I was on-set, and the camera was put *exactly* where Garibaldi
was standing, so we'd be very careful that it WAS his point of view.
So though I hate to contradict you, it's not "a stupid plot hole from
hell."
- Oh, I'm quite sure there was backup made of the data. But step back
for a moment and ask what that entails, and will any of it stand up
in ANY court of law? There's a difference between that which we knor
or (make that know or) believe, and that which we can prove. Without
the one most important piece of all, Garibaldi's aide, the rest is
speculative, inconclusive, circumstantial and conjectural.
- Yes, if Laurel had stayed with the station, either she would have
pulled the trigger on Garibaldi, or been directly involved in other
ways.
- "Morden is the mongoose."
So what's needed now is a conveniently placed cobra....
- The platform seen in the opening of "Revelations" is a hazardous
materials platform, which is still cleaning up the radioactive debris
and other stuff from the blown Minbari cruiser in the last ep.
- About Na'Toth's change of actresses
The actor wanted to pursue other avenues. She'd primarily worked as a romantic lead in films, then came in at the last minute to help with season one. She then wanted to go back to that. The character stayed because we need the character to have some prior knowledge of the situation, rather than bringing in somebody new. - Re: Na'Toth...you have to remember this was not our decision, but
rather Caitlin's, in order to pursue some romantic lead parts. We
made an offer equal to the other cast, but she opted out to pursue
films. We cast the best actor to come in the door to fill Na'Toth's
boots, and we need that character there because of the prior knowledge
she needs to have to fill her role in the story. Mary Kay is, I think,
trying to reinterpret the character. We're nudging in the other
direction. One way or another, this will be made to work.
- Actually, no, it's not a rumor; I'd mentioned this some time ago, but
apparently some didn't see it....
So to repeat: we'd had to replace Mary Woronov with virtually no notice after we found that she really had a hard time with the narn prosthetics (wouldn't wear the contacts, and other stuff). In a panic, our casting director called in a favor from Caitlin Brown, who is mainly a leading-lady type actor. She came in and, in fact, for the first episode (shooting almost immediately afterward) wore a variation of the Ko'Dath makeup, because there wasn't time to make one specific to her.
She came in without being under the 5-year option that generally exists in these situations. Did one year, about 9 episodes, as Na'Toth. And had to turn down a couple of leading-female parts. During the hiatus, she did a romantic lead character in a film with Jack Nicholson and Meryl Streep. And had to ask the hard question: do I continue to grow as a romantic lead actor in feature films, or play Na'Toth? She is a VERY gorgeous woman, and felt awkward hiding behind the mask and cutting herself out of leading female parts in feature films to do it.
We went 'round and 'round about this for some time, it was a very difficult decision for her because she likes the show and everyone here, but finally opted out. On one level it's a pain in the butt, but we respect her decision. And it *is* her call, not ours.
(Quick aside...pfffttthhpplttt to those who, in their theory that Sinclair/O'Hare quit, said that I'd naturally say it was mutual because I could never say it was the actors choice because somehow I'd get in trouble. No, I *would* say it if O'Hare had opted out on his own. And in this case, that's exactly what happened.)
We didn't recast Sinclair because that character is going somewhere from whence he may (and will) return, and because that serves the story; in this case, we are recasting Na'Toth. By the end of season one, Na'Toth knows stuff that I need that character, G'Kar's aide, to know. (Though I was briefly tempted to do the Murphy Brown Secretary line, with G'Kar getting a new aide every so often due to terrible airlock accidents...but I went to lay down for a while and the notion passed.)
So no, it's not a rumor, it's quite true. In fact, we just finished up a casting session and found someone who's very right for the part; and though we weren't confined to this, is actually about the same height, same build, same attitude as Caitlin, and whose voice is very similar. I don't think much difference will be noted in the long run, really.
- The Narn aren't waiting. Or, more accurately, G'Kar isn't. The rest
of the Kha'Ri (Narn inner circle government) are still somewhat
skeptical.
The Minbari know the shape of what's coming, but they know full well that if they go to us with this, we won't believe them; there's still enough residual dislike over the war that they feel we have to find this out for ourselves (and we will).
- Let's just say for now that about a thousand years ago, Narn was used
as a lay-over and supply spot for a Shadowman group that landed there
for a time, and used it briefly as a base of operations.
- @@@931198604 Is the name "Z'ha'dum" a reference to Khazad-dum
from "The Lord of the Rings?"
Not really, no...I always imagined that Z'ha'dum was originally the Minbari word for the place, and the Z'ha has echoes in Entil-zha and Isil-zha. The dum (doom) part is obvious. Not to say I wasn't aware of Khazad-dum, but it wasn't on my mind at the time. - Re: "switching places"...this is *exactly* what I noted early on;
the intent to set up in the very beginning a situation where those
who've seen basic SF before on the tube will go, "Oh, okay, I got it
...this is the Bad Guy, this is the Good Guy, this is the Comic
Relief, this is the Ally," and so on, because that's generally what's
been the case in TV SF; you set up the various sides from day one, and
virtually nobody moves.
So you get them to rely on their conditioning, then you begin to move the chairs around, so suddenly what you THOUGHT was the good guy is maybe something else; and what you THOUGHT was the comic relief is a tragic and dark figure; and what you THOUGHT was the bad guy is maybe one of the real heroes of the story. And you try and make the path that results in those changes as interesting, moving, or scary as possible.
- Of course Londo realizes he's being...not exactly set up, but that
he's getting into a very bad situation. But on the other hand, he
sees that perhaps this is his last chance to grab for something more
than what he is; he's not a young man anymore, and offers such as
this, even though he knows there will be a price someday (as he
states to Morden), do not come along every day.
Here is the key to characterization: who is your character, what does he want, how far will he go to get it, and what is he prepared to lose in that process?
- Morden is human.
Morden dat I can't say.
- Actually, G'Kar's makeup wasn't changed this year; the actor put on a
few pounds over hiatus, which shows in the face, which changes how the
prosthetic looks. This was dropped very quickly by Andreas, however,
and the makeup has adjusted itself. (Hell, we all put on a few pounds
during hiatus.)
- Oddly, the new makeup takes *longer* for Mira than the old, which went
on in a couple of fairly straightforward pieces. Now there's a lot
more detail work and more pieces.
Also, the intent is that G'Kar looked at both Sheridan and Londo, not sure which of them may have leaked the info, though I think the editing may have focused too much on Londo in that shot.
- The only time a name is associated with his aide is when Garibaldi
refers to him later, at which time he just says Jack.
- Jack had had contact with the PsiCops in "Mind War"
No, Jack wasn't *seduced* at that time ...but he WAS there to meet them, and escort them to see Sinclair. Why him? Perhaps a contact there...? - What would be different if there hadn't been cast changes after
"The Gathering?"
The only problem with answering how things would've been different is that some information might get out by inference about how things might still *be*. However, to do what I can with the question (never let it be said I don't try to accommodate....).If Lyta had stayed on B5, her arc would be pretty close to that of Talia, except that she would have begun to form a strong link to Kosh, first in the form of dreams, then something with implications that could be read as menacing or benign.
If Dr. Kyle would have stayed around, he would have moved more into the position of advisor/paternal figure for Sinclair. He also would have continued to be more scientist than doctor.
Takashima would have been revealed as having been in on the Vorlon assassination attempt by season's end, and would have betrayed Garibaldi in the events in "Chrysalis," either giving him over to those involved with the coup, or pulling the trigger herself. While we would know this, our characters would not, for as much as another full season.
Carolyn Sykes would've gotten into major trouble with one of the major EarthCorps.
Finally, if Sinclair had stayed with B5 at this juncture, the events in "Points" (the reveal of the Minbari surrender) would've taken place in episode 3 instead of 1. Episode 1 would've consisted mainly of the events in "Revelations," which was mainly as a bystander to the events around him, since the sister aspect specific to Sheridan obviously wouldn't be there. Basically, with all the events surrounding Delenn, Londo, G'Kar and others, he didn't have one whole hell of a lot to *DO* in the first six to eight episodes, since that segment was set aside primarily to introduce the Shadowman war and get that cranking, and Sinclair had no real direct connection to that.
Revelations
During a meeting of the council, Londo complains about the absence of Ambassadors Delenn and G'kar. This upsets him greatly, and he moves that they reprimand both ambassadors and ask the Narn and Minbari governments to assign new representatives to the council. When no one seconds the motion, Captain Sheridan adjourns the meeting and suggests they all meet the following morning. As the ambassadors leave, Londo confronts Na'toth and asks her about G'kar. She tells him only that he went to investigate the attack on the outpost in quadrant 37, and that he is able to take care of himself.
Meanwhile, G'kar is fleeing from several pursuing Shadow ships, smaller than the spiderlike vessels that destroyed the outpost in quadrant 37. Though there are other one-man ships with him, they are losing the battle against the Shadows, and retreat to the jump gate. Two of the ships are destroyed by the Shadows on the way, and the final remaining Narn pilot radios G'kar, "Tell the others. Warn them. In death we salute you. Honor our names. Goodbye." The ship makes a run directly into one of the Shadow vessels, which writhes in pain. G'kar makes a pledge to remember the pilot who gave his life, as the Shadow ship explodes. G'kar is able to get to the jumpgate, which he uses to travel to Babylon 5.
The Shadow fighters in
pursuit.
Dr. Franklin enters the officer's lounge, where he encounters Sheridan. Sheridan says he has some time before his sister arrives to visit. Dr. Franklin tells Sheridan that Garibaldi's situation is very bad and that there is little chance of his coming out of a coma by conventional means. He mentions that there might be one solution: using the alien machine he obtained from Laura Rosen (cf. "The Quality of Mercy.") He tells Sheridan about it, and asks for his permission. Sheridan is somewhat apprehensive, but gives Franklin his permission. He asks who Franklin had intended to transfer the life energy from, and Franklin answers that he had planned to take it from himself. Franklin leaves.
Later, Sheridan meets up with his sister, Elizabeth, when she arrives on her transport. After some small talk, they go off to have dinner together.
Meanwhile, Londo receives a visitor: Morden. Morden asks Londo how he can be of service, and Londo wants to be reassured that the attack on the Narn base in quadrant 37 cannot be traced back to him. "The Narns will never be able to prove it was done at your instigation," Morden tells him, "and, based on your promise to take care of it, your government accepts your responsibility without question or hesitation. Perfect symmetry. I believe that this little demonstration will bring you some very interesting propositions." When Londo asks what should happen if he is asked to provide another demonstration, Morden tells him that they will provide it, if only he names the target. "A colony? An outpost?" Morden suggests.
Londo laughs at that. "Why don't you eliminate the entire Narn homeworld while you're at it?"
"One thing at a time, Ambassador. One thing at a time." Before he leaves, Morden asks Londo for another small favor. "If you should hear about anything strange happening out on the rim, I'd appreciate being informed, even if it seems unimportant."
"One thing at a time."
As Captain Sheridan and his sister eat dinner together, they talk about the two years they have been apart, though Elizabeth is a bit upset that Sheridan only wants to talk about work. Sheridan explains that her being around only "brings it all back." Elizabeth realizes that things have not been the same between them since his wife's death. Sheridan says he needs more time -- that two years isn't enough. He still has to remind himself that she is gone, and he has to force himself to remember that she is not alive. Elizabeth understands, but wants Sheridan to honor her memory instead of burying himself in his work. He says it isn't about work, but doesn't want to discuss the subject further. They agree to put off the discussion until later.
Sheridan talks about
running the station.
Lennier still tends to Delenn's chrysalis while Sheridan finishes dinner and goes down to MedLab, where Dr. Franklin is about to begin using the healing machine to bring Garibaldi out of the coma. Sheridan says that it is his responsibility to make sure that Garibaldi is safe, and he also doesn't want Franklin using the machine alone, in case a mishap takes his life as well. They agree that both of them will split the time on the healing machine: one will operate it while the other one is giving their life energy to Garibaldi.
Na'toth returns to G'kar's quarters, and begins studying some information she is carrying. While she is doing so, a voice tells her to close the door. She investigates the voice, finding it to be G'kar, sitting cross-legged on his bed. "Weep for the future, Na'toth," he says to her. "Weep for us all." She asks if he is all right, and he replies, "I have looked into the darkness, Na'toth. You cannot do that and ever be quite the same again. When you told me about the destruction of our base in quadrant 37, I knew that only a major power could attempt an assault of that magnitude, but none of the governments here could have done it, which left only two possibilities: a new race, or an old race--a very old race.
"G'Quan spoke of a great war long ago against an enemy so terrible, it nearly overwhelmed the stars themselves. G'Quan said that before that enemy was thrown down, it dwelled in a system at the rim of known space.
"I searched for days, going from one system to another. Then, on dark deserted worlds, where there should be no life, where no living thing has walked in over a thousand years, something is moving, gathering its forces, quietly, quietly...hoping to go unnoticed. We must warn the others, Na'toth. After a thousand years, the darkness has come again."
Dr. Franklin is in MedLab, exhausted from the time spent on the healing machine, when Garibaldi wakes up. He radios to C&C, telling Ivanova and Sheridan to get to MedLab. Garibaldi's aide is listening in; he leaves his office in a hurry.
When Sheridan and Ivanova arrive, Garibaldi asks is if they were able to save President Santiago's life. Ivanova tells him that they were not. Garibaldi asks to see Sinclair, but learns about his reassignment. Sheridan introduces himself. Ivanova asks if Garibaldi remembers who shot him, and while his aide, who has entered MedLeb, keeps a firm grip on his weapon, Garibaldi confesses that he never saw his assailant because he was shot from behind. At this news, Garibaldi's aide removes his hand from his weapon and walks away.
Londo and G'kar meet up in the hallway. Londo asks if G'kar has found anything interesting. G'kar answers affirmatively, but tells Londo that he is going to tell the council about his findings. He tells Londo that the only way to resolve the problems between the Narn and Centauri is with Centauri blood, but that what he has found may threaten all their races, except possibly the Vorlons, a race he doesn't believe could be threatened by anything. G'kar is on his way to see Delenn, but Londo tells him that something happened to her right after he left. When G'Kar asks if she is still alive, Londo says, "That is a very good question."
That question is soon answered as Lennier reenters Delenn's quarters to find the chrysalis open. Though he doesn't see her at first, a quick search of the room leads him to find her in a dark corner, wrapped in a dark cloak. She speaks, her voice frail and weak, and asks him to help her. Lennier calls Dr. Franklin, asking him to come to her quarters. Lennier warns him before he enters that anything he learns must be kept confidential. Delenn tells Franklin that she isn't ill. "What I have become, what I suffer, requires you," she tells him, giving him her hand, which is now dry and scaly.
The empty chrysalis.
Sheridan and Elizabeth discuss life aboard Babylon 5, and Sheridan continues to lament the loss of Anna, his wife. Elizabeth notices that he seems to be acting more detached than ever, and asks him what is wrong. He claims it was his fault that she died. She tries to convince him that he had nothing to do with the explosion of the deep space vessel that killed her, but he tells her that he is responsible for her being there. "We were gonna get together on our anniversary. She'd arranged to meet me when we pulled into spacedock, off of Centauri Prime. Well, we hadn't seen much of each other the year before--you know what the military life is like. Well, I'd gotten real busy--I was up to my ears in inspections, drills...I had to call her and tell her I couldn't make it. I was too busy--too damn busy. Well, right after I cancelled, she took that science officer's job on the Icarus. Just a two week survey. Said she'd back before I even noticed she was gone. Well, she didn't come back, and I've been noticing she's is gone every minute of every day." Elizabeth tells Sheridan not to blame himself. He refuses to believe it isn't his fault, but he tells her the real reason he is so upset. "When we used to talk to each other over long distance, we would say 'I love you' at the end. The last time I talked to her...I don't know, I was rushed...I didn't say it. I didn't even realize it. And I figured I'd make it up to her later on. I never even got to say good-bye to her. Oh, Lizzy, I miss her. I just didn't want her to go without telling her I loved her one last time."
Dr. Franklin makes a new discovery while treating Delenn--he pushes on part of her blue, scaly arm and it cracks away, revealing something underneath that is flesh-colored. Neither he, Lennier, or Delenn know if that is something that should happen or not, so he quickly scans her with a medical device. He lifts up her head to get a look at her face. "What am I?" she asks weakly. "What am I?" As he looks into her face, which is covered with the blue substance, he has no answer to give her.
"What am I?"
G'kar address the council about what he encountered at the rim. "...which leads me to believe that the ancient race described in our holy books may have returned. If true, this holds grave danger for all of us." Sheridan suggests that the dead worlds where he found life may have been colonized by another race, but G'kar will not accept this, as he says that the ships that fired upon him looked very much like the drawings made by G'Quan. But, because the rulers of the Narn homeworld have reservations about what he has found, no official confirmation of his findings have been given. G'kar tells the council that he has convinced the rulers of his planet to send a ship "to the heart of the enemy's own domain, located at the rim of known space...a dark and terrible place known as Z'ha'dum. It has been dead for a thousand years. No one goes there...no one. Our ship will arrive in twelve hours, coming out of hyperspace as close to the enemy's homeworld as possible. They will scan the planet for signs of life and return to hyperspace before anyone can attack." Sheridan asks what will happen if someone is living there. G'kar replies, "Then all our races stand on the end of extinction."
Londo meets with Morden yet again. He tells Morden about the information he got from G'kar. Though Morden says little about it, he does ask when the ship is scheduled to arrive.
Talia Winters enters MedLab and begins talking to Garibaldi. She understands what he wants her to do, but warns him that even if she does find anything, it is not admissible in court. She tells him that the scan she performs will have to be a deep scan. He understands, so she removes one of her gloves, takes his hand, and begins the scan. She sees what happened when Garibaldi encountered Devereaux, and sees him raise his weapon...Right before Garibaldi is shot, however, she also sees the face of Garibaldi's aide, Jack, in a reflective surface at the very edge of his vision.
Talia agrees to help Garibaldi.
A security officer enters the office of Garibaldi's aide, and tells him that Delenn is emerged from the cocoon, and has wings like a butterfly. He urges Jack to go and see, which he reluctantly does. As soon as he leaves the office, he is assaulted by a group of security officers and held at bay until Sheridan arrives and orders them to take him to the lockup and put him under maximum security, with checks on him every fifteen minutes.
Garibaldi's aide gets
his just desserts.
Despite Dr. Franklin's objections, Garibaldi convinces him to let him go talk to his aide and find out why he attacked him.
"I trusted you," Garibaldi tells Jack during the ensuing interrogation. "I taught you everything I know. I gave you every break. I even treated you like my own brother." He bangs his cane on the table and demands to know why Jack did it, to which his aide only responds that he had his instructions. Garibaldi asks him who gave the orders.
"There's a new order coming back home, Garibaldi. You can either be part of it, or you can be stepped on. A winner or a loser. I'm with the side that's gonna win." Garibaldi asks if it is Homeguard, but Jack tells him that he is wrong; the Homeguard are a bunch of amateurs. Garibaldi tells Jack that he is in big trouble. Jack scoffs. "You don't even know what trouble is... but you're gonna find out, real soon."
Garibaldi tells Jack that the shooting of a senior officer is treason and mutiny and that the penalty is spacing. "They put you in an airlock, seal it, and then open the space door. You spend the next five minutes chewing vaccuum until your lungs turn inside-out, your eyeballs freeze, and your heart explodes. It's the worse kind of death you can imagine. And when that day comes, I'll be there to push the button."
Garibaldi begins to leave, but on the way out, Jack calls to him and performs a salute with his hand, the same that Bester once gave. "Be seeing you," he says, smiling.
"Be seeing you."
Sheridan is working in his office when Ivanova calls in, telling him that he has a call from President Clark. The president tells him that he read the report on the arrest of Garibaldi's aide. He asks if Sheridan actually believes the aide was in on the conspiracy to kill President Santiago. Sheridan has no evidence of that, but does say that he is guilty of shooting a senior officer. Clark tells him that they need to investigate the matter fully and orders the prisoner transferred to Earth so that Clark can assist in the investigation. "We can't risk this being mishandled, Captain," Clark tells Sheridan. "During the time I served as vice-president under Santiago, I grew to admire and appreciate the man. I owe it to his memory to personally oversee any inquiry." He orders that all other information regarding the matter be sent as well. He compliments Sheridan on his good work.
As the Narn warship exits hyperspace into the system of Z'ha'dum, a Shadow ship, that had apparently been waiting for it, appears and swiftly attacks, completely destroying it before it has the opportunity to reenter the jump point.
The Narn warship is
destroyed.
At the council meeting, Na'toth reports to G'kar and the council about the ship's destruction. She says the Narn government believes it was an accident with the jump engines because it occurred right after they left hyperspace. She also tells them that the government cannot afford to send another ship. But G'kar doesn't believe it was an accident. "When a warship jumps to normal space, it's briefly out of contact because of the energy drain. It might have been attacked during that period. But that couldn't happen unless...unless they knew the ship was coming and were waiting for it. But no one knew, except..." His voice falls dead as the meaning of his words hit him. He looks quickly at both Londo and Sheridan, both of whom return his glance steadily.
Lennier enters the council chamber and addresses the council, telling them that Ambassador Delenn has returned and would like to reclaim her seat on the council. Sheridan tells Lennier that it is all right, and tells Lennier to let her come in. She does so, dressed in a long white cloak with a hood that covers her head. She slowly removes the hood, revealing what she has changed into. Her skin no longer is pale like that of a Minbari--it is now flesh-colored, that of a human. She has long, brown hair which spills down over her ears, which have the same size and position of human ears, and what looks like part of the Minbari headbone, though it is only about a third of the size it once was. While the council observes her, awestruck, she explains her change. "Ambassador Sinclair has been allowed to live on my world as an act of good faith, to create a greater understanding between Minbari and humans. In return, I have undergone this change with the blessings of my government, so that I may become a bridge between our worlds, in the hope that we will never know war between us again."
Sheridan tells his sister of Delenn's change. She asks if it is just her outward appearance that has changed, or if it was her genetic structure as well. Sheridan doesn't know, but tells her that Delenn wasn't eager to discuss it. Elizabeth tells Sheridan that she has something he should watch, and that she decided after their talk to let him see it. It is a message that Anna sent her before she left on the Icarus. Sheridan plays it and watches silently.
"Oh well," Anna's image says happily, "maybe we'll have the chance to try again later. I am really excited about serving signing on board the Icarus next week. John and I were supposed to spend some time together, but Dr. Chang thinks he's found the ruins to an ancient civilization nobody's ever heard of before. The chance to be there when the discovery is confirmed is just too good an opportunity to pass up. I had already decided to put off our vacation and go when John called to tell me that he had to cancel, so it worked out just great. Though the poor dear looked so upset about breaking the news, I wanted to tell him I was going away anyway, but I...we had so much else to cover, and there's never enough time... I'll just have to fill him in when I get back. You've got quite a brother there, Liz. I can't tell you how...how lucky I feel sometimes, even when he's not here. I just... Someone said that love knows no borders, and ours certainly proves the point. Well, I'll check in with you when I get back, though with any luck, you'll hear about it on the news first. My love to Danny and the kids. Bye."
Sheridan says good-bye to her as well. "I love you, Anna," he tells the image on the screen.
Saying goodbye.
Garibaldi thanks Talia for helping out, and she tells him that it wasn't a problem, but it still isn't admissable in court. Garibaldi tells her that, thanks to her help, he can take it the rest of the way. He asks her to leave, and speaks to Dr. Franklin and Ivanova. "I trust her as much as I trust any telepath, but she's still PsiCorps." When Dr. Franklin asks what PsiCorps has to do with the attack, Garibaldi explains. "I've been thinking about this little salute Jack gave me back in his cell -- same as that PsiCop Bester gave? It's like he was rubbing my nose in something he knew I could never prove. Remember the last election, there was a big scandal about the Corps endorsing Vice President Clark?"
"Sure. It was big news. Made all the nets," Ivanova says. "Their charter prohibits them recommending candidates to their members."
Garibaldi continues. "Exactly. Now Jack didn't admit anything, but he did say that the Homeguard wasn't behind President Santiago's assassination. But what if it was the PsiCorps? What if they wanted someone in office who was sympathetic to the Corps? Right before Earth Force 1 exploded, the Vice-President got off at Mars, saying he had the flu. Pretty convenient, isn't it?"
Sherdian and Elizabeth say good-bye to each other, but he promises to write to her, letting her know how he is. He thanks her for coming, and thanks her for everything she did. "You're my brother," she tells him. She waves to him and leaves. Right after she does, Sheridan receives a call from Ivanova, telling him to come to C&C.
G'kar and Na'toth are in G'kar's quarters. "Things have changed, Na'toth, and they will never be the same. But we are Narns. We have learned to cope with change--to triumph in the face of adversity. We will overcome this as well. We have no other choice." Na'toth asks about something G'kar is holding, and he tells her that it is a human book. He tells her that he has been studying their literature, and that he came across that book, and that he believes humans may be wiser than the Narns thought. He reads from it, and while he is doing so, we see Lennier with Delenn in her quarters, as she puzzles over, and examines, her new form:
Things fall apart; the centre cannot hold.
Mere anarchy is loosed upon the world.
The blood-dimmed tide is loosed, and everywhere,
The ceremony of innocence is drowned.
And what rough beast, its hour come round at last,
Slouches toward Bethlehem to be born?
G'Kar reads the poetry.
Sheridan arrives at C&C and asks Ivanova why she called him there. "On a hunch," she explains, "I just checked on the ship taking the prisoner back to Earth. He was transferred to another ship a half an hour ago. It had EarthForce security markings, it knew all the right access and identification codes, had papers authorizing the transfer... But I just backtracked with Earth Central. The ID codes don't match any ship registered to Earth Force."
"Great," Sheridan says. "So he's gone, and all the evidence with him." Sheridan asks if she notified President Clark, but she tells him that he isn't taking any calls. "It gets cold up here sometimes, doesn't it, Lieutenant Commander?"
"Yes sir," she replies, as they both contemplate the situation. "It does indeed."
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Rising Star
Overview
Earthgov decides Sheridan's fate. Delenn makes a remarkable proposition to the League of Non-Aligned Worlds. Garibaldi searches for Lise. Denise Gentile as Lise. Rance Howard as David Sheridan. Beata Pozniak as President Luchenko. Walter Koenig as Bester.
P5 Rating: 8.90 Production number: 421 Original air week: October 20, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@877243084 Delenn has overseen the coming together of the nonaligned worlds, the Centauri, the Minbari, the Narn, and Earth into a new Interstellar Alliance, and Sheridan has been elected its first president. The Alliance, which among other things promises to share advanced technologies like artificial gravity with Earth, is a confederation whose members retain most of their sovereignty, aside from certain rules of conduct. Its armed forces are the Rangers and the White Star fleet, and its temporary headquarters are on Babylon 5 until permanent facilities are built in the Minbari city of Tuzanor (novel "To Dream In the City of Sorrows.")
- @@@877243084 Sheridan only used 30 telepaths out of 100 to attack the destroyer fleet ("Endgame.") The rest, including Bester's lover Carolyn Sanderson, remained on Babylon 5.
- @@@877630606 Clark has been succeeded by President Susanna Luchenko of the Russian Consortium.
- @@@877243084 Ivanova has been promoted to captain and reassigned to shake down an experimental new Earth military vessel, a Warlock-class destroyer, for one year.
- @@@877333607 Londo has been asked to return to Centauri Prime; the Regent is ill and after his death the royal court plans to name Londo the next Emperor.
- @@@877243084 Garibaldi and Lise are together, and she has apparently inherited some or all of William Edgars' money.
- @@@877243084 Sheridan and Delenn have been married.
- @@@877243084 Sheridan's father has been released; Clark's forces never captured his mother.
Unanswered Questions
- @@@877243084 Did all the nonaligned worlds join the Alliance?
Analysis
- @@@877971225 Delenn's reply to Lennier's comment about unrequited love can be read either of two ways: that she is indeed oblivious to his feelings for her ("Ceremonies of Light and Dark") or, more likely, that she loves him too, albeit not in the same way she does Sheridan. The latter interpretation seems to have been lost on Lennier if true.
- @@@877243084 Sheridan knew about the telepath virus ("The Face of the Enemy," among others.) How many more have been told? Will its existence become common knowledge, and if so, will the fact that it's known to be possible prompt enemies of the Corps to start trying to duplicate it?
- @@@877333607 Bester goaded Sheridan about Garibaldi by telling him that only a scan performed by a member of Psi Corps would be admissible in Earth court if Garibaldi's memory were used as evidence. The implication was that since Bester controls the Corps to some degree, no Corps telepath would cooperate. But Lyta is now a Corps member, officially anyway ("The Exercise of Vital Powers") and is certainly no friend of Bester's. To refute her credentials in court, he'd have to reveal the deep-cover program he's using to give her the appearance of Corps membership.
- @@@878759283 Sheridan told Bester he knew what it was like to lose someone, only to find them again and lose them again, clearly a reference to Anna ("Z'ha'dum.") He said he'd never wish that on anyone. But in a sense, he's putting Delenn through the same ordeal over a much longer timespan: she lost him at Z'ha'dum, got him back thanks to Lorien, and knows that in 20 years she'll lose him again ("Falling Toward Apotheosis.")
- @@@877243084 The Alliance was most likely what Delenn was referring to in "War Without End part 2" when she told Sheridan that they'd built something that would endure for a thousand years. Whether that figure was just a generality on her part or reflected additional knowledge about the future isn't clear.
- @@@878022972 Sheridan and Londo have followed similar paths: both of
them rose up against their own governments to fight Shadow influence,
and both were helped in their quests by resistance movements working
against those governments (the Mars resistance in Sheridan's case,
the Narns in Londo's.) Both of them arranged to have the captive
populations freed after defeating the old order. Are their fates
going to be similar as well? Londo sacrificed himself to kill his
Keeper and allow Sheridan and Delenn to escape
("War Without End part 2.")
Will Sheridan make a similar sacrifice to save someone? One could
argue he already has, by dying on Z'ha'dum to save Centauri Prime
("Z'ha'dum.")
@@@878106933 All the major ambassadors on Babylon 5 have been offered leadership roles of some sort, in fact. In addition to Sheridan and Londo, G'Kar was offered leadership of his people in "The Long Night." Delenn was elected leader of the Minbari in "Babylon Squared." And Sinclair became leader of the Minbari of 1000 years past in "War Without End part 2." Kosh is apparently an exception, though for all anyone knows, he already was the leader of the Vorlons.
@@@879107321 Perhaps not coincidentally, all the major ambassadors have been willing to sacrifice themselves for the greater good. Delenn was willing to die to stop the Minbari civil war ("Moments of Transition.") Londo was ready to give up his life to save Centauri Prime from the Vorlon planetkiller ("Into the Fire.") Sheridan ordered a suicide run to stop Earth from being razed by a defense platform ("Endgame.") G'Kar offered to return to Narn and face certain death to save the families of the Narn on Babylon 5 ("A Day in the Strife.") Kosh forfeited his life when he arranged for the Vorlon fleet to attack the Shadows ("Interludes and Examinations.")
- @@@877243084 Ivanova apparently only gets promotions when her commanding officers leave: she went from Lt. Commander to Commander when Sinclair left Babylon 5, and from Commander to Captain when Sheridan resigned Earthforce.
- @@@877333607 Has Babylon 5 reverted to Earth ownership? If so, who's in command now that Sheridan is no longer a member of Earthforce? Presumably Corwin is in charge temporarily until a new commander is assigned.
Notes
- @@@877243147 Both Clark and Sheridan were succeeded by Russian women after their deaths (though Sheridan didn't remain dead.) Both women have similar first names.
- @@@877630606 President Luchenko's comment about "the better angels of our nature" was a reference to the last line of Abraham Lincoln's first inaugural address, in which he urged the United States not to lapse into civil war.
jms speaks
- @@@877629153 "If this had been it, I would've walked away with a
great big smile and a full heart."
Exactly..it doesn't *end* the story, as people kept saying, "Oh, the arc is being finished in year 4," it provides a sense of *resolution*, which is different altogether, and leaves plenty of room for other planned stuff.
- @@@878022574 President Luchenko's accent sounded fake.
I love comments like that.Beata, who played the President, is a native-born Russian.
@@@878182322 Ed. note: Beata Pozniak was actually born in Gdansk, Poland, not Russia. The accent is her own, however.
- @@@877368470 If Marcus had survived, it would have been a
copout.
As for Marcus, that's precisely the point. If we do what we do to Ivanova, then let her get bailed out, then do the same for Marcus, it becomes a double-cheat, and that's not fair to do to the audience. If you bail her out but only at great cost to someone else, it's not a cheat on either level.And yeah, generally, if you follow the threads, you can pick up on where things are going. It's something I learned on Murder, She Wrote, where at the end, when the killer's been revealed, you should be able to back up the tape, watch it again, and this time see all the little bits that point to his (or her) identity. It's basically about playing fair with the audience.
- @@@878327718 It was hard doing that to the character [of
Marcus], but it was
the only way to handle the situation with any integrity and honesty.
Very hard to write.
- @@@944510023 Marcus was a martyr waiting to happen, looking for something
worth throwing his life away on because he could find little worth in
his own.
- @@@884374529 "In the scene with Franklin and the very upset Ivanova,
when she uses the word "boffed" (like Marcus), was this intended as
just a cute scene or a hint that the transfer would have had lasting
effects?"
No, nothing more was intended than what was seen.
- @@@877971225 Why did Lennier tell Delenn what Ivanova said?
Because Lennier is quite familiar with the concept of unrequited love, and because hope burns eternal.Which is probably the most damnable part of unrequited love.
- @@@877629093 Was the shot of Claudia Christian at the end from
another episode, inserted when she decided not to return?
No, that's a new shot (Claudia at the window). She was shot for that episode for that voice-over...we just changed one line. The basic thrust was that she was going to take some time to *decide* whether to take on B5, or to take on a Warlock class destroyer. So we just went with the decision. - @@@877629241 What was different about the closing shot?
The only really different thing about the shot is the length of it; usually our shots average 5-8 seconds; that one was about 15 seconds, so you have more time to get used to what you're seeing, and absorb it, and make it real. - @@@877890336 Everything's wrapped up now. What's left to do in
season five?
Things that *could* show up (leaving in some ambiguity just to keep some surprises):The start of the telepath war
The start of drakh war
Londo's fate on Centauri Prime
The first year trying to make the Interstellar Alliance work
Inter-faction fighting among the Alliance members
The development of Mars as an independent state
The legacy of William Edgars' black projects
Fallout from the civil war, and the feelings about it
How Lennier, Sheridan and Delenn will get along nowHow's that just for starters?
- @@@878327395 Will we see Luchenko again?
Would love to use her again. - @@@878327718 The Rangers are independent in authority, answering
only to Delenn and Sheridan and the members of the Alliance council and
advisory board. (In roughly descending order.) But their jurisdiction
is exclusively in interplanetary situations between various member
races. Each member race has the sovereign authority to govern its
people in its own way.
The closest comparison is that overall, the states are free to enact their own laws, but the US Government has sole claim over international matters. Except here the states would have far more autonomy than is currently the rule; more like pre-Civil War America.
- @@@878327718 If you'd known there'd be a fifth season when
you wrote the episode, would Delenn's speech have changed?
I don't know if I would've done her speech differently or not, to be honest...knowing it now, I'm not sure how I'd improve it. - @@@878327718 Is Sheridan and Delenn's bed horizontal or tipped up
in the Minbari style?
They will alternate, as you'll see soon....
Rising Star
Synopsis by Katrina Glerum (kat@midwinter.com)
An ISN Special Report.
-
President Clark commited suicide
last night. Cameras show the Executive Office, a sheet thrown over a body
in a chair with the sign, "Traitor to Earth!" taped to the chest.
-
Meanwhile, Sheridan has surrendered to Earth officials and awaits their
decision on whether to charge him with a crime. Despite his current
popularity, he still must justify his actions. There is a shot of Sheridan
seated in a conference room filled with milling Earth Force personnel.
-
Acting President Susanna Luchenko, of the Russian Consortium, announced
that the legal system will prosecute those who committed crimes during
Clark's term, and urged people not to take justice into their own hands.
- ISN sends its prayers to Susan Ivanova, critically wounded on Babylon 5.
Franklin is oblivious to the thrill of captaining a White Star, wishing
only that the journey to B5 were already over, and afraid what
he'll find when he catches up with Marcus.
But it's already too late. Two medics enter the infirmary and discover
Marcus' still form slumped over Ivanova's braced and bandaged body, both of
them plugged into the alien healing/execution device. When Franklin
arrives, he is immediately escorted to Ivanova, the medic explaining on the
way that Ivanova seems to be "cured" but Marcus was dead when they found
him.
Ivanova is anything but happy to be alive though. She is curled up in a medical gown on the floor next to a window where a sheet-covered body can be seen inside. She hears someone approach and shouts at him to go away.
"Susan, it's me," Franklin says quietly, and sits down next to her.
Rocking herself and weeping, Susan rails at Marcus for doing this, for
hacking through codes to find out about the device, for breaking all the
rules, and for never asking for anything. For sacrificing himself for her,
for taking himself from her, and for taking away the chance that she could
love him back. When she was resigning herself to her death she heard
someone say, "I love you," and wondered, "Is that God?" Instead of
drifting away however, she was dragged back into her body, and then
realized that Marcus was dying beside her, even as her life began to beat
more strongly. Incapacitated, she couldn't do a thing to prevent it.
After so many bad relationships, she was afraid of loving and being hurt again, but she should have done it anyway, or at least "boffed him once." When Stephen remarks that "that's one way to deal with unrequited love," she replies, "All love is unrequited, Stephen. All of it," and buries her head in his shoulder.
Striding impatiently in a docking bay, G'Kar chides Londo for being late.
"You're early," Londo returns.
When G'Kar objects that he is "never premature," Londo retaliates, "That's
not what I hear," allowing however that two minutes may well be prodigious
for a Narn. At this moment, Vir hustles up nervously with something urgent
and secret to tell the Ambassador. Londo magnanimously offers to give
G'Kar pointers on his problem, and as G'Kar strides off in a huff, Londo
comments that they are "developing a strange relationship. At times I find
I rather enjoy it."
It appears that the Regent is ill and not expected to live much longer.
The Centauri government has requested Londo to return home to lead them.
When Mollari's expression remains annoyed, Vir explains, "You're going to
be Emperor, Londo! Isn't that wonderful?" Vir has no way of knowing that
Londo has dreaded this day more than anticipated it.
Awaiting his fate in Earth Dome, Sheridan has an unwelcome visitor. Bester begins by denying everything about using Garibaldi, William Edgars and a telepath virus, but admits that the wise course of action would be to destroy such a virus while keeping the antidote--just in case. Of course, he gloats, for a mental scan confirming Garibaldi's story to be valid in court, the telepath would have to be a member of Psi Corps.
Sheridan smiles and replies, "You really think you've got it all covered, don't you."
Bester can't contain his real reason for coming any longer. He wants to
know whether his lover, Carolyn, was one of the telepaths used to disable
the destroyers in the final battle at Mars. If she was, Bester threatens,
Sheridan won't leave the room alive.
The captain scoffs, "Death. Been there, done that." Using the telepaths
as weapons was the hardest decision he ever made, he claims. Only thirty,
single telepaths without families were chosen out of a hundred. Making the
Psi Cop agonize just a little bit longer, because Carolyn was single and
had no family, Sheridan shouts, "I know what it's like to lose someone,
just to find her and lose her again," and he wouldn't even wish it on
Bester. Carolyn is still on the station and can be transferred to Earth as
soon as it's safe.
Bester's bluster drops and he sits weakly. "Thank you," he says.
Sheridan's disgust doesn't waver. He continues that he knows that with Clark out of power, Bester will have to regroup, but he won't stop trying to take over the government. But Sheridan will be watching. And when Bester starts a war between the telepaths and the normals someday, he'll lose.
Stung, Bester replies, "We'll see."
Before he leaves, Sheridan reminds him not to rest too easy because
Garibaldi will be coming after him. Bester dismisses this, but Sheridan
assures him that whatever Garibaldi does, "it will be creative, colorful,
and extremely unpleasant."
Garibaldi smashes a fat little man's face into a wall. "Where is she?" he
asks, meaning Lise. The man denies all knowledge. Garibaldi flings him
into another wall and explains the situation more clearly.
Londo and G'Kar find Delenn musing silently. She congratulates Londo on his promotion and he barks, "You've heard that already?"
"There is little that does not reach me these days."
Before the representatives from the non-aligned worlds arrive, she wants
them to read a proposal, because their support will be critical. After a
glance, G'Kar asks if she is sure she wants to do this. Londo reads it and
begins laughing. Nonplussed, Delenn says it isn't funny. Londo chortles
that being in the "presence of living history...makes you giddy." When the
others arrive, he tells them that he hopes they "have all brought a change
of underwear. You will need it after you read this."
Sheridan's patience with being cooped up is exhausted about the same time
it is decided what to do with him. President Luchenko explains that the
debate was between whether to give him the Medal of Honor or shoot him, or
both. She criticizes his "inconvenient" military action and political
naivete, but offers that in exchange for amnesty for his crew and allies,
he must resign from Earth Force. If he refuses, he will be court
martialed. Sheridan asks for the amnesty in writing and agrees to resign.
A man enters a warehouse on Mars. A big guy asks him, "How much do they
want for her alive?" They jump at a knock at the door. There's a colorful
package outside. They open it; it explodes and Rangers drop down from the
rafters as Garibaldi and more Rangers break in the door. Running through
building, Garibaldi calls, "Lise!" until there is a muffled reply from
behind a door. He breaks her out and they fall into each other's arms.
Approaching Earth, Delenn is in a reverie because the Council has approved
her proposal. "They will talk about this day for a hundred years."
Lennier says he wishes Marcus were here, and then asks with emotion in his
voice if Delenn heard Ivanova's comment about love being unrequited.
Delenn looks deeply at Lennier, touches his face and tells him, "She's
wrong, of course."
ISN carries the news conference live. The President graciously introduces
Sheridan and declares that all sides in the recent war fought for Earth.
Explaining it as a conflict between love of Earth and love of duty,
Sheridan announces his resignation in the hopes that the wounds can heal
quickly.
Then G'Kar rises to announce that the League of Nonaligned Worlds is now
dissolved, and there is a new Alliance instead. Delenn in turn explains
that Earth is being offered a chance to join in an economic and political
pact. She describes the common authority that all members have agreed to
recognize. The mission of the Rangers, she explains, is to protect borders
but not participate in wars, to create the peace, but not enforce it. As
she speaks, the room shakes as dozens of White Stars jump into the sky
above. From now on, all member races may contribute to the Ranger ranks,
she adds.
In a private meeting, President Luchenko asks for something more concrete
than "peace" to convince realists to enter the pact. Delenn casually
offers artificial gravity. Luchenko takes the bait and asks who will be in
authority over the new alliance. Delenn explains that they have a board,
indicating herself, Londo and G'Kar, but they also have an elected
President as well.
The President has his feet on the table when an Earth Force General bursts
in demanding to know where the letter of amnesty is. Copies have already
been given to the reporters, Sheridan replies smugly. As they leave the
room, Delenn appears at the end of the corridor with someone to see him.
It's his father, free and healthy. They embrace and then Sheridan Sr.
reaches out to Delenn, delighted to welcome her into the family.
ISN reports that Earth has agreed to enter the Interstellar Alliance. At
the press gathering, President Sheridan states that as part of the
agreement all member states must recognize the sovereign rights of colony
worlds, and thus, Mars will be granted independence.
Watching this in bed, Garibaldi and Lise try to put off figuring out what
they are going to do next, but marriage seems to be in the plans.
Ivanova has been promoted to Captain and has accepted command of a new Warlock class warship for a yearlong shake-down cruise, ISN continues.
Sheridan and Delenn were married in a private ceremony on board White
Star 2 while heading back to Babylon 5, the report concludes.
Londo shuts the news off. As G'Kar picks rice off his jacket and pops it
in his mouth, Londo tells him to cut it out. If it were any good would
they be throwing it at people? He muses that he'd sure like to see the
newlyweds now. G'Kar looks distracted, and peering at him Londo demands to
know where his artificial eye is. It's sitting innocuously on a table,
aimed at the honeymoon bed.
Ruling from the Tomb
Overview
Gideon and Lochley clash on Mars as a group of religious zealots threatens a conference on the plague.
Production number: 111 Original air date: July 14, 1999 DVD release date: December 7, 2004 Written by Peter David Directed by John Copeland
Plot Points
- @@@932974890 Since the plague hit Earth, a number of doomsday cults have appeared on Earth. One of the most extreme, Sacred Omega, is willing to kill to prevent a cure from being found, since it believes the plague is God's punishment for mankind's corruption.
- @@@932974890 Trace Miller ("War Zone") was once studying to be a Foundationist priest. He witnessed something horrible, which shattered his faith and caused him to drop out of his training.
- @@@932974890 Max grew up on Mars. He spent most of his childhood studying, but occasionally was able to slip away and venture into the seedier sections of town.
Unanswered Questions
- @@@932974890 What did Trace see?
Analysis
- @@@932974890 Dureena said she gave a guy a chance once. What were the circumstances, and what happened?
- @@@932974890 Franklin is still on Earth, according to Lochley. Assuming he still holds his post as head of the Earth's xenobiological research program ("The Ragged Edge") he is presumably playing a key role in Earth-based research to find a cure.
Notes
- @@@932974890 Max is an expert dancer.
- @@@932974890 When Trace is interrogated after being attacked, a sign on the wall can be seen; it reads "Phobos." That was the name of the bar where Sheridan was captured in "The Face of the Enemy." On the other hand, it may be a common name for Martian bars, since Phobos is one of Mars' moons.
- @@@933008963 The streets mentioned in the episode are all named after well-known pieces of Mars fiction. Bradbury Street is a reference to Ray Bradbury, author of "The Martian Chronicles." Burroughs Street refers to Edgar Rice Burroughs, who wrote a series of stories about Mars featuring a character named John Carter, for whom Carter Street is named. This isn't the first reference to John Carter in the B5 universe; a John Carter is referred to as one of the first Martian colonists in "A Spider in the Web."
- @@@933014242 Another Bradbury reference: Max was drinking "dandelion wine" at the bar. "Dandelion Wine" is the name of a 1957 novel by Bradbury.
- @@@932976890 Text of the conference banner:
EARTH ALLIANCE HEALTH ORGANIZATION
Plague Eradication
Management Strategies
Mars Conference
June 15, 2267 - @@@933009543 The bomb timer stops on 18. In Hebrew, 18 is spelled out as "chai," which means "life."
jms speaks
- @@@932974890 Gideon can be seen to wear a ring in this
episode. What's it for?
It's his Earthforce Academy graduation ring. - @@@932974890 When Chambers is waiting to be met by Gideon,
it looks like there are people holding signs reading "Copeland"
and "Straczynski". True?
Yes on the first, no on the second.
Ruling from the Tomb
Rumors, Bargains and Lies
Overview
Sheridan tricks the League of Non-Aligned Worlds into accepting his proposed defense pact. Delenn tries to work with an old rival to defuse a brewing Minbari civil war. John Vickery as Neroon.
P5 Rating: 8.33 Production number: 413 Original air week: May 12, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@863427621 The League of Non-Aligned Worlds has agreed to give the White Star fleet authority to operate as a police force along its borders.
- @@@863465106 Civil war has broken out in the Minbari capital city.
- @@@863465106 Three quarters of Clark's cabinet resigned in protest of his martial law decree.
Unanswered Questions
- @@@863427621 Is Neroon really betraying Delenn?
- @@@864002776 The episode focused on the religious and warrior castes. What happened to the worker caste? Are they participating in the fighting, and if so, which side have they taken?
Analysis
- @@@863465106 Will the Non-Aligned Worlds' pledge to help Sheridan with
any larger missions extend to his conflict with President Clark? Even
in its diminished state, the combined forces of the Non-Aligned Worlds'
navies would likely be a great asset if the conflict came down to a
direct, prolonged series of battles. On the other hand, intervening
in internal Earth matters isn't what the ambassadors had in mind; they
might balk at sending their ships to die for the cause of overthrowing
Earth's government.
- @@@864003857 By allowing the White Star fleet to patrol Centauri space
in search of the Drakh (among others,) Londo has given Sheridan
direct influence over the ability of the Shadows' allies to exact their
revenge on Centauri Prime. Perhaps that's the source of Londo's
comment in
"War Without End"
about Sheridan allowing the Shadows' dark servants to slip through to
Centauri Prime; if Sheridan uses the White Star fleet for some larger
mission as he hints he might, it'll presumably be at the cost of
Centauri Prime's defense against the Drakh.
- @@@865971732 During the conversation between Londo and the Drazi
ambassador, Londo's duplicity is underscored by the staging of the
scene. In most of the scene, two images of Londo can be seen: his
reflection in the mirror or his portrait. The rest of the time
his face is obscured by a curtain.
- @@@863427621 In the past, Delenn has attempted to preserve Lennier's
innocence (e.g. by trying to leave him behind in
"Atonement.")
But from Lennier's point of view, she has an innocence of her own, and
he sees himself as its guardian.
- @@@863427621 Neroon may not be betraying Delenn at all; he told Shakiri
the he knew the religious caste's counterattack plans, but Delenn
made no mention of a counterattack. It's possible his departure
was, in fact, all part of Delenn's plan; Lennier wasn't privy to
the conversation between Delenn and Neroon, so he wouldn't know
the details and would be fooled by Neroon's departure.
- @@@864003334 By revealing how much she relies on Lennier, Delenn may
have given valuable information to an opponent. Neroon was honorable
enough and helped Lennier, and seems uninterested in directly battling
or hurting Delenn (if he'd been interested in that, he wasted several
opportunities while on her ship.) But if Neroon passes the information
along to Shakiri, Lennier may find himself in danger.
- @@@864028581 Neroon said of the situation on Minbar, "We are a world
gone mad." That's the same thing one of the council members told
Delenn in
"Atonement,"
before declaring, as Neroon did, that the fire would have to burn
itself out and couldn't be stopped. Yet the Earth-Minbari War
did stop abruptly; perhaps the same will happen in this case.
- @@@864584789 Neroon's comment about loving a good mystery also echoed
"Atonement,"
in which Delenn said to the Grey Council that mysteries are a gift
from the universe and shouldn't be ignored.
- @@@864588190 The religious caste member said he heard Delenn say,
"The religious caste could not be allowed to win this war." But she
actually said, "The warrior caste cannot be allowed to win this
war. The religious caste cannot be allowed to win either." Was he
simply embellishing a half-overheard comment (e.g. if he only heard
the second sentence up to "win") or did he choose to ignore or lie
about the context?
- @@@864588347 The religious caste has been the butt of jokes about
surrendering "ever since the war," according to the same religious
caste member. Clearly that can't be referring to the Shadow War,
since they didn't surrender. Does the comment indicate that most
Minbari still consider the Earth-Minbari War to be the major war of
recent memory? Since the warrior caste is the group making the jokes,
the implication is that they didn't particularly participate in the
Shadow War.
- @@@863427621 The two storylines in the episode can be seen as point and
counterpoint on the subject of deception and secrecy (the title is
evidence that this isn't an accident.) Delenn kept
her plans secret from her compatriots and nearly died with them as
a result. Neroon was attacked for the same reason.
Sheridan kept secrets as well, and asked Franklin and Londo to lie
for him, and it helped his plans come to fruition.
Lennier's deception played into the theme; he kept the true nature of the sabotage from Delenn, with no immediate ill effect. However, it's possible that by maintaining Delenn's excessive faith in her caste, Lennier in fact deprived her of vital information she'd do well to take into account in the future.
Ivanova held fast to the ideal of truth, but every other major player in the story participated in some form of deception: the rebellious religious caste members hid their plot, the League ambassadors kept their "knowledge" of the new enemy from Sheridan, and Neroon lied to either Delenn or Shakiri about his intentions.
Notes
- @@@864003655 Delenn mentioned this as the second time she'd seen Lennier near death. The first was in "Convictions," in which he risked his life to save Londo Mollari.
- @@@865705464 Ivanova tells Sheridan that Marcus is waiting for him on channel 4. That's a reference to the network that shows B5 in the UK.
- @@@864582344 Editing glitch: during the opening scene, a piece of food appears on Marcus' fork while the camera shifts to Sheridan; the scene shifts again and he hasn't picked the food up yet.
jms speaks
- @@@863798106 The Sheridan stuff was fun, in that I got to play
Sheridan as the one being manipulative for a change, smart for a
change...not just Londo or the usual suspects. It made for a nifty
change of pace.
And yeah, Mira brought a lot of truth to this episode...and will bring even more in next week.
- @@@863715772 Ivanova looked like she was reading from a
teleprompter.
Yeah, we had Claudia use a teleprompter there to add to the sense of having to read something...and enjoy the happy-go-lucky Sheridan...it's the last you'll see of him for a long time.... - @@@864002776 Lennier seems to be doing more peacemaking than
Delenn. Is he the real bridge between races? Why does the religious
caste follow Delenn?
No, I wouldn't say Lennier is a bridge in any sense along those lines.Delenn, you must understand, is a True Seeker, and among the religious caste there isn't much more admirable than that...combined with the fact that she *did* fulfill prophecy, she *was* the chosen of Dukhat, she *did* help end the Shadow War...yeah, she's had some problems here and there, but what important leader doesn't? Any one of those items would be a sufficient crown on a lifetime of achievement...the cumulative effect is quite daunting and impressive.
- @@@864893404 Are Lennier's patience, humor, and devotion
unique?
No, many Minbari share in those traits. - @@@864060805 "Are tears a normal Minbari physical reaction, or is
weeping (for Delenn) one of the changes mandated by her chrysalitic"
We've seen Delenn cry before, when she and G'Kar were in her quarters and she was explining why she did not get involved in the Narn/Centauri war.
- @@@864500179 How did Londo see an Earth sitcom if all broadcasts
to B5 are being jammed?
Easy. The incident Londo is mentioning happened prior to the blackout. He never said it *just* happened, he said the *last* time Rebo and Zooty did their routine, everybody was doing it. - @@@864542764 Were Rebo and Zooty references to real
people?
No, not intended as tributes to anyone, just a cool sounding pair of names (but also annoying sounding).
Rumors, Bargains and Lies
Synopsis by Katrina Glerum (kat@midwinter.com)
The command staff arrives for breakfast to find Sheridan leaned up against
the wall carrying on a conversation with himself. Their attempts to engage
him don't get through, but his occasional outbursts of laughter disturb
their conversation. Trying to form the non-aligned worlds into a union
again is a daunting task, they agree, but one that must be done.
With an exultant shout, the Captain stands up and comes over to their table. "There has got to be an easier way to do this!" he enthuses, with his characteristic "I've got an idea" gleam in his eye. He orders Marcus to take three White Stars to a sector of Centauri border space and wait there for orders.
As he leaves in a hurry, Ivanova gets up and sniffs his empty coffee mug.
"Just checking..." she remarks only half in jest. Franklin laughs that
this is after Delenn has only been gone three days.
There is no laughter for Delenn, however. Lennier reports fighting in the
capital, the opening salvo of civil war. In the next days she passes
time in a chamber watching scenes of the capital city in all its
splendor, and she weeps to think of it in flames. "Did I do this, when I
broke the Grey Council?" she asks. Valen predicted that she would, but
since he was Sinclair, he could not have known what would pass after the
breaking. There is no prophecy to steer her course now.
What she does know is that the fighting must be stopped immediately, or
they will all face a millenium of war. And so she goes to rendezvous with
the leaders of the religious caste. She has also invited her old enemy
Neroon of the warrior caste to meet her there.
Ambassador Mollari is baffled that the Captain is asking him to deny that
the White Stars are patrolling the borders of Centauri space, especially
since their presence there was for the sole purpose of inspiring the League
worlds to allow White Stars on their own borders. As Londo launches into a
tirade about human psychology, Sheridan reaches out comfortingly and
smiling broadly says, "Trust me."
Delenn strides purposefully on board the waiting Minbari war cruiser into palpable tension, as she finds Neroon and a small party of warriors lined up opposite a welcoming party from the religious caste. Apparently Neroon's presence aboard the religious caste vessel has been met with a hostility just shy of violence. Delenn states that he is under her personal protection and demands to speak with him at once. She stares his adjutants down until they make way for her passage.
Lennier turns toward the religious caste leaders, and as he passes by they
hiss their anger at the honor with which she treats Neroon. Loyal as
ever, Lennier simply states that they must wait for Delenn to speak for
herself.
Alone with Neroon at last, Delenn asks for his help. When he reminds her
that the last time they met he intended to kill her to keep her from taking
control of the Rangers, she states that despite their differences he has
always acted honorably and to serve their people. She explains that
neither the warrior caste nor the religious caste can win the war because
it will unbalance their society.
With a fragile trust they sit to discuss. He argues that their "world gone mad" cannot be stopped easily, but she has a plan. Even though it will expose them both to the mistrust of their respective castes, he offers her his temporary support. Meanwhile, panicked civilians flee through the burning capital.
The Drazi Ambassador pounces on Sheridan in the Zocalo to ask about the
White Stars which have been sighted on the borders of Centauri space. At
first amiably and then curtly the Captain refuses to comment, leaving the
Drazi more frustrated than ever.
After standing by waiting with his three White Stars for the Captain's
orders, Marcus is not pleased to hear that he's gone all that way to
destroy asteroids.
"I see," he says, mystified. "Shoot a bunch of rocks, and then leave."
Sheridan appears almost annoyed at being questioned, and tells Marcus to
follow orders. Ivanova tries to question him too, but he blithely agrees
that it was an unusual command and departs to find Franklin.
The Drazi Ambassador calls upon Londo for an explanation as well, but only
meets with a categorical denial and a heap of insults thrown in for good
measure. He is now deeply worried and quickly huddles with the other
League ambassadors in the corridor. At that moment Franklin finds them and
asks them each to ask their governments to send extra blood supplies for
their species, just in case of an attack.
The religious leaders are also busy trying to figure out what Delenn is up
to. She must intend to surrender, some say. One of them even eavesdropped
on her conversation with Neroon enough to hear her say that the religious
caste should not win the war. Another argues that killing someone so
revered would split their caste deeply. So the first replies that they
must martyr themselves and the entire ship to prevent her from reaching
homeworld. They place a small time-release cask of toxic material in an
air duct and prepare their hearts for death, unaware that Lennier has
observed their scheming.
The Voice of the Resistance is about to begin broadcasting when Sheridan
casually steps into the War Room. Just as casually he asks Ivanova to
report that nothing happened today in sector 83x9x12. It won't be a lie,
he argues, because it's true. Keeping bewilderment just barely at bay, the
Commander goes on the air the next moment with this announcement, and
advises everyone to please remain calm. This message and the intelligence
that three White Stars engaged an apparently invisible enemy in an asteroid
field drives the perturbed League ambassadors deeper into the arms of
paranoia.
Standing in contemplation in the cruiser's battle command center, Neroon is
suddenly attacked by one of his retainers. Delenn is furious. After
Neroon is taken away for care and the attacker thrown in the brig, she asks
the religious leaders to watch over him because his caste believes he will
surrender to her, and thus will do anything to stop him. The religious
caste members exchange a
quick look, and one asks if they really don't intend to surrender.
"Don't be foolish," she retorts, and explains again that neither side can
surrender to the other or there will be chaos. She shakes her head in
dismay at the warrior caste who are so full of extremism that they would
attack one of their own. Her compatriots' remorse only grows as she says
gratefully, "But you. You are the steady rock beneath my feet." They
realize that it is now too late to prevent their own pointless suicide.
But they did not count on Lennier, who is able to reach the cask in time to shut off the valve just as the poison begins to escape. "Have we fallen so far that we cannot even trust ourselves?" he asks them as he collapses from the effects of the fumes.
Neroon reports that Lennier is being tended by his personal physician, but until he recovers there is no explanation for how he was exposed to the toxin. When pressed, Delenn admits how deeply she cares for Lennier, that she is training him the way she was trained by Dukhat, and that she utterly relies on him.
Neroon tells Delenn that if their people are ever to understand why she
treated him with honor, it will be because she taught them, and ruefully
admits that he is finally coming to see why Dukhat chose her to succeed
him. "I do not know what lies ahead, Delenn. But I do know that it is
right that we are here."
The League ambassadors call a hasty council meeting. When Sheridan
arrives, they present him with their demands. He must supply them with the
same defense he is providing the Centauri. He balks, but they insist. He
is only able to obtain the concession that they will give his ships the
authority to intercept ships on their borders, and they will support his
fleet in the event of a greater danger. Then they dismiss him. He is only
able to contain his glee until he reaches the first lift.
Lennier regains consciousness only to tell Delenn that he smelled a leaking
valve, but he denies the suggestion of warrior caste sabotage. As soon as
she leaves, the religious leaders cluster around to ask him why he didn't
tell her the truth. He explains that she lives in a world where everyone
is better than they really are. When they thank him, he replies angrily,
"I did it for her; I did not do it for you." Her faith in their goodness
was more valuable to him than her knowledge of their weakness. And so they
depart, deeply chastened.
The Voice of the Resistance announces the League's new border patrol
initiative, and asks for news of the events on Minbar. Meanwhile, Neroon
leaves the war cruiser stealthily. In his first message to his caste
leader he announces with satisfaction that he possesses the religious
caste's plans and victory is at hand.
Secrets of the Soul
Overview
Franklin discovers one race's centuries-old secret. Byron and Lyta reach an understanding. Robin Atkin Downes as Byron. Fiona Dwyer as Kirrin. Jana Robbins as Ambassador Tal.
P5 Rating: 7.62 Production number: 508 Original air date: March 4, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@889084941 The Hyach are a gerontocracy, with the oldest members of society ruling the younger.
- @@@889084941 The Hyach were one of two related races on their world. The other race, the Hyach-doh, was systematically slaughtered by the Hyach hundreds of years ago. Unfortunately, the Hyach are now slowly dying out because they had evolved to require interbreeding with the Hyach-doh.
- @@@889085052 Some of the League worlds, such as the Drazi, have had interstellar travel for hundreds of years.
- @@@889084941 Byron has discovered the Vorlons' role in the creation of telepaths, and intends to use it to justify demanding reparations from the Alliance in the form of a homeworld for his people.
Unanswered Questions
- @@@889119663 What does Byron intend to do to force the Alliance to give his people a world?
Analysis
- @@@889084941 The Centauri also shared their world with another
intelligent race, the Xon
("The Parliament of Dreams.")
Were the Xon a related species as well? How common is that arrangement?
Will the Centauri have problems similar to the Hyach's because of the
extermination of the Xon?
- @@@889119412 Byron said he didn't know who had taken
revenge for the attack. That's odd, considering that he has previously
said, in
"The Paragon of Animals,"
that his people don't hide their thoughts from one another.
Perhaps Lyta was the murderer; she's the one person who has been
consistently shielding herself from him, and she certainly didn't seem
to share his nonviolent philosophy.
- @@@889119412 How widespread among the refugee telepaths was the
desire to retaliate violently? Byron said not all of his people were in
favor of the idea. Are the majority of the refugees dedicated to
nonviolence? If not, would his presence have prevented the attacks?
His strong sense of self-importance lead him to believe he could have
stopped the murder, but that's not necessarily true -- it might have
happened over his objections had he been there.
- @@@890011541 Given the Psi Corps' intense interest in telekinetics
("Mind War")
they're not likely to take kindly to the news that Byron is harboring
at least one teek. And it appeared that Byron had given Peter some
kind of telekinetic training (Peter said he'd been practicing just like
Byron told him to) which suggests more than a passing familiarity with
telekinesis on Byron's part.
- @@@890011541 Lyta followed Byron into the arrivals area in much the
same way she used to follow Kosh (especially the second Kosh, e.g. in
"The Hour of the Wolf,")
hanging back slightly but staying close. Has she simply replaced one
master with another?
- @@@889118512 The Vorlons wore encounter suits even on their own world,
if Lyta's memory is to be taken literally. That may not be too
surprising, though, if they didn't allow the people in the tubes to
see their true forms; Kosh admitted in
"Matters of Honor"
that being seen by lots of people was a strain on him. Donning
encounter suits might have been an effort-saving move by the Vorlons
reflected in Lyta's tube.
- @@@889084941 The races in the tubes next to Lyta appeared to be
Hyach (or possibly Markab,) Centauri, and Llort. Why did the Vorlons
have babies of those races, if they had already planted telepath genes
among those races long ago? Were they performing other experiments or
making other modifications?
It's also possible her memory was less literal than that; maybe it was more a more representational image conveyed to her by the Vorlons, Lyta's presence representing the Vorlons' tampering with humans and the babies similarly representing that their races had been altered. If so, the Vorlons have altered quite a lot of races.
- @@@890011541 If the Vorlons visited the Hyach homeworld, perhaps they
took Hyach-doh specimens. If so, the salvation of the Hyach race
may hinge on venturing into Vorlon space and finding the lab Lyta
remembers.
- @@@889479720 Where can Byron's people go? There are at least two
deserted homeworlds available. In
"Confessions and Lamentations"
the Markab race died out; Sheridan might consider it within the
rights of the Interstellar Alliance to grant that world to Byron's
people. It presumably still has modern infrastructure in place;
Sheridan blew up its jumpgate in
"Matters of Honor,"
soon enough after the plague that there wouldn't have been time for
looters to clean the planet out very thoroughly, so it'd be a good
deal from Byron's point of view. Populating the
planet with telepaths might dissuade any additional raids.
Another possibility is the Vorlon homeworld. In some ways Byron's people are the perfect ones to inhabit it; if Byron is to demand reparation for the Vorlons' manipulation of his people, offering up their homeworld does have a certain symmetry. In addition, it'd be the best possible place for his people to explore exactly what was done to them and how. That's assuming, of course, that anyone knows where it is, and that it hasn't been booby-trapped like Z'ha'dum was ("Epiphanies.")
@@@889635437 One snag might prevent Sheridan from acting to grant Byron's people any world at all: Lochley's promise to Bester to not allow the telepaths to leave Babylon 5 for sixty days ("Strange Relations.") If he tried to allow them to leave the station, he could justifiably be accused of interfering with Earth's internal laws, the very reason he wasn't able to prevent Bester from coming aboard to begin with.
Notes
- @@@889084941 Pak'ma'ra can't eat fish.
- @@@889084941 When Byron is released from the brig, he talks to Zack for a few minutes, his hands bound. Then he walks out of the room with the restraints still tied around his wrists. The same thing happened after he talked to Lochley in "Strange Relations." Is that symbolic, or simply a sign that restraints are removed in some outer area rather than in the brig?
jms speaks
- @@@889196493 Any special procedures for the scene between Lyta
and Byron?
I talked to both actors involved, made sure they were okay with it, and then scripted it out in very detailed form, and shot with a closed set, just necessary crew, nobody else.(Funny item: in the script, I'm right in the middle of describing the sex scene, and in the narrative description, I write, without even thinking about it, "I wonder which is more embarrassing, reading this or writing it?" It goes out that way.)
- @@@889474297 Wasn't that considered a personal thing by Byron
and Lyta? The other telepaths seemed to be sharing the
experience.
I had the group there to further reinforce their tightness, and that it's a different way of living...as for Pat, no, no body double was used. - @@@889474297 Who was broadcasting Lyta's memories to the other
teeps? Lyta or Byron?
It was everything being stimulated, and coming to the surface, mainly from her, but echoing off him. - @@@889116249 Yes, Neil's episode is up next...and as for the Xon, the
difference is that the Centauri main-line clashed with the Xon when
both were primitive and fighting for food, resources, that sort of
thing, similar to our Neanderthal - Cro Magnon struggle, whereas the
Hyach did it when they were more advanced, and it wasn't a struggle,
more of a program of extermination.
- @@@889474297 BTW, the pak'ma'ra used a translator before in "Legacies."
Secrets of the Soul
Synopsis by Katrina Glerum (kat@midwinter.com)
Franklin is approaching his new job of developing complete medical profiles of all the Alliance member races with his usual enthusiasm. He convinces the Pak'ma'ra he is examining today to drink a barium solution so that he can track its upper digestive tract, and gets treated to an impressive demonstration of projectile vomiting an instant later.
Three rogue telepaths arrive on the station without money or papers. Zack is reluctant to let them in, but Byron and Lyta are there to force the issue. Zack accedes, but asks Lyta if he can talk to her alone.
In the transport tube, Peter, one of the new arrivals, demonstrates how much stronger his telekinesis ability has become by lofting a steel ball.
Zack demands to know why Lyta is hanging out with "those people" and orders her to stop seeing Byron. Lyta responds that Byron is trying to create a better world and accuses Zack of jealousy. Without letting him interrupt she tells him that she has been used by everyone, risked her life for everyone and received nothing in return, even from him. Finally someone cares about her and others like her. She would follow Byron gladly into hell, she says and asks Zack what he could possibly say to change that. He is speechless and she leaves.
Byron is leading the new telepaths through DownBelow towards their quarters when their way is blocked by a surly lurker and his mates. To the man's surprise, three times Byron asks him to hit him. After this Byron asks if the third strike was any better than the first or second, or if he expects anything more satisfying from the fourth, fifth or sixth. He leans forward and tells the man quietly that no amount of hitting others will satisfy or solve his anger, then walks on by leaving the man stupefied. When his mates ask what Byron said, the man angrily calls it a teep trick.
Doctor Franklin formally requests a complete medical and genetic history from the Hyach ambassador. She replies that for the first time, the Elders of their geritocracy have decided to make this available to an outsider. Her young assistant, Kirin, demands to know if Franklin would die to protect the confidentiality of the information they will provide him. He explains the security precautions he is taking with the files. She asks him even more fiercely if he would put his life ahead of theirs, and he snaps "You aren't asking anything that I haven't already considered, and the answer is yes, I would die before I allow my work to be used in biogenetic warfare." Kirin's concerns are quelled for the moment.
When the doctor leaves however, Kirin says this is a mistake. "What if he finds out?" The Ambassador counsels acceptance of the will of her elders. Kirin says that if he betrays them, then she'll kill him.
Lyta gets angry when she sees the state Byron's in. Ignoring his hint to be left alone, she begins washing his wounds, and demands to know why he didn't fight back. He explains that violence is not their way. Violence is the way of the mundanes and the Psi Corps, and it always fails. If they wish to form a system that can last, it must be built on nonviolence. Lyta begins sputtering, don't bullies make him want to strike back? Byron begins to laugh, and calls her a BCMFO (brightly colored fast moving object) a comet who blazes into every room she enters. "There's so much more to you than meets the eye," he marvels. "If you only knew," she replies dryly. She kisses him tenderly, and bashfully moves to leave. He asks her why she never stays the night and when she explains that she doesn't feel like part of the group yet, he takes her out of his room and asks the others what they feel about Lyta being one of them. The other telepaths surround and embrace her.
Kirin delivers the final data crystals Franklin requested. He asks her why the records only date back 800 years when the Hyach civilization has been around for 7000. She tells him to make do. Her attitude only exacerbates his feeling that the Hyach are hiding something, and his formidable curiosity is roused.
Peter gets separated from his fellows in DownBelow. Suddenly he is set upon by the men who hassled them earlier. When he uses his talent to fight back they beat him senseless. He is rushed to Medlab where Byron makes a special appeal to Dr. Franklin to save him. As Byron looks at Peter's broken body, the rest of his people watch through his eyes. When they set out to punish the perpetrators, Byron rushes off to stop them. He finds them in a corridor torturing one of the bullies with a vision of immolation. He calms them down and steps over to the man who has passed out from shock, just as Zack comes along and arrests him.
Franklin's search for ancient Hyach records is fruitless so he initiates a search for Hyach in other species' records.
Byron frantically tries to get released from his cell. He can feel his people assaulting Peter's attacker somewhere.
Franklin is roused from his observation of Peter by a return on his search. A Drazi pilot reports a rare sighting of a Hyach-doh coming into their camp and begging for transportation, but says in accordance with his contract he refused, and reported the Hyach-doh for "collection." Intrigued, Franklin starts a search for references to Hyach-doh.
The results are stunning. Walking slowly back to his quarters, Franklin keeps reading the material he has uncovered. Kirin is waiting for him and orders him at gunpoint into a deserted storage room. He shows her what he's found. The Hyach-doh were a species that developed through parallel evolution alongside and cross-fertile with the Hyach. The Hyach Ambassador enters and confirms that about a millenium ago the Hyach began a religious-based program of exterminating the Hyach-doh, Now the Hyach are regretting their "success" as their birthrate has been dropping ever since. Something in the Hyach-doh DNA was necessary for the Hyach race to survive.
The ambassador asks Franklin to help them find what it is that they are missing. He refuses. Even though did not kill the Hyach-doh themselves, their complicity in the cover-up makes them accomplices, he says. Besides, it would take far greater resources than he has to find the answer. If they want help, they must reveal their past. The Ambassador orders Kirin to free Franklin. Now that one outsider has discovered the truth, the Elders are prepared to acknowledge it more widely. The ambassador asks Franklin's forgiveness, but he replies, only the Hyach-doh can give that, and they're all dead.
As Zack releases Byron he asks about the murder. Byron asks, how should he know, he's been locked up all day, but if he'd been allowed out the man might not be dead.
Byron steps dejectedly over sleeping bodies to his curtained corner with Lyta in tow. He is depressed and ashamed that his people won't follow his creed. Lyta offers him to take comfort in her for awhile. She nervously explains that she hasn't been with anyone since she was altered by the Vorlons and warns him that he might get burned. "Then let it burn." he says. As they make love he begins to see her memories of her time with the Vorlons. Her rescue, her carrying duties, her punishment by Kosh II, her ability to feel the Shadows, and then her alteration. She envisions floating in a tank.
Byron is horrified to see Lyta's eyes go full black. The other telepaths in the room wake up to the intensity of Byron's thoughts.
Floating Lyta sees another tank nearby. It contains a nonhuman fetus.
The telepaths are weeping.
There are more tanks with fetuses, and many, many more tanks with adult forms floating in them.
Byron embraces Lyta tightly as the telepaths stand in a circle outside his curtains watching them.
Afterwards Byron questions her about what she has revealed. The Vorlons were responsible for creating telepaths as foot soldiers in the war with the Shadows. Now that the Vorlons are gone there is no one to give an accounting for this genetic violation of the human species. So since they were created to save everyone else, Byron argues, everyone else owes them a homeland. If the Alliance refuses to grant them this, "Then we'll make sure they have no other choice," Byron says ominously.
Severed Dreams
Overview
When President Clark tries to seize control of Babylon 5 by force, Sheridan is faced with the prospect of severing the station's ties with Earth. Delenn receives disturbing news from a Ranger. Bruce McGill as Major Ryan. Kim Miyori as Captain Hiroshi. James Parks as Drakhen.
P5 Rating: 9.81 Production number: 310 Original air week: April 1, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by David Eagle
Winner of the 1997 Hugo award for Best Dramatic Presentation.
An episodic soundtrack is available.
Note: this episode is more momentous than most. Think twice before proceeding to the spoilers if you haven't seen it.
Backplot
- The former Minbari leader, Dukhat, died in Delenn's arms. Before he died, he named her as his chosen successor.
- Clark has been filling command positions with his people since taking office, thus enabling him to retain control of most of Earth Force; many officers who oppose his policies feel forced to go along, since their superiors will accuse them of treason otherwise.
- The Shadows have formed alliances with many of the non-aligned worlds, allegedly to protect them from Centauri aggression; later, they've prompted those races to attack their neighbors with the belief that association with the Shadows is a guarantee of victory.
Unanswered Questions
- Was Londo finally able to leave the station? Where was he going? (Or, if he was coming aboard, where was he coming from?)
- Is there more to the prophecy of the return of the Shadows, or has it now played itself out, leaving the future uncertain?
- What does Sheridan's mother do with her time?
- What has ISN known for a year but been unable to talk about? Did they find out about Santiago's death, or perhaps about Earth's involvement with the Shadows?
Analysis
- Sheridan said he wanted to keep Draal a secret, and thus didn't ask for
help defending the station. But anyone with two eyes now knows he has
some interesting non-human technology at his disposal; he used the Great
Machine to broadcast his holographic image all over the station. While
Earth has free-floating holography (such as the Knights' image of
Sinclair at the beginning of
"And the Sky Full of Stars")
it's a far cry from what Sheridan did.
- Five hooded Councilors followed Delenn from the council chamber;
presumably the remaining four were all warrior caste, as established in
"All Alone in the Night." (Only three are
visible onscreen, but the whole Council wasn't visible at the start
of the scene, either.)
- Where did the religious and worker castes get three Minbari warships
and the crews to pilot them? Are there more on Delenn's side, or just
those? In
"Matters of Honor,"
Lennier implied that the religious-caste crew of the White Star was
rare, if not unheard-of. Did some of the warrior caste side with
Delenn? (See
jms speaks)
- Delenn's confrontation with the Grey Council is counter to her own
stated goal of laying low so the Shadows aren't forced to attack
immediately. She accused them of standing by and doing nothing in
the face of Shadow encroachment -- but doing nothing was exactly what
she insisted on in
"In the Shadow of Z'ha'dum,"
among other places. If the warrior caste had moved to prevent some
of the non-aligned worlds from warring, as she seemed to be suggesting,
it surely would have alerted the Shadows to the fact that their return
has been discovered.
On the other hand, it may be that she was accusing them of not even preparing for eventual open conflict with the Shadows; perhaps she believed their current indifference would continue even after the army of light was fully assembled.
Finally, she may have wanted them to simply take a stand in the local conflicts without addressing the Shadows' presence directly.
- Sheridan's secession from the Earth Alliance plays directly into Clark's
hands in some respects. Clark can use the secession, and the Minbari
involvement, to paint a picture of an alien-supported military coup
against an elected civilian government, further proof of the need for
martial law, the Nightwatch, and other draconian measures. No doubt
he'll be able to make that version of the story believable to a large
number of people back home, thus solidifying his power base.
- Why did only four destroyers jump into Babylon 5 space for the
initial attack? Perhaps the fleet commander didn't want to
increase the chance of casualties from friendly fire, but that
seems dubious at best; or perhaps he didn't know there were more
ships on the way.
- Which side of the war does the Agamemnon and its crew support? Will
Sheridan be forced into conflict with his old ship, something he
definitely doesn't want?
("Messages From Earth")
- Given the reason for the Minbari surrender during the war
("Points of Departure")
would Delenn have made good on her threat to fire on the Earth ships?
Minbari religious beliefs would forbid her from doing so, though she
might well consider it a necessary evil.
- During the initial attack on the Alexander, Major Ryan claims that
they can't jump to hyperspace without losing their fighters. But
fighters have been shown jumping alongside a larger ship before --
some emerged with the destroyers to attack Babylon 5 later in the
same episode -- so what would have kept the fighters from jumping
with the Alexander? (See
jms speaks)
- The Shadows are apparently perfectly willing to double-cross the Centauri, at least in words. By offering to protect the League worlds from Centauri aggression, when the Centauri are using the Shadows to act out that aggression, they've effectively taken control of both sides of any potential Centauri border conflicts. What they'll do with that control, and why they want it, remains to be seen.
Notes
- The new Starfury in this episode is called a "Thunderbolt."
- Many of the Nightwatch members in this episode are production staff members, including the production secretary and an assistant director.
- Minor effects mismatch: A group of Starfuries attacks a friendly destroyer. Its name is clearly visible as the Churchill. But the scene immediately cuts to Major Ryan reacting to the hit -- even though he's on the Alexander, not the Churchill. (See jms speaks)
- @@@865359100 Just after Major Ryan says, "Right down their throats," a Starfury shoots another one with B5 in the background. For one frame, the exploding Starfury is replaced with a bright yellow square; then the explosion replaces it.
- Four ships emerge from the jumpgate at the end of act three, two Omega-class destroyers and two older Hyperion-style heavy cruisers ("A Voice In the Wilderness, part 2.") But we only see and hear about two, the Agrippa and the Roanoke. One possible explanation is that the destroyer rammed by the Churchill isn't supposed to be the Roanoke; since Sheridan offers assistance to the Roanoke at the end of the battle, that's plausible. However, the rammed ship's name is (barely) visible as "Roanoke" during the collision.
- @@@833301876 One of the two destroyers in the second wave was called the Nimrod; the second was the Olympic.
- The Roanoke is named after an early English colony in North Carolina. After a hard winter, a ship came to check on the colony and found it totally deserted, no sign of the inhabitants or of a struggle, just the word CROATAN carved into a tree. The fate of the colonists was never discovered.
- @@@872747538 The Agrippa was probably named for the famed Roman general/admiral, Marcus Vipsanius Agrippa. He served for Octavian (Gaius Julius Caesar Octavianus), the nephew of Julius Caesar. He was the inventor of the harpax, or harpago, which was a pole with a hook on the end which was attached to a rope. Fired toward another ship, it allowed the two ships to be pulled together, allowing the Romans to board. It was first used in 36 BC at the battle of Naulochos (Mylae), and later at the battle of Actium, where it helped to defeat Mark Anthony's fleet, leading to the eventual crowning of Octavian as Augustus, the first Roman emperor in 27 BC.
- @@@864920329 In the UK video release, three seconds were cut from the episode, presumably from one of the boarding-party fight scenes.
jms speaks
- The number of scenes varies depending on the amount of action
required. On balance, the average TV script has about 60-75 scenes or
shots in it. From time to time, in B5, we've gone as high as 130 shots
in episodes like "Twilight" or "Fall." I think we just blew out our
record here with "Severed Dreams," which has close to 140.
Number of scenes shot on any day depends on how long the scene; you can do 4 really long shots or 8 fairly short scenes. The amount of rehearsal varies depending on the scene, how many extras or what kind of action/stunts are required. The more action, the more you rehearse, to ensure nobody gets hurt.
- Much as I'd
have wished PTEN would've aired 10, the final part of the 3-episode arc
that changes direction on the show, a week after 9, even though it'd be
out of sweeps period...it's probably for the best. When producer George
Johnson saw the scrpt for #10, "Severed Dreams," he laughed, walked over
to me and said, "Boy, this is the best episode we're never gonna
deliver. ARE YOU NUTS?!"
As an example of "ARE YOU NUTS?!" in "The Fall of Night," in the sequence between the first Garden shot and the end of Sheridan's rescue, about 6-7 pages of script, there were, I think, about 60 or 65 EFX and practical shots. In just the span of 4 pages in 310 there are roughly 100 EFX and practical shots. In EFX terms, it's probably one of the biggest shows we've done, so it's better to give Foundation a little extra time to get it right rather than rush them.
- All I'll say here is that there were *so* many EFX here that we
mixed the episode a few days before delivery, and got it down there 2
hours before the process for uplinking the episode to stations. It was
the hardest thing we've ever done...but it was worth it.
- Why are these three episodes not marked as a three-parter?
For the most part, it's a matter of how the episodes feel to me, what length they feel as if they require. When I did the big three this year -- Messages, Point and Dreams -- I hadn't really figured they'd be as tightly connected as they ended up being. I knew they'd relate strongly to one another, but in a sense, they're really a three parter. The War Without End story I knew was WAY too big for one episode, but due to the structure of the story wouldn't take being extended for one more episode; at that point you'd just be dragging it out.It's all instinct, I wish I had a more concrete answer.
- @@@865183765 I think you hit the distinction between MfE and PoNR...the
former is exciting, the latter is tense, with "Severed Dreams" a good
blend of the two, particularly the latter. We did our final producer's
cut today, and man, it moves....
- Why the title?
If B5 was a dream given form, and the EA had the potential to be something more than it has become, and the two part ways, then you have severed dreams. (I had a much more elegant and interesting reply, but obviously it entered Vorlon space and hasn't been allowed out again.) - "Messages," for my money, is so far the best we've ever done, though
I'll be more able to lock that down once I've seen the final CGI. It
and "Dreams" are real CGI blowouts; in the latter, there are literally
100 shots -- CGI, live action, and compositing -- in *four pages* of
action. This is an all time record for us (and that doesn't count the
stuff earlier in the episode).
- Have begun shooting episode 11, "Messages From Earth," a hideously
complex episode, outmatched only by #10, "Severed Dreams," which is the
single most visually ambitious episode we've done in the three years of
the show. It's just totally outrageous, and it'll probably kill us in
sheer man-hours to produce...but the result should drop jaws all over
the place.
- Re: Foundation "adding a new flame effect"...sort of. One
night, we just went out into the parking lot, set up a camera pointing
up behind a plexiglass screen, and set off a bunch of explosions above
it. Went great until one of the blasts was so big it melted through
the plex *and* the camera lens....
Looked good though, didn't it?
- The PPG blasts looked different.
That was because there were so MANY of them; our PPG bursts usually take a great deal of work. If we'd given all of them in this scene that amount of work, we'd still be doing them. - How did you do the lighting as Ivanova's ship tumbled?
We fixed a light atop a gimble, and pre-determined the rotation of the starfury, then moved the lighting to match. Gives it a much more realistic feel. - @@@837965380 "In an ep like "Severed Dreams" where cgi effects take
up literally almost 1/4 of the script, how much input does the director
have on "camera" angles, close ups of 'Fury pilots, and the way in
which the SFX is intercut with live action? Or is that entirely your
job?"
Generally, a lot of that material is either storyboarded, or supervised by our on set EFX supervisor, who determines the angles to be used. This is especially important in an episode like Severed Dreams when you have to make sure that the pilots are oriented the right way on camera (i.e., going from left to right, and facing left to right) if that's the direction their ships are going in; otherwise you'd have to flop the film to make it match. In larger set pieces, using virtual sets and composite shots, the director has more influence.
- @@@860697367 From coproducer George Johnsen, about the
effects glitch
The show was seriously under the gun for delivery when those shots were done. If I remember correctly, a couple of these shots came in on the same day we were to deliver, and there was no time to re-render them and still make the satellite.If I were to tell you it would never happen again, I would be a big liar, or a deluded optomist, but we try. Animators are human, after all! :-)
- Funny thing is, how much as you note the show corresponds to some of
the things Mira's been through...some of it intentional, knowing that
if I dig into this area, it'll come out of her with the ring of
truth...some of it quite unintentional. When I finished writing
"Severed Dreams," and the actors got it, Mira's first words to me were,
"So...how long DID you live in Yugoslavia?" The parallel wasn't
intentional...but it fit.
- Toni: thanks. All of the characters shine in this one, Mira in
particular as Delenn. It's a nice contrast; her speech to the Grey
Council is an intense piece of work that goes on for a while; her
declaration to the EA ships is short, to the point, and absolutely
deadly. The right tool for the right job.
I'm utterly pleased and proud of the job we did here. Partly because it's just so nifty on its own terms, and partly because it gives us a new level to try and beat. Up until now, I've been looking to top "Coming of Shadows;" now the goal is to top this one...and I think it's possible there may be one or two even this season that'll do that, but tonally I think they're different enough that it might end up as a tie.
I definitely wanted the close-in, hand-to-hand fighting to personalize what's going on. It's also very logical strategically. You send in your forces to disable or overwhelm C&C, distract them, slip in a cadre of troops to a station that (you hope) didn't know you were coming...then they race to C&C and seize control from inside, shooting anyone they have to en route. If Sheridan et al hadn't known the ships were coming in, this could've gone very differently. But once they were in, they were in close quarters, and you want to get in closer if you're on the defensive side so that they can't use their weapons without cutting down their own people. After that you have to hope you can overwhelm the intruders with sheer force of numbers. It's an ugly, awful way to win a fight, because it *guarantees* casualties...but what war doesn't?
Something to bear in mind when rewatching, btw...it was during this scene that Jerry fell and broke his right arm and right wrist. And they still had one last scene to film. He stuck it out and they rolled film, to get the shot of him and Zack at the end of the fight. Next time you watch it, keep an eye on the right arm as he releases the helmet...it bends in directions never intended by evolution.
- I agree, but Jerry was determined to do it, and more time
would've been lost arguing about it than it took to do the takes.
- @@@865183765 The arm broken was his right arm and wrist; we worked it
into the show, in a way which actually worked well with what went right
before it. Jerry's doing fine now.
- @@@865183765 Oddly enough, Jerry's broken arm tied *beautifully* into
something that had happened in the course of the episode we were
filming, so all it took was a line or two to sell it.
The funny thing is...in the very next episode after the incident, there was a line in the script I'd written *weeks* earlier, and it freaked everybody out...when Garibaldi asks someone to do something, and the person responds, "What, you've got a broken arm or something?" At first some people thought I'd put it in there to pink Jerry, but it'd been there the whole time. Similarly, in the Claudia incident, there was a line (cut for time) where Sheridan says talking to the Drazi is like trying to talk to your right foot...and Ivanova replies "I'll have you know I have a sublime relationship with my right foot." Yep, the next day...that's the foot she broke.
Just recently, I was trying to explain time travel to one of the actors. I used the analogy, over lunch, "Suppose you finished eating your chicken here, then got sick as a dog a few hours later, then got in a time machine to go back in time and warn yourself not to eat the chicken." Well, a few hours after that...the actor got sick as a dog from the chicken.
I have been asked, expressly, not to make any further mention of actors' body parts in scripts....
- We shot that last scene with Garibaldi *after* we'd shot the sequence
showing his injured leg. We don't shoot in sequence. So we had to
cover it in the next episode.
- We shot the last scene with the cane *before* we shot the scene
in which Jerry broke his arm. It costs way too much to go back and
reshoot. At the time we shot the later scene, he hadn't yet broken his
arm.
And G'Kar isn't all the way in yet; he wants to be, but so far he's still being held at arm's length a bit...he may make an issue of this.
- Actually, though, because he *did* have his hand in his pocket,
it let me handle the break in the next episode without stretching
credulity too far. It was...well...I guess you'd call that part of it a
lucky break.
- Is General Hague shown?
Foxworth was slated for "Severed Dreams" when he bailed on us. - We had booked Foxworth
long in advance. Later, out of the blue, a rep for the actor said that
by accident he'd been double-booked on B5 and DS9 for the same
period...and even though we had prior claim, because the other was a
two-parter, more money, they went for that. One can only wonder when
the other offer *really* came in....
- The Foxworth bail resulted in a change of about three lines,
that's about it. You'll know which lines when you hear them.
- We'd booked the actor long, long in advance. At the last
minute, he bailed to do a DS9 episode playing, essentially, the same
character, despite our having first dibs.
So I killed off the character. Didn't change the story by the smallest measure. May actually have helped, since it raised the stakes in the story right from the start.
Rule #1: Never honk off the writer.
- Regarding Hague...it's much harder to hold an actor on a once-in-a-while
basis. Every show is hostage to that. It's a reality of life. We
don't have contracts with folks who play one or two parts a year.
Screen Actors Guild doesn't allow that; you make deals as they come up.
You can't stop an actor if he wants to jump ship under those conditions;
and if you try, you have an unhappy actor on your set who'll just walk
through it because he or she doesn't want to be there.
- Re: Foxworth...it was really the only thing to do. I'd created
the character *specifically* to have him available for this episode,
after which he'd basically fade away while others took up his standard.
It was all leading up to this. Without being in this episode, there
was nothing more to do with Hague, hence I felt quite comfortable with
his fate, it changed nothing.
- Major Ryan was overstepping his rank.
Except, of course, you now have an extraordinary situation in which the Major, through the death of his CO, was now the commanding officer of the Alexander. In ordinary circumstances, this would mean he'd be given a field promotion.Second, I don't recall any situation where the Major was "giving orders to a commander." The aide on the deck of the Alexander was a Lieutenant, as I recall. Also, if Hague indicated that he was to be given command as he died, that would likely be honored. Finally, yes, the Major was involved in the discussions of strategy, but in *every case* he presented Sheridan and Hiroshi with options, and because it was Sheridan's neck of the woods, it was left to Sheridan to give orders. He coordinated the defense, and was the only one speaking directly with the Agrippa.
- I think Sheridan was kinda up to his ears in matters graver than
the Major's field promotion, though you're right, he had one coming (as
I noted in an earlier message). Given that they'd just broken away
from Earthforce, and walked away from the rank structure to some
extent, it would seem a rather indulgent exercise, since Earth
certainly wouldn't recognize the field promotion of a renegade officer.
- "...hit between the eyes." Yeah, that's the correct reaction,
I'd say.
Yes, it's easy to fire on the enemy when it's a faceless entity; not as easy when it's someone you know. Kinda brings it home, makes it personal.
- Exactly. If you're going to do something as monumental as what
Sheridan does here re: B5's status and Earth, it can't be done lightly
or frivolously or without sufficient cause. It has to be an absolutely
last resort. If we'd done it any sooner, it would've been less
effective, and more of a cheat.
And yes, after two breather stories, "Ship of Tears" starts the arc moving again, and with very few exceptions doesn't let up for the rest of the season.
- About the warning sign in
"Dust to Dust"
Yes, the sign does indeed say warning. Look for another sign right behind somebody at the end of "Severed Dreams." - Actually, yes, I tend to ask for musical counterpoint in the
show from time to time. For instance, when Sheridan et al were going
to the area where the crowd was waiting, I told Chris to fool us...give
us an ominous sounding sting going into what's going to be a very "up"
scene. In the battle earlier on, when you'd normally do something fast
and exciting, I asked him to give me something more somber, to pull out
the Requiem theme in a few places. Sometimes, in other shows, I ask for
music that works against a scene to control the emotional core of it;
if it's a bit too silly, perhaps, then I go for a more serious musical
cue to balance it out. Where a scene would seem to ask for major keys,
I go for minor chords.
It's all just part of the tapestry.
(BTW, a little secret...just for fun, I wrote a couple of songs that you'll be hearing in an upcoming episode. I used to write songs here and there, even did a couple for an ABC prime-time special, and figured I'd try it again. I wrote the lyrics, discussed the music with Chris, and he took care of the score, and it's about what I first conceived. Came out pretty well, actually.)
- Where was Kosh during all this?
Yeah...Kosh seems to have retreated a bit so far...worrying, that. - Why didn't Sheridan ask for help from Draal or Delenn?
The other thing to bear in mind about all this is the question of a "clean fight." If Sheridan were to bring in alien forces at his order to kill humans, it would pretty much destroy his credibility. Delenn came in at the end but only after he'd made his stand on his own.One of the things that kicked off the French Revolution was the allegation that the King had brought in or was bringing in Prussian troops to help put down dissenters. As long as it was all more or less in the family, that was one thing...but to bring in outsiders was an absolute affront to them. (One of the singular incidents that started the fighting itself was a group of Prussian soldiers sighted sitting in a cafe having lunch, which caused this rumor about outsiders coming in to spread like wildfire, and led to the some of the first major incidents of rioting.)
Two brothers may fight one another, but let a third unrelated person come in and shove one of the brothers around, and they'll *both* turn on him.
During the worst days of the civil war, even Lincoln was offered assistance in troops from at least one other country; he declined, because it was an internal matter, and had to be resolved by those involved, not outsiders.
Sheridan's logic was exactly the same. It had to be a clean fight.
- @@@840405641 We'll establish in coming episodes that they have to
become more
self sufficient; the Minbari will help some, others will also have a
reason to help support the station for the advantages it gives them,
the services it provides, and eventually docking fees will have to rise
if they can make a go of it.
- @@@840405641 I'd have to check my figures, which are at the office and I'm
at home, but I *think* we've got about 600 crew and support on a
Minbari cruiser.
- Yes, the push in on Delenn revealed her in the White Star, and
yes, a fair number of the new 'furies B5 inherited are Thunderbolt
class.
- @@@865183765 "Severed Dreams had a line that was better than Ivanava's
sex scene. Wow, do these women get lines!"
Can't help it. I've always been vastly enamoured of strong, sharp, funny, independent and strong-willed women. (Well, me and 99% of the rest of the male population, most of them just won't admit it.)
I love it when anyone -- male or female -- comes up with a killer line. Claudia and I are always going at it, each trying to top the other...and I've found out the hard way that you don't challenge her on the theory that she'll back down. Won't happen. Ivanova's just the same. Mira is also dedicated, fierce in her convictions, extremely bright and worldly.
So why should their characters be any less than the women themselves?
- @@@865183765 "...my favorite part, I must say was when Sheridan kissed
Delenns hand. I've been waiting anxiously for this to happen and it
finally did! My housemates all laughed at me but I guess I'm just an
incurable romantic."
This is a problem?
We are in need of more romance.
- Aren't Starfuries space-only craft?
Yes, the Thunderbolt furies were seen both on Mars and attacking B5.A normal Starfury can't function in an atmosphere environment. The new Thunderbolt models have airfoils/wings that are folded back over the body of the ship for non-atmospheric maneuvering, and then extend out to full sized wings when entering an atmosphere. (You'll get to see in detail how this works back and forth in "Ship of Tears.")
- @@@840405641 How does ejection from a Starfury work?
You can see explosive bolts going off, and a series of small thrusters behind the cockpit are which allow for navigation. This gets the pilot away from the main body which has either been crippled, or is about to explode, the same way a modern fighter has an ejection system. (Check the main credit sequence for a better shot of an ejection.) - @@@840405641 How did the pilots tell which other Starfuries were
which?
FOF...Friend Or Foe systems on board the furies. - @@@864846873 About the Alexander/Clarkstown battle
The interceptors have two components, one that throws a ball of energy at an incoming weapons charge (physical or energy) and causes dissipation, and the other is a net-like energy web that reduces the severity, but does not deflect or absorb, beam type energy. This allows some time for maneuvers after beam contact.Note that Major Ryan (He'll always be D-Day to my brother!) was very reticent to fire on the Clarkstown at all. Knowing that the Interceptors were down made his job all the more difficult. The rear facing beamn on the Alexander is similar in design to the front facers on the Clarkstown. When the C-town fired on the rotating section ofthe Alexander, it did not explode, as the interceptors were still active.
George Johnsen
CoProducer, B5 - If you're opening a jump point,
usually you make it a habit to have all
your fighters on board or else risk leaving them behind. A jump gate
can be more easily used and held open for fighters. When you arrive at
your destination, you can launch your fighters as you emerge.
- "Why was it impossible to jump into hyperspace (in the beginning of the
show) and not take the Starfuries with the ship? We've seen it done
before."
No, I don't believe so. You've seen a jump GATE used, but that's different from a jump POINT which basically closes right behind the ship like a rabbit pulling its hole in after it. If the ships stayed behind to protect its rear, they'd be left behind. Ships coming out of a jump point into normal space sometimes will let their fighters zip out AS they're coming out, alongside the main ship.
- @@@852231474 In "Severed Dreams," the dilemma faced by the Alexander
in the teaser is that if they jump, they'll end up leaving their
fighters behind. A jump engine rips the area open for that one ship,
and closes it again right behind it. What sometimes happens, as in
"All Alone," is that *as a ship comes out*, it releases its fighters.
But you can't just follow a ship into a jump point formed by another
ship. You'd probably get torn apart when space folded back on you,
because the field opening the point is primarily around the other ship.
- Why didn't they shut down the jumpgate? Why did the EA ships
use it?
The answer to both your questions is about the same. It takes about a day to power down, or power up a jump gate. It operates more like a fusion reactor than a light bulb. So not only wasn't there enough time, even if they *had* had enough time, you'd want to leave the gate up and running in case you needed to evacuate for any reason; otherwise you'd cut off your main escape route.For the incoming fleet, knowing the gate was active was the way to go, since it would let them launch their fighters prior to coming in; if you use a jump point, you kinda have to launch while you're coming out to avoid anyone being stuck behind.
- What good are small fighters if it's the big ships that decide
the battle?
A lot more ships came in with the Roanoke and the Agrippa, support ships and others. Probably more breaching pods. They took out those. They're also used to keep the enemy starfuries from disabling the defense grid on the station, leaving B5 free to use its weapons on the larger target/worse threat. They're often used to soften up the enemy, harrass them like a pack of hounds falling on a prey. In "Fall of Night," we saw a Centauri vessel in large measure taken out by the Starfuries with some B5 support. So they definitely play a part. - Starfuries serve a *lot* of functions which we've shown before
on the series.
They can take out a ship's defensive screens and countermeasures, allowing access by the big ships' armaments. In a group, they can take out a good sized ship on their own (a la the Centauri cruiser in "Fall of Night"). They also serve to protect the station's defense grid from aggressor starfuries.
Also, a number of small support ships, including a Hyperion class ship came through as part of the "carrier group" that went after the station. It was up to the starfuries to take care of those ships while B5 and the other destroyers took out the biggest threats.
- What about all the debris from the battle?
We've shown clean-up crews before outside, including a hazmat station that goes out to clear away fuel cores or other toxic material. They would've been dispatched for this. - Fighters re-enter via the main docking bay and are recharged
and lowered into the fighter bays.
No question, spare parts would be a problem, and they'll have to cannibalize a lot (plus whatever they scrounged up from the fighters blown apart outside).
- Bear in mind that if we had gone over to the other captains and
what was going on in the other ships, to make room for those scenes we
would've had to cut anywhere from 3-5 minutes of the other stuff. You
can't just add to the show's time; if that goes in, something else has
to come out. So you'd probably have to cut the scene between Sheridan
and his father since that was the only stand-alone set piece.
Any time you write something, you must decide "who is it about?" This episode was about *our characters*, the ones we've come to care about, and how they deal with this. To take away from that and spend time with people we've never seen before, and won't see again, would be to cheat our characters of the time on screen needed to pay off all the things we've set up over the years.
Would it have been an interesting aside to show the other captains? Sure. In a movie, with an open-ended running time, I probably would have. But there's nothing I would want to cut out of the episode as it now stands to make room for it.
- @@@840405115 Why no scenes from the opposition's point of
view?
We haven't seen those scenes because we don't know anyone there really, and in an hour show you only have so much time, and within our budget we only can do so much. Every speaking role you add costs thousands of dollars. Every set costs thousands of dollars.We're doing the absolute best we can with a budget roughly 1/2 of any of the ST episodes.
If it isn't *absolutely necessary* to the scene, it isn't in. Yeah, seeing some folks in EA talking back and forth about well, maybe this isn't a good idea, maybe it is, well, let's get back to work...it'd be an interesting aside, but in addition to slowing down the pace of the episode, and this one had to move like a house afire, it's just not something I felt we could or should do.
- @@@840405115 About the boarding party's uniforms
Instead of going for a sinister EA look, I wanted the uniforms to be something we're used to, "our side," as you say. There aren't many blacks-and-whites on this show. It's all greys...and sometimes olive drab. - Garibaldi wanted to hold up, cut off the boarding party at a bottleneck,
but the Narns, *being* Narns, raced right into the battle. At that
point Garibaldi had to follow them in or let them get wiped out for no
good reason.
- About the Narn sacrifice
What you also have to bear in mind sometimes is that *this* is the only way to get things done. When the Allies stormed Normandy Beach, they knew that German bunkers and machine nests and fortified positions were right there on the beach waiting for them. But they stormed out, onto the beach, and the first lines were cut down, one after another after another, hundreds, literally thousands of soldiers. But those behind were able to get through, take up position as best they could. Some of them clung to the edges of cliffs as Germans above laughed and threw down grenades into their midst.Sometimes there's no other way. But you do it because those who command you have the moral authority to say "You probably will not come back, but the cause is just, and fair, and necessary."
Thus do we go off to die.
- Themes of personal sacrifice
"It's all this stuff that I think really makes the show. The mystery certainly helps, but the puzzles are no longer my main reason for watching."Aaron: exactly. This was something I said a lot around the first part of the second season, that this really *isn't* a mystery novel, in any conventional sense, no more so than any novel whose ending is yet to be revealed.
You picked up on exactly the themes that are present in the show, with some more to come shortly. Personal sacrifice for a cause -- perhaps a good cause, perhaps not, depending on how wisely we make our decisions -- is probably the dominant theme at this point in the story.
It's worth mentioning that this story was initially conceived in the midst of the Me Generation, the decade of "I've got mine, jack, screw you all." Since then the culture has gotten increasingly factionalized, groups of Me's pulling and tugging at the fabric not only of the country, bvut of the planet itself. The idea of personal sacrifice, of personal service to a cause, seems to have become...passe. Old fashioned. Silly.
We have an obligation to one another, responsibilities and trusts. That does not mean we must be pigeons, that we must be exploited. But it does mean that we should look out for one another when and as much as we can; and that we have a personal responsibility for our behavior; and that our behavior has consequences of a very real and profound nature. We are not powerless. We have tremendous potential for good or ill. How we choose to use that power is up to us; but first we must choose to use it. We're told every day, "You can't change the world."
But the world is changing every day. Only question is...who's doing it? You or somebody else? Will you choose to lead, or be led by others?
(Y'know, there are moments I look at the preceding paragraphs, and I realize that it wa said more succinctly, and better, and more movingly in "Lost Horizon," with this simple sentence: "Be *kind* to one another.")
- The easy thing to do, the TeeVee thing to do, would've
been to go from Sheridan's line "All ships return to base," to the
exterior with the big ships, and fade out. But I try to keep this show
from doing the easy thing. Yes, you had a victory. Yes, it was
necessary. But what's the cost? We shouldn't glamorize these things.
Even at the end, as you notice, even at the end of the reception...we
go out on an ominous note.
- @@@840405115 The older I get, the more I realize there are
things you can do with silence you can't do with words, though I still
love the form of the speech. There was a lot of counterpoint in this
episode, a tool I'm still playing with as a writer; eventually I'll
figure out how to really use it properly. (Though there's an
interesting scene up later this season using another kind of ironic
counterpoint which I think works pretty well.)
- @@@840405115 Counterpoint?
In a sense, it's going from one emotion or thematic element to a very different, but equally strong one, either as bookends or through intercutting. Going from the high of the victory, to the sudden shot of the dead troops, is thematic counterpoint.Here's another...in "Cabaret" you've got a scene where the performers in the Cabaret are doing the sort of German dance where you slap your knees and thighs and chest...and they take it a bit further, slapping one another, it's all for comic effect...but during this, you're intercutting the owner of the cabaret being beaten to within an inch of his life by some Brownshirts outside. You go from comic to brutal and back, with the result that the happy little dance suddenly takes on ugly characteristics, and the beating takes on the sense that the participants are having a sick kind of fun, that it's all just another kind of dance, a ritual.
That's what you have to look at as a writer...how this scene works, and how it interacts with the scenes in front, behind and "beside" it (for things happening simultaneously). Sometimes, with the proper counterpoint, you can add whole new levels of meaning to a scene, or make the scene much stronger than it would've been on its own.
- Did the Earth ships recognize the White Star as the ship from
the incident on Ganymede?
Probably not. - Well, President Clark would know it [the White Star], from the Aggy
records, but the general population wouldn't know it yet, since those
records weren't released. But it does give him a card to play at some
point in the future.
- Any relation between Captain Hiroshi and the Hiroshi on Garibaldi's
staff from
"Convictions?"
No intentional relation, no. - Why wasn't the boarding party coming up through the floor?
I figured that they'd come in through the outer hull, secure the inner hull area, then go up in and through a side wall, which would be faster for purposes of a mass entrance. If you blow a hole in the floor, everybody has to crawl out one at a time; you blow a hole in the wall, bunches can come through at once. There was a fair amount of distance between where they came in, and the hull. - Yes and no. They came through the "floor" which would be the
outer hull. Like any good ship, the station has two hulls for
protection, an inner hull and an outer hull. Once breaching the outer
hull, they moved into the inner hull, then angled up for a wall they
could blow out.
I figured this would make more tactical sense because if they just blew through the floor, they'd have to *crawl* out one or two at a time, whereas if they angled in safely and then came in through a wall, they could pour in more quickly, en masse, and be less vulnerable.
- @@@865282739 From coproducer George Johnsen
We don't really know where the Marines actually penetrated, but their first hole would be through the "floor". If we assume that they know the station well, it is likely they would punch through an "unimproved", or storage area first, as it would be easier than to burn through a fully habitable area. Then they would go through a wall or a door to get at the goal. We postulate that they actually were shown entering through their second burn, and entering the occupied area. - Was there not much blood in the on-station fight because the guns
were firing plasma?
Correct, PPG bursts, being superheated helium, tend to cauterize the wounds as they go through. - No, it's a different scene than the flash-forward in Babylon
Squared.
- Thanks. That's exactly the impression I wanted...you do the
dolly/zoom move, isolating Sheridan visually...you don't cut back to
the others as they speak, just let the camera stay on him, put the
other voices down under the music and off to the side, just *HOLD*
there...works great.
- @@@865183765 I'm always getting this confused in my own mind, but
basically it's using two contradictory moves with the camera. You dolly
in (push the camera toward the object) and push out with the lens (or
vice versa...that's the part I'm forever getting confused about...like
remembering battery connections, is it positive to positive or positive
to negative...?). In either event, you're basically going in and
out/away at the same moment. It's a nifty effect.
- "There is a certain sweetness between Sheridan and his father.
Sheridan's father is certainly the one that I wish I had. Is he yours,
JMS?"
Not by the farthest stretch of the imagination, which is all I'll say on this.
- Was that Ashan (from
"There All the Honor Lies")
blocking Delenn?
That wasn't Ashan, no. - Why isn't the Council on Minbar?
We've hinted at it...the Grey Council always stays on its ship, being part of the universe, giving it an exotic, distant feel for its people...as though among the gods. - The Grey Council could've taken a lot more action to be
supportive behind the scenes, getting the warrior caste more involved
with the rangers, giving aid to the non-aligned worlds...there was a
LOT they could have been doing all this time that wouldn't have
required tipping their hand. Instead they sat and did nothing. And
now, with B5 on the edge of falling, to say it's not their problem was
too much. Now is the time they have to start coming forward.
- Basically, the warrior caste doesn't think it's their war;
there's also a certain amount of resentment in it, I think...they *led*
the last war, they *did* their job, and got yanked back and forced to
surrender. That was a terrible blow to their pride, caused in part by
an alien race, so their attitude now tends to be more or less, "Screw
'em."
- How did Delenn know B5 needed help?
Real simple. Lennier was still on-station. All she had to do was check in with him en route and find out. Also, she went to the council for the purpose of getting military support because she knew heavy stuff was coming down, in one form or another. Knowing that "the humans are fighting one another" as she said to the council, it's evident that if they didn't come to B5 that day, they'd come shortly thereafter. - @@@865183765
She already knew that civil war had broken out between EA ships and
forces, and that B5 had already faced one takeover bid, and that
whether or not it happened today or the next day, it was definitely
coming. That was unmistakeable. Also, bear in mind that Lennier
stayed behind. She would have checked in with him en route and
found out what was going on, or picked up the radio broadcasts of
the battle in progress. I could've shown this, but that would''ve
blown the surprise of her arrival.
- At this point, with the Council broken, Delenn isn't currently
running Minbar...there's a vacuum of power. The system can carry on
for a while, the balance between the castes is pretty efficient, but
this is going to have to be resolved, and some in the warrior caste may
suspect Delenn of doing this so she *can* rise to power.
As part of Valen's covenant, to prevent one caste from taking over the other, each caste has access to its own warships. This was done to create trust a thousand years ago, and since then, since there hasn't been any conflict between Minbari, the three castes own their own warships still, but in general are assigned to Warrior caste as a courtesy, which can be revoked. As Delenn noted, the worker and religious castes control 2/3rds of their forces.
- Each caste populates the ships in their jurisdiction with their
own people. Which is why those on the Minbari warships that came in,
which we'll see shortly, are religious caste, no warriors among
them...but even the religious caste is well trained in combat, as part
of their education in temple. We've seen some of this already in
Lennier's abilities in a fight.
- No, 5 left the council with her. And one can wonder, Did she
turn down the position of leader of the Grey Council, which would be a
balance for that role, in order to eliminate the council and become
primary ruler? (That is what some of the warrior caste are bound to
begin wondering after a while.)
- Was the brief pause as one of the council members left a sign
of a single caste breaking apart?
No, just a member of the warrior caste making sure one he considered a friend *really* wanted to do this.... - I was living in Delenn's head when she uttered those lines for the first
time.
She wasn't bluffing.
Delenn *never* bluffs.
- Thanks, and yes, there's definitely fire and steel in Delenn,
which she calls upon when she needs it. And nobody crosses her when
that happens.
- Now that she's gone through her own personal fire,
she's a much stronger character, and very interesting to write.
There's steel, and there's humanity and compassion, and she feels no
need to defend or justify any of those traits. What she is, she is.
- Sinclair survived a battle with Minbari warships.
Her exact line was, "No human captain has ever survived battle with a Minbari fleet." Sinclair wasn't a captain. - Dukhat was killed at the start of the Minbari war (that
*caused* the Minbari war), and the Council did without a leader for a
long time. She was taught and sponsored by Dukhat.
- Does Delenn feel responsible for Dukhat's death?
No, she doesn't feel responsible; it's an artifact of the way they approach certain things. "His word is on my lips, his spirit is in my eyes." It's almost a way of saying he's speaking through me, back off. - About Sheridan asking the Roanoke to surrender
Yeah...the reference was kafuffled. There was so much going on, so many EFX shots, so much rearranging of shots to make everything work (we literally delivered this 2 hours before the process for uplinking started) that this slipped past. I'll assume that Sheridan got excited and said the wrong name. It'd happen to anyone. Right? Right? - Roanoke is a place rich with history. Some of it a little
odd, given the colony's disappearance, but rich nonetheless. (Clark
has edged away from giving Omega class destroyers and others names from
Greek mythology and history, toward more conventional names like the
Clarkstown and the Roanoke.)
- President Clark got away from the tradition of using Greek
names. And the Roanoke was a Virginia colony that disappeared in the
1600s.
- What about the disappearing destroyer?
That would've been killed off-camera. We tried to fit in every ship getting nailed, but finally realized it would've required another half an act. - What did ISN know?
I'm sorry, but we cannot answer your question at this time. We are experiencing temporary transmission problems with ISN, but hope to have the situation remedied very soon. Meanwhile, you can direct any inquiries for information to the Ministry of Peace, and the Ministry for Public Information, which has been aiding all public information broadcasts for almost two years now.At the tone, please leave your name and identicard number. Don't worry about calling back. We'll find you.
<beep>
- @@@862241018 Clark had inside info that ISN would be going public
soon with info on what was *really* going on on Mars, his planned
attack on B5, and other stuff he wanted quiet.
- @@@840405641 I'm looking to find a way to bring Franklin's father back into the storyline now, to help resolve this. (Note: no suggestions, please.) I think he would tend to fall on the other side, and it'd be good to show that some people may think that yes, there's a problem, but you solve that problem from within, not by breaking away. Could make for some nice drama....
Severed Dreams
Synopsis by Katrina Glerum (kat@midwinter.com)
In customs, Londo waits impatiently, complaining bitterly about the
inefficiency of the Narn security personnel and the stupidity of the
fighting between Earthers. Meanwhile that fighting continues as
General Hague's destroyer, the EAS Alexander, is under attack by another
Earth Alliance warship, the EAS Clarkstown. When there seems to be no
other choice, the Alexander destroys her pursuer and jumps toward
Babylon 5. As soon as news of this impending arrival reaches the
station's officers, they realize their dilemma. The Alexander is being
hunted down on charges of treason, but General Hague has been their
strongest ally in the fight against the growing darkness at home. In
the background, ISN reports that Mars has refused to implement martial
law in defiance of President Clark's orders. Trying to protect the
crew from the consequences of his action, Sheridan announces in C & C
that the arriving Alexander will be given humanitarian assistance, but
he has Garibaldi cut all transmissions from the station just in
case some of his crew want to report her arrival.
Delenn has received chilling news as well. A Minbari Ranger traveling
among the nonaligned worlds has discovered that the various races have
all been goaded by the Shadows into fighting their neighbors, first for
defense and then for conquest. The races believe that alliance with the
Shadows is the only way to be safe from Centauri conquest. The Grey
Council's only reaction is to comment that "The problems of others are
not ours."
The commanding officer of the Alexander, Major Ryan, arrives on B5 bearing bad
tidings. General Hague was killed during their last fight, the
attempted coup against Clark is only having marginal success, ISN is on
the verge of being shut down, and the majority of Earth Force is either
loyal to Clark or intimidated by him. As the crew discusses his report,
the news comes that Earth Gov has begun bombing civilian targets on Mars.
Delenn leaves to find the Grey Council just as the EAS Churchill
arrives with her captain demanding an immediate meeting with Sheridan.
Gunfire punctuates the scene of terrified anchors at ISN reporting that
Orion and Proxima 3 colonies have declared independence in protest over
the bombing of Mars. Apparently ISN has been forced to conceal
information about activities in Earth Gov for the past year, but before
they can spill the story their final broadcast is cut off abruptly
amid falling debris. The Churchill's captain comes aboard to inform
Sheridan that transmissions were intercepted ordering elite Earth Gov
forces to Babylon 5 to both capture the Alexander, and take control of
the station, arresting the command staff and placing the station under the
direct authority of President Clark and the Nightwatch.
There is no more room to maneuver. Sheridan puts the question to his
officers: Fight or Surrender? If they fight and lose, more than a
quarter of a million lives might be at stake, and they will be
executed. If they surrender, they will be court martialed at the
least. Their decision is unanimous. It is time to make their stand
now against Earth and the darkness. They spring into last minute
preparations. Fighters are scrambled, Medlab is cleared, and ground
troops are geared up.
An acolyte attempting to bar Delenn from the Grey Council chambers is
withered by the force of her purpose. Her words are even more powerful
before the Council as she accuses them of abandoning the very prophecy
they were created to meet, to stand against the Shadows "between
the candle and the star, between the darkness and the light." Berating
them for pride and presumption she breaks the leader's staff of office
before breaking the Council itself by calling on the Worker and
Religious castes to abandon the Warrior caste's indifference and follow
her into immediate action.
Sheridan takes a moment in the midst of the crisis to call home for
what might be the last time. His father urges him not to worry about
his parents, and to remember the first lesson he ever taught him. Never start
a fight, but always finish it.
Ivanova configures Draal's holographic system so the that captain can
transmit a speech throughout B5. He announces that warships are
enroute to seize the station and that in response Babylon 5 is seceding
from the Earth Alliance until President Clark is removed from office.
Knowing that one of the officers must be personally present to lead the
Star Fury squadrons into battle, Sheridan grants Commander Ivanova
permission to drop just in time to meet four heavy warships and
assembled fighters jumping out of hyperspace. His final effort to talk
the approaching captain out of a fight is ignored, and full scale
battle erupts. Joined by Star Furies from the Alexander and the
Churchill, the station's squadrons are mostly successful in defending
the station. Nevertheless, a breeching pod is able to penetrate their
defenses. It latches on to the station's hull, bores a hole, and
troops begin to jump through, where they are quickly engaged in bloody,
close quarters resistance from Garibaldi leading Narn and human
security personnel.
The Churchill puts up an excellent fight, until with fire on all decks,
she sacrifices herself by ramming an enemy destroyer. Distracted by the
sight, Ivanova reacts too slowly to a collision warning and is knocked
spinning by another Fury. Sheridan immediately orders her to eject,
which she does, an instant before her fighter slams against the hull of
a cruiser. The Alexander and the station are able to destroy the
other attacking warships, but suffer such heavy damage in the
meantime that Lt. Corwin informs the captain that they could not have
lasted much longer.
Relief is short lived. Three more destroyers arrive through the
jump gate and order Sheridan to surrender. Before he has a chance to
consider, four more jump points form. Instead of Earth Force ships
however, they expel Delenn commanding the White Star and three Minbari
war cruisers. She orders the attacking Earth Forces to withdraw. When
they refuse, she replies coldly, "Only one human captain has ever
survived battle with the Minbari fleet. He is behind me. You are in
front of me. If you value your lives, be somewhere else."
They beat a hasty retreat. But they leave a bloody wake of dead and
dying both on the station and littered through space where the Minbari
take up sentry duty. Sheridan accepts responsibility for some of the
Churchill's lost Star Furies. Although he is proud of his crew, his
faith in Earth Force is shattered, and he vows not to wear his uniform
again until this civil war is over. To the Alexander, he extends a
standing offer of assistance, before she departs in search of other
allies.
In Docking, the known Nightwatch are being deported along with
prisoners from the breeching pod, when Delenn comes aboard. John
greets her with gratitude, awe, respect and love. Although less
personal, most of the station feels the same way about him-as an
enormous crowd expresses enthusiastically in the Zocolo. Even so, the
respite is uneasy, and surely temporary.
Shadow Dancing
Overview
Sheridan launches a preemptive strike against the Shadows. Franklin jeopardizes his life while trying to do a good deed. Shirley Prestia as Barbara. Melissa Gilbert as Anna.
P5 Rating: 9.25
Production number: 321
Original air week: September 15, 1996 (UK)
October 21, 1996 (US)
DVD release date: August 12, 2003
Written by J. Michael Straczynski
Directed by Kim Friedman
An episodic soundtrack is available.
Backplot
- In Minbari tradition, when two Minbari become close it is the custom for the female to keep vigil at the male's side for three nights while he sleeps. This is thought to reveal the male's true personality, because while you're asleep, you can't keep up your guard, and this helps the female decide whether the relationship should continue.
Unanswered Questions
- How many ships did the League worlds withhold from the battle?
- How many ships were destroyed in the battle? How many people died?
- Why has Anna Sheridan come to Babylon 5? Is she as much of a pawn of the Shadows as Morden? (See Analysis)
- How will Anna Sheridan's presence affect Sheridan's near-engagement to Delenn?
- @@@847013324 How did Anna get into Sheridan's quarters?
- Why have the Shadows not yet attacked Babylon 5?
- How badly were the Shadows hurt by this battle?
- Why did Sheridan keep dreaming the dream after Kosh died? Is it because of the piece of the Vorlon inside of him, and if so, is it somehow guiding him?
- How did Anna know Delenn's name? Did Morden tell her?
- Were the Vorlons approached to be part of the battle fleet?
- Who else might have survived the Icarus?
Analysis
- In this battle, it's said that for each Shadow ship that was destroyed, two Army of Light ships were destroyed. This forces the question: who has more ships, the Army of Light, or the Shadows? And if the Shadows have as many or more, what does that bode for the coming battles of this war?
- It's plausible that Anna Sheridan is acting on behalf of the Shadows just as Morden is. Will Sheridan react to her presence with an understanding that she's now an emissary of the Shadows?
- @@@847042418 Delenn had a flashforward to Anna's arrival ("War Without End, Part Two.") Why, then, was she surprised to see Anna? Perhaps she didn't expect it to happen that night. It's also true that Anna didn't identify herself in Delenn's flash, so perhaps Delenn didn't get as complete a view of the future as Sheridan (and earlier, Garibaldi and Sinclair) did.
- This episode resolves, at least initially, most of Sheridan's dream from "All Alone in the Night." Sheridan is "the hand," one half of a pair of opposing forces. He wears the Psi Corps badge to signify their alliance with Bester, and his position as someone in charge of large numbers of telepaths. Ivanova's statement, "Do you know who I am?" refers to her latent telepathic ability ("Divided Loyalties.") However, it's still not clear who the "man in between" is. It's also not clear whether Sheridan's analysis, even with the help of Delenn and Ivanova, is actually correct.
- Perhaps Anna Sheridan is the "man in between" from Sheridan's dream, despite the personal pronoun problems. Or perhaps she's an envoy of that man.
- @@@846747133 "The man in between" implies someone on the other side. Who might that be?
- @@@846745949 Sheridan openly talked about Ivanova's latent telepathy in front of Delenn. Does Ivanova no longer consider it such a secret, now that she's presumably beyond the reach of the Psi Corps? Or does Sheridan simply trust Delenn so much that it didn't occur to him he might be violating Ivanova's trust?
- @@@846746028 Who is the third spotlight on the Minbari flagship meant for? Most likely it's simply a result of the Minbari doing everything in threes. Sheridan and Delenn gave orders from more than one place in the tactical center, so it's probably not a matter of the lights denoting different functions.
- @@@865734490 Garibaldi's empathy for Franklin, to the point of waiting next to Franklin's bed, is likely due at least in part to Garibaldi's own experience with substance abuse ("Survivors," among other episodes.) He presumably knows something of what Franklin has been through.
- @@@910036385 When Franklin and Sheridan are discussing Franklin's experience, the doctor comments, "Moments are all we have." Sheridan pauses as if remembering something. He may be recalling Delenn's similar comment in "War Without End part 2:" "Savor the moments, for they will never come again."
Notes
- @@@844798195 Franklin's stumble into the crowd was reminiscent of two scenes from "Chrysalis," both Petrov's approach toward Garibaldi, and Garibaldi's later emergence at the party.
- In Britain, Channel 4 edited out seven seconds of the attack on Franklin.
- In a video message in "Revelations," Anna Sheridan was originally played by Beth Toussaint, not Melissa Gilbert.
- @@@844077101 Some people have pointed out an apparent continuity glitch, but it's not. When Franklin is being wheeled into medlab after being stabbed, he sees Garibaldi, Ivanova, and Sheridan above him, even though Sheridan hasn't yet arrived on the station. But if you look at the surrounding shots from Franklin's point of view, it's clear he's simply hallucinating and imagining that the doctors around the gurney are his fellow officers; nowhere but that one shot do any people in command uniforms appear.
- @@@898569598 The Egyptian blessing was first mentioned in "A Distant Star."
jms speaks
- It takes 7 days to film an episode. My favorite is
probably "Shadow Dancing," which you haven't seen yet, mainly because
I haven't been able to poke any holes in it yet. It's a good ep.
- Which of the last five episodes is your
favorite?
It would be an even tie I think between the final two, "Shadow Dancing" and "Z'ha'dum." The two episodes are also linked at the hip, so they're really more like one unit...not so much a two-parter, but siamese twins, story-wise. They're both very exciting, move the arc forward hugely, and though they rely on a lot of backstory, are also good points for folks new to the show to dive in, because they also *explain* a lot of backstory, so they can get into it.They're both just lovely, knockout episodes. And, at times, scary as hell.
- About the UK possibly not showing the episode due to
violent content
Yeah, when you get "Shadow Dancing," I'd love to see how much they slice outta this one.... -
It is, not to put too fine a point on it...EXTREMELY important
to see "Shadow Dancing." If they choose to cut the nasty bits that's
one thing, it won't affect what You Need To See, but to not run it at
all would be a disaster of substantial dimensions. Still, I imagine
they'll run it; the nasty bits can be excised pretty well, if
necessary, I should think.
- If they cut 7 seconds, it's likely the 7 seconds of the actual stabbing
itself, which is implicit in what happens afterward, so it shouldn't
have a major effect on being able to follow the story. It's a
reasonable edit, and about what I'd expect given the general attitudes
on TV violence among the UK TV networks.
- "You've mentioned a couple times that the upcoming
"Shadow Dancing" will be quite violent. Should I be concerned about,
say, my two-year old watching it? She's as hooked on the show as I
am, and would probably feel quite left out..."
This is a tough one...I've given it a lot of thought since I saw this, and my sense is to advise the following:
If you possibly can, videotape the episode. Get the time code on the various pieces. We cut in and out of two stories, an A and a B story. One is violent, the other is not. You don't have to see the one, or see much of it, to follow the other. For someone as young as 2, I'd suggest fast-forwarding past the B story stuff. It's still within what's generally permitted on TV, but it is kinda harsh.
- I've seen and received some email recently that seems
to have taken a message of mine and misconstrued it. Someone asked
me if it were possible that "Shadow Dancing" might be snipped or
dropped for some of the violence therein. I offered an *opinion*
that it might be edited, and have no idea what their plans are for
airing the episode itself. Let me repeat: this was only my opinion,
offered in response to a hypothetical question. I have *no*
information on anything C4 might -- or might NOT -- do with "Shadow
Dancing," so my inclination would be to wait and see what happens
rather than acting prematurely on something that might not happen.
- @@@864605945 Have you ever gone walkabout?
Well....yeah, kinda. Back when I was living in San Diego (before it got nuked...well, that hasn't happened yet, but soon)...I got into a kind of similar mode of thought, and would go for walks through....downtown San Diego at 2-4 in the morning. Hours, hours, hours, just walking through parts of the area where I could've gotten killed. When folks asked me why, I couldn't answer, all I could come up with...was that I was looking for something. And I found it, kinda, and in a somewhat similar situation... but that gets into some other personal areas, and this may not be the right forum for that. Suffice to say I was....almost killed myself, and leave it at that. - @@@864605945 Here's a funny thing.
Well, funny weird.
See, every so often, someone will ask, "How much of you goes into a script?" and I'll answer, "More than I know at the time," and they ask for an example. A few questions ago, someone asked about if I'd ever gone...on walkabout, and I thought of the San Diego thing...and it suddenly dawned on me that that was behind the Franklin thing. Long story short: I got attacked and mugged by a gang, and beaten nearly to death....and survived only by a sheer act of will. And I'd honestly never, ever put that together with Walkabout, until the question, and suddenly there it was, I was working out *exactly* what I'd gone though, denying it to myself...the whole time that it was going on. Well. Anyway. That just hit me like a ton of bricks, and thought I'd pass it along.
- @@@864605945 In retrospect, that was something I probably should
not have mentioned,
and would not have, had the thing not just utterly blindsided me in the
middle of the conference. What got me through the attack, and its
aftermath, those years ago, was sheer unadulterated rage...that I would
not allow them to take my life because I had stories left in me to tell.
And no matter what, I'd tell those stories. At first, I'd made my peace
with myself...I'd never gone out of my way to hurt anyone, had helped
where I could, had done some good work...I had a few things on the
shelf, not a lot, but a start...but then I just started to get mad about
it, and pulled myself back from the edge.
So yeah, in a sense, I've faced that black, implacable wall...and it does drive you, after a while. And I do think, to a large degree, I'm still trying to define myself, to find what it is that's at the center for me, beyond the work. But then, I don't think that's terribly special...it seems to be the standard dilemma in an industrial society.
- In response to a review
Slight correction to the preview of the final 5 scenes at Worldcon; in the Delenn/Sheridan scene, she never said female Minbari can cut off the partner's sexual organs if they're pressed...what she said was, "If he forces the issue, she can complain to the elders, leave once he is asleep, even cut of his --" she searches for the right word "-- *access* to her family." The humor is in his horror at what she might've been searching for in that word. A small correction in an otherwise great review, but as someone once said, god is in the details.... [That quote is from the architect Ludwig Mies Van der Rohe.] - The Minbari greeting is a hoot...there's a lot in that episode I
just like a lot.
- @@@850550678 Earth is still letting people come to Babylon
5 as tourists?
It's difficult and limited, but yes, there's still some travel, just as one may travel to countries that the US does not recognize officially or have diplomatic relations with. How long they continue to allow this...we'll see. - @@@846747781 How did Marcus heal so quickly?
For starters, we're talking about more than two weeks of story time. Between Grey 17 and Rock was several weeks, then you've got about 2 weeks from Rock to Shadow Dancing. That's five weeks, and now you've got the issue of medicine 250 years from now...and you can be sure that these kinds of injuries will be fixed much more quickly. It isn't like he showed up the very next day like this, we *did* allow for proper amounts of time. - @@@847068834 How did you think up the Shadows' strategy?
I dunno...I just thunk it up as efficient and ruthless. I guess it comes naturally when you're a producer. - @@@846747495 "Seems to me the strategy is: wait in hyperspace "near"
the flock of refugee ships, and when they signal for help (as they will
when the Shadow fleet appears), pop out of hyperspace and engage the
Shadow fleet. The point is, the Shadow fleet is going after a known
target (or so Sheridan guesses), if you hang around near the target,
they will tell you when the attackers appear. No need to for your
ships, even a scout, to sit in normal space, the refugee ships are all
"scout ships" in a sense."
Massive logic problem. If you wait until they're right on top of the refugee ships, or very near, they'll just dive into the midst of the refugee ships and there's no way you can have a clean battle without resulting in *MASSIVE* amounts of civilian casualties. What you suggest would all but insure that the refugee ships would be destroyed (defeating the purpose of the mission) and the piles of civilian ships running for cover in every direction would hinder our side, but not the other side, and we'd lose even MORE of our own ships.
"2) Delenn and Sheridan spend the night together and we get to watch... comercials. Talk about giving "short shrift" to a rather interesting event. Couldn't this have been pushed into a different episode? I mean, here they are, alone together, in a "ostensibly" romantic situation, lots for them to talk about I should think. Well, I'd like to know what was said... And what do we see? Sheridan is already asleep!"
It's not a matter of being pressed for time. The whole point of the ritual was to watch him sleeping. We had that nice moment right before they took off with the fleet, and bunches of others, including the big kiss, right in the previous episode and throughout the whole thing.
"3) I think the battle could have been done with a bit more of an "umph" to it. Perhaps the use of intercutting between the two plots was distracting in this case. It was a good battle, just not quite as effective as "Severed Dreams" or "Long Twilight Struggle" (which did have effective intercutting)."
That's because there was more emotional content to the other two battles you mention; the bombing of the Narn homeworld, and EA fighting EA in SD. Not all battles are created equal, it's a matter of context. You can't expect to get exactly the same reaction to all of them.
- @@@864690006 Why didn't the Shadows emerge right next to their
targets?
So they could drive any other ships toward the center, into the killing zone. If they come in into the center, everybody splits in every possible direction, and that makes running 'em all down harder. - @@@864690006 If the shadows were to materialize in the midst of the
refugee ships, they'd just scatter in every direction. The purpose is
to wipe out all those ships quickly and efficiently...so you start at
the outer fringe, drive everyone inward, and then wipe them all out.
To jump into the middle of them makes it very hard to do this...it's
like herding kittens.
- @@@864690006 Most refugee ships are NOT jump capable.
Remember, it takes a LOT of power...you've got the heavy cruisers, and
long range exploratory vessels, and not much else. That's what makes
the White Star so special, that it can be as small as it is and still
generate a jump point. The Asimov class passenger liners, for instance,
can't jump, and have to rely on gates. The smaller ships the refugees
would've been using would have had to get to their local gate, and then
line up to go through it in small groups. Which means 85% of them
would've been trapped there, ducks in a shooting gallery.
- @@@847069906 Did the Minbari telepaths need line of sight to
affect the Shadow ships?
Actually, we never showed what the Minbari telepaths were looking at; for all you could tell, there could've been viewers or other ports above their beds. - @@@864690006 We couldn't hear the characters speak at the end of
the battle. Audio problem?
No, we just figured we'd let the music take it. - @@@846747653 "When I saw "A Late Arrival at Avalon," Marcus's line
asking "Who is Morgana La Fey" got me to begin speculating that Anna
Sheridan was alive and that she was working for the Shadows. My
question is whether or not Marcus's line was intended that way--i.e. as
foreshadowing that a significant female figure not presently on the
scene (Anna?) would arrive at B5 to play Morgana to Delenn's Lady of
the Lake?"
yup.
- No, Sheridan isn't the man in the middle...the man in the middle is the
one out there who sent Anna. As Ivanova says, his opposite number.
- @@@864690006 Why did Kosh send those dream images?
Well, certainly Kosh was accessing that which he could, in part to prove he knew what he knew, in part to set things up. Although who knows, there may be more to it...that that's what they came up with doesn't necessarily mean that is the full extent of it. - The snow globe was shown as a flash-forward in "WWE-2," and we
did see that image of Sheridan in Psi Cop uniform in "All Alone."
- With "Shadow" my hope is really to erase most (though obviously
not all) suspicions or predictions on how the last one will go. If we
already had our big EFX battle, it won't be that...Anna's here, so it
can't be that...it can't ever be a return to tabula rasa, an empty
slate, but by doing what's normally done in the season closer one
episode prior to that, it may help ease the way for a different
tonality to come in.
And thanks again...you definitely won't be disappointed.
- Was "Commander Ivanova is on channel 4" a reference to the UK
network? And what could possibly come next?
Yeah, the channel 4 reference was a nod to the UK. Wondered if it'd get noticed....Good point, when you do a battle like that...what do you do next that won't seem anticlimatic? Usually you save something like that for your last episode of the season, not your next-to-last, or you've blown your big EFX show 1 show early. It makes for a real challenge...what do you do to follow THAT up?
I think we figured it out....
- Why not show more of Sheridan getting ready to sleep, with Delenn
watching over him?
Basically...we've got 44 or so minutes...we could've shown the whole battle as shown, or shown Sheridan trying to sleep. One would have to go to make room to include the other. - Why did the White Star make its own jump point when there was
a jumpgate nearby?
And then, there are just times you do it 'cause it feels more dramatic that way.... - Do people on Earth hear about events like this battle?
They've heard rumors, usually the ones furthest away from Clark's confining influence.... - Why the change in actresses playing Anna?
There was a combination of reasons, including production schedules, for the decision. - Why were station personnel seemingly surprised to see Anna? And
why did Melissa Gilbert come last in the list of guest stars?
The script said the extras shouldn't make a big deal about seeing her. The director did that on the set. That's not what I had in mind, but it isn't that big a deal...I figure she's a striking looking woman, maybe that's a good justification.The ordering of credits was done to de-emphasize and hide (as much as possible) the appearance of Melissa.
- Under SAG rules, you must put guest stars of a certain calibre in the
opening credits; also, for Melissa to take back-billing would have been
a break in her work to date elsewhere. We had no choice in this, it's
all stuff regulated by the guilds.
- Were the Vorlons absent from the battle because of the death of
Kosh, or for some other reason?
There are other reasons, which yes, will be addressed soon.... - @@@844797198 Why didn't they call in the Walkers from Sigma 957
("Voices of Authority?")
Simple....you don't bring in the big guns like that until you're ready for the final assault. You don't whistle 'em up when convenient. You can probably go to the well just once with these guys, and you want to do so only when you're ready for D-Day. - @@@844393815 Was the bit about true faces taken from an existing
religion on Earth?
As far as I *know*, at least, that bit about seeing your true face revealed as you sleep is something I came up with on my own. There's just something I like about it, and if you've ever watched someone's face while they're sleeping, you understand.Though one person did comment, "So a man's true face is all mushed up against the pillow and drooling?"
We don't talk anymore.
- @@@846747092 "I gritted my teeth tighter when the dialogue launched
into some anti-male paranoia about "What if the male demands the
female stay a second night?", and the various "vengeances" she could
take for a custom that is, after all, steeply in her favor. I could
accept all that in an anthropological sense: "Look what anti-male
customs the Minbari have. Isn't that fascinating, if you put the moral
judgements aside?". But then... Yeesh!"
The "vengeances" she cites, should the male insist she stay another night, are "she can leave once he falls asleep, complain to the elders, even cut off his access to her family." These hardly sound like anti-male rhetoric, but rather precautions taken to deal reasonably *should* someone get out of line. It doesn't state that all men do this, but sets in place what to do should *some* men do this.
This is not a problem of context. It is a problem of perception. It has nothing to do with the scene, and everything to do with how you perceive the role of males in society.
Shadow Dancing
Synopsis by Matthew Murray (n9641343@cc.wwu.edu)
Z Minus 7 Days
Delenn appeals to the League of Non-Aligned Worlds to assist the Army of Light in the war against the Shadows. The League, however, is not inclined to join them, without knowing what they are getting into. Lennier urges them to trust Delenn, but they aren't sure, and even though Delenn believes many of her previous actions should have earned their trust, none of them are sure they want to weaken their own defenses. Delenn promises that she will work to keep the other ships as safe as possible, using as many ships as she can spare. She reminds them that their time is short.
Sheridan, addressing the War Council, explains that he believes the Shadows are trying to lure everyone into one place, sector 83, in order to attack them all at once. One ship, the White Star, will be sent there to inform the fleet when the Shadows arrive. Sheridan orders Ivanova and Marcus not to engage the Shadows without further orders. He warns them both that, even if everything goes as planned, they can hope for little more than a fifty percent chance of success.
Delenn returns to the council chamber to find the entire League of Non-Aligned worlds gone, except for the Drazi ambassador. He explains that the others went to speak with their governments, and that the other ambassadors have agreed to commit their ships. He hopes she's right about her plan, as it will cost them all greatly otherwise.
Ivanova and Marcus prepare to leave in the White Star, and the only further advice Sheridan has for them is an old Egyptian blessing. As the White Star begins the journey to sector 83, Marcus asks Ivanova what the captain meant by the blessing. "May God stand between you and harm in all the empty places you must walk," explains Ivanova.
As Garibaldi walks down the corridor, he is met up by Zack on his way to lunch. Garibaldi doesn't care to join him, since he is still more than a little concerned about Dr. Franklin, who is still on Walkabout. Zack doubts Franklin's choice, and Garibaldi agrees that it may be an immature course. Zack tries to convince Garibaldi that he did everything he could to help, but Garibaldi is not so sure; perhaps he tried to help Franklin in the wrong way. Even though he knows it's too late to help further, he hopes Dr. Franklin will find what he's looking for--himself.
In a crowded marketplace in Downbelow, a family of visitors to Babylon
5 tentatively makes their way, the mother not able to understand its
appeal. She insists she heard the sqalid conditions are due to
Babylon 5's secession from
Earth, though her husband disagrees. While they argue, their daughter
loses her ball, which is caught by Dr. Franklin, lurking amongst the
crowd. Though all he does is return it to her and try to make her
smile, the mother is vary wary and pulls her away.
Z Minus 6 Days
Ivanova enters the White Star's sleeping chambers and awakens Marcus, who is quick to run a check on the weapon systems. Ivanova observes that Marcus is fluent in Minbari, and Marcus explains that part of his training as a Ranger was to learn to be able to speak and think in a Minbari tongue, and that, to the Minbari, it is as important as fighting prowess. He offers to teach Ivanova, who politely refuses. Though she does relent a little, she is intrigued by some words he speeks to her: "You're the most beautiful woman I've ever met," though she can't understand the Minbari tongue he speaks them in. He tells her it is a greeting that means, "My words are inadequate to the burden of my heart." She finds the saying unusual, but is anxious to get to bed, though sleeping on the diagonal bed proves less than easy for her. Marcus pesters her a little more but eventually leaves, leaving Ivanova to attempt to rest. However, she has very little success.
Sheridan is in his quarters charging up his PPG when Delenn enters with
a progress report on the fleet. She explains that, as difficult as
forming the fleet was, keeping it at full strength will be even harder.
Sheridan tells Delenn he wishes she would stay behind
during the battle, what with everyone else being tied up, but she
insists it is important for her to go and that, when she returns, they
will spend the night together. Delenn explains to Sheridan, who
misinterprets her remark, that "when Minbari become close as we have
become close, it is tradition that they spend three nights together.
The male sleeps, the female watches." This confuses Sheridan until
Delenn explains that Minbari believe one's true face is only revealed
during their sleep, when they have no need to put on a different one
for the people they meet during the day. If the female likes what she
sees, the ritual continues. Delenn insists to Sheridan that she
already does, and he needn't worry about the lofty consequences, should
that not happen. "History awaits," she tells him as she leaves.
As Franklin is exploring some of the dark environs of Downbelow, he
witnesses two thugs savagely beating up on a man. Franklin tries to
come to the man's assistance, but a vicious battle between Franklin and
the assailants ensues, leaving Franklin bleeding profusely. The man he
tried to save was dealing drugs and refuses to help for fear of being
caught. Some time later, Franklin is still alone, despite his
frantic shouting and attempts making progress out of the secluded
alcove in which he's trapped.
Ivanova discovers the solution to sleeping on the White Star -- removing
the pillows from each of the beds, and making a bed from them -- just as
Marcus calls her to tell her that she's needed on the bridge. When she
arrives, he shows her that a small ship, made of the same material as
Shadow vessels, has appeared. It seems to be some sort of a scout
ship, but the White Star has little time to spare -- they can't move
without their energy signature being picked up, and since the planet
they are hiding behind is about to come out of eclipse, they are going
to be seen very soon. The sun appears, and the White Star is revealed
to the scout ship. It sees them and begins to send out a warning
signal, but Ivanova orders Marcus to jam it before it can warn the
Shadows.
Delenn, Sheridan, and Lennier, aboard the command ship of the fleet,
prepare for the battle. The telepaths are safe, and the other White
Star ships are on their way. Delenn is very worried about Ivanova, but
Sheridan insists she will be fine. Delenn leads Sheridan to the place
where he will lead the battle--a chamber much like that in which the
Grey Council met. Delenn tells him that he will be able to keep track
of the battle. Sheridan doesn't understand how, but Delenn promises
him he will when the time comes.
Franklin, still bleeding and weaker than before, continues to cry
out for help, but to no avail. He mutters to himself about how stupid what
he's done is, and another voice from nearby agrees with him. He looks
up to see a healthy, clean-cut version of himself standing nearby, agreeing.
"You said you had
to keep walking until you met yourself. Well, here I am. So, if we're
gonna talk, let's talk. Only, I don't think you have enough time."
The Shadow scout ship fires upon the White Star, but does no damage. Ivanova is determined to prevent the Shadow vessel from getting out of jamming range, and she prepares to fire. She returns fire on the vessel, and does some damage, but angers it greatly -- the ship moves to ram them, delivering a glancing blow that takes the White Star's jump engines offline. Marcus detects an energy surge several thousand kilometers away, and he puts it up on the view screen. Dozens of full-sized Shadow vessels begin appearing. Without the jump engines on-line, the White Star is in trouble. They know that they have no chance of escape, so they signal their fleet.
As the Minbari fleet moves to assist the White Star, and the Shadow
vessels continue to move closer, Dr. Franklin continues his
conversation with himself, who tells him that he has spent his whole
life running away from his father, his future, his life, and his work.
The other Franklin is upset at the wounded Franklin, who, when he
finally had everything he needed including a good job and people that
cared about him, just gave it up and ran away. He is also less than
happy that Franklin won't stop dying long enough to answer his
charges. He tells Franklin he doesn't care if he dies, as the two of
them parted ways a long time ago.
As the White Star's jump engines begin to come back on-line, Marcus
determines that a Shadow vessel has detected the White Star, and is
moving to intercept. As it comes closer, a jump point opens, and
numerous ships emerge -- including the White Star fleet, Minbari heavy cruisers,
and the ships of the League of Non-Aligned worlds. As Sheridan watches
in the command room of the lead Minbari ship, a circular viewscreen
descends around him and Delenn, and he dispenses his orders to the
fleet. The battle begins.
"Blood pressure's dropping fast," Franklin says, taunting his wounded alter ego. He asks Franklin what he has to live for, and what he could possibly want, since he threw it all away the first time. Franklin insists he wants to do it all over again, and begins to regain his determination. He begins to move, and pull himself up the ladder that leads out of his prison. With his healthy self taunting him all the way, and despite his wounded condition, Franklin is eventually able to get out. With great difficulty, he makes his way through the station, until he finally arrives in a Downbelow market area, where he is dragged away by security personnel.
The battle rages on, with all of the ships, Shadow and non-Shadow alike, taking heavy damage. However, despite the Shadows' superior numbers, Sheridan's battle expertise and the large number of telepaths at his disposal manage to help keep the Shadow ships at bay, if only a little. The battle comes to its conclusion, and despite heavy losses on all sides, the Shadows, realizing what they are up against, eventually retreat, leaving a massive graveyard of ships behind. As they stand amidst the remains of their fleet, Sheridan and Delenn embrace, knowing they have, for now at least, triumphed.
Franklin, on a gurney, is taken back to Medlab as the remants of the fleet and the numerous casualties therefrom are returned to the station. Garibaldi asks Sheridan, once he is back in the docking bay, how the battle went, to which Sheridan replies that it went okay, but not great. Two of their ships were destroyed for every one of the Shadow ships that were taken out, and Marcus reminds them that this time they had the advantage -- they knew where the Shadows were going to strike. Next time they won't be so lucky. But Ivanova is still impressed -- they were able to unite with the League of Non-Aligned Worlds against the Shadows.
"So here's the big question," Garibaldi says. "Now that we've shown them we can hurt them, how long until they come knocking at our front door?"
"That's what worries me," Sheridan says as he and Delenn leave.
Z Minus 4 Days
Garibaldi goes to visit Franklin, being treated for his wounds in Medlab. Franklin finally regains consciousness, and Garibaldi tells him that he is disappointed -- he lost 30 credits in a bet because of it. Franklin, though still in great pain, is willing to admit that he found what he needed -- a short, sharp kick to the head, which Garibaldi says he would have been only too happy to provide. Franklin also says that, when he found himself, he didn't like the person he met too much. Garibaldi gets ready to leave, but reminds Franklin before he goes never to do something like this again -- he can't afford to lose another 30 credits.
In Hyperspace, a Shadow vessel is travelling, but it stops for a moment, and something emerges from it -- a ship. It flies off quickly in an opposite direction from the Shadow vessel.
Sheridan tells everyone that, though they did everything they could, they took a big loss, and that it is only a matter of time until the Shadows come looking for them. Sheridan wants to know how and when, but Delenn suggests that they may be reluctant to do so, and with the weapon on Epsilon 3 at their disposal, they may be foolish to try. Ivanova doesn't understand why, when the Shadows could have attacked at any time during the past year, they waited so long to attack now? As Sheridan ponders this, he remembers part of his dream from long ago -- something he's been doing ever since Kosh died.
Ivanova, with a large raven on her shoulder, asks Sheridan, "Do you know who I am?"
Sheridan explains that, not too long after he had the dream, Ivanova revealed that she was a latent telepath, and that she said she sometimes didn't know who she was. Ivanova doesn't know how Kosh knew that, but that the image does fit. He explains further that the dream showed him wearing the uniform of a PsiCop, and Ivanova realizes that that foreshadowed their siding with Bester. Sheridan further explains he had an image of Garibaldi, with a dove on his shoulder.
"The man in between is searching for you."
Ivanova surmises that that could refer to Sinclair, but Sheridan is unsure, feeling that there must be another explanation. He moves on to the next part of his dream -- Ivanova, dressed in a black veil.
"You are the hand."
Ivanova doesn't understand why she would say anything that sounded so strange, but Delenn explains that Sheridan has two hands, both equal, but opposite, and that it is possible that is the "man in between" to which Sheridan's dream was referring -- Sheridan's equal and opposite. The final part of Sheridan's dream -- his looking up and seeing himself -- seems to support that theory as well. Sheridan orders that all of Babylon 5's squadrons be on flybys, since sooner or later, trouble will find them. And he expects it to be sooner.
Before long, Franklin is back up and around, advising those beneath him in Medlab. Though he is confined to a wheelchair, he can still do what he does best: give orders. Sheridan comes into Medlab and tells Franklin that his job is waiting for him, should he still want it. Franklin doesn't have to hesitate very long before saying yes. Sheridan asks him if he is sure, but Franklin knows he is. Franklin tells Sheridan that he used the stims to do more, when what he needed was to do better, and he knows that he ran away when he quit to avoid being fired. He explains that he has, for his entire life, looked at himself in terms of what he wasn't, but never what he was, and that he missed a lot of important things because of it. He knows he can't go back and undo his past mistakes, but can appreciate what he has now, and he can define himself by what he is and not what he isn't. Sheridan asks what that is. "I'm alive," Franklin tells him. "Everything else is negotiable." Sheridan's commlink beeps, and he answers it. It is an officer telling Sheridan that Delenn is awaiting him. Sheridan leaves, and as he goes, Franklin continues his advising.
Later that evening, as another visitor arrives on the station, Sheridan
is in his quarters, asleep, while Delenn watches him silently.
Ivanova, however, is having trouble sleeping. Zack interrupts her,
telling her there is someone new onboard the station, that he considers
very important, and that concerns the captain. As Sheridan sleeps,
Delenn gets up from his beside and moves out to the front room, where
she finds a snow globe. She picks it up, turns it over, and watches
the falling flakes silently. The door to Sheridan's quarters burst
open, and a shadow appears in the doorway. What she sees is enough to
cause her to lose her hold on the snow globe, which falls to the ground
and shatters.
"Hello," the figure, a woman, says as she appears in the doorway. "You
must be Delenn. I'm Anna Sheridan. John's wife."
Z Minus 2 Days
Ship of Tears
Overview
Bester finds himself at odds with others within the Psi Corps and seeks Sheridan's help, offering information about the Shadows in return. G'Kar presses for admission to the conspiracy of light. Walter Koenig as Bester. Joan McMurtrey as Carolyn.
P5 Rating: 8.70 Production number: 314 Original air week: April 29, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
Backplot
- Telepaths who refuse to take sleeper drugs to suppress their abilities, or to join the Psi Corps, are sent to reeducation camps, one of which is on Mars. The Corps refers to them informally as "blips."
- The Shadows killed most of the Narn telepaths a thousand years ago. They were driven off by G'Quan and the remaining telepaths.
- Telepaths can disrupt the link between Shadow ships and their non-telepathic pilots. The Shadows have thus been infiltrating Psi Corps, taking control of it from inside to prevent it from being used as a weapon against them. They are also capturing rogue human telepaths and altering them with cybernetic implants, possibly with the intent of using them as telepath-proof pilots.
- Telepaths can locate ships by focusing on the occupants' thought patterns. Their range is greatly expanded in hyperspace. Psi Corps kept that a secret to prevent the Earth military from putting its members on the front lines.
- Psi Cops are trained to pilot all the latest Earth Alliance vessels.
Unanswered Questions
- Were Franklin and Bester able to save Carolyn?
- Are the rest of the telepaths still in cryonic suspension and on B5? Where were they taken, if not?
- How much more does Bester know about the Shadows and their involvement with the Corps?
- Who were the aliens in Carolyn's flashback and on the bridge of the cargo ship?
- Was Carolyn telekinetic, or did her modifications give her that ability? If the latter, are the Shadows telekinetic too?
Analysis
- Delenn still isn't being completely open with G'Kar -- she neglected to tell him about Kosh's involvement, for instance. Perhaps she knows of Kosh's manipulation of G'Kar ("Dust to Dust") and doesn't want the illusion shattered.
- Even someone as highly ranked as Bester isn't immune from the Corps' rules about arranged marriages. On the other hand, given his obvious sense of genetic superiority, he may feel it's his duty to the future of the human race to help breed a better telepath.
- The mere presence of Bester stopped the Shadow warship from attacking the White Star (assuming it didn't stop to avoid risking damage to the "weapons components.") Was that because it couldn't get close enough to attack without Bester interfering with its pilot's bond? In any case, the effect is consistent with Talia's experience in "In the Shadow of Z'ha'dum," in which she was able to sense, even see, the Shadows without consciously probing for them.
- A telepath who consciously chooses to disrupt a Shadow ship might be even more dangerous to them, though that isn't clear.
- Is there a reason the Shadows are choosing human telepaths in particular? Sheridan speculated that "they're using humans to pilot their ships." Is that universally true, or are humans simply one of a large number of races being used for that purpose? Would, for instance, a Centauri telepath be any good against a Shadow ship with a human pilot? The events on Narn suggest that telepathy's effect on the Shadows isn't race-specific.
- If telepathy is a weapon against the Shadows, Sheridan may want to stock up on Dust ("Dust to Dust.") And given that the Psi Corps produces the stuff, Bester may be able to arrange that.
- The Shadows may also be looking for telepaths for use as hyperspace trackers; presumably they know about the scanning abilities revealed by Bester.
- Is detecting other ships in hyperspace something peculiar to human telepaths? If not, do other races use telepaths for that purpose? It seems odd that the ability would remain a secret for so long if all races with telepaths can use them to scout in hyperspace. On the other hand, each race who's discovered the effect might consider it a military advantage and thus keep it under wraps.
- Did Bester find out about Ivanova when she slapped him? Physical contact intensifies psi ability (established as early as "The Gathering") but the slap was probably too brief to be of any use. However, he did take care to make her angry, which, as she herself has observed ("Dust to Dust") makes scans much easier.
- Does Ivanova's latent telepathy provide any protection against attack by a Shadow ship? Ivanova has only encountered a Shadow ship once, in "Matters of Honor," and it fired at the White Star -- but it didn't hit the White Star. Perhaps Sheridan was wrong about why the Shadows missed. On the other hand, given the behavior of the Shadow ship in this episode, it's unlikely the ship in the previous encounter would have pursued the White Star like it did. (See jms speaks)
- As the only major race without telepaths, the Narn may be in for even more bloodshed and loss; they will be unable to protect themselves from the Shadows as they were (barely) able to before.
- The cybernetic implants were perhaps put in place at the Mars facility destroyed by Garibaldi and Sinclair in comic #8, "Silent Enemies." If so, it implies that the Corps, or some component of it, was abetting the Shadows in their quest to make human telepaths useless as weapons. However, the presence of the unidentified aliens, both on the cargo ship and in Carolyn's flashback, strongly suggests that the operation was performed elsewhere, or without the Corps' assistance.
- Carolyn's entanglement is slightly reminiscent of Draal's attachment to the Great Machine in Epsilon 3 ("Voices of Authority.") When she said that telepaths prevent her from "hearing the machine," was she talking about Shadow ships, or something similar to Epsilon 3? The Machine does seem to be affected by telepathy; witness Ivanova's ability to pull extra information out of it when she was there.
- What effect will Carolyn's modifications have on her unborn child, assuming the Shadows' agents allowed it to live?
- The White Star can no longer be considered even remotely secret now that Bester has been allowed to wander around the bridge. Even if he truly opposes the Shadows, his primary motives might prompt him to tell others about the ship.
- Bester is presumably still safely in his position at the Psi Corps; even if he's unable to get any Corps telepaths to help combat the Shadows, he'll likely be able to arrange for Franklin's underground railroad to continue its work unmolested, providing the army of light with a supply of telepaths with which to man its ships.
- His discovery of the Shadows and their involvement with the Corps, though, indicates that he's not above unauthorized scans of his own people if it suits his purposes. Presumably he's very careful to only scan people he's confident won't be able to sense him; or he scans them on some other pretense and they're unable to tell that he's pulling Shadow information from their heads too.
- Bester claimed he last saw Carolyn four weeks earlier, but never elaborated on what happened to her after that. Was she spirited off on official pretenses, or did the Shadows or their agents kidnap her out of the middle of a Psi Corps installation on Mars?
- @@@831919911 Bester's entrance into the army of light bears similarity to Marcus' and Sheridan's. All three vowed to fight on the side of light after a loved one was killed or taken by the Shadows.
- Now that G'Kar is a full member of the war council, perhaps he'll save Garibaldi the trouble of poring slowly through the Book of G'Quan for clues and will tell the others everything his people know about the Shadows and how to defeat them.
Notes
- The title may be a reference to the Trail of Tears, the forced march of thousands of American Indians away from their ancestral lands onto government-apportioned reservations half a continent away.
- Vorlons also dislike telepaths, according to Garibaldi in "Deathwalker."
- Bester quotes from Edgar Allan Poe's "The Cask of Amontillado."
jms speaks
- @@@865184465 Today Walter Koenig and Bill Mumy had a scene together;
this (saith Bill) marks the first time a Lost in Space regular and a
Star Trek regular have acted together in the same scene.
- How does Bester fit into the Shadows/Psi Corps connection?
This question will be dealt with in "Ship of Tears," around mid-season. - The Christmas hiatus ends after the 1st, so we're back at work on
the 2nd shooting "Ship of Tears," with Walter Koenig returning as
Bester. Expect some major revelations about Bester's background, and
where his character is going.
- Was Bester's first name a reference to Alfred Bester, the writer?
Yes, it's certainly a tribute to Alfie, a giant in the field. - Where did the prop for the book come from?
The book was made by Mark Walters of our prop department; and when all is said and done...it'll likely end up in my office....Creation hath its perks.
- Where did you put the war room set?
Since we're not using the casino much this season -- not a lot of room for frivolity -- we yanked it out and put up the war room on stage C. - How were the reflections on Sheridan's faceplate done?
The reflections you cite were all done real-time with an LCD projector. - @@@832965854 Was Garibaldi's voice dubbed?
If this refers to the War Room scene with Garibaldi at the end...yes, there was some looping done. The best performed scene had some unacceptable noise in it from the chair Jerry had been sitting in at the first part, then he went slightly off-mike at the second point. - Who's behind the shadows? Nobody. The shadows are the shadows (though
that's not the name by which they call themselves), a race of their own.
Question is, why are they doing what they're doing?
You'll find out by season's end.
- Why did Garibaldi need a computer to read the Book of G'Quan?
To follow the book, there still has to be a knowledge of the language. You need to have a dictionary around, which is what was used.The comparison, I suppose, would be those who say that Jorge Luis Borges' work can only be most truly appreciated in the original Spanish. There's a *translated* version, which someone has gone through and made the translation for you, written it all out in English...or you can learn the language, and then read the original manuscript.
Garibaldi doesn't know Narn, so how other than with a dictionary could he read the original material, except by sleeping with it under his pillow and praying for divine intervention.
- How could G'Quan and the Narn telepaths fight the Shadows if the
Narn telepaths were all killed?
Those were the last remaining ones, the older telepaths, their children all killed, too old now to produce any further children, and the technology of cloning or genetics was still way beyond them.The story of the last crusade of G'Quan is actually quite interesting; I hope to get it into the show at some point. Right now it's mainly background, even though I've worked it out fully.
- How about an episode showing G'Quan's crusade?
No, because that would mean doing a story without our main characters, since G'Quan's story took place about a thousand years ago, and I don't think I could sell that. (Unless I did another time travel number, and I only intend to go to that well once, with the B4 storyline.) - @@@839200015 Then how about telling us the story online?
I think I'd rather hold it for now, on the chance that I can use it somewhere, or in time turn it into something larger. - That's one of the things about the show that makes it
very appealing to write; you can go from fall down funny, broad comedy
in "Vir" to something more emotional, almost lyrical but serious in
"Avalon," then right into something vaguely horrific in "Ship." You
get to use all your muscles, not just the same ones over and over. I
like to stretch, try something I haven't tried before. Which means
from time to time I fall on my face, but that's okay; it's the only way
to learn. I have absolutely no qualms about making an ass of myself
and failing if it means that the next time, I can do it right.
I didn't give Mira or Andreas any instructions on that scene except what was in the script, which was minimal. When you have two performers that solid in the room, just give them the lines and run like hell.
Speaking of going back and rewatching episodes...part of this goes right back to the *pilot*, where, you'll recall, G'Kar tried to seduce Lyta, mentioning that there are no Narn telepaths, and they feel very strongly it's important to their survival that they start breeding them at the first opportunity.
Ding....!
- Did the lack of Narn telepaths give the Shadows an extra advantage
during recent encounters?
Certainly, that there were no teeps on Narn made them easy targets, as were their ships. They would also have a vested interest in subduing them because of the knowledge they have, revealed here. If you'll remember, in "Matters of Honor," they mention to Morden that they've only been able to track down some Narn legends. Morden's reply: "Well, we've taken care of that problem." Had G'Kar not been out and about, they might have succeeded. - @@@846742790 Why didn't all the Narn support G'Kar's request to
send an expedition to Z'ha'dum in
"Revelations,"
if G'Quon wrote about the Shadows?
Narn is somewhat factionalized itself, as is every world; there are different followers of different denominations of sometimes similar basic beliefs. Catholics and Protestants are both members of the same faith, but a Protestant doesn't recognize the power of the Pope; neither does a Mormon, or a Lutheran. Similarly, not everyone invests G'Quon with the same amount of reverence or credibility. And G'Kar can call upon those who believe similarly to send out an expedition, but may not have the clout in the rest of the government to do much more afterward.And yes, initially the shadows had no interest in the Narns, until such time as the Narns, led by G'Quon, began to engage in sabotage and direct attacks to drive them off their homeworld. Then the killing started.
- Minbari telepaths can also have an effect, as we'll see
soon.
- @@@846742790 Bester's line about being the only thing standing
between humanity and the abyss in
"Dust to Dust"
wasn't as arrogant as it sounded.
Yeah...we're slippery that way.... - Everybody's agendas remain the same...but for the
moment, they are on the same alignment. As soon as it's over, as
Ivanova says, he'll turn on them, no mistake. Enlightened
self-interest, nothing more.
The new command center was cobbled from what's on the station, with some additional Minbari funding. And yes, by now, pretty much the whole crew knows what's at stake with the shadows. And now that they're not hiding anymore, the whole *thing* is out in the open.
- Was the cargo ship's pilot the same species as the surgeons?
Yep. Same species. - There's no relation between the aliens working for the shadows
and the Streib. The ones you saw in the flash were "doctors" of a sort
doing the work; there was no abduction required except of course the
covert kidnapping from the Psi Corps Re-education Center. As for
Bester's look behind, he was just looking to the guards behind him, and
the ones in front of him.
- The implants are part of the preparation process Delenn
referred to in "Messages."
- Did Bester read Ivanova when she slapped him?
I think the contact would've been too fleeting, and too much a shock (and it likely hurt like the dickens) that by the time he knew it was there, it was too late, and she would've sensed it in either event. - @@@833443567 "Was it just me, or did anyone stop to think just how
Bester got to B-5 space in a Starfury without using the local jumpgate.
Who brought him and more important, why?"
He simply tagged along with an Earthforce jump-capable ship, and asked to be dropped off. I considered bringing this up, but it was just dead exposition; it would be easy enough to do.
- @@@839200015 Why didn't B5's sensors pick up the jump point when
he was dropped off?
It's far enough outside B5...about an hour or so in normal space...that they wouldn't have picked it up. - Why didn't Bester stay with Carolyn?
Logically, he can't just go away indefinitely, and it's going to take a long time before they can get Carolyn in shape. A very long time. If he stays, he'd be noticed and hunted down by the Corps, which ends his usefulness. His staying served no purpose. - It'll be a long time before Bester's ladyfriend comes anywhere
near being whole again.
- Will Bester covertly help B5?
Yes, that'll be something Bester will do now. - Was this change of heart planned from the start?
Yes, this was definitely intended from the start with Bester. - "If the theme of the relationship is "All Bester needed was to love
and be loved, or he wouldn't have been the slimeball he is today", I
will be a bit disappointed."
Then you won't be.
"It's just a little too simplistic."
Absolutely.
One mongoose can love another; that won't change its attitude toward pythons.
- Bester's connection to Carolyn was too much of a coincidence.
It would have worked better if they'd brought him a list of names and
he'd seen her there.
Yeah, they could've brought him a list...and he'd have seen the name instantly, and wouldn't have been hit with his own "blip" careless attitude right in his face...also, she needed to be already being defrosted at that point, and you can't defrost all of them at once.Yeah, it was a coincidence. Synchronicity. It happens. It doesn't happen much on this show, hardly ever. I figured she'd be one of the last in, and thus the first out. Synchronicity and coincidences *do* happen. How many times have you reached for the phone to call someone to find the phone ringing, and it's them on the other end? What're the odds of Oedipus killing his father and marrying his mother out of all the possible kingdoms in the area? It happens. As long as it doesn't happen to excess, it's not something I'm worried about.
- @@@833443567 "Then out of the hundred popcycles in the Shadow transport,
we just happen to pick the one guiding light in Bester's life. God,
aren't we lucky."
Yes, and how amazingly coincidental that of all the women around, Oedipus would just happen to murder his father and marry his mother without knowing he had done so. Okay, it was a coincidence, I'll own up to that. We have very, very few of them on the show. And the reason the word "coincidence" exists, and the word "synchronicity," is that sometimes stuff like that does happen. You ever pick up the phone to call somebody and have that person already on the line calling you? You ever think of someone you haven't seen in a while and run into them the next day? It happens. As long as it doesn't happen to excess, and become a venue for sloppy storytelling every week, it doesn't bother me, it's a legitimate plot device.
And you misspelled popcicle.
- There are a number of medlabs, which are broken into various
areas; each has a larger wing attached to it, which we've seen on
occasion, such as when the young girl in "Legacies" is in the infirmary
in bed, same with Shon in "Believers." They each have a pretty fair
capacity for patients.
- Why aren't other TV networks available? What happened to the two
reporters at the ISN desk when it was shut down?
ISN is one of the only interstellar networks bounced via the tachyon relay systems from Earth to the outer colonies and beyond. There are lots of other channels back home, but to get this far out you need the support of the government.The other two reporters are, to say the least, in deep guano.
- That's Brakiri space they attacked; more on that in the next
episode. (They're a League world.)
- @@@832236637 Ivanova isn't a strong
enough teep for the incoming shadow vessel to really even notice.
- @@@839200015 How close does a telepath need to be to read
someone?
The person has to be in their line of sight; they don't have to look into the person's eyes or anything as silly as that. It doesn't matter if the person's head or body are covered, as long as there's a definite "focus" for them. - @@@839200015 If the person is behind a door, or otherwise can't be located visually, it's difficult to impossible to scan.
Ship of Tears
Synopsis by Katrina Glerum (kat@midwinter.com)
A hopeful crowd has gathered in the Zocalo, eager to see the first ISN broadcast since transmissions broke off violently after the imposition of martial law a few weeks earlier. However, even Ivanova is disheartened by the anchor's bold-faced lie that the final broadcast had been made by alien-backed saboteurs attempting to overthrow Earth Gov.
Captain Sheridan is busy checking out one of the new fighters from the
Churchill when a distress call is logged. It is from a lone black Star
Fury, painted with an enormous Omega, and bearing the station's
favorite Psi Cop, Mr. Bester. Keeping carefully out of telepathic
scanning range the Captain asks Bester why he shouldn't just kill him
on the spot. Curiousity? Bester suggests. When there's no reply he
prompts impatiently, "Captain?" but finds the response: "I'm thinking
it over," rather unsettling.
A frustrated G'Kar catches Ivanova in a corridor. He has fulfilled his
part of the bargain he made with Sheridan by having his Narns assist
with station security and even defense, and he demands that he now be
allowed to join the alliance Sheridan and the rest have formed.
Stepping onboard the station, Bester is amused to find himself greeted
by a team of armed guards. Meanwhile the command staff watch him
suspiciously on a closed circuit TV and debate whether to drug him up,
lock him up or give him a chance to explain. Privately, Sheridan
manages to convince a reluctant Ivanova to be the first to meet him
since her latent ability will allow her to detect a scan. She greets
the Psi Cop in his cell with icy demeanor. Bester's idle needling
about her hatred for the Corps brings her to flash point faster than he
could have estimated, and earns him a resounding slap when he mentions
her mother.
But it brings him to his point. "The enemy of my enemy is my friend,"
he remarks. He has found out about the Shadows and their influence
over President Clark and the Psi Corps, and he doesn't like it. They
interfere with his plans for a future when humans are ruled by
telepaths. He has come to Babylon 5 to find someone who hates Shadows
as much as he, because he thinks he knows a way to damage them.
Sheridan and Delenn discuss G'Kar's demand. They both realize that
bringing G'Kar into their circle means they must own up to the fact
that they knew that he was right about the ancient enemy's return and
let his world be conquered by this enemy and the Centauri rather than
reveal their knowledge. Over Sheridan's objections the Minbari
Ambassador insists that it is her responsibility to tell G'Kar the
truth now since it was she who insisted that the secret be kept.
Bester tells the gathered officers that a ship bearing weapons
components for the Shadows is en route to the Rim and needs to be
seized. He explains that he can pinpoint the ship's location in
hyperspace by homing in on the thought waves of the occupants.
"Try not to drool on the controls," Sheridan mutters as Bester admires
the White Star's bridge. The instant the Captain leaves his seat,
Bester hops on, only to be booted out an instant later and ignored by
Lennier when he tries to give an order.
Her head bowed, Delenn admits to the Grey Council's knowledge of the
Shadows and their alliance with the Centauri. If they had spoken out,
she explains, the Shadows would have acted openly and would have
annihilated the Narns rather than simply allowing the Centauri to seize
their homeworld. Instead of millions dying, billions would have died --
whole planets, she gasps, horrified.
"If I had learned this as my world was being bombed by the Centauri, I would have killed you instantly," G'Kar hisses. "You understand that, do you not?" Then he repeats the line from his Vorlon-inspired vision, "'Some must be sacrificed if all are to be saved.'...Now I understand that is as much about how we got here, as where we are going. I think that one sentence is the greatest burden I have ever known." He admits that if it were not for the Grey Council's inaction, his people would be a dead race.
As tears slide down her face Delenn says, "You have come a long way, G'Kar. Further than I could have guessed," and she welcomes him into the War Council, only hoping that he can forgive her someday.
"Perhaps, but not today," he utters.
The White Star knocks out the last of the Shadow fighters protecting
the transport and grabs it as an enormous Shadow ship looms out of
hyperspace. Lennier announces its presence, but the ship breaks off,
and Bester has a strange look on his face.
The transport is carrying a cargo of human telepaths in cryogenic
suspension. The pilots are an unknown alien species who have committed
suicide rather than be captured. When Sheridan demands to know why
Bester didn't tell them about the cargo, Bester admits that he knew
Babylon 5 probably wouldn't expend any effort to save telepaths.
When Franklin unfreezes one, he notices that she seems to have cyberweb
implants. He takes her ID bracelet to Bester, who condescendingly
begins to explain that she is a "blip" who refused to join the Psi
Corps. Suddenly his face grows numb. He must see her immediately.
She has other plans, however. By the time Garibaldi, Franklin and
Bester arrive at medlab, she has wrapped herself into an intricate
cocoon of wiring and is interfacing with the station electronics. She
wants to be free of the pain she's in, but the commands in her head
which tell her to attack the Psi Corps, are too powerful. As the
doctor knocks her out, she asks Bester, "Al, what have they done to
me?" and sends him images of her ordeal: alien brain surgery and
Shadow vessels.
She knows him because she is the love of Bester's life, and carrying
their child. The Shadows were intending to plug these telepaths into
their newborn ships. If Bester hated the Shadows before, now he wants to
destroy them. For saving her life, he pledges his support to B5's
war before leaving the station.
The recent events have reminded Garibaldi of something. Turning to the
Book of G'Quan, he finds it, and calls an immediate meeting of the War
Council in their new command center. It appears that all of the Narn
telepaths were killed by the Shadows a thousand years ago, because the
Shadows using the planet as a base in their last war feared them. The
Council members instantly realize that this might be why the Shadow
ship didn't attack the White Star with Bester aboard, because maybe
telepaths constitute a threat, and are therefore perhaps a weapon against
the Shadows. It's just in time, Ivanova reports, because the Shadows have
just begun attacking Rim worlds openly.
Sic Transit Vir
Overview
Londo introduces Vir to a surprising new acquaintance. A heavy influx of Narns to the station raises suspicions. Carmen Thomas as Lyndisty.
P5 Rating: 7.53 Production number: 313 Original air week: April 15, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Jesus Trevino
Backplot
- Ivanova has been in the military for 13 years.
- The Centauri are attempting to pacify the Narn homeworld's population. Among other techniques, they send troops to Narn villages to root out aggressive citizens and "put them to sleep." Sometimes entire villages are found to be aggressive and are burned to the ground.
- Vir, using his power as head of the diplomatic office on Minbar, has been running a Schindleresque underground railroad for Narns. He created a fake persona in the Centauri government, "Abrahamo Linconi," and faked death certificates for over two thousand Narn after "Linconi" ordered them transferred to work camps on Centauri Prime.
- The Centauri consider marriage for the sake of love rather than politics a radical act.
- Vir's uncle doesn't think highly of him, claiming that Vir is capable of "a well-deserved humility."
- Vir has an interest in human history.
Unanswered Questions
- How was Ivanova able to flesh out Vir's fake official, whose records were presumably in the Centauri Republic's private databases?
- What did Vir and Lyndisty do with the bound Narn? Obviously Vir didn't kill him, but what did he tell Lyndisty?
- Will Lyndisty's family cancel the arrangements now that Vir has been demoted?
- Does G'Kar know of Vir's efforts? Will he be able to forgive Vir in spite of himself ("Comes the Inquisitor?")
Analysis
- If Ivanova and Allen could follow the paper trail to discover that Vir apparently sent thousands of Narn to their deaths, others might be able to as well. Vir may find himself a target if any Narn who aren't in on his secret manage to access the records in question. Certainly Lyndisty is still in danger; lots of other Narn would undoubtedly like to get their hands on someone with her history.
- Vir can still help the Narn if he chooses, though it'll be riskier. He presumably has retained his post as Londo's attache, which should have some authority in itself. And by tempering Londo, however slightly, he may do more good than he did on Minbar.
- Vir isn't alone in wanting to help the Narn; he referred to others working with him. Will those others be able to continue, especially with Ivanova's assistance? The presence of other Centauri might explain how she was able to access the Centauri government's files.
- Given Londo's feelings about bugs, what will his reaction be when he sees an arachnoid Shadow warship for the first time? Perhaps his fear of insects (and spiders) stems in part from his dream ("Matters of Honor.")
- There may also be a parallel between Londo's insect hunt and the typical Centauri attitude toward the Narn, who they regard as little more than bugs on two feet. If that parallel is intentional, Londo's line about the insects "evolving before my eyes" might have some relation to the Narns' changing position in the universe -- with G'Kar's help (and some prodding from Kosh) they're becoming something quite different than they were mere months earlier.
- Evidence of the pressures of independence are starting to appear: B5's officers now drink an unidentified liquid instead of morning coffee and the ambassador of a major race -- albeit an ally of the government the station opposes -- can't get a maintenance crew to his quarters. The loss of Earth funding and support is likely to grow worse over time.
- Vir's smuggled Narn are considered dead by the Centauri -- perhaps making one of them the subject of Lady Morella's prophecy to Londo, that he "must not kill the one who is already dead" ("Point of No Return.")
Notes
- The title is something of a pun; it's Latin for "thus passes the man" (roughly speaking.) It's probably a reference to the saying "sic transit gloria mundi" ("thus passes the glory of the world.")
jms speaks
- @@@838919868 Why are the command crew still wearing their old
uniforms in the opening credits?
Because changing one picture, or a credit caption, is a *heck* of a lot simpler than changing 4 pictures and redoing the whole thing. - Why were this episode and
"A Late Delivery From Avalon"
swapped?
We flipped them around because after "Ceremonies" we NEED something lighter, and because York's episode in the new slot now coincides with the first week of sweeps. They were written to play in either order. - Can you tell us more about Vir's family?
I can, but I'd rather show it; you'll find out a lot more about Vir and family relations in "Sic Transit Vir" in mid-april. - @@@838919868 About the title
thus passes Vir (it's a signal of transition) - @@@865184132 Re: "...a Vir intensive script."
Just finished one. Script for episode #13, "Sic Transit Vir." I think it's gonna be a hoot.
- Yes, it's sort of a double pun in that respect...thus passes
the man, which can have many meanings, also entering manhood, or dying,
or going away, or the more Vir transitioning, or going...lots of
variations.
- @@@865184132 It's accurate as far as it goes, and a pun on another
level.
- Just an advisory...I finally saw the trailer for "Sic Transit Vir," and
I'd suggest anyone who wants to enjoy the show *not* watch the trailer,
as it gives away stuff that shouldn't be given away.
@@@882120672 [Spoiler for "The Maltese Falcon"]
I.e., if the trailer for The Maltese Falcon said, "...and see the surprise when the black bird is discovered to be an imitation." - @@@838919868 [Spoiler for "Citizen Kane"]
I wasn't happy with that aspect of the promo either (which was the national spot, not cut by the stations). It's kinda like doing a promo for Citizen Kane, "...it all began with a child's sled named Rosebud...." - About Vir
He's a much stronger character than anyone might think. He's sort of the "God's Fool" character, to get literary for a second, who somehow manages to make it through it all. - At this point, with the rethinking going on back home, he's
bethrothed and promised, the marriage arranged, but not yet fully,
*formally* married. There's still ritual to go through. The other
family could still choose to withdraw the arrangement.
- Even the babble is pretty tightly scripted. The hesitations and
occasional stumble-restatements are the actor's delivery. There's
occasionally a very tiny bit of improv in that kind of scene, but very
little.
- Londo is a very sharp, cunning character. He does what he
does for sheer patriotism, to serve his people. *Whatever* that may
entail. And Vir gets whipsawed a lot...he's a great character, with a
wide range of characteristics I can play with, from comic to tragic.
- When Londo goes to Delenn earlier this season to ask about having Vir
appointed to the Centauri diplomatic mission, he mentions then that the
mission has been closed for some time, "some trouble I believe with our
previous liaison." This just paid that off; those Minbari are just a
darned bad influence, I guess.
- @@@839749088 What happened to the previous liaison?
Went native. Bought into the whole Minbari theological system, dropped his Centauri citizenship, was last heard of in a distant retreat trying to grow a bone. - What happened to the Narn? And what were the Narns doing in Vir's
room?
I could've *sworn* there was a line there about the Narn recovering; I'm going to have to check this. I hope I didn't accidentally cut it for time while doing something else. (It was a LONG editing session.)I figured the Narns were there to discuss the fates of their families back home, but yeah, to a certain degree it was there as a great end for the teaser.
- @@@838919868 Was the door to Vir's room computer-generated?
The door was quite real. - Who said the line that was cut?
It was in the observation dome scene with Ivanova; I realized that we'd cut a small piece for time that was expendable, but in the back and forth went one line too far without realizing it. Sigh.... - What was the line?
The only line was that "the Narn is recovering in Medlab," something to that effect. Sigh.... - @@@838919868 Basically, after seeing what he's done for the Narns, and
knowing who Vir is all this time, and seeing his reaction of horror to
what Lyndisty was suggesting, anybody who thinks he offed the Narn
isn't paying attention.
- Did the Centauri politician know Vir's secret?
No, he didn't know, and would've been horrified if he had. - @@@838919868 About different Centauri speaking with different
accents
We've just always assumed that not everyone on any given planet is going to speak with the same accent as everybody else from that planet. Seems more realistic.Certainly, among Centauri, a certain accent is more associated with the "old school" of court nobility and the like.
- @@@833443367 "Did Sheridan and Ivanova really think that Vir was
killing off thousands of Narn while he was on Minbar. Hey, this
is Vir, not Josef Mengele we are talking about. Did they really
think it was necessary to drag this all out in front of Londo
instead of privately."
No, they didn't think he was doing it personally, only that he was expediting the transfer of Narns offworld for this purpose. You think someone like Vir could not do this. But most of the Nazis who send Jews to die weren't Josef Mengele, carving into bodies...they processed numbers from behind wire-framed glasses, and were quiet, sometimes even cheerful individuals with wonderful wives and children. The greatest evil can often wear a benign, smiling, affable face. And remember, people can change on this show. You look at Londo in season one, is this someone you could buy taking part in the bombing of the Narn homeworld and the death of millions of Narns? Yet that's what happened. And their belief was that it was probably Londo who was behind it all...it's Londo to whom Ivanova expressed her outrage, not Vir, who she figured was probably being pushed into it at his behest, so logically she *would* take this right to Londo. She figured, as you did, that Vir certainly wouldn't think of this on his own, but Londo could (and says so in the episode).
- @@@838919868 "Londo is a hell of a leader."
Perfect fodder for an Emperor, no...?
- @@@838919868 I love the Ivanova/Vir scenes; I fall down laughing every
time.
"the wife is always right." Hmm...I must convey this to Ivanova for her reaction the next time she pops out of my subconscious.
- What was the saucer-shaped ship outside the station?
It's a Vree ship, which we've seen before. - About the patches on the sleeves of the new uniforms
One of the patches is a Ranger patch; the other is the new B5 sword and shield logo. - It's been established that Minbari can and do lie when it's done to save
the honor of another. Here, Delenn saved face for Sheridan at dinner.
- @@@865184132 When will Delenn and Sheridan kiss?
Me? A tease? Moi? I just report the news, I don't make it.The kiss is coming. But I wanted to do it in such a way that it somewhat unexpected, in a way that would have even more weight than under any other possible conditions. How do you turn a kiss into a wham? (Aside from kissing the right person, natch.) Stay tuned....
- Londo and the bugs had nothing to do with any notions about the Shadows.
Sheridan is a war historian, with his main interests in the civil war, where one of his ancestors fought. He's very big on Lincoln.
Sic Transit Vir
Synopsis by Katrina Glerum (kat@midwinter.com)
Although the staff of Command and Control have survived attacks by
raiders, saboteurs, Centauri and their own fleet, they are staggered by
the sight of their very own Commander Ivanova-in the flesh, and nothing
else. She, however, is the soul of decorum, at least until she looks
down. Her horrified scream wakes her bolt upright. "God I hate dreams
like that!"
Vir is enjoying a little dream of his own, stroking the imperial trappings as he waits in the throne room for a meeting with a royal councilor. The minister congratulates him on his excellent reports from Minbar, while chiding him for relying on Ambassador Molari's misleading advice in creating them. He then shares a delightful little joke. "What's more dangerous than a locked room full of angry Narns? One angry Narn with a key!" Vir hurries back to his quarters where he steps into a room full of angry Narns.
Susan shares some of her nightmares with the Captain at breakfast,
stopping short of describing this morning's. He suggests that her
subconscious is lagging behind her intellect in coming to terms with
the whopping changes in her status and prospects. But not to worry, it
will all pass. Besides, it could be worse, she could be dreaming she
was showing up to work naked, he teases her innocently.
Alone in his rooms, Londo is planning a vicious sneak attack. He
lashes out again and again, but alas, too short, too slow. Finally,
the kitchenette in disarray, he vanquishes his insect tormentor, and
lofts its wrecked little body high in the air on the end of a noble
ceremonial sword. Before his instant of triumph dissolves into
dismay at the realization that one bug indicates more, he is
interrupted by the arrival of a ravishing young Centauri lady.
Sheridan flirts with Delenn in the corridor, inviting her to dinner
that night in the lull before another crisis flattens them all.
Londo barely manages to keep his puckishness in check as he greets Vir
with casual inquiries about the court. Then he launches the surprise.
The lovely damsel is Vir's arranged bride, Lyndisty. Vir isn't
sure what to make of it. The whole arranged-marriage business is as
daunting as her stunning figure. She however seems certain that her
destiny lies with him.
Zack apprises Ivanova of an increase in the number of Narns passing
through the station with false documentation supplied by Vir. When
questioned by her later, Vir stammers that it's for the Narns' own
protection, that he's helping them by moving as many as he can to camps
on Centauri Prime, where conditions are much better than on the wrecked
Narn homeworld.
John's excuses are flying just as fast when he presents his attempt at
flarn to Delenn. She forges though the meal stoically with subterfuge
and salt. Just as she gamely fills her plate, John dashes off to
respond to an emergency report of an assault in progress near Londo's
quarters, where an angry Narn is on a shankar rampage after Vir and
his wife.
Ivanova calls Vir in again to find out why a Narn has declared this
blood oath against him, and to warn him of a second Narn out for
vengeance on the station. Vir claims to be completely in the dark
about that, among other things. Ivanova assures him that she is no one
to be giving advice on matters of sexual intimacy but he insists that
he knows no other women to ask. She uncomfortably counsels enthusiasm,
to Vir's enlightenment.
It is advice that two others scarcely need as their passion for one
another is quite overpowering. Susan only makes her day even more
awkward by interrupting them in a clinch in John's room. But she must
summon the Captain to Londo's quarters immediately. According to
records from the Centauri government, Vir's refugees are all dead.
Londo swells with pride for his protege
until Vir bursts out with the truth that the Narn have all been saved,
smuggled off Centauri Prime through Babylon 5 and other places,
and the records falsified so no Centauri will come after them.
In a day full of surprises, it is his bride who gives Vir the greatest
of them all when she presents him with the second Narn bound and gagged
on his chamber floor and ready for him to dispatch. She giggles at his
discomfort, explaining that when she lived on Narn after the war she
grew used to killing them. He grows more aghast at her callous attitude.
Mollari declares that Vir's embassy on Minbar has been terminated, and
all records of his actions have been expunged. But what truly cuts Vir
to the quick is Mollari's disappointment in him personally, and the fact
that Lyndisty is being sent back to Centauri Prime, where her family
will reevaluate the planned union.
Sheridan becomes somewhat testy to find Ivanova using his office in C & C. But she claims to have found a purpose now, namely, using Vir's false authorization to continue the work of whisking a few Narn to safety.
Vir sees Lyndisty to her ship. Each thinks the other is sick, but believes such odd notions about the Narn will pass with time. Vir kisses Lyndisty goodbye, and they both vow to stay true to each other.
Signs and Portents
Overview
A sharp increase in raider activity has the station on the defensive. Londo obtains a priceless Centauri artifact. A mysterious stranger visits the station's alien ambassadors. Gerrit Graham as Lord Kiro. Fredi Olster as Lady Ladira. Ed Wasser as Morden.(Originally titled "Raiding Party")
Sub-genre: Action/intrigue P5 rating: 9.01 Production number: 116 Original air date: May 18, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Janet Greek
Backplot
- The Minbari refused to support Babylon 5 until Commander Sinclair was named as the Earth Alliance representative.
- The emperor of the Centauri hasn't been seen in public for some time, contributing to an erosion of the government's credibility in the eyes of the Centauri populace.
Unanswered Questions
- Who or what is Morden, and who does he represent?
- What do Delenn and Kosh know about him?
- Why did the Minbari want Sinclair in charge of the station?
- How big and organized are the raiders?
- What impact will the Eye have on Londo's career? Will he even return it to the Emperor, or will he try to use it for his own gain?
- How did Mr. Reno get his hands on the Eye?
- How did Morden's associates locate the raiders and recover the Eye?
- Who will escape on the shuttle in Ladira's vision? When will the vision come true, if ever, and what will the circumstances be?
Analysis
- Delenn and Kosh clearly have some sort of perception beyond normal senses, be it telepathy or something else. Kosh's seems to be much more advanced.
- Delenn's perception seems to be connected to the appearance of the triangle on her forehead. Note that this triangle was also present when Sinclair was interrogated by the Grey Council at the Battle of the Line (cf. "And the Sky Full of Stars.")
- Kosh recognized what Morden was immediately. That suggests previous contact between the Vorlons and Morden's people.
- Kosh said, "They are not for you," referring to humans, though that's not completely clear from the episode itself. (See jms speaks)
- Morden and Kosh appeared to have fought, resulting in the damage to Kosh's encounter suit. Since Morden continued to go about his business, perhaps Kosh capitulated or lost the fight, or perhaps he was only interested in stopping Morden from seeing Sinclair. One interesting thing about this alleged fight is the light that shatters behind Morden as the scene ends -- just a power surge from the attack, or something else at work?
- Babylon 5 may be destined for destruction, apparently with only a single shuttle escaping in time. (cf. "Babylon Squared")
- Where did Morden's disembodied voice come from at the end?
Notes
- This episode has the most complex battle sequence to date, spanning
nearly an act and a half.
- The raider on Babylon 5 is "Six," a tip of the
hat to "The Prisoner."
- Ed Wasser, the actor who played Morden, also appeared as the main
C&C technician in the pilot movie,
"The Gathering."
The same character? JMS won't say.
- @@@885925829 As Sinclair and Garibaldi left the lavatory, another
person entered. From the person's appearance, it seemed to be a woman,
even though they were leaving the men's room (the "Male" symbol was
clearly visible on the wall outside.)
- @@@910861173 Date glitch: When Ivanova is awakened by the computer,
it claims the date is Wednesday, August 3, 2258. But August 3, 2258
is a Tuesday, not a Wednesday. The error is probably due to a
miscalculation of
leap years.
- @@@877371302 This episode's title may be a nod to Norman Corwin, one
of JMS' favorite writers. Corwin's radio drama "On a Note of Triumph,"
broadcast at the end of World War II, examined how the war started and
what lessons it carried, and contemplated what would happen once it
was over. The quote in question:
Signs and portents!
It was no furtive tapping on the window sill at night,
But clamorous pounding in the public square.
jms speaks
-
We're retitling "Raiding Party" (which I always figured was a working
title, too prosaic) to "Signs and Portents." Figured it'd be nice to
have one episode title per (projected) year carrying the year-arc
title.
-
"Signs and Portents" is the overall title for year one; but just as one may
entitle a chapter in a book the same as the book itself, this episode has the
year-title in it (which may signify that this one is, well, significant....).
-
What did Kosh mean by "they?"
And who's on the shuttle?
They refers to humans. There was no need to ask Sinclair, and he was under orders not to. And who is on that shuttle...is an excellent question. -
Why the same old launching scene?
I tend to agree re: the launching shots. There were going to be some new ones for S&P, but there were SO many new shots in that one that we just ran out of rendering time. There's some new ones coming, though, and very dramatic looking, in "Babylon Squared" and the two-parter. -
I agree; Ed [Wasser, who played Morden] did a great job.
He was perfect for that role. (He has an oddly Rod Serling-ish quality to
his stance, I've noticed.) And he will definitely be seen again.
-
Ed Wasser is sort of our discovery; I pretty much wrote the part
of Morden with him in mind for the role. He's great in it.
-
You noticed that too, huh? Surprised me, too. We'd cast him in the
part of Morden, then the first day's dailies come in, and his stance,
his manner, the way he looks...we all looked at the TV and said, more
or less at once, "Holy shit, it's Rod Serling!"
-
Funny story. Saw Ed Wasser ("Morden") the other day, and asked him if
he'd had any reaction to his first appearance on the show. Just one,
he said. He was in a florist shop, picking out some stuff for a
friend who was sick. The proprieter came over, asked, "What do you
want?" Ed sorta mumbled about wanting some flowers. "What do you
want?" the owner asked again. Ed -- still not getting it -- said he
was looking for some nice stuff for a friend who was sick. "Yes, but
what do you *want*?" the owner asked. At which point Ed finally
twigged to what was going on. He said afterward that it really *is*
an unnerving approach, which was kinda the point.
Of course, the owner then added that he thought the scene was from DS9, but what the hell, it's an imperfect universe.
-
One lovely thing about "Signs and Portents," which
you picked
up on, is something I like to play with; implying one thing while saying the
opposite. Look at all the shadow's main representative, Morden, does: he
asks people what they want; he gets tossed out of Delenn's quarters; he
is pleasant in his demeanor at all times, never yells, always smiles, and
is courteous; he takes an action which saves one of our main characters,
Londo, from disgrace and resignation, and helps in the process of scragging
the bad guys in the episode.
And yet everyone walks away thinking that the shadows are bad. Which was of course the intent...by the way in which they did "good."
Kosh prevents humanity from achieving immortality, scares the hell out of Talia (cf. "Deathwalker",) never gives anyone a straight answer, doesn't seem to mind it if people fear him...and we walk away with the presumption that he is good, by virtue of the way in which he did things that were "bad."
[...] This is something I do a lot in my scripts, which I don't generally see a lot of other people doing. You *really* have to construct the script very carefully to pull something like this off...a little game between me and the audience.
-
Morden tried to find out what the ambassadors would like. Morden
arranged to rescue an important Centauri artifact. Morden helped
wipe out the crooks. Morden saved Londo's career, and asked for
nothing in return.
And yet we get the sense that Morden is a bad guy.
Kosh destroys our chance for immortality. Refuses to get involved in the affairs of others. Is plainly studying us. Terrorizes one of our main characters, Talia, for unknown reasons.
And yet we get the sense that Kosh is a good guy.
If anyone should ask, I really *love* writing this show....
-
Actually, the origin of "What do you want?" comes from encounter
groups I've run, and from other kinds of group psychotherapy, such as the
original Synanon games; you ask, "Who are you?" over and over, refusing
to take the same answer twice, to peel away the fabric of what the
person is. It's a slight jump to "What do you want?" (I knew that
degree in Psychology would come in handy one of these days.)
-
Why Londo? Because he was the one who answered Morden's question
correctly. Things happen for a *reason* that is suited to who the person
is. G'Kar's ambitions aren't nearly big enough; Delenn knows better than
to get near these guys; Kosh is against them; the EA are being kept at
arm's length for now, the non-aligned worlds aren't big enough...so here
we are.
-
There would have been more than one answer that would have sufficed,
but one answer was better than all the rest. Just the right mix of
resentment, nostalgia, ambition, frustration and a sense of displaced
destiny. Londo was hitting all those cylinders when he answered Morden's
question.
-
"jms, what do YOU want?"
I'll have fries with that.
-
The working name for the sixth race is the Shadowmen.
- @@@884374590
I named them Shadows after the Jungian notion of the Shadow,
which is the part of the mind which is all desire, and is destructive.
-
David: you hit it *exactly* on the head. Again, as you point out,
stuff here operates on a lot of different levels. I try, where I can, to
make a given scene do more than one thing. The hall argument is a good
example of this. The script stipulated a human being stuck between G'Kar
and Londo. Not any other race. Had to be a human. Because that becomes
emblematic of how we're stuck between the two sides in the war, something
which is *very* strongly brought home in the next batch of episodes.
Obviously, the first most important thing in that scene is just the gag, the humor. It has to work on that level, and that's how it came to me first: just the gag. Then, when it came time to write it, that's when I start poking at things to see if I can layer on another level of meaning, and I saw a way to do a little (very little) visual foreshadowing of stuff to come. Didn't matter if anybody ever noticed it or not; it was never really intended to be of much note, just a little item that becomes a nice bit of irony later.
-
Londo does not have the Eye. If he'd failed to turn it over, his
career would've been ruined; getting it back was the only thing that
kept him on B5.
-
There's a reason Morden didn't go to the Earth Alliance.
-
The raiders are gone for good, yes.
-
Re: Happy endings and non-happy endings
As for "Signs and Portents," I don't quite know *how* to characterize the ending on that one. Someone gets what they wanted, but this may or may not be a good thing. I'd say basically it has an ominous ending. We do try to keep it a mixed bag...one person may achieve a niceness, but somebody else pays the price, or gets nailed. -
Like Tolkien, and Jonathan Carroll, whose wonderful books start out
looking very nice and comfortable...and gradually take you to
someplace strange and dark and unique...I've tried to apply a similar
structure to Babylon 5. It seems to be chugging along at a good clip
along relatively familiar terrain. Now my job is to walk up alongside
the story with a crowbar and give it a good, hard WHAM! to move it
into a different trajectory. "Parliament" was just sort of a
preliminary nudge. "And the Sky Full of Stars" was a good, solid
WHAM! This week's episode, "Signs and Portents," is another WHAM,
even bigger than the one that precedes it.
There are two more major WHAM episodes: "Babylon Squared," dealing with the fate of Babylon 4, and "Chrysalis," our season ender, which is really more of an atomic bomb rather than a crowbar. So roughly about one-fourth of this season's episodes are WHAM episodes. That figure will increase in year two to about one-third. Year three (Neilsen willing) will be half-WHAM and hal-not. Year four would be three-quarters WHAM. And year five is all WHAM.
-
Let me dive in and take issue with you. The problem you seem to
have with the show(s) is alas a part of basic dramatic structure.
You have an introduction, a rising action, a climax, and then a
denouement. Aside from experimental theater kinds of things, that is
the basic underlying structure to all movies, plays and television
series.
"Twin Peaks," which you cite, really isn't a very good example because, in my view, TP *never* resolved ANYthing. Thus it became an exercise in viewer frustration that eventually was a major reason why the show was canceled.
The first batch of B5 episodes tended to be a little more self contained because, remember, we're trying to bring viewers in here, and do so without startling or pissing them off. We get a little funkier the deeper into the show we get. In some cases, as with "Sky," parts of the story are resolved, parts aren't. Generally, it's our feeling that if you have an open-ended B story, you generally have to include an A story that has some measure of closure.
"Signs and Portents" and "Babylon Squared" are two episodes offhand that I think are emblematic of what you're asking for. The A story in "Signs" is resolved...but that episode really isn't *about* the A story, it's about something unusual that happens with the B story that begins to set a lot of things in motion for this season. And that story is ended, but not *resolved*, if you get the distinction.
-
What you address in the last bit of the music in "Signs" is what
I've been trying to get across. The theme music appearing there is
not quite what we use otherwise. I suggested to Chris that it'd be
cool to have the B5 theme there in *minor keys* or minor chords. It's
a somewhat different version, and playing a theme in minor instead of
major keys or chords makes it somber, sad, unsettling. We've just
seen B5 explode, and doing that particular riff on the theme seemed
to both of us a good idea. Play it again, then the regular theme,
and you'll see the difference.
-
We've done a lot with themes over the season, and plan to do more,
developing themes for all our characters. I like interpolating bits
and pieces of the B5 theme into parts of the show; the minor-key
version at the end of "Signs" has always struck me as very effective.
-
Re: the theme music at the end of"Signs," I think it was me (but I
could be mistaken) who suggested to Chris, our composer, that he use
the theme, but in *minor chords* rather than major chords. Makes it
very sad, and very effective.
-
Overall, though, I've always told Chris to push it...to go absolutely
as far with the music as he wants. If it goes too far, we can always
pull it back or duck it down a little. Basically, I'm a rock-and-roll
kind of guy...I like my music loud, and I like a LOT of it. This show
is often wall-to-wall music. Chris often composes as much as 20-25
minutes of new music per episode; most hour shows have maybe 13-16
minutes of music per hour episode. And he is often called upon by us
to do some VERY long cues. Often, TV music is just there to cover a
transition (10-20 seconds), or establish a mood at the top or bottom
of a scene, and get out (1 minute to 1 minute-30 seconds average). We
have many, MANY cues on this show that go 2, 3, even 4 minutes. I
think we actually had a 6 minute cue at one point in one episode.
Check act 3 of "Signs and Portents" and see how much music we crammed
into that act; it's almost non-stop.
-
Re: The elevator scene
For as long as I've been writing, I've had a very simple belief that comes across with B5 as well: try to get in one really great action moment,minimum one real nice character moment, one solid dramatic moment...and one moment or scene that's fall-down funny.I like humor. I like that characters can show another side of themselves. If there is any real test of sentience, one of them must surely be the possession of a sense of humor, since it requires self reflection. And there is always unintentional (on the part of the character, at least) humor.
SF-TV has generally taken itself either too seriously, with rods up butts, the humor forced...or it's not taken itself seriously at ALL, and gone campy. This show takes itself seriously, but not in quite a way that lets it fit in either category.
For me, as a viewer, I enjoy the shows that are roller-coasters, that take you from something very funny...and slam you headfirst into a very dramatic scene. Hill Street was like that, Picket Fences is like that now...why not SF? I've also found that humor can help you reveal things about the characters. The Londo/G'Kar scene at the elevator in "Signs and Portents," for instance. It says something about both of them without coming out and *saying* it.
-
In general, you don't see a lot of light reflecting off other
objects when there's an explosion because in general those objects
aren't close enough to cause a reflection. Now, in "Signs," which
comes up in a couple weeks, there's explosions near a large object,
and there we do get some reflected light.
-
To have a station commander *and* a rep for Earth can be cumbersome
in many ways, when someone has to give orders. It's cleaner this
way; and no different than any of the sailing vessels of the 18th
century and before, when each captain was viewed as, and expected to
perform as, the official representative of his country.
There is, however, a second agenda at work here, which you'll find out about a bit in "Raiding Party" ["Signs and Portents"].
-
There's not a lot of CGI in either "Legacies" or "The Quality of
Mercy" (which will follow "Raiding Party" in the production lineup),
because neither story really called for it. But there's a *lot* in
"Raiding Party," some of it very elaborate. By way of comparison, in
an average B5 episode, a script from beginning to end has about 60 or
70 setups (a setup is a numbered scene or shot, i.e., INT. SCOCKPIT
or INT. ZEN GARDEN). "Raiding Party" has around 112 setups. That's
more than in some movies. It's a *very* busy script.
-
Yes, we're doing virtual sets...and there's a doozy in the first
little bit of act one in "Signs and Portents."
-
Yes, this is the actual text of a script. And a script contains scene
descriptions, dialogue, directions. (Contrary to popular opinion, the
actors don't just make up their lines when they hit the stage, based
on loose ideas by somebody.) My scripts tend to be *very* detailed,
with camera movement suggestions, optical notes, indications of
dissolves vs. cuts, on and on. A typical scene might look like this:
EXT. BABYLON 5 - ESTABLISHING A scuttleship unloads cargo from a transport parked alongside the station. PAN ACROSS with the scuttleship, tracking with it until it passes into the docking bay, then DOWN TO the observation dome window, where we can just see into INT. OBSERVATION DOME where Lieutenant-Commander IVANOVA stands at the console, cup in hand, staring bleakly out into the starscape as SINCLAIR comes up alongside. IVANOVA I hate mornings...I've always had a hard time getting up when it's dark outside. SINCLAIR We're in space. It's always dark outside. IVANOVA (forlornly) I know...I know....
(That, by the way, is a slight re-do of an actual shot from "Raiding Party.")A script page, single-spaced, works out to about the same wordage as a double-spaced prose fiction page, about 225-250 words per.
-
Why was the ship in Lady Ladira's name instead of Lord Kiro's?
Ladira was Kiro's aunt, and much of the family money/property is in her name. -
I think that the Eye was returned the next day, so there was
a goodly span between Ladira's vision, and the scene in Londo's
quarters.
- @@@852801471 What became of the Eye?
The eye is now safely back home and on display. - I hate to burst your bubble, but the Raider ship *was* rotating. Look at it again. It's most visible when the ship is being photographed from behind with B5 in the background. You can see the round part of the ship rotating (with the docking bay at center).
Signs and Portents
Ivanova, after awakening with difficulty from a sound sleep, reports to C&C just in time to find Sinclair listening to a distress call from a lone Starfury pilot who's being attacked by raiders not far from the station. Sinclair launches a wing of fighters to aid the pilot, but it's too late; the raiders overwhelm and destroy the Starfury.
A well-dressed man comes aboard the station on his own. When the customs officer comments that his identicard hasn't been updated in a while, the man replies that he's been out of touch, out exploring on the Rim. "Find anything interesting?" asks the officer. "Yes," replies the man with an enigmatic smile.
Ivanova, Garibaldi, and Sinclair meet. Ivanova reports that by the time the station's fighters got there, there was nothing left of the Starfury they were supposed to rescue. Garibaldi comments that the raiders have been hitting closer and closer to Babylon 5 lately, prompting Ivanova to wonder how they're getting in and out so quickly. The raider ships are much too small to make their own jump points, and the nearest jumpgate in this latest incident was hours away. Sinclair puts Delta Wing on alert and asks Garibaldi to go over the cargo manifests of ships due to arrive shortly in the hopes of identifying the raiders' next target.
After Ivanova leaves, Sinclair tells Garibaldi what he's discovered about the events during his 24 hours out of action at the Battle of the Line (cf. "And the Sky Full of Stars") and asks Garibaldi to help him find out more.
Londo, waiting at a bar table, is visited by a somewhat sleazy-looking man who hands him a black box. The box contains the Eye, "the oldest symbol of Centauri nobility, property of the first Emperor, lost over a hundred years ago at the Battle of Nashok." The Centauri government, says Londo, paid very generously for the Eye. "But I would very much like to know how you got your hands on this," Londo says. "No, you wouldn't," says the man, and leaves. Londo walks off with the Eye, unaware that he's being watched by someone at the bar -- the newcomer who'd been out exploring.
G'Kar and Londo find themselves waiting for the same transport tube. Londo mentions a famine on the southern frontier of the Narn homeworld; the conversation quickly degenerates into a barrage of insults and threats, causing both of them to miss the lift.
"So now it is all our fault,
eh?"
Later, G'Kar is visited in his quarters by Morden, the man who arrived on the station earlier. Morden claims his visit was authorized by the correct officials in the Narn government. He has come to ask G'Kar a question: "What do you want?" Morden persists, asking the question again and again, until G'Kar nearly kicks him out of his quarters. Finally, as if sensing the intent of the question, G'Kar tells Morden that what he really wants is to decimate the Centauri -- "to completely, utterly erase them." "And then what?" asks Morden. G'Kar, taken aback, answers, "I don't know. As long as my homeworld's safety is guaranteed, I don't know that it matters." Morden thanks G'Kar and leaves; it appears that wasn't quite the answer he was looking for.
"What do you want?"
Meanwhile, Londo greets a Centauri noble, Lord Kiro, and Kiro's aunt, Lady Ladira, who is also the seer and prophetess of Kiro's house. Ladira looks rather ill, initially ascribing it to the rigors of space travel. But it's soon clear that Babylon 5 itself is causing her distress; she pushes herself into a corner and begins ranting. "Babylon will fall. This place will be destroyed! Fire... death... pain..." She faints.
Londo greets Kiro and Ladira.
Later, Kiro and Londo are with Ladira in Kiro's quarters. She's feeling better now, but the vision is still there: Babylon 5 will be destroyed. The ordeal has left her tired, and she excuses herself. As she leaves, Londo questions her accuracy. Kiro recalls with a derisive chuckle that when he was young, she predicted he would someday be killed by shadows.
He asks Londo if he can see the Eye, which originally belonged to his family, before he plays lowly messenger and brings it back to the Emperor. Londo agrees. As they leave Kiro's quarters, they're followed by a shady character, who reports into a small device: "Six to one. Have located target. Commencing surveillance."
Morden visits Delenn in her quarters and asks her the same question he asked G'Kar. With her back to Morden, she questions the purpose of his visit. In midsentence, she stops as if she suddenly feels faint. Her hand shoots to her forehead, covering it, and then away, to reveal a hollow silver triangle glowing in her skin. (cf. "And the Sky Full of Stars")
Morden visits Delenn.
She covers her forehead again and spins around to face Morden. He becomes darker and darker until he appears nothing more than a silhouette -- a shadow. Delenn demands that he leave immediately; he does so, apparently unaware that she sensed anything odd about him. After he's gone, Delenn's triangle fades away as she looks on, shocked. "They're here," she says, a hint of fear in her voice.
"They're here."
Kiro and Londo look at the Eye in Londo's quarters. Kiro paces and speaks of conditions back home. The people grow unhappy, disillusioned with the government; the Emperor has not been seen in public for over a year. Finally, he comes out with what's on his mind: why should he give the Eye back to the Emperor when his family is its rightful owner? Londo calms him down, reminding him that he could try to use the Eye to usurp the Emperor's power, but he would quickly be dead. "These are not the good old days," Londo says wistfully. "Yes," answers Kiro, "more's the pity." Kiro leaves the Eye in Londo's care, wondering out loud where everything went wrong for the Centauri.
Kiro examines the Eye.
Ladira, asleep, dreams of her vision, or the sounds of it. Voices shouting: "Evacuate!" "They're heading for the docking bay!" "Hit 'em with everything we've got!" "Destruct! Destruct!" Then the sound of an explosion. She awakens.
In space, the freighter Achilles is enroute to a jumpgate when its scanners pick up raider ships approaching. They call for help; Sinclair, in C&C, orders Delta Wing to launch. Ivanova, the wing commander, heads for the station's jumpgate at top speed.
Six, the man who watched Londo and Kiro earlier reports in again. "They've taken the bait. You keep them busy. We'll take care of Babylon 5 from this end."
Kosh returns to the station in his ship. As he disembarks and walks down the hall, Morden ducks behind a corner to avoid being seen.
Delta Wing arrives through the jumpgate nearest the Achilles. Ivanova orders two ships to stay behind at the gate in case the raiders try to flee through it; the rest follow her at maximum burn toward the Achilles.
Kiro calls Londo and says he's ready to leave with the Eye. Londo assures him that the Centauri military will have ships to ready protect Kiro every step of the way once he enters Babylon 5's gate. Londo gathers up the Eye and leaves his quarters.
As he reaches the transport tube, he's intercepted by Morden, who asks his usual question and claims he's not allowed to leave until he gets an answer. Londo is irritated and says he just wants to be left alone. "Is that it, Ambassador?" asks Morden. "Is that all you want?"
Irritated, Londo answers that no, that's not all he wants. He wants the Centauri Republic to stretch forth across the galaxy, to regain its days of glory. "I want to stop running around like a man late for an appointment, afraid to look forward or look back ... I want it all back, the way that it was." He calms down. "Does that answer your question?"
"Yes," Morden says to himself after Londo leaves. "Yes, it does."
"Do you really want to
know what I want?"
Sinclair, troubled that the latest raider attack is taking place much farther from the station than other recent raids, asks for a cargo manifest for the Achilles.
Six and an accomplice intercept Londo, Kiro, and Ladira as they head for Kiro's ship. He has his accomplice take the Eye ahead, while he takes the three Centauri hostage and orders them to continue to the ship.
Taken hostage.
Sinclair learns that the Achilles is carrying farming equipment, hardly valuable enough to be worth raiding. Deducing that it may be a diversion, he orders Ivanova to return to base. He checks the list of arriving and departing ships and notices that Kiro's personal liner is scheduled to leave shortly. He heads for the docking bay.
Sinclair arrives in the bay just as Six and his hostages do. Kiro tries to fight Six off, but ends up with his arm twisted behind his back and a gun to his head. Six warns Sinclair against trying to stop him from leaving, threatening to burn a hole through the station's hull. Sinclair stands aside and says Six is free to go.
Once Six and Kiro have left, Sinclair tells Garibaldi to stand by with Alpha Wing and disable the liner as soon as it leaves the station. Londo escorts Ladira out of the docking bay. She is preoccupied. "The shadows are coming for him."
As Garibaldi and the rest of Alpha Wing chase after the liner, a jump point forms near the station. A carrier flies through and releases a swarm of raider ships. "So that's how they're doing it," says Sinclair. "A ship that big would have to be capable of solo jumps."
The raider ships occupy Garibaldi's attention as the situation develops into a full-blown firefight. While he and his men (with the help of the station's defensive grid) fight the raiders, the Centauri liner enters a small docking bay in the raider mothership and is sealed inside.
The battle is joined.
Meanwhile, amid sirens and a mob of people heading for safer parts of the station, Londo finds Ladira standing in the middle of a corridor. He tries to get her to leave, but she is paying more attention to her vision. "Fire. Death and destruction. The shadows have come for Lord Kiro. The shadows have come for us all!"
Elsewhere on the station, Morden hurries down an empty corridor as if late for an appointment. Kosh emerges from a doorway, blocking Morden's path. "Leave this place," Kosh says. "They are not for you. Go. Leave. Now." Morden doesn't appear ready to obey.
"Go. Leave. Now."
The battle grows more intense. Sinclair tells Garibaldi to drive the raiders toward the back of the station, and tells one of the C&C techs to recalibrate the defense grid accordingly. As the raiders are driven back, Ivanova and her team emerge from the jumpgate. "Surprise."
Chasing down the raiders.
Between Ivanova, the station's guns, and Garibaldi at their tails, the raiders don't last long. Unfortunately, the mothership creates a jump point while its fighters are keeping everyone busy. Ivanova tries to follow it into hyperspace, but Sinclair orders her not to. The raider mothership gets away.
Garibaldi tells Sinclair that the station sustained minor damage, with a few injuries. Ambassador Kosh has asked for tools to repair his encounter suit, but won't say what happened to it. The station lost two ships in the battle; one pilot managed to eject in time. Garibaldi speculates that they've hurt the raiders badly enough that they won't be back for a long time, if ever -- the mothership, after all, is just a big target without its fighters.
Ladira and Londo come into Sinclair's office. Sinclair demands to know what was on the ship that was so valuable, and why it wasn't on the manifest. Ladira has another vision, this time of the raider mothership emerging from a jump point elsewhere in space.
"My time is your time."
Inside the ship, Six has his men grab Kiro from behind. He laughs at Kiro's objection that the two of them had a deal; the raiders intend to ransom the Eye to the Centauri, and then ransom Kiro as well.
Suddenly, from out of nowhere, a huge alien ship, black with spines and dark blue mottling, appears just next to the raider mothership. Without warning or provocation, it slices into the mothership with an intense beam weapon, cutting the raider ship to ribbons within seconds.
The mystery ship.
Later, Londo and Ladira say farewell. Londo is despondent; he feels he will be held responsible for the loss of the Eye. "It would seem my career is finished," he says. When Ladira offers to help, he replies, "I'm afraid I'm beyond anything short of a miracle." She leaves.
Seconds after, Londo's door chimes. It's Morden, and he's carrying a charred box. "A gift," he says, "from friends you don't know you have." Londo opens the box. It's the Eye. He turns to thank Morden, but the man seems to have vanished. "Let me buy you a drink!" shouts Londo. "Let me buy you a whole fleet of drinks! How can I ever find you to thank you?"
"We will find you, Ambassador," a disembodied voice answers. "We will find you."
"A gift, from friends you
don't know you have."
In the lavatory, Garibaldi and Sinclair talk about the successful resolution of the situation. On the way out, Garibaldi says he did some checking and found that Sinclair wasn't first on the list to run Babylon 5. In fact, he was very far down the list. The Minbari, it seems, made their support of the station contingent on being able to approve the commander, and rejected everyone right down the line until Sinclair. "They wanted you, Jeff."
Sinclair meets Ladira in a departure lounge. When she tells him of her vision, he replies that it didn't happen; the station came through the attack just fine. Ladira replies that the station is safe for now -- but the vision is still there. She offers to let him see her vision, not an easy thing, but possible. He agrees. He sees Babylon 5 from space. A shuttle flies from the docking bay as the station erupts in explosions, the hull rupturing as Babylon 5 is eaten from the inside by a firestorm. Finally it detonates, blown into thousands of fiery fragments.
Sinclair is hoarse. "This... is it a vision of what will be, or what might be?"
"The future is always changing. We create the future, with our words, with our deeds, and with our beliefs. This is a possible future, Commander. And it is my hope that you may yet avoid it."
Ladira bows and leaves Sinclair to ponder what he's just seen.
Synopsis by Steven Grimm
Sleeping in Light
Overview
In Sheridan's final days, old friends gather to celebrate. Takes place in 2281, approximately twenty years after the end of the rest of the series.
P5 Rating: 9.34 Production number: 523 (see Notes) Original air date: November 25, 1998 (US) DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by J. Michael Straczynski
Nominated for 1999 Hugo Award for best dramatic presentation.
Plot Points
- @@@912068997 David, Sheridan and Delenn's son, is in Ranger training in 2281. Sheridan and Delenn have given strict instructions to the teachers to not give any special treatment to their son.
- @@@912102269 As predicted by Lorien ("Falling Toward Apotheosis") Sheridan has died. His body was apparently carried away by Lorien.
- @@@912068997 Ivanova has been promoted to the rank of General in 2281, and works in an office on Earth. Or rather, she did, but has been appointed head of the Rangers after Sheridan's death.
- @@@912068997 Garibaldi has a daughter in 2281 and still lives with Lise on Mars.
- @@@912102269 After the Alliance headquarters moved to Minbar, Babylon 5 saw less and less use; its original mission of uniting the galaxy in peace had succeeded. It was finally deemed not worth the cost of keeping around, and has been destroyed.
- @@@912102591 Zack retired from the military and went back to Earth. Then, years later, he re-upped and returned to the station, where he stayed until its demise. Afterward, he joined Vir (now Emperor of the Centauri) on Centauri Prime.
Unanswered Questions
- @@@860876414 NOW what?
- @@@912068997 What happened to Sheridan's body?
- @@@912102269 What happened to Lennier?
- @@@912102591 Why was Zack limping?
Analysis
- @@@912068997 Sheridan's disappearance echoes the disappearance of
Valen, who is presumed dead but whose body was never found
("Atonement").
Was Valen spirited away by Lorien as well?
- @@@912102269 Why did the station fall into disuse over time? It's
true that its political mission became irrelevant with the founding
of the Interstellar Alliance, but that was only one of several
purposes the station served: it was also a bustling trade hub located
in a convenient area of space, an outpost of the Earth Alliance, a way
station for people travelling elsewhere, and after the founding of the
Alliance, a place of historical interest as well.
One possibility is that it became less and less convenient relative to other hubs as the Alliance equalized member races' technologies, causing, for instance, artificial gravity to become the norm. Better hyperspace navigation technology might have made it irrelevant as a waypoint and less necessary as a trading center.
Still, the argument about it being a hazard to navigation seems a bit odd; in the vastness of space, it's a tiny speck. Granted, it's possible to emerge out of control from the jumpgate and be on a collision course with the station ("Soul Hunter") but a slight change of orbital position would almost certainly eliminate that possibility.
- @@@912102591 Since Garibaldi is still alive and well in 2281, he
wasn't killed by either Lyta or Bester during the Telepath
War, which had already taken place by the time of Sheridan's death
(Delenn mentioned it at the end of
"Rising Star").
Was his mental block removed? Did he get his revenge on Bester, and
did Lyta succeed in destroying the Corps?
- @@@913017823 Why didn't any Soul Hunters ("Soul Hunter") arrive to capture Sheridan's soul at Coriana 6? He almost certainly fits the profile of a soul worth preserving in their view. A few possibilities: he was taken away by Lorien, but didn't die per se; the Soul Hunters changed their policies or disbanded after the events of "The River of Souls"; or Lorien somehow prevented them from approaching.
Notes
- @@@860757087 Shooting ended May 5, 1997.
- @@@867479749 Although this is the final episode
of the series, and airs
at the end of season five, it was actually shot during the
fourth-season production run, and originally carried a production
number of 422. At the time, it wasn't clear whether
the show would be renewed for a fifth season, and JMS wanted this
episode to close the series whether it ended after four or five years.
Since it's set 20 years after the rest of the story, it works equally
well as an epilogue to
"Rising Star"
or to the last regular season-five episode.
- @@@912068997 Several B5 staff members have cameos in this episode,
including producer John Copeland and coproducer George Johnsen. JMS
appears briefly as the maintenance worker shutting off the station's
lights.
- @@@912068997 The Hugo award that JMS won for
"The Coming of Shadows"
appears at the beginning of the scene in General Ivanova's office.
- @@@912710200 As Sheridan dresses to leave Minbar, the reflection in
the mirror includes the illusion of a cross. This was unintended,
as noted by JMS below.
- @@@913017503 Text of the display on Marcus' suspension chamber in
the closing credits:
CRYOGENIC SUSPENSION CHAMBER
SUBJECT: Marcus Cole
Designation: Ranger
Status: Deceased
Comments: Indefinite Hold in the event of new resuscitation technologyREQUESTED BY: CMDR. S. IVANOVA
- @@@988363485 Why there's a duck at the top of the page.
jms speaks
- On GEnie, 11 April 1992:
A few days ago, I sat down with our line producer, John Copeland, and production designer John Iacovelli, and we were talking about the need to move quickly on some stuff, and how painful the process is to have the whole story in your head, already told, really, and then have to make it all over again so we can put it on film. "You think you've got it bad," I noted, "I've already worked out the last scene in the last episode of the last season (#5)...and I've still got to make Movie #1." They called me on it and asked what that scene was. Just to see their reaction, I told them. They looked at me as if I'd suddenly sprouted three heads and feathers. It was worth it. (Happily, they're sworn to secrecy.) It was also good because I think that, even without filling in the beats in between, it gave them a good sense of where the series was going to go. - @@@848646937 What will be revealed over the course of the series? All of it.
By the time the series has run its five-year course (Neilsen willing), there will only be ONE unanswered question left: "NOW what?"
- My titles are often in a state of flux; "Signs and Portents" was
originally titled "Raiding Party" in my notes, as the B5 FAQ notes
somewhere. So it may change, but for the time being, in my notes for
the series, the last episode of year five has this note: Title? --
"Farewell" or "Sleeping in Light."
- The Babylon 5 story ends at the final episode of year five.
- And there will never be a Babylon 6.
- If I didn't have a good, solid, consistent ending, I wouldn't have
started the story. I always have the ending before I begin writing
the beginning.
- @@@851073979 "What this boils down to is... is the ending you
envisioned at the start of Babylon 5 the same today as it was then?"
For the most part, yeah...it's gotten a bit refined over time, the way it always does the closer you get to it...it's like seeing a mountain from a great distance, then closing in until you can make out the details. But basically, yeah.
- @@@854608470 "Are you at all concerned that, when it's all said and
done, that some fans will scratch their heads and wonder: "You mean
thats it?""
No, I don't think so. The story for "Sleeping in Light," the last B5 episode, is such that it is completely moveable, and self-contained, and buttons down the arc in what I think is a very moving fashin. I think that when it's all said and done, the average reaction will be to sit back and say, "That was a good story." Obviously you can't please everyone, and you can't expect to. But basically, yeah, I think it's going to end well.
- @@@846714236 In theory, the final episodes would air in the summer of 1998.
- There's always been a side-story that could spin off from B5, but the
main core story is over at the five-year mark.
- I've always said that there's a side story that could follow the 5
year B5 storyline, which takes place in the B5 universe, and follows
on the heels of the events in B5...but who knows if that would happen?
The one thing I would hate is for B5 to become any kind of so-called "franchise." Because as soon as that happens, you're prevented from making any changes, from doing anything that might startle people, cutting into the piggy-bank. Once that happens, you're dead.
I've also made no secret of my sense that, should B5 run its full five year course (and assuming the side-story doesn't go, which I would not exactly count on)...I plan to get out of TV. By that point, I would have said pretty much everything I want to say in TV, and it's time to get out, buy a small house somewhere outside London, and spend the rest of my years writing novels, which is kinda where this all began. (I've had 2 novels, 1 anthology, and a bunch of short stories published, as well as 500 or so articles.)
I never got into this to make a ***FRANCHISE***, and never really intended to become an executive producer. I just don't like being rewritten...so I climbed higher, until finally there was nobody over me messing with my scripts. Outside of the B5 reality, if someone came to e and offered me *staff writer* on a show -- the lowest position in the TV totem pole -- but with the guarantee that I wouldn't be rewritten, they wouldn't change the words...I'd take it in a hot second. I'm here, now, strictly out of self-defense.
Two valuable social skills are knowing when to enter a room, and when to leave a room. At some point, you have to get out or become something you don't want to become. I've never really been part of the Hollywood SYSTEM, and have no desire to do so.
In "The Velvet Alley," Rod Serling wrote of a young advertising writer who becomes a success at writing television. At one point, the character says (paraphrased from memory): "Here's the trap...in TV they pay you lots of money for what you do...then, slowly, your standard of living rises until you *need* that constant flow to stay at that level. Then...they threaten to take it away from you if you don't behave. And THAT'S when they've got you."
- What happens at the end of the five year arc? The "Babylon 5" series
ends...if I have anything to say about it (and I do). If something
else follows, we'll see what that is, but it won't be the same series,
or the same title, or really the same characters.
Barring that very distant possibility, at the end of the five year arc, I take a very, very, VERY long nap....
- I've mentioned before that there's a side-story that could go off,
within the B5 universe, with a few of our characters, once the
Babylon 5 story itself comes to an end in its fifth year, but that's
a long ways off, and I don't know if that's realistic.
You have to understand...I never came in wanting to be a producer. I'm a *writer*, and I only got here because it was the only way to protect the words...create and run the damned show so nobody can mess with it. Once I've finished the Babylon story, assuming it runs its full length, (5 years alone, more if there is that doubtful spinoff), the story is over. Every story has a beginning, middle and end, and the story's over when it's over.
I've also made no bones about the fact that, should the Babylon story run its full term, I will have said just about everything I want to say in television, and plan to get out, go back to writing novels.
My philosophy: find what it is you want to say, walk in the room, say it, and get the hell out. (Second philosophy behind that one: when in doubt, roll in a grenade and come in firing.)
- @@@846714236 From the start, I've indicated that there's a side-story
that could go off in the B5 universe after the 5 year story is up, but
it wouldn't be B5. Frankly, however, given the current state of the
syndication market, I'd suggest that the odds of that happening are
slim and none.
So barring anything truly exceptional -- like someone handing me an anthology series -- my plan at the moment is to retire from TV at the end of the five years and go back to writing novels and plays. At that point, I think I'll have said just about everything I want to say for TV.
- @@@846714236 If B5 goes its full five years, I think I'd probably
prefer to get out of TV and go back to writing novels and plays.
- @@@860875811 Re: 422...this one is a stand-alone episode which I
specifically designed in order to have the flexibility to air it either
as 422 or as 522, depending on what happens. This way if year 4 is all
there is, we get to where we need to get; if we get year 5, then we
shoot 501 and air it in 422's spot, and air 422 in place of 522.
- @@@864500234 501 isn't written yet, won't be until we get the final
word. We could certainly get it finished in time for the US airing in
422's spot, and as for getting it done in the UK, assuming a mid-July
start for season 4, means you'd run episodes through late October/early
November so again you're okay.
- @@@864580843 The final 4 would get aired in October. If there's no
season 5, then the fourth one aired is 422, "Sleeping in Light."
If there is a season 5, 422 is yanked out of the mix and moved down to occupy 522's slot, and we shoot 501 and get it done in time to air in place of 422 in October.
- @@@864500289 To repeat what I've said here several times, we would move
501 into 422's slot and make that the cliffhanger ending, then 502
becomes the first episode of season 5, and 422 is the last. So each
season works out to 22 episodes.
- @@@863715725 Wouldn't season five take place after the final scene
you mentioned?
Negative; season 5 would take place in 2262, 19 years before the "final scene" you mention. And no, I wouldn't want season 5 to be just a setup for the sequel; it was sketched out long before that became any kind of possibility, and I have no interest in doing that sort of thing. We'd do one or two small things, but no more than that. - @@@864580923 There's no need for confusion. Season 4, as you know,
takes place in 2261. Season 5 would take place in 2262.
422, or 522, depending on the breaks, takes place in 2281. So it plays just fine either way.
- @@@864668075 Was the story always intended to end in 2281?
Yes, the final chapter in the series was always going to fall in 2281, 20 years after the events in 2261. - @@@860888700 "What are the chances of major spoilers being leaked from
"Sleeping in Light" over the next year?!?!?!?"
I'm sure some of that's bound to happen...but the reality of it is that if you add up all the people who are online and might get this information, you'd actually end up with only about 4% of the viewing audience...so it'll still have its desired impact.
- @@@863715925 "You have spent the last 4 years keeping your actors in
the dark as to their final fates (for the most part). Will their
knowledge of the ending have adverse effects on the acting from this
point forward? I expect the answer is they are good at their jobs and
will continue to be outstanding in their performances, but many of them
have mentioned that the lack of knowledge of their future had played a
part in their performances."
Not really, no more so than seeing G'Kar and Londo strangling each other as early as year one...but we didn't know what that *meant* until later. And there's still a long, long way between that episode and where we leave off at 421. A lot happens there that nobody else knows, inclusive of the cast.
"Also, if you've neatly tied everything up, what does that really leave for season 5? Filler, non-arc stories? This has been my biggest fear. That season 5 will now be farmed out to other scriptwriters, who don't have the intimacy with the story that you have, and that the quality of stories will take a nose dive with filler material."
Without giving too much away, season 5 would be empire building. It wouldn't be filler at all, but a logical extension of what has gone before.
Basically...I often get messages from people worrying about what might be...then they see what *is* and it's, "Oh...okay, got it." Generally speaking, I think it's better to react to what is rather than what might never in fact be an issue. I ain't let you down yet....
- @@@864692770 With great trepidation, and at the urging of Warner
Bros., I've decided to direct one episode this season...not because I
have any particular ambition to be a director, but because I think it
will help me become a better writer by more fully understanding that
side of the camera. Given how massively busy I am already, this
decision will almost certainly be called as evidence in any sanity trial
that might take place in future.
- @@@860888700 "Why were they [Warner Bros.] so interested in you
directing?"
Well, they know the show is really my vision, and they're curious what it would look like if it was also followed through behind the camera. And as our liaison with WB said, "We like it when our creative people spread their wings a little." They like the show, and it does well for them, and they're just generally supportive that way.
- @@@863715925 "I'm sincerely curious about how you found the experience
of directing your baby -- of being responsible for creating, writing,
producing *and* directing it."
My main goal was not to embarrass myself overmuch. I think I came out okay. I've now seen an editor's assembly of the material, and it plays real nice. Now I get to go in and make the director's cut, which will to all intents and purposes also stand as the producer's cut.
The main thing is...this one is *exactly* the way I saw it in my head. It has a somewhat different feel than prior episodes, though hard to quantify. But I think it came out nicely.
- @@@867088736 "Having read through this months edition of Starburst (I
think), Claudia Christian mentions that you enjoyed directing. My
question is a very simple one: would you do it again, and what part of
the directing the episode did you find the most enjoyable/rewarding?"
I really don't know if I'd say that I *enjoyed* it...my main concern every day was somehow getting through it without embarrassing myself, or letting down the crew or the cast or, ultimately, the viewers. I wanted the direction to the the equal to the performances I knew were waiting to be unlocked. I haven't commented on it much for the same reason you rarely see me saying that a given script of mine is good...I'm too close to it and too critical of everydamnthing I do. But so far everyone of the crew who's seen it, and a few others, were very much moved and satisfied by it.
I don't know if I'll do it again or not...my gut says probably not. If I *were* to even try it again, it couldn't be anything other than a final episode of a season, given how much is involved in prep if you're going to have a chance to get it right.
- @@@864580539 Did you do anything special on the last day of
shooting?
Around lunchtime, I began to notice people filtering out -- crew and others -- wearing white t-shirts with blue lettering that read, on front, "Shhh...the Great Maker is Directing." And on the back, "...and on the seventh day we wrapped." JMS 4:22 May 5, 1997. It was a nice thing, and we're considering making the shirts available via the fan club.Since it's customary for directors to bring in food on the last day of an episode shoot, I brought in food at the end of the day, and folks stayed around until late in the evening, just hanging around, chatting, eating, and the like. (I headed home around 7 mainly because I was just bushed.) We also took a big family picture that will go into the end credits of the episode, whenever it will finally air. A lot of our past directors, crew, actors and others showed up for the thing, and stayed for the party, knowing that either way, this was going to be the last episode of the series, whether it's 4 or 5 years.
Then everybody went away for a few days, and now we're back shooting movie #1, "Thirdspace."
- @@@861835387 "But seriously, what kind of responses do you expect to
see in this newsgroup the week following the last episode?"
In a way you're kind of asking the wrong person, as I'm inside the fishbowl and can't see the show the way anyone outside can see it. The only gauge I have is the reaction the script got around the stage when people on the crew and cast read it. (With a note attached explaining the possibility of airing it as 522 or 422, but that either way this would end up the story.)
Pretty much everybody cried. I came home to a message on my machine from Mira, who was almost unable to speak, and another from Claudia who said she was honored and proud to be a part of this, and the script had made her cry. Bruce, Richard, big beefy guys on the crew...all said the same thing. And there I have to concur; I lost is several times as I was writing it, due to the content; there's one scene in particular...you'll know it when you see it...that put me away for an hour when I finished writing it.
But here's the thing...*every single person* who cried at the script, ended it feeling that it was not a sad script in the end, or a down ending...that it left them feeling proud, and tall, and *positive*...that life goes on...that it was a reaffirmation of life itself, on its most primal level. They felt good about the ending. And that was a great relief for me, because I was trying something *very* difficult from a writing perspective, and at first blush it looks as if I've pulled it off. (Now I get to go in as director and *totally* screw it up.)
Only one fan has read the script...someone whose opinion I trust. Because I was curious about the reaction from that side of the screen. And the reaction was *exactly* the same.
So how do I think people will react?
I think a lot of people will cry.
But by the end of it, I think it will come around, and be all right...and mainly, that people will then look back at the whole story, through all these long years, and say, "It was a good story." And close the cover, and put it on the shelf with the other books that will be reread again down the years, and turn off the lights, and go to bed feeling that the time was well spent.
Which is the most any writer can ever ask for. To tell a tale worth telling To make people cry. To make people laugh. And even, once in a while, make them think about things, and see the world just a little differently than when they began.
And then they can centerpunch me on the freeway, or throw a plane at me, and I won't even mind. Because everything I set out to prove, I proved. Everything I set out to say, I said.
I've carried this story like a hermit crab carries its shell for five long years, counting the pilot. It's been an *awfully* long and difficult road, and no one will ever really know just how hard this show was to make. Nor should they, because it isn't the difficulty that makes the story, the *story* makes the story. But one way or another, aired as 522 or 422, when it airs the burden is off at last. Then it no longer belongs to me. It belongs to you. As should be.
And, in the end, I think you'll be pleased.
- @@@898329026 Last night I pulled out the tapes for the last two
episodes, "Objects at Rest" and "Sleeping in Light," and watched them
back to back, and I was an absolute wreck afterward. There are a couple
of scenes in both of them that just put me away. That's *good*, they
should, they have to, but man...I was just gone.
But strangest of all, the final credits sequence and what we did with them for SiL is also very deeply affecting...and I'm not entirely sure why, I think it's something operating at an almost subconscious level, about seeing certain images juxtaposed. Darndest thing....
- @@@877368251 "Between the Darkness and the
Light"
"...as I am a visual artist, I tend to notice lighting and structure,etc., especially on the second (or 3rd) viewing, and the thorny crown was striking to my eyes, as was the sad, dark-circles-under-the-eyes, immensely tired look on his face, which lent to the illusion."It's interesting when that happens. There's a halo around Sheridan's head at one point when he's yelling at Delenn in the big room in "Z'ha'dum," and, just as a pointer to something you won't see for another year....
When I was directing "Sleeping in Light," there's a scene with Sheridan and a mirror. (That's all I'll say about it, so there's no spoiler info there.) As John Flinn lit the shot, and angled the mirror...I froze at what I was seeing on the monitor. I called John over, and pointed to it. "Do you see what I see?" It took him a moment, but then his eyes went wide, and by his own reckoning, "the skin on my arms crawled." He turned to the guys dressing the set and said, in a very loud, clear voice, "NOBODY TOUCHES THAT MIRROR! YOU HEAR ME!? NOBODY!"
It's not a big...but it's a pretty cool unintended illusion (though once we saw it, we kept it).
- @@@906657212 It airs the day before Thanksgiving. Won't most
viewers be travelling home to their families?
On the other hand, not everybody has family to travel to, or the means to travel. So perhaps a family gathering of another type, particularly among folks new to each other in local fan areas, might be even more appropros. - @@@895442799 Any big promotional plans for this episode?
Personally, I think that a build-up to the end of the show would be great, although "Sleeping in Light" isn't exactly a big-bang lots of explosions kind of episode, so it might not be as promotable in that sense. - @@@906450875 I was watching "Sleeping in Light" again today (I have a
tendency to run the last ten minutes plus the credits over and
over...to see if it'll stop getting to me, and so far it hasn't),
and had some thoughts on it for folks out there.
People often ask if there's anything they can do in return for B5, something I'd like and I do have some ideas, here at the end, regarding SiL.
I think it would be a wonderful thing if more folks than usual got together for viewing parties on this one. Not newcomers, not folks who haven't seen the show, just the "family," if you will. If B5 has helped to create communities, then I think this last episode should be for that community.
I also think you'll find some interesting tie-offs in this show...something about Minbari beliefs about souls born in the hearts of suns, and a pay-off to why the narrations of this series have always been in the past tense, and a gift to the crew of this show...to which end I *strongly* suggest that even if you don't normally tape this series, that you do tape *this* episode so you can go back and check some stuff at the end.
"Sleeping in Light" airs in just a little over two months, and every time I look at it, it has the sense of something very special coming to its conclusion. It's so damned hard watching it...and yet there's something about it that is massively uplifting at the same time.
Anyway, I was just thinking that often viewing parties are used to bring in new folks to B5, but this one, I think, should be for the family. Maybe local fan groups want to get together, find someone with a good-sized TV, and watch. It's one of those Moments, I think, that will be remembered a long time thereafter.
And I've got TNT's promise not to run a voice-over or squish the credits at the end.
- @@@912623822 Why weren't Lochley or Sinclair included in the
credits?
We are bound by contract to use the credits as they were applied in S4, when SiL was shot. You can't just put people's credits in a show for sentimental reasons...they trigger residuals, royalties, fees, and other contractual areas. - @@@912623822 I agree about the end credits; as we see their faces the
first time, and the last time, they appear in the series, you can see
the years and the story in their faces.
- @@@912623822 We chose the shots that showed them the first time and
the last time we saw the characters.
- @@@912796002 Was anything changed as a result of the episode
airing at the end of season 5 rather than season 4?
I had the option to change stuff if I'd been so inclined...but felt it was right as it was. - @@@912623236 What about all the plot threads left
dangling?
The Drak and Centari Prime?
Vir is Emperor now. Londo asked Sheridan to free his people; we can assume he did this...but we will also be showing this in the Centauri Prime trilogy of books in more detail.
Londo?
We saw Londo's fate in War Without End Part 2.
Lyta?
The telepath crisis and events surrounding it will provide a lot of the background to Crusade.
Bester and the Psi Corps?
Ditto.
G'Kar?
We saw his fate in WWE2 also.
Garibaldi and Bester?
This will be covered in the Psi Corps trilogy, of which volume 1 is out now, and volume 2 is in my hands for editing.
B5's seemingly needless and useless destruction?
Neither needless nor useless. It was built cheapest of all the stations, and it takes a lot of money to maintain it. With trade routes now going around it, there isn't enough income to support it. So do you leave it intact, for others to occupy or raid for weapons systems and other systems too difficult to yank out? Or take it out, the same way we implode buildings now?
Sheridan's son - we guess he survived the Drak and their intended keeper?
This will also be covered in the Centauri Prime trilogy...but if you sit back you can do some of the work to figure out a large part of this. As Londo states, his situation in WWE2 (Sheridan and Delenn captured on Centauri Prime) takes place 18 years after the events in 2260, which would put it at 2278. The urn, given to Sheridan in 2262, is supposed to be given to the heir at the occasion of his/her 16th birthday, by Centauri tradition.
That would put the urn presentation at...ding!...2278.
In 2278, Sheridan and Delenn have been drawn to Centauri Prime. We know their son is involved, because Delenn says "David is safe." So they were somehow able to save him, because we know that in 2281, David is alive and well and serving in the Rangers (SiL).
You can see the shape of the events there...once again the clues are more or less in plain sight...but again, this will be drawn out in the books in more detail.
- @@@912623822 I think it's safe to say that we'll be hearing more
about the telepath crisis and its consequences in Crusade....
- @@@912623822 Dear Mr. Tolkien:
I just wanted to say that I think the way you ended THE LORD OF THE RINGS was crap. You didn't provide any closure. Instead of spending time with the hobbits clearing out the shire (come on, urban renwal in LoTR? give me a break) and lots of goodbyes, you SHOULD have shown me what happened to Tom Bombadil, he was an important part of the story, and you just left his story thread there unresolved.
You made a big deal out of the elves going to the west, but we never SAW it! We never found out what was there, or what Bilbo found when he got there, or what happened to the dwarves, or what happened to Merry and Pippin....
You betrayed your audience by not resolving every single plot thread you introduced in your book, and as a result, it is never going to be of value to anyone, ever, and will never go past its first printing.
- @@@913017000 You have
to really decide *Who is the story about?* You can really only track a
couple of characters to the end...here we tracked a number there or
nearly there. This story is a history -- told from a future perspective
-- about the events of the Babylon station, and those who passed
through it, during a specific period in its history.
- @@@915700705 Re: Lyta in SiL...okay, if they mentioned Lyta, I'd get
nailed for not mentioning Na'Toth...or Sinclair...or Keffer...or
somebody else. You can't do five minutes of roll call in a TV show.
That would be deadly. They each picked one character to name, because
they had a close relationship in some way with that character. Who
among them really had a close relationship with Lyta? Name me that
person.
Had Zack been there, then yeah, maybe he would've named Lyta (or not, given what happens with her later). THAT would have been appropriate. But it would NOT have been appropriate to have her named just because somebody wants to hear her name called.
The persons named were ones to whom they had an emotional attachment... Vir to Londo, Garibaldi to G'Kar, Ivanova to Marcus, Sheridan to Londo, Delenn to Lennier. Lyta did not have that connection to anyone at that table that would be on an equal footing.
- @@@912710201 Was that a Hugo on Ivanova's desk?
Yeah, that was our first Hugo...just sorta slipped it in with Ivanova's other awards. It was kind of a nod back to our fans...and I think the first time that a Hugo has been shown on-screen in a series that has *won* a Hugo. - @@@912796002 Everybody figured the pak'ma'ra were just a waste...which
is why this seemed so right.
- @@@912623822 John and Delenn's goodbye seemed a bit formal.
Yes, there was some element of ritual in their goodbyes; it's a Minbari farewell, hence the "good night," not goodbye. - @@@912796002 What was the ship Sheridan flew?
It's a smaller, personal version of a White Star. - @@@912623822 Why scuttle the station?
There are weapons systems on board that station, computer systems, other stuff that would be too much of a hassle to dig out, and you don't want squatters setting up residence there, or raiding the place for what they can get, and maintaining a military presence there to prevent it would be expensive. With trade no longer coming through, the money to keep the station operating was gone.Why not send it into Epsilon 3's atmosphere?
I don't see how sending a 5 mile long station plummeting into the atmosphere of Epsilon 3 is any more or less real than blowing it up in space, where salvage crews can come in and take the metal. We already *saw* bits of the debris burning up in the atmospher in the second shot... and as for sending the whole thing hurtling down, well, I think Draal might have a thing or two to say about that.... - @@@913016372 Why not tow it somewhere else?
You couldn't tow something as massive as a 5 mile long station like this through hyperspace; it'd tear apart. - @@@913493962 It can be moved, sure, but can it *survive* the move?
Also, you'd have to bring B5 through a jump point in order to bring it
anywhere, and the stresses involved in that would be hideous.
- @@@915610877 Was that you turning out the lights?
Yes, that was me...I couldn't do it before the very last ep for the reasons I'd always stated, and because I was holding it out for this moment. Of course I couldn't *say* that since it would give stuff away.... - Jan 12, 2004:
For S5 I did commentaries on The Fall of Centauri Prime and
Sleeping in Light. The latter was the hardest, since it was the
first time I'd seen the episode since it aired. (I just couldn't,
it was too hard.)
I should have done so, though, because when we got to B5's destruction, I'm ashamed to admit that my voice broke, it just hit me so hard. After we were done, i wanted to go back and do it again, to fix that, which I thought was unprofessional, but the WB boys prevailed upon me to leave it alone. I just hope it doesn't come across as dumb or something.
Sleeping in Light
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
Garibaldi: "The Interstellar Alliance, based on the homeworld of the Minbari Federation, was founded in the Earth year 2261, shortly after the end of the Shadow War, twenty years ago. Twenty years of history. Those of us who have survived have seen it all. And those of us who understand, have been waiting, and dreading, the arrival of this day..."Sheridan is dreaming: he dreams about Lorien reviving him on Z'ha'dum ("Whatever Happened to Mr. Garibaldi?"); and Lorien explaining that he will live for at most twenty years after his fall in Z'ha'dum ("Falling Toward Apotheosis"). He wakes with a start, and begins to get up. Delenn wakes up and asks him where he is going, and he replies he only wants to get some air.
He dresses in the robes of Ranger One, and walks to a balcony, to await the comng of the day. Delenn joins him; she didn't go back to sleep, and wanted to see what Sheridan was up to. They sit together, and Sheridan explains he wanted to see the sun come up; he has never done it since he got to Minbar, and wants to carry the picture of it in his head.
"You had the dream again," says Delenn, more observation than question. It is the third night in a row, and both of them know what it means. It's been twenty years since Sheridan died on Z'ha'dum, and he is almost out of time. "Do you want me to send the messages?" Delenn asks. "Yes. Send them," he replies. The sun starts coming up, and they both watch the sunrise, embracing in silence.
On Earth, General Susan Ivanova's secretary is letting her know her schedule: nothing important, really... Ivanova is clearly tired of the whole thing. "I feel like an old war horse," she says, "trotted out after a parade so all the kids can point at it."
Suddenly, a Ranger bursts into the office. A security guard is thrown to the floor, and the captain of the guard follows apologizing for the intrusion. The Ranger insisted, but the captain didn't think it appropriate (even though Ivanova had given orders that any Ranger was to be shown in immediately). "I have a message", the Ranger says simply as way of explanation. "Who from?" asks Ivanova, and he replies: "I think you know." He hands her the message. She reads it silently, and then orders a shuttle readied so she can go to Minbar. She'll leave within the next fifteen minutes.
In Centauri Prime, a Ranger is escorted into Emperor Vir Cotto's bedroom, where he is "entertaining" two ladies. Vir's mood sobers when he sees the Ranger, and takes the message. He orders all his appointments cancelled for the next few days. He doesn't need to read the note; he already knows what it says.
On Mars, Garibaldi reads a newspaper, when Stephen Franklin comes in with Garibaldi's daughter. They've just been playing tennis. Garibaldi is still married to Lise and running Edgars Industries. Lise is out shopping, and Garibaldi promises his daughter he'll come out to play her soon. She leaves, and Garibaldi asks Franklin when he is due back on Earth. By tomorrow, says Franklin; as head of Xeno-Biological research, he has a lot of work that needs to be done.
Garibaldi's daughter silently escorts a Ranger in. The Ranger gives Garibaldi a card, which he opens and reads. "Is that what I think it is?" asks Franklin. "Yeah," Garibaldi replies, "Sheridan's dying. He wants us to come to Minbar for one last get-together before... well, before." Franklin's office can wait; he'll book a flight out. Should he book one for Garibaldi as well, he asks? "John and I may have had our differences in the past," Garibaldi says, "but he is a good man, and he is my friend." He is indeed going.
In Tuzanor, on Minbar, Sheridan again watches the sunrise.
Later, Franklin is checking Sheridan over. He never really understood what Lorien did, or how he kept Sheridan alive. He can't really tell much, but his best guess is that Sheridan has 4 or 5 days left, a week at most. Delenn comes in as Franklin heads out. But Sheridan doesn't want to talk about it: he wants laughts, a celebration, not a wake.
At dinner, Garibaldi is telling a story involving a Pak'ma'ra, a dead cat, and a data crystal; Franklin, Delenn, and Sheridan are laughing, while Vir listens intently. Ivanova sits silently, absorbed in her own thoughts.
When the story is over, Vir recalls another incident. Once, on Babylon 5, he and Londo happened to hear a group of Pak'ma'ra singing; a very rare occassion, done for religious reasons but a couple of times a year. It was, Vir says, the most beautiful sound he had ever heard, full of sadness, and hope, wonder, and a terrible sense of loss. Even Londo was moved, a year running down his face at the sound. "When it was over," Vir continues, "Londo turned to me and said 'There are forty-nine gods in our pantheon, Vir; to tell you the truth I never believed in any of them. But if only one of them exists, then God sings with that voice.' It's funny. After everything we have been through, all he did... I miss him."
Sheridan proposes a toast: "To absent friends, in memory still bright."
They raise their glasses. Garibaldi: "G'Kar."
Vir: "Londo."
Delenn: "Lennier."
Franklin: "Ma..." but Ivanova interrupts: "Marcus."
Later that night, Vir is fast asleep on the balcony, as Franklin, Sheridan, and Garibaldi talk. Ivanova looks at them, still silent, and moves away. Delenn follows her, and asks if she is all right. But Ivanova claims she is. Ivanova asks Delenn how she handles it; Delenn has had twenty years to prepare. As much as anybody can be ready, she is ready. "But I'm going to miss him terribly, Susan."
"So will I," Ivanova says. "I've buried so many friends, Delenn. I'm beginning to resent it, and I don't want to. It seems like, some days, there's no one left to play with. There's no joy any more."
Ivanova tries to change the subject, asks where David is. Sheridan and Delenn's son is away on a Ranger training mission, and they made it clear when he joined that he would not receive special treatment. Besides, Sheridan wanted to see his old friends, and wants David to remember his father the way he was.
There is something else Delenn wants to talk with Ivanova about. When Sheridan refused to accept re-election as the President of the Interstellar Alliance two years ago, Delenn was elected. Unable to devote her attention to the Rangers, she passed the mantle of Ranger One to Sheridan. When he leaves, she will have to choose a new leader for the Rangers, and she would like a human to maintain the sense of balance she and Sheridan have achieved. In fact, she would like Ivanova to take the job. Delenn knows Ivanova is not happy with her responsibilities at home, and here there will be no politics or bureaucracy in her way. She can create something new, answering only to Delenn. Ivanova thanks Delenn for the offer, but she'll have to think about it for a while. She thanks Delenn for everything, and goes off to bed.
Sheridan joins Delenn, who tells him the others are putting Vir to bed. They head to bed themselves, but Sheridan is not sleepy. Tomorrow, he says, is Sunday. As a kid, his father used to take them out for a drive every Sunday. And he is going to go for a drive tomorrow. He'll go early, before the others are up. They've had their time together, said what they wanted to say. And Sheridan wants to feel space again, for he belongs in space.
Besides, he adds, the Alliance, Sheridan and Delenn... it has all become half legend, half mythology. If it ends on Minbar, prosaically... But if it ends in space, he can add to the mythology, make it easier for Delenn to hang on to everyone after he's gone. There will be more legend to remember.
In the morning, Sheridan dresses in his old Army of Light uniform, and prepares to leave before sunrise. Delenn, dressed up in white, greets him in the corridor. After all, it's Sunday, and one dresses up on Sundays. It's a perfect day for a drive. But if he really wants to go, he must leave now; the others will awake soon.
"Good night, my love," Sheridan tells her as they embrace for the last time, "the brightest star in my sky." "Good night," answers Delenn, a tear running down her cheek. "You were my sky, and my sun, and my moon." Tears in his eyes, Sheridan lets go, and slowly leaves, not looking back.
Sheridan makes his way to Babylon 5 on a ship by himself. The place seems empty, a single bored guard at the entrance. The commander rushes in, apologizing for being elsewhere, unaware Sheridan was coming. "I was just in the neighborhood and thought I'd stop by," says Sheridan, and asks where everyone is.
Well, the commander explains, nobody really goes there anyomore. The station has been superseded by the Alliance, has become redundant. Only the shutdown crew and a few others are still on board. Babylon 5 was returned to Earth a few years ago, but budgetary concerns will force it to close; they are getting ready to shut it down, and they'll have to scuttle her then, to prevent the station from becoming a hazard to navigation.
"Looks like we are still tied together," Sheridan tells the station, "even now." He goes for a quick look around, showing signs of fatigue. In an empty Zocalo, he finds Zack Allan, back in EarthForce security uniform, and limping.
Zack went back to Earth for a while, but got bored and came back; which explains why Sheridan's message didn't find him on Earth. Zack wanted to be on the station till they turned the lights off. He asks if Sheridan is staying for the decommissioning ceremony, but Sheridan simply says he can't stay, not even to grab a quick bite with Zack; he doesn't have time.
"I just wanted to come and have one last look around," Sheridan explains. He is on his way to the Coriana system, where they won the Shadow War ("Into the Fire").
Sheridan arrives at Corianna six, his life running out. Delenn, alone in bed back on Minbar, starts crying, as his ship floats, hanging in space. Sheridan turns all the systems off, and looks at the stars as he starts to fade out.
A bright light brings him back to consciousness, as Lorien's voice rings our, asking the questions that defined the sides in the Shadow War:
"Who are you? What do you want? Why are you here?"
And suddenly, Lorien is besides him, and continues: "Where are you going?"
Did you think we had forgotten you?" he adds with a faint smile. "We have been waiting for you." "Beyond the rim," Sheridan finishes for him, and Lorien nods.
"Can I come back?" Sheridan asks. "No," replies Lorien. "This journey is ended. Another begins. Time to rest now." Sheridan smiles, and light engulfes the inside of the ship. "Well, look at that," Sheridan says, looking into the light. "The sun's coming up." The light fades out, leaving the ship dark.
Ivanova: "An expedition to Coriana space found Sheridan's ship a few days later, but they never found him. All the airlocks were sealed, but there was no trace of him inside. Some of the Minbari believe he'll come back some day, but I never saw him again in my lifetime."
Ivanova joins Vir, Zack, Garibaldi, Delenn, and Franklin at the decommissioning ceremony of Babylon 5. They leave the station in a shuttle, passing between two rows of ships from all the races. The lights in the station are turned off, and it stops spinning. As the ships depart, the station is blown up, level by level, section by section.
"Babylon 5 was the last of the Babylon stations. There would never be another. It changed the future, and it changed us. It taught us that we had to create the future, or others will do it for us.
Garibaldi returns to his wife and family on Mars.
"It showed us that we have to care for each other, because if we don't, who will?
Franklin returns to his job on Earth, helping heal both aliens and humans.
"And that strength sometimes comes from the most unlikely of places.
Zack goes to Centauri Prime and works for Emperor Vir Cotto.
"Mostly, though, I think it gave us hope that there can always be new beginnings, even for people like us.
Ivanova accepts the position of leader of the Rangers.
"As for Delenn, every morning for as long as she lived, Delenn got up before dawn and watched the sun come up..."
Soul Hunter
Overview
Delenn is in danger when a soul hunter, an alien who captures the souls of the dying, arrives at the station. W. Morgan Sheppard as Soul Hunter #1. John Snyder as Soul Hunter #2.
Sub-genre: Suspense P5 Rating: 7.05 Production number: 102 Original air date: February 2, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Jim Johnston
Watch For
- The Soul Hunter mentions the death of someone to Sinclair. That name will come up again.
- A fluid flowing the wrong way.
Backplot
- The soul hunter of this episode has visited Earth before.
- Minbari are trained from childhood to protect their souls from soul hunters.
- The soul hunter had a unique perspective on a
significant event in Minbari history:
[to Sinclair] "Minbari: jealous, selfish, private. We have saved only a few - very rare. The rarest of all, their leader Dukat, dying; your fault, your war; the pinnacle of Minbari evolution. We came, I, others. They made a wall of bodies to stop us! He died. And his dreams, his ideas - all that he was, all that he could ever be - gone... wasted... jealous..."
Later he recognizes Delenn from the Grey Council, which was responsible for stopping him.
Unanswered Questions
- Why do all races but humans know about soul hunters? Since they all share the Minbari's fear of them, do most of them share the Minbari belief in reincarnation?
- Why are so many non-humans moving to Earth? They must face a fair amount of prejudice there. (cf: "The War Prayer")
- What are the "certain classes" of Minbari in which Delenn says soul hunters have always taken a particular interest?
- "Your fault, your war," says the soul hunter to Sinclair, recounting Dukat's death. Was he referring to humans in general, Sinclair in particular, or Dukat?
- "If only you could see," says the soul hunter to Franklin. Apparently he can actually observe the soul's departure from a dying body. Later we see, possibly through Delenn's eyes, a blue wispy something escape as she breaks a soul vessel. Does this mean that Minbari too can see souls?
- With a glimpse into Delenn's soul, the soul hunter exclaims, "You would plan such a thing? You would do such a thing? Incredible." He's had a long history with the Minbari - what would so surprise him? (Revealed in "Chrysalis" and "Revelations")
- Recovering in Medlab, Delenn says to Sinclair, "I knew you would come. We were right about you." Clearly, the Minbari have made predictions about him. However, Sinclair didn't really prove anything about his character by rescuing Delenn - someone else could easily have been the one to find her. Perhaps he's just fulfilled part of a prophecy, thereby confirming his role in it. (cf: "Parliament of Dreams")
- Combining the above questions, does Delenn's incredible plan involve the Minbari predictions about Sinclair?
- As the soul hunter himself challenged, why is one of the great Minbari leaders acting as their ambassador on Babylon 5? Sinclair is now wondering the same thing.
Analysis
- Delenn meets Sinclair just as he's going to check out the injured pilot, and offers to help him ID the fellow. She has a knack for being at the right place at the right time. (cf: "The Gathering").
- Sinclair did not call for backup when he encountered the soul hunter, even though there were four others nearby searching for Delenn. He has a tendency to put himself into dangerous situations. (cf: "Infection")
- During this episode there are three different
stories told about the soul. Sinclair heard all three, and doesn't
know which to believe. All he knows is what he saw.
- Franklin:
- There is no soul that survives the body. With advanced technology, he allows, one could preserve a record of someone's personality, but death is death.
- Delenn:
- All sentients have immortal souls. When a Minbari dies its soul merges with the souls of other dead Minbari. These are recycled into future generations, so as individuals advance their own souls, the Minbari as a whole advance.
- soul hunter:
- All sentients have ephemeral souls. When a person dies, the soul expires into oblivion. However, soul hunters have a prescient attraction to death - if they so choose they can capture and preserve a soul "for the greater good" at the moment it leaves the body. They carry with them a bag full of the souls they have "saved", each in its own glass vessel.
These are completely irreconcilable belief systems.
Notes
- Dr. Franklin arrives on the starliner Asimov, which we see again later.
- Dr. Kyle is on his way to a new assignment working with the president. He's much needed there what with "so many aliens migrating to Earth," as Franklin puts it.
- The average human lifespan is almost 100 years.
- Ivanova conducts a simple funeral with these words: "From the stars we came, and to the stars we return, from now until the end of time. We therefore commit this body to the deep."
- The soul hunter tells Sinclair his opinion of the Minbari: "pale, bloodless, look in their eyes and see nothing but mirrors, infinities of reflection..."
- When Delenn is recovering in medlab at the end of the episode, she's attached to a machine that should presumably be pumping blood back into her body. But the fluid is flowing out of her instead. The shot was played backwards so the director could get the camera movement he wanted.
jms speaks
- Well, I just saw a cut of the episode that's going to air second, the
one guest-starring Morgan Shepherd. Oh, man...on the question of
Did you learn anything from the pilot...this thing *moves* like a
sumbitch. It's a very unusual, very *creepy* episode in many ways.
And filled with character stuff...and a good bit of background about
some of our characters rendered in active ways. I'm really dying to
see what people think of this one when it airs. It manages to take
what would normally be considered a science *fantasy* issue, and deal
with it from a science fiction perspective, without compromising on
the latter at all. It's a very, *very* strong episode.
- Who's right, the soul hunter or the minbari?
Yes. - We leave the question open: Is he actually taking souls, or simply
encoding the personality matrix and, in essence, creating an artificial
version of the individual's personality?
- The various characters take their own stands, which vary. Franklin
only considers the possibility of cloning someone's personality
matrix, for instance. And again, it depends on how you *define* soul.
The Soul Hunter defines it not as something supernatural, but as the
collection of thoughts, personality, feelings and the very essence of
the person that dies with the body. That definition is broad enough
to encompass just about anything. Then you get into the more
specific ideas of what a soul is.
One person at a post production house we've used has indicated that he has "theological problems" with working on that episode; not because it's *against* what he believes -- he's worked on horror movies and stuff with devils and the like -- but because it takes a point of view he doesn't much like...in that he has to sit and defend the whole *context* of his ideas...meaning, it's making him think. He can just poo-poo the stuff against what he believes, support what he does believe in...but he isn't quite sure where this show comes down, or where it makes *him* come down. I've had any number of problems with people on a show before, but this is the first time I've run into a theological problem.
- What the soul was, who's right, and even whether this is SF or
Science Fantasy, was it explained enough to merit one over the other
... how can I put this...? I don't want to spoon-feed stuff to
people. What I want is not to hit someone with a MORAL, or a message,
or "This is what a soul is," or "This is what makes it an SF series,"
I want to start discussions. Arguments. Preferably a bar fight or
two.
We present an issue. Here are the sides. Now...what do YOU think about it? I want this show to ask, "Who are you? Where are you going?" That's half the fun. Some of my favorites pastimes in college were sitting in the commons, or the library, arguing this stuff from every possible angle. You think I'm gonna tell you what to think? What it means? No. The goal is to provoke discussion. Preferably passionate discussion.
Otherwise I might as well just start renting billboards and putting up signs.
- Re: why soul hunter #1's ship was out of control...the second soul
hunter comments that they've been tracking him, and caught up with
him a few days ago. They attacked, "and he escaped, his ship
damaged." That is what brought him here...and led his pursuers to
this place as well.
- Will we see more soul hunters?
Eventually. - And yes, humans would probably have *heard* of Soul Hunters,
distantly, as a legend. I see no reason why they would believe they
existed, particularly with a title like that, unless and until
actually encountering one.
- Re: Sinclair's actions toward the Soul Hunter...the device he uses was
trained on Delenn. It was spiraling up to full power throughout the
scene. Just as Sinclair's thrown, you see it starting to come to
critical mass...it's shooting at Delenn. There isn't/wasn't time to
sit there and figure out how it works, and shut off the right button.
He turned it so that it faced away from her...and the Hunter was caught
in his own machine.
There was nowhere else to go with the machine.
- In "Soul Hunter," Franklin notes that the average human life span is
now about a hundred years. It's quite a bit longer for the other races;
G'Kar is about 70 or more, but is considered mid-range, equal to a human
in early 40s, among Narns. Delenn is in about the same position, equal
to 30s-40s in her terms, but in years a bit older. They are a pretty
long lived people. Centauri aren't quite as long-lived, but they do a
bit better than the Narns. The Vorlons......are.
- To the question about a Soul Hunter's strength...yes, it is *very*
considerable. Even with one arm he was able to slam the hell out of
the commander, pick him up and again slam him against a wall before
throwing him about 10 feet across the room. Had he not been stopped,
and stopped good, yes, he would've torn Sinclair to ribbons.
- Delenn was shattering the soul globes in order to let the souls
escape, rather than playing with them. Look on the floor around her,
and you'll see shattered globes. There should also be a sound of
them breaking in her hands, the light goes out, and something
escapes....
- @@@911503837 Was Delenn only releasing Minbari souls, or all the souls?
It would be any and all so imprisoned. - You're most definitely welcome; it was something we did to honor
Asimov, who determined the shape of this genre for many writers.
- Why is part of me tempted to decide that around the year 2223 the
most revered figure in Earthforce Command was General Ira Asimov, a
brilliant strategist for whom the liner was named....?
There are certain benefits to a design-your-own-future universe....
- I deeply admired Asimov. Harlan Ellison, this series consultant, was
as dear a friend to Asimov as anyone could be. I named the starliner
after Asimov shortly after his death, because I will personally miss
him, and for Harlan, as his friend.
- In your complaints regarding the commander flying off on occasional
missions (and he only does it about 3 times out of 22 episodes, so I
hardly see this as a problem), you are forgetting several other
*realities* of military life. If you're a pilot, even as a commander,
you have to log in X-number of hours flying time per month in order to
continue to qualify for flight pay. This is a *requirement*. And it
doesn't just mean flying around the station a few times.
Second, many commanders -- as recently as Vietnam and afterward -- did and continue to go out on missions and sorties because it is rather expected of them, and because it maintains the respect of the rest of the squadron(s).
Third, and possibly most important, Earthforce is the same as the contermporary Air Force in one important respect: promotion up the ranks is tied *directly* to combat experience and, in this case, combat flying. That's why women fighter pilots and helicopter pilots have been fighting so *vigorously* to be allowed to fly combat missions; they know that they can't be promoted fully up the line without that. Sinclair has no desire to be a commander all his life, he'd like to move on. Hence it behooves him to get in combat time whenever possible.
Your statement that it "doesn't wash" has nothing to do with how the military *actually* works, and everything to do with the skewed and inaccurate portrayal of the military that you get from Trek. This is absolutely legitimate, and the B5 mailbox these days is partly crammed with letters from vets thanking us for getting this part right.
I suppose I could mention this in passing in dialogue, but then it becomes a matter of sticking in dialogue not because it's important to an episode, but because some folks would like things explained to them. I don't think that's my responsibility.
- I answered you elsewhere here on this topic earlier this evening.
To just nit for a moment, to say that Sinclair picks up "every
derelict ship" seems a little unfair...he's picked up *one*, and only
one, and only picks up one this entire season. Why him? A) Because
he's good at it, B) he could use the flight pay, C) it'll look good
on his record, and D) because as he says as he leaves, it's a
potential first-contact situation. (NOt to mention E, that he has a
death-wish.)
I would submit to you that this is NOT the same as having one character do a zillion different jobs on the station. I think that you're reacting to something you've seen on Trek, and are assuming based on an example of one that we're doing it in B5 as well. We're not. Also, in "Purple," Garibaldi sends a different team out to handle the gunfire, so there are others who do things. Question becomes, how many new and recurring characters do you want to introduce? There are currently *14* regular and recurring characters on B5, and there are many folks who are saying that's too many. As it is, we do introduce an aide to Garibaldi who takes care of some stuff for him. Just as Sinclair delegates to Ivanova, and Ivanova delegates to the observation dome techs.
I just feel that you're leaping to a conclusion based on a paucity of evidence, built upon your experiences with another show. We're simply not doing this.
- Normally, I don't tend to respond to negatives, because I don't
generally want to get in the way or be perceived to be getting in the
way of criticism. I don't. But I feel I have to respond to some of
this. If the show is open to criticism, then it seems to me that
some of the critiques should be open as well. And some of these I
think are quite unfair.
1) When did they move the jump gate (re: the time required to get from the gate by Kosh's ship, as opposed to the Hunter ship). They/we didn't. Once again, and I wish people could remember this, Kosh's ship BEGAN TO DECELERATE the instant it emerged from the gate, in order to dock with B5 without smashing into it. The Soul Hunter ship was out of control, careening in at full speed. (This was a widely discussed reason why the Vorlon fleet got to B5 so quickly as vs. Kosh's ship. They were moving fast to get into striking position.)
2) The Hunter's ship was on autopilot, set to come out of the first gate it came to.
3) There was still time for the station's defense grid to blow the ship. Yes, pieces would have continued onward, but a hell of a lot of its inertia would've been taken out by the incoming fire, and any remaining pieces would've either been taken out as well, or would have been so small as to not damage the hull (which is *very* thick at that point) given its blast-enforced deceleration.
4) Yes, Sinclair would've gone up with it. You pays your money, you takes your chances.
5) There was no "the Earth is going to explode" story here; you have a ship colliding with the station, that has to be stopped. It has to be stopped within the period between when it emerges from the gate, and the time it would collide. You want to know how much time you have to work in. Maybe it's a dramatic device, but it's also exactly what you would do. What would you prefer? "Lieutenant Commander, how much longer until impact?" "Uh...I dunno...can you hang on a second?"
6) Re: the "funny forehead" comment...it was not what I've understood the FF syndrome to mean...a regular head with a little treatment on the front. This was a whole-head prosthetic, covering the entire back of the head. So wrong on that one. And re: n'grath having 6 legs rather than 4...who're you to say that? Ever seen a praying mantis? Do all insects all over the galaxy have to have six legs to qualify? You don't like minimal makeup, you don't like full-body prosthetics ...you understand that this comes out as "nothing will please me except a real alien." You tell me where to find one in Central Casting, and I'll hire him.
7) Okay, here's my biggest gripe: the note that the soul aspect was Trek and "katra." Let me be clear on this: I don't give a damn what Trek has or has not done now, long ago, or will do in the future. We can't be constantly looking over our shoulder, limiting our universe because of another show. If your only frame of reference when it comes to discussing the soul is Star Trek, then that's profoundly disappointing, but it's got nothing to do with me. The basic concept goes back to the beginnings of civilization (that your soul can be captured somehow). Further, there were no soul hunters in ST, it was placement of one's spirit in another body. I'm getting real tired of the notion that if Trek did something, nobody else ever can do it. Like the person who said that Trek invented nanotechnology, and thus when we used it in the pilot episode in the nanotech machine G'Kar swallows, we were just copying Trek's nanites.
I refuse to surrender creative control of this series to the ghost of Star Trek's used notions. From time to time, we'll cross into areas they have also touched. We'll touch it differently. Deal with it. But please don't put a Star Trek (tm) tag on the soul, and the history of the soul.
8) You say a guard's gun was taken *twice* in this episode. Where is #2 (if #1 is the medlab guard)? I see a guard being attacked from behind, but not his gun being taken.
9) Re: the second soul hunter's makeup being "inferior" to the first: they were essentially exactly the same...same material, same design, minus the stone, which varied...I'm sorry, but they were made, applied and used in exactly the same way.
10) Why drain her of blood? Why the hell not? In some countries, that was used as a means of execution. Bleeding was also used (in theory) to heal. Okay, let's say he used poison. "Why use poison?" you probably would've asked. "Oh, it was the old poison gag, and they find a convenient antidote." There's no difference.
11) How did the hunter relate his sense of death to a wall map? I ask again...why not? If you can buy it happens at all, why not? How is that any different than walking through a hall, or being drawn to a planet? This is strictly a straw-man example, as is much of what you cite.
This, frankly, is what I find so offensive in your note. You take things that as a matter of opinion you might have done differently, and then try to hold it up as a fault. You set up straw man arguments that could be just as easily turned around on anything, mischaracterizing something in order to take a cheap shot.
12) Why didn't Sinclair link in when he found the hunter? Because he only "found" the hunter when he was being SHOT AT. And at that point you don't want to raise your voice because you'll be shot at again.
13) You complain that the soul globes seemed to wait until the moment Sinclair freed them to act (as though it were the bag that had been holding them in). Sure, they could've emerged...and floated. A lot of good that would've done them. What they needed was someone who could stop him, and that was Sinclair's task. They were able to distract the hunter long enough for that to happen. Minus Sinclair, what were they supposed to do, bedazzle him to death?
14) Re: shining things into the camera = NBC Mystery Movie. See point 11a above. I'm not responsible for your cultural reference points.
I don't mean to yell, but thing is, I don't mind genuine criticism, if we specifically do something that is objectively *wrong*. If you don't like something, that's also fine. But I'm tired of people who confuse opinion with fact, and that if it isn't done their way, then it isn't somehow *right*...and the notion that Star Trek has invented, patented and qualified for sole claim on whole aspects of our history, literature, culture, theology and language, and that anybody who touches on these areas is just doing Trek stuff.
As far as I'm concerned, the Trek-soul-katra thing treated the soul as little more than a misplaced pair of sunglasses. Here we tried to get into the issues *behind* the soul...where does it come from, where does it go, does it survive the death of the body, or does it go on ...to give some mystery and beauty to the notion. To have it dismissed as just another riff on katra is offensive and insulting and narrow. And all of those issues just seemed to flit by without comment.
I don't mean to get angry, but this is one I'm very proud of, and to see it sideswiped and mischaracterized and straw-man'd to death in this fashion is just something that I had to respond to.
- Re: your statement that the headwear of the S.H. is "stolen" from
the Ferengi...may I be so bold as to respond to your rather loud note
with some volume of my own? To wit: watch something other than Star
Trek, and maybe spend a little time learning stuff about your own
world. The headware is based upon the kind used in various african
and aboriginal tribes. Trek didn't invent it; we have photos of its
use through history, as well as sketches going back further. As it
happens, the costume designer has never seen "DS9," doesn't watch TNG,
has no idea what a Ferengi is. Neither do I intend to not do
something, based in real history, just because some other show has
done drawn on that same background.
You clearly think that if something appeared in ST, then ST must have invented it, and that if it appears anywhere else, it must've been influenced by ST. Wrong on both counts. I would suggest that you have been watching too much ST, and not nearly enough of the Discovery Channel.
- Re: the medical tools...we brought in a medical science consultant,
who helped us design our instruments. His sense was that we're moving
more and more toward light as a system of treatment, non-invasive
procedures, that sort of thing. No, there aren't anything like those
devices in today's operating rooms...but this is 250 years from now.
In any event, it *is* based on the latest info we're getting on new
science from our medical advisor.
- I would not describe n'grath as a "Mafia boss," since that's a very
specific term. Nor is it really any kind of organization. He's a
fixer, somebody you go to when you need something...a bodyguard,
forged identicards, what-have-you.
- Garibaldi is quite aware of n'grath...and knowing that if he just vanished, somebody'd take his place in five minutes, prefers the trouble he knows to the trouble he'd have to track down.
Originally compiled by Matthew Ryan mattryan@pobox.com
Soul Hunter
Sinclair is waiting at a docking bay for the arrival of Dr. Stephen Franklin, the new medical chief of staff--and evidently an old friend of Sinclair. Right after the new doctor arrives, Sinclair gets a message from the bridge that there's a disturbance at the jump gate.
On the bridge, Sinclair finds out that a very damaged ship has come spinning out of the jump gate. The ship is out of control and is on a collision course with the station. The ship cannot be identified--its configuration doesn't match anything they've seen before. Sinclair decides to go outside the station and try to grapple the unknown ship with a ship of his own in order to prevent the ship from crashing into Babylon 5. He gives the order to destroy the unknown ship only if he fails to stop it. After a number of failed attempts, he is successful in grappling the ship and preventing it from hitting the station.
Matching rotation
with the alien ship.
As Sinclair is on his way to the Medical Lab to check with the injured pilot of the unknown ship, Delenn meets up with him and offers her help in identifying the unknown pilot. When they arrive, they find that Dr. Franklin is unsure of the condition of the alien pilot, simply because he knows too little about the unknown alien's physiology. Upon seeing the patient, however, Delenn immediately recognizes him and has a surprising reaction: she attempts to kill him. Sinclair stops this attempt only with difficulty. Delenn warns Sinclair to kill the patient immediately, because the patient is a "Soul Hunter" who steals people's souls. She warns Sinclair to get rid of the patient, "before someone dies!"
Later, Delenn apologizes to Sinclair for her actions in the Medical Lab. Sinclair comments on her unusual behavior; he has never before seen such a violent reaction from Delenn. "You don't know these things as I do," replies Delenn, who explains that all Minbari are taught to be afraid of the soul hunters. Soul hunters, she explains, are immortal beings who are drawn toward death and who steal people's souls at the moment of death. They don't steal every soul, only ones which they deem to be worthy enough. Delenn also explains that the soul hunters have previously shown an interest in "certain classes of Minbari." She again warns Sinclair to send the soul hunter away.
Meanwhile, in the alien sector of Babylon 5, a gambler is running a seemingly-innocuous, familiar game where he hides a ball under one of three cups and has a player choose which cup they think the ball is under. In the Med Lab, the voice of this gambler is echoed and heard in the mind of the soul hunter, who awakes suddenly.
Garibaldi, in the meantime, warns Sinclair that many people in the alien sector seem to be "hiding"--that the alien sector is basically deserted. Ships which were not scheduled to leave for months are suddenly requesting departure. It seems that the aliens are afraid of the soul hunter.
The voice of the gambler continues to echo in the mind of the soul hunter. The gambler meanwhile has won a game, but is violently confronted by the loser, who proves that the gambler was cheating. The loser starts to chase the gambler, while the gambler runs away.
Fleeing the scene.
When Dr. Franklin next walks into the Med Lab, he is surprised to find that his patient is awake and standing. "I have been to your world," says the newly-awoken soul hunter. "Can you feel it?" he asks, but Dr. Franklin just gives him a perplexed look. Meanwhile, the gamble is still running away from his pursuer. "It comes," says the soul hunter. Meanwhile, in the alien sector, the gambler's pursuer finally catches up with him and stabs him. "It comes!" repeats the soul hunter.
The gambler is brought to the Med Lab, where it becomes nearly certain that the soul hunter realizes that the gambler's dying. As the gambler finally dies, the soul hunter says, in a contemplative voice, "Quick flash. The deep blue of pain. Dull, muffled. Slower, now. Closer, now. Gone, now! Gone! If you could only see."
Sinclair comes to visit the soul hunter in the Med Lab, where the soul hunter is chanting to himself and is refusing to speak with Sinclair, who wants to know how the soul hunter knew that the gambler was dying. Trying to get his attention, Sinclair confronts him: "Did you come here for his soul? Oh, we've heard, if you're wondering." Sinclair expresses his disbelief that the idea of "soul hunting," and, further trying to pique the soul hunter's attention, accuses him of being a thief--a stealer of souls.
"We are not thieves," replies the soul hunter. "We are preservers. We act only for the greater good."
"The Minbari don't seem to think so," contests Sinclair.
"The Minbari: pale; bloodless; look into their eyes and see nothing but mirrors; infinities of reflection. Will not let us help them." The soul hunter then explains that his kind are drawn toward death--toward the moment of death--in order to save and preserve certain souls. Not every soul; only outstanding ones-- those of "leaders, thinkers, poets, dreamers, blessed lunatics." Sinclair asks what the soul hunters actually =do= with the souls once they have them. The soul hunter replies that they talk, listen, and learn from them. Dr. Franklin, who has been standing by Sinclair, comments to Sinclair that what the soul hunter is saying is truly impossible--that, with enough technology, a person's thoughts could be saved, but that the idea of taking someone's "soul" is not possible.
Sinclair, meanwhile, still wants to know what is precisely going on between the soul hunter and the Minbari. The soul hunter explains that years ago, when one of the great Minbari leaders was dying, the Minbari made a "wall of bodies" to stop him--they defended their leader's soul at all costs. The leader, according to the soul hunter, therefore died a wasted death--a death due to which his thoughts and dreams were forever lost. Sinclair, ending the discussion, responds that he still doesn't believe that the soul hunter can do what he says he can do. However, because the aliens on the station seem to fear the soul hunter (and because Sinclair says that he has no reason to doubt the judgment of the aliens), Sinclair orders the soul hunter off the station as soon as the soul hunter has recuperated from his injuries.
On the bridge, Ivanova is meanwhile conducting the gambler's funeral from the bridge. The body is launched out to space while Ivanova says, "From the stars we came, and to the stars we return ..." Dr. Franklin contemplates the shortness of life--that, as soon as humans have nearly figured out life, they die. Ivanova dryly comments that, even if humans lived 200 years, they would still make the same human mistakes. "I'm a Russian; we know these things," she adds.
Delenn is meanwhile visiting with the soul hunter in the Med Lab. She confronts him, saying that soul hunters never travel without their collection of souls and asking him where his is. "My children are safe," he replies. Delenn vows that, before the soul hunter leaves the station, she will find and release the souls in his collection--to free them once are for all. The soul hunter dismisses this vow, commenting that by "freeing" the souls, she is actually killing them. Delenn expresses her belief that, if the souls of the Minbari leaders and thinkers are "stolen" from them, the Minbari are diminished with each generation because the stolen souls cannot rejoin the Minbari and be reborn. The soul hunter dismisses this as superstitious nonsense, saying that the soul dies at death (unless, of course, a soul hunter saves them). "We will help you, in spite of yourselves," he promises. Suddenly, he recognizes Delenn: she was among the group of Minbari that stopped him from "rescuing" the soul of the great Minbari leader that he discussed with Sinclair before. "That was where it began to go wrong," he says, mostly to himself. The lost souls. ... one after another. I failed because you stopped me! A pattern began." Suddenly, changing the tone of his voice, he adds, "They called you Satai Delenn of the Grey Council. Curious, curious." He goes on to ask her why a great leader of the Minbari would be "playing ambassador" here. Somewhat taken aback, Delenn leaves the room quickly.
Right after Delenn leaves, the soul hunter feigns injury and falls to the floor. The guard who was stationed outside the Med Lab rushes in, only to be knocked unconscious by the soul hunter. The soul hunter escapes, gun in hand. He arrives at his ship, where he begins to talk with his collection of souls. He tells them that he finally knows why he was drawn to Babylon 5.
Shortly after, Garibaldi tells Sinclair that he scanned the soul hunter's ship. The soul hunter is no longer aboard; further, Garibaldi says that there's a cabinet of some sort on the ship--but it's empty, meaning that whatever was in there, the soul hunter now has with him. However, Garibaldi can't understand what the soul hunter could possibly be up to, because Garibaldi has guards all around and because the soul hunter couldn't possibly get back to his ship or (even if he did) pilot the ship away from the station. Ivanova suggests that if the soul hunters are drawn to death, the way to catch this soul hunter would be simply to figure out who's about to die.
The soul hunter has meanwhile entered the alien sector and has bought a map of the that section of B5--a map that includes all of the secret corridors, hiding places, entrances, and exits.
Negotiating
with a shady character.
Meanwhile, the bridge crew is made aware of another unsched- uled arrival through the jump gate. Another ship arrives, carrying another soul hunter. "Someone's about to die," he warns, and goes on to warn that more will die if he's not allowed to come aboard and speak with Sinclair.
The soul hunter on the station has meanwhile entered the ambassadorial wing and knocked out another of the guards.
As Sinclair is heading to a reception room to speak with the arriving soul hunter, Garibaldi warns him against meeting with him- -he mentions that the soul hunter's warning sounded very much like a threat. Sinclair thinks about this for a moment, and then decides that the tone of the arriving soul hunter was not aggres- sive, but nervous. Sinclair meets with the soul hunter, who describes how the soul hunter who has been on board the station is a deeply disturbed person and because of this, the station is in great danger--someone is about to die, but at the soul hunter's own hands.
Delenn is in her quarters, negotiating a trade route with some alien race through her communication screen, when her "doorbell" rings. "Come," she says; she doesn't even look around until she realizes that it's the soul hunter, who tells her that he has come to save her soul.
Meanwhile, the soul hunter who just arrived tells Sinclair why his "brother" is deeply disturbed: When he was ordered to save the soul of the Minbari leader (and others), he either arrived too late to save the souls or was prevented by others from his mission. His order was disgraced. Because of this, he had found the ultimate solution: to stop waiting for death--to take the lives himself. "Our order does not support this," claims the newly-arrived soul hunter. The soul hunter explained how he chased his "brother" and how it was they who had damaged his ship before it had come through the jump gate. They had almost caught him at his last stop, but he escaped. This time, however, there will be no escape--after he kills whomever he's about to kill (for they feel it's too late to stop him), they are determined to apprehend him. Sinclair doesn't accept this--he vows that there will be no death this time.
Meanwhile, the soul hunter explains to Delenn that her death will avenge his previous failures. "I give you a great gift--to life forever." He starts the process of killing her slowly and warns her not to resist, because it will trouble her soul if she does.
Sinclair, searching for Delenn, confronts the newly-arrived brother of the murderous soul hunter: "You're drawn to death," he says, indicating a map. "Show me!" The soul hunter complies.
The slow process of killing Delenn is continuing; her blood is being drained slowly. The soul hunter feels that the time is getting closer--close enough for a glimpse into her soul. He takes that glimpse, and after seeing what he sees, he shows great surprise. "You would plan such a thing? You would do such a thing? Incredible!"
Sinclair runs up to the ambassadorial wing, whence he goes to Delenn's quarters. As he's running up, the soul hunter tries to stop him. "Why do you fight for her," he asks Sinclair. He goes on to explain: "She's Satai. I have seen her soul. They are using you!" After a brief fight with the soul hunter, Sinclair runs over to Delenn. Right next to Delenn, there is a bag of some sort containing the soul hunter's "collection." Sinclair opens the bag and allows the souls to swarm about the soul hunter, presumably confronting him about what he's about to do to Delenn. Suddenly, the soul hunter's "soul-draining" machine begins to activate. He swirls it around on its platform and aims it at the soul hunter himself. The soul hunter's soul is captured into one of the little soul vessels like those the other souls occupied, amid cries of "No!" from the soul hunter. Sinclair kneels down next to Delenn.
Sinclair watches
a soul globe.
Later, in the Med Lab, Sinclair finds that Delenn will be all right; Dr. Franklin explains that she has a remarkable constitution (and extrapolates that this was the reason that they did so well in the Earth-Minbari war--because they kept going despite severe injuries). "So, I hear you saw something," says Dr. Franklin to Sinclair.
"I'm not sure--I don't know if I'll ever be sure," replies Sinclair.
Dr. Franklin replies that that type of talk could get Sinclair sent on a "very long vacation." The doctor further goes on to say that he still doesn't believe that the soul hunter can do what he says he can do.
Meanwhile, Delenn, who has just awoken, sees Sinclair and smiles. "I knew you would come," she says. "We were right about you ..."
"Who was right?" asks Sinclair, but Delenn has already fallen back to sleep. Sinclair jokes with Dr. Franklin that he's almost completely sure that Delenn won't finish the sentence once she wakes up.
Later, in his quarters, Sinclair asks the computer to do a key-word search. He struggles to remember the word that the soul hunter used to refer to Delenn, and finally successfully remembers it. The computer tells him that the title "Satai" is used as an honorific applied to the members of the grey council. Sinclair expresses basically the same question that the soul hunter had asked: why a member of the ruling body was assigned to diplomatic service. The computer asks Sinclair if he wishes to make another enquiry. "No, it can wait. There's always time," he says.
Sinclair finds out that Delenn will certainly live. Mean- while, as Sinclair is escorting the soul hunters off the station, he warns them that they will no longer be allowed on Babylon 5. The soul hunter seems already to expect this--he admits that his kind are usually not welcome wherever they go. The soul hunter asks Sinclair what happened to his "brother"'s collection of souls. Sinclair harshly brushes this question off: "Life's full of mysteries. Consider this one of them!"
Delenn, in her quarters, is crushing the vessels that contained the souls in the soul hunter's collection, thereby freeing them. She studies each of them for a moment, listens intently to them, and finally destroys their containers, allowing them to fly about the room freely, eventually to fade into nothingness.
Shawn Bayern bayern@minerva.cis.yale.edu
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Soul Mates
Overview
Londo summons his three wives to Babylon 5. A mysterious man from Talia's past reappears. Jane Carr as Timov. Lois Nettleton as Daggair. Blair Valk as Mariel. Keith Szarabajka as Matthew Stoner.(Originally titled "Pestilence, Famine and Death.")
Sub-genre: Comedy P5 Rating: 7.68 Production number: 208 Original air date: December 14, 1994 DVD release date: April 29, 2003 Written by Peter David Directed by John C. Flinn, III
Watch For:
- G'Kar tossing something to someone at a party.
- Daffy Duck.
Backplot
Centauri culture is built largely on family stature, and virtually all of an individual's position and influence derive from the relative standing of the family. Links between families can be very important, and marriages are the primary way of forging these links. Marriages are almost always arranged by the families for the benefit of the families, regardless of the wishes (if any) of the Centauri being married. Londo's marriages are notoriously bad. Indeed, he calls his three wives Pestilence, Famine and Death, and it's been hinted that he took a post to Babylon 5, a post where he knew he'd be forced to concede defeat after defeat to the hated Narn, simply to escape the three of them.
The control Psi-Corps maintains over its members is quite pervasive, extending to all levels of their personal lives. In one respect they are similar to the Centauri -- they arrange marriages between their members. This, coupled with the fact that all persons showing any psi talent at all are pressed into the Corps or nullified, makes them a budding closed society. Most importantly, once in Psi-Corps you are theirs forever, and they can do anything with you they want.
Unanswered Questions
- Why do G'Kar and Mariel know each other? What's been going on in the past with the two of them?
- Why did Psi-Corps dissolve the marriage between Stoner and Talia?
Analysis
- Stoner is a puzzle. Did he really ever leave Psi-Corps? He is a strong projective empath. He may be a receptive empath as well--but since he treats people rather poorly this doesn't seem very likely...at best it's unproven. Given his talent he could have manipulated the people around him from the very beginning, up to and including letting him leave. His claim that he lost his talent altogether is disproven rather quickly by a group of amateurs. Psi-Corps scientists working on modifying psi talents would have been very difficult to fool. On the whole, it's most likely that Sheridan is right, and Stoner was actively working for Psi-Corps all along.
- At first glance, one might wonder why on Earth Stoner would be in on a plot to kill Londo. G'Kar notes to Mariel that Stoner just happened to bring the artifact onboard on the eve of Londo's ascension anniversary, which would be too staggering a coincidence, if it had been booby-trapped from the start. However:
- G'Kar may have been behind the plot to kill Londo. In the scene where Mariel notices his boots, just before he walks off, G'Kar tosses something small to her. Perhaps it's just a grape, since he was picking them from the table. Or it could be a set of poison darts to load into the statue. If so, Stoner is even more innocent than he claims to Sheridan and Garibaldi; the statue really was completely harmless when he brought it aboard. However:
- G'Kar later says to Mariel, "Mysteries give me a pain." And the only way that he can ease the pain is to decipher the mystery. He then goes on to describe the situation with Mariel and Londo as the mystery that he had to solve. If so, then he was uninvolved in the attempt on Londo -- which again raises the question: What did G'Kar toss to Mariel?
- If G'Kar was involved, perhaps G'Kar knows what Londo is up to with the Shadows and wants to assassinate him for that reason, or perhaps it's just the general enmity between the two. Or maybe the whole thing was Mariel's idea and G'Kar merely gave her the means.
- Whatever the answer to "who knew what, and when?" the relationships remain. G'Kar knows Mariel well enough to have a private and informal discussion with her, and he may have been involved in the plot to kill Londo. Stoner (and by extension Psi-Corps) may know Mariel, and may also have been involved in the plot to kill Londo -- at least insofar as Stoner delivered the instrument of his (near) death.
- Talia's relationship to Psi-Corps is called into question here on both ends. First, it's clear that she is completely disillusioned with the corps. She confesses to Garibaldi that Psi-Corps frightens her. She is presumably deeply conditioned, but her loyalties are wavering despite this. On the other side of the equation, if Stoner is still Corps then his offer to her is also on the behest of Psi-Corps. Did her actions during "A Spider in the Web" bring her to the attention of Bureau 13? And if so, are they trying to unofficially take her out of the picture?
- Though it at first glance might appear to be a comedic throwaway line, Delenn's final complaint may actually be the most important revelation of the entire episode. It implies that her transformation has given her a human reproductive system. Possibly that was even the point of the transformation; if indeed the change was made to bring humans and Minbari closer together, a child born of a human father and a Minbari mother might be considered a powerful link by some.
- Which, of course, begs the question: who does she intend the father to be, if this is what she has in mind? Sinclair seems an obvious choice, given the evidence that she believes him to be the reincarnation of a great Minbari soul (cf. "Soul Hunter," among others.)
- Psi Corps seems to be big on assigning companions. In addition to Stoner, Talia was assigned a support officer, Abby, during her first year at the Psi Corps center when she was a girl ("A Spider in the Web.")
Notes
- The name of Timov's father, "Alghul," means "The Demon" in Arabic. It may also be connected to the comic book character Ras Al-Ghul ("Head of the Demon") from the Batman series, debatably the Batman's most dangerous foe. Ras' daughter, Talia, has been the Batman's lover, and is the mother of his child. In any case, Londo has remained married to the daughter of "The Demon," appropriate given his recent acquaintances.
Peter David speaks
- Y'know...for the past five years I've been writing Trek novels, and
fans kept asking, "When are you going to start doing Trek TV
episodes?"
So here comes B5, I do an episode...and what do the fans keep asking? When am I going to do a B5 novel.
NYAAAARRRRRRRGGGHHHH!!!
- [Re: Talia] My feeling was that it was something that had been
building slowly within her ever since the Ironheart episode. That
although she had been *saying* she was devoted, well...the difference
between the reality of a B5 and the frequent unreality of STTNG is
that folks don't always say exactly what's on their mind (kind of like
the real world.) As it turned out, my own thoughts on Talia
dovetailed with future plans for her.
Daggair was Pestilence. Timov was Famine. Mariel was Death. Originally I was going to have each of their names reflect their respective "incarnations," but decided that was too cutesy. The only holdover from that idea is Timov's name which is, of course, Vomit spelled backwards.
- Daggair is Pestilence, Timov is Famine, and Mariel is Death.
At first I was going to have all their names be reflections of the titles "assigned" them by Londo, but I decided that would be too cutesy. The only holdover from that idea is Timov, whose name backwards is, of course, Vomit. (I'll never forget Jane Carr coming over to me the fifth day of shooting and saying in that accented voice of hers, "Peter...did you *know* that my character's name is vomit spelled backwards?" Uhhhh...well, yeah...)
You all realize, of course, that Londo is--by process of elimination-- War.
- In response to someone who thought JMS wanted a line of
dialogue inserted
This is a total misinterpretation of a statement I made, and yet another example of how the information age can also be the misinformation age. Incorrect "facts" can make the rounds at light speed and stay there.I did *not* say that Joe wanted one particular line put into the script. What I *said* (in response to a question some time ago of "How much did JMS tell you to put into the script? How much of the events were dictated) was that all I was given was one line of *description* (much like a log line you'd see in TV Guide). The line was something to the effect of, "Londo's wives show up on B5 and, in the way that Londo handles the difficulties that ensue, we learn something about the type of man that he is." I explained this in order to make clear how much latitude JMS gives writers on the show, as opposed to the omnipresent smothering hands-on attitude of other programs.
And somehow this became mutated into "JMS has a line of dialogue that he wanted inserted."
- How funny. Other people who stated flatly that they likewise knew
Londo loudly proclaimed (over on Usenet) that he would have chosen
Daggair. Maybe he's a kind of tough guy to know.
- Poster had no trouble guessing; the actress playing Timov "was the
most well-known actress of them all"
Oh, I don't know. Lois Nettleton's career goes way further back than Jane Carr's does. Although Jane *is* from the Royal Shakespeare Company (and yes, she did work with Patrick Stewart. She's so pleased that now she too has portrayed a bald SF icon.) - *I* didn't get "bitch" past the censors. I just put it in the
script.
(What I loved was Daggair's expression on that line. It's the only time she let her facade slip and she looked like she was ready to slug Timov.)
- The second scene between Garibaldi and Stoner was intense
Tension really crackled between the two of them, didn't it? In one of the takes, it was so intense that at the end, the director forgot to yell "Cut." Instead he shouted, "God, that was great!" - Thanks for showing us another side of Garibaldi
Oh, the side was already there, in my opinion. I think back to previous episodes where Garibaldi was all for spacing that serial killer. When he encounters people he doesn't like, or have done dirt to people who are Garibaldi's friends, he can be pretty ruthless. - As we've seen, Garibaldi doesn't exactly have the easiest time being demonstrative in his feelings for women.
jms speaks
- Originally, "Soul Mates" was intended to be broadcast after "A Race
Through Dark Places." ARTDP required a rather substantial amount of
post production work and audio design; "Mates" did not. Rather than
rush "Race," we decided it was okay to air those two in reverse order.
If they have aired with "Race" first in the UK, then yes, it's
different than the US order, but it *is* the correct production and
story order.
- All things considered, the episode went through fairly cleanly, script-
wise, not much in the way of revision. Peter has a good ear for
dialog (not surprising). So for the most part it was little stuff; for
example...Peter came up with, "Either I'm in hell or in medlab," to
which I appended, "...either way, the decor needs work." Which is kind
of the fun in getting an outside script; you can hear the first part of
a line you'd never considered, and knowing the character, you can take
it just a little further.
- Timov's "WHO IS THIS?!" in that high-pitched voice would also be a
great one for an answering machine.
- What I love best about this is that given the time of year [of its
North American premiere], "Soul Mates" is basically our Christmas
episode.
I mean, are we perverse or what...?
- . . . when you say "why wasn't Mariel arrested on the spot by
Garibaldi and her quarters searched," you omit both legal procedure
and evidentiary law.
You arrest someone AFTER you have reasonable cause and sufficent evidence to justify it. You don't need enough evidence to convict, just to arrest or indict. So the order is reversed for starters.
Second, what evidence *was* there to be found if he HAD searched her quarters? She neither brought nor had ANYthing of an incriminating nature. She bought the figurine in the bazaar...and that's all she had, and all she used. There WAS no evidence in her quarters to find.
(Believe me, I spent 2 years on MURDER, SHE WROTE, and we learned a lot about how this stuff works. You can't just go around arresting people willy nilly, and the evidence must exist, and be sufficient, and locatable.)
- Peter's having the time of his life. He loves where his character is going, loves the range of emotions he gets to play...I saw him for a bit on the set today, shooting "Soul Mates," and he's just tickled (particularly since he's acting opposite Lois Nettleton, Jane Carr and Blair Valk as his three wives).
Compiled by Steven Grimm and Dave Zimmerman
Soul Mates
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Garibaldi finds Vir awaiting the arrival of Londo's three wives in the customs area. A female Centauri approaches the two, and introduces herself to Vir as Timov, one of Londo's wives. She tells him to take her to Londo, and they leave together. As they leave, in another portion of the arrivals area, Garibaldi witnesses an interchange between two people, who seem to be on the brink of fighting. At the height of the tension, one of them suddenly backs down and walks away.
Garibaldi reports the incident to Sheridan, saying that the man who didn't back away from the fight was named Stoner, and that he was little more than a typical freelance navigator and part-time trader. Sheridan asks what the problem is, but Garibaldi can't explain it, saying that he had a negative "gut feeling" about Stoner when he first saw him. Talia enters Sheridan's office, and remarks that Sheridan has settled nicely into his new position. Sheridan asks her to confirm some rumors they picked up from the PsiCorps net. Sheridan tells Garibaldi that they will talk about Stoner later, but Talia recognizes the name. They ask whether she knows him. "Only in the most unpleasant sense," she says. "I was married to him."
While Londo is in a bar celebrating with a large number of his friends, Vir tells Timov, waiting in Londo's quarters, that Londo will be there soon. Timov asks Vir what Londo is hiding, and why she had been called there. She asks Vir what Londo said about her to him when another of Londo's wives, Daggair, enters. Vir apologizes to Daggair for missing her arrival. Timov tells Vir that, if he knew Daggair as well as she did, he wouldn't miss her. The two of them continue squabbling.
Waiting for Londo.
Talia, at the Earth History Exhibition, examining some artifacts from Earth, is approached by Sheridan. He asks her why she was in such a hurry; she didn't say much before she left his office. She tells him that she wasn't in the mood to talk. Sheridan asks if she is now. She tells him that, as the station commander, it isn't his concern. He agrees with this, but says that he considers her a friend, or at least an ally, and will be there to talk if she so chooses.
Ivanova rings the bell at Delenn's quarters, and the chime is answered by the frustrated voice of Delenn from inside. She asks if Ivanova is alone, and admits her. Ivanova is surprised to see Delenn there, having considerable trouble with her hair. Delenn says that her transformation is supposed to be a bridging between the humans and the Minbari and that her transformation should be looked upon as a great honor, but comments that she cannot get her hair to do what she wants. Ivanova notices that Delenn's hair is brittle, and Delenn explains that she has been washing it with the same chemical compound all Minbari use to strip away the outermost layer of their skin once a day, to symbolize rebirth. Ivanova says she should try bathing instead, but Delenn only asks Ivanova to help. Ivanova protests, saying that she has duties to which she must attend, but eventually decides to assist Delenn. She calls to C&C telling them that she will be preoccupied for a while.
Bad hair day.
Talia tells Sheridan that, during a telepath's first year in the PsiCorps academy, they are assigned an advanced trainee to assist them, and that Matthew Stoner was hers. She liked him, and he helped her learn the difficult tasks that telepaths must perform. But, the PsiCorps learned that Talia and Stoner were genetically compatible and could produce children with equally good or better telepathic skills than their parents'. They were soon married, though only for a short time -- the marriage was annulled by PsiCorps soon after Stoner left PsiCorps. Sheridan asks how he managed to leave, but Talia doesn't know. "He had connections. He had... something. No one in authority wanted to talk about it."
G'Kar and Sheridan are walking together, and G'Kar asks if Sheridan has settled into his duties. Sheridan asks why everyone keeps asking him that, and G'Kar explains that, because strange things happened to Sinclair, Sheridan should be on his guard. G'Kar tells Sheridan that bizarre happenings give him headaches, and that he has had them many times recently, due to the strange events of recent weeks on Babylon 5. Londo appears, and seems to be quite cheerful indeed. He too asks Sheridan if he has settled in, and asks G'Kar how he is. Londo says that the day is "glorious" and he leaves, after commenting on G'Kar's health. G'Kar walks away, rubbing his head.
"I get these headaches."
Timov and Daggair are still in Londo's quarters with Vir, quarreling over Londo and their relative positions in Londo's life. Londo soon enters and greets the two wives. Timov asks where he was, and why she has been summoned to Babylon 5. Londo begins to explain, but stops when he doesn't see his third wife. Timov asks again why they have been called to the station, and Londo tells her that the following day is the thirtieth anniversary of his ascension date. Both wives had forgotten, but the Emperor hadn't, and, for the occasion, granted Londo any wish he desired. Londo tells Timov and Daggair that he asked for a divorce, but that the Emperor wanted him to keep one wife, so that he would look good at affairs of state. He tells them that, the next day, he will choose the one wife he wants to keep, leaving the others without the wealth and privileges that they had accrued during their marriage. The two wives begin to fight again when Londo's third wife, Mariel, arrives in the quarters.
Stoner consults with a merchant about various objects in his possession. The merchant claims that most of Stoner's objects have little value, but one in particular, a strange Centauri carving, is interesting to him. Garibaldi appears and asks Stoner where he obtained that statuette. Though Stoner provides ample documentation to support his claim that he found it on an archeological dig, Garibaldi escorts Stoner away, to talk in private.
Garibaldi harasses Stoner.
Meanwhile, Lennier arrives in Delenn's quarters to find Delenn's hair in curlers, with Ivanova standing nearby. The sight puzzles Lennier, but he tells Delenn that they were invited to the party celebrating Londo's anniversary. Delenn tells him to accept. As he leaves, he asks Delenn if the curlers hurt her, but she tells him they do not. Wondering about what she is doing, he leaves.
Garibaldi confronts Stoner in his office, asking him about his recent activities, wondering if, perhaps, he is running from something or someone. Stoner asks why Garibaldi is picking on him so much, and Garibaldi tells Stoner that he and Talia are friends. Stoner pretends that he didn't know she was there, and asks Garibaldi if she told Garibaldi about him. When Garibaldi says no, Stoner asks if Garibaldi wants to know any of Talia's most personal secrets. He persists until Garibaldi finally grabs him and orders him to be quiet. Stoner asks Garibaldi if he really wanted to talk to him, and after thinking for a moment, Garibaldi lets him go. Garibaldi tells Stoner that, if he harrasses Talia to any extent, Garibaldi will find some way to get back at him, and that he plans to keep an eye on Stoner. "Use both eyes," Stoner says as he leaves. "You'll need them."
Mariel approaches Sheridan telling him that she got separated from Londo while touring the station. She introduces herself, and is about to have him kiss her hand when Londo and his wives appear. Londo takes Sheridan aside while the three wives continue to fight amongst themselves. Londo warns Sheridan that Mariel is very much attracted to men of power, like a moth to a flame, but it is the men, and not her, that end up being burned.
Sheridan meets Londo's wives.
Talia is in the Eclipse Cafe, trying to decide what she wants to eat, when Stoner sits down next to her. She tries to move away, but he won't let her. He asks her if she has nothing to say to him, and she asks him why he came there. He tells her that he feels they had something together once, though she disagrees with that, saying that she doesn't want to be with him. He reminds her that she doesn't want to be involved in PsiCorps, but that, once you are in, you are in for life. She tells him that he is the one exception, and he explains to her that all anyone needs to do is lose their telepathic abilities. He tells her that anyone can do it, including her. He says he can arrange to have the same thing happen to her, and that, if she agrees, the two of them can be together. After Talia leaves, Garibaldi catches up to her by the elevator. He tries to explain to her that he talked to Stoner, but she doesn't want him to be involved. He claims that her safety is an important priority of his, but she wants him to forget about it.
Londo, in his quarters, answers his door when it chimes. Mariel is there, and she tells him that she thinks that she is the wife he should keep, because she loves him so much. Daggair appears and tells her that it is Londo's decision. Londo says that he would like all his wives to be present, but when Timov appears, she tells him that she doesn't want to be part of his "sexual olympics." He tells her that Daggair and Mariel were merely expressing their feelings for him, and Timov does the same by slapping him across the face. He tells her that she hasn't changed, and she says that he has -- he's devolved.
Garibaldi is in his quarters when Talia enters, to apologize for her behavior toward him earlier. He accepts her apology, and she tells him that she is planning to leave Babylon 5 with Stoner. Garibaldi asks why, and Talia explains that, while she and Matt were at the academy, the PsiCorps began performing experiments on telepaths to increase their abilities. Matt volunteered, but instead of having his powers enhanced, they were taken away. She tells her that he offered to do that for her, and she tells Garibaldi that she wants to have it done. Garibaldi tries to change her mind, but Talia is adamant. "I'm tired of being part of an organization that scares the hell out of me."
Talia apologizes.
As Mariel approaches the vendor Stoner was earlier negotiating with and purchases the strange Centauri statuette, Sheridan and Ivanova consult with each other about matters aboard the station. Ivanova tells Sheridan that Londo's party, celebrating his anniversary, is that evening, and that all attendees must be barefoot.
That evening, at a ceremony set in a large room with a large painting of Londo in the background, Londo goes over to G'Kar, whom Londo's wives notice is wearing a full uniform, including boots. They ask if he knows what an insult that is, and G'Kar claims that he does. Londo says he doesn't mind, and that "nothing is too good for my esteemed Narn colleague." After subtly tossing something to Mariel, G'Kar walks away with another headache.
"Nothing's too good for my dear friend G'Kar."
Elsewhere in the room, Delenn, now with her long hair straightened and curled, approaches Garibaldi. He says that she looks nice, but she tells him that he looks distressed, or soul sick, as the Minbari would say. "You know, it's funny. I met this woman, and I took to her immediately. Then, I met this guy who had hurt her, and instantly, I hated him."
"We Minbari believe, as do some humans," Delenn tells him, "that souls travel together. Some groups of souls are drawn onto the other in life to relive good relationships from the past, and, if possible, to make right the bad ones."
Garibaldi's attention is drawn away by Londo's voice; he is now opening the presents that the guests have brought. He graciously accepts Lennier's gift of a deck of cards, and opens another gift. Mariel says it is from her, but Daggair says that, in a way, it is from all three of his wives. He opens it, and finds the strange statuette inside. He admires it for a few seconds, but two small darts fire from its eyes and hit Londo in the head. He falls over in pain. Sheridan calls for an emergency medical team.
While Londo is in MedLab, unconcious, Dr. Franklin tells Sheridan that, because they don't have any Centauri blood that matches Londo's blood type, and synthesizing Centauri's blood has never been successfully done, creating an antitoxin will be very difficult. Mariel tries to tell the other wives, all of whom are at Londo's side, that she didn't know what the statue would do. Daggair tells her to be quiet, and she leaves. Daggair mentions to Timov that Londo has not made his divorce decree yet and, if he dies, they would be secure for life. Timov has a difficult time believing Daggair's callousness, but she claims that she is only looking out for herself, as she has been taught through life.
Garibaldi interrogates Stoner, who says that he handled the artifact many times without incident, and that it probably wouldn't do anything until it was held by a Centauri. Sheridan enters, and tells Garibaldi and Stoner that Londo is near death. He asks Stoner if he knows anything about the artifact, but all Stoner can tell him is that he found it on an abandoned Centauri planet. Sheridan explains the colony had been abandoned because they were forced out by the Narns. Garibaldi also tells him that the Narns probably rigged up the statuette as a trap for the Centauri. Garibaldi tells Stoner that he won't let him go until he speaks with G'Kar about the statue. He also warns Stoner that he will find some way to convict him. Garibaldi and Sheridan both leave.
Stoner in hot water.
Londo is still unconcious when, much later, Timov enters MedLab and approaches Dr. Franklin. She tells him that she and Londo have the same blood type, but that she didn't tell him before, because she wasn't sure what she wanted to do. She tells him that, although she might like to see him die, she does have principles, and that she would prefer to win her battle against Londo in some other, more satisfying way. She offers her blood to Franklin, on the condition that Londo never learn she gave it to him. Franklin accepts this, and escorts her away.
Lou Welch, a security officer, enters Garibaldi's office, with the information he could find on Stoner. It all fits in with Stoner's story. Garibaldi tells Welch he wants to talk to Stoner again, but Welch tells him that Stoner is eating. Garibaldi asks why he is eating so soon; dinner shouldn't be served for another hour. "He just... asked," Welch says. "I don't know. There's something about this guy that just makes you want to like him."
Londo finally awakes, again surrounded by his three wives and Dr. Franklin. Daggair and Mariel tell Dr. Franklin that they are happy that Londo is back, but Timov says nothing but that she is feeling fatigued and wants to go to back to quarters. Mariel and Daggair both follow her out. Londo tells Franklin that he considers all his wives nightmares, and that Timov is the worst of them. Dr. Franklin asks him if he can make a personal observation. Londo agrees. "Stick it," Dr. Franklin says, before walking away.
Stoner tells Talia that he doesn't understand why she wouldn't want to leave PsiCorps. She tells him that she is a telepath, and could never accept having that piece of her taken away. He tries to convince her that he wanted them to be happy, and that he thought if he told her about the cure, she would go happily. She tells him that her powers are a part of her, and she could never give them up. Stoner claims he can understand, and tells Talia she's coming with him. Her attitude suddenly changes, and she says that she will. The two of them leave the room, but Stoner is assaulted by Garibaldi when they exit. "Thanks, Talia, for your help. I love being right."
G'Kar is in his quarters, talking to Mariel. "You know," he says, "the problem with mysteries is that in order to get rid of the headaches, I have to figure them out. Here, we're faced with a staggering set of coincidences. A Centauri artifact, an ancient booby trap, it seems, happens to show up on Babylon 5 just in time to be purchased as a gift for Londo. And rather hide or deny responsibility, the gift giver makes it a point of saying she gave it to him, which neatly avoids any accusation of malicious intent because, usually, when you're trying to kill someone, you hide the attack. And there, you see, my head no longer throbs."
Mariel asks him who he will tell his theory to. G'Kar says he won't reveal it, but that Londo will figure it out eventually. As she leaves, he warns her to not be overconfident -- if he were married to Londo, he'd be concerned right now. "G'Kar," Mariel says as she leaves, "if you were married to Londo, we'd all be concerned."
"Do I look like a rumormonger?"
Sheridan confronts Stoner one last time, telling him that, although they thought that he and PsiCorps were no longer related, PsiCorps communicated with them, telling them to turn Stoner over as soon as possible. Stoner tells Sheridan that he left under agreeable circumstances, but Sheridan tells him that he doesn't believe he left PsiCorps' employment at all and that, instead of his telepathic abilities being removed, they were changed, and that Stoner became an empath instead, a fact Sheridan believes is substantiated by recent events on the station. Garibaldi suggests that he was released because PsiCorps knew that other telepaths would learn what happened to Stoner. Stoner tries to deny the allegations, but Garibaldi says he believes that Stoner was sent there to convince his genetically perfect mate, Talia, to undergo the procedure, so other empaths could be created. Stoner tries to use his abilities to force Garibaldi to let him go, but Garibaldi tells him that security guards are watching the room's proceedings outside and that, if Stoner tries to get away with anything, he will not succeed. Stoner tries to tell Talia that he thought they were perfect together, and that he only wanted what was best for Talia, to make up for past mistakes. He claims that he does know the cure, and asks her to look into his mind, but she refuses. "See you in some other lifetime," Garibaldi tells Stoner as he leaves.
As Londo's wives prepare to leave the station, Vir presents Timov with Londo's itinerary, so that she will know which ones she should attend, and to which she should accompany him. Daggair and Mariel are upset at Londo's choice, but Londo tells him that they should be grateful, because he did provide them with a sum of money as a going-away present. After they leave, Timov asks why Londo chose her as his remaining wife, because she does not, and will not, love him, and they will not get along. "Because, with you, I will always know where I stand," he tells her. He kisses her hand, and leaves as she departs.
Delenn runs into Ivanova and thanks her for helping her with her hair trouble, and the other help she has provided. Ivanova tells Delenn that, if she has any other questions or problems, she will be glad to help. As the two board an elevator, Delenn does ask something else. "Do you have any idea why I suddenly started getting these... odd cramps?"
Strange Relations
Overview
Bester arrives to try to retrieve the refugee telepaths. Garibaldi confronts Lochley. Delenn chooses a bodyguard for Londo. Robin Atkin Downes as Byron. Walter Koenig as Bester.
P5 Rating: 7.84 Production number: 507 Original air date: February 25, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by John C. Flinn III
Plot Points
- @@@888480810 Lochley and Sheridan were married for a brief time many years ago. The relationship ended quickly because both of them wanted to be in control all the time. But it's thanks to their time together that Sheridan knows he can trust her even though she was on the other side in the civil war.
- @@@888480810 Lochley was stationed on an outpost on which a rogue telepath murdered two crewmen. Bester and his people arrived and tracked down the rogue, saving the lives of additional people under Lochley's command.
- @@@888480810 Many of Byron's people have been the subjects of Psi Corps medical experiments, and don't trust doctors.
- @@@888481016 Lyta appears to have genuinely joined Byron's cause. The two of them appear to be developing either a close friendship or romantic attraction.
- @@@888480810 G'Kar is now working as Londo's bodyguard. He accepted the assignment largely to see the looks on the faces of the Centauri royal court when a Narn is present at important state functions and the like.
- @@@888480810 Londo is the second Mollari to become Emperor. Londo says his ancestor's life ended badly.
- @@@888480810 The Centauri Regent's health is failing; Londo will soon spend much of his time shuttling back and forth between B5 and Centauri Prime.
- @@@888480810 Franklin has been given a new assignment, to thoroughly catalog any diseases of various races which might be able to cross species. His new duties will take him away from Babylon 5 to visit the homeworlds of Alliance member races.
Unanswered Questions
- @@@888480810 Who tried to assassinate Londo?
- @@@888480810 Do the Regent's health problems have anything to do with the Keeper on his neck ("Epiphanies?")
- @@@888480810 Is there actually a quarantine regulation as Lochley claimed? If not, how did she get her lie past Bester? If so, did Franklin invent it on her behalf, implying that he has the authority to issue medical regulations on his own?
Analysis
- @@@888480810 Lyta's power has limits, though even she doesn't know
exactly what they are. Could she have held off all of
Bester's men? Is she telekinetic, or was she simply activating
nerve endings as Bester speculated?
- @@@889635224 What's the significance of Lyta removing her Psi Corps
badge as she joined Byron's song? Is she officially resigning her
fake Corps membership
("Moments of Transition?")
If so, does that mean that the entire contract with Bester is canceled,
or just that she's giving up the benefits of supposed Corps membership?
Will she be considered a rogue when Bester returns in sixty days? Or
did she just remove it to be polite and avoid offending the others?
- @@@890010985 Lyta has all the makings of a cult member:
she feels abandoned by the world, she appears to have a need to follow
someone (be it Kosh or Sheridan or Byron,) and she's used to complying
with others' demands without question (as Byron pointed out in
"The Paragon of Animals.")
Byron's group appears very much like a cult: a small group of
people who feel they're different than everyone else (in this
case, of course, they are) and a charismatic leader who's
willing to sacrifice himself for his cause and to give personal
attention to each of his people. He's even holding out the hope
of a promised land in the form of B5 (and eventually a homeworld.)
- @@@888480810 Byron's people have a sixty-day reprieve, at least until
Bester either decides Lochley was lying or that he's waited long
enough. If Byron's people aren't allowed to leave the station
before then, what will they do when the sixty days are up? That
deadline may be what sparks the hostage situation shown in
"The Deconstruction of Falling Stars,"
if indeed Byron's people (or some non-pacifist faction of his
group) were the ones holding Garibaldi hostage.
Zack described Byron as a martyr. If that's literally true -- if he is indeed fated to die for his cause (and he does appear to be willing to do so) -- then his death might also incite his followers to violence. Of course, his death and the expiration of the sixty-day grace period aren't necessarily separate events; Bester's people are willing to injure him at the very least.
- @@@888480810 What medical experiments did Byron's people undergo? Lyta
said many of them don't trust doctors as a result, but as telepaths
who don't block out normals' thoughts, wouldn't they be able to
sense Franklin's good intentions?
- @@@889502663 What did Bester mean when he commented that Byron knew
all about turning against someone? What history do Bester and
Byron share? Perhaps Byron was once a Psi Cop, which would be
consistent with the level of psi ability he's displayed in the
past (appearing in front of Lochley in
"No Compromises,"
putting Bo in the Starfury pilot's mind in
"A View from the Gallery.")
- @@@888522924 Psi Corps' hold on the colonist telepaths, according to
Lochley, is due to their status as Earth Alliance citizens. Can they
switch citizenships? Does Mars fall under Corps jurisdiction, for
example? If not, there must be other races willing to grant
citizenship to telepaths, either for free or for the right price.
The Narn, for instance, would probably welcome them with open arms.
Presumably Sheridan, in his position as President, could ask one of
the Alliance member races to take the telepaths in as asylum-seekers.
- @@@888507739 Now that G'Kar is Londo's bodyguard, who will represent
the Narn on the Alliance advisory council? Does G'Kar retain his
position as ambassador? If not, isn't appointment as Londo's
bodyguard a rather substantial demotion?
For that matter, who will represent the Centauri while Londo is away and after he's crowned? Vir?
- @@@890011912 Franklin has experience with at least one cross-species
disease: the Drafa plague that wiped out the Markab
("Confessions and Lamentations")
crossed over to the Pak'ma'ra.
- @@@890012383 How have Lochley and Sheridan kept their past marriage
a secret? Are marriage records not public information? It seems
odd that, for example, ISN wouldn't have turned up anything in even
a cursory investigation of Lochley's background (they would presumably
have reported on her appointment, given B5's high profile.) Maybe
divorce under Earth Alliance law can result in all official records of
the marriage being erased -- which would still leave unofficial ones,
of course.
- @@@890012169 As Lochley mentioned to Garibaldi, Sheridan has had three wives (Londo is still one up on him.) Sheridan's wives mirror the Minbari caste system: Lochley was a warrior, Anna a worker, and Delenn a religious caste member.
Notes
- @@@888480810 Corwin reported Ms. Connoly's estimate for clearing the cargo backlog. Connoly appeared in "By Any Means Necessary" and is the head of the dockworkers' guild on the station.
- @@@888480810 Lochley has a phoenix on her flight helmet.
- @@@888480810 The Descartes joke Bester was telling Lochley is an old one, a play on "I think, therefore I am" -- I think not, therefore I'm not. The joke was told by Neal Barrett, Jr. when he was toastmaster at the 1997 Hugo Awards Ceremony, at which JMS received a Hugo award for "Severed Dreams." (It predates that ceremony, though.)
jms speaks
- @@@884632658 The astute will notice a slight change in the main
title music starting with 507. I was down sick when they had to do the
main title mix, and couldn't get into it. When we had to modify some
voice stuff for 507, I went in and pulled out all the music stems and
rebalanced stuff to bring out the themes more, which kind of got buried
a little in places. All the same individual pieces are there, but in
different perspectives.
- @@@888605187 Was the song at the end a traditional tune?
No, I came up with that song for the episode, and designed it to sound like any of a zillion other such songs out there, so it'd sound familiar.
Strange Relations
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
Lochley is walking down a corridor when she is joined by Delenn. Delenn tells her that she has spoken to Sheridan and is now aware of the full reason Sheridan chose Lochley to command Babylon 5. Delenn also wants to tell the Captain that she approves of the decision. Lochley is glad to hear it, but asks Delenn to keep quiet about it; others may not be so understanding. But unbeknownst to either of them, Garibaldi has overheard the conversation.
Meanwhile, Londo is in the observation deck, looking at a recently arrived Centauri liner. Zack comes in to inform him of its arrival: it is to take Londo to Centauri Prime. Londo explains that with the Regent's health failing, Londo must spend as much time as possible at his side. And once the Regent dies, the Centarum will make him Emperor, and he will never again be able to come to Babylon 5, save for the occasional state visit. He is not happy about this prospect, much to his surprise.
In the docking bay, a transport malfunctions and smashes against the pressure doors and explodes. The explosion closes down the docking bay for 11 hours. This does not stop a Psi Corps shuttle, which is in a priority mission and is allowed to dock through the emergency air doors.
In MedLab, Lyta is ransacking through some containers when she is surprised by Dr. Franklin. She is taking medicines and vitamins to the telepaths downbelow; not because they asked her, she explains, but out of her own initiative. Franklin says they should come themselves, but Lyta explains that some have been subjected to medical experiments by the Psi Corps and do not trust doctors. Franklin lets her take what she needs. "Next time you need something, just ask!" he tells her as she leaves. Later, when Lyta is giving the supplies to Byron, they all sense the arrival of the Psi Cops: Bloodhound units led by Bester.
Garibaldi is hanging out in Zack's office when a security guard comes in to inform Zack of Bester's arrival. Garibaldi rushes out and runs to Lochley's office, where he finds Bester and the Captain chatting over a cup of coffee. When he tries to get at Bester, Lochley stops him, first interposing herself, then slugging him, and finally having Garibaldi taken to the brig; Bester watches bemused.
In MedLab, Delenn and G'Kar ask Franklin to put together the definitive work on cross-species infections. The field is still in its infancy, but it is very important to the Alliance and its goal of interspecies relations. He is to go to member worlds, who are obligated under the terms of the Alliance to share medical data, and do first hand research. Although it means spending less time in MedLab and delegating some responsibility, Franklin is delighted and agrees.
Lochley arrives at Sheridan's office. Sheridan heard about the incident with Garibaldi and he reminds Lochley that Bester reprogrammed Garibaldi and almost got him and Sheridan killed ("The Face of the Enemy"). Lochley is well aware of this, having read the reports from both sides, but explains that the telepaths are wanted by the Psi Corps on numerous charges. Since the Interstellar Alliance grants sovereignty to member worlds, and the Psi Corps is part of the Earth Government, they have a right to take the telepaths under custody. Since Bester has not broken any rules, she must oblige him. If Bester breaks the rules, she promises, she will throw him out; but until then, she has to deal with it her own way. Sheridan reluctantly backs down, but orders Lochley to find a way to prevent the telepaths from being taken away, without compromising the policies of the Alliance.
The Centauri liner cannot wait for the repairs to the docking bay to be completed, and gets ready to depart without Londo. When they set their navigational beacon to Centauri Prime, the liner explodes. Later, Zack explains to Lochley that they found traces of explosives in the debris. The liner was sabotaged and set to explode when it returned to Centauri Prime; all the evidence points to an attempt to assassinate Londo. He then gives his security reports to Lochley, who discovers that Garibaldi accessed her classified personnel file; she angrily goes to see Garibaldi.
Meanwhile, Bester and the Bloodhound teeps are walking through Brown sector when they are met by Lyta. She is jamming them, and uses her Vorlon-augmented powers to stop them. Rather than force the issue now, Bester retreats; he will come back later with a dozen security guards, too much for Lyta to handle by herself. And if the rogue telepaths scatter, she won't be able to shield them from the Bloodhounds. Lyta goes back to Byron and advises him to scatter and hide.
Lochley enters the brig and confronts Garibaldi. She wants to know why he has been riding her so hard. "I don't know you," he answers, "so I don't trust you." "The world is full of people you don't know!" she counters, to which he replies, "I worry about that all the time." He wants to know why she was so friendly with Bester, and why she was chosen to command Babylon 5. The first question she answers readily: she was once stationed at an Earth Force Base where a rogue telepath killed some of her people; Bester tracked him down and saved two others. Although she neither likes him nor trusts him, he has played by the rules with her and she is obligated to reciprocate.
The second question is more difficult, and she asks Garibaldi to keep it between them. Sheridan wanted a symbol, someone who was on the other side during the Civil War; but also someone he could trust, someone who wouldn't stab him in the back. Someone who would argue with him, but back him up when he was right. Lochley was the perfect choice: She and Sheridan were married for three months after Officer Training School. The marriage fell apart because they both wanted to be in control all the time. Although it was over a long time ago, they trust each other.
Garibaldi is highly amused at the situation, and figures he can go now; but Lochley won't let him go until Bester leaves. "It's not that I don't trust you," she explains, "but I don't... trust you." She then receives a call from Zack: Bester got EarthDome to request security guards to help him track the rogue telepaths, and they can't refuse him. Lochley leaves, with Garibaldi still in the brig.
Security guards and Bloodhound teeps run down Byron's telepaths one by one. Finally, Byron realizes all is lost, and lets himself be found. He hopes Lyta will carry on his dream for telepaths. Byron is taken and beaten by the Bloodhounds.
At the staff meeting, Corwin informs Lochley that the docking bay is clear; Zack says Bester will be done rounding up the telepaths within a day at most, and that he has not broken any regulations. Lochley has no reason to stop Bester, or to prevent him from taking the telepaths. When the meeting adjourns, Franklin approaches her to let her know of Delenn's offer. Since it means he will be taking time off MedLab, he wanted to let Lochley know. Lochley is happy for him and assures him it won't be a problem, but she is struck by the idea of cross-species infections. She asks Franklin to give her everything in writing within half an hour.
Delenn and G'Kar are talking in Delenn's quarters. G'Kar had expressed a desire to do even more for the Alliance. Delenn is worried about losing the Centauri from the Alliance, so she needs to make sure nothing happens to Londo. She suggests that G'Kar should go as his bodyguard. At first, G'Kar is horrified at the idea; but Delenn points out first, how strong a symbol of the ideals of the Alliance this would be, and second, that it would mean G'Kar would be at the Royal Court in Centauri Prime and in all important occasions, guarding Londo. It is this last argument that wins G'Kar over: "A Narn in the Centauri Royal Court?" he laughs. "I accept, if only to see their faces!"
When Bester is preparing to leave with his prisoners, Lochley comes in and informs him there is a problem: according to Earth Alliance regulations, since the telepaths have been traveling so much in alien space, they must be put under quarantine for sixty days, to make sure they are not carrying any unidentified viruses. Those are the rules. Bester can't take Byron's people... yet. Although annoyed, Bester realizes there is little to be done, and he hopes his cooperation will cement a good working relationship with Lochley. He does, however, extract a promise from Lochley that the telepaths are to stay on Babylon 5 until he comes back for them. Bester issues a warning: "Just keep an eye on them, Captain. Don't trust them for a second, because sooner or later they will turn on you." He addresses Byron. "You know all about that, don't you, Byron?" With that, he leaves.
Lochley then lets Byron and his people out of custody; however, they are not to leave Babylon 5, and she has only postponed the showdown. Byron thanks her nonetheless.
As Londo is leaving for Centauri Prime, he is joined by Delenn who informs him of the arrangements she has made for his security. Londo is not pleased, but agrees. He is then joined by G'Kar, and the two leave for the transport, bickering about who will get the aisle seat on the flight.
Corwin joins Lochley as she is finishing dinner. He wants to congratulate her on her handling of the telepath situation. She is worried, though; "I get this nagging suspicion that maybe Bester was right, this thing will blow up in our face. It worries me," she confides. "I also have this nagging feeling that I'm forgetting something..." After Corwin leaves, she realizes what she has forgotten: she calls security to tell them to let Garibaldi, who can be heard yelling in the background, out of the brig.
The telepaths are singing together in a candlelit room. When Lyta comes in, she takes off the Psi Corps shield, and Byron joins her smiling and welcomes her to the middle of the singing group.
Survivors
Overview
Garibaldi's past catches up to him, with some disastrous consequences. He's blamed by some for an accident aboard B5, which leads to hitting the bottle again after a prolonged abstinence. Elaine Thomas as Lianna Kemmer. Tom Donaldson as Cutter.Originally titled "A Knife in the Shadows"
Sub-genre: Intrigue P5 Rating: 7.65 Production number: 111 Original air date: May 4, 1994 DVD release date: November 5, 2002 Written by Mark Scott Zicree Directed by Jim Johnston
Backplot
- Garibaldi was a shuttle pilot on Mars before coming to Babylon 5.
Unanswered Questions
- Who was the assassin working for? Who wants Santiago dead?
Analysis
- Ivanova's reluctance to stop the countdown is suspicious. Perhaps she had some reason to want the launch to take place; perhaps she even knew what was going to happen if it did.
- Everyone from his past considers Garibaldi a no-good drunk. Why did Sinclair give him a second chance? (Addressed in comic series, "Shadows Past and Present.")
Notes
jms speaks
- @@@832092614 "For scripts that are given to other writers do you find
you do much if any mental picturing of the episode? If so, how does
that affect the writing process between you and the other writer?"
No, you only get into that part of it when you're going to sit down and actually WRITE the sucker. It's a matter of bringing in the freelancer and (assuming s/he hasn't come up with a story independent of me, which happened about 4-5 times in toto) saying, "Okay, in this episode the giant blue penguins of Rigel 4 steal Ivanova's shoes," or handing the person a few paragraphs to several pages with detailed story notes. Then the person goes away.
The first "mental picture" I have of it is when the writer brings back an outline based on those notes. This is always hard for me, as is the first draft script, because the characters rarely talk like our characters talk. They don't sound right, don't always behave consistently, there's bits of backstory that contradict what's been established, and that has to get fixed. So it's like seeing a distorted picture, and your job is to bring it closer into focus.
(This is an inevitable aspect of freelancing. There simply isn't time to learn all there is to know about a show before you begin writing; you have to come in, do it fast, and then move on to the next assignment if you're going to make a living at this. That's the Freelance Life. I hate the Freelance Life. I like to stay around, get to know the characters, rummage around inside their heads and find what's there. Freelance scripts almost always tend to be about the guest star character; if you look at mine, most of them don't really tend to have a big guest character, with some notable exceptions. I find our regular characters more than sufficiently interesting.)
What's most ironic about the freelance situation is that you often have people who say, "Straczynski oughta use more freelance writers, they bring in perspectives he doesn't have." They cite the "moment of perfect beauty" in Peter's script ["There All the Honor Lies"], Londo's "my shoes are too tight, and I have forgotten how to dance," ["The War Prayer"] the alien abductor courtroom scene in Grail, Deathwalker's comments about how she plans to create her monument...all of which are scenes or sections I wrote and inserted into scripts by other people. (One of my best lines for G'Kar is one I'm not credited for, in Zicree's script, "The universe runs on the complex interweaving of three elements: energy, matter, and enlightened self-interest." I actually saw some messages noting that jms never seems to be able to write something that succinct. Well, actually...I did.)
- We're already doing it, and have done it. We've already begun
integrating "virtual sets" in with real ones. As an example...in the
next-to-last shot in "Survivors," someone is entering a ship in the
docking bay. The only real object in that room, aside from the actor,
is a ladder. Everything else is CGI...but you can't tell.
- In "Survivors," we attempted a cgi/composite shot out the window, which
looks pretty spiffy, actually. It's in the teaser. We may do this in
future.
- The *reason* we had Garibaldi go through all the hoops he went through
before finally falling into the bottle is because simply having Liana
show up and depress Garibaldi isn't, frankly, sufficient motivation.
I don't buy it. We wanted to strip away everything he had, and leave
him with only *himself*. So we took away his job, his reputation, his
money, his home, neutralized his friends wherever possible...it was
deliberate and systematic to peel him down to the bare essentials, to
just Garibaldi. Take him all the way down before taking him back up
again. Because it's more dramatically interesting. It's more logical
that it would take something this major to drive him back into the
bottle after staying sober all this time. I'm sorry, I don't accept
your suggestion that Liana's "anger and accusations" would "drive him
over the edge as he deals with his guilt." He's BEEN dealing with his
guilt, and her showing up wouldn't be enough to drive him back into
the bottle again. I'm sorry, but as a producer or a story editor, I
wouldn't buy that from a writer as being sufficient motivation.
Particularly not a character who's as strong and as bull-headed as
Garibaldi.
- What do I know about alcoholics, to portray them? Well, aside from
a degree in clinical psychology, and some internship work in the area,
I come from a family with alcoholism going back at least four
generations, and I'm talking *heavy duty*. I am, in fact, the first
male Straczynski in my branch of this particular stunted tree NOT to
have this problem.
I have had far, far, far more experience with this area than I care to recite...and from that perspective, I have no problem with Garibaldi's portrayal.
- Cutter went after Garibaldi only because that's who the dying worker
named as being responsible for the bomb. (He didn't know he was dying,
and wanted to throw blame; and even if he did know, what better than
to nail the guy who'd hassled him before?) Cutter only took advantage
of the situation.
Luis Santiago is playing it both ways, allowing more trade and certain kinds of immigration, while preserving earth *culture*; this isn't the same thing as a trade embargo.
- The name of General Netter was stuck in as a tweak to Doug, it's a
tuckerism (for those who know the term). We've done it a bit here
and there; I kinda started shutting the process down after a while,
since it was getting carried away. I don't want it to be obtrusive.
- I think Kemmer's name was inspired by the actor's name from the
Space Patrol series....
- The Drazi are a very violent, ill-tempered species; they were the ones
who first showed up in "Deathwalker" in a Sunhawk to threaten the
station; they beat up the guy in "The War Prayer;" they show up here
in "Survivors;" there's an episode about a form of martial arts among
the aliens that has a Drazi going at it...if there's a fight around,
you can often find a Drazi at the center of it or at least nearby.
- I think you're taking what I said to the extreme; I didn't say [the
Drazi] were bloodthirsty savages, only that they had a predilection
toward violence, and were generally very cranky. And not all great
thinkers have to sit around in elizabethan garb, delicate flowers
watching the skies rotate. Aggressive people can be good thinkers;
it needn't be one or the other.
- ...the end of "Survivors," where Kemmer enters her ship...in reality there is only a ladder there. The ship, the walls, the door she enters, all that is CGI/virtual set.
Survivors
President Santiago has decided to visit Babylon 5, ostensibly in order to present a new fighter wing to the station (though some people believe his real purpose is to drum up popular support for his new alien trade and immigration policies, which have met with opposition in the Senate).
The Presidential cruiser.
Ivanova and Garibaldi are en route to the president's arrival site on B5, and they are discussing the president's arrival. Ivanova tells Garibaldi that the president and his staff have not informed B5 command of their travel plans because the president feels it's safe if nobody is aware of these plans till the last minute (though Garibaldi jokes that, if B5 is unaware of the president's plans, the president's staff can blame B5 if anything goes wrong). Garibaldi feels that the president's visit is simply a waste of time and money; Ivanova responds that at least they're getting a new fighter wing out of the visit. Garibaldi is not grateful--he explains that B5 should have had those fighters a long time ago. Ivanova shares in the cynicism--now, B5 will have to renovate bays that haven't been maintained for years, using untrained crews rushed for time--and all of this at B5's expense. When Garibaldi claims he's no longer surprised by anything the government does (he's come to expect it), Ivanova compliments him on his very "Russian" outlook.
Suddenly, there is an explosion in the bay. Garibaldi and Ivanova are almost injured, and Sinclair, from the observation dome, sees a body in a spacesuit fly away from the station.
Down in the Med Lab, Franklin has diagnosed the person who flew out of the station--he flew out of the bay before the pressurization doors were activated. When Sinclair asks if the patient can say anything, Franklin replies that any procedure that could be used to rouse the patient would kill him. Garibaldi, meanwhile, has finished his evaluation of the damage ("You can put what's left of [the bay] in a shot glass," he tells Sinclair). Garibaldi still doesn't know what the cause of the explosion was, but he feels it was probably caused by negligence or fatigue on the part of the overworked crew. Sinclair asks about the possibility of sabotage, and though Garibaldi claims he never rules that possibility out, he feels that the inexperience and possible exhaustion of the crew was "inviting an accident."
Ivanova reports that Major Lianna Kemmer, an official on the president's security staff, has arrived. Kemmer requests an immediate briefing on the explosion. Garibaldi, when he hears Lianna's name, becomes lost in thought--he explains to Sinclair that he knew Lianna seventeen years ago (her father was his friend). "She's a real sweet kid," comments Garibaldi.
Lianna Kemmer.
The meeting between Garibaldi and Lianna is somewhat cold, however. Lianna largely ignores Garibaldi and introduces herself to Sinclair. Sinclair comments that Garibaldi will brief her on the situation, but she requests that her own team handle the investigation. Sinclair is reluctant, but because Lianna, as chief of presidential security, has the legal authority to take over the investigation ("with or without your permission," she comments. "I would much rather my report reflected full cooperation on your part). Sinclair hesitantly agrees (after Garibaldi bitterly tells him to let Lianna take over the investigation), and Garibaldi moves away bruskly, commenting that he has "better things to do."
Sinclair follows Garibaldi out and asks what the problem is between Garibaldi and Lianna. Garibaldi is hesitant to answer, but Sinclair feels that if their relationship affects B5, Sinclair has a right to know. Abruptly, Ambassador G'Kar interrupts them--he has a problem with the seating arrangements for the president's banquet ("The entire Narn delegation has been seated next to the Vree," says G'Kar. "An intolerable situation! Have you ever seen them eat? That's horror for you.... This is a deliberate slap in the face to the entire Narn Regime.")
Meanwhile, Garibaldi, who had walked away slightly after G'Kar interrupted his conversation with Sinclair, has caught a thief trying to steal something. He begins angrily yelling at the thief (whom he has caught several times before in the past month), and when he treats the thief somewhat violently, a fight erupts between the two. Sinclair interrupts G'Kar in order to break up the fight.
Garibaldi accosts the thief.
Later, Sinclair and Garibaldi are eating together, and Sinclair asks Garibaldi what is wrong. Garibaldi finally comments that seventeen years ago, he was working as a security officer on Europa ("a real cesspool," he claims). "Ever try and uphold the law when nobody cares? After a few weeks, I started drinking hard just to get through the night." Eventually, Garibaldi met Frank Kemmer, Lianna's father. Kemmer was a shuttle pilot--"a real decent guy." Garibaldi explains that when his job got tough, he spent some time with Kemmer and his family--this is when he first met Lianna, who used to call him "Uncle Mike." "With all the madness, [staying with Kemmer] kept me sane and sober for a while," Garibaldi explains. However, as Garibaldi was beginning to have a certain amount of success upholding the law, he ended up making a few enemies. Garibaldi knew that some people were trying to kill him, but he also felt that he could handle it. Unfortunately, his enemies worked indirectly: they exploded one of Kemmer's shuttles, thereby killing Kemmer. They blamed the explosion on Garibaldi's negligence. Since the government didn't want a scandal, they kept the situation quiet and "blackballed" Garibaldi throughout the system. "But none of that was as bad as telling Frank's family what had happened. Lianna didn't even cry; she just died inside... I crawled back into the bottle, and didn't come out again for a long, long time." Suddenly, Dr. Franklin calls Sinclair into the Med Lab.
At the Med Lab, Lianna and her staff have violated Franklin's wishes and are trying to rouse the explosion victim in order to try to get information from him. When Sinclair arrives, the victim has already been roused, and he claims that the explosion was no accident--it was caused by a bomb. Sinclair orders Kemmer to leave the patient alone--for Franklin feels that any procedure to rouse the patient will kill him--but Lianna refuses. Just as the victim dies, he names the person who planted the bomb: "It was Garibaldi."
Major Kemmer has called a hearing in response to the allegation against Garibaldi. Garibaldi, however, cannot believe that Kemmer and the rest of the president's staff are placing so much importance in the accusations of a dying man. Garibaldi claims that the victim "had it in for me" -- that is, he resented Garibaldi because Garibaldi had arrested him a few months ago for "trashing an alien shop." Further, Garibaldi argues that the initial damage reports showed no trace of a bomb, but Kemmer contends that the explosion may have destroyed any traces of it. Lieutenant Cutter, a member of Kemmer's staff, adds that perhaps no bomb was found because Garibaldi didn't *want* to find one. This accusation angers Garibaldi, but Kemmer doesn't seem to care--she asks Sinclair to suspend Garibaldi from duty because of Garibaldi's possible criminal involvement. Though Sinclair doesn't want to suspend Garibaldi, Kemmer -- as head of presidential security -- effectively *orders* Sinclair to carry out the suspension. Sinclair, who has little choice but to submit to Kemmer's legal authority, is forced to remove Garibaldi from active duty. Major Kemmer, now that Garibaldi has been removed from duty, temporarily assumes the position of B5 security chief.
Garibaldi, upon returning to his quarters, is confronted by a security officer who refuses to allow Garibaldi entry. Major Kemmer and Lieutenant Cutter arrive, and Garibaldi pleads with Kemmer to allow him to speak with her. When he moves to grab Kemmer in order to speak with her, however, the security guard roughly forces him to withdraw his grasp. Kemmer orders Cutter to leave and see what the scanning team has discovered concerning the explosion in the bay; she then dismisses the other security guard so that she and Garibaldi can be alone.
Once they are alone, Garibaldi explains to Lianna that he "loved Frank like he was my own brother." Lianna angrily tells him that Frank died because Garibaldi was concerned only with protecting himself, but Garibaldi denies this. He admits that he "made a mistake," but he claims that he would never have let Frank die to save himself. When he pleads with her and asks her to believe him, she replies that it's too late for Garibaldi to ask to be trusted: "I might [believe you], if you had told me then, but you just got drunk and ran, like you always do," she says. Cutter has meanwhile returned, and he informs Kemmer that the explosion was indeed caused by a bomb, for the burns of the victim (the one who originally implicated Garibaldi) showed traces of certain explosives. Cutter also informs Kemmer that schematics of the bay, as well as substantial amounts of Centauri currency, has been found in Garibaldi's quarters. Garibaldi again tries to reason with Kemmer: "Come on, Lianna, this is a frame. If I were guilty, why would I leave the evidence in my own quarters?" he asks.
"Maybe you just made another mistake, just like you did seventeen years ago," replies Kemmer, who orders Cutter to take Garibaldi into custody. Garibaldi, however, who is angered by the whole situation, runs away and attempts to escape Cutter. Kemmer orders her security officers after Garibaldi and posts a stationwide security alert for Garibaldi.
Garibaldi makes his escape.
On the observation dome, Ivanova and Sinclair are surprised to see an alert against Garibaldi. Sinclair orders Ivanova to cancel the alert, but Kemmer--who has just arrived at the observation dome--tells Sinclair that he can't cancel the alert because there is now hard evidence that Garibaldi is a saboteur. Sinclair responds angrily to Kemmer and tells her that "Garibaldi is many things but he's no saboteur"; further, Sinclair tells Kemmer that he is quite annoyed with her personal vendetta against Garibaldi. Sinclair again orders Ivanova to cancel the alert, and Ivanova gladly complies with the order. Kemmer responds that if Sinclair keeps "obstructing" her, she will have no choice but to invoke presidential authority; however, Sinclair tells Kemmer that he's tired of "presidential authority" excuse. "This is my station, and it's time you realized that," says Sinclair. Sinclair proceeds to order Ivanova to escort Kemmer off the observation dome. Ivanova gladly complies with this order as well ("You are going to resist, I hope," she tells Kemmer). After Kemmer leaves, Ivanova warns Sinclair that Kemmer will probably contact Earth Central; Sinclair says he's aware of that, but at least the delay will buy him enough time to find Garibaldi before Kemmer's staff does. Ivanova suddenly has an idea: she smugly orders the B5 staff to begin a "Level 6 maintenance check" on all off-station communication channels--a move which will tie up the communication channels for hours.
Garibaldi has discreetly moved down to the Zocalo, where he seeks out Londo. He tells Londo that he is looking for information about the explosion in the bay. He explains that someone tried to frame him by planting substantial amounts of currency in his quarters; he then explains that the currency was Centauri. Londo picks up the implication, and stares with feigned disbelief at Garibaldi; "Oh, Mr. Garibaldi, do you really think that I would do such a thing to you, my good and dear friend?"
"In a minute," responds Garibaldi.
"You're right," answers Londo, "but I didn't, though I may have an idea who did...."
"Don't turn around."
Meanwhile, Kemmer angrily contacts Ivanova and asks why all communications channels are offline. Ivanova replies that a communications check is being conducted, for they don't want the president to be "out of touch" when he arrives at B5. Kemmer demands that Ivanova open a channel, but Ivanova brushes her off ("I'm a lieutenant commander in Earth Force, major. I do not take 'demands.' If you have a request, I'll consider it," Ivanova says. When Kemmer 'requests' that Ivanova open a channel to Earthdome, Ivanova simply denies her request.).
Kemmer comments to Cutter that Ivanova and Sinclair are "doing everything they can to protect Garibaldi," but Cutter isn't surprised--their files show that Ivanova and Sinclair are Garibaldi's only real friends, aside from Londo Mollari. Kemmer sends Cutter to question Londo; she sends another officer to return to their ship and open a communication channel with Earth Force One (President Santiago's ship)--specifically, with General Netter on Earth Force One. Kemmer explains that Earth Force One should be close enough to pick up the signal from Kemmer's ship, which is docked at B5.
Londo, meanwhile, has explained to Garibaldi why he feels that G'Kar is the one who's trying to frame Garibaldi. Londo says that during the Narn occupation of Ragesh 3, some important scientific material was "lost," but the Narns claimed they could find it again--for the right price. Thus, G'Kar could possibly have had access to large amounts of Centauri currency, which he could have planted in Garibaldi's quarters. Garibaldi says that he wants to visit G'Kar. Without his usual security clearance, however, Garibaldi knows that he might have a hard time gaining access to the ambassadorial wing, where G'Kar's quarters are located. Garibaldi therefore asks Londo for a loan; Garibaldi claims that, with enough money, he can gain access to the ambassadorial wing. Londo appreciates the irony in the situation--he has switched roles with Garibaldi for the time being--but he eventually extends a fairly generous loan to his "good, dear friend." Londo explains that he sees certain parallels between himself and Garibaldi (Londo feels that, like Londo himself, Garibaldi is sometimes "the odd man out"); it therefore gives him a certain comfort to be able to help Garibaldi in a time of need (however, the more practical side of Londo claims that the Centauri goddess of luck, with whom Londo has had a "long and rather dubious relationship," has been smiling on him lately--he can therefore afford the loan). "If they catch you," warns Londo, "I will deny ever seeing you. Good luck!"
Garibaldi successfully gains access to the ambassadorial wing; when he arrives at G'Kar's quarters, he's surprised to find that G'Kar has been expecting him ("... you've been talking to Mollari. It was inevitable he would send you to me.... My people watch him; his people watch me; we all watch one another here, Mr. Garibaldi.") G'Kar also explains that the security monitors are "malfunctioning" at the moment, so Garibaldi need not worry about the security officers finding him here (especially since G'Kar took the liberty of telling a security guard that he had seen Garibaldi on the next level). G'Kar says that he's sure Londo blamed Garibaldi's present situation on the Narns; however, he denies any part in the incident (though he admits he doesn't think it's a bad idea). G'Kar offers Garibaldi a chance to escape B5; G'Kar says that Garibaldi's talents and services could be useful on Narn. Once on Narn, if Garibaldi were to ever become "homesick," G'Kar says he's sure the Narns could arrange for Garibaldi to return--as a genetically altered spy. Garibaldi immediately declines G'Kar's offer, however; he refuses to even think about betraying Earth. G'Kar advises Garibaldi to stop seeing things in "such absolute terms" ("The universe is run by the complex interweaving of three elements: energy, matter, and enlightened self-interest. Unless you comprehend that fact--and soon--you will be cornered and caged," warns G'Kar), but Garibaldi still refuses G'Kar's offer. G'Kar makes one last plea: "Without your position, this station is not safe for you. You have made many enemies."
"Call it a lifestyle," replies Garibaldi, as he leaves.
From the observation dome, meanwhile, Ivanova is giving instructions to the new fighter wing, which has just arrived.
Down in the alien sector, Garibaldi is trying to purchase a high-level security card from N'grath, but N'grath refuses because Garibaldi is "still police," even though he's a fugitive. N'grath abruptly forces Garibaldi to leave, and when Garibaldi is thrown outside N'grath's doors, he is almost caught by some of Kemmer's guards.
Garibaldi and n'grath.
He narrowly escapes and eventually returns to the human sector of B5, only to be attacked by a group of angry aliens. Just when it appears that Garibaldi has no hope left, Sinclair (who has been monitoring security reports concerning Garibaldi's whereabouts) suddenly finds him and helps to fight off the aliens. Sinclair suggests that Garibaldi go to Med Lab, but Garibaldi refuses to go anywhere before he figures out who framed him. Ivanova contacts Sinclair and tells him that he has a Gold Channel message from General Netter; meanwhile, when Sinclair turned his head to speak with Ivanova through his comm link, Garibaldi ran off. By the time Sinclair turns around again, Garibaldi is gone.
General Netter's message has come through, and Netter orders Sinclair and his staff to fully cooperate with Kemmar. After Netter ends communication, Sinclair explains to Kemmer that he wants to find Garibaldi as much as she does--"the only difference is," says Sinclair, "I haven't already judged him.... But the fact is, Garibaldi is as loyal as you are, and if you weren't so twisted up inside about what happened to your father you'd realize that. It's not justice you're after, major, it's blood." Just then, Cutter contacts Kemmer and says that the guards have sighted Garibaldi and have discovered that Garibaldi has been paying for things with Centauri currency. Kemmer believes that the currency found in Garibaldi's quarters was only part of the payoff; she orders the guards to move in on Garibaldi. After Kemmer leaves, Sinclair contacts the security guard who had been stationed outside Garibaldi's quarters when Garibaldi first found that his quarters were being guarded.
Garibaldi, meanwhile, has entered a club. He sits down and suddenly notices that a security guard has moved into the same club. He borrows an alien's hat and tries to avoid notice--and he succeeds, at least for the moment. The guard leaves, and when Garibaldi gives the alien back his hat, the alien replies, "Don't want hat? Take bottle.... I go casino." As the alien gets up, he pushes a bottle of some alcoholic drink toward Garibaldi. Garibaldi fights with himself for a long moment--will he give up the sobriety that he has worked toward for so long? The past few hours have been excruciatingly difficult for Garibaldi--how appealing the drink must seem--how easy it is to simply forget about all of his problems.
Temptation.
At last, Garibaldi decides to drink -- and he drinks heavily. Quite soon, he's experiencing quite a hangover--despite his trouble standing up, he is sharing jokes with the aliens, and, in general, parading around the room making a fool of himself. ("You got a real nice place here! Great ambiance, terrific decor, friendly people. Yeah, this place should be on all the chartered tours--'see and experience the real Babylon 5.' Hell, in a couple month, I could see a few of you people topside," he mumbles, as he stumbles out the door).
Meanwhile, one of the people in the restaurant has notified the security guards of Garibaldi's whereabouts, and when Garibaldi wanders out of the restaurant, Kemmer, Cutter, and their guards are waiting for him. "Drunk again, Uncle Mike?" asks Lianna. The confused Garibaldi remembers how the young Lianna, seventeen years ago, often said the same thing. Kemmer's guards take Garibaldi into custody; Cutter, meanwhile, comments that the new fighter wing are getting ready to be launched, and he feels he should check the bays one more time.
Lianna is questioning Garibaldi; she's trying to get him to confess. At one point, she confronts him and asks, "You never change, do you, Michael?" He replies that he thought he had--until she showed up.
Garibaldi tries to reason with her again. He asks her if she really wants to destroy his life, just as she feels he destroyed hers years ago. "If I could have gone in Frank's place, I would have," says Garibaldi. "I didn't know, Lianna. I didn't know."
Just then, the security officer whom Sinclair contacted earlier arrives at the room where Garibaldi is being interrogated. He explains that Sinclair ordered him to search the explosion victim's quarters--and when he carried out that search, he found a detonator and a few Homeguard pamphlets (the security officer also explains how there had been some trouble with the Homeguard a while ago, and he mentions that Garibaldi cleared it up). Garibaldi says that security had suspected the victim of being a Homeguard member for a long time--but they never could prove it. Garibaldi says that he feels that the victim was killed by a bomb that the victim planted in the bay--but the victim was unaware of the use of a plasma driver in the bay. Such a plasma unit would have created enough vibration to trigger the bomb prematurely. When Lianna asks about a possible motive, Garibaldi explains that the president was planning to announce new alien trade and immigration policies -- policies that the Homeguard would strongly oppose.
Cutter calls in and informs Kemmer that the president is about to arrive for the fighter wing presentation ceremony. Kemmer orders Cutter to make sure the bays are secure.
Kemmer admits that she'd like to believe Garibaldi, but she still sees no explanation for how the Centauri currency and the bay schematics got into Garibaldi's quarters. She explains that nobody knew that the victim had named Garibaldi except her, Garibaldi, Franklin, and Sinclair.
"And Cutter," remembers Garibaldi. "He was there just when the evidence against me was found." Lianna is skeptical, however; she claims that Cutter is one of their best agents. Garibaldi just comments that perhaps the Homeguard was counting on that--though the first bomb didn't work, Cutter can finish the job, so to speak. He advises Kemmer to check the bays herself--just to be sure.
As Earth Force One approaches the B5 docking bay, Kemmer and Garibaldi walk down to the bay themselves. Kemmer tells Cutter that she wants to scan the bay herself; however, as she moves to do so, Cutter knocks her out with the weapon he is carrying. He points a gun at Garibaldi, but when he bends down to recover the weapon that he used against Kemmer, Garibaldi kicks the gun out of his hand. A struggle ensues, but Garibaldi gains the upper hand long enough to grab hold of a comm link and warn Ivanova to abort the docking procedure.
Later, in the Med Lab, Franklin tells Garibaldi that he'll be all right (though Garibaldi feels like he "just made love to a meteor shower")--and so will Lianna. Sinclair tells Garibaldi that explosives were found on the bay doors--if the doors had opened, the new fighter wing, as well as half of the station, would have been lost. Sinclair also ran a check on Cutter and found that someone on Earth deposited a large sum of money in Cutter's account an hour after the explosion victim named Garibaldi. Cutter then withdrew it on B5 in Centauri currency, which he planted in Garibaldi's quarters. Sinclair congratulates Garibaldi on his actions, and places Garibaldi back on active duty, but Garibaldi feels that he lost a personal battle: "I blew it, Jeff ... just like I always do. When things get too rough, I crawl right back into the damn bottle. What really scares me is how much I enjoyed it." Sinclair still feels that Garibaldi shouldn't be upset with himself--he crawled back out of the bottle and saved the station. Garibaldi, however, feels that he just got lucky--this time; what will happen next time, he asks? Sinclair says he hopes there won't be a "next time," but if there is, he wants Garibaldi to promise not to try to fight the battle alone. "You're more trouble than a toilet full of snakes," says Sinclair, "but I couldn't run this station without you."
President Santiago successfully completed his address and reception. In his address, he called for alien governments to work more closely with earth--"a position certain to cause much controversy in the weeks to come," according to a news broadcast.
Garibaldi finds Lianna just as she's about to leave. Lianna thanks Garibaldi for his favorable report of the situation; Garibaldi replies, "I figured if you could nab me on my own turf, you might just have a career in this game." Lianna admits that she messed up--she apologizes for what she put Garibaldi through (and she says that Sinclair was right--she was out for blood, not justice), but he tells her there's no need to apologize. He explains that people are not machines, and when they're angry, they lash out. "Seventeen years ago," he says, "we both died inside. But somehow, we survived. For better or worse, that's all we can do--survive. And, maybe one day, forget how much it can hurt to be human."
As she leaves, Lianna tells Garibaldi that President Santiago is "fond of Babylon 5." Garibaldi half-humorously tells her to make sure to keep the president safe, for B5 needs all the allies it can get. They hug, and Lianna leaves quietly. Garibaldi stares after her, afraid that he really hasn't changed at all in seventeen years. If it's so easy to crawl back into the bottle, how can he ever be sure that he won't do it again?
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
The Babylon Project: Crusade
Overview
This spinoff series deals with the exploits of a Ranger ship, the Excalibur, and its search for the cure to a plague that threatens humanity. David Allen Brooks as Max Eilerson. Gary Cole as (Captain) Matthew Gideon. Jeff Conaway as Zack Allan (rumored). Carrie Dobro as Dureena Nafeel. Marjean Holden as Dr. Susan Chambers. Daniel Dae Kim as Lt. Matheson. Tracy Scoggins as Capt. Elizabeth Lochley. Peter Woodward as Galen.
Start date: June 9, 1999
DVD release date: December 7, 2004
Written by J. Michael Straczynski
Fiona Avery
and others
Directed by many people
Episodes
Only 13 episodes (of a planned five years) were produced due to creative differences between TNT and JMS.
Chronological episode order (ignoring the uniform change in favor of maintaining as much storyline continuity as possible):
- War Zone
- Racing the Night
- The Memory of War
- The Needs of Earth
- Visitors from Down the Street
- Each Night I Dream of Home
- The Long Road
- The Well of Forever
- The Path of Sorrows
- Patterns of the Soul
- Ruling from the Tomb
- The Rules of the Game
- Appearances and Other Deceits
Notes
- @@@891976541 TNT officially announced the series on April 7, 1998.
JMS confirmed that the series was a go on April 3, 1998 on Los Angeles'
"Hour 25" radio program (which he once hosted.)
- @@@891709627 Shooting began August 3, 1998.
- @@@903390030 The production team enlisted the help of scientists
at NASA's Jet Propulsion Laboratory to help ensure that the series'
alien worlds are consistent with the latest planetary science. See
Netter Digital Entertainment's
press
release
on the subject.
- @@@905812458 NASA's
press
release
has more detail and includes an image of the Excalibur.
- @@@906450790 Some behind-the-scenes machinations
which will probably prove
to be good Crusade trivia: On September 8, 1998,
Ain't It Cool News
ran a
story
describing a memo from TNT containing a list of proposed changes to
Crusade, mostly focused on greatly increasing the amount of sex and
violence. The next day, JMS
posted
on CompuServe and elsewhere that
he couldn't officially confirm or deny the report.
The fan community's reaction ranged from hostility to skepticism to alarm. Many doubted the story was for real, and TNT would only say that no such memo had been sent to the Crusade producers (but not that it didn't exist). On September 19, however, JMS verified that it had in fact existed, but that it had been withdrawn. He also announced that TNT had decided to spend some extra money on Crusade's sets, and for that reason, filming ceased for a month.
Later, it became clear that the show TNT wanted -- a space shoot-em-up with lots of sex and violence -- wasn't the show JMS was producing, and that he wasn't willing to change the flavor of the series just to satisfy TNT. As the 13th episode was wrapping up filming, TNT informed Warner Bros. and Babylonian Productions that they weren't interested in funding any additional episodes, and production stopped.
jms speaks
About the cancellation and events leading up to it
- 1999-01-30: Rumors abound that TNT has pulled the plug
on Crusade production.
The plug has not been pulled by TNT, which cannot pull the plug because we don't work for TNT, we work for WB. TNT is a distributor.
All I can say for now is that, like Oliver Stone's project for TNT, Witchblade, we have found that TNT (known primarily for westerns, historical dramas and wrestling) is not SF-friendly in terms of really getting what SF is about, and it may not entirely reconcile with what their core audience expects from them...and that a new, more SF friendly venue is being explored.
So if folks wanted to drop an encouraging note to, let's say, the Sci-Fi Channel, for instance, that would certainly be okay by me.
But in the interim...no, we're not canceled. We're taking off next week to allow WB to work its magic, but that's about it.
- 1999-01-31: How about releasing the series to video or a satellite
service?
No, you can't do a series to video, it has to be aired. And DTV is considered a poor man's venue, for stuff that couldn't make it elsewhere.
- 1999-01-31: Can the show move to the WB Network?
WB Network is out of the question, due to the way WB is structured. It's a very long, corporate story, just take my word for it...SFC is the best option for us.
- 1999-02-10: What are you doing now? Writing? Working on your
new comic? Sleeping?
All that...plus working on the show, doing post production on the episodes already in hand (CGI, music, sound, editing)...I'm actually about as busy as we are during shooting.
- 1999-02-26: Will the episodes already shot be aired?
All 13 eps produced so far will be shown; we'll be doing post production (CGI, music other stuff) through April 22nd.
- 1999-02-26: Why would TNT change its mind when they'd already
had good success with B5?
One element to the whole discussion is that B5 was already an entity in its own right, and taking on the fifth year entailed basically buying what was already there, as opposed to becoming involved with the creative process of influencing a new series.
- 1999-02-26: The Sci-Fi Channel tried to arrange to pick Crusade
up after TNT decided to only order 13 episodes.
Well, we took our best shot. Sometimes it works, sometimes it don't.
The SciFi Channel programming guys wanted the show; they wanted it a lot. They crunched numbers for almost two weeks trying to make it work. But at the end of the day, the problem was that they had already allocated or spent their budget for the year, and couldn't come up with the huge chunk of change necessary to get an entire season. Had this come up prior to January 1st, things would almost certainly have gone differently. But they have their budget, as we have ours, and it was already allocated.
So TNT will now air the full 13 produced, and that's the end of it for now. I say for now because WB has told us to fold and hold all the sets, rather than scrap them, because they believe strongly in the show, and feel that when the ratings come in we may well be able to pick up a second season. We'll see.
Meanwhile, I'm taking the day off, and deciding which of a number of offers from networks and studios, sitting on my desk since B5 finished, to pick up. I had declined to go that route so I could do Crusade and keep playing in this universe, but absent that, there's no reason not to go back to the networks and apply there some of what we've been able to do in B5 and Crusade.
My thanks to all those who wrote, and called, and emailed, and lent their support to the process. And I think that when you see the show, you'll be quite pleased by what we did. We're all very proud of it.
- Bottom line:
The reason we've been waiting so long for news is that the SciFi Channel has been crunching numbers for weeks, trying to make the deal work with WB, and doing their level best. The programming folks there loved the show (and special thanks has to go to Programming Head Tom Vitale at SFC who worked hardest to make this work).
The problem is simply this: the money to fund a series is a BIG chunk of change. SFC had already allocated its budget for the year as of January 1st, and there simply wasn't enough left in this year's budget to pull it off. Also, the emphasis now is on spending money on shows where one owns a piece of it, and Crusade is owned entirely by WB.
At the end of they day, they just couldn't make the dollars work, though they tried their damndest, and are only to be thanked.
I'm told that if the ratings are good on the 13 which TNT will still air, all the eps made so far will be shown, there may be a second season, but we'll see.
Meanwhile, I'm taking the day off. There have been seven offers for overall deals and multiple network pilot deals with both networks per se and studios on my desk for about a year now, ever since B5 ended, which I've been putting off to do Crusade. Now I'll pick one of those deals and make it. So the next thing from me you see will almost certainly be on one of the major networks. I'm going back into the deep water again....
Meanwhile, my thanks to all those who emailed and wrote and called and supported. It's a good show, as will be seen when the shows are aired, and I'd rather lose a show I believed in than keep one I didn't believe in.
- "So, has the success of B5 brought more offers than before?"
Definitely. It showed that I could run a series and keep it on budget and make it an international success. Right now those elements are in heavy demand at the networks. Even though the pay is half in cable what you get at the network level, I was content to stay with Crusade if it meant keeping our team together, and playing in the B5 universe a bit longer. Absent that, then there's every reason to take up one or two of those offers.
- 1999-02-27: A fan asks if a letter-writing campaign would
help.
What you have to understand at this point is that there's really no time left. It takes a large amount of money to hold a cast and crew together while other options are being sought, and even then options on varoius cast members and others begin to expire fast.
WB can't keep spending holding money while they're seeking another prospect. It's a business decision, but a sensible one, given the large amounts of money involved. Their approach now is to believe in the show enough to get it on the air, let the ratings speak for themselves, and see what happens.
My only regret is for the cast, who are all uniformly terrific, and who are caught out in all this.
- 1999-03-13: Is there still hope?
"There's always hope, because it's the one thing nobody's figured out how to kill yet." -- Galen. - 1999-03-13: A fan suggests writing to Bonnie Hammer,
senior VP of programming at the Sci-Fi Channel, or to Stephen
Chao, president of television and marketing for SFC's parent
company, USA Networks, in the hopes of convincing SFC to include
the show in their next annual budget.
Yes, both those would be good choices.
And the best time for this would be after the episodes start airing in June. I think we have about 5 weeks before the actors' contracts expire in July. (They will be running all 13 straight through, or so they tell me.)
About the series in general
- WB has asked for a treatment on a sequel, and TNT is interested in doing
two original B5 movies set during the B5 main story arc, with one of
them a prequel. We'll see....
- I've worked out the details for 1,000 years in either direction
for the B5 storyline in general, and in specific for 100 years in
either direction; there's no chance of anything getting watered down no
matter what happens...there's enough story there for several novels.
And WB is currently very interested in the side-story/sequel series
that I've mentioned from the beginning is a possibility.
- Actually, I've said pretty much from the very beginning of the first
season, that there was a side-story that could go off, which I'd be
interested in telling. And that may be a possibility.
And it's not Crusaders (which always makes me think of Crusader Rabbit); it's The Babylon Project: Crusade. (That's the working title, anyway.)
- It would take place after the main B5 arc. As for specifics on
cast, nothing can be said until things get closer to being nailed down;
there's still a lot that can change on this, and it's a question of
what works best for the show, and who wants to move on, and other
aspects.
- @@@878760330 Does the series touch on the Rangers' work on Earth
as shown in
"The Deconstruction of Falling Stars?"
No, that part isn't the crux of the Rangers series, because that takes place 'way down the road, but monks have always been around on the show, starting with Brother Theo, so I imagine we'll see them in future. - @@@854165337 Yeah, the sequel and the fifth year could conceivably happen at
the same time...or not...or one or the other...it's utterly in flux.
Totally fluxed up.
- It would have an arc, yes, but not as rigorous as the one in B5;
I've kind of done that now, and would like to try something
different...I don't like to try and walk in the same stream twice, to
borrow a metaphor from Greek philosophy.
- But you've already worked on non-arc shows.
Well, basically, all there *is* are either arc shows or stand-alone shows (or maybe somewhat stand-alones with a slight thread running through them). My feeling for now is that I just don't want to do the same thing twice in a row...and maybe find some new approaches along the way to the next project.You must understand how hideously difficult and exhausting telling a 5 year tightly constructed story like this is...basically, over the course of 4 years, I'll have written 3,000 pages all in one universe, primarily telling one story. That's the equivilent of 6 or 7 full-size novels in 4 years, telling one story. After something like that, you want to do something a little different for a bit.
Four years ago, when I started carrying this elephant, I barely had a grey hair on my head...now it's gone almost entirely grey, I look as if I've aged 10 years, and people who see me after a gap of a few years all say the same thing: "What the hell HAPPENED to you?" I tell them: Babylon 5.
- I never SAID "Crusade" would not have a story
arc. I have only said that it won't be as *intense* an arc as that on
B5, because the tone is somewhat different, because I don't want to do
the exact same thing twice. But it will have an arc to it.
- My general sense for what comes next for me...assuming the B5
sequel goes...I've done a hard-linked and extremely intense drama with
an adventure component...and now, having done that, and proved that it
*could* be done, despite many who said it couldn't, my feeling now is,
"Okay, we've done that, how can we tweak it so that the sequel has a
different feel to it?" So I'm looking at something that's a little more
in the adventurous mode, with a serious underpinning, with an arc to it
that's not quite as intense in tone, but is still good drama.
Characters that grow and change, a definite ending, several mysteries
enclosed inside other mysteries, with a much larger canvas, and an even
stronger sense of wonder. B5 I did to prove a point, to some extent;
now I'd like to try something where, having achieved that, I can sit
back and, knowing the format now, have some fun with it. Maybe turn
it on its head in a few places.
As with everything else I do, I try to find what I'd enjoy as a viewer, and take it from there. That was how B5 came about, and that's how the new show would come about, should it happen.
- @@@855739129 "Can you tell us if Crusade is going to be a definite length eg B5
is/was supposed to be 5 years (still hanging on for season 5
announcement and sadly for season 4 to start showing in UK)."
There's a definite ending in mind, yes, but there's some room to play within that framework. Again, there's an arc, but not quite as rigorous as with B5.
- @@@864919901 "Crusade" would take place about 3 years
after the events of season 5, in 2265.
- @@@864919901 What years would the story span?
2265-2270. - In some ways, yeah, I think I will have some real opportunities that
didn't exist with B5, in that for the first 3 years we had to fight to
get ourselves taken seriously by everyone, including WB. Now we have
some credibility, and that gives you a certain freedom.
Also, the arc was, for me, a relatively new tool which took me about a year or so to really figure out how to use...then I used it relentlessly for a very long time. Now it's just one more tool on my belt, and I can use it with a bit more precision. It's the difference between using a rapier and a broadsword.
It'll probably start out looking fairly conventional, as did B5 our first year, just until the suits get comfortable and start ignoring us (they're all OVER you in your first year), and then, again as with B5, we'll start getting really subversive...ah loves being subversive....
And there'll be the folks who'll say, "Oh, it's just X," just like they did with B5 in the beginning, saying "Oh, it's just like DS9," which is *perfect* because it lets me sneak up behind them and just WHACK 'em upside the head when they're not looking, as with B5.
Basically, without saying too much, it'll be a MUCH larger canvas, and the kinds of stories I can tell will be CONSIDERABLY more varied and have more opportunities to explore all kinds of interesting stuff, so I can go a bit more nuts on production values, alien stuff, and other areas.
- @@@884031252 What I want to do with Crusade is take the tools we
learned to use in B5 and apply them in a different (and in some ways,
more ambitious) manner. It'll have an arc, now that we've shown that
it works, but not as rigorous an arc...less overtly political but more
thematic. Also, after 5 years of angst-driven storytelling, I'd like
to see if I can use the same tools to do something a little more fun.
I've lived in the dark side of the B5 universe for a long time, and
while there's plenty of darkness still out there, I kinda want to go
and do something a bit more adventurous...and which explores all the
places in the B5 universe that we've heard about, but never seen.
- Nothing has yet been finalized (or even near to it) on the cast.
- @@@890000755 Recent reports say you've decided which characters
from the first series will be in Crusade.
This is not quite correct, but that's all I can say for now. There are one or two actors who might slide to Crusade, depending on circumstances, and we have spoken to them on the QT about it...which is probably why this was said, because I asked the actors in question not to say anything until we got closer to seeing how things were going to work out; the inquiries were mainly of an "if we had this role, would you be interested in doing it?" nature, checking avails and possibilities so we could plan accordingly. - @@@895442605 Though nothing has been set yet about Crusade, I would expect at
least guest appearances by some or many of our previous B5 cast here
and there.
- @@@865288769 Have you given thought to the male/female ratio of
the cast?
I never ever give thought to ratios, or making a political statement, or anything other than the story. If that meant using 100% female cast in the movie, or 100% male cast, or some variation thereof, then that's what it'll be. I think the *instant* you start putting agendas ahead of the creative process, of saying "What is the story *about*?" then I think you're dead. - @@@898572188 What's the optimum cast size for a show like
Crusade?
There's really no best regular size. B5 generally had about 9- 11 regulars and recurring (i.e., in the main credits) actors in any given season, which was necessary because you had 4 different, competing forces, each of whom required some representation (Earth/B5, Minbar, Narn, Centauri Prime). With an ambassador plus aide, that's 8 minimum, plus at least one or two others for station operations.In Crusade, we're really dealing with one force encountering others on a per-episode basis (mostly), so we've got 6 regulars/recurs, with a subset of reappearing characters (a la Morden, Bester or Corwin in B5). That feels about right to me.
- @@@891976625 Any changes to the production crew?
We're not doing a lot of changing. One thing that does tend to get changed for a new series is the *look* of the show, you want Crusade to have a different and distinct appearance, to be its own show. So for instance we're bringing in new graphic designers to do screen stuff and signage and other related stuff.Other times it's an individual choice. Anne Bruice-Aling recently had a baby, and she wants to dedicate the next year or so toward raising her kid, so while she'll remain available for occasional stuff or consulting, we'll have someone else heading up the wardrobe department.
Mainly, you want to hold onto as many of your original people as you can, because we've trained our folks to work in a certain, particular way. Nobody else really does things the way we do them on B5, and it's wiser to hold onto your crew, and give incentives, to keep them around. (We tend to promote from within the ranks and reward loyalty rather than bring in new folks, that sort of thing.)
What's in the series "bible?"
I put in it basically whatever I think will be useful to anyone, as much as I can think up. Characters' names, backgrounds, descriptions, the kinds of stories we are looking for, the kinds of stories we *don't* want to see, what is good SF and what ain't, sample storylines we plan to develop, that sort of thing.I'm now in the process of converting over the "sell treatment," done for the network, to a working series bible, which will go out to those writers with whom I've either worked before, or whose work I know and have wanted to work with for a while (as was the case with Neil Gaiman).
- @@@892111238 I imagine we'll keep about 95% of the production crew on
the move to Crusade.
- @@@896374481 How does the new look get decided?
It's hard to define...it's a long process of give and take. John Copeland and I both knew we wanted something different, a new kind of look, and we went back and forth discussing it between us until we were ready to talk to the production design folk. We told them in general terms what we were looking for...then they went away, and came back with several preliminary designs. We sat and talked about them, made revisions and suggestions, threw one thing out, kept the other thing, got another version done, and on and on until there was something that we felt worked. Ditto for the CGI version (for which there is a very early version on the B5 fan club site). The final look of the CGI is much sleeker and more refined.And the costume/makeup design?
Same process. I discuss with Optic Nerve and the costume folks what I have in mind. They go away and come up with drawings. They submit those drawings; John and I go over them, pick the ones we like, suggest modifications, toss out what we don't like, and the process of refinement continues. - @@@921834231 How will the shuttle bay work? A force field a la
Star Trek?
No, there is a definite (and very large) airlock door that closes after ships enter the flight deck, so it can then be pressurized. - @@@906450790 Who's doing the music?
We haven't yet set a composer for Crusade; we're giving a shot to Evan Chen, a chinese-born classical composer with a strong jazz background, on A Call to Arms. How that turns out will determine much that follows. - @@@906450790 Evan's an amazing composer...he came out of Shanghai,
studied music in Russia and Germany, was fast becoming a leading,
classically trained composer, and discovered jazz in his twenties,
dropped everything to come to Chicago and study under some of the best
jazz men around (even if it meant washing dishes to get by). His stuff
is the most amazing blend of asian influence, classical instrumentation,
jazz and rock backbeats I've ever heard, even using asian scales
(somewhat different from western musical scales) in unexpected places to
make western music sound totally different.
For a show as different as this, I wanted a completely different, totally unique sound, something I've never heard before, and Evan Chen has it.
- @@@906745365 Is Evan playing with any groups right now?
Not that I'm aware of. I think we got in and found him before anybody else could get their hands on him. - @@@929221874 "Will a CD of Chen's music be put out? I can't wait..."
Yep, in fact, I have it right here, having gotten the first pressing of the thing for approval. Chris's company will be putting it out.
- @@@906450790 About the TNT
memo, September 9, 1998
At this time, officially, I cannot confirm or deny the report. - @@@906450790 September 19, 1998
The TNT memo was apparently real; however, the egregious points have now been withdrawn, and on top of that, TNT has allocated a big chunk of change to let us build some new sets and expand stuff. - @@@906450790 I think that to dwell on the thing would be to just open
wounds that are better left healed.
- @@@906450790 Things are going well overall; we've filmed 5 episodes, and have
just extended a planned 1 week production hiatus (we take two such
hiatuses -- hiati? -- every year, one in the fall, one in the spring)
and added three paid weeks in order to allow time for construction on a
number of new sets.
- @@@906450790 What we've done is to try and expedite this so we can
have the new stuff in hand for the maximum number of episodes as quickly
as possible. We always take a one-week hiatus in every block of
episodes we shoot, all the way through B5's history and now. One week
around the start of October (depending on the start of filming), then
the Christmas break, then another one-week hiatus midway through the
last 10 episodes.
So what we did here was to add on three weeks to the hiatus, starting Tuesday. Well, three paid weeks off for most of the crew directly involved with the actual filming, anyway. Construction, art department, props, wardrobe and other departments will still be working away to build and dress the sets and stuff so we can get right back into shooting on with the new stuff in place.
We're talking here improvements to the corridors, to the quarters to enlarge them, adding a wardroom/mess hall, an exercise area...other stuff. We generally add sets each season, and wanted to do these down the road, but now we have the chance to do them now.
- @@@906591943 In addition to the Christmas break, we have always taken
a one-week hiatus in the middle of shooting to avoid burning out cast
and crew. This was true of B5 throughout its history. One week in
the fall, one in the spring.
TNT has allocated additional money to build some major (large) new sets that we had thought we'd have to wait until season 2 to implement, and to improve some of the sets. (We were always fighting to spiff up sets throughout B5, and we always had to bring in our new sets gradually, like Earharts and the War Room and others.)
Since they're going to give us the money for that now, we figued we'd extend the hiatus by a few weeks (a paid break for most of the actual shooting crew), though we still have the art department, costume, construction, props and several other departments still working away to build the sets and stuff.
We start shooting again October 19th.
- @@@907952425 It's been kinda hectic here, between the new sets under
construction,
meetings, and other stuff, some of which has been hinted around by
others. At this point, we're still on target for filming to start up
on October 19th.
One of the issues brought up by TNT had to do with a decision we all made early on that the first episode up, Racing the Night, would just jump right into the story, without doing the usual pilot-episode thing of showing the team coming together, which was our other option.
On reflection, TNT figured that the best thing might be to do that "coming together" episode after all, to set the stage for all that follows. It's a lateral change, really, you could have it or not, either way, it's dealer's choice. But if we're going to do that, we may as well get the sets and other stuff ready to go for that first episode and the ones that will immediately follow. We're also making some adjustments to the wardrobe (and I've come up with a pretty funny way to make the transition in the story). All of the prior produced episodes are still in, and still going to be broadcast, nothing's changed that as far as I know.
Anyway, things continue to progress, the script for the alternate first ep is in, and all should be cool from this point on. Which is not to say there haven't been some knife-fights...but we seem to have reached some understandings....
- @@@908224277 We're still set to go back into filming on October 19th.
As I mentioned in a prior post, TNT felt the need for an actual
introductory episode, one that sets the story by bringing together our
characters together for the first time, more of a conventional pilot
in that respect. "Racing the Night" was written to take place about 5
months after the Drakh attack, so that we got right into things. The
"bringing people into the story" story will, therefore, take place
shortly after the Drakh attack, two-three days later, to be precise.
Since we're doing a first introductory episode, TNT kinda wanted to have the new sets in place for the first few eps (though they can't appear in the first one for story reasons), and since we're making some wardrobe adjustments, they figured they may as well have those in place as well.
Nothing in the story has been changed. The five episodes already made will be aired, and you will see that the characters, the story, the feel of the show is *exactly* the same between those first 5 filmed, and those that follow. What it comes down to are some cosmetic changes, some new sets, and an episode that sets things in place.
As we come back, the first two episodes up to be shot will be scripts we already had in hand, then the new introductory episode, "War Zone," another one we already have, one new one, then another one from on-hand, which will take us through into the Christmas break.
No scripts are being thrown out, no episodes are being scrapped...none of that has taken place, or is taking place. The show is the show is the show.
(And on the costumes themselves...no, they're not going to be "skin tight" things; we're actually kinda going in the opposite direction. They're more typically military jumpsuits, black, neatly tailored, similar to some Air Force or Marine uniforms. And the only people who will be wearing these are the basic technical crew, Captain Gideon (Gary Cole) and Lieutenant John Matheson (Daniel Dae Kim); the others are civilians, and thus are not affected.
Regarding air dates...we have thus far not been told if they want to push for a January airdate or not. Part of the complication to all this is that if we make #8 in shooting order the first aired, we have to do a hideous amount of post-production on CGI to get it ready in time. Rather than make us rush it, they have said they might consider waiting until the February sweeps. Another option is to go in March, if they don't want to go up against the Network sweeps period (which is traditionally death for basic cable)...but the problem *there* is that you can only air 4 episodes and then TNT would go into the NBA playoffs, which means it would be another 6 weeks or so until any new eps could be shown.
So on that score, nobody's decided anything yet, we don't know and haven't been told because they haven't decided where will best serve us, so we hit the ground with the least network opposition.
Anyway, that's where things are. Hope this puts to rest some of the rumors out there.
- @@@914520472 The intro movie, "A Call to Arms," is still slated for
January 3rd; the series initially was going to go in January, then they
moved it to June 2nd to make room for the NBA playoffs, and now that it
looks like the playoffs may not happen, I'm hearing March/April.
- @@@908224277 How much of the CGI for the new initial episode
could be done ahead of time, before filming starts?
Zip. Because until it's edited, you don't know how long to make the shots, or how they'll intercut with the live action...and there's all the stuff from other eps to deal with as well. - @@@908606256 Do you provide storyboards with ships and beams
or do the CGI people create something from the script or do you check
it prior to rendering in wireframe form or similar?
Pretty much all of the above, depending on the complexity of the sequence.
- @@@909090496 To the gazillion or so folks who've asked in email...yes,
we began shooting again on Monday the 19th, as scheduled, making the
show we desired to make, and we're cranking along just fine. Actors
are happy, crew are happy, everybody happy but Zathras...but Zathras
never happy...Zathras happy once, had friend once, but wheels fell
off, very sad....
- @@@856652269 "You have pretty consistently said that you would
*end* B5, and that there
would *never* be a sequel. Instead, you would do something in the B5
universe, but not realated to the B5 storyline. The description sure
sounds like a sequel to me."
What I have said about this from the beginning, and the ONLY thing I have ever said about this, was that there was a side-story in the B5 universe that could go off from the main story. That has been quoted in many different places, and on line, and definitely includes any plans for "Crusade."
BTW, that new characters were mentioned does not exclude any current cast members...doesn't include them, either, but bottom line, that ain't a complete list of characters. There's room and flexibility in there, depending on what happens.
- @@@859536035 Actually, there'd be no rush at all in terms of getting a sequel
into prep and out the door. The discussions now are in the area of
fall 97 to shoot and January 98 to air (with or without a simultaneous
S5 of B5). We have a lot of the stuff we'd need for the sequel
(costumes, uniforms, some sets, prosthetics, that sort of thing), so
the lead time would be very short.
- @@@877274170 With luck, we hope to have this puppy finally negotiated
and a Real Deal within the next few weeks.
- @@@883868609 The contract has been sent to me for signing several
times, and each time it has had some problem or another that needed
fixing. (See, this is how the process works: your agent and the studio
negotiate over the phone. Come to terms. Deal memos go out, which
often don't reflect the conversations, but they hope you won't notice.
You catch the "errors" and send back the memos. Next come the actual
contracts, and sonuvagun, more "errors" have slipped through, and now
THEY need to be corrected, if you can find them in the 90 pages of 8
point type. So that's been the only real holdup. It's standard.)
- @@@891976541 As has come out in the press today, CRUSADE: The Babylon
Project, is officially a go project as a series. We start shooting
July 27th to go on the air January 6th. More info will follow over
time.
- @@@911667926 Because 108 is now the slated fist episode, so that we
can use it to introduce the new characters rather than jump in
in-progress, it means it will take longer to complete the CGI and stuff
than 103, since it was shot later. TNT needs the eps a month or two
prior to airdate for critics...and there's the concern about showing
only 4 episodes in March (which is when it would all be ready) and
then being cut off for 8 weeks by the NBA playoffs.
So they figured going June 2nd would avoid all of the problems, and put the show out when the network shows were in reruns...meaning it has a better chance of scoring large numbers, a strategy that worked well with other shows like 90210.
- @@@882987634 If "Crusade" is made, what will your involvement
be?
I'll exec produce, same as with B5, develop the overall arc, as with B5 (though it's not as rigorous an arc), do all the same stuff in editing, post, all the same stuff. About the only real difference I foresee would be my intent to only write about half the episodes this time around; I'm looking forward to seeing what other writers can do in the B5 universe. - @@@883993339 Our first two seasons were roughly 40-50% freelance,
which is a substantially higher average than most shows. Years 3 and
4 were mine, mainly because of the difficulty in farming out stories
in that situation.
Crusade will almost certainly to back to the 40-50% freelance mode, which is frankly my preference, and it's been that way on all the previous shows I've done.
- @@@891709736 There are many other good writers out there who I have
every confidence can do a good job on Crusade. And bear in mind that
any script that comes in generally gets revised by me, so I'll be in
there. The plan for now is that I'll do about 11 scripts out of 22,
and have freelancers doing the other half.
- @@@921834231 Has Goran Gajic been approached about directing a
Crusade episode?
Yes, Goran has been slated for a Crusade episode. - @@@898572630 Will it start off with a movie?
No, the first episode will be of normal length. A Call to Arms is primarily a B5 movie, which sets the incidents in place that lead to Crusade, which then hits the ground running with its first episode, regular length, same as the other 21 TNT has signed for. - @@@905790074 Is the Biblical reference in Captain Gideon's
name intentional?
There are certain reasons for that name choice, yes, which is all I'll say for now. - @@@906591943 Peter is superb as Galen, utterly brilliant. I think
we lucked into a character and an actor that is going to be extremely
popular with fans. I couldn't be happier with his work to date; I'd
put his work up there with Peter Jurasik and Andreas Katsulas, easily.
- @@@916729235 Is Matheson's name a reference to horror writer
Richard Matheson?
Yup. I fell in love with Matheson's work as a kid, and since we had Bester in B5, I figured it might be good luck to have Matheson in Crusade. - @@@929221492 "But you are saying that dispite the numerical sequence
being disordered, Crusade remains a contining story rather than
standalone episodes?"
They're somewhat stand alone that was introducing characters and setting up the details that would kick the arc into gear with #14.
See Also
A translation of this page in Belorussian is available.The Babylon Project: Crusade
The Coming of Shadows
Overview
When the Centauri emperor visits the station, Sheridan tries to keep G'Kar from going after him. Londo and Refa plot to expand their power. A mysterious man seeks out Garibaldi. Turhan Bey as the Centauri Emperor. Malachi Throne as the Centauri Prime Minister. William Forward as Refa.
P5 Rating: 9.59 Production number: 209 Original air date: February 1, 1995 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Janet Greek
Winner of the 1996 Hugo Award for Best Dramatic Presentation.
The shooting script for this episode is included in JMS' "The Complete Book of Scriptwriting."
An episodic soundtrack is available.
Note: this episode is more momentous than most. Think twice before proceeding to the spoilers; it's worth seeing unawares.
Backplot
- Sheridan joined the Earth military a few years before the Earth-Minbari War. A planetary draft was established during the war.
- The Centauri have sent many ships into Vorlon space; none have returned, but strange stories about the Vorlons have found their way back to the Centauri homeworld.
- Sinclair's duties on the Minbari homeworld extend far beyond normal ambassadorial functions. He is taking part in the preparation for the fight against the great darkness that many of the Minbari believe is approaching. To that end, he is in command of a small army of "rangers" -- individuals, Minbari and human, who roam the frontier, gathering information too sensitive to report back via normal channels.
- The Centauri Emperor employs four telepaths, linked since birth; when he leaves the royal court, two accompany him and two stay behind, so he and his representatives at the court are constantly aware of each other's circumstances.
Unanswered Questions
- What is the meaning of Londo's dream? (see Analysis)
- Why is Sinclair in charge of the rangers? Is he the only one in control, or is he a piece of a much larger chain of command?
- How did the rangers get started? How are they expanding? What or who is drawing them to Minbar, and how?
- Why does Sinclair think Garibaldi should stay close to the Vorlon? How much does he know, and how long has he known it? (Recall that in "The Gathering" Delenn gave Sinclair information about the Vorlons, though it's not clear how complete or accurate it was.)
- Will Londo become emperor some day?
- What will the Narn's first move against the Centauri be?
- What did the Emperor know about Vorlons that caused him to want to ask Kosh his question? What does the question mean? (see Analysis)
Analysis
- When the two telepaths on Centauri Prime entered the throne room,
a human and two Minbari were talking to the prime minister. Most
likely they were there on unrelated business, but it's possible they
were rangers, there to gather information. (See
jms speaks)
- As soon as Londo lied about what the Emperor told him, the two
veiled telepaths exchanged a look and left the room hastily. It
may be that they knew he was lying; whether they'll tell anyone,
and if so what impact that will have, remains to be seen.
- Kosh seems to have a perception that extends into the future; or
perhaps he is simply basing his comment on the results of the last
great war against the Shadows.
- Londo's dream, which has been foreshadowed from
day one
("Midnight on the Firing Line")
contains a lot of information, if it's to be taken literally.
- The hand seems a clear reference to the "great hand, reaching out across the stars" as seen by Elric in "The Geometry of Shadows." If so, the hand is Londo's. Presumably it is a metaphor for his expanding power and influence.
- Londo stands in the middle of fine sand, a desert (or perhaps decimated ruins; witness the dead vegitation and patterns in the sand) and watches several Shadow ships fly overhead. This appears to be on Centauri Prime. He is dressed in his ambassadorial uniform and appears to be roughly the same age as in the present. One implication is that the Shadows will either attack Centauri Prime or (more likely) come to its defense. It should also be noted that Londo has never seen a Shadow ship in the present. One reader suggests that Londo's expression can be interpreted as Londo looking on, helpless, as a great evil is done; for the first time realizing who's really the pawn in his relationship with the Shadows.
- When Londo receives the crown, he is again not much older than in the present, possibly slightly older than when he's observing the Shadow ships. Perhaps he is crowned after calling in the Shadows to help defend Centauri Prime. (Of course, the new Emperor would have to be dead first.) The person crowning him appears to be fairly old.
- Much later -- twenty years, give or take -- Londo, in white Imperial attire, sits in the throne and looks around, face filled with regret or resignation. Nobody else is visible, and the throne room seems bare compared to the scene at the beginning of the episode. It's as if everything has been lost; he is Emperor, but Emperor of nothing, perhaps of a dead world.
- Then he sees G'Kar, also aged 20 years, face half-covered by a strip of black cloth. The two try to strangle each other. Londo appears to go limp as the dream ends; presumably he is dying. The cloth across G'Kar's face appears to cover an injury; he may be missing his left eye.
Londo's old age in the last scene suggests that it takes place around the same time as the attempt to snatch Babylon 4 through time (cf. "Babylon Squared.") Sinclair seemed to have aged about the same amount, though of course humans and Centauri may age at different rates, and something may have caused Sinclair to age prematurely. But barring those two factors, it suggests that the war is still raging at the time of Londo's strangulation, and that it will last at least twenty years.
It's also worth noting that the dream contained only one spoken line, from "Chrysalis:" "Keep this up, G'Kar, and soon you won't have a planet to protect." (It was spoken over a scene from "Midnight on the Firing Line.")
- Londo may well be serious when he tells Vir he has no wish to become
emperor; his premonition may have convinced him that it'd be bad
to seek the position. But the vision remains; he may find himself
taking the throne in spite of himself down the road.
- @@@844882570 The state of G'Kar's left eye may be a reference to Norse
mythology, in which the god Odin gives up his left eye for wisdom.
- "It's a small price to pay for immortality," says Refa. A reference
to everlasting fame? The Centauri propensity for elevating emperors
to godhood? (cf.
"Chrysalis")
- The emperor's question implies that he was
in on something that isn't general knowledge, possibly something about
the Vorlons. One explanation may lie in dreams; perhaps the emperor's
death dream (according to Londo in
"Midnight on the Firing Line,"
such dreams are commonplace among the Centauri) told him that a war
would begin after his death. Why he thought Kosh would know how the
war would end -- assuming the war is what the question referred to --
is still an open question, though. (See
jms speaks)
- Along similar lines, why did the emperor speak his dying words to
Londo, rather than Refa? Did he know what Londo was really up to,
or was he simply guessing that Londo was likely the catalyst who
would bring his empire into war, based on Londo's handling of Quadrant
37 in
"Chrysalis?"
- The Narn government apparently approved of G'Kar's would-be assassination attempt, even though he lied about it in his will; presumably he wanted to protect his people from revenge attacks by the Centauri.
Notes
- @@@845337411 The script for this episode is printed in its entirety in
JMS' "The Complete Book of Scriptwriting," ISBN 0-89879-512-5,
published by Writer's Digest Books.
- @@@843206491 The votes for the Hugo Award were as follows. The two
numbers listed are number of nominations received and final number
of votes cast.
1st "The Coming Of Shadows" 93 457 2nd "Apollo 13" 122 355 3rd "12 Monkeys" 59 160 4th "Toy Story" 79 76 5th "The Visitor" (ST:DS9) 30 60 6th No Award 15
jms speaks
- I love "The Coming of Shadows." It's one of those episodes that just
knocks the breath out of you. You know those moments when you're in the
passenger seat of a car, and the person driving is doing something
crazy, and your foot automatically keeps searching for a brake pedal
that isn't there because you know something awful's going to happen?
That's the feeling you get all through that script. This episode,
like "Sky," "Signs," "Chrysalis" and "Revelations" again changes the
direction and ratchets everything one notch tighter. It's also a
very visual script, and I like that, since I sometimes do rely too
much on dialogue from time to time, and it's good to go in a different
direction.
- Kosh's brevity is one of the things I like best about him; in the
year two episode "The Coming of Shadows," he has just two words in the
whole episode...but they're guaranteed to give just about anyone the
willies.
- @@@846703584 The G'Kar-Emperor thread was similar to the King
Arthur legend: Arthur's and Mordred's armies are poised for battle but
make one last attempt to negotiate, but a soldier raises his sword to
kill a snake and everyone attacks.
There's another applicable metaphor for the sword story; you'll see it a little later this season. Very good catch, btw. "This season" refers to season three. - I generally don't let the actors know what's coming unless it's
important to the current performance. Otherwise you risk having the
actor play the *result* instead of the *process*. Had to make one
divergence from this recently, so that Peter could understand better
a sequence in "The Coming of Shadows," which you'll understand when
you see it.
- We're also taking advantage of some of the recent Hubble photographs
to scan them and use them as backgrounds in some far-space shots;
there's one in "The Coming of Shadows," for instance. Real space is
*very* nice looking in places.
- I may not have been clear in my meaning when I said "accellerating
the arc." This doesn't mean doing anything ahead of schedule; it just
means that now we begin cranking the story into a higher intensity
level. We've been kind of floating toward our destination...now we
begin the process of accellerating. If you recall Literary Structure
from English Lit 101, there's the Introduction, the Rising Action, the
Complication, the Climax, and the Denouement. Year one up through
about the first eight episodes of year two are Introduction; we are now
in Rising Action stage. Remember that this is structured like a novel,
and you'll generally have some idea of where you stand in the
progression.
- I ended up giving Peter info on "Signs" prior to shooting "Chrysalis"
last season; that was the biggie there. For "CoS" in order for the
scene to match what's going to happen several years down the road in
the series, I had to kinda give him the context of the dream, and what
was really happening in that scene, and what caused it, and how he got
to that place with G'Kar's hands around his throat.
He seemed quite...astonished.
- Yeah, on several levels, writing "The Coming of Shadows" was hard;
there were times I felt as though I'd just jumped onto the back of a
runaway dynamite truck. Halfway through that story you can feel the arc
kinda moving underneath you, like some huge, dark fish about to break
surface.
The only way to make a viewer feel a character's pain is if you feel it in the writing, and a lot of that came through. I live with these characters running around in my head 24 hours a day...and when I'd finally finished "Shadows," it was as if they all sorta stopped and looked at each other, and at me, and said, "Gee, thank you EVER so fucking much, jeezus, why don't you just go pluck somebody's eye out while you're at it?"
To which the only reply is, "Now that you mention it...."
- @@@852230868 The script for this episode is in JMS' "Complete Book
of Scriptwriting."
What might be interesting, next time you pick up the book, is to fire up a copy of "The Coming of Shadows" and go through it with the script in hand...it's a good way of seeing how you lay out a show shot-for-shot. And since there's stuff there that was cut from the episode, you can also judge on what was left out, and why, and whether it hurt or helped. - Not all Centauri dreams come true; however, the ones in which they
see their deaths tend to be pretty accurate.
- Turhan originally came in to audition for Elric in "Geometry;" we
wanted someone with more menace (Ansara), but we were all just blown
away by how wonderful and sweet and nice a person he was, and as he
left, I told John Copeland, "I'm gonna write a part just for him."
So I did, and we cast him, and everyone on the set loved him...to the point that, at the end of the shoot, they were saying, "You BASTARD, how could you bring this WONDERFUL man in here and then KILL HIM OFF SO WE CAN'T HAVE HIM BACK?!"
- Are the Rangers a reference to the Chuck Norris series, "Walker,
Texas Ranger," with which you were involved, or to the Rangers in
Tolkien's "Lord of the Rings?"
For me, the concept of the Rangers isn't tied to Norris; that isn't the reference I was talking about. Being on that show, I kinda had to look into the history of the Texas rangers in general, and being the curious kind of guy I am, I widened out into the Army Rangers, and other sorts. I'd been looking for a kind of name to attach to this group, and the more I thought about it, the more it fit.As far as the costume is concerned...it's not medeival based; if you look at the ranger's outfit, than go look at a Minbari warrior outfit, you will discover a LOT of points of comparison. It was *designed* to echo Minbari warrior caste clothes, to reflect the fact that these two sides are working together. Go fire up "Legacies" and look at his uniform, then look at the ranger. You'll see the similarities in silhouette and line in various places.
Of course I've read and enjoyed Tolkein. But as I've said, I have no interest in doing LoTR with the serial numbers filed off. I've dropped references to it in dialogue, but the structure of the story has nothing whatsoever to do with LoTR. Basically, a lot of people have come up and said, "Oh, this is the same as Foundation," or "This is the same as LoTR," or "This echoes a lot of Dune," or "This is obviously a Homeric tale," or "There's a lot of Star Wars here." It uses the same tools as all mythic structure fiction uses. Hence it resonates. But I didn't sit there and think, "Hmm...Gandalf left, so I'll have Sinclair leave." That's just plain silly.
It's really a matter of what you bring to the table, that affects what you see in the story.
The roots of the symbolism and structure of B5 go back a hell of a lot longer than this. Here...I'll give you one free.
G'Kar is in many ways my Cassandra figure, who in the Greek tales was granted the gift of prophecy...all the disasterous things she predicted would come true...but she was cursed by the gods that NO ONE would ever believe her. And later, when the war was at its height, she ended up in the service of.....
- One could certainly argue the position that those who become Rangers
are drawn to Minbar for that purpose, and speculate about what might be
propelling that.
- The broach worn by the Rangers was designed by me and Ann Bruice,
our costumer. I sketched (dopily and badly) what I had in mind, which
was a stylized human and minbari on either side of a gemstone, both
wokred (worked) into the same metal, and holding the gemstone.
She then took this drawing that looked like it had been drawn by a drunk five year old and translated it into a striking piece.
- The Rangers actually owe more to the Lone Ranger and the Texas Rangers
in general.
FYI, Sinclair called Delenn "old friend" as far back as the 2-hour pilot.
- Londo, in his vision, sees the shadow vessels, but he does not know
(in his present tense version) that that's what they are. He's had this
particular dream for years now, long before meeting Morden.
- It didn't show up in the script, and probably
won't, but the Emperor probably did have a vision of his death, and the
Vorlon.
- Re: your question...at this juncture, I think I'd have to choose "The
Coming of Shadows" as the one episode I'd use to represent the series.
That one episode came out so close to perfect, so close to what I saw in
my head when I wrote it, that the difference is no difference at all.
It has all the elements I'd feature in a B5 discussion...the CGI, the
characterization, the complexity, the politics, the language, the
performances.
- The handclasp used in "Coming of Shadows" was a traditional clasp
used by Romans, usually in order to check if the other person was
carrying a knife.
- Because to some extent the roman civilization is one of the sources
for constructing the Centauri, I adapted their handshake (checking
for knives) as their greeting; "I offer the hands of friendship."
- There's a difference between what I believe dreams mean, what the
Centauri believe dreams mean, and what dreams mean to the Centauri,
in that universe, and what they mean to me in our universe.
I suspect the truth lay somewhere between Shroedinger and Jung.
- Thanks. That scene [the attack on the Narn outpost] in "Coming of
Shadows" is one of my favorites; it does, as you say, convey that
sense of wonder which is one of my main goals with this show.
- Re: parallel visuals between MotFL and CoS...yes, precisely. In some
ways, they were set up as mirror-image parallels of one another, to
show how the wheel turns, to quote G'Kar. The opening council
meeting, the attacks, the determination to kill the other, alternately
Garibaldi or Sheridan having to stop them by calling on the question
of consequences if followed up on...it shows CoS as sort of the "dark
mirror" of the first episode. Everything we saw when we first thought
we knew what the series was has now totally reversed and been turned
on its head.
They also focus on one of the main questions that B5 addreses itself to: what is important to you? what are you willing to sacrifice? how far are you willing to go to get what you want? For me, a large measure of defining WHO we are is by WHAT we are willing to do, and what we want, and the means by which we pursue those goals. The other theme of course is sacrifice, which recurs throughout the show in one form or another.
Sometimes, I think, people get so caught up in what's happening and why that they miss what it's *about* on a more cellular level. And that's the question of who we are. Identity. The importance of *one single person* and the ability of that person to act as a fulcrum, intentionally or otherwise, upon which vast events can turn. Choices. What you value most. Those, to me, are the issues most worth exploring. We're told every day, beaten down with the notion that we're powerless, that we can't change things, you can't fight city hall...and of course it's not true. You can fight. And sometimes, you can even win.
- Sinclair didn't send the same letter. Same greeting, to keep the
recipient secret.
Only the Ranger knew who got what.
- The emperor falling scene, as with those around it, were shot as
written, down to the slow-motion notation, the close on his head
hitting the floor, the women clutching one another...all in the
script. But it takes someone as skilled as Janet to take what
somebody else might screw up and elevate it into something truly
nifty.
- Slow-motion (or camera overcranked) is almost always indicated in
scripts. I like slow-mo. It can add a dreamlike quality to a shot, and
prolong a sense of imminent trouble.
- You left out my favorite quote from the show, from the Emperor: "The
past tempts us, the present confuses us, and the future frightens us
...and our lives slip away, moment by moment, lost in that vast,
terrible in-between."
- The centauri veiled telepaths are mainly wired into one another.
- @@@852230868 I'd say that Turhan was probably emperor for about 30
years or so.
- The emperor said exactly what, in the hallway, Londo said he said.
- The emperor was referring to Londo and Refa. And if the Centauri
telepaths suspected or picked up anything, to tell anyone would almost
certainly lead to a quick demise. When you're that high up in the royal
court, you learn to keep your mouth shut.
- [Emperor] Turhan's death was exactly as stated, natural causes. If
it were anything else, we'd have at least nodded in that direction at
some point. It's not fair to do so otherwise.
- Didn't the Narn behind Londo and Refa hear them?
The Narn was just passing quickly through scene, in a hurry, and couldn't have heard what Londo and Refa were quietly discussing. - Your feelings about the war starting are exactly what they should be,
and what I wanted to achieve with "Shadows." In SF TV, very often, as
you state, it's "Yeah, let's get a war on! Blow stuff up!" But to
hear of a *real* war...it's very, very sobering. When we hear that
Gulf troops were being sent into the Mideast, when we heard of soviet
troops sent into Prague...your heart stops for a moment. When Kennedy
put American ships in a Cuban blockade and the world held its breath
...THAT is what it feels like to step into possible or real war. All
you can think of is, "How the HELL did we get into this, and how the
hell do we get OUT of it?" And that was at the emotional core of
"Shadows."
- Why not use the healing device from "Quality of Mercy?"
The alien healing device was specifically used in treatment of illness; the Emperor suffered massive damage to his heart and othe internal organs, which simply restoring some life energy wouldn't help. - Not a contradiction. I don't believe in omniscient or all powerful
devices that function like literal deus ex machinas and heal everybody
all the time. It was stated *plainly and clearly* that the device was
used in healing terminally ill patients. They cannot undo physical
damage from gunshots (the regen packs and other devices were used to
heal Garibaldi's wound, and the alien device was used to raise his life
energy level enough to bring him out of the coma). The emperor
suffered a massive attack that destroyed parts of his heart. Can't be
fixed by this device.
- You may tell your friend that the city hit in "CoS" was CGI, not
a model.
- The Sanctuary is where Sheridan and the Emperor had their lengthy
conversation; it's *all* a virtual set except the floor.
- The Sanctuary is entirely a virtual set. It's all blue-screen, no
walls, no windows, no stars, no nothing. I made sure to ask
Foundation and Mitch to blur the walls a bit in close up to give it
the correct depth of field. (Much of the CGI/background work is done
by Mitch, our effects guy, who works independent of Foundation, who
was also the main EFX guy on Predator, ET and others.) Because that
was a LONG scene, the rendering time was just hideous.
- The Sanctuary set has ALWAYS been entirely virtual, except for a small
grating on the floor as a marker. The walls, the windows, all of it.
Virtual. We've actually done this a number of times. I haven't said
anything before because whenever I mention there's a virtual set, and
where it is, people look at it and say, "Oh, yeah, I could tell it was
virtual." Because they knew ahead of time. So I stopped mentioning it.
We're sneaky that way. You've seen, and will continue to see, sets that don't exist ANYwhere. Hell, you know that bazaar shot in the main title sequence? The second floor? Doesn't exist. Digital compositing and virtual set melding.
- The area where the reception was being held is the Rotunda.
- On the chance that the datacrystal might fall into the wrong hands, I
had Sinclair deliberately avoid using Garibaldi's last name, and
avoid Delenn's altogether (since she has only the one). The Ranger
was told to deliver the crystals at the cost of his own life if
necessary...but sometimes such orders don't end well for the messenger.
So both messages began the same way.
- I'm very happy at the reaction. I was telling John Copeland a bit
ago, when we finished the episode, "Maybe we ought to superimpose a
crawl before the first frame of the teaser saying, "JUST IN CASE YOU
THOUGHT WE WERE KIDDING.""
An aside on the jms/kosh discussion, for whatever interest it may have....when Ardwight comes in to do Kosh, they call me in to direct his performance so that it matches what the intent is now, and how it will be interpreted later. From where I sit in the control room, I can't see him, I can only hear his voice. So it's kinda like talking with Kosh there, and me saying, "Okay, can you try 'In Fire' hitting the second word harder, and with a sense of some anger behind it?" And between takes, he's still in Kosh-speak mode, muttering, "How will this end, how do I know talk to my agent...go on, get out, buzz off ...."
- There are some episodes coming that are about as intense as this,
though not as much *happens*, in the sense of a bunch of events
affecting lots of people in different places.
Yes, intentional parallel structure to "Midnight," which is why I included the shot from that episode in Londo's dream. I like irony.
- Yes, "CoS" is a deliberate mirror-image of "Midnight," partly to
illustrate the notion that "the wheel turns," as G'Kar says...yes, it
does, and if you forget that it eventually turns on *you*, you'll be
ground beneath it.
- I will tell you a true and secret thing, re: Londo's dream, and looking
up into a blue sky to see the ships passing overhead.
Ever since I was a kid, I've had that image in my dreams, of standing out in the open and looking up as strange dark ships pass overhead. It's always been an unnerving image, and I really wanted to use it here to see if it would have the same effect on others.
The other single most recurring image is to be standing at the bottom of a long set of stairs, in a basement, and the door at the top of the stairs is thrown open, and there's gunfire, and guards, and flares in the night beyond, and more ships firing down.
Don't be surprised if this shows up as well, someday....
- We nailed a piece with Michael before he left for New York; when we
shot "Points," he had long since returned to NY and was in the
process of pursuing other things.
- What was with the human and Minbari in the
throne room?
They were discussing possible use of a world on the fringe of Centauri space for something of, they hoped, benign use. - @@@846703584 One of the problems we had with the Hugo last year was
that whereas only a couple of TNG episodes were good enough to get
nominated, eight B5 episodes made it to the final cut. Because folks
went for their favorite episodes, and they had a number that year.
The result was that the choices got split so much that TNG won, since
it had fewer good or great episodes that season. ("All Good Things"
won with, I think, 57 votes; the top two B5 episodes on the list had
32 and 27 votes between them, enough right there to have won if
combined. That was for "Signs and Portents" and "Chrysalis," with
"And the Sky Full of Stars" at 21, "Babylon Squared" at 19,
"Believers" at 10, "Mind War" at 9, "Voice in the Wilderness" at 8,
and "Soul Hunter" at 6.)
So basically, we lost because we had too many solid episodes to choose from.
As a result, a lot of folks this year have been campaigning to have participants go for "The Coming of Shadows," which is the highest rated episode in all the informal polls on-line and elsewhere from that time period. It's the one nearly everybody seems to agree upon.
- @@@843206491 Congratulations on winning the Hugo.
Thanks; that was the one where we felt we really hit our stride. - @@@843206491 The Hugo is a marvelous reward to everyone who's worked
so hard on the show these last 3+ years. We're very proud.
- @@@843206491 Did you think you were going to win?
I honestly didn't know how it was going to work out. I figured (correctly, as it turned out) that the main opposition would be Apollo 13. Which for my money would've been a good selection. (Is it SF? The description John Campbell and, I think, Heinlein gave for SF is "the impact on humans of technology." It even uses the Analog Magazine approach of finding a technical solution to a technical problem. If Apollo 13 doesn't count that way, what does? Is it fiction? Nnnnnooo, I suppose, though certainly elements of it were fictionalized for purposes of drama, and I guess that counts somewhat.)Anyway, that dispute aside, and I can see why it's not a clear issues for a lot of folks...understand that I've never won a major award before. I've been up for Ace Awards, the Writers Guild Award, the Gemini Award (the Canadian equivilant of an Emmy), the HWA Bram Stoker Award, others...but hadn't won, and as a result, you get very guarded about these things. So I didn't know for sure until the words left Roger Corman's lips.
And I have to say...this show has won a lot of awards in different areas, Emmys and others, but this one, for me, means the most. Even Warners is excited about it, and is taking out a double-page ad in most of the trades this Friday, with others to appear the following week. (We encouraged them to also congratulate the nominees for the award as well, since they were all very deserving, it was stiff competition.)
- @@@843206491 The reaction at the [WorldCon] to B5, at the awards
and elsewhere, was quite amazing. Everywhere the show was mentioned at
panels, it appaarently got applause. The attending fans were
*extremely* friendly, went out of their way to be nice. The two B5
panels I gave (the second one added on when the first one wouldn't fit
into the room provided) were extremely enthusiastic. I think the two
presentations I gave that day totaled about 2,500-2,600 people total.
When the winner was announced for Best Dramatic Presentation, and I headed for the stage, for a moment I thought we were having an earthquake, or there was a sudden thunder...but it was the fans applauding and stomping their feet enough to make the ground shake. It was deafening down where the nominees were, and I noticed a couple of them looking around with a "what the hell is THAT?" look on their faces.
- @@@843206491 Reader congratulates JMS on the Hugo and adds that
she did so in person, but he didn't seem to hear her then.
Thanks...I'm not sure I heard much of anything that night.... - @@@843206491 See the Notes section for the
vote tallies.
What's interesting, in noting the number of votes in the nominations, is that if we hadn't withdrawn the second Hugo nominated B5 episode, "The Fall of Night," DS9 wouldn't have had a nomination at all. They moved into the nominations when we withdrew "FoN." - @@@843206491 How many nominations did "The Fall of Night"
receive?
I don't know offhand; my guess is that it was #5 in the overall nominations list, because (I understand) they had to jump past #6 (The Long, Twilight Struggle) to get to #7 (the DS9 episode) to find a non-B5 candidate for the nominations list. So we had 3 out of the top 6, and apparently two more B5 episodes were high up on the list, I think in the top 10. - @@@843206491 Is this the first TV episode to win since Harlan
Ellison's "City on the Edge of Forever" from the original Star
Trek?
Actually, no, two episodes of TNG also got Hugos.But what *is* significant here is that in 43 years, only 7 Hugos have gone to dramatic TV series; 3 to the original Twilight Zone, 4 to Star Trek (old and new). This is the first Hugo in 43 years to go to a science fiction TV series other than TZ or ST.
- @@@843206491 Where will you display the Hugo?
I was thinking of putting the Hugo on display in my bedroom, but I decided it was 'way too Freudian. - @@@843206491 Have you taken it onto the set?
Absolutely, I took the Hugo out on the very next day, Tuesday. The whole place was very excited about it. - @@@843206491 B5 received another award at WorldCon.
Yeah, the Shadow Hugo (an ominous name for what's basically a coaster-shaped circuit board with a bronze plate on it) went to B5 from Sci-Fi.Com, which was actually the first SF award B5 has gotten, beating the real Hugos by about 24 hours.The reason they had to come out of the SFFWA (Science Fiction and Fantasy Writers of America) suite to give me the award had to do with my feelings toward SFFWA, from which I resigned over their attitude toward media writers and the dramatic nebula (bottom line: all media writers are hacks, and it's not real writing, and even though media work, scripts, are eligible for membership, or were then, they're not eligible for the Nebula because it isn't really writing).
Actually, what I said to the folks from scifi.com was..."I wouldn't go in there for the presentation if I were dying of lung cancer and they were offering free chemotherapy at the door." Nothing against many of the SFFWA members, many of them are fine folks who're taking the rap for a provincially minded leadership, but after the grief I got from SFWA over all this before, the hate mail, the vindictiveness, the resignation (to this day they still haven't had the guts to print my letter of resignation in the Journal), I just couldn't go in there for the award.
- @@@843787022 ...sigh...I'm gonna regret this, I know it, I just
know it....
C'mere. Siddown. Lemme 'splain.
I resigned SFWA (back before it became SFFWA) for the reasons you cite, and over the whole Dramatic Nebula issue, which was for me the defining moment and the proverbial straw across the equally proverbial camel's back.
A number of us -- me, D.C. Fontana, David Gerrold, Mike Cassutt, Harlan, others -- attempted to get SFWA to restore the Dramatic Nebula, which had been dropped for a number of years. In the course of this, I received more abusive, vitriolic, hateful pieces of mail and email than I can begin to describe to you. It rivals or exceeds *anything* ever sent to me in any flame war. All from other SFWA members. One quote I remember vividly is emblematic of the whole: "I work my ass off writing for pennies a word, while all you hacks in TV churn out crap for thousands of dollars a page. You and your LA buddies will never get a Dramatic Nebula as long as I'm alive."
And that was the nicest letter I got.
It was explained to me, in mail, email and the SFWA journal, that scriptwriting wsan't really *writing*, it was just typing. That TV writers weren't really writers. That you can't read a script unless you're trained, so you can't vote on it. That since TV/film is often a collaborative form, you don't know who contributed what, so how can you give a nebula? And there's George Martin's argument, that SFWA should give Dramatic Nebulas to scriptwriters when WGA allows prose writers to join.
And the responses to this...it *is* writing, you *can* read the script easily, it's just the margins that are different. Editors often contribute structure and ideas and other material to the books they edit, but I don't see that stopping regular nebulas. And SFWA was built around a particular *genre*, anything in that genre is or should be acceptable; WGA is built around *form*, the script, and any genre within that form is acceptable. We're talking apples and oranges here.
I was even willing to remove myself from all future DN consideration to remove the notion that I was doing this to get one myself. It was the principle, for one vital reason:
At that time, SFWA allowed scripts to qualify you for membership in SFWA. Scripts were fine as far as SFWA was concerned as long as it brought in more in the way of membership dues. If it brought money INTO SFWA, then it was writing, and qualified script writers to join SFWA. But when it came time to give out the dramatic nebula...nope, suddenly it ain't writing no more.
It was a clear contradiction, and a bald-faced double-standard. Hypocrisy at its most blatant.
So finally, when the move to restore the Dramatic Nebula was vetoed, I quit. The final irony being this: over the 10 years or so I'd been a member, I'd written maybe 7 or 8 letters to be published in the SFWA Journal, which appears quarterly or monthly, I forget now. There were (and are) people who had something in almost every issue, often for pages at a time. I sent my letter of resignation to the Journal, and it has never to this day been printed. Because once it became clear that I was no longer going to continue paying dues (though I was still a member at the time of the letter, and for several months thereafter, until my prior payment ran out), they really had no interest in hearing anything from a scriptwriter. They later tried the exuse that it was too long, but it was exactly the same length as the majority of letters that appeared in the Journal.
In fighting for the rights of script-members of SFWA on the DN issue, and the perception of scriptwriters in general, I was insulted, abused, targeted, slandered, ridiculed, threatened and harrassed. While there are many fine individuals who belong to the group, as an organization is is provincial and small minded and insecure and jealous. Any John Norman GOR novel would theoretically be eligible for a Nebula, but 12 Monkeys would not. If an SF novel sells 35,000 copies, it's a great thing; 100,000 is a *terrific* thing, much ballyhooed by the SF establishment. B5 has a hardcore audience of between 10 and 15 *million* people.
So bottom-line...yeah, I left SFWA because I got tired of the contempt the organization and many of its members held (and still hold) for scriptwriters. When it came time to accept the Science Fiction Weekly's award for "The Coming of Shadows," I stepped into the SFFWA suite (where they were to be given out) just long enough to find the guys involved, and get out again. And the award was presented out in the hallway, because I didn't want it to happen there. As I told the organizer, I wouldn't go into the SFFWA suite for this if I were dying of lung cancer and they were offering free chemotherapy at the door.
- @@@843505162 The promo for the Hugo-commemorative rerun had a
"Winner 1996 Hugo Award" overlay. Was it hard to get WB to do
that?
It was their idea. They're impressed that we got the Hugo.
The Coming of Shadows
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
On Centauri Prime, the Centauri emperor prepares for his voyage off the homeworld. His prime minister plans to go with him -- citing the emperor's poor health -- but the emperor declines; the prime minister is next in line of authority and needs to remain behind in case of a crisis. "What I must do," the emperor explains, "cannot wait any longer." Before the emperor leaves, he tells the prime minister how much he appreciates him, and that he seldom shows the gratitude he should. Followed by four veiled Centauri women, the emperor leaves the throne room.
Ambassador G'Kar attempts to convince Captain Sheridan that inviting the Centauri emperor to Babylon 5 is unacceptable to the Narns, because of what his family did to them. Sheridan tries to tell G'Kar that this emperor has gone out of his way to be nice to the Narns, but G'kar dismisses it as a technicality. Sheridan tells G'Kar that the resentment the Narn have against the Centauri is not his problem, and that everyone is welcome aboard the station, including the emperor. Sheridan tells G'Kar that he should use the opportunity to open a dialogue with the emperor, but G'Kar refuses to listen. As he leaves, Sheridan tells him not to do something he will regret. "It's too late for that, Captain. Too late by far."
A group of Centauri ships come through the jump gate as a frequent visitor to Babylon 5 over the last several months arrives on the station. The guard asks him if there is anything he can do to assist, but as soon as the man sees Garibaldi, he replies that he's found what he's looking for, and leaves.
Londo meets with Refa, who details what Londo is to do when he meets with the Centauri emperor. Londo is to deliver a carefully planned speech, which discusses the decline of the Centauri government and the need for change, and contains several predictions about the economy and the military that Refa has already arranged to come to pass. Refa's plan is to make the emperor look weak and short-sighted. Though Londo realizes this will not endear him to the emperor and his court, Refa explains that the emperor's health is very poor, and he is not expected to live much longer. Refa tells Londo that, if they don't take the opportunity that now presents itself, they may not be in the proper position when the time comes. Refa leaves Londo to study the speech. Vir, who had been watching the proceedings, is made uncomfortable by the situation, and tells Londo so when he asks. "Then, for once," says Londo, "we have something in common."
The emperor's ship arrives and docks. The command crew of Babylon 5, in full dress, is in the docking bay to meet him. The emperor offers Sheridan the hands of friendship, which Sheridan accepts. After introductions are complete, the emperor tells him that he is very impressed with their choice to risk great dangers in order to achieve peace. Sheridan offers to begin the tour, but the emperor interrupts, asking Dr. Franklin about Ambassador Kosh, as he has never seen a Vorlon before. He is curious because the Centauri have sent many expeditions into Vorlon space, but none have returned, and he wants to know more about the stories he has heard.
The Emperor arrives.
G'Kar is communicating with Karmok, a Narn government official, who tells him that the Ka-Ri endorsed G'Kar's plans. G'Kar asks when the best time would be to perform the act, and Karmok tells him that he should do it at the reception. Karmok asks if G'Kar is sure he wants to do it, but G'Kar insists he is. "It is a strange feeling, Karmok, to know suddenly that all the decisions in your life have brought you to this place. There is no longer doubt or uncertainty. The future now consists of only three probablities." He opens a box sitting nearby, and removes a shiny dagger from within. "In the moment that I strike, the emperor and I will both die. Or, he will die and I will spend my life in prison. Or, I will fail and be killed. For the first time in my life, the path is clear."
Sheridan joins the emperor in an observation dome. The emperor asks why Sheridan decided to join EarthForce. Sheridan says that it was his choice, that he joined before war, when a draft was instated. Sheridan says that he wanted to make a difference, and asks why the emperor is so interested. The emperor responds by saying he never made a choice in his life because all of his actions had been predetermined, and that he never thought he had to choose otherwise. He wonders what may have happened had he done so.
Sheridan offers his perspective. "That's why my father taught me to live each second as though it were the last moment of my life. If you love, love without reservation. If you fight, fight without fear. He called it the way of the warrior." Sheridan admits that he has only a few regrets, but the emperor says he has many more, and that he has lost and forgotten most of his life. The emperor says, even though most of his life has slipped away, and most of his options are gone, there still is the opportunity to do something that can make a difference, and he will not let it slip by. Meanwhile, the man who arrived aboard Babylon 5 earlier is standing in the corridor, watching and listening as Garibaldi makes security plans for the emperor's reception.
As the reception for the emperor begins, G'Kar is in his quarters, preparing for the task which lies before him. "I take this action," he dictates into a machine, "without the knowledge or permission of my government. Neither should my aide, Na'Toth, be held accountable for my actions. The responsibility is mine alone. I ask that my remains and my personal property be sent back to Narn--to my family. My copy of the Book of G'Quan I leave to Na'Toth, with the hope of her eventual enlightenment."
G'Kar makes out his will.
At the reception, Sheridan asks Ivanova about the veiled Centauri women who follow the emperor around. Ivanova explains that they are telepaths, always linked to the emperor. Two go with him at all times, and two remain at home at all times. Since all four can see and hear what the others see and hear, the emperor can be kept apprised of what is going on at home, while his court can learn what he is doing abroad. Ivanova asks Sheridan if he knows what the emperor's important speech is about. Sheridan tells her that he doesn't know, and that he hoped it would bring Ambassador Kosh to the reception, but Kosh is not present. One visitor they did not expect to see, however, G'Kar, arrives and promises Sheridan that he will listen to the emperor.
Nearby, the man following Garibaldi is finally captured. Garibaldi demands to know why he has been following him. He says he needs to talk to Garibaldi, but before he has a chance to explain, several other security guards arrive. Though pressed to say something, the man remains silent and is taken away by the guards.
"I need to talk to you."
The emperor and his train proceed to the reception, and G'Kar prepares the dagger he has brought along. Delenn sees this, but G'Kar moves away as she walks toward him. In a corridor, as the emperor walks, his face suddenly contorts and he clutches his chest as he falls. The Centauri with him, including the telepaths, turn in alarm. Dr. Franklin rushes out of the reception to help. On the Centauri homeworld, the remaining two telepaths enter the throne room and approach the prime minister, who is talking with two Minbari, and another gentleman who appears to be human. The prime minister rises in alarm, as if he knows what has happened aboard Babylon 5.
In MedLab, Dr. Franklin is alone with the bedridden emperor, who gives him an important message to deliver, something that can't be entrusted to another Centauri.
Londo and Vir meet with Refa again. Refa tells Londo that their competitors are preparing to take power as soon as the emperor dies. But Refa wants to prevent that. He tells Londo that they need to do something extraordinary, something to assure their side gains power. Londo remembers something Morden told him long ago. "He said, 'Just pick a target...'" Refa asks Londo what he means, and Londo explains. "I believe there is a Narn colony on the border of Centauri space, quadrant 14." The very mention of this makes Vir uneasy, but Londo and Refa brush it off. Refa tells Londo that the colony is a listening post the Narns have used for many years to spy on them, but that the planet should be ours. "Well then," Londo says, "let us take it back!" Refa claims it would require a major assault, costing many lives, but Londo says that he will take care of it, and tells Refa to send some Centauri military vessels to quadrant 14. Refa doesn't see how that will help, but Londo says it will be enough. Refa, though still unconvinced, tells Londo that he will see to it, and leaves. Londo turns to Vir. "Find Mr. Morden. Bring him here." Vir begs Londo to reconsider his actions, and to just listen to him this once. He tries to tell Londo that once he does this, he cannot turn back. Londo claims that he has no choice, and then tells Vir that, if he does not find Morden, he will do so himself.
"Let us take it back!"
"No. No, I'll go," says Vir. "I'll go, and I'll bring him back. And some day I'm going to remind you of this conversation. And maybe then...then you'll understand."
"I understand... just fine," Londo says. "By this time tomorrow, we will be at war with the Narns. May the Great Maker forgive me."
G'Kar is in his quarters, again speaking with Karmok, telling him how upset he is that he didn't get a chance to assassinate the emperor. His door chimes; it's Dr. Franklin. G'Kar tells Karmok that he may soon have another opportunity, and quickly cuts off the communication. He lets Dr. Franklin in. Franklin tells him that he just saw the emperor. G'Kar asks how the emperor is, and tells Franklin he was anxious to meet him. Franklin tells him that the emperor had a message for him. At first, G'Kar doesn't want to hear the message, but he changes his mind when Franklin says, "He wanted to say he's sorry." Franklin continues. "He came all the way out here, risked his health, and endangered his life, so that he could stand beside a Narn in neutral territory and apologize for all the things the Centauri have done to your people. For all the things his family did. He said, 'We were wrong. The hatred between our people can never end until someone is willing to say, I'm sorry, and try to find a way to make things right again, to atone for our actions.' He said it was the only choice he ever made in his life, and now that seems to have been taken away from him." This news strikes G'Kar deeply, and he says he had no idea that the emperor had come for that reason. "No, I'm sure you didn't," answers Franklin. "Maybe that's the biggest tragedy of the whole damn story."
Londo is asleep. As he is dreaming, he hears himself say, "Keep this up, G'Kar, and soon you won't have a planet to protect!" He sees a contigent of Narn fighters destroying the space station at Ragesh 3. Within seconds, that dissolves, and...
...He sees a great, fiery star with a hand emerging from it, reaching toward something...
...He sees Centauri Prime from orbit...
...He finds himself standing on the dusty or sandy surface of a planet, shielding his eyes from the sun as a group of Shadow ships fly overhead...
...He stands, dressed in ceremonial clothing, his head bowed, as a crown is placed upon his head...
...He sits on a large throne, dressed in elaborate white clothes. He is aged, decrepit, and ill. Surveying his surroundings, he sees a Narn, his face aged and wrinkled, wrapped in a dark cloth. It is G'Kar...
...Londo once again sees the great hand, stretching further and further from the star, grasping at something...
...He is back in the throne room, in a struggle with G'Kar. They are both trying to strangle each other. Londo begins losing the struggle, and he begins to fall back, as...
...he wakes up. He is quite disoriented, and picks up a small clock nearby, to check the time. "It has begun," he says.
At the Narn colony in quadrant 14, all is quiet as several Narn ships patrol the area. Without warning, three Shadow ships appear and begin firing at the Narn ships. The Narns put up a valiant fight, but can seemingly not even scratch the defenses of the enemy. The Shadow ships move toward the planet, destroying everything, and anything, in their way. The smaller Narn ships are all destroyed attempting to protect the planet. As the three Shadow ships arrive near the planet, a fourth appears and helps the others attack the colony on the planet, and the station orbiting it. After all has been destroyed, the four ships leave the vicinity, vanishing as they do so.
Refa and Londo are walking through Babylon 5. Londo tells Refa that the Narn will be learning of what happened soon enough, and that Centauri forces can move in at any time. Refa says that he will have to move quickly as well, as he has something to take care of at home. He tells Londo it is an obstacle that must be removed, but he refuses to elaborate when Londo asks what it is. Refa leaves as G'Kar appears and addresses Londo in a threatening tone. Londo tries to explain, but before he has a chance to explain or escape, G'Kar drops the gruff facade and pulls Londo over to a nearby bar, where he buys him a drink. "I've heard something that makes me think there is still hope for us after all," G'Kar tells him. "I believed your people capable of only murder and pain. But, apparently, there is still a spark of decency in your genetic code. It's not much of a foundation, I'll grant you that, but it's a start!" The drinks arrive and they toast. "I never thought I would be saying this Mollari, but, to the health of your emperor. And, perhaps, to your health as well." Londo painfully accepts the toast, and thanks G'Kar, visibly shaken. They both drink.
Several large Centauri warships create a jump point and emerge near the destroyed colony just as several smaller Narn ships arrive and see the damage that has been done. They do not know what happened, but they quickly see the Centauri ships there. The Narn communicate this to the homeworld and prepare to attack the Centauri warships. The fighting begins, and several of the Narn ships are destroyed.
The battle is joined.
The Centauri prime minister stands quietly near the throne on Centauri Prime, thinking. He begins to walk away, but is stopped by four Centauri as he attempts to leave. They say nothing. The prime minister tries to call his guards, but before he can, one of the four thrusts a dagger deep into him, and he falls to the floor, dead.
Garibaldi is in his office, exhausted, when another security officer enters, telling him that the prisoner wants to speak with him. Garibaldi refuses at first, but the officer says the prisoner claims it's important. The prisoner enters. Garibaldi tells him that he has five minutes, and the man explains. "I was sent to find you. I have a message for you." He puts a data crystal on Garibaldi's desk. "I believe it will explain everything." Garibaldi is reluctant at first, but he puts the crystal into his player and starts it.
The screens light up, showing the face of Ambassador Jeffrey Sinclair. "Hello, old friend," Sinclair says. "It's been a while. I'm trusting this message to an associate of mine who is sworn to bring it to you at any cost--including his own life. My job on the Minbari homeworld is more than just representing Earth. The President doesn't know about that part yet, and...I don't think it would be wise of you to tell him. There's a great darkness coming, Michael. Some of the Minbari have been waiting for it a long time."
In C&C, Ivanova reports to Sheridan that they intercepted an open message sent from the Narn homeworld to G'Kar, reporting about the assault on the Narn colony in quadrant 14. This upsets and angers Sheridan greatly.
"The bearer of this message," Sinclair continues, "is one of my rangers. Some are Minbari. Most are humans. They have been drawn here to learn to work together and prepare for the fight ahead." Garibaldi pauses the message, and the ranger explains that they have been on Babylon 5 for nearly two months. He says they are an army, and that they are growing. Garibaldi asks if this army's weapons are coming through the station, and the ranger says no, but that they do have friends, and that he can say no more. Garibaldi continues the message. "Their job, for now, is to patrol the frontier, to listen, to watch, and to return with reports too sensitive to trust to regular channels. They are my eyes and ears. Where you see them, you see me."
The ranger watches the message.
Karmok reports to G'Kar that the Narn ships they sent saw the Centauri warships lead the assault. G'Kar asks what happened to the inhabitants of the colony. Karmok tells him that most died within the first few minutes of the attack, but that, if there are survivors, they are probably going to be enslaved by the Centauri forever, now that they are in control. Karmok quickly breaks off the communication, wondering how the Centauri were able to so easily break through their defenses. G'Kar turns away slowly from the monitor, shaking his fist in rage. "I reached out my hand, and he betrayed me. He knew! And he betrayed me!" He flings his arm across a nearby table, throwing everything on the table onto the floor. His rage growing, he wrenches the table from its legs and the throws it to the ground, where it breaks in two.
"In the name of our friendship," Sinclair concludes, "I ask that you give them every courtesy and cooperation. I wish I could tell you more...I wish I could warn you. But the others don't think it's time yet. Stay close to the Vorlon, and watch out for shadows. They move when you're not looking." The message ends, and as Garibaldi turns to the ranger, he receives a call on his commlink telling him that help is needed in the ambassadorial wing. The communication suddenly breaks off.
G'Kar bursts down the hall, his eyes burning. He knocks to the ground everyone who gets in his way. His voice filled with anger, he shouts, "Mollari! Mollari!" Sheridan and several security guards intercept him. Sheridan tells him that, if he returns to his quarters, they will not press charges. G'Kar pleads. "They're doing it to us again. Step aside, Sheridan. I won't let this happen. Not again!"
"They're doing it to us again."
Sheridan offers to help G'Kar, but warns him that, should he attempt to attack Londo, he will either be killed or sent off the station, and that he can't help the other Narns either way. G'Kar shouts that the Centauri will kill everyone unless he does something. Sheridan tells him to decide what is more important: getting revenge against Londo, or saving the lives of many Narns. Making his decision, G'Kar gathers up all his energy for one final strike. The security guards prepare to fire if necessary, but G'Kar slams into a wall and falls down beside it. Sheridan and the other security guards leave him alone, in pain, to think.
Defeat.
In MedLab, the Centauri emperor tries to speak to Franklin, but Franklin tells him to take it easy and save his strength. Franklin asks if there is anything he can do to help, and the emperor tells him that he very much wanted to see a Vorlon. Dr. Franklin smiles and steps aside. The emperor turns his head, but seconds later, his face is covered by a shadow. He looks up to see Ambassador Kosh standing over his bed. "How will this end?" the emperor asks.
"In fire," Kosh intones.
Garibaldi tells Sheridan and Ivanova what he learned, but does not reveal the source. Ivanova asks him why he believes he can trust whoever told him this, and Garibaldi says that the source comes "highly recommended." Sheridan asks Garibaldi why he is holding something back, and Garibaldi tells him that he made a promise. Sheridan has a hard time accepting the information Garibaldi presents, and threatens to order Garibaldi to talk, but Garibaldi refuses, knowing that, if he did so, Sheridan would not be able to trust him again, because someone higher in the chain of command than Sheridan could order him to talk as well. Sheridan accepts this, and Garibaldi continues. "Ever since New Years, we've been hearing about some other major race on the prowl. My source tells me the rumors are true, and there may be some link to the Centauri government. Now, who or what that link is, I don't know, but they're definitely getting support."
"And you think this other race was behind the assault on quadrant 14?" asks Ivanova.
"It's possible," replies Garibaldi.
Sheridan tells them that, if that is true, their enemy wouldn't want anyone else to know. Ivanova tells him that all they have is supposition, but Sheridan says it is a good idea to make your opponent think you know more than you actually do. "Now, if your source is right, we may be able to play a bluff," Sheridan tells Garibaldi.
In MedLab, Refa, Londo, and the emperor's entourage stand around the emperor's bed. Refa tells the emperor that they retook the Narn colony and that not one Centauri was hurt or killed in doing so. Their homeworld is rejoicing, and the Centauri are powerful again, but he wants the emperor's blessing. He leans in close, but the emperor tells him nothing. The emperor points to Londo, who leans in. The emperor whispers something to him, then dies. Refa asks what the emperor said, and Londo tells him, "He said, 'Continue. Take my people back...to the stars.'" The two Centauri telepaths, who had been watching, look at each other and then walk away. Londo and Refa follow, but Refa stops Londo in the hall, asking him what the emperor really said. "He said," Londo answers, with great difficulty, "that we are both damned."
The Emperor lies dying.
"Well," Refa tells him, "it's a small enough price to pay for immortality." Laughing, he walks away, leaving Londo alone in the hall.
G'Kar is back in his quarters, facing the wall, when the door opens and Sheridan enters. He tells G'Kar that he thinks he knows how Earth may be able to help, and that he has called a council meeting to discuss recent events. As Sheridan leaves, G'Kar tells him that he will attend the meeting. "Thank you... for stopping me."
"Thank you..."
At the council meeting, Sheridan addresses Londo, asking what will happen to the Narn civilians on the colony. Londo says the Centauri can't allow them to return to the Narn homeworld, but says that he is sure his government will find them something productive to do. Delenn tells him she thinks he means forced slavery, but Londo claims they have no desire to misuse anyone. G'Kar enters, and takes his seat at the council table. Sheridan tells Londo that he has received permission from Earth to send observers to the colony to check on the civilians, to make sure they aren't mistreated. Londo tells Sheridan the observers are not welcome, but Sheridan doesn't care. He tells Londo he shouldn't try shooting down an EarthForce ship; though Earth isn't looking for another war, it will shoot back if fired upon. Sheridan tells Londo that the observers will check on the survivors and put together a full report, including as much as they can learn about how the colony was so easily defeated. This disturbs Londo, who tells the council that he thinks he can convince the Centauri government to allow the civilians to return to the Narn homeworld, as long as no observers are sent to the colony. Sheridan agrees, and tells him, "I'm sure your gesture of goodwill will be appreciated for what it is...Ambassador." Delenn asks G'Kar to speak.
"Before coming here," G'Kar says, "I received a communique from my government. For a hundred years, the Centauri occupied our world. Devestated it. We swore we would never let that happen again. This attack on our largest civilian colony has inflicted terrible damage and loss of life. They've crossed a line we cannot allow them to cross. As a result, two hours ago my government officially declared war against the Centauri Republic. Our hope for peace is over. We are now at war...we are now at war."
Refa tells Londo and Vir that the death of the Centauri prime minister changed the balance of power on the Centauri homeworld, neutralizing the other powerful families, and leaving the emperor's nephew, who is on the side of Londo and Refa, the successor to the throne. Refa tries to give his cup to Vir, who just glares at him. Refa continues. "For the first time in a hundred years, Ambassador, our people are on the right track again, and we have you to thank for it. You will find the emperor's gratitude...most rewarding." Refa bids them farewell and leaves.
"Our people are on the right track again."
"I'm surprised," Vir tells Londo after Refa leaves. "You could have asked to be named to the royal court. It would have put you in a position to become emperor yourself one day. That's what you want, isn't it?"
Londo thinks back, recalling his recent dream of being crowned and then, many years later, being strangled by G'Kar. "No. I have no desire to be emperor," he tells Vir. "I prefer to work behind the scenes. The reward is nearly as great, and the risk far, far less."
Garibaldi thanks the ranger for his help in saving the lives of so many Narns. When the ranger asks if Garibaldi will give the cooperation he needs, Garibaldi agrees, as long as the ranger keeps him informed of what the rangers learn, both here and abroad. The ranger says he will, as long as their presence is kept a secret. Garibaldi agrees to that, but asks one last question. "Aside from me, does anybody else know you're here?"
"Just one other," the ranger says as he walks away.
Delenn, in her quarters, examines a message crystal in her hands closely. She puts it into her player, and is greeted with a voice she, too, hasn't heard in a long time. "Hello, old friend..."
The Corps is Mother, The Corps is Father
Overview
Bester pursues a murderous telepath, using the pursuit to train two rookie Psi Cops in the finer points of their new jobs. Walter Koenig as Bester.
P5 Rating: 8.42 Production number: 514 Original air date: April 15, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Stephen Furst
Plot Points
- @@@892694760 Very high on the Corps' list of priorities is that mundanes believe that nothing ever goes wrong within the Corps. To that end, and because they justifiably don't believe mundane security forces would be of much use in capturing rogue telepaths, they use the Psi Cops to track down rogues with a minimum of publicity.
- @@@892694760 The Psi Corps maintains a fleet of large transport ships in hyperspace, where they're used to ferry shuttles back and forth between jump points. Eventually they'll be used for some other unspecified purpose. Nobody outside the Corps is supposed to know the ships exist.
- @@@892694760 Psi Corps field operatives must be able to maintain a mental block against a telepathic probe for at least one hour to ensure that they're safe against attack by untrained rogues. Even the most powerful rogues, according to Bester, can't sustain a psi attack for more than 30 or 40 minutes.
- @@@892694760 Bester's parents were killed in an accident when he was barely a month old. The Corps found him thanks to a random DNA screening, and raised him from childhood.
- @@@893010614 The Corps is training some of its members in offensive skills known as "mind shredding." A P10-rated shredder is a danger even to a P12-rated telepath, and a P12-rated shredder can kill a mundane telepathically in a matter of seconds.
- @@@892694760 If a telepath has multiple personalities, each of the personalities can exhibit different levels of psi ability. The Corps' screening program doesn't detect multiple personalities.
- @@@892694760 Even new Corps trainees are willing to act as judge, jury, and executioner for mundanes who kill telepaths.
Unanswered Questions
- @@@892694760 What are the Corps motherships for, aside from ferrying shuttles?
- @@@892695282 What were the circumstances of Bester's parents' deaths?
- @@@892855690 What is a Pak'ma'ra's hump?
Analysis
- @@@892694760 According to the Corps propaganda film, 42.5% of
telepaths who leave the Corps commit suicide within nine months of
leaving the Corps. How many of those
"suicides" are thanks to the Psi Cops? Even if the Cops don't
kill a significant number of rogues directly, the very fact that a
rogue is being relentlessly pursued might make suicide or an accident
more likely.
@@@893010973 And of course, Gordon only said that the suicides were committed by people who'd left the Corps, not rogues; how many of the suicides were telepaths forced to take sleeper drugs like Ivanova's mother?
- @@@892694760 Why didn't anyone in the Corps communicate
telepathically within their own walls? As Bester told Sinclair
("Mind War,")
telepathic communication saves time. It's perhaps understandable that
the Corps would want its members to speak to each other verbally while
in public, to avoid appearing needlessly strange to mundanes, but that
consideration wouldn't apply within the walls of a Corps training
academy. Perhaps telepathic communication requires more effort than
speech.
- @@@892717633 Bester believes that to be a telepath is to be something
special, and that telepaths have to stick together and protect one
another, even more so than mundanes. That's very similar to Byron's
philosophy
("The Paragon of Animals.")
- @@@892751325 What was Bester doing with the mirror just before his
departure for Babylon 5? Since he didn't glean any useful information
from his vision of Harris, it was most likely just an exercise in
intuition, a moment of deep concentration to try to figure out some
reason why Harris might have committed the murder.
- @@@892751552 The Corps motherships are perhaps not as well-kept a
secret as Bester would like to think. There are probably lots of
rogue telepaths who learned of them before leaving the Corps. For
example, Byron would almost certainly have known about them (he had
gone out on missions with Bester) and thus it's plausible that some
or all of the other members of his group know as well. Since they
have no particular stake in keeping the ships' existence secret,
information about them might well have already leaked out.
- @@@892717633 When Lauren mentioned to Bester that she wished there
were a way to record thoughts, he said, "Give us time." Is the Corps
working on such a capability? Does that imply that they've discovered
a technological means for reading other people's thoughts? If so, the
implications could be far-reaching, not least the possibility that
mundanes could be equipped with simulated telepathy.
Abbut's recording of Talia's thoughts ("Deathwalker") indicates that the process is possible, though perhaps not without the involvement of a living brain.
- @@@892694760 The Corps' inability to detect multiple personalities
is consistent with Talia's hidden personality
("Divided Loyalties.")
Talia was in close contact, even linked briefly, with a group of
telepaths
("A Race Through Dark Places")
who failed to detect her alternate personality.
- @@@892847338 If different personalities can have different psi
abilities, the Corps might not have gotten anything useful out of
their examination of Talia after she returned to them
("Dust to Dust.")
Her Ironheart-enhanced psi abilities
("Mind War")
might have been destroyed along with her original personality.
- @@@892752034 Lauren's visualization of the attack/block exercise had a subtext she probably didn't recognize: the attacker was probing with spikes not dissimilar to the spines on a Shadow vessel, while the attacker was encased in what looked like shards of ice, not unlike the ice surrounding Sheridan's vision of the Vorlon in "Into the Fire." Vorlons created human telepaths and the Shadows wanted to destroy or undermine them, which is consistent with that imagery.
Notes
- @@@892694760 The love of Bester's life is Carolyn Sanderson, who is
most likely still in stasis awaiting removal of her Shadow implants
("Ship of Tears.")
Whether or not she's still on Babylon 5 isn't clear; Sheridan mentioned
transferring her to Earth for further medical study
("Rising Star")
but that might not have happened yet.
- @@@892752340 "Prisoner"esque signs on the walls at the Corps academy
(not a complete list yet):
- The Corps is Mother, the Corps is Father
- Protect the Family.
- Obey
- Trust the Corps
- Maternis, Paternis (this also appears on the Psi Corps logo during the training film)
- @@@892752340 Babylon 5 uses its sword and shield logo even on its
commercial sales literature.
- @@@892950054 Text of the cover of the Babcom brochure:
Stay in touch with
family and business
alike with state of the
art communications and
delivery services. Let
us be your new partner.BABYLON 5
FOR THE
BUSINESS
OF TODAY
AND THE
HOPE OF
TOMORROW - @@@895442513 One of Harris' documents,
visible when Bester examines
them, is dated 2264, even though the episode takes place in 2262. (See
jms speaks.)
- @@@892695183 Bester's childhood was recounted differently in comic
"The Psi Corps and You."
The official Corps propaganda about Bester is that he entered its
ranks at age 10.
- @@@892752034 Bester keeps his disabled hand gloved even when he's
home by himself.
- @@@892798144 The rogue's name was Jonathan Harris. That name might
be familiar to some fans; another
Jonathan
Harris
played Dr. Smith on the original "Lost in Space" TV series, which
also starred Bill Mumy (Lennier) as Will Robinson. However, that's
not the reference here. By coincidence, Jonathan Harris was the name
of the winner of a raffle run by the B5 Fan Club at a convention (the
1997 Worldcon in San Antonio.) The raffle's grand prize was the
winner's name appearing in an episode.
- @@@892752168 One of the interns, Chen Hikaru, shares a name with
Hikaru Sulu of the original "Star Trek." Sulu was a colleague and
friend of Chekov, played by Walter Koenig (Bester.)
- @@@892717873 This is the third episode directed by Stephen Furst, who
also plays Vir. All three of his episodes (this one,
"The Illusion of Truth,"
and
"The Deconstruction of Falling Stars")
are told from the points of view of people other than the series' main
characters.
- @@@892694848 The title sequence was changed for this episode: instead of the "Babylon 5" title, a Psi Corps logo with the words "Trust the Corps" was substituted. The B5 logo was moved to the back of the station in the closing FX shot, and JMS's name was displayed as a normal credit.
jms speaks
- @@@885925487 About TNT's decision to postpone the episodes
the ones following this one until the fall of 1998
Re: the schedule...it was brought to our attention that the NBA coverage would lead to episodes being shunted around and pre-empted for a number of weeks. Obviously this concerned us, and would concern viewers, so we discussed it with TNT, and they came back to us with the notion that we would continue new episodes until hitting #100, break for the NBA games, then come back (starting with another possible half-hour special) afterward at the same time to finish the season.It was either this, or get shuffled around the schedule due to the NBA, and the former is infinitely preferable.
- @@@887319407 Bester is NOT a nice guy...but not everyone sees him in
that light, which is why I did one episode from inside the Psi Corps
this season, to show how others in the PC see him....
Even Hitler painted roses.
- @@@893095748 Shouldn't the other Psi Cops have been afraid of
Bester?
I don't consider it a mistake at all...you never heard much of other Psi Cops talking about Bester, and they would have more knowledge of him than anyone else. As with Dirty Harry, some of the other officers above and below him liked him...and he scared the crap out of others. Same here. - @@@893270106 What is a Pak'ma'ra's hump?
I was thinking that the hump is where their mates are...they're symbiotically bonded, and the female is much smaller than the male, reflecting similar disparities in the insect kingdom. - @@@895442513 About the oddly-dated
document
One of his personalities was a Time Lord. - @@@895442513 And let us also remember, about this guy getting the date wrong on
what he was writing....
HE WAS A NUT.
thankyew
The Corps is Mother, The Corps is Father
Synopsis by Katrina Glerum (kat@midwinter.com)
Bester enters his superior's office. He is introduced to two young Psi Cop recruits, Lauren and Chen, who he will be expected to take under his wing for a few weeks. The recruits are nervous being anywhere near their great hero, Bester.
A young man sits at a cluttered desk in a small room at the Psi Corps. He is arguing with himself, saying, "It's my mind, not yours." He sees an advertising brochure for Babylon 5, grabs it, and leaves the room. There is a bloody corpse on the floor.
Bester takes his charges into a Psi Cop scanning-countering training session. Two people are seated at a table sparring with each other. From the outside, they seem to be in a staring contest, but the mental image of them shows a complex attack and defense exercise going on. Bester says that field agents must be able to withstand this for an hour. Telepathic strength is not enough to be a Psi Cop, he explains, it also requires intense training, and a dedication to caring for rogue telepaths as if they are family members gone astray. Blips are happier when they are brought back home, he tells them and ushers them into a room where they can watch a propaganda film about this. The film is interrupted when a woman comes in and whispers something to Bester.
They go to the murder scene where Bester is informed that he must track down the victim's roommate and presumed murderer.
Later that evening, Bester is visited in his apartment by Lauren. She wants to talk about the murder. Bester explains that a dead mundane means nothing, but a telepath is rare and special, and so it is never easy when one dies. She worshipfully asks him about his history, and he tells her about being an orphan raised by the Corps, and his loveless marriage. When he suggests that she go home. she offers to stay, and he kindly ushers her to the door saying he appreciates it, but his heart is taken.
After she leaves his superior arrives to inform him that the suspect has booked passage to Babylon 5. Bester grimaces.
In the briefing the next day, the superior explains their mission. Since the suspect, Harris, is a P10, there is no way a mundane security force could catch him. And as Bester points out, this is an internal Psi Corps matter anyway. They don't want mundanes turning their eye on the Corps for any reason. Privately the superior tells Bester that the suspect is a trained "mind-shredder" who could even destroy him.
Later in his quarters, Bester prepares himself before departure by envisioning an interview with Harris, using his own image in a mirror. "Why did you do it?" he asks. Harris's image responds, "Because I could," and taunts him by saying, "You'll never understand what [went wrong]."
In the Babylon 5 casino, Harris sits down to a blackjack table and innocently asks the dealer to explain the rules.
Bester, Chen and Lauren depart from the Psi Corps mothership in a shuttle. Bester explains that just like all the other ships, the mothership never leaves hyperspace, lest outsiders discover the extent of the Psi Corps' resources.
After cleaning up in the blackjack game, Harris laughs and leaves the casino under the watchful scrutiny of a shady-looking man.
The Psi Corps trio arrives in Customs and are greeted by Zack. Bester suffers Zack's sarcasm for a moment, and then explains his mission and sends a dirty joke to Lauren who giggles, leaving Zack wondering what they know about him.
One of the losers in blackjack confronts Harris in a corridor and demands his money back. After getting knocked to the ground, a change comes over Harris, and he shouts "You shouldn't get him upset!" The loser begins to scream. His eyes turn bloody and he collapses.
Bester determines Harris's room from a Drazi lowlife. He goes to get B5 security and leaves Chen and Lauren to watch the room. He tells them explicitly not to approach the suspect.
Chen of course immediately decides to enter and attempt an arrest. He scares himself silly by stumbling over a corpse with his first step.
The corpse turns out to be that of a 5-day-dead gambler. Zack tells the Psi Cops that the man's identicard has been used in the casino several times since his death. The loser's corpse has just shown up in medlab, and Zack implies strongly that Bester has had something to do with the deaths.
When Franklin describes the way the man's brain cells exploded, with the worshipful recruits in tow, Bester explains with extreme condescension that the suspect couldn't have been the perpetrator since P10s can't do that kind of damage. Franklin bristles at the telepaths' mockery.
Bester is deeply worried now. He sends Lauren off to get more evidence from the investigators back at Psi Corps HQ, and sends Chen to Downbelow to find more gambling dens. Bester goes to check customs, in case Harris has booked passage elsewhere.
Chen discovers Harris, and places a call to Bester. As he does, he is stabbed to death by the man who has been shadowing Harris.
Chen's killer has partnered up with Harris, taking ten percent of Harris's winnings for the service. They only need one more session to have enough for Harris to get away. Harris claims that he doesn't even know why he's running away.
Lauren's work has turned up a recording of Harris's last training session. The session ends abruptly when Harris jumps in pain or anger and then shouts when his roommate apologizes, "He said let it go!"
Bester realizes that Harris is a multiple personality. The deadly personality must be a P12 who killed the roommate in order to avoid detection, since, as Lauren says in a happily brainwashed manner, "Unstable telepaths are put away for the good of everyone."
As Harris and his new pal amble towards their next gambling session, they are ambushed by security. Bester begs Harris to trust him, saying that they will take him back. Both men are overwhelmed and Bester is shot in the shoulder.
Franklin tells Bester he shouldn't leave before he has healed. Bester scoffs and the doctor's concern and Franklin says that he treats all his patients equally, "Even the annoying self righteous arrogant ones with self-important delusions of godhood." Bester smirks, hops off the table and collapses. When Franklin quickly catches him, Bester remarks that if Franklin had thought about it he would have let him fall. Franklin contends that he wouldn't and authorizes a scan if Bester wants to see the truth.
Just then Lauren comes up announcing that Zack is releasing both prisoners to their care so they can depart immediately.
Back in their shuttle in hyperspace, Lauren offers Bester a back rub when they get home and then tells him what a hero he is to her because he never gives up fighting for their people. Then she begs Bester to allow her to deal with the mundane captive on board. He grants permission and within a few minutes the man is spaced.
Bester asks if it's her first and she swallows and says yes. Then she beams proudly when he comments that she "might just be Psi Corps material after all."
The Deconstruction of Falling Stars
Overview
Fourth season finale. A look back at the impact of Babylon 5 from 100, 500, 1000, and 1000000 years in the future.
P5 Rating: 8.50 Production number: 422 (but see Notes) Original air week: October 27, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Stephen FurstWarning: This episode contains spoilers for future episodes, as it's mostly in the form of retrospectives from future viewpoints.
Plot Points
- @@@877891621 Some people on Earth are highly skeptical that the Interstellar Alliance will work, and distrust Sheridan's motives and ability.
- @@@877891621 The station will be under the command of a Captain Lochley in 2262.
- @@@877891621 With Sheridan's permission, a colony of telepaths will be established on Babylon 5 sometime in 2262. Eventually they will turn against him.
- @@@878761096 Garibaldi will be held hostage, possibly by the telepaths, in 2262. The hostage situation will end in gunfire.
- @@@877891621 Babylon 5 will be destroyed (though under what circumstances isn't clear) in 2282.
- @@@877941253 Sheridan will die in 2282 under mysterious circumstances that will still be debated 80 years later. Popular opinion will hold that he died on Minbar, but not everyone will agree. Later legend will hold that he was carried bodily into heaven.
- @@@877891621 Delenn will live until at least 2362, though she'll spend many of the intervening years out of public view, leading some to wonder if she's still alive.
- @@@877891621 In 2762, Earth will again be divided into two factions, one in favor of breaking away from the Interstellar Alliance and another in favor of remaining. The two sides will launch a devastating war, rendering the surface of the Earth nearly uninhabitable.
- @@@877891621 In 3262, the survivors of that war, now known as the "Great Burn," will largely have lost all records of the time before the war. At least one order of monks, marginally part of the Roman Catholic Church, will work to gather and preserve historical records. They'll be aided in secret by agents of the Rangers, who will slowly "discover" pieces of pre-Burn technology to inch Earth's people back toward the stars.
- @@@877891621 The Rangers will still exist in some form a million years hence, and will still consider Sheridan and Delenn to be their founders. They will be involved in the building of something called "New Earth," though what that is isn't clear.
- @@@878548310 One million years in the future, humans will apparently have evolved into noncorporeal entities (like Lorien, "Into the Fire") and will make use of Vorlon-style encounter suits and organic ships.
- @@@877892014 Earth's sun will go nova in a million years.
Unanswered Questions
- @@@878106431 Is Garibaldi back on B5 to stay? What about Lise?
- @@@877891621 Who were the people holding Garibaldi hostage? The telepaths?
- @@@878109828 Who, if anyone, did Garibaldi's captor shoot? Or was the shot fired by someone else?
- @@@878107064 What was the incident with Sheridan and Delenn's son?
- @@@878760370 What happened to Mars and Earth's other colonies during the Great Burn?
- @@@877941253 Why did the sun go nova? As the sun isn't expected to do so naturally for billions of years, if at all (according to 20th-century astrophysics, anyway) did someone or something cause it to happen?
Analysis
- @@@878760738 Among the crowd greeting Sheridan and Delenn as they
returned to B5 was a man holding a sign reading, "Sic transit gloria
mundis." That translates approximately to, "Worldly glory/fame is
transitory." That could be viewed as a negative comment, expressing
the opinion that whatever they build will be temporary. On the other
hand, that's also the Latin phrase spoken to a newly elected Pope after
the ballots are burned and the ashes dropped before him, a reminder
that a greater purpose is being served and any individual's contribution
is small in comparison. In any case,
it appears at least one human agrees with Londo's opinion that marriage
celebrations should include somber reflection.
@@@898570420 The historical origin of the phrase is of note, given Sheridan's recent victory against Earth. Whenever a Roman general returned from a successful campaign, a great parade or Triumph would be held for him. The general would ride in a chariot, face painted red and in purple robes. Behind him, a slave would hold a golden crown of laurels and whisper the phrase into his ear.
- @@@879106936 Though the implication was that the gunshot at the end of the video clip in 2362 was directed at Garibaldi, that's not certain. It could as easily have been someone else firing at one of his captors to prevent his death.
- @@@879106936 The 2362 historians' interpretation of the outcome of Sheridan allowing telepaths to set up a colony of Babylon 5 -- the worst mistake of his career, they claimed he as much as said -- may have been shaded by their less than charitable views about Sheridan. The actual events may have been much less disastrous than they implied.
- @@@879105829 It's possible Delenn's appearance in 2362 wasn't entirely a coincidence. The moderator appeared to be sympathetic to her point of view (though he could have just been playing devil's advocate to spark discussion) and may have warned her of the upcoming broadcast and its likely tone.
- @@@878760738 The holographic simulation of Franklin was trying to create alien/human hybrids, the same accusation that was leveled against B5 by the Clark administration's propagandists ("The Illusion of Truth.")
- @@@877892014 The Ranger said he still had time to join "the celebration" before the sun went nova. What was being celebrated? The Earth's destruction? New Earth's creation?
- @@@884632135 Londo said when he came aboard the station that jubilant celebration was how Centauri celebrated a funeral. Perhaps the humans of a million years hence took up that custom, and were celebrating the death of their homeworld Centauri-style. If so, it would provide a subtle symmetry between the beginning of the episode and the end.
- @@@877941253 The Ranger's rush to send the records to New Earth would seem to imply that the sun going nova wasn't an expected event, which in turn implies that it was artificially induced. If the nova were a natural event, there would presumably have been years -- more likely centuries -- of warning, plenty of time to evacuate people and historical records.
- @@@878761096 The Ranger's effort to preserve Earth's history echoes Sinclair's comment in "Infection" that all of humanity's accomplishments would be lost when the sun died unless people took to the stars.
- @@@878759526 The Ranger's parting line, "This is how the world ends. Swallowed in fire, but not in darkness," echoes Kosh's reply to Emperor Turhan ("The Coming of Shadows") that the situation would end in fire.
- @@@878106388 One other event was predicted to occur in a million years: it's when Jason Ironheart said he'd see Sinclair again ("Mind War.") Coincidence, or does Ironheart (or Sinclair) play some part in whatever is happening in the distant future? The Ranger appeared to be noncorporeal, implying perhaps that the rest of humanity took a million years to catch up to Ironheart's level of development.
Notes
- @@@878938771 The 2262 newscast referred to Sheridan's visit to the Dalai Lama in Tibet. But the picture shown was of a group of Buddhist monks with golden robes, typical of the Golden Triangle area (Vietnam, Thailand, Cambodia.) Tibetan Buddhist monks wear maroon robes. Of course, it's possible that changed between the 20th and 23rd centuries.
- @@@878760018 The first question in the 2362 sequence was asked by someone named Ray Winston. This may be a reference to the cartoon "The Real Ghostbusters," on which JMS served as producer. Ray and Winston were the names of two of the characters.
- @@@878106758 The insignia on Daniel's uniform in 2762 was nearly identical to the logo of the Nazi SS organization.
- @@@878761448 Daniel's language (e.g. "realfacts" and "goodfacts") is a reference to George Orwell's "1984," which introduced terms such as "doublespeak" and dealt heavily with the relation between language and propaganda.
- @@@879106565 Daniel also made a brief mention of "psychohistory," which is a reference to Isaac Asimov's "Foundation" novels. In the novels, psychohistory is a science that can predict large-scale human societal behavior.
- @@@878109743 It's possible Garibaldi is responsible for the Great Burn. The war between Earth's two factions might have proceeded the same way with or without Garibaldi's subterfuge. But it's not inconceivable that if Daniel's superiors had made the first strike, the other side might have capitulated, or the war might have been over more quickly for other reasons. Of course, it's also possible that it would have been even worse, perhaps wiping out Earth altogether.
- @@@877971071 The 3262 sequence may be a nod to Walter Miller's novel "A Canticle for Leibowitz," about an order of monks trying to preserve the knowledge of the past after a devastating war.
- @@@877901477 During the 3262 sequence, the Roman numerals in the lower left corner appear to be camera numbers; they corresponded to the different angles from which the scene was shown. Presumably the cameras were all well-hidden.
- @@@879105726 The caption under the picture of the Ranger in the book Brother Stephen is illuminating appears to say, "Rangers eis nomen est," which translates to, "Their name is Rangers."
- @@@878326923 Although this episode is part of the fifth-season production run, it's actually the fourth-season finale. The fifth-season finale, "Sleeping in Light," was shot during the fourth-season production run because it wasn't clear that the show was being renewed; once the renewal was announced, another episode had to be substituted. For some reason the onscreen credits at the end of the episode don't reflect that; they list a production number of 422 rather than the more accurate 501.
- @@@877892102 The title sequence was changed slightly from the regular season four sequence. A clip of the Agamemnon flying through the explosion of the defense platform in "Endgame" was inserted just before the cast credits, and Claudia Christian's name was removed from the cast list.
- @@@877892014 The episode's dedication: "Dedicated to all the people who predicted that the Babylon Project would fail in its mission. Faith manages." This is probably a dig at pundits on Usenet and elsewhere who confidently said every year that B5 wouldn't be renewed for another season.
- @@@871238027 Shooting began August 18, 1997.
jms speaks
- @@@878151773 Why was Claudia Christian's name taken out of the
credits but Jason Carter's left in?
We had no choice. Contractually, when we moved "Sleeping in Light" into the fifth season, we had to move her credit from "Deconstruction" or incur an additional episode's payment. We didn't even realize this until WB called and put us on notice about this literally 3 days before the episode was uplinked. It wasn't a choice we had; they said that it had to be moved. We could leave Jason in the credits because he didn't appear in SiL. - @@@878760264 Any significance to the Agamemnon clip used to
replace her credit?
It seemed an appropriate placeholder when WB told us we had to omit Claudia's credit because she also appears in (the new) 522, "Sleeping in Light," to avoid incurring fees. - @@@878843757 Since this episode was numbered 422 rather than 501,
will the production numbers of season 5 episodes be changed
too?
Yes, the S5 episodes will be renumbered prior to broadcast.More Soviet Revisionism in action....
- @@@878758482 Do you ever get the urge to thumb your nose at
people on the net who predict B5's demise?
Nope...no intentions of doing that.I have something MUCH better in mind....
- @@@878758482 It's discreet...but not obscure.
And best of all...it's eternal...and the whackos who've bugged me for five years are not.
- @@@878760264 A few people have interpreted the final
card as "meanspirited" (when it's on one level a reaction *to* five
years of constant carping and meanspiritedness from lots of sectors,
from the nets to the press and elsewhere)...but what it is, is a
statement of hope. That whenever you try something different, there
are going to be naysayers, and people who say it can't be done, and
certainly can't be done by *you*.
It ain't just B5, it's any dream out there.
And in the end, they are wrong.
Faith manages.
That's the message of the card.
That, and the truth that in 10 years the naysayers will be forgotten, and made irrelevant...but the show, the *show*...goes on. And will be around long after they and I have gone to dust. And all people will know when they see that card, 50 years from now, was that some jerks said it couldn't be done, and they were wrong, because they are *always* wrong. If you have the dream, the ability and the passion, you can bring your dreams to life despite overwhelming opposition. That's the message.
But for those on the other side, they will never see anything other than meanspiritedness because that's all they can *ever* see...because that's all they can bring to the table.
There's an old saying about books, which I'll rephrase to include B5: Babylon 5 is like a book, and a book is like a mirror: if an ass peers in, you can't exactly expect an apostle to peer out.
- @@@878843545 There will always be short-term
setbacks, but as long as we climb back a few inches higher than we were
before we fell down, we keep moving toward the goal of becoming a
better people, and getting off the planet. Taking our place among the
stars. While it's vaguely possible that I may *see* a Mars colony
sometime within my lifetime, I know that I will never live there...but
that ain't the point, it isn't a victory if *I* do it, and a failure if
*I* don't, it's if *we* do it or not. Maybe we'll do it today, maybe
we'll do it tomorrow, the point is to decide to DO it, and then by god
DO IT.
And yeah, that little closing card is going to remain on the show for its life...which will be long, long after its detractors (and admittedly myself) have gone to dust. On the one hand, it is a statement of hope to anyone else out there who has a dream, to follow it no matter who speaks against you, no matter the odds, no matter what they say to or about you, no matter what roadblocks they throw in your way. What matters is that you remain true to your vision.
On the other hand, for the reviewers and the pundits and the critics and the net-stalkers who have done nothing but rag on this show for five years straight, it is also a giant middle finger composed of red neon fifty stories tall, that will burn forever in the night.
In billiards, we call that a bank-shot.
- @@@878892882 Does the Great Burn mean the B5 crew ultimately
failed?
It depends on your point of view.The fact, as I see it, is that no one and nothing will ever solve all of our problems at once, now and forever. People will always be people. You can't wave a magic wand and fix it all.
Yes, there was another war...but had the Shadows not been stopped by our characters, there likely wouldn't have been a human race at ALL anymore.
Yes, there was a war, and many died in it...as tends to happen in war...but the nominal right side in it came out on top, which would not have been the case but for Garibaldi's simulacra giving them a leg up on things.
We have had, continue to have, and will always have wars, and grief, and struggle...we will climb up and fall down...but each time we climb a little higher, and in the end, we *do* build the world that our ancestors would have wanted for us...we *do* leave the cradle at last, and we take our place among the stars teaching those who follow us.
For my money, that's as happy an ending as we or anyone can ever hope for.
- @@@878758392 You spoiled the events of season five!
As with anything else, B5 (in whatever incarnation) is about *process*. You saw Londo being strangled by G'Kar...but you didn't know how they got there. You know the result of the Earth/Minbari war...but I suspect there will be a lot of surprises in "In the Beginning."As with all things, the joy is in the going. We all know we're going to die, that as the poet said, "we are born astride the grave." But knowing that inevitable reality has never stopped human endeavor before....
It's the journey and the doing that matters.
- @@@879621150 Re: speechwriters and others hanging around after the
fall...look at the remains of the Soviet Union. After the fall of the
communist party, you'd think they would all have been run out of town
on a rail. But many of them just shifted over and found similar
positions, or kept the communist party going, after everything they'd
done.
The problem with most people is that they don't hold a grudge near long enough.
I'd have to check, but yeah, I believe we stuck a ranger symbol on the encounter suit.
- @@@878761612 About the 2362 sequence
Stephen filmed that sequence by having all of the cast on the set at the same time, running multiple film cameras to get each version "live." - @@@879105446 From a discussion of a 1997 convention featuring
Stephen Furst
BTW, if you want to flip Stephen out, and you get this before leaving the con, give him the following message from me (I don't have the hotel info at hand). Tell him Joe says this:"Don't worry anymore about using mainly securecam style coverage in act 3, I've just come up with another approach where I can cover it in dialogue to let you do whatever you want with the camera, so you'll have all the flexibility there you want."
Here's a use of a convention you haven't seen much before....
- @@@878843545 The "Just Married" label was missing from the
shuttle when it docked.
The painted letters were on the *right* side of the shuttle as it went in. The CGI inside the bay showed the left side.We don't miss these things.
- @@@878761096 How did Delenn get into the studio?
Most TV studios that I've seen have back doors that open out onto the back lot or the outside for fire control reasons. You can get into any of the 3 B5 stages from the outside in, oh, about 5 seconds through any of a number of doors. (Note to anyone looking on: yes, those stage doors are secured, and there are guards, and unless you're a Minbari you're not getting in.) And most of the TV studios I've been in have been the same. - @@@878843545 It was mainly Earth that bore the burden of the great
Burn, and yes, that was the one Garibaldi got into....
- @@@878956489 Wouldn't the colonies offer Earth some help?
Some probably would offer to help...but if technology is now suspect, some might not want that help...other colonies might be of the "screw 'em, they got what they deserved" perspective...often politics gets in the way of charity. - @@@878761612 "By any chance, is the post-apocalyptic religious order
shown in "Deconstruction . ." a direct decendant of Brother Theo's
order on Babylon 5?"
It's altogether possible....
And Theo is only awaiting a story worth bringing him in for.
- @@@878956403 Interesting aside...for the last 6-8 months, I've been
doing a fair amount of research into medieval England, especially the
medieval church, for a play I'm writing (which may become a novel if I'm
not careful). Dumped several hundred dollars on a massive order from
Amazon.com back a few months ago to fill out what I needed. That was
what tangentially led me into the post-Burn sequence in
"Deconstruction." My brain has been full of monks for the last 8
months or so, and knowing the role they played in maintaining secular
knowledge from about 500 AD and for some time thereafter, that seemed
the perfect route to go that would also resonate with the look of the
Rangers and the religious caste Minbari and the whole feel we were
setting up.
It was only when I was about halfway into the act that I thought, "Oh, crud, this is the same area Canticle explored." And for several days I set it aside and strongly considered dropping it, or changing the venue (at one point considered setting it in the ruins of a university, but I couldn't make that work realistically...who'd be supporting a university in the ruins of a major nuclear war? Who'd have the *resources* I needed? The church, or what would at least LOOK like the church. My sense of backstory here is that the Anla-shok moved in and started little "abbeys" all over the place, using the church as cover, but rarely actually a part of it, which was why they had not gotten their recognition, and would never get it. Rome probably didn't even know about them, or knew them only distantly.)
Anyway...at the end of the day, I decided to leave it as it was, since I'd gotten there on an independent road, we'd already had a number of monks on B5, and there's been a LOT of theocratic science fiction written beyond Canticle...Gather Darkness, aspects of Foundation, others.
- @@@878758601 The future wasn't being transmitted back; we were seeing
the records of the past from the point of view of the final character,
one million years hence, who has come to collect them prior to the final
chapter in Earth's history.
- @@@877941396 "My personal nit is that JMS has the sun going nova in
only a million years. This seems several orders of magnitude too soon
for me."
Actually, the computer voice specifies that it is continuing to note atypical solar emissions...atypical meaning something unusual is going on.
- @@@882987516 And what if you, say, interfered substantially with
the mass of the sun by, say, causing a series of jump points to open
up *inside* the sun across several days?
- @@@882987516 You'd also substantially decrease the mass of Sol,
which as I understand it, would result in the sun going nova.
- @@@878761096 A lot of folks have found the eventual "going out" of
Sol to be depressing...but as was stated 'way back in our VERY FIRST
EPISODE, this is the one thing we can be sure WILL happen, sooner or
later (probably later). Ed. note: "Infection" was indeed the first
episode shot, but aired fourth.
All the more reason to get off the planet, asap.
- @@@879065360 Did the future humans leave the galaxy as the Vorlons
did?
No point in leaving the galaxy; stars go nova, it only affects the immediate vicinity (big as that is). By this point, they were in the position of the Vorlons, and now have to take their (our) place guiding the younger races, the next wave, while not getting in the way and remembering the lesson of the shadow/vorlon conflict. - @@@887657681 What about the other races?
The Minbari eventually make it; the Narn and Centauri do not. They don't die out, they just don't hit a state of First One-ishness, which is darn close to immortality (barring violence). - @@@878920722 Was Sinclair prescient? Did you have the sun's
destruction mapped out way back in season one?
One needn't be prescient...it's *going* to happen one day.And to the second half...yeah, Deconstruction (or at least the events that would go into it) was mapped out back then.
- @@@878022324 I think it's fair to say that Sinclair has been in large
measure forgotten by Earth by the time of Deconstruction...but Valen
lives on in the memories of the Minbari...a reasonable trade-off.
- @@@878194707 They were speaking English a million years in the
future?
That's what you heard, that doesn't mean that's what it was; same as when you go to Minbar, they're not speaking English, that's just our hearing of it.Since when do news anchors quote the Bible?
Ted Koppel.Why were Sheridan's childhood photos in black and white?
Even now portraits are often done in black and white just for artistic merit.NYU is still around in the future?
Trinity College is a working college in Ireland that dates back to the American Revolution. Ed. note: In fact, Trinity College is even older than that -- it was founded in 1592. - @@@878327742 Did Lise and Garibaldi get married?
No, they're not yet married.
The Deconstruction of Falling Stars
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
President Sheridan and Delenn's shuttle is just returning to Babylon 5 after their honeymoon, and they are welcomed aboard by a party in the docking bay, something Garibaldi knew Sheridan would want to avoid. Sheridan promises to pay him back, but thanks the crowd, and takes Delenn off into an adjoining hallway. Londo appears with G'Kar and asks why there is a party for human weddings, instead of the Centauri method of celebrating with a somber ceremony--he insists it is a bad sign for the future. Franklin and Garibaldi have no interest in discussing this with him.
Sheridan and Delenn consult with each other about the attention--Delenn wishes people wouldn't give the two of them all the credit for what all of them did collectively, but Sheridan insists that, in a hundred years, no one will know the difference-- probably no one will even remember them. Delenn agrees, and they move down the hallway, joined by Franklin, Garibaldi, Londo, and G'Kar.
"And here's our first shot of the First Couple of the Interstellar Alliance, President John Sheridan and Delenn, live on ISN," an announcer's voice explains. "Their triumphant return to Babylon 5 after the liberation of Earth..." Then, the audio begins to break down. "...generated good...messages from the Senate and the... former League of Non-Aligned Worlds..." The screen erupts into static, and is then replaced with a computer display screen.
"Continuity error caused by high energy," a voice explains. "Correcting for error. Resetting. Do you wish to continue?"
Someone selects "Yes."
"Reloading Sequence: Sheridan and Delenn. Please select a time period, or select Auto Play for chronological display of records."
"Auto Play" is selected.
As the records load, the voice continues, "Loading records for period covering one year through one thousand years from events shown. Please stand by to receive."
The voice resumes. "Accessing records from initial scanning date. Standby."
"ISN Night Side," an announcer says, "a no-holds-barred look at the events of today that will shape the world of tomorrow. And now your host, Derek Mitchell."
Derek Mitchell appears in the ISN studio. He explains that the previous few weeks-- with the end of the civil war and the creation of the Interstellar Alliance-- have been quite overwhelming, and that the purpose of this broadcast is to reflect on recent events. The broadcast begins with a report from an investigative reporter, who describes the important events in Sheridan's life and predicts it'll be a struggle to hold together the newborn Interstellar Alliance.
Mitchell then introduces a panel of experts to discuss the issue, and each member of the panel is sharply divided. Henry Ellis, a political speech-writer, feels Sheridan is underqualified to run the Interstellar Alliance, and that he has no business being President of anything. He thinks the Alliance is doomed from the beginning. Senator Elizabeth Materie and journalist Leif Tanner disagree--they want Sheridan to be given the chance to prove himself. They don't know if the Alliance will work, but they feel he deserves the right to try. Senator Materie accuses Ellis of trying to discredit Sheridan, someone who might prevent his party from achieving a majority in the senate.
Coming up on a commercial break, Mitchell asks them, assuming Sheridan can make the Alliance work, if it will make a difference, and what the most difficult problem to overcome will be. Tanner feels that Sheridan has already made a difference, and Senator Materie feels that it's too early to tell, as the most important developments will happen in the next year, with many problems still needing to be solved. However, she feels he can handle it. Ellis disagrees--he says that the only way the Alliance will work is with the use of military force, which will cause the Alliance to fall apart.
"Thank you, thank you very much," Mitchell tells them, as he turns to the camera. "We'll be back in just a moment to consider the political implications of this new Interstellar Alliance, and the recent calls for the formation of independent political parties on Mars..." The audio and video cuts out, the screen filling with static.
"Record ends," the computer voice resumes. "Auto play feature engaged. Loading next sequence. Date: One hundred years from first time period. Stand by."
"...with another in our series of educational stellarcasts on the 100th anniversary of the Interstellar Alliance. Taking part in today's discussion from Earthdome, historian Dr. Jim Latimere from the University of York, Political Science professor Dr. Barbara Tashaki, University of Japan at Tokyo, and psychologist Dr. William Exeter from NYU."
Latimere introduces those watching to the broadcast, and passes along the first question to the others: What role did Babylon 5 play in the creation of the hundred year peace? Both doctors agree that it didn't play a role at all--Dr. Tashaki explains that individuals cannot effect change themselves, they enable others to do the work for them. Exeter feels they didn't do anything, and that the record of their accomplishments is overrated. Tashaki claims the force of history was all that saved them, after so many people died during the first year of the Alliance's operation. As she begins to talk about Delenn and Sheridan's son, she is interrupted by Latimere.
His next question for them is where Sheridan and Delenn went wrong. Though Latimere tries to defend them, Exeter says that one of their problems was the establishment of a telepath colony on Babylon 5. Tashaki agrees, saying that she felt it helped bring about the Telepath War. Latimere tries to prevent her from associating events too much, but she won't be swayed. Latimere then shows them a video clip of Garibaldi, in a room, surrounded by people, begging them to work with him. They refuse, but are soon confronted with a message from Sheridan on a screen nearby refusing to bargain with terrorists for the lives of hostages. Sheridan gives them the choice to surrender or to die, with ten minutes to decide. One of the people raises a gun, and the sound of gunfire is heard as Latimere ends the clip. Exeter feels that Sheridan was pathological, and that he was power-hungry, never letting anything get in his way. Tashaki thinks it was, instead, a sophisticated PR campaign.
"And then there's that bit about the way his death was handled," Exter says.
"Exactly," Tashaki agrees. "Everyone knows Sheridan died on Minbar. The cover story they put out was designed to perpetuate the myth of his character. And I guess it worked, 'cause a lot of people still believe it, eighty years later."
Latimere then asks them about Delenn--Exeter feels it's ridiculous to believe that Delenn is still alive, living in seclusion, and that the Alliance is using that for their own purposes. Tashaki also agrees, wondering why, if the Alliance is truly that strong, they need the lies and myths.
Latimere asks if they feel the Alliance has been a force for good. Exter basically thinks so, but also believes that the Alliance's original motives may not have been as pure as believed. Tashaki thinks that it is unfair to give Sheridan and Delenn undue credit. As she is about to continue, an alarm sounds, and Latimere informs them that there has been a security breach in the building.
Three Minbari walk in, and the one in the lead is very recognizable. It is a much older Delenn. "John Sheridan was a good, kind, and decent man," she says. Latimere asks her if she came so far to say that, to which she responds, "You came just as far to say less." She tells them that they don't truly wish to know anything--they ignore that which they truly know because it is inconvenient, and they invent that which they do not know. Delenn insists that Sheridan was a good and kind man that cared about Earth, even when everyone turned their backs to him. She starts to walk away, but is interrupted by Exeter, mentioning that they would expect her to say that. She tells them good-bye, and looks around at their faces, finding nothing to give her reason to stay. She turns and leaves.
"Record ends," the computer voice intones. "Auto play feature engaged. Loading next sequence. Date: Five hundred years from first time period. Stand by."
In room with a conference table, the rear wall glowing blue, a man, Daniel, steps forward from the wall. He hits a few keys on the control he is carrying, and the blue wall changes into a Babylon 5 background. He explains, for the benefit of posterity, the "virtual environment" is identical to that of Babylon 5 in 2262, and is as accurate as possible, given the age of the records available, and the destruction of the station 480 years earlier. He turns to the camera. "The purpose of this simulation is to provide reverse-correct infospeak as support for current changes in Earth policy. That is, the new policy that the Interstellar Alliance is restrictive, against the best interests of Earth. Intent is to deconstruct historical figures revered by Prole Sector, thereby legitimizing current government policies."
He activates the control holograms--one of Sheridan, one of Delenn, one of Dr. Franklin, and one of Garibaldi. He explains that, to determine if research has been thorough enough, the holograms will be imbued with the psychological makeups of the people in question, and will therefore behave "in a fashion consistent with realfact." The holograms do believe that they are Babylon 5 in the year 2262, and as the next step in the process, Daniel updates the holograms with information gathered during the ensuing 500 years they cannot recall. Sheridan realizes what Daniel is trying to do--use the vids as propaganda (or, as Daniel calls them, "goodfacts") to justify a break from the Alliance, because Earth needs room to expand that the Alliance doesn't allow them. Garibaldi realizes they have been recreated to provide false records. The people who created the Alliance are now being used to undermine it. As the memories of the last 500 years become loaded into their memories, the holograms realize they are on the verge of another civil war, with the Daniel's group wanting to invade worlds still loyal to the Alliance--their legacy is a hindrance, and they must be deconstructed.
As the four holograms begin to finally understand what's going on, Daniel beings phase 3 of his project--a goodfact scenario. The area around them changes to a corridor in Babylon 5, with Sheridan's personality reprogrammed. He explains to a holographic group of aliens-- who surrendered in hopes of finding mercy--that he shows no mercy to the weak. He promises to "blaze a path across the galaxy" using their blood. Sheridan orders his officers to fire at the aliens, which they do. Delenn, Garibaldi, and Franklin begin to formulate a plan, but they are stopped by Daniel when he begins a new simulation, this time using Franklin, who explains--in a holographic medlab--his method of using alien organs in human bodies to create a genetic cross-breed for use by the Alliance.
Daniel pauses the program to make some notes, and Garibaldi begins speaking to him. Daniel has little desire to talk to him and tries to deactivate the program, but Garibaldi suggests he not do that--he might have some useful information. After all, Garibaldi claims, he did most of the strategic planning during the war, and that kind of information could make Daniel look very good to his superiors, but he will need just a few questions answered. Daniel admits that he does know what his superiors are planning--they are going to attack the outer colonies, and the enemy nations on Earth simultaneously. He also reveals that, to demoralize the enemy, they will attack civilian population centers. Daniel asks what Garibaldi would suggest they do. "I suggest," Garibaldi replies, "that you put your head between your legs and you kiss your ass goodbye."
Daniel attempts to deactivate Garibaldi, but it won't work--while all of the new information was being downloaded into the Garibaldi hologram, he learned how to use the system to transmit their entire conversation to the "enemy" forces. Garibaldi predicts that, since they are more humanitarian, they will probably only target military facilities. Daniel doesn't believe him, but the red alert klaxons sounding change his mind, and he still can't deactivate the simulation. Garibaldi asks if, by any chance, they are currently on military base, and, without replying, Daniel lets out an urgent scream and leaves the room, running through the blue field as quickly as he can. Garibaldi's hologram walks over to his comrades, and says to them, "Rest easy friends. Rest easy," just as the base is engulfed in a blinding flash of white light.
"Record ends," continues the computer voice. "Auto play feature engaged. Loading next sequence. Date: One thousand years from first time period. Stand by."
In an old library or study, with a man, in monk's robes, adjusts the camera, amazed the mechanism still works after so long. He says he needs to begin his report, but is interrupted by a knock at the door. He answers it, and admits another, younger monk, bearing a large book, into the room. Brother Michael, the younger monk, says he's having a crisis of faith.
Brother Alwyn asks what the problem is this time, and Michael replies that he doesn't know why he's there, or what his purpose is, or to what end he is pursuing God's work. Brother Michael explains that he heard a rumor that their request for recognition has been turned down by Rome again, and asks if it's true. Alwyn says they don't understand the wisdom of their mission to keep alive knowledge of the past that would otherwise have been lost after the Great Burn 500 years earlier. Alwyn says that science isn't Rome's calling, but Michael wants to know how they can be sure it is theirs. Since most of the records were lost during the Great Burn, they only have word of mouth to go on. Alwyn says they still have the holy books written after the Great Burn that tell of the battles that burned the air and the sea, accounts which can be verified by looking outside.
Michael says it's all too clean and too thought out, and opens the book he brought. He shows a picture of a being named Lorien, the Last of the First. Michael says the others claim he was a fable created to match scripture, but that no proof exists. Alwyn insists there is proof, in space--a place they can unfortunately not reach. Michael feels great sorrow at what has happened to Earth, and Alwyn reminds him that is why they are there, to preserve the ancient knowledge that still does exist. But Michael needs to know how they will ever create the flying machines mentioned in the books, or if they will ever find the truth that lies in the stars. He wants to know about Blessed Sheridan, who lived and died, taken "bodily into heaven" and the other people mentioned.
The one element that gives Brother Michael the most pause, however, is that of the prophesies of Delenn III, who predicted the An'la'shok--the Rangers--would come to Earth in its greatest hour of need and rebuild it. He says they have waited so long, and they have never come, that he is beginning to doubt that, as well as all the others. He is afraid that, because of that, his life might prove to have all been a lie. Alwyn tells Michael he cannot help him--only his faith can do that. Faith and reason must work together to look for the reason to continue. Alwyn tells Michael that if the Rangers did come back, they would never know about it. Their secret would be feared by those who blame science for the Great Burn. Michael asks Alwyn if he believes the Rangers are on Earth now, to which Alwyn responds that he believes they could be. That's enough for him, and for faith. Alwyn believes that should be enough for Michael as well. He closes the book, and tells Michael to finish illuminating upon it, that he has come too far to lose his faith. He ushers Michael to the door, but before Michael goes, he says that he hopes that, if the truth lies in the stars, he can one day walk among them. Alwyn tells him that he prays his wish will someday come true. After Brother Michael has left, Alwyn turns once again to the camera.
"Alwyn Macomber reporting in. Nothing of substance to report since my last. We think we may have gathered enough information from the time pre-Burn to assemble a working gasoline engine. Obviously, there is no gasoline in this part of the country, therefore, we ask the supply department if they could... arrange to have a suitable supply of gasoline found in the vicinity near the Abbey in a few days. Only this time, for Valen's sake, please make it look like an old container! The last one could have been produced a hundred years ago!" He moves to his closet and opens the door, and pulls out a black uniform with a green pin over the right breast. "We will rebuild the Earth, though it take us another two thousand years. But this time... We will build it better. I'm attaching a conversation I just had with Brother Michael, who, I still think, would be a worthy recruit, after he's grown a little. Give him another twenty years, and he'll be fine. Alwyn, An'la'shok, first sector, end report. We live for The One, we die for The One."
"Record ends. Autoplay feature complete," says the voice.
"Stand by," says a man.
"System has finished processing and archiving records for period of one million years from initial scanning date. Instructions?"
"Our job is finished," the man continues. "Convey records to New Earth."
"Confirmed," the computer voice says.
"Use enhanced tachyon sequence to ensure arrival in time for the celebrations."
"Confirmed. Note: Atypical solar emissions increasing in intensity. Estimate Sol will hit nova in less than 5 standard hours. Recommend immediate evacuation."
"Tell the others not to worry," the man tells the computer. "I wouldn't miss this for anything. Now go on." The computer display compacts itself into a small point of light, which then floats off. "This is how the world ends," the man says. "Swallowed in fire, but not in darkness. You will live on, the voice of all our ancestors, the voice of our fathers and our mothers to the last generation. We created the world we think you would have wished for us, and now we leave the cradle for the last time." The man turns and walks away, and after a few steps, changes into a ball of brilliant blue-white light. The ball of light floats over to the corner, where it merges with a tall device standing there. The device activates, and a small unit--closely resembling a head--emerges and the eyes glow.
A lone green ship begins flying away from a yellow star. The symbol of the Rangers is emblazoned on its side. As it creates and enters a jump point, the star explodes...
...and becomes the flame of a candle.
Delenn turns to Sheridan as they lie in bed. "You should sleep. We both have early meetings."
"Yeah, I know... I was just thinking about it all, everything we've done... And what I said earlier... And I was wondering if they will remember us a hundred years from now, or a thousand. And I figure, probably not."
"But it doesn't matter. We did what we did because it was right, not to be remembered. And history will attend to itself. It always does." They kiss each other, and then hug and smile.
Dedicated to all the people who predicted that the Babylon Project would fail in its mission.
Faith manages.
The Exercise of Vital Powers
Overview
Garibaldi arrives on Mars and meets William Edgars. Lyta helps Franklin in an attempt to make contact with the frozen telepaths. Denise Gentile as Lise. Mark Schneider as Wade. Efrem Zimbalist Jr. as William Edgars.
P5 Rating: 8.62 Production number: 416 Original air week: June 2, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John LaFia
Plot Points
- @@@865323625 Sheridan's forces have liberated the colony at Beta Durani, as well as a midrange military outpost.
- @@@865323625 Lyta is able to awaken the implanted telepaths ("Ship of Tears.") After observing the effect of her mental contact with them, Franklin has devised an artificial equivalent and feels he's well on his way to reviving them.
- @@@865621220 Garibaldi is still in love with Lise.
- @@@865621220 Edgars runs the fourth-largest corporation on Earth. His company is involved in chemical and biological weapons manufacturing as well as pharmaceutical production.
- @@@865545104 Edgars says President Clark has become increasingly paranoid since taking office. Learning of the Shadows' interest in Psi Corps, Clark developed an interest as well. As his paranoia increased, he started giving the Corps more and more power, since telepaths were able to tell him absolutely whether the people around him were loyal. The Corps, of course, isn't eager to give up its newfound clout, and Edgars and others fear that if Sheridan takes his battle to Earth, Clark may panic and give the Corps unprecedented control over society, a development that wouldn't be easy to reverse. He therefore wants Sheridan's campaign stopped for Earth's own good.
- @@@865621220 Clark's forces still haven't located Sheridan's father.
- @@@865323625 According to Edgars, the real power in Earthdome has never been in the hands of the politicians; the mega-corporations have always called the shots. They let Clark declare martial law, but didn't foresee the Psi Corps connection until it was too late.
Unanswered Questions
- @@@865323625 What does Sheridan plan to do with the telepaths?
- @@@865364116 Will Psi Corps come looking for the murdered telepath?
Analysis
- @@@865621220 Lise tried to warn Garibaldi off. Why? How much does
she know about what her husband is planning? How far will she go to
protect Garibaldi?
- @@@865968765 Garibaldi said Mars had tried to kill him before. One
of those occasions was his trek across the surface with Sinclair
("Infection"
and issues 4-8 of the
comic series.)
What were the other two?
The incident that killed Frank Kemmer ("Survivors") has been suggested, but Garibaldi said that took place on Europa, not Mars.
- @@@865797858 He also said he'd sworn never to come back to Mars. But
in
"A Voice in the Wilderness part 2,"
he told Lise he had some leave coming up and was thinking of taking it
on Mars. Maybe he only considered that after he realized Lise was in
danger during the uprising.
- @@@865622080 In
"Moments of Transition,"
Bester claimed in his log entry that Garibaldi was inching closer to
where Bester needed him to be. It's plausible that Bester has been
priming Garibaldi to join up with Edgars. The Corps seems to be
aware of the telepathic virus (the assassins in
"Conflicts of Interest"
were likely Corps operatives) and is thus probably aware that Edgars
has some interest in it. Given the presence of the virus, they
wouldn't be able to use a telepath as an undercover agent. Setting
up a non-telepath to be their spy and/or saboteur in Edgars'
organization would be the Corps' only recourse, and they'd have to
do it with subconscious programming since Edgars isn't above using
telepaths to test potential employees' loyalties.
Garibaldi was a logical choice because the Corps knew of his connection to Lise; in "A Voice in the Wilderness," Garibaldi asked Talia to look into Lise's condition by going through Corps channels. It wouldn't be much of a leap for the Corps to assume that Lise would therefore recommend Garibaldi to her husband, making Garibaldi the best possible candidate for the job of unwitting spy.
- @@@865706778 Edgars appeared to accept Garibaldi's answer that he
didn't remember what happened to him while he was missing
("Whatever Happened to Mr. Garibaldi?")
Given how paranoid Edgars is in other respects, will that really be
the end of the matter? Does Edgars know more than Garibaldi does
about what happened? Perhaps Edgars' seeming trust of Garibaldi is
really an application of the old adage, "Keep your friends close, but
keep your enemies closer."
- @@@866938139 During his questioning, Garibaldi told Edgars, "Everyone
lies." In
"And the Sky Full of Stars,"
Sinclair said the same thing to Garibaldi, and elaborated: "The innocent
lie because they don't want to be blamed for something they didn't do,
and the guilty lie because they don't have any other choice."
- @@@866938139 Garibaldi stood in front of a mirror during his
questioning, staring at his own reflection. But the mirror was
warped, distorting his image. Garibaldi studied the image as he spoke;
perhaps he viewed it a metaphor. Garibaldi also studied his reflection
in
"Conflicts of Interest."
- @@@865728347 The telepath indicated that Garibaldi was telling the truth
when he claimed not to remember what happened during his absence. Yet
Garibaldi has had flashes of memory, so that answer wasn't entirely
honest. Was the telepath lying herself, perhaps to protect the
interests of the Corps, or did Garibaldi simply believe he was telling
the truth, in that he can't recall more than brief cryptic flashes?
- @@@865364116 The people in Edgars' laboratory are presumably telepaths.
If that's true, their condition is probably related to the telepathic
disease Garibaldi learned about in
"Conflicts of Interest,"
and the drug Edgars' people were withholding was most likely derived
from the substance Garibaldi helped smuggle through the station.
It's worth noting, however, that the placement of the sores on the patient's face were very similar to the insertion points of the Shadow implants in the telepaths on the station. Perhaps Edgars managed to get his hands on some implanted telepaths and is performing his own experiments on them.
- @@@865706271 It's also possible the substance Garibaldi saw wasn't a
cure for the virus, though that was implied by Edgars here in that there
was clearly some drug that can be given to ease whatever illness his
test subjects were suffering from. If instead Edgars is developing
the virus itself with the intent of releasing it and wiping out all
human telepaths, spreading rumors before its release about a
genetic flaw inherent in telepaths might help deflect suspicion later.
Or, to take it further, Edgars may be producing both the virus and the cure, with the intent of infecting Earth's telepaths then using availability of the cure -- which apparently requires continuous usage -- to gain control over the Corps himself.
- @@@865969018 Franklin said Sheridan hadn't changed since returning from
Z'ha'dum, "except for..." He stopped himself before completing that
sentence. Was this just a reference to Lorien's life-restoration
energies, which Franklin noted in
"Falling Toward Apotheosis?"
Or does he know about something else?
- @@@865364116 Assuming Sheridan asked Franklin to bring the newly
awakened telepaths with him to Mars, it's likely he's anticipating
some kind of conflict with the Psi Corps when he moves to liberate it.
Given Franklin's reaction, it's unlikely Sheridan proposed anything as
innocuous as using the telepaths to help shield members of the Mars
resistance from detection.
It's also not clear where the frozen telepaths' loyalties will lie even if Franklin manages to extract their implants and give them back control of their own minds. They're all fugitive telepaths ("blips," as Bester called them in "Ship of Tears") so presumably have no love for the Corps, but that doesn't necessarily mean they'll be willing to act on Sheridan's behalf.
Of course, that assumes Sheridan wants Franklin to give them back mastery of their own thoughts; perhaps his order was instead for Franklin to find a way to use the implants to take control of the telepaths.
- @@@865787203 Given the frozen telepaths' effect on computer systems,
one possible use would be to smuggle them onto Mars and wake them up
near some of Earth Force's communication network; they'd presumably
throw it into disarray and allow Sheridan's forces to move in on a
disorganized enemy.
- @@@865364116 Lyta's expanded powers were in evidence again. The psi
rating of the telepath in Medlab was never mentioned, but Lyta was
telepathically strong enough to force him to stop in his tracks
as he tried to kill himself. If she can do that to a fellow telepath,
who presumably would have instinctively tried to block her, can she
do the same -- or worse -- to a normal human?
- @@@866938418 The awakened telepath didn't react reflexively to Lyta's
Psi Corps badge the way Carolyn did in
"Ship of Tears."
Why not? He wasn't merged with any machinery as Carolyn was, so he
couldn't have thrown lightning bolts. But he didn't appear
to react at all. Perhaps the Shadows' anti-Corps conditioning wasn't
universally applied.
- @@@865622552 Lyta's indignant response to Zack's request was likely
brought on by his previous request that he scan Garibaldi
("Moments of Transition.")
That request may have led her to automatically assume the worst when
Zack asked for her services.
- @@@865622456 Edgars and Clark may believe that Clark is using the Psi Corps, but it's just as plausible that by now, they're using him. The Corps could feed misinformation to Clark in order to bolster its own standing, and since, as Edgars said, Clark is trusting the Corps to ferret out liars and turncoats, he'd be unable to tell that they were leading him on.
Notes
- @@@854134623 The title is a reference to Aristotle's definition
of happiness: "The exercise of vital powers
along lines of excellence in a life affording them scope."
- @@@865970223 Edgars alluded to "Clark's 'Night of the Long Knives.'"
That's a reference to Roman history,
when, in the year 31 AD, the emperor Tiberius had his aide Sejanus and
his followers killed in a purge.
A more recent use of the same term was to describe Hitler's purge of the rival SA faction of the Nazi Party in 1934.
- @@@865442107 The title as shown at the top of act one is missing
the leading "The." But the "The" was present in the pre-show
information screen on the initial US satellite feed, and it's
present in the episode listings sent out by Warner Bros., so
it's included here.
- @@@865621220 Both Edgars and Sheridan love fresh orange juice
("The Geometry of Shadows.")
- @@@884248227 Continuity glitch: When Lise and Garibaldi are talking in his room, after she brings him dinner, she starts to leave, but stays and closes the door most of the way. After she's done talking, Garibaldi moves across the room to her and shuts the wide-open door.
jms speaks
- @@@865498639 It's a very different feel...leisurely, in a way, but no
less tense. A good addition to the mix.
- @@@865969998 One thing on the line Wade speaks...the actor consistently
got the line wrong. It read, "Everything is illusion, Mr. Garibaldi;
constructs of light, language, metaphor," rather than concepts.
There is a subtle but distinct difference.
- @@@865498639 Garibaldi's said he doesn't trust telepaths ever
since the pilot movie. It's a question of degrees at this point.
- @@@875077421 What book was Edgars reading when Garibaldi walked
in?
The Bible. - @@@866152425 Were the scars on the sick telepaths from the removal
of implants?
No, just standard lesions.Remember, a man as smart and rich as Edgars can surely afford private lesions for his "kids."
The Exercise of Vital Powers
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
"This is Commander Susan Ivanova brining you the Voice of the Resistance. The liberation fleet continues to retake territory held in violation of the Earth Alliance constitution. More ships on the other side continue to defect carrying stories of atrocities carried out under the direct orders of President Clark. In addition to the liberation of Proxima III, the colony at Beta Durani and the mid-range military base have also been freed. The long march toward Earth continues."
"Personal Log, Michael Garibaldi. It's started. They're really doing it. This is what I was afraid would happen. But it's been coming for a long time--ever since Sheridan got back. Before he went to Z'ha'dum, he never would have gone up against his own--our own-- government like this. I don't know--maybe he thinks he's Alexander the Great. And maybe he thinks he's John the Baptist. And maybe he wants to take over the whole operation for himself." The transport tubes on Mars appear. "That's the part that worries me. That's the part that made me come back here. Mars... I can't believe I'm back on Mars. Three times before, this place almost killed me. I swore I'd never give it another chance to finish the job. Humans got no business being here. No business at all."
Wade, who is sitting across from Garibaldi, tells him that they are
almost there, and that he needs to put on a blindfold to meet with
William Edgars. Garibaldi is reluctant at first, and Wade understand
that Garibaldi doesn't like to give up control, but if Garibaldi
doesn't play along, he will have to leave. Wade says that Edgars has
gone through a lot of trouble to get Garibaldi to Mars, and that the
average guy would be grateful. Garibaldi says he isn't the average
guy, and Wade notes that he wouldn't be there if he were, since Edgars
doesn't like average guys. Wade again tells Garibaldi to put on the
blindfold, but says he doesn't need to worry--they are going to Edgars'
private dock, so no one will think it strange. Wade informs Garibaldi
that, in olden days, the rising of Mars always precipitated climactic
events. "It was a bad sign. Now, there are two million people living
here," he says.
"It still is a bad sign," says Garibaldi, now wearing the blindfold.
"Mars," Garibaldi says, continuing his log. "Can't believe I'm back on
Mars. I've got to be out of my mind."
Dr. Franklin is in MedLab running experiments on the Shadow-implanted
telepaths when Zack arrives. Franklin explains his troubles to
Zack--nothing he has tried to remove the implants has worked, and
pressure from Sheridan to do it hasn't made things any easier,
especially since he doesn't know what the rush is. Dr. Franklin leaves
for a moment, and Lyta, whom Zack had been looking for, enters MedLab.
He tells her he needs her to scan the victim of a mugging to confirm
the assailant's identity. She agrees to do so, and Zack leaves. She
goes over to look at one of the telepaths lying on the examination
table in the isolation lab, and the telepath's eyes open suddenly.
Franklin sees what's going on--the telepath sitting up, touching Lyta's
hand through the window of the lab, and calls out to her, causing her
to lose her concentration. The telepath returns to his comatose
state.
Garibaldi arrives at William Edgar's compound, only to run into Lise.
She tells him it wasn't a good time for him to come, and that things
are too busy, but Edgars insists it is alright that Garibaldi is
there. Lise leaves to go assist the cook with dinner, and Edgars and
Garibaldi begin talking. Edgars asks Garibaldi why he insisted on
coming now, and Garibaldi explains that he was tired of not seeing
Edgars' face, wanted to know what he was helping Edgars do, and to stop
Sheridan if at all possible. Edgars insists he is just a businessman,
but Garibaldi knows better, since Edgars has some strong political
connections. Garibaldi tells Edgars that he doesn't trust Clark, and
Edgars agrees, though he shouldn't be stopped by a military action, but
from inside the system. Garibaldi admits that he feels Sheridan wants
to take over himself, but, while he can't let Sheridan do that, he
can't turn him over to Clark either. Garibaldi wants Edgars to speak
on Sheridan's behalf, which would increase his political power, and
possibly even put him in the Presidency himself. Edgars finds
Garibaldi's words intriguing, but informs him he won't do anything
further until he knows he can trust Garibaldi.
Wade shows Garibaldi the room he will be staying, and then leaves him
for the night. The room is on the small side, containing little more
than a bed and a few light fixtures. Garibaldi settles in for the
night.
Franklin chases after Lyta, who insists she's late for an appointment.
She apologizes for messing up his experiment, but he says that he's
glad she did what she did--it's the only reaction he had managed to
achieved. He asks her how she did it, and she tells him that she
looked at him, and heard a sound--the sound a Shadow vessel makes--in
her head, acted instinctively to make it go away, and he woke up.
Franklin asks her to come back after her other job, and convinces her
to try to help him.
Garibaldi is asleep in his room when the door bursts open and several figures in mask rush in. They grab him and force him out of the room, and into another chamber, where only one figure, a woman, sits at a table. The voice of Edgars, coming from unseen speakers, assures him he is in no danger. Edgars explains that the woman is a telepath, and she will only inform him if he is telling the truth when he answers Edgars' questions.
Edgars begins by asking Garibaldi what he thinks about telepaths, and Garibaldi responds that he doesn't trust them--he doesn't like someone being able to get inside his head, or being able to tell if he's lying if he doesn't know when they are, or to be able to conduct business with no records. He says the tension between telepaths and mundanes will turn ugly someday, but hopes he won't be alive to see it. Edgars asks if this means he feels they are a menace to society, and Garibaldi answers, "The biggest one we've got."
Edgars asks Garibaldi if he was sincere when he said he wanted to
locate and secure someone, and Garibaldi answers yes to both
questions. The telepath turns and nods.
Edgars asks Garibaldi why the reason given for his employment--to keep
in-development pharmaceuticals safe from competitors isn't enough.
Garibaldi explains that Edgars could pay off anyone to keep the secret,
but that he feels he's being used as a scapegoat in case they catch him
in the act. Edgars asks Garibaldi if he's assuming he's lying.
Garibaldi says everyone lies, and though it's a sad view of the
universe, it's the only one he has.
Edgars asks Garibaldi if he can remember anything about his disappearance from Babylon 5 earlier that year. Garibaldi says he can't remember anything. The telepath turns again, and nods.
Edgars tells Garibaldi that he is finished, and can go. As he walks toward the door, however, Edgars asks one more question: Is Garibaldi still in love with Lise? Garibaldi answers no, Edgars thanks him, and lets him return to his room. The telepath turns and shakes her head. Edgars thanks the telepath and tells her that Wade will see to her payment.
Edgars enters his own room, to find Lise waiting up. She asks him how it went, and he tells her it went fine, but he also tells her that she was never mentioned. He says he thinks Garibaldi put it all behind him, and that he thinks Garibaldi would be a fine addition. He tells Lise not to worry, and that everything will be just fine.
As the telepath gathers her coat and prepares to leave, Wade appears in
the doorway. As she turns to face him, he pulls a PPG and fires
several shots directly at her.
In MedLab, Lyta and Franklin are standing over the same telepath from
before. He tells her to do what she did the last time, only slower--he
wants to learn to stimulate the same brainwaves artificially, but they
can worry about getting the implants out later. Franklin is ready, and
begins the computer recording. Lyta concentrates on the telepath, and
one of the monitor displays of the telepath changes. Franklin surmises
that the Shadow implants speed up brain functions--useful for running a
Shadow vessel--and that that causes trouble when there is nothing
around to control. The telepath's eyes open, and he sits up suddenly,
remembering his implant procedure. He grabs Franklin by the throat and
asks if the machines are gone. Franklin tells him they are, but the
telepath is still not calmed. "What am I? Why am I?" asks the
telepath, as he throws Franklin to the floor. The telepath turns to
Lyta. "I can't live like this," and picks up a medical device and
holds it to his own throat. Lyta stops him from going any further,
apologizes to him, and then puts him back to sleep. Franklin is able
to take over from there, but Lyta, disturbed and shaken, just turns and
leaves MedLab.
Garibaldi arrives in Edgars' office the next morning, and asks to be
told the whole story about his involvement with Edgars, since he
apparently passed the test. Edgars begins by telling him that, in a
world run by telepaths, mundanes would be severely limited in what they
could pursue, and how they could behave--a world with no privacy. It's
a world neither Edgars nor Garibaldi want to live in. Garibaldi feels
that, despite certain members of the PsiCorps feeling they should be in
control, telepaths don't have enough power to take over. Edgars says
they don't, yet, but they are beginning to fight their own battle of
secrets and intimidation. He points out that, without the PsiCorps
badge, no one can really tell a telepath from a normal human, and that
they can inspire fear whether they show their true colors or not.
Edgars explains to Garibaldi that Clark has power given him by the
voters who were afraid of aliens and wanted to do something about it.
Clark has begun to pass that power on to the PsiCorps. He wants
complete and total loyalty, and he can only prove loyalty with the use
of telepaths. When President Santiago objected to this, Clark
eliminated him, with outside help, including the help of aliens, who
promised him all the power he could want. The aliens were interested
in the PsiCorps, which became Clark's "insurance policy" against them,
and he used them to gain more power still. He created the Nightwatch
and selected his own people to fill important positions, with telepaths
watching over everything. Edgars is sure that, no matter what happens
to Clark, the PsiCorps will not want to give up its newfound power.
Garibaldi asks what Sheridan has to do with this, and Edgars explains that, should Sheridan go too far, Clark will remove the last restrictions from the PsiCorps, giving them all the power they need, turning it into a military and police force under his direct control, which Garibaldi recognizes as thought police. When that happens, Edgars believes, they will never let go of their power. Edgars tells Garibaldi that Clark is not really in charge--that his own megacorporation, as well as the others on Earth, have really been running things behind the scenes for years. Now that the PsiCorps threatens their bussinesses, they have to take action. Edgars wants Sheridan out of the way so that they have enough time to perfect their solution, and to keep him from putting too much power in the PsiCorps too soon. Garibaldi asks Edgars how they can stop the PsiCorps when Lise interrupts, telling them that breakfast is ready. Edgars asks Garibaldi if he'd like to join them, but Garibaldi declines, instead saying that he has some thinking to do. Edgars starts to leave, but Garibaldi stops him and asks him if the story he was just told was really the truth. Edgars tells him it's as close to the truth as he--or anyone else--will ever get, but that it should be enough for Garibaldi to decide if he wants to continue working with Edgars. Edgars tells Garibaldi he hopes that he will, and then leaves for breakfast.
As the fleet continues on its way, Sheridan is talking to Ivanova, who
is still on Babylon 5. She tells him that they have turned two more
Earth Alliance ships over to the Resistance, a fact which pleases and
worries Sheridan--he always becomes suspicious when things start going
too well. He asks her about Delenn, and Ivanova tells him that she is
done with her work on Minbar, and will be back on Babylon 5 soon.
There is nothing else that she has to report, but he tells her that he
wants to talk to Dr. Franklin.
Ivanova calls down to Medlab and tells him that Sheridan wants to talk
to him. Franklin explains that he thinks he found a way to neutralize
the implants. Sheridan asks Franklin how long it will take him to get
the telepaths up and running, but Franklin refuses to do anything more
until Sherdian tells him exactly what he wants to do with the
telepaths. Franklin gets rid of everyone else in MedLab, and Sheridan
begins explaining his plan.
Franklin leaves Medlab, visibly shaken. While standing in the
corridor, Lyta arrives. She asks him if he's alright, and he says he
isn't. He says that, when Sheridan came back from Z'ha'dum, he never
understood why everyone thought he was acting so different. But, he
explains that the Sheridan he knew never would have asked him to do
what this Sheridan just did. Franklin admits that it is the only way,
but really wishes he were wrong about it. He asks Lyta if she is
available for a long-term job. She is, and he tells her to start
packing--they leave for Mars in a few days.
Garibaldi is sitting on his bed when there's a knock on the door. It's
Lise, who has brought him his dinner. As she is about to leave, he
says he doesn't know what she sees in Edgars, besides his money. He
asks her what Edgars has that he doesn't. She insists it's not the
money, and that he's a good man, and that she does love him. She is,
however, very concerned about Garibaldi, and doesn't want anything to
happen to him, or to Edgars. Garibaldi tells her that she should have
tried to get things back the way they were, but that wasn't enough for
her--she didn't want to hold up the relationship herself. She wanted
him to care about something else, other than his job, and that he never
said that he loved her until she said it to him. She starts to leave
again, but can't force herself through the door. In a broken voice,
she explains that, after Franz left her, Garibaldi was too far away,
and that she needed someone in her life to be there for her, and that
Edgars was that person. She asks him if he would have left and gone to
her when she needed him, and he says he doesn't know. Crying, she says
that she is too old for that, and that Bill does care for her and he
does love her. Garibaldi apologizes for what happened, and tells her
that he did he did love her. She says she's sorry, too, tells him to
eat his dinner, and then leaves him alone.
Edgars is standing over three beds when Wade comes in. Edgars tells
him that they are at a critical stage, and can't afford any mistakes.
Edgars sits down next to one of the beds, which contains a man with
white skin and lesions all over his face. He reaches under the plastic
covering the man's face, and touches his skin. Wade says Edgars
shouldn't touch him, but Edgars says the man can use some compassion,
and that he can't be infected anyway. Wade asks how long he's been off
the drug, and Edgars says five days--the drug is working faster than
before. The man moans, and Edgars tells him that, though it's part of
the process, it will be over soon. He gets up and tells Wade to put
the man down. He knows the drug works, but doesn't want to add to the
pain in the universe unless it's absolutely necessary. He leaves Wade
alone in the room with the three people.
Garibaldi arrives in Edgars' office, and tells him that he's been thinking about a lot of things. Garibaldi says that he has made his decision--he is in all the way. Edgars is pleased, but Garibaldi wants to know the rest of the story. That's not good enough for Edgars, though--he wants Garibaldi to prove himself. The way to do that is to give him Sheridan. If he does that, Edgars will tell him the rest. Edgars wants Clark to feel secure in his position, and with Sheridan, that will give Edgars the time he needs to do what he must. Garibaldi doesn't want Clark to get Sheridan, since he is sure he'll kill him. Edgars knows that Clark is an amateur, and will go through the motions, but won't kill him, at least right away. Edgars says that they need to take Sheridan out of the picture, and that it is time to do so. Garibaldi tells Edgars that the easiest way to get to Sheridan is through his father. Edgars says that Earth was torn apart looking for him, but no one knows how to find him. Garibaldi, however, does--he knows Sheridan's father has a rare blood disease which requires the use of a certain Centauri drug, which is rare and expensive, and easy to track. Edgars says that they still need someone to set Sheridan up, and Garibaldi volunteers. Edgars tells Garibaldi that he's doing the right thing, and hopes he understands it.
"Mars. Three times before, this place almost killed me. And now... I've finally finished the job. I can't feel anything anymore. I don't know what I care about anymore. Except Lise. I screwed up both our lives pretty good. Now I get to make up for it, assuming any of us can ever make up for anything we've done in the past. Maybe we can't. Maybe we just have to live with it, and get on with it, and do what we have to--never what we want to. It has to be done. I hope he can see that someday..."
The Face of the Enemy
Overview
Sheridan's search for his father leads him into danger on Mars. Lyta warns Franklin of an impending clash between telepaths and mundanes. Garibaldi chooses between loyalty to Sheridan and to Edgars. Richard Gant as Captain MacDougan. Denise Gentile as Lise. Walter Koenig as Bester. Marjorie Monaghan as Number One. Mark Schneider as Wade. Efrem Zimbalist Jr. as William Edgars.
P5 Rating: 9.26 Production number: 417 Original air week: June 9, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
An episodic soundtrack is available.
Warning: This episode reveals a lot of information, and there are spoilers below. Think twice before reading on if you haven't seen the episode.
Plot Points
- @@@865841437 Clark's ship commanders have been convinced that if they
surrender to Sheridan, they'll be killed and their crews replaced by
Minbari. Perceiving they have nothing to lose, they are therefore
willing to fight the rebel forces to the death.
- @@@865841437 Sheridan has been captured by Clark's forces. Garibaldi
personally sprung the trap, which earned him a commendation
from ISN and condemnation from Ivanova: she has ordered B5's
personnel to shoot him on sight.
- @@@865843518 Ivanova is now in command of the rebel fleet, and has
vowed to keep up the fight with or without Sheridan.
- @@@865843518 Sheridan's old ship, the Agamemnon
("Points of Departure")
has joined the rebel fleet. (See
Notes)
- @@@865841437 The telepath virus described by Wade and Lise in
"Conflicts of Interest"
is indeed real, as is the drug to suppress it -- but the virus was
developed by Edgars' company. It is airborne, 100% contagious, and
completely harmless to normals. Telepaths have to take
the cure every two weeks, or they'll die. Edgars' plan was to release
it on Earth and use control of the cure to effectively enslave all
the telepaths, preventing them from ever gaining the upper hand
over normals. Bester believes the virus was developed with the help
of the Shadows, who had a vested interest in wiping out telepaths.
- @@@865841437 When Justin told Sheridan that the Shadows wouldn't kill
him because someone else would come along and take his place
("Z'ha'dum")
he had specific people in mind: Delenn, Ivanova and Garibaldi. The
Shadows decided that given his innate paranoia, Garibaldi would be
easiest to cause to turn away from Sheridan's cause, thus sabotaging the
Army of Light in Sheridan's absence. The Psi Corps was given the
assignment of programming Garibaldi. They took him to a secret
facility on Mars, where Bester intervened and added some programming
of his own.
Bester was aware that some kind of action was being planned against the Corps, but he didn't know what or by whom. Given Garibaldi's proven track record at ferreting out conspiracies, Bester instructed his colleagues to leave Garibaldi's personality largely intact, and to accentuate his natural sense of paranoia and distrust. Garibaldi's resignation was an unexpected bonus that put him in a perfect position to infiltrate Edgars' organization.
Garibaldi's mission was to gather information about the threat to the Psi Corps if the opportunity arose, then signal Bester.
- @@@865841437 Bester has removed Garibaldi's programming, leaving him
with full memory of what was done to him and what he's done to
Sheridan.
- @@@865841437 Bester's people have murdered Edgars and Wade and may
have taken the virus. Lise's whereabouts are unknown.
- @@@865841437 The Corps has engaged in clandestine operations in the
past. While Lyta was interning with the Psi Cops
("Divided Loyalties")
someone started murdering telepaths. The Corps engaged in illegal
scans of civilians, and eventually found the killer. Rather than
simply kill him, they twisted his mind. According to Lyta, he's
now in a cell in a secret facility on Beta 2, straitjacketed 24
hours a day to keep him from clawing out his own eyes to stop the
nightmare visions only he can see.
- @@@865843518 The Corps has gone even further with the establishment of
"bloodhound units," special undercover detachments of the Earth
military who are accompanied by telepaths. Their mission is to
perform random scans of the public and arrest any members of the
resistance they come across.
- @@@865841437 Lyta believes there's likely to be a war between telepaths and mundanes some day, when word of such operations gets out and the trust the Corps has managed to build up evaporates as a result.
Unanswered Questions
- @@@865841437 Where is Lise?
- @@@871079445 What does Bester plan to do with the virus, assuming he has it?
- @@@865843518 Does Franklin know the full extent of Sheridan's plans for the frozen telepaths, and can he carry them out with Sheridan out of the picture?
- @@@866145360 Why didn't Franklin detect Garibaldi's false tooth during his medical exams?
- @@@866271627 Now that Ivanova is leading the fleet, will she continue her Voice of the Resistance broadcasts?
- @@@866347436 Is the Agamemnon's defection to the resistance what it seems?
Analysis
- @@@865843518 The resolution of the battle between Sheridan and Clark's
forces points out what may be Sheridan's most potent weapon against
Clark: not White Stars or superior strategy, but the presence of
previously loyal human commanders who lend credibility to the rebel
cause.
- @@@866949092 The White Stars appear to have adapted to Earth's weapons;
a hit from an Earth heavy cruiser only disables a White Star until
the auto-repair systems come online. Even without the defection
of so many Earth ships, Ivanova is in command of an unstoppable
military force.
- @@@866948931 Sheridan told the Agamemnon's captain that the rebel
forces had lost some battles, but had kept the news to themselves.
("We've lost a few. We just made damned sure nobody heard about it.")
How is that possible? Wouldn't Clark jump at the chance to spread
news of victory over Sheridan's forces? And for that matter, would
Ivanova participate in covering up any losses, given her insistence
on telling the truth in her Voice of the Resistance broadcasts?
("Rumors, Bargains and Lies")
Perhaps Sheridan simply has a more specific definition of "victory" than most other people. He didn't seem to consider the outcome of the Proxima 3 battle a victory ("No Surrender, No Retreat") so perhaps he'd consider it a loss if he wound up having to fight Clark's forces to the death.
Or maybe Sheridan wasn't referring to his current campaign, but was speaking in general of his military career.
- @@@865843969 Sheridan demonstrated a lack of caution in this episode,
first going over to the Agamemnon on a moment's notice (it could
easily have been sent by Clark as a trap) then agreeing to go to
Mars by himself. He even walked straight into a public place without
attempting to obscure his face, which has no doubt been featured daily
on ISN. That can be seen as evidence of what Garibaldi
referred to as a "God complex" -- Sheridan appears to have disregarded
his own fallibility.
It's possible that this stems in part from the glimpse of his own future in "War Without End, Part Two," which might lead Sheridan to believe that no matter what he does now, he'll be alive and free in 17 years.
- @@@866618297 Sheridan's capture was similar to G'Kar's in
"Whatever Happened to Mr. Garibaldi?"
Both of them left a place of relative safety to try to rescue someone
they cared about, and both were captured by a regime that was
oppressing their people. Both were tortured after capture.
- @@@866347436 The Agamemnon, according to its captain, had been
modified to track Sheridan's forces down. What, specifically, were
the modifications? And more importantly, how likely is it that Clark
would equip a ship specifically to seek Sheridan out without being
very sure of its loyalty?
The Agamemnon would make a perfect plant. Clark's people might have figured that Sheridan's emotional attachment to it would likely prompt him to put it in a position of trust, all the better to sabotage Sheridan's efforts at a critical juncture. Of course, Ivanova isn't biased toward trusting the Agamemnon, but at the time the Agamemnon was sent out to find the rebel fleet, Clark had no idea Sheridan's capture was imminent.
Its arrival just after the battle was also very convenient; its captain could claim to be joining up with the rebels without actually having to fire on Clark's forces. If it had indeed been chasing after Sheridan for weeks, emerging from hyperspace at just that moment was quite a coincidence.
- @@@866618536 Was the Agamemnon's captain the one in command when it
fired on the White Star?
("Messages From Earth")
- @@@866950838 The Agamemnon has been involved in skirmishes with
raiders near Io. Who are the raiders? Are the Drakh
("Lines of Communication")
encroaching on Earth's territory? Or are the raiders simply
opportunists out to take advantage of Sheridan's campaign and its
likely effect of drawing Earth forces away from their home system?
- @@@865968823 The Shadows were apparently right about Ivanova; she is
indeed taking Sheridan's place, just as Bester says they feared.
- @@@866827988 Bester's manipulation of Garibaldi was foreshadowed in
"Dust to Dust."
Bester told Garibaldi, "I enjoyed working with you. We made a good
team. Perhaps we'll do it again sometime."
It was also foreshadowed, if obliquely, in "Divided Loyalties," in which Garibaldi pretended to have a personality implant, if only as a joke.
@@@867174664 And before then, ironically, in "The Quality of Mercy," Talia and Garibaldi shared a moment of mutual foreshadowing when she said to him, "Things that live inside us, Mr. Garibaldi. Terrible things. Terrible."
- @@@866132660 Bester referred to the Corps as "my telepaths." This
echoes his comment to Ivanova in
"Ship of Tears"
that he had plans for Earth's telepaths and didn't want the Shadows
interfering. Apparently he considers himself responsible for Earth's
telepaths, even if he's not officially in charge of the Corps.
- @@@865929593 Did Bester's people get the virus? It's possible Lise took
it when she fled Edgars' compound. She wanted Garibaldi to help her
stop him, and taking the virus would be a big step in that direction.
Of course, that's assuming she could get to it; the Psi Cops could
presumably take control of Edgars and force him to use the handprint
reader, but Lise would have had a harder time getting to the vials.
Garibaldi did see blast marks around the secret compartment, though, suggesting that it was opened by force.
- @@@866949231 The ISN broadcast showed investigators picking up a
necklace from the floor of Edgars' residence. That necklace, or one
like it, was being worn by Lise when she listened in on Edgars'
conversation with Garibaldi, suggesting she was in the room after
Edgars and Garibaldi left.
- @@@865972353 Bester's supposition that the virus was developed with
the help of Shadow technology is consistent with the courier's claim in
"Conflicts of Interest"
that coming up with the cure was a job beyond the capabilities of
Earth's biologists, and that alien help had been enlisted.
- @@@865978102 If Bester is right about the Shadows helping create the
virus, it means Edgars was in contact with the Shadows, even if
indirectly. And indeed, Edgars and Wade seemed to espouse something
like the Shadow philosophy: the enslavement of normals by telepaths or
vice versa was a natural consequence of evolution.
- @@@866303309 References to the Nazis abound: Edgars described his
plan as a solution to "the telepath problem," an echo of Hitler's
"Jewish problem." Bester told Garibaldi that he had just prevented
a Holocaust. Edgars even referred to the Nazis directly, though he
misspoke a date; he claimed they came to power in 1939, but in fact
Hitler was appointed Chancellor in 1933.
- @@@866346960 Garibaldi's line about the last person with his job being
paid 30 pieces of silver is a
Biblical
reference.
Judas was paid
30 pieces of silver to betray Jesus to the Romans. Even under the
influence of his altered personality, Garibaldi apparently has moral
qualms about betraying Sheridan.
- @@@866393326 After Edgars told Garibaldi the full extent of his plans,
Wade told Garibaldi he wouldn't be allowed to leave Edgars' compound.
The implication was that any passing telepath (e.g. one of the
"bloodhound units") would be able to scan Garibaldi and learn about
the virus.
Why, then, was Wade allowed to travel to Babylon 5, and stay there to recruit Garibaldi? Was Wade unaware of the big picture until his return to Mars? The laboratory scene near the end of "The Exercise of Vital Powers" doesn't give the impression that Wade just found out what Edgars was up to; he seemed to have witnessed similar experiments in the past.
Perhaps Wade was drugged or brainwashed in some way that made him more difficult to scan or that caused him to believe the story he told Garibaldi in "Conflicts of Interest."
- @@@867090072 Bester's release of Garibaldi was, in some ways, an act
of arrogance; in essence, Bester was saying that he didn't consider
Garibaldi a threat. Given Garibaldi's determination in the past, he'll
likely seek revenge or justice, and he won't rest until he has it.
- @@@867090072 Despite Bester's apparently accurate warning that
Garibaldi's old comrades wouldn't want to have anything to do with him
any more, Garibaldi did try to get in touch with Babylon 5. How will
he be able to prove his story to them, and prove that he's no longer
under Bester's influence? One obvious answer is to submit to a scan
by Lyta, whose Vorlon-enhanced powers appear to far exceed Bester's.
She would easily be able to verify Garibaldi's story, and her word
might be enough to convince the others.
Edgars' order to Garibaldi to fire Lyta ("Moments of Transition") may, ironically, have been his downfall. If Edgars hadn't forced Garibaldi to get rid of her, she might have eventually detected Bester's handiwork and removed it, and Edgars would still be alive.
- @@@866044386 Why didn't Edgars release the virus? What was he waiting
for? In
"The Exercise of Vital Powers,"
he seemed satisfied that the virus worked, and even asked that a
test of its effectiveness be terminated.
Since his aim was to control the telepaths, not simply wipe them out, perhaps he needed to wait until he had enough of the cure manufactured to supply to millions of victims.
Edgars said he was waiting for Clark to drop his guard, but it's not clear what difference that would have made; Clark's level of paranoia would presumably have little effect on the spread of the virus and the demise of the telepaths.
- @@@865843518 Edgars' plans didn't amount to anything in the end. He was
the only known credible threat to the Psi Corps. Now that he's dead
and the Corps has control of his weapon against them, and Ivanova is
continuing the rebel advance even in the face of Sheridan's capture,
Edgars' fear of Clark panicking and giving increasing amounts of
control to the Psi Corps may well become a reality.
Of course, Sheridan may have anticipated that problem, and the frozen telepaths may be his answer.
- @@@867602156 In
"The Exercise of Vital Powers,"
Edgars implied that there were other powerful megacorps dissatisfied
with Clark, and that his company was one of several planning to move
against the government. Will any of the others act now that Edgars
is out of the picture?
- @@@865972353 The problem may have gotten even worse thanks to Edgars:
if the Corps has the virus, they'll presumably spend a good
deal of effort studying it. The virus selects its victims via the
presence of the telepathy genes. Developing that selectivity from
scratch may have required the aid of the Shadows, but it might not
be beyond Earth's biotechnology to use it as a blueprint and produce
a modified version that selects for the lack of the
telepathy gene -- thus giving the Corps the same power over normals
that Edgars wanted to gain over telepaths.
@@@866151770 Or the Corps could use the virus to cement its own control over all human telepaths. By releasing the virus and only giving the cure to members of the Corps, they'd eliminate the problem of rogue telepaths overnight. Latent telepaths like Ivanova would no longer be able to hide themselves from the Corps.
- @@@868380941 Bester could possibly also use the virus on Lyta; death
by the virus might be considered natural causes under the terms of her
contract
("Moments of Transition.")
Of course, such an operation would be very risky, since Lyta would
be contagious.
- @@@866303491 Assuming Edgars kept detailed personnel records, the
police will most likely look to Garibaldi as a prime suspect in the
murders. Lise might also be a suspect. Both of them disappeared
suddenly at the time of the murder, and given their past history,
the police might conclude that Edgars' murder was a crime of passion
committed by two old lovers who wanted to be together again.
- @@@874306737 The bloodhound units may have been in evidence before
this episode. In
"Conflicts of Interest,"
the two telepaths chasing Garibaldi, Wade and Lise seemed to fit the
description pretty well. And, more speculatively, they could have
been the ones to plant the Keeper on Captain Jack in
"Racing Mars,"
since they presumably would have had little trouble learning of his
personal association with Number One.
- @@@867904346 Lyta's description of the Corps' treatment of the murderer
is strikingly similar to her threat to Londo in
"Passing Through Gethsemane."
Perhaps she was present when the murderer was implanted and knows
firsthand how to do such things. Maybe she was even involved in
the process; that could be the secret about her Bester threatened
to reveal in
"Epiphanies."
- @@@866304051 Number One said that when Lyta passed through Mars a
year and a half earlier
("Divided Loyalties")
she made no mention of being a telepath on the run from the Corps.
That's inconsistent with Lyta's story in that episode. She told
Sheridan and the others at that time that she'd been helping out
the resistance, and implied that they'd hired her for her telepathic
skills.
- @@@866948542 Number One apparently really does treat all her former lovers like she treated Phillipe ("Lines of Communication.")
Notes
- @@@863468689 Harlan Ellison has a cameo appearance in this episode. He's the Psi Cop Bester instructs to alter Garibaldi's personality.
- @@@866313791 Bester's parting salute to Garibaldi, "Be seeing you," is a reference to the 60s TV show "The Prisoner." Bester first used the salute in "Mind War."
- @@@865843518 Garibaldi is now missing a molar.
- @@@865843969 The appearance of the Agamemnon contradicts the attack scene at the end of "Moments of Transition," in which the Agamemnon can be seen attacking civilian targets. However, as JMS noted in response to comments on that episode, the use of the Agamemnon was a slipup on the part of the production team.
- @@@866303309 The Cadmus, the ship that surrendered to Sheridan and MacDougan, is named after a mythological hero. Cadmus slew a dragon, and when he sowed the dragon's teeth, a race of warriors sprang from the ground.
- @@@866303559 This is the series' second attack on someone using a skin tab. The first was the poisoning of Kosh in "The Gathering."
- @@@866783885 The Sheridan fight scene, shot in slow motion, was interspersed by editor David Foster with shots taken by still photographer Byron Cohen, who does most of the B5 publicity stills sent out to TV stations.
- @@@867001532 The shot of Garibaldi shown on the ISN broadcast is from the season-three opening credits.
jms speaks
- @@@866442821 I agree that it's probably one of the best we've done.
I've now watched it at least a dozen times in finished form, and it
still works for me.
- @@@866442821 One thing I've been doing with the latter part of
season 4 is to experiment a little more, try different things. I feel
that we need to push visually to try new things, the sort of visual
techniques you don't see much in SF-TV, which for the most part is
fairly prosaic as these things go. And to push the writing, to try some
things that may succeed, or may fail, but you learn something either
way. In its way, next week's ep is just as experimental, but in a very
different direction.
Mike Vejar definitely did a great job with this episode.
- @@@866619976 Zimbalist did a great job for us...he took huge gobs of
exposition and not only delivered them, he made them interesting.
- @@@866620147 Was he a fan of the show?
Nope, just figured he'd be great for the job, and cast him without audition. He didn't know anything about the show before that. - @@@866620147 What was the shimmering wall Sheridan stood near on
the White Star bridge?
Those were the autorepair systems at work. - @@@866620147 ""The Face of the Enemy" might represent the flipside of
young Delenn's claim in "Atonement" that the most dangerous enemy is the
one you know nothing about. Now the face of the enemy is the one you
know all too well, one which you take for granted until it's revealed
that the face is actually a mask."
Yep. It's one thing facing implacable, vast enemies...it's quite another when you friend betrays you. That's personal.
- @@@866617854 There isn't that much direct,
personal violence in the show. My feeling is that if you do that a
lot, it loses any potential for impact. You only pull out that card
when you really need it, to best effect...don't waste it. It's like
harsh language, after you've heard someone going on using all the more
remarkable Anglo-Saxon words for a while, it loses all impact.
- @@@866618128 "I thought the fight was a bit too long for much the
same reason as you. All I can suggest is that John's metabolism isn't
"normal" any more, and perhaps this had an effect. (And maybe the
bullyboys were doing less damage than we think, simply to prolong
the "fun".)"
1) It was for dramatic/stylistic effect. Not everything done with some style has to have a scientific explanation.
2) Having been mugged myself, time expands and slows down.
3) It's the TV cliche that fights are over in a second. Ask anyone who's ever been in a real knock-down fight. It goes on a heck of a lot longer than we showed here. When I got mugged it went on for 10 minutes.
One of the ironies in other messages on this (not this one here specifically) is that some have noted the fast-paced editing, which is supposedly associated with music video/short attention span material...and then turn around and say it wasn't over fast enough.
- @@@866044536 Was Lyta's story the secret from her past alluded
to by Bester in
"Epiphanies?"
No, Franklin's comment to Lyta didn't involve her past, though we will find out more about that in a bit. - @@@866619976 Was Bester's salute a "Prisoner" reference?
Nope, not a Prisoner homage at all, in any way. - @@@866619976 Why mess Edgars' place up so thoroughly?
They wanted it to look like it was done by the Resistance; too much "attention" to his death would've drawn attention to the Corps. - @@@866443179 Wade specificially says Lise wasn't there when they got
back, so that eliminates her from the scenario.
- @@@866617855 Why haven't the other races had conflict between
their telepaths and their normals?
Obviously some, like the Minbari, dealt with it more easily than others; and in some places it came through Vorlon interference, while in others it came about naturally. - @@@866949468 "Wade had a great line about the clash of homo sapiens
and Neanderthals in Carthage. Was this line inspired by some of the
recent Neanderthal finds? Or was this part of your orignial
conception for the story?"
Not recent stuff, just a general knowledge of this area.
"Did Edgars really believe the Earthgov propaganda that Sheridan was operating under the malignant influence of aliens?
Nope.
"Is Bester really done with Garibaldi?"
For the moment.
"One of the captains of the Earth vessels is named Leo Frank. Was this a deliberate historical reference?"
Not intentionally.
"Franklin and Number One seem to have cooled their relationship. Any further developments in the works here?"
Any more personal stuff got set aside when Franklin showed up a) with another female, and b) she was a teep. When #1 calms down, they might take another shot at it.
"Lastly, there is a bit of irony in the fact that the stage for Sheridan's capture is set when he steps aboard his old ship, the Agamemnon. Agamemnon was the supreme commander of the Greek forces at Troy, who survived that long war, but who was betrayed and murdered by his wife when he returned home. He blindly and arrogantly stepped into a trap, as Sheridan also seemed to do."
Yeah...that's one of many reasons why I picked that image/reference. It plays on a LOT of levels in the story.
- @@@866999604 Wasn't Edgars' complex guarded to keep people from
leaving without permission?
If anybody could slip away, Garibaldi could. - @@@867904437 Ivanova quoted Sheridan as saying, "The person is
expendable. The job is not." But in fact, it was Sinclair who
said that, in
"War Without End."
But then, if I did everything perfectly, wouldn't it be boring?
The Face of the Enemy
Synopsis by Katrina Glerum (kat@midwinter.com)
As Sheridan's forces approach Earth, the fighting grows more fierce. Outgunned and unable to flee, Clark's remaining ships still refuse to surrender.
Meanwhile, Dr. Franklin and Lyta find themselves on Mars again with their disturbing cargo.
Garibaldi matter of factly informs Edgars that John Sheridan's trap has been baited with his father. Pleased, Edgars again promises Garibaldi the elusive reward of the whole truth. "I think the last guy got thirty pieces of silver for the same job," Garibaldi remarks with distaste as he leaves.
Sheridan orders the opposing vessels to stand down again. One captain finally breaks silence saying that Sheridan is only going to execute them if they surrender. Sheridan's new ally Macdougan convinces the young captain that its safe to stand down just as a new ship jumps into the melee. To Sheridan's relief it's his old ship, the Agamemnon, come to join his fleet.
Number One is livid to discover that Franklin has brought a teep into her facility without even thinking of consulting her. The dozens of frozen telepaths he brings are equally unwelcome.
Sheridan and the Agamemnon's crew share a fond reunion when he goes on board. He's still there when Garibaldi's transmission catches up with him. Garibaldi explains that Clark's people have captured Sheridan's dad, and says he has a rescue plan which requires Sheridan's presence. Against everyone's advice Sheridan decides to go to Mars alone, and the Agamemnon agrees to transport him there.
The hostility towards Lyta is not limited to Number One. Franklin is baffled, until Lyta explains the Bloodhound program. Anyone suspected of being in the Resistance is simply picked up and scanned. No due process. Quietly Lyta begins to explain the other things Psi Cops have done. One serial killer of telepaths now lives in an institution, screaming all the time at the "things [we] planted in his mind." When that happened she left Psi Cops for Commercial work, but from then she became afraid of what telepaths could do. "Someday there's going to be a war between telepaths and mundanes, Stephen," she predicts direly.
Ivanova leaves the station to take command of the fleet in Sheridan's absence, and Delenn agrees to keep watch over B5 until she returns.
John pilots a fighter down to the surface of Mars. Garibaldi is waiting in a smoky bar. As soon as the Captain sits, Garibaldi slaps a tranquilizer patch on his hand. Furiously Sheridan stands and attempts to escape, but like a lion brought down by jackals, the men who have come for him are too many and too strong. Garibaldi just sits in his place and watches impassively as his former friend and CO gets beaten to a pulp.
ISN's gloating begins immediately. Ivanova and Marcus watch in stunned silence.
Garibaldi returns to his boss, furiously demanding to be finally told the truth. Edgars and Wade reveal that they have genetically engineered a virus that attacks only telepaths. They have also developed an "antidote" that needs to be administered to infected telepaths every two weeks. Turning telepaths into a virtual slave race is the only way they see to counter the threat of the "death of human liberty and human thought." As a side-effect, by removing Clark's power base in the Psi Corps, they will be free to overturn his government easily. Garibaldi affirms that he is still on board and Edgars informs him that now that Clark is distracted by the capture of Sheridan, he can begin the process of releasing the virus.
"The telepath prob--" he utters and stops. Hearing the holocaustic parallel in his own words, he continues in a broken voice, "The telepath problem...will finally be over."
Unbeknownst to them all, a horrified Lise has heard everything from her hiding place behind a column.
When they have left the room Garibaldi sits quietly and pops a cap off his tooth revealing a miniscule transmitter. Lise finds him later waiting stony faced in a tube. She begs him to help stop her husband. With eerily muted urgency Garibaldi only tells her to go home.
Moments later a new passenger joins him and the car leaves the station. Without hesitation, Bester jumps straight into Garibaldi's mind and extracts Edgars' nefarious plan. Even the imperturbable Psi Cop is stunned by the extent of this "final solution." Having finished what he came for, Bester muses about what to do with Garibaldi next. "I can feel you, you know...the real you, beating at the inside of your skull, screaming to get out." Should he let Garibaldi free? Should he keep him penned up forever? He explains to Garbaldi what happened when he was captured by the Shadows.
Bester got control of Garibaldi during the Shadows' attempt to "adjust" him and managed to handle the procedure on his own terms. That way he could thwart his enemies the Shadows (the virus of Edgars' was surely Shadow technology after all), take revenge on the officers of Babylon 5, and use Garibaldi as a weapon against his other enemies, all in one move. Accentuating his naturally rebellious and suspicious instincts turned Garibaldi into the perfect tool for digging to the bottom of anti-telepath conspiracies. The odd messages Garibaldi received from time to time tuned his conditioning until his real personality was completely buried under the new one.
And now Bester wonders what to do. Toying for an instant with a gun in Garibaldi's face, Bester comments that now that Garibaldi's friends know he betrayed Sheridan, he "can't go home again." Deciding to let the real Garibaldi free, Bester exits the car and the train leaves the station.
Garibaldi sits impassively on the bench. A flash of reality slams his mind. He shakes his head. Then another. And then again. He screams in rage and whacks his head into the wall of the train.
When Marcus informs Ivanova that Garibaldi has attempted to contact them, she orders that if he shows up on the station he be shot on sight. In the interim, with Sheridan captured and the fleet in limbo, she vows to finish the job her Captain began.
Garibaldi frantically searches Edgars' home for Lise but only finds Edgars dead, the virus removed and Wade mortally injured on the floor. Wade manages to whisper that Lise hadn't been there when they were attacked.
The ISN anchor reports the assassination of William Edgars apparently by Free Mars terrorists. She also proudly congratulates former Chief Warrant Officer Michael Garibaldi for rescuing the renegade Earth Force Captain John Sheridan. While Sheridan continues to be pummeled by his captors, she reports that now that he has been freed of alien influences, Sheridan is expressing regret for his actions against his home world.
The Fall of Centauri Prime
Overview
As Sheridan races to stop the Alliance ships from attacking Centauri Prime, Londo's fate, and that of his people, is decided.
P5 Rating: 9.22 Production number: 519 Original air date: October 28, 1998 (US) DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Douglas Wise
Plot Points
- @@@909646871 Sheridan didn't arrive in time to stop the Alliance ships from bombarding Centauri Prime. The capital city was hard hit.
- @@@909646871 The Regent is dead, killed by the Drakh to give Londo an alibi for the attacks on the Alliance cargo ships.
- @@@909646871 Though he believes the Narn can never forgive the Centauri as a whole for what they've done, G'Kar has personally forgiven Londo.
- @@@909646871 The Drakh have planted a Keeper on Londo. He has agreed to the implantation, forced into it by the Drakh's claim that they've planted hundreds of fusion bombs all over Centauri Prime and will detonate them unless Londo cooperates.
- @@@909646871 Londo has been crowned as emperor of the Centauri Republic.
- @@@909646871 Delenn and Lennier have been rescued from hyperspace by the Centauri and reunited with Sheridan.
- @@@909646871 Londo has officially appointed Vir as the new ambassador to the Alliance.
- @@@909646871 The Alliance has demanded large war reparations from the Centauri, large enough that the Centauri economy will be on the brink of collapse. Londo has agreed, but has told his people that they'll rebuild Centauri Prime alone, without any help from other worlds.
- @@@909646871 Over a dozen ships have been sent to the Vorlon homeworld since the Vorlons left. All have been destroyed by the Vorlon automatic defense systems. According to Lyta, the Vorlon homeworld is off limits "until we're ready... in a million years."
Unanswered Questions
- @@@909646871 What work was the Drakh referring to when he claimed Centauri Prime was "perfect ground for us to do our work?"
- @@@909684733 What will happen to the Alliance now that at least two of its member races have disregarded the President's orders?
- @@@909684733 How badly was Centauri Prime hit?
- @@@909646871 Why didn't Londo tell G'Kar about the Drakh? Was he afraid that the knowledge would put G'Kar's life at risk?
- @@@910043603 What happened to the Keeper that was attached to the Regent? Was it the same one the Drakh later removed from his chest?
- @@@909646871 What other Shadow technology do the Drakh have?
- @@@909646871 What's on the Vorlon homeworld? What determines whether humanity is ready to go there?
Analysis
- @@@910045031 One of the first things the Drakh said to Londo was
the Vorlon question, in this case, "Who are we? What are we but a
shadow of a shadow?" Most likely it's completely innocuous, but it's
possible that with their masters gone, are the Drakh now
beginning to ask themselves questions other than the one put forth
by the Shadows.
- @@@909646871 The Drakh told Londo that they wanted a home. That's the
same thing the Drakh representative told Delenn in
"Lines of Communication."
If she had given them a world as they'd requested, would they have
settled there and not come in force to Centauri Prime? Likely not;
they were already on Centauri Prime in at least some capacity, since
the Regent had already been implanted with a Keeper
("Epiphanies").
@@@910043845 The Drakh desire for a homeworld echoes the telepaths' struggle for the same thing. Both the servants of the Vorlons and the servants of the Shadows have been left adrift and homeless after the First Ones' departure.
- @@@909684733 The Regent was under Drakh control, but there may have
been others; someone had to plant the fusion bombs all over Centauri
Prime (assuming that wasn't just a bluff) and place the Shadow pods
on the Centauri warships. Obviously it's possible that all this was
done by ordinary Centauri under the Regent's orders (which can only be
disobeyed on threat of death, as Londo said in
"In the Kingdom of the Blind")
but the question still remains, how many other Centauri
are under Keeper control?
- @@@909684733 The Regent died when his Keeper was removed, but in
"Racing Mars,"
Captain Jack survived the loss of his Keeper -- and it even grew back.
Maybe it's simply that the Regent's Keeper completely removed itself,
while Captain Jack's was still partially in place. Or it may be that
a Keeper can control whether its host lives or dies when it leaves.
- @@@909646871 Keepers grow, or at least live, on the bodies of Drakh.
That suggests that the Keepers aren't independent entities per se, but
are instead appendages of the Drakh. Shadow organic technology can
receive instructions over large distances as evidenced by the pods,
so it's possible that Keepers employ the same techniques to stay in
contact with their parent Drakh even when far away.
It may also be the case that Keepers are in extremely short supply; for example, it's possible that each Drakh can only be linked to a single Keeper.
- @@@909684733 Accepting the Keeper -- and the position of Emperor --
may have been the fulfillment of the last of Lady Morella's prophecies
("Point of No Return"):
"You must surrender yourself to your greatest fear, knowing it will
destroy you." Londo accepted the loss of his autonomy and moved one
step closer to his dream of death
("The Coming of Shadows")
for the sake of saving his people.
- @@@910252056 Londo's acceptance of the Keeper, self-sacrifice for the
sake of his people, is in line with the Third Principle of Sentient
Life as taught to Minbari
("A Voice in the Wilderness").
- @@@909646871 Londo told Sheridan that in exchange for freeing Delenn,
he might ask Sheridan for a favor in the future. What nature of favor
did he have in mind? Was asking for a favor Londo's idea or the
Keeper's? Londo has exchanged favors for favors before
("A Voice in the Wilderness")
and the fact that his tone abruptly became belligerent just after he
asked for the favor implies that the Keeper took control of him at
that point.
On the other hand, this favor may just cancel out the one Londo already owed Sheridan for telling him about the approach of the Vorlon fleet ("Falling Toward Apotheosis").
- @@@909684733 Delenn speculated that she and Lennier might find a
million-year-old jumpgate left behind by the First Ones. That has
already happened at least once
("Thirdspace").
Given what happened in that case, Delenn would probably have second
thoughts about actually trying to activate such a device.
- @@@909686798 The Centauri warships that rescued Delenn and Lennier
might well have been preparing to destroy them, only to receive orders
to the contrary from Centauri Prime at the last moment.
- @@@909646871 Lennier's admission to Delenn probably won't change her
attitude toward him significantly, since as she said, she already knew
he was in love with her. But it may eliminate any possibility that
he can maintain his facade of platonic devotion toward her, and may
make it harder for him to convince himself that he can win her love.
- @@@910044090 How did Londo convince the Drakh not to kill Delenn?
Or did he give the order on his own? If the Keeper didn't regard such
an order as a threat to its interests, it might have allowed him to
do so.
- @@@909684733 What were the reparations demanded of the Centauri?
Are they the reason the Centauri apparently still hadn't rebuilt after
17 years
("War Without End")?
Why would Sheridan go along with a demand that would crush an entire
world for two decades? As a student of Earth history, and given his
familiarity with World War II in particular
("In the Shadow of Z'ha'dum")
Sheridan must have recognized that crushing war reparations can have
unintended consequences, e.g. the rise of the Nazi party in a Germany
crippled by humiliating sanctions after World War I. Why would he
risk something similar happening on Centauri Prime?
One possibility is that he felt he had no choice; the Narn and Drazi had already amply demonstrated their willingness to take matters into their own hands when they weren't getting satisfaction from the Alliance. Sheridan may have felt that anything less than outrageous sanctions would prompt some of the Alliance races to start killing again.
It's also possible, of course, that the reparations will have nothing to do with the state of Centauri Prime seventeen years hence (at which time there will once again be fires burning in the capital city.) Perhaps Centauri Prime's future condition will be due to the Drakh or the war against them (which will take place in the next twenty years, according to Delenn's recollection at the end of "Rising Star.")
- @@@909684733 The Narn and Centauri are now mutually responsible for
large numbers of civilian deaths on each other's homeworlds. Each
homeworld ended up under the control of enemy forces after being
bombarded, though most of the Centauri don't know about their occupiers
yet.
- @@@909646871 The particulars of Londo's speech were almost certainly
dictated by the Drakh. By isolating Centauri Prime from the other
worlds, the Drakh will more easily be able to work in secret without
attracting the Alliance's attention.
- @@@909684733 Londo said the Centauri were now alone in the universe.
That resonates with Kosh's description of the Centauri
("Midnight on the Firing Line"):
"They are alone. They are a dying people. We should let them pass."
- @@@910045130 Londo referred to the war, and the attack on Centauri
Prime, as "the long night." Is that related to Kosh's message to
Sheridan in
"Day of the Dead,"
"When the long night comes, return to the end of the beginning?"
- @@@909684733 This is the second time Londo has sent Vir away to
protect him from Shadow influence; he arranged for Vir to be the
ambassador to Minbar in
"A Day in the Strife."
- @@@909646871 Franklin said, "We know the Shadows had hundreds of
allies." Did he mean hundreds of individuals, or hundreds of races?
If the latter, who were the Shadows' allies besides the Drakh, and how
does Franklin know about them?
One possibility is that the word "Drakh" refers to Shadow servants in general, not one particular species. That would also explain why the Drakh on Centauri Prime doesn't look like the alien who boarded the White Star in "Lines of Communication." (That alien identified himself as an emissary of the Drakh, though, so it's possible he wasn't Drakh at all.)
- @@@909684733 Is the Vorlon homeworld related to the new Earth mentioned in "The Deconstruction of Falling Stars?" That episode took place a million years in the future, at which time humanity would, according to Lyta, be allowed onto the Vorlon homeworld. There's some symmetry if the Vorlon homeworld is the new Earth: the Drakh had a home but lost it thanks to the Vorlons (in the form of Lyta's enhanced powers, which set off Z'ha'dum's self-destruct mechanism in "Epiphanies") while humanity lost a home but gained a new one thanks to the Vorlons.
Notes
- @@@909646871 Keepers can't be seen unless they choose to be seen.
- @@@909646871 A Keeper doesn't control its host all the time, according to the Regent; it only does so when its interests are at stake.
- @@@909646871 The primary weapons of a White Star produce recoil.
- @@@909646871 Weapons-console sequence for continuous fire of a White Star's main weapons: Green, then red twice.
- @@@910039130 Centauri warships are equipped with tractor beams, just like Minbari ships ("And the Sky Full of Stars," among others). It may be that tractor beams are a natural extension of artificial gravity technology, which both the Centauri and Minbari employ. Earth ships, at least until Earth's recent acquisition of artificial gravity ("Rising Star"), have to tow objects conventionally ("Soul Hunter").
- @@@909646871 Either Centauri encryption isn't very thorough, or Vorlon/Minbari codebreaking technology falls just short of being able to crack it in real time. Sheridan's first officer was able to discern voices in the transmission to the Centauri fleet, but not any words. That implies that the transmission was encrypted using some form of audio transformation.
- @@@909646871 The idea of boarding up all the windows in the palace ("In the Beginning") was originally Vir's.
- @@@909646871 Shadow remote-control pods aren't as efficient as directly employing a sentient being as the brains of a ship.
- @@@909646871 It's possible to visit the San Diego ruins.
- @@@909646871 The weapons used in the terrorist nuking of San Diego ("Midnight on the Firing Line") could be traced back to the breakup of the Soviet Union, according to Franklin.
jms speaks
- @@@909690725 This is a devastating episode, by the way...so much
happens in this that it's kinda staggering, actually.
Of the final 5, this one, and the last two, are my favorites. And I like 'em all.
- @@@910251884 Yes, the capital was getting beat up, but there's a difference between thousands of dead and billions dead...Londo sacrified himself to save the lives of billions.
The Fall of Centauri Prime
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
The Narn and Drazi fleets bombard the defenseless Centauri Prime from space, hitting even the Royal Palace. The ceiling in G'Kar's cell partly collapses over him just before Londo arrives. Londo helps him stand up, and takes him elsewhere in the Palace.
As the capital burns, G'Kar is left alone in a room, somewhat worse for wear, while Londo goes looking for the Regent. In hyperspace, Sheridan races to Centauri Prime. He is informed that the Narn and Drazi have begun the bombardment, and that Delenn's White Star has been missing for almost 12 hours ("Movements of Fire and Shadow").
The bombardment moves away from the capital, and Londo finds the Regent. He discovers who the mysterious "they" the Regent has been obeying are: the alien from his 'dream' ("Movements of Fire and Shadow").
The alien is a Drakh ("Lines of Communication"). The Drakh are looking for a home, now that Z'ha'dum has been destroyed. They remembered Centauri Prime, and they remembered Londo. They remembered him blowing up the island with the Shadow vessels ("Into the Fire"). Centauri Prime is the perfect place for their work. They have isolated the Centauri from the rest of the Alliance.
"You are now what we need you to be," explains the Drakh. "A beaten, resentful people, who will have to rebuild. Who will have to rely on our good graces. Who can be used, and... guided, as we wish to guide you. Perfect ground for us to do our work. Quietly."
The Drakh claims to have planted many fusion bombs around the main continent, just as Londo did on the island. Unless Londo cooperates, as the Regent did before him, he will detonate the bombs and kill millions of Centauri.
The Regent outlines what the Drakh have in mind: he will die to give Londo the perfect alibi. Londo can claim the Regent was mad, and ordered the attack on the Alliance without knowledge or approval from the Centarum. Then Londo can call an end to the war, once he becomes Emperor. He will have no choice but to obey the Drakh then, the Regent explains, as he reveals the Keeper on his neck. The Keeper will control him when its interests are at stake, but mostly will leave him to be himself. Once the Keeper is removed from the Regent, the Regent will die.
The Keeper disentangles itself, and the Regent collapses.
Sheridan's White Star squadron finally arrives at Centauri Prime, and he orders the Narn and Drazi to cease fire. They agree... provided he supports them in the oncoming fight against the returning Centauri ships. When the ships get back, says a Narn commander, they will attack all Alliance ships, regardless of whether the attack was authorized or not. Sheridan can either join them and live, or hold back and be destroyed.
Sheridan tries to contact Centauri Prime, and orders all ships near Delenn's last known location to look for her.
Adrift in hyperspace, Delenn's battered ship tries to stay close to the beacon. But the navigational thrusters will be out of fuel soon, and then they will drift away and be caught in the currents of hyperspace. They will never be found then.
On Centauri Prime, Londo returns to see G'Kar, who is feeling better. "I would be dead, if not for you," says G'Kar. "You risked your life to save mine." "Yes," replies Londo. "You would have done the same." "Yes," quips G'Kar, "but I am a better person." Londo fights back a laugh. He promised he would get G'Kar out of that cell, and he keeps his promises. But G'Kar cannot remain his bodyguard. It is no longer appropriate, since Londo will become Emperor. But before then he wanted to say goodbye to G'Kar.
"In the months and the years to come," hints Londo, "you may hear many strange things about me, my behavior. Well, they say the position changes you. And I just wanted to..." "I understand," interrupts G'Kar. Londo isn't so sure.
As Londo turns to leave, G'Kar adds: "Mollari. Understand that I can never forgive your people for what you did to my world. My people can never forgive your people. But I can forgive you." They clasp hands awkwardly, and Londo leaves in silence.
He returns to the throne room, where the Drakh implants him with a Keeper.
Shortly thereafter, the returning Centauri ships receive coded transmissions and halt: Londo has issued the surrender order. He contacts Sheridan. Londo accepts the explanation that the Narn and Drazi attack was unsanctioned, since he finds himself in a similar position. He blames the Regent for the attacks. Sheridan is relieved, and asks to see Londo personally. Although the risk is great, with the Centauri people so angry at the Alliance, Londo agrees when he finds out about Delenn's ship missing.
When the transmission ends, Londo turns to the Drakh and asks what happened to Delenn. The Drakh explains without words, and Londo asks and begs him not to kill her.
Once Sheridan arrives, Londo is standoffish, but agrees to help... in exchange for a future favor. He reacts angrily when reminded that Delenn is his friend too, and blames the Alliance for what happened. Sheridan tries to smooth things over and offers to help, but Lonod refuses. The Centauri will have nothing more to do with the Alliance. "If I give you back Delenn's life, it will be an act of charity, nothing more." Annoyed, Sheridan demands reparations for the war. Part of those reparations will be information about the shadow pods that were used to control the Centauri ships ("Movements of Fire and Shadow"). Londo claims the pods were bought on the black market, and he is well aware of them.
In hyperspace, Delenn's ship finally runs out of fuel. In a last desperate attempt, they fire the weapons, hoping it will attract the ships that must be looking for them by now. Unfortunately, it attracts several Centauri warships.
The warships lock on and begin to approach. Lennier and Delenn realize they are about to die. "Delenn, I love you," Lennier says, just before he expects the warships to fire. "I know," replies Delenn. But the shot never comes. Instead, tractor beams are fired, and their ship is towed.
Delenn pretends she did not hear what Lennier said, and Lennier pretends he didn't say anything. "Nothing happened," says Delenn, "except that for a moment I found myself feeling extremely complimented, and deeply honored, by your presence, and by your friendship."
The next day, Vir arrives on the Royal Palace, and bursts in on Londo. "Never burst in on me without knocking!" says Londo, who was about to take off his jacket. Londo mentions the surrender terms: the reparations will severely cripple the economy, and there will be nothing left to rebuild with.
Outside, Sheridan, Delenn, and G'Kar still hipe they can help out, and plan to attend Londo's inaguration. But outside, a projection of Londo, now in full imperial garb, addresses the citizens of the Republic. He blames the Alliance for the attacks, and for the severe strain the reparations will put on the economy. But he promises to rebuild their cities and to reclaim their place in the Galaxy. The Centauri will not be broken, he promises.
"This punishment is unfair," he says. "A violation of our sovereign rights. But we will bear this burden. We are no longer part of the Alliance. We are alone. We fought alone, and we will rebuild alone." In the shadows, the Drakh nods approvingly.
Vir joins Delenn, Sheridan, and G'Kar, as surprised and confused as they are over Londo's speech. Londo then arrives, and advises them all not to attend the inaguration. He also officially appoints Vir as ambassador to Babylon 5. Reluctantly everyone agrees to leave. Delenn thanks Londo on Lennier's behalf, for saving their lives. "I fear," she adds, "I can no longer see the road you are on, Londo. There is only darkness around you. I can only pray that in time, you may find your way out of it."
G'Kar respectfully salutes Londo, and the four of them of leave. Londo walks among fallen statutes and debris to the Centaurum, to be officially named Emperor of the Centauri Republic.
Back on Babylon 5, Sheridan, Delenn, Garibaldi, Franklin, and Lyta are going over the latest on the shadow pods. Sheridan points out that they cannot follow up on the matter: whether or not Londo's claim that the pods were obtained in the black market is true, the investigation is now dead ended.
Franklin says that the pods are what scares him most: having Shadow technology loose among those who cannot understand it but are willing to use it. He likens it to the nuclear bomb, a remnant of the old Soviet Union, that devastated San Diego. Weapon technologies left over from great wars are dangerous, he says. "Weapons like us," points out Lyta, referring to telepaths.
Garibaldi wonders if any useful technology has been left behind on the Vorlon homeworld, technology they can use. But Delenn points out that dozens of ships have already been sent there, and were destroyed by the automatic defense systems before they even got close.
"The Vorlon homeworld is off limits until we're ready," says Lyta. "Until we've earned the right to go there, a million years from now." She doesn't know how she knows, but she does.
Zack arrives and lets Sheridan know the fighting on the station is almost over. He wonders why everyone looks so worried, though.
"We won the war," says Delenn by way of explanation, "but what did we lose?"
In the Centauri royal palace, Londo sits on the imperial throne, alone and in silence.
The Fall of Night
Overview
As the Centauri war escalates, a Narn warcruiser seeks help from Babylon 5. Earth takes a position in the war. Keffer makes a terrifying discovery. Kosh takes a drastic step to save a life. Roy Dotrice as Frederick Lantze. John Vickery as Mr. Welles. Rick Hamilton as Mitch. Robin Sachs as Na'Kal.
P5 Rating: 9.40
Production number: 222
Original air date: August 15, 1995 (UK)
November 1, 1995 (US)
DVD release date: April 29, 2003
Written by J. Michael Straczynski
Directed by Janet Greek
An episodic soundtrack is available.
Think twice before reading what's below if you haven't seen the episode -- major spoilers follow!
Backplot
- The Ministry of Peace has been recruiting other high-level B5 staff members for its Nightwatch program.
- Vorlons appear as angelic, winged beings of light, whose appearance is different to each observer. They can fly. (But see jms speaks)
Unanswered Questions
- Is Keffer mercifully dead, or might he reappear as "worse than dead" -- a tool of the Shadows a la Morden?
- What will be the ramifications of Zack's turning the shopkeeper in to the Nightwatch?
- How far will the Centauri expansion push?
- Why did Londo see nothing when he looked at Kosh? (see Analysis)
- Who was behind the bombing of Sheridan's tram? Who were the young Centauri taking orders from, if anyone?
- What ramifications will there be to Kosh's appearance, since it was such a closely kept secret before?
- What will happen to the Narn cruiser?
- What other forces do the Narn have that were not caught by the Centauri?
- Where did the cruiser go?
- Have the Centauri made any arrangements with the Minbari, or are they relying on their non-interference in the affairs of other races?
- Will Sheridan's planned apology be enough to satisfy his superiors at Earthdome, or is he in danger of losing his position?
- What effect will the open transmission by ISN of Keffer's recorder log have on the Shadows' plans? Will it force them to show their hand?
Analysis
-
Night has indeed fallen. As the Centauri government
continues to expand by attacking other races like the Drazi and the
Pak'ma'ra, the Earth government has entered into an appeasement pact with
them. Meanwhile, the inward-turning Earth government is using their
"Nightwatch" as a means to silence dissent. However, Keffer's last flight
has made the presence of the Shadows in hyperspace known to all of Earth,
relayed to them via ISN.
- It's interesting that Kosh risks revealing himself to save one life - the
same criterion for saintliness/being the Chosen that the Inquisitor established
(cf. "Comes the Inquisitor.")
-
Vir and Lennier are both feeling the pressures of knowing a great deal
about what is going on but not being involved in the planning and
decision making stages. That they have found each other to talk to is
somewhat ironic, since each is working for masters who have taken
opposing sides - Light and Dark - in the coming battle.
-
"We will, at last, know peace in our time." This phrase, given by Lantze
when he announces the Earth-Centauri non-aggression pact, is very similar
to a phrase used by Neville Chamberlain after signing an appeasement
agreement with Hitler in 1938 just prior to the invasion of Czechoslovakia, an
agreement that failed to stop Hitler's expansionist policy. The choice of
words is probably intended to highlight the futility of such a pact with
an aggressive party and a foreshadow of future events. There are other
parallels with Nazi actions (divided between the actions of both
signatories,) but the motivations of the Earth government are not race
related nor moving towards the domination/submission of other groups.
-
NightWatch openly tries to recruit highly placed individuals, not
appearing too concerned if they refuse. This suggests that they feel
confident about circumnavigating these people with a strong sense of
loyalty at a later date, replacing them with a more easily manipulated
individual.
-
Had Sheridan refused to apologize publicly and been replaced, it would
have been with Ivanova had she accepted Welles offer to work with the
NightWatch. Otherwise they would have brought in an easily manipulated
person to command Babylon 5, as Welles indicated.
-
This episode shows the new defense grid (cf.
"GROPOS")
in action for the
first time. As promised it is an even match for a heavy battle
cruiser. The battle doctrine for the B5 universe is one of fighters
engage fighters, heavy ships engage heavy ships. During this combat
sequence we see what happens when a heavy ship ignores the fighters and
fails (for whatever reason) to deploy its own fighters. While not capable
of inducing complete destruction of a heavy vessel in the short term, the
fighters can strip a heavy vessel of its offensive/defensive armament
since such weaponry is small compared to the ship and necessarily exposed
in order to be effective.
-
Lantze is a dreamer and idealist, taking any steps to ensure peace for
Earth. He is someone who feels that the ends justify the means so long as
it does not involve Earth. This is a direct expression of the anti-alien
feelings present at the moment on Earth. That Lantze is not directly
involved in the NightWatch suggests that, while he understands the aims of
the NightWatch, his concience is not capable of handling the individual
betrayals involved. Perhaps the ideal politician.
Welles, on the other hand, is very much caught up in the management of the NightWatch. He has no conscience pangs about the betrayal of individals. While he is a co-director of The Ministry of Peace, he probably has more real power than Lantze because of what he is managing. He is also gifted with the art of manipulating people as shown with both Zack and Sheridan (although the latter is more aware of the manipulation and capable of defending against it.)
-
The Narn cruiser will probably use other races threatened by the Centauri
for assistance, perhaps acting as a mercenary. Or it may find
somewhere quiet to lie low until it can be called into the service of
homeworld. The Minbari cruiser Trigati managed to avoid capture for over
ten years (cf.
"Points of Departure.")
-
The Shadows did not destroy the recorder marker dropped by Keffer. Either
they failed to detect it (they aren't omnipotent,) or they chose to ignore
it (they are confident it would make no difference, or were unaware of the
contents.)
-
Keffer's recording log has been transmitted by ISN. This is exactly what
Delenn and Sheridan wanted to avoid. Will it force the Shadows' hand now
that they have been seen? Or will it push the forces of Light into even
greater efforts?
-
The commentary by ISN at the end of the episode suggests that the events
on Earth are not being manipulated by the Shadows. Of course this could
just be a politically expedient newscast.
-
Kosh's rescue of Sheridan is like a blessing from the heavens. This will
no doubt be taken as a sign of Sheridan's worthiness to lead the forces of
Light, as it has already been taken to indicate that Babylon 5 is blessed.
-
When Kosh left his encounter suit only Delenn was present. She has
already seen Kosh. The other ambassadors only saw a being of light
rise up and rescue
Sheridan. Kosh also landed in an empty part of the Zen garden before
returning to his encounter suit. The conversation in the Zocalo between
the Narn and the Drazi suggests they are not aware it is Kosh. What would
the reaction be if these races were to find out that the Vorlons had been
interfering (apparently benevolently) in the development of their race?
Would religions collapse under the revelation that their supernatural
beings were simply ancient aliens?
-
Does each Vorlon appear as a particular entity to each type of observer,
an entity that remains the same over time? If so, could Kosh be the original
G'Lan, and thus be at least a thousand years old?
-
Londo failed to see Kosh when he revealed himself. Does this extend to
all Centauri, or is it peculiar to Londo? If it is the former then it
suggests that either the Vorlons have not openly visited the Centauri
(why?) or that their worship of their deceased Emperors as gods has
diminished the effect of exposure to Vorlons. If it is the latter then it
must be because of Londo's association with the Shadows. If this is the
case then what would be the response of other Centauri on seeing a Vorlon? (see
jms speaks)
-
Carrying the above a step further, are Vorlons invisible to Centauri and/or
to anyone of a race they haven't dealt with before? That suggests the
possibility that the Shadows might be the same way, visible to some people
and not to others.
- @@@884249864
Perhaps the Vorlons did visit the Centauri homeworld in the past, but
manipulated the Xon
("The Parliament of Dreams")
instead of the Centauri.
-
Delenn seemed somewhat taken aback by Sheridan's unflattering appraisal of
the Vorlons' motives; she seems willing to regard them as, if not completely
good, at least altruistic, and is clearly awed by them. It's plausible she
has perceived Kosh as a Minbari religious figure from the start, which has
colored her perceptions of him in exactly the way Sheridan describes.
Might Sheridan's less starry-eyed view of the Vorlons be due in part to the training he's been getting from Kosh, the point of which (for a while, anyway) was to help Sheridan and Kosh understand each other? Put another way, has Sheridan learned to fight the legends he believes Kosh's appearance is intended to evoke?
-
Why do the Vorlons appear as the particular religious figures they do? Each
of the figures we saw was an idealized version of the race in question.
Perhaps this is to make themselves seem less alien, more familiar and therefore
less threatening. The fact that they feel the need to do this suggests that
their true appearance may be very alien indeed.
-
When Sheridan mentioned to Delenn that everyone saw something different in
Kosh, Delenn replied that each person saw something "according to his or
her type." That choice of words can be interpreted in a disturbing way, to
suggest that the Vorlons have organized other sentients into categories.
-
Might the Shadows' appearance also be subjective? What do they look like
to Morden, for instance? It may be that the Shadows feel no need to deceive
others about their appearance, as it might not advance their goals (whatever
those goals might be.) Clearly the Shadows prefer not to be seen, to work
through others, but that might be the result of small numbers or caution as
much as anything else.
-
Kosh's true form is probably smaller than what everyone saw; for one thing,
his encounter suit is shorter than he appeared to be. When he was behind
the screen in
"Midnight on the Firing Line"
he appeared to be much smaller as well. But he probably does have a physical
form of some kind, since he was able to touch Sheridan (if it were just
telekinesis, presumably he wouldn't have needed to leave his suit.)
-
Zack is having second thoughts about the NightWatch. Up until now he has
been happily accepting their money in return for just wearing the armband
and giving in few reports. He misunderstood their intentions and now
realizes that should he try to leave he will be branded in the same way as
the shopkeeper in the Zocalo. The fear of being taken out of society
and branded as a traitor is greater than the urge to stand up for what he
believes to be right. Zack's dissatisfaction with the
NightWatch might be useful at a later date.
-
The signal for the Centauri weapons lock on to Babylon 5 sounded like that
of a submarine sonar. It represents an active weapons lock (ship sending
out signals to locate its target) rather than a passive lock (ship
detecting emmissions from its target.) It brings a tension to the
situation inherited from the submarine warfare genre of films.
-
How compatible is an Earth Alliance career and raising children?
Ivanova's conversation with Lantze suggests that women do bear children
while actively continuing with their careers. Another hint from JMS that
the military at least are an equal oppourtunities employer.
-
The celebration of Winter Solstice described by Lantze is a pagan
festival. The celebration of Christ's birth, though important in
Christian teaching, was not begun until the 4th century. The time of year
was chosen to counter the celebration of the Winter Solstice. Presumably
the reference to the public celebration of the solstice indicate a more
open tolerance of religion on Earth in the 22nd century, and that there
are other religious groups that celebrate the same period for different
reasons.
-
It's Keffer's obsession with the shadow ship he saw in hyperspace in
"A Distant Star"
that leads to his demise.
-
Kosh has now offered his hand to Babylon 5's commander twice, both times
with potentially disastrous results.
-
The exchange between Lennier and Vir might have been more than mere comic
relief. Perhaps they were actually passing information back and forth
using a code of some kind -- Vir now appears strongly motivated to do
something like that.
- Ivanova's lighting of candles at the end of the episode had a deeper meaning than may initially be obvious. In Orthodox Jewish tradition, Chanukah (the Festival of Lights) celebrates both the victory over the conquerors of Jerusalem and the victory of those who wanted to uphold traditional values over those who wanted to assimilate with the enemy, an internal struggle which is also arguably the main theme of the episode. (See jms speaks, here and in "The Long, Twilight Struggle")
Notes
-
The character "Corwin" is no doubt named after Norman Corwin,
JMS' friend and mentor.
-
Ivanova's comment about Sheridan being weightless depends on one's point
of view. In a strict, pedantic sense, everyone on Babylon 5 is close to
weightless, since weight is defined as the force with which a mass is
gravitationally attracted to another mass, and B5 achieves the illusion
of weight by rotation, not by gravity. (Leaving aside, of course, the
gravity of the planet below the station.)
Sheridan's movement away from the station's axis is due to three factors. First, the tram wasn't exactly at the axis, so it was revolving at some speed. Just as a rock flies in a straight line if you swing it on a piece of string then let go, Sheridan would have moved toward the ground even if he'd just stepped gingerly out the door.
Of course, he didn't; he leapt. Depending on whether the door was facing into or against the station's spin, this might have either accelerated his descent or slowed it. The fact that he appeared to not leap very hard suggests that the door was facing spinward and he wanted to stay in the air as long as possible.
The final factor is the atmosphere, which rotates in the Garden along with the ground and everything else. As Sheridan fell, he would be pushed along by air revolving at speeds closer and closer to the speed of the ground; this would tend to accelerate his fall, since it would cause him to revolve more quickly. So the longer he fell, the faster he would be going. That effect would probably be fairly weak for most of the fall, so it might not have accelerated him to high enough speed to cause serious harm when he hit the ground.
Unfortunately, his inertia would keep him from achieving ground speed even with the push of the wind, so as Ivanova said, he would have hit the ground as if he'd fallen out of a car on the freeway, even if his rate of descent alone wouldn't have been enough to hurt him seriously.
In any case, Sheridan is probably quite glad Kosh chose that moment to make an appearance.
jms speaks
- Janet [Greek] was not available to us for most of this season due to
illness (flu turning into pneumonia), but she's better now, and will be
directing our season-ender, "[The Fall of Night]." We hope to have her
do five or six next year, and will of course try to get her for our
first and last as with this year and the last of year one; she's kind
of our good luck charm.
- On Monday we begin our last week of filming. We're going for an
eight-day shoot this one time, rather than our usual seven-day shoot,
because of the extraordinary EFX requirements to pull off the finale.
It should be a doozy.
- How does the finale compare? Hmmm...depends on what you're looking
for. "Inquisitor" is primarily a character piece, virtually no EFX,
but very intense. The story is kind of straightforward, with a few
kickers along the way. "Twilight" is a heavy story episode, that
zips all over the B5 landscape, between the Narns, the Centauri, and
elsewhere (he said vaguely). The finale, "The Fall of Night," is
actually kind of deceptive; it starts out fairly calmly and tightens
fairly fast. The story is not as back-and-forth or layered as Twilight
or Coming, it's really about one thing. Visually, it's the most
ambitious thing we've done to date, and probably the most ambitious
EFX stuff done for a TV series *ever*. I don't think you'll feel left
wanting after the episode is done.
- No, the last ep of this season wasn't per se a cliffhanger, though it
does tip over a few things, so it flows from 222 to 301 fairly smoothly.
- Yeah, this is the other structure that's kind of a favorite of mine.
I used it also in "Coming of Shadows." It starts out kind of slow, it
lulls you into a sense that this is going to be a fairly ordinary story,
nothing major...allowing me to sneak up behind you in the story and just
*whack* you real hard when you're not expecting it.
- @@@846713900 We've been consistently giving Jeff Conaway more and more
to do in the show because he's a very gifted actor; there are some
moments in the coming month's episodes, particularly "The Fall of
Night," that should knock the word "mediocre" out of anyone's mouth.
- @@@840399188 This episode had enough votes for a Hugo nomination,
but JMS didn't accept the nomination.
Yes, since the last time we were in Hugo contention, the splitting of votes cost us the award (combined votes would've been enough going in to win), the folks gave us the option of withdrawing one of the two, and since "The Coming of Shadows" seems the overall favorite, that one was the one kept.One other good thing about the withdrawl of one episode was that it allowed Terry Gilliam's "12 Monkeys" onto the ballot, which otherwise would've been frozen out, and it deserves the recognition of the nomination.
We're all *very* pleased and excited by the nomination.
- @@@840399188 They gave me the option of
having the two nominations or withdrawing one of the two, and we
decided to go ahead and withdraw "Fall," to avoid splitting the vote,
and to allow another entry into the field, which was apparently "12
Monkeys," which definitely deserves the recognition of the nomination.
- @@@840399188 Apparently this option is often given.
- In a few days we will begin shooting the final episode of
season two: "The Fall of Night." In terms of action, this is the
biggest thing we've ever attempted. Where normally our scripts have
50-80 scenes/shots (as noted in numerical sluglines), this one has 134;
of which 64 are EFX shots, some in combinations. To understand the
weight of that, there were 60 EFX shots in the entire two-hour pilot.
In addition, this has more and more *complex* CGI than the first 13
episodes of our first season put TOGETHER. Nothing on quite this scale
has ever been attempted in series TV before, and the irony is that the
major part of this covers only a few minutes in the fourth act.
This stuff is going to involve every one of our EFX divisions, compositing, makeup, prosthetics, costuming, practical effects, mattes, CGI; the visual EFX meeting was the biggest we've ever had, and everyone's both sober and excited. Because there are only two options when you go for something this substantial: either you're going to do something truly amazing, or you're going to massively fall on your face. For our EFX people, this is kinda like boarding the wildest ride at Magic Mountain and leaving off your seatbelt on a dare...it's one hell of a ride, but boy is it dangerous.
But as Ron Thornton pointed out: no guts, no glory.
This is also going to be a Janet Greek-directed episode, who for various reasons was only available to do our first episode prior to this, but she's kind of our good luck charm, and we wanted someone who's done as much for us as she has to come in here and helm this...because it could probably break a less experienced (on B5) director.
- Thanks. That last sequence is the single biggest effects sequence
done for TV, insofar as I know. There are 34 composite shots in a
matter of just a few minutes. Our guys nearly went blind doing it,
but it's cool. The whole feel, I think, is quite nice.
- Definite agreement on the shuttle sequence, works nicely.
- A wire harness was used; and the effect you ask about
[Kosh] was a mix of CGI, live action, and rotoscope.
- I think the Kosh stuff is *very* cool...but I don't want to over-sell
it; best to see it cold.
- Kosh's wings looked like those of the aliens in "The Abyss."
There was no deliberate homage, but the individual who helped design that, working with me, was Steve Burg, who has worked on Abyss and T2. - How long did the Kosh scene take to get right?
It took, literally, months of trial and error, design and redesign, which is why we did it as the last episode of that season. - Since "The Fall of Night"
has now aired in the UK, and word is getting
out, herewith a post I left on GEnie about Kosh's now-revealed
identity. I thought it came out fairly well, so I'm repeating it here.
*****
Okay. Here it is. I'm gonna do it. I'm gonna reveal Kosh.
I'm not kidding. Bail now if you're looking in and don't want to know.
No backsies.
I mean it.
Last chance.
Okay, this is it.
"If he leaves his encounter suit, he will be recognized."
"By who?"
"Everyone.""The First Ones taught the younger races, explored beyond the rim, built civilizations...."
Kosh is what you're pointing at when you say "That's Kosh."
"Yes, the Vorlons have been to Earth, the Vorlons have been everywhere. The Vorlons *are*."
They *are*.
"For centuries, the Vorlons have helped the younger races, guiding us, and --" "And manipulating us?" "It is, as you say, a matter... of perspective."
They *are*...a matter of perspective.
Each race who sees them, sees something out of their own past, their own legends, religions, faiths. A being of light, if you will, but a Drazi sees the Drazi version of that, Droshalla; the Minbari see the Minbari version of that, Valeria; humans see a human version of that.
It is the mirror in which we see our beliefs reflected, but is it the progenitor of those beliefs...or an implanted image that overlays that vision on top of the true form of the Vorlon? Is it revelation, or is it manipulation?
The Vorlons are a cypher. The Vorlons are a matter of perspective. The Vorlons are guides...or users, emissaries or puppeteers, who wish to be seen a certain way, so that we will react properly.
Is this good, or is this bad?
And the truth is, even though you have seen a Vorlon, have you seen THE Vorlon, the one behind the image that dances somewhere between your optic nerve and your brain?
Or to quote a message I left long ago, paraphrased from memory, "The hand Sinclair sees is not the hand Sinclair sees, and the hand Sinclair sees is not the same hand someone else in the room sees, and is not even the hand that that person sees."
The Vorlons Are.
- Kosh is weak. He allowed himself to be poisoned by a Minbari and
attacked by Morden. He needed a Vicar to probe Talia and needed
Sebastian to test Delenn. He rarely does anything directly, preferring
to use others. I find Kosh slightly righteous.
Thanks. And finding Kosh slightly righteous is pretty much the desired intent. So you're clicking on all the right cylinders. - @@@894388635 Was he really poisoned, or just pretending?
("The Gathering")
No, he wasn't faking it. Understand that their appearance as a being of light is only how they want to appear; they are life forms much the same as many others, and can be poisoned if one knows the right combination of substances. - Kosh is an angel! But which one?
Actually, no, not really; Kosh is what you see when you look at him. And if a Drazi looks at him, the Drazi sees something different than a Minbari; yes, a being of light, BUT....
Is that what they actually ARE, or how they have programmed us to react when we see them? As Sheridan said, have we been *manipulated* to seeing them a certain way, seeing a certain image? We may not be seeing what they ARE, but what they WANT us to see.
It goes a heck of a lot deeper than what it seems.
- @@@846713900 "Joe identified the figure Sheridan saw as the angel
Gabriel."
No I didn't.
- @@@846713901 Kosh *appears* to us
as a being of light...doesn't mean that's entirely what he is, that's
how we've been programmed to see him.
- That's the irony, in a sense...what's inside Kosh's biomechanical
encounter suit...is a *perceptual* encounter suit....
- Would a Hindu, or a Buddhist, see Kosh differently?
Yes, there would be some amount of variation among humans, though not in terms of beliefs that may have come along post-Vorlon influence. This sort of thing has been implanted almost at a genetic level, and they do have a hand, or a mind, in activating it when seen. The more people who see them in different ways, the longer they must maintain that, the greater the strain on them. - The more people who have to *see* Kosh as one of their own, the
greater the strain on Kosh, as you'll note in the first ep of year
three.
- @@@839744359 Being seen by one person is automatic, no strain
involved, it's almost an autonomic reflex...it's extending the
influence to more than one person that's difficult.
- The Vorlons aren't prepared to fight? They'll refuse?
As for the Vorlons line..."prepared" should be taken in the same sense as "ready"...so they may not yet be ready. - Yes, the Shadows know that the Vorlons are still around, and that Kosh
is there. That's never been any kind of secret. They're just hoping
that the Vorlons and anyone who might believe them won't find out that
they're out and about again until too [late.]
- @@@846713901 The vorlons were never intending to hide themselves
from the shadows; they both know where the other can be found. The
concern was in the vorlons potentially revealing themselves to others,
and standing openly as what they were.
- The Vorlons aren't yet ready; they can't take on the shadows by
themselves, and must bring together other forces.
And in each case, re: Kosh, what they saw was not the *head* of their belief, but in essence a supporting being of light; it wasn't G'Quon, but G'Lan that G'Kar saw, which was a being that story tells us served G'Quon. So you wouldn't see the head of the religion, since there can only be one of those, and lots of Vorlons, but each tends to have a supporting cast, for lack of a better term. Those are what we perceive the vorlons to be.
And remember, we didn't see any other human's POV of Kosh but Sheridan's.
- No, she wouldn't. Again, you don't see the *top* of the echelon of any
belief, because there can be only one of those; it's the servants of
light you see (and even the Old Testament makes reference to such
things).
- Yes, those are pretty much the two interpretations...
that the Vorlons *created* the myth of angels, or that they
came in and *exploited* it for their own purposes. In my
view, the latter seems more logical in some ways.
- @@@846713901 It has not been stated anywhere that the Vorlons created
the angel element; they could easily just have come in and tried to
exploit it....
- @@@846713901 I'm sorry, but anyone who thinks the use of an angelic (or
seemingly angelic character), whose likes have been written about for,
oh, about 4,000 years, is ripping off Star Trek, has his head so
thoroughly up his ass as to have blipped into an entirely new
intestinally-based reality and desperately needs to get a wider frame
of reference.
- When one Vorlon looks at another, he sees a proper Vorlon.
- Will WE see a proper Vorlon?
We will see them. Eventually. - What, I should begin catering to prurient interests?
Broadcasting picture postcards (likely French) of Vorlons
in provocative poses, in lingerie? A terrible thing, that
a nice young man such as yourself should be asking about.
Does your mother know you're out here doing this? Good heavens.
And who said they reproduce anymore?
- Where did Kosh go afterwards?
First he returned to his encounter suit, then he went to his ship, and stayed there for quite a while. - Yes, he had the momentum from his jump, plus that of the
core shuttle itself (which is considerable), plus the wind
currents toward the center of the station area/garden, which
area also considerable. Together that would be enough to
keep him moving toward the outer edge of the garden area.
- @@@840399188 What keeps people on their seats in the core
shuttle?
There are mag-strips, also hand-holds, seat belts and foot-straps. As you enter you hear the voice warning that this is a reduced gravity area, and to exercise proper precautions. - Nnnnnnoo, not really;
the Centauri don't actually have an equivalent to G'Quan or Valen.
Believe it or not, this one answer may add another layer to a scene in one of the last episodes of this season. You can infer it backwards once you see it, but now you'll have it going in.
- They [Centauri]
believe in a variety of afterlives; the god you worship, of the
centauri pantheon, holds dominion over a given "heaven" or afterworld.
If you appease the god sufficiently during life, it will accept you
into that afterworld, in preparation for the day when all heavens are
united; if not, you will have to be reborn and choose another until
one accepts you.
- Londo saw what he said he saw.
- Basically, all that was indicated in the script was that he for a beat
isn't sure what's up...then lets it go. I generally don't drop specific
points explaining foreshadowing in the scripts, in case they leak out.
If a line like that isn't sufficiently clear for the actor's intent,
they then come to me and I explain it verbally. This was done in
particular when we had to shoot "Chrysalis" before "Signs and Portents,"
even though the latter aired before the former.
- "It doesn't matter. This place has been blessed." Nobody was
trying to claim it was only THEIR deity.
Thanks. I think that, with so many races around, you couldn't go into holy wars or jihads at every occasion. In a way, what was seen was a validation for many...a moment they all came together, instead of coming apart. - Why didn't Clark reprimand Sheridan personally?
From a strictly logical standpoint, a president would not lower himself to deal with this personally. When MacArthur and Patton earned the disfavor of the president, it was intermediaries who pulled them aside and registered this. Also, gradually more authority is being vested in Nightwatch and the Ministry of Peace, as that's his arm, and so he'd be inclined to use that since he's in most direct control. (Just to explain why what was done was done.) - About Zack trusting the Nightwatch
And bear in mind that it's never just a common sense "oh, these guys are lying to me from Nightwatch, they're the bad guys." It's always couched in such a way that it sounds like it *might* be a real concern. That was how McCarthy and others terrorized this country during the 1950s. There were plenty of people who really *believed* that the Reds had infiltrated every aspect of society, as well as those who might've had doubts, but figured that maybe where there's smoke there IS fire. - There's also a certain amount of McCarthyism inherent in the
Nightwatch, the emphasis on revealing spies in our midst, enemies of the
people.
The problem with pointing to the Nazis or the Gestapo exclusively is that it allows us the safety of saying, "Well, it happened just there, and only once, *we* could never fall for that."
Wrong.
- Bear in mind that Sheridan specifically states that the treaty had
*not* been finalized yet between Earth and the Centauri, so the attack
was not a violation of a treaty that hadn't been signed yet. (And very
likely the Centauri captain was unaware of it *anyway*, just as Sheridan
was taken by surprise by it all.)
- I hope Sheridan verified those orders.
And the really great thing is...you're quite right about verifying orders from one arm of the government with another...as we'll see in the first third of the coming season. Good call. - After the Centauri tried to kill him, the need for an apology was
somewhat obviated. Had he still been forced to do so, the one he
rehearsed was the one he intended to give.
- The "peace in our time" reference
Yes, it was a definite nod to Chamberlain, and a bit of foreshadowing for ominous things to come. - There are a number of metaphors in the show that operate on many
different levels; it can't be a one-to-one corrolary to WW II,
because that limits and makes predictable your story.
In musical terms, it's almost a tonal piece, taking elements to which we respond, almost subconsciously, and then rearranging them into something that is, one hopes, a new construct. You can find here echoes of Vietnam, of Kennedy, of Chamberlain, of WW II, of Korea, of the Mideast; in a way, it's a thematic piece that touches how we have come to think of war, and conflict, across the development of the 20th century, and the role of the individual in that regard.
We have learned to think of war as something now on a huge scale, an entity in itself. Once upon a time, before the gatling gun and the automatic rifle, combat was something individual, even in larger wars, one person against the enemy...and that person was honored, one person could turn the tide against the enemy. In a world in which weapons of mass destruction exist, where then is the individual? Where then the bravery, the struggle, the triumph...and the failure? Where, fundamentally, is the responsibility?
All of that is intertwined with the storyline, and to communicate that I'm not averse to taking elements of history that resonate with that theme and reworking them, knowing that on a cellular level, we *recognize* that aspect, we've seen it...but now in a new context, we can see it differently, discuss its implications, *learn* from it.
This is one of the things I rarely talk about, because it's the kind of thing that is best left simply implied, or implicit, in the work, and because if you have to draw attention to something in the work, somehow I think it lessens it, because it works best unspoken. And because I guess it sounds kinda presumptuous, and high-falutin' and self-indulgent. But it's one the things that matters to me in the context of the story.
- Symbolism in Ivanova's
candle-lighting
Moshe: an excellent analysis of the theme behind that scene, which as you state ties directly into the theme of the whole episode, and moreover, somewhat sets up the theme for the coming season...who will determine your identity, the rules you follow, who will lead you, and who you are...the question of, as you say, those who wish to accommodate and give in to pressures from within and from without.Didn't want to be heavy-handed about it, so I figured those who got it, got it; those who didn't, would see a nice candle scene which sets the mood, even if they don't get the full thematic/symbolic aspects that others would get.
(not a Talmudic scholar, but I play one on TeeVee....)
- The narrative [at the end] was a tonal setup for next season.
- Imagery in Season Two episode titles?
Yes; work it out as you have, but take it further...we start with a point of departure...then after some revelations, examine the geometry of shadows, then begin to more forward, a race through dark places. We come toward the long dark, our past a distant star. We carry the motif of a world getting dark. The coming of shadows that darkens into the long twilight struggle, the last period between day and night...and we end the season on...the fall of night. - Actually, the "snitch" was the C&C tech, NOT the pilot, they just
have a somewhat similar appearance.
We've established that klaxons go off elsewhere in the station during an attack to warn civilians, but they aren't going off in C&C because they make it impossible to concentrate, as per military tradition (see "And Now For a Word" to confirm this).
There wasn't time to call Draal, and they can't begin relying on him for every problem; they have to be able to hold their own. You would only bring in Draal on something really major.
- Is Keffer dead?
He is an Ex-Keffer. - Does that mean he's dead?
Dead as the proverbial doorknob. - Keffer jettisoned his recording as soon as the Shadow ship started
scanning him. But the ISN broadcast showed the Shadow ship turning and
firing.
Yeah, I kinda figured that recorders like this would be outfitted with a receiver for the ship's gun camera. This would be vital to locate ships that got lost, and track as long as possible what happened after the log was ejected, and before the recorder moved out of range. - Yes, the camera was still mounted on the Starfury, but cameras even
today are constantly transmitting to other locations; TV cameras don't
just transmit on a cable to the box they're attached to, they are
uplinked to other places. Similarly, the recording device continued
to receive transmission from the Starfury until such time as it either
went out of range or, in this case, the transmitter was destroyed.
- What was the part of the station that was shot off?
It's an area for helping secure ships while being offloaded into the zero-G cargo bay right behind it. - @@@846713901 We'll see both the tines being repaired, and the core
shuttle being fixed, in ep 1 of year 3. The tines are mainly to
stabilize incoming cargo ships so they can be offloaded (something we've
shown there from time to time) into the zero-g cargo bay.
- What does "time on target" mean?
It's an actual military term for launching a lot of stuff, so that even though it's launched at different times, it all arrives at once. - The interceptors line refers to the fact that there are so many
incoming bursts that the interceptors are only knocking down 90% of them
at this point, meaning that some of them (the incoming bursts) are
getting through.
- Visually, yeah, I'd have to say TFoN is one of our biggest from year
two, and I'm quite fond of it; the only reason that it isn't in my
top three is because while the last half is very intense, it takes a
little bit to get there; I like 'em intense from the first frame on.
For the growing use of montage/intercutting...it's really just a process of continuing to learn my craft. So I try out and experiment with different techniques. While I love dialogue, and lots of it, I'm also coming more and more to appreciate moments where you *only* play the visuals, and the music, and get out of the way of the Moment.
- It's fair to say that you will be seeing that Narn cruiser again; it's
still out there.
- @@@846713901 Keffer wears a blue scarf with white stars; Mitch
wears a white scarf with red stars. Is scarf color indicative of
squadron?
I do believe they relate to squadrons, yes.
Originally compiled by Jason Snell.
The Fall of Night
Synopsis by Matthew Murray (mmurray@wsu.edu)
Captain Sheridan is out helping to train Zeta Squadron against the Centauri, should the need to fight them ever arise. One of the other pilots is able to shoot Lt. Keffer quite easily, and is about ready to start again when Sheridan receives a call from Ivanova saying there's an emergency on Babylon 5. Sheridan orders Zeta Squadron to continue practicing the maneuvers and returns to the station.
Lennier enters the Zocalo where he finds Vir sitting there, nursing a drink. Lennier sits down next to him and says to Vir, "Sometimes I get so close, and yet it seems I'm shut out of the important things."
"It's a useless feeling," Vir replies. "The ambassador is definitely
going through some changes. He even looks different."
"Indeed, and now with the military starting to stampede over everyone and everything..."
"The coming and going and secret meetings..."
"You never know what it's all about, until later, when it's too late."
"They never listen to us."
"It makes me nervous," they both say at once.
"Same time tomorrow?" Vir asks.
"Sure," Lennier replies as he leaves.
Sheridan meets up with Ivanova who tells him that the Drazi and Pak'ma'ra ambassadors are waiting for him in his office with an urgent matter to discuss. Sheridan orders that all the fighter squads be put through extensive training so they will be ready to fight if necessary.
Ivanova asks the Pak'ma'ra ambassador if he is certain that he is
correct, and he assures her that he is. The Drazi ambasador explains
that the Centauri have invaded both of their territories, taken command
of listening posts, and are preparing to attack other races and other
worlds. "War is spreading," the Drazi says. "Perhaps soon they even
attack you."
Sheridan paces back and forth in his office as Ivanova arrives with Londo. The conversation is very tense as they discuss the movement of the Centauri forces. Sheridan asks why what the Centauri did to the Narn wasn't enough, but Londo insists that they are merely trying to stabalize the region, using the conquered worlds as a buffer zone, though the Drazi and Pak'ma'ra don't agree. Londo says his people merely want to establish a presence, and Sheridan demands to know where it will end. He tries to convince Londo that the Centauri are at the center of the trouble, but Londo refuses to listen. He warns Sheridan not to overstep his authority, which ends at Babylon 5.
Garibaldi tells Sheridan that Londo has been acting very differently, and that he can no longer be talked to or reasoned with. Sheridan asks Garibaldi how to get through to Londo, but Garibaldi says it can't be done as long as Londo is afraid, and that he isn't able to keep up with the climactic changes occurring all around him. Sheridan says that he made a full report to Earthdome, and with the new races involved, Earth can no longer ignore the problem. Ivanova calls Sheridan and tells him that Frederick Lantz, from the Ministry of Peace, has just arrived on the station, and Sheridan leaves to see him.
As Keffer and a fellow officer finish their training, they both admit
that they are very tired and wish they knew what was going on with
Sheridan. The officer suggests it might be the "ghost"--something
several other officers say in hyperspace while returning from sector
14. She explains that they said it looked like a cross between "a
spider and your worst nightmare."
Sheridan meets up with Lantz, who introduces him to Mr. Welles, the man
in charge of the Nightwatch. Sheridan introduces them to Ivanova, and
Lantz tells Sheridan that he wants to interview Londo and the
ambassadors of the worlds affected by the Centauri expansion. Mr.
Welles says that he wants to speak with the members of the Nightwatch
aboard Babylon 5. Ivanova tells them that she can't believe they came
to Babylon 5 -- she never thought they would. Lantz explains that
Earth can't sit still forever, but it
is good to know firsthand whether they're about to make the right choice.
Keffer meets up with another pilot in the Zocalo and asks him about the
ghost he saw. The officer, Mitch, tries to avoid the subject, but
Keffer is able to provide a flawless description of the ship, telling
him that he saw it as well, but that he wasn't able to record it or get
any other information about it. Mitch tries to convince Keffer that he
shouldn't try to search for it again.
While discussing the situation with the Drazi and the Pak'ma'ra and
other tidbits of information about Earth with Ivanova,
Lantz explains that he wants
to leave his grandchildren a good legacy, and that is what he hopes to
accomplish by working for the Ministry of Peace.
On C&C, a jump point is detected opening up on the other side of
Epsilon 3, where it can only be detected by Babylon 5. It turns out to
be a Narn war cruiser, which hails them. The captain tells Sheridan that,
when the Centauri attacked the homeworld, his ship was on a deep-space
assignment, but that he hopes that they can help liberate the
homeworld again, and to do that, they need the help and sanctuary of
Babylon 5.
Ivanova is just about to eat when Mr. Welles enters and asks to speak
with her. He asks her if she is happy, and she tells him that she
supposes she is. He says he likes to know as much as possible about
the people he works with, and that her record is exemplary, and asks
what her plans for the future are. She says she's happy on Babylon 5
for now, but isn't sure what the future holds for her; she may
like to captain a starship. Welles tells her that, with the help of
the Nightwatch, she can get her ship years earlier than she otherwise
might, and he offers to pull
some strings for her if she will help them discover disloyal people and
potentially dangerous problems forming on Babylon 5. She tells him
that she has learned all about the Nightwatch, and was worried
about what she learned, and that she has no intention of violating her
personal beliefs to advance her career.
Sheridan informs G'Kar about the Narn war ship, and says that it is
safe for the time being. G'Kar is happy about the news, and glad that
Sheridan plans to give them sanctuary. Sheridan tells G'Kar about
Lantz's visit; G'Kar is delighted to hear that Earth is prepared to
take sides, and rushes off to try to meet with Lantz.
Mr. Welles addresses the Nightwatch members aboard Babylon 5 and is
pleased with their progress, except that of Zack Allan, who hasn't been
reporting much, such as a shopkeeper's vocal complaints about new import
regulations. Zack tries to defend himself saying that he didn't see
anything wrong with such talk, but Welles disagrees, saying that this
is precisely the kind of thing they should be informed of. He tells Zack to be
extremely careful about anything suspicious, no matter how innocent it
may seem. Zack is still very uncomfortable about the situation, but
admits that the reports about the shopkeeper
are true. Welles is pleased by this, and tells Zack that he shows
great promise.
Mitch goes to Keffer and gives him a data crystal containing
information about sensor readings of the Shadow ship that may help
Keffer locate it. Mitch warns him that he may be risking his own life
by searching for the ship, and that he no longer wants any part of the
mysterious vessel.
Lantz finishes meeting with the last ambassador of the League of
Non-Aligned worlds and prepares to meet with Londo when G'Kar arrives,
asking for five minutes of his time. Lantz refuses, though G'Kar does
his best to convince him otherwise.
The captain of the Narn ship tells Sheridan that the repairs are going slowly due to lack of power. Sheridan suggests shutting down the jump engines so they can use the extra energy to assist in repairs, and Sheridan assures the captain that Babylon 5 will protect them. Lantz arrives at C&C and asks Sheridan about conducting fighter exercises against Centauri combat models. Sheridan tells him that it is true, and Lantz orders him to stop with the drills. Lantz also informs them that he has been authorized by Earth to sign a non-aggression treaty with the Centauri, forming an Earth-Centauri alliance to keep Earth safe. "We will, at last, know peace in our time," Lantz says.
As Welles walks down the corridor, he is approached by a technician from C&C who was unable to attend the meeting. She does, however, have other information for him.
Sheridan can't believe the idea of the non-aggression treaty, and
Ivanova agrees; it protects Earth and leaves
the Centauri free to attack other worlds. Sheridan tells Ivanova that
he no longer feels as proud to be in Earth Force as he once did, and
Ivanova tells him that, as 2260 is nearly upon them, it may be a year
to make the uniform mean something again. She presents him with a
small wrapped present, for Christmas or Hannukah. He opens it up and
finds a piece of metal inside that he doesn't recognize. She tells him
that she located a piece of the Black Star and wanted to give it to him
as a reminder that sometimes it is possible to achieve something others
believe can't be done. Londo calls Sheridan and tells him that he
has learned that Babylon 5 is hiding a Narn warship and orders the ship
and crew turned over to the Centauri. Sheridan ends the transmission
and wants to know how Londo found out about it, and Ivanova suggests it
was the Nightwatch that was responsible. The two of them rush
back to C&C.
Sheridan orders a channel opened up to the Narn ship and tells the
captain that the Centauri know they are there.
A jump point opens and a Centauri battle cruiser
arrives, blocking the Narn ship from fleeing through Babylon 5's jump gate.
Sheridan, who promised G'Kar he'd do whatever he could, sends out Zeta
Squadron to escort the Narn ship. Lantz arrives at C&C and asks
Sheridan to explain his actions. Sheridan tells him that he promised
Sanctuary to the Narn ship and will do whatever he can to keep that promise.
Lantz tries to protest Sheridan's actions, but Sheridan has him taken
out of C&C as Zeta Squadron launches. He opens up a line with Londo
and tells him that the Narn ship will be granted free passage.
Sheridan tells Londo that, if the
Centauri opens fire on the Starfuries, Babylon 5 will respond with
deadly force. He sends a copy of the transmission to the Centauri
cruiser and orders the defense grid activated.
With the Starfuries in position, the Narn ship begins to move toward
the jumpgate. The Centauri cruiser changes its position, opens its gun
ports, and targets the Narn ship, Zeta Squadron, and Babylon 5 itself.
Sheridan targets the Centauri warship and tells Keffer to fire if fired
upon. The Centauri lock onto Babylon 5, but Sheridan refuses to fire
until the Centauri do, which happens after only a few seconds.
Sheridan fires interceptor shots and continues to defend Babylon 5
and the Narn ship as it is escorted toward the jump point. Babylon 5
is hit a couple of times, and Sheridan orders all weapons fired
on the Centauri ship. The Narn ship
makes it through the jump point; the Centauri ship, severely damaged
by the station's attack, explodes.
Lantz tells Sheridan that the Centauri are extremely upset over Sheridan's actions, and despite the fact that morally and legally Sheridan made the correct choice, Lantz refuses to accept Sheridan's actions. Lantz tells Sheridan that the Centauri have accused them of moving out of neutrality and into a pro-Narn position. Welles tells Lantz and Sheridan that the joint chiefs agreed with Sheridan's actions, which were in accordance with Earth Force regulations, though, had Sheridan informed them of the Narn warship earlier, things may have turned out differently. Lantz tells Sheridan that the Centauri are willing to drop the entire thing if Sheridan apologizes. Sheridan is outraged at this, though Welles tells him that he has been ordered by the president himself, and that, should Sheridan go against those orders, he would be removed from command of Babylon 5. Welles explains that a meeting among all the ambassadors has been set up in the Zen Garden.
Zeta Squadron sticks with the Narn warship until Keffer's ship's computer informs him that there is an elevation in neutrino levels -- one of the signals from Mitch's data crystal. Sending the rest of the squadron and the Narn ship on ahead, Keffer breaks off to investigate.
Sheridan, in his dress uniform, practices his apology. "I apologize. I'm sorry. I'm sorry we had to defend ourselves against an unwarranted attack. I'm sorry that your crew was stupid enough to fire on a station filled with a quarter million civilians, including your own people. And I'm sorry I waited as long as I did before I blew them all straight to hell. As with everything else," he muses, "it's the thought that counts." He leaves to go make the speech.
Keffer,
following the computer signals, finally spies the Shadow ship and
orders the computer to begin recording.
All the ambassadors and their assistants have gathered in the Zen
garden, waiting for Sheridan's speech as Sheridan makes his way there.
As he approaches the transport tube, he is noticed by two young
Centauri. In the garden, Ivanova notices that G'Kar has arrived. She
tells him that he shouldn't be there, and he tells her that he has come
to speak on Sheridan's behalf, and that the League of Non-Aligned
Worlds may listen to him. Delenn and Kosh move off together to talk
in private.
Keffer is scanned by the Shadow ship. He orders
the computer to attach a homing beacon and eject the system record.
The beacon has barely had time to leave the ship when the Shadow vessel
turns toward Keffer, and he is enveloped, screaming, in a blinding
white light.
Sheridan enters the transport tube and finds a place to sit down for
the trip. When the car arrives at the second transport station,
everyone except Sheridan leaves the car. When the car recommences its
motion, Sheridan hears a strange noise and notices that an explosive
device has been placed on a seat nearby and is nearly ready to
explode. Sheridan orders the computer to override and open the shuttle
doors. He springs out the door and the car explodes behind him.
The explosion -- and the rapidly falling Sheridan -- capture the attention of those in the Garden below, but there is very little time. "In Valen's name!" Delenn says.
"Oh my God!" Ivanova exclaims. "Emergency alert. We've got an explosion in the core shuttle. We need rescue jetpacks and we need 'em now."
"What are you trying to do?" G'Kar asks.
"He's more or less weightless," Ivanova explains. "But the ground is rotating at sixty miles an hour. If we can't catch him, he'll be killed by the impact."
"You won't have time!" G'Kar offers.
Delenn turns to Kosh, standing by her in a deserted section of the garden. "Kosh, you know what's at stake. If you are going to do anything, you must do it now!" The headpiece of Kosh's encounter suit opens up, a brilliant blue light shining from within.
Sheridan continues to fall as Ivanova receives another communication,
saying that the rescue team can't get there for two minutes. Ivanova
tries to get them to hurry, since they have only thirty seconds.
Delenn looks up at Kosh as he emerges from his encounter suit. As Kosh
soars into the air, she recognizes him as a tall, winged Minbari, the
bone on his head carved into the shape of a crown. He is glowing with
white and yellow light as he flies toward Sheridan.
Lennier also recognizes him instantly. "Valeria!" he exclaims.
The Drazi ambassador sees Kosh as well, but sees him differently.
"Droshalla," he shouts out as he sees a light
ensconced Drazi rise into the air on her wings.
"G'Lan," G'Kar says breathlessly, referring to the Narn clad in pure
white who is flying up to Sheridan to rescue him.
Londo looks up as well, puzzled.
As Sheridan falls, he too sees something different. A human male, clad
all in white, and outlined by a warm yellow glow against his wings,
holds his hands out to Sheridan, who grasps them. The figure,
appearing as an angel to Sheridan, helps him to the ground, again in
the secluded part of the garden. When he arrives, Sheridan is
astounded. "Kosh?" he asks. The figure nods.
Delenn enters Sheridan's quarters. She was worried about him, but Sheridan says he is fine. "The whole station's talking about what happened. Every race that was in the garden saw something different... yet the same. A being of light."
"Yes," Delenn affirms. "Each according to his or her type."
"But it was Kosh, wasn't it?" Sheridan asks Delenn, and she nods. "That's what he meant when he said that if he left his encounter suit, he'd be recognized by... everybody," Sheridan concludes.
"For millions of years, the Vorlons have visited other worlds, guided them and..."
"Manipulated us? Programmed us so that... when we saw them, we would react the right way?"
"It is, as you say, a matter of perspective," Delenn tells Sheridan solemnly. "What matters is that he has revealed himself to those who understand--you, me... and those who have been watching. The Shadows will know what Kosh has done. They will worry, afraid that he would not reveal himself unless the Vorlons were prepared to stand against them."
"Are they?"
"I do not think so. But as long as the Shadows believe the rest of us are unaware of their existence, we have time to prepare."
"Well, let's just hope that nobody find out about them until..." Sheridan is interrupted by a call from Ivanova saying that Zeta Squadron has returned, but Keffer has not.
In the Zocalo, a Narn and Drazi both describe what they saw in the garden. The Narn leaves, but the Drazi asks Londo, sitting nearby, what he saw. "Nothing," Londo replies. "I saw... nothing." He turns and leaves.
Londo shouts angrily in the council chamber as Ivanova, in voiceover, explains. "It was the end of the Earth year 2259, and the war was upon us. As anticipated, a few days after the Earth-Centauri treaty was announced, the Centauri widened their war to include many of the Non-Aligned Worlds. And there was another war brewing closer to home, a personal one whose cost would be higher than any of us could imagine." The shopkeeper Zack informed on is forced out of his shop, closed by the Ministry of Peace "pending allegations of sedition." Ivanova, in her quarters, silently and solemnly lights her menorah. "We came to this place because Babylon 5 was our last, best hope for peace. By the end of 2259, we knew that it had failed. But in so doing, it became something greater. As the war expanded, it became our last best hope... for victory. Because sometimes, peace is another word for surrender. And because secrets have a way of getting out."
The image of the Shadow ship, seen from the beacon Keffer sent out
appears as an announcer explains. "When our ship
encountered a distress beacon attached to an EarthForce recording
device, these images, released exclusively to ISN, were found on that
recording. Strategic analysts in EarthDome have indicated they don't
know who this new race might be... but promised to find out." The
Shadow vessel turns toward the camera and fires, reducing the image to
static.
The Gathering
Overview
The Vorlon ambassador is nearly killed by an assassin shortly after arriving at the station, and Commander Sinclair is the prime suspect. Tamlyn Tomita as Lt. Cmdr. Laurel Takashima(*). Blaire Baron as Carolyn Sykes(*). Johnny Sekka as Dr. Benjamin Kyle(*). Patricia Tallman as Lyta Alexander(*). John Fleck as Del Varner. Paul Hampton as the Senator.
(*) These characters were originally planned as recurring characters throughout the series, but were replaced for various reasons.
P5 Rating: 6.00
Production number: 0 (Pilot)
Original air date: Feb 22, 1993
DVD release date: December 4, 2001 (barebones)
August 17, 2004 (full-featured)
Written by J. Michael Straczynski
Directed by Richard Compton
Note: There are two versions of "The Gathering," the original one as initially aired in 1993 and a reedited special edition first aired in 1998. Items that only apply to one version are so marked.
Backplot
- Earth has been keeping genetic records of telepaths for the last 6 generations.
- The Psi Corps takes children with psi abilities when they are young and trains them to use this ability in a very strict manner. There are definite rules governing the use of psi. No unauthorized mind scans. No gambling.
- All races but the Narn have telepathy.
- The Narn are a young but powerful civilization, with (G'Kar claims) unlimited manpower.
- The Narn heard about the reason for the Minbari surrender in the Earth-Minbari war - a decision from their Grey Council (a secret group of "holy men").
- The Minbari are the oldest of the "five federations," and centuries ahead of the others technologically.
- Londo says to Garibaldi: "You know why I am here? I'm here to grovel before your wonderful Earth Alliance, in hopes of attaching ourselves to your destiny. [...] There was a time, when this whole quadrant belonged to us! What are we now? Twelve worlds and a thousand monuments to past glories, living off memories and stories, selling trinkets."
- Centauri status is based on family history. Political and personal power must be built up over generations.
- The Narn were once enslaved by the Centauri and have only recently gained independence. This seems to be a sensitive spot for the Narn, or at least G'Kar. (cf: "Midnight on the Firing Line")
- Sinclair fought in the last battle of the Earth-Minbari war, the Line. In the midst of battle, he blacked out while attacking a Minbari warship and remained unconscious for 24 hrs. He has no idea what happened to him during those 24 hrs. (cf: "And the Sky Full of Stars")
- Takashima used to work at a corrupt mining station on Mars. Refusing to go on the take, she was never going to get promoted out of there. She recounts lashing out and "breaking the rules" out of frustration at it all. However, Sinclair was her superior there for a while, and he got her to shape up and play things by the book.
- Garibaldi has been "bounced from station to station" for a long time before Sinclair requested him for Babylon 5. (cf: "Survivors")
Unanswered Questions
The Station
- Why was Babylon 5 really built, and rebuilt, and rebuilt, and rebuilt, and... rebuilt? Sinclair's story about human stubbornness doesn't hold water. B5 is a monstrous project, especially for a society very recently decimated by war. Yet it was made five times, the fifth time from SCRATCH.
- Who sabotaged B1-B3, and why? Who vanished B4, and why?
The Minbari Assassin
- How did the assassin get the voice and image of Sinclair in diplomatic dress before he poisoned Kosh? For everyone else he obviously impersonated, we'd seen him in close proximity to them earlier.
- The assassin-as-Varner pointed a gadget at Lyta in the bazaar. It is widely assumed that this acquired her visual pattern for the changeling net, but it could have been something else.
- Why did the assassin-as-Varner arrange to make Londo late for the reception? He kept Londo in a public place, making him unframeable.
Takashima
- What hold did G'Kar et al. have on her? (see Analysis) Perhaps she was on the take in that corrupt mining colony, and she's still living on the take today.
Lyta Alexander
- Why was she talking to the assassin-as-Varner, as reported by Garibaldi and Londo? Garibaldi must have asked her at some point, but we never get to see this.
- How was she involved? (see Analysis) Perhaps her role was only passive - agree to scan Kosh if asked, report any information she gathers (possibly via telepathy).
Sinclair
- Judging by the headlines of Universe Today, Babylon 5 is a very big deal back on Earth. Why is Sinclair, a lowly Commander, both in charge of the station and acting as the Earth diplomat? (cf: "Signs and Portents")
- What happened to Sinclair on the Line? (cf: "And the Sky Full of Stars")
- What is the hole in his mind? Is it simply the 24 hour memory loss from his experience on the Line, or something more significant?
Del Varner
- According to Garibaldi's information, Del Varner would normally stay far away from B5. So, why was he recognized by a local tech (Eric)?
The Vorlons
- Why did they request that the monitors in the docking bay be turned off? Kosh was walking out in public, hidden safely in his encounter suit.
- What is Kosh inside that suit anyway? (cf. Lost Scenes from Babylon 5)
- @@@883993127 How did the poison get through to Kosh? He must have had his hand, or whatever the limb was, completely outside his encounter suit. Perhaps that explains why the Vorlons wanted the monitors turned off; they didn't want anyone else to see Kosh's hand. In that case, why did they want Sinclair to see it? Special Edition (spoiler for a pivotal revelation later in the series): Kosh greeted what he thought was Sinclair by addressing him as "Entil-zha Valen," indicating that he already knew Sinclair in some context.
- Is there anything to that legend about someone turning to stone when they saw a Vorlon? Have people ever gotten into situations where they could conceivably have seen one?
- The Vorlons seem to be puppet thugs of the conspirators in the pilot, yet clearly they do some things for their own reasons. Why such secrecy around their technological inferiors? Why break the veil to send an ambassador to B5?
- For that matter, why agree to ship Sinclair to their world? Surely that would mean him finding out about them. Unless they never intended to bring him there alive, of course.
- Did Delenn really tell Sinclair everything the Minbari know about the Vorlons? Either way, how much does he know now?
The Minbari
- Why did they surrender at the Line? It's already pretty clear that Sinclair had Something to do with it. Furthermore, what was the real reason the Minbari were fighting the war to begin with?
The Centauri
- Why have they fallen so far from power? From Londo's stories it seems they were a great Empire within his lifetime (which may be quite long, for all we know).
Miscellaneous
- Why was the access panel outside Varner's quarters busted, by the time Garibaldi arrived? It probably has something to do with the assassin using Takashima's clearance to gain entry. Perhaps the panel keeps the only record, locally, of who's used it, and thus breaking it would prevent the illegal entry from being discovered.
- The very presence of a changeling net aboard the station invites us to open the question, "Who else did we see that could have been that Minbari in disguise?"
- Four major actors in the pilot left the production for various
reasons and do not have permanent roles in the series (though Lyta
Alexander reappeared later.) However, since
jms slipped reasons why in the B5 universe two of
the the characters no longer appear, it is meaningful to ask:
- Why was Lyta Alexander replaced as station telepath? Did she get in trouble for unauthorized mind-scanning after all, or was it because she's been in the mind of a Vorlon?
- Why has Carolyn drifted out of Sinclair's life?
Analysis
The Plan
- G'Kar et al. wanted to start a war between the EA and the Vorlons. The primary plan was for Kosh to be dead; Takashima's announcement that the Vorlons had forbidden the opening of his suit should have nailed that coffin shut. Framing Sinclair for the murder was probably also part of the primary plan (the Vorlons' request that the bay monitors be turned off could well have been a surprise to them).
- There may have been a secondary plan to achieve the same results: having Lyta scan Kosh. This could have been foreseen, impromptu, or coincidence.
- The assassin was Minbari, which indicates a violent faction of the Minbari still exists (cf: "Deathwalker"). The goals of that group are unknown, but so are the goals of the mainstream Minbari government.
- In particular, the Minbari warrior class may have had their own reasons for getting Sinclair sent to the Vorlon homeworld.
Takashima was somehow involved
- The assassin used Takashima's palmed security access to gain entry to Varner's quarters.
- Takashima agreed to Kyle's plan of getting Lyta to scan Kosh even though (by her own story) it went very much against her grain. "I guess I'm about due" is hardly a believable reason.
- Takashima broke into Varner's files. 260 years from now, would someone be able to crack open a technology criminal's secure files in a matter of hours without inside information?
- There were lots of instances when very recent information was used
to further the Plan, for all of which
Takashima was in an ideal position to be responsible.
- The assassin met Kosh at the right docking bay at the right time.
- In general, the Plan proceeded smoothly in spite of Kosh's 48 hour early arrival (the angriest response we saw from Takashima was to this very discovery).
- Sinclair was trapped in a lift at just the right time for just long enough, and the record cleared.
- Someone actually contacted the Vorlons and told them about the poisoning, thus acquiring the predictable response that opening Kosh's suit is verboten.
- Someone leaked - very quickly - the fact that Sinclair had been fingered by a witness. This is what brought on the Vorlon cruisers.
- G'Kar found out - again very quickly - that Kosh would recover from the poisoning ("There has been a complication").
Lyta may have been involved
- She seems to have exchanged glances with the real Del Varner as she walked off with Sinclair at the very beginning. The two probably came in on the same ship.
- Later, she's seen talking to the assassin-as-Varner. Yet the latter scans her image for the changeling net without her knowledge (if that was what he was doing), so their level of cooperation is mixed at most.
- The assassin, disguised as Lyta, didn't kill her in the ample moment they shared outside the medlab.
- On the other hand, her conversation with G'Kar within "privacy" would almost certainly have been very different if they were in cahoots. So perhaps she was only in contact with Del Varner and/or the assassin.
The Minbari assassin
- The assassin didn't need any special clearance to enter Varner's quarters; he was expected. So he must have used Takashima's clearance in order to leave a record of her entry at that time. Since the panel was broken before this could be discovered, this suggests clandestine cross-purposes.
- "There is a hole in your mind" may have been his response to Sinclair's question, "Why did you do it?" Interesting.
- It was not part of the plan for the Minbari to set off his explosives. Else why arrange to be able to get off the station? So, they were just to prevent his capture/interrogation.
Sinclair is inexplicably trusting and friendly with Delenn
- He would have sacrificed his life to kill a few more Minbari during the war ten years ago, yet:
- He does not appear to be discomfited by Delenn's evasions in their Garden conversations.
- When he encounters Delenn after escaping the exploding assassin, it would have made sense for him to confront or question her, or at least be suspicious. Instead, he was relaxed and jovial. Later, he made sure Delenn knew he didn't hold her responsible.
Delenn
- "The power of one mind to change the universe" likely refers to Sinclair. (Recall the other Minbari's reference to his mind.)
- There were two stones in the stone garden.
- She evades most of his questions, yet volunteers two big files during the episode, and drops lots of other hints to him. As with her abstention on the council, she seems subject to contrary forces. Keep him in the dark, yet point him toward the light.
- She is a personally powerful representative of a very powerful race. Yet we don't observe her taking any active hand in the big picture so far.
- @@@884027214 In the B5 council vote to extradite Sinclair to the Vorlon homeworld, an abstention was equivalent to a "No" (presumably abstentions are interpreted to mean "None of the above" or "Take no action", whichever is appropriate). So, what conflict prevented Delenn from explicitly voting against the motion? Special Edition: Delenn claimed she couldn't vote one way or the other because she didn't yet have all the information at hand, and that her orders where Sinclair was concerned were simply to observe, not interfere.
Londo
- He fills Garibaldi's ears with stories of the good old days of conquest. Bygone days, unlike the way things are now. He may be honest, or he may be trying to allay suspicions. More likely the former, since Garibaldi's suspicions don't have much political significance.
- A heavy drinker and compulsive gambler.
G'Kar
- Notice his jollity in telling Takashima his transport will submit to the weapons search (now that the assassin has successfully come aboard). True, if she was in cahoots with him, that little exchange was for show, as was their earlier confrontation at Ops. He's nonetheless consistently transparent in his emotional states.
- A schemer and warmonger.
Takashima
- Some of her ideas were faultlessly loyal to the EA (eg "You better take a recorder - the way things are going you may need a witness."). So, her heart's in the right place, at least.
Garibaldi
- Self-esteem trouble. He's ready to give up on the investigation after Varner's death. He's used to failure at his other jobs.
- Garibaldi also messes up the investigation in several ways:
- No guards around Kosh.
- Losing sight of Varner while questioning Londo.
- Not talking to Lyta about Varner while it's still relevant.
- Not noticing all those Takashima timing and information clues.
- Lets the Commander get into a shooting fight with a superior foe, alone.
Notes
- An alternate introduction was written, but not filmed.
- Universe Today main headline: Vorlons to Make Contact
- Universe Today sub-headline: Narn Protest of EA's B5 Heats
- Among the messages flashing by on Lyta's identicard: ELVIS STILL LIVES
- When the assassin scans his hand at Varner's door, words are visible on the screen. If you have a lucid pause function on your VCR, you too will be able to read what they say - "Laurel Takashima Cleared".
- Minbari ships have short-range FTL, or cloaking, or jamming (Sinclair: "They came at us out of nowhere"). Basically, they can put themselves right where they want to be without Starfuries noticing them en route.
- Cruisers can "wait" in hyperspace outside a jump gate.
- Unscheduled uses of the jumpgates, at least during this earlier part of B5's history, are practically unheard of.
- @@@883993127 Special Edition: Two plot points, Kyle's use of stims to stay awake and Takashima's use of the Garden to grow coffee, were both transferred to the characters who replaced them in the series.
- @@@884158807 Ed Wasser played C&C technician Guerra, and later went on to play Mr. Morden (first appearing in "Signs and Portents.") There's no evidence that the two characters are related, however.
jms speaks
- Actually, at one point or another, just about *everyone* lied
in the course of the pilot...including Sinclair, who lied to G'Kar, and
of course Delenn lying to Sinclair in the Garden...and so on.
- The one thing that I dropped fairly completely due to the
delay in getting the series going was the Laurel thread, which has now
mutated and become something even more interesting, actually. It's
something that's enabled me to now build in a trap door that you won't
see for a long time, even though it's sitting there in plain sight.
- What happened to the old characters on the pilot, not working
on the series? jms: On a classified mission (which I hope we
will be able to get into at some point), Laurel has been reassigned out
on the Rim, and Dr. Kyle is now working with the EA President on the
issue of alien migration to Earth, a growing problem to some, a benefit
to others.
- Pat Tallman passed on returning to the B5 project. Our new
telepath will be played by Andrea Thompson, with the character name
Talia Winters. Much of the Lyta arc will now go to Talia, but there's
now a different way of getting her into that arc.
- What it *does* give me, which is kinda nice, is that the only two people to
have ANY direct contact with a Vorlon have been transferred back to Earth.
Which plays wonderfully into something sinister I'd kinda like to develop
that the Earth Alliance is working on behind the scenes...
- Actually, I think we broke [the "Return of the Jedi"] record for ships
on-screen in the pilot; Ron was rather pleased about it at the time.
- Will there be a director's cut?
The odds are zero, since the first version of the B5 pilot existed only as a computer-graphic file edited movie. It wasn't edited on film, for real, until we'd pared it down. We'd have to go in and totally re-edit and re-score, and I doubt that's going to happen. -
Beats me, but if you find an uncut version of B5, lemme know, because
I'D like one.
The problem is that, unlike a motion picture, where you produce a cut on film, which you then trim down, we're editing on computerized image files. We don't get around to finally cutting the film until we've made our final edits. So no complete version ever existed on film. The most that could be done is get those 25 minutes and *build* a new version with that footage...which would require additional scoring, editing, and other stuff.
- The computerized cut of the pilot is now dumped out of memory, and
those portions only exist on a few VHS tapes of marginal quality.
Also, the footage in computer file form is *very* low grade, like a
poorly scanned gif file, very low resolution. It would be useless on
a laser disk.
- I'm certainly not showing disdain for the missing material; I'm just
saying it ain't *there*. Now, if B5 turns out to be a megahit, there
may be money set aside to re-edit the pilot some years down the road,
but I'm not currently counting on it. My chief concern now has to be
the series.
- There was a reason we gave Londo the pilot opening monologue, yes.
And another reason why we're giving Sinclair the opening monologue
over credits of the first season, though with some differences.
We're also considering rotating any such opening between other cast
members as well, but *always* in the past-tense, "Babylon 5 *was*...."
We're dealing in future history here, and we plan to do some
interesting things with that aspect.
- Yeah, Londo seems like the *least* likely person to do the opening
narration for a show like this; you don't even see him for nearly two
full acts, and it's the kind of thing you'd expect the Commander to do.
But there are reasons for everything....
- Oh, yeah, the "mission of destruction" thing ONLY relates to this
particular episode, the pilot. It'll be gone from regular episodes.
- "Mankind" was being used by Londo specifically in relation to humans,
not sentient aliens including his own race. Earthers. Which was one
reason (of many) I wanted his character to be the narrator, someone
looking in from the outside.
As for the Third Age, it's -- oh, darn, look at the time, have to go....
- The alien section looked like a zoo!
First, we decided that wasn't a right look for the alien sector, and that's the corridor we blew up at the end. But the reason it was designed that way is important. Your reaction -- don't the aliens have any privacy? -- is a very human, and specifically a very *western* point of view. Our feeling at the time was, why should alien quarters look at all like human quarters? Shouldn't they have a different perspective than typical Western-style hotels? (In some degree, the quaters were patterned after Japanese mini-hotels, where you get basically a slightly larger coffin-like setup, which you crawl into like a torpedo tube, with a window at one end, which has a curtain, a TV over your head, and so on. What we discovered is that many people ask for more alien aliens, but when we delivered on that, were asked why these things weren't more like what we expect, why aren't they like human quarters? It's really a losing battle.)The other point on this is that if you look closely, there are back areas accessible to residents, which can in particular be seen in the insectoid/antennae'd character's quarters. The idea was that it would be sort of a front porch, where for lack of much else to do, you'd sit out on the porch, watching the passing parade.
But the reaction was less than favorable, we had to keep explaining that this proceeds from an alien POV, and so our alien quarters are more like human quarters now, minus the alternate atmosphere stuff. I'm still not quite sure what to think of this.
- Actually, it's Kosh's ship that comes out of the jump gate backward,
engines forward to assist with deceleration. The fighters don't want
to be slow-moving targets, so it stands to reason they wouldn't be
configured for rapid deceleration. They want to get into position as
fast as possible.
- Kosh's ship had to decelerate in order to dock inside the station.
This is a reality of spaceflight...you must both accelerate and
decelerate. Both take time. Especially if you're going to dock.
Plus there was time involved in setting up the docking procedure,
turning over control to Babylon Control, lining up vectors and so on.
The fighters didn't have to worry about any of this. They came shooting through the gate and barely slowed at all, speeding over to B5 and taking up position.
There have now been several situations in which we've been accused of "mistakes" that have, instead, simply been things done scientifically accurately. I have to say (and this isn't directed at you, just more of a general statement), we're not going to hand everyone everything on a silver platter, serving up pablum...the nature of a *science fiction* series is that you should THINK about things. The acceleration/deceleration thing is one example; some thought about why this would be would have led to the answer.
And, as evidenced by other messages here, others have taken the time to look at it from that perspective. Which I think is great.
- Re: the skin tab/Kosh's hand/encounter suit question...one of the
reasons I can't wait for the series to get on the air is so that we
can make one thing clear, once and for all: it is NOT an error, not a
plot hole, it is a plot POINT. It is a question that our *characters*
will be asking each other. How can this be? This will come up more
than once, starting with "The Parliament of Dreams" episode.
- As for the Vorlon handshake (so to speak)...this will be dealt with
in the series. You have to remember that the original plan was to air
the pilot and go *immediately* into series, where we'd bring up some
of these questions. There simply wasn't room to deal with EVERYTHING
in that short pilot...and where we DID try and cover everything, we
got gigged for being expositional.
Now we have to re-establish a few things since there's been a gap in time...but the poison incident will be raised in "The Parliament of Dreams" script to start with, and move on from there.
- The Senator of the pilot, who was back on Earth, is someone who has
in past been someone that Sinclair has come to for backing on things;
he's the equivilent of someone on the Armed Services Committee, here
as one of those civilian Senators overseeing Earthforce. He would not
be in any position to just come in and take over, any more than a
Senator visiting a U.S. army base would be in a position to take over
the base if there were a problem with the ranking officer. But he
might be able to bring some force to bear back in Washington, which
might double-back to be of some use.
There are civilian branches and military branches, as with today, in which the civilian branch oversees the military, but in very formalized ways.
- In the script, the privacy mode involved going from a standard
looking open booth to what suddenly looked like a flat black cube,
which you could neither hear nor see through. The director decided
to try the lights. It didn't work. We're dropping it.
- You're right; the events of the Line are something that Sinclair
doesn't much like talking about, and has been advised *against*
talking about. When the Minbari surrendered, Earth put the best
possible spin on it, tried to make the survivors of the Line look
like heroes, but there's a general sense of what happened. And a
great deal of dismay over it.
- Your assumption is correct; the assassin's weapon was a very small
one...limited power, and a charge-up sequence that becomes longer the
more it's used. If the Minbari had shot Lyta, it would've taken too
long for the gun to power-up again for him to shoot Sinclair...and he
would've been captured. We slightly expanded the power-up whine for
each shot after the first one. You'll note that the first shot, the
one that takes out Varner, is almost immediate. Points and fires.
Gradually it takes longer, and finally the gun runs out altogether
(which is why, though we probably should've been clearer in showing
this, the assassin finally went hand-to-hand with Sinclair...the gun
was never meant as an assault weapon, more as a derringer, with a few
shots in case he got into trouble).
- As for Sinclair going after the Minbari assassin...there were several
reasons for this. First, this was personal for him; if the guy
*wasn't* caught, he would be blamed for the death and sent to the
Vorlon homeworld. He had something very much at stake. Second, if
you have somebody with shapeshifting technology on board, the LAST
thing you want is to send in a large group. The tracking of the
energy web used for the holographic effect was good, but only to a
certain point. It could say "He's ten feet away," but if there's 5
guys within that range, it'll take you just long enough to react for
the assassin to wipe out the bunch of you before you figure out which
one he is. But if there's only *two* of you, and you hear the shifter
is within 10 feet, you know *exactly* who it is and can react
accordingly. It seemed logical. Also, you'd want someone there who
you knew VERY well, in case there were a replacement...because while
someone could emulate a face, they can't replicate memories, and
Sinclair or Garibaldi could quickly figure out if the other was an
imposter.
Yes, I probably could've stopped to explain this...but I figured it was readily apparent, and there was already enough exposition in the pilot to stun a horse.
- "If JMS had not mentioned the hole in Sinclair's mind, what would
have been the reason for the assassin to try and kill Sinclair?"
Hello...did you see the same movie that I wrote? The assassin was not there to kill Sinclair. He was there to kill Kosh. He tried to kill Kosh. He tried to stay AWAY from Sinclair, did everything in his power to avoid Sinclair, ran from Sinclair, and only finally encountered Sinclair when Sinclair came after HIM. Then it was nominal self-defense.
Had the "hole in the mind" reference never been made, it would have been clear -- at least clear to every other carbon-based lifeform who saw the movie -- that the assassin 1) came to try and kill Kosh, 2) in the hope of disrupting the purpose of Babylon 5, with the added benefit of 3) if he failed in his mission, setting up Sinclair to take the rap for his actions. At the very end, rather than be captured and interrogated, the Minbari assassin killed himself with an implanted bomb. His comment to Sinclair at that moment was more of an "Up yours" comment, designed to shatter Sinclair with the knowledge that he knew something Sinclair didn't.
You keep saying he was there to kill Sinclair. He wasn't. He didn't. He didn't try. It makes it hard to have this conversation with you if your comments don't touch reality at any two contiguous points.
- I never said that the [assassin's] intent wasn't to set up Sinclair;
I only said that he wasn't there to *kill* Sinclair. That aspect of
making Sinclair the patsy was very much part of the thing.
- What Kyle suggests...is closer to the truth than might otherwise be
suspected. We had filmed a scene -- which never made it into the
finished pilot -- where Garibaldi, growing suspicious of his boss --
confronts Sinclair in the core shuttle. One of the alibis he checked
out doesn't hold up: Sinclair's. The transport tube computer records
don't indicate any delay. Sinclair suggests that there's either a
problem with the system, or it's been deliberately altered to remove
that information.
It was, of course, the latter.
Now...stop and think about this for a moment.
The Observation Dome has equipment to detect approaching ships. The spider transport approaches without being noticed. The surface of the station would likely have sensors to detect something attaching itself to the hull. Somehow these were over-ridden. The only time that anyone notices, up in the Dome, is later, when Laurel isn't there, interestingly enough. Someone deliberately programmed the transport tube to delay Sinclair. The assassin would have to know this in advance.
We saw Londo with the assassin. We also saw Garibaldi, Lyta, Dr. Kyle and -- later -- Sinclair with the assassin, each relating to him in different ways. Who was the one person we never saw with the assassin, whose reactions might have told us something? Who was the one put in charge of the station when Sinclair was pulled out of circulation?
Laurel.
We had some...interesting things in mind for this character. Now that another character has come in, some things will be modified, but other elements will come in to replace them.
- I kept Tamlyn in the dark about a lot of this. She even mentioned
this in an interview she gave somewhere. I didn't want that knowledge
to make her play the role anything other than it should have been
played: as if absolutely innocent and sincere. Sometimes you just
gotta be sneaky....
- There was an element of saving her own life...and another aspect of
all this is that she may not have been acting entirely of her own
free will during the first half. There may be some influences that
will emerge later.
- Laurel was not being altogether honest, and was helping to cover the
activities of the person who was doing the assassination attempt.
(This, again, is a thread that would've come clear had we kept that character; nobody was supposed to figure it out going in, but rather put it together over time.)
- This has already been answered; had the character stayed with the
show, gradually it would have emerged that the assassin had access to
Laurel's codes because she provided them to him.
-
This isn't so much a spoiler, since it concerns an abandoned story
like (or, let me rephrase that...a modified story line). I mention
this here since I just mentioned it elsewhere, and might as well do
so here.
Think hard about the pilot for a moment. Whose job is it in the observation dome to monitor incoming ships...but apparently let the spider transport slip through unnoticed? The station's skin should have (and likely did) detect something clamping onto it...but apparently someone over-rode that for the spider transport. Someone had to PRE-arrange access via the computer for the assassin, since it easily palms its way into Varner's quarters. (And what is the name of the person the access computer recognizes?) Someone had to arrange for the transport tube to be delayed, and then *erase* that information from the computer system. Someone who knew *exactly* when the Vorlon ship would be docking. We see, at various times, the following people interacting with the assassin, in different capacities: Garibaldi, Lyta, G'Kar, Londo, Dr. Kyle, and of course, much later, Sinclair. Who did we never see in direct contact with the assassin? Who was put in charge of the station after Sinclair was removed?
Do you notice a pattern developing? Do certain things here point to a certain individual...who may, or may not, have been acting on her own volition?
And yes, this is something we planned to explore, though it wasn't on a *direct* line to the arc of our story. It definitely impinged upon it, of course. This has been modified due to the change in the character of the Lieutenant Commander, and this now won't go where it was going to go...but we still have some very interesting plans for our secondary character, not at all along the Takashima lines (which is why this isn't a spoiler), but certainly intriguing on their own terms.
-
Now, I didn't say she was a villain. I said that certain things may
or may not have been done of her own free will, her own volition.
What this means...we'll see.
- The scruffy person in the Varner files was the same homeless person
who we just happen to see sitting right outside Varner's quarters,
watching as he moves along. This was played by Ron Thornton, because
we wouldn't be seeing him in a major role, we'd just have to know
someone was there.
Again, this ties into a specific story line that has been modified with a) the departure of Laurel, and b) the length of time since the pilot aired. Who was the homeless man really? It's no longer an issue, but it was related, yes.
But only in a very small way.
- "Would it be fair to compare the original ST pilot to B5's pilot?"
No, it would not. Because there is nothing in common with them other than that they are both SF. You can compare TNG to DS9 to TOS, because they're in the same universe.
Would it be fair to compare Cagney and Lacey with NYPD Blue? After all, they're both cop shows. But in fact, they're not the same kind of cop show; they share the same genre, but there ends the overlap. The two shows are distinct, separate entities, just as Harlan Ellison's work is distinct from Bill Gibson's work, even though both incorporate elements of SF.
The ST pilot existed in its own universe, and was primarily an action show. The B5 pilot exists in its own universe, and primarily sets the stage for a political mystery/intrigue series. It wasn't meant to serve the same functions as the ST pilot.
It seems to me that many SF fans continue to compare everything to ST because that's their primary frame of reference, and they continue to apply it whether it's relevant or not. My suggestion...get another frame of reference.
- Once again, there's a lot of false analogies here in any attempt to
compare pilots, as in this TOS and B5 thread. You're talking about
transporters and other *technological* items. And you're right, they
didn't explain their tech. Neither did we, with the exception of the
changling net in the pilot, and only because it was a plot point. We
didn't explain how the jump gates worked, how centrifugal force kept
the gravity in place, or any of that.
The difference isn't *technology*, it's *context*. Once again, B5 is in many ways a *political* story. Consequently it's necessary to explain who the players are in some detail, something that ST didn't have to worry about. If you're reading a political thriller about the U.S. and the (now defunct) USSR, it helps a lot to know who's who.
Also, when ST started, there wasn't really a clear agenda, a place that they were going, story-wise. B5 is a novel for TV. And that puts on some pressures and problems other shows don't have. Others may not see it that way, but it isn't their call. It's my call, and I stand behind it, even while seeing some of the flaws in the pilot.
All of which again points up the...well, *pointlessness* of trying to compare the two shows. Compare MASH to ALL IN THE FAMILY. They're both comedies. The similarity ends there. Everything doesn't have to be comparable or dissectable (to coin a term) in reference to ST.
- Let me just, against my better wishes, dive in here for just a moment
moment on this discussion. Especially as it relates to your slam
against the characters and characterizations on B5.
People keep comparing the B5 pilot to either the DS9 pilot or the TNG pilot, often favorably, sometimes less so, but the reality is that the B5 pilot had to suffer under a burden shared by neither of those two other shows: establishing a whole new universe, especially given that the B5 story is more of a political/action piece in which you really have to understand where everyone's coming from. By the time they got around to making the TNG pilot, just about everyone knew what a Klingon was, what the Federation was, what phasers and teleporters were...this was all established cultural coin. When Jay Leno would make jokes about Klingons on the Carson show (which it still was back then), he didn't have to explain it to anyone. There's 25 years of shared history informing the story. Same in DS9. Thus in neither pilot was that much really or substantially *new* introduced, they didn't have to create the universe from scratch.
But that was exactly what was necessary for B5; the relationship between the five various governments is important to understanding the characters, and the show...as is the recent Earth/Minbari war, which isn't just backstory, it's something that will grow to play an increasingly important role in the series as time passes. So there had to be time spent establishing each of those relationships, the political backstory, the minor players. AND we had to tell a fairly complex story within that framework.
After you allocate the history of the B5 universe, for the establishment of the plot, for the establishment of who our various players are in relation to one another, you've got -- at MOST -- 3 minutes left per character out of a 92 minute movie. You can't establish a lot of character in 3 minutes.
Which is what strikes me as unfair in this conversation. You're trying to compare 25-30 years of ST in its various incarnations, with its delivery of characterization over A WEEKLY SERIES to a single introductory TV movie of 92 minutes.
Plus, the pilot was never meant to be a stand-alone; it was meant to get all the pieces moving, introduce us, and follow up the very next week with *character-oriented stories*. That was always the plan. Had I known that it would be aired by itself, with a long delay until the series, I would have totally restructured it to make it more of a character story, and held off on the heavy background stuff until later. And in addition to THAT, I again point to the 25 minutes of good character stuff that ended up on the cutting room floor because we were over, some of which has been shown to people at conventions. Some of them also felt as you do. They saw the extra footage. And their reaction: "Oh, so THAT'S who that is!" And their opinions of the characters did a fast turnaround.
So what I'm saying here, fundamentally, is this: let's compare apples to apples and not apples to oranges. You can't compare B5 to either TNG's or DS9's pilots, because they operated in pre-existing universes. You can't compare the level of character you get in a series to a TV movie, because one is 92 minutes long, the other is 22 hours long times the number of seasons run.
If you want to compare things, and that's certainly your right, may I suggest a moratorium on this entire discussion until the series comes on the air? That will allow you to compare series to series, which seems just a tad fairer to me. Any seconds?
- Re: the pilot...I've hashed and rehashed this, and the bottom line is to
see what we do in the series and judge the series by the series. The DS9
pilot had to explain very little that wasn't specific to the plotline: you
already knew what a Bajorran was, what a wormhole was, what the Federation
was, what the Cardassians were, on and on and on. Because they didn't have to
introduce any of that, they could spend time on other character moments. We
didn't have that luxury in the pilot. We had to do what, in essence, ST has
done over 25 years: establish our universe, painting it in broad strokes, as
broad're done with that aspect. And now we can do our character-based
stories. Which is exactly what we're doing. Each of the characters is being
solidly rounded out in the series, showing multiple sides to each character.
All I can say is that I think you'll like what we're doing.
-
I wasn't gonna jump in here, but I have to at least answer your
question: "Where's the rest?" The rest is in the series. You haven't
seen the series yet. You're comparing it against 7 years of TNG;
rather consider if the ONLY thing you had EVER seen was "Farpoint."
We had a massive burden: to build an entire universe, based around a
political drama, in basically 90+ minutes not counting commercials.
That meant that more time went into exposition and backstory than I'd
like.
In my view, we've now done that, we've laid the foundation, and now we can sit back and tell stories...*character* based stories. That's what I'm best at, and that's what the writers I've chosen to use on the series are best at.
The "rest" you ask for is there..in the series. But I'm not asking you to take my word for it. Check out the show. Maybe you'll like it. And maybe you won't. That's showbiz. You don' like it, you don' gotta watch. But I think you'll be pleasantly surprised.
The miracle of the B5 pilot is that it got done at *all*, given the odds against us, given a team working together for the first time, without the benefit of an established universe, and actors who had never worked together before who had zero chance for rehearsal. I'm not apologizing for the pilot; it had flaws, but I'm very proud of a lot that's in there.
Do the math. You have a little over 90 minutes. You have to introduce 9 major characters in the course of that story. That gives you ten minutes of attention for any one character. Now you've also got to tell the backstory. You've got to establish who the various players are. You've got to put the present-tense story into motion, with beginning, middle and end. And now you're left with maybe 3-4 minutes of "quality time" with any one character. If we only had 2 or 3 characters, then it's a very different story...but that isn't the universe we have to work in.
Now that the series is going ahead, we can spend an entire *episode* dealing primarily with one character. And do the same for others. We have the time. And that's what's important.
One last observation: you repeat the notion that it's all a "reaction" to TNG. The treatment and screenply were complete and making the rounds in Hollywood in Spring 1987. The basic material was written in 1986, at a point in some cases when TNG hadn't even *aired* yet. So it could hardly have been written as a reaction to something that hadn't been seen yet, could it?
-
You repeat several times your insistence that I study TNG to see
what they did right, use them as a roadmap.
Sorry. I have no desire to study TNG. I'm telling a different sort of story, in a different universe. What TNG does right or wrong is more or less irrelevant to that universe. That's like saying that (just to pick two names at random) Orson Scott Card should study Poul Anderson as a roadmap in his own novels. This is utter nonsense.
A while ago, I got an email from someone who didn't like the pilot (and it may have been on internet, btw) mainly because of the communication devices. He said, and I'm paraphrasing from memory, that every time someone used the wrist-links, it broke the illusion for him, since we all KNOW that by then the REALITY is that we'll be using the chest communicators that TNG uses, and I should be sure to include that in future episodes as a capitulation to that reality.
Sorry...TNG is a roadmap for TNG. Not B5.
- The VOYAGER pilot is *$23 million*?!
The BABYLON 5 pilot was $3.5 million.
With $23 million, we could make 1.3 SEASONS of B5. And have a bit of money left over for a wrap party.
Amazing....
-
My feeling here is, don't worry about the show, regarding your
overcoming on the pilot. Pilots are good, bad or uneven. What matters
in the analysis is the series. You can have a great pilot and a
disappointing series. And vice-versa. The series will air. If it's
good, people will watch, whatever they may have thought about the
pilot. If it ain't good, people won't watch, and deservedly so. In
other words, the ball's in our court now.
-
"The pilot wasn't good. Face it!"
I'm at the head of the line to point out flaws in the pilot. Flaws that we've dealt with. But a) it still holds up, and b) you are trying to make your opinion into *fact*. It ain't. An awful lot of people liked the pilot a lot. To them, it was good. Maybe to you, it wasn't, but that's only true for you. That you may think persimmon yoghurt is the best flavor ever created doesn't make it true for everybody else. Just a moment for perspective here....
- I was at the Emmys tonight for the presentation of the B5 Emmy, and
in the visual efx area, more than one shoe can get an Emmy. So we got
one, DS9's pilot got one, and Lucas' Young Indy show got one. (We sat
at the next table to Lucas and his bunch, in fact, and noted that he
watched the B5 footage with considerable interest.) So when you come
right down to it, here we were, our first shot out of the box, and we
ended up on the same level of appreciation as Trek and Lucas. Not too
dusty....
- And y'know...it's absolutely in keeping with the Straczynski luck,
and the history of this show, that the year B5 wins an Emmy is the
first year that they DON'T do the recap of last night's technical
awards. Ah, well....
- I was asked to keep quite about this until April 23rd, which is when
the announcement is to be made at the Nebulas, but now that it's
indeed the 23rd, and that announcement either has been made or is
being made now, I'm pleased to report that the Babylon 5 pilot movie,
"The Gathering," has been nominated for a Hugo.
Since we're up against Jurassic Park, I think I pretty much know where THAT award is going...but it is a tremendous honor and everyone involved with the show is very pleased by it.
- Thanks. As it turns out -- I today saw the list of nominees -- B5 is
the ONLY TV-SF nominated for the Hugo. The rest are all feature films
(JP, Addams Family, Nightmare Before Christmas, Groundhog Day).
-
Eric...nothing would gladden my heart more than if the B5 pilot won
a Hugo (except the series winning a Hugo, which I think is a bit
likelier, maybe). It is the highest compliment that can be paid by
the SF community of readers and viewers. But one must be realistic,
and I just don't see it outpulling Jurassic Park in the ballotting.
JP is the proverbial 500 pound gorilla. Or the 50,000 pound T-Rex.
While we are only small mammals....granted we're mammals with guns and an attitude, of course....
-
JP won the Hugo
Yep, that's pretty much what I said would happen. And in my view, JP probably deserves the Hugo more than "The Gathering." Next year, now, THAT is an open question.... - Nope, I was nowhere in the pilot, not under makeup, not nohow, not
no-way. Nor will I do so in the series. That just ain't my thing.
- Side-note...Londo baring his teeth had nothing to do with Delenn's
vote in "The Gathering." That was gas.
- Both Christy Marx and Kathryn [Drennan, JMS's wife]
can both be *briefly* seen in the pilot
movie as BG in the casino...and in the main titles, Kathryn's back is
to the camera in the wide downshot, though you really can't make it
out well in that one. Also in the montage in the pilot movie, seated
at the bar under narration, the fellow with the beard, is art director
John Iacovelli.
- The most entertaining thing for a writer is creating a character; the
second most entertaining thing is killing off a character. Believe
me, as you'll see in the Fight To The Death in the pilot, I have no
problem dropping a body. And as far as I'm concerned, only 2 or 3
characters in this series are indispensible...the rest are open to all
kinds of interesting fates.
- The amount of contact required varies according to the telepath's
strength. Lyta at P5 needs a little help. A P10 could nail you from
across the room.
- The background on that business meeting is similar to all such uses of
telepaths: both sides agree to the presence of a telepath to monitor
the negotiations. If one were to demur, the deal would be off because
the person clearly has something to hide. Which is why there is a
good market for various kinds of shields that don't LOOK like or feel
like shields unless the telepath knows what to look for. You can also
just try and hide it and hope that the telepath isn't looking too deep
or isn't really paying attention, which is what that guy was doing.
(May have been reciting the "tensor" rhyme trying to keep his brain
occupied.)
- The encounter suit opened at the touch of a button (you can hear him
press the button with a *click*). Only for Lyta did it open on its
own.
- Here's the one thing that amazes me, speaking of seeing the pilot for
the gadzillionth time...there is one great big huge gaping visual
anomaly/inconsistency in the pilot that so far no one has noticed.
It's so massive that when I first saw it, I just about fell out of my
chair. But the director said "No one's ever gonna see it, no one's
ever gonna notice it, *trust* me on this." I was absolutely convinced
that he was wrong. Apparently he was right. At some point in the
future I'll tell you what it is...and when you see it, you're going to
wonder how the hell you avoided seeing it before, it's *that* big.
But not for a while yet. (And the few smaller things mentioned here
...ain't it.)
- For the record...thtch has something to do with the second trial
scene.
-
It's the overhead shot of the courtroom; we didn't have a second
establisher, so we used the one of Kyle even though Sinclair was on
the stand.
- Actually, "beep-beep" was always there in the script; it was the part
where we learn AFTER that that Sinclair only told G'Kar about the
homing beacon, didn't really plant it, that came up during filming.
- Here's one little extra for you: only one person aboard Babylon 5 has
any idea of what a Vorlon is, inside that suit, and only one race has
had dealings with the Vorlons before. Watch the reception at the end,
and see if you notice anything unusual in the way the various people
respond to Kosh.
- How much of the basic "saga" is in the pilot? Some...bits and pieces.
The problem, always, is that we have a whole new universe to
establish, with all the backstory that goes with that. As it is,
it's fairly "information intensive," as one person put it. We find
out about the Earth/Minbari war, the curious surrender, Sinclair's
past, the missing 24 hours, the relations between the various
governments and their own personal agendas, and a hint of what's to
come. This while establishing the backstory of all our characters,
and telling a story in present time (for them).
I think you will find indications of what we've talked about for the series present in the pilot. Which is why it bears watching more than once; you'll pick up more information and more of a sense of the world the more closely you inspect it. (We tried to come up with a pilot that actually BENEFITS from close inspection, rather than falling apart if you look at it too closely.)
- Actually, the funny thing is, I don't much mind if people who hadn't
seen the pilot don't catch the rebroadcast. What we're doing now is
SO radically better than the pilot that I almost can't watch it now.
- Agreed, the pilot movie was much darker...unfortunately, it was SO
dark that we actually veered into what're called "illegal blacks,"
that is, the picture is too dark, and this causes problems with
foreign distributers. (This is what they tell me, and through an act
of faith I have come to believe them.) We're still about a half-stop
or full stop below what's typical. Be advised that many stations,
when they broadcast the show, pump up the brightness a *lot*. They
just dial it up.
-
Laurel was not standing upside down in relation to the station's
rotation. The docking bay, at the center of the station, for zero-g,
was above her head, her feet pointed down, toward the rim of the
station, in correct orientation. Just FYI.
-
We'd originally planned to go for a more vague sexuality for Delenn;
a male physically and primarily in the voice, on top of the natural
female movements one gets from an actress. In post-production,
however, we couldn't get the voice to sound as good and male as we'd
wanted. In addition, a couple of convention showing of a rough cut
saw people responding VERY strongly to her voice as it was, so we
finally decided to let it stand and change the one reference to "he"
to "she," and that was the end of it.
-
Delenn was originally going to be a fairly sexually-ambiguous
character...a male character, played by a female, with a computer
altered voice...but we couldn't make the alteration sound good enough
to satisfy us, so we left her a her.
-
Kosh will "speak" in the series. After a fashion. But not as you
might expect. Suffice to say we've seen the final effect now in the
mix of finished episodes, and it's *real* creepy.
-
Your memory is faulty. It was stated in the pilot that Kosh's ship
took roughly 4 days to travel via hyperspace to B5. That's from
Vorlon space; we don't know where the fleet was when it entered jump.
Because such ships can make their own jump points, it could've been a
lot closer to B5 space when it went in. (And was.)
-
Okay, okay, 8 days not four...I knew it weren't no 3 weeks, though.
The one thing to remember is that travel in hyperspace isn't the main
problem; the real problem, time-wise, is the period required to get
from a world to its nearest jump gate. It might take 4 days to travel
from World X to the gate, and 1 day to B5 in hyperspace...while
another race, 1 day from the gate, and 1 day to B5 in hyperspace, only
has 2 travel days.
-
As I've noted elsewhere, G'Kar made mention of the need for genetic
alteration/modification during the scene with Lyta. Beyond that,
though, G'Kar's personal perversion is sex with humans, which no one
else seems quite able to understand....
- Garibaldi was named after the famous Italian war hero of the same name.
Special Edition (spoilers for future episodes)
- @@@857153237
"Now that TNT has set a definite date for airing the
series, have they given you a 'go' for re-editing The Gathering? If so,
how much will you be able to put back (the character stuff with Sinclair?)
Might you even re-score it with Christopher Franke music?"
We're still negotiating that out, but in hopes of this going, we've begun redigitizing the footage so we can get into the main scenes we want to work on.
- @@@857547322
We're also going to update the CGI, if we can do this.
- @@@857554301 Why were any important scenes cut?
The fault was mine, not the suits.Prior to exec producing B5, I had never edited a show before, never had final cut before...had never even been IN an editing room for more than 5 minutes before. So here I am, given the director's cut...and I know it's real slow, but I haven't done this before, so I don't trust my instincts. I let it go with very minimal changes.
And I've been kicking myself ever since. I should've followed my instincts, but instead I deferred to the director's cut.
It's a mistake I have never made since.
Even so, that first cut just gnaws at me...I *know* I can make it better, stronger, even if only a bit in a few places, that would help salve my soul over this thing.
- @@@859779286
Would you use new music by Christopher Franke?
Yeah, Chris would re-score it. - @@@876776558
Is the reedit a dead deal?
No, the funding was approved, and we're working on it now. - @@@877368299
Yep, we're working on the re-edit now. There's still just so
much that can be done, we can't shoot new material...but it's still
going to be tighter, with additional material, new music, and new CGI
in many places.
- @@@878327316
Basically, it's new scenes with the characters, new CGI in many
places, and new music.
- @@@878327426
What was wrong with the original?
I was new at exec producing, and deferred 'way too much to the director, whose cut was, frankly, slow and left all the best character moments on the cutting room floor. We lost 14 minutes of good stuff, which is now going to go back and we're going to tighten and make it better, the way we do our cuts on all the episodes. - @@@878758531
"Will the 14 minutes being restored to "The Gathering" include
Marianne Robertson's "hostage" scene?"
Yup.
- @@@878843594
Today, John Copeland and I finished re-editing "The Gathering,"
the B5 pilot movie. While there were some areas we couldn't get into
because of the complexity in redoing the mix, virtually every scene got
tinkered with to one degree or another, and most important, the roughly
14 minutes of footage left out of the original version is now back in.
The whole thing is tighter and faster, and there's more recent CGI,
we'll have Chris Franke re-score it, and it's just in general a lot
better. (Some parts of it even make more sense now.)
One additional change: because of the desire on PTEN's part to have as many commercial breaks as possible, the 6-act script was jerry-rigged and broken down into 9 acts. One side-effect of this is that 9 acts wears on you, and wears you out, more than the standard 6. You start to get a feeling of being led up to things too often, and there isn't time to dwell on the acts you're in. I was finally able, with this re-edit, to move scenes back around again to what I originally wanted in a 6-act structure (you'll see a number of scenes juxtaposed from their original order).
Anyway...the TNT Special Edition is much improved over the original.
- @@@880391734
What will be cut to make room for the new footage?
Not much, just little snippets of things...the show was *very* slow paced, and once you pick up the pacing within scenes, whole vast tracts of time appear. - @@@882987588 you spare a few words on how you went about the re-edit? Did you
start with what you wanted to get back in, or trying to find out how
much time you could recapture?"
The first thing I did was to sit down with the editor assigned to the re-edit, Suzie, and go through the original script for the pilot. My first words to her were, "Put everyhing in that ain't there." To that end, she redigitized all of the footage from missing scenes, and had available all of the available footage of the other scenes for digitizing as we went.
Note that I said all the *available* footage. The folks at WB who held custody of the film (we don't keep that stuff, we're not allowed to by contract, they store film, negative, prints, all that stuff) put the negative canisters into storage...and at one point in the intervening 4 years, there had been water damage, and on another occasion, apparently rats had gotten in there and chewed some of the original negatives (and in most cases there weren't positive struck of those takes).
Take your reaction to the foregoing, put it in front of the Hubble telescope, and you will have mine.
However, we lucked out...where there were some takes that are gone, we were able to find enough others (masters instead of a two-shot, or a close-up instead of an over-shoulder) and B-camera footage that we were able to build solid versions of those scenes. We didn't always have as many choices as we're used to but there was more than enough for our needs.
Suzi then dumped all of the newly edited additional scenes into the existing pilot, and that gave us the new running time (we added about 14 minutes). So at that point, John and I went in and worked to slice down the previously existing scenes, doing what we do with B5: tightening every loose screw and nut as much as we could. One or two incidental, unimportant scenes in the original pilot went out, because they added nothing and shouldn't have been there in the first place (a total of about 3 minutes). The remaining 11 minutes we made up in just tightening scenes, which were *so* lax and slow that it's amazing at times.
In some cases, we substituted one take for another in the pre-existing pilot when we had a better reaction, or played scenes closer for more intimacy. (One of the problems with the pilot is that it kept the audience far from the action, and the actors far from each other, something we changed in our shooting style for the series...here we tried to change it when we could and when we had the coverage.)
Tiny example: when Kosh falls down upon arriving at B5, that sequence ends with a big honking wide downshot of a nearly empty docking bay, with Kosh far from us, and Sinclair looking down (away from us) when he says "Damn." Then we go from that to a wide shot of the medlab. Same framing. So I had Suzie look for a take where we panned up from a close on Kosh, to a close on Sinclair for that line, so it's more immediate, more personal, and the jump to the next scene doesn't feel like the one before.
See, directors like to stay wide in their cuts, so you can see their nifty camera angles, see the set, the lighting...but after you've established where we are, most people want to see the *characters*, not the walls or how the camera moves. That was what we tried to fix where we could.
We couldn't totally re-edit the pilot, because we hadn't been given the money for something that intensive (the main expense is in opening up all the audio stems in the sound mix). But all the stuff I wanted back in, is now in, and the scenes I wanted to fix, I fixed.
I also got the thing back to its original format. All TV movies are 6 acts. Because PTEN wanted more commercial breaks, I had to re-jig the structure of the thing into 9 acts, which meant moving some scenes into places where they weren't as effective, and frankly after 9 acts you just get tired of watching. Here I was able to move scenes around and get back to the original 6 act structure that was intended for the thing, and that alone makes a huge difference in how the film feels.
One of the biggest changes is the one least immediately apparent. After we finished the original pilot, some folks at WB felt that Laurel was too...strong. They will rarely put it in terms quite as blatant as that, but that was the message...she was "unlikeable, unsympathetic, harsh." Meaning some of the guys felt she was too strong, let's cut to the chase, okay?
They wanted her to loop her lines, soften their (her) delivery. I fought this tooth and nail. I fought this until finally I was pulled aside and it was communicated to me that B5 was, after all, still an unknown property, could be a big failure, and if we ever wanted to see this thing on the air, we'd accommodate this note (which was, I have to admit on balance, one of the few they had). The advice was, in essence, "Pick your battles."
So, reluctantly, I let it get looped by Tamlyn.
But now, when the re-edit was commissioned, and with the person at the studio who insisted on this now no longer AT the studio, I told Suzie, "Screw it, put back her original production track and trash the loops." Instantly, Laurel's energy level comes up, the performance is better...it just *feels* more natural now.
So basically, we did a lot...some of it may not be immediately apparent (improving a sound here, altering coverage, adding additional sound layers, redoing a composite shot of the garden), but over the duration of watching it, it's just *better*. It's still a *tad* slower around the middle than I would've liked, but that's a WP (writer problem), nothing that can be fixed in an edit. It's just exposition-dense there, and nothing of a sort that can be cut.
- @@@884632930
"Also, the reworking of Sinclair's narration of the Battle of the
Line, with Requiem for the Line and the battle transmissions was just
gripping, it really showcased Michael O'Hare's strengths as an actor."
Yeah, that was an experiment I wanted to try. When we did the audio spotting (me sitting with the sound folks, Chris, others), I explained what I wanted done with that scene, and they kinda got it but were a little dubious as to whether or not this could or would work. When we came to the day of the audio mix, it was kind of a jumble...so I worked with the music and the voices to basically fill in the gaps between Sinclair's words. Then I backed up and chose the ones that most related to what he had just said, or was about to just say. It took about half an hour to get that 30 second piece down pat.
One of the least visible things I do is mess with the music and how the music lays out on the track. I'm often at the front of the mixing room, working with the mixers, bringing up one instrument (percussion, for instance), bringing down the horns for one piece, up in another. In "In the Beginning," for instance, there was percussion all through the Battle of the Line itself...and we had big EFX of guns and explosions going off, and the two muddied together. So I went with the explosions for the first of it, then replaced some of the gunfire/explosions with percussion, then ducked down the SFX altogether and just let the music take it. You kind of have to be a conductor in these instances.
- @@@884020341
Why would Kosh tell Sinclair he was Valen?
Internal dialogue...what he was thinking, his reaction.
Originally compiled by Matthew Ryan mattryan@pobox.com
The Gathering
Londo's voice over (note differences with series, cf MotFL).
I was there at the dawn of the third age of mankind. It began in the Earth year 2257 with the founding of the last of the Babylon stations, located deep in neutral space. It was a port of call for refugees, smugglers, businessmen, diplomats, and travelers from a hundred worlds. Could be a dangerous place. But we accepted the risk, because Babylon 5 was our last, best hope for peace. Under the leadership of its final commander, Babylon 5 was a dream given form: a dream of a galaxy without war, when species from different worlds could live side by side in mutual respect. A dream that was in danger as never before, by the arrival of one man on a mission of destruction. Babylon 5 was the last of the Babylon stations. This is its story.
We join LtCdr Takashima at Ops, guiding a transport ship in to dock. Station security chief Garibaldi calls in (most contacts within the station are both audio and video). He's looking for Cdr Sinclair, who needs to meet one of its passengers personally. Takashima reports he's on his way already.
Del Varner (one man on a mission of destruction), is in the docking bay passing through security. Sinclair arrives to meet Lyta Alexander, the telepath newly assigned to B5. While Varner is watching, Sinclair welcomes her aboard and explains the rules of the station. As they head off to her quarters, Lyta looks back; she and Varner appear to have exchanged glances.
Ambassador G'Kar storms into Ops, shouting objections to the requirement that his supply ship from Narn submit to a weapons search. Takashima deflects him coolly and there is no resolution. "As far as I'm concerned, they can sit out there for the next solar year. If it makes you feel any better, I could send them a fruit basket..."
Sinclair and Lyta cut through the alien sector on the way to her quarters. Sinclair uses the otherworldliness of it to underscore his point about B5's purpose - it's a hub for exchange of all kinds between people of all kinds, and must be able to cater to any of them. "Sooner or later, everyone comes to Babylon 5." At Lyta's question, Sinclair explains what happened to the other four stations: three were sabotaged, one more simply disappeared 24 hours after coming on-line. She does not take this to be a good sign.
Later, the senior officers are gathered in Sinclair's office. Kosh, the last of four foreign ambassadors to B5, will be arriving in 48 hours. From the input of the officers it is clear that the Vorlons are very secretive. Takashima has been in contact with Kosh but with audio only - the Vorlon claimed his monitors were malfunctioning. Garibaldi says the Earth Alliance knows almost nothing about them - no-one's even seen a Vorlon. Dr. Kyle (medical chief) says they've only given him enough info to generate the right atmosphere - "Pretty thick stuff."
Outside, a tiny clawed ship deploys from an undocked transport, zips down to the station, grabs onto it, and carves a hole in the hull under its belly.
Minbari Ambassador Delenn invites Sinclair to meet in the Garden, an open air environment in the center of the station (the view down the great cylinder is breathtaking). He is starting to ask why he sees her there almost every other day, but she interrupts him.
D: Notice the waves, each moving in its own order, predictable,
unchanging. But drop in a single stone, and see how the
pattern changes. Everything around it is altered.
[turning to Sinclair] This is from your world?
S: It's a Japanese stone garden. Setting it aside was tough.
[...]
D: I am glad it is here. On my world there are books -
thousands of pages - about the power of one mind to change
the universe. But none say it as clearly as this.
[Delenn changes the topic to the Vorlons, and gives Sinclair
a copy of all the information she has about them]
D: If anyone asks, say it fell from the sky.
S: Why? I mean the war between us has been over for almost ten
years but there are still a lot of people on either side
who'd hang both of us for this kind of...
D: [standing] Commander - you know everything about your stone
garden, but clearly you have not spent enough time looking
at it. Good day.
The Garden's artificial night descends on Sinclair as he stares off down
the station's axis. At Ops, a ship is reported to be coming through the jump point. Takashima is distressed - "Damn, that's a Vorlon ship all right. Ambassador Kosh two days early. I was afraid he'd pull something like this."
In a dark corridor, a poorly glimpsed figure scans its hand at a door, which opens to reveal Varner inside. As the figure enters, Varner says, "About time." But, when the door swings shut, there is a bright flash of light and the thud of a falling body from within.
Sinclair, Garibaldi, and Takashima are strapped into a rail-car moving down the axis to the other end of the station. Kosh will be arriving in only two hours. Sinclair sends Garibaldi to ensure that Ambassador Londo will be at the early reception, "We don't want a repeat of what happened when G'Kar arrived." A private message then comes in for Sinclair, which he says he'll take in his quarters.
The message is from Sinclair's SO, Carolyn Sykes, who is returning a week early from a trading expedition (ETA 1 hour, 40 minutes). "Just in time for the reception," says Sinclair, already starting to look haggard as he changes outfits.
G'Kar stops Takashima in an upward-curving corridor to happily announce that he's ordered his transport to submit to the weapons search.
G: Since you doubtless have your hands full, our captain will
wait until after the Ambassador's ship has docked. Is that
satisfactory?
T: Yes, yes it is. Are you feeling all right Ambassador?
G: Couldn't be better! See you at the reception then...
[he walks off, humming and bouncing]
Londo is gambling at the station's casino. Garibaldi arrives, for whose
monetary support Londo soon appeals. Del Varner is listening in from a
table very near by as Londo touts his own gambling system. When he
suddenly starts reminiscing about the days of Centauri wartime
greatness, Garibaldi interrupts him - "Be a good Ambassador and promise
you'll be at Docking Bay 9 in two hours." "I'll be there," Londo
agrees, "what else have I got to do - I'm broke!" However, when
Garibaldi leaves, Varner approaches Londo, "This system of yours - it's
a sure thing...?" Lyta Alexander is telepathically overseeing a business deal, to the marked (but honest) advantage of the fellow employing her. When that concludes, G'Kar invites her to talk, invoking "privacy" (a feature of the room that can shield transactions at any table). G'Kar proceeds to offer her money for sex, the major purpose (but clearly not the only one) being to acquire telepathy for the Narn Regime through her genetic resources. Lyta is not interested. "I've heard about the Narn obsession with buying new technology, but you can't just buy someone's genetic makeup. It's... immoral." G'Kar persists, even to the point of bringing up details of the coupling. We can only assume, from her expression, that she doesn't take him up on it.
Varner steps into a corridor where a security guard is shining a flashlight in peoples' faces. Varner passes this scrutiny and smiles confidently.
The Vorlon ship is closing up its scintillating fins and entering the station under Takashima's control. She routes it to docking bay 9 and directs Sinclair there.
Sinclair steps onto a turbolift and takes it down, but it stops almost immediately. The computer reports a momentary power loss - there will be a 2.3 minute delay for secondary power to become available.
The Vorlon ship opens and Kosh emerges, wearing a great big encounter suit with a cape hanging from the back. He glides slowly down the ramp into the bay.
Sinclair jogs up to the closed docking bay, arriving at the same time as Garibaldi and Takashima. Garibaldi begins to complain about Londo's absence, but an alarm suddenly goes off. Sinclair sends Takashima off to notify security and opens the bay door, finding Kosh on the floor. They can't open his suit because the atmosphere would kill him, so Sinclair sends Garibaldi off to have Kyle ready the medlab immediately.
Later, Sinclair is in the medlab, where Kyle is mixing up the atmosphere for Kosh. Takashima comes in and reports that the Vorlon government has forbidden them to open the encounter suit at all. "We haven't come this far to watch it all fall apart," Sinclair growls. "Jeff, I'm warning you," she objects, "they're deadly serious about security." "Then we'll give them security," - he orders all monitors and data logging to be turned off, reminds Kyle of his oath of confidentiality, and sends him in to do what he can. He acquiesces, and as he prepares for the unknown, Takashima says, "Good luck, and I hope you're wrong..."
Looking through the glass into the environment room, Takashima tells Sinclair what she and Kyle had been talking about earlier - legend has it that the only human being ever to have seen a Vorlon had been turned to stone. Soon ready, Kyle touches the outside of the suit in a couple places, and it opens, light streaming out. He looks in... and sees what he sees.
Later, in his office, Sinclair is reporting to Earth that Kosh could well die. The Senator warns that the Vorlon government is very suspicious of what happened - if there is any sign of foul play there could be serious repercussions. On hearing that Garibaldi is in charge of the investigation, he's skeptical. "Is that wise? I was opposed to you bringing him on in the first place. He's been bounced from one station to another for years, I don't know if he's up to an investigation on this scale." (Garibaldi has come in meanwhile and has been listening out of sight.) Sinclair proclaims complete confidence in his security chief, and they sign off. "Old news," Garibaldi says. Sinclair charges him with finding out where everyone was during the five minutes between Kosh's arrival and the alarm, and grants him "full diplomatic access."
Stumbling into his quarters, Sinclair finds Carolyn in his bed. "You really should change your access code more often," she says. He kisses her and collapses in exhaustion.
We find Dr. Kyle in the outer room of the medlab, staring blankly off into space. The computer analysis completes; an unidentified foreign compound is present in Kosh's body. His condition is very poor, the prognosis terminal.
Kyle, un-rattled as usual, wakes up Sinclair to report that Kosh was poisoned, and he needs know what kind of poison it was in order to counteract it. If he knew where it got in through the environment suit, he could probably find enough of it there for an identification. Failing that, Kosh will die in 24 hours. Sinclair immediately calls security and seals off the station: no ships may come or go until further notice.
Meanwhile, G'Kar and Delenn are in her quarters talking about the situation.
G: Why won't you accept the facts? Who was the only one of us
missing from the welcome party when Kosh arrived? Londo
Mollari!
D: And why would the Centauri Republic want to kill Ambassador
Kosh?
G: What better way to prop up a fading empire than to start a
war? They've been trying to join forces with the Earth
Alliance for years! A mutual enemy would serve that purpose
very well.
D: And if your assumption is correct and he is the assassin,
what would you suggest?
G: An alliance between our governments. Yours is the oldest of
the five federations, ours is the youngest.
Technologically, you're centuries ahead of everyone else.
We have unlimited manpower and the will to use it! Can
you imagine what we could achieve together?
D: I can, which is why it must never be allowed to happen.
Your perceptions are colored by your history with the
Centauri. As former slaves of their government, you would
seize any opportunity to raise a force against them.
G: We were never slaves! Our world was invaded, our people...
D: The word - was ill chosen. My apologies. But my decision
stands. Thank you for coming, Ambassador.
G: HAH! I should have known better than to waste my time.
You're even worse than the Centauri; they're beyond the
dream of conquest. But you, you had the Earth Alliance on
its knees - one more stroke and you would have defeated
them! Yet you surrendered - why?
D: We had our reasons.
[While G'Kar talks into space, Delenn opens a hidden
compartment and puts on one of 20 or so simple rings
ceremoniously displayed there]
G: On Narn we heard that the decision to surrender came from
your holy men. A secret group called the "Grey Council" -
weak frightened old fools with no vision or the will to
fight. But we -
Delenn interrupts him with the palm of her now-ring-bearing hand; G'Kar
is suddenly transfixed by artificial gravity. Delenn doesn't release
G'Kar from the worsening force until she extracts from him the promise
that he never mention the Grey Council in her presence again. (While
completely over-matched, G'Kar does remain standing.) Once released, he
pants, "Oh Delenn, I gave you a chance for greatness and you threw it
away. Whatever happens now, let it be on your own head." Garibaldi finds Londo at the bar by the casino. "It's a pity," Londo says, "I suppose there'll be war now, mm? All that running around shooting at one another? I would have thought sooner or later it would go out of fashion." When Garibaldi begins questioning him, Londo blows him off, but then acquiesces to "full diplomatic access." He was still gambling at the time, he claims - Varner had promised to back his bets but then pulled out after Londo suffered heavy losses.
L: He's here, if you want to talk to him.
[he points out Varner across the room, but Garibaldi
continues to question]
G: Can anyone confirm your story?
L: Yes - the new telepath, Lyta Alexander. I saw her talking
to Varner shortly after you left.
G: Who would want to kill the ambassador?
L: Mr. Garibaldi - it's a big universe! If I knew who did it I
would tell you. I'm not here to make trouble. You know why
I am here? I'm here to grovel before your wonderful Earth
Alliance, in hopes of attaching ourselves to your destiny,
like... what are those fish called on your planet that
attach themselves to sharks?
G: Ramoras.
L: Yes. You make very good sharks Mr. Garibaldi. We were
pretty good sharks ourselves, once - but somehow, along the
way, we forgot how to bite. There was a time, when this
whole quadrant belonged to us! What are we now? Twelve
worlds and a thousand monuments to past glories, living off
memories, stories, selling trinkets. My god man, we've
become a tourist attraction! "See the great Centauri
Republic, open 9 to 5, Earth time." [he sighs] Anything
else?
G: No. Thank-you, Ambassador.
Finally walking over to question Varner, Garibaldi discovers the man is
nowhere to be found. Takashima and Kyle are in private quarters, discussing the Kosh dilemma. At the Vorlons' request, all the monitors had been off in the docking bay, so no-one but Kosh himself knows how he was poisoned. Kyle suggests that they enlist the telepath's aid to find out, and Takashima agrees it's the best thing to do (but only after a quite contrary story from her own life about the importance of sticking by the rules). The Vorlons would never allow it, of course, so they plan to proceed behind Sinclair's back.
When they confront Lyta with the idea in the medlab, she objects - quite rightly - that she could be thrown out of the Psi Corps for the crime of unauthorized mind scanning. Takashima urges the gravity of the situation, "Lyta, if the ambassador dies, the Vorlons will retaliate. This station is the first logical target. If I were in their position, I'd have a cruiser standing by in hyperspace right now just waiting to attack us. Thousands would die, and after us who knows how many more..."
Meanwhile, air is leaking out from one of the holes caused by the grabber ship still attached to the hull. The techs begin to notice the pressure loss and send a maintenance pod to investigate.
Vast forces weighing upon her shoulders, Lyta agrees to scan Kosh. Preparing herself, she explains, "When I get inside, it's subjective - I'll feel what he felt, but I'll see my body, not his. This could get rough." Initially she can't make mental contact with him, but succeeds when she takes off one of her gloves and puts her hand inside the encounter suit.
With Lyta, we see Sinclair walking forward through a warped image of the docking bay. "Welcome to Babylon 5," he says, smiling. A glance at his left hand shows it is slightly cupped away from sight. Sinclair offers his right, and we see a woman's arm reach forward to shake it (PoV, remember). He quickly grabs the proffered hand and slaps a big red circle onto the back of it. Soon the image of the bay distorts and tumbles, leaving us looking up from the floor at a grim Sinclair, then blackness.
In the medlab, Lyta is screaming blindly. Once the staff extricate her from the environment room, Kyle and Takashima talk her back to reality. She reports where the poison hit, and Sinclair jogs in just in time for Lyta to viciously accuse him of the deed.
Later, we momentarily see Varner in the marketplace pointing a little gadget at Lyta, who apparently doesn't see him.
The maintenance pod comes upon the grabber ship, which produces a cannon and demolishes it.
Varner follows a yellow-suited man into a turbolift and gets recognized by Eric, a yellow-suited tech. There is a flash of light as the door closes, and Eric emerges grimly - and alone.
In another senior staff meeting, Takashima reports that word has gotten out that a witness has identified Sinclair as the assassin. The senator calls and, given conflict of interest, orders Sinclair to temporarily surrender command of the station to Takashima, who will also represent the EA at the upcoming emergency council. "Jeff, once the council gets into this, there's nothing we can do without compromising the neutrality of Babylon 5 - we can't let that happen." After the senator signs off, the officers voice strong objections, but Sinclair demands that they do this one by the book.
The Babylon 5 advisory council is in session. G'Kar is making the case against Sinclair: he was suspiciously missing when Kosh debarked, and there is no record of the lift malfunction Sinclair claims delayed him. G'Kar opens the floor to questions, and Delenn asks Dr. Kyle who it was that identified Sinclair. Kyle replies that the witness has requested anonymity, which would of course change if this went to trial. When asked about the poison, Kyle reports that it was Florizine, a rare poison found only in the Damocles sector [a chilling name]. G'Kar immediately announces that "Sinclair's woman" had arrived from the that very sector less than an hour before the assassination attempt!
During a recess, Londo is at the bar again, staring at his drink. G'Kar walks merrily up to him and says, "Ambassador Mollari, I would like to discuss your vote with you."
Garibaldi is updating Sinclair on his investigation as they walk through the corridors. Garibaldi doesn't trust what Lyta has to say - "I've seen her a lot with Del Varner, the guy who kept Londo from attending the reception." Turns out Varner has many EA indictments for smuggling illegal technology. Garibaldi can't fathom that man's actions; why would he put himself at risk stepping into EA jurisdiction? Why would he deliberately anger Londo by offering monetary support and then backing out, when many of his own underworld clients are Centauri? Furthermore, Varner was too much in debt to cover Londo's bets anyway. Sinclair sends Garibaldi off to talk to have a chat with Mr. Varner.
Council resumes - Sinclair is now on the stand. G'Kar opens with a motion to extradite Sinclair to the Vorlon home-world for trial and quickly opens the vote with a yes. Takashima votes no for EA. Delenn, with unknown difficulty, abstains. Londo, with deep regret, votes yes. The council is deadlocked: two for, two against or abstaining. G'Kar then announces that he'd suggested his idea to the Vorlon government just recently: they requested that he vote yes on their behalf. The motion passes, deportation to take place in 12 hours.
Garibaldi arrives at Varner's quarters to find the access system out of commission. Gaining entry with a gadget, he puzzles at a small puddle of orangish liquid on the floor. Then he puzzles at Del Varner's body in a big fish tank.
In the medlab, Kyle confirms that the body is indeed Varner's, dead for at least X hours. Also, he will be able to counteract the poison in 6-7 hours, which is not much less than the time Kosh has got left.
Garibaldi has lost the only lead he'd found. "Dammit, maybe they were right - maybe you got the wrong man for this job after all," he says to Sinclair in the corridors. "Michael, I picked you because you're right for the job. You're not politick, you're not subtle, and sometimes you're a pain in the ass - and I wouldn't have it any other way."
At Ops, a tech reports to Takashima that the maintenance pod was lost. She sends a repair crew to check out what's going on.
G'Kar and Lyta meet in the alien sector. She notes his lack of a breathing mask, and he points out his gill implants. "Come," he says, "there's been a complication."
In the casino, Londo apologizes to Garibaldi for his vote - G'Kar had blackmailed him with scandalous information about Londo's father. Of such secrets is Centauri power made and broken. Londo didn't know his vote would matter, but he admits, at Garibaldi's questioning, that knowing wouldn't have changed anything. "This is my weakness, my failure. I am sorry, truly sorry."
In Sinclair's quarters, Carolyn is looking in awe at a medal of honor.
C: Jeff, this medal, you were on the Line, and you never told
me?
S: I didn't want to talk about it.
C: Why?
[Sinclair broods over a star globe, looking old]
S: I was a squad team leader when the call came in. We all
knew it was a suicide mission, the Minbari had broken
through, closing in. Every ship we had left was ordered to
circle Earth. We had to stop them, no matter what it cost.
They came at us out of nowhere, we never had a chance. The
sky was full of stars, every star an exploding ship. One of
ours. My team was blown out of the sky in less than a
minute. Twelve ships. I managed to take out a fighter
before they hit my stabilizers. I was losing power, I'd
lost my team, and I figured if I was going to die I'd take
someone out with me, so I targeted one of their heavy
cruisers, hit my afterburners. I was going to ram them head
on. The last thing I remember is hurtling toward that
cruiser, filling my screen. Big... my god so big. Then,
something passed in front of my eyes - I guess I blacked out
from the acceleration. When I came to 24 hours later, the
cruiser was gone. I checked in. They told me the war was
over. The Minbari had surrendered.
C: [appealing] Because of the Line.
S: No. We were beaten. We didn't stop them, they stopped
themselves, and I wish to hell I knew why.
Meanwhile, Lyta enters the medlab and engages Kyle in conversation about
Kosh's condition. While Kyle walks around examining readings, Lyta
surreptitiously shuts down medical equipment behind him. Kyle starts to
ask her how it is that she was seen talking to a man who'd already been
dead, but is interrupted by alarms going off. He tries to stop Lyta,
and they exchange blows. Kyle is painfully tossed around, but stumbles
into a floor-mounted laser, with which he manages to shoot her in the
arm. She stumbles through the exit, drawing a weapon. In the hallway
outside, she encounters the real Lyta Alexander running to
investigate. The fake points her gun at Lyta for a full heartbeat,
screeching but not shooting, then whirls and fires at Sinclair instead
as he comes in from the other direction. Sinclair dives aside and she
escapes. Inside the medlab, Kyle has been doing damage-control, and
reports that Kosh will still pull through. The false Lyta is careening down the corridor, cradling her arm. Falling against a wall, her whole face is malformed momentarily by a scream of pain. She stumbles on.
In a cargo bay, Garibaldi shows the now-disabled grabber ship to Sinclair, reporting how it was found. Only one individual could have come aboard in it. "Short range," Sinclair muses - some other ship must have brought it here. Garibaldi also reports that the body of Eric the tech has turned up dead, yet friends have reported seeing him recently. Just then Takashima links in to call them all over to Varner's quarters - she has something to show them.
Takashima has cracked open Varner's files and discovered that Varner was on the station to sell a changeling net: illegal technology that can make a person's appearance and voice that of someone else, at the risk of death from prolonged exposure. "So that's what Kosh saw in the docking bay," Takashima realizes. The net puts out a huge amount of energy, enough to detect with the station's sensors. Sinclair orders Takashima to reconfigure them to scan inwards, and then heads off to security.
Sinclair and Garibaldi arrive at Ops in body armor, carrying big guns. Filtering out known sources, Takashima finds the expected energy spike. Sinclair orders that area sealed off and heads for the door. Takashima suggests they take a hovering recorder along, "The way things are going, you may need a witness." Indeed, moments after they've left, a tech reports that something is coming through the jump gate. "It must be the transport ship - damn!" she says. The tech looks up in fear - "That's not a transport!" "Looks like the commander's ride is here," she replies. But it's not just a ride - no less than three Vorlon cruisers emerge from the gate amid a swarm of fighters.
In the corridors, Sinclair has Garibaldi set his weapon to a non-killing level so that they can take the assassin alive. The move in with Takashima's assistance from Ops, pinpointing the energy source. There is a brief exchange of fire, and Garibaldi is thrown backward by a hit in the chest. He tears off his super-heated jacket, which took most of the blast. Sinclair forges ahead alone.
At Ops, the Vorlons have demanded the immediate transport of Sinclair. Takashima orders a tech to link the Vorlons in to the recorder following him. While the tech gets to work on that, the Vorlons threaten attack in 5 minutes.
Sinclair exchanges fire with the assassin, but neither is hit. He stalks slowly forward to where the figure disappeared, looking back once. When he turns his attention forward again the assassin (disguised now as Eric) tackles him from behind. Both apparently having lost their guns now, they start fist-fighting. Sinclair is quickly in severe trouble. However, the chameleon net starts changing images as they grapple - first Varner appears, then Lyta, and finally Sinclair himself in body armor! The assassin is forced to pause each time, and at the last change Sinclair throws him against a high-voltage barrier in a room across the corridor. Gouts of electricity pour through the figure, and the disguise finally gives out, revealing him to be... Minbari!
The Vorlon fighters are powering up their already awesome-looking weapons as they close on the station. The tech finally gets the signal from the recorder finally connected to the outgoing link.
There is an explosion (possibly the chameleon net), and the assassin is thrown back into the corridor. "Why," Sinclair asks in wonder, "Why did you do it?" Looking up at him, the Minbari has only this to say: "There is a hole in your mind." With that, he reaches up and breaks his own wrist, activating some kind of device in his arm. Through the link, Takashima shouts, "Oh my god, he's wired!" Sinclair orders the area sealed off and sprints down the corridor. He's quickly blown through a closing bulkhead by a great explosion behind him.
B5 is thrown off kilter by the blast, and Vorlon fighters veer off to avoid colliding with it. It takes quite some effort on Takashima's part to pull it back into position without ripping apart the spinning station.
Garibaldi and Delenn find Sinclair returning from the destroyed section. "This little breach of security isn't gonna affect my Christmas bonus, is it?" Garibaldi quips. Delenn asks him, "Do you need anything?" "Coffee," Sinclair chuckles, "two sugars, cream - and aspirin."
A shower and change later, Sinclair sees Carolyn off the station - trading has called her away again. On a whim, she invites him to quit Babylon 5 and go off with her. "I'll think about it," he says. "Well don't take too long," she replies, "I'll wait, but not forever."
Later, the officers gather in the medlab. The station will be fully operational again in a few days, and Kosh is recovering and out of critical. Then Delenn enters and invites Sinclair aside, "I regret that a Minbari was responsible for all this sadness," she says. Sinclair is forgiving - "You can't be responsible for the actions of every member of your race, Delenn." "No. But there is something I can do." So saying, she gives him a file of information about the assassin, whose clan she recognized when she watched the recording broadcast to the Vorlons. "I think you'll find it... most interesting."
Still later, Sinclair is in his quarters, proposing a toast with G'Kar "To a fully operational Babylon 5!" "To the future!", G'Kar returns, and they drink. G'Kar expresses his pleasure at how it all turned out, and reaffirms their mutual goal of peace. However, Sinclair has his own agenda.
S: I'm surprised you didn't ask about Del Varner.
G: I assumed he was simply another innocent victim.
S: Not quite. His last entry spoke of a big payoff for
bringing a changeling net across the border. He was
supposed to meet with his buyer in the Tigris sector but was
running behind - didn't your supply ship also pass through
the Tigris sector on its way here?
G: If you have a point to make, Commander, pleeease make it.
S: I believe the assassin was brought here on your supply ship.
[G'Kar is carefully examining Sinclair's bric-a-brac]
That's why they needed the changeling net before they
arrived - a Minbari warrior walking off a Narn ship would
draw a lot of attention. With the net, he could appear to
be one of your crew and infiltrate the station. When Varner
missed connecting with your ship he came here, so you had to
find another way to get the assassin on board. They used
the transport we found on the station's hull to get him
inside, he then killed Del Varner and grabbed the changeling
net.
G: Sheer speculation, Commander. With the death of Del Varner,
and of the assassin, you have no proof.
G'Kar goes to leave, but Sinclair has one last thing to tell him. It
seems with his drink G'Kar has swallowed some nanotechnology, which has
by now made itself at home in his intestines. It is shielded from
outside detection, and it can be used to pinpoint G'Kar's location at
any time. Sinclair points something at him by way of demonstration, and
G'Kar jumps when it beeps. "This is an outrage!" he cries. "This is
insurance," Sinclair replies, "What you do here is your own business.
You can scheme and plan and play all the games you want. But get this
straight - if you ever endanger this station again, my people will find
you, and the results will be most unpleasant." Storming out of Sinclair's quarters, G'Kar is blocked for a moment by Garibaldi and Londo coming out of a lift. Garibaldi mimes a gadget at G'Kar with a "beep-beep" as he walks by. "Beep Beep?" Londo asks, "It must be Earth humor. Who can figure a species like that - Beep Beep." G'Kar is quite beside himself.
Londo walks on to the reception, but Garibaldi and Sinclair stop and talk in the corridor.
G: Do you think they'll find that transmitter you slipped him?
S: No. Because there isn't one.
G: There isn't? Wait...
S: I lied. I figured if there was a transmitter sooner or
later they'd find it and remove it. But if I just told him
there was, they'd keep looking, indefinitely.
G: Commander, do you have any idea of the tests they'll put him
through, the things they'll do to him, tryin' to find a
transmitter that's not there?
S: Yes. Come on...
All are present at Kosh's long-delayed reception except G'Kar (possibly
off having his stomach pumped). Sinclair welcomes Kosh to the station,
there is applause, and Kosh bows. Delenn steps forward and nods in
respect, and Londo raises his glass to him. Later, Delenn finds Sinclair alone in the night-darkened Garden.
S: Delenn, just before he died, the Minbari assassin looked at
me and said, "There is a hole in your mind."
D: An old Minbari insult, nothing you need worry about.
S: Maybe... it's just - there's a 24-hour period in my life
that I can't account for. It happened during the war with
your people. You wouldn't be holding anything out on me
would you, old friend?
D: Commander, I would never tell you anything that was not in
your best interest.
S: Well, we'll talk about this again, one of these days. Come
on, we should get back to the reception.
D: By the way, there's something I've been wondering - why
"Babylon 5?" After prior four stations were lost, or
destroyed, why build another?
S: Plain old human stubbornness, I guess. When something we
value is destroyed, we rebuild it. If it's destroyed again
we rebuild it again. And again, and again, and... [looking
down the vast Garden] again. Until it stays. That, as our
poet Tennyson once said, is the goal: "To strive, to seek,
to find, and not to yield."
Lastly, from a beautiful point of view outside the station, we see
Takashima at Ops. "This is Lieutenant Commander Takashima. Our docking
bays stand ready to receive you. Babylon 5 is open for business." Matthew Ryan mattryan@pobox.com
Copyright 1994, Matthew Ryan. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
Anthony Taylor (FNATT@elmer.alaska.edu) wrote a preliminary version of the files on the pilot, and I am grateful to him for many of the points listed on the above page (included with his permission).
The Geometry of Shadows
Overview
Ivanova is promoted and given a diplomatic assignment. Londo seeks affirmation from an unusual source. Michael Ansara as Elric. William Forward as Refa.
Sub-genre: Comedy/intrigue P5 Rating: 7.68 Production number: 203 Original air date: November 16, 1994 DVD release date: April 29, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
Backplot
- Every five years, the Drazi people divide by random selection into two equal groups, green and purple, and fight for supremacy in a contest that lasts a full year. The group that wins is the dominant one until the next battle. Group membership isn't permanent and has no deeper meaning than the color of cloth one happens to select randomly from a container.
- The only son of the Centauri Emperor recently died, leaving no clear successor to the throne. This has served to increase the scheming among the Centauri nobility. At least one group, disgusted with the decay of the Republic, intends to grab for the throne when the Emperor dies; Londo has all but pledged to support that group.
Unanswered Questions
- Where were the techno-mages going?
- Will they return or otherwise make their influence felt?
- How do they know about the upcoming conflict?
- What do they know about it? Are they aware of the Shadows, for instance?
- What part do Londo's new partners want him to play in their machinations?
- What repercussions will Ivanova's solution to the Drazi problem have?
- Were the winged creatures on Londo's back significant, or just a meaningless practical joke?
Analysis
- Londo seems to have made up his mind about following his ambition. He appeared to be seeking the techno-mages' endorsement for his own political gain, rather than for the good of the Republic. It remains to be seen whether he'll have the willpower to follow through with his newfound assertiveness when lives are at stake, though Elric's statement about the future indicates he will.
- Londo is willing to trust Vir with other people's secrets ("He can be trusted!") but not with his own (e.g., his reluctance to discuss Morden in "Chrysalis.") Vir is gradually becoming more assertive, more willing to stand up to Londo. Whether this will cause Londo to respect or trust him more remains to be seen.
- The two Drazi leaders were clearly only in charge of the groups on Babylon 5, as evidenced by the fact that the decision to up the stakes of the contest came from the Drazi homeworld. What happens if one group wins in one place and the other wins back home is open to debate.
- Londo's reference to the techno-mages' presence at the founding of the Republic, and his recognition of the human mages, suggests that the brotherhood of techno-mages is very old, and crosses species boundaries. Perhaps they have been around long enough to have taken part in the great war recorded in the Book of G'Quan (cf. "Revelations") and can see signs of the same thing starting again.
- The techno-mages seem to have found some technological way to emulate the prophetic abilities of some of the Centauri, among others (cf. "Signs and Portents.") Such abilities are arguably related to time travel; perhaps it is the techno-mages who supply the technology to bring Babylon 4 forward in time (cf. "Babylon Squared.")
- When Garibaldi was playing with his weapon, it's plausible that he was contemplating suicide. He has hit rock bottom. He has been betrayed by a trusted member of his own staff and shot in the back. The only person he really trusted (Commander Sinclair) is gone. And, he is probably feeling that he was somehow responsible for the failure to prevent the assassination of the EA President. He is a recovering alcoholic, and he has lost the woman he had fantasized about marrying. If true, this lends a different meaning to Sheridan's comment, "The universe doesn't give us points for doing the easy things."
Notes
- Ivanova's broken foot in this episode wasn't originally planned; Claudia Christian broke her foot, and it had to be explained in the context of the show somehow.
- The end credits list Edward Conery as Devereaux (cf. "Chrysalis") but he doesn't seem to actually appear in the episode anywhere. Since he did appear in the previous episode, "Revelations," and wasn't listed in its credits, he may have been listed here to make up for the omission.
- Elric's warning to Vir is almost verbatim from Tolkien's Lord Of the Rings, in which Gildor, an elf, tells Frodo (speaking about Gandalf,) "But it is said: Do not meddle in the affairs of wizards, for they are subtle and quick to anger."
- Elric's name is from Michael Moorcock's series of fantasy novels.
- When Garibaldi turns up to rescue Ivanova, there is a visual gaffe. The Drazi who starts to get up to answer the door is the one in a red-accented suit with epaulettes. When Garibaldi is admitted, it is by the other Drazi, while the one who had started to get up is guarding Ivanova.
- Michael Ansara, who plays Elric, also played Kang, a Klingon, in the original Star Trek episode "Day of the Dove" and the Deep Space Nine episode "Blood Oath."
jms speaks
- BTW, having now edited seven episodes, and seen several finished ones,
I think that of the first three, "The Geometry of Shadows" (#3) is my
personal favorite. "Revelations" is certainly a biggie, a staggering
chunk of the arc...but "Geometry" is just an absolute hoot, something
of a breather from the intensity, and largely for fun with some
undertones. If you liked "The Parliament of Dreams," you'll probably
love "Geometry."
- There were *substantial* differences made between the first draft
and the final, based on the fact that a lot of the physical stuff I'd
written for Claudia -- getting herself out of the problem she was in
with the Drazi -- had to be dumped because the actress had a broken
foot. So that aspect has to be remembered. We pushed her to the
limits, and I didn't want to push further.
- You hit on the head *precisely*. When Garibaldi was popping the
energy cap in and out of the PPG, he was on the floor, nominally in the
dark, thinking of killing himself. I didn't want to play it up, didn't
want to make it what the story was about...just show him doing it, over
and
over. And from Sheridan's face, seeing the last of this, it's clear he
got it...and I thought he handled the scene *perfectly*, by his whole
demeanor, but NOT talking about it except indirectly.
- If I told you what the 14 words were, they wouldn't mean anything
anymore.
- I don't feel Sheridan was downplaying her promotion; he was sneaking
it up on her to surprise her, making it more of an unexpected delight.
- The idea behind the title "The Geometry of Shadows" was in a sense
a metaphor for the techno-mages; geometry bespeaking the use of math and
equations, the latter being generally something dark, or mysterious, or
mystical.
- "The Geometry of Shadows" seemed to me a good metaphor for the
technomages; a mix of science with something dark and mysterious.
How do you work out the geometry of something that in one sense
doesn't really exist, but is a projection of something else that
DOES exist? That seemed to me as good a notion of technomagic as
anything else.
- Be assured, Vir's position continues to be important, and he moves a
bit closer to the limelight as he does so...remember, he's the one
who has to watch Londo's actions like a man watching an accident in
slow motion, and try to do what he can to stop it.
- Sheridan wasn't talking to himself, but rather to the tech who just
seconds before asked if they should let the techno-mages go. (I'd
trimmed the first part of his speech which made this a little clearer,
figuring it'd be evident who he was talking to. What can I say...
sometimes you get the bear, sometimes the bear gets you.)
- Excuse me, but has *anyone* here considered that Sheridan just might
still be talking to the same tech he was speaking to not *five
seconds earlier*? He wasn't talking to himself, so much, or the
audience, though the push-in (the only shot we had) worked against
that. He *was* talking to the tech. Honest.
- The technomages are from various races and worlds; there are some who
are Centauri, some who are human, even other races such as the Vree
and the pak'ma'ra, though these in particular happened to be from
Earth. (If they were Centauri, why would Sheridan have been
interfering with their emigration?)
- Re: the Drazi...yeah, they all look different in that episode. Our
prosthetics folks did a great job with that, as did the actors, and I
think this one should earn Optic Nerve another emmy.
- And yeah, Garibaldi's "joke" was supposed to be pretty lame; we even
edited it to widen the awkward pause, to make it more difficult. He's
trying too hard, and his spirit isn't in it.
- No, actually, the technomage symbol (all of them, actually, including
the ones on the wall) are all derivations, specifically altered, of old
runes and the like. In some cases, we removed words and inserted
mathematical symbols. The fiery symbol is all one piece, and is also an
old rune.
- Actually, Londo has two coats, a cloak, several different colored
vests (blue, black, others), often wears just his shirt, we've seen
him in his PJs...he's got a fairly large wardrobe.
- Also, Londo looks for the blessings of the technomages the same way
the witches performed that role in "Macbeth." There are other parallels
one might draw as well, though again they're still two different
stories.
- @@@842211102 What happened to the Emperor's son?
Ah...a very sad case, that. Turhan's only child, his son, died during a boating accident, of all things. He drowned. His personal guard, who was apparently unable to find Turhan's son in the murky water, was found dead several days after making his report; his own death was officially ruled a suicide, out of grief. But there are always stories.... - How was it written before Claudia Christian injured her ankle?
Mainly it was written with Ivanova solving her problem on her own, without Garibaldi being there. - Re: Squaring the account of Ivanova's promotion with Comic #1,
"In Darkness Find Me"
The president spoke truthfully; Sheridan could petition for a promotion for her, but it's up to Earthforce to grant it, so the line still tracks. (Note also there's no pronoun there; "Giving her a field promotion." The imperial We still stands, though.) Also, Sheridan says he put through the paperwork the day after he got there; which is fairly close to the time frame in the story in which the President says they'll be giving Ivanova a promotion. There's no discontinuity here. - Actually, originally, the plan was for President Clark to indeed
notify Ivanova in "Points of Departure," but introducing a new
character in the General added some changes when we shot the scene.
But by then it was too late to modify the comic [#1, "In Darkness
Find Me"].
Also, in the comic, Clark doesn't *specify* who's giving Ivanova the promotion, just that it's being done. (And Sheridan comments that he put through the paperwork the day after he arrived, which tracks with this time-wise.)
- Ivanova did NOT take the kerchief off either of the Drazi leaders in
the council chambers; she walked PAST them, and signaled for two of
the regular Drazi to come down out of the cheap seats.
- Nope, that really was Claudia walking on her broken foot in the
council chambers. She's a trooper....
- "A race that speaks in macros" referred to the Drazi constantly
repeating their stance, Green must fight Purple, Purple must fight
Green, over and over...macros.
- Ann Bruice did a great job on the technomage costumes; I agree. She
found ways to implement what was described in the script that were
both creative and wore well, and fulfilled the function. I wanted
black, with fine silver lines, and an almost circuitboard look to the
patterns in places, but not *obviously* that, stylized. She took that
and came back with a true niftyness....
- In order to create more involved alien makeups, and because many
actors have a hard time with prosthetics, we created what we call the
Babylon 5 Alien Rep Group; last year about five, and this year about
12 actors who we have taken full head and (in some cases) body casts,
so we can use them in mid-level speaking roles as aliens and rotate
them in and out. Since we had fewer last year, you saw Mark more than
you'll see him this year. Green Drazi #1 in "Geometry" is one such
rep group alien.
We keep trying to find interesting solutions to interesting problems.
- The techno-mages were not a homage to ShadowRun games, since I've
never seen the game, and have never heard of it prior to seeing this
message.
- Yes, Ivanova's title in the opening credits *will* be changed to Commander, to reflect her change in rank. And we'll be adding a rank for Lt. Keffer. It's kind of funny; we keep treating the opening title this year as a work in progress, reflecting little changes here and there...changes in faces, narration, little musical changes that will come by about episode five or six.....
The Geometry of Shadows
Garibaldi is in MedLab, having the wounds incurred from his former aide's attack on him examined. Garibaldi tries lying to Franklin about his condition, claiming that he is suffering less pain than he actually is. Franklin doesn't like this, but tells Garibaldi that he is improving and should be able to return to work soon. Garibaldi isn't sure he wants to return to work, though, since he doesn't seem very sure about Sheridan's appointment and isn't sure Sheridan can be trusted.
As Garibaldi leaves, Franklin offers to talk to him about his problems, but Garibaldi is less than eager. "I got shot in the back by my own guy, my own second-in-command. He was right there all the time, a snake in the garden, and I didn't even see it. What the hell kind of a security chief am I supposed to be if I can't see something like that?" He says that he should have known about Jack's deception, and that he may not be qualified to be in charge. "I keep asking myself what qualifies me to take back my job, and I haven't got an answer. I wish to hell I did." He leaves.
Londo and Vir are in Londo's quarters, talking to an acquaintance of Londo's, a noble named Refa. Refa tells Londo that monitoring stations had been set up in quadrant 37 to watch the Narn buildup, and when they heard that Londo would take care of the problem, they thought he was crazy. But they were very surprised when the stations reported that the outpost had been destroyed. Refa asks how it happened, but Londo won't tell him. Refa accepts this and says that Londo has saved the Centauri from another one of their emperor's mistakes.
Londo and Vir listen to Refa.
Refa says that Londo was very clever in the way he took care of the outpost, and that the Centauri need more people like Londo. Refa says that, with the recent death of the emperor's son, there is no clear line of succession, but that he and his associates plan to take over the job of ruling when the emperor dies. Refa says that there will be resistance to this, and that force will be required. He asks Londo if he will be willing to help when the time comes. Londo has reservations, but eventually agrees to do so.
Elsewhere on the station, two groups of Drazi, one wearing purple sashes, and the other wearing green sashes meet. As they walk past each other, one Drazi "accidentally" bumps into another one wearing a different color, and a brawl between the two groups begins.
As Refa prepares to leave Babylon 5, Londo says goodbye to him. Refa thanks Londo for his help, and tells him that he will attempt to convince his associates and followers that Londo is the sign that his group of the Centauri may rise to great power again. As Refa leaves, Londo notices someone else standing nearby, a tall human in a long black cloak. "Great Maker!" Londo says to Vir. "A Technomage!" Vir doesn't know what a Technomage is, so Londo tells him that "they use science to achieve the affect of magic." Londo says that he hasn't seen one in a long time, and it is unusual to see them outside of their places of power. It is even more unusual, and a bad omen, to see more than one at a time. The Technomage, followed by two others, walks by Londo and leaves the area.
Sheridan and Ivanova are in Sheridan's office, talking about the incident between the two groups of Drazi. Sheridan asks about the conflict, so Ivanova explains what she knows to him. "It's a cultural thing. Once every five years, all the Drazi, here and at home, divide up into two camps, and fight it out." But it isn't a fight to the death-- the battles are used to determine what the dominant group for the next five years will be. Sheridan says that he believes this conflict came at a good time, because he thinks that Ivanova should learn more about diplomacy, so that she can settle the more minor conflicts, while Sheridan deals with the station's major problems. "Besides, added responsibility comes with any promotion. Don't you agree... Commander?"
Ivanova is promoted.
As they share a toast of orange juice, Sheridan tells her that he arranged her promotion after his first day on the station. He tells her that her first responsibility is to solve the Drazi problem. As he leaves, Commander Ivanova watches the Drazi over the monitor, in their detention cell, fighting, and sighs as she realizes the job before her will not be easy.
Vir finds Londo drinking at a bar. He informs Londo that the Abai delegation have an appointment and are waiting to see him. Ignoring this, Londo asks Vir if he believes in fate, to which Vir responds that he sees fate as a series of currents, eddies and tides, that pull one in certain directions. Londo tells Vir that, before their first emperor took the throne, he met with three Technomages. Londo says that this is a powerful image to those that follow the old ways. Londo explains that, if he had the endorsement of the Technomages, it would have considerable influence on those back on the Centauri homeworld. He tells Vir to arrange it with the Technomages, a task which Vir doesn't want to perform. Vir tries some of Londo's drink, hoping it will prepare him for the task, but it only makes him faint.
Garibaldi is in his quarters, utterly dejected, playing with his PPG while staring at the floor. Sheridan enters, and asks why Garibaldi hadn't been around to talk to him. He says that Dr. Franklin diagnosed him fit to return to work, and wants to know what Garibaldi thinks. Garibaldi says it might be easier for everyone if he moved on. Sheridan puts Garibaldi's weapon in its holster and replies, "The universe doesn't give you any points for doing things that are easy." Sheridan tries to convince Garibaldi to stay, saying that he is a valuable resource he would like to have at his disposal. Sheridan wants Garibaldi in the position, but leaves the decision up to Garibaldi. Sheridan leaves.
Ivanova is in the council chamber, addressing the green and purple Drazi. She tells them that, although most of the species on Babylon 5 don't care about the conflict, they would prefer it were settled quietly. She wants to help them find a peaceful solution to their problem. She asks them what the nature of the conflict is, and they respond by saying that it is the colors of the sashes they wear. She doesn't understand, and they again respond by saying it is the colors of the sashes. She still doesn't understand the situation, especially regarding the distribution of the sashes, so the leader of the green Drazi explains further. "We put green and purple in great barrel, equal to numbers of Drazi. Then we reach in, we take. Where there was one Drazi people, now there are two. The two fight until there are one."
The Drazi leaders.
They further explain that leadership is determined by who takes the leader's cloth. Ivanova finds it outrageous that so much fighting could come from something so arbitrary, so she removes the purple sash from one of the Drazi wanting to be certain it is only the color of the cloth, and nothing else, that determines alignment. She places it on another Drazi, who is already wearing a green sash. Upon doing this, the Drazi suddenly erupt into violent conflict, with Ivanova trapped in the middle. During the battle, several Drazi fall on her, and she screams in pain.
Vir arrives at the area on Babylon 5 where the Technomages are staying. He introduces himself, but there is no response. He says that he needs to speak with someone in charge. As if in reply, a large beast with fiery eyes and long fangs appears before him, growling menacingly. Vir stands his ground, though, and after a moment, a voice rings out, "Stop program," and the beast disappears.
The beast threatens Vir.
A Technomage appears from the shadows and comments on how difficult it was to frighten him, but Vir says that's a requirement if you work with Londo. The Technomage asks why Vir is there, and Vir responds that Londo wants an audience. The Technomage declines, saying that the Technomages don't do that sort of thing. Vir tells the Technomage that Londo is willing to pay, but the Technomage is not swayed. Vir tries to appeal to the Technomage by saying that if he returns without completing the task, his personal situation will become unfortunate, but the Technomage counters, saying that if he does not leave, Vir's situation will become even more unfortunate. Not wishing to return empty-handed, Vir asks the Technomage his name. "Elric," the Technomage answers, and warns Vir not to return.
Dr. Franklin examines Ivanova, telling her that her foot is broken in three places. He also tells her that, though he can help her, it will take three weeks to heal, if he speeds up the process, in addition to her having to wear a cast. He offers her something for the pain, but she declines. Sheridan enters and asks to speak with Ivanova privately. He asks her what her next move is, but she isn't sure. He offers to postpone the assignment, but she again refuses. She says that this is particularly difficult because the Drazi have no differences that must be resolved. She believes she needs to come at the problem from another angle, possibly finding a less-violent way to structure the conflicts. Sheridan says he thinks that's a good idea, and leaves. Ivanova calls security, telling the Drazi to meet in chambers, so they can try the resolution again.
Vir reports to Londo the experience he had with the Technomage, but Londo finds the situation unacceptable, telling Vir he must return. Vir tells him that it won't work, and that the Technomages aren't interested in money or power. Londo tells Vir that it is very important that he be seen with them, as it would act as a powerful symbol. Londo surmises that if he, as an ambassador, has failed, he needs to find someone more powerful, someone to whom they will listen. Londo leaves abruptly.
Garibaldi is walking around outside the Zocalo when he meets up with Lou Welch, the security officer. After some small talk, Lou asks how Garibaldi is. Garibaldi says he's all right, and Lou asks when he will be returning to duty. Garibaldi doesn't say anything, but Lou asks again. Garibaldi still isn't sure, but does say that he will be returning soon. Lou receives a call from security, saying that there are more difficulties with the Drazi. He has to leave, but tells Garibaldi he will see him later.
Garibaldi and Lou Welch.
Londo is talking to Sheridan about the Technomages. Sheridan tells Londo that he was doubtful about their existence. Londo says that the Centauri have had many experiences with them, and that they can be troublemakers unless one knows how to deal with them. Londo says that he does know how to deal with them, and he offers his assistance to Sheridan with the Technomages. Sheridan explains to Londo that the Technomages are emigrating, and that Earth wants information about their situation. Sheridan asks for Londo's help, and Londo eagerly agrees.
Meanwhile, Ivanova receives news from security that, on the Drazi homeworld, the violence has escalated from beating to killing. She asks if the local Drazi know about it, and asks for a full tactical squad to back her up. When she arrives at the council chambers, she finds the room littered with the bodies of purple Drazi.
Elric is upset that Sheridan doesn't believe that the Technomages are there peacefully. Sheridan tries to explain that, because of the great numbers of Technomages present -- over a hundred -- and the secrecy behind their activities, he needs some information to ensure the safety of the station. Elric says the Technomages have the right to do whatever they want. Sheridan says he just wants answers. Londo enters, claiming he was detained. He sets down the glass he was holding, and sets something else down behind it. Elric is upset that Londo is involved, and tells Sheridan that Londo had been asking for an audience ever since he arrived. Londo denies this, but Elric responds by showing Londo and Sheridan a recording he made of Vir, requesting an audience. Londo comments that recording a conversation is a very low thing to do, but offers forgiveness to Elric. Elric says he doesn't want Londo to misrepresent the gesture of friendship as some sort of endorsement. When Londo answers negatively, Elric glances at the small recording device Londo had placed behind the glass; it explodes. Elric tells Londo he wants respect. Sheridan threatens Londo with expulsion from the station for this action. Londo apologizes, and leaves quickly.
Elric plays back Vir's
message.
Sheridan accompanies Elric back to his quarters, but says that there are still questions he needs answered. Elric asks Sheridan if he believes in magic. "When I was twelve, I used to sit in my dad's garden, the air full of the smell of orange blossoms, watching the sky, dreaming of far away places... Back then, I think I believed in just about everything." Sheridan says that he thinks there are some things people don't understand, and that things which people do not understand might be considered magic; for example, Babylon 5 would be considered magic by humans of a thousand years earlier.
Elric says that, in a way, it is magic. "Magic of the human heart, focused and made manifest by technology. Every day you here create greater miracles than the burning bush."
"But God was there first," says Sheridan, "and He didn't need plasma coils or solar collectors."
"Perhaps. Perhaps not. It is within that ambiguity that we exist. We are dreamers, shapers, singers, and makers. We study the mysteries of laser and circuit, crystal and scanner, holographic demons and invocations of equations. These are the tools we employ, and we know many things." Sheridan asks what, and Elric answers that they know the important things -- the answers to some questions that people have asked since time began. "Fourteen words to make someone fall in love with you forever, seven words to make them go without pain, how to say goodbye to a friend who is dying, how to be poor, how to be rich, how to rediscover dreams when the world has stolen them from you. That is why we are going away -- to preserve that knowledge." Sheridan asks what the knowledge must be preserved from, and Elric answers. "There is a storm coming, a black and terrible storm. We would not have our knowledge lost, or used to ill purpose. From this place, we will launch ourselves into the stars. With luck, you will never see our kind again in your lifetime. I know you have your orders, Captain. Detain us if you wish, but I cannot tell you where we're going. I can only ask you to trust us." Elric takes Sheridan's hand, and closes it. He walks away, leaving Sheridan holding an orange blossom.
Ivanova, on crutches, goes to the quarters of the green Drazi, asking to see their leader regarding the death of the purples. At first, the Drazi outside is reluctant to let her in, but, after some further coaxing from Ivanova, he relents and lets her inside. She goes to the leader, who asks for her help. He tells her that he has a way to solve the problem without any fighting, but it will require her help.
Ivanova listens to the plan.
He asks her to tell the purple Drazi to gather at brown 29, an isolated section of the station where they won't disturb anyone else. Once the purple Drazi are all there, they will be ejected into space, thereby causing the greens to win. Ivanova tries to get him to reconsider, claiming that they are still Drazi, but the green leader will not listen, saying only that they are purple, and therefore not important. She refuses to go along, but he tells her that they already sent a message, in her name, to the purples, to move the plan forward. She tries to use her link to call for help, but she is prevented from this when it is taken from her.
Garibaldi is wandering through the corridors of Babylon 5, when he runs into Lou, who tells him that they received an uplink from Ivanova, saying that all the purple Drazi should meet in brown 29. Garibaldi accepts this for a moment, but quickly changes his mind. He asks Lou if it was really an uplink, and not a personal message. Lou answers affirmatively, saying that the message said she would be offline for a while. Garibaldi asks the source of the uplink, and runs off.
Ivanova tries to get the greens to relent, but they are admant in their refusal to listen to her attempts at helping them. There is a pounding outside, and the Drazi at the door opens it, admitting Garibaldi, who is holding a small black box. Garibaldi claims he is a salesman, who wants to sell the Drazi an Acme Handy-Dandy Micro Helper. He offers to demonstrate, but is met with resistance. He says that it is just his way of helping, but the Drazi continue to refuse. "If there's anybody in here who needs a little help," he announces to the room, "just say the word, and I'm here." Ivanova elbows a nearby Drazi and shouts out, "Garibaldi!" The two of them begin to fight the green Drazi.
Londo is in his quarters, having considerable difficulty, when Vir enters. Londo explains that a holodemon has possessed his data system. It is eating up files, records, and buying stocks he would never purchase for himself, in addition to playing painful Narn opera continually.
Narn opera.
Vir suggests that Londo apologize. Londo refuses at first, but when his computer suddenly reports that he is the new owner of 500,000 shares of Fireflies Incorporated, then blacks out the entire room, Londo agrees.
Garibaldi meets up with a large delegation of green Drazi, who have been marching through the halls, going to brown 29. Garibaldi says that the purple drazi accepted their story, and are waiting in there, but he refuses to let them go in. Garibaldi says that he plans to leave the purples in there until the end of the Drazi week. The green leader laughs, saying that the Drazi cycle, the length of the conflict, is not a week, but a year. A Drazi year is equal to 1.2 Earth years.
Ivanova and Garibaldi realize they can't keep them in there that long. She again tries to convince them that their conflict is absurd, as they are fighting over nothing more than pieces of cloth. The green Drazi leader asks why it is different than fighting over a flag. She says it is different because flags represent the country of origin, and stand for something important about the countries over which they fly.
Ivanova rips the green sash from the leader of the green Drazi, who, with the rest of his troops, immediately stands at attention. He says that whoever takes the cloth of the green leader becomes the green leader, and the greens must follow whoever that is. She doesn't believe that could possibly to her, but the former green leader explains that the rules of battle go back long before contact with other races, and the proposed rule change was lost in bureaucracy.
Using her new position, Ivanova orders the green Drazi to follow her to the quartermaster's office, where she will either lock them in the brig for assaulting her, or change the colors of their sashes from green to purple.
Londo cautiously approaches the section of the station where the Technomages are residing. He tries to avoid apologizing for as long as he can, but the strange lights and gutteral noises, as though coming from a large animal, prompt him to continue. When the noise reaches its climax, he finally apologizes for any way in which he might have offended them. He offers to help them, should they ever return. He walks steadily out of the area without noticing the three small gremlins hanging onto the back of his coat.
At a party celebrating Garibaldi's return to duty, Ivanova asks what made Garibaldi return. He explains that, as Sheridan pointed out, he does know the station and the people on it better than anyone else. He explains that it was because of this he knew Ivanova was in danger--he knew she would never communicate via an uplink, but would always use her own link. He also says that he is perfect for the job because he doesn't trust anyone, or anything. Sheridan receives a message saying that the Technomages are leaving. Before he leaves, however, he tells Garibaldi that he is glad he is remaining on the station.
Londo approaches Elric, thanking him sarcastically for the gift, which caused considerable damage to his quarters. Londo asks Elric if the torment ends after he leaves, or if he will have to pay for it for the rest of his life. "I'm afraid you're going to have to spend the rest of your life paying for your mistakes. Not this one, of course. It's trivial -- I have withdrawn the spell. But there will be others."
Londo catches up with Elric.
Londo asks Elric to explain, which he does. "You are touched by darkness, Ambassador. I see it as a blemish that will grow with time. I could warn you, of course, but you would not listen. I could kill you, but someone would take your place. So, I do the only thing I can. I go. Oh, I believe it was an endorsement you wanted. A word or two, a picture, to send to the folks back home, confirming that you have a destiny before you." Elric provides this. "Well, take this, for what little it will profit you. As I look at you, Ambassador Mollari, I see a great hand reaching out of the stars. The hand is your hand. And I hear sounds--the sounds of billions of people calling your name."
"My followers?"
"Your victims." With that, Elric leaves.
When told that the Technomage ship is ready to leave, Sheridan authorizes it to do so. Looking at the orange blossom given him by Elric, he ponders its meaning, and the destinies of the Technomages who just left through the jumpgate to begin their journey. "What was it he said? 'Dreamers, shapers, singers, makers...' Part of me says we'll not see their like again. But the part of me that still believes in magic says, 'Don't be so sure.'"
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
The Hour of the Wolf
Overview
Sheridan's disappearance begins to unravel the alliance. Londo discovers that Emperor Cartagia has struck a disturbing deal. G'Kar decides to search for Garibaldi. Ivanova, Delenn, and Lyta head toward Z'ha'dum to search for Sheridan. Ed Wasser as Morden. Wortham Krimmer as Emperor Cartagia. Wayne Alexander as Lorien. Damian London as Minister.
P5 Rating: 8.89 Production number: 401 Original air week: November 4, 1996 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by David Eagle
Watch For
- @@@847695807 A switch of hands.
Plot Points
- @@@847096870 A thousand years ago, the Shadows seeded hundreds of worlds with their ships so their forces couldn't be wiped out in a single attack.
- @@@847065886 The explosion on Z'ha'dum destroyed the Shadows' biggest city and threw them into chaos. Now they've decided to seek outside help, and have enlisted the Centauri to shelter a small fleet of their ships in case Z'ha'dum is attacked while they're weak.
- @@@847065886 Londo and Vir are scheming to kill Emperor Cartagia, who Londo believes has seriously endangered Centauri Prime by giving land to the Shadows.
- @@@847065886 According to Kosh, Sheridan opened an unexpected door on Z'ha'dum. Whatever that means, Sheridan somehow survived the two-mile fall, and now finds himself in the company of an enigmatic being, Lorien, who appears to know why Sheridan survived.
- @@@847065886 The nonaligned worlds, believing Sheridan dead and the battle against the Shadows at an end, are beginning to withdraw from the alliance.
- @@@847065886 The Shadows have something called "the Eye" near Z'ha'dum. It appears to be able to telepathically contact normals, probing their minds and drawing them to the planet. It was this "Eye" that sensed Ivanova during her journey in the Great Machine on Epsilon 3 ("Voices of Authority.")
- @@@847065886 The Vorlons are aware of what happened on Z'ha'dum, but according to Kosh, plan to do nothing about it. Lyta, however, believes they're planning something.
Unanswered Questions
- @@@847065886 What did Kosh mean about Sheridan opening an unexpected door? A door to where, and why was it unexpected?
- @@@847443478 Was Morden the human who introduced Cartagia to the term "the big picture?"
- @@@847303489 What happened to Lyta while she was scanning for Sheridan?
- @@@847303489 What is the "Eye" at Z'ha'dum?
- @@@847613691 Why does it speak with a voice of infinite sadness?
- @@@847097073 How did Sheridan survive his fall?
- @@@847097073 Where is he now?
Analysis
- @@@847065886 The Eye spoke to Ivanova and Delenn in the voices of their fathers. That's the same image the old Kosh chose on more than one occasion (to Sheridan in "Interludes and Examinations" and to G'Kar in "Dust to Dust.") Is there a connection?
- @@@847065886 Is the Eye at Z'ha'dum the one Lady Morella referred to in the first of her prophecies ("Point of No Return?") If so, how will Londo be able to save it? Will it be moved to Centauri Prime, or is it perhaps already there in some form as a result of Cartagia's arrangement with the Shadows?
- @@@848684747 Perhaps the Eye is the Shadows' main defense system on Z'ha'dum. That would explain why the White Star was able to get to the surface unharmed in "Z'ha'dum." It wasn't touched by the Eye because there was nobody onboard to influence.
- @@@848684605 The blackening of Lyta's eyes was similar to G'Kar's telepathic experience in "Dust to Dust." Perhaps it's simply a side effect of intense telepathic activity.
- @@@847702441 In "Interludes and Examinations," Morden warned Londo that the Shadows might turn their eye toward Centauri Prime if Londo stood in their way. Was he speaking in general terms, as it appeared to Londo, or was he referring to something more specific? If he meant the Eye in this episode, what implications are there in Londo's reply that the Centauri would pluck the eye out?
- @@@848344628 Morden said Sheridan's actions forced the Shadows to seek outside assistance earlier than they'd planned. That implies they thought they'd eventually have to do so. When were they originally planning to get help, and from whom? Seeking outside help would seem to put them on par with the Vorlons, who Morden castigated for doing exactly the same thing in "Z'ha'dum."
- @@@847613691 G'Kar credits Garibaldi with giving him a second chance and allowing him to redeem himself. Garibaldi probably had that capacity in part because he'd been given a second chance himself, by Sinclair.
- @@@847067361 The White Star seems to have been replaced with one of the other ships from the fleet; Ivanova and Lyta talked about taking the White Star to Z'ha'dum without referring to the fact that Sheridan destroyed the original White Star.
- @@@847097073 Kosh may not have meant that Sheridan opened a door in a literal sense; perhaps it's more figurative. Maybe Sheridan's attack on the Shadows has weakened them enough to make it possible for the Vorlons to wipe the Shadows out, if indeed that's what they want.
- @@@847702124 "Some must be sacrificed for the greater good" is a sentiment that's widely shared, and "the greater good" typically means "your own good." Kosh planted the idea in G'Kar's mind, implying it was the way to the salvation of the Narn people ("Dust to Dust.") Justin told Sheridan that some races are lost along the path of evolutionary progress, but that humans would likely come out on top ("Z'ha'dum.") And here, Cartagia uses the same reasoning to justify, in his mind, the destruction of his own people, if it means his deification. About the only one firmly opposed to the idea is Delenn, who, as Lennier observed, treasures each life ("Grey 17 Is Missing") and would sacrifice herself to save another ("Comes the Inquisitor.") The latter, of course, also applies to Sheridan, and is amply demonstrated by his journey to Z'ha'dum to save Centauri Prime.
- @@@847695355 What did Lyta mean about the new Kosh being darker than the old one? His demeanor is certainly less pleasant, but does she sense something beyond a simple difference in personality?
- @@@847483734 Why did Lyta put on the mask after returning Kosh to his suit, if she has gills and can breathe in his quarters? Perhaps simply to conceal her modification from anyone who might see her emerging from his quarters. But gill implants aren't unheard of ("The Gathering") and it's presumably widely known that she's Kosh's aide, so there would seem to be little to gain by concealing that.
- @@@847701166 Ivanova may not have been the only one awake during the hour of the wolf. Emperor Cartagia visited his heads late at night, and Londo called Vir in the middle of the night.
- @@@847395993 Who or what is Lorien? Quite possibly, he's a Soul Hunter ("Soul Hunter") since he has a similar gem implanted in his forehead. If so, does that mean Sheridan is indeed physically dead? The Soul Hunters capture the personalities of the dying, then spend their days talking with the dead souls and learning from them. Sheridan's environment might simply be what one of the Soul Hunters' globes looks like to the occupant, and Lorien might be projecting himself inside somehow in order to converse with Sheridan.
- @@@847445291 If, on the other hand, Sheridan survived physically, could it have been due to the presence of Kosh in his mind? Kosh has already shown that Vorlons can fly ("The Fall of Night") and that they have telekinetic power ("Interludes and Examinations.") The latter might well have softened Sheridan's landing.
- @@@847613691 Does Lorien's presence on Z'ha'dum (if that's where he's speaking with Sheridan) imply some connection to the Shadows?
- @@@847445291 Sheridan and Lorien greet each other with the Vorlon question: "Who are you?" Perhaps Lorien knows what significance that question has to the Vorlons.
- @@@847483734 Sheridan dropped his rank insignia on the ground. This parallels his experience in "There All the Honor Lies," in which he had to give up his insignia during one of Kosh's lessons and in return was granted "beauty... in the dark." His current situation is certainly the darkest he's seen.
- @@@847216936 Now that the Shadows are on Centauri Prime, will they begin eliminating Centauri telepaths as they did to the Narn? ("Ship of Tears")
- @@@847303489 Why didn't Ivanova bring along more than one telepath on the White Star? Given that for all she knew, Z'ha'dum was crawling with Shadow vessels, going there with only Lyta ran the risk of the White Star being blown out of the sky the moment it emerged from hyperspace. Granted, telepaths are a scarce, strategically valuable resource, but she could probably have justified bringing three or four others to hold any nearby Shadow ships at bay.
- @@@847216936 Is this the arrival of the Shadows and their minions mentioned by Londo in "War Without End, Part Two?" If so, why did Londo blame Sheridan for it? Certainly Sheridan's attack on Z'ha'dum prompted the Shadows to seek shelter, but as Londo described it, it seemed more like he thought Sheridan had intentionally neglected Centauri Prime.
Notes
- @@@839122108 Filming began August 26, 1996.
- @@@847695807 Continuity glitch: During the Morden-Londo scene, when Londo is about to sit down, Morden begins picking at his left hand. After Londo is seated, he drops a flake of skin he clearly just removed from his right hand.
jms speaks
- @@@840214223 When I can announce the overall year 4 title, I will.
Filming starts August 26th. The writing is coming well. Actually
walked the sets today for the first time since we wrapped in May; it's
just too depressing to walk on a dead set. Lots of work going on now,
new sets being built, noise and energy and enthusiasm...much better
now.
- @@@833267888 Re: vacation...I wish. We're still doing post production,
still editing, mixing, spotting for music and sound...it's a long
process that will take us right through the prep time for year four,
assuming renewal. I can grab a day here or there, that's about it. And
even while awaiting word, I still have to begin working on year four
scripts. (The tentative title for the first episode of year four is
"The Hour of the Wolf.")
- @@@833868130 The Hour of the Wolf is that hour around 3 a.m. when you
can't sleep because you're worried about one thing or another....
- @@@843864950 Well, just finished the first (writer's) draft of
"The Hour of the Wolf," the first episode of year 4, to be directed by
David Eagle. It was a tough one, like all first-episode scripts...but
quite interesting, in its way. Once again the show takes a somewhat
different tone, I'm using some tools I somewhat developed in the
background in year 3 and am now trying in foreground, very interesting
mood change...a good start.
- @@@847070457 Did you know what was going to happen to Sheridan
when you wrote "Z'ha'dum?"
Well, I think you can't do something like that without knowing how you're going to pull the character's fat out of the fire, and it has to make sense. I think people will be satisfied with what they see. - @@@847070339 "In "The Hour of the Wolf" there are two scenes -- you
know which ones -- that seemed quite a departure from what one usually
sees on TV. Did you write "Wolf" before or after your revelation that
you were not bound by Standards and Practices. 'Cause if you wrote
this *before*, then we're in for quite a ride."
Aside from the desk scene, which was the other you're referring to?
Oh...and the answer is...before.
Hang on. It's going to be a bumpy night.
- @@@838583972 "Have you ever contemplated doing an episode of B5 that
unfolds in real time (i.e. one minute of screen time is one minute
of plot time, as done in the movies "Miracle Mile" and "Nick of
Time"), or would that be counterproductive to the sorts of stories
you're trying to tell?"
Actually, yeah, I have considered doing that...it can be a very limiting structure, and the story has to be just right for it to work. Haven't quite worked out all the snags yet.
"Or is "Hour of the Wolf" a story of that particular variety?"
Nope.
- @@@843864950 How was the first day of filming?
It's frenetic, nuts, lots of running around and little fixes, we all get a little crazy on first days...but it'll be okay. - @@@864894298 How do the actors get back into character after a
long summer break?
Usually they just pick up the script...and get right back into it. They've got the characters down now, so there's not a lot needed to get back into it. Some of them run lines with each other, like Stephen and Peter, since that relationship is something very special, but mostly they just learn the lines and come in. Some of them want to see the final episodes, but some don't. The only one to see most of the last two episodes thus far is Bruce, who was just totally knocked out by them.Peter has said that whenever he needs to get back into character, he just straightens and says, "MISter GARiBALdi," and he's right back into it.
- @@@843864950 John Copeland and I just got finished with
the main title for year 4, which is, again, different from last year's.
This time I wanted a whole new approach, on just about every level, and
designed the thing myself, working with John and the editors to get the
best shots and pull it all together. It's *majorly* cool. We showed it
to some members of the crew, and they're all jazzed by it, they think
it's our best main title ever.
- @@@864894298 The B5 story is told from
everyone's point of view, and they're all a part of it, so the opening
now reflects that. And it gives me the chance to do an opening that's
sort of a prose poem, which is a nice touch.
- @@@864894298 Why the new music?
We change the theme every season to reflect the tonality and direction of that season's story. Every season when it butts up against the previous season's intent, a lot of folks ask why change it, it was better before...and then, by the end of the season, when people see how it fits in, generally they like it a lot...and then ask why it got changed for the *next* season.... - @@@844403731 Today John Copeland and I did our producer's cut on the
first episode of year 4, "The Hour of the Wolf." Granted my opinion is
subjective and biased...but of all the first-episodes we've had each
season, this one is the best. I was searching for the right word after
looking at the director's cut, and finally came to it...maturity. It
has a depth we've only skated through before, all meat, no filler. This
one and the next batch are also all over the map, literally...B5, Narn,
Centauri Prime, elsewhere...so it's a real challenge. But it looks
great.
- @@@847217394 Everybody's just cooking on this one, it has a
very filmic, grand look to it. I love it a lot.
- @@@847445039 It's a terrific episode. The music now echoes season
one because in some thematic areas, we're starting to bend back on
ourselves, and close some circles, as you'll see soon.
That it affects the emotions is, for me, the goal. If you can make an audience *feel* something, in a medium as cold as TV, you've done your job right.
- @@@854987688 Wortham [Krimmer] came in to audition, same as everybody
else...and we thought he was great.
- @@@847070068 Wayne Alexander plays Lorien, a character you'll see
throughout the first six episodes of season 4. We wanted to give
him more to do.
- @@@848311301 Lorien's eyes look odd.
The eyes have metallic gold contact lenses; you can't see them as well in the red light, but later, you'll see them better. - @@@847583603 There's more to Lorien than meets the eye.
- @@@847445039 I'll string out the Sheridan info for a while; as for
Morden, as he said, his associates can repair flesh, replace flesh
(though where they got replacements from is something I don't want to
know)....
It's definitely a packed episode. I still find myself realizing that the end of act one feels like two acts. And the next three are every bit as intense, if not moreso. I love it....
- @@@847581324 Why bother with the Sheridan scene at all?
To not do so would've been vastly unfair. And it nicely replaces one mystery, is or isn't he, with "who the heck is THAT?" - @@@852708505 Sheridan dropped his insignia during Kosh's lesson in
"There All the Honor Lies."
And he dropped his stat bar here. Was Kosh preparing him to
see Lorien?
I think it was a more general sense than preparing him specifically for Lorien. - @@@864894298 It's not a captain's bar it's a stat bar (gold for
command, gold and silver for command/administrative liaison, red for
medical, green for security), and it's Sheridan's.
- @@@864894298 This is a pretty bleak episode.
Yeah, it's deliberate...take 'em apart, separate 'em, see how they react, and make everything as dark as possible in anticipation of some kind of dawn, though getting there will be a struggle. - @@@843864950 Season 4 definitely starts in dark mode. Bigtime.
- @@@847445039 Did you have Londo put on his old coat so there
wouldn't be the costume mismatch there was with Delenn in "Babylon
Squared" and "War Without End?"
I never make the same mistake.I just learn how to make new ones.
(And I'm very pleased with that scene...it's kinda goofy, with the minister in particular...he's just nuts. Well, not as much as Cartagia, obviously....)
- @@@847443920 The non-moving Centauri Prime shot is an original
Foundation shot; the one where it's moving (with the cruiser fly-bys)
is the new one, and there's a lot more detail now in the surface of
the planet and other stuff.
- @@@847583603 "The first S4 episode (Hour of the Wolf) doesn't have
nearly as many FX as the later S3 episodes, and what is there is mostly
stock shots of the station rotating, etc."
There are as many CGI shots in "Wolf" as in most of our episodes, and more than in "Rock," a later S3 episode. There's also the new establishers of Centauri Prime the planet, the revised Palace shots, new establishers of the station, a big new shot of the interior of the Garden that pans down, the beside-Z'ha'dum sequence...there's a LOT there. So a) your latter observation is, I gently point out, factually inaccurate, and b) most station shots have been recycled stock since year one, adding new ones each season then dropping them into rotation (so to speak).
We always balance big EFX shows with smaller ones, building up to some big stuff. We're doing the same thing here this year as we've ever done.
- @@@864894298 About the visual of Kosh leaving Lyta
The streams were done on a flint, and there were not two takes edited together, there was just the one continuous take. - @@@864894298 The streams aren't technically considered CGI as we use
it. That's roto work.
- @@@864894298 CGI is specifically graphics generated on a computer,
usually 2d or 3d animation. Roto work like the streams from Lyta's eyes
are done by hand, frame by frame.
- @@@844796984 The events in 401 take place roughly 7 days after 322.
- @@@847581324 The alien ambassadors' English has improved.
Ambassadors have been learning as they've gone along; I took the notion that the higher ups didn't have that much contact with humans, so their grasp of english was halting at best, but over 4 years, they've gotten better. The grunts/lower echelons, though, are still marginal at best. - @@@847694781 About Cartagia looking up women's dresses
"best I can tell from my (admittedly limited) knowledge of Centauri physiology, he would have been looking in the wrong place - kinda like looking down a human woman's socks, or something."Tell that to a foot fetishist.
- @@@847581324 It's fun and interesting to see Londo now
having to deal with being in a sense on the same side as Sheridan, but
for vastly different reasons.
- @@@851074419 By building up Cartagia offscreen, it helped pave
the way for what we do finally see.
And the only reason to not hold back Sheridan for one more ep was my feeling that if I held him *and* Garibaldi back, it'd be a bit much.
- @@@847217342 Why did Lyta refer to the White Star as if it hadn't
been destroyed?
The ships provided by Delenn are White Star class ships, hence the usage. - @@@847694894 Why am I here?
Yes, the last piece there is kind of the key, isn't it?I've always kept the minister just that, no name, for the reasons you cite. This is someone who's a survivor, who bends with the wind, and somehow keeps going by not being noticed, or taken seriously.
And yes, this season I was noticing that eyes have become a predominant image, from Lyta to the shadows to Lorien to some stuff coming in the next few episodes...funny, how this stuff creeps up on you.
- @@@847445039 Check out "Voices of Authority." You've seen those eyes
before.
- @@@865283204 The eyes were a projection of a shadow face, as you can
note in the main title.
- @@@865283204 Any connection between the Shadows speaking with a
father's voice and Kosh appearing to Sheridan as his dad?
I figured that they would both tend to use a patriarchal influence, which would tie into so many races having that system. - @@@851074567 Actually, the ship was what technically saved them...
Lennier also began to fall under the influence of the shadow voice, as
we saw. There was some forethought on his part, but the ship activated
itself on timer.
- @@@847613692 "After watching Z'ha'dum and "Wolf" (No spoilers here),
my main thought was basically, who the hell are these old races who
assume moral superiority based on technical superiority? How dare
they interfere with our development as a species just to suit their
own petty needs? I wonder if any character on the show will take that
same line of thought and expand upon it?"
Well, until now, that's been primarily unknown to the other species. Now, thanks to Sheridan's trip to Z'ha'dum, and stuff coming up, that information will start to get out.
So yeah, you may find someone or someones picking this thread up....
The Hour of the Wolf
Synopsis by Katrina Glerum (kat@midwinter.com)
A week has passed since Captain Sheridan's ill-fated mission to Z'ha'dum and Garibaldi's disappearance. No one on Babylon 5 is taking this turn of events harder than Commander Ivanova, who stalks the station lost in another world and spends sleepless nights regretting the circumstances that have brought her to command. Meanwhile, Londo has returned to Centauri Prime at the request of Emperor Cartagia, Delenn fasts in prayer, and G'Kar transcribes it all with his hard won equanimity.
Ivanova's progress in the art of diplomacy vanishes as she tries to browbeat
the remaining League worlds into an attack on Z'ha'dum in the Shadows' hour
of weakness, or at the very least, to convince them not to abandon the
defense of Babylon 5. The Gaim representative is most succinct in stating
that the War Council members only "wish to find your captain," who must
certainly be dead. They perceive this alliance to be useful in fighting a
war for survival, not victory, which makes a mission against Z'ha'dum simply
suicide. The meeting breaks up bitterly. In her anger with the selfish
League worlds, Delenn has not ignored the fact that again the new Kosh has
not deigned to attend, and she vows to find out why.
With great excitement, the Emperor's Minister leads Londo to a private royal
audience. They find the Emperor a vapid young man preening at himself in a
mirror, proud of his ability to set trends in the court, and amused to be
able to toy with the powerful head of House Mollari. He orders Londo to
"handle the arrangements" (without explaining the purpose) and mentions a
mysterious personage who has specifically requested Londo's expertise on
Centauri Prime.
In Londo's absence, Vir is receiving the Ambassador's intelligence reports,
one of which he passes on to Ivanova. To her distress it is a description
of Sheridan's actions on Z'ha'dum and his final, presumably fatal, plunge.
"With any luck we won't see Mr. Morden's face around here any more," Vir
laughs, trying to cheer her up.
Londo doesn't have that kind of luck, however. He returns to his chambers to
find the horribly disfigured form of his enemy waiting. Morden somehow escaped
death from the White Star's bombs, but at a high cost. Londo asks about
Sheridan. "Which one?" Morden responds. As Londo watches and listens with
growing revulsion, Morden explains that the Shadows are moving some of their
forces off Z'ha'dum in case their enemies decide to attack. They did it
before, a thousand years ago, planting their ships like seeds all around
the galaxy. Now they've convinced Cartagia to let them set up a base on
Centauri Prime. Londo refuses to assist the Shadows, but Mr. Morden
just laughs, "You're afraid of what someone else might do in your place."
Lyta and the Vorlon meet Delenn in the garden. Speaking for her master,
Lyta expresses impatience and closedness. The Vorlon refuses to assist in
keeping the Alliance together, in sharing his intentions, or in mounting an
investigative mission to Z'ha'dum. Sheridan's life or death is
"irrelevant. He has opened an unexpected door. We do now what must be done
now. His purpose has been fulfilled." As Kosh leaves, Lyta apologizes and
follows.
Zack finds an intruder in the Chief's quarters. His quick hopes are dashed
when it turns out to be G'Kar paying his respects to Garibaldi's spirit
(including "household god" Daffy Duck.) Recalling Garibaldi's acceptance
and support of his own spiritual transformation, G'Kar vows to repay the
debt by finding the Chief and bringing him home.
The Minister eagerly beckons Londo out to the royal Sand Garden. To the
Ambassador's horror he recognizes a scene from his worst nightmare.
Hundreds of Shadow ships are passing overhead. Inside, the
Emperor is beside himself with glee. When Mollari attempts to pull him away
from the window, he instantly finds a guard's knife at his throat. "What
did they give you?" Londo demands. If the Shadows hide behind the Centauri,
"when the war comes here, our people will die first!" Such a sacrifice is
perfectly acceptable to the Emperor, for the Shadows have promised to give
him godhead.
Londo stumbles from the throne room in horror. "He is insane!" he utters to the Minister. With great trepidation, the Minister warns him about the ones who have said this in the past, and how their severed heads now grace the Emperor's private chambers where he talks to them late at night.
A long stream of energy pours out of Lyta Alexander into the Vorlon's encounter suit. It is clearly not the joyful burden it used to be, and Lyta looks weary and haggard. She mentions that it feels "darker" to carry the new ambassador, and asks if anything is wrong. The Vorlon only dismisses her and orders her not to interfere with his plans.
Late that night, Mollari wakes Vir up to demand his immediate presence on
Centauri Prime. He is not the only restless man in the palace that night.
The Emperor is paying a visit to his heads to tell them about the day's success.
On the station, a refreshed looking Lyta goes to Ivanova's quarters with a
proposition. She finds the commander brooding over her vodka. Ivanova
explains the meaning of the "hour of the wolf." It's that 3-4 o'clock in
the morning time when fears and regrets and worries seize your mind so you
can't sleep. It's where Ivanova has been living for the past seven days.
Lyta brings her a new hope, or at least a plan for action. If they take the
new White Star to Z'ha'dum, Ivanova can scan for Sheridan's signal while
Lyta blocks the Shadows and scans for the piece of Kosh still alive in him.
Ivanova is only too happy to try, but knows there will be no rescue mission
for them if they fail.
With Delenn and Lennier aboard they hop out of hyperspace near Z'ha'dum. As
soon as she begins blocking, Lyta's eyes turn oil black, not a hint of white
left. Ivanova sends a message to Sheridan's link, Lyta searches for Kosh,
and Delenn uses Lyta's scan to project a call to John. The captain does not
respond, but something else does. The Eye which had almost trapped Ivanova
when she used Draal's machine
("Voices of Authority")
appears and mesmerizes
them all. Ivanova orders the ship down to the planet, but the White Star
flips around instead and jumps into hyperspace. Lennier had set a failsafe
to escape in case he was unable to hit a trigger once every two minutes.
They snap out of it, but they are all deeply moved. The Eye spoke to them
in the voices of their fathers.
Their mission failed. They cannot reach Sheridan. But deep inside Z'ha'dum, a shapeless form shuffles down a tunnel. A gold command bar drops to the dust.
As soon as Vir arrives, Londo tells him about the Emperor's madness, and the intrigues of court. "And yet, in all of this, you have somehow managed to walk through the corridors of power and not be touched. I can only assume you have not been paying attention!" Mollari continues, "I need a friend, Vir, and I need a patriot. You are both. Will you help me?" Agreeing, Vir beams beatifically -- until Mollari informs him that they must now assassinate Emperor Cartagia.
Commander Ivanova makes a personal log. Biting back her tears she admits that the captain is dead and now she must continue his work. She still needs some help, but she knows where to find it.
Deep within Z'ha'dum, John Sheridan shivers in front of a tiny fire. A tall, bearded figure approaches. He only answers John's questions with questions. Nevertheless, he seems pleased and intrigued by what he has found.
The Illusion of Truth
Overview
ISN sends a team to do a second story about Babylon 5. Jeff Griggs as Dan Randall.
P5 Rating: 7.56 Production number: 408 Original air week: February 17, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Stephen Furst
Plot Points
- @@@856161850 Clark has reinstated the Earth Senate in some form. It has begun investigating alleged alien influence in the entertainment industry and extracting confessions and lists of collaborators from writers and directors.
- @@@856161850 Sheridan's father was a diplomat. The family farm has been burned to the ground, and his father's whereabouts are unknown.
- @@@856161850 Earth, according to ISN, is slowly retaking Mars from the rebels who took over when Clark's forces attacked ("Severed Dreams.")
Unanswered Questions
- @@@856161850 Will the newscast prove convincing to people on Earth?
- @@@856161850 Where is Sheridan's father? What about his mother?
- @@@856652157 What names did Sheridan give his father?
- @@@856652157 Is Garibaldi's salvage business as it appears, or is he using it as a cover for other activities?
- @@@856810832 How did Randall get into the cryogenic freezer area? If it's really restricted as he says, someone must have let him in.
Analysis
- @@@856651781 Psi Corps presumably now knows the fate of the telepaths;
two of their names are plainly visible behind Randall (see
Notes.)
Will the Corps try to come after them? What about the allies of
the Shadows, who may have some interest in the telepaths' implants?
If Shadow ships were left behind (not unlikely, considering there
were lots of them buried underground) they'll need pilots who've
gone through the proper preparation
("Messages From Earth")
and the telepaths are ready-made candidates.
- @@@856651781 Garibaldi seems to have turned against Sheridan
completely, going so far as to allude to him as "the devil." Is that
a direct result of his programming (or whatever was triggered by the
message in
"Epiphanies")
or is there some other reason?
- @@@862901244 ISN's new title sequence reflects the provincial, Earth-centric views of the Clark government: after a flight through space, the sequence ends up centered on Earth and the Moon.
Notes
- @@@856652157 The newscast was broadcast on April 12, 2261. Four
historical events were cited as taking place on the same date:
Yuri Gagarin's flight into space (April 12, 1961,) President Clinton's
establishment of a "Commission on the Future" in 1999, the start of
construction of the first lunar colony in the Sea of Tranquility in
2018, and the founding of the Psi Corps in 2161.
- @@@856735671 The confession of the director bore strong resemblance to
the confessions extracted by the House Un-American
Activities Commission in the US during the 1950s. In that case it
was Communists and homosexuals, not aliens, but the focus on
entertainers was the same, as was the practice of demanding lists of
collaborators. Those who refused to cooperated were "blacklisted," and
found themselves unable to get work in Hollywood.
In fact, the names cited are based on actual people blacklisted in the 1950s. Beth Trumbo is likely a reference to writer Dalton Trumbo, Adrian Mostel to producer Adrian Scott and actor Zero Mostel, and Carleton Jarrico to writer Paul Jarrico.
@@@878169371 Paul Jarrico died in an automobile accident on October 28, 1997, the day after receiving a standing ovation at a Hollywood ceremony honoring the surviving blacklisted screenwriters.
- @@@856201937 Two names
are visible on the cryogenic freezers during
Randall's report. One, Carolyn Sanderson, is Bester's love
("Ship of Tears.")
The other is John Flinn III, one of the show's directors.
- @@@924983666 The psychological phenomenon of hostages sympathizing
with their captors is the Stockholm syndrome,
not the Helsinki syndrome as stated in the episode. Some readers
have commented that both names are correct, but that appears to not be
the case according to psychological literature. For example,
"Stockholm syndrome" appears 30 times in the journals of the American
Psychological Association from 1887 to 1999, but "Helsinki syndrome"
isn't mentioned even once.
- @@@857324834 The newscast misspelled Yuri Gagarin's name; it was spelled "Gargarin" on the screen.
jms speaks
- @@@865288546 It's a good and creepy episode. I like it when things
get creepy.
- @@@856650112 Stephen has directed before, yes, though he hasn't done
that much episodic TV work.
The final shot was strictly described in the script; the monitor POV, the relative positions of everyone, the slight fisheye look and the absolute silence.
- @@@857326170 Was Garibaldi's flashback shot in advance?
Somtimes, yeah, we'll gang together shots in one location that will spill across several episodes, and definitely did that in Garibaldi's case. I just figure out what's coming, and write those specific additional scenes prior to the rest of the scripts. - @@@856812947 Where did the Starfury model Sheridan was looking at
in the war room come from?
Actually, I think the Starfury model was an illegal one we confiscated.Waste not, want not...
- @@@856650112 Was the psychologist reading from a
teleprompter?
Actually, no, he wasn't reading off a teleprompter at all. His eyes may have been moving, but there was no reading involved. - @@@856734326 "In the Delenn/Sheridan interview, there is a
change in the vocal acoustics of the journalist
for the "new" questions he asked."
And not just in the voice quality...look at the footage again. He's sitting in a different chair, in a different room.
- @@@856337819 About the names cited in the confession
Yes, they're based on the real names of writers who were blacklisted, Dalton Trumbo and Paul Jarrico. - @@@856556184 Parks (the person who's naming names) was also named after
one of those who testified before HUAC.
- @@@856914572 Were the names dubbed in?
Only Jarrico was dubbed, because it was mispronounced. - @@@856432607 It's a period too few people really know much about,
and it never hurts to point to the past in order to warn about the
future.
- @@@865288546 This ep is one that'll be discussed a lot, but not
rewatched a lot, because it's just really hard to watch, knowing what's
coming. It really does tend to upset people.
- @@@856557332 If it's a little close to home...you have to remember I
came out of journalism, that was where I cut my teeth as a writer,
working for newspapers and magazines. You see a lot of the tricks, some
good, some not so good, used for purposes that are sometimes good or not
so good, distortions on the left and distortions on the right. So it
wasn't hard to just tweak it a bit.
Thing to remember, though, is that this isn't ISN as we've known it in the past, at least not to this extreme. If anything, this ep should point to the difference between journalism, albeit biased, and propaganda, which is all ISN is now, and how only an informed viewership can prevent the one from sliding into the other.
- @@@861327215 Aren't there networks besides ISN?
ISN is the one network that can handle *interstellar* broadcasts, which reqire a massive amount of energy, logistics, setup...there are other, local, planetary networks around Earth, and a few specialized channels for military and some commercial use...but ISN is the biggest, and because of that is very much in Earthgov's pocket. - @@@857326119 It was most definitely difficult and painful for me to
write. I I am as much involved with these characters as anyone else, and
doing this kind of thing to them is hard. And you have to put yourself
in the minds of those doing this, and that's a dark place to be.
And yeah, I know people who were harmed in the blacklist, and I've seen others, and myself, sometimes harmed by those who like to twist things around to their own benefit.
- @@@857334668 "FWIW, that was your most courageous episode yet, IMHO."
I appreciate the sentiment, so don't take this as lack of gratitude on my part; I'm happy you perceive it that way.
But courageous? No.
Courageous as an apellation belongs to the South American writers who insist on telling the truth about their governments, who risk death on a daily basis for doing so...and to other writers doing similar work in other countries.
Yeah, it was kind of a shot to the midsection for some groups, with a certain element of biting the hand that feeds you, but the truth is, ain't nobody gonna come to my door in the middle of the night with death squads, take me away, and torture me. If you want to hear about real courage, join PEN International, or Amnesty International. They can always use the help.
- @@@857981577 "This B5 episode should be required viewing in University
media and history classes."
Funny thing is, I've since received several requests from instructors at various colleges asking if they could use the show in their classroom to illustrate the points raised. Kinda nice....
- @@@857334746 I don't make any blanket condemnations of journalists.
For one thing, there's a difference between portraying journalism in a
relatively free society, and one that's operating under a dictatorship,
a la President Clark. It's the difference between journalism and
propaganda.
In "Midnight on the Firing Line," we had a reporter there doing a straight-ahead story; in "Point of No Return" we had the Good Journalists fighting to reveal the truth even as Clark was shutting them down.
There have been favorable portrayals; it's just that under the current regime, they don't have access to the media.
- @@@861086670 I am definitely *not* anti-reporter...I'm against the
*control* of truth by any government or political agenda. We are made
stronger by a multiplicity of voices, and the more those voices are
allowed access to a level playing field, the more often the truth will
come out to play.
The third name was Jarrico, after Paul Jarrico, also blacklisted.
- @@@864846949 The ISN cameras are not capable of autonomous operation,
but they can be progammed within a parameter set. The wand is a control
device to change those parameters. Thus, one operator, two cameras (or
more!)
There was a distinct anti Minbar/Minbari sentiment among this particular crew, as evidenced by the later parts of the show, and it isn't hard to imagine that the bumping was at the behest of the wand wielder. If Lennier was simply annoyed, advantage ISN. If he reacted violently, advantage ISN. I'm sure that footage will be used on another ISN propoganda broadcast. (You can see it on Channel 134 of your cable)(Oh, sorry, Channel 134 is not availbale in all sectors after curfew)
George Johnsen
CoProducer, B5
The Illusion of Truth
Synopsis by Matthew Murray (n9641343@cc.wwu.edu)
Sheridan is sitting alone at the conference table in the War Room when
Ivanova comes in. Sheridan tells her it's strange to have the place so
empty, and though Ivanova insists the war is over, Sheridan isn't so
sure that it is, with all the trouble back on Earth. The quarantine
has pretty much shut down Babylon 5, but Sheridan is sure they will
find a way back from this setback as well. Ivanova asks him why he's
worried, and though Sheridan insists he isn't, she knows better.
Sheridan explains that he hasn't spoken to his father much since they
broke away from Earth, and that his last letter mentioned strangers
hanging around town, asking questions about his family. Sheridan told
his parents to get out while they could, but he hasn't gotten any word
since the embargo. Ivanova says that, being a former diplomat, his father
couldn't just disappear, but Sheridan is still worried. He asks if
everything else is okay, and Ivanova tells him that, despite a few
problems in customs since Zack took over for Garibaldi, they haven't
had a major incident.
Zack enters the docking bay to find an incident in progress--a minor
fight, which one of the security guards says was started when several
new arrivals to the station wouldn't allow their cargo to be inspected.
They couldn't detect anything from the scans, so Zack moves to open
a crate, but the owner insists it's private property. Zack orders the
man to move, but he doesn't. As a last recourse, Zack fires his PPG at
the crates, which angers the man even further. Zack moves to the
crates, but before he can open one, it opens itself, and a small
levitating device floats out. Zack recognizes the device.
"It's a camera."
"That's right," the man tells him as the camera films Zack and the
other security officers with their weapons drawn. "A camera. It goes
with the territory. I'm a reporter and this is my crew. And you just
made the evening news."
Franklin meets up with Sheridan and tells him that he pulled some
of his doctors off duty in two other MedLabs to help move the
cryogenically frozen telepaths in some of the freezing units, which are
malfunctioning due to overuse, to other working units. Sheridan tells
him to do what he has to, but wishes he didn't have to keep the telepaths
frozen. Franklin is worried, though, that they could prove dangerous
to themselves or others with the leftover Shadow technology still in
their heads. Sheridan agrees and knows that even though the Shadows
are gone, they will need to deal with what they left behind for a long
time. Sheridan's commlink beeps, and a voice informs Sheridan of
someone's arrival. Sheridan tells him he's on his way. "I thought we
saw the worst of it with the Shadows, the Vorlons, the war..." Sheridan
tells Franklin. "But there's something far worse than the Shadows:
reporters."
Sheridan arrives in his office, and the reporter is only too happy to
see him. He introduces himself as Dan Randall from ISN, and is quite
upset since Ivanova threatened to throw him out an airlock unless he
provided a full manifest of his equipment. Randall says they changed
the manifest so they would be allowed on the station. Sheridan insists
they would have let them on, but not their equipment since ISN is only
a source of propaganda for President Clark, and Randall would never do
an objective story. Randall insists that there is no such thing as a
completely objective journalist, but that he, and others still on ISN,
want to try to slip the truth through in small pieces, the best they
can do under the circumstances. Randall asks
Sheridan to work with him so that Sheridan's point of view will be
represented and that, otherwise, there's no guarantee.
Garibaldi is in Downbelow, speaking with someone about retrieving a priceless family artifact, which Garibaldi recognizes as a Drazi religious statue the man is using to hide stolen valuables in. He makes a deal for its retrieval and a percentage of what's inside. Lennier appears and asks Garibaldi why he resigned. Garibaldi says he's done his duty, and served his time, and just wants some time to make his own life. Lennier tells him that, for the Minbari, it is an honor serve one's people, but Garibaldi has had quite enough honor for the time being. He asks about Delenn, whom Lennier says is doing well, but Garibaldi quickly changes the subject when Lennier starts mentioning Sheridan. It's too late, though. "Speak the Devil's name," Garibaldi says, "and he shall appear." Sheridan introduces Randall to Lennier, whom he wants to escort Randall around the station so that he can be assured of getting the most unbiased opinion possible. Lennier starts Randall on his tour, and while no words are exchanged between Sheridan and Garibaldi, there is clearly tension in the glances the two exchange. Garibaldi picks up the photograph of the Drazi statue, and remembers...
He is alone in his prison cell, sitting in a chair, while a ghostly voice repeats over and over, "You work for no one but us. You work for no one but us." Garibaldi's memory fades and he gets up from his table and leaves.
Randall, Lennier, and the news crew are in one of the lifts. Randall asks
Lennier about the ship he noticed
being repaired outside Babylon 5 when he arrived. Lennier explains
that those ships, belonging to the League of Non-Aligned of Worlds,
were damaged during the war, and are being repaired so they will be
able to get back home safely. Lennier says that the station charges only for
the material needed for the repairs, which Randall finds very
generous.
After making sure the cameras are recording, Randall asks Lennier where
they are. Lennier explains they are in Downbelow, where those who come
to Babylon 5 and can't afford to live on the station stay. Lennier
says that Sheridan is trying to put a stop to the exploitation the
Lurkers often face by instituting work programs. Just then, Franklin
and several other medical officers run by, carrying someone who just
had a heart attack. Franklin explains this, and accepts Randall's
offer to speak with him later. Just as Franklin is about to leave, he
receives a call on his commlink from someone in MedLab, saying the cryo
units are ready for restart. Franklin says he'll be right there, and
though he tries to keep the conversation discreet, the camera, still
recording, catches it all on tape.
Lennier leads the reporters through a corridor, where Sheridan and
Londo are in the midst of a heated discussion, with Londo complaining
about the lack of heat in his quarters. The camera captures all of
this as well.
Sheridan and Delenn are sitting together in his office while a young
woman finishes applying makeup to Delenn's face. Randall is
interviewing them, and begins by asking them if it was ever their
intention to break away from Earth. Sheridan insists it wasn't--he seceded
to protest bombing of civilian targets, and they will rejoin once
President Clark is out of office. Randall asks if Sheridan still
believes Clark was responsible for President Santiago's death, and
Sheridan says that he does, that Clark doesn't let anyhting stand in
his way. Randall asks Delenn how she feels about all this, and she
says that she is used to it--this sort of thing happens everywhere.
Randall comments on how close Sheridan and Delenn have become, and
asks if it is true that they might marry eventually, which Sheridan
won't comment on. Randall says that there must be other forces pulling
against them, but Delenn says that, despite all that, the heart does
not recognize boundaries on a map, hatred, or wars. She says if others
don't understand that, she will make them understand. Randall asks if they are
concerned about the repurcussions, but Sheridan says there is no force
in the galaxy that can stop all they have accomplished.
Randall arrives at Garibaldi's table in Downbelow, and tells him that
they are getting ready to leave. He asks Garibaldi if he would like to
talk about his resignation, but Garibaldi is less than enthused to do
so. Randall appeals to him, saying that he is the only command staff
member who was with Babylon 5 from the start. He promises to
allow Garibaldi to say whatever he likes. Garibaldi remains silent for
a moment, as he decides what he wants to do.
Ivanova is in Sheridan's office with a tray of food when Sheridan comes
in with a tray of his own. Planning to eat while they watch the ISN
broadcast, Ivanova asks if Sheridan is worried, since there will no
doubt be some bias on the broadcast. Sheridan says that they did the
best they could, and that they wanted to get it out into the open as
soon as possible, and since they managed to avoid major crises and
chose their words very carefully, he feels there is very little ISN can
do to them. Delenn arrives, and Sheridan turns on his
monitor.
"This is an Interstellar Network News special report. Reporting live
from the ISN headquarters in Geneva, Switzerland, your host, Alison
Higgins."
Higgins begins by explaining that, two weeks earlier, they sent Dan
Randall to Babylon 5 to do a report, which will be shown later in the
broadcast. She runs through the daily headlines: President Clark
announced that his troops have reclaimed 75% of the Mars Colony which
broke away 259 days earlier, and the day has been declared a holiday. Hearings
also began on anti-Earth activity with testimony given by members of
the entertainment industry. Lee Parks, a Tri-Vid writer and producer,
testified, admitting that he used his Tri-Vids to spread anti-Earth
messages to outside forces to use against Earth. He also names three
others who helped him--Tri-Vid writer Carleton Jerrico, and actors Beth
Trumbo and Adrian Mostel. Higgins says Parks was sent to a mental
hospital where he will receive treatment to one day be reaccepted into
society.
After a brief interlude with a segment of "This Year in History," the Babylon 5 story begins...
"Good evening, I'm Dan Randall. When we first approached the Ministry of Information with the idea of travelling to Babylon 5 for this story, they advised against. They believed it would put the safety of myself and my news crew in jeopardy. But the first rule of journalism is, 'You go where the story is.' Still, nothing could have prepared us for what we found."
Randall explains that, outside Babylon 5, everything seems to be normal, but inside, most human residents are living in filthy and dangerous areas of the station, while the best quarters in the station are reserved for aliens and those running the station with taxes collected from its inhabitants. Randall finds it ironic that the Minbari were appointed the keepers of these humans, and runs a clip without audio showing Lennier leading him through Downbelow. He explains how any attempt at protest by these humans is put down, with the humans sedated, as is demonstrated by one of them, on a gurney, being escorted away by several medical personnel, including the Chief of MedLab.
Randall explains that, as they toured Babylon 5, they learned the alien
races were in control. Showing film of Captain Sheridan and Ambassador
Mollari, he asks why Sheridan, a decorated war hero, would tolerate
this from others.
Randall explains that, to answer these questions, they talked to
experts. He introduces Dr. William Indiri, Dean of Psychiatry at
Harvard Medical School, and an expert on xenopsychology and Minbari War
Syndrome. Indiri explains that many Earth-Minbari War Veterans suffer
from an inferiority complex, feeling that other races are better than
humans. Indiri explains that, during the war, under that
administration, the Minbari were a vastly superior force, which could
lead those who fought against them to consider them morally superior.
Randall asks if the disease could
cause someone to turn against their own race, and Indiri agrees that it
is possible, since most people in such a situation could feel that an
advanced species is closer to God than they are, eventually forcing
them to turn against everything they believe in.
"The second rule of journalism is," Randall explains, "'No one does
anything without a reason.' They may not admit it, even to themselves,
but the reason is there. To understand what's been happening on
Babylon 5 since their break from Earth, you first have to understand
why." He plays the segment
of video taken in Downbelow when Franklin responded to a colleague's
call about cryo units. "A small piece of conversation, overheard by
chance. We'll find out what those few words really mean when we come
back."
After a commercial break, the broadcast resumes, with Randall calling
attention to one of the ships docked outside Babylon 5 upon his
arrival. He explains that the warship is one of a fleet used by
Sheridan and Delenn in their recent military campaign, being fixed at
the taxpayers' expense. Randall explains that new weapons were added
to Babylon 5's defense system just prior to their secession from Earth,
and were used against Earth during the war. Randall shows this as
another piece of the puzzle, but wants to find the answer to it all.
The video taken of Delenn and Sheridan in Sheridan's office is shown. On the tape, we hear Randall's voice ask Delenn of possible repurcussions. "It will be a struggle," she tells him.
"A struggle against Earth?" Randall asks her.
"Of course. If they don't understand," she says, "we will make them understand."
"Anything that gets in the way disappears," Sheridan interjects.
"There's a lot of people back home who might be concerned about what you're saying. It sounds as if you're putting the mingling of Human and Minbari above the safety of your own world."
"There's no force in the galaxy that can stop what we've done here
together," Sheridan responds. "Nothing will be able to stop us."
The tape ends, and Randall says that, if it sounds troubling, there is
good reason. He says that he managed to speak with Garibaldi, the
former security chief who explained it. More video airs, and Garibaldi
explains that he feels Sheridan is suffering from a "God complex" and
is acting like he's the Second Coming, as if he knows what's good for
everyone else. Garibaldi says he thinks he's gone over the top.
Garibaldi is sure he'll get in trouble for saying this, but says
someone had to say it.
Randall continues by saying that, using information obtained aboard
Babylon 5, they were able to slip into a restricted area. The video
airs, with Randall, on the tape, explaining what he's seeing: A large
number of cryogenic freezing units in use. Babylon 5 should only be
operating four or five at a time, and in a limited capacity. None of
the names on the units match those in the station's logs. He wants to
know where the people came from, and why they are there.
Randall explains that this is their Rosetta Stone. The humans
come from Downbelow, captured and sedated by Franklin's staff.
Meanwhile, alien ships are being built and repaired outside the station.
Randall says that you never build a fleet
unless you're prepared to use it, and he and others at ISN believe they
know why.
After another commercial break, the broadcast resumes, and Randall
introduces one last interview, which is significant for all that is
denied in it. The video shows Franklin, in MedLab, explaining his
job. Randall asks how long patients stay on the station, and Franklin says
they don't stay long, since Medlab aren't equipped to handle long-term
stays. Randall asks if he ever uses cryogenic freezers, and Franklin
says he does it very rarely, and that they aren't using any at all at
the moment.
"Rule number three," Randall says, as the camera returns to the ISN news desk. "People only lie when they have something to hide. We know there are humans in cryo on Babylon 5. We saw them, as did you. So what are they hiding?" Prodded by Randall, Dr. Indiri speculates that Sheridan's Minbari War syndrome is causing him to want to change humans to be more like Minbari.
Randall explains that, with all they've shown, the truth is self-evident, once you find they key. The key, he feels, is Delenn, around whom all of what they uncovered revolves. Randall suggests that the Minbari surrendered at the Battle of the Line so they could destroy humanity from within instead. Though he says the idea of mixing human and Minbari DNA may sound absurd, it has already happened, with Delenn, when she became half-human. Randall concludes that it must be Sheridan's plan to show others how good it can be to be half alien and, should they disagree, or not want to go along with the experiments, he will use the alien fleet he is assembling against them, to "make them understand." Randall says that the fault is not Sheridan's, since Earthforce should have discovered his disease earlier and tried to cure it. This problem was only made worse by his Minbari War Syndrome, coupled with the loss of his family's home in a fire the week before resulting in his father's disappearance, and the pressures of command.
"Our job," Randall concludes, "is to report the news. Not to make it, or guide it. But from this reporter's perspective, the situation on Babylon 5 is deteriorating quickly, and must be dealt with. The quarantine order will help prevent more humans from falling prey to this genetics program, but it's only a short-term solution. As for Sheridan, he does not deserve our scorn, our anger, or our contempt. He is a war veteran, and that should at least earn him our sympathy. We here at ISN hope he receives the best care possible so he can someday come back to us. This is Dan Randall at ISN. Goodnight."
The broadcast ends. Ivanova, directly in front of the monitor, with a great amount of anger on her face, can do nothing but storm out of the room. Delenn, initially seated, goes to Sheridan who stands, silently, facing the wall. He will not speak to her, and he will not turn to look at her. She goes after Ivanova. After a moment, Sheridan turns the monitor off.
The Legend of the Rangers
Overview
The crew of a Ranger ship encounters an ancient, deadly foe. Andreas Katsulas as G'Kar.
Production number: ??? Original air date: January 19, 2002 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@1011605666 A hostile race known as The Hand (or more fully, the Hand of God) was banished to a region outside of normal space a billion years ago. They have been searching for a way back ever since, and now appear to have found one.
Unanswered Questions
- @@@1011605666 What do The Hand want?
- @@@1011605666 Why do they need help from younger races, if they're as powerful as described?
- @@@1011605666 Who built the underground city, and how did they banish The Hand originally?
- @@@1011605666 How did The Hand escape their prison?
- @@@1011605666 What happened to Lyta such that G'Kar would describe her as "gone?"
- @@@1011605666 Who betrayed the previous crew of the Liandra, and why?
Analysis
- @@@1011605666 Knowledge of The Hand seems to be very limited,
suggesting that the Vorlons either didn't know about them (possible,
if their disappearance significantly predated the Vorlons' contact
with other races) or didn't consider them enough of a threat to
warrant mentioning to the Minbari.
- @@@1011605666 Some of the information that is known about The
Hand is potentially wrong. They would have a vested interest in
exaggerating their capabilities in an attempt to attract new
servants, so they may not be the all-powerful force Minister Kafta
described.
- @@@1011605666 Since Lorien claimed to be the oldest sentient being in
the universe
("Into the Fire")
he would have been around to see The Hand in action and might have
been privy to whatever was done to defeat them. Did he mention
them to Sheridan?
- @@@1011605666 If Delenn's speech at the end of
"Rising Star"
can be taken as her recollection of what happened in the twenty
years after that episode, the conflict with The Hand won't be a
huge, devastating one; she mentioned the Telepath War and the Drakh
War but didn't specifically name any other major conflicts. Of
course, it's possible that either of those wars also involved The
Hand.
- @@@1011605666 The fire control system on the Liandra seems to be based on the idea of making maximum use of the Rangers' physical combat training. Arguably from a purely practical point of view, it would be more effective (and less physically exhausting) to let a computer handle target selection and firing control based on guidelines from the command crew. But the Rangers' combat techniques aren't purely pragmatic (for example, their use of fighting sticks rather than firearms) and appear to include the notion that fights should be personal, one-on-one affairs rather than remote-controlled proxy battles. Making a ship's weapons an extension of a weapon officer's body is consistent with that aesthetic.
Notes
- @@@993065219 Official site
- @@@987749541 Production start date: May 14
- @@@985122603 The SciFi Channel's press release:
Babylon 5 creator J. Michael Straczynski is working on a two-hour telefilm called Babylon 5: The Legend of the Rangers that will premiere on SCI FI later this year. The film will take up the story of the legendary Ranger fleet as it attempts to restore order to hundreds of civilizations devastated by the Shadow War.
This new chapter of the Babylon 5 story finds the mysterious Ranger force--a combination of humans and alien Minbari trained in space warfare as well as the unique alien philosophy of the Rangers and just about every conceivable form of martial arts--faced with deadly challenges in its attempt to create peace out of the war's destruction.
Babylon 5 cast members may appear in the movie, which will also serve as the pilot for a potential SCI FI Channel series. Douglas Netter is executive producing the series along with Straczynski.
- @@@995527751 The air date was announced on July 10, 2001 at a press conference. SCI FI announced that they'll wait to see how well the movie does before deciding on a series.
jms speaks
- @@@985166209 Well, that's at least ONE weight off my chest....
To those who've heard the news already, and those just now finding out...the SciFi Channel today announced that we have a new Babylon 5 TV movie going into production that will also serve as a pilot for a likely new series.
The movie (and the series) is under the heading of BABYLON 5: THE LEGEND OF THE RANGERS. The specific title for the 2-hour movie's story is "To Live and Die in Starlight."
There isn't much I can tell you about the story because we're kinda keeping the details under wraps as much as possible for the time being. What little I can say....
It's set in the B5 universe just under 3 years after the events of "Objects at Rest." At this point there's one major character from the B5 universe in the script (a fan favorite). Where B5 was a heavy drama with some adventure/action elements, this one is a little more skewed toward adventure with underlying drama (which is about what you'd expect from the Anla-Shok).
We've been sitting on this information for a while now...such that we're already well into pre-production. We'll be shooting this movie around mid-May, well in advance of any potential actor's strike (the script is done and so far everybody likes it a LOT).
We've already got designs coming in on a new ship, and a new *kind* of ship...and we're going to be getting more into Minbari aesthetics, technologies and philosophy.
It's got some great characters, and it's a lot of fun.
I have other news to announce on other fronts...have since the end of the year, in fact...but I'm still sitting on the details awaiting another press release from another studio. What I *can* say is that I have a firm GO order to executive produce a new series (nominally SF) that will go into production after the potential SAG strike. When that's finally over, if the strike indeed happens, we pull the trigger and go into principal photography and it's an order for a full season's worth of episodes.
I can't give you any details right now on the subject, title, studio or network. That will have to await the studio's release...so don't even ask.
As far as doing both projects at the same time is concerned...it's actually quite common, as testified to by folks like John Wells and Aaron Sorkin and David Kelly and others. So there won't be any conflict.
- @@@1011643981 Why such an inexperienced crew? Is it because
the Rangers have had to expand like crazy, leading to a shortage
of trained officers?
Exactly, and after the shadow war, a lot of higher ranking/experienced rangers were dead, leading to getting promoted earlier.Also, the Liandra isn't like the Enterprise, it's more like a PT boat, and there's a huge difference between the captain of a PT boat and a captain of the John F. Kennedy, though both are technically captains on their vessels.
- @@@1011643981 The Valen didn't look like a Minbari ship.
As Dulann mentioned in his talk with David in the hall, it was influenced by human military designers. David also made fun of it earlier.Where were the White Stars?
The 80 or so surviving whitestars were either on station at Minbar or doing larger more important work. This was considered a milk run. - @@@1011643981 The Liandra looked nothing like the Minbari ships
from the Earth-Minbari War era.
The Liandra is a Ranger ship. The Rangers, if we recall our history from In the Beginning, were not directly involved in Earth related hostilities during the Minbari War. The EM war was under the aegis of the Warrior caste.It is also, by design, a small, fast (crew of maybe 20) patrol ship designed to go on the edge, it's not meant to go out there and pulverize fleets. It would have been instantly outgunned and destroyed in the EM war's bigger battles.
(One thing I'm curious about is the assumption that we've seen all of the Minbari ships. We've literally seen only a handful. Go to Jane's books on military weapons, planes in particular, and you get all *kinds* of variation...from ospreys to f16s to cargo jets to hovercraft...why should there be less variation in a more advanced society like the Minbari?)
And the Valen was ugly.
Yes. That was the intent. That's why David made fun of it on the balcony. Nobody likes it, it was a compromise between Humans and Minbari (which Dulann also mentions), more politically motivated than structurally sound. We won't be seeing its kind again. - @@@1011643981 Why were the raiders able to hurt the Enfali?
Even a lion can be brought down by a pack of smaller predators. The Enfalli was alone and the pursuit was a long one, and they just kept taking hit after hit.Raider ships don't have aft guns.
Raider fighter craft come in as many variations as human fighter craft. The error is in thinking monolithically.Where was the White Star fleet?
Bear in mind that there were only ever about a hundred, maybe a hundred and fifty whitestars built during the Shadow War. A LOT of those got wiped out during said war, so now you've got maybe 80 or so. You conserve your best ships for big jobs, you don't have them doing this kind of grunt work.Is Tannier the same character as the Tannier in "Learning Curve?"
Meant to be the same character, but it's not the same actor.The hyperspace special effects looked different.
Hyperspace is now *much* more complex than it was using lightwave, with more levels. It was always meant to look pretty hellish, but we could never quite pull it off with lightwave, it always looked 2d. This is more what I originally had in mind.In Dulann's vision, Minister Kafta's face was already beaten up, even though it hadn't happened yet.
Recheck your tape...that shot ain't there.The Liandra is smaller than a White Star and has jump engines. But Sheridan was surprised about the White Star's ability to jump.
He also didn't know everything about Minbari ships and classes.Why didn't the Valen fire a shot?
The Valen never had time to fire; they were hit within a second of the hand ships coming out of hyperspace (actually *as* they were coming out)...the hits disabled most of the systems on the new ship (you can see eruptions all over the bridge). The weapons systems were intact elsewhere, but the control mechanisms were down. That's why they kept hammering the Valen, to make sure it wouldn't be able to fire.Why not just hide on the other side of the comet?
Two-dimensional thinking. Only works if the comet is directly between you and the enemy. If it moves at any other angle, you're revealed.How is it possible to lose someone on such a small ship?
Given the small ins and outs and access hatches and panels and sub-halls and the like...real possible.Why didn't the Leandra have beam weapons like other Minbari ships?
Not a big enough ship with a big enough power source.The Liandra would never stand a chance against a Shadow battlecrab.
It wasn't a shadow battlecrab. It was tough, but it wasn't one of those. The hand wouldn't give out that kind of power to flunkies.
The Legend of the Rangers
Synopsis by Jon Acheson (jonacheson@fast.net)
A Ranger ship of a previously unseen Minbari design, the Enfalli, is chasing a group of 6 much smaller raider ships. Inside the Ranger ship, they are taking heavy damage: engines are down to 20%, and automatic weapons tracking is disabled. The captain of the ship insists on continuing the pursuit, but they run into a larger group of raider ships that inflicts heavy damage. The captain is knocked out of action, and the ships' weapons are taken off-line. The second in command, David Martel, orders the ship to stand down amid protests from his crew: "We live for the one, we die for the one. But we don't die stupidly."
Note: the ship has a conventional weapons console, not the VR tank the Liandra has.
On Minbar, homeworld of the Minbari Federation and seat of the Interstellar Alliance, in a room similar to the Gray Council's council chambers, a Minbari councilor, Sindell, is viewing images of starfish-shaped ships via a hologram projected all around him.
G'Kar enters, commenting on the ominous appearance of the ships. But Sindell prefers "unknown."
"We have been a spacefaring race for over a thousand years, yet we know nothing about this race. It's as if they came out of nowhere."
They discuss the matter, and Sindell asks him to look into the matter, as G'Kar is the most well-traveled person at his level within the Alliance. Then he excuses himself, as other business has some up. "One of the Anla'Shok has acted inappropriately and must be punished, perhaps ever expelled."
"What was his crime?" G'Kar asks.
"Staying alive."
Elsewhere on Minbar, the Ranger in question, David Martel is serving a group of other Rangers in a dojo-like environment. Dulann, a Minbari who also served on the Enfalli enters and kneels next to Martel. "I have heard that the Council has made its decision about you."
"Yeah?" Martel responds. "It's been at least two weeks and I sure as hell haven't heard anything."
"Minbari ears are substantially more sensitive than human ears."
"Well at least ours are bigger and better placed."
"Size is not everything," Dulann notes.
"Yeah, well I've heard that before." Martel responds.
"So I am informed" Dulann says with a smile.
Tannier, the Ranger conducting the pike training calls brusquely for water. "More quickly this time." Martel brings him a bowl of water and advises Tannier that he is leaving his right side open. Tannier responds poorly to criticism, and they get into an argument. Dulann stops Tannier from taking a swipe at the unarmed Martel with his pike. Sarah and Malcolm, two other crewmembers of his previous ship begin get involved, but Martel tells them to calm down. As they walk away, Tannier taunts Martel one last time: "And again he runs from a fight."
Martel stops short, his jaw set. "And we're not supposed to do that, are we, Tannier?" he says, grabbing a pike. They fight, and Martel defeats Tannier by exploiting the weakness on his right side he had warned him about. On his way out of the dojo, Martel comments to Dulann "You know, you're right. This job has completely calmed my mind."
Later, on a balcony outside the training area, overlooking a large landing field, Martel is watching a big ugly ship land. Sarah walks up and asks, "So what do you think of the Valen? They say it's faster than anything else in the fleet."
Martel responds "Yeah, sure I suppose. You know, things in space don't have to be aerodynamic. You could put a really big engine on a brick, which pretty much looks like what they've done here, and it would be fast..."
Martel is disappointed that he didn't get assigned to command the Valen. He comments that he joined the Rangers to be part of something bigger than himself. It had been his dream ever since his parents died. He had grown up reading mythology, and when he heard about the Rangers, he had wanted to be part of a myth himself.
Martel breaks himself out of his reverie with a start, looking at a new ship on the landing field: "Is that the Liandra? I can't believe she's still flying."
"Word is, her last crew died on board. And nobody knows who or what killed them. They couldn't even find the ship for a week afterwards, she just fell off the charts. She's been through hell, that's for sure. Some folks think she's cursed."
"Yeah, I know the feeling," Martel quips.
Martel walks into the Council chamber. Dulann is there, and he stands with Martel in the central circle. He informs the council "With great respect for the honored Council, if David Martel is expelled from the Anla'Shok, I will go with him, as will Sarah Cantrell and Malcolm Bridges."
Dulann further remarks, "His concern was for us, not for himself. I know: I saw it in his soul."
Sindell, the leader of the Council, acknowledges that Dulann is blessed by being sensitive to such things, but Martel's motivation is not under judgement. He is about to pronounce sentence when G'Kar interrupts.
G'Kar points out that the Ranger oath reads "we live for the one, we die for the one." He points out that they are overlooking the first half of that sentence, that sometimes it is easier to die and be relieved of an obligation than to keep on living. He compares Martel with Sheridan, and adds that he has just spoken with Sheridan on a matter relating to their previous conversation. Sindell announces that the Council will recess to hear this new information.
Later, Martel is back on the balcony, when G'Kar finds him. G'Kar has convinced them to allow Martel to remain with the Anla'Shok and to give him a ship. He accomplished this by telling them "four true things." He refuses to elaborate: "Accept the miracle and move on."
The council has assigned Martel to the Liandra.
Later, Martel is grousing about the woeful state of his new ship. She's "had the crap kicked out of her at least a dozen times."
The Liandra is about 20 human years old. "Her lines and colors are representative of the Shunali sense of design," Dulann observes.
While Martel wanders around the bridge, Dulann is working on the lower deck, when suddenly he begins seeing visions of the previous crew, dying. They suffocated trying to make their way back home after the ship was damaged beyond their capacity to repair it.
Later, Martel is doing pike katas in the dojo when Tannier comes in. He announces that he has been given command of the Valen, and has asked for the Liandra to be his escort ship. Because of his history with him, Martel is not able to take this as a compliment. Tannier is offended and orders him to be ready to depart with his crew in three days.
Martel picks a crew containing a Narn and a Drazi, both because they have been waiting for a ship almost as long as he has, and because they are "intemperate" like him.
On the bridge, the crew take part in the ceremony of the Naming of Names. Taking hold of a star-shaped emblem, the crew members each recite their name, their place, and their truth:
Sarah Cantrell of Mars. Weapons and Tactical Combat Specialist. I live to serve, I serve to live.
Tafeek of Minbar. Political and First Contact Specialist. I come to the stars by a difficult road.
Kitaro Sasaki of Earth. Navigation, Communications and Translations Specialist. I'm... just really glad to be here, sir.
Firell of Minbar. Healer. My heart speaks quietly, and infrequently.
Malcolm Bridges of Beta Colony. Infiltration and Covert Operations Specialist. In dreams, I never see my face.
Na'Feel of Narn. Engines, Environment and Weapons support. I understand nobody else would have me.
Tirk, Drazi. I... carry very large things. I, uh... Tirk, Drazi.
Dulann, of Minbar. Shok'Nali. First Officer. My life for the Shok'na.
David Martel, no place in particular. Shok'Na. Captain. I'm looking for something.
"We are Rangers. We walk in the dark places no others will enter. We stand on the bridge, and no one may pass. We live for the one, we die for the one."
Martel's crew is still scrambling trying to get the ship operational when the time comes to depart, and Na'Feel in particular is somewhat put out, but he tells Tannier that everything is fine. The ship lifts off, creakily, winning Martel a 30-credit bet from Sarah. They precede the Valen into the jumpgate. In hyperspace, the mystery aliens follow them.
In hyperspace, Tannier informs the crew of the Liandra that they have nearly reached their secret destination, which had been kept secret even from the diplomats: Beta Durani 7.
Bridges wonders aloud why they came all this way to have a meeting. Martel points out that they might have wanted the diplomats to see something they couldn't transport. Beta Durani 7 is a domed colony of roughly 600 people. It's an archeological dig.
Immediately after the Liandra and Valen jump to normal space, Sasaki picks up an energy spike and a jump point forming at 6:00. Three of the alien ships come through the jumpgate and open fire on the Valen.
Martel orders "Evasive maneuvers, prepare to fire." Sarah jumps into her weapons targeting tank and opens fire on the enemy.
One of the enemy ships gets off a shot at the colony dome, destroying it. Others fire on the Valen's engines.
On the Valen, Tannier exclaims that it's too late for the Valen to get away.
Martel orders the crew to put the Liandra between the Valen and the enemy. Sarah damages one of the alien ships, but the other two open up on her and the Liandra takes damage. On the bridge, Dulann is thrown from his station and injured.
Two of the three remaining enemies leave, leaving one to finish them off.
The Valen is crippled: it's only a matter of time. Tannier asks if the Liandra can engage the remaining enemy ship. Martel answers no: their weapons are at 10% and the engines are barely functional. Tannier has sent the diplomats into the escape pods, and orders Martel to pick them up in the Liandra.
Sarah manages to cripple the remaining enemy ship by firing "straight up her engines."
The Valen rams the enemy ship, absorbing terrible damage. "We live for the one," Tannier says, "We die for the one." The Valen and the enemy ship are both destroyed in the collision.
Martel orders Sasaki to recover the escape pods using the engine repair bay "since it has a big enough airlock."
The Liandra's tachyon communications are down, leaving only short-range ship to ship radio, and Sasaki isn't holding out much hope at getting them online again. The jump engines are offline, and the ship can only maneuver at half speed in normal space. Worse yet, the enemy is sure to come looking once their ship fails to report in.
Martel orders Tafeek to go with Na'Feel and deal with the hysterical diplomats. There are no first-class accommodations, only "some long hallways and a number of very nice closets." The diplomats protest unhappily.
Dulann is badly injured: concussion, injury to internal organs, and internal bleeding. He needs more extensive care than Firell can provide on the Liandra. As they talk, Dulann wakes up suddenly. He has had a dream of the last crew of the ship. "They are not at peace here, David. Something here is disturbing them... Something is wrong."
Two enemy ships jump into the system and begin scanning the wreckage.
In Medbay, Dulann sees a vision of one of the last crew, wearing the older B5-style Ranger costume. The crewman stretches his mouth open grotesquely, and we can hear the unhappy voices of the last crew. Prominent among them is the phrase "The bastard sold us out!"
"I couldn't get out to where the air was." the specter says grimly, "I never saw his face."
Minister Kafta is insisting that G'Kar tell the captain to drop off the ambassadors on a planet with a breathable atmosphere then go for help. G'Kar responds that the ship is in no condition to land on a planet: it would be unable to take off again, and the enemy would find them all. Tirk tells him the captain would like to see him. G'Kar turns to the ambassadors: "Love to stay. Can't, have to go. Kiss kiss, love love, bye!"
The Drazi ambassador talks to Tirk. "That isn't a Drazi name." he points out.
"My mother created it. It means 'Don't touch me, I'm not having another child after this ever.'"
G'Kar arrives at Martel's quarters. He asks G'Kar for his input as a former military tactician. When the enemy jumped out of hyperspace, they targeted the Valen's engines first, then blew up Beta Durani 7, hit their weapons, then hesitated. This is odd: normally you go for the biggest ship first, and target the weapons systems: they're fairly volatile, whereas engines are heavily shielded to protect the crew from radiation, and thus a target of last resort. It's almost as if they were trying to capture the diplomats alive and find out how much they know.
"How much they know about what, G'Kar?" Martel asks. "...If we're going to survive, we need to know what we're up against."
"That's what we were trying to find out ourselves. Until recently, all we knew was that ships identical to the ones that attacked us have been trying to destabilize the Alliance by attacking its weaker members. Then we learned that some information that was relevant to this new race had been found at Beta Durani 7... They found a city, eight miles below the surface of the planet, a city billions of year old, older than anything found before. According to the hieroglyphs, this city was built by an ancient race that drove off the forces of darkness a billion years ago. They indicate that the enemy was driven from normal space to a place of eternal darkness."
They theorize that this is a parallel dimension. The translators weren't sure what to believe, then they found a doorway to another place, another space, set into the side of a pyramid. [Illuminati, anyone?] They sent a probe through the door, but it came back distorted beyond recognition. "The hieroglyphs warned of a time when the enemy would return. We have reason to believe that there is a connection between this and the ships that attacked us."
Exiting his quarters, G'Kar runs into: himself! It's a sheepish Malcolm Bridges, who was using a "holosuit" [changeling net!] to impersonate G'Kar and put down utter panic among the diplomats.
With the enemy ships out looking for them, and weapons only up to 25%, Martel decides that the ship should hide inside the tail of a nearby comet. Sarah is dispatched to run weapons in case a big rock comes flying at them, though if she fires, the enemy will probably detect it.
In Medbay, Dulann once again sees the spectral crewman, and rolls himself off his couch to follow him.
The Liandra goes inside the comet tail, but takes too much of a beating from the ice boulders floating around and has to leave again. Sarah is sorely tempted to fire, but doesn't.
Dulann follows the spectral crew member into a damaged area of the ship. Collapsing to the deck, he asks "What do you want?"
In Medbay, Martel is talking to Firell. "Look , I've known Dulann for over three years. I know he's slightly telepathic, but I just don't buy this whole bit about sensing the dead."
"Minbari are sensitive to such things." Firell points out. "Telepaths, even a minor one like Dulann are more sensitive still. And when one of our kind is close to death, the veil becomes very thin indeed."
Malcolm interrupts: he wonders why the enemy is bothering to chase them: after all the news of the colony will get out fairly quickly regardless, and since the meeting was about the enemy, they will be suspected anyway. Malcolm wonders if they have something on board that the enemy wants, something they don't know they have.
Dulann has been found, and is holding off the other crewmen with a fire extinguisher. Martel arrives, and talks to him. Dulann is hearing the crew in his head, and says that the flight record log was not on the main system. No one would know to erase it. Dulann manages to speak the codeword, "Entil'Zha" before collapsing again.
On the bridge, Martel tells the computer to look for the codeword and play the record. It is the crewman Dulann has seen. He is running out of air. He asks them to avenge them. "The one who survives is the traitor." Martel surmises that they may have a traitor on board. One of the ambassadors could have been a mole, signaling the enemy to attack them.
Tirk enters a cargo bay and sees Minister Kafta there. He informs him that he should not be there, because all the power relays route through the room. Kafta shoots Tirk with a hideout energy weapon and inserts a card into a piece of equipment.
Sasaki has found a signal that was coming from the Valen when she was attacked. Just then they pick up the same signal coming from Cargo Bay 4. Martel, Sarah and Malcolm run to surround him, and Martel gets into a fight with Kafta as Kafta tries to get away in an escape pod. Martel beats the crap out of him.
Malcolm disconnects the card, but an enemy ship is already rushing towards them. It is at 10,000 kilometers and closing, just outside maximum effective range for high-energy weapons fire. The Liandra's weapons are only at 30%, and engines are at 80% of maximum, and the Liandra is 2-3 hours from the jumpgate. They prepare to run for the jumpgate. The enemy ship opens fire on them and launches a cluster of mines in their path, which Sarah plows a path through in a wild flurry of shooting. The enemy ship is continuing to gain on them, though, and their weapons are hitting harder and harder as the range shortens.
Martel orders Malcolm to put the card he discovered into an escape pod, along with a remotely detonated bomb, and eject the pod. The enemy ship brings the pod inside it, and is blown up by the bomb.
Unfortunately, the last hit overloaded the Liandra's weapons system, and the ship is now completely disarmed until she can be refitted in a naval yard.
Martel questions Kafta and beats some information out of him. "They do not have a name as you understand the concept. They are called the Hand. The hand of God, the hand of death, the hand that reaches forth and blots out whole suns. They have left a thousand worlds in their wake, blackened cinders that were once thriving planets. For millions of years they have been outcast, hungrily staring out across the darkness between the stars, searching for a way back. And now they have found it."
"The ships that are after us, are they the Hand?"
"Those? Ha. Those are only toys given to races that serve the Hand, as I serve the Hand. Together, we will prepare the way for their return."
"And part of their return involves selling out the Alliance, is that it? Because we could oppose them?"
"If you had seen what I had seen, you would have done the same. Compared to the Hand, the Shadows who straddled the galaxy on wings of fire during the Shadow War were nothing more than insects."
"If they're so powerful, then why are they interested in you? You must be small change as far as they're concerned."
"The Hand rewards loyalty. It is their only virtue. And, they do not know what I know of their plans, so they cannot allow my return to Minbar, where I might be questioned further. They are coming, Captain. You cannot stop them. You cannot fight them. You cannot defeat them. You can only join them, or be ground into dust before them."
Sasaki sights the jumpgate, but it is guarded by the remaining enemy ship. Martel points out that the enemy might as well sit there, since they know the Liandra can't jump, and there isn't another jump gate for two light-months in any direction.
The enemy orders them to turn over their prisoner or be destroyed.
Martel visits Dulann, who has been told of the ship's situation by her former crew. Martel confesses that he has used up all his tricks, but Dulann gives him an idea.
They agree to release the prisoner. The enemy will scan the pod for remote-controlled bombs, and Kafta, and open a comm. channel with Kafta to make sure he is inside. The Liandra releases the pod, keeping it between themselves and the enemy. Kafta comes on the comm. channel, and the enemy takes the pod on board. When they open the pod, we see Kafta, gagged with silver tape on which the word "Boom!" has been written, just before the rising pod canopy pulls the pin on a grenade.
The enemy ship is destroyed. It is revealed that Malcolm was impersonating Kafta using his holonet, and they kept the pod between them so the enemy wouldn't detect that the transmission was coming from the Liandra. They tried the same trick twice, figuring it was the last thing the enemy would suspect.
Later, back on Minbar, Martel is congratulated by the Council. Afterwards, Martel and Sarah talk about Dulann and Tirk's recoveries, and the fact that they are going to be taking the Liandra out again after she is properly refitted.
Afterwards, the Liandra takes G'Kar back to Babylon 5 for a security council meeting. As he leaves, G'Kar says that they should try to visit B5 if they can. But he warns them "No one there is exactly what they seem."
The Long Dark
Overview
When a cryonic sleeper is awakened, a deadly, evil force is unleashed on the station. Anne-Marie Johnson as Mariah Cirrus. Dwight Schultz as Amis.
Sub-genre: Horror P5 Rating: 7.64 Production number: 205 Original air date: November 30, 1994 DVD release date: April 29, 2003 Written by Scott Frost Directed by Mario DiLeo
Watch For:
- An out-of-place cut of Garibaldi searching for Amis
Backplot
- Earth got jumpgate technology from the Centauri in the mid-22nd century. Before then, humans were mostly confined to their own solar system.
- Sometime between the 20th century and the arrival of the Centauri, signals of possible extraterrestrial and intelligent origin were detected.
- A small number of explorers volunteered for long-term interstellar missions, so long-term that they had to be cryogenically frozen for the duration. These missions were launched until the Centauri made contact with Earth, eliminating the need for sleeper ships. At least some of these ships were set to home in on any signals they might encounter.
- During the war, Garibaldi was a "gropo" ("ground pounder"), stationed on an outpost or base rather than a ship. He and some of his companions barely escaped death in a surprise attack by the Minbari.
- Another outpost was attacked by a vicious creature of some kind, an insidious beast that affected the minds of the soldiers stationed there, then killed them one by one, ripping their internal organs completely out of their bodies.
- The Markab, like the Narn, believe there was a great darkness in the past, something that was defeated only after a painful struggle. At least some among them suspect that the darkness is rising again.
Unanswered Questions
- What was the creature? Was it really one of the Shadows?
- How did it detect and board the Copernicus, which was travelling at a significant fraction of lightspeed?
- What did it want with people's internal organs?
- Is it really dead? (We suspect so, but without a body....)
- What was the substance hanging off Amis when he was suspended in midair? Garibaldi makes a face as he tears it off Amis.
- What happened to Amis afterward?
- Garibaldi says to Amis, "You were just about to accuse the Centauri ambassador of being in league with the devil... which might not be too far from the truth." Just a meaningless offhand remark, or does Garibaldi somehow know what Londo is up to?
Analysis
- The fact that the Copernicus was headed for Z'ha'dum indicates that the Shadows have been gathering their forces for some time, at least 10 years, leading to the possibility that they've been meddling in the affairs of the major races before their recent involvement with Londo.
- Contempt for the Lurkers seems to be pervasive, if not almost universal. Even Dr. Franklin, normally a level-headed person, was ready to dismiss a claim made by a Lurker out of hand, and one of the security officers said, "Damn lurkers, we should space 'em all."
- No mention was made of any attempt to retrieve the sleeper ships after first contact with the Centauri. Presumably such a task would have been easily accomplished. One explanation might be that the first contact threw Earth into such turmoil that retrieving frozen astronauts became an insignificant priority. Perhaps an attempt was made but was unsuccessful; if the Copernicus had locked onto any signals along the way and changed course, it might be nearly impossible to track down in the vastness of space.
- The Copernicus timeline seems to be:
- Before the Centauri contact: Signals of extraterrestrial origin were detected.
- 100+ years ago: Sleeper ships were launched on long voyages, Copernicus among them.
- 12+ years ago: Copernicus detects signals from the Minbari CP in an obscure system and homes in on them. (Presumably the signals stop, and Copernicus doesn't revive the crew.)
- About 12 years ago: Amis has his encounter with the creature. The EarthForce listening post is essentially destroyed by it. Amis is kept alive. For some reason the creature does not interfere when he is rescued.
- Less than 12 years ago: Copernicus passes through the system. The creature boards, changes course, and kills Mariah's husband before settling into the "life tube" with her.
- 4+ years ago: Copernicus detects signals from the region of space where the Babylon stations are under construction. In keeping with its underlying directive to seek out such signals, the vessel changes course.
- A year or less ago: Copernicus begins decelerating, and apparently uses up all its remaining fuel to do so. At some point it begins transmitting a greeting signal.
- Now: Copernicus arrives, unpowered and without even any thruster fuel remaining (it's tumbling when first spotted).
- 10% of the air supply aboard Copernicus was lost when the creature boarded, presumably vented into space. This implies that for some reason the creature came in through the door (there was no airlock) or penetrated the hull physically to gain entry. This is only odd because Amis insists that it could pass through walls.
- Why wasn't Copernicus detected earlier? There could be a few reasons. First, the ship apparently used up all of its hydrogen fuel and all of its thruster fuel on approach to B5. This leaves unanswered the question of what it was doing for power afterward, but apparently it had enough to keep transmitting its greeting message and keep internal systems going. But tumbling, it may have been unable to keep a high gain antenna pointed in-system. Add to this the fact that nobody was listening for it (Ivanova says it's on an unusual frequency) and it becomes fairly reasonable that it came all the way insystem without being detected.
- How fast and far did Copernicus travel? This one is more difficult. The minimum answer is 25 LY and .25C. The distance between the Sol System and B5 seems to be about 25 light years, and this is the minimum distance Copernicus had to cover. To cover 25 LY in 100+ years, Copernicus had to travel at 1/4 C (on average). Typical predictions for nuclear engines driving ships to low-reletivistic speeds say that it takes between 10 and 40 tons of reaction mass/fuel per ton of dry weight to accelerate a ship to low-C (1/10C to 1/4C more or less) and decelerate it again. So either the ship we saw was the core of a much larger ship and all the empty tanks were ejected, or it's made of very lightweight materials, or both.
- 100 years seems like a reasonable time for a slower-than-light interstellar journey, yet Mariah was surprised to learn that much time had passed. Her reaction could just be due to the disorientation she was probably experiencing, or perhaps the mission was planned to be less than 100 years long due to limitations of the cryogenic units or some other shipboard system.
- The name Amis seems to be a pun, as in something is amiss with Amis. The name Amis is pronounced the same as "Amos," the name of an Old Testament prophet. Prophets like Amos spent lots of time warning folks about dire and immediate events, much like what Amis did in the Zoccalo.
Notes
- Writer Scott Frost was also on the writing staff of Twin Peaks, a show whose atmosphere was often similar to that of this episode.
- When Garibaldi is in the Zocalo, the Drazi sitting next to him is not wearing a colored sash. Since the ritual combat in "The Geometry of Shadows" was supposed to last 1.2 earth years, shouldn't he have been wearing a purple sash, per Ivanova's solution to the problem? A possible explanation is that once she did what she did, the combat was over on Babylon 5 and sashes were no longer required.
- A possible reference to Douglas Adams' "The Hitchhiker's Guide to the Galaxy" takes place as Amis leaves his cell. With a towel around his neck, he claims, "I've got everything a man needs."
- Franklin administers a drug to a catatonic patient called DeValera. Eammon DeValera was an Irish politician and poet, with a real gift for rabble-rousing.
jms speaks
- To follow up on your (Dianne's) other point...yes, from time to time,
as we push ourselves to the limit, we're going to crash and burn.
That's part of the risk if you really want to try and do something
different. We push the envelope...and sometimes get a papercut. I
had, for instance, MUCH more in mind for the EFX in the final
confrontation in "The Long Dark." But we were, alas, about this
> < much ahead of the technology to pull off what I wanted.
- The shadows have their servants, which are being
recalled to their places of power. That was one of their
lower-level types.
- @@@846702919 Shadow servent. Soldier of darkness. Not a shadow,
but a good, close friend of same.
- RE: Londo looking "more wicked," we're doing some very small,
subtle things to his appearance, his wardrobe, pulling him into a
darker range of fabrics. (Honest to god, you wouldn't believe how
careful and detailed we are in setting this stuff up.) He'll even
be getting a new, slightly darker coat, straighter lines, closer in
style to Refa's, before the season's out. It's really interesting
when you know where you're going....
- What was the race of that ambassador?
I believe that was a Markab. - Tom: the quibble you raise is one of the points I'm trying to make.
You say someone from 1890 would go crazy. I vehemently don't agree.
Go back and read letters from the 1890s. Heck, go read letters from
1776; the language, the emotions, they're all very much the same. The
chrome of technology has changed, some social styles and attitudes
have changed, but people still go through school (usually), get married,
raise kids, hold jobs, and look to a better future one day.
Mariah was also a scientist, sent forth expecting and prepared to see new things; this isn't the same thing as an average person just plucked out of time.
I think people -- Americans in particular -- over-emphasize how much things change with time, in large measure because in a country that's only 200+ years old, we *really* don't understand what time IS here. The Romans who left grafitti all over parts of England are only one step removed from the South Central taggers of today....
- Re: Ivanova and Sheridan going into the Cortez upon it being pulled
into B5...this was an Earth vessel, remember, stating it's on a mission
of peace, with a cryogenic suspension chamber in use. There was zero
perceived danger. Also, if I were the captain of a naval vessel today,
and I came across an intact sailing vessel that went missing in the
1890s, you'd have to hold a gun at my head to KEEP me out of that ship.
People are, by nature, curious...and this would be a fascinating puzzle
to solve. (Editor's note: the Cortez was the ship in "A Distant
Star." JMS meant the Copernicus.)
- A couple of thoughts on Sheridan, btw...triggered by messages I've seen
or had alluded to in which he's gigged for smiling too much, unlike
Sinclair...just checked back in some of my archives, and for the first
four or five episodes, the number one complaint about Sinclair was that
he either smiled or smirked too much....
Meanwhile, just a little something for the folks on-line to contemplate...remember the first rule of Babylon 5: nobody is what they appear. Not entirely, anyway. There's always something going on, something that somebody's not telling. Some folks are making the error of looking at Sheridan -- as they looked at Sinclair, or Londo, or Vir, or G'Kar -- and thinking "this is all that he is." Except, of course, that they weren't and he's not. I would not create a character that is just what you're seeing.
Aside from that, and this is a separate issue...there are really two ways to deepen a character and give him a dark side. One is to do something to him *before* you meet him, which he's still recovering from (Sinclair). The other is to meet him, and THEN drop him down a well. In a way, Londo is illustrative of the latter; you get to know him, and he's funny, colorful...and then you start to move him.
So suffice to say that Sheridan is going to end up getting more and more conflicts, and getting booted to the head, and as someone noted above, caught in the conflict between being a good officer and being a patriot...which can sometimes be the same, and sometimes VERY different things.
The Long Dark
Synopsis by Matthew Murray (i9717029@unicorn.it.wsu.edu)
Sheridan arrives at C&C after Ivanova's call. Babylon 5 has picked up a weak signal which Ivanova doesn't recognize coming out of deep space, from something that didn't use a jump gate. Sheridan asks if it is an alien craft, but it isn't. Ivanova plays the message for Sheridan: "This is the Copernicus. We come in peace."
In Downbelow, a man named Amis jumps out of a dumpster screaming, "Through the walls! It's coming through the wa..." He says he needs some ozones, but he doesn't have any with him. He is suddenly seized by pain. "No!" he screams. "I'm stuck! Get out of my head! Where are you?" He looks at the floor. "There you are!" He pushes some garbage aside and looks out a porthole, seeing the approaching craft. "There you are! I see you..." He begins to recite the Lord's Prayer, but can barely remember the words. He runs away screaming as the vessel approaches the station.
Amis goes to the plaza, where he stands atop a table, delivering a doomsday speech to all the people there, warning them that Judgement Day is coming. He says that they are all in great danger. He sees G'kar and tries to warn him, but G'kar does his best to ignore him, and walks away. Garibaldi arrives and grabs Amis, taking him off to the brig.
"Judgement Day is coming!"
Sheridan, Ivanova, and Garibaldi attempt to identify the ship and determine why it didn't use the jumpgate. A maintenance craft, sent to examine the ship, approaches it and shines its light on the ship's name. There are some letters, difficult to make out, before the ship's name, but Sheridan says he thinks they say U.S.S. Ivanova doesn't recognize the ship's design. Sheridan explains to her that ships like these were "used in early deep-range exploration, back before we got jumpgate technology from the Centauri." None of them, however, know what happened to the ship in the more than 100 years since it was launched. Ivanova detects a life form aboard the vessel, and Sheridan orders the ship to be brought aboard the station. Sheridan calls down to Dr. Franklin to inform him that they may be bringing a patient aboard.
The Copernicus.
Sheridan, Ivanova, Garibaldi, Franklin, and several other officers enter the ship and examine the contents. Inside, they find two cryogenic freezers. The occupant of one of the freezers is dead, but the other contains a young woman, whose life signs are deteriorating quickly. Franklin says that they must get her to MedLab quickly. They open up the freezer and take her to MedLab. As they begin to treat her vanishing pulse enroute, the transport tube's lights go wild for a moment. She suffers a heart attack, but Franklin and his assistants are able to treat her for it.
Garibaldi enters the brig, where Amis is resting. He is asleep, but thrashing about and shouting loudly about incoming weapons. "Damn lurkers," the guard says. "We oughtta space the whole bunch of 'em."
"Were you in the war?" asks Garibaldi.
"No, I missed it."
"Yeah, well he didn't."
"How can you tell?"
"I've had that same dream." Garibaldi leaves.
Ivanova is aboard the Copernicus, attempting to restore full power. As soon as she does so, strange noises seem to come from all around her. She looks around, but sees nothing, and goes back to work.
On the Copernicus' bridge.
Amis wakes up, with Garibaldi at his side. Amis says that he is in perfect health, but doesn't know what he said or what he did. Garibaldi tells him what happened, and that they had to sedate him to get him to sleep. Garibaldi asks Amis if he had done this before, and Amis says that he has done everything before. Garibaldi asks where Amis was stationed during the war, and Amis admits that he was a, "gropo," a ground pounder. Garibaldi says that he was one, too. Garibaldi asks him about his dreams, but Amis says that he doesn't dream. Garibaldi tells him about the things he said in his sleep, and decides to let him leave the brig, though he recommends the man see a counselor.
Meanwhile, in MedLab, the woman from the cryogenic capsule, Mariah Cirrus, has passed from her unconciousness into a dreaming state. After a few moments, she awakens with a start, and looks at her surroundings, frightened. Dr. Franklin assures her that she will be all right.
Mariah wakes up.
In Sheridan's office, Ivanova tells Sheridan that the man from the other cryogenic freezer should be alive, because the freezer didn't malfunction. "Something," she says, "or someone murdered him."
Dr. Franklin examines the corpse from the other cryogenic capsule in MedLab. "At the time of death," he tells Sheridan and Garibaldi, "the victim's weight appears to have been about 90 pounds. Given his height and bone structure, his normal weight should have been about 180. But malnutrition wasn't what killed him. He died as a result of organ failure."
Garibaldi asks why, and Franklin says that the man's organs are missing, as if something had pulled them out from the inside. But a thorough scan of the ship revealed that the organs were not on board. Garibaldi wants to interrogate the woman that was with him, though Franklin insists she couldn't be responsible, because she was in stasis the whole time. Sheridan and Garibaldi can't accept this as an explanation. Franklin then goes to check on her, though Sheridan tells him that he wants to talk to her when it is possible.
Mariah thanks Dr. Franklin for helping her. Franklin introduces himself. He asks her how she got on the ship. She explains that she and her husband were part of a commerical research group, which needed volunteers for a long-term deep space mission. They volunteered and were put on the Copernicus, which would awaken them from their cryogenic sleep when they came in contact with an intelligent signal. She asks how long they were asleep. Franklin tells her that she was in the ship for over a hundred years. She asks to see her husband, and Dr. Franklin tells her that he died during the voyage, and that they didn't know the cause. She says that it seems as though they just said good-night to each other, and when she tries to cry, she can't, which Dr. Franklin explains is due to long-term stasis drying her tear ducts. "God, what have I done?" she asks herself.
Amis runs through the station, as if searching for the presence he believes is putting the station in danger. He goes to the cargo bay, where he finds the Copernicus. "Holy mother!" he shouts, before he is chased away by a guard.
Dr. Franklin and Mariah are visiting various parts of the station. They go to the plaza, where Dr. Franklin explains the things she missed while cryogenically frozen. "A few years after your ship left Earth," he tells her, "we finally made contact with another species -- the Centauri. We opened up trade relations and they gave us jumpgate technology. Before that, we'd been pretty much limited to our own solar system. After that, we were out among the stars, first leasing time on alien jumpgates, and then building our own."
Mariah laments at how she and her husband didn't wait, and how things might be different had they not gone on the Copernicus. Dr. Franklin tries to tell her that what she did took courage, but she brushes it off, wondering about what else she missed. He tells her about some of the general things that have happened, and about the Dilgar and Minbari wars. She feels bad that the humans hadn't outgrown violence while she was in suspension. "It's gonna take a lot more than a hundred years to evole a better human," Franklin tells her.
Ambassador G'Kar appears by their table, and Dr. Franklin introduces him to Mariah. "Take my advice and go back to the time you came from," G'Kar tells her. "The future isn't what it used to be."
As she ponders his words, she remembers, subconciously, something that happened to her during the voyage. She is in her cryogenic capsule aboard the Copernicus, asleep, when something appears in the capsule with her. She wakes up in the capsule and screams.
She wakes up for real, with Dr. Franklin, who tells her that she passed out and was taken to his quarters. She thanks him again. He asks her what her dream was about, but she doesn't remember anything about it. She asks Dr. Franklin why he is interested in her dreams, and Franklin explains to her that her husband didn't die of a hardware malfunction, but was instead murdered. She assumes that he means that she killed him, and he tries to tell her that he knows she didn't but wants to find out who -- or what -- did. She begins crying that she is alone, feeling lost and distraught. He tries to convince her otherwise, but stops and almost kisses her. After they pull apart, he says that it is inappropriate, something to which she agrees. Dr. Franklin suggests that she try to rest, even though she is very scared, which she does.
Garibaldi is eating in the Zocalo when Amis enters, again telling the patrons that they are all going to die. Garibaldi escorts Amis out, telling him that he doesn't want Amis causing trouble on the station. Amis insists that he isn't crazy, and that something is on the station. Garibaldi asks him what is on the station. "Death," Amis replies. "It came off that ship from the past. I found it." Garibaldi asks Amis if he is sure. "Yes. I saw it do the same thing during the war." As the two leave the Zocalo, in another part of the station, an alien, in an otherwise empty room, becomes the creature's next victim, his final word a scream as it attacks.
Garibaldi escorts Amis away.
Garibaldi and Sheridan are in MedLab, listening to Dr. Franklin's findings about the latest victim. Dr. Franklin explains that the alien's internal organs disappeared, with no visible entry or exit points, just like Mariah's husband. Garibaldi expresses doubt that Mariah may be who she claims. "I arrested a lurker named Amis," he says, "who was stationed on a deep-space listening post during the war. Forty-seven men landed on that moon -- all of them were slaughtered, except for one."
Franklin tells Sheridan that whatever killed them couldn't have come aboard the Copernicus because the scan revealed nothing, but Garibaldi says that it could be something they had never before encountered. "I traced the ship's path. It passed within the gravitational pull of the same moon that Amis was stationed on. This Mariah Cirrus may not be what she appears."
Franklin tells them that, since Mariah was with him the previous evening, she couldn't be responsible for the alien's death. Sheridan orders that a watch, someone other than Franklin, be put upon Mariah around the clock. Dr. Franklin is upset, taking this to mean that he isn't doing his job. Sheridan says he wants to protect the station; Dr. Franklin says he can't believe that this is happening on the word of a lurker. But Garibaldi tells Franklin that Amis won many medals during the war, making him fairly trustworthy. Sheridan says that the League of Non-Aligned Worlds has asked for a council meeting to discuss the problem, and orders Franklin to go over her medical scans again. "For what it's worth," Garibaldi tells Franklin after Sheridan leaves, "I hope you're right. But if you're not, be careful."
At the council meeting, a delegate says that the League insists that Mariah be removed from the station. "She has brought something evil from the past...a soldier of darkness," he says to the council. Though Londo finds the situation laughable, G'kar takes it quite seriously, telling the delegate to continue, which he does. "The forces of darkness do not move openly. They work through others. Use others. When the darkness was defeated long ago, they scattered, hid themselves away in secret places, and waited. Now, the dark hand is reaching out and recalling them from their sleep." Sheridan can't believe that Mariah is responsible, but the alien says, "Evil sometimes wears a pleasant face."
G'kar thinks they should consider the delegate's word, but Londo doesn't. Sheridan says that they shouldn't ignore what is going on. Londo laughs and this, and leaves, saying they should kill the presence, if they find it. The alien delegate says that the League will take action if Sheridan doesn't. This angers Sheridan, who warns the League that Mariah will be protected at all costs. He adjourns the meeting. He talks to Ivanova, also present at the meeting, about the situation, and she asks him what he would do if a "soldier of darkness" did board the station via the Copernicus. Sheridan scoffs at this, saying he will believe it when he sees it, though Ivanova hopes it will not come to that.
Garibaldi springs up in bed, apparently due to a bad dream, and goes to talk to Amis. Garibaldi confronts Amis about the creature, telling him to take him where he found it. Amis has a difficult time believing Garibaldi really believes him. They go to the place where Amis had seen the creature earlier, though there is nothing there now. Garibaldi draws his weapon, and searches for the creature, but only finds a lurker in hiding. He grabs Amis, but Amis breaks away, and then shouts into midair for the creature to finish what it started. He collapses near the wall, sobbing. Finally understanding, Garibaldi tells Amis why he believes him. "During the war there was a guy in my unit. Kept telling everybody our perimeter was weak. We laughed 'cause we checked it over and over. It was secure. We all figured he was nuts. Until then, we'd never seen any action. And then, one night, we stopped laughing. They came through that perimeter like it was paper. He was the first to die. Saved our butts. He was a nut, but he was right. I believe you."
Garibaldi asks Amis to tell him about the listening post, and Amis explains what happened to him. "We were an intelligence-gathering unit, not set up for heavy combat. We'd heard the Minbari were setting up a command and control post, so we slipped onto a small moon before they finished the perimeter scans. We set up camp in old ruins of some kind. As far as we knew, it was a dead world. It came in the night, during a storm. We heard nothing, saw nothing...It came right through the walls, like a hot wind. The first man died, just meters from me -- never even screamed. We ran... we ran. For a second, I thought I lost it, and then I saw it. Standing in the middle of a ball of lightning. It looked like it had come straight from hell."
"How did you survive?" Garibaldi asks.
"I didn't! It kept me alive. As a snack. It becomes part of you, feeding on you. The lucky ones were the men who died on the moon. What it took from me I can never get back. When the rescue party showed up, I weighed 85 pounds. That's how I knew it was on this station. A part of me's still inside that thing. I can feel it. But nobody ever believed me...until now."
"This feeling...can it lead you to it?"
"I think... I think maybe that's what it's been doing. All this time... Calling me. I think maybe we have some unfinished business between us." Without warning, Amis runs off.
Dr. Franklin enters the Copernicus and finds Mariah there. He asks why she is there, and she says that it is all she has...other than him, if that's even true. He tells her he doesn't want to move too fast, and she understands. She misses her husband, and wants to find the creature responsible, but she also says that she had marital problems, and that all she and her husband had left when they began their journey were the stars and their dreams. Franklin understands, saying that he has devoted most of his life to his work, and that he has had little time for anything else, and that Babylon 5 isn't an appropriate place to raise a family. Mariah says that she believes her husband wouldn't have liked the world in which she woke up. Franklin tells her that what killed her husband is on the station, and he wants to know anything she knows that might help. She tells him that, in her dreams, she is not alone in the cryogenic tube, and that she believes it used her to stay alive until it could find more food, which Franklin believes it has found on Babylon 5. "I've put everybody here in great danger," she says.
Meanwhile, Garibaldi walks through the corridors of Babylon 5, looking for Amis or other clues when he hears a scream coming from nearby, which he quickly runs to investigate.
Later, Sheridan tells Garibaldi and Ivanova that official accounts blame the attack on the listening post on the Minbari. Garibaldi says that Amis is certain the Minbari didn't attack the post, and that the alien took a part of him when it left his body, and that he could feel it on the station. "If the same thing happened to Mariah," he suggests, "she might be able to help us find it." Ivanova says it is too risky, and since they don't know the nature of the creature, they don't know what to do about it, since it may have control over her, causing her to scout for it without her knowledge. Sheridan tells Ivanova and Garibaldi that whatever happened to the listening post is happening again, and that they need to be ready for whatever it is.
Mariah is in asleep in MedLab when Garibaldi wakes her. He tells her that he needs her help to find Amis. He asks her if she can feel where the alien is, and she says that she believes she can. Dr. Franklin says he will allow it, but only if he can come along to make sure she is in no danger.
Ivanova reports to Sheridan on C&C that they received reports of weapon fire and part of a signal from Garibaldi. Sheridan orders that section of the station to be sealed off. He tries to contact Dr. Franklin, but can't, which Ivanova assumes is because Dr. Franklin went to search for the creature. Sheridan agrees, and then tells Ivanova to bring out the heavy artillery, with which to fight the creature. Ivanova and Sheridan, and several other officers, all heavily armed, go down to the section and find Franklin and Mariah outside tending to two injured officers. Franklin tells Sheridan that Garibaldi is still in there, trying to find Amis and the creature. Sheridan and Ivanova enter.
Off to fight the creature.
Weapons at the ready, they search the area, but can see nothing. Soon, they come to an open area, where Garibaldi is searching for Amis, whom he soon finds, being held in midair by some invisible force. Amis shouts at Garibaldi to shoot the creature, which is apparently attacking him. Garibaldi fires at the air behind Amis, who drops to the ground.
The creature drops Amis.
Garibaldi tries to get him up as Sheridan and Ivanova move closer. They all fire blindly into the area where the creature was last seen, though they don't do much damage to it. Amis says that he believes the creature is waiting for him. Sheridan then orders Ivanova to triangulate their fire, so that they set up a "kill zone, point blank." Amis claims it won't work, that the creature is too smart. "You've got to give it what it wants!" He runs out into the open area, shouting at the creature to come and get him. The creature complies, and begins attacking Amis. But, it walks directly into the kill zone. Garibaldi, Ivanova, Sheridan, and all the others fire madly at the creature, which looks very tall, humanoid, with horn-shaped protrusions coming from its head. The creature falls to the ground and evaporates, apparently dead.
Dr. Franklin and Mariah are in MedLab, checking on Amis, who will be okay. Franklin asks how Mariah will fare, and offers to let Mariah stay on the station. She declines, saying that she wants to mourn for the loss of her husband, bury him, and visit Earth. She says that she wants to come back, if he is still interested, which he claims he will be. "Don't make promises life won't let you keep," she tells him. They kiss, and then she leaves MedLab.
Ivanova reports to Sheridan, saying that they finished analyzing the database from the Copernicus. She found that Mariah was telling the truth. But, Ivanova has something else to report. She says that the ship lost about one tenth of its oxygen when it passed by a moon in sector 18x70x59, which would have happened when the creature came aboard, but when the ship left that sector, it was set on a new course. They were lucky that the creature didn't know the ship would make contact with any signal it came across, or it would have passed right by without anyone noticing.
Sheridan asks what course the ship had been programmed on, and Ivanova tells him that the ship was heading to the rim, "toward the exact place where Ambassador G'kar told us an ancient enemy was gathering its forces." She asks if it was a coincidence that it was going to Z'ha'dum, and Sheridan says he didn't believe it was.
"Something's going on, Commander," Sheridan tells Ivanova. Ivanova agrees, saying that the sitatuation worries her a great deal as well. As they ponder the meaning of recent events, G'kar is in his quarters, reading the book of G'Quan, in which he sees a drawing of a tall creature, which bears a distinct resemblence to the one killed by Garibaldi, Sheridan, and Ivanova.
The Book of G'Quan.
The Long Night
Overview
As the Army of Light prepares to strike, Londo and Vir continue to plot Cartagia's downfall. Ivanova and Lorien look for more First Ones. The Shadows unleash a terrible new weapon. Wortham Krimmer as Emperor Cartagia.
P5 Rating: 8.82 Production number: 405 Original air week: January 27, 1997 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John LaFia
An episodic soundtrack is available.
Plot Points
- @@@854665360 The Shadows have deployed a planet-killer of their own, striking against Vorlon-aligned worlds much as the Vorlons are decimating worlds touched by the Shadows.
- @@@854665360 After the success of his assassination plot, Londo has taken Cartagia's place as head of the Centauri, though for the moment only as prime minister, not as emperor.
- @@@854665360 Making good on his promise to G'Kar in "Whatever Happened to Mr. Garibaldi?" Londo has ordered the withdrawal of Centauri forces from Narn.
Unanswered Questions
- @@@854665360 Who were the Centuari nobles in the secret meeting with Londo and Vir?
Analysis
- @@@854665360 Now that Narn is free, will G'Kar retain his stature? Or
will most of his countrymen come to feel the way the Narn in the
palace did, that G'Kar's sacrifice wasn't significant and doesn't
give him any special moral authority?
It's unlikely the Narn could mount any meaningful offensive against the Centauri regardless of their antagonism, given the near-total destruction of their fleet and the razing of their planet. But G'Kar's warnings have a habit of being ignored until it's too late ("Revelations" and "The Long, Twilight Struggle," to name two instances) and given the justifiable rage many Narn no doubt feel, they may well ignore him again.
- @@@864689600 The Narn clearly don't know why the Centauri really left
their world. How will they react if and when they learn that it was
a bargain on G'Kar's part, not the stubborn resistance of the Narn
people as a whole, that caused their invaders to leave?
- @@@854665360 In
"Falling Toward Apotheosis,"
Garibaldi speculated that in a week's time, the crush of incoming
refugees would overwhelm Babylon 5's resources. That doesn't seem to
have happened. Has the diversion of people to the surface of Epsilon
3 gone smoothly enough to take the load off the station?
- @@@854665360 This episode marks the first time Sheridan has been shown
ordering someone to certain death, though perhaps it's
something he had to do during the Earth-Minbari War as well. His
death and rebirth on Z'ha'dum likely makes such orders more credible:
he was willing to die for the cause, so he's clearly not sending
others into the fire just to save his own skin. Delenn, on the other
hand, might not be ready for that aspect of command; as Lennier
pointed out in
"Grey 17 Is Missing,"
she holds individual lives in high esteem and is reluctant to risk them
even for a greater good.
- @@@854693608 What did Londo mean when he told the other Centauri that
when he died, there would be a reckoning? He could have been
referring to his own alleged complicity in the death of Prime Minister
Malachi,
or to a reckoning for Refa's actions. If the former, he was probably
thinking in particular of his rather ignoble death, strangulation at
the hands of G'Kar as foreseen in his dream
("The Coming of Shadows,"
"War Without End, Part Two.")
- @@@855251439 Although it was clearly unintentional (see
jms speaks)
one of Vir's earliest appearances has what could be considered
foreshadowing of his killing of Cartagia. In
"Born to the Purple,"
Londo asks Vir, "What do you want, you moon-faced assassin of joy?"
Vir has turned out to be an assassin, and by killing
Cartagia, Vir has undone some of the damage that began when Londo first
answered Morden's question, "What do you want?" in
"Signs and Portents."
- @@@865730716 Another possible unintentional foreshadowing of Vir's actions was the Minbari rebirth ceremony in "The Parliament of Dreams." During the ceremony, Delenn handed out fruits while she recited a Minbari holy text. As she gave Londo his fruit, she spoke of birth; Vir's, death and renewal. Obviously it wasn't JMS's intent at the time, but Londo can be seen as bringing on the birth of the newly ascendant Centauri Republic by helping Refa bring Cartagia to power. Vir brings its death in the form of the assassination, and its rebirth in the resulting shift in power.
Notes
- @@@854352579 The poem recited by Sheridan at the end of the episode was probably left by Sinclair, who quoted it to Delenn as far back as "The Gathering." It is Tennyson's "Ulysses."
- @@@854665360 When Londo first saw G'Kar, G'Kar commented that his eye offended Cartagia. That's no doubt a Biblical reference, to Matthew 18:9.
- @@@854957172 G'Kar's newfound vision bears some resemblance to Norse mythology, in which the god Odin sacrificed one of his eyes in exchange for the ability to perceive things beyond the normal senses.
- @@@854352661 In the initial US broadcast, the third-season theme was played over the closing credits.
- @@@851839066 The Shadow weapon was devised by Harlan Ellison.
- @@@865967620 Effects glitch: About a half-second before the executive producer credit, as the fleet is leaving Babylon 5, some Starfuries enter the picture on the right side. As they appear, they flicker out of existence for a frame or two. The effect is visible (barely) at normal speed, more obvious in slow motion.
jms speaks
- @@@855428420 Was the use of the third season end theme
deliberate?
It was an error...but as with many errors on the show, it worked to our benefit. It's the ABA principle....Art By Accident. - @@@854727959 I'm quite happy with this episode. It's fun.
- @@@840408489 I'm writing 405, "The
Long Night," and there's something that one character was supposed to
do in the script, that had been the plan all along, that was my intent
even as near as 1 page from where it was going to happen...then just as
I got to that scene, another character stepped up and said, "no, let me
do it." I was kinda flummoxed. "You?! You're the LAST person anyone
would think to do this." The character nodded. "Exactly." And the
symmetry was perfect, the impact would be greater...so that's who did
it.
On one level, it's always wonderful when this happens; on another, it scares the hell out of me....
It's at the bottom of act two, you'll figure it out when you get there.
- @@@852231899 Which character has surprised you the most?
Probably Vir. He's surprised me on many levels. Suffice to say that in the first 6 somewhere next season, there's something I'd slotted for another character to do. I'd intended for that character to do it right up.... until the page before that other character was going to do it, when Vir stepped up in my brain and said, "No, *I* should do this." And as soon as he said it, I knew it was right. You'll see. - @@@854693845 It was gonna be Londo right up until 2 pages before the
scene...then Vir said, "Nope."
- @@@854957225 Nothing about it was at all accidental...he had to go
pick it up, turn, move to Cartagia, stick it in, and then pull the
trigger. Nothing accidental about it. But if we'd shown him doing all
the prep, the shock wouldn't have been as substantial.
- @@@852471331 "Has a character (not actor) ever suggested a direction
to you that you didn't take, but later on seemed like the direction you
should have taken? I would think they would all be fighting for
screen-time, or is that just some actors?"
Not really, mainly because if my subconscious mind is sufficiently up in arms about something as to throw a fictional character at me and yell at me, it's usually a sign that I should Shut The Hell Up And Do As I'm Told. So when it happens, I *very* rarely ignore it.
- @@@855249305 What did Londo mean when he said there'd be a
reckoning?
Well, the reckoning in the next life for his actions in this one, would be the best way of putting it. That's what he expects. - @@@859454157 Was G'Kar's stock a visual reference to Jesus on
the cross?
I think one can make the argument there is some symbolism in there from christian literature, but that kind of scene takes place in other belief systems as well, and historically that sort of torture was used in many places, including the Roman empire in general. - @@@855249226 Did Londo's men weaken the chains after all, or was
G'Kar just really determined?
That was one determined Narn. - @@@854694708 The White Star mission in that ep has definite roots;
during WW2 to convince the Germans we weren't going to land at
Normandy, our own agents were fed incorrect information, set
loose...and then info was leaked to the Germans allowing them to pick
up the agents and torture the information out of them. This wasn't
quite as bad as that, the crew at least knew what they were getting
into...but there are often no good choices in war.
- @@@854957259 The Ericsson scene was moving.
Thanks...I think a lot of it there has to do also with the performance of the actor playing Ericsson. He brought a real sense of presence to the job. - @@@855334858 He asked if Ericsson was married because, if he was,
that was a call that Sheridan would have to make, over Stellarcom or in
person, to notify her that her husband was dead. And, for Sheridan, I
suppose there was a tinge of relief, knowing that at least he wouldn't
be creating a widow as well as ordering Ericsson to do what was
necessary.
- @@@872263596 What was the meaning of the phrase Ericsson used when
he signed off?
The Minbari phrase was the standard way for Rangers to end a conversation, with a salute to the Entil-zha, the head of the Rangers, which is Delenn in this case. - @@@854871953 Why did the promo feature Ericsson when his was a
pretty minor part?
Certainly I would never have made a big deal about the Ericsson thing, because then it *does* set up certain expectations. I didn't hear about the promo until you did.There actually *was* a Lorien scene in that episode, but it got slid a bit when we ran out of time in that ep.
- @@@855479889 Sheridan should have known Ericsson wasn't
married.
First, the Rangers situation is not a typical military situation. They are primarily from Minbar, both in terms of actual Minbari and humans trained there. They are specifically under Delenn's charge, with Sheridan *sharing* that authority. He did not know Ericsson because they're a large bunch to whom he has not been introduced, and likely they don't have very large records on them. This is a *de facto* army, not a *de jure* (I hope I spelled that right) army...there ain't a lot of paperwork on the Rangers.Second, it was Delenn who sent for this particular White Star, more for its strategic location...which Sheridan used because it was closest to the goal. Your observation is like saying that General Patton should know *instantly* about every soldier on the line in battle, however distant he is. Which is simply absurd. Watch some old WW2 footage someday...there's General MacArthur walking among some troops..."What's your name, son? Where are you from?" By your lights, he should have known that.
Third, re: the encryption notice...of *course* they're all encrypted...what Sheridan said was "we're RE-encrypting this message EVERY THREE SECONDS, so be sure to have your system keep up." That's an escalation in layers of encryption so elaborate and involved that it makes the system actually slow down.
- @@@865288361 More on Sheridan's sacrifice of the ship
I think it also showed the League that he was willing to sacrifice his own people, that he *means business*...and is prepared to go all the way for this, and they'd damned well better be as well.
The Long Night
Synopsis by Katrina Glerum (kat@midwinter.com)
The station spins amidst a growing cloud of warships and tension as the
coalition prepares to defend itself against the Vorlons and Shadows.
Ivanova finds the Captain brooding in C&C. It seems that the Shadows have
finally reacted to the Vorlon "planet killer" attacks against worlds where
they have influence with an equally destructive offensive against Vorlon
supporters. They watch with horror as a report shows an evil cloud
suffusing a world, rippling the surface and killing all sentient life on it.
"Giants in the playground," Sheridan remarks with disgust.
On Narn, Londo has convened a secret meeting of Centauri leaders. In no
uncertain terms he and Vir explain that if Emperor Cartagia is not killed
today and the Shadows driven off homeworld, Centauri Prime will be
destroyed by the Vorlons.
Ivanova tracks down the Captain again in his office. She tells Sheridan he must be proud. Even if they die in the coming battle, it will be at the head of what must be the greatest fleet the galaxy has ever seen. When he tells her that he needs her to track down the remaining First Ones for him and this will prevent her from accompanying the fleet, she grows angry.
When she was a child, her mother told her to wait at the neighbor's house
one day. She waited and waited and her mother never came. It was the day
her mother killed herself. Ivanova refuses to be left behind again. She makes
Sheridan promise, as one soldier to another, not to protect her, but to let
her be there when the final battle comes.
The throne room rings with laughter as a jester entertains the court.
Emperor Cartagia enthusiastically explains his latest idea to Mollari.
When he attains godhood, Londo shall be his high priest. They will go back
to watch the Vorlons destroy Centauri Prime as soon as G'Kar is executed.
The emperor turns to find himself the object of the jester's mimicry. The
room stills and the courtiers quake until Cartagia laughs, and everyone
laughs with relief. Londo leaves to "check on some arrangements."
He is shocked to see the "arrangements" sitting in a dark cell, drawn,
bloodied, with only a single eye. But "an empty eye can see through to an
empty heart," G'Kar says. Londo tells G'Kar that his chains have been
weakened enough that he can break them at the moment before his execution
to create a diversion the Centauri can use to kill the emperor. "Your
heart is empty, Mollari. Did you know that?" Londo's sympathy dries up at
that remark and he leaves the Narn with the injunction not to touch the
emperor's person. "Leave him to us."
Mollari returns to the throne room in time to see a body dragged from the room and a jester's cap on the floor. "Humor is such a subjective thing," Cartagia comments.
Later that night Vir appears bearing a secret package. He is surprised
no one followed him. "Everyone knows that you are incapable of doing
anything really dangerous or subversive," Mollari smiles. The package
turns out to be anything but innocuous however. It is a needlelike dagger
with a button on the handle that when plunged deep into the breast of the
victim will release a toxin that can kill a Centauri "almost
instantaneously." They joke around about whether that might be long enough
for the emperor to say "Londo killed Aaaaagh!"
As G'Kar is paraded through the corridors as a lesson to the Narn, Cartagia
idly mentions that he had G'Kar's chains replaced because they looked weak.
The emperor passes judgment, death by vivisection, and asks for the Narn's
plea. G'Kar only grabs his chains. With a mighty pull he breaks them and
attacks the emperor's guards. Londo hurries Cartagia into an antechamber
behind the throne.
Nervously fumbling for his dagger and peering around for guards, Londo
distractedly tells the enraged emperor to be quiet. Cartagia turns on him
instead, punching Mollari in the face and knocking the weapon out of his
hand before getting him in a headlock. "You will burn with the rest of
Centauri," he says, then turns away to find a dagger in his chest, in the
hands of a horrified Vir.
Within the hour Londo announces Cartagia's death to the court. In the same moment he declares that this is a sign that they must leave Narn forever. They must also return to Centauri Prime immediately to remove the Shadow presence there. Since there is no clear line of succession, he is named Prime Minister by a member of the Centaurum to lead until a new emperor can be chosen.
Back on Babylon 5, Lennier hurries into the war room with an intelligence
report. It shows that the Shadows, like the Vorlons, are destroying planets
hit-and-run style. He is interrupted by an incoming report from a White
Star scout, whose probes are able to show how the Shadows operate. They
surround the victim planet with a cloud of black missiles. These missiles
assault the planet en masse, burrowing through the crust to the planet's
molten core where they detonate together. The resultant tectonic upheaval
effectively destroys all life on the planet within hours.
Garibaldi is upset. "We are outclassed, boys and girls."
But Lennier knows where the Vorlons might be heading next, Coriana 6, a
planet with over 6 billion people on it. They convene the League worlds to
discuss their next strategy.
The Centauri must leave Narn immediately but Vir is no where to be found.
Londo's impatience with his assistant turns into distaste when he finds Vir
thoroughly drunk. But he softens in the face of Vir's anguish. No matter
how good the cause, Vir has just killed someone in cold blood. Londo tells
him what he did was necessary, that he may have saved their people. "But
you still have your heart. And your heart is a good one. You would not be
in such great pain otherwise." Their conversation is interrupted by
the fireworks of celebrating Narns. Londo may regret the loss of his own
heart, he says as he leaves Vir, but in keeping his promise to G'Kar, at
least he retains his honor.
The League representatives are appalled by their first vision of the Shadow
planet killing cloud. In this mood of despair Sheridan announces they will
stand against the Vorlons at Coriana 6. In addition, it's time the
Shadows and Vorlons fought each other directly instead of attacking through
the destruction of innocent worlds. The Shadows will have to be tricked
into joining them however. While the League watches, Sheridan calls up the
White Star scout ship again and instructs her captain to attack a Shadow
base near one of their main staging areas. The Shadow response will be
instant--and deadly. Sheridan asks this crew to leak news of a
nonexistant coalition base near Coriana 6 to the Shadows, and to die in
apparent defense of this false intelligence.
The Narn throne room is the scene of revelry once again, this time as the
Narn tear it to pieces. G'Kar is outraged when he sees this, and even more
infuriated when the Narns try to make him their new leader to strike back
against the Centauri once and for all. He will lead only as a member of
the Kha'Ri, not as a dictator. Angry at being told off, one Narn asks
him, while we've been down here suffering under Centauri rule, "What have
you endured?" G'Kar's answer begins in rage and ends in ineffable mirth.
The scout ship's final message is received at the station. The Shadows have taken the bait. And so the greatest fleet anyone has ever known sets off for Coriana 6.
The Long Road
Overview
A renegade technomage stands in the way of a mining operation that could save lives on Earth. Scott Paetty as Lt. Meyers. Mik Scriba as Barkeep. Marshall Teague as Capt. Daniels. Edward Woodward as Alwyn.
Production number: 107 Original air date: June 16, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@929645109 Galen was taken in by Elric ("The Geometry of Shadows") after Galen's father died. Elric died shortly after the technomages reached their hiding place.
- @@@929645109 Galen isn't the only technomage who disagrees with the group's decision to go into hiding.
Unanswered Questions
- @@@929645109 What did Alwyn mean when he said darkness was coming?
- @@@929645109 How many other technomages split off from the group and are wandering around the universe?
Analysis
- @@@929645109 Could Alwyn really have destroyed ships in orbit? Clearly Gideon's use of the Excalibur's main gun was the backup plan advocated by Galen, so it's plausible that Alwyn's preparations were little more than a light show in reality.
- @@@930036047 Gideon referred to Alwyn as a technomage while speaking to Captain Daniels; Daniels didn't seem surprised to hear the term. How widespread is knowledge of the technomages?
Notes
- @@@929645109 Alwyn was played by Edward Woodward, father of Peter Woodward, who plays Galen.
- @@@929645109 Marshall Teague is a longtime B5 actor; he guest-starred as Nelson Drake in the very first hourlong episode filmed, "Infection," and later played Ta'Lon, the Narn who eventually succeeded G'Kar as ambassador to B5.
jms speaks
- @@@930036445 It's a favorite of mine...nice character and humor
stuff.
- @@@930036188 "By that I mean have the technomages always had
abilities just slightly ahead of their contemporaries (and used in a
way to APPEAR miraculous), or have they had the benefit of technology
from another civilization?"
This is a question that we were going to build, and answer, in the latter part of the first season...a lot of which will also be in the 3 technomage novels.
The Long Road
The Long, Twilight Struggle
Overview
The Narn-Centauri War reaches a turning point. Sheridan is contacted by a powerful ally, who offers assistance. John Schuck. W. Morgan Sheppard as Warleader G'Sten. William Forward as Refa.
Sub-genre: Action/Intrigue
P5 Rating: 9.49
Production number: 219
Original air date: August 1, 1995 (UK)
October 18, 1995 (US)
DVD release date: April 29, 2003
Written by J. Michael Straczynski
Directed by John Flinn
Note: this episode is more momentous than most. Think twice before proceeding to the spoilers; it's worth seeing unawares.
Watch For
- A change in the number of candles in G'Kar's quarters.
Backplot
- The new Centauri emperor, Cartargia, is acting mostly as a figurehead, a front for Refa and his compatriots.
- A treaty among all the aligned worlds outlawed the use of mass drivers as a weapon of war, similar to the Earth treaties outlawing the use of chemical and biological weapons.
- Draal says he has found other beings on Epsilon 3, ones who take care of the great Machine Draal is at the heart of. One of them is a fellow named Zathras (cf. "Babylon Squared.")
- Delenn has been in charge of all the Rangers on Babylon 5. She now shares that command with Sheridan.
- Sheridan does not know that Sinclair is behind the Rangers.
- The Centauri seem to have gravity control technology. Londo watches as the Centauri bombard the Narn homeworld, standing -- seemingly in gravity -- aboard a motionless ship. (Either that, or they have magnetic shoes.)
Unanswered Questions
- What's Zathras doing on Epsilon 3, and how did he get there? If the planet has been undisturbed for at least the past 500 years ("A Voice in the Wilderness, part 2,") is he that old?
- Where was Zathras such that Draal, with sight that extends across light-years, couldn't find him? Perhaps he wasn't in another place, but another time (see "Babylon Squared.")
- Will the great machine be involved in pulling Babylon 4 through time?
- Now that Londo has stated he no longer wishes to associate with the Shadows, his usefulness to Lord Refa is at an end. How will Refa handle this?
- What exactly was G'Kar told to do in the Kha'Ri's last message? Ask for sanctuary, obviously, but anything else?
- What other technology do the Shadows have that we haven't seen yet?
- Have the Narn unwittingly discovered a weakness of the Shadows? (see Analysis)
- Now that G'Kar has been stripped of his homeworld and position on Babylon 5, what can he contribute to the battle against the Shadows?
Analysis
- Londo is now convinced that his associates are far too powerful for
their motives to be solely for his benefit. He realises that he has
become a pawn in their larger game, and that his personal quest for
more power has lead to the death of esteemed friends and many innocents.
While convinced of this, and that he has allowed himself to be
maneuvered at every turn by the will of others, he still carries
through with his role as a paper tiger politician/ambassador.
- The Shadows show some new weaponry. It appears that each ship can "give
birth" to a cluster of forty or so of the smaller fighters G'Kar
encountered at Z'ha'dum in
"Revelations."
We are not shown that these fighters are re-assimilated at the end of
the confrontation, and it is also unknown how many times each Shadow
can do this.
The second weapon has the ability to disrupt a jump point so that it is fatal for any ship to attempt to use it. Once an attack against the Shadows begins it appears you can leave only when they so allow it.
- The Shadow "wounded" during the battle is thrown off course by the loss
of one of its spines. After the battle is finished, a second Shadow
joins with it as if to assist it. The broken
spine is clearly visible on the ship that does not move during the
docking procedure. It suggests that the damaged Shadow was unable to
function as effectively, perhaps because it was in pain.
- With Draal offering the resources of the highly advanced technology at
his command, it appears that Babylon 5 is one of the few places that may
withstand a Shadow assault. That it can become the base of operations
for the Army of Light is now clear.
Perhaps more importantly, Babylon 5 can probably also withstand a frontal assault by Earthforce, though they might prefer to destroy it from within.
- The Centauri use of mass drivers flauts all previously signed
conventions, and it appears (cf.
"And Now for a Word,"
where the Centauri are discovered using Babylon 5 to transport mass
drivers and energy weapons) that they have been planning this kind of
assault on the Narn homeworld for some time.
- @@@839395288 A mass driver uses a heavy object (such as a small
asteroid) launched
from orbit toward a planet's surface at low speed. As it falls
through the planet's gravity well it gains considerable momentum. On
impact the immediate area becomes a crater, and huge quantities of dust
are thrown up into the atmosphere, blocking out sunlight and causing
something like a nuclear winter. E. E. "Doc" Smith's
Lensman
series, written from 1937 to 1948, is the first literary SF work to use
mass drivers as weapons for planetary bombardment as shown in this
episode. (If you know of an earlier work, send me mail!)
- All of the major governments (with the exception of the Vorlons) are
now under serious internal stress. They are either introspective
(Earth,) skeptical of present danger (Minbari,) overextended (Centauri,)
or occupied (Narn). It appears that the Shadows have achieved, either
directly or indirectly, effective destabilization of every major power
that might stand up to their forces.
- Ambassador Kosh openly lets the Rangers know of his involvement.
- It appears that Garibaldi's friendship with Londo has strained to the
breaking point.
- Sheridan now has access to the Rangers. This appears to be fulfilling
the dream induced by Kosh (cf.
"All Alone in the Night")
where he is described as being "The Hand." Presumably this reference
is to his role as someone who will help lead the forces of light as
the right hand man of "The One."
- A fully prepared numerically superior Narn task force is easily
destroyed by the Shadows. Unless more effective combat techniques are
discovered, the battle with darkness will have to involve more subtle
tactics.
- Londo hasn't forgiven Refa for the death of his friend Urza Jaddo
("Knives.")
- Londo's cough in the council chamber scene sounds suspiciously like the one in his dream in "The Coming of Shadows." Could he be coming down with something? (See jms speaks)
Notes
- JMS premiered this episode at the Chicago Comicon on July 1, 1995.
- W. Morgan Sheppard also appeared in the first season episode "Soul Hunter" as the title character.
- The episode's initial airing, in the UK, was 50 years, almost to the day, after the atomic bomb was dropped on Hiroshima during World War II. Considering the obvious parallels between the Centauri use of mass drivers and the American use of the atomic bomb, that's a serindipitous, if unintentional, bit of timing.
- "Now the trumpet summons us again:
not as a call to bear arms, though
arms we need; not as a call to battle, though in battle we are; but as
a call to bear the burdens of a long, twilight struggle--year in and
year out, rejoicing in hope, patient in tribulation--a struggle against
the common enemies of man--tyranny, poverty, disease, and war itself."
--John Fitzgerald Kennedy. An
audio
version of his speech is available.
- In the first Londo-Refa scene, just before Refa sits, what looks like a wooden duck with its wings outstretched is visible on a shelf beside the throne. Perhaps it's a Centauri cat (cf. "Chrysalis.")
- Candles are used subtly to represent hope, here and in previous episodes (see jms speaks.) At the beginning of G'Kar's prayer scene, the shelf behind him is filled with burning candles -- but by the end, as his people's last hope is destroyed by the Shadows, they've all gone out.
- Likewise, when Londo and Refa are talking, they're both cloaked in shadow -- until Londo expresses misgivings about his associates and emerges into the light.
- The battle sequence was directed by Mojo of Foundation Imaging; the mass-driver sequence was directed by John Teska. The episode has more effects footage than any previous one, nearly five minutes' worth. The effects took almost a month to produce.
jms speaks
- "The Long, Twilight Struggle" is probably the
biggest episode of the entire two years to date, story and EFX and
character wise, and will have a profound effect on the series that
I'd compare to a cross between "Signs and Portents" and "Chrysalis".
- I don't want to say anything about "The Long Twilight Struggle" at
this time, to avoid hyping people. Suffice to say it's a very strong
episode.
- Hell, in some ways, when compared with "Struggle," "The Coming of
Shadows" is a light comedy in which nothing much happens.
- Without spoiling anything...yes, in this regard, I've always noted
that there are some echoes of WW II in the overall storyline, and some
applies here. Also, again, the purpose of a large measure of the show
is to elicit discussion of such issues as this...where are the mora,
(moral) responsibilities in such a situation? What are the ethics of
mass warfare? Where does expediency begin and compassion end? *Should*
compassion have to end for the greater good?
If we can start some bar fights, I'll have done my job.
Fact is, I don't have one single damned good answer. But I've got a whole LOTTA questions...
- Thanks. Yes, there's a WW II parallel, not in terms of
justifying one or the other -- one can make compelling
arguments for and against the use of atomic weapons to close
the war, but I leave it to those who were there to have
made the right decision, because they had to live with it --
but in terms of strategy and wartime logic.
- Thank you. I'm quite frankly thrilled beyond words at the preliminary
reactions from the UK to this episode; we worked *really* hard on it,
and I can't tell you what the reactions mean to us.
- Thanks. It's definitely one of my favorite episodes.
The intensity is terrific.
- Yes, "They're being bombed back to the stone age" is a Vietnam era
quote.
- Re: what you could see of the planet's surface...one of the side
effects of the technology used is that, realistically, it would throw up
a *hideous* amount of smoke, dust and debris, and you wouldn't see much
of anything.
- Why isn't Londo floating weightless?
Some races, like the Centauri and the Minbari, use drive systems built to varying degrees on magnetic and gravitational forces; some of them don't so much go to a planet as create a situation where they are drawn toward it. One of the side effects of this is a field allowing for artificial gravity. Earth doesn't have this level of technology, however. - Re: your note about 500 Narns for every 1 Centauri...you may want to
check our own history. During the occupation of some parts of Europe
during WW II, similar tactics were used.
In some cases the threat rose as high as 100-200 Jews or Russians
executed for every Nazi killed; much the same has been done in earlier
history. Five hundred to one is a figure relatively consistent with
what humans have done from time to time when we wish to instill terror.
So I find this a curious quibble.
- Actually, Londo *specifies* that the 500 will include "the
perpetrator's own family."
- Was Draal's voice dubbed?
No, his voice wasn't dubbed, or changed, by anyone; might've been a glitch in local audio or something. - Thanks. Draal's played by John Shuck, who did a great job.
And yes, we'll definitely be seeing him again. (We first met him in
"A Voice in the Wilderness.")
- I loved the part with Draal calling out for Zathras
Yeah, that was a rather Draal bit of humor, wasn't it? - In part it's John's take on the character, but what I indicated to him
was that Draal's gone through some considerable changes by entering the
heart of the machine; it's given him greater understanding, and the
freeing aspects of greater humor. It's almost like -- and I hate to
even use the reference because somebody'll say "Oh, that's what he's
doing," and I ain't, it's just a point of comparison -- Tom Bombadil in
LoTR...quite funny, but also someone not to be trifled with.
- It wasn't intended that Delenn should touch Draal; it sorta happened
on the set, and no one really noticed, and it wasn't worth going
back and reshooting the whole thing. My sense is that if it's
like a virtual reality situation, she would "feel" it even though
it's not there, if the image was impinging correctly on the brain.
But in either event, the image is not and should not be considered to be solid.
As for Londo's shot...the director called "cut" I think a bit too soon, we used every frame we had to extend that shot (and, in fact, we even went so far as to freeze the final frame and extend the shot by a smidge, if you look at it carefully). Nonetheless, I think it works pretty spiffily.
As for the mass drivers, the amount of energy required to move something that big would generate huge amounts of heat, possibly making them even white-hot hence the glow.
- @@@852231085 An actor's job is to physicalize the script. Can you
give an example?
Yes, I think that's accurate. The most obvious place where it worked was where Londo looks through the window to Narn being bombed below. There's no dialogue, and he has to convey a range of emotions just through his face....which is a terribly difficult thing to do, and he did a superb job of it. - @@@846711459 Mass drivers use asteroids freely available in space,
accelerated and fired into a planetary atmosphere. EA non-rotational
ships have zero g. EA tech is generally much lower in weapons tech and
other areas than the Minbari and Vorlons, among others.
- Actually, what Delenn said was, "...the Rangers *in this area* are
under my direct command." So Sinclair's post as Ranger One remains
back on Minbar.
And yes, Sinclair has apparently been described as the One...but you must ask...the one *what*?
Expect final answers to this one late this coming season.
- On each season's music for the opening credits reflecting the
mood of the season
What do I have in mind for season three? What I indicated to Chris Franke was to look at a piece of music he did in "The Long, Twilight Struggle" and interpolate some elements of that into the main theme, with a very hard sound. The piece in question is about the middle of the first really...um...busy scene after the act break. - Until "The Long Twilight Struggle," nothing else has come close to
that scene [the attack on the Narn outpost in "Coming of Shadows"]
for me. But there's some stuff in there that finally manages to
to surpass it. Just gorgeous and scary and awe-inspiring.
- @@@846711459 These Narn heavy cruisers were different than the
ones in
"Midnight on the Firing Line."
There are various kinds of ships the Narns have, some older than others; the ones in the first ep were older ones. - About the Narn/Shadow battle
Thanks. Yeah, that scene is one of my favorites; a lot of work went into it, and I think it shows. - Secret of Narn success in injuring a Shadow ship?
Not much to the secret...they coordinated their firepower on one of the ships, in hopes of doing damage. - @@@846711459 G'Kar's prayers would have been unrelated to the wounding
of the shadow vessel.
- @@@846711459 Was the Shadow ship permanently disabled?
It was in shock, but it would've recovered in a bit more time. - @@@846711459 Were there four Shadow ships stacked together after
the battle?
Actually, what's probably confusing is that the shadow vessels are bi-level, so when two come together it looks like four or so; but it's just the two. - Thanks. One of the things I wanted to try was to find a way to stage
long-range combat. One of the things everyone says is that even though
real aerial combat tends to be at great distance -- and space combat
would be conducted over thousands of kilometers, you probably wouldn't
be able to even SEE your opponent at that range, just pick up the enemy
ships on your scanners -- you can't do that for TV because you need to
have both in frame, hammering each other short-range, to make it work
for viewers.
But I've always liked a challenge, so I thought I'd see if I could make it work. The two sides are, as noted, thousands of kilometers apart, and take most of that sequences just to catch up with each other. And frankly, I think it's probably one of the most dynamic battle sequences we've ever done, so you can expect more in the future, now that I've kind of got the hang of how to do this.
- Agreed. The use of different tactics and weapons at different distances
gives a sense that there is a *strategy* behind what's going on, that
it's not just two ships coming with city blocks of one another and
clobbering each other. Strategy implies intelligence, and to see
intelligence in the shadow vessels is scary indeed.....
- The reason for the placement of the jump points is *very* straight
forward.
By virtue of their size and the tremendous forces unleashed by punching a hole into hyperspace, you want to form it a little distance away or risk being severely damaged. If they formed the points between them and the enemy, which was quite capable of avoiding them, it would be entirely possible for the shadows to get in front of the point and cut off their sole means of escape. Usually, better to form them behind you, so the enemy can't block your way out, and take a possible hit or two to your aft sections than be totally cut off. They didn't anticipate the extra weapons the shadows had.
- Were those Narn cruisers especially big?
The cruiser is the same size as that sent to look into Z'ha'dum; it's just a matter of perspective and how close the camera gets. - Did the shadow ships phase out to avoid the energy mines?
No, they didn't phase out so much as absorb the energy, at cost of great pain. - Well, they're organic technology, so they can feel, but only
after a fashion.
- "Why didn't the fighters do anything?"
They did. Look more closely. They engaged the Narn fighters in dogfights all over the place. They're hardly more than specks against the huge ships, but they're definitely there.
- One Shadow ship in "Signs and Portents," two in "Chrysalis,"
three in "The Coming of Shadows," four here?
Give Tim Lynch a ceegar. Yes, more ships are starting to appear, as more ships become available. - They only have four ships?
Never said you're seeing their entire fleet, you're seeing what they can afford to send out at any given moment on relatively low-priority jobs. - Dave: yup. Londo's never coughed before, and
this was very deliberately placed. He's on the path, like it or not.
- The Vorlons lodged an official protest! Is this the first time
they've taken an action like that?
Yeah, that's pretty much the first time since the pilot where the Vorlons got involved with the Sinclair situation. - Bingo. As I mentioned before, the "long twilight struggle" title
is a quote; you correctly identified the source in the
JFK quote.
- About Sheridan's closing speech
Certainly, Sheridan is slowly growing more into a leader who must be able to step to the front in this kind of way, yes. - What does "the balloon is going up" mean?
There have been many explanations for where this phrase comes from. Most of them are obviously spook etymology, but the first one I heard -- and who knows if this is right -- comes from WW I, where just before one side would go into battle, they'd send one man up in a hot air balloon to scout the enemy's location. If you saw the balloon going up, you knew combat wasn't far behind.Wherever it comes from, though, that's the general meaning of the phrase.
@@@846086891 Editor's note: Apparently the term dates back to the American Civil War, during which balloons were deployed by the Signal Corps before battles.
- Candles are, I think, wonderfully emblematic
of life, and of being
a single ray of light, or hope, in a dark place. The Grey Council
stands between the candle and the star; watch G'Kar's action re: a
candle in his quarters...and in that scene (for those who've seen TLTS)
note how many candles are in the room in the beginning, and at the end.
We are the candle that burns brightly, stubbornly, effectively...but briefly.
- The candles in G'Kar's quarters
Sherry...thank you. The level of attention to detail is the *only* way that this story will be told properly. It means you sit down with the director, and others, and you make totally clear -- there, and in the script -- what you saw in your head when you wrote it. As well as repeatd verbal themes, cues, phraseologies, it's important (since this is a visual medium) to incorporate visual cues that add to the thematic thrust of the piece, that create a mood, or convey an emotion or a thought on an almost cellular level. The hardest part is being careful not to OVER use them, because then they lose all meaning and impact. - @@@846705275 Re: G'Kar's position on the council...Sheridan could have
carried on, but it would've been basically useless. The Centauri now
occupy and run Narn, and thanks to the surrender and agreement to the
Centauri terms, call the shots as far as who can legitimately speak for
Narn. Sheridan could've kept G'Kar *in the room*, but he'd still be
powerless, without portfolio, and the whole concept of the council would
be shot. He is now simply Citizen G'Kar, same as any other Narn. No,
Londo isn't of higher rank in the council than Sheridan, but he speaks
for the Centauri, and the Centauri speak for Narn.
- @@@846711459 Re: Earth's attitude toward the Centauri...stick around
for 2 more episodes.
Re: not recognizing the Centauri rule...on what basis would or could Earth do this? If the Narns had not agreed to total and unconditional surrender, sure, there might be a case you could make...otherwise, one doesn't have a leg to stand on.
Vampyr...okay, (poink), I've now made you Babylon 5 Person here. So how could Sheridan "take Londo down a peg" in any manner consistent with reality? Yell at him? Sure, but to what effect? He had nothing to back it up. Before, in "Shadows," he had a bluff he could run; now that's not relevant because the actions have all been taken, and there is nothing that can be done to stop it. Sometimes, things happen in the real world, and we'd love to see the person taken down a peg, as you say...but sometimes actually *doing* that in a real world situation, or a fairly rigorous fictional situation, is a different matter.
The Long, Twilight Struggle
Synopsis by Matthew Murray (mmurray@wsu.edu)
On Centauri Prime, Londo meets with Lord Refa in the Emperor's throne
room. Refa explains to Londo that the war with the Narn is about to
end, much sooner than originally expected, and that Londo himself will
be the "architect" of the victory.
Aboard Babylon 5, Delenn meditates in her quarters. While she is doing
so, she senses a presence. "Hello dear friend," she says, and a voice
chuckles all around her. C&C detects an energy surge coming from
Epsilon 3, and informs Ivanova, who in turn informs Sheridan, just out
of the shower. Ivanova's message is interrupted by a voice coming from
behind Sheridan. He turns around and sees Draal standing there. Draal
tells Sheridan that he has been watching, and introduces himself.
Sheridan tells Draal that he knows Draal took custody of Epsilon 3,
although Draal corrects him saying that the planet took custody of him
instead, returning to him his youth both in appearance and health.
Draal wants to invite Sheridan, and one other, down to the
surface for a visit at Sheridan's earliest convenience.
G'Sten, G'Kar's uncle, tells G'Kar that the war with the Centauri is
not going well, and that Narn defenses have been severely weakened,
rolling back thirty years of territorial gains. G'Sten explains
that the Kha'Ri is trying to make the Narn believe that they are
holding their own against the Centauri, though that is far from the
truth. G'Sten says that their one chance is to attack the Centauri
supply depot at Gorash 7, which will require the entire Narn fleet. G'Kar
points out that, if the forces are taken away from the homeworld, it
will make it vulnerable. G'Sten realizes the risk, but insists that
there will only be a very short
period when the homeworld won't be defended. G'Kar offers to go along,
but G'Sten declines, saying that G'Kar's work on Babylon 5 may be even more
important, and that, were G'Kar's father alive, he would be proud.
Delenn steps off the elevator and meets Sheridan to tell him that Draal
appeared to her as well. The two continue on together.
Refa tells Londo that he strongly believes that the Narn are planning an
attack on Gorash 7. Londo asks
if Refa's forces will be waiting for the Narn there, and Refa
tells him that he needs Londo's forces there instead, because the
Centauri forces will be carrying out an all-out attack on the Narn
homeworld. This idea troubles Londo, who tries to convince Refa to
pursue another course of action, but Refa says it isn't necessary -- they
will be using mass drivers, powerful weapons outlawed by every species,
which will decimate the cities, and allow nearly effortless takeover of
the planet. Londo tells Refa that he is troubled by his allies and
their strength, but Refa doesn't understand his reluctance. Londo
tries to warn Refa that moving too quickly might cause things to spin
out of control, but Refa won't listen, telling him that numerous
Centauri battleships are waiting hyperspace for Londo's go-ahead, and
that this action will save thousands of Centauri lives. With
only a little more convincing, Londo agrees to use his allies, as long
as it is for the last time. Refa assures Londo that this is the last
time their assistance will be needed, as the Narn will be defeated, and
this time, the Centauri will not allow the Narn to be free again.
Garibaldi expresses great doubt about the message received from Draal, but Delenn insists that Draal is who he claims. Even Sheridan is somewhat troubled by his altered appearance, though Delenn assures them that he looked that way when he was younger. Garibaldi suggests it may be a trick, and that the message might be faked, but Delenn refuses to believe him. Ivanova reports that tests run on the message determined it was sent from below the planet's surface, verifying that Draal did indeed send it. Despite this, Garibaldi still wants to send a security team, but Sheridan says he is only allowed to bring one other, namely Delenn.
Londo meets up with Refa again, and Refa tells him that it is time to
leave for the Narn homeworld--they will be on the first ship so they
can oversee the victory personally. "Come Londo," Refa tells him.
"Destiny awaits." Meanwhile, Sheridan and Delenn board a shuttle and
head down to Epsilon 3.
G'Kar goes to MedLab, where Dr. Franklin is waiting for him. Franklin
tells him that one of the Narn refugees he treated was
captured and interrogated by the Centauri, and that the questions
involved the Narn homeworld's defense systems, and were particularly
urgent. The refugee transport got away easily because the Centauri
warships guarding the planet pulled out with little explanation. This
puzzles G'Kar, as he knows the Centauri to be very thorough.
Franklin explains to G'Kar that, during the
Earth-Minbari War, the Minbari did something very similar just before
they attacked Earth.
Sheridan and Delenn arrive on Epsilon 3 and begin searching the tunnels
of the planet. They arrive at a large walkway
across a huge chasm, which strikes Sheridan speechless.
G'Kar urgently tries to convince G'Sten that the Centauri are planning to attack the Narn homeworld, but G'Sten won't listen, saying the mission is too far along to stop it without proof.
Sheridan and Delenn arrive in Draal's chamber and see his body in the
depression, running the planet. An image of Draal appears and addreses
them, commending Sheridan for his work aboard Babylon 5. Draal
explains that he has explored the many secrets of Epsilon 3 and has
learned much about the galaxy, and Sheridan himself. He also knows
about Sheridan's conspiracy of light.
Sheridan tries to deny it, but Draal knows better,
and assures him the information is safe. Draal explains that he said a
year earlier that Epsilon 3 would remain dormant until such a time as
it was needed, and that this is such a time -- he's prepared to place
the planet at Sheridan's disposal, one of the first alliances
of the coming war. Draal tells Sheridan that he is not alone in the
struggle, and that, should they succeed, there is a great possibility
of hope.
As G'Kar prays fervently,
the Narn ships come out of hyperspace above Gorash 7 and prepare for
the attack. They don't detect any ships at first, but several
Shadow ships soon appear and begin moving toward them, ready for the
attack. G'Sten tries to activate the jump engines, but they must
recharge first. G'Sten orders an attack against the ships, and though
the Narn score several hits with their energy mines, the weapons of the
Shadows are much more powerful, easily able to cut through the Narn
ships. The Narn warships are destroyed one by one. Several warships
combine their firepower and manage to sever a spine from one of the
Shadow ships, but it's a futile victory. Defeat imminent, G'Sten orders
the remaining ships to
open jump points and flee, but the Shadows fire something into the
vortices, disrupting them and causing the remaining Narn cruisers
to be destroyed mid-jump. An undamaged Shadow ship connects to the
injured one, revitalizing it; then all the Shadow ships vanish.
G'Kar, sensing the outcome somehow, grimly ceases his prayer.
Draal tells Sheridan that it probably isn't a good idea to tell the
Earth government of the new alliance. Delenn asks Draal if he is
able to handle living alone on the planet. Draal explains that he has
the stars to keep him company, in addition to the others who live on
the planet and help maintain the machine. "There is one, in particular,
who..." He touches his head. He tells Sheridan that he is hearing
distress calls and that Sheridan needs to leave immediately. Sheridan
rushes on ahead, and Delenn tells Draal that she hopes to see him more
often. They exchange a quick goodbye and she leaves. "So much to do,"
he says, "so little time. We must get to work. Zathras! Zathras!"
he calls, but no one arrives. "Never around when you need him."
Ivanova tells Garibaldi about the Centauri attack on the Narn homeworld, and that she is worried what will happen when word about the attack hits the station. He prepares for the coming riots, and says she should send out a general alert as soon as possible.
"We interrupt this program with this late-breaking story," says an ISN reporter, as the patrons of the Zocalo watch. "Officials in EarthDome confirm that the Centauri Republic has begun a devestating frontal assault on the Narn homeworld. Reports continue to come in, alleging that the main Narn fleet has been neutralized and that Narn is completely encircled by its enemies. Neither government has yet confirmed nor denied these reports, though some messages relayed from Narn seem to corroborate the stories of massive destruction and death...." The tension becomes too much and a fight between the Narn and Centauri patrons of the Zocalo breaks out.
The general alert is sent out as Sheridan and Delenn arrive back on the station. Sheridan asks Ivanova what the situation is, and she tells him that Garibaldi is doing the best he can. Sheridan has a security officer escort Delenn to her quarters. Ivanova explains to Sheridan that she has heard little more than rumors, though she does know that the Centauri have used mass drivers in their assault.
The war is not going well for Narn as the Centauri ships use mass drivers to pummel Narn's cities with asteroids. As the destruction continues, Londo watches, helplessly, at a window in the lead ship of the fleet.
"With the planetary bombardment in its fourth day," the ISN reporter reports as the C&C staff watches, "the Narn government continues in its refusal to surrender. Minbari, Vorlon, Earth, and other governments have filed official protests with the Centauri Republic for their use of mass drivers against the civilian population. But, so far, the protests have had no effect. Although communication with the Narn homeworld is difficult at best due to the continued attacks, word has reached ISN of cities utterly destroyed, hundreds of thousands of casualties, the total elimination of power and water over most of the Narn planetary surface. Most of their major cities have fallen, food shipments have stopped, the planetary economy has collapsed, and medical treatment is virtually non-existent. Government analysists predict that, unless the Narn government surrenders soon, their entire infrastructure will be totally destroyed. To quote Senator Ronald Quantrell, 'They're being bombed back into the stone age.'" Sheridan can take no more and orders the feed shut off.
G'Kar is barely able to maintain contact with the homeworld. The Narn on the other end says that the only way to survive is to surrender. G'Kar asks what will happen to the Narn on Babylon 5, but there is no way to know what the terms of the surrender will be. G'Kar offers to return, but as the only member of the Kha'Ri not on the homeworld, his contact says, G'Kar should stay alive as long as possible. The Narn delivers one last message to G'Kar from the Kha'Ri, which he says is the hardest thing he's ever had to ask of G'Kar.
G'Kar slowly enters Sheridan's office. "Captain Sheridan, I... I've
been instructed by government to come to you and ask for... sanctuary."
Londo arrives at his quarters to find Garibaldi and a contingent of security guards, placed for his protection, there. Londo tells Garibaldi to inform Sheridan that he wishes to convene a meeting of the advisory council and the League of Non-Aligned Worlds.
"A little over five standard hours ago," Londo tells the Council and the League, "the conflict which began with the Narn declaration of war came to an end. The Narn Regime has offered complete and unconditional surrender. The terms imposed by the Centauri Republic are as follows. One, the ruling body, known as the Kha'Ri will be disbanded and its members subject to arrest and trial for the commission of war crimes against the Centauri."
"Earth requests the right to send observers to these hearings," Sheridan says.
"That request is denied," Londo tells him. "Two. To prevent further acts of terror by the Narn against our people, from this day on, the penalty for the murder of any Centauri by any Narn will be the execution of five hundred Narns, beginning with the perpetrator's own family. Three. A provisional ruling council appointed by my government will take up the responsibility of rebuilding a more civilized Narn government as a colony of the greater Centauri Republic."
"Is there anything else?" Sheridan asks.
"Yes," Londo replies. "Just one thing. Because the Narn homeworld is
now a protectorate of the Centauri Republic, we reserve the right to
determine who can speak for Narn. As a result, Ambassador G'Kar may no
longer represent the Narn in any official capacity whatsoever. His
appointment as ambassador to Babylon 5 is hereby withdrawn. As the
only member of the Kha'Ri still at large, Citizen G'Kar will return to
Narn for trial."
Sheridan tells Londo that G'Kar has been granted
sanctuary. Londo tries to protest, saying that the agreement between
the Narn and Centauri had important stipulations about the Kha'Ri, but
Sheridan tells him that neither he nor Earth signed that agreement, so
they are not bound by it. Delenn stands up, informing Londo that the
Minbari government also stands behind Sheridan's decision, and
that G'Kar may remain for as long as he likes. Londo gives in, but
demands that G'Kar be removed
from the Council chambers immediately. G'Kar painfully
complies, but he has a few final words for Londo. "No dictator... no
invader... can hold an imprisoned population by force of arms forever.
There is no greater power in the universe than the need for freedom.
Against that power, governments and tyrants and armies cannot stand.
The Centauri learned this lesson once. We will teach it to them
again. Though it take a thousand years, we will be free."
Londo watches ISN as the reporter tells of the post-surrender events. "And dancing in the streets as Centauri Emperor Cartargia declared a week-long public celebration to commemorate the recapture of the Narn homeworld. In related news, the Centauri Republic today announced plans to annex several smaller worlds adjacent to Narn space, declaring them protectorates of the Republic. While government spokesmen insist that the Centauri do not have any expansionist plans beyond retaking the Narn homeworld, others in Earthdome are less sure."
Sheridan tells G'Kar that he will miss G'Kar's imposing presence in the
Council chambers, and that he wants to help G'Kar in any way he can to
win back his planet. He offers his hand to G'Kar, who hesitates at
first: "The last time I
offered someone my hand, we were at war twenty-four hours later."
As Sheridan leaves,
he is contacted by Ivanova; Delenn wants to see
him in the conference center. He goes to meet her.
When he arrives, he finds that she and Garibaldi, and a large number of
other humans and Minbari, are in the room, waiting for him. Delenn
tells him that the people in the room have come to meet him and pledge
themselves to him -- they are the Rangers, Garibaldi explains, who have
been coming through the station to help fight the coming darkness.
Sheridan asks why Garibaldi didn't tell him; Garibaldi says
that he made a promise not to. Delenn explains to Sheridan that
Babylon 5 must be the fortress of Light to stand against the darkness,
and the Rangers are to help with that. The Rangers were under her
direct command, but she gives equal authority to Sheridan.
Sheridan addresses them all. "I don't quite know what to say... For the last year, things haven't exactly been going our way. I was starting to wonder if it would ever get better. I think it just did. Tell the other Rangers, the ambassadors, everyone in this army of Light that Babylon 5 stands with you. Tell them... tell them that from this place, we will deliver notice to the parliaments of conquerers that a line has been drawn against the darkness, and we will hold that line, no matter the cost."
The Memory of Shadows
Overview
Galen joins an Earthforce intelligence officer investigating an unknown force that is unleashing Shadow technology on the galaxy. This B5 theatrical movie was underway for filming in 2005, but the financing couldn't be worked out and the production was halted.
Written by J. Michael Straczynski Directed by Steven Beck
Plot Points
Unanswered Questions
Analysis
Notes
- December 8, 2004:
Production begins in April 2005 in the UK.
- December 9, 2004:
The film's production manager is
Peter Helsop,
whose other production management credits include the first two
Star Wars prequels, "Gladiator," and the 2005 film version
of "The Hitchhiker's Guide to the Galaxy."
- December 15, 2004:
The casting call for the movie has details on the four main characters.
One of them, Galen, was of course a character on "Crusade." It is
not clear whether the original actor, Peter Woodward, will play
Galen in the film; a
fan campaign
is underway to urge Warner Bros. to retain the original cast.
PLOT SPOILERS BELOW.
- DIANE BAKER: A bright and attractive woman in her late 20s or early 30s, she's an Earthforce Intelligence Officer in civilian clothes who is reputed to be one of the best agents in the service. When her beloved brother is killed in a mysterious explosion on his spacecraft, Diane sets out to learn what caused the tragedy. She suspects a top-level cover-up -- but before she can get to the root of the problem, she is herself accused of conspiracy and murder. Despite the efforts of her friend, Elizabeth Lochley, to shield her, Diane finds herself behind bars, prey to a corrupt official who will stop at nothing to protect his greedy self-interest. But to Diane's amazement, the remarkable Galen, a techno-mage of near-supernatural skill and daring, enlists her help in unraveling the real mystery behind the recent deaths. Their investigation reveals that an ancient technology perfected by the mystic extinct Shadow race is being unleashed upon mankind by some as yet unknown conspirator. Once unleashed, the huge and all powerful shadow vessels could enslave the entire galaxy -- unless quick steps are taken to avert calamity...
- GALEN: A cloaked, mysterious figure, 30-45, he appears to be human -- but there's an intensity about him that bespeaks something supernaturally powerful and enigmatic. Yet there's also something wry and urbane about Galen, a suggestion that he has humor and wicked wit lurking under his inscrutable exterior. A techno-mage -- one of an ancient sect that used science to perform apparently miraculous feats -- Galen is the guardian left behind by his kind to ensure that the ancient Shadow technology did not fall into the wrong hands. Aghast when he realizes that his long vigilance has been violated, Galen sets out to learn who is behind the Shadow technology that now threatens the galaxy. He teams with the feisty Diane in his investigation -- and he comes to feel real tenderness for his human ally. A hero and a deeply moral force, Galen stands strong against the forces of corruption that have been unleashed by his own people...
- COLONEL JOSS MORGAN: A dashing and handsome officer in his late 20s or early 30s with the Earthforce Marines, he is the head of a security detachment sent to Babylon 5 to protect a contingent of inter-galactic diplomats who are meeting there. Humorous and daring, Morgan tries to befriend Elizabeth Lochley, the current commander of Babylon 5, but she's a bit prickly about having her jurisdiction violated by his forces. Later, Morgan and his forces prepare to battle the Hunter Killers unleashed by the evil Tyrell -- a virtual suicide mission that they face with gallantry, bravery and resolve...
- TYRELL: 35-45, dark, enigmatic, striking and chilling, he is another techno-mage, Galen's old childhood rival, who supposedly departed for a distant sector of the galaxy years ago. Yet Tyrell has been secretly infiltrating the area, developing the ancient shadow technology and putting it on sale to the highest bidder. A deadly adversary of supernatural skill and power, he is not a rogue, as initially suspected. In fact, he is actually carrying out a mandate of his own kind. When Galen resists the corruption and madness, Tyrell prepares to battle him to the death...
jms speaks
- Apr 30, 1998:
Any idea who'd direct the movie?
I wouldn't want to say anything on this issue that might preclude any discussions; everything is fluid at this time, since nothing is set. - May 20, 1998:
As for the feature...that one is going to be the object
of some considerable attention from me. I'll probably do what I tend
to do for special stuff (should it get into development): noodle it and
play with it and outline stuff until finally it refuses to wait any
longer, then take a week or so and do nothing else but burn through
the draft, then stick it in a box for another week, not look at it,
then come back and pretend somebody else wrote it and tear it to
shreds, then rebuild.
- Nov 21, 1998:
What did you think of the trailer for the new
"Star Wars" movie?
Thought it looked great...and definitely raises the idea that maybe there shouldn't be a B5 movie until after the last of the three new SW films is out and done. Ain't no way any other SF film project can compete with that. - @@@915471593 In response to a 1998 rumor on the Coming Attractions
B5 page
No posters have been created. Nor have I spoken to WB about any movie concept concerning the Vorlons' impact on Earth. There were some preliminary discussions about a possible storyline (none of which has been accurately reported anywhere, that info is still held only by us), but it's my feeling that a) it's best to concentrate on getting CRUSADE right first, and b) I'm loathe to compete with the new Star Wars movies, and would rather wait until that's all done, so we can also take advantage of new technologies to make the show. Simply put...I'm in no hurry. I'd rather get it right than get it done on Tuesday. - Jan 4, 1999:
The B5 tv movies produced so far cost just a tick under $3 million.
We could almost certainly do a high-quality theatrical feature for about $35-40 million.
The average going price for a feature these days is $55 million.
- Nov 30, 2003:
On the B5 front, there has been something of rather substantial
proportion that's finally gone from talk to money, such that
I'm now working frantically to meet some deadlines, but there's
nothing I can say about this until after January 15th, probably
closer to the end of that month.
The only thing I can say is that phase one of the new project is a go, hence the furious writing schedule at this end of things, which is why I've been silent until deciding to kick up some dust on the political discusion. I've been writing my little brains out.
I know the immediate result of this will be speculation, but if we could keep that to a low roar on the nets to avoid precluding anything, that would be a wonderfulness. But trust me: I wouldn't go on about something in this way if it wasn't a significant development. Just trust me on this one for a bit and hold fire until further word.
(Longtime followers of the various news groups know that an eep means that something significant has happened, but that I can't talk about it...the eep is just a way of saying, on the QT, that something has, indeed, happened and it's real, not just speculation or maybe-gonna-happens. So on that basis, you may consider this an eep.)
- Jan 29, 2004:
It's taken longer than hoped for to be able to talk about this,
because it's taken longer than hoped for to go through all
the machinations of the deal. Depending on the nature of a
given deal, it can take a few weeks to a couple, three months to
actually cut the deal and finalize the language in terms everybody
can agree with. We only literally finished the deal last week.
Writing on B5:TMoS is complete, and as soon as the powers that be sign off on everything, it can be turned in and we can start moving. At that point, I can say more about this.
Figure another couple of weeks.
- Jan 30, 2004:
Just to honk you off even further about all this...in the speculation
of titles...one of you was correct.
- Feb 17, 2004:
Movie business decisions are made based on perceived quality.
Your point could not possibly be more incorrect.
Movies are green-lit because the studios think they can make money from it. Period. If it's a quality movie, great, but that's secondary to: will we get a profit out of it? Frankly, it's *harder* to ge a quality movie made these days than ever. It took "Secondhand Lions" ten years to get made, as just one recent example.
But commercial movies that can get cranked out and pull in the money, regardless of the actual quality of the product, are simplest of all to put forth. Freddy vs. Jason, Alien vs. Predator, the last couple of Batman movies...80% of what gets pumped out to movie theaters is awful. What we remember are the stellar 20%, but those are the ones that were hardest to get going, that took years and blood and shouting to get made...but for which everyone subsequently takes full credit.
Your assumption, and the truth, dine at totally separate tables.
- Feb 26, 2004:
Y'know, if there's anything more annoying than having to sit
on good news, I can't think of what it might be. (Well, okay,
being staked to an ant hill at high noon is a pretty obvious one,
but you get the idea.)
The only things I can say right now about B5:TMoS is that now that all the correct agreements have been signed, sealed and delivered, the draft has gone in, met with great enthusiasm all around, notes have been received, and the next draft is in process and has to be delievered within two weeks so that certain other steps can be set into motion.
I still can't tell you what it *is* because that has to come from the proper people through the proper channels at the proper time...but I can tell you a few cases of what it *isn't*...it isn't a novel, or a short story, a comic, an animated series, a radio drama or a stage play. Beyond that, deponent sayeth not.
Except to say that it's pretty cool.
- Apr 29, 2004:
I know I've been absent for a while now, but there are reasons,
especially in regards to B5:TMoS. In a project of this nature,
and this size, there's stage one (let's do this) stage two (let's
make everybody's deal) and stage three (making it). We're hip-deep
in stage two just now, and it's taking a freaking long amount of
time to get through it all. Stage two is also the most unnerving
and nerve-wracking stage when there's a lot of money involved,
as there is in this situation.
So every day is a case of "Are we there yet?" and being told yes...almost.
I swear, it's the kind of thing that could lead a monk to murder.
Thing of it is...there's a LOT happening right now in the B5 universe, on a multitude of fronts, some of it in response to TMoS, some of it coming up completely on its own. All I can say at this moment is that if you've been waiting for new stuff in the B5 universe, you may be getting your wish in spades very soon.
Soon, I promise, all will be made clear. I don't like being Mr. Mysterioso on this, but if I say too much, the-powers-that-be will use my head to make a 2.35:1 sized hole in the wall.
- Jun 14, 2004:
My apologies for the prolonged absence, but
the loss of Richard
Biggs kind of took the wind out of our sails and it's taken a
while for me to feel up to saying anything about B5. This has also
had the effect of slowing up anything to do with B5:TMoS (which
as some of you have guessed or inferred does indeed stand for The
Memory of Shadows), because in the writing we/I never imagined
he wouldn't be here to be a part of it. More on that another time.
- Jun 15, 2004:
One oddity...constant readers will remember a while back when I was
asked what TMoS was, and I provided a list of things it *wasn't*. The
aforementioned oddity is...one of those things has come up as an
adjunct to TMoS.
- Aug 3, 2004:
What effect has Richard Biggs' death had on the project?
It's resulted in a slowdown to make changes and adjust things. - Aug 7, 2004:
Who will be cast as Dr. Franklin in Richard Biggs' place?
That character will not be recast. - December 17, 2004:
Any truth to the rumor that Warner Bros. wants to replace the
original cast?
I would like to be able to comment on this, but for the time being I am not able to do so. - January 30, 2005:
I'd say that the next two weeks are going to be critical for the future
of TMoS. There have been a variety of conversations about a variety of
things and people, and some offers are starting to go out to various
individuals...so we shall see what we shall see.
- February 25, 2005:
The rule of thumb in Hollywood is that for every thousand scripts that
get written, only a few dozen get into development, and out of those,
only one will ever get made...if that.
A little over a year ago, I was approached by a company that wanted to make a Babylon 5 movie. They optioned the rights, and commissioned a script. (It's worth mentioning that I, not WB, own the rights to a B5 movie. When we were negotiating the original B5 deal -- by whose terms I will never see a dime in profit -- the one thing they did let me have were the movie rights, figuring they'd never be worth anything in the long run.)
Anyway...on December 27th of 2003, the script for "The Memory of Shadows" was turned in, and the process began of trying to make the deal work with all the various forces involved. It is, to say the least, a very difficult process on any movie where the studio does not directly take the financial reins. In terms of B5, Warner's position was esssentially, "We only do big-budget movies with big names, so you're on your own." If there were big-name movie actors in the film, they'd get behind it; without that, things become very problematic, especially as far as the financing was concerned. You much have to put together a consortium of international interests and business plans rivaled in complexity only by the Allied invasion of Normandy Beach.
Nonetheless, every attempt was made by the people involved to get this deal in place. This was not being done by Doug or myself, but rather by the company/individuals who approached us and optioned the rights. At times, it seemed we were inches away from a deal...stages were reserved at Elstree, actors were contacted, a director was in place, the script went through many revisions, a few key staff were hired, again not by me...it was really a year-long roller coaster ride. During that time, the people involved, with every good intention, tried very hard to pull the necessary pieces together on the deal. The option expired in late December 2004, but I renewed it without cost, to give those involved more time to try and make things work.
In the end, however, the deal could be put together, and it did not look as if that was going to change at any point in the foreseeable future. So the option has reverted, and to all intents and purposes, the project has dead ended. Nor do I think this particular incarnation will arise again at any point in the future, though prognostication has always been a tricky art, especially if you have to do it without the benefit of hindsight.
This was not the first time someone's taken a run at a B5 feature film, and it will not be the last. Eventually it will happen, because such things are simply inevitable. If they can do a Brady Bunch movie, you can be sure that sooner or later, somebody's going to do a B5 movie. The only thing I can say without equivocation is that when that day comes, as the rights-holder, I will make darned sure that it's done right, because I'd rather have no B5 movie than one that doesn't live up to what fans and I myself would want to see.
To that end...I can wait.
Anyway, just thought you should know the story.
- February 27, 2005:
"Forgive me if you're tired of talking about this right now, but are you
currently looking to follow up on this (maybe negotiate deals to put the
possibility of making the movie again sometime in the near future), or
are you tabling it for now until all the loose ends are tied up?"
My own feeling is that, after all that's gone on, best to let it rest for a year or two, then see what happens. Gearing up for sometehing like this takes a lot of time, energy and visceral material, and when something like this happens, it's best to just take a breather for a bit. Besides, there are other fish in need of frying now, and I have to turn my attention to them.
The Memory of Shadows
The Memory of War
Overview
While exploring the ruins of a long-dead planet, the crew discovers the remains of a terrible weapon.
Production number: 102 Original air date: August 11, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Tony Dow
Plot Points
- @@@936001244 About a hundred years ago, one of two warring parties on a
planet hired a technomage to build a weapon. He designed a virus using
nanotechnology
that infected the minds of its victims, causing them to murder each
other.
The apocalypse box guided Gideon to the planet, claiming there was something of value there.
Galen and Dr. Chambers have adapted a quantity of the nanovirus to form a shield to line the insides of the lungs; the shield allows someone to enter an area infected with the Drakh plague for up to about 48 hours without becoming infected themselves.
Unanswered Questions
- @@@936001244 What other guiding principles have the technomages ignored?
- @@@936001244 What were the devices implanted in Galen's back?
- @@@936001244 What does Galen's staff do, exactly? How is it linked to him?
Analysis
- @@@936001244 Why did the apocalypse box recommend that Gideon not trust Galen? Is it lying to him? This may be a continuity glitch, a reference to "The Well of Forever." That episode was produced after this one and was probably originally supposed to take place later in the series' timeline.
Notes
- @@@936001244 The Pope's name in 2267 is Bernadette II. The first reference to a female Pope was made by Garibaldi in "Racing Mars."
- @@@936001244 Galen's staff is linked to him; he says it's like a part of him, and refers to it as a control mechanism.
- @@@936001244 Continuity glitch: the nanovirus shield invented in this episode was used in an earlier story, "Patterns of the Soul." That episode was produced after this one, so the shield was probably considered a piece of established background information at that point.
- @@@936001244 A similar continuity glitch occurred in "The Well of Forever." In that episode, Gideon referred to Galen's comment that the Excalibur crew is like his family now.
jms speaks
- @@@936120549 Was Gideon's PPG double-barrelled?
It's a targeting sight. - @@@936120662 The nanovirus shield seems like a silly plot
device.
Funny...the microbiology experts at the Jet Propulsion Laboratory who vetted the script thought it would be a) a useful thing indeed, and b) extremely useful as a template in attempting to understand how the Drakh virus works. - @@@936121215 "'The Memory of War' by JMS brings a level of intensity
to Crusade that is surprising for what would have originally been the
second episode."
That's because we knew what the show was from the git-go.
Second one we shot, and we were already fully up to speed.
The Memory of War
The Needs of Earth
Overview
An alien refugee may hold useful secrets about the Drakh plague, but isn't willing to give up its information easily.
Production number: 101 Original air date: August 18, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@935657127 Dureena was sold into slavery by her parents when she was young. At one point, she was taken to Praxis 9, a seedy colony outside of Alliance jurisdiction; she may have been auctioned off there.
- @@@935657127 The Rangers divide their time between enforcing the laws of the Alliance and searching for information that might help Earth fight the plague.
- @@@935657127 The government of Marata 7, a world outside the Alliance, has destroyed all its people's art and music and literature, on the grounds that it's ideologically incompatible with the goals of the state. One copy of the planetary archives was smuggled offworld by a Maratan named Natchok Var; a copy of his copy is now in the hands of the Excalibur crew.
Unanswered Questions
Analysis
- @@@935657127 Gideon told Dureena that slavery was legal on Praxis 9. But some of the slaves were Drazi, and were thus presumably Alliance citizens; what, if anything, does the Alliance do when its people are held by nonmembers? Perhaps slavery is legal among the Drazi as well, and the Alliance is simply practicing its policy of nonintervention by allowing the situation to persist.
Notes
- @@@935657127 Max likes to watch pornography involving aliens, including titles such as "Snow White and the 7 Narns" and "Who's My Little Pak'ma'ra."
- @@@935657127 Gideon's quip about Mozart is originally from Tom Lehrer's spoken introduction to the song "Alma," which is in his "That Was The Year That Was" album. In Lehrer's case, however, Mozart had only been dead for two years.
jms speaks
- @@@936120741 The show was rated as having sexual content and
adult language. Why?
No, this is actually pretty stupid...there's one shot where they think a nipple is visible (it isn't, we were very careful in editing) and another where they think a Eilerson says "goddamnit," but he doesn't. - @@@935657127 About governments suppressing art
I think you also need only read the ongoing battle over the National Endowment of the Arts to realize that the battle is still an ongoing one.
The Needs of Earth
The Paragon of Animals
Overview
Sheridan clashes with the League ambassadors over G'Kar's declaration of principles. Garibaldi attempts to enlist the aid of the refugee telepaths. Robin Atkin Downes as Byron.
P5 Rating: 8.16 Production number: 504 Original air date: Feburary 4, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Watch For
- @@@887657453 A spell-checker.
Plot Points
- @@@886670096 The Centauri have been using telepaths in their military for over 300 years.
- @@@886670096 At Garibaldi's behest, and with great trepidation, Sheridan has approved the use of telepaths as intelligence operatives of the Interstellar Alliance. Byron has agreed to supply Garibaldi with two members of his group, well-trained telepaths who will ferret out dark secrets wherever they lie.
- @@@886670096 For the past 10 years, the Drazi have been secretly supporting raiders who attack minor worlds on the edge of Drazi space. Byron has uncovered the secret and brought it to Sheridan's attention, and now the Drazi have most likely stopped the practice.
- @@@886670096 Lyta has been in the mind of two people at the moment of death. It's a tremendously traumatic experience; a telepath actually sees what she believes is the soul departing, and a little of the telepath's departs as well. She says Bester has scanned the dying on numerous occasions in an attempt to try to see what's on the other side -- something she says isn't supposed to be known by the living -- and his soul has been diminished as a result.
- @@@886709948 Byron believes that telepaths are superior to mundanes, and feels that mundanes don't think of telepaths as anything but tools to be used when needed.
- @@@886709304 Byron's telepaths, if he's to be believed, make no effort to shield their thoughts from one another. Nor do they make any effort to avoid picking up the thoughts of others around them, something Byron claims takes a lot of effort to avoid.
Unanswered Questions
- @@@886670096 When did Lyta previously scan a person at the time of death?
- @@@886670096 Is her story about Bester true?
- @@@886670096 Have the Drazi stopped supporting the raiders entirely?
- @@@886670096 How did the raider ships nearly destroy a White Star? Are they getting support from people other than the Drazi?
- @@@886702789 Did the Enphili join the Alliance?
- @@@886708396 Did the Drazi sign the declaration? Have they cut off their support for the raiders as a result?
- @@@886708396 Did Earth join the Alliance? If so, who signed the paperwork on Earth's behalf? Lochley?
- @@@886670245 What changes did G'Kar make to the declaration?
Analysis
- @@@886709804 How did the Ranger get to the Enphili homeworld? Are
White Stars routinely patrolling the territories of governments who
haven't joined the Alliance yet? Sheridan did arrange for border
patrols
("Rumors, Bargains and Lies")
so perhaps the Enphili were close enough to the Drazi border to be
within range of existing Ranger patrols.
- @@@886709804 Sheridan has the power to order the White Star fleet into
combat. Is that a power of the President of the Alliance in general,
or Sheridan in particular? Do the Rangers still owe allegiance to
Sheridan and Delenn personally, or will command of them pass to
Sheridan's successor when he leaves office?
- @@@886670096 Lyta's first experience scanning a dying person may
be related to the secret Bester knows about her
("Epiphanies.")
It might also be related to the reason she left the Psi Cop division
("Divided Loyalties.")
One possibility is that she was with Bester when he had the experience
she recounted to Garibaldi; if what he was doing was forbidden in
some way, her secret might be guilt by association.
- @@@886708122 Is Lyta's sympathy with Byron's cause what it appears
to be? Clearly she's dissatisfied with her treatment at the hands
of Sheridan and the others, and has been for some time (she complained
about it to Zack in
"Epiphanies.")
At the same time, though, she does appear to see that her work with
the Alliance is doing a lot of good, and Sheridan does appear to be
appreciative of her, despite Byron's claims to the contrary.
So the question is, what's Lyta's motivation for returning to Byron and asking to learn more about his ideas? Is she genuinely interested in joining his cause, or does she sense that he's a potential danger? If it's the latter, she might be engaging in a covert operation of her own, learning all she can about Byron's plans with the intent of reporting them to Sheridan if they turn out to be a threat to the Alliance.
- @@@886670096 Sheridan appears to be dead wrong in his reasoning for
allowing Byron's colony on the station. His assumption, stated again
in this episode, is that they'll be on his side should war erupt
between telepaths and normals. But from Byron's conversation with
Lyta, it appears more likely that his group will be the ones to
start a conflict against mundanes. It's even possible
they'll find themselves at odds with the Psi Corps, since the Corps
appears to prefer taking control in more subtle, insinuative ways
and might view an open conflict as too great a risk.
If Byron's group really does spark a conflict between telepaths and mundanes, it would explain the 2361 commentator's view that allowing the colony was the biggest mistake in Sheridan's career ("The Deconstruction of Falling Stars.")
- @@@886703118 Byron promised Lyta he'd give Garibaldi two "highly
trained" telepaths. Where were they trained? Are they former Psi
Corps members? Were they trained by nonhuman telepaths? Did the other
refugees conduct the training?
If they're former Corps members (or even if not) the possibility exists that there are Corps agents in Byron's group. The Corps is capable of implanting hidden personalities such that extremely powerful telepaths don't notice them (e.g. Talia's implanted alter ego, which wasn't noticed by Ironheart in "Mind War.")
That's assuming, of course, that Byron's group is legitimate at all; they might all secretly be working for the Corps, their refugee story simply a cover to convince Sheridan to allow large numbers of telepaths to gather unquestioned on the station.
Notes
- @@@870986860 The title is from Shakespeare's
"Hamlet,"
specifically Hamlet's speech in
act 2, scene 2:
What a piece of work is a man! How noble in reason! How infinite in faculty! In form and moving how express and admirable! In action how like an angel! In apprehension how like a god! The beauty of the world! The paragon of animals! And yet, to me, what is this quintessence of dust? Man delights not me: no, nor woman neither, though by your smiling you seem to say so.
- @@@886668869 The beginning of the second draft of the Interstellar
Alliance Declaration of Principles:
The Universe speaks in many languages, but only one voice.
The language is not Narn or Human or Centauri or Gaim or Minbari.It speaks in the language of hope. It speaks in the language of trust.
It speaks in the language of strength, and the language of compassion.
It is the language of the heart and the language of the soul.
But always it is the same voice.It is the voice of our ancestors speaking through us.
And the voice of our inheritors waiting to be born.
It is the small, still voice that says we are One.No matter the blood, no matter the skin,
No matter the world, no matter the star,
We are One.
No matter the pain, no matter the darkness,
No matter the loss, no matter the fear.
We are One.Here, gathered together in common cause
We agree to recognize this singular truth and this singular rule:
That we must be kind to one another.Because each voice enriches us and ennobles us,
And each voice lost diminishes us.
We are the voice of the universe, the soul of creation,
The fire that will light the way to a better future.We are One.
- @@@888082633 The text of Franklin's letter to the Ranger's parents:
Your son served with honor and died bringing us news that may help to save the lives of literally thousands of people, people he did not know, but whose lives mattered more to him than his own.
- @@@887657453 When Franklin is composing the
letter
to the Ranger's parents, the words "Spell Check Online" are visible
at the top of the screen.
- @@@886709304 Byron's comment that telepaths have to concentrate on
songs or other distractions to keep from inadvertently reading the
thoughts of others may be a reference to the novel "The Demolished
Man" by Alfred Bester, in which the protagonist, seeking to shield
his thoughts from telepaths, forces himself to concentrate on a
catchy tune.
- @@@887658019 The name of the new race
being harassed by the Drazi,
Enphili, sounds almost identical to the name of a Minbari cruiser in
"Shadow Dancing."
In that episode, Sheridan ordered the Minbari cruiser Imphili to
protect a group of Drazi ships.
- @@@887783860 Continuity glitch: Sheridan handed a copy of the
declaration to the Hyach ambassador (the orange-skinned alien with
the large cranial lobes.) Immediately afterward, G'Kar passed copies
of the declaration out to everyone, including the Hyach ambassador,
who no longer had the one Sheridan gave him. Of course, it's possible
Sheridan took the scroll back.
- @@@898570048 Continuity glitch: During Lyta's time in the mind of the Ranger, as he's dying, he approaches the door and is casting a shadow on the equipment to the left of him, just inside the door. There is a cut to Lyta, then back to the Ranger, and his shadow has disappeared. Most likely the actor was digitally added to the picture in the final shot so he could be made to stretch into the distance, while he was actually standing on set before the cut to Lyta.
jms speaks
- @@@887704582 About Kim Strauss
He does tend to play Drazis a lot, primarily the ambassador, for purposes of continuity, unless he's not available.Re: Hamlet...one of the wonderful aspects of Shakespeare's work is that it lends itself to reinterpretation and reinvention; cynical lines can be read with hope, and vice versa, and somehow, the darned thing tracks. One recent version of Hamlet mounted by Joseph Papp starred a woman actor in the title role, and it worked beautifully.
- @@@887704657 What were Sheridan and Delenn drinking at dinner?
Did Delenn's transformation enable her to drink alcohol?
Nonalcoholic wine, at worst...I sometimes have it myself, since I don't drink. - @@@887704582 I like the declaration a lot.
- @@@887704582 The funny part of it is...the editors made a point of
dropping in my writing credit just when G'Kar says his muse is talking
to him....
- @@@887657633 The declaration didn't say anything about
rights.
That's fine, if this were a constitution or something based on coming out from under an opressive government, as the colonies did. This is an incremental process; get the principles in place, and then build the laws and the constitution on that. Get them on board for one thing they can sign, and then use that as a platform to get them to sign the more restrictive stuff. And bear in mind you only heard part of it; the full thing would go on for many many pages. - @@@887704582 Byron's feelings about mundanes comes out later in more
detail...I wouldn't call it a hatred. A resentment, yes, and certainly
there's a sense of having been mistreated...but he's surprisingly not a
violent person, as we'll find.
- @@@887704582 "I wouldn't be surprised to see Byron realize that
the mundanes have talents that teeps generally do not."
Clog dancing...?
- @@@887704582 "Quick question: regarding what Byron said about the
amount of effort it takes to block out the thoughts of mundanes, I was
wondering--have any non-teep humans given thought, time, or effort to
creating any sort of artificial 'shielding' device to keep their
thoughts to themselves? Is it impossible, or just not something they
would bother with, figuring it's up to the teeps to deal with it?"
Some of them have trained at it a bit, and learned little tricks that can help...one such tries it later this season.
"As for Lyta, I felt like she was sort of an abused child, always looking for that benevolent authority figure."
Yep, that's what she's doing, looking for someone to believe in.
"I don't know if I buy the idea of death of the soul, but if it explains Bester, I guess I can swallow it."
Bear in mind, though, that Lyta also said that that's the mind's only way of interpreting what it's seeing, not that it *is* what she's seeing, so it doesn't necessarily validate or invalidate the notion of a soul.
- @@@888082462 About the shot of Lyta looking into the council
chamber
The Lyta-outsider view was to further reinforce her on the outside of the group. - @@@887657633 Why enlist only human telepaths?
Remember though that the purpose of the teeps is to gather covert intelligence. There are two operative words there: covert and intelligence.Intelligence against whom? Logically, this would involve in part keeping tabs on worlds not in the Alliance...and some that *are* in the Alliance. If you think the Drazi are up to something, and you have Drazi telepaths on your team...are they going to cooperate against their own government? If you leave them out, won't they find out if they're in the company of the other teeps on a daily basis? The covert part also goes out the door.
- @@@887657633 "But if the hypothetical Drazi teeps are Rangers,
would they have loyalty to the Drazi government, or to Entil'zha?"
Maybe they would..one hopes they would...but why take that chance if you're in Sheridan's shoes, trying to make this thing work?
- @@@887657788 Yeah, I'm sure that some Minbari teeps could be
trusted...but would they function well in a covert situation? They're
mainly out in the open.
One other thing I forgot to mention in my note to Nancy...if you put out the word that you want 2 teeps from each world...that kind of kills any chance of putting together a group of telepaths that's going to operate IN SECRET, a covert unit, yes...?
- @@@887658091 About the word
"Enphili"
Coincidence. - @@@887704789 White Stars are not invulnerable. If they saw what they were told were a friendly fleet coming in, to join them in an offense, they would have their defenses down. And a full-scale Drazi fleet would also somewhat outnumber the White Stars. A Pearl Harbor style attack on White Stars would effectively decimate the fleet before they would have a chance to respond.
The Paragon of Animals
Synopsis by Katrina Glerum (kat@midwinter.com)
The scene in the Council Chambers is chaotic and the nascent Interstellar Alliance appears on the verge of cribdeath. Member species are demanding the promised technological advances while refusing to sign the Declaration of Principles on the grounds that it is an attempt to legislate morality and thereby violates the very spirit of the Alliance. The Drazi Ambassador is loudly in the forefront as usual, claiming that his species has never conquered another, making the Declaration both irrelevant and insulting to them.
The President is taking a breather on the Observation Deck when he is joined by the head of Covert Intelligence. Garibaldi agrees with Londo that the Declaration should be dropped and a show of force would be more effective persuasion instead, but Sheridan insists that without the Declaration, the Alliance is meaningless.
At dusk on a beautiful verdant planet, a community of aliens huddles in shelters under an aerial bombardment. A Ranger appears at the door and is ushered to their leader. The hope that the Alliance might save them from their attackers illuminates their faces.
While G'Kar struggles to write a more interspecially palatable Declaration, Sheridan, Delenn and Londo scheme of ways to convince more worlds to become members. Garibaldi proposes an idea that he has been brooding on for quite awhile. In order to be on an equal footing with other intelligence operations, he suggests that the Alliance use telepaths in addition to Rangers for intelligence gathering. The new telepath colony has offered to work for their lodgings, and this would be a good way for them to do it.
Once Sheridan grants him permission to discuss this with the telepaths, Garibaldi sets off immediately. He finds Byron hanging out with his overtly hostile coven in DownBelow. Without listening to a word, Byron abruptly refuses Garibaldi's mission. Mocking Garibaldi's attempts at manipulation and his tendency to rehearse his conversations, Byron describes how difficult it is for a telepath to avoid overhearing the thoughts of others.
A battered White Star flies sideways through the jump gate. The Ranger on board is rushed to Medlab, but the prognosis is bad. Delenn decides to bring in Lyta to discover his message before it's too late. Lyta sees the embattled Enphili through the Ranger's eyes. Even though it may kill them, the Enphili have finally refused to pay tribute to the raiders who periodically hound them. If the Alliance will save them within the next twelve days they will join the Alliance and freely give their planet's resources to the cause. Otherwise they are prepared to perish.
"I'm dying, aren't I," the Ranger suddenly asks Lyta. He appears to be standing across the bed from her. His final anguished thought is that she not let the Enphili die because of his failure. Then a white tunnel of light appears and draws him in, leaving Lyta gravely disturbed.
When Delenn tells Sheridan about the Enphili decision, he grumbles that Garibaldi is right again. it's time for a show of force. She suggests that instead of a token force, they should send every White Star they have to the planet so that the message is clear to anyone paying attention. And perhaps as a result, they won't have to fight at all. "Terror is also a form of communication," she quotes Dukhat. Since the Enphili planet is on the edge of Drazi space, Sheridan informs the Drazi ambassador of their intent and invites the Drazi to participate. The Ambassador immediately rushes off on a furtive mission as soon as the meeting is finished. Byron happens to be lurking pensively in the corridor.
Lyta is sitting bleakly over an untouched plate of food when Garibaldi bustles up and offers her a job. When she sarcastically thanks him for his polite concern, he apologizes. Before he can get going on his intention, she tells him what it's like being inside the mind of a person when they die. A piece of yourself follows them into death, she says. Permanently. When you look into the eyes of a telepath who's done this too many times, "there's nothing there anymore," she nearly sobs. Psi Corps rumor is that Bester has tasted this too often, and at least once, too deeply. In a manner both forlorn and bitter, Lyta asks what Garibaldi wants her to do now.
He tells her about his object in approaching the telepath colony. "Did they tell you they were tired of working for mundanes?" she asks. "Did they tell you do go to hell?" When he confirms both, she says that there isn't a problem then, and stalks off.
Michael never gives up easily though. He chases after her and asks it as a personal favor to him, to Sheridan and to Delenn. Lyta is affronted, but he continues saying that even if he thinks Sheridan and Delenn are too pie-in-the-sky idealistic, he's still going to do everything he can to help them succeed, including this. He promises this is the last request of Lyta he'll make--until the next time, and she reluctantly agrees to help.
In a dark, empty council chamber, G'Kar stands, gathers his paper wearily, and walks away.
Unable to sleep, Sheridan hears the door chime. The latest Declaration of Principles is lying on the floor outside. Delenn rouses and asks him to read it.
"The Universe speaks in many languages but only one voice...," he begins. G'Kar striding down the corridor takes up the speech. "...It is the language of the heart." A fleet of White Stars speeds through hyperspace. "The language of the soul." The Enphili shiver in their shelters. "It is the voice of our ancestors speaking through us. And the voice of our inheiritors waiting to be born..." Dr. Franklin is writing a letter to the parents of the Ranger telling them who he died for. "...No matter the cost..."
"We agree to recognize this singular truth and this singular rule...We are one."
When Lyta finds Byron, he reproaches her for blocking him out. But she's in no mood to let down her guard. When she brings up Garibaldi's request, Byron berates her for running other people's errands. "Sit!" he orders, and then kicks away the chair as she approaches. When she angrily starts to walk away he asks if she doesn't deserve to be asked and understood rather than commanded and used by inferior humans. "What a piece of work is man," Byron recites from Hamlet, "...the paragon of animals." Worse than animals, he argues, which is why he has established this place for telepaths to make a new, better way. He agrees for her sake to help Garibaldi and passes on what he learned from the Drazi Ambassador in the hall. The Drazi intend to ambush the White Star fleet.
Apparently the Drazi are behind the raiders attacking the Enphili, but not directly involved, Lyta reports. Sheridan is incensed at the Drazi hypocrisy and orders the White Star fleet to head directly to Enphilia as quickly as possible. He sternly thanks Lyta for her help and departs.
Once the White Stars have wiped out the raiders, Sheridan calls a council meeting where he describes the situation. The Drazi Ambassador is upset when he discovers that his government's ships are flying toward certain annihilation. As he stammers that he needs to contact his government, the advisory council confronts him with the truth about Drazi exploitation of the Enphili. As the Ambassador runs to stop his fleet, Sheridan gives each Ambassador a Declaration of Principles which he now has the moral authority to demand that they sign. Lyta is outside, and seeing the Alliance leaders all proudly grinning at their success reminds Lyta once again that she is an outsider.
Afterwards Sheridan reflects that telepaths saved the day twice. His musings are interrupted by G'Kar bustling in to grab all the Declarations and insist that they be signed again. When Sheridan objects, G'Kar replies, "but it's better now" and runs off. To Sheridan and Delenn's amazement G'Kar is right. Returning to the telepath question, Sheridan expresses his concern that it will be difficult to make use of the telepaths wisely and yet ethically.
Lyta finds herself drawn back to Byron, anxious to hear more of his ideas and plans for the future.
The Parliament of Dreams
Overview
Sinclair's old flame, Catherine Sakai, arrives during a weeklong festival when humans and aliens demonstrate their religious beliefs. An old enemy sends an assassin to kill G'Kar. Thomas Kopache as Tu'Pari. Julia Nickson as Catherine Sakai.Originally titled "Carnival!"
Sub-genre: Intrigue P5 Rating: 7.88 Production number: 108 Original air date: February 23, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Jim Johnston
Emmy Award for Makeup Design
Watch For
- Look closely at the statue of Li, the Centauri goddess of passion. Something about it will be the subject of a humorous revelation about the Centauri in a later episode.
Backplot
- "Never fails," says Garibaldi when Catherine comes aboard. Apparently he's known her and Sinclair for a very long time. They seem to run into one another every three years, though this is the first time in a while that they've both been available.
- Sinclair and Carolyn have drifted apart - he wasn't willing to quit and go into business with her as a trader. (cf: "The Gathering")
- After he delivers G'Kar's death pronouncement, councillor Du'Rog says, "This should come as no surprise to you G'Kar. You've ruined my family's name and humiliated me before the council. Retribution was inevitable."
- Later G'Kar explains to Na'Toth why he can't ask for help: "...this would lead to some unfortunate revelations about my years on the council, revelations that could affect my position. Personally, I don't care if the information comes out. My only concern is that it might compromise our standing in the negotiations."
- The best assassins among the Narn are the "Thenta Makur." They are well-organized and respectable in their own way. They leave a "death blossom" to give their mark time to get their affairs in order, and offer a solid guarantee: they will personally kill any assassin who betrays a commission.
- G'Kar has survived two prior assassination attempts, but did not appear to have experience with the Thenta Makur.
- Vir explains the vivacious Centauri festival:
It's a celebration of life. It comes from a time in our world's history when two dominant species were fighting for supremacy: our people, and a species we called "Xon". At year's end, we count how many of our people survived, and celebrate our good fortune!
Unanswered Questions
- Why is G'Kar, after serving 5 years on the Narn council, now serving as the Narn diplomat to Babylon 5? Is this a move up, or down?
- What "revelations" about his years on the council does G'Kar want hidden?
- Did Sinclair play a greater role in the Minbari ceremony than was apparent? (see Analysis)
- When Catherine first enters Sinclair's quarters, he's listening to part of Tennyson's "Ulysses." "Which are you," she asks, quoting from elsewhere in the poem, " an idle king, doling unequal laws unto a savage race, that hoard, and sleep, and feed, and know not you, or a gray spirit, yearning in desire, to follow knowledge like a sinking star?" He leaves the question unanswered.
Analysis
- The cross-species religious festival was Earth Central's idea, and is consistent with Babylon 5's raison d'etre. The Minbari and Centauri participated willingly, but nothing was seen of Narn religion (cf: "By Any Means Necessary"). No-one made note of this omission - perhaps it's taken for granted that Narn religion is not for outsiders.
- The Narn employ couriers on a weekly basis. They also have FTL communications. Hence, they must not consider FTL secure.
- Na'Toth is cool-headed, with a sarcastic sense of humor - for G'Kar a great improvement over the literal and over-enthusiastic Ko'Dath.
- When Lennier greets Delenn as "Satai," she rebukes him: "No-one here knows of my connection. No-one must find out [...] it would lead to certain questions I don't want to answer just now." Apparently, it is well-known among the Minbari who are the members of the grey council. They are also greatly revered, judging by Lennier's reluctance to raise his eyes in her presence.
- Vir's speech is quite remarkable. What endured after the Centauri conflict with the Xon was a celebration of survival, rather than a mourning for those lost. This is notable both for what they chose to focus on (the joyous rather than the sad), and for its suggestion that the Centauri may have been nearly destroyed by the Xon (everyone was lucky to have survived each year).
- A theme of real Babylonian history: a stronger race oppresses a weaker one, and generations of the weaker one grow up fighting for their lives. Eventually the once-weaker race becomes so hardened and energized in their own self-protection that they rise up and conquer their oppressors (cf: History.Babylonia).
- This theme may be the very story of the Xon and the Centauri, for the Centauri eventually destroyed them and didn't lose momentum until they were an empire spanning an entire quadrant of the galaxy (cf: "The Gathering" ). This may also become the story of the Centauri the Narn: the Centauri invaded their homeworld and held sway for a hundred years, but now the Narn are free and bent on destruction, while the Centauri are on the decline.
- Among the many Centauri household gods on the banquet table are Ben-Zan, god of food, Mo-Goth, god of the underworld and protector of front doors, and Li, goddess of passion. The golden statue of Li portrays her with both arms and one leg raised. Visible on her body are breasts, a very large male hair-crest, and three tentacles emerging from her hips on both sides. (cf. "The Quality of Mercy")
- A transcript of Delenn's recital during the Minbari ceremony is available.
- This recital is very important, especially if
Sinclair is the incarnation of a figure in Minbari prophecy, for
which there are indications:
- Minbari assassin: "There is a hole in your mind." ("The Gathering")
- The coincidence of the Minbari surrender with their initial discovery of Sinclair. ("The Gathering")
- Delenn: "I knew you would come - we were right about you." ("Soul Hunter")
- Delenn's possible covert marriage to him in this episode.
- (see also: "And the Sky Full of Stars", "Deathwalker", "Signs and Portents")
- The giving of fruit to each of the main characters
coincided with particular parts of Delenn's recital. This could be
literary foreshadowing, but it's unlikely that Delenn herself
intended the juxtaposition.
"From birth {Londo}, through death and renewal {Vir}, you must put aside old things {Garibaldi}, old fears {Sinclair}, old lives {Ivanova}. This is your death {G'Kar}, the death of flesh..."
- For the record, Londo and Vir eat their fruits, Garibaldi declines, Ivanova puts hers down, G'Kar exchanges his with hers, Ivanova (unawares) then eats hers, and G'Kar gives his new fruit a distrustful sniff. Sinclair, under Delenn's compelling gaze, eats his as well.
- When Catherine hears about "red fruit" being part of the Minbari ceremony, she asks if there was a serious exchange of looks. When Sinclair confirms this, she chuckles, "Oh it's a rebirth ceremony all right. It also doubles as a marriage ceremony. Depending on how seriously anyone took it, somebody got married the other day." Sinclair did not mention who was seriously looking at whom - he may in some sense now be married to Delenn.
- "You must put aside... old lives" reaffirms the Minbari belief in reincarnation revealed in "Soul Hunter", and suggests that the Minbari may have conscious access to their own past lives. Else what would they have to put aside? (cf: "The War Prayer")
Notes
- G'Kar's song (presumably translated from Narn):
I'm thinking of thinking of calling her right after my afternoon nap. I'm thinking of thinking of sending her flowers, right after Bonnie gets back. So many fishies left in the sea, so many fishies - but no-one for me... I'm thinking of thinking of hooking a love, soon after supper is done. - Ko'Dath, G'Kar's previous aide (with whom he was
none too happy) died in an unexplained airlock accident a week before.
- Londo's joke:
Garibaldi: And what happened to the Xon?
Londo: Dead, all of them, and good riddance. Do you know what the last Xon said, just before he died? "AAAAARGH!"
Garibaldi (to Sinclair): Can I kill him now? - Londo's toast (and reprise):
"Valtoooo!" - Ivanova was the only non-Centauri who seemed to
be enjoying herself at their festival.
- Na'Toth's "sponsor" for her position as G'Kar's
aide was Li'Dak, fifth circle. Li'Dak's sponsor was Du'Rog himself.
- G'Kar's "reputed fascination with Earth women"
(cf: "Born to the Purple") is
well-known among the Narn ruling class.
- Delenn's new assistant is Lennier of the Third Fane
of Chu'Domo, which has served with honor for 500 years. He has
just gone from being a "simple novitiate" to serving one of the
Grey Council - apparently quite a big jump.
- There is consistency in the shape of Minbari
head-bones. The top edge of the female head-bone is a smooth curve
back to a raised point in back, while the top edge of the male
head-bone rises to several points on its way back.
- There were nine participants in the Minbari rebirth
ceremony. All of the instruments visible were triangular, as was
the table around which they stood.
- In the lingo of the Free Traders, Earth
(or thereabouts) is "The Hub".
- Sinclair has a brother, about whom he has not yet
spoken.
- Sinclair has been caught on
Tennyson since his
academy years - "we find meaning where we can," he says.
- G'Kar and Na'Toth both imply she enjoyed beating
him up.
- When this episode was broadcast in Malaysia in July 1995, the Centauri
celebration was cut, probably because of its depiction of drunken
behavior.
- A sign in the arrivals area:
Welcome to Babylon 5
Customer Section
Atmosphere Caution
Six different atmospheres are currently available on B5. Others may be created by prior arrangement. Uncommon atmospheric makeups may be synthesized for encounter suits. For specific atmochemical breakdowns see monitor below.
jms speaks
- @@@846702224 Regarding making people laugh until their sides hurt...this
is something I always go for. It's easy to go for the "well, that's
amusing" stuff, but to make someone laugh out loud, or even until it
hurts, is tough. In most (but not all) cases, I try to get one solid
laugh per episode, one moving scene per episode, and one "head-conk"
per episode. The first obligation of a writer is to make you *feel*
something, and if I can do that in an episode, then I've done my job.
It helps in that I'm not generally a big laugher; when I go to plays or movies with other people, and they're comedies, afterwards I'll always get "Why didn't you like it?" "I did." "You didn't laugh." "I was just thinking about how funny it was." Usually I can see a punchline coming, and part of my brain is racing ahead to what it might be. (And half the time at least I'm right.) So I've adopted the philosophy that if I find something extremely funny, other people will laugh at it; if I'm so tickled that I absolutely laugh out loud, I know it'll probably kill several people. As a result, if I'm going for a funny scene, I don't leave it alone until I laugh at it.
When I thought about Londo passing out face first on the banquet table uttering "...but in purple, I'm *stunning*," I just about fell off my chair laughing. Sometimes I'm a little broad in my comedy, other times I go for something a little more literate or (one hopes) witty (most of these go to Ivanova, whereas the broad stuff tends to go to Londo in most cases). But I try to keep it varied.
Strangely enough, the comics that *do* manage to break me up are all the more assaultive ones...Jerry Lewis, Robin Williams, Buddy Hackett (who can reduce me to tears), and a few others.
- By the way...on the Kosh poisoning thread, which was originally to
be discussed in "Parliament"...we ended up about 3 minutes long on
"Parliament," and three minutes short on D.C. Fontana's "War Prayer."
So we lifted that scene and inserted it into her episode, doing a
small bit of ADR to facilitate the move. It's now quite seamless.
- @@@846702224 Bill Mumy came in to audition, same as eveybody else. It
was known then that it was a recurring role (contrary to his
recollection of things), and when he walked in the door, I knew he was
right.
- BTW, this week will Bill Mumy's first week on B5, and he's done a
very nifty job as Lennier. He brings a wonderful sense of absolute
innocence...the proverbial innocent abroad...to Lennier's character.
The Minbari prosthetics look great on him, enhancing the sense he
brings to the character. He's also great with the cast, and keeping
things up during shooting. At one point, as they're leaving camera,
Delenn says to Lennier, who has just arrived at the station, "Now
tell me of home; I have been away far too long." His ad-libbed
off-camera response: "Beatlemania is back." (Another ad-lib for
another shot: "Minimalls...they're everywhere," and "Well, we just
got Pizza Hut and cable.")
- Regarding Catherine Sakai...believe me, this ain't a consort kind of
relationship. It will be monogamous, but difficult in many ways.
This has been an on-again/off-again relationship between them for
years, made up of three parts passion and two parts teeth. It will
be a very fiery relationship. And this is a woman with her own
business, her own ship, who comes and goes as she wishes. You have
to understand that I love writing strong female characters, and
Catherine will be probably one of the strongest.
- Catherine Sakai is played by Julie Nickson Soul, an asian-american
actor who's done quite a bit of work in high-profile films. Her
character is never Cathy, only Catherine (occasionally Cath to
Sinclair, but *only* occasionally). She's a planetary surveyer,
working for one of the Earth corporations, looking for uninhabited
worlds and asteroids for exploitation.
- We've shot our first scenes between Sinclair and his new love
interest, Catherine Sakai (as played by Julia Nickson). This is a
very, very strong character, and she brings a wonderful vibrancy to
Sakai. They have a unique relationship that looks and sounds like
a real relationship, with all its ups and downs and dumb moments.
One way that I've reinforced this is that...well, in the first
episode in which they meet again (they were involved before), just
about every scene between them is lifted almost directly from
personal experience.
And given some of the awkward, even painful conversations that take place, it was very, *very* hard to watch this being rehearsed. (Michael and Julia worked over a weekend with the director to get the nuances just right.) When it came time to shoot the scenes, much as I wanted to be on-set, I just couldn't do it. My heart just kept falling right down to my shoes. I can't wait for the first person to say "I don't buy this as a real relationship" just so's I can whap him upside the head. But I have a hunch that won't happen. It comes across as very real, and as a very vulnerable moment for both characters.
"Write what you know," they said. Right. How about I just take a power drill and stick it in my ear...it'd be faster, less painful, and after a while I might even come to like it....
- A parliament is a gathering of officials, of representatives, which
matches the story in terms of representatives of different places,
and beliefs. The dreams are the belief systems.
- The "stay put" line was ad-libbed by Andreas, because the crawfish
kept crawling off the table.
- Yes, definitely keep in mind the intent of the ceremony...but be
sure to remember *all* aspects of it. (see
Analysis)
Also, take a good look at Li, goddess of passion, in Londo's ceremony. There's something about it that will be very funny later. (see Analysis) - @@@832309099 The quote Delenn recited in "Parliament" was the quote
from Valen when he formed the first Grey Council.
- RE: the glasses...it's not something I've been able to figure out
how to mention, but the Narn pride themselves on their physical
perfection. Hence there is no market for physical aides; it's
something to be ashamed of. So they have to crib stuff from other
species, like glasses that have a prescription close enough to be
useful. I have *no* idea how to work that into a script, and am
not sure it is even a good idea to do so.
- The atheist was not only first in line, he was the best dressed and
smartest looking and nattiest one in the line.
jm(what a coincidence)s - From a personal point of view, I'm very fond of "The Parliament of
Dreams," which is a very funny show, and at times a very emotional
show. "Parliament" is all over the place...it's got all of our
major characters, our ambassadors, their seconds, we see lots of
group scenes, we're all over the station, dipping in and out of
three different but interconnected stories...it's really a matter
of keeping a lot of balls in the air at one time, and I think we
pulled it off nicely.
- There's one truly remarkable shot we did for the current episode, shot
Friday evening. Generally, in any shot with a crowd, you need
about 20-45 people. That's usually enough to fill out the shot
in any set you can go to. More than that gets costly, and
isn't really noticeable unless you frame your shot just *so*.
Yesterday's shot has 160 extras. It's a very impressive, and
very moving shot. It appears in the tag of "the Parliament of
Dreams." It's the kind of shot you just don't see anywhere
else. We had some people from PTEN and a film crew for a
behind-the-scenes piece on hand, and they all commented on how
only this show would do this shot...and how significant it is.
(I can't tell you what it was, because that gives it away, and
I want it to be kind of a surprise; suffice to say you'll
definitely know it when you see it.)
- The SkyDancer appears in the next episode. "See you next Wednesday"
is...well...it's when she's going to be back on the station. She has to
complete her run by Tuesday, and will be back on Wednesday. Sometimes a
cigar is just a cigar....
- [G'Kar's] song is an original, by our series composer, Christopher
Franke.
- The "fishy" song was composed by Christopher Franke specifically for
that scene. I told him I wanted sort of a Narnish Gilbert and
Sullivan, and that's what we got.
- I would think that Londo and G'Kar might actually find something in
common in appreciation of Gilbert and Sullivan. In fact, G'Kar's
"little fishie" song in "Parliament of Dreams" was intended to be a
bit G&S in nature.
- One of my favorite exchanges, which never seems to show up, is from
PoD v.1, when G'Kar says to Tu'Pari, who has come looking for
Ambassador G'Kar, "This is Ambassador G'Kar's quarters. This is
Ambassador G'Kar's table. This is Ambassador G'Kar's dinner. What
part of this progression escapes you?"
- Episode #5 is the two year anniversary of B5 going on-line; not two
years since the pilot movie. It took about a year and a half to
grow to this point, and for the final of the Big 5 ambassadors, Kosh,
to arrive, completing the group. It's now roughly six months after
that, into the new year.
- "So, I've been wondering who made up Londo's line in Parliament,
`but in purple, I'm stunning!'"
Ummmmm.....the scriptwriter?
- The Xon did evolve into fair amount of intelligence. There are a
very few land masses on Centauri Prime, separated by huge oceans.
The two species evolved pretty much separately, on different
continents that were absolutely unreachable until one or both sides
developed sufficient technology for extended sea travel...and that's
when all hell broke loose.
- There's a definite improvement arc in the show; the deeper we got
into production, the better the stories generally became, and the
better the production values. (With a few exceptions.) The biggest
change in the show came once we began writing scripts *after* we'd
begun shooting episodes, so that we/I could again see the actors and
find their fingerprints. "Parliament" is the first one I wrote after
we started filming; "Soul," "Infection" and "Midnight" were all
written prior to filming starting.
- You're seeing, btw, why this episode, much as it's a favorite,
couldn't be shown any sooner; there has to be some familiarity with
the characters for this to be most effective.
- Re: G'Kar being theatrical...that's who he is. I like theatrical
characters. I know many in real life that're much bigger than life,
very broad...and great fun. Not every character has to be sonorous
and serious and restrained. The whole point of *having* alien
characters is that they shuld act differently than the majority of
us.
- The Xon? Dead. All of them. And good riddance.
- The Xon weren't any more evil or good than the race that survived;
two equally sentient species emerged on the Centauri homeworld over
the course of evolution. They were more or less separated by
distance and land masses and oceans, so there was little contact
until either side developed the technology required to find the other.
It was the next best thing to a first contact situation, except it's
on their own world; they were very much alien to one another.
Somewhere along the line, it was decided that this world wasn't big
enough for both of them, so they began a campaign of slaughter against
each other. Londo's people won.
- Kosh was otherwise engaged....
- Actually, many of the alien races do *not* have monolithic religious
beliefs. You'll note that G'Kar didn't take part in the festival
from the Narn POV. You'll see Narn beliefs in "By Any Means
Necessary," and there it's mentioned that there are many different
bliefs among Narns, G'Quon and G'Lan being the two larger systems.
- Sure, I could've gotten them into bed by the second act...but that
wasn't the point. What I wanted to show, what interests me, is the
give and take leading up to that moment, the feints and parries and
"how do we get past this?" That to me is some of the most
interesting stuff in a relationship.
- As to the interpretation of the final tag scene...my thought was that
it's a way of saying, "Our dominant belief is that ALL beliefs are
respected."
- There was a follower of Islam; right next to the orthodox jew at the
front of the line. "Mr. Rashid, a Moslem." I made sure we put them
side by side.
- I didn't say that Earth was the ONLY one with diverse religions. I
don't understand why it is that when ONE thing is shown, it means
that's the ONLY thing. It's not. Narns, as we'll see in "By Any
Means Necessary," have several competing beliefs. The idea of the
festival wasn't to compare and contrast, only to show what *we*
(whoever *we* is) believes.
- Well, we're doomed...I just realized today that our first *really*
strong episode, "The Parliament of Dreams," airs the same night (in
most markets, the 23rd) as the Tonya Harding/Nancy Kerrigan face off
in the olympics.
Imagine a silence vast as space...that sound is neilsen ratings meters stuck unmovingly on CBS....
- Needless to say, though, we got *creamed* by the Tonya/Nancy Show.
Which got a 64 share, the 3rd biggest ratings for a sporting event in
history. But then, *everybody* got beat up by that one, so again
it's okay.
- The line, "See you next wednesday," was basically an offhand line,
slightly but not significantly based in the idea that in most markets,
B5 airs on Wednesdays. It was never meant to be a John Landis
reference, and if I'd known it was (I'd never heard it before),
would've changed it.
- I keep constantly fighting the urge to have G'Kar return from a trip
to the Narn homeworld with a limp, a cane, and a (temporary) eyepatch,
muttering, "Boy, the Thenta Makur have *no* sense of humor."
(Now we'll see how many get *that* one.)
- BTW, re: Sinclair remembering all those names...we used many of the
real names of the people standing in line, many of whom *did* belong
to the religion they had come to represent. We went down this line
of 250 people, and went over their names *twice* with O'Hare. That's
all. After that, he got each name right every time; amazingly quick
memorization.
- This is something that Andreas and I discussed, and it's not so much
that G'Kar *has* to cook, but that he *likes* to cook. From the
singing, it's clear he's having a good time....
- Ko'Dath met with an unfortunate accident with an airlock.
- Just learned that Babylon 5 won an Emmy for its Makeup Design, for
"The Parliament of Dreams." This is our second Emmy so far, our
first for the series. I'm determined that next year we get some
notices for our acting and other above-the-line areas.
In any event, congratulations to our makeup and prosthetics design people.
Originally compiled by Matthew Ryan mattryan@pobox.com
The Parliament of Dreams
Earth Central has planned a cultural exchange where all alien societies on B5 will have the opportunity to demonstrate their dominant religious beliefs. Needless to say, this idea has caused nightmares for the security officers; at the moment, Garibaldi is trying to stop an alien from bringing a ceremonial knife aboard the station. Suddenly, he sees Sinclair's old girlfriend, Catherine Sakai, arrive on the station. He immediately leaves to warn Sinclair.
G'Kar is in his quarters, trying to have a quiet dinner when he is interrupted by a Narn courier, Tu'Pari, who is carrying a message that he claims to be important. After Tu'Pari leaves G'Kar's quarters, G'Kar plays the message. The message turns out to be from an old enemy of G'Kar, named D'Rog [spelling correction pending]. "I bring what you doubtless will consider good news: I am dying." G'Kar smiles in appreciation. The message continues, "In fact, by the time you get this recording, I will already be dead. Ah, but then, very shortly, so will you."
D'Rog explains that G'Kar should not be surprised--vengeance was inevitable after G'Kar humiliated D'Rog before the Narn Council and ruined D'Rog's family's name. "You will be dead within 48 hours of receiving this message. Already, my agent is close to you. You will not know who, or how, or where, until it is too late." Just then, Na'Toth--G'Kar's new diplomatic attache--arrives and reports for duty. G'Kar can do nothing but stare at her, suspiciously.
Sinclair, in his quarters, is getting ready for the Centauri religious demonstration when Garibaldi arrives. Garibaldi warns Sinclair that Catherine is on the station. Sinclair thanks him, saying that he's happy to know that she's on board, so he can avoid her. Then, suddenly, he asks if she came to the station alone or with another man. Garibaldi replies that she was alone.
The Centauri religious demonstration has begun. It is quite a festival, with dancing, drinks, and pretty much everything else you'd expect at a Centauri party. "It's a celebration of life," says Vir. Londo is immensely enjoying himself--drinking, crawling up on the table, explaining Centauri household "gods," telling Delenn that she's "very cute for a Minbari" and that Garibaldi is "cute, too, in an annoying sort of way."
"You're cute, too, in an
annoying sort of way."
Finally, Londo falls to the table, unconscious. Vir stands up and says, triumphantly, "Ahh! He has become one with his inner self!"
"He's passed out," comments Garibaldi, smugly.
"That too," responds Vir.
Meanwhile, Commander Sinclair--having had enough of the Centauri demonstration and having left quietly in the middle--has decided, after all, to see Catherine. After he finds her, they speak for a while. She says that she hadn't known that Sinclair was in command of the station--otherwise she wouldn't have come. "I keep my promises.... I'll leave now if you want me to." Sinclair won't hear of it, though. Instead, he invites her for dinner. At length, she accepts: "This is how we get into trouble every three years.... All right, just dinner."
Later, G'Kar and Na'Toth are speaking in their quarters. G'Kar is suspiciously pondering recent events--he mentions, his assistant's, Ko D'ath's, recent death in an unlikely airlock accident. He asks Na'Toth who sponsored her to be his attache; when she answers, he notices that her sponsor's sponsor was none other than D'Rog. He explains to her that D'Rog has hired someone to kill him, and evidently this assassin is someone close to G'Kar. Na'Toth only replies, "With all due respect, if it were me, you wouldn't be here for us to have this conversation." G'Kar is unsatisfied--according to D'Rog's message, G'Kar would be kept in fear for a while before actually being killed--"the last thing he wants is a quick death." He can still not discount Na'Toth as a suspect.
Na'Toth tries to reason with him: "How can you be sure there is as assassin on board? What if he only told you this to frighten you?" G'Kar replies that this is very unlikely.
She thinks again, then explains that if D'Rog wanted to make sure the assassination were carried through, he would have gone to the "Assassins' Guild" to get a killer. She explains that killers from the Assassins' Guide traditionally leave a black flower--a "death blossom"--as a warning to their victims so that the victims can tie up their affairs. She asks G'Kar if he's received one of these flowers; he replies that he hasn't. "Then I wouldn't worry," she concludes, and adds, "I'm sure the question will resolve itself soon enough."
Later, G'Kar is sleeping in his bed when he is awoken by a strange smell. He calls Na'Toth to his quarters to show her what was left in his bed: a black flower. "You have no idea how that got into my bed?" he asks.
G'Kar, about to
have a rude awakening.
"Ambassador," comments Na'Toth, "it is not my place to speculate on how anything gets into your bed. Your reputed fascination with Earth women, for instance..." She goes on to suggest that G'Kar see Commander Sinclair if he's worried. G'Kar declines, saying that he prefers to fight his own battles--further, his going to Sinclair might raise questions that he'd rather not answer--questions concerning his years on the Council. "Personally," he says, "I don't care if the information comes out--my only concern is that it might compromise our standing in the negotiations. So we have to handle this quietly, for the sake of planetary security." Na'Toth asks G'Kar why he is telling her all of this, considering that she's currently under his suspicion. "Earthers have a phrase: 'Keep your friends close and your enemies closer.' I think they stole it from us." He adds that he also would like to strengthen the relationship between them. He then tells Na'Toth to find Tu'Pari, the courier who originally brought the message--G'Kar wants to find out who gave the message to Tu'Pari. Tu'Pari must still be on the station, according to G'Kar, because no Narn ships have left B5 since the day before. "Finding him will be your first test," he commands.
Elsewhere on the station, Lennier--Delenn's new assistant--has arrived on the station. He greets her as "Satai Delenn," addressing her as a member of the Grey Council deserves to be addressed. He further refuses to look straight at her; he only looks down; "It is forbidden!" he says.
"You can look up...." says Delenn, "I cannot have an aid who
will not look up. You will be forever walking into things." At
length, Lennier agrees.
Lennier comments that he feels that he's in an awkward
position. He has been, he feels, greatly and suddenly promoted;
after all, he's now an assistant to a member of the Grey Council.
Delenn only comments that he received a high recommendation from
his teachers and that he will soon adjust. "You can begin by
promising not to mention the Grey Council again during your stay.
No one here knows of my connection; no one must find out."
"But, to deny the Council--!" blurts Lennier.
"I'm denying nothing. But it would lead to certain questions
that I don't want to answer just now. You will not use my title,
'Satai.' You will address me only as 'Delenn.' Do you understand?"
He says that he does not--but that it doesn't matter: "Understanding is not required--only obedience."
G'Kar, in the meantime, has gone to N'Grath (the insect-like vendor in the alien sector) to seek a bodyguard. In a few hours, he will attend the Minbari religious ceremony, and he doesn't want to be unprotected in public.
Sinclair and Catherine Sakai are having dinner. They talk about how they meet every few years, talk briefly, end up in bed together, then go their separate ways. They both agree that their relationship should not go on like this--it isn't worth it.
The Minbari religious ceremony has begun. It is, needless to say, quite the opposite of the Centauri celebration: It is orderly and ceremonial. Delenn starts out by reading a story that deals with death and renewal. Orderly music is played at certain points in the story. Red pieces of fruit are then handed out; Delenn tells everyone to eat them. She shows a slight interest in Sinclair's eating the fruit, then moves on with the ceremony. "So, it begins!" she says.
"Taste of it."
G'Kar, during the whole ceremony, has been extremely agitated, because his bodyguard did not arrive. He storms into his quarters, screaming and complaining; but Na'Toth only directs him into an adjoining room. In that room, he sees the bodyguard sitting down, quietly. He yells at him for a moment, then hits him in annoyance. The bodyguard falls over stiffly, and it is evident that he has been killed. Further, a black flower--the warning sign--is hanging from the bodyguard's clothing.
G'Kar has called Garibaldi into his quarters. Garibaldi investigates the murder: "You just came in and found this guy dead in your bedroom?" G'Kar explains that he has never seen the person before and has no idea who he is or why he was in G'Kar's bedroom. G'Kar claims, as an alibi, that he was at the Minbari ceremony when this person was killed. Garibaldi agrees, but comments that G'Kar seemed rather nervous and preoccupied at the ceremony. Garibaldi continues his search of G'Kar's quarters, only to find a hot-pink piece of woman's underwear behind the bed. G'Kar is, needless to say, annoyed--he also doesn't like that Garibaldi continues to question =him=. He orders Garibaldi out of his quarters, invoking diplomatic immunity. "I brought you here as a courtesy," says G'Kar. He tells Garibaldi that he should be spending more time trying to find out who the murderer was, rather than questioning G'Kar.
Garibaldi humbly apologizes, but doesn't leave before commenting, "And just let me say, ambassador, from the bottom of my heart, hot pink is definitely your color."
"Hot pink is definitely
your color."
Na'Toth, after considerable searching, finally finds Tu'Pari and brings him back--under slight protest--to G'Kar.
Catherine is meanwhile in the middle of a business negotiation. She is giving information to her associates about a planetoid which she has located and which she believes would be a good candidate for mining. Her associates are satisfied, and also offer her their congratulations--a valuable mineral was discovered on a previous planet which she scouted, and, under the contract, she is entitled to a percentage of the profits. When they show her the amount of credits to which she is entitled, she is almost speechless and quite surprised at her good fortune.
Na'Toth has brought back Courier Tu'Pari to G'Kar's quarters. He thanks her and sends her out, saying that he wants to speak with Tu'Pari alone. She leaves. He grabs Tu'Pari by the neck and asks who gave Tu'Pari the message to deliver. When Tu'Pari replies that the message in from D'Rog, G'Kar merely tightens his grip and says that D'Rog is dead. Tu'Pari then admits that the message is from Councillor Sha'Toth, Na'Toth's father. "The danger is much closer to you thank you think, ambassador," says Tu'Pari.
Sinclair is in his quarters listening to Tennyson's Ulysses when Catherine enters. She brings some expensive wine and comments that she has terrific news and is "tired of not having anyone to share it with." She comments on his liking of old poetry: "What's it take to drive you into the 23rd century?" She quotes some of it to him; he is surprised to find that she has memorized it. She responds, "I lived with you for a year--I didn't have much choice." Sinclair comments that what she's doing right now may not be such a good idea; however, she pleads with him not to send her out. Although they have superficially agreed that their relationship is over and that they have no feelings for each other any longer, she says that "you don't just turn it off like a switch." She admits that, even though they have been separated for a while, and even though she has tried relationships with other men, she never stopped thinking about him. After a bit of tension, they agree to spend the night with one another.
G'Kar is in his quarters, communicating with the Narn homeworld. He is requesting that Na'Toth be reassigned immediately. They confirm his request; further, they apologize for the delays in communication. "What delays?" asks G'Kar.
G'Kar's correspondent explains that the appointed courier met with an unfortunate accident right before he was going to leave for Babylon 5. They have not yet been able to find a replacement.
"What are you talking about?" G'Kar asks. "The courier is right here. I--" Suddenly, he realizes, and turns around to find Tu'Pari staring at him, pointing a gun at him, and smiling evilly.
The next morning, Catherine, in bed with Sinclair, is talking with him. They reflect on their relationship, its longevity, and its resilience--how it started at the academy, lasted through the war, and somehow showed itself every three years since then. They also speak of how things might be different this time ...
Meanwhile, the assassin Tu'Pari has been waiting for Ambassador G'Kar to awake. When G'Kar does awake, Tu'Pari gloats a bit about how G'Kar's being awake will "make this far more interesting." G'Kar, needless to say, is anger and runs toward Tu'Pari in order to attack him. However, the devices (known as "pain-givers") around G'Kar's neck and arms propel him back--in pain--before he gets close enough to Tu'Pari to be threatening. "My orders are quite specific," says Tu'Pari. "You are to know pain. You are to know fear. And then, you are to die." However, he admits that it will be a pleasure when the assignment is finished--"Allaying the target's suspicions can be so time-consuming. Do you have any idea how long I sat in the customs area waiting for Na'Toth to 'find' me?"
"You are to know
pain..."
G'Kar tries to reason with Tu'Pari; he offers to double the assassin's current payment if he will abort his mission.
Tu'Pari notes how, though G'Kar could probably make him very wealthy, to betray a commission would be a violation of the rules and the spirit of the Assassins' Guild. Indeed, if Tu'Pari were to violate those rules, the Assassins' Guild would then have to kill =him=. To accentuate his point, he increases the intensity of the pain-givers.
Na'Toth enters G'Kar's quarters and, when she cannot find G'Kar, orders the computer to replay the last transmission in which G'Kar participated. The computer shows her ...
Tu'Pari is continuing to use the pain-givers against G'Kar. "The pain must be overwhelming. Why hold it in? Cry out, ambassador!"
"I would die," retorts G'Kar, "before giving you that satisfaction." However, it is evident that he is, indeed, in great pain. However, just to be sure, Tu'Pari continues to raise the intensity of the pain-givers. G'Kar does, eventually, indeed, cry out.
At that moment, Na'Toth finally enters. She explains how she found Tu'Pari and G'Kar--she knew that Tu'Pari would want "complete privacy," so she searched for and found which transport tube had "suddenly broken down," as Na'Toth comments. Tu'Pari orders her away, but Na'Toth refuses to leave. She claims to be Tu'Pari's backup: "I have to finish the job in case you fail."
Tu'Pari skeptically replies that he was not informed about any backup.
"No, the primary never is--standard practice in the Assassins' Guild, as you well know," says Na'Toth.
Still, Tu'Pari refuses to believe her. Na'Toth ignores him-- she comments on the "crude, unimaginative" pain-givers that are being used on G'Kar, saying that they are much too quick--that their orders were to prolong G'Kar's pain and discomfort as much as possible until "the deadline."
"And what would you recommend?" asks Tu'Pari, still skeptical.
She answers with action: she brutally kicks him a few times, picks him up, and repeatedly hits him, sending him falling out of the room.
But Tu'Pari is still unmoved. "And this is the part," he says, "where I'm supposed to decide I trust you, drop my guard, and let you shoot me in the back? Sorry, but I can't take the chance that you're lying." However, just by saying this, his guard was lowered enough. G'Kar, whose pain-givers are no longer activated, quickly rushes up to Tu'Pari and knocks him unconscious.
"That hurt!" he says to Na'Toth, in a friendly way.
"Ambassador," she answers, "it was the only way to disable the pain-givers. I had to hit them as hard as possible, as often as possible, and still make it appear as though I were beating you into another incarnation."
"And you didn't enjoy it in the least?" he asks.
"I didn't say that!" she jokingly responds. She asks what G'Kar will do with Tu'Pari....
Three days later, when Tu'Pari awakes, he is annoyed to find that he has been unconscious for so long. G'Kar explains that to make up for any inconvenience, he has deposited a large sum of money in Tu'Pari's personal account at home. Tu'Pari realizes what this means--the Assassins' Guild will think he betrayed his commission, and it will not take kindly to what it believes to be a violation of its rules.
G'Kar smiles and is glad to realize that he has nothing to fear from the Guild any longer--the commission was Tu'Pari's alone, and because the Assassins' Guild will be so embarrassed by this incident, they'd prefer to forget it all never happened--except for killing Tu'Pari if they find him. Happily, G'Kar and Na'Toth send Tu'Pari on his way, both saying, "You will know pain, and you will know fear, and then you will die. Have a pleasant flight."
"Have a pleasant flight."
Sinclair and Catherine are saying goodbye to one another. However, they both agree that this time will be different--"I'm not leaving, this time," says Sinclair.
"This should be interesting," responds Catherine. She then asks him what he's planning for Earth's religious demonstration. He replies that he has no idea--and that he also has no idea how he'll top the Minbari demonstration, with all its "Bells, drums, robes, and little pieces of fruit."
"Red fruit?" she asks, her interested piqued. "And was there a serious exchange of looks?" He says that there were--it's part of the rebirth ceremony, he says. She laughs and says that that type of ceremony can also double as a marriage ceremony--"depending on how seriously anyone took it, somebody got married the other day."
"Maybe that's why G'Kar's smiling. Funny, I didn't think Londo was his type," Sinclair jokes.
Catherine leaves, but says she'll return soon. They both wonder if they'll "get it right this time."
Sinclair has finally arranged Earth's religious demonstration. He brings the alien ambassadors into a room which contains hundreds of people, all of different religions. Sinclair moves along a line formed by them, introducing them one-by-one to the aliens. There were, as the aliens commented, no drums, no bells, no chants--only a showcase of Earth's proud diversity.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
The Path of Sorrows
Overview
The discovery of a mysterious alien causes the crew to reflect on significant events in their lives.
Production number: 109 Original air date: June 30, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Mike Vejar
Plot Points
- @@@931198143 Gideon was an ensign on the Cerberus ten years earlier
when it was attacked by an alien ship, possibly a Shadow vessel.
The ship was destroyed while he was in the middle of a spacewalk to
survey some hull damage. Shortly after the Shadow ship withdrew,
the technomage fleet arrived and he was rescued by Galen.
After he returned to Earth, his story was met with skepticism by
his superiors.
- @@@931198143 At one point, Gideon won a device called an "apocalypse
box" in a poker game. The box's previous owner killed himself
immediately after losing it, though apparently more to escape
the box's influence than because he was upset about losing it.
- @@@931198143 Galen and Isabelle
("The Well of Forever")
were injured and stranded on a planet after being betrayed by
three other technomages. She died as he comforted her. Thereafter,
Galen refused to believe in any kind of higher purpose or design in
the universe, since it would imply that someone decided that Isabelle
deserved to die.
- @@@931198143 Matheson was working at a secret Psi Corps base during the Telepath War. He was asked to administer sleeper drugs to a captured rogue telepath. The rogue convinced him to look at the Corps in a less forgiving light; he ended up betraying his masters and unwittingly helping the rogues destroy the Psi Corps base.
Unanswered Questions
- @@@931198143 Who did Galen apologize to, and for what?
- @@@931198143 What were the circumstances of Dureena's previous failure, and who died as a result?
- @@@931198143 Who and what was the alien in the orb?
- @@@931198143 Who attacked the Cerberus? The Shadows? Given that Earth was allied with them during the Shadow War, why would they attack an Earth Alliance ship?
- @@@931198143 Was it just a coincidence that the technomage fleet appeared in precisely the same location as the attack on the Cerberus?
- @@@931198143 What was the apocalypse box? Where did it come from? What happened to it?
- @@@931198143 Who betrayed Galen and Isabelle? Why? What precisely did they do?
- @@@931198143 Was the message to Galen genuine, or did the alien cause it to be sent?
Analysis
- @@@931198143 Since Matheson has been deep-scanned on at least one occasion ("The Well of Forever") it's possible that his role in the Corps base's destruction is known to at least a few other people. Have there been any repercussions, or does the fact that it was wartime (and, more to the point, that the Corps was apparently on the losing side of the war) mean he wasn't officially held accountable?
- @@@936001489 The word "apocalypse" has two meanings. The commonly-used one is a cataclysm, generally involving the destruction of life on a large scale. But the word also means "a prophetic revelation." Which sense applies to the box remains to be seen.
Notes
- @@@931198143 Matheson's psi ability is stronger than P2, though how much higher isn't clear.
- @@@931457216 Galen's reason for refusing to believe in a larger design echoes a comment by Marcus. He told Dr. Franklin that he preferred to think that things didn't happen for a reason, since otherwise it would mean that people deserved it when bad things happened to them.
jms speaks
- @@@931198143 This one is a favorite of mine as well. It was one of
the scripts written while we were still shooting the first 5, before
TNT got into the process. When that happened, they made it clear that
they *hated* this story, felt that nobody would be interested in all
this backstory...and asked for it all to be taken out, let them run
into this alien and make him an evil character, an emotional vampire
who drives them insane.
This was one of the first scripts where I dug in my heels bigtime and refused to do what they asked. I knew it would be powerful; they thought it would be utterly uninteresting. They were wrong.
- @@@931198143 What was the ship that attacked the Cerberus?
That remains to be revealed. - @@@931198143 Was Lyta supposed to be in this episode?
Yeah, Lyta would've been in that ep but Pat was on a movie at the time. - @@@931198143 Re: the Matheson scene...that one was cut back by about 40%
because the episode ran long. (That sometimes happens on dialogue-
intensive episodes.) The original version had it go over a longer
period of time, and showed him coming over gradually. It is a bit
abrupt as it is now, though I still think it plays.
- @@@931198143 Why didn't the rogue have a beacon that sent out a
continuous signal?
A device that small would run out of power if it were on all the time, and might be detected. My feeling was that it was switched off and had to be removed to power it up, then the telepathic signal would activate the beacon and bring in the troops. You'd have a two-stage process to a) avoid detection, and b) ensure that if it *were* found it couldn't be used by anyone else to stage a trap. - @@@931198449 "I'm very curious where Joe's going with Galen's
character."
Actually, Galen has quite a secret he's carrying around with him. It formed the basis of scripts 114 ("To the Ends of the Earth") and 116 ("End of the Line," which would've been the cliffhanger). It's also a major element of the coming technomage novels. There's a very small reference to it in the episode airing this week, when Galen mentions that he and someone else have been "betrayed by our own kind."
It also ties into why they were in such a rush to get the hell out of known space during the shadow war.
The Path of Sorrows
The Quality of Mercy
Overview
Talia is involved in carrying out the sentence of a convicted murderer. Dr. Franklin investigates a possible medical scam in Downbelow. Londo takes Lennier for a look at the less savory sections of the station. June Lockhart as Dr. Laura Rosen. Kate McNeil as Janice Rosen. Mark Rolston as Karl Mueller. Damian London as the Centauri Senator. Jim Norton as Ombuds Wellington.(Originally titled "The Resurrectionist")
Sub-genre: Suspense/drama P5 Rating: 7.29 Production number: 117 Original air date: August 17, 1994 DVD release date: November 5, 2002 Written by J. Michael Straczynski Directed by Lorraine Senna Ferrara
Backplot
- "Spacing" someone (tossing them out an airlock to die) is a punishment applicable only in cases of mutiny and treason.
- Evidence gained from a telepathic scan is inadmissible in court, as it violates the principles of due process.
- Very few members of Psi-Corps are trained to handle criminal cases, not for lack of demand, but because it's very a stressful field, with lots of burnouts.
- The station's indigent are denied medical treatment in Medlab if they can't afford it (cf. "Believers".)
- The station's prison is overcrowded already; there's no room for someone to serve a life sentence.
- Earth possesses the technology to brain-wipe people (cf. "Grail") and implant new memories; it's used as a punishment or rehabilitation measure in certain criminal cases. A Psi-Corps member oversees the wipe, performing scans before and after to make sure it's complete.
Unanswered Questions
- What will Dr. Franklin do with the machine? Will it ever be seen again?
- Will Franklin and Janice Rosen continue to see each other in subsequent episodes?
Analysis
- This is the second instance in the series of a mechanism for stealing life from one being and giving it to another (cf. "Deathwalker".) Perhaps the two are related somehow.
- Judging by her reactions during the scan, it seems Talia was not trained to deal with hardened criminals. Why, then, was she also stuck with the job of scanning a murderer on the Mars colony, a place that, as a major human settlement, presumably has a Psi-Corps presence? (cf. "A Voice in the Wilderness, Part 1," though admittedly the presence referred to there was not public knowledge.)
- The Centauri's claim that Earth was a lost colony (cf. "Midnight on the Firing Line") must have been a short-lived ruse, given the revelations about Centauri physiology in this episode.
Notes
- June Lockhart and Bill Mumy were in another science-fiction show together: "Lost in Space."
jms speaks
-
Of all the scripts I've written, the only one that I'm less than
absolutely 100% thrilled with is "The Quality of Mercy," because I wrote it
while absolutely sick with the flu, and have NO memory even of writing it. As
it is, though, I'm about 90% happy with it, particularly the B-story with
Londo and Lennier, which came out great.
-
In my original thoughts about the episode, there was more of a con
man ressurectionist angle to the show, which later got dropped.
-
Psi Corps telepaths are ****NOT**** allowed to scan defendants in any
official way connected to a criminal act. It violates the right to due
process. Even if requested, it's simply not allowed. You do NOT want to even
open the door a *crack* in letting a government-regulated agency begin making
determinations about who is and isn't guilty of a crime. That way lies
dictatorship, Thought Police and Big Brother.
-
The scan is preparatory to the prisoner being mind-blanked. It is,
as the Ombuds pointed out, the death of personality, the death of
one's mind. Hence the black band on the Psi symbol.
-
How has your presence on the net affected the series?
... I was initially going to gloss over some of the legal aspects of the Psi Corps in "The Quality of Mercy," but when so many people expressed interest in how that worked, and when I saw some measure of confusion about it, I took the time to indicate how the legal aspects work when it came time to complete that script, thus answering the questions. -
The one major reason I decided to begin this interaction, despite
CONSIDERABLE discourgement and disbelief from my peers, is that I
think it may be of some use, and because I think that one should be
willing to stand publicly with what you create, and because though
many criticisms are issues of taste or subjective preference,
sometimes (fairly often, actually), I learn something from the
discussion, or I'm corrected in something, and that realignment is
eventually reflected in the show. I'm giving some serious thought to
either revamping n'grath or killing him off given the reaction (paired
with my own). I won't be dictated to, but in some cases, as with
n'grath, I may be uncertain, but willing to try and see if the
experiment works. Sometimes it does, sometimes it doesn't, and the
general perception here seems close to my own. In addition, I was
initially going to gloss over some of the legal aspects of the Psi
Corps in "The Quality of Mercy," but when so many people expressed
interest in how that worked, and when I saw some measure of confusion
about it, I took the time to indicate how the legal aspects work when
it came time to complete that script, thus answering the questions.
-
About June Lockhart
No, no scenes with Bill Mumy, though some consideration was given to the notion. - @@@840398824
Bill kept bugging me to put him in a scene with June, but
I just felt it'd get in the way.
- @@@840398824
It would've worked, but the scene would've forever been about
the mini-LIS reunion. If it isn't important to the story, it shouldn't
be there.
-
We do tend to try and stay open to gender stuff; usuall there's a
reason why someone is male or female, so it's cast that way. But as
an example...in "Quality of Mercy," the role as originally written
was for a father/daughter combination. In the process of casting, we
thought, why not mother/daughter? So that's how it ended up. In
"Points of Departure," we have one of your requests already taken
care of...a part of a war cruiser commander who could've been male or
female...cast female.
-
Q: What are Londo's appendages called?
Tentisticularites? -
Are Londo's appendages in addition to or instead of human-type
"appendages"?
That would be instead of, not in addition to. - @@@846702607
As for the tentacles...well, there's no rules about showing
tentacles on TV. I think they didn't even want to deal with it. There
are some moments when they pretend they didn't see it, and I pretend I
didn't write it.
-
Centauri males have six.
-
Centauri females, btw, have six narrow...ummm...slots on their backs,
three on either side of the spine, right around the base of the spine.
The awful thing is that the two women in props -- who were having FAR too much fun with this -- kept bringing me the tentacle to verify the shape, size, consistency, do we see veins or not....
I tell you here and now: our staff meetings are something else.
- @@@846702607
Actually, Centauri have six. They extend out from the sides of
the body, and "fold" in over the solar plexus when not in, er, use.
(We actually saw one extended for other purposes in the first season,
"The Quality of Mercy.") Female Centauri have six...er...slotted areas
on either side of the spine, just above the hips, three on either side.
To go any further would probably bring in the FBI.
- @@@846702607 Does that mean Centauri women have multiple births on
a regular basis?
No multiple births, in that sense, not any different than humans. -
"What kind of birth control do the Centauri use?"
Conversation.
- @@@883993388 Which of the six do they use for urination?
That assumes the urinate out of the same organs they use for sex; ain't necessarily the case. -
We used a bullwhip sound effect for the
"retraction" in QoM; when we were in sound editing,
I asked for the hardest whip-crack they had...and
got it put in REAL loud. Every time I hear it, I'm
on the floor....
-
While the TP themes in "Quality" go back through the history of SF,
including the Demolished Man, among others, the basic storyline (re:
Talia) came out of the pilot. At the time, I was asked -- frequently
-- "Why didn't Lyta scan Sinclair to determine if he had tried to kill
Kosh?" My answer then -- which is in some of the archives -- was that
it would violate the right to due process, that a defendant cannot be
scanned to determine guilt or innocence (in fact, I recall a rather
heated debate about that here a while back). I promised that this
would be elaborated upon down the road, and mentally logged in to do a
show with that premise...and I'd already decided about the death
penalty, and the use of telepaths in it. So "Quality" came out of
that, long before "Mephisto" was even written. At one point, knowing
that there were some common story areas, I called Harlan to tell him
the "Quality" story, so that if there were any problems, I could
revise it, but he said he saw no problem.
-
Isn't brainwiping as bad as killing?
There are actually many issues to get into in all of this. Which is really the "person," the mind, the soul, or the body? If a person has an accident, getting amnesia, which wipes out his entire personality, is that person as good as dead? Is there no difference between amnesia and death? If not, why not just kill the amnesiac? But obviously there *is* a difference. So what is the person? What constitutes death?We consider the actual death of the *brain* through the cessation of brain activity to be the test for death. But what if you simply rearrange those patterns?
There is also the question of *justice*. If the person is dead, then that person cannot do much to correct the ills he visited upon society. It is simply a waste of material. So why not take someone who, in any decent society, would be executed or forced to live in a 6x9 cage the rest of his life, and give the soul, and the body, a new chance by giving the person a new personality and letting him, as the Ombuds says, "serve the community harmed by his actions"?
Finally, if the person is dead, he's dead; let's say 5 years down the road somebody finds evidence that proves the person was innocent. There is at least the *chance* to reconstruct some of the original memories and personality profile.
All of this, again, has to be considered in light of the fact that we are talking about a *space station* with limited space and resources. You cannot warehouse every person who kill somebody in a station that small; you would run out of space almost immediately. (If you also include basic felons and near-killings.) So what *do* you do with them? As was noted, Earth doesn't want them and won't pay to have them shipped back...what's left?
That's the dilemma I wanted to pose in the episode...what *can* you do?
-
"...the 'personality' remaining in the body will
be punished for a crime that 'personality' did not
commit."
1) But again, which is the person...the old personality, the new one, or something else?
2) Part of the new personality would be the delight in serving others.
-
You will see the healing machine from "Quality" once more. Part of
the reason for that story was to set up something within the B5 universe
that will come in handy a long time later (but I'm *not* going to have it
lying around indefinitely; it would cause lots of long-term complications).
(Some TV shows foreshadow/set-up stuff an act or two ahead of time; we do setups a full *year* ahead....)
-
There are limits to what the healing device can do, for starters;
it can't repair physical damage to the body, mainly it works with
disease and basic low-energy stuff; also, bear in mind that it was a
device used for *capital punishment*...meaning that to save one person's
life, another must sacrifice his or her own, if it's that far along,
so it's not really something you can trot out everytime somebody gets
nailed.
-
They cannot carry out the original sentence because the body is
now dead, which would tend to diminish its social acceptability.
Dr. Franklin did not know that Mueller had yet found Rosen, or even knew of it. There are no Babcom systems in DownBelow quarters. To send a security team, when they're out searching, without cause, is neither realistic nor sensible. He did the correct thing: to go and warn her, while at the same time making sure that security knew where he was going, and if they didn't hear anything, to send in a team.
-
Franklin should have had a search warrant.
Allow me to disagree with you.Dr. Franklin did not require a search warrant to enter Rosen's quarters. The door was basically open, and he is NOT an officer of the law. Only officers of the law are required to have search warrants. Neither was he there to arrest her.
Defense counsel was sitting with the defendant at the table. He had no lines, but he was there. The trial had been ongoing; this was the part where the verdict is rendered after a decision has been reached.
The pattern of the judge passing sentence is exactly the same as when circuit court judges used to work the frontier areas of the US. Where would you find a jury on B5? Most civilians are passing through, on stop-over for only a day or two...unable to follow a long hearing. The only other ones are station personnel, which represents a conflict of interest. Your only choice is a circuit court style judge whose loyalty is owed to no one.
The alien device was being used on humans without any kind of license, she is not a certified doctor, and it was used in the death of a human. Under those circumstances, it is within the judge s right to confiscate the device for the greater good. (You can have a unlicensed firearm in a state that requires licensing, and use it in a righteous self-defense shooting, but it will be confiscated afterward. No compensation is required because its use is/was unregulated, unlicensed, and she was/is not a working doctor.)
It *is* due process. Even according to 20th century terms. Only problem is in understanding what due process actually *is*, as opposed to what we think it *should* be.
-
Yes, part of the reason for the QoM episode was to set up the notion
of an implanted personality as achievable tech.
-
David: "The Quality of Mercy" title is drawn from the same source as
Compton's book, Shakespeare. It has a lot to do with that episode.
-
Yes, absolutely; in "The Quality of Mercy," you'll get a look at
how the justice system has come to grips with the uestion of how to
handle violent crimes in an environment like a space station, which
has limited room for cells, limited resources, and other complications.
We do plan to get into this area a bit, without getting too LA LAW
about it.
-
A lot of our episodes are constructed to work as mirrors; you see
what you put into it. "Believers" has been interpreted as pro-
religion, anti- religion, and religion-neutral..."Quality" has been
interpreted, as you note, as pro-capital punishment, and anti-capital
punishment. We do, as you say, much prefer to leave the decision on
what things mean to the viewer to hash out.
A good story should provoke discussion, debate, argument...and the occasional bar fight.
-
There's the sense that A, B and sometimes C stories in TV should
intersect. My attitude: sometimes yes, sometimes no. Depends on if
you look at this as a real place or not, as opposed to a thematic
exercise. What I go through in the course of a day has nothing to
do with what happens to Larry DiTillio across town, except and unless
it involves our mutual work. Sometimes, as in "Quality," the stories
feel like they resonate, and can be used to illustrate one another,
and so they're linked. In others, what I'm striving for is a sense
of a "day in thed (the) life" of Babylon 5. The one kind of story is
neither better nor worse than the other, they're simply different.
One may like one more than the other, but to say they're "better"
plots is just silly. There's NO padding in this show, no stories put
in to fill out time; just stories that we want to tell, period.
-
Minbari use base 11, not base 10, so twelve would be eleventy-first
year, and so on.
-
Minbari base eleven includes fingers and head, from which the
principle of mathematics comes.
-
You're also looking at this from a strictly English-speaking
perspective; in German, for instance, 21 is "Ein und Zwanzig" (pardon
any misspellings in there, it's been a while) which is exactly the
same structure, albeit reversed, used for Minbari counting (and, in
fact, is more or less what I based his "statement" on).
-
Eleventy-seven = Eighteen base ten.
-
One, two, three, four, five, six, seven, eight, nine, ten, eleven
Eleventy-one, eleventy-two, eleventy-three, eleventy-four, eleventy- five, eleventy-six, eleventy-seven, eleventy-eight, eleventy-nine, eleventy-ten, twelfy
Twelfty-one, twelfty-two, twelfy-three, twelfty-four, twelfty-five, twelfty-six, twelfty-seven, twelfty-eight, twelfty-nine, twelfty-ten.
And so on.
Who here still has a problem with this?
The Quality of Mercy
Londo is talking to a Centauri senator on his screen. The senator tells him that it's vital he promote good relations with the other species on Babylon 5, some of whom may be potential allies. Londo protests that he's doing the best he can, but the senator tells him to try harder.
Londo states his case.
Shortly thereafter, Londo encounters Lennier in the hallway. When Lennier admits that most of his knowledge about the other races comes from reading, Londo offers to spend two days showing him "the Babylon 5 I know."
Meanwhile, in one of the station courtrooms, Ombuds Wellington announces the verdict against a man named Karl Edward Mueller, who has been found guilty of murdering two station residents and one member of the security staff. Sentence will be handed down tomorrow, Wellington says.
In Downbelow, Ivanova finds Dr. Franklin running an unauthorized free clinic for people who can't afford the services of Medlab. She upbraids him for not telling her -- she won't shut the clinic down, "but if I'm going to share in the blame, I'd at least like to share in some of the fun."
Garibaldi, Wellington, Commander Sinclair, and Talia Winters discuss the fate of Mueller. Garibaldi suggests spacing him. "A couple hours of hard vacuum would do him and the gene pool a world of good." He's upset not only because of the crime, but because he believes that Mueller has killed many times before.
Wellington replies that there are only three legal punishments. Mueller can be returned to Earth. Sinclair counters that Earth doesn't want Mueller and won't pay to have him shipped back. The second option is life imprisonment, but Garibaldi says there's not enough room in the brig for the prisoners who're already there, let alone to keep someone for life. The third option involves Talia, who reluctantly agrees to help. Garibaldi suggests that while she's in Mueller's mind, she can see if he's killed before; Wellington reminds Garibaldi that any such evidence would be inadmissable.
Franklin searches Downbelow for a woman named Laura Rosen, who he's heard is running a bogus medical practice. He enters her office to find that she and a man are both hooked up to an alien device of some kind. The man says he feels much better now, and asks what he owes; Laura tells him that's up to him, and that he can leave his donation in the box outside the door.
Laura Rosen and patient.
She and Franklin talk about the device. She claims it cures anything from the common cold to Stafford's disease. Franklin starts to confront her, calling her a con artist and a fraud, when Laura's daughter Janice arrives and tells him to leave. He does, but promises to return.
Ombuds Wellington sentences Mueller to personality death. He'll be telepathically scanned and brainwiped, then programmed with new memories, to spend the rest of his natural life serving the community he harmed. Mueller is livid, and struggles against his guards, but they lead him away.
Franklin tells Garibaldi he'll need to check over the brainwipe machine to make sure the procedure is painless, something Garibaldi isn't too concerned about. Franklin asks Garibaldi to see what information he can find on Laura Rosen.
Londo takes Lennier to Dark Star, a club with erotic dancers. "Here, my friend," he says, ushering Lennier to a seat at the stage and ordering drinks. "Here you will see the heart and soul of Babylon 5. Also its spleen, its kidneys... a veritable parade of internal organs." Claiming he left his credit chit in his quarters, Londo tells Lennier to pay for their drinks. Lennier asks whether his drink contains alcohol -- even small amounts, he says, can cause Minbari to experience violent, homicidal rages. Londo quickly grabs Lennier's drink and orders water for him.
Londo and Lennier
arrive at the club.
Franklin stops by the stall where Janice Rosen sells jewelry for a living. He talks to her about her mother. Janice says that all her mother ever wanted was to be a doctor. And she was, originally, but she could never do as much as she liked -- she started taking stimulants to stay awake longer, became addicted to them, and finally slipped up, causing the death of a patient. After her license was revoked, she wandered the stars, thinking that if she could find some new alien healing technology, she could return to Earth, vindicated.
"And now she thinks she's found it," says Franklin. "What do you think?"
"I think... I think that for the first time in years, I see my mother smiling. For the first time, I see hope in her eyes."
Franklin counters that it's a sham; the machine doesn't work. Janice says he doesn't know that for sure. If it works, asks Franklin, why are Janice and her mother still on Babylon 5? They could return to Earth and show her mother's fantastic discovery to the world. Janice starts to claim she can't afford it, but Franklin says she can; she just doesn't want her mother to know it.
"I see hope in her eyes."
Janice leaves, warning Franklin not to try to take away what her mother has; if he does, she'll fight him, and win.
Lennier relates the story of his education to a bored, bleary-eyed Londo. He studied the ninety-seven Minbari dialects and subtongues, then moved on to mathematics, specializing in probability. That perks Londo up, and when Lennier says he achieved the rank of master adept, Londo drags him away from the stage to introduce him to something the Earthers call "poker."
After preparing, Talia goes to Mueller's cell to scan him. He's not very cooperative, and when she threatens him, he scoffs. "It's not like I'm going to remember any of this. That's the plan, isn't it? Take away my thoughts, my memories, everything that makes me me, so they can put me to work for the rest of my life, mopping floors, scrubbing toilets..." But he eventually sits down, allowing Talia to enter his mind.
Talia arrives to scan
Mueller.
She finds herself facing the security guard Mueller killed, watching him die from Mueller's point of view. And it's not just the guard, Mueller says to her, as face after face drifts by, humans and aliens alike. He is building a choir, and has to keep adding to it until there are enough voices to sing him into heaven. "The overture is just beginning," he says. Talia breaks contact with him, stumbling back, overwhelmed by what she's just seen and felt.
Franklin's clinic assistant brings him a file full of followup reports on Laura Rosen's patients. If he can show Janice that her mother isn't helping people, he says, maybe she'll listen... but apparently that's not what the reports show. He rushes away.
Londo and Lennier play poker in another part of Dark Star. Lennier looks at his hand and announces cheerfully that the probability of this combination of cards is approximately five thousand to one against. The other players fold, and as Lennier adds the chips to his already substantial mound, Londo tells him to stop doing that -- Lennier could be winning ten times more if he'd just keep quiet.
Franklin enters Laura's office as she heals a woman. While she and the woman are hooked up to the alien machine, Franklin pulls out a portable scanner and points it at Laura. The alien treatment only lasts a moment, and the woman leaves, claiming she feels much better.
After offering his apologies to Laura, Franklin notes that her lifesigns dropped 15 percent while she was hooked up to the machine. She says she knows, that that's how the machine works -- it takes life energy from one person and transfers it to another. It was designed as a form of capital punishment for criminals; they gave up their lives to heal terminally ill people. But it can be used at partial strength so it doesn't immediately kill the donor.
Franklin complains that it's still killing her, if only gradually. Laura says it doesn't matter. She has Lake's syndrome, and has maybe three years left to life. Time enough to figure out how the machine works, possibly figure out how to modify it such that it doesn't hurt the donor. Franklin deduces that Janice doesn't know how the device works, or even if it works. Laura confirms that; if Janice knew the machine was killing her, she'd force her to stop. She promises to give the machine to Franklin if something happens to her, but asks him for his word that he won't tell Janice about it.
Janice arrives as Franklin leaves. He offers to treat her to dinner if she wants to take a break sometime.
Garibaldi finds Talia in the Garden. She tells him she scanned Mueller well enough to do a comparison scan after the brainwipe. She says Mueller's mind is inhuman, more so than any of the aliens she's had contact with. As Garibaldi leaves, she adds, "You once said you'd bet good money he'd killed before. You would not have lost."
Talia in the Garden.
Back at the gaming table, Londo clears his throat loudly and adjusts his clothing. Something underneath the fabric begins to move. As people examine their cards, a tentacle reaches up from beneath the table and snatches the top card from the deck. Seconds later, Londo switches it for a card from his hand, and the tentacle puts that card on the deck.
Londo's helping
tentacle.
Garibaldi and a few guards lead Mueller away. As they reach the transport tube, Mueller overpowers the security guard in the car, grabs a gun, and is inside before anyone can stop him. Garibaldi manages to shoot him in the arm as the doors close, then orders C&C to stop the elevator car immediately. Mueller pries the doors open and stumbles onto a different floor; nobody is around, and he runs off, clutching his injured arm.
Londo tries to snatch another card, but one of the other players inadvertently puts a pitcher of icewater down on the tentacle as it lifts a card from the deck. "Is it cold in here all of a sudden, or is it just me?" Londo asks. The tentacle struggles to pull itself out from under the pitcher as Londo looks increasingly uncomfortable. One of the other players notices what's going on and lifts the water; the tentacle snaps under the table, hitting Londo. Several of the other players stand up and accuse Londo of cheating. They knock over the table and advance. Lennier lays two of them out cold with an expert punch and a flying kick, but by now the other people in the club are closing in. "This... is not good," Lennier says, taking a defensive stance.
In medlab, Franklin patches up the security guard who Mueller attacked. He calls his clinic, warning them to be on the lookout for a man with a PPG wound, then heads to Laura's office to warn her.
When he arrives, he finds that Mueller is already there, and has a gun to Janice's head. Laura is in the middle of treating him. Franklin tries to intervene, but Mueller shoots at him, warning him to stay back or the next shot won't miss.
Mueller holds Janice
hostage.
Convinced that he'll kill Janice anyway when the treatment is finished, Laura hits a control on the machine. Suddenly, Mueller writhes in pain, drops the gun and collapses to the floor. "That's Lake's syndrome," she tells him, describing its agonizing symptoms in detail. "You'll never hurt anyone again." Mueller stops moving, and Franklin, after a quick examination, says he's dead.
Later, Laura is cleared of any wrongdoing by Ombuds Wellington; she acted in self-defense. But she must turn the alien device over to station personnel for study. As the courtroom clears out, Garibaldi tells Laura she did the right thing. Janice agrees, but Laura is still haunted by the fact that she has taken a life, in violation of her oath as a doctor. "I did the necessary thing," she tells Janice. "That is not always the same as the right thing."
Ivanova catches up with Garibaldi as he leaves the courtroom and tells him they've identified the two suspects who started the fight in Dark Star.
Sinclair tries to get Londo and Lennier to tell him what happened at the club. Lennier takes full responsibility, claiming that the argument started because he misunderstood the rules. Sinclair doesn't believe a word of that, but can't press further thanks to diplomatic privilege.
After Sinclair leaves, Londo thanks Lennier. Lennier asks what the part of Londo that reached for the cards was. Londo whispers the answer to him, and, when Lennier stares at him in disbelief, picks up a nearby statuette, a figurine with six long tentacles protruding from her midriff. "It's true," Londo says. "Yes! Here: Li, goddess of passion. A synthesis of male and female Centauri. Did you think these were just decorations?" Lennier leaves in a hurry.
Laura and Janice drop the alien machine off in medlab. Franklin says he'll study it. Perhaps it can still be used to heal; volunteers could donate a little of their life energy the way people once donated blood. Laura tells him she's leaving, going out to the stars to redeem herself, to try to find a way to make up for what she's done.
"Is that dinner invitation still open?" Janice asks as she leaves.
"Yeah. Yeah! It's still open," Franklin says, happily surprised. "7, zocalo?" Janice nods and leaves Franklin with a smile on his face.
Synopsis by Steven Grimm
The Ragged Edge
Overview
Another attack on an Alliance ship brings Garibaldi to the Drazi homeworld to search for a witness. G'Kar finds himself the object of unwanted attention.
P5 Rating: 8.57 Production number: 513 Original air date: April 8, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by John Copeland
An episodic soundtrack is available.
Plot Points
- @@@892086202 Garibaldi's drinking has begun to seriously impair his ability to do his job, and although he seems to realize he has a problem, he has so far refused to mention it to anyone.
- @@@892086202 While G'Kar was with Londo on Centauri Prime, some Narn broke into his quarters and stole his book. It has, in under a month, gained great popularity, and may soon outsell the Book of G'Quon. As a result, many Narn now consider G'Kar a holy figure, and are gathering on Babylon 5 to hear him speak.
- @@@892086202 Franklin has been offered a position in Earthdome, as head of xenobiological research. The position is currently held by Dr. Benjamin Kyle ("The Gathering") but Kyle intends to step down at the end of the year. Franklin will use the position to continue his research on cross-species diseases ("Strange Relations.")
- @@@892089227 Although Alliance member worlds are officially obliged to boycott certain products (dust and some other drugs, certain biological weapons, etc.) many of them simply use smugglers to trade in forbidden goods unofficially.
Unanswered Questions
- @@@892086202 Who was the Drazi who attacked Garibaldi's friend?
- @@@892089630 Did G'Kar get the original copy of his book back? Will he continue to work on it, or was it finished?
Analysis
- @@@892086202 Although the conclusion was correct, Garibaldi's evidence that the Centauri are involved in the attacks on Alliance ships wasn't very solid. Londo appeared to believe that buttons from palace guards weren't particularly hard to come by; given that the parties behind the attacks had planted evidence before, an item pointing to the Centauri could have been just another attempt at misdirection.
Notes
- @@@892086202 G'Kar started writing his book in B5's brig in "Messages from Earth."
- @@@892086202 Garibaldi drinks "Afterburner" brand whiskey.
- @@@892086202 It hurts more to punch Drazi than other races.
- @@@892086202 Drazi are vulnerable to motion sickness.
- @@@892086202 The streets of Drazi cities are all extremely narrow, an architectural holdover from pre-flight times intended to make it harder for invading armies to maneuver.
- @@@892086202 Drazi homes tend to have large open patio areas, since Drazi are traditionally an outdoor race.
jms speaks
- @@@890333453 Each season we have increased the amount of CGI we've done,
both in the amount and the complexity of the shots, and this season is
no exception. We're trying some new things, different kinds of
CGI...you'll see some of that in "The Ragged Edge," for instance. Much
more sophisticated compositing, more difficult to shoot, but more
visually interesting.
- @@@892532194 Now that Londo is back, why doesn't Sheridan warn
him about what he saw in
"War Without End?"
This comes from not separating out what we the viewers know, from what the characters know.What Sheridan knows is that 17 years from now, Londo had something on his shoulder called a Keeper, which may or may not have a direct connection with the apparent attack on Centauri Prime by Shadow allies.
What he doesn't know is, did this happen 16 years ago? Or six months ago? What process led it to happen? What should he be warning Londo *about*? He saw the result...but what process, what event should he warn Londo about to avoid this? He doesn't know that the Regent has a keeper, the Regent could be acting in these ways for his own reasons entirely.
Further, there's a certain trickiness about time stuff. Okay, so he warns Londo about something he doesn't really understand...does he now change the future? Does he have someone else other than Londo now on the throne, who won't spare his and Delenn's lives?
There are too many variables, and not enough actually known by him, to say anything that would be of any use to anyone.
The Ragged Edge
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
Sheridan is signing copies of a treaty, getting ready for a meeting of the Interstellar Alliance. He arrives late in the council chamber, but his apology dies on his lips; only Delenn is present. The other ambassadors voted to boycott the council until the Alliance can guarantee the safety of their shipping lines, or at least find out who is responsible for the attacks ("In the Kingdom of the Blind", "A Tragedy of Telepaths"). They need a break, and they need it soon.
Meanwhile, a break is in the making. A human transport, protected by
Drazi fighters, is under attack. A single human manages to slip out in
a lifepod as the attacking forces destroy the convoy.
Later, G'Kar and Londo arrive back from Centauri Prime. Narns are
looking at G'Kar, and bowing before him, which puzzles G'Kar. Londo
takes the opportunity to tease him about it.
In his quarters, Garibaldi has overslept and missed a meeting with
Zack. The bottle he drank the night before "Phoenix Rising") lies empty next to his
bed.
Half an hour later, he joins Sheridan, Delenn, Franklin and Zack for a meeting. The Rangers have found the debris from the last attack and know a lifepod is missing. This could mean a potential witness, and a way to head off the crisis building up in the Alliance.
Unfortunately, since it was a human transport in Drazi space, it is likely that they were smugglers, contracted by the Drazi Government. The Alliance members use this sort of arrangement to bypass Alliance regulations on dangerous substances and equipment. If so, the Drazi Government is unlikely to help them.
Fortunately, however, Garibaldi has an old friend from his days on the
mining colony on Europa ("Survivors"),
who now works as a security consultant on the Drazi homeworld. He can
help them locate the pilot and get him out. Sheridan wants the pilot
to testify before the council as soon as possible. He asks Franklin to
go with Garibaldi and help him out, but Garibaldi objects. He claims
his contact will not trust Franklin, and the mission may be
dangerous. Despite his misgivings about sending Garibaldi by himself,
Sheridan agrees.
A large number of Narns seem to be camped out near G'Kar's quarters,
and murmur in awe as he walks by. Outside his door is Ta'lon ("All Alone in the Night", "A Day in the Strife"). G'Kar greets him
warmly, but when he walks into his quarters, he discovers that the
book he has been writing is missing. According to Ta'lon, the Kha'ri
was worried that G'Kar had been taken prisoner and was to be executed
in Centauri Prime. Afraid that if something happened to him, the "Book
of G'Kar" might never see the light of day, Ta'lon helped "liberate
it", and took it back to Narn. There, copies were made, and
eventually it was published. In only a month, over half a million
copies have been made. It has achieved great popularity, and the Book
of G'Kar is on its way to outselling the Book of G'Quan.
"Congratulations, Citizen G'Kar," quips Ta'lon. "You are now a
religious icon."
On his way out, Garibaldi is stopped by Franklin. Franklin is afraid
there may be something wrong between them on a personal level, a
feeling he got because of Garibaldi's refusal to take him along on the
mission. Garibaldi assures him it is nothing personal, but rather he
is worried the mission will be very dangerous and Franklin will be
unable to help. Franklin is not completely convinced, but has no
arguments to give. Before Garibaldi leaves, Franklin says: "If you
ever got a problem, anything at all you want to talk about... you know
where to find me."
Garibaldi arrives at the Drazi Homeworld and is promptly contacted by
his friend, Tafiq Azir. Tafiq knows the pilot is hiding, and why: the
pilot's employers are not happy he lost the ship, and the Drazi agents
that awaited the cargo want to take their losses out on him. They
would all rather he was dead, including the Government, who would have
to explain its involvement with smuggling. The pilot, in short, wants
to get off planet. Tafiq has made arrangements: the pilot will signal
Garibaldi's balcony from a near-by park, and Tafiq will arrange for a
shuttle. A knock on the door announces the arrival of room service:
Tafiq has ordered a bottle of some alcoholic drink. At first,
Garibaldi refuses the drink, but he quickly changes his mind and
starts drinking.
As night falls, Garibaldi is asleep on his chair, drunk. Tafiq leaves
to finalize the arrangements, but he is assaulted in the hallway
outside the room, and shot in the chest. Garibaldi, however, is too
far gone to hear it.
Some time later, Garibaldi awakes. As he stands on the balcony, he
notices the signal from the pilot flashing. Garibaldi runs out, but he
comes upon a Drazi going through Tafiq's clothing. In the ensuing
fistfight, the Drazi is tossed out the balcony, but a large flying
vehicle flashes a spotlight on Garibaldi. Garibaldi runs to Tafiq, but
it is too late to save him. With his dying breath, Tafiq tells
Garibaldi to go and save the pilot. In the park, three robed figures,
their heads obscured by hoods, are beating a man. Garibaldi tries to
intervene, but they are too much for him, and he gets a beating
instead. As the Drazi authorities approach, the hooded figures
leave. Before the Drazi arrive, Garibaldi confirms that the pilot is
dead, and he escapes through the narrow streets of the Drazi capital.
In Sheridan's office, Delenn receives an emergency transmission from Garibaldi. The mission has failed catastrophically, and everyone is after him. She arranges for a White Star to pick him up and take him back to Babylon 5.
Outside G'Kar's quarters, Narns are waiting, reading the Book of G'Kar. Ta'lon knocks on the door, only to receive a curt "Go away!" from G'Kar. But after he identifies himself, G'Kar lets him, and only him, inside.
G'Kar doesn't want to be a leader, religious or secular. He is
overwhelmed by the attention. "I have nothing to teach them," he tells
Ta'lon. But Ta'lon disagrees. For a hundred years, the Narns have
only taught each other to hate and to fight. But in this New Age, the
Narn need new lessons.
"I have not personally read your book," Ta'lon admits, "but I have
seen the light of understanding come into their eyes. It is not about
teaching, it is about unlearning hate and fear."
G'Kar does not want to lead others, afraid they may be forced to pay the price of his mistakes. What if he leads them the wrong way, teaches them the wrong lesson? Even worse, what if they come, not because of the lesson but because of the teacher? G'Kar fears his own shadow may become larger than his the message.
"If that happens," answers Ta'lon, "I give you my word that I will personally kill you." Not much comfort, perhaps, but the only comfort Ta'lon, as a warrior, is capable of giving. Mollified, G'Kar comes out, faces his admirers, and invites them in.
In Sheridan's office, Delenn, Sheridan, Garibaldi and G'Kar are going
over Garibaldi's mission. The only thing Garibaldi has is a button
from one of the cloaked figures; he also knows, from the way they felt
when he hit them, that they were not Drazi. Garibaldi figures the ones
behind the attacks are the ones who killed the pilot. The fact that
they knew about him indicates that there is a leak somewhere.
Londo arrives late to the meeting and notices the button Garibaldi
found. It is, he says, the button of a uniform of the Palace Guard;
they are not found anywhere else. The others are taken aback by the
revelation, and quickly move on to the next topic. After Londo leaves,
however, they stay and talk. They agree the Centauri are almost
certainly behind the attacks, but that Londo probably does not know
about them. On the other hand, it was probably through him that those
responsible found out about Garibaldi's mission.
G'Kar advises that Londo be told nothing. If Londo is told about their findings, he will be outraged and try to trace the attacks to their source. And shortly thereafter, he will be killed. He recounts the assassination attempt on Londo in Centauri Prime ("In the Kingdom of the Blind"), and explains that two factions are at work in the Centauri Royal Court. Londo is alive because one of the factions wants him alive, and if he starts to ask the wrong questions he will become a liability and be killed. Until they find out which faction is behind it, Londo must be kept out of the loop. The rest agree.
Delenn is puzzled, however. There is no reason for the Centauri to do
this: they need the Alliance as much as everyone else. "There is
something here we are missing," she muses out loud.
Franklin later goes to see Sheridan. Dr. Benjamin Kyle ("The Gathering") will retire as head of
Xenobiological Research in Earthdome at the end of the year, and has
asked Franklin to take over for him. After careful thought, Franklin
has decided to accept. He points out this will even help in putting
the information on cross-species infection together for the Alliance
("Strange Relations"). It also means,
however, that he has to leave Babylon 5 by the end of the
year. Sheridan is not happy on a personal level, since he values both
Franklin's work and his friendship. But he agrees it is a great promotion and
great opportunity.
Franklin promises to tell everyone himself, especially Garibaldi. He goes to put a call to the latter right away, but Garibaldi doesn't hear the incoming message. He is passed out on his bed, an empty bottle of whiskey on his night stand.
The River of Souls
Overview
A group of Soul Hunters come to the station demanding the return of something that was stolen from them. Ian McShane. Martin Sheen as Soul Hunter.
P5 Rating: 7.77 Production number: TNT MoW3 Original air date: November 8, 1998 DVD release date: August 17, 2004 Written by J. Michael Straczynski Directed by Janet Greek Novelization by Yvonne Navarro
Plot Points
- @@@910698649 Ten thousand years ago, the Soul Hunters were drawn to Ralga, a world whose inhabitants were apparently about to die en masse. Deviating from their usual practice of capturing individual souls, the Soul Hunters placed all 1 billion Ralgans in a soul globe. But they were wrong about the impending mass extinction, and inadvertently captured the race as it was about to transcend its physical form and become pure energy. Over the course of the ten thousand years they've been in captivity, half have gone insane.
- @@@910698649 The Minbari are the only race to have stopped the Soul Hunters from collecting a soul ("Soul Hunter").
- @@@910698649 Soul Hunters never capture each other's souls; they believe themselves unworthy of preservation.
- @@@910698649 Soul Hunters store their captured souls in "whisper galleries," immense halls in which the souls can communicate with one another.
Unanswered Questions
- @@@910698649 Which other two races did the Soul Hunters capture en masse? Were those legitimate extinctions, or have the Soul Hunters made the same mistake twice?
Analysis
- @@@910698649 The two storylines shared a thematic link: both the
brothel operator and the Soul Hunters captured some aspect of people
without permission and used the simulacra for their own purposes.
- @@@910698649 "Infection"
and
"Thirdspace"
shared several plot elements with this story: an ancient artifact is
probed by a scientist funded by a major corporation; it's brought
to Babylon 5 and activated with deadly results. The scientist is
motivated by greed or power. The artifact was created by a powerful
race due to their belief that they were the most pure, the smartest,
or knew better than others.
- @@@910698649 Transcending of physical bodies seems to be a common
evolutionary path for races who survive long enough; even humanity is
destined to take that step sometime in the next million years
("The Deconstruction of Falling Stars").
Other examples of transcendence: Lorien
("Into the Fire"),
Ironheart
("Mind War"),
and arguably the Vorlons
("Falling Toward Apotheosis")
though they retained at least some physical form and could be poisoned
("The Gathering").
- @@@915470841 One of the other two races captured by the Soul Hunters might have been the Markab, who died suddenly from a virulent disease ("Confessions and Lamentations").
Notes
- @@@910696690 Soul Hunters are very long-lived; a four-thousand-year-old
is considered young and naive.
- @@@910859445 Soul Hunter ships all have the ability to attach to
other ships and burn through, a capability they need since they're
rarely welcomed by other races.
- @@@890719726 The following press release is dated March 23, 1998.
It contains some spoilers.
RIVER OF SOULS -- The Next TNT Movie!
An ancient vault filled with relics believed to hold the secret to eternal life is the centerpiece of the Turner Network Television (TNT) Original Film BABYLON 5: The River of Souls. Julie Weitz, executive vice president of original programming for TNT, today confirmed that series stars Tracy Scoggins, Jerry Doyle, Richard Biggs and Jeff Conaway will headline TNT's next BABYLON 5 full-length movie. Douglas Netter and series creator J. Michael Straczynski will executive-produce the two-hour film from the script by Straczynski. The film is a co-production of TNT and Babylonian Productions.
After a brief absence from Babylon 5, Michael Garibaldi (Doyle) returns to the station as a harbinger of doom. An archeologist in his employ has stolen an ancient relic he believes to be the key to eternal life from the Soul Hunters, immortal creatures who capture and preserve souls throughout the galaxy. With the station under siege from the Soul Hunters, the explorer releases thousands of enraged souls from the relic who merge with others, attempting to taste life one more time. Captain Elizabeth Lochley (Scoggins) must save Babylon 5 from an impending attack of the Soul Hunters and the wrathful entities looking for retribution.
TNT is the exclusive home of the BABYLON 5 franchise, featuring the eagerly anticipated fifth season of 22 all-new episodes (Wednesday at 10 PM ET)and a Monday-through-Friday airing of the series' award-winning first four seasons. Building on the success of BABYLON 5: In the Beginning, TNT's first full-length BABYLON 5 movie, the network will premiere BABYLON 5: Thirdspace this summer.
Turner Network Television, the number one-rated cable network in prime time and currently seen in more than 72 million homes, is Turner Broadcasting System, Inc's 24-hour, advertiser-supported service offering original motion pictures and miniseries; contemporary films from the world's largest film library, the combined Turner and Warner Bros. film libraries; exciting NBA sports action; popular television series; and timeless cartoons.
Turner Broadcasting System, Inc., a subsidiary of Time Warner Inc., is a major producer of news and entertainment product around the world and the leading provider of programming for the basic cable industry.
jms speaks
- @@@886335088 Is there a title yet?
Yes.Is there an air date yet?
Under discussion.Who will be in it?
Ditto.Will it involve the Telepath War?
Negative. - @@@886335088 Actually, no, it isn't written yet. I won't be able to
have a clear field to write it until after I've finished writing the
5th season. I know in general what I want to do with it, have fleshed
out a lot, but until I've run the premise past TNT and WB officially,
I can't comment.
- @@@889490633 Just got clarification and verification:
Thirdspace does indeed air July 19th, and another B5 TV movie airs
November 23rd, and one more on January 3rd.
- @@@895441655 TNT has moved up the airdate for "The River of Souls" to
November 8th (from November 22nd) so that a) B5 fans won't have so long
to wait, and b) to make sure both that and Sleeping in Light both get
equal promotion, and one doesn't get lost in the other.
- @@@890717935 "River" is a heck of a movie, I think...now we just have
to film the darned thing. (Janet Greek is directing.)
- @@@896746067 When does it take place?
It takes place six months into 2263. - @@@898571834 Because we have only $3 million on which to make these movies,
we have to rotate the cast because we can't afford to have them all in
any one of them. Bruce and Mira were in the first two, so we gave Tracy
a shot and put in Jerry as well as Corwin (his first), Zack and
Franklin.
We're just looking for ways to be fair to the maximum number of cast with the resources we have.
- @@@911284786 Why did Martin Sheen's soul hunter
speak so oddly at first?
What we had discussed (actor, director and me) was that soul hunters don't generally get much chance to hang out and talk to people; they can empathically sense the language, however, when they encounter others. At first, he didn't know the language very well, and gradually became more able to express himself.
The River of Souls
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
On a desolate planet, amidst old ruins, a group of human archaeologists work carefully in a deep tunnel. The leader, Dr. Bryson, is sure they are about to get to "the main vault," although according to another archaeologist, he has been saying that for two days. But soon Dr. Bryson finds a metal disc on the wall; on one side is the symbol for death, and on the other side the symbol for eternal life. The wall is broken down, and they find themselves in a large gallery full of small, glowing globes, thousands of them. But as they enter, a beacon is activated outside.
According to Bryson, the globes hold personalities, souls. He believes they will lead him to the secret of immortality. As Bryson's hand nears a globe, whispers are heard throughout the room. The whispers die away when he withdraws his hand.
Just then, they hear a ship flying outside. The second in command, Klaus, orders everyone out. "If whoever built this place has come back," he says, "they might let us leave alive if we touch nothing." Klaus and the others leave, but Bryson takes some sort of device, and a globe which is larger than the rest. Then he follows the others, and arrives at the entrance to the tunnel just in time to see the others running towards their ship. But they don't make it: a craft fires on them and they are caught in an explosion. Bryson hides inside the tunnel, avoiding detection. As he hugs the globe he has taken, he seems to hear something. "Hmmm? No, don't... don't worry," he tells the globe. "We'll find a way. I'll never let you go. Never." Outside, the alien ship is gone, and Bryson makes his way back to his ship.
A few days later, Lt. Corwin runs into a relaxed Capt. Lochley in the Zocalo on Babylon 5. Lochley notes that things have been quiet since Sheridan and Garibaldi left the station for Minbar and Mars, respectively ("Objects at Rest", "Objects in Motion"). No big crises. She likens it to the "Pauli effect," named after Wolfgang Pauli, a 20th century physicist whose mere presence in the lab would, according to folklore, ruin experiments, and make equipment malfunction or even blow up. "So now there is the Sheridan/Garibaldi effect," she jokes as she buys a glass vase. She misses Sheridan on a personal level, but the problems also seem to be gone. The station is quiet, pleasant, almost manageable.
Lt. Corwin was looking for Lochley, though, to tell her Garibaldi has just come on board. Just then, a fistfight erupts behind them. "Suddenly," says Lochley, "I have this great blinding pain behind my left eye..."
An unassuming man makes his way to Brown Sector, and knocks a prearranged rhythm on a door. The door slides open, and he steps into a room adorned with neon lights reading "Virtual Excitment" and "Pleasure for men and women."
"Is she ready?" he asks the owner. It is a holobrothel. The image of a scantily clad woman appears, taken from a photograph he supplied. The proprietor asks him if he knows how to use the VR suits, offering assistance, but the customer assures him he can figure it out. He goes into a room, following the hologram. A few seconds later, the lights dim briefly and a yell of pain is heard. "I said he didn't know how to use it," the proprietor says angrily. "Idiot. If he shorts that thing out, I'm going to charge him double."
Mr. Garibaldi is in Lochley's office, explaining why he is there. Ever since taking over Edgars Industries ("Objects in Motion") he has been tracking down black projects the company ran under Clark's administration. Programs Edgars never told anyone about. He keeps the good ones, and closes the not so good ones. He is on the station because it was a convenient place to meet the man in charge of one such project; he'll leave once the meeting is dones. Lochley is called on the link: Mr. Garibaldi's appointment has arrived. "You told him to meet you here?" Lochely asks, clearly annoyed. Garibaldi figured it would be a good place in case they missed each other. Before the man comes in, though, Lochley asks, "Still sober?" "As a judge," Garibaldi answers. "I'm glad," says Lochley sincerely.
The man comes in: Dr. Robert Bryson. Dr. Bryson and Garibaldi leave to talk. In Dr. Bryson's quarters, the globe he found on the planet glows.
Garibaldi wants to know what the project Bryson is working on is. He's received over 2 million credits a year, but the project is only identified in the records as "L.E." Bryson explains it might refer to his pet name for the project: "Life Eternal." Bryson wants to discover the secret to immortality. Bryson points out humans can live to 110, 115 years, but other, more advanced races, can live for double, triple that; some sustain life one way or another for thousands of years, and others have eliminated death entirely.
Garibaldi is not convinced. Even assuming immortality exists, it would probably be available only to the very rich. Dr. Bryson agrees; in fact, the probable profit is what made William Edgars invest in the project in the first place. And after three years, Bryson believes a recent discovery may unlock the secret to eternal life. But he doesn't want to share more until he is more certain.
Garibaldi is not impressed, and is unwilling to grant even the few days Brson wants to finish his preliminary analysis. He insists that Bryson turn over the notes from his last three years of work, in the morning at the latest, so Garibaldi can decide whether to continue funding. Bryson has no choice: he promises the notes will be ready in the morning.
Lochley is working in her office when Corwin escorts a man inside. He is Mr. Clute, the customer from the holobrothel. Mr. Clute wants to complain about the equipment there, claiming it was dangerously faulty. Lochley doesn't understand: as far as she is aware, there are no holobrothels on Babylon 5. But Mr. Clute claims the business is sanctioned by Babylon 5. Lochley asks Corwin to have Mr. Clute give a full report to security, and then let Zack take care of the problem.
In his quarters, Dr. Bryson has rigged an interface with the station's power lines, which he uses to activate the device he took from the gallery. The device seems to act as a viewer or communicator, allowing him to peer inside the globe. There he sees a face, but it appears the face does not hear or see him. Bryson records in his log, "I've made contact."
In Brown 11, Zack Allan reaches the holobrothel. The door opens after he knocks the required rhythm. He asks to see the owner, who arrives and identifies himself as Jacob Mayhew. Zack tells him to pack up and leave the station as soon as possible, but Mayhew refuses: he has a six month lease, paid for in advance, and an entertainment license. The license does not exclude holobrothels specifically, and according to Mayhew may be interpreted as covering them. The permit allows him to run an entertainment business, after all. And it is all illusions: holograms and sensual telemetry body suits. "You can do anything you want to anybody you want. You just bring me a picture, I'll supply the fantasy," he offers Zack. But Zack clearly is not interested. Mayhew refuses again to leave, and is willing to go to court over it. "You got it," says Zack. "Meanwhile, I suggest you tell these other folk here about how this equipment of yours is dangerous and faulty. Hell, I'm suprised nobody has been electrocuted by now." Zack leaves, and Mayhew tells his secretary to call 'Riley.'
Meanwhile, Bryson continues his experiments using more power to try to communicate better. And he succeeds: a tendril of light connects the globe and the device, and a shape forms, hanging in mid-air. Bryson finally manages to communicate, and asks the figure its name. But the figure doesn't seem to understand, and screams in agony. "What's wrong?" Bryson asks.
"They came for us," the figure says. "They took us away. They had no right. Let me go back to sleep. Let me die." "Then you're not dead!" says Bryson, elated and curious. "You don't understand," the figure continues. "Leave us alone..." "Don't understand... what?" asks Bryson. "Leave us alone!" yells the figure before exploding into tiny shards of light, which then coalesce back to the tendril of light and return to the globe.
"Must write this down," Bryson mutters to himself. But he is too tired, and soon falls asleep. His pen knocks the globe into the device, and a surge travels from the globe all the way to Babylon 5's power grid.
Zack is patrolling in Blue Sector when he hears whimpering and crying. A woman draped in dark veils sits on some stairs crying for her children. When Zack flashes his flashlight in her direction, he can see through her as if she were a projection. "Where are my children?" continues the figure, and then jumps straight through Zack before disappearing.
In the morning, while Lochley is having breakfast, she is approached by a man who identifies himself as James Riley. He is Mayhew's attorney, and has a restraining order. He also serves Lochley, who is bein sued (as is Babylon 5 as a corporation) for harassment, violation to Mayhew's rights, obstruction of trade, and slander. The last refers to Zack's parting comments about the equipment. Lochley thinks it is some kind of joke, but Riley points out that the fines, for which Lochley would be liable, could amount to millions of credits. "See you in court," he adds cheerfully on his way out of the Zocalo.
Garibaldi arrives in Bryson's quarters, and finds him very excited. Bryson has clearly not slept much. The room is a mess. When Garibaldi asks for the notes, Bryson tells him he has burned them: they've become irrelevant in light of his new find. He doesn't even need the money anymore. "I have everything that I need," says Bryons. "I just need to go deeper, look more deeply, listen to them more closely." Bryson then kicks Garibaldi out.
Zack is astounded when he hears that Mayhew is suing them. He can't win, after all. But Lochley points out that the objective is really intimidation, harassment, and perhaps a settlement. In any case, they can certainly tie things up until the lease expires. They need to be more discreet dealing with Mayhew. But Zack is very unhappy. He even claims Mayhew sent a hologram to try to scare him. He recounts his experience with the crying woman. But Lochley points out the amount of energy needed to do that is too big. Mayhew can only create holograms within the confines of his establishment.
Just then, Garibaldi comes in. He's done, and will be leaving as soon as he can. They are interrupted by the Captain's link: something unusual is coming through the jumpgate. She turns on the screen to see it, and Garibaldi recognizes the ship: a Soul Hunter ship ("Soul Hunter"). The globe in Bryson's office shines more brightly; he approaches it, and listens to sounds only he can hear. "They're here," Bryson mutters, and packs the globe away.
Meanwhile, Garibaldi is telling Lochley what he knows: Soul Hunters show up when someone is about to die. Lochley asks him to help out with the Soul Hunters, since he has had some dealings with them before. Lochely, Garibaldi, and Zack arrive at the docking bay, with an armed security detail, just as the Soul Hunter emerges from his ship.
"Who are you here for?" asks Garibaldi. "Not you," answers the Soul Hunter. "None of you, not today. Something was stolen from us. Taken here." When asked how he knows, the Soul Hunter says the thief's companions told him; he then produces a small shining globe. The lights dim, and inside the globe they can see faces screaming in agony. "How do we know?" answers the Soul Hunter. "We know." The lights go back up. He even knows the name of the thief: Bryson.
"What did he take?" asks Garibaldi. "More than you can possibly imagine," replies the Soul Hunter. The globe contains the entire civilization from Ralga, an advanced race that chose not to fare among the stars. They were all going to die, so the order of Soul Hunters arrived to save the entire world. It was one of three times the Soul Hunters captured an entire planet at the moment of death. Then the vessel was put in a whisper gallery, where Bryson found it.
Lochley agrees with the Soul Hunter that the globe should be returned, but Zack isn't so sure. Who gave the Hunters permission? Were the peole of Ralga consulted, and did they choose to be locked up forever? The Soul Hunter points out the alternative is death, and "nothing is beyond" death, according to their beliefs.
Bryson's quarters are searched, but he is gone. The Soul Hunter says that the longer you have the vessel, the more you can hear the voices of the souls inside. The vessel should be returned: only the Soul Hunters can attend to it safely. When Lochley asks him what he means, the Soul Hunter replies: "There is strength enough in one mind, one soul, to change the universe. Can you imagine how much strength there is in one billion souls, all focused on escape?" "Or worse," Lochley points out. "Revenge." Given someone they can influence and enough time, the souls could do anything.
Somewhere on the station, the souls speak to Bryson. "Yes, I understand," Bryson tells the globe. "I won't let them have you. No matter what. Better to destroy the station, embrace the darkness, than go back there."
Lochley orders a full search of the entire station, and wants to hear reports on anything strange. Meanwhile, Bryson again powers up the device and touches it to the soul vessel, allowing more souls to travel through the power grid. Two of them make their way to the holobrothel, where they inhabit the holograms of two of Mayhew's 'creations,' and start kissing. Another makes it to a Babcom screen, and then appears carrying a long blade, with which he attacks someone.
Lochley enters her quarters and finds the Soul Hunter inside; he made the guards 'sleep' and came inside because his spirit wanted him to be there. He is curious: Soul Hunters have little to do with others. When Lochley asks, he describes what they do with the souls. They are placed in great halls, where they can talk to one another or to the Soul Hunters, but can do nothing else. Lochley says that sounds like hell to her, but the Soul Hunter insists she does not understand: her desires and needs are a product of her flesh, not her soul.
Their conversation is interrupted as the lights dim inside. Some souls have been following the sound of the Hunter's voice, and are pushing against the walls. A power surge forms on a console. The Soul Hunter tells Lochley to leave, but as she is doing so, she sees the souls about to strike the Hunter from behind. He pushes him out of the way, and is hit in the chest instead, thrown to the far wall. She slowly slips to the ground and falls unconscious.
She is taken to MedLab, where her heart stops. She can then feel herself outside her body, plummeting down through the decks, and then keeps falling. Finally she arrives in a place she does not know: Ralga, inside the soul vessel.
There she is met by what appears to be Dr. Franklin. But that's only because that is who she wants it to be. According to Franklin, inside the globe one sees only the familiar. He is really a Ralgan. He explains she got caught in a power struggle. The "Mad Ones" were trying to kill the Soul Hunter, but the rest managed to change the surge so it wouldn't kill her; instead, it stopped her heart for a second, so they could bring her in to talk. He continues to explain: the "Mad Ones" are those driven insane by the 10000 years of captivity, and there are more of them every year.
Lochley wonders why they don't just get Bryson to destroy the globe so they can die, but Franklin explain they were not dying in the first place. They were about to undergo an evolutionary change, leave their bodies behind, become energy, when the Soul Hunters came and imprisoned them. The Soul Hunters made a mistake, and he hopes Lochley can make them understand that. But she is leaving the vessel already, as her heart begin to beat again.
Outside the station, dozens more Soul Hunter ships are arriving.
The Soul Hunter comes to see Lochley and to thank her for saving him: she is the first one ever to save a Soul Hunter; in so doing, she has helped change his view of others, and for that he wants to thank her. He also tells her the other Soul Hunters have arrived, impatient with his lack of progress. Unless the soul vessel is returned soon, they will come aboard and attend to it themselves. Their ships can burn through the hull if necessary. He will speak on behalf of Babylon 5, but he also warns Lochley they are less patient with other races than he is. "Our order is disciplined and directed. We do not make mistakes."
"Yes, you do," replies Lochley, getting up. She tells him she was taken inside the vessel, but the doesn't believe her at first: it's impossible. She describes the planet, and he is less sure, but still cannot understand: ordinarily, souls shouldn't be that strong yet. Lochley points out they aren't ordinary souls, and explains the Ralgans were evolving into beings of pure energy, not dying; but the Soul Hunters came and imprisoned them. They made a mistake, trapped living souls in their prime. The Soul Hunter cannot believe it, but must. He wants to know what to do. For now, Lochley asks him to help keep the others out, buy her more time. He agrees to try, and leaves. She follows him out, still in pain and groggy. She makes her way to Brown 11, where Zack has concentrated his investigation. While en route, she is told the Soul Hunters are holding position, and that some atypical readings from the reactor have been detected.
Zack and Garibaldi find the man who was attacked by the ghost with the blade. He is dead, but not from any injuries: he was literally scared to death.
Mayhew makes his way to Zack, complaining all the way. He accuses Zack of harassment, and of interfering with his programs. Then he notices the dead body. "You mean this isn't a routine just to get rid of us?" he asks, and takes them to the holobrothel, where hundreds of luminous shapes are moving around, leaving the room. Zack thinks it makes sense: they are trying to get into bodies, even if they are only projections. According to Mayhew, they have access to all his files. Just then, a projection of Lochley, scantily clad, walks by the doorway.
The real Lochley arrives and is extremely angered by the image. But she has better things to do. She points out the souls must be pumping in a lot of energy in order to be taking the images out of the brothel. Then, humanoid shapes move past the Lochley image, and the latter joins them. In a large bay, the holographic Lochley joins hundreds of glowing humanoids, and addresses them:
"For 10000 years we have been prisoners. For ten thousand years we have had one need, one dream, one ambition. To strike back at those who imprisoned us. Though we will enter the great dark with them, the sacrifice is a worthy one. To end our suffering and our pain. To end it all... We are on the path. Now all we have to do is wait here, and let our vengeance come to us."
The lights dim for a second, but the holograms do not. Lochley realizes this, and is suddenly very worried. She leaves to 'test a theory.' She joins the now still images, but they don't react. "I was right," she says to herself. They are meant as a distraction: nobody is really there. But before continuing, she wants to get rid of the holograms anyway: the Mad Ones could use them to see and hear. So over Mayhew's vocal protests, she throws a thermal grenade into the holobrothel, blowing up the holographic projectors.
Lochley points out they must have access to the enhanced fusion reactor in Babylon 5. They will probably blow up the station, so they can destroy the Soul Hunters outside, even if it means dying themselves.
Indeed, the reactor will go critical in 15 minutes, and Bryson has locked up the controls. But now they know where he is. Zack goes to gather a strike team, and Garibaldi and Lochley make their own way there.
On the way, they find the Soul Hunter. Unfortunately, the other Soul Hunters did not believe him. Since he is only 4000 years old, they think he is too naive. The others think it is all an elaborate ruse to keep the soul vessel. After all, if the story about the souls were true, a routine investigation would have detected it. But since the order couldn't have made a mistake in the first place, such an investigation was never made. If the vessel is not returned within 20 minutes, the Soul Hunters will attack the station.
Bryson is sitting alone, surrounded by a shimmering column of energy, the vessel floating just above his hands. He seems oblivious to everything. The assault team gathers around him, as Garibaldi tries to talk to Bryson. But he cannot get through, and the souls attack him instead. The assault team fires, but the PPG charges can't get through the column of energy.
The Soul Hunter blames his order, their arrogance, for the current crisis. He now sees their many mistakes: storing the souls in dark places where they would go mad; taking them in the first place was a mistake. "We actually thought we were doing them a service, an honor," says the Soul Hunter. "Can you imagine... Instead, we were monsters, a terror worse than death."
In time, he is sure, the others would understand... and he gets an idea. He goes towards Bryson, and says: "Listen to me, please. What we did to you was wrong. I see that now... And there may be a way to correct our mistake. But this destruction is not it. We can return you to our world and find a way to release you from your bondage. At first, for brief times of course, as you have achieved here through the holograms. And then, later, we can invite others to come and allow you to express yourselves through them. Allow you to... see an open sky again, allow you to feel the ground under your feet again. Until that day when we will release you permanently. I know that my order will set this mistake right, once they undertand that they have made a mistake. Once we make them understand."
Until then, the Soul Hunter offers himself as a symbol of his sincerity. If the souls take him inside the globe, it will prove they are really highly developed living souls, cut off at the wrong time. And once he is inside, they will know he is telling the truth. "Let my soul be a bridge between us, and let my soul be doorway to hope."
He touches the column of energy, and is engulfed in light. The light then retreats into the globe, and the Soul Hunter's body slumps to the grond, dead. The column disappears, the globe falls back to Bryson's hands, and Bryson collapses.
A lone Soul Hunter arrives later to claim the vessel. Lochley tells him: "I never knew the name of the other one from your order who came here. He never told me. I don't even know if you have names. All I know is that he gave his promise and his life to protect you and this place, and the billion minds trapped inside this thing. Make sure that the promises he made on your behalf are kept, or I promise you, the Hunters will become the hunted. I will do whatever it takes to make sure his sacrifice was not in vain."
The Soul Hunter nods and takes the globe. Inside, the first Soul Hunter sees Lochley walking towards him, saying "The mind sees what it needs to see. The soul sees what the soul sees." The Soul Hunter smiles, content.
Outside, the Soul Hunters leave, the crisis safely over. Garibaldi is also leaving soon; but unfortunately for Lochley, he has plans to come back in a month. As he leaves the office, a vase falls to the ground and shatters, another manifestation of the Garibaldi-effect.
Riley comes in. Since Lochley blew up his client's establishment, they will press criminal charges as well. But, according to Lochley, the lease specifies that there is no liability for damages due to military action. In fact, she already has the depositions of all security personnel involved, supporting her conduct and decision. Also, since the establishment is gone, the other charges are moot. If they contest this, she will sue them for unauthorized use of her image in the holobrothel, a case they will surely lose. They will get nothing. Riley is nonplussed, but leaves empty handed. Another crisis is over as well.
Babylon 5 can get back to normal... for now.
The Road Home
Overview
John Sheridan unexpectedly finds himself transported through multiple timelines and alternate realities in a quest to find his way back home. Along the way he reunites with some familiar faces, while discovering cosmic new revelations about the history, purpose, and meaning of the Universe.
Production number: ??? Original air date: July 22, 2023 (San Diego Comic-Con screening) Original air date: August 15, 2023 (Blu-Ray and streaming release) Written by J. Michael Straczynski Directed by Matt Peters
Plot Points
Unanswered Questions
Analysis
Notes
jms speaks
The Road Home
The Rules of the Game
Overview
Gideon attempts to negotiate for the right to land on an alien planet, but the aliens have other ideas. Jamie Rose as Cynthia. Tim Choate as Polix.
Production number: 112 Original air date: July 21, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Jesus Treviño
Plot Points
- @@@932976564 The original inhabitants of the planet Lorka 7 were wiped out a long time ago, but the details are unknown. The new inhabitants, who were led to the planet five hundred years ago by a being they call "The Most Holy," have agreed to let the Excalibur land and investigate to see what happened to their predecessors.
- @@@932976564 Lochley and Gideon have consummated their budding relationship.
- @@@932976564 Max was a child prodigy, always getting beaten up in school for being smarter than his peers. He had a lonely life until he met a woman named Cynthia Allen; the two of them were married for some time, but she eventually left when it became clear that his devotion was more to IPX than to her. Her business, trading alien art and antiquities, was devastated by the quarantine of Earth.
Unanswered Questions
- @@@932976564 Who or what was the Lorkans' "Most Holy?" A Vorlon? Why were they led to Lorka 7? Where were they before then?
- @@@932976564 What wiped out the previous population of Lorka 7?
- @@@932976564 What other alien artifacts does Max have in his quarters?
Analysis
- @@@932976564 Dr. Chambers was clearly no stranger to fighting. Was she formally trained? Perhaps she has served in Earthforce; on the Excalibur it's not entirely clear whether she's a civilian.
- @@@932976564 Five years after the founding of the Alliance, Babylon 5 is still teeming with activity. Yet a decade and a half later, at the time of Sheridan's death ("Sleeping in Light") it's considered useless. What happens in the intervening years to cause people to stop coming to the station?
Notes
- @@@932976564 Lochley likes to retreat to Downbelow when the stresses of running the station become too great.
- @@@932976564 Just after the shower scene, a ship is shown entering B5's docking bay. This is a tongue-in-cheek variant on an old cinematic metaphor, more typically rendered as a train going into a tunnel.
- @@@936120474 Tim Choate, who plays Polix, was Zathras in the original series.
- @@@932976564 Dedication:
In Memory of Mister Kitty
198? to May 17, 1999
Now chasing star-mice
jms speaks
- @@@932976564 "I presume that Mr. Kitty was yours?"
Yup.
- @@@932976564 Was the Lorcan at the end played by Wayne
Alexander?
No, it wasn't Wayne, and the name slips away at the moment.
The Rules of the Game
The Summoning
Overview
Zack makes a discovery in the search for Garibaldi. Delenn's plan to attack the Shadows runs into trouble. Ivanova and Marcus attempt to solicit aid from more First Ones. Wayne Alexander as Lorien. Wortham Krimmer as Emperor Cartagia. Eric Zivot as Verano. Jonathan Chapman as Ambassador Lethke.
P5 Rating: 8.66 Production number: 403 Original air week: November 18, 1996 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by John McPherson
Plot Points
- @@@848311149 Lyta's telepathic abilities were enhanced by the Vorlons to enable her to more easily carry one of them.
- @@@848310531 The Vorlons, apparently determined to wipe the Shadows out once and for all, have begun destroying worlds that have had contact with the Shadows, and to that end have amassed a fleet of thousands of ships.
- @@@848310531 Sheridan has returned to Babylon 5, as has Garibaldi.
- @@@848310531 Initially, when the Vorlons and Shadows took on the task of looking after the younger races, they were equally balanced, obeyed rules of engagement, and respected each other's perspectives. But at some point, one of them grew tired of the arrangement and the two started fighting in earnest, with the younger races caught in the middle.
Unanswered Questions
- @@@848647375 Who, if anyone, was on the ship that carried Garibaldi's lifepod? Why were they transporting him, and why did they self-destruct?
- @@@848310531 What was done to Garibaldi? Was he implanted with a new personality, like Talia Winters?
- @@@850299655 What was the program that activated as Garibaldi's pod was ejected?
- @@@848310531 Why did Lorien accompany Sheridan?
- @@@848310531 How did they get to Babylon 5? Was that Lorien's ship?
- @@@848647375 What exactly did Lyta learn when she scanned Kosh?
- @@@848785481 What exactly does Sheridan have in mind to end the war once and for all?
- @@@848989312 What happened to Marcus' family? His brother died in a Shadow attack ("Matters of Honor,") but what about his parents?
Analysis
- @@@848786516 Delenn said, "Everyone I hold dear is gone." She didn't
list Lennier among them. Why not?
- @@@848481032 Lyta says she allowed the Vorlons to modify her because
she believed. Believed in what? What did they tell her about their
intentions? Does she know anything about the Shadows and Vorlons,
and the nature of their conflict, that Sheridan would find useful?
- @@@848358319 What made the Vorlons change their strategy? Most likely
it has something to do with the "unexpected door" they feel Sheridan
opened on Z'ha'dum
("The Hour of the Wolf.")
By attempting to wipe out the Shadows, it's arguable they've lost the
war on a philosophical level; attempting to wipe out a race to gain
supremacy is exactly the method the Shadows advocate.
On the other hand, if there's no way to get the Shadows to stop fighting and causing wars except by completely destroying them, the Vorlons may have reached the conclusion that the very existence of the Shadows means their philosophy can never take hold.
- @@@848358319 Given that the old Kosh, at least according to Lyta,
cared about the younger races, would he have approved of the Vorlons'
change in strategy? If not, will the piece of him still alive in
Sheridan try to stop the plan?
- @@@865641416 Lyta referred to the old Kosh as "the real Kosh."
What isn't real about the new Kosh? What is the new Kosh's actual
name (or its human-pronounceable version?)
- @@@848785482 Lorien's visit to B5 would seem to indicate that he, at
least, still cares about the younger races. What can
he do about it? Presumably he'll be able to provide valuable
information, but does he have any capabilities beyond that? For
example, does he have access to technology millions of years more
advanced than even the Shadows and Vorlons?
In "Whatever Happened to Mr. Garibaldi?" he appeared to have a significant presence on the "dream plane" (for lack of a better term) through which Kosh sent the dreams to Sheridan in "All Alone in the Night" and "Interludes and Examinations." It's plausible that that's where much of a Vorlon's consciousness lives; if so, Lorien may be capable of much more direct impact on the Vorlons than his physical presence implies. Whether the same is true in the Shadows' case is less clear, but the fact that the Eye at Z'ha'dum found Ivanova while she was in the Great Machine ("Voices of Authority") suggests that they too have some presence in that mode of existence.
- @@@848614209 Destroying planets may seem excessive, but perhaps the
Vorlons are doing so, rather than simply wiping out all surface life,
because of the Shadows' habit of burying their ships underground
("Messages From Earth")
and building cities underground
("Z'ha'dum.")
They may feel that completely destroying a planet that's been visited
by the Shadows is the only way to ensure that there are no surprises
left behind.
- @@@854124175 Is the current Vorlon rampage due in part to the death
of the original Kosh at the hands of the Shadows? If so, there's a
parallel to the Earth-Minbari War, in which, according to Delenn
("Ceremonies of Light and Dark")
the Minbari went collectively mad after the death of their leader
Dukhat at human hands.
- @@@848358915 By wiping out younger races as they battle the Shadows,
the Vorlons can no longer really claim to be looking after their
juniors. What will the other First Ones think of that? They don't
seem to be on particularly good terms with the Vorlons to begin with
("Voices of Authority")
and this change in attitude may further irritate their peers. Lorien
will likely be able to provide greater insight into the feelings of
the other First Ones toward the Vorlons.
- @@@848684259 If the Vorlons are truly intent on wiping out any worlds
the Shadows have touched, that means they'll be targeting Mars,
Centauri Prime, Earth, and B5. Depending on how recently a planet
has to have had contact to be considered tainted, they may also
destroy Narn. Only the Minbari seem, so far, to have never been
under Shadow influence, so their homeworld may be spared.
The only evidence so far of Shadow influence is the assassination attempt against Kosh in "The Gathering," but given that the Shadows didn't try to touch Kosh until the Vorlon offensive in "Interludes and Examinations," the hallway meeting in "Signs and Portents" notwithstanding (Kosh initiated that confrontation too) it's more likely the Minbari warriors were acting of their own volition.
- @@@865733889 The Vorlons' new tack is somewhat ironic, given that they
filed an official protest when the Centauri used mass drivers to
bombard Narn from space
("The Long, Twilight Struggle.")
Clearly the Vorlons don't have any qualms about attacking planets
from space if they're the ones doing it.
- @@@848684377 Since the Shadows have already come to Centauri Prime,
could the blasted landscape of
"War Without End, Part Two"
be due to a Vorlon attack, not the doing of the Shadows? If the
Vorlons attack because of the Shadow presence, that would explain
Londo's bitterness toward Sheridan, who he might consider to be
on the side of the Vorlons.
- @@@848786082 Does Sheridan share the Vorlons' goal of wiping the
Shadows out completely, or does he have some other plan in mind? The
fact that Lorien accompanied him suggests the latter, since Lorien
commented that he didn't approve of warfare among his juniors
("Whatever Happened to Mr. Garibaldi?")
On the other hand, his speech to the crowd did imply that he had
genocide against the Shadows in mind.
- @@@848787026 The original Kosh tried to train Sheridan "to fight
legends"
("Hunter, Prey.")
But in his speech, Sheridan appeared to be setting himself up as a
legend of sorts: "the only man to come back from Z'ha'dum alive."
(A claim, incidentally, which isn't true; Morden and Anna were on
Z'ha'dum and left alive, if changed.) His bravado seems to indicate he
now sees himself as having a larger role to play than before, and
validates the Shadows' view of him as a nexus
("Z'ha'dum.")
@@@850286419 Oddly, in "Interludes and Examinations," Sheridan pointed out to Kosh that the Vorlons were legends, or wanted to be perceived as such. Did Kosh know that eventually Sheridan might have to combat the Vorlons?
- @@@848787026 Sheridan returned from Z'ha'dum under unknown
circumstances, accompanied by an alien he won't tell anyone about.
Garibaldi's whereabouts were unknown for two weeks, and he turned up in
a ship that self-destructed to avoid being closely investigated. Why,
then, do Delenn, Ivanova, and the others accept both of them back
seemingly without question? Given the threat of implanted
personalities and other modifications
("Divided Loyalties,"
"Z'ha'dum")
the crew should at least be skeptical that both returnees are what they
appear.
- @@@865734218 Sheridan's speech from the catwalk echoes his appearance
on the catwalk in the dream in
"All Alone in the Night."
If Garibaldi symbolized "the man in between," a description that fits
Lorien at least as well as anyone else, then was the Sheridan on the
catwalk "the man on the other side," presumably the other side of
death? If so, Sheridan has now become that man.
- @@@855943691 G'Kar's refusal to scream was foreshadowed in "The Parliament of Dreams." In that episode, when he was put into paingivers by the Narn assassin and tortured, he said he would rather die than cry out.
Notes
- @@@853315199 Marcus has never been romantically involved with anyone.
This was hinted at in
"A Late Delivery From Avalon,"
in which he jokingly compared himself to Sir Galahad, the chaste knight
from Arthurian legend. In
"Ceremonies of Light and Dark,"
he told Delenn he'd lost a woman he cared a great deal for, but that's
not necessarily a contradiction; he didn't say she felt the same way.
- @@@848346315 The scene in which Ivanova asks Delenn for one of the White
Star ships was originally written and filmed for
"Whatever Happened to Mr. Garibaldi?"
but was cut from that episode for time.
- @@@850502410 This is the first regular episode to feature all the cast
members listed in the opening credits; aside from
"The Gathering,"
all the earlier episodes were missing at least one.
- @@@848389578 G'Kar was whipped 39 times, because 40 would kill a Narn.
That's probably a reference to the Old Testament.
Deuteronomy 25:1-3
warns against whipping a man more than 40 times; more than that will
cause one to lose the respect of one's brothers.
@@@850286419 Some renditions of the New Testament also show Jesus being whipped 39 times by Pilate, though that number doesn't appear in the Bible itself. The Apostle Paul was whipped 39 times, which was the maximum number under Jewish law, to ensure that miscounting wouldn't cause one to give more than 40 lashes.
- @@@878759696 This is the second time Garibaldi has awakened from a traumatic event and found his commanding officer missing; Sinclair left the station while he was in a coma ("Revelations.")
jms speaks
- @@@850327099 About Londo and Vir deferring to each other before
the G'Kar torture scene
It's the roller coaster theory: if you move someone to horror or fear or shock from a neutral place, the emotional jump is less than if they're laughing...then suddenly you whipsaw them into the absolute emotional opposite. - @@@848469111 A planet-busting weapon is so improbable as to be
more magic than technology.
Re: "magictech"...I believe it was Arthur C. Clarke who pointed out, "Any sufficiently advanced technology is indistinguishable from magic."You wanna go argue with Clarke, feel free.
Lemme just make one point here. In the handful of decades between the discovery of the atom, and its use at Hiroshima, we learned how to blow up substantial portions of the planet and render it uninhabitable. But it would've taken a lot of them, hundreds, to do the job. In the 50 years since then, with the development of thermonuclear weaponry, the job is even easier. It's been reckoned that you'd only need about 75 really decent sized thermonuclear detonations to render the entire continental United States dead and uninhabitable.
The shadows and the vorlons are *millions* of years ahead of us. We're talking differences in technology that are orders of magnitude beyond what we can hope to comprehend.
I think a planet killer eminently achievable.
- @@@848607166 If the Shadows and Vorlons are so far advanced, why
haven't the Shadows wiped everyone out already, including B5?
Because up until now, they haven't been out to destroy everyone, that's not the point...you can't sow chaos if there's no one around in which to sow that chaos. And they may have some ideas on how B5 could be turned to their advantage.... - @@@848786154 Bear in mind that the White Stars are partially based on
Vorlon technology, which is similar in strength to the Shadows. That
helps a lot. Also, other ships can have an influence in sufficient
numbers. Even a lion can be brought down by a sufficient number of
hyenas. The idea that higher technology always equals victory didn't
help Custer.
- @@@850325094 I don't see it really as a change of heart...they've always
been very ruthless in their way. Remember, it was the Vorlons who
simply decided to off Deathwalker in first season.
There's some amount of escalation going on, obviously, which will be explained a bit more in upcoming episodes, but they've always been this way, it's your perception of them that's at odds. You fell for what they wanted you to see them to be.
- @@@850523463 Who's the worse enemy, the Shadows or the
Vorlons?
Who is the greater foe?It is always the one closest to where you live.
- @@@848917005 About the original Kosh
Certainly he came to care about us more than the vorlons intended. - @@@848481032 Kosh can keep secrets from Lyta when she's carrying
him. Can she do the same?
She can keep secrets a little...but not if he pushes. - @@@848917005 Was Sheridan's uniform different?
No, that's the funny thing...I've seen a number of posts about how his uniform was changed, but it *wasn't*. It was exactly the same outfit right out of the wardrobe closet...not sewn, not cleaned, just dusted off a bit, by hand, the way he might've upon coming in. You can clearly see that the sleeve is still torn as he's up there.All I can figure is that the red Z'ha'dum lighting made it look a lot worse than it was.
- @@@850550250 Is Ivanova's hug a sign she's attracted to
Sheridan?
No, it was just relief, letting her guard down, allowing herself to feel, which she hadn't done much before this. There's no romantic interest there. You can have situations where men and women work together, and can care about one another, without it turning into more than that.Men seem to understand this less often than women.
- @@@848684042 Sheridan seemed a lot more belligerent, and
seemed to be suggesting genocide against the Shadows.
Yup, I'd say it's very likely that some people close to Sheridan are going to be wondering about his attitude...and maybe even acting on it. - @@@848786154 Someone should get outraged...and will. It's
simply a matter of picking the right time and place to *do* something
with it.
- @@@865283274 Certainly there will be some people who will wonder
exactly the same thing you do, within the context of the show...and
wonder if Sheridan's gone too far, gotten too messianic in his
approach....
Ah, the fun never stops....
The Summoning
Synopsis by Katrina Glerum (kat@midwinter.com)
Ivanova requests a favor from Delenn. She wants to borrow a White Star ship to go in search of First Ones like the ones found at Sigma 957 ("Voices of Authority") who might assist them in their desperate mission next week against Z'ha'dum.
Vir and Londo hear a party in the throne room. Draped in chains and garbed in a punishing jester's costume which is thrusting spikes into his head and body, G'Kar silently suffers the merry abuse of Cartagia's courtiers.
Ivanova and Marcus are having no success in their search, which is no wonder considering that they are relying on wild stories that travelers have told of godlike beings or ancient civilizations. So far, they all lead only to dead ends.
Zack has located the transport which is supposed to have found Garibaldi's Starfury, and he takes a wing out to investigate.
Alone with Londo in the imperial pleasure gardens, Vir finally erupts in outrage against G'Kar's humiliation and agony and Londo's seeming unconcern. Once again Londo counsels biding their time. The entire business of plotting against the Emperor is too disturbing for poor Vir. That is, until the Emperor chances upon them, waving bloody hands and complaining strenuously at G'Kar's refusal to scream under torture. Without a bit more action, Cartagia regrets that he will just have to kill the Narn. It's really no fun any other way. After Cartagia departs, Vir decides regicide isn't so objectionable after all.
Delenn pays a visit to Lyta Alexander. There is nothing in the telepath's quarters but a mattress and the standard communications console. A bit embarrassed, Lyta explains that the new Vorlon ambassador has required her to remove everything else because they are distractions, and since he can force her to obey, she has. Delenn wants Lyta to find out why the Vorlons are not assisting in the mission against Z'ha'dum. Lyta replies that the Vorlons appear to have plans of their own and they don't seem to be interested in what happens to others any more. Although terrified of the ambassador, Lyta vows to try to help Delenn.
Zack and his team find the transport they are looking for and order it to surrender. When it maintains radio silence they fire to disable it. It ejects a life pod and explodes. Inside the pod is Garibaldi, meshed down to a table, unconscious, and wearing a week-old beard. A computer voice says, "Activating program," and Garibaldi awakens for a moment. Zack rushes him to the station, where Dr. Franklin is disappointed that Zack can't tell him anything about who was holding Garibaldi; but the prognosis is good and Garibaldi is expected to recover.
The Vorlon streams out of Lyta to her great discomfort. She angrily shouts that she deserves some respect for her sacrifices to the Vorlons, and some answers. "Respect? From whom?" the Ambassador replies. As she dejectedly turns to go she decides to chance it and mentally probes the Vorlon. He slaps her across the room with a blast of energy. Then, leaning forward, he says chillingly, "You would know my thoughts? Would you?" The disk on the head of his suit dilates and her screams begin.
"A little scream. Is that so much to ask for?" Londo begs. If G'Kar will just put aside his pride and give the emperor the reaction he craves, he can live to fulfill his bargain with Mollari. G'Kar refuses, arguing that he would no longer be a Narn if he gave in, and that of course Londo can't possibly understand.
"Yes I do," Londo retorts savagely, as he leaves G'Kar's cell. "Yes I do!"
Ivanova broods in the captains chair. With a couple of hours to kill, Marcus asks her about her plans if they live through this war. She wants to return home, travel some, pay her respects to her dead father, but there's no one special waiting. Marcus has someone special, he says, but she doesn't know it yet. He's never actually had relations with a woman, it turns out.
"I thought First Ones were rare," Ivanova mutters.
Just then, the ship's controls pick up some odd signals which appear to indicate a pocket in hyperspace hidden by a distortion field. They switch course to investigate. As they enter the pocket, they can see from the forward windows a vast fleet including some absolutely enormous ships. The smaller vessels shooting around the edges reveal that this is a Vorlon fleet on the move.
Garibaldi comes to in Medlab. He tells Zack that he's having bad dreams, but doesn't elaborate on the visions of Shadow ships and incarceration that are hounding him. He seems surprised that two weeks have passed since Sheridan left for Z'ha'dum, but not very surprised that Sheridan died there.
An enormous bird-shaped ship travels though hyperspace on an unknown trajectory.
Delenn thanks the Brakiri ambassador for bringing information regarding what the other races are planning. Those who oppose the decision to attack Z'ha'dum intend to hold a rally in the Zocalo to gather support for stopping the assault. Delenn insists that the Shadows will attack in any case so it's better to strike now when they are weak. As he departs, the Ambassador asks if she knows anything about the large vessel that seems to be approaching Babylon 5. She does not.
Vir and Londo are roused in the middle of the night and led by a taciturn guard to a secret alcove. Vir is terrified. And well he should be, for they are guests in Cartagia's personal torture chamber. They are not the entertainment however... G'Kar is. The Emperor has decreed that there and now, G'Kar will either cry out under the stroke of the electro-whip, or die on the 40th beat. G'Kar suffers mightily, as Londo surreptitiously mouths "scream" at him. At the 39th stroke, the Narn finally gives a mighty wail and sinks to the floor.
Jumping into B5 space, Ivanova orders an immediate meeting with Lyta Alexander and a thorough scan of sector 70x10x53.
Lennier sees an unusual level of activity in the Zocalo and notifies Delenn.
The huge birdlike ship exits the jump gate and initiates docking procedures without the station's approval. Ivanova orders a security red alert. Garibaldi struggles off his bed to go investigate.
From a catwalk above the Zocolo, the Drazi leader begins to stir up the crowd with anti-Minbari rhetoric.
Zack isn't happy to see the Chief out of Medlab but can't stop to send him back. Security forces square off against the personnel transport as it approaches the floor of the docking bay. Two forms are visible inside. But when the door opens, all Garibaldi can say is, "Well, I'll be damned."
The crowd in the Zocalo begins to grow more rowdy as the Drazi continues. He claims that they will all be destroyed if anyone attacks Z'ha'dum, just as Sheridan was. To the astonishment of them all, the dead man himself steps up onto their platform.
"Captain. We're sorry. We thought you were dead."
"I was. I'm better now," Sheridan says ironically, sharing a look with Lorien standing in the shadows.
The Captain begins to address the crowd. No more hesitation. They must now assemble the greatest fleet in the history of the galaxy. The only man to have survived Z'ha'dum calls on them and their governments to end this war once and forever, not just until next time. The crowd cheers their support.
Delenn rushes to his side, and as they embrace, John promises never to leave her again.
Ivanova finds Lyta collapsed in her quarters. "You know, don't you," Lyta says. "It's started."
The war council gathers in Sheridan's office for a briefing. He explains what he has learned about the Vorlon and Shadow objectives, and how the balance between them has been lost. "Something, Mr. Garibaldi?" Sheridan snaps at the Chief who is glaring at Lorien suspiciously.
"I just want to know who our new best friend is," Garibaldi growls. He isn't satisfied with just a name, or Sheridan's assurances, or the rest of the secrecy surrounding the Captain's return.
Ivanova and Marcus enter with Lyta. The joy of reunion is quickly overshadowed by the report of the vast Vorlon fleet followed by the telepath's news. To everyone's horror it appears that that fleet has just destroyed an inhabited planet because it had harbored a Shadow force. The Vorlons have decided that it's time to destroy everything that has been touched by the Shadows. Now the Army of Light must stop both the Shadows and the Vorlons if anyone hopes to survive this struggle.
Meanwhile, the Vorlon planet-killer ship cruises towards its next target.
The Very Long Night of Londo Mollari
Overview
Londo suffers a serious heart attack and must face his greatest fear to survive. Lennier decides to start training as a Ranger.
P5 Rating: 8.52 Production number: 503 Original air date: January 28, 1998 DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by David Eagle
Plot Points
- @@@886062758 Citing discomfort with his personal situation now that Delenn and Sheridan are married, as well as a desire to fill the void left by Marcus' death, Lennier has left the station to train as a Ranger. He promises he'll return from time to time.
- @@@886062758 Ever since he started dreaming of his own death, Londo has felt somehow that Sheridan would be nearby at the end. He doesn't appear to know the details of Sheridan's presence ("War Without End, part 2.")
- @@@886062758 Londo has apologized to G'Kar for all his past misdeeds. It's the first time, he claims, that he's apologized for anything in his life.
- @@@886361666 Londo's first wife was a dancer, as he mentioned to Garibaldi in "A Voice in the Wilderness, part 1.") His family later forced him to divorce her; they claimed she wasn't of a high enough social class and threatened to strip him of his inheritance if he didn't obey.
Unanswered Questions
- @@@886062758 Was G'Kar aware of Londo's dream? Was G'Kar's in-dream suggestion that he was a projection left over from their telepathic contact ("Dust to Dust") at all true?
- @@@886100581 Was Lennier truly following the calling of his heart as he claimed, or was he simply running away as Sheridan conjectured?
Analysis
- @@@886062758 How did Londo know about Sheridan's limited lifespan?
Why would Sheridan (or Delenn) have told him about it?
If it's common knowledge, then Lennier probably knows too. What influence did that knowledge have on his decision to leave? He as much as said that he wanted to become a Ranger so he'd be more attractive to Delenn; does he believe that by becoming a warrior like Sheridan, he'll be able to take Sheridan's place at Delenn's side in twenty years?
- @@@886062758 During his conversation with Londo, Sheridan's clothing
changed several times, in line with his changes of uniform over the
course of the show: first he wore an Earthforce uniform, then a
shirt with no coat
("Severed Dreams.")
Then he wore his Army of Light uniform
("Ceremonies of Light and Dark.")
Next, he was dressed in the robes of the Entil'zha, just like
Sinclair's garb in
"War Without End."
Finally, he was dressed in a simple white robe and hood like that of
a Minbari acolyte, before he turned into a ball of light similar to
the million-years-hence Ranger in
"The Deconstruction of Falling Stars."
Londo's dreams can be prophetic at least some of the time, the obvious example being the dream of his death. If this one can be taken literally, the implication is that Sheridan will be the next Entil'zha. That's consistent with Zathras' claim that he is "The One who will be" ("War Without End, part 2.")
The meaning of the white robe is less clear; perhaps after he heads the Rangers he will turn his attention to Minbari spiritualism. It's worth noting that Delenn wore a similar robe during the rebirth ceremony in "The Parliament of Dreams," during the funeral ceremony in "Legacies," and after her transformation in "Revelations." Dukhat wore a similar robe in "Atonement." That last reference may be the most significant when considered in light of Delenn leaving the center space in the Grey Council open for "the one who is to come" ("Moments of Transition.")
The robe, it should also be noted, shielded most of Sheridan's head from view. Could that be a trick similar to showing Delenn's arm in "Babylon Squared?" Will Sheridan, late in life, transform into a Minbari-human hybrid, possibly to cement his role as Dukhat's successor?
The ball of light may be related to whatever event will lead to the legend (in "The Deconstruction of Falling Stars") that he was carried bodily into heaven after his death -- perhaps Lorien, a ball of light in his own right, will return and take Sheridan. Or perhaps there's still part of Lorien remaining in Sheridan, and it's that part that will depart when Sheridan's body dies.
- @@@886359843 Once again the theme of finding something to live for is
in evidence; it's a recurring one most strongly in evidence in
"Whatever Happened to Mr. Garibaldi,"
in which Lorien told Sheridan that something to live for was required
if he was to continue living at all. The most relevant previous
appearance of the theme, though, was in
"Shadow Dancing."
Dr. Franklin had similar near-death visions that caused him
to reexamine his past and gave him the determination to live in order
to correct past mistakes, a closer analog to Londo's experience than
what Sheridan went through.
- @@@886062758 Londo said he had never apologized for anything in his
life, presumably referring to serious apologies rather than off-the-cuff
conversational remarks. If that was because he was afraid to face the
fact that he'd done great harm in the past, apologizing might count as
facing his greatest fear, his last chance for redemption as prophesied
by Lady Morella
("Point of No Return.")
Of course, she was more likely referring to allowing himself to be
strangled by G'Kar, since his next-to-last chance was to not kill the
one who is already dead -- quite likely a reference to letting
Sheridan go as he'll do in his final moments
("War Without End, part 2.")
- @@@886361479 Lennier's decision to join the Rangers may have other
aspects in addition to the ones mentioned in the episode. For example,
he may feel personally responsible for Marcus' death, since he was the
one who inadvertently led Marcus to discover the existence of the alien
healing device
("Endgame.")
- @@@886361816 Both Lennier and Londo followed the callings of their hearts in this episode, though Londo's heart was rather more emphatic about it.
Notes
- @@@886062758 Londo's taste for fine bravari was first established in
"Knives."
- @@@886062758 Londo has apologized seriously twice before. First he
apologized to Garibaldi for casting his vote against Sinclair in
"The Gathering."
The second time, he reluctantly apologized to Elric for recording
their conversation in
"The Geometry of Shadows."
He has also apologized in casual conversation (e.g. telling Vir he
was sorry to call so late in
"The Hour of the Wolf")
though he likely doesn't consider those to be true apologies.
- @@@886062849 Lennier and Vir first sat together at the bar in
"The Fall of Night,"
and according to that episode, it was a regular weekly event.
- @@@886062758 Vir drank a Shirley Temple at the bar. Shirley Temple
was a child film star, but a more subtle reference is that she later
served as the U.S. ambassador to several countries.
- @@@886062758 Vir said goodbye to Lennier using the Minbari hand sign
(fingers and thumbs touching to form a triangle.) Presumably he
learned that during his time as the Centauri ambassador to Minbar.
- @@@886062965 An old Centauri story says that sometimes an angelic soul
can be trapped inside a body that's done great evil, and can kill its
host in an effort to break free and inhabit another body.
- @@@870968410 The title of this script is similar to an earlier
story, "The Very Long Night of Susan Ivanova," which was never
produced.
- @@@886359399 Medical gaffe: When Franklin described Centauri anatomy
to Sheridan, he said they had a "bipulmonary system," clearly intended
to mean that they had two hearts. But in medical jargon, "pulmonary"
refers to the lungs, not the heart. A term like "bicardial" would have
been correct.
- @@@898571511 Medical gaffe: Franklin ordered a "toxology report" on Londo. Though it's a common mistake, he meant "toxicology." Toxology is the study of the bow (as in bows and arrows.)
jms speaks
- @@@871230710 Is this the same story as "The Very Long Night of
Susan Ivanova?
No, just that since I ain't doing that story, the title became available, and it was most apt for this episode. - @@@886100020 Nothing like this was planned for Susan; I just liked the
title and adjusted it.
- @@@886360328 Was the lighting changed for the transition between
Vir entering the transport tube and Londo emerging in the hall?
We did the light change, and enhanced it further in post.How was the cameraman holding the camera during the rest of that scene?
We attached the camera to his body.Was the single unbroken shot the director's idea?
It was in the script. - @@@886464544 Is Bill Mumy off the show?
Bill is still on the show; there's a bit of a break as his character is off on anla-shok training, but he does come back, and in fact has a rather substantial arc of his own at a certain point later in the season. - @@@886100020 G'Kar's artificial eye isn't red yet. Did the actor
not want to wear the contact?
No, the contact omission was kept because of the story and the character; it'll be dealt with down the line in more detail, but for now, that's why it's there. - @@@886359137 How did Londo know about Sheridan's shortened
lifespan?
It's common knowledge within the inner circle of the Alliance advisory board. - @@@886573242 Are Sheridan's last two outfits a preview of things
to come in season five?
Could be.... - @@@886573282 Re: the idea that Londo has "apologized" before....
Remember G'Kar's comment: that in other circumstances, Londo wasn't sorry he DID it, he was sorry he got CAUGHT. That was the point of the exercise.
- @@@887704064 We're slowly bringing Londo full-circle, and what an odd
little voyage it's been. And so much sadness yet to come.
- @@@887657731 He can learn, yes, and he can better himself...but
because of his actions, so many have died, so much grief has occured,
that perhaps no amount of self-revelation can cover the blood on the
floor.
There's an excellent moment in the Night Gallery movie, where a prison camp commandant has fled to Brazil and, years later, is trying to live out his life in peace, realizes that mistakes were made, is actually trying to find a better life...but as one man dies at his hands says, "You have hung too many Christs on crosses for any god to forgive you."
- @@@886360328 Could Delenn have stopped the Rangers from accepting
Lennier?
Yes, she could have...but it would have devastated him and undermined the Ranger structure.
The Very Long Night of Londo Mollari
Synopsis by Arturo Magidin (magidin@math.berkeley.edu)
Sheridan and Delenn are sleeping in her quarters when she is awakened by a call. The caller, Ruell, has received a message, ostensibly from Delenn, indicating that Lennier will return to Minbar permanently. Ruell is calling to arrange for a replacement, or as many replacements as Delenn may desire. But this is the first Delenn has heard about it.
Meanwhile, Londo, Vir and Zack Allan are in Impound Area 31. Londo is protesting the impounding of his very fine brevare; Babylon 5 has had a problem with infestations recently, and Zack's orders are that all foods are to be impounded for three days. Londo grows ever more annoyed and abusive, and Vir takes Zack aside to talk to him. Londo seizes the opportunity to open a bottle and take a drink. A few seconds later, he drops the bottle and falls convulsing on the floor. Londo is taken to Medlab, where Dr. Franklin takes over.
Lennier enters Delenn's quarters and begins discussing her schedule for the day. But Delenn tells him of Ruell's call and asks for an explanation. Lennier, who was planning on telling her later that day, is surprised that Ruell moved so fast. He awkwardly explains he does not feel needed anymore, now that Sheridan has become Delenn's "other half." He feels in the way and uncomfortable, but he does not blame either Delenn or Sheridan.
"I know why," whispers Delenn, which only makes the surprised Lennier even more uncomfortable. He assures her he will keep his vow of being ever at her side should she need him, but he has decided to join the Rangers and has been accepted. Despite the dangers involved in being a Ranger, he will leave the following morning. Ever since Marcus' death, explains Lennier, he has felt a loss of a part of himself, a part he hopes to find again this way. He also hopes to earn Delenn's respect. "You always had my respect," says Delenn. "Yes, in most ways," replies Lennier. "But I only wish to add a few more, to become more of what you may want me to be; more of what you may find... My decision is made," he concludes. He promises to visit between training cycles, but he assures Delenn that this is the calling of his heart and he must follow it.
Garibaldi finds Vir in the Zocalo, and explains that Londo was not poisoned. He has suffered a serious heart attack to the left heart. As Franklin explains to Sheridan in MedLab, because of Centauri physiology, there isn't much he can do to help Londo. Londo's diet and stress have seriously affected his health, and he is not responding well to therapy. Centauri Prime is sending an artificial heart system, but it will take at least three days to get to Babylon 5. The best Franklin can promise is to keep Londo alive 24 hours on life support.
Late in the evening, Delenn is standing watch over the unconscious Londo. Sheridan joins her, and they agree that, despite everything, they will miss Londo if he dies. Sheridan also brings up Lennier's recent decision, and Delenn confirms Sheridan's fear that Sheridan is at least part of the reason Lennier has decided to leave.
Before they leave, Sheridan explains that if Londo makes it through the night, he has a chance. But at this point it is no longer up to medical science or Dr. Franklin. Londo himself must fight to make it through. "Good luck, Mollari. Good luck," says Delenn softly, and they both leave MedLab.
Meanwhile, Londo is dreaming. He is somewhere in Down Below, and he hears Delenn's disembodied voice wishing him luck. He wanders a bit looking for her, and eventually enters a dark room, where a figure is veiled and shrouded in black. It is Delenn, who invites him to sit. She tells Londo that he is dying. "I know," he replies.
"Do you want to live?" asks Delenn. "What difference does it make?" replies Londo. Besides, he says, it is better to die this way than at G'Kar's hands, which he has dreamt for twenty years now. Perhaps he should die now, to spite fate if nothing else.
"Do you want to live?" asks Delenn again. "What difference does it make?" replies Londo yet again. Nobody in Centauri Prime cares one way or another. Delenn lifts her veil, revealing her face, and asks yet again. "Do you want to live?" Londo does not respond, and Delenn tells him she is not allowed to ask again. "Yes. Yes, I want to live," whispers Londo.
But that isn't enough, says Delenn. A word is also required, she adds, but she will not explain what she means. "I do not understand," says Londo to himself. "Yes you do," replies the disembodied voice of Delenn. Londo finds himself alone in darkness, and as he turns and walks into it, the silhouette of G'Kar appears next to him.
Vir is sitting at the bar in the Zocalo, nursing a drink, when he is joined by Lennier. They start to talk, each having heard about the situation the other is going through. Eventually, they stand up to leave. Vir promises to catch up with Lennier on the latter's next visit, and says goodbye using the traditional Minbari farewell. But overcome, he then hugs the clearly uncomfortable Lennier before they each go their separate ways.
In his dream, Londo is walking towards the bar in the Zocalo. The Zocalo is empty, as is the bar and all the bottles in it. But suddenly, Sheridan is sitting next to him. Londo asks him if one ever gets used to being dead, and Sheridan replies that he was only dead long enough to know he didn't like it. As they walk away from the bar, Sheridan asks Londo about the latter's prophetic dream of his own death. Londo tells him he has always felt Sheridan would be there, but has never been able to understand that part. Finally, Londo tells Sheridan he does not want to die. "Then turn around," answers Sheridan. Londo is startled, but doesn't turn. "Turn around," repeats Sheridan, more sternly. "I cannot! Don't you understand?" whispers Londo, who can sense that standing behind him is G'Kar. "Then you'll die," says Sheridan simply, and turns into a ball of light and disappears.
Meanwhile, Londo's body continues to deteriorate. In a desperate bid to keep him alive, Franklin injects a drug directly into the left heart, causing Londo to clutch at his chest in agony inside his dream. Franklin stabilizes Londo, but the latter's body is under too much strain and will not be able to take this much longer. With only a few hours left until morning, Franklin decides to stay at Londo's bedside should anything occur. "A deathwatch?" asks Vir, who has just walked into MedLab. "Maybe," answers Franklin. "We'll just have to wait and see."
Londo is lying on the floor in the darkness of his dream. "I don't want to die," he pleads sobbing. "Please, Great Maker, I don't want to die! Not like this, please!"
"You are afraid," says Vir inside the dream. "Yes," answers Londo. "Then don't die," replies Vir, echoing his words at Londo's bedside. Londo doesn't think he has a choice, but in the dream Vir disagrees. There is a choice to make, but it must be made quickly.
"What is wrong with me?" asks Londo. "Your heart can no longer bear the weight of your conscience," replies Vir. Londo claims there is nothing wrong with his conscience, but refuses to turn around at Vir's urging, again sensing G'Kar behind him. He invokes the prophetic dream of his death as proof that he will survive this, but Vir disagrees. "Prophecy is a guess that comes true. When it doesn't, it becomes a metaphor," says Vir, adding, "You are out of time, Londo. Turn around!" "I can't. I don't know what he wants of me!" complains Londo. "Yes you do!" replies Vir. Londo answers that perhaps his death would be for the best, but Vir disagrees. "No, not for the best. Because I will miss you." "And I suppose," replies Londo, touched by Vir's sentiment, "that I will miss you." Londo turns and walks into the darkness.
His body goes into shock, as Franklin calls for a trauma team. G'Kar enters MedLab silently, and watches as Londo starts convulsing. "Now, Mollari," says G'Kar in Londo's dream. "Now we end this."
Then G'Kar and Londo are in the Throne Room of the Imperial Palace in Centauri Prime, where Londo claims he does not want the throne. G'Kar tells him it is because he knows he does not deserve it. He reminds Londo that he stayed silent and said nothing when the Centauri used asteroids and mass drivers on the Narn homeworld ("The Long, Twilight Struggle.") Then they find themselves in Emperor Cartagia's Shadow Cabinet room, where G'Kar was whipped ("The Summoning.") G'Kar reminds him of the torture he endured at Cartagia's orders, and again accuses Londo of saying nothing while he witnessed it. "It would not have mattered!" counters Londo. "It wouldn't have changed anything, it wouldn't have stopped." "You are wrong, Mollari," says G'Kar. "Whether it was me or my world, whether it was a total stranger or your worst enemy, you were a witness! It doesn't matter if they stopped, it doesn't matter if they listened. You had an obligation to speak out!" "I couldn't!" "And that is why," concludes G'Kar, "you don't deserve to be Emperor."
Londo clutches at his left heart, and G'Kar tells him he is only moments away from dying. "There must be something I can do," pleads Londo. "Only one word was required of you the first time we stood here, and only one word is required now," replies G'Kar. Londo reaches out to grab at G'Kar, but finds himself chained to a column, dressed in rags. G'Kar, sitting in Cartagia's place, demands a word, a single word, as Londo is whipped with the electro-whip. At the same time, Franklin is delivering electric shocks to Londo's body, trying to get his hearts beating again. At the 39th stroke of the whip, Londo screams in his dream, and his hearts begin to beat weakly but steadily.
Londo, again standing in the darkness, pleads for his life, sobbing. G'Kar, towering above him, explains that Londo is not sorry for what he did, but only for getting caught, for almost destroying his homeworld. Despite his denials at these accusations, Londo does not say the word; he has never apologized for anything in his life. "It's your life, Mollari," says G'Kar. "Make of it what you will." He leaves Londo, now crying openly, alone.
"I'm sorry!" yells Londo finally, as his condition stabilizes and his left heart begins to operate normally. Londo wakes up and sees G'Kar standing silently close to his bed. With growing strength, he says: "Sorry... Sorry... I'm sorry, G'Kar... I'm sorry." G'Kar is deeply affected and walks out of MedLab, leaving the flabbergasted Vir behind. Londo falls back asleep.
Londo, much recovered, is complaining to Vir about the food in Medlab, and how he will not be able to cut down on the stress, either on Babylon 5 or on Centauri Prime, should he return. "The Universe is an evil place," says Londo. "But at least it has a sense of humor."
In Docking Bay 4, Lennier waits for his transport to come. Just as Rangers walk in and go into formation, Delenn enters and complains that Lennier didn't even say goodbye. "No, never goodbye," replies Lennier. "I'm yours forever, Delenn, heart, body and soul. I will see you again in a little while, and with luck, I will perhaps be a better person." "That is not possible, Lennier," says Delenn, "but you are welcome to try. Be well, my good and dear friend." "And you," replies Lennier, then joins the Rangers and leaves. Sheridan enters the bay and silently embraces Delenn, as they walk back to the station.
The War Prayer
Overview
A violent attack on a Minbari poet rocks B5 and leaves Sinclair scrambling to flush out a vicious pro-Earth group. Two star-crossed young Centauri lovers seek Londo's protection. Ivanova is shaken when a man from her past arrives at the outpost. Nancy Lee Grahn as Shaal Mayan. Danica McKellar as Aria Tensus. Rodney Eastman as Kiron Maray. Tristan Rogers as Malcolm Biggs. Michael Paul Chan as Roberts.
Sub-genre: Suspense P5 Rating: 6.82 Production number: 107 Original air date: March 9, 1994 DVD release date: November 5, 2002 Written by D. C. Fontana Directed by Richard Compton
Backplot
- The Homeguard, a radical pro-Earth group, has wide support among humans, and is growing in popularity back on Earth.
- Shaal Mayan is a renowned Minbari poet. "I create and perform Tee'la," she says: "poem songs that attempt to recall old memories and prompt new ideas."
- The only two human beings ever to have direct contact with a Vorlon have since been transferred to Earth - Dr. Kyle to work closely with the president (cf "Infection"), and the telepath Lyta Alexander just a week later. Neither of them shared their experiences with anyone on the station. (cf "The Gathering")
- Londo has three wives, all of them arranged marriages, all of them "great sacrifices." "They inspire me! Knowing that they are waiting at home for me is what keeps me here, 75 light years away."
- Ivanova used to be involved with a fellow named Malcolm Biggs, but left him when she enlisted in Earth Force 8 years ago.
- More insight into Londo's personality and Minbari
beliefs:
Mayan: Ambassador, you should listen to the girl. We Minbari consider love to be a most potent force for healing. She cares deeply for him. Such feelings can turn the tide when all else fails.
Londo: Oh I see. And if he dies, despite this great power of lo-
Mayan: If he dies, she will suffer enormous grief, but every moment together will make her grief a little less.
Londo: I would expect such logic from a poet. What can a Minbari know about Centauri feeling?
Mayan: Ambassador, I have traveled far and seen much. And what I have seen tells me that all sentient beings are defined by their capacity and need for love.
Londo: And she will learn to live without it!
Mayan: As you did?
- [later...]
Vir: Kiron may die because our "glorious" tradition values wealth and power over love.
Londo: My shoes are too tight.
Vir: Excuse me?
Londo: Something my father said. He was old, very old at the time. I went into his room, and he was sitting alone in the dark, crying. So I asked him what was wrong, and he said, "My shoes are too tight, but it doesn't matter, because I have forgotten how to dance." I never understood what that meant until now. My shoes are too tight, and I have forgotten how to dance.
Unanswered Questions
- The black light camouflage suits worn by the Homeguard henchmen were developed by Earth Force; friends of Malcolm's procured some prototypes for them. Is a faction of Earth Force actually backing the Homeguard for its own reasons?
- Londo seems to have had a troubled childhood (see Backplot). What happened that he's so aggressive and melancholy? None of the other Centauri seem particularly so.
- Why is Kosh studying human history, as Sinclair's conversation with him appears to reveal, especially when he says "We have no interest in the affairs of others?" Perhaps for some reason Kosh does not consider humans "others." Or perhaps by "affairs" he meant the passing events of the day, as compared to the millennia of a civilization.
Analysis
- The Homeguard sign branded onto Shaal Mayan's forehead is a combination of male and female symbols from ancient Greek mythos. Perhaps it's a contemporary symbol for humankind.
- Vir passed himself off as the Centauri ambassador in letters to his cousins, and later rebukes Londo to his face about his decision on the matter. This is quite bold compared to the quavering fop he's been before.
- Londo's nicknames for his wives are "Pestilence, Famine, and Death" - three of the four horsemen of the apocalypse from ancient Christian mythos. Who is the fourth horseman War? Perhaps Londo himself.
- Talking to Kosh about the attacks on non-humans, Sinclair breaks off right after asking him to "lend a hand." Not long later Sinclair wonders aloud to Ivanova how an assassin had managed to poison Kosh on the "hand," through his encounter suit. (cf "The Gathering")
- Sinclair was brusque and callous to Delenn and the Abbai agricultural representative at the diplomatic reception. He also declared to the assembled Council that the hate-crime investigation was closed, offering neither arrests nor evidence of safety. This was part of his ruse to win the Homeguard's trust, but he may still have injured his reputation with other races.
- The Homeguard plot on the station was, according to its leader Malcolm Biggs, part of a much bigger plot to kill prominent aliens all over the Earth Alliance.
- Black light camouflage is a similar technology to the chameleon net the assassin used in "The Gathering." However, it requires an entire body-suit and only works while the user is motionless. No mention was made of what was done with the four suits captured with the Homeguard henchmen - Garibaldi may have stashed them away somewhere. And it's unlikely that those were the only four suits in existence; perhaps the technology will be seen again (cf. "Babylon Squared".)
Notes
- Mayan, a childhood friend of Delenn's, arrived on the station on a tour of other worlds. Earth was to have been her next stop.
- Mayan (of her attacker): "All I could see
was a shadow. It was a shadow, that is all I know."
(cf "Signs and Portents", perhaps?) - Ivanova is illegally growing coffee in the station hydroponics area.
- Kosh speaks.
[...]
Sinclair: Meanwhile it might be helpful if you spoke with the other ambassadors.
Kosh: We take no interest in the affairs of others.
Sinclair: Well I hope you'll reconsider. If you could give us a hand, we -
Kosh: Yes?
Sinclair: Nothing. We'll respect your wishes. [pause]
That's quite a viewer. I've never seen anything like it before. What is it?
Kosh: Efficient.
Sinclair: Those are images from my world. If I may ask, what are you -
Kosh: I am studying.
Sinclair: Studying what?
Kosh: [shuts down] - The images on Kosh's levitating viewer were zoom-ins on pictorial records from Earth history throughout the span of its civilization.
jms speaks
- Correct; the title of "The War Prayer" is a nod to
Twain's piece of
the same name,
which should be read by *everyone*. Given the growing
problems with illiteracy, I try to refer not to pop society so much, as
to literature...Tennyson, Twain, even writers whose last names don't
begin with T.
- Of course, you're assuming that a Centauri year is the same as our
year. The speed of light is constant...but defined by us by our own
12-month year. For instance, in one episode, we mention that B5 is 12
of our light years from the Narn homeworld, which is equal to about 10
of their years.
So without knowing the Centauri year, the figures are faulty.
- For those out there who still think the skin tab getting through Kosh's
encounter suit was an error...we're going to be dealing with that,
and some other interesting threads in [this] episode. Sinclair
comments on the whole question of how the poison ever got into
him...and notes how curious it is that, within weeks of that
incident, Dr. Kyle was transferred back to Earth to work directly
with the Earth Alliance President on matters of alien immigration,
and Lyta Alexander was similarly transferred a week or so after that.
The only two people to have personal knowledge of a Vorlon have been
shipped off and possibly locked up.
- By the way...on the Kosh poisoning thread, which was originally to
be discussed in "Parliament"...we ended up about 3 minutes long on
"Parliament," and three minutes short on D.C. Fontana's "War Prayer."
So we lifted that scene and inserted it into her episode, doing a
small bit of ADR to facilitate the move. It's now quite seamless.
- Why was Delenn unfamiliar with poetry in
"The Gathering?"
For the Minbari, it's tee'la, which is a kind of poem-song, sort of. Delenn was mainly just unfamiliar with the term. - Y'know...it's a funny old world. And sometimes it just astonishes
you.
About 2 months ago, one of our freelancers turned in a script that has to do with a hate group, in the course of which a guest character -- a Minbari -- is attacked and has her head branded with the symbol of the group.
So you will doubtless understand my astonishment when I turned on DS9 and saw the same thing happen.
Unfortunately, we've already shot that episode, it's in the can, so ther nothing we can do about it now. Further -- and let me be totally clear about this -- there's no way that DS9 could've borrowed the idea from us, or in any way been influence by us, and no way we could've been influenced by them. To get on the air now, they would've had to shoot their episode some time before the writer turned in that draft for our show. And none of us were in any way aware of what was going on there until we saw it the night of the broadcast...and came in the next day with looks of absolute shock.
These things do happen...and when you're dealing with similar general areas -- humans vs. aliens, or one alien group vs. another alien group -- then something like this becomes inevitable. And given the foreheads on Ferengi, and the foreheads on Minbari, the obviousness of that target becomes clear. Still, it's amazing when it happens. And I guess I just wanted it to be clear when this thing airs that the sequence in our show was in the can and done when the DS9 episode aired.
- We're in discussions to see if there's any way we can cut this from
the show...the only problem is that the brand stays on throughout the
show. If it were just in one shot, we'd cut the shot and find some
other way around it. The only way we can lose it now would be if we
literally wiped off the brand by going into every frame in which it
appears and digitally removing it from the frame...which is a *real*
pain in the butt...but we are considering it.
- The points made above are essentially correct; the brand goes on in
the very top of the show, in the teaser, and stay on throughout the
episode...and part of the story is dealing with this, and what it
means. An offer is made to remove it, but the victim decides *not*
to have it removed, because there are lessons in these things...and
it becomes almost a badge of defiance.
In addition to the notes here, I've received a whole bunch of email notes saying to leave it in, on the grounds that it *does* happen in real life (or incidents close to it), and how we're handling it *is* very different. (Some indicated that it can illustrate how the two hows handle their themes in different ways.) So it's a tough call ...to change would also mean some re-shooting...but given the responses here, I think it's okay to leave it in place.
File this one away the next time someone asks, "What sort of ways has the BBS discussion actually affected Babylon 5?"
- There is some limited life within the garden...some birds (which you
can hear sometimes), and insects, and the like. (In one shot you
can see an insect fly off one of our actors. Yeah, sure, like we
planned that....) It's generally one season in the Garden, and
plants requiringvariation are raised in a separate hydroponics
area, such as the orchard (seen in "War Prayer").
- Lennier is not in the cargo area during the beating, nor is he in BG during the negotiations. That's a Minbari of the worker class. (You can generally tell from the orange-ish smock-thingie they wear.) Sorry.
Originally compiled by Matthew Ryan mattryan@pobox.com
The War Prayer
Shaal Mayan, a famed Minbari poet and an old friend of Delenn, has arrived on Babylon 5 to give a public performance of her poetry. She and Delenn are sitting in Delenn's quarters, discussing poetry--and life in general. Mayan, however, must wake up early the following morning (for she must prepare for her upcoming journey to Earth), so, at length, she says farewell to Delenn and heads toward her own quarters. On her way, she is brutally stabbed and branded on the forehead by a assailant who yells at her, "Stay away from Earth, freak!"
Mayan is branded.
Mayan, fortunately, will survive; she was found and treated in time. However, Delenn angrily confronts Sinclair and Garibaldi, upset at them for allowing such an attack to happen on Babylon 5--a ruthless attack against a peaceful poet whom nobody would have any reason to injure.
Later, Garibaldi is discussing Mayan's attack with Sinclair. As it turns out, the assault on Mayan was the sixth recent attack on a prominent alien on B5. Evidently, an organization known as the Home Guard, a militant "Pro-Earth" (anti-alien) group, is responsible for the incidents (the symbol with which Mayan was branded was identified as the Home Guard's logo). Further, explains Garibaldi, the attacks have not only occurred on B5--there have been a wave of similar incidents on both Earth and Mars. Apparently, the Home Guard--and similar groups--have been growing in popular support recently. "The problem is, there [are many] who agree with them and even more who just don't give a damn," comments Garibaldi.
Just as Garibaldi walks away, G'Kar approaches Sinclair and expresses his disgust with the recent incident. "I have no special love for the Minbari or their poets, but ... if any *Narn* is harmed in this manner, there will be bloody retribution," G'Kar threatens.
Sinclair threatens G'Kar in return, warning him not to cause any disturbances on Babylon 5.
Garibaldi is questioning the injured Mayan in the Medical Lab. She cannot, however, identify her attacker or give Garibaldi any clue as to who might wish to injure her. Dr. Franklin approaches her shortly thereafter and offers to remove the brand on her forehead, but she declines his offer: "It is a lesson--one that should not be forgotten."
Meanwhile, the authorities on an approaching Centauri vessel are informing Ivanova that they wish to deliver some apparently-harmless detainees to any B5 official of command rank. Though neither Garibaldi nor Ivanova wishes to waste time greeting these detainees and taking them into custody, Garibaldi eventually wins out, and Ivanova heads on her way ...
She finds two young Centauri detainees--one male, one female, both complaining of having been taking into custody. They demand to see "Ambassador [Vir] Cotto." Ivanova tells the officers escorting the detainees to inform the Centauri representatives on the station. Just then, as she turns around, she sees Malcolm Biggs, her old lover whom she hasn't seen for eight years, approaching her. She doesn't appear to be very happy to see him, and virtually pretends to ignore him--she is on duty, she says, and she has no time to talk.
Meanwhile, the detainees have been brought to see Sinclair, Londo, and Vir. Vir introduces the male detainee as Kiron Maray -- Vir's cousin -- and the female detainee as Aria Tensus -- Kiron's lover. Kiron questions Vir, mentioning that Vir said in his letters that he was the Centauri ambassador on B5; Vir refuses to answer, telling Kiron that it is too difficult to explain. Meanwhile, Sinclair explains to Garibaldi that the two young Centauri had stolen credit chits and were taken into custody upon arrival at B5; however, Sinclair is willing to turn over the matter to Londo because the offenders are Centauri. (Of course, Londo neither wants to deal with the youths nor has any idea what to do with them--but he is given little choice).
Kiron and Aria.
Ivanova's shift has just ended, and, while she is getting a drink, Malcolm meets up with her. They speak for a while; Malcolm clearly wishes to start their relationship again, but Ivanova is hesitant. She takes her leave of him again--but politely, this time.
Vir, Londo, and the two lovers are in Londo's quarters. Vir is explaining the situation to Londo: when the lovers' families arranged marriages for them (to *other* people), Kiron and Aria fled to Babylon 5. They do not want to marry anyone else but each other. Londo, however, is slow to understand--he does not see what love has to do with marriage, nor does he respect the lovers for running away from their families. He lectures them on Centauri traditions, telling them how, for a thousand years, marriages have been arranged for Centauri children. These marriages help to merge noble families and "keep the fabric of the Republic strong." "Sometimes," says Londo, "these marriages call for sacrifice [he looks at the pictures of his own wives on his desk]. Great sacrifice. But we make this sacrifice because this is what it means to be Centauri! If you deny this tradition, you lose the very thing which makes you what you are." The lovers listen to him, but are not moved--they claim that these traditions are simply unfair.
Meanwhile, Garibaldi has arrested a human who has been found with a knife in his possession. The arrested man, Roberts, is defiant--he maintains that he has a right to defend himself against "the *things* that walk around this place." Garibaldi gets to the point: there are fresh traces of blood on Roberts's knife, and Garibaldi suspects him of committing the assault on Mayan the previous night. Roberts claims that the blood on his knife is his own blood--he cut himself opening a crate. Though he unreservedly admits that he agrees with the Home Guard--"if you ask me, they got the right idea.... Damn aliens are ruining everything for us"--he insists that he was not Mayan's attacker. Garibaldi, without any further evidence at the moment, writes up Roberts on the charge of carrying an illegal weapon. Garibaldi also orders his officers to check the blood on the knife. "If the blood ... matches Mayan's, I'll give you over to the Minbari and let them play dice with your eyeballs," he says to Roberts.
"I don't know what's worse--damn aliens or the traitors that suck up to them over their own kind," retaliates Roberts.
In view of the worsening situation on Babylon 5, Sinclair goes to see Ambassador Kosh in order to inform him of the recent incidents. Kosh, however, doesn't seem to care; when Sinclair asks him if he will speak with the other ambassadors about the matter, Kosh replies, "We take no interest in the affairs of others." Sinclair then notices the television-like display which Kosh has been watching since Sinclair entered the room--the display is showing historic pictures of Earth. When Sinclair asks Kosh what he's doing with the viewer, Kosh tells him that he is "studying." When Sinclair asks Kosh *what* he's studying, however, Kosh ends the discussion quickly and abruptly. Sinclair politely leaves, realizing that any further questioning will be futile.
Sinclair visits Kosh.
After his discussion with Kosh, Sinclair returns to the bridge. There, he finds Ivanova and begins talking with her. He asks her if she was familiar with the incident that occurred right after Kosh arrived on Babylon 5. She replied that she received only a cursory briefing. He explains what happened: specifically, he explains that the assassination attempt against Kosh was attempted with poison, administered through the hand. He tells her that he finally figured something out that had been bothering him for a while: "Kosh wears an encounter suit to protect him from our atmosphere," he says, "so how did the poison get into his system? His hand should have been completely covered."
Ivanova explains that the Vorlons are very secretive, and that, perhaps, the encounter suit may be more useful as a camouflage than as a necessary protection from the environment.
Sinclair understands, but expresses his curiosity at the reassignment of the only human who has seen a Vorlon--Dr. Benjamin Kyle. Kyle was brought back to Earth shortly after the incident in order to work directly with the president. (Sinclair tells Ivanova that Kyle, who was bound by the standard doctor's oath of confidentiality, never told Sinclair what he saw). Further, explains Sinclair, the only member of the Psi Corps to have scanned a Vorlon--Lyta Alexander--was also reassigned. [See also "The Gathering."]
Londo is quite annoyed with Vir for getting him involved with the case of the lovers. Kiron and Aria's families have sent several messages to Sinclair--"[they] are outraged, and it's *my* head they're after." Londo explains that he has only one choice -- to send Kiron and Aria back home. Vir objects, however, saying that they love one another and ought not to be forced into marriages that they won't enjoy.
"Love, pah! Overrated!" Londo cries out. "[He points to the pictures of his wives.] These are my three wives--pestilence, famine, and death. Do you think I married them for their personalities? Their personalities could shatter worlds! Arranged marriages, every one. But they worked out; they inspired me. Knowing that they were waiting at home for me is what keeps me here, 75 light-years away." Londo is therefore firm in his decision to send the lovers back to Centauri Prime.
Sinclair, who has heard that Garibaldi found a suspect for Mayan's attack, calls Garibaldi into his office. However, Garibaldi brings bad news for the investigation: the blood on Roberts's knife was indeed Roberts's own blood. Garibaldi explains that he has set Roberts free, but has placed him under "red level surveillance."
"I think he'll be more useful to us running loose," says Garibaldi. "He's a logical recruit for the Home Guard." Garibaldi tells Sinclair that the general unrest that has resulted from these incidents on the station is continuously becoming worse. Fights are breaking out everywhere; the alien population of the station is growing angrier. Sinclair comments that this is probably the Home Guard's intended result--if they can provoke enough tension between humans and aliens, they might grow in power and eventually cause Earth to withdraw from galactic affairs (or so they would hope). One thing is clear to Sinclair: if the Home Guard isn't stopped soon, everything that B5 stands for will be destroyed.
Ivanova has agreed to have dinner with Malcolm, and she seems to actually be enjoying it. They reminisce about old times, when they were together happily. Malcolm longs for these times; in fact, he tells Ivanova that he is planning to set up a business for himself on B5--this way, they can be together without interfering with their respective careers. Needless to say, Ivanova is quite surprised.
Kiron and Aria are sitting in the garden, enjoying the view and enjoying one another's company, when they are suddenly attacked by the Home Guard. A few human individuals viciously attack the Centauri youths--they shoot Kiron at close range with a PPG and stun Aria with a shock stick; after the brief attack, they leave as suddenly and as quickly as they came.
Luckily, Vir finds them shortly after they were attacked. Aria will be fine (but does not remember anything about her attackers), but Kiron has been injured seriously. Garibaldi, who is with Dr. Franklin, is suddenly called away because of some "major disturbance."
The disturbance is being caused by G'Kar, who is attempting to incite a riot. "We can no longer stand idly by," G'Kar says, "as our peoples are slaughtered by these cowardly humans. We must fight back with every means at our disposal." Garibaldi, who has brought Sinclair, approach G'Kar--but G'Kar relentlessly accuses Sinclair of unfair treatment of the attackers ("You have yet to make a single arrest.... You know very well why these crimes remain unsolved. It is because the perpetrators are human," says G'Kar). Garibaldi convinces Sinclair to leave the scene of the riot; he then threatens to arrest G'Kar if G'Kar refuses to stop inciting the riot. At length, G'Kar leaves.
G'Kar is convinced
to stop speaking.
Meanwhile, Roberts himself has become the victim of an attack--at the hands of aliens. He is seriously injured.
Ivanova and Malcolm have had an enjoyable evening, and they have returned to her quarters. Just as they are beginning to kiss, Ivanova is called by Sinclair and ordered to report to the briefing room as a result of G'Kar's riot. Malcolm (who showed an interest in the fact that there had been a riot) leaves, unhappily.
Garibaldi is briefing Sinclair--the riots have "cooled down" according to Garibaldi, but there have been a few related incidents. He mentions that Roberts, who is still under red surveillance, has been attacked and injured.
In the Med Lab, Londo and Vir are trying to console Aria, but she remains dismayed that Dr. Franklin won't let Aria get too close to Kiron. Londo explains that this is standard medical procedure, but Aria insists that her if she were allowed near him, he would sense it and begin to recover. Aria appeals to Londo, asking him if he can't get Franklin to allow her to get closer to Kiron, but Londo tells her to go back to her quarters--"there's nothing you can do here," he says. Aria leaves.
However, Shaal Mayan, who has overheard this conversation, disagrees with what Londo has said. She asks him to listen to Aria: "We should listen to the girl. We Minbari consider love a most potent force for healing. She cares deeply for him. Such feelings can turn the tide when all else fails."
"Oh, I see," responds Londo. "And if he dies, despite this great power of love ..."
"If he dies, she will suffer enormous grief. But every moment together will make her grief a little less," Mayan answers.
"I would expect such logic from a poet," he says scornfully. "What can a Minbari know about Centauri feeling?"
"Ambassador," she replies, "I have travelled far and seen much. And what I have seen tells me that all sentient beings are best defined by their capacity and their need for love."
"And she will learn to live without it," he says, forcefully.
"As you did," says Mayan, with a note of pity in her voice.
Meanwhile, Garibaldi is showing Sinclair something that he found via the surveillance of Roberts. Roberts, who was injured and who was lying in a bed at the Medical Lab, was visited by none other than a man whom Sinclair recognizes as Malcolm Biggs (Sinclair was able to identify Malcolm because he had seen her in Ivanova's quarters when he summoned Ivanova to the briefing room earlier). Malcolm had a brief talk with Roberts--a talk about the Home Guard and about how Malcolm felt that the they could benefit from Roberts's membership. Malcolm says that he--and the Home Guard to which he belongs--need to gain the support of people like Roberts--people who have been attacked or otherwise harmed by aliens. Garibaldi and Sinclair show the recording to Ivanova, who is entirely astonished at her former lover's involvement. Sinclair asks Ivanova to introduce him to Malcolm--he tells Ivanova that he wants to infiltrate the organization. "Groups like this always like to recruit friends in high places," he says. "If they accept me, it could give me a chance to nail them all before they do any more damage." Ivanova agrees, but on one condition: she wants to be there herself when he takes the organization down. He agrees, and they plan to get started at the diplomatic reception which will be held that night.
Vir is talking with Londo; he frankly tells Londo that Londo is wrong in his decision to send Aria and Kiron home. "My cousin and Aria wanted to be together because they love each other.... Would that have destroyed the 'great Centauri Republic'?" Londo replies that they cannot turn their back on tradition, but Vir disagrees and says he feels that the wealth and power should not be placed before love.
"'My shoes are too tight,'" says Londo, sadly, in response. "Something my father said. He was old, very old at the time. I went into his room, and he was sitting alone in the dark, crying. So I asked him what was wrong, and he said, 'My shoes are too tight, but it doesn't matter, because I have forgotten how to dance.' I never understood what that meant until now. *My* shoes are too tight, and I have forgotten how to dance." Vir admits that he doesn't understand Londo, but Londo says that Vir shouldn't--at least, not yet.
At the diplomatic reception that evening, Delenn introduces the head of an agricultural delegation from Ava IV [spelling correction pending] who is at B5 to study the hydroponics in the garden. Sinclair greets the delegate more bruskly than usual, praising Earth technicians for their construction of the hydroponic garden and abruptly dismissing the delegate's concerns about the security of the station (in view of the recent attacks).
Sinclair then moves over to meet Ivanova and Malcolm. He speaks briefly with Malcolm, elaborating on his background in the Earth-Minbari war and on his "belief" that "the only good alien is a dead alien." He tells Malcolm that, though his job requires him to play the role of diplomat, "[I don't] have to like it."
Sinclair, Ivanova, and Malcolm leave the reception. Sinclair continues his explanation of his "hatred" of aliens: though he fought and his best friends died in the Earth-Minbari war, he is upset because "the Minbari let us win. You know what that victory tasted like? Ashes." Malcolm explains that he has heard this sentiment many times from Earth-Minbari war veterans. He continues, explaining that he is part of a movement on Earth that is attempting to get rid of Earth's involvement with aliens. Malcolm reveals that he has some friends he'd like Sinclair to meet--but first, to prove Sinclair's loyalty, he requires Sinclair to do him a favor ...
Sinclair, Ivanova, and
Malcolm meet.
At the Council, Sinclair explains to all of the alien governments that there is no longer any danger from pro-Earth groups on the station. Garibaldi explains that they have good reason to believe that the attackers have fled back to Earth. However, Sinclair refuses to give the aliens any further information, saying that the information is classified. This classification greatly angers the alien governments, but Sinclair gives the appearance of not caring.
Meanwhile, in the Medical Lab, Kiron has awoken from his coma, to Aria's intense joy.
On the bridge, Ivanova informs Sinclair that Malcolm has set the next meeting--she says that he won't reveal the precise location, but that they will meet Malcolm on the Zocalo in thirty minutes. Sinclair and Ivanova are required to arrive unarmed; they will, however, maintain a link with Garibaldi.
In the Medical Lab, Londo is speaking with Kiron and Aria. He says that they must fulfill their duties and return to Centauri Prime. When they arrive there, however, they will be greeted by Londo's second cousin, who will escort them to his family estate. There, they will serve a period of fosterage whereby they will be instructed in--among other things--proper decorum and tradition of Centauri. At the end of the fosterage period--when they are adults--they will be free to make their own decisions regarding marriage. Londo feels that their parents will be happy with this course of action because the practice of fosterage is a time-honored tradition, which, although not practiced too often any more, was fairly common in the old days of the public. "To object would be to defy all tradition!" says Londo. Kiron, though happy, asks Londo why he went out of his way to arrange the fosterage. "Because you are still children, and children should be allowed to dance," says Londo, happily.
Meanwhile, the arranged meeting is taking place between Sinclair, Ivanova, and Malcolm. As they're standing there, many other members of the Home Guard seem to appear from nowhere -- Malcolm explains that they were using prototypes for a "black light camouflage" device. Malcolm orders one of his men to set up a communications-jamming field, which prevents Garibaldi from continuing the communication link. Garibaldi mobilizes his men; they start running toward Sinclair's position. Meanwhile, Malcolm explains that in two days, there will be a mass assassination of the ambassadors on B5--in one fell swoop, the leading alien figures will all be killed. Malcolm needs Sinclair to help the Home Guard gain access to the diplomatic wing (and, after the attack, to gain safe transport back to Earth). Sinclair says that it's no problem. As another test of Sinclair's loyalty, however, an alien is brought before Sinclair--the same agricultural delegate from Ava IV--and Sinclair is ordered to kill her. He, of course, hesitates--and during the resulting delay, Garibaldi and his forces break into the room. Malcolm is captured with the aid of Ivanova.
Malcolm and the other members of the Home Guard are being escorted off of the station. As Malcolm is leaving, he sees Ivanova, and angrily yells at her, "I can't believe you did this to me, Susan. What kind of a human are you, to side with *them*?"
"I find many of these people," answers Ivanova, "to be more human that you and your kind." She stares at her old lover, in silence. They both realize that they never truly knew each other.
Shawn Bayern bayern@cshl.org
Copyright 1994, Shawn Bayern. All rights reserved. Permission is granted to distribute this synopsis noncommercially as long as the synopsis and this copyright notice remain intact. Babylon 5 is a copyright of the PTN Consortium; no infringement of that copyright is intended by writing these synopses.
The Well of Forever
Overview
Galen convinces Gideon to take the Excalibur deep into hyperspace to find a mythical place of power.
Production number: 106 Original air date: June 23, 1999 DVD release date: December 7, 2004 Written by Fiona Avery Directed by Janet Greek
Plot Points
- @@@930294581 The Well of Forever is a mausoleum deep in hyperspace, where various races have left shrines and monuments to their honored dead over the millenia.
- @@@930294581 Technomage ships have extremely sensitive sensors that allow them to navigate much further from hyperspace beacons than Alliance races can. As a result they're able to travel through hyperspace without encountering others.
- @@@930294581 At least one race of creatures lives in hyperspace, huge jellyfishlike creatures called the Fen. The technomages have encountered them before and consider tham harmless.
- @@@930294581 Matheson is the first telepath since the abolition of the Psi Corps to achieve a high-ranking military position. He's thus a well-known role model among younger telepaths.
- @@@930294581 The Psi Corps has been abolished by the Senate and replaced with an organization called the Bureau of Telepath Integration, which, like the Corps, sends watchmen (all named "Mr. Jones") around to probe the minds of other telepaths and make sure the new telepath regulations aren't being violated. The new regulations are aimed at integrating telepaths into society.
- @@@930294581 When he was younger, Galen and a technomage named Isabelle were in love. She devoted her life to finding the Well of Forever, and when she died, he promised to bring her there.
Unanswered Questions
- @@@930294581 What personal significance does the question "Why?" have to Galen?
- @@@930554687 What was Gideon's question?
- @@@930294581 What answer would Matheson have found had he ventured into hyperspace at the Well?
- @@@930554445 What were Matheson's minor violations of the telepath rules?
- @@@930294581 Who created the Well of Forever? How long has it existed?
Analysis
- @@@930294581 In the montage at the end of the episode, Gideon is holding
a photograph titled "EAS Cerberus." That, combined with his
comment to Galen that he's already made a promise to honor the
memories of 300 people, suggests that he was the only survivor
when his ship was destroyed nine years earlier
("War Zone").
- @@@930294581 The Psi Corps may have vanished in name, but its spirit
appears to be alive and well if Mr. Jones is any indication; he
was just as willing as any Psi Cop to abuse his authority. It's
even possible he was a Psi Cop when the Corps was still
around.
The new rules regarding telepaths are presumably the result of the Telepath War, and it can be deduced that after the war, the Senate decided that keeping telepaths segregated in their own shadow society was partly to blame for the conflict.
The fact that there are watchmen like Mr. Jones suggests that telepaths are probably still required to register with the government.
- @@@931244313 Who was Gideon playing chess with? He made his move from
the side of the board, rather than the front or back; perhaps he's
playing solo. If so, an obvious question is whether the board is
a metaphor for something.
@@@931542158 The game may relate to his answer to Galen's final question ("Who do you serve and who do you trust?") Gideon may not be sure whose side he's on.
Notes
- @@@931244235 Mr. Jones was played by Michael Beck, who played Abel
Horn in
"A Spider in the Web".
- @@@930554445 Galen's elegy for Isabelle is a quote from Act 4, Scene 2
of Shakespeare's "Cymbeline".
Galen also makes a reference to Elizabeth Barrett Browning's "Sonnets from the Portugese" (#43):
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by the sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints- and, if God choose,
I shall but love thee better after death. - @@@930554445 As Galen describes the Well's answers to Dureena,
the game "Pong" can briefly be seen on the monitor behind Eilerson
at the very start of his scene.
- @@@930295794 Possible continuity error: Gideon quotes Galen as
saying that the crew of the Excalibur is like a family to him.
While it's possible that Galen said that offscreen, also possible
is that the comment appeared in an episode that was produced
before this one but comes after it in chronological order. The
jury will be out on whether this is a glitch until after the
first 5 produced episodes have aired.
- @@@931244235 Galen's ship has a front landing wheel.
- @@@931244650 "Fen" is often used as a plural form of "fan", as in "science fiction fan." Galen's comment is a tongue-in-cheek poke at SF fandom: "They're barely sentient. They're attracted to bright, shiny objects, but they lose interest quickly."
jms speaks
- @@@930554746 Why two Galen-centered episodes in a row?
The original air order would have spread out the Galen episodes, so that he would appear every second or third episode...that changed with the short order, and they all got bunched together. - @@@933009474 "Can (will) you tell us about Fiona Avery's connection
to B5 and Crusade? I just picked up the first PsiCorp novel and she was
in the dedication. Got me to wondering..."
We brought Fiona aboard during the last part of S5 as a reference editor to keep the continuity straight, and for Crusade (about which more in a bit). There was a growing problem keeping the licensees and licensed material accurate; stuff slipped through the RPG books and elsewhere (this was before she got here). She was brought on to stop the problem, and to annoy the licensees in the sense that it's often easier not to get things right, and she has to stay on top of them and make them crazy in order to ensure that the accuracy the fans (and I) expect is maintained.
She was also brought on with an eye toward Crusade because she has a degree in Archaeology and Crusade's an archaeological SF series. Along the way, she began writing spec scripts for Crusade which ended up being good enough to buy, and we bought 4 of which 2 were produced, Well and Patterns. The last one she did, Value Judgments, was probably the best of the bunch; it's a Bester script that Walter considered one of his best roles, and would tie in directly with the Psi Corps books.
The Well of Forever
The Wheel of Fire
Overview
Lochley and Garibaldi discover they have some shared history. A confrontation with Lyta leads to a startling revelation. Denise Gentile as Lise.
P5 Rating: 8.58 Production number: 520 Original air date: November 4, 1998 (US) DVD release date: April 13, 2004 Written by J. Michael Straczynski Directed by Janet Greek
Plot Points
- @@@910251188 Sheridan has placed Garibaldi on suspension until he takes care of his drinking problem. Sheridan suspected Garibaldi had started drinking again, but hoped he was wrong.
- @@@910251188 The Narn government is desperate to get G'Kar back. According to Franklin, half of Kha'ri want him to return to become leader, while the other half want him to return to give them his blessing to lead on his behalf. They have threatened to boycott Babylon 5 unless he returns home. G'Kar, though, has no desire to return; he's certain he'd become the focus of a cult of personality that would drown out the message he's trying to spread.
- @@@910251188 There have been a dozen attacks on Psi-Corps facilities in the past month. In every case, the attackers left behind a message: "Remember Byron." Earth officials have traced the money trail back to Babylon 5, and more precisely to Lyta.
- @@@910251188 Lochley's father was an alcoholic, and she became the same thing; she ran away from home and became a drug addict until someone close to her died ("Day of the Dead"). Now she, like Garibaldi before his relapse, never touches alcohol.
- @@@910251188 Lyta's powers have been growing dramatically; now she's capable of controlling a large roomful of people. Sheridan, however, is immune to her influence, since he has also been touched by the Vorlons.
- @@@910251188 Delenn is pregnant.
- @@@910251188 Lochley, concerned about Garibaldi's condition, has called Lise to Babylon 5 on his behalf. She has convinced Garibaldi to give up his post on Babylon 5 and return home to Mars with her to help run Edgars Industries as her husband.
- @@@910251188 Lyta has been arrested, but Garibaldi plans to get a senator who owes favors to Edgars Industries to intercede on her behalf. That's part of a larger deal between the two of them. Lyta knows she isn't qualified to hide the funds she's getting from the Narn ("Darkness Ascending") so Garibaldi will do it for her under cover of Edgars Industries. He'll maintain two funds: a token public fund to help telepaths in need, and the real fund, which he'll use to hurt the Corps and help Lyta assemble a force she can use against them. After two years, if Lyta is satisfied with his progress, she will remove his inhibition against harming Bester ("Phoenix Rising").
- @@@910251188 Lyta has come to believe that her telepathic enhancements are a form of doomsday weapon built by the Vorlons, something they'd use when they'd run out of other weapons against the Shadows.
- @@@910251188 Since neither of them can remain on the station without causing trouble, and neither of them can go home without attracting huge amounts of unwanted attention, G'Kar has offered to take Lyta along as a traveling companion as he visits alien worlds.
Unanswered Questions
- @@@910291887 How much of Lochley's history does Sheridan know, given that she was recovered when he married her?
- @@@910291887 Is Delenn's baby the son she referred to in the cell on Centauri Prime ("War Without End")?
- @@@910251188 How did Garibaldi find out about the deal between Lyta and G'Kar? Has he been tracing the same money flows the Earthgov investigators have?
- @@@910293580 Where will G'Kar and Lyta go? Could she return to the Vorlon homeworld with him?
- @@@910729924 Who will replace G'Kar on the Alliance advisory board?
Analysis
- @@@910469027 If Sheridan really did suspect that Garibaldi had started
drinking again, why did he entrust him with delicate intelligence
duties such as monitoring the Rangers' messages during the Centauri
blockade? Granted, Sheridan didn't want to believe Garibaldi
had relapsed, but given that he knew one slipup on the Alliance's
part might lead to a shooting war, why did he risk the lives of
billions of people?
- @@@910291887 Is Sheridan immune to telepathic influence in general?
For example, can he be scanned? If not, that might explain why Clark's
people tried to brainwash him with drugs and interrogators
("Intersections in Real Time")
without employing any telepaths (visibly, at least) to either help the
procedure along or sense how well it was working.
@@@910729880 One question is how much of Sheridan's seeming immunity is due to his contact with Kosh as opposed to his contact with Lorien. He's carrying part of Lorien now, the part Lorien gave up to keep him alive after the battle with Kosh ("Falling Toward Apotheosis"). It's likely that Lorien is resistant or immune to Vorlon telepathic influence.
@@@911070201 If Sheridan really is immune to telepathic scans for whatever reason, it'd explain his seemingly odd behavior in "Falling Toward Apotheosis," in which he kept his plan secret from Garibaldi and others for fear Kosh would read it from them, but was apparently unconcerned that he himself would be scanned.
- @@@910293580 Sheridan can justifiably be pretty confident that Delenn
can carry a child to term; she mentioned a son during his flashforward
in
"War Without End."
But of course, he has no way of knowing whether she was referring to
the baby she's carrying now, or whether that future is set in stone.
- @@@910730175 Lochley commented to Garibaldi that he couldn't hurt
the people who hurt him, people like Bester. How does she know
Garibaldi can't hurt Bester? Is she aware of the neural block, or is
she simply assuming that Bester is too well-protected or distant for
Garibaldi to have any hope of striking at him?
- @@@910293580 Parallels between Garibaldi's situation and Franklin's
stim abuse: Both were in denial about the effect it was having on their
job performance. Both wanted to control or fix everything, but couldn't
and turned to drugs as that became apparent. Both took leaves from
their jobs to deal with their problems. Franklin had to "meet himself,"
which he did, while Sheridan said Garibaldi's fight was with himself.
Both turned to women to seek help: Cailyn the singer in Franklin's case
("Walkabout")
and Lise in Garibaldi's.
- @@@910251188 Garibaldi's neural block doesn't prevent him from trying
to remove it. Perhaps this is just a sign of Bester's overconfidence;
he might have assumed that nobody would be capable of removing it, so
it wouldn't matter if Garibaldi tried. Why he wouldn't have realized
Lyta might be capable isn't clear, since he was familiar enough with
her enhanced abilities to want her body for research after her death
("Moments of Transition").
He didn't learn about her enhanced abilities until after Garibaldi's kidnapping, though, and it's possible that planting an additional mental block would have required more extensive contact than he had with Garibaldi after Garibaldi's return.
- @@@910251188 Garibaldi's initial offer required that Lyta leave Babylon
5. Why? Obviously Lochley and the rest of the crew don't want her
around, and it may be that Garibaldi was simply looking out for the
station's interests.
- @@@910251188 Will Lyta's removal of Garibaldi's inhibition help spark
the Telepath War? She implied that she'd wait two years to make use
of whatever forces Garibaldi assembled for her. With the two of them
going after the Corps full force at that point, a full-fledged war
could well be the result.
- @@@910342555 Lyta told Garibaldi she couldn't undo an addiction.
Does that mean, for example, that a person who undergoes death of
personality
("The Quality of Mercy")
would retain whatever addictions existed under the original
personality? Or did she really mean she couldn't undo an addiction
without seriously altering other aspects of someone's personality?
- @@@910342086 By sponsoring acts of violence, Lyta has arguably betrayed
Byron's philosophy in the name of carrying out his work. How does she
reconcile the situation in her mind?
- @@@910251188 How powerful can Lyta become? Will she transform into a
being similar to Ironheart
("Mind War")
if her abilities extend far enough? She's arguably already more
powerful than a Vorlon; she's able to control a large group of people
and still carry on a conversation, while the second Kosh did nothing
of the sort while he was being killed
("Falling Toward Apotheosis").
Of course, Kosh was being attacked, which might have been
enough of a distraction to prevent him from taking control of his
assailants.
- @@@910475572 Garibaldi has been exposed to Lyta's enchanced powers in
the past: his dream in
"Darkness Ascending,"
in which she told him she'd decided to stop hiding what the Vorlons
did to her.
- @@@910341324 Lyta said that in a war, you make one or two big weapons.
Did the Vorlons make more than one, or is Lyta the only one? If there's
another, what or who is it?
- @@@910475744 Lyta's description of herself as one of the Vorlons'
big weapons echoes Franklin's comments about weapons remaining after the
end of a war
("The Fall of Centauri Prime").
- @@@910251405 G'Kar and Lyta are in the same position Londo was in
"The Fall of Centauri Prime"
-- all the power they could ever want, and no choices.
- @@@910251823 G'Kar's idea is similar to the Minbari tradition of "going
to the sea"
("A Voice in the Wilderness"):
travelling among the stars in the hopes of finding one's calling.
The difference, of course, is that both G'Kar and Lyta believe they
already know what their callings are, but G'Kar thinks he can only
achieve his goal by leaving home behind.
- @@@910469306 G'Kar has been touched by Vorlons too, in the form of his brief but highly influential contact with Kosh in "Dust to Dust." Did that contact confer any resistance to Lyta's abilities? Probably not anything close to Sheridan's, but he may well be a better choice to accompany her off the station than he realizes.
Notes
- @@@910251405 G'Kar mentioned turning down leadership of the Narn.
That was in
"The Long Night,"
after Londo withdrew Centauri forces from the Narn homeworld.
- @@@889493140 The title may be a reference to Shakespeare's "King Lear,"
act 4, scene 7:
You do me wrong to take me out o' the grave:
Thou art a soul in bliss; but I am bound
Upon a wheel of fire, that mine own tears
Do scald like molten lead.The quote is from King Lear as he lies sick on his bed, his response to attempts to save his life. That might apply to Garibaldi's situation in this episode.
Another possible reference is to Greek mythology (and in fact, the Shakespeare quote might itself be a reference to the myth.) Ixion, son of the god Ares, tried to seduce Zeus's wife Hera. As punishment, Zeus bound Ixion on a fiery wheel, which rolled unceasingly through the air.
Finally, in Tolkein's "The Lord of the Rings" (specifically "The Return of the King") the One Ring is likened to a wheel of fire. If that's the source of the title, the reference might be to Lyta's powers.
jms speaks
- @@@910475351 The wheel of fire visually has spokes proceeding out
from a central flame; the center burns outward. And several of the
fires smoldering lately have done that; with Byron it was a literal
flame that has now gone out along the spokes and had substantial
repercussions, with more to come years down the road.
It's also a Shakespeare quote, "I am bound upon a wheel of fire, that mine own tears do scald like molten lead." Which tends to describe Londo's situation as well. (King Lear)
- @@@910468703 Doesn't Sheridan remember what he saw and heard
during his flashforward in
"War Without End?"
Y'know, this discussion kinda baffles me to some extent.For starters, Sheridan was only in the future briefly; he was being beaten and was confused and not sure how much of it was real; he doesn't know if his going to Z'ha'dum *changed* any of that future...the events he did see were 20 years down the road, and there's no way for him to know (as we know, the audience) what connects to what...he sees only destruction, and that could have happened two weeks before (there's no rule that says a capital city can be bombed only once)...no way to know if the keeper may have been implanted days or months before. To try and impose a quick understanding of events 20 years down the road on things happening right now, without knowing the context, would be madness...you don't need a keeper to start a war, or half our own leaders here would have had keepers on them.
As for Delenn...yes, he heard her talk about their son, but at the same time, again, that's 20 years down the road. Their son could be any age, so the news that she's pregnant will still be a shock whenever it comes; you may know that you're planning to have kids, that the doctor says its possible, but when you actually hear the news, it's a stunner every time.
His question is a natural one...he doesn't know if the kid in the future had to be taken out of utero to be sustained until it came full term, doesn't know if extreme measures had to be taken...his question is a sensible and justifiable one.
People are assuming that what *they* know as the audience, Sheridan knows, which he does not...and assuming that he knows everything that is to come, or what it means, or how it happens, or in what context, which he does not.
His memory is not faulty.
The Wheel of Fire
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
G'Kar arrives back on Babylon 5 and is greeted by Capt. Lochley before he goes through customs. She tells him that that "a few" people are waiting for him. G'Kar is relieved to know the cult that has been growing around him has cooled down. Lochley laughs to herself as she escorts him out, where he finds many Narn blocking his way, holding signs, little statuettes of him, and photographs. They start chanting his name when they see him. As he starts to speak, they fall silently to one knee, awaiting his wisdom.
In his quarters, Garibaldi is nursing a drink. A call from Franklin comes in. Garibaldi is late for a meeting of the Advisory Board. He thought it was scheduled for four, but it is really about to start. Garibaldi rushes in to find everyone there. He starts giving his report, hesitant, confusing 'minbari' with 'centauri' and acting flustered. He is interrupted by Sheridan: "Mr. Garibaldi, you are drunk." He dismisses everyone except Garibaldi, and goes to talk to Delenn outside.
Delenn calms him down. Sheridan comes back in, and asks Garibaldi when he started drinking again. A couple of months ago, says Garibaldi. Sheridan suspected as much, but didn't know for sure until now. He isn't angry anymore, after talking to Delenn, but he is disappointed. Not on Garibaldi for failing, but on himself for failing to notice that something was amiss, and because Garibaldi didn't trust him enough to come for help. He doesn't want to fire Garibaldi, but cannot let his behavior go either. He suspends Garibaldi until the latter works out his problems. "That could take a very long time," says Garibaldi. "It will take what it takes," Sheridan replies. When he works it out, Sheridan and the rest will be there for him.
Franklin makes his way to G'Kar's quarters, weaving his way through many Narn holding statuettes of G'Kar. Once inside, G'Kar explains that more and more of his people arrive every hour. Franklin explains that he is there with a message from the Kha'ri, who have been trying to contact G'Kar. Narn is up in arms. Half the Kha'ri wants G'Kar to come back and take charge. But G'Kar turned down leadership before ("The Long Night"), and will not take it now. That brings Franklin to what the other half wants: they want him to go back long enough to give them his blessings and let them rule in his name.
G'Kar's popularity has grown. Many believe it was his presence on Centauri Prime that allowed them to attack without retribution, and they consider his survival another miracle. "And," Franklin continues, "you don't want power. And people love giving power to those they believe don't want it."
According to Lochley, more ships arrive by the hour, full of pilgrims intent on learning from G'Kar. If he stays they will flood the station. "And if I go home," he adds, "they will make me into... this!" he says pointing disgustedly at a statuette of himself. He has little to no options.
Zack arrives in Lochley's office. A transmission from Earth Security HQ is standing by: dozens of terrorist attacks on Psi Corps property have been perpetrated over the last month. At each scene, the legend "Remember Byron" ("Phoenix Rising") has been found spraypainted on the walls. And they have tracked the money used to buy the equipment used by the terrorists, who are described as extremely well-armed amateurs, to Babylon 5; specifically, to Lyta Alexander. Lochley and Zack are ordered to detain Lyta for questioning, arrest her if necessary, and ship her to Earth.
Lochley stops by to talk to Garibaldi and check on him. She offers to help, claiming she understands. Garibaldi is angry and lashes out at her, disbelieving her claim of understanding. Lochley expands: her father was an alcoholic, angry at himself for giving up painting in order to join the military as was expected of him. Garibaldi is still angry, and when he fails to kick her out of his quarters, he storms out himself. But Lochley won't leave him until he is done. She follows him into a lift and stops it, to finish her story. She tells him how she herself become a drug and alcohol addict ("Day of the Dead"), ran away, and became that which she hated most, until someone close to her died. After that, she tried to get better, but every day is a struggle. "Maybe that's why we didn't get along from day one," she says. "Maybe we recognized too much of ourselves in the other person."
Shortly thereafter, Zack and Lochley are ready to take Lyta, who is in the Zocalo negotiating with someone, apparently unworried. A full squad approaches, and she is told she doesn't have a choice but to come with them. She replies, "Are you sure about that?" and starts tapping at the table. All the customers around her also start tapping, the same rhythm as she taps.
"I'm tired of being pushed around, Captain," Lyta says. "I do not choose to be arrested." Patrons start converging on Lochley's squad. "Lyta, don't force us to..." starts the Captain. "To what?" Lyta interrupts. Now even the security squad is frozen in place. "You cannot harm me," Lyta says. "You cannot stop one who has been touched by Vorlons."
But then a PPG warms up, and is put to her temple. It's Sheridan: "You are not the only one that's been touched by the Vorlons. Let them go. Let them go or I will blow the back of your skull off!" Lyta releases everyone, and is handcuffed. "You can't be everywhere, Mr. President," Lyta says defiantly. "Good point," says Lochley, and slugs Lyta, knocking her unconscious. Lyta is dragged to level one lockup.
Later, Garibaldi finds Lochley. He's been trying to find her to apologize for his earlier behavior, and has found out about Lyta. Lochley has something to show him, though: Lise Hampton arriving on Babylon 5. Lochley sent a message in his name, asking for her help, so Lise came. Garibaldi and Lise embrace, and Lochley leaves.
Franklin arrives in Sheridan's office. Sheridan is monitoring Lyta, who has been placed isolated from other humans, and with the system on full automatic. Just then, Delenn enters, swearing and pacing furiously. The Narn government will boycott all shipments to and from Babylon 5 until G'Kar returns. They believe he is staying there out of a sense of obligation, and that if he is told to go home, he will. But before she can continue, she faints.
Garibaldi tells Lise his full story in his quarters. Lise reminds him that he was going to leave at the end of the year anyway. Garibaldi wants to sober up, but doesn't know how long it will take; and he doesn't want to go back to her until he can get everything right, give her a normal life. But Lise suggests that he come back to Mars anyway, pointing out that nobody ever gets everything right, and that there is no such thing as a normal life. And she needs him, to help run Edgars Industries among other things. And she still wants to marry him, more than anything. Garibaldi agrees to go back, but he is suddenly struck by an idea. He gets up to leave: "I am going to kill two teeps with one stone," he says.
In MedLab, Franklin tells Sheridan that Delenn is now stable, but only time will tell if her system can adjust to the change and stress: she is pregnant. Sheridan is surprised, as he didn't know for sure whether or not she could get pregnant. The pregnancy is putting a lot of strain on her system, and since it is a unique situation, Franklin doesn't know if she can carry the baby to full term and survive, although he figures the odds are good. Sheridan hopes she can, but if he has to choose between the baby and his wife, he will choose Delenn.
In the brig, Garibaldi comes to see Lyta with a proposal. Lyta disables the monitoring equipment with a thought, and hears him out. In exchange for having her remove the neural block against harming Bester ("Phoenix Rising"), he will use Edgars Industries' influence with EarthGov to have the charges against her dropped, although Lyta will probably have to leave Babylon 5. But it isn't enough of an inducement for Lyta, so she has a counter-proposal...
G'Kar is outside of Lochley's office, and overhears her talking with Garibaldi. Garibaldi blames the mess with Lyta and her telepaths on the Narns paying Lyta for telepath DNA ("Darkness Ascending"). But as Lochley points out, even if this is so they can't do anything about it: Narn internal affairs are outside of Alliance jurisdiction. Garibaldi says that Lyta has agreed to transfer all the money from the secret account she has it in now, to a fund to be used to help telepaths, no more terrorism. The accounts will be kept, and books made available for review by anyone at any time. Garibaldi will pick an administrator for the fund, and will use Edgars Industries to have a Senator (who receives substantial campaign contributions from the company) intercede on Lyta's behalf and have the charges dropped.
But Lochley doesn't want Lyta free to wander around the station; she considers her too powerful, too dangerous, and unstable. G'Kar interrupts then, coming in, and offers a solution: he will not return to Narn, since then they will turn him into what they expect of him. And he cannot stay. Both he and Lyta are in the same position: unable to go home, unable to stay. So G'Kar intends to go "out there," visit places all around the Galaxy in a quest to learn and understand more, that his knowledge may one day help his people. He will return when he can find a way to destroy the icon he has become, without having to destroy his message as well. And he could use a traveling companion: Lyta.
"I have learned a great deal about healing wounds and curing anger," G'Kar explains. "Perhaps, in my own way, I can help her deal with her own anger, as I dealt with mine." He will leave as soon as his affairs are in order, perhaps never to return, whether Lyta goes with him or not.
Back in his quarters, Garibaldi tells Lise that Lochley agreed to the proposal. He then points out that everyone is either leaving, or has left already: Londo to Centauri Prime, Lyta and G'Kar will leave together. Franklin will go to Earth at the end of the year, and Sheridan and Delenn will go to Minbar when the headquarters for the Alliance are finished. And Garibaldi will leave soon as well. It isn't going to be the same place again. But Lise is happy that Garibaldi has taken the first step in getting his life back together. "You made a good deal," she tells him, and goes off to bed.
"I made a good deal," repeats Garibaldi to himself, as he recalls the details of the arrangement:
Lyta realizes she doesn't have the background to keep the money secret, but Garibaldi does. He can use Edgars Industries as cover, to launder the money, and for contacts and resources to do the work secretly. She wants two accounts: the public one Garibaldi told Lochley about, and a secret one to continue the attacks on the Psi Corps. The latter will have most of the money, and Garibaldi is to use it to hurt the Corps and help telepaths. "You can't hurt Bester directly because of the block," Lyta adds. "But you can help me bring down everything he cares about." He can help destroy the Psi Corps. But she will not remove the neural block, not yet anyway. That's her bargaining chip. She will check back in two years, and if Garibaldi has created a force she can use, she'll remove the block. Not before. "Then you can deal with Bester," she says, "and I'll deal with the Corps."
"Aren't you taking an awful chance?" Garibaldi asks. "I could just take the money and run." "I don't believe you would do that," answers Lyta. "If I thought otherwise, I would kill you where you stand." Garibaldi has one more demand, however. He wants to know what's going on with her, what the Vorlons did. The way she figures it, the Vorlons created her as a superweapon, a telepathic equivalent of a thermonuclear bomb, a doomsday device, to use against the Shadows when all other weapons failed or ran out. A very serious prospect.
In her quarters, Sheridan and Delenn are in bed. But Sheridan can't help staring at her. "One would think," she jokes, "that you've never seen a pregnant half-human, half-Minbari before." They laugh, and Sheridan asks her why she wasn't sleeping either. She says she misses Londo; they haven't heard from him since they left Centauri Prime. Sheridan blames it on Londo's ascension to the throne, pointing out that it will require a big adjustment on Londo's part.
"Hell, he's probably still celebrating his coronation," Sheridan adds. "Partying all night." "I hope so," answers Delenn.
In the Centauri Royal Palace, Londo sits on the imperial throne, alone and in silence.
There All the Honor Lies
Overview
Sheridan is in hot water when he kills a Minbari warrior in self-defense. Caitlin Brown as Guinevere Corey. Sean Gregory Sullivan as Ashan.
Sub-genre: Mystery P5 Rating: 7.75 Production number: 215 Original air date: April 26, 1995 DVD release date: April 29, 2003 Written by Peter David Directed by Mike Vejar
Backplot
- Minbari clans are like close-knit families. One surrenders some of one's identity to the clan, and in return the clan is expected to shoulder the responsibility for one's actions. Despite this, clan leaders sometimes engage in secret plots without the knowledge of the clan members at large.
- Sheridan's tactics in the Earth-Minbari War (cf. "Points of Departure") are considered completely without honor by many Minbari; he used a fake distress signal to lure the Black Star into a minefield.
- Vir was considered a failure by his family. He was sent to Babylon 5 at their behest, mostly to get him out of their hair. There was little competition for the post, which was thought to be something of a joke.
Unanswered Questions
- What was Sheridan supposed to learn from Kosh's lesson? (see Analysis)
- How did Kosh know what Sheridan would find in the chamber?
- Who were the people living there?
- Will Vir's family take him up on Londo's offer?
- What fate awaits the teddy bear?
- Who was the human who stole Sheridan's link? Did he have an ulterior motive for helping with the setup, or was he simply doing it for money?
Analysis
- Considering her dramatic entrance, Sheridan's lawyer didn't actually
do much of anything. Who sent her, and what was she supposed to
be doing for Sheridan?
- One interpretation of Kosh's lesson
is that he was teaching Sheridan to give humanity the benefit of the
doubt. Even in what Sheridan considered the most dangerous, nasty
place on the station, one can find beauty. If Kosh's pledge in
"Hunter, Prey"
to teach Sheridan "about you" is taken broadly to mean
"about your kind," this is at least a plausible scenario.
- Another possible interpretation:
Going to the darkest, dingiest, "worst part" of B5 was an analogy to
Sheridan's current very "bad" situation. This is partly confirmed by
Kosh's statement that having a "bad day" was perfectly appropriate for
the lesson he had planned. What Sheridan saw there was "beauty... in
the dark", which was exactly what he needed. He was obviously relaxed
and feeling much better after the experience, and he thanked Kosh for
helping him.
The lesson? When things are at their absolute worst, don't simply satisfy your basic needs (eating, sleeping), take time out to enjoy something that will make you feel better despite the conditions. It will help you deal with adversity. Alternatively, the lesson is that even in some of the worst places/situations, there can still be beauty if you allow yourself to look for it.
- Why the monastic chant? Sheridan said in
"Points of Departure"
that he had met the Dalai Lama in Tibet. The chant wasn't Tibetan --
it is a Gregorian chant, part of the Christmas Mass.
The entire incident may have been projected into Sheridan's mind
by Kosh or by someone else. The fact that Sheridan could see it
might also be related to his dream in
"All Alone in the Night."
The Latin lyrics:
Puer natus est nobis et filius datus est nobis;
cujus imperium super humerum ejus;
et vocabitur nomen ejus,
consilii Angelus.
Cantate Domino canticum novum;
quia mirabilia fecit.One English translation of which is:
Unto us a Child is born, unto us a Son is given;
on whose shoulders the world's dominion rests;
whose name is;
He who was sent to us from the great Heavenly Wonder-Counselor.
Sing unto the Lord a new song. He has made wonders.There are two quotes here, one from Isaiah 9:6, the other from Psalm 98:1:
For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder: and his name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace.
O sing unto the Lord a new song; for he hath done marvellous things: his right hand, and his holy arm, hath gotten him the victory.
Whether this particular chant has any bearing on the story, or was just selected because it sounds good, is an interesting question, but a couple rather tenuous connections can be made:
The second verse mentions a "hand" being victorious; recall that Sheridan was told, "You are the hand," in "All Alone in the Night."
The fourth issue of the comic series, dealing with Sinclair's appointment to the Minbari homeworld, is titled "The Price of Peace," one letter removed from the description of Jesus above. (That one is probably just a coincidence.)
- It's also worth comparing Kosh's lessons to his encounter with Talia in
"Deathwalker."
When she asked what his negotiations meant, he advised her to "listen
to the music, not the words" -- advice that might apply to Sheridan's
lesson as well.
- The plight of the teddy bear mirrors the story Sheridan told to Delenn; if the bear is really supposed to represent Sheridan, is its fate perhaps a foreshadowing of Sheridan's?
Notes
- Londo's mention of "a certain Minbari" lying is probably a reference
to Lennier's lie in
"The Quality of Mercy."
- The Centauri expect their dolls to be anatomically correct.
- "Honour and shame from no condition rise;
Act well your part, there all the honour lies."
- Alexander Pope, "An Essay on Man" Epistle IV, 1733-34 - Possible Ranger sighting: When Vir and Londo are talking in the
Zocalo, a man in what looks like a Ranger uniform walks by twice.
Once as Vir says, "Centauri Prime is sending a replacement," and
again as he says, "It's my problem, not yours."
- The bear is from the
Vermont Teddy-Bear Company.
It's a "twenty inch" with "JS" embroidered on the front and
"Ba-bear-lon 5" on the back. Peter David says:
Specifically, on page 13 of their 1994 Winter Collection Catalogue, they have the Custom Embroidered Bears. Ordered with a baseball shirt and hat (NOT jacket), he's 20 inches high and his fur color is 'Pockets (thick milk chocolate)'...
I should point out that ordering the bear for Joe was my wife's idea. She's a big bear fan. At present she's hard at work on a Minbeari...
- @@@889493189 Caitlin Brown, who plays Guinevere Corey, played
Na'Toth in season one.
- @@@890012596 The Minbari text Delenn showed Lennier can be deciphered using the Minbari alphabet as rendered on the B5 trading cards. Replacing Minbari characters with their corresponding Latin ones yields the English text, "Chester is very spoiled. I guess it's my fault. I loved him too much."
jms speaks
- So after I'd read Peter's script, and decided to go with it, he
asked about Ivanova's line, "This isn't some kind of Deep Space
franchise, this place is ABOUT something."
"Are you really going to use that?" he asked.
"Absolutely," I said. "It's fall-down funny."
Long pause. "You people really ARE dangerous over there, aren't you?"
- No, the scene in the dark with the robed figures was not enhanced
with CGI or any other device.
- Everything featured in the Babylon Emporium was just made up by us.
Insofar as I know, none of it is real merchandise. (Everyone,
including the crew, are so starved for B5 stuff that when we finished
filming the ep, we sold off the stuff, at cost, to those in the crew
who wanted them. Two guesses who wound up with the Londo and G'Kar
dolls....)
- The B5 model in the gift shop in "Honor" is now in Sheridan's office,
bronzed, as is his right as captain.
Once the show is finally off the air, be assured that the model will end up in THIS captain's office.
- Here's the story of the bear.
I hate cute. Everybody knows me, knows that. So after buying Peter David's script #2, Peter sends me a gift. A bear. A teddy bear. With my initials JS in front, and Bear-ba-lon 5 in the back. I call Peter back. I say that I must now get him for this. He asks what I had in mind. I said wait and see.
So I wrote the entire bear thing at the end of the show, and inserted it into his script.
Never send me something cute.
Best part was during filming, we shot the bear against blue-screen to be composited into the CGI. And there's our EFX supervisor, standing there on film, against blue-screen, with this long rod up the teddy bear's ass, spinning it round and round and round....
Whilst doing that, I also wrote and inserted the Kosh/Perfect Beauty scenes, since I was already in it at that point anyway, and I figured it'd be cool.
It also keeps the Sheridan Learning Stuff thread going, and works in a nice balance to the rest of the episode. Here he's going nuts, being harrassed, and his command is on the line...so he has to learn to bend his knee, accept silence, give up his command symbolically by giving up the stat bar, and finding one perfect moment of peace.
- Yes, Kosh asking Sheridan "what is this place?" was more for
his benefit than Kosh's, to underline where they were, and what he was
about to experience even in such a place. Also, in psychotheraputic
terms, specifically dream analysis, when you travel to your cellar in
your dream, it's in part to confront something in your subconscious, to
learn something that may not be expressable in words.
- Yes, he did send a fake distress call, and took out the Black Star
when it came in to (they thought) wipe out a disabled ship. He's never
denied this to anybody.
- Sheridan sent an EA distress signal; the Minbari were in genocidal mode, so it didn't matter to them the condition of their enemy.
There All the Honor Lies
Synopsis by Matthew Murray (mmurray@wsu.edu)
Ivanova is furious at news Sheridan brings: in order to help Babylon 5 become more self-sufficient, Babylon 5 is going to be merchandised. Sheridan explains that the Zocalo is opening a gift shop so that anyone who wants a present for someone, or themselves, can buy it and help out the station. Ivanova is quite angry at this. "This is demeaning. I mean, we're not some...some deep space franchise! This station is about something!" Sheridan explains that her anger will make her the ideal person to oversee the efforts of the gift shop to make sure that no one on the station is demeaned. Sheridan explains that he has to meet with Ambassador Kosh for another lesson in understanding. He doesn't understand what he will be taught, but realizes that he probably won't after he has been taught either. Before he goes, he requests Ivanova pick up a Babylon 5 baseball cap... for his sister.
"Me?"
On his way to the Zocalo, Sheridan runs into someone walking down the corridor. Though everything seems fine at first, Sheridan soon realizes that his link has been stolen. He sees the man running on a catwalk above him, and he gives chase. While doing so, he is intercepted by a Minbari who attacks him and throws him to the ground, just near a PPG. He picks up the PPG and warns the Minbari to stay away. "Death first!" is the Minbari's response as he reaches for something. Sheridan fires. The force of the blast knocks the Minbari down some stairs. Sheridan gets to his feet and, as he surveys the situation, he sees another Minbari standing there, watching the proceedings. The Minbari quickly leaves.
Sheridan is attacked.
Sheridan explains to Ambassador Delenn and Garibaldi what happened, though they both find the situation strange, as no weapon was found on the body. Garibaldi explains that it was only self-defense, but Delenn tells them that the Minbari, Levell, comes from a very esteemed family, and that her government wants answers. Sheridan apologizes, but Delenn is not satisfied. "These are perilous times. We must do all we can to avoid another conflict between our people over a misunderstanding." Garibaldi tells Delenn that he has begun an investigation in order to discover what happened, but Delenn tells him that she has been ordered to begin an investigation of her own. Garibaldi protests, but Delenn will not listen, claiming it is the only way to decide whether or not Sheridan should be charged with murder. Sheridan orders Garibaldi to find the Minbari, which will prove to be a difficult task, given that Sheridan cannot give a detailed description.
Vir receives a transmission from Centauri Prime on Londo's behalf.
Garibaldi is talking to one of the Minbari on the station, who says that he was not present at the attack, which Garibaldi believes, since, as the Minbari explains, Minbari do not lie. Garibaldi asks if the Minbari knew who did it, and the Minbari accuses him of being threatening. Before it can go any further, Lennier arrives and asks to speak to the Minbari privately, which Garibaldi reluctantly allows.
"If you're finished, Mr. Garibaldi?"
Garibaldi and Sheridan walk down the hall, talking about the situation. Garibaldi explains that Lennier always seems to be a step ahead of his investigation, though they both hope that Lennier is not orchestrating a cover-up. Sheridan asks about his link, but Garibaldi says that it hadn't been used, and had probably been destroyed. Sheridan asks why someone would take his link, and Garibaldi explained that it was definitely something that Sheridan would want back, which would make sense if the man wanted to be chased.
They go into MedLab, where Dr. Franklin explains the result of the autopsy. He says that it was indeed a PPG that killed the Minbari, but that there is nothing that proves Sheridan innocent of an unprovoked attack. Garibaldi asks Sheridan where he found the PPG, and Sheridan tells him, though Garibaldi finds this suspicious as well. Garibaldi suggests that the PPG was planted, because no member of the Minbari warrior caste would carry one, and that the whole plot was merely to set Sheridan up.
Walking through the corridor near the newly established Babylon Emporium, Talia literally runs into Vir. He is holding a drink and seems quite shaken up. Talia asks him if he is okay, but Vir cannot come up with an answer. He says that he can't stay, and seems to find a great deal of humor in that remark. He vanishes into the crowd before she can say anything else.
Delenn and Lennier are talking to the Minbari, Ashan, who witnessed Sheridan's killing of Levell. Despite his being in the same clan as Lennier, he is being quite uncooperative, and will not answer any of Delenn's questions. "I answer to other Minbari," he tells her. "Not freaks." Hurt by this, she quickly exits, leaving Lennier to deal with Ashan. "You have insulted her," Lennier says. "Her presence insulted me," replies Ashan. Despite his feelings, he does offer to answer any questions Lennier might have.
"Not freaks."
Sheridan tells Delenn and Lennier that, despite whatever the feelings of the Minbari government are, he wants to see Ashan immediately. After they leave, Garibaldi suggests that, because of the Minbari's feelings, that might not be a good idea. Sheridan tells Garibaldi that he has to try to reason with Ashan, so that he can figure out why Ashan is lying about the incident, and that he doesn't want to disrupt life on the station any more than necessary.
Ivanova is looking around the Babylon 5 Emporium, inspecting the wide variety of T-shirts, dolls, models, and even teddy bears. She is also surprised by a human wearing a mask which makes him look exactly like an alien. She turns around, only to find an alien wearing a human mask. Somewhat startled and surprised, she makes a hasty exit.
Ivanova inspects the merchandise.
A well-dressed woman, with a brief case, enters the docking bay, and meets up with Zack Allan. She tells him that she wants to meet with Captain Sheridan. Allan asks her if she is expected. "No," she says. "Dreaded."
Sheridan asks Ashan why he would attack Levell, who merely answers Sheridan by calling him Starkiller. Sheridan tries to explain to him that what happened should remain in the past, but Ashan does not agree. "Was it not an Earth man who said that those who do not listen to history will repeat it? The Minbari listen. Very carefully." Delenn and Lennier ask Ashan if it is possible that he could be making a mistake in what he claims he say, but Ashan insists that he did not, and asks on what side their loyalties lie. Lennier responds that they want only to reveal the truth. Zack Allan and the woman enter, and the woman introduces herself as Guinevere Corey, Sheridan's lawyer. When she asks what they are discussing, Sheridan responds that they are discussing the truth, which she calls "the favorite song of the legally ignorant." Delenn asks if they are finished with their discussion, but Guinevere answers affirmatively for Sheridan. Delenn, Lennier, and Ashan leave.
As they leave the office, Lennier and Ashan bid each other goodbye, and Lennier comments that the situation does not look good for Captain Sheridan. Delenn says that the situation should not exist at all, and that Sheridan's personality isn't consistent with Ashan's statement, which she labels "dubious."
Sheridan tells Guinevere that he doesn't appreciate her calling him ignorant in front of other people, and she changes her choice of words to "naive." He claims that he doesn't need a lawyer, but she tells him that she was rerouted here because EarthDome has decided to proceed with an indictment against him. Sheridan is taken aback, and doesn't understand why they decided to do that. She says that the only solution that is good for Earth is if they go to trial and take the judgment he is given, but that she doesn't believe they can convict beyond a reasonable doubt. Sheridan thinks she is hiding something, and she is. She explains that, because of the trouble this will cause, Sheridan will have to step down as the Commander of Babylon 5 in any event.
Sheridan confronts Guinevere Corey.
Sheridan returns to his quarters and expresses his frustration and his doubts to Ivanova, who offers her support and leaves him to rest. Sheridan is about to relax when the door chimes. This time, it is Ambassador Kosh, who has come for the lesson. Sheridan says that he isn't in the correct frame of mind for the lesson, which was interrupted earlier. "Precisely the correct time," Kosh tells him. "Come." Sheridan tries to protest, but ends up going with Ambassador Kosh to the lesson.
Zack Allan enters Garibaldi's office, and Garibaldi gives Allan the file on Ashan, telling him to keep an eye on him, but not provoke him, just so they can find out what he is up to, and if he is hiding anything.
Sheridan and Kosh appear together, walking through one of the most inhospitable parts of Downbelow. Sheridan tells Kosh that he doesn't understand why he is there. "Good," responds Kosh. After a brief walk, they reach their destination, an access panel in a dead end. Kosh instructs Sheridan to go inside. Sheridan asks why, and asks what is inside. "One moment of perfect beauty," explains Kosh. Sheridan goes through the access panel.
"You want me to go in there?"
The area is very cluttered, and the ceiling low, but he eventually finds what Kosh sent him to look for: a strange, hunched-over figure wearing a robe. Sheridan explains that he was sent to find this place, but the being only pushes forward a small dish. Sheridan explains that he doesn't carry money, but cannot convince the figure. He removes his stat bar, which shows his position in Earth Force, and places it in the dish, which the being quickly removes. The area is then filled with many strange and beautiful patterns of orange light playing off the cloaks of other figures who Sheridan hadn't noticed. The area comes alive with the sound of a Gregorian chant, which Sheridan drinks in.
Beauty in the dark.
Vir is sitting alone with a drink at the bar, when Londo comes up to him. Though it is only Vir's second drink, it is obvious he is upset, and Londo asks why he is acting that way. Vir doesn't understand how Londo can criticize, after all the things he has done. Vir explains that he is having a difficult time doing his job, which consists mostly of keeping Londo's secrets. Londo offers to send Vir home, but Vir knows he can't return to his family. "Do you think that if they wanted me around that I'd even be here? They just wanted be anywhere--anywhere away. They had me sent here two years ago because, frankly, there wasn't much competition for the job. This was a joke to them. Before I left, my uncle said to me, 'You and I deserve each other.'" Londo tells him that is no longer true, which Vir knows only too well. He tells Londo that Centauri Prime is sending someone new for his position, which has become "too important," and that they are sending someone better prepared for the task. Vir says that he doesn't know what to do, because he feels as if he isn't wanted anywhere, and that he has no way to escape from his problems. He apologizes to Londo for getting him involved, and quickly stands up and walks away. Londo begins after him, but is distracted by a group of women, mostly Centauri, at a table nearby, laughing at a doll of Londo. Intrigued, he snatches it away.
Londo comforts Vir.
Sheridan and Kosh are in the elevator, returning from the lesson. Sheridan thanks Kosh for the lesson, and Kosh exits the elevator. Ivanova enters, and Sheridan explains what he learned. "Beauty...in the dark." Ivanova comments that the lessons must be working, because he is beginning to talk just like a Vorlon.
Delenn enters her chambers and finds Lennier there. She tells him that she was arranging to have Levell's body prepared due to the customs of his clan, and that she thinks there is some information that Lennier needs to see. She plays it on a monitor, and Lennier reads it.
Meanwhile, Sheridan and Ivanova are walking down one of the station's corridors when an elevator door opens, and Londo steps out, angrily brandishing the doll in his likeness. "Captain! Commander! Can we talk?"
Ashan is running through some corridors on the station, as if looking for something. He vanishes behind a corner, and Zack Allan, who had been following him, steps out. He tries to find out which way Ashan went, but before he can give chase, two hands come down on him and knock him out. Lennier has been following Ashan as well.
Lennier runs after Ashan, and comes across him, talking to the cloaked man who stole Sheridan's link. Ashan and Lennier prepare to attack each other, and Lennier says that he wanted to prove Ashan's innocence, but now sees that, since he was talking to the man who stole Sheridan's link, his story was false after all, and that he would have been discovered by station security had Lennier not intervened. Ashan doesn't understand why Lennier would believe the word of sation personnel over his word, and Lennier explains it is because Delenn believes it, and she is honorable, and he honors her words. "What do you honor, Ashan? The truth, or the obligations of our clan?" Before he can say another word, Ashan escapes.
Lennier and Ashan face off.
Londo says that the Centauri Government will not allow insults such as the doll. Ivanova says that it is just a doll, and that it wasn't even constructed by station personnel. Londo calls the doll a mockery, since it doesn't have any...attributes. It takes Ivanova and Sheridan a minute, but they finally realize. "You feel like you're being symbolically cas...t in a bad light," Ivanova tells him. Sheridan ordrs Ivanova to go and have all the dolls removed from the Imporium, which she does.
"I do not lie when I say this could have been a major embarassment to all concerned," Londo says.
"Oh, I'm sure, Ambassador," Sheridan says. "You don't lie, the Minbari don't lie, no one around here..."
"Who said the Minbari don't lie?" Londo suddenly realizes his mistake, but it is too late, for Sheridan has noticed it as well and asks Londo what he knows. Londo explains. "A certain Minbari once lied to save a certain Centauri Ambassador from embarrassment. Apparently, there is honor in helping another save face." Sheridan then realizes that they would lie to protect someone's honor, but that he doesn't know who, or what, is being protected. Londo leaves, and Sheridan receives a message from C&C, saying that a Minbari Embassy representative from Earth wants to speak to him. Sheridan has them put it through.
Delenn is sitting alone at the rock garden when Sheridan enters and sits with her. He explains to her that her government wants Ashan taken from the station, and sent back to the Minbari homeworld. With that important witness gone, there can be no trial, which will be a relief to Earth, though there will be much doubt left behind. Sheridan's credibility will be destroyed, which he believes some may have wanted from the beginning. Delenn moves away and doesn't face him. He tells her that he knows how it feels to be all alone, but she tells him that she is truly alone, as she is completely isolated from her world and her government. He asks her why she said the Minbari don't lie, if they will to save another's honor. "You must understand, Captain, that there is no greater honor among my people than to serve. They work for generations to create a legacy, a tradition. In the service of their clan, they are ready to sacrifice everything. Their individuality, their blood, their life." Sheridan tells her that this is a common occurrence and that larger ideals can't be preserved if small ones are sacrificed. Delenn gets up and tells Sheridan to follow her.
"Come with me."
Ashan up with Lennier, who gives him parting instructions. Lennier says that he will go to the Captain and explain his involvement with Levell's death. Ashan says Lennier had nothing to do with it, but Lennier tells him that, as a member of Ashan's clan, he is equally responsible. Ashan tells him that, if he does that, he will dishonor himself and their clan, but Lennier says that he will retain honor, by protecting Ashan, though their clan will dishonored. Ashan explains that it was their clan's leaders who decided to go ahead with the plan without the blessing of the Minbari government, because they were angered at the appointment of Sheridan as commander of Babylon 5. He explains that Sheridan destroyed the Black Star by mining an asteriod field, sending a fake distress signal, thus luring the ships in there. He doesn't believe Sheridan has any honor. Lennier explains that he lost family on the Black Star as well, but asks if there is any more honor in this betrayal. Lennier asks why Ashan was talking to the human who stole Sheridan's link, and Ashan explains that Levell paid him to lure Sheridan away, and provided a weapon for Sheridan's use. He says that Levell, as a member of their clan, must be protected. Delenn, Sheridan, Garibaldi, and Guinevere Corey appear from behind a door and confront Ashan.
Protecting the clan's honor.
Sheridan explains that Delenn received Levell's burial instructions, and that saving the honor of their clan was the one thing that could cause Ashan to lie. Lennier reveals a small recording device he used during the conversation. The door to the room opens, and Zack Allan leds Ashan away. Guinevere asks Delenn if the Minbari government will contest their action, but Delenn says that whomever is responsible will never take responsibility for what happened. Sheridan asks if a public confession is really what they want; he tells Delenn that he is willing to turn over all the information as long as Ashan promises to make a statement about what he saw, with no attention at all paid to the clan loyalty, or any other background, and that they will leave Levell's motive as one more mystery. "And around here, who'll notice one more?"
Vir is in Londo's quarters, still drinking, and with a considerable hangover. Londo asks Vir how quickly he can pack, since his replacement arrived a few hours earlier. Vir begins to leave, but Londo stops him, saying that he should pack Londo's things first. Vir asks why Londo wants him to pack his belongings, and Londo explains that he explained to the Centauri homeworld that if Vir goes, he goes as well. Londo told them he considers Vir a good worker, and that he needed Vir to work with him, which astonished Vir's family. Londo tells Vir that he hasn't treated him very well, but that he can change the way he acts. He asks Vir to stay, and says that if Vir leaves, he will have to as well, and, should that happen, he will have to kill Vir. "What are friends for?" Londo leaves, but not before Vir thanks him. Londo also explains to Vir that he invited Vir's entire family to stay with him for a once, knowing he wouldn't mind. Vir tries to protest, but Londo is already gone. Vir goes back to his drinking.
Sheridan and Ivanova meet together, and he asks her how the Babylon 5 store is going; he now believes it's a good idea to help defray operating expenses. She presents him with a teddy bear, dressed in a baseball jersey and cap, which he admires, including the motto on the back: Ba-bear-lon 5. He notices the bear's monogram, which reads J. S., which Ivanova tells him stands for John Sheridan. When this hits Sheridan, his cheery mood changes, and he orders Ivanova to have the store removed and everything gone by the next morning. She leaves to follow his orders, but not before he takes the bear from her.
Warren Keffer, in one of the Zeta Squadron starfuries, flies away from Babylon 5. A communication comes in from the station. "Have you traced that unidentified object?" Keffer is in the midst of responding, when the starfury collides with a teddy bear. "Have you encountered unidentified object? Can you describe it?"
"Negative, Babylon Control. I don't think so. Not on a bet. Heading back to the barn." Keffer pilots the starfury back to the station, as the teddy bear floats, suspended in space.
Thirdspace
Overview
Two-hour TV movie. The crew discovers a mysterious, ancient artifact in hyperspace. Shari Belafonte as Dr. Trent.
P5 Rating: 8.05 Production number: TNTCF1 Original air date: July 19, 1998 DVD release date: August 17, 2004 Written by J. Michael Straczynski Directed by Jesus Treviño Novelization by Peter David
Plot Points
- @@@900914902 Over a million years ago, the Vorlons, believing themselves just one step short of godhood, decided to build a device to open a doorway to what they believed was the well of souls, the source of life. The device, similar in basic function to a jumpgate, did open a hole to another place: a universe inhabited by an alien race even more powerful than the Vorlons, a race that believed itself the only intelligence worthy of existence. The aliens were extremely powerful telepaths, able to take control of many of the Vorlons and turn them against their own kind. Eventually the aliens were beaten back, but before the device could be destroyed, some of the Vorlons under alien influence flung it into hyperspace. The Vorlons never found it.
- @@@900918110 The Vorlons implanted Lyta with a memory fragment detailing the story of the device, and instructions for its destruction should it be found. They also left her with memories of some of their other mistakes.
- @@@900914902 Interplanetary Expeditions operates outside the bounds of the Earth Alliance regulations that govern most companies.
- @@@900914902 Babylon 5 carries a small supply of tactical nuclear weapons small enough to be carried by hand.
- @@@900962814 Zack wants to date Lyta, and has gone so far as to tell her so.
Unanswered Questions
- @@@900914902 What were the Vorlons' other mistakes? What else does Lyta know about Vorlon history?
- @@@900974298 How long did it take the Vorlons to vanquish the aliens?
- @@@900919178 What did the Vorlon writing on the artifact say?
- @@@900918110 Who built the original set of jumpgates?
- @@@900919178 What was the alien city, and what was the spire in its center? Why were so many people having visions of it? Possibly the city was on the alien homeworld, but why would they broadcast images of their world to strangers?
- @@@900914902 How much of Dr. Trent's supposition about thirdspace was correct? Barring the obvious problem of the alien race, could thirdspace be used as she described, like a faster version of hyperspace? Are there other spaces beyond thirdspace, perhaps an infinite number of them?
- @@@900956645 Does Lyta remember anything Zack said to her?
Analysis
- @@@900953736 This story took place after
the Shadow War, but before the declaration of war against Earth. That
puts it between
"Into the Fire"
and
"Moments of Transition."
Other clues allow it to be placed more precisely. It took place after "The Illusion of Truth" because that was the last time Zack wore his Earth Alliance uniform. Just after Zack was fitted with his new uniform in "Atonement," Delenn greeted Callenn and told him she'd be ready to leave for Minbar in one day, less than the amount of time elapsed in this story (Sheridan remarked to Trent that she'd had five days to examine the artifact.) It couldn't have taken place after "Atonement" since Dr. Franklin left in that episode before Delenn returned; the two of them weren't on the station at the same time again until after the declaration of war.
That puts "Thirdspace" between the first and second scenes of "Atonement" (a slight inconsistency since Callenn's ship can be seen to arrive in the opening shot, before Zack's fitting) unless Zack's visit to the Minbari tailors wasn't the first time he wore the uniform. If his visit was just an adjustment, possibly a result of being in fistfights in "Thirdspace," the story takes place between "The Illusion of Truth" and "Atonement."
- @@@900918111 The raiders fighting Ivanova's squadron were attempting
to steal a shipment of Quantium 40, which is used in jumpgate
construction
("Mind War.")
That resonates with the discussion between Trent and Morishi about
the building of jumpgates.
- @@@900919178 Why didn't the White Stars open jump points for Ivanova's
squadron after the fight with the raiders, rather than forcing her
to travel slowly to the nearest jumpgate? One answer is that
Starfuries aren't equipped to navigate in hyperspace unless they
start off from a known location and can follow a beacon.
- @@@900918111 How did Dr. Trent know that the Vorlons enhanced Lyta's
telepathic abilities? One possibility is that Bester, or someone
else in the Psi Corps, told IPX about it. Bester discovered Lyta's
enhancement in
"Epiphanies."
- @@@900962752 In Ivanova's dream, Vir was caressed by women while Ivanova
was killed. That may have been because Vir was willing to give in to
the alien influence, while Ivanova insisted on questioning it. He was
rewarded for his compliance while she was punished for her resistance.
- @@@900956361 How did the Vorlons get into thirdspace to begin with?
If, as Lyta said, the door has to be opened from both sides, that
would imply that the aliens in thirdspace already had their side
open and were waiting for someone from normal space to reciprocate.
Or maybe they somehow become aware of what the Vorlons were up to, and
opened their side at roughly the same time. Either way, they've been
waiting for the door to reopen for over a million years, though of
course time may not pass at the same rate in thirdspace and normal
space.
- @@@900956645 The fighters that emerged from the gateway appeared
similar in basic form to Vorlon ships. Were they examples of ancient
Vorlon ship design? The aliens might have kept possessed Vorlons
around to use as cannon fodder in case the gate opened again, on the
assumption that it might be the Vorlons doing the opening.
- @@@900956361 Were the Vorlons alone in their fight against the aliens?
Given the potential danger, it's possible the Vorlons found themselves
fighting alongside the Shadows and other First Ones against the alien
forces; the Shadows would have as much of a vested interest as anyone
else in seeing the aliens beaten back (though it'd be consistent with
Vorlon arrogance to not mention anyone else's involvement to Sheridan.)
- @@@900919179 It may have been the conflict with the alien race that
prompted the Vorlons to invest effort into researching and developing
telepathy. The Vorlons were almost certainly strong telepaths before
the conflict, though, since Lyta mentioned that they had already been
making themselves appear as beings of light when they visited other
worlds.
- @@@900924492 Though it was never stated outright, the purpose of
concentrating fire on the front of the artifact (which itself begs
the question of which side was the "front") was probably to redirect
shield energy away from the other side. That's evidenced by the fact
that a hole opened in the force field in the rear when Ivanova ordered
everyone to fire at the same time.
- @@@900924492 Why wasn't Draal's help enlisted? The Great Machine might
not have had enough power to destroy the artifact outright, but its
weaponry would presumably have been helpful in the assault. Given
the high stakes -- a powerful, implacable enemy even the Vorlons
considered a threat -- it's not clear what reason Sheridan would
have had for holding Draal in reserve.
- @@@900914902 What were the creatures in the artifact? Were they members
of the alien race? Did they arrive after the artifact was powered
on, or were they lying dormant for millenia? The fact that they
had the same shape as the shadow in Lyta's vision, and their tentacles
looked like the one in Ivanova's dream, suggests that they were from
thirdspace.
- @@@900914902 This was the fourth time Sheridan used nuclear weapons against vastly superior alien forces; he used nuclear mines to destroy the Minbari cruiser Black Star ("In the Beginning") and a Shadow city ("Z'ha'dum.") He also used nukes to get the attention of the Vorlons and Shadows at Coriana 6 ("Into the Fire.")
Notes
- @@@882989498 Chronologically, the movie takes place during
season four, after
"Into the Fire."
- @@@867698018 According to producer George Johnsen, "Thirdspace" contains
more new special effects shots than all of season one combined.
- @@@869037257 Noted science-fiction illustrator
Wayne Barlowe,
author of
"Barlowe's Guide to Extraterrestrials,"
designed the artifact.
- @@@900914902 Deuce also appeared in the season-one episode
"Grail."
- @@@900921140 In the crowd scene on the observation deck just after the
artifact is powered up, the albino smuggler from
"Racing Mars"
can be seen briefly.
- @@@901169987 Spelling error: during Trent's voiceover, when she's
examining the displays on several of the monitors in her office,
the text "EMF EMMISSIONS" can be seen running vertically down the
side of one of the computer displays. It should be "emissions."
- @@@901351057 Science goof: Ivanova claimed that carbon dating was
used to determine that the artifact was over one million years old.
Unless she meant some different process than what's referred to as
"carbon dating" today, that wouldn't have been possible. Carbon
dating is a very specific process: it is used to determine the age
of dead plants and animals, and is based on the assumption that the
amount of carbon-14, a radioactive isotope of carbon, in the Earth's
atmosphere has remained more or less constant over time. The theory
is that a living organism will ingest C14 from the air and maintain
about the same ratio of C14 to normal carbon in its body as exists
in the atmosphere.
After an organism dies, the C14 in its body breaks down and isn't replaced; a rough time of death is determined by measuring the difference between the amount of C14 in the atmosphere and the amount remaining in the organism's body.
Thus there are several reasons the B5 crew couldn't have used carbon dating to determine the age of the artifact. First, the artifact wasn't alive (though that point is debatable considering its Vorlon origin.) Second, given that the B5 crew had no idea where the artifact came from, they wouldn't have had a baseline to compare against, and thus couldn't have determined a difference in C14 levels. Third, C14 has a fairly short half-life; carbon dating can't be used to determine ages much beyond 50,000 years since all the C14 breaks down in that amount of time.
- @@@901351057 Sheridan's passphrase contained the word "Abraxas." The Abraxas was a figure from Gnostic mythology, most commonly found on small talismans called "Abraxas stones" which were popular for a time in the Roman Empire.
jms speaks
- @@@889482571 When will it air?
I checked my figures, and apparently it's either the 9th or the 19th of July for Thirdspace...they've moved it up at TNT from their original November plans as sort of a way of giving a present to B5 fans after having to wait for the NBA Playoffs to finish. - @@@889503710 Barlow did a great job for us designing very alien looking
stuff that looks different than what we've done before...a nice break
in our format...
- @@@865269566 "You mentioned that you were already shooting Thirdspace,
the first B5 movie. Wasn't "In The Beginning" the Minbari war story
going to be first?"
The prequel is aired first, but produced second, because B5 didn't exist during the prequel time period, so rather than tear and and rebuild sets, we're doing Thirdspace first.
- @@@865969769 How is having more money affecting the
production? How is the crew handling making a movie?
Actually, we don't really have that much more money. Each episode costs a tick under $1 million; for purposes of discussion, let's round that up to 1. So you're now talking 2 million for 2 hours. Now you've got another million to spend. *But* ALL the prices go up by union scale and whatever else can be negotiated. Actors fees go up, writers fees go up, directors fees go up, crew fees go up...so at the end of the day, you find you have a *little* more to spend, but not really that much.As for how everyone's handling it...really no different than the series. Actors learn their lines, directors do their shots, the atmosphere on set really isn't much different. The only substantive difference is that, because we know we won't be airing these until January and March/April, at soonest, we have more time in post and can therefore do more EFX.
George calculated that there are as many EFX in "Thirdspace" as in the entire first season of B5.
- @@@890333528 Early season five doesn't seem to have much
CGI.
I did keep the first batch just a *bit* on the light side in order to have room to do the massive amount of rendering on "In the Beginning" and "Thirdspace," the latter of which has (finally delivered) topped out at 27 minutes of CGI out of 94 minutes, which has got to be some kind of record. - @@@882989498 Is it set at the end of season
four?
No, it would be about mid-fourth season.- @@@902700637 Anybody can follow this movie and enjoy it; whether you've seen the show before or not.
- @@@884031156 "I have heard that Thirdspace might be the pilot or lead-up to Crusade. True,untrue?"
Untrue.
- @@@902700637 Anybody can follow this movie and enjoy it; whether you've seen the show before or not.
Thirdspace
Synopsis by Arturo Magidin (magidin@matem.unam.mx)
"It was the middle of the Earth year 2260," recalls Sheridan. "The Year Between Wars, and the beginning of a new age. The Shadow War was over, but there was still a darkness waiting for us back home. President Santiago had been assassinated, and his successor, president Clark, was turning Earth into a prison camp. We'd broken away from Earth, and in retaliation they had quarantined us, trying to strangle our supply lines. We were desperate, and we couldn't afford to lose even a single supply ship. In the midst of all of this, we made contact with Thirdspace, and we almost didn't survive it... I only hope we never come across it again. Because the next time, no one is going to survive it."
A supply ship is under attack by raiders, and the raiders are under attack by Starfuries, led by Ivanova. Ivanova tells the raider leader that their forces are too evenly matched, and it will be at best a stalemate. But the ship carries Quantium 40, too rich a prize for the raiders to ignore. So they call in their heavy cruiser, which functions as their base. And then, Ivanova springs her mouse trap: Sheridan, in command of several White Star ships, arrives and takes care of the cruiser. Hopelessly outnumbered and outgunned, the raiders surrender. Sheridan takes the prisoners to a Drazi freeport, and Ivanova takes the wing of Starfuries back to B5. She'll spread the news; hopefully, if raiders believe any shipment could be a trap, they will think twice before attacking.
Back on B5, Lyta Alexander is mediating a private dispute, but she keeps getting flashes of a ship or artifact in hyperspace. It discomforts her greatly, and quickly excuses herself. Meanwhile, in hyperspace, Ivanova's wing detects something lost there, adrift. They make a lifeline of Starfuries to reach it before it drifts away and is lost ("A Distant Star"). It is a huge construct, of unknown origin. Ivanova requests Babylon 5 send White Stars and all available starfuries to tow the enormous find back to the station.
As the artifact passes through the gate, Lyta has a vision: the Zocalo in ruins, bodies everywhere, herself hurt and bleeding, and a strange shadow stalking her...
Later, Vir talks with Sheridan and Delenn. Londo is away on Centauri Prime, and the League has asked him to talk on their behalf. The League want access to the artifact, and the possible advanced technologies it represents. But Sheridan is wary of having everyone poking at the artifact, pulling in all directions at once. He promises they will share anything they find with the League. Vir does not think the League will be satisfied with promises, but agrees to relay Sheridan's answer to them.
But as Delenn points out, Babylon 5 is not equipped to handle research of such proportions. "So it will take us a little longer," answers Sheridan possessively.
A maintenance bot is sent to take a surface sample from the artifact, but its energy is drained, and strange markings of some kind shine briefly on the artifact's surface. And in her quarters, Lyta is furiously scribbling on the walls "There is danger. Remember." over and over again...
Soon after, a ship from InterPlanetary Expeditions (IPX) arrives and requests a meeting with Sheridan. The leader of the expedition is Dr. Elizabeth Trent. Despite the Earth embargo on B5, IPX would like access to the artifact. Because of its line of work, IPX maintains contacts with other worlds and outside of Earth-controlled space, and Earthgov turns a blind eye towards them for business' sake. Dr. Trent points out that B5 is not set up to investigate the find, and it could even be dangerous to be poking around blindly. Sheridan agrees to given them access, provided IPX meets some conditions: they are to keep him and the station informed at all times, and give them full access to their finds; he also wants first shot at any new technologies found; and anything that could be used by Earth against the other races will not leave B5; Sheridan is willing to destroy the artifact if necessary to prevent such information from leaving. Finally, since IPX can come and go as they please, they will bring needed supplies and foodstuffs to the station. "If you're going to work here," explains Sheridan, "you are going to have to bring lunch. I just want to make sure you bring enough for everybody."
Dr. Trent wants to think about it, but just then Ivanova links in: their tests suggest the artifact is at least a million years old. This is more than enough for Trent, who agrees to the deal Sheridan proposed.
In her quarters, Lyta is dreaming of the artifact. In her dream, it is covered in some sort of writing. She wakes up and leaves. As she is going up on a lift, she is joined by Zack. She, however, is still lost in her visions, mouthing the words "there is danger, remember" over and over. The lift stops suddenly: the station has been experiencing power fluctuations for the past couple of hours. Zack, meanwhile, uses the pause to ask Lyta out; he is taken aback by her silence and detachment, thinking it is rejection. He eventually backs off, and requests that the whole conversation be forgotten.
Later, as more work continues around the artifact, dozens of maintbots accelerate towards it on a collision course. They are destroyed by starfuries before they impact, and when security breaks into Maintenance, they find Lyta standing over the unconscious bodies of the personnel. "We have to stop it, we have to stop it," she says, and falls to the ground unconscious. Later, she tells Dr. Franklin she cannot remember anything since the previous evening. Although Dr. Trent wants her in custody, Sheridan refuses. He will treat this as an isolated incident.
The preparations around the artifact are complete, and the IPX team begins deep magnetic scans on the artifact. They figure it is not a ship, but rather some sort of mechanism. Dr. Trent even has some ideas about what it is...
In the Zocalo, a man starts dreaming of a city in space, with a spire in the middle, and dark tentacles reaching for him. He awakes screaming. All over the station, similar events are occurring: fights are breaking out, people are locking themselves up in their rooms, screaming...
In Downbelow, Deuce ("Grail") is looking up; he is seeing the same city, and mutters to himself "It is beautiful." Ivanova also dreams of the city, and even sees Vir there. A dark tentacle reaches over from behind her, and she wakes up screaming.
In the morning, Bill Marishi, the second in command of the IPX group, is working over breakfast. Suddenly, he is surrounded by silent people who are staring at him intently. Among them is Deuce, who tells him IPX isn't moving fast enough. "You have to move faster," he tells Marishi. "You have to make it work."
Despite her progress, Dr. Trent has not shared her findings with Sheridan, and he is getting suspicious. Although he is not a xenoarchaelogist, from his years with Anna he knows they should be further along than Dr. Trent is letting on. But Dr. Trent claims the situation is unique and calls for slow progress. Sheridan then notices some of her notes, and recognizes that the writing on the surface of the artifact is Vorlon. Dr. Trent should know that, and moreover should have shared the information. Sheridan gives her 48 hours to get a report to him, otherwise he'll pull the plug.
Faced with the deadline, Trent tries to push up the schedule. She wants to crack the artifact's technology before anyone else takes it away from her. But Marishi disagrees, and since he is second in command his agreement is needed. So she reveals what she knows: the way Dr. Trent figures it, the artifact will open a gateway to another space, different from both normal and hyper; she calls it "thirdspace." As far as she can tell, it operates under a whole different set of rules: a ship traveling through thirdspace would be able to travel almost instantanously between points that would take days or weeks through hyperspace; the technological, and more importantly the military, potential is enormous. Although cautious, Marishi agrees to go ahead and try to turn the artifact on, and open a gateway to thirdspace.
In a lift, Ivanova meets Vir. Since it is considered good luck among Centauri, Vir mentions he saw her in his dreams last night. Soon, Ivanova realizes it was the same dream she had, and that this is connected to the strange happenings all around the station, and to the artifact itself. She rushes to tell Sheridan about it.
But Trent has put her plans in action. The work crew plugs in a power cell to the artifact, which springs to life.
People start converging on the observation dome, the Zocalo, and the cobra bays, entranced by the artifact. Some are trying to stop the starfuries from launching. When Zack tries to clear them out, fights erupt. The artifact is now draining power from the whole station. Zack links in to Sheridan: fights are breaking out everywhere, and people seem to be under some kind of telepathic influence or trance; he won't fire on them, which makes things that much harder. Some starfuries launch and start firing at the artifact from a distance, but the artifact seems to be protected by an energy shield now. Slowly, the artifact begins to open...
Sheridan goes to see Lyta, and is met by Delenn. They find Lyta taken over by a presence, an "echo of what was." The presence explains what the artifact is: thousands of years ago, the Vorlons, believing themselves to be just short of godhood, constructed the artifact as a gate to heaven. In their arrogance they didn't stop to consider the consequences and dangers. On the other side, they found a powerful race bent on the destruction of all other life in that universe. With the gate open, they came into our universe to do the same. Strong telepaths, they even managed to take over some Vorlons. The Vorlons managed to fight them back and close the gate, but before the artifact could be destroyed, those who had been taken over flung it into hyperspace. Now the door is opening again, and the artifact must be destroyed. For the aliens to come through, the door must be open on both sides, so this will suffice. The presence imparts to Sheridan the knowledge needed to destroy the artifact.
Outside, the gate is opening and small ships are coming through. They easily take care of the few starfuries that have launched...
Inside, Sheridan is ready to go ahead. Delenn will get some Minbari heavy cruisers, and Sheridan has a mission of his own. Ivanova goes to see Trent, and finds Bill Marishi dead, shot from the back: Dr. Trent has been taken over as well. Before she can strike again, Ivanova disarms her and knocks her unconscious. She then leaves to lead the arriving White Stars, as more alien fighters come through the gate.
The alien fighters are very powerful and tough, and even the White Stars and the Minbari cruisers are having trouble holding their own. Meanwhile, Sheridan goes to the armory and takes a tactical nuke, before going out on a powered spacesuit. The defending fleet concentrates its fire on the front of the artifact, opening up a hole in the defensive shield on the back. Sheridan slips through it to the inside of the artifact.
As the fights rage on outside and inside the station, Sheridan places the tactical nuke in the center of the artifact. He arms it, and on his way out he finds his way blocked by creatures which look like those in Ivanova's and Lyta's visions. He manages to escape them barely, as a giant alien ship starts coming through the gate. Before it can emerge, however, the bomb goes off, destroying the artifact and the alien ship.
The combined defenders slowly and painfully destroy the remaining alien fighters, as the people inside Babylon 5 slowly awaken from their telepathic takeover. The station, and the universe, have survived.
Later, Dr. Trent is apologizing for her behavior, not all of which was telepathically induced. She acknowledges she was wrong and will take a leave of absence to take stock of her life. "I didn't like the part of me that thing brought out," she tells Sheridan. She also gives him all the information she found about the artifact. It may prove useful, some day.
"I was sure she didn't give me all the information," remembers Sheridan. "She just wanted out of there. And if a little lie got her out the door, that was fine with her. Fine with both of us, really. Because as Mr. Garibaldi has been known to say from time to time, `we all lie.' When the dust settled and people wanted explanations, we gave them one. We said that the device was a weapon, a mouse trap, which was true. We told them that it used a telepathic trigger and caused an outbreak of fighting, and we told them that it was finally destroyed. It's all true.
"And of course, it's all a lie. Because there are times we don't need the whole truth. The Vorlons made an error thousands of years ago, and we paid the price for it today. Why encourage any one else to do the same? No, we have more than enough troubles of our own, we don't need to inherit anyone else's mistakes. We got through it alive, and everyone's okay, and that's the important thing. And this isn't the kind of problem that's likely to ever happen again."
In the Observation Deck, Lyta is staring sadly at the stars, saying to herself: "One mistake. One mistake out of so many, so many others..."
TKO
Overview
An old friend of Garibaldi's arrives and tries to take part in a dangerous alien combat sport. A rabbi helps Ivanova come to terms with her father's death. Theodore Bikel as Rabbi Koslov. Greg McKinney as Walker Smith. Soon-Tek Oh as The Muta-Do. Don Stroud as Caliban.
Sub-genre: Drama P5 rating: 6.41 Production number: 119 Original air date: May 25, 1994 DVD release date: November 5, 2002 Written by Larry DiTillio Directed by John Flynn
Backplot
- Ivanova's brother Ganya was killed in the Earth-Minbari war a year after her mother committed suicide.
Unanswered Questions
Analysis
- The fact that aliens of several races -- including a Centauri -- all seemed to agree that humans had no business fighting in the Mutai seems to indicate that there is a lot of resentment toward humans among the other races, enough that they see the distinction between humans and themselves as much greater than the distinctions between each other.
Notes
- Walker Smith was the real name of famed boxer Sugar Ray Robinson.
- @@@908906455 Guest star Greg McKinney died on April 12, 1998. Coincidentally, Sugar Ray Robinson died on April 12, 1989.
jms speaks
-
At one point, there was a discussion in the scene about the whole
gills/scales/fins issue, to define kosher...but it *really* brought the
scene to a screaming standstill, and we needed to concentrate on the
relationships at that moment. In addition, as we looked at it, you would
have to get into the question of how alien gills/scales/fins compare to
earthly gills/scales/fins, because they're going to be very different in
many ways. In short order it became a massive Talmudic discussion, and
we only have an hour for the show....
-
Babylon 5 (the show) got not a dime for sticking in the
Zima
sign. We just thought...well, it'd be funny.
-
Yes, slappers = skin tabs, for introducing medication. The ones in
TKO had been stolen from B5 medsupplies.
-
Through a miscommunication, Warners thought TKO was in the slot in which
we'd placed Quality [of Mercy], so that went out to TV Guide, and it's now
too late to change the order back. Doesn't matter; neither are really
arc-stories, though it was hoped to hold back some of Susan's development in
TKO just a tad longer.
-
It was Larry's idea to name the character Walker Smith, after Sugar
Ray Robinson.
-
If the deceased has been dead for quite a while, the period during
which one must sit shiva is greatly reduced to a day or so, I'm told.
-
Larry wrote the shiva stuff all on his lonesome. As for being an
abbreviated version...apparently shiva lasts 3 days for someone
recently deceased. If it's been months since the death, the service
is usually much shorter, and again, there was only Ivanova and Koslov
who actually were part of or knew the deceased.
-
I'm told that shiva need not last 7 full days, if the death was not
recent, and if the body has already been buried.
-
Now, on the samovar issue...whatever your background, if your family
grew up in Russia and has been there for several hundred years or
more -- and the Ivanov family has been there since at LEAST the 1800s
-- you do become part of the culture. That, as I always understood
it, was part of the reason for making sure children learned hebrew,
yiddish *and* the dominant language of the culture, to give their
kids a fighting chance in a difficult world. It's not so much a case
of the culture assimiliating the individual (though certainly that
happens as well), but the individual INCORPORATING the culture.
Ivanova is jewish. Ivanova is russian. Of the two, she tends to see herself as a russian first. There's no value statement there, that's just the way she is. Her parents were both russian, going back many generations on both sides. Some in her family tree were jewish, and some were not; there was some intermarrying. That may be part of why she sees herself as more russian than jewish, but it may be just a quirk.
(And to the protest of, "Well, you created her," yes, I did. But there comes a time, if you've done your job right as a writer, when the character more or less takes over, and starts telling YOU who and what he or she is. There are times I mentally turn to Ivanova and say, "Okay, what do *you* think?" And she talks to me in my head, as do all of my characters. It's part of making your characters real.)
When she went off to boarding school overseas -- part of an ongoing international system put into place by EarthGov to help its various member nations get along with one another -- she identified most strongly with that russian aspect in relation to those around her. She learned to speak English without a perceptible accent.
The samovar is a valued and valuable part of russian life. It is the family hearth, on one level, a possession passed on from generation to generation. Knowing that Ivanova was not terribly religious herself, he would generally not leave her any of his personal religious artifacts, but would dnate them to the local synagogue, while some, like a menorah, might go to other relatives. People who could appreciate them and use them. The samovar is a very personal object; to the correspondent with a fiance who is russian...*I* am byeloruss, white-russian, one-and-a-half generation American born. And I can tell you that the biggest fights I've ever seen over bequeaths were over a) money, and b) the samovar.
The problem with this discussion is that it has very little to do with who Susan Ivanova *is*, and more to do with the politics of what a russian or a jew or a russian jew *should be*. She is what she is, like it or not.
- @@@846702423
"The remark: '...pouting in that way that only 13 can...'"
. . . the comment is essentially correct; ain't nobody can pout like a 13 year old.
-
To the problems some have with Theodore Bikell's accent not sounding
real...it's my understanding that he was raised in Russia.
Ivanova does not have an accent because she was educated overseas, her father wanting her to have certain advantages the rest of her family did not.
Nowhere did we say that Andrei or the rest of the Ivanov family ever emigrated. They didn't. They live in Russia. Or lived, in any event. Not everyone migrates to the US or to Israel, and not everyone wants to.
On the treel/kosher discussion...I can only shrug. Nobody's ever shown that jews go forward into the future, placed them at the heart of a science fiction show as a regular character, nobody's shown shiva before in (and possibly out of) an SF series...and some folks are complaining that not every aspect of a treel's kosher-ness was discussed at dinnertime.
Some days, you just can't win....
Feh.
-
What was that Harlan Ellison book Ivanova was reading?
The book is Harlan's autobiography, which he plans to write around the year 2000, and yes, that's his photo. (He borrowed the prop when we were finished and casually carried it with him to a few places, just to make people nuts thinking there was a book out they'd missed....) -
[Posted 28 May 1994] BTW, there's an interesting couple of articles
about this episode in this week's Jewish Journal, for another
perspective on the show.
-
Channel 4 in the UK didn't show "TKO" during the initial run
TKO's main importance is to the Ivanova arc, as she finally comes to terms with her father's death. Do I have an opinion on C4's decision not to show TKO?Absolutely.
-
If the problem is showing bare-kunckle fighting to the death, then
somebody should point out to C4 that *nobody dies* in the match.
-
The Mutari are those who fight in the Mutai; and you *did* see Narns
and Centauri and others hanging around the ring. The only ones you
won't see there are Minbari. It ain't their thing.
-
As I've noted before, over the long haul, as you watch episodes, you
will see things you didn't see before. Sometimes they're clues, and
sometimes they're comments which now read a different way than they
did the first time you saw them. There's been a number of the latter
very subtly sprinkled through the episodes aired so far...lines that
everyone jumped on as meaning one thing, but which will mean something
else, and lines which nobody thought much of the first time out...but
which will elicit a wince of irony later on.
There's a corker in "TKO," but at the moment, it's absolutely invisible. It's not a clue, it's not necessary for the story, it's just one of those things that, after you've seen all the rest of this season's episodes, you will go "Ouch," when you see it next.
-
Actually, the idea of Zima lasting even into 1995 is hysterical. I
keep fighting the urge to have some guy show up on B5, "Zo then I
zays to him, nize ztation"...and five Narns just jump on him and beat
the shit out of him, WHAMWHAMWHAMWHAMWHAM!
-
We've killed off all of Ivanova's close family, yes. Maybe some
cousins are left, but that's about it.
-
There's a Billy Joel song, where one particular lyric (and I'm quoting
from memory) says, "You still have a pain inside you / That you carry
with a certain pride / It's the only part / Of a broken heart / You
could ever save." That's Ivanova.
She's had her heart stomped on a lot. And she's been holding it in. Even with her father's death, she sucked in the pain, fought back the tears. There is one episode, which will be right at the end of the year, where she finds she can't run from her pain anymore...can't run from the tears...and deals with them in a scene that's very moving and absolutely brings tears to the eyes.
TKO
A rabbi and a young man, Walker Smith, arrive on the station.
Nearby, one alien is selling stolen "slappers" from Medlab to another alien. Garibaldi interrupts them, decking one when it tries to run. As he arrests the other, the first one comes at him from behind with a knife. Before it can reach Garibaldi, Walker Smith knocks it out with one punch. "One of these days, Garibaldi," Smith says, "you're gonna learn to watch your back."
Smith saves Garibaldi's bacon.
Garibaldi and Smith knew each other years before. Smith, it seems, dropped out of circulation, earning enough money for a boxing license. Later, he was involved in a scandal. He promises to tell Garibaldi the real story later, after he settles in.
They meet at a bar later that day and reminisce about the past. Smith is surprised that Garibaldi has taken to drinking water instead of alcohol.
Ivanova is reading when she receives a visit from the rabbi. It is Rabbi Koslov, or "Uncle Yossel" as Ivanova used to call him. He has come to deliver her father's legacy, entrusted to him shortly before Ivanova's father died (cf. "Born to the Purple".) He had intended to give it to her at the funeral, but she didn't show up. "The station was in a crisis at the time," she explains. "I couldn't get away."
Koslov says he understands -- as her father would have. He asks Ivanova if she has sat shiva for her father. She says no. He offers to sit with her, but she refuses. She has duties, and besides, it's been so long that there's hardly any point.
Garibaldi and Smith talk about the scandal. Smith was a rising star in the boxing world. He was scheduled to fight the champ, and wouldn't agree to lose when pressed by some of the monied interests in the boxing federation. So they set him up, planting evidence that made him look like he was using drugs, creating a media circus that eliminated any chance of his career continuing. Now he has come to Babylon 5 to regain his fame by fighting in the Mutai -- an alien blood match that has never been entered by a human. Garibaldi tries to dissuade him, citing the deaths and numerous injuries of aliens in the Mutai, but Smith is adamant.
Rabbi Koslov visits Sinclair and tells him of Ivanova's father's death, seeking to get Sinclair to grant leave so she can sit shiva. Ivanova, apparently, had kept her father's death to herself. That doesn't surprise Koslov, who says that after Ivanova's mother and brother died, Ivanova and her father had a falling-out. Sinclair says Ivanova can have as much time as she needs.
Koslov visits
Sinclair.
That evening, Ivanova and Koslov dine in the Garden. They reminisce about old times. Ivanova says she had invited her father to visit Babylon 5, but he wouldn't come; he believed humans had no right to be in space until they learned to live in peace at home. When Koslov mentions that he saw Sinclair, Ivanova is furious. "My father always tried to control my life," she says, in tears. "I don't need anyone to take his place now that he's gone." She storms away.
Smith and Garibaldi visit a training area where several aliens are practicing for the Mutai. Smith announces that he's looking for the Muta-Do, who is in charge of the contest. An alien tells Smith to leave, then knocks him flat on his back when he protests. The alien, it turns out, was the Muta-Do himself, and he tells Smith that humans are not allowed to fight in the Mutai.
Smith and Garibaldi chat about the Mutai. "They may be snakeheads to you," Garibaldi says, "but the Mutai means something to them." Smith leaves, disgusted.
In the corridor, an alien named Caliban tells Smith that there is another way to get into the Mutai. "But it will require respect, and great courage." Smith is very interested.
Sinclair calls Ivanova into his office and offers her leave. She refuses, claiming that her emotions are her own to deal with as she sees fit. As she returns to her post, Sinclair cautions her to make sure she knows what she's really feeling.
Smith tells Garibaldi that he's giving up and going home, maybe even hanging up his gloves for good. But before he leaves, he wants to see what he missed. He has two passes ("ducks") to the evening's match, featuring the Sho-Rin, the champion of the Mutai.
They attend the fight. The Sho-Rin, Gyor, makes short work of his challenger. When the fight is over, the Muta-Do faces the crowd. "Who will challenge such a one?" he asks. Smith steps forward and makes his challenge; Gyor accepts, and the fight is set for three cycles hence. As Smith leaves the room, an alien warns him to stay out of the Mutai; humans have stuck their noses into enough alien business already.
The Mutai.
Ivanova apologizes to Koslov. He gives her her father's legacy: an antique samovar, owned by the Ivanov family since the time of the tsars. Koslov tries once more to get Ivanova to sit shiva, but she refuses. It's not that she's stopped being a Jew, she says, but that her father was never there for her, not even after her mother and brother died and she needed him the most. And she can't forgive him for that.
Ivanova and her legacy.
Smith trains with the help of Garibaldi and Caliban.
Later, Koslov is on his way off the station when Ivanova comes to say goodbye. As he's about to board his ship, she remembers her father's last words and calls out to Koslov. She has decided to sit shiva.
In the training area, Smith continues to prepare for the fight. "Has he got a chance?" Garibaldi asks Caliban. Caliban considers for a moment. "He will fight bravely."
Smith expresses his
confidence.
Later, Garibaldi and Smith eat dinner. Garibaldi tells Smith there's still time to back out of it. Smith says that Gyor's skill isn't a reason to back away: "To be the best, you have to fight the best."
Ivanova asks Sinclair for leave, which he grants. He offers to sit shiva with her as her friend.
In front of a small gathering, Koslov speaks of Andrei Ivanov. He was a scholar, and above all a man of peace. Ivanova recalls a time when she was a child. Kasharev, a neo-Communist author and a childhood idol of Ivanova's, was reading from one of his books in St. Petersburg. She convinced her father to take her to the reading. Afterward, she asked Kasharev a question she'd been formulating for weeks. Kasharev dismissed it out of hand, prompting her father to give him a creative verbal lashing. Later, he told her it had been a good question.
Sitting shiva.
The Mutai begins. Smith and Gyor pummel each other. At first it looks like Gyor will win easily, but Smith comes back with a vengeance. When it seems he might have a chance, the alien who complained about Smith's participation earlier takes out a small blowgun and readies a dart. Garibaldi grabs it just as the alien is about to shoot.
Ivanova reads a Jewish prayer in English for Sinclair's benefit. Tears flow as she releases her pent-up grief over her father's death.
The Mutai continues. Both Gyor and Smith are just about worn out, but they keep at each other until both collapse to the floor, exhausted. The Muta-Do declares the match a draw.
After saying farewell to Ivanova and Sinclair, Koslov leaves the station. Smith departs, but not before Gyor and the Muta-Do catch up with him in the departure lounge. Humans, the Muta-Do says, are now free to fight in the Mutai. With a parting compliment from Garibaldi, Smith boards his ship home.
Synopsis by Steven Grimm
Visitors from Down the Street
Overview
The Excalibur encounters a pair of aliens who are convinced that humans have visited their world and their government has conspired to cover the contact up.
Production number: 104 Original air date: August 25, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Jerry Apoian
Plot Points
- @@@935999889 A few hundred years ago, the inhabitants of an unknown
planet began to pick up broadcasts from other worlds, including Earth.
The planet was undergoing a constant series of civil wars at the time,
so its government hatched a plan to create a scapegoat for its domestic
problems: fabricate fake visits by humans and establish the appearance
of a conspiracy to cover up the "truth." The plan worked; when the
people believed that the government was secretly under alien control,
revolting no longer seemed useful, and the civil wars came to an end.
After learning of that conspiracy, Gideon took the Excalibur to the planet and dropped a series of probes near several large cities, each containing a copy of the Interstellar Encyclopedia as well as the details of what he'd learned about the nature of the coverup.
Unanswered Questions
Analysis
- @@@935999889 The alien world must be quite close to Earth. If, as claimed, they first started picking up human transmissions a couple hundred years before the encounter with the Excalibur (and assuming the alien year isn't substantially different than an Earth year) that would mean they first started receiving the broadcasts no later than about the mid-21st century. That would put their world within about 150 light-years of Earth, since the first video signals from Earth were sent in the early 1900s and travelled at lightspeed.
Notes
- @@@935999889 The new telepath regulations permit Matheson to project thoughts into another being's mind in life-or-death situations.
- @@@935999889 Gideon enjoys feeling the wind on his face when he's visiting a planet.
- @@@935999889 This episode is a parody of the TV series
"The X-Files."
References to that show abound:
- The subtitle showing the location and time (Eridani Sector, May 13, 2267 2:37PM EST) is ubiquitous on "The X-Files."
- The red color of Lyssa's tentacles suggests Agent Scully's red hair.
- Cell phones are a constant presence on "The X-Files."
- Kendarr's cigarette addiction is like that of the Cigarette Smoking Man, one of the heads of the "X-Files" conspiracy.
- The "Y" in masking tape on Durkani's office window is a reference to the "X" Mulder placed on his window in early "X-Files" episodes when he wanted to contact Deep Throat.
- The alien wearing a human mask under an alien mask is a reference to the X-Files episode, "Jose Chung's 'From Outer Space.'"
- Arguably, Durkani's name is a variant on "Duchovny."
- Durkani's closing line, "The truth is out..." and Kendarr's conclusion, "...out of fashion," is a reference to the X-Files tagline, "The Truth is Out There."
- @@@936119636 In addition, there are references to real-life conspiracy
theories:
- The photo of Mount Rushmore is a reference to the Face on Mars.
- The report of a crashed Earth ship, with human bodies taken away and the whole thing explained away as a weather balloon, is a reference to the crash in Roswell, New Mexico in 1947.
- The blimp being dismissed as "swamp gas" mirrors a frequent explanation for UFO sightings.
jms speaks
- @@@936119636 "I'm glad to see somewhat else comment on the 'Y' in
the window. That was absolutely classic -- and pure Joe!"
Y makes it the show right next door to that other show....
Visitors from Down the Street
Voices in the Dark
Overview
While travelling from Minbar to Babylon 5 to celebrate the 10th anniversary of the Interstellar Alliance, Sheridan picks up an unexpected guest with a dire warning. Meanwhile, Lochley summons a priest to the station to help with a problem that may have supernatural implications.
Production number: 235024 DVD release date: July 31, 2007 Written by J. Michael Straczynski Directed by J. Michael Straczynski
Administrative Note
The Lurker's Guide's maintainer will be on vacation when this movie hits the stores. Please send in your comments, but don't be alarmed if this page stays sparse a little longer than you might expect.Watch For
- @@@1185879610 A leaping crewman
Plot Points
- @@@1185878875 Lochley is still in command of B5 in 2271.
- @@@1185878875 Franklin has joined G'Kar in his travels around the cosmos.
- @@@1185878875 Emperor Cartagia's son is next in line for the throne after Vir's reign is over.
- @@@1185878875 Sheridan and Delenn's son David is nine years old in 2271.
- @@@1185878875 By 2271, the plague on Earth ("A Call to Arms") appears to have been eliminated; people are able to travel to and from Earth freely.
Unanswered Questions
- @@@1185878875 Who and what is Asmodeus? (See Analysis.)
- @@@1185878875 Will Sheridan be able to turn Prince Vintari away from his future path of destruction?
- @@@1186375358 What was the significance of the necklace Galen gave to Sheridan?
Analysis
- @@@1185878875 Asmodeus may, of course, be exactly what he claims. However, his
abilities aren't unheard-of in the B5 universe.
Many of his powers seem consistent with psi abilities: making people see and feel things (abilities demonstrated, e.g., by Talia in "A Race Through Dark Places"). However, Lochley also claimed that he was covered in blood at one point, and that the blood was analyzed and found to contain no DNA. Unless Asmodeus' powers of illusion extend to making lab technicians think they're reading imaginary test results, it's safe to assume he has some ability to influence the physical world.
Technomages also have the ability to make people see and hear things, as Galen does to Sheridan in the second half of the story. They also have the ability to create physical objects seemingly from nothing: Elric conjured an orange blossom for Sheridan in "The Geometry of Shadows."
- @@@1185878875 Sheridan's imprisonment on Centauri Prime
("War Without End, part 2")
takes place several years after the events of this story. Is Sheridan's
education of Prince Vintari a secret, or does Londo know about it at
that point? Obviously, not being the emperor, Vintari would not be in
a good position to help Sheridan.
- @@@1185878875 Sheridan said "quantum space" was a discovery based on
leftover Vorlon technology. Perhaps it is related to their ability
to create folds in hyperspace
("The Summoning")
or perhaps it is something totally different; in the latter case,
though, it's not clear why their ships still travelled in regular
hyperspace.
It's also not clear where the Alliance picked up that stray Vorlon technology. Perhaps from the Vorlon homeworld, or perhaps from some of the wreckage of Vorlon ships and bases left over from the Shadow War.
- @@@1185878875 How would a Centauri fleet be able to rain that level of destruction on one of the major planets of the Alliance? Presumably Earth is not undefended (especially after the Drakh attack.) A simple surprise attack, perhaps, but how would the Centauri get close to Earth undetected, given that it is possible to monitor hyperspace? Perhaps quantum space is not as easy to monitor, and the Centauri got that technology from the Alliance at some point.
Notes
- @@@1185879610 When Father Cassidy arrives on the station, there is a view of the docking bay. In the far distance, two crewmen can be seen. One of them walks away from the other, then turns back, at which point the first one appears to leap up into the air. The leap can be seen twice during the arrival sequence.
- @@@1185879610 Father Cassidy mentions there was a long line at the customs area, but at that point he's still in the docking bay. In previous episodes, the customs area wasn't in the docking bay; it was further inside the station.
- tvshowsondvd.com reports that the DVD will be released in the US on July 31, 2007, will sell for $24.98, and is approximately 75 minutes long.
- JMS has posted some photos from the set.
jms speaks
- September 5, 2007: Was the New York scene a tribute to
"The Fifth Element?"
No. It comes from visiting New York many times.
- September 5, 2007: Why didn't Warner Bros. give the project
a bigger budget? Every B5 project has exceeded their sales forecasts
but they continue to do "trial runs" of everything.
The problem with any studio is that they're terrified of losing money on something, anything, so they hedge their bets...they don't give the ad money you want because they're afraid sales won't support it, and end p with a self-fulfilling prophecy more times than not.
Your appraisal of the situation with WB is spot on.
However, despite this, they are most pleased as sales have been several orders of magnitude beyond what they anticipated.
More on this when I know more about what this actually *means*.
- August 8, 2007: The CGI of Lochley's quarters look fake; for
example, the lamps look cut-and-pasted. The hallways looked like
illustrations in a magazine.
Lochley's quarters were real, we shot against a real wall (you can see it in some of the behind-the-scenes footage where I point to it).
The lamps were also real.
The hallway she walks down is also real. Again, you can see it in the behind the scenes material.
- August 6, 2007: How did Galen know what was going to happen
in the future? What did he really hope to achieve?
Two quick things, since I'm still on deadline lockdown....
1) Let us remember that time travel is also a form of technology (which is all I'll say about this for now).
2) Galen would likely have been content with either solution, as noted, as long as one or the other was implemented. But this one is better.
- December 1, 2006:
As I write this, we have finished principal photography on "Babylon 5: The Lost Tales," coming in under budget and finishing a full day ahead of schedule.
This first DVD, entitled "Voices in the Dark," covers the same 72 hour period of time as Sheridan travels on board a Presidential Cruiser en route to Babylon 5 from Minbar for a celebration marking the 10th anniversary of the founding of the Interstellar Alliance. One part of the story follows Sheridan as he picks up an unexpected visitor on the edge of Centauri space, Prince Regent Dius Vintari, and a warning about what will come afterward delivered by the techno-mage, Galen. The other part of the story is set aboard Babylon 5, as Colonel Lochley summons a priest from Earth space to deal with a problem that may have dark supernatural overtones. The two parts of the greater story intersect at certain key plot and thematic points, so that they overlap and complement each other while telling separate, but simultaneous, stories.
The first DVD is going to require nearly 200 EFX shots, taking us all over Alliance space, and Babylon 5, which is being redesigned using the latest CGI technology. The same CGI is being used to create virtual sets a la Sin City, but on an even more detailed basis, in many cases integrating them with practical sets based on the original blueprint designs for Babylon 5.
A number of behind-the-scenes pieces were shot for inclusion on the DVD, as well as a number of original short pieces that will be filmed in February which feature glimpses into the future of Babylon 5 and her characters.
We have set-up a temporary webpage of photos from the shoot from my personal collection. These images mark the very first photos to emerge from production. [http://babylon5scripts.com/TLT-JMS-photos.html]
For more information, keep an eye on www.babylon5.com as well as Babylon5scripts.com. WB will be integrating the internet as a key component for promoting B5:TLT and we are pleased to be a part of that effort.
- November 22, 2006:
Just a quick hello direct from the set of Babylon 5: The Lost Tales. It's 4:51 p.m. and we just finished lunch (crew call at 10 a.m. lunch at 4). Bruce Boxleitner just completed a series of shots in a Starfury, his first time back in the saddle. We're ahead of schedule and might actually wrap filming a day early. (It always goes faster if you don't actually put film in the camera.) We've introduced a new Centauri character -- Prince Regent Vintari, third from the throne -- a new ISN reporter played by Teryl Rothery, a priest played by Alan Scarfe, and a character who may have come too close to certain dark forces played by Bruce Ramsey. Part One of "Voices in the Dark" wrapped on Friday, and we should have part two done tomorrow, after a long sequence shooting in the hallway of a new Minbari Presidential Cruiser built for the Interstellar Alliance.
- November 15, 2006:
This will be brief, because it's late and I have an early call tomorrow -- a longer update will be coming soon via the Babylon5scripts.com mailing list and elsewhere soon -- but I just wanted to let folks know that filming is going very well. We're three days in, and so far we're ahead of schedule, usually about an hour or two. We actually moved a couple of shots up from tomorrow's call sheet to today. It's just going really well.
The B5 we see here is similar to but somewhat more sophisticated or rethought in places. For instance, in B5 halls we used to have wooden strips painted green or blue or red to signal various sectors. Here we ran these really lovely light panels that can change colors and at the same time add a light source and warm up the halls. We also went back to the original B5 blueprints and found some elements that we wanted to do in the show but couldn't, and we've incorporated them into the new sets. We're also re-engineering the look of B5, the starfuries, various alien ships and the like.
Tonight there was a dinner with Doug, me, Tracy and Bruce, with Peter Woodward scheduled to fly in tomorrow so everybody's here for a couple of pivotal scenes that will cross the two segments. (One aside...Bruce was openly lamenting the small sub-section of british fans -- most of whom we all agreed couldn't be niftier -- who are determined to try and drive a wedge between him and me and the rest of the crew. No sooner was his involvement announced than this same "bunch of whackos" started the same rumors again, including the one where he supposedly burned his crew jacket after the end of B5. Determined to put that to rest, he pulled out all crew coats we made up for him that were personalized by the wardrobe department and -- minus the one that was auctioned for charity at a well publicized convention -- brought them ALL up here to dispel that myth once and for all. So tomorrow we're going to get a picture of him and me, with either all the coats, or at minimum the one the nutcases keep saying he burned, just to put THAT baldfaced lie to bed. The photo will be posted on the nets somewhere soon.)
Otherwise, all is good, and the scenes are cutting together well. Three days down, seven to go.
- October 26, 2006:
Well, tomorrow I head back to LA for meetings on other projects for two days, then it's back to Vancouver again on Sunday to continue prep. So far everything's laying out very cleanly. We have an EFX house on board now, which was the last big step to be undertaken. It wasn't until the last day or so that we could really get into the CGI issues, which are huge on these stories.
And in regard to that...the initial goal was to try and do three big stories in one DVD. So I wrote three scripts, featuring Sheridan, Lochley, Galen and Garibaldi. (I wanted to focus on the human characters initially so we'd have more time for prosthetics R&D for the next one.) The stories, as noted previously, were huge...all over the map, from Minbar, to Earth, Mars, the future, the distant past, as well as B5 itself obviously. We're also going to be trying some new production technologies, again trying to stay ahead of the tech curve, the way B5 has always stayed ahead on these things.
And over the last few days, as we began to bring on crew and lay out the production, looking at just how complicated these mini-movies were going to be, the idea of making three of these monsters began to become a bit much for us to pull off on out first time out the gate, especially since I'm still kind of new as a director. So we decided to postpone one of the three to the next DVD, and lengthen the other two to make up the difference. GIven that the Garibaldi story was the most complicated visually and technically, also the most difficult from a CGi perspective, that's the one that got pushed until, potentially, next time.
And if the sales are anywhere near what WB expects, and I think they will be, there's no question that there will be more of these down the road. So we're gong to focus in on those two stories and knock them out of the park. Same length, same running time, and now even bigger than at first anticipated since the budget on number three will now be applied to the other two.
Part of what we're doing is to re-think the look of B5 to some degree. The show was created using 1993 technology, video toasters and amigas, and was to some extent limited by the paradigms and production methods we used in that. But it's now 13 years later, and while I will keep the feel of the show the same, and the silhouettes and designs, there's no reason to limit the look of the feel to what we could do six years ago (from when we stopped). So we're going to invest a lot of time, effort and money into really re-imagining some of the visuals at the present level -- looking at shows like Battlestar and the like -- and bringing those tools into B5 while still maintaining the feel of the show.
I also managed to work in a nice nod to Andreas and Richard in the two mini-movies.
So with that...the team is now in place, the last personnel have been hired, and as soon as I get back to Vancouver, I get to take off the producer's hat and put on the director's hat.
- October 14, 2006:
Fast follow-up....
Just got back tonight from Vancouver, and we've now nailed down/hired nearly all of our key department heads and the Director of Photography who I'll be working with closely during production. We spent today in the first informal production meeting going over how we're going to shoot this, reviewing the storyboards, determining what's going to be green screen and what's going to be practical set...this should be a pretty cool looking project, with some sights we haven't really seen before as well as some more familiar sights.
What I can say about the three episodes is that we go to Mars, Minbar and of course B5, we introduce a new kind of Minbari cruiser, and there's a rather startling sequence on Earth. I've decided to shoot each segment a little differently from each other, so they each have their own visual style that complements that particular story. On Monday the B5 team up north will be checking out the stages, and about a week or so from now the actual B5 offices will open up and folks will start moving in.
It's starting to feel a lot like fun.
We'll also be working with WB to put together a special reel from the shoot that we can bring to debut at San Diego Comic Con next year.
- October 12, 2006:
Just a quick follow-up...I'm in Vancouver (coming back in 24 hours)
finishing up a round of final staff interviews for B5:TLT. Thus far,
we've hired two other producers, a script supervisor, a post
supervisor, the editor, a production manager, a conceptual
artist/storyboard guy, an art director/production designer, a first
assistant director, and closed several cast deals, with the rest
probably to be closed next week, at which time I may be able to say who
they are. Pending final negotiations, Chris Franke has agreed to come
on board to do the music. We're interviewing CGI houses up here to
decide which to go with. The three scripts have been completed, and
are now being storyboarded. We've narrowed down the director of
photography options to just a few last guys, and should have that
decided by week's end. We've also locked down the stage and have
started putting together our package (camera, lights, grip and
electrics).
By this time next week, about 80% of our crew will be in hand, the rest coming aboard during the start of prep.
- October 3, 2006:
Will TLT be shot on film or digital HD?
The latter. I figure if I'm gonna learn this stuff, I may as well dive
in at the deep end.
In for a penny, in for a pounding, I say....
- October 3, 2006:
I'm kind of up against it right now on an assortment of deadlines, so
this'll be quick, but I did want to address some of the questions that
have been asked.
Yes, we're shooting this HD, so this is going to be quite a learning curve for me as a director, since I've never shot HD before. There's also a HUGE amount of green-screen involved, so again, lots of learning to be done.
For those who are getting the B5 scripts books -- and eventually the B5:TLT scripts will be released -- you'll notice a substantial difference between them and these scripts in that I decided to kind of direct them on the page more than usual: calling out specific angles and camera directions, locations and setups more than in any prior B5 script. It probably resembles an animation script more than a standard TV script, because it incorporates my directorial notes, shot for shot, as we go.
The first three-segment DVD is called "Voices in the Dark." We've narrowed down the cast, and hope to have their deals closed this week. There are already ten crew members working on this thing up in Vancouver, pulling together stages, offices and other prep work. The first day of shooting will likely be either November 13th or 14th (due to a Canadian holiday). The last twiddlings to the script should be done by this coming Monday. Storyboarding starts the end of this week.
It's balls-to-the-wall right now, but it should be fun in the end.
- September 27, 2006:
We had to push shooting to mid-November in order to accommodate
availabilities of different people, because this had all come up in
kind of short notice...but we'll be in the new stages by the end of
October, and a few key members of the crew have already been hired. So
we're good to go.
- September 5, 2006: Will you do an on-camera intro to each segment? I think the next thing you'd see would be DVD sales plummeting....
Voices in the Dark
Voices of Authority
Overview
Draal helps the crew attempt to contact more of the First Ones. Sheridan works to hide his conspiracy from the Nightwatch. Shari Shattuck as Julie Musante. John Schuck as Draal.
P5 Rating: 8.20 Production number: 304 Original air week: January 29, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Menachem Binitsky
Backplot
- Morden was directly involved in the assassination of President Santiago, and was in contact with then-Vice President Clark at the time.
- There is bad blood of some kind between the Vorlons and at least some of the First Ones.
- G'Kar's operatives have told him something of the Rangers, though they don't know the whole story. He suspects Delenn is involved somehow.
- The Ministry of Peace is planning to purge a number of high-level officials from the Earth government on charges of sedition, immoral conduct, and espionage. It has gained even wider powers recently, including the ability to investigate people based on past associations.
Unanswered Questions
- Why were the First Ones upset at the Vorlons? Could it be related to the reason the Vorlons stayed behind when the other First Ones left? What did they say to Ivanova?
- What does G'Kar want Garibaldi to find out from the Book of G'Quan? The book mentions the Shadows; how detailed is its information?
- How did the Machine record the conversation between Clark and Morden? Is it monitoring all communications in a vast region of space, or does it concentrate on Shadow-related conversations?
- What impact will the recording have?
- Will Musante return to the station? What did she make of Zack's question? Will she link it to the release of the recording?
Analysis
- The First Ones at Sigma 957 were annoyed at the mention of the Vorlons, suggesting that the two races had a disagreement at some point in the past. Perhaps the Vorlons prevented, intentionally or otherwise, the final defeat of the Shadows in the previous war. It could also have something to do with the Vorlons' manipulation of younger races ("The Fall of Night.") Perhaps the Vorlons didn't depart with the other First Ones because they weren't allowed to do so.
- "When it is time, come to this place. Call our name. We will be here." But what is their name? Does Draal know? Did the recognition code the White Star sent call them by name, or is this an additional hurdle to obtaining help from the Sigma 957 aliens?
- @@@832310247 The manifestation of the First Ones bore some resemblance to a Native American totem, or an African wood figure. Coincidence, or are the Vorlons far from the only visitors to Earth?
- Ivanova was able to extract more information from the Great Machine than any normal human could have, according to Draal, and she managed to find a pretty specific recording in what must have been huge mountains of data (literally!) Is that due to her latent psi ability? What would happen if a full telepath like Lyta were to step into the machine? (See below.)
- The Shadows (if that's what they were) sensed Ivanova's "presence" at Sigma 957. That implies that the Machine was actually projecting something there rather than passively scanning, and that the projection was tangible enough to provoke Ivanova to comment that the enemy "knows my name," an odd remark in itself.
- There may be something significant in Draal's use of the term "the enemy" to describe Ivanova's visitors; he didn't say "Shadows." On the other hand, given that she heard the typical Shadow chitter and that the floating lights were in the same pattern as the glowing Shadow eyes seen by Sheridan in Kosh's vision ("In the Shadow of Z'ha'dum," and in the season three title sequence) it's probably safe to assume that she was in fact being observed by the Shadows.
- Just how much contact there was between Ivanova and the Shadows wasn't clear. Did they find out enough about her to know about the conspiracy of light? Did they have a hand in her discovery of the Clark recording? Given their apparent affinity for chaos in the ranks of potential enemies, the release of the recording and the subsequent upheaval on Earth might be exactly what they want.
- The fact that Ivanova was able to escape the Shadows by returning to the "path" that connects all living things is perhaps more significant; what does it imply about the Shadows that they're somehow excluded from that path? Does that have anything to do with their motive in participating in war after war across the millenia?
- Presumably the machine was projecting Ivanova's consciousness out among the stars; her greater-than-expected control over the machine, as mentioned above, suggests that the experience was telepathic in nature. That implies that to sense her, the Shadows must have some telepathic abilities as well; or perhaps they have a machine like Draal's that can provide the equivalent.
- The path might be related to the way telepathy works in the first place; if all life is connected on some level, then perhaps telepaths are simply beings who can make use of those connections. The Shadows' involvement with Psi Corps ("Matters of Honor," among others) suggests that they consider telepaths important; that may relate to their apparent exclusion from the path as noted above. There may also be a reason they chose to use the Narn homeworld as a base in the last war ("Matters of Honor") -- the Narn have no telepaths of their own ("The Gathering.") A more sinister possibility is that the Shadow occupation is the reason there are no Narn telepaths; perhaps the Shadows eliminated them, leaving the Narn without the genetic code for psi ability. If that's true, they may be cultivating contacts with the Psi Corps so they have an easy way to do the same to humans when the time comes.
- The assignment of a "political officer" to military units is reminiscent of the way in which the Soviet Union maintained control over military units. Each unit had its own political officer whose job it was to maintain ideological purity. These officers were tolerated at best, and were generally despised and feared.
- Another link to Soviet history was Musante's allusion to purging a number of high officials in a very public and permanent way. This brings to mind the purges experienced by the Soviet Union in the 30s -- the great show trials of prominent individuals, the mass purges of the army (which wrought such havoc over the military that, by the time that the Soviets were actively engaged in World War II, most of the experienced officers had been removed, thus weakening the Soviet army to the point where the Germans felt they could easily defeat the Soviets.)
- Why would Musante have to be recalled to Earth? Is she the low-level operative she appears to be, or someone more important? Perhaps the Nightwatch is simply short-staffed enough that they need all the manpower they can get to deal with such a potentially damaging situation.
- Delenn's denial of knowledge about the Rangers was an out-and-out lie, not a deception or a mistruth or a careful omission. Whose honor was she protecting, or does that rule no longer apply to her? ("There All the Honor Lies") Perhaps, since her transformation, she no longer feels quite so bound by Minbari tradition; on the other hand, she still seems to cite it regularly.
- Zack's uniform troubles may be a metaphor for his situation; he doesn't know where he fits in the scheme of things, and is uncomfortable no matter what he does.
- Now that Ivanova has made contact with the First Ones at Sigma 957, might the forces of light be able to use the quantium-40 (if there actually is any on the planet) that Catherine Sakai was sent to investigate in "Mind War?"
Notes
- The First Ones at Sigma 957 were first seen in the first-season episode "Mind War." Although the existence of the First Ones hadn't been revealed at that point, G'Kar's description of this race coincided almost exactly with Delenn's description of the First Ones, an early piece of foreshadowing.
- Julie Musante is named after two fans, Julie Helmer and Mark Musante.
- Musante's Earth-bound ship is the Loki, named for the Norse god of fire and mischief.
- The silhouetted figure on the Nightwatch poster on the wall during Musante's presentation bears a striking resemblance to the figure of Lenin used in Soviet propaganda posters between World Wars I and II.
- The same figure also appears to have a raven on its shoulder, reminiscent of Ivanova's appearance in Sheridan's dream in "All Alone in the Night."
- The skeletal spines sticking out of the Sigma 957 aliens' ship are made of a computer model of a human footbone replicated and arranged in rows; that earned the ship the nickname "the footbone ship" at Foundation Imaging. There are also some triceratops parts used in the model.
- Ardwight Chamberlain, who does Kosh's voice (or rather, the English translation thereof) was also the voice of the First One in this episode. (See jms speaks.)
jms speaks
- I do plan to do more with Ivanova this season, yes, and get her out
of C&C a bit more often. (Especially in "Voices of Authority," coming
up.)
- Where's this big war we've been hearing about?
What we're doing in the meantime is plenty. Originally, the fourth and final episode in this first batch of four was going to be "Voices of Authority," which deals with just this question of preparing for the war in a big way, has major developments, gets into the White Star...but the CGI requirements of that episode were hideous, so we had to move it to #5 in the lineup, moving up "Gethsemane." Once we come back with new episodes, we'll hit the ground running hard on all this stuff.Also bear in mind that wars aren't instant; in the real world, you have to line up support, get into alliances, move all your pieces around before you can get into it. We're taking a similar path here. Also, the term "shadow war" refers to more than just the shadows as a race; they refer to what's going on back on earth as well, as metaphor as well as plot point, and that's a huge part of the next batch of eps.
- Yeah, I'd intended to end with "Voices of Authority," which is a HUGE
arc episode this week, but the EFX weren't ready yet (huge
requirements), so we put "Passing" in its place.
- It takes us no longer to make the episodes or the EFX really
than it did before. But PTEN will not air shows out of sweeps periods,
for the most part. The episodes on hand now were finished weeks, and in
a couple of cases over a month ago. They sit on the shelf until PTEN
decides to air them. The only thing we did was swap "VoA" with
"Passing Through Gethsemane" to give that one a little bit more time.
That's it.
- @@@864891987 You should use Claudia Christian more.
You're absolutely correct, which is why in the very first episode up in the next batch, we send Ivanova off in the White Star as its commander, and we involve her and her charactder more strongly in subsequent episodes as well. - "Voices of Authority" - Earth begins tightening the screws on the folks
at B5 to try and exert more control there. Steps are taken to
help prepare for the shadow conflict. (Here, again, the
"shadow war" means both the obvious, and the more subtle
conflict brewing at home; it's description and metaphor.) The
White Star voyages to some territory not seen since the first
episode, Ivanova helms the ship, a major dramatic turning point
is reached, and there is the single funniest scene in probably
the series to date. A strong arc story.
- If you want some fun with your wham, and there's a lot of
fun to be had in this one, go for the first one up, "Voices
of Authority." If you want serious, serious wham, go for
"Messages From Earth."
- As y'all know, next week the latest batch of new episodes
begins to air. The first one up, "Voices of Authority," is an absolute
hoot; if you've been looking to bring in other viewers, that's a good
one to start them with, because it sets up a lot of what's going to
happen in this episode, it has a lot of background, and it's a lot of
fun.
The next two are somewhat more straightforward, stand-alones (to some extent; there's some arc stuff there, however, which becomes more important later). Then the last two in this batch represent some of the best work we've ever done, "Messages From Earth" and "Point of No Return." They follow directly on the footsteps of "Voices," so those three together would be great for new viewers.
- If you're talking about the conference room scene...Draal wasn't
put into the scene digitally. You do a split screen, with the camera
locked off. In one Delenn walks over to a point just short of the
line; in another you get a shot just of the wall; then Draal walks up.
You then use a dissolve technique to fade him into the room on his side
of the split screen. But he's not being put *into* the room, he's
already there, so he's neither bigger nor smaller than he is in real
life, since he IS in real life there, not added in.
- And what about the machine room scene on the planet?
We shot two plates, first with him in the machine, then him out, never moving the camera, so it matched exactly. - @@@864891987 The crew you see on the White Star doesn't reflect those in other
parts of the ship. Also, being fairly advanced, it doesn't require a
big crew in command. You could even fly it single-handedly if it came
to that.
- The First Ones sure have fragile egos.
The other part, I think, is that they were kind of amused to see this dinky little ship getting in their face, when they *knew* the First Ones could blast 'em to bits.... - Ivanova wanted to get in the face of the First Ones, to say,
"Look, you can blow me away, but damn it, listen to me." If she'd said
that "more reverently," as your friend noted, it would've worked
against the logic of the scene and the resolution.
- Would it be fair to say the First Ones weren't pleased to hear
the Vorlons mentioned?
Fair, yes.
- Well, this isn't a *literal* translation, because some words don't
translate, but the *sense* of the sentence would be "the vorlons can
kiss my ____."
- @@@864891987 Was the mask image just a representation, or was it
what the Walkers actually look like?
It's certainly a form of representation, an icon, rather than the literal entity, yes. - @@@840476527 "So who is older, the Shadows or the Walkers???"
The shadows, but just by a smidge.
- Why didn't they recognize Morden's voice?
Who said they didn't recognize it? - What's fun, for me, about the Minipax lady, is that she *clearly*
knows that this is a game on one level, her comment about just
rewriting the dictionary...she knows the problems aren't *really* gone,
they just defined them away. But when she's in front of a crowd of
folks predisposed to her message, she goes full-tilt. Showmanship.....
- A lot of the Nightwatch members looked pretty disturbed by
what Musante was saying.
Now the weeding out process starts. - What do civilians think of Nightwatch?
Some are scared of Nightwatch, others feel it's a good thing, and darn it, it's about time.... - On the other hand, Zack *didn't* rat out the code 7-R stuff to
her in any detail. He's absolutely caught between the two sides, and
not sure which way to jump.
- Parallels between Nightwatch and the Gestapo?
While yes, there are some intentional WW II parallels here, do bear in mind that you don't have to go all the way back to the Gestapo to find this kind of mentality...Sen. McCarthy would've been quite at home in Nightwatch. - @@@864891987 Is Nightwatch going to clear the lurkers out of
the station?
Nightwatch has bigger goals than dealing with lurkers.... - @@@864891987 Is the Nightwatch the same group referred to as
Bureau 13 in
"A Spider in the Web?"
No, the Bureau would've been a secret organization, a la the NSA or a covert military/spy group. This is a much more public face. - The political officer: improbable dialogue? Most of it was
taken direct from political statements, public ones, made by Goebbels,
Hitler, Joseph McCarthy, Stalin, and other fanatics. The kind of Big
Lie dialogue people continue to fall for today. Go to a Pat Buchanan
rally sometime and tell me it's unlikely dialogue.
- DLyulkin...exactly. You don't just take something and transplant it
wholecloth...you change and modify it. Nightwatch was never meant to be
on a one-to-one corrolation to the SS, or Stasi, or McCarthy...the whole
POINT is that this kind of mentality crops up in new forms from time to
time, in different names, different approaches, but at its heartmeat
core the same thing. By saying it's "That over there," we can relax,
since that specific incident can't recur...making us vulnerable to the
next version.
- Yes, those were shadow eyes; and it was probably a raven on the
poster.
- Can the machine see everywhere, or can it be blocked?
No, Varn's people aren't first ones...and the machine can be blocked. - My sense was that basically Ivanova jumped onto the wrong path as she
fled...the shadows were in proximity, and she ended up briefly on
their path, which took her to the interception of the transmission.
The one comment that I find most interesting, repeated here a few times, is that they didn't buy the Nightwitch (as some have dubbed her) because in her address to the Nightwatch, she was not exactly what you might call subtle, and thus nobody'd believe her, and see her for what she was.
I find it interesting because we always think we're smarter than that, when history proves *exactly* the opposite. The Big Lie, spoken not just openly, but loudly, firmly and with conviction, has been one of the most successful tactics in history. When Hitler and Goebbels stood before a crowd and blamed jews for destroying society, circulated pamphlets with ugly cariacatures, indicated that they weren't *really* human (this in actual newsreels provided to the medical profession members charged with eliminating "mental defectives and jews")...when Joseph McCarthy stood up in front of the nation waving a list of names of commies in the state department, the military, congress, showbiz, and the sciences...the public didn't suddenly wake up, hear the voice of the fanatic, and say, "Hey, this guy's nuts!"
They bought it. Because they were primed to believe it. Because they wanted to believe it. Because they were afraid *not* to believe it. No, she wasn't subtle. Because there's a time for subtlety, and there's a time to perform grandly for your hand-picked audience and go for the Big Lie. If she were addressing a larger audience, she might softpedal her message. To the Nightwatch, she's got to hammer them, just as the Hitler Youth were hammered, as the Anti-Communist Youth meetings were hammered about the Red Peril, as Croatian or Serbian soldiers were hammered about the need to rape women of the other "race" to make the resultant babies more ethnically pure...which happened.
Most of her dialogue was paraphrased from actual speeches given over the decades, or longer, by fanatical leaders to their followers. There's bits of Hitler, of Goerring, of Goebbels...bits of McCarthy, bits of Stalin, bits of Pat Buchanan and Rep. Dornan.
Because people fell for it. It did work.
It does work.
And it will *continue* to work...for as long as people think that THEY would NEVER fall for such a thing....
- Never said they're all convinced of it. Just as all Germans weren't
convined of the views advanced by Hitler.
You don't need all of them. You just need *enough* of them.
Preferably, enough of them with guns.
Remember, too, that we just came out of the Earth/Minbari War about ten years ago, when we stood at the edge of extinction. The threat of a new alien race makes a good device.
- How much does Nightwatch pay members?
Basically, it's a weekly bonus added onto their weekly salary; 50 creds is a pretty enticing bump, equal to about 50 pounds British. - Didn't the security people already know about the
assassination?
You have to remember that all Garibaldi's people knew was that a few guys came through the station that may have been involved in the assassination. That is NOT the same thing as showing that Clark is involved. There was no apparent connection. We the audience suspect it, from what happens, but until now there has been no evidence of it. So yes, they know that Santiago is dead; that there's some indication that he may have been assassinated...but that's a long way from pointing to Clark. - @@@864891987 Why aren't Sheridan and company going public with
this information?
With Clark removing all the evidence, and others giving orders to drop it, and knowing Clark would stop any kind of investigation, what is there for them to do officially? They had to begin working covertly to prove it, which is what they've been doing ever since "Hunter, Prey." If you're a military officer, and you're given a direct order from your commander in chief or the Senate Oversight Committee to drop something, and you violate those orders, you're up on charges or fired. - Was that Ed Wasser's voice? (He plays Morden.)
It was definitely Ed Wasser. - Did Musante seduce Zack?
No, that wasn't the relationship between her and Zack, much as he might've wished for it. As for the walkers at sigma 957...the recognition signal is their name, which is 15,000 letters long (we had to cut this line for time). So I can't really repeat it here. - Why did she think seducing Sheridan would work?
Her feeling was likely that it has always worked with her in the past. He's widowed, probably hasn't had any in a long time, he's vulnerable, a perfect target. - Basically, like many manipulative people, she projects whatever
she thinks will work best with her audience. Appealing to Zack's
patriotism, trying to find Sheridan's affections by flattering him
mercilessly (on many levels), playing the straight-chinned leader in an
address to security forces...she puts on whatever face she thinks will
work.
- Why didn't Sheridan just get rid of her?
This is the difference between TV logic and Real logic. In TV logic, yeah, she should've tossed her outta there...but we try to be rigorously real about the B5 universe. She was sent by the Senate Oversight Committee, as is their province, with the backing of several governmental offices, in an area over which Sheridan doesn't have jusrisdiction: the political arena back home. In the real world, you can't just toss somebody out the door because you don't like them...not if you're a career military officer who answers to a civilian authority or government. - Did I imagine Marcus's line about the French?
You didn't imagine it....Part of what appeals to me is the idea that the English/French animosity you often see (though clearly not in all cases) would continue not only into the future, but outside Earth. Realistically, if you go into Europe, you find people holding grudges 500 years old, or more. Seemed appropriate to carry this small one forward as well.
- @@@852231211 I wrote that particular line; knowing the longstanding
British/French "feud," for lack of a better term, it seemed appropriate.
- What does Marcus know about Vorlon theology?
Marcus was making that part up. - Weren't me. It was Marcus. Blame him.
- So the actor ad-libbed that line?
Actor? What actor? I'm talking about Marcus here. I just write down what he says. - The First Ones had Kosh's voice.
I figured that some elements of the First Ones should be consistent with one another; others should have specific differences. Using Ardwight subliminally reinforced some of the consistencies.
Voices of Authority
Synopsis by Matthew Murray (mmurray@wsu.edu)
While Garibaldi and Zack Allen are walking down the corridor, Ivanova calls Garibaldi, telling him there is a code 7-R, and Garibaldi says he will be right there. Zack asks about the code, which he is unfamiliar with, but Garibaldi skirts the issue and leaves.
He arrives at the meeting of the Babylon 5 war council where Delenn is
talking about her ideas for the necessary gathering of new allies for
the coming war. "Many times over the last million years," she
explains, "the Shadows were fought to a standstill by the First Ones,
races immeasurably older than our own. After the last war, a thousand
years ago, we believe the First Ones went away forever, passing beyond
the galactic rim where no human or Minbari has ever ventured. But the
Vorlons remained. It is possible that some of the others may still be
around." She explains that some had gone to rest where they would not
be bothered, while still others walk among the stars on unknown
errands. Marcus warns that the First Ones are very old, and possibly
very dangerous, but Delenn says that they need all the help they can
get. Since they must be found and contacted in person, Delenn has invited
someone else to help: Draal. He approves of the idea, warning them
that, though it may be extremely dangerous, it will definitely be
"fun."
Draal explains that Epsilon 3 contains stores of information that may be helpful in locating the First Ones, though the information about the First Ones suggests no one approach their dwelling places. Sheridan agrees to go down to Epsilon 3, sort through the information, and discover how they can best proceed next.
Zack Allen meets Julie Musante, from the Ministry of Peace, in the docking bay. She explains that she will be on the station for a while, and would like her bags taken to appropriate quarters.
G'Kar approaches Delenn while she shops at a kiosk, and asks how she
and Minbar are doing. He expresses concern at the many closed meetings
with Captain Sheridan she has been attending lately. She tries to
explain it away, but when he asks what she knows about Rangers, she
claims she knows nothing. G'Kar explains that his contacts speak of
both human and Minbari Rangers, and she acknowledges that this does
seem extremely unlikely. She leaves, but G'Kar promises to figure out
this puzzle.
Sheridan arrives in his office, where Musante is waiting for him. She
explains that she was assigned as a political officer for Babylon 5,
since some of Sheridan's recent actions haven't been very politically
astute, and that her position is to help Sheridan make decisions that
reflect more favorably on the Earth government. Sheridan says that
she isn't required on a military outpost, but Musante says that the
station must answer to the demands of the Earth government. Sheridan
refuses to share his authority with her, but she insists her job is
merely to advise, and that the final decision has already been made.
She sets up a dinner date with him to learn more about the station and
recent events, and he tells her that, though he has a previous
engagement, he will attend. He calls Ivanova at C&C and tells her that
she will have to go to Epsilon 3 in his place.
Zack shows Musante to her quarters, and she explains that it will be his job to tell her everything she needs to know that Sheridan deigns not to tell her. Since he is a member of the Night Watch, he has priorities as well that must be fulfilled.
When Ivanova arrives on Epsilon 3, Draal is at first angered by the surprise, but she manages to convince him that surprises can be good things. He laughs, deciding he likes her, and ushers her further into the complex.
At dinner with Musante, Sheridan tries to convince her that the
Centauri will continue to move in on the League of Non-Aligned Worlds,
but Musante insists that Earth would never align with a hostile
government. She tells Sheridan he should find ways to express these
concerns without causing problems on Earth. She tells him that Earth
has managed to solve most of its problems, since all of the trouble on
Earth with poverty, the homeless, criminals, and prejudice are caused
by those who refuse to work and those who are mentally unstable. She
explains that, sometimes, the only way to deal with problems is to
redefine them. Sheridan accuses her of ignoring the problems, but she
says it isn't necessary to point out society's flaws to their leaders,
and that anyone that does so is a troublemaker and unpatriotic. She
says that these are examples of the things she wants to help Sheridan
with, and that she only wants to help Earth and protect Babylon 5. She
says that she doesn't want to see him hurt and that she could come to
like him... quite a lot.
Draal and Ivanova approach the matrix, where Draal's physical body
rests within. The image of Draal vanishes, and he removes his body
from the matrix. Ivanova puts hers in. He tells her to relax and open
her mind. "But whatever you do, do not stray from the Path."
Ivanova finds herself travelling through the depths of space. "I can't breathe."
"It's all right," Draal tells her. "Try to calm your mind. Focus.
All life forms are connected. Look for the Path. Look for the Path."
"I see it," she says as a strange ribbon of blue begins to form before
her eyes.
"It is the power that binds us, one to another, across the darkness of space. Focus on the First Ones, on the most ancient of ancients. Let the Path take you to them."
As Draal speaks, the Path becomes more and more solid and visible, and Ivanova begins her journey upon it. After a few moments, she arrives at a familiar planet. "I know this place... I've seen it on the star charts. Sigma 957. They were here. I can feel their footprints in the sand. Hear their words... whispered on the wind." She travels around the planet, seeing it from all sides, and it seems to change, some of it nearly vanishing into surrounding space, while other, more mysterious forms come to its surface. "It's beautiful. They're coming back again... soon. I can... Draal? Draal, something's wrong. Draal, I'm not alone." She looks away from the planet. It sees me. It knows I'm here. It... It's pulling me in. Can't stop it." In the fabric of space, four points of light, which look very much like eyes, begin to form and approach her.
"It is the enemy," Draal warns. Pull away! Go back to the Path!"
"I can't. It... It knows I'm here. It knows my name!"
"Break off! I can't pull you off without killing you. Pull away! Don't look at it!" Ivanova succeeds in looking away just as the fingers of light are about to reach her, while still others appear, as if they were reinforcements.
"That's it," Draal tells her as the image ends. "Come back now..."
"Wait... there's something else," Ivanova says as she finds herself in a new new place, orbiting Jupiter, over a year ago. "That's EarthForce 1 before it exploded! I can warn them! I can save the President!"
"No, it's too late. You're seeing the shadow of things long gone."
The image freezes, and a new one appears, drenched in static. It is
the form of Vice-President Clark, sitting at a desk. "I have wanted
Santiago dead for so long," he says. "I wasn't sure we could really
pull it off. You're sure it's done?"
Another voice, a deep male voice, that of Morden, responds. "EarthForce 1 will never return from Io. The power is now yours, Clark. Mr.... President."
This image vanishes in a sea of static, and Ivanova once again sees herself above Jupiter watching EarthForce 1 explode. She turns her head away, and the image ends. Draal helps her out of the machine.
"I do not understand! A normal human mind should not have been able to do that!"
"I saw it... I saw it all," she tells him. "The image I saw... the message. Can you record it?"
"Yes, but how..."
"Do it, please. It's the proof we've needed that President Santiago was assassinated, that Clark was behind everything. We've got it. We've got it."
Sheridan takes Musante into his quarters, where he fixes her a drink.
While he is busy, she takes the opportunity to undress, and comes over
to him. He tries to refuse her advances, but changes his mind and
lunges into a deep kiss with her when an image of Ivanova appears. She
soon vanishes when she sees what she interrupted, and Sheridan breaks
out of the embrace. He quickly enters another room, where Ivanova is
waiting. She tells him that she knows where the First Ones are, but
they will have to hurry. He says he is occupied, but tells her to
contact Garibaldi. She begins to tell him about Clark's message, but
doesn't have time. Musante calls out to him, and Ivanova knows she has
to leave. "Good luck, Captain. I think you're about to go where
everyone has gone before." She vanishes just as Musante enters. Musante
is quite perplexed when he hurries out again.
G'Kar approaches Garibaldi, asking where Ivanova is, and Garibaldi tells him that she was called away on urgent business. G'Kar prods Garibaldi further, but he won't say anything, which incenses G'Kar. He asks Garibaldi if what the Centauri have done has removed from him the respect he has earned, since he can't get a straight answer from anyone. G'Kar says that, though the two of them had never been friends, they had also never been strangers. Garibaldi says that he doesn't know anything that could help out him or the Narns. G'Kar tells him that perhaps he can help Garibaldi instead, and rushes off.
Zack approaches Musante, who is eating her breakfast. He asks how her meeting with Sheridan went. "When it comes to your union situation here," she tells Zack, "he must be a very good negotiator. I've never seen anyone come up with so many creative ways of saying 'no' to a simple proposition." Zack says that he prefers saying yes, but doesn't get much further. She tells him that she has called a meeting to go over political protocol, and that she expects him to be there. He leaves, but Garibaldi, sitting nearby, has seen the entire exchange.
Ivanova arrives on the bridge of the White Star, expecting to see Lennier, but finding Marcus instead. He explains that he speaks Minbari, and she tells him to set course for Sigma 957.
Musante addresses the members of the Night Watch, telling them that,
from this point on, it is no longer appropriate for EarthForce
personnel to publically criticize the government or its decisions, and
that Night Watch investigations have been expanded to include past
associations. Several members of the Night Watch, including Zack, seem
distressed by this, but she explains that, in the future, certain
individuals in the government will be expelled under charges of
sedition, spying for alien governments, and immoral conduct. "With our
basic freedoms at stake, no response can be too extreme." She says
that the "abridgements" of traditional rights are only temporary and that
everyone will have to do their part to keep Earth "safe and
ideologically pure."
The White Star arrives at Sigma 957, finding nothing. Marcus tells Ivanova
that there is nothing to do but wait, and that she should take time out
for herself occasionally. Ivanova gets angry at him talking about her
personal life, but is interrupted with a sensor beep. The space near
Sigma 957 fills with a web of energy, from the center of which
springs an enormous black vessel, with many strangely-shaped
protusions, and covered in dancing lights of all colors. As the ship
approaches, the White Star's energy begins to drain, and as they move
away, a small stream of energy extends toward them. On the bridge, an
image of one of the First Ones appears, and Ivanova tells it of their
situation. Though it registers no comprehension of what she is saying,
when she mentions that they have sided with the Vorlons, the figure is
not happy. She asks for their help fighting the Shadows, but the image
vanishes as the First Ones consider their decision.
Sheridan and Garibaldi watch the recording of Clark's transmission with Morden. Sheridan is excited that they finally have the proof they need, but Garibaldi asks what they can do with it, without raising too many questions. Sheridan says he will send it to General Hague, and with built-in security measures assuring the recording's validity, the evidence will finally put them where they need to be.
The waiting continues, and eventually the First Ones reach their
verdict: "Zog." When the ship begins to move away, Ivanvoa and Marcus
interpret it to mean no. Ivanova insists that she will not let them
leave until they agree to help, and a sarcastic comment from Marcus
gives her an idea. She opens a comm channel and tells the First Ones
that the Vorlons said that they wouldn't be up for a fight, and that they are
not needed to help. "Come to think of it, we've got the Vorlons. We
really don't need much more help, do we?" As she continues to praise
the Vorlons, the First Ones become more and more angry. She promises
to move away and let them know when the fighting is over. The First
Ones seem to get more and more angry, but eventually the previous image
of the First Ones reappears. "When it is time, come to this place.
Call our name. We will be here." The ship vanishes, leaving the
White Star alone.
Garibaldi and the rest of his security team watch an ISN broadcast about the release of evidence linking Clark to Santiago's death; the Senate is opening investigations. Garibaldi tells the team to try to keep everything under control, and says that Musante has been recalled to Earth. Zack especially is unable to grasp the idea of an assassination, but Garibaldi is in no mood to hear it, since he knows that Zack told her more than he should. He says that, after what happened earlier, it was a long time before he could trust anyone. Zack says that Garibaldi doesn't trust him, since code 7-R doesn't exist. Zack asks him what is really going on. "Night Watch says the only people who have to worry are the ones with something to hide," Zack says. Garibaldi asks him if he has a charge to make, but Zack says he doesn't, and that he's walking a tightrope, and that he doesn't know what to do. Zack leaves, telling Garibaldi not to talk to him for the rest of the day.
Ivanova reports the events of the mission to Sheridan, who tells her that they will need all the First Ones they can find. She asks about the situation with President Clark, and Sheridan tells her that everything is a mess, but the truth has been released.
Zack escorts Musante to the docking bay. She tells him that she doesn't expect to be gone very long and that this situation is exactly what she hoped to avoid. Zack asks her about code 7-R, but she tells him she never heard of it. She hears the boarding call for her ship, and says she needs to go, promising that they will find who is responsible and punish them.
Late at night, Garibaldi is asleep when he is awakened by his door
chime. He groggily turns the lights up low, gets up, and answers the
door, to find G'Kar there. "I told you I could help," he says,
thrusting a large tome into Garibaldi's hands. "The Book of G'Quan.
Read it. We'll talk afterward."
"I... I don't read Narn," Garibaldi protests.
"Learn!" G'kar says as he leaves hastily.
"He hates me," Garibaldi says to himself as he makes his way back to bed. "They all hate me. That's why they're doing this. To make... me... crazy." He flops onto his bed, issuing one last command before he goes to sleep. "Lights."
Walkabout
Overview
Lyta tests the limits of the Shadows' newly-discovered weakness. Dr. Franklin goes on a journey to discover his place in life, and meets a singer in Downbelow. The new Ambassador Kosh arrives on the station. Erica Gimpel as Cailyn. Jennifer Balgobin as Dr. Hobbs. Patricia Tallman as Lyta Alexander. Robin Sachs as Na'Kal.
P5 Rating: 7.89
Production number: 318
Original air week: August 18, 1996 (UK)
September 30, 1996 (US)
DVD release date: August 12, 2003
Written by J. Michael Straczynski
Directed by Kevin Cremin
An episodic soundtrack is available.
Backplot
- Lyta has previously carried "pieces" of Kosh with her. This is most likely what she was doing at the end of "Passing Through Gethsemane."
- At least ten Narn ships have survived the battle with the Centauri, damaged but able to be repaired. A new Narn fleet seems to be gathering.
- @@@864894608 It takes the White Star 20 minutes to recharge its jump engines after they've been taken offline and their energy diverted into the weapons systems.
- The Vorlons are a long-lived race, are relatively few in number, and death is a rarity among them. It had been a very long time since a Vorlon had died.
- @@@844797640 Franklin is a Foundationist. The Foundation apparently borrows customs and beliefs from various cultures, perhaps in the belief that no one people has all the right spiritual answers.
Unanswered Questions
- What was the message the Vorlon ship showed to Sheridan?
- Lyta, a P5, could barely hold one Shadow ship at bay. How much telepathic energy is required to defeat a Shadow ship? What effect would a high-rated telepath like Bester have on a Shadow vessel?
- Is Lyta still "only" a P5, or has she been enhanced by her relationship with Kosh?
- Why does the new Vorlon insist on being called Kosh in public and private? What does he mean by his statement that "We are all Kosh?" (see Analysis)
- Where did the pattern in Kosh's quarters come from, and what does it mean? (see Analysis)
- Why did Lyta bleed from her eyes during the battle? Was it just the strain, or is there some deeper explanation?
- Why didn't the forces of Light take the destroyed Shadow craft in tow for analysis?
- Why didn't the Minbari cruiser open fire on the "held" shadows?
- Lyta required 'line of sight' to the Shadow ship in order to attack it. Did the Minbari telepaths also need to see the Shadows in order to attack them?
- How did the Vorlon ship know where to find Sheridan?
- Does the "piece" of Kosh that may be left behind in Sheridan have anything to do with Sheridan's place as "The One?" How might it fit in with Kosh's statement that if Sheridan goes to Z'ha'dum, he will die? It may explain Kosh's final words to Sheridan: "As long as you're here, I'll always be here."
- @@@847070191 Do the Shadows know a piece of Kosh survived?
- Does the different style and color of the new Vorlon ambassador's encounter suit denote anything?
- @@@871091092 Is this the same Vorlon who was on Minbar in "War Without End?"
- How did G'Kar manage to persuade the other races to come to Sheridan's
aid in his battle against the Shadows?
Analysis
- The strange pattern which the new Vorlon sees on the screen in Kosh's quarters could be a representation of Kosh's death. It could be construed as a diagram of two or more Shadows attacking a Vorlon. It could also be construed as a diagram of Shadows being accompanied by a human. Presumably the human would be Morden, and the images were burned into the wall in some form, silhouettes, when Kosh was killed.
- It's clear that Lyta believes, based on her vision, that Sheridan may hold part of Kosh within him. What that means -- for Sheridan, for Lyta, and for Kosh -- remains to be seen.
- @@@844797979 How did the piece of Kosh get into Sheridan's mind? If it was the result of Kosh's contact with Sheridan, might G'Kar also have a piece of Kosh following their contact in "Dust to Dust?"
- @@@844881004 More disturbingly, might Morden also have a piece of Kosh, present as he was at Kosh's death? Perhaps that was why the Shadows brought Morden along; they wanted someone there who could carry part of a Vorlon.
- @@@844797979 In "All Alone in the Night," Kosh tells Sheridan, "I have always been here." Could he perhaps have been referring to Sheridan's mind, implying that Sheridan has carried a piece of Kosh for quite some time?
- Might the statement that "We are all Kosh" suggest that the Vorlons exist more as a collective whole than as individual entities? (See also JMS speaks.)
- The tide may be turning, now that it's clear that telepaths are effective weapons against the Shadows, especially considering that all major races except the Narn have telepaths. (Which begs the question: what will the Shadows' response be?)
- @@@844376937 Telepathic control over Shadow ships is tenuous at best, and may be limited to preventing them from attacking; the three ships being held by the Minbari telepaths were free to flee the scene when G'Kar and the others arrived.
- @@@844376937 In "Revelations," G'Kar told Na'Toth that when Narn warships jump into normal space, they're briefly out of contact because of the energy drain of the jump engines. Yet the G'Tok was able to fire on the Shadow warship before it even left the vortex. Does that mean that the weapons systems take less energy than establishing faster-than-light communications? Perhaps Narn FTL communication involves the use of the jump engines to beam a signal into hyperspace, and the effect in "Revelations" was simply a matter of the jump engines needing to recharge from the ship's main power source.
- @@@844895893 The Shadows now probably know that the White Star is capable of solo jumps. It seems Sheridan has decided that keeping that capability a secret is no longer of strategic importance ("Matters of Honor.") Or perhaps he figures that the secret is out by now anyway, perhaps as of Delenn's emergence from a jump point in the White Star in close proximity to Babylon 5, and thus presumably in full view of a large number of people ("Severed Dreams.")
- @@@844376937 The new Kosh's ship is reddish in color, as is his encounter suit's eyepiece, perhaps suggesting the link between Vorlons and their ships.
- @@@844900656 Every sentient race, according to G'Kar, has food resembling Swedish meatballs. The Narn call it "breen." Since the Vorlons have manipulated all the younger races, perhaps Swedish meatballs are really a Vorlon delicacy, part of an intricate plan to defeat the Shadows through culinary unity.
Notes
- In Australian aboriginal cultures, a "walkabout" is a ritual in which
a young man goes on a solitary journey through the wilderness in an
attempt to learn more about his own character and strength.
- @@@850757656 Metazine, the painkiller Cailyn used, was also used on
Sinclair to keep him unconscious in
"And the Sky Full of Stars."
- @@@844882197 In the initial UK broadcast, as
well as the first-run US broadcast, Patricia Tallman's first name
was misspelled "Patrica" in the opening credits.
- JMS wrote both songs in this episode. See
jms speaks.
- When the ship bearing the new ambassador arrives, Sheridan originally says, "Welcome to Babylon 5." This line was edited out later.
jms speaks
- As it happens, as soon as I finish the two-parter, this
week, the next script will get a lot more into Lyta and the
Vorlons and all that jazz.
- @@@864605945 It came out pretty well; it's exceeded by Shadow Dancing,
Z'ha'dum and Rock, but it ain't bad.
- @@@864605945 Re: "Walkabout," thanks...of the final 5, it's not at the top,
but it ain't bad. If you happen to be out of the house this coming
Thursday, and miss "Grey 17 is Missing," you miss a little, but not a
lot. It's okay. But the ones after that are just *killer*.
- @@@864605945 Was this supposed to come before "War Without
End?"
Correct. Initially we'd wanted to put Walkabout in first, but that would have meant airing only WWE1 in that sweeps period, and having to wait until the fall for part 2, which seemed not only excessive but remarkably stupid. So we reversed the shooting/airing order to accommodate that, and the fact that we knew we'd need a LOT of EFX in WWE1, and this would give us time to do it properly. - @@@864605945 Will the order be corrected when TNT airs the
series?
Not really, because it doesn't make *that* much difference to risk confusing them about it.... - @@@844882197 About
Patricia Tallman's misspelled name
WHAT?!?!Are you sure? We changed it on my copies here.....
- @@@844882197 (slow burn)
We delivered a corrected print ages ago.
Someone gon' DIE.
- It's fair to say that Lyta has been...aided, slightly, in
her abilities. But I'm not ready to pull the trigger on that one for a
while yet.
- The new Vorlon arrives in Walkabout.
- Is the new ambassador the same as Kosh?
Actually, no, the replacement isn't Kosh, as you say, it's another Vorlon, with a very different personality...the "we are all Kosh" is more of a conceptual thing.... - @@@864605945 I'd say this Kosh has a bit more of an edge to him....
- @@@864605945 Will we ever find out what was written on the side
of Kosh's ship?
What, do I look like someone who can speak Vorlon? Oh, sure, a few words, mainly "Where is the bathroom" and "What's that smell?" but to translate something like that...pfsh, please.(Answer: probably not.)
- @@@865960802 What did the ship say?
"Welcome to Hawaii."There was apparently a hideous malfunction...they never talked about it thereafter....
- Franklin isn't gone from the show; he's in the very next
episode, in a major way, and has a big part in "Shadow Dancing." He
just has a lot to work out right now.
- @@@844912488 "When is walkabout a legitimate choice, and when is it
a cop-out?"
When you're more afraid of what you're running *to* than what you're running *from*.
- It's not widely known -- I guess
mainly
because I haven't ever mentioned it much -- but from time to time I've
written songs. Mainly the lyrics; I know how the music should sound,
but I'm incapable of reading music...I think it's the same mental
glitch that hits me when I try to do certain kinds of math. "X is a
numerical value." "No, X is a letter, 7 is a numerical value." I can't
ever seem to make the one equal the other in my head. Similarly, a
black note on a piece of paper isn't the music...anyway, it's a
glitch.)
So when I write songs, and I have a specific melody I'm hearing in my head, I'm invariably placed in the humiliating position (since I can't play a musical instrument) of humming it, or somehow trying to suggest it to the music-person. Suffice to say it looks really goofy and stupid.
Anyway...despite this, I do sometimes write songs, and like to keep my hand in, as they say. I did two songs for an ABC-TV prime-time Real Ghostbusters special, did a few songs that have been recorded by small groups (you've never heard of any of them, trust me), another song that, much to my chagrin, is apparently still being used in church songbooks (and that's all I will ever say about that)...and when I decided to do a show with a singer for B5, I wrote a couple of songs for that one, with Chris Franke providing the music.
They're bluesy, Billie Holliday kinds of songs, updated slightly. I'm actually very pleased with how they came out (Erica Gimpel, one of the cast members from Fame, plays the part and sings the songs). Several folks around here want either or both songs to come out on the next B5 album, but I"m loathe to do so, on the theory that the soundtracks work better in the style we've already used, all instrumental. (There've even been some inquiries from music people who've heard the songs about releasing them commercially, but that would mean adding about 30 seconds to each song to make them airplay compatible, and I'm not sure I want to take on the extra hassle just now.)
- Who did the music?
I wrote the lyrics, Chris Franke did the music. - @@@843430375 Are the songs linked to elements of the
story?
Not coincidences, no, but not quite as tightly linked as you suggest. Thematically indicative more than anything that points to story specific elements. - @@@843430375 I figured it might be cool to continue the song over the
credits. That happens one more time this season.
- @@@844881146 Here's what I think is a bit of cultural short-sightedness.
Everybody keeps saying, "well, if they had that kind of music,
shouldn't it have been shown to be an oldies bar or something?"
Look at classical music for a moment. Goes back to Beethoven, Brahms, Bach and lots of composers whose names don't even begin with B. And earlier. Now, I don't mean to alarm anyone or startle anyone with this revelation, but classical music is *still being written and performed* hundreds of years later. Not old stuff, new stuff, of that school and in that style. The orchestral suites in the Star Wars movies are strongly based on classical compositions...is that "oldies" stuff? You've got one of the longest running musical plays running now in London, in "Phantom of the Opera," a *new* composition (well, mostly, knowing how Webber works).
Jazz and blues kinda formally began in the 1920s and 1930s, but its roots run back to spirituals and african-american music in the 1800s. And it didn't just stop suddenly in the 1930s. There's still new material being written in that style now; so should Stevie Ray Vaughn's albums or performances have been labeled "oldies?" After all, it's sixty years later and more.
Certain musical styles will stay with us for a long, long time. Not performances based on old stuff, but new material in that vein, for those forms that have shown themselves to be enduring. 200 years from now, in addition to other forms, you're still going to have original blues songs, original classical compositions, original jazz, original compositions in the style of gregorian chants, on and on and on.
It's odd when people try to apply illogical rules to the future that don't apply now; no one said, as noted, that a Stevie Ray Vaughn concert should be billed as an "oldies" event, or an oldies bar...even though it's over half a century since serious blues started going...it's just silly.
- @@@844028242 Vorlon ships come out backwards when possible to help
decelerate.
Pat has interesting eyes...they're slightly larger than is the norm, and they take some getting used to. Those eyes are one of the things that beckoned to me to cast her...they're the eyes of a telepath, who sees more than should be seen. They're terrific eyes.
- So, were the shadows following Lyta, or were they an image on the
wall?
They weren't following Lyta. We were in Kosh's old quarters, and those images were burned into the wall when Kosh died. Bear in mind that she doesn't actually meet the new ambassador until the next scene.It was the same effect you would get in a massive energy burst that "paints" shadows on the wall, which only he could see.
Those are two different scenes; the first one takes place in Kosh's quarters, the second one out in the hallway. Perhaps that could've been made clearer....
- @@@843430375 Garibaldi said he went over Kosh's quarters with a
fine-toothed comb. How'd he miss the image?
Watch the scene again; the first time the new Vorlon looks at the wall, he sees nothing; the next time he looks at it, the lens wide open, the image is somewhat distorted around the edges, and now he's seeing the afterflash. Only certain types can see it. - Is there significance to the different eye-piece colors
of the two Koshes? Why no one would suspect Kosh suddenly
having a different encounter suit?
No signicance to the eyepiece color; no reason to assume Vorlons only have one encounter suit their entire life. - @@@843430375 Actually, the new Vorlon's encounter suit is more
purple/red than green. The design is a matter of form following
function.
- On differences between the two Koshes:
They're not that far apart in age, but yes, Kosh would be a bit older. - The look of the new Vorlon was developed by John Vulich of Optic Nerve
based on my suggestions. I got in after a bit and redesigned/sketched
the headpiece a bit, and recommended the colors used. We're actually
doing a bit of fine-tuning on the new Vorlon prior to next season.
- @@@844880143 Re: the new Kosh...yeah, the look is intentional. I
worked with Optic Nerve to get the new lines right, messed with their
sketches until I had what I wanted. It's very effective in some lights,
less so in others, but the sense comes across.
- @@@889494600 Is the new Kosh really Ulkesh from the novel
"To Dream in the City of Sorrows?"
The new Vorlon was Ulkesh, yes...the Kosh thing was meant in a Vorlon philosophical sense. They ain't wired up like the rest of us. - @@@843430375 Sheridan commands the Army of Light, Delenn as second.
If the AOL speaks with one voice on something of importance, they have
to be listened to. When Sheridan put himself on the front lines, he was
then taking on the role of soldier, not commander. They also felt it
risked leaving them without said commander if it went wrong.
Bear in mind that their orders in *no* way compromised his actual mission, or over-rode his decision. They were sending along a secondary mission to keep an eye on the primary mission. I don't see a conflict here.
- @@@843430375 Just some comparisons to illustrate...during
WW II, the head of naval operations for the Japanese fleet insisted
on being on board during several of their more pivotal missions. His
subordinates insisted that additional ships be sent as escorts given
his importance to war strategy. That's a very rigid military
structure, but when *all* the subordinates get together on something,
to go against it causes more problems than it's worth.
Even within the context of a conventional military situation, there's flexibility. If a commanding officer gives an order which is immoral, illegal, or against the rules of engagement, a subordinate can refuse to implement that order, even give a countermanding order which, depending on the situation (such as a nuclear missile firing) would take precedence over the CO's order (though you'd first have to relieve the CO of command, and if you do that, you'd darned well better be prepared to back it up with every legal and moral means at your disposal, or it's mutiny). Heck, it was just this kind of dilemma that was at the core of the movie "Crimson Tide," and was brought up in the recent war crime trials going on investigating what happened in Bosnia, with a soldier being asked why he didn't refuse to carry out an order to kill civilians.
Ain't a lot of black-and-whites in the world, but a whole lotta greys.
- @@@843430375 There's nothing dangerous at all about a fleet coming out of
hyperspace or a jump point together.
- The UK cut Lyta's line from the Shadow battle, "Burn, you
bastards!"
They cut that? How curious...I didn't know that. From what I'd seen of British TV, some shows use the word bastard like I use a comma, they're ubiquitous.... - @@@843430375 Why not use Bester in the test?
Because Bester is on Earth or Mars, can't just drop everything and come when beckoned, and it would take 3 days to get there, and they were in kind of a hurry to test this. Besides, P10s are very few and far between; they're more likely to have lower levels as their main weapons, so best to see what impact those will have. - @@@844882375 The fragmentation or fractionalizing is also
visually cued by the last shot of Franklin through the window, split
into many versions of himself.
Re: the hand-on-shoulder gesture, from Marcus it was an upbraiding, stop-him motion, whereas from Sheridan it was one of congratulation.
- @@@845974618 It's imagery, yes, of his still being fractured, still
looking to find himself, as it were.
- @@@843430375 Why isn't Sheridan setting up propaganda to help
turn the Shadows' allies, such as Earth, against them?
There's really no need for propgaganda. By about now, everybody out in this part of space knows the situation...and what's going on back home is secondary to winning the war. Also, you can be sure that if they set up a network -- and who has time in the middle of a war -- you can be sure Earth would find some way to jam it. - @@@843430375 You're the leader of an isolated space station with a
quarter million inhabitants, who need air, food, supplies, space,
support. You no longer have ties to Earth, no support from there, no
money, so you have to rely on whatever docking fees you can get from
other worlds. You're in the midst of a war in which you have few
resources, little money, allies that have a tendency to turn on one
another, nobody's giving you a break, your position is tenuous as
hell, you're constantly undermanned, shorthanded....
Now you tell me where the heck you're going to get the time, resources, money and manpower to launch a propaganda operation, which if you're going to broadcast (and what's the point otherwise?) on an interstellar basis is going to require extensive and expensive facilities, broadcast repeaters, tacyhon carrier wave generators to get around the time-delay aspects, writers, directors, broadcast engineers, spokespersons, propaganda specialists, psychologists, technicians, camera equipment, space in which to PUT all of this stuff...on and on and on.
- @@@843430375 The Minbari could help with the propaganda.
For starters, having just had a MAJOR WAR with the Minbari, which nearly wiped out Earth, and many folks back home *hating* the Minbari...do you think for one second that they're going to believe a word of what the Minbari say to them? Do you think the government would allow this to go through unjammed? Hell, EarthGov would have a field day with this..."See? It's all alien propaganda, just like we told you, they're trying to destabalize Earth."Second, I don't think the Minbari have the propagandists, writers, directors, and others needed to put together a propaganda network, and would find the whole idea immoral to begin with...and a couple of paragraphs of text are meaningless...Earthgov says "it's not true," and it's your word against theirs. That's why you must have absolute, unvarnished PROOF, otherwise it blows up in your face, which any journalist worth his or her salt knows.
- @@@843430375 Does the Army of Light have access to any of the
Minbari's resources?
Yes, they do...but bear in mind that the Minbari are currently having their own problems. The Grey Council has fallen apart, the Military Caste (as we'll see in one of the next episodes) is having some serious doubts about how the Religious Caste is handling things, and that much of the support given Earth (by way of B5) has been covert; the White Star program was launched in secret, and the greater amount of the Minbari population aren't aware they're so much "in bed" with the humans (as it were). As far as they're concerned, we're apparently necessary to the plan, but not much more than that. So I think they wouldn't be warm to the notion of extending their services overmuch to Earth. - @@@844882375 Is the White Star more powerful than a regular Minbari
cruiser because of the Vorlons' involvement in its design?
The Vorlons were cooperating in the recent past, yes, and it still takes a couple of Minbari cruisers under most circumstances to take out an immobilized shadow vessel, though one can do it if the firepower is concentrated and prolonged.
Originally compiled by Jason Snell.
Walkabout
Synopsis by Katrina Glerum (kat@midwinter.com)
Londo is outraged that Babylon 5 has accepted the sole surviving Narn heavy cruiser, the G'Tok, into the station's mutual protection alliance. Garibaldi is unimpressed.
A visibly upset Lyta Alexander visits Medlab searching for answers about the death of Kosh but none are available.
Garibaldi steps into C & C just as a red Vorlon personal transport
jumps in. He enigmatically warns Ivanova against paging the Captain
immediately. When Ivanova bites, he mentions that Sheridan has taken a
walk...outside. As Ivanova peers aghast out the window, the Vorlon
ship pauses to write a greeting on its hull to the spacewalking
captain.
G'Kar treats a very appreciative Na'Kal to dinner in his quarters.
The conversation quickly sobers when Na'Kal reports that aside from the
G'Tok only about ten Narn vessels survived the war. He is further
disappointed when G'Kar says they cannot retaliate against the
Centauri, but must defend Babylon 5 instead.
Waiting for the new ambassador to arrive, Ivanova tells Sheridan
that Garibaldi has gone to find Dr. Franklin, who has avoided his
quarters for several days. Sheridan is still astonished by Franklin's
revelation about his stim addiction. It is a day for surprises. The
new ambassador is considerably darker than the old Kosh. They agree to
refer to him as Kosh in public in order not to endanger the fragile new
alliance. But when Sheridan asks what he should call him in private
the Vorlon says, "Kosh."
"We are all Kosh," he adds without elaboration.
Garibaldi tracks Stephen down in the Zocalo. When Michael
questions him about his recent wanderings, Stephen explains that he is
engaged in a "walkabout." It is the Australian aborigine rite of soul
searching, and he hopes to find himself somewhere if he walks far
enough.
The new Kosh examines his predecessor's quarters, Staring at a wall,
he perceives an afterimage, apparently of some Shadows and a human.
Lyta isn't sure what she is looking for, but upon nearing the new ambassador's quarters she finds a very angry Vorlon. He tries to throttle a piece of the old Kosh out of her but she insists that Kosh wasn't with her at all when she left the last time. Her profuse apologies seem to satisfy him marginally and she is permitted to stay.
Later in Sheridan's office she almost admits that the new Kosh is blaming her for the old ambassador's death. She drifts into her own regrets as Sheridan muses about the Vorlons. "Is there a problem?" Kosh's old voice asks. Lyta jolts alert.
"I said, 'Is there a problem?'" Sheridan repeats.
Lyta quickly replies, "No." Before she can leave the Captain has a
request for her.
Franklin finds a nightclub where a beautiful woman is singing a
love song. "I understand you completely, it's over for you," she
croons as he stares at her smitten and begins to unwind.
Sheridan explains his proposition to engage a Shadow vessel with a telepath aboard the White Star in order to test the theory that they are vulnerable to telepathic jamming. When he asks for volunteers the aliens present are remarkably quiet with the exception of G'Kar, who offers the G'Tok, and Delenn. Sheridan refuses to take Minbari telepaths along as backup, but the council overrules him unanimously.
To Stephen's delight, the singer, Cailyn, joins him while the club closes up around them.
Na'Kal refuses G'Kar's request to support the White Star, claiming that Sheridan is on a fool's mission. The White Star leaves anyway with only a single Minbari war cruiser as escort. They will jump out of hyperspace as soon as a Shadow attack is reported and attempt to engage the enemy alone.
Holding her cut glass tumbler at eye level Cailyn peers at Franklin. She believes that if she catches the refracted image just right she can see someone's soul. But all she sees of him is pieces.
G'Kar is awakened by a furious Garibaldi hurling back the book of G'Quon. When the Narn protests his impotence in the face of Na'Kal's refusal, Garibaldi reminds him that human pilots protected the G'Tok during the last days of the war not because they wanted to and not because they weren't afraid of dying, but because their commander had the moral authority to order them to do it. As the leader of the Narn in exile it is G'Kar's responsibility to lead, not Na'Kal's, Garibaldi hisses, and then storms out.
Franklin strokes Cailyn's shoulder in bed and tries to offer his assistance. When she asks for a prescription painkiller Metazine to help her sleep, he grows very upset and tells her she should drink less instead. She is annoyed at his rebuke and reminds him that he offered to help. He just refuses crossly and turns away.
Waiting on the White Star, Sheridan tries to comfort Lyta. She asks him about Kosh's death, and is intrigued when he tells her how Kosh had touched his mind on that and another occasion. Just then a Shadow attack is located. They jump in leaving the Minbari ship poised in hyperspace behind them.
Lyta prods the Shadow and collapses when it retaliates. As the Shadow ship homes in on the White Star Sheridan shakes Lyta. In a flash the telepath sees Kosh's death. Her fury steadies her and she halts the Shadow ship in space. While it's paralyzed, Sheridan orders Lennier to pour all power into the forward batteries, even to the extent of taking the jump engines off line. The Shadow is destroyed.
Cailyn filches Stephen's identicard while he lies sleeping and
leaves the room.
Lyta announces that the Shadow got off a distress call before they
destroyed it. The jump engines still need ten minutes to recuperate
when four more Shadow ships arrive. The White Star flees as the
Minbari cruiser jumps in, but there are only three telepaths on board
and Lyta is exhausted. Evasive action isn't enough and soon the Shadow
locks on. In the instant before they are destroyed a jump point opens
for the G'Tok and other alien ships coming to the rescue. They destroy
the attacking Shadow and the remaining three enemies flee.
Sheridan cackles with glee and rushes to the window. "And so it begins," the old Kosh says to Lyta.
Franklin wakes up and finds Cailyn lying on the floor with his card and a vial of Metazine. He rushes her to Medlab only to discover that she is suffering from terminal neural paralysis. Instead of the overdose he assumed, she had collapsed from excruciating pain. She has only six months to live. She begs him not to send her away, explaining that singing in DownBelow makes her last days worthwhile because she gives the people there hope.
After docking Lyta rushes to tell the new ambassador that a piece of Kosh Naranek may still be alive in someone else.
Stephen enjoys one last song by Cailyn, then resumes walking.
War Without End, Part One
Overview
Ambassador Sinclair returns to pull Babylon 4 through time ("Babylon Squared.") Part 1 of 2. Michael O'Hare as Ambassador Sinclair. Tim Choate as Zathras.
P5 Rating: 9.28 Production number: 316 Original air week: May 13, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
An episodic soundtrack is available.
Note: this episode is more momentous than most. Think twice before proceeding to the spoilers if you haven't seen it.
Backplot
- @@@831940422 The last Shadow war nearly ended in defeat when the command center, a Minbari space station, was destroyed by Shadow forces. But shortly thereafter, a replacement arrived out of nowhere: Babylon 4. With Babylon 4 in place, the Minbari, the Vorlons, and their allies were able to drive the Shadows off Z'ha'dum and destroy a good two-thirds of the Shadows' warships. Until Delenn arrived at Babylon 5, the origin of the replacement station was a mystery to the Minbari.
- @@@831940422 Six years ago, just before Babylon 4 vanished, some of the Shadows' allies recognized the station from the last war. A group of Shadow fighters tried to deliver a fusion bomb onto the station, whose destruction would look like an accident and would lead to a Shadow victory, or a stalemate, in the previous war. They were fought off by the White Star, which travelled back in time through the rift in Sector 14 to stop them. These events were recorded by Varn in the Great Machine.
- @@@831940422 The Great Machine is responsible for opening the time rift and allowing Babylon 4 to be pulled backward through time. However, opening the rift strains the Machine, and Draal, to its limits.
- @@@831940422 The White Star's Vorlon technology includes the ability to learn from past experiences. Its previous encounters with Shadow vessels have strengthened its resistance to some Shadow weapons.
- @@@831940422 There is at least one Vorlon on Minbar, a fact that's known to at least some of the former Grey Council.
- @@@831940422 In one possible future, Sheridan is destined to win the war against the Shadows, but not entirely destroy them; some Shadow minions will come to Centauri Prime, where an older Londo reigns as Emperor, and lay waste to the capital city.
- @@@831940422 While on Minbar, Sinclair gained a reputation among the Rangers for answering questions cryptically.
- @@@831940422 The Rangers were put together with the help of the Grey Council, or at least some of its number, including Rathenn, the Minbari who restored Sinclair's memory in the comic issue "In Darkness Find Me." He's an old friend of Delenn's; she asked Draal about him in "A Voice in the Wilderness, Part 1." And he seems to revere her, accepting Sinclair's status without question at her behest.
- @@@831940422 At the close of the last Shadow war, someone who knew Sinclair would be on Minbar left him a note in a sealed box. The box was stored in a temple for over nine hundred years with instructions to not open it until a specific date, a date which has now arrived.
- @@@832006488 During their first visit to Babylon 4, Garibaldi and Sinclair both saw the same flashforward of Garibaldi defending the station against unknown attackers.
Unanswered Questions
- @@@831940422 Who left the note for Sinclair? (See Analysis)
- @@@832444915 Sinclair has a scar on his cheek (as also shown in "Babylon Squared.") Where did he get it?
- @@@832059717 Where did Delenn's note come from? How long has she had it?
- @@@831940422 What was the Vorlon doing on Minbar? Has he/she/it been there all along?
- @@@831940422 How far into the future has Sheridan been thrown?
- @@@831940422 Why did Sheridan end up on Centauri Prime, presumably some distance from Sector 14?
- @@@832059717 What did Londo mean by greeting Sheridan, "Welcome back from the abyss?"
- @@@833172496 Where did Zathras come from? Has there been a community of his people on Epsilon 3 for generations, or are they more recent arrivals?
- @@@832058597 Why was Zathras honored to meet Sheridan? What were the things Draal instructed him not to mention?
- @@@832749392 When Zathras was looking at the Great Machine, he said, "Not good." What was he talking about? Was the strain of opening the time rift causing the Machine to malfunction?
- @@@832060088 Were the Shadows, or their allies, also responsible for the sabotage of Babylons 1, 2, and 3? If so, why didn't they destroy Babylon 4 before it was finished?
- @@@832096008 Did Babylon 4 survive the war? If so, where is it now?
Analysis
- @@@831940422 It seems likely
that Sinclair left himself the note. In
"Babylon Squared,"
Sinclair was shown to be present on Babylon 4 when it shifted through
time; and from his message to Garibaldi, it seems the note told him
he was destined to stay in the past and help defeat the Shadows then.
- @@@831940422 If that's correct, and the Minbari holy books contain
instructions about the box, it suggests Sinclair was involved in writing
the books. Very possibly he was Valen, "a Minbari not born of Minbar,"
as Lennier described Valen in
"Passing Through Gethsemane."
Sinclair, as the Grey Council discovered
("Points of Departure")
somehow has a Minbari soul.
- @@@831940422 Which leads to the question, what does Sinclair's time
travel have to do with the Minbari soul migration, if anything? Does
he have a Minbari soul because he's a giant figure from Minbari legend,
or vice versa?
- @@@832058597 Presumably, if Sinclair is Valen and Draal knows about it,
that's why Zathras was honored to meet Sinclair. What Zathras knows
about Sheridan, though, is an open question -- perhaps he has been
watching recent events unfold on Babylon 5 and simply respects
Sheridan's stand against Earth and the Shadows.
- @@@832581786 Rathenn appears to defer to Sinclair. If a former member
of the Grey Council looks to Sinclair for direction, Sinclair must be
one of the most influential people on Minbar.
- @@@831940422 Londo's description of Sheridan's victory over the Shadows
makes it sound like a fairly distant event, but the Centauri capital
city was burning while Sheridan stood there. Perhaps the Shadow minions
Londo mentioned have been slowly destroying the city, building by
building, since the close of the war, and the Centauri have been
powerless to stop them. Or, perhaps, the end of the war isn't as
far back as Londo implies. (It's interesting to note that Londo
doesn't appear surprised by Sheridan's appearance or by the fact that
Sheridan hasn't aged.)
- @@@832581494 Sheridan looks older (his hair is lighter) and may be
dressed in something other than his uniform
as he visits Londo in the throne room -- it looks like he's wearing
a leather jacket, but his outfit isn't shown clearly enough to tell
for sure. If it's different, though, could his trip forward be along
the lines of the flashforward experienced by Sinclair and Garibaldi,
rather than a physical transfer? If so, where is his body?
- @@@832006488 If Babylon 4 is being sent back to help defeat the Shadows
in the previous war, will other equipment be sent too? For instance,
loading the docking bays full of Minbari fighters (or better still,
Vorlon fighters) could do as much to turn the tide of battle as the mere
presence of the station, especially assuming that Minbari and Vorlon
weapons have improved in the intervening thousand years.
On the other hand, perhaps the non-destruction of the Shadows in the last war wasn't a matter of military strength after all; perhaps the Shadows hid somewhere such that they were impossible to wipe out. If so, will the same thing happen again? Londo's accusation suggests it will, to some extent.
- @@@832096008 How long after Delenn arrived on Babylon 5 did she figure
out where Babylon 4 came from? Were the Minbari really so uninterested
in Babylon 4 that the Grey Council never saw a picture of the station?
Did Delenn recognize the similarity in design as soon as she arrived,
or did she find a picture of Babylon 4 in B5's archives?
- @@@832096008 Along similar lines, was the station not identified as
"Babylon 4" when it appeared in the past? If it was, the Minbari
should have at least heard of the Babylon Project in its earlier
stages, and would have known B4's identity before Delenn arrived on
B5. It's possible the Minbari
lost whatever records contained the name of their second base of
operations, or that Sinclair convinced the Minbari to leave such
information out in the interest of not altering the future.
- @@@832007102 If the Great Machine opened a rift for Babylon 4 six years
ago (while, it should be noted, the machine was under Varn's control,
not Draal's) and can still open a rift today for the White Star, will it
be able to open other rifts to send more people back? Or is Draal
simply not as capable of handling the strain as Varn was?
On the other hand, maybe the original time rift was generated from the present day by Draal, and Varn wasn't involved at all. In that case, the Machine may only be able to manipulate time once.
- @@@832357291 If B4 was being pulled back in time, why did it reappear
four years later than it vanished? Sinclair, according to
"Babylon Squared,"
interrupted the station's time travel to allow the crew to get off.
But if it was travelling backward through time, that should have
caused it to reappear some time before it vanished.
Maybe B4 will have to be pulled forward to the present day, from which point Draal can send it back -- that is, maybe Draal can only open rifts between the present day and some other time, not between two arbitrary times.
- @@@832058597 The Great Machine's time-manipulation abilities suggest that
perhaps it was built specifically to pull Babylon 4 back through
time. If so, who built it, and how did they know about Babylon 4?
Their technology in that area exceeds the Minbari's, which says that
the Machine's builders were First Ones. In that case, what was the
role of Varn's people?
- @@@832058597 Delenn told Sheridan that the Minbari did not have the
technology to control a time field "as unstable as this one." How
much time-manipulation technology do they have?
- @@@832181516 If there's a Vorlon on Minbar, could it have been
responsible for Delenn's childhood vision
("Confessions and Lamentations?")
- @@@832444915 In
"Babylon Squared,"
Zathras hands his time stabilizer to the space-suited figure (possibly
Sinclair,) who promptly vanishes. Was that a replacement for Sheridan's
stabilizer, or for another broken one?
- @@@832444915 Ivanova's wish has come true -- she's on Babylon 4 and
Garibaldi is left behind.
("Babylon Squared")
- @@@832749298 In Ivanova's distress call, she says, "This is Earth Alliance station Babylon 5." Presumably in the heat of the moment her Earth Force training kicked in and she didn't consider that B5 isn't an Earth Alliance station any more. (See jms speaks.)
Notes
- @@@831940422 As in "Babylon Squared," the term "unstuck in time" is a reference to Kurt Vonnegut Jr.'s "Slaughterhouse Five."
- @@@832444169 Garibaldi's attempted passwords: "Jeff," "Jeffrey," "peekaboo" (Garibaldi's computer password, most recently used in "Ceremonies of Light and Dark,") "Susan," "Michael," "socks," "fasten," "zip" (the last three from the conversation between Sinclair and Garibaldi on their way to Babylon 4 in "Babylon Squared,") and finally, "hello, old friend," Sinclair's opening line in the message delivered to Garibaldi by the Ranger in "The Coming of Shadows."
- @@@839287158 Viewers outside North America may have some difficulty recognizing all the partnerships to which Sinclair compares himself and Sheridan. "Butch and Sundance" were Butch Cassidy and The Sundance Kid, two outlaws from the days of the Old West (of more recent fame for the movie in which they were portrayed by Paul Newman and Robert Redford). "Lewis and Clark" were not Lois Lane and Clark Kent, but Meriwether Lewis and William Clark, who explored much of the territory of the Louisiana Purchase (a vast expanse between the Mississippi River and the Rocky Mountains that the United States acquired from France in 1803) from 1804 to 1806, eventually reaching the Columbia River in the Pacific Northwest. "Lucy and Ethel" were Lucy Ricardo and Ethel Mertz, the characters portrayed by Lucille Ball and Vivian Vance in the 1950s sitcom "I Love Lucy."
- @@@832444431 The building in which Sinclair and Rathenn talk bears some resemblance in outline to the encounter suit of the Vorlon inside -- and even more resemblance to a Shadow.
jms speaks
- November 30, 1995 -
As I write this, I've just started
writing "War Without End, Part One," #316, the first part of the two
episodes that bring Sinclair to Babylon 5, which we'll shoot sometime
after the first of the year. It's been touch and go, but we've finally
been able to schedule all of the guest cast members from "Babylon
Squared" for this one, which is the flip side of that episode. It's
probably going to be the most expensive show we've done yet, due to
the hideous production requirements for this one. It's also the one
I'm most nervous about writing, even more than "Fall of Night,"
because an awful lot happens here, and it has to be done just right.
It's going to be probably the toughest writing job of the series to
date.
I'll be putting Sinclair and Sheridan together a lot, which is shaping up to be an interesting combination. We're also going to see Minbar for the first time.
- @@@865188944 "In WWE(1)I noticed a larger than usual group of
offhand lines (ethel &.../wait in car.../cool-you know what I'm
talking about). Was this scripted? Or was someone just ad libbing?"
There's almost NO ad-libbing allowed on the show. You can't change a word unless someone comes to my office and approves it, and it can't change the meaning. (I.e., the actor is having a hard time saying "shibboleth" or something.) Everything said in this show is scripted, offhand comments included.
- @@@832444086 Did you work out the circular sequence of events
as you went, or was it all mapped out beforehand?
No, it all has to hang together, or it's kinda useless. It just required working out the details of what was, is, and will be. Then I walked on water.... - @@@832553946 Why didn't Sinclair interact with G'Kar?
The problem is that you've got about 42 minutes to tell your story. You have to get into it, and get into it fast. Unless there's a reason for the scene to be there, if it doesn't move the plot along, it shouldn't be there. You'll note there isn't even a B-story in the two-parter...there wasn't room.Sure, it would've been nice to have Sinclair meet G'Kar, sit around, talk about how they've changed...have Sinclair and Londo meet, talk about stuff...have him and Ivanova sit around, talk about stuff...but then you've got just a bunch of scenes that are basically, "Well, hello, how've you been?"
The next sounds you would've heard would be the click of remote controls changing channels across the nation.
As it is, in that two-part episode, you've got Delenn, Garibaldi, Sinclair, Sheridan, Marcus, Ivanova, Lennier, Zathras, Major Krantz, Krantz's second...it's our most character-intensive episode in a long time, all of them being present in every other scene, plus the other three characters we see in part two. It was, quite simply, stuffed to the gills, and there wasn't room for a single wasted word.
That's the difference between a novel and a television show; you can stop the action in a book as often as you want to have asides, but you can't do that in TV with as much facility. To do the scenes you describe would've meant turning this into a three-parter, and as it is part one is almost an extended teaser for part two. It would've been moreso with these additional scenes.
If it isn't necessary, it shouldn't be there.
- @@@832581630 It would've been
nice to see some of those scenes, it just wasn't practical. And you
have to make hard choices. As someone once said of writing, "You have
to kill all your darlings," meaning the nifty little things you'd *like*
to do, as opposed to the things you *have* to do.
- Actually, Mike Vejar is directing the two-parter, and I'm
absolutely thrilled about it; Mike's been our mainstay for
some time, and he's just terrific. (He directed "Convictions,"
and "Inquisitor.")
- Well, reactions have been coming in on the two parter, and so far
everyone's wog-boggled. Peter Jurasik called to say he didn't know
what I'm smoking these days, but to please send ten pounds of it to
his house at *once*. Mumy went nuts over it, everyone's very
excited...including and especially Michael O'Hare, who got his copy
of the script today, read it straight through, and is *extremely*
excited by the story, and what happens with his character, and is
VERY much looking forward to the shoot.
- (Oh, and lest I forget, yes, Zathras does return in "War," as does
Sinclair, who has a lot of great scenes with Marcus, Sheridan, Delenn,
Zathras and others. It also has some real surprises in store, including
some flash-forwards from WAY down the line.)
- January 22, 1996
Today was a very interesting day; today Michael O'Hare returned to the Babylon 5 stages in preparation for shooting the two-parter, which begins tomorrow. Today he came by for his wardrobe fitting and to get his hair trimmed, say hi to folks, and hang out...lunch was me, John Copeland, Michael and Bruce Boxleitner eating together at one of the tables in the lunch area behind the stage, lots of laughing and kidding, and the two get on great. (Turns out they'd worked on other projects before, including the short-lived A Rumor of War series by Sterling Siliphant.)Anyway, it's a great atmosphere, and everybody's psyched for the two-parter. It's like he never went away.
- January 23, 1996
[...] today is Michael O'Hare's first day of shooting here on the B5 stages for the two-parter, featuring his return to the station from Minbar, and propels him into the center of attention for most of the two parts. Everyone's having a great time so far, he and Bruce have been hanging out a lot, and the episode should be a real toad-strangler when it's finished. - A toad-strangler, a barn-burner, a doozy...it's a good thing.
- Won't Sheridan and Sinclair both be standing around giving orders?
The similarity is only if you choose to define them by their narrow roles. Their personalities are vastly different. Also, Sinclair's been through a lot in the intervening couple of years, he's grown, he and Marcus would definitely have something of a relationship since he would've been there while Marcus was being trained, and so on. And their roles in the story are very different. - My guess is that "War Without End" may well pass by
"CoS"
as all time favorite...until the next one comes along.
- Did you reuse footage from
"Babylon Squared?"
We did both; we reshot some scenes from B2, and used some footage directly from that episode. Some pretty elegant matches, too, I think. - @@@839783104 The vision of B5 blowing was the same as the one from
Signs.
- @@@833178382 Why weren't the new uniforms in the flashforward in
"Babylon Squared?"
We only saw the black flak uniforms in B2, because I knew we'd be changing them, but wanted to hide that fact (as I did with Delenn's line to Sinclair in B2, done off-camera to hide her change). And the Minbar cityscape was done by Eric Chauvin. - @@@833560031 About Ivanova cracking under pressure
With most of their systems down, everyone around her dead, Sheridan dead, knowing she's about to die and there's nothing she can do about it, and obviously knowing full well who's out there...about to witness the deaths of a quarter million sentients on the station...I felt a bit of an outburst, a final letting go of the emotions, was not inappropriate for her. (Although I do think Claudia may have played it a bit too hysterical at times; separate the lines from the performance and look at it again.) - @@@839783104 "You hand this woman a script and say to her,
'Miss C., everyone around you is dead and you are in command.
The station is falling down around you and you're in terrible pain, about to die by decompression or laser burns or crushing--or worse, you could become a Morden and be controlled by the Shadows the rest of your life.
You have no hope of rescue.
You may not know where you are.'
And then you say she was a tiny bit on the hysterical side?"Hey...from where I sit, that's just another day at the office.
Don't know many producer/writers, do you?
- @@@839783849 I don't believe anyone on Minbar was wearing shorts.
It's not the season for that.
- @@@832308936 Was the voice of the Vorlon on Minbar the same actor
who did Kosh?
Yes, that was Ardwight again. - @@@832444086 There probably wasn't a credit there because it was an
incidental voice rather than a recurring voice.
The other Vorlon also sounded different because I directed Ardwight in different inflections...literally stood there outside the booth using my hand like a baton to indicate the rising and falling inflections as he spoke, to give it a wave kind of sound.
- @@@834863912 Sinclair's Minbari words are subtitled "alright,"
which is a misspelling -- it's really "all right."
Yep, it was misspelled, and it wasn't misspelled in the script. When I saw that on the final tape, it was too late to correct it for this airing. It'll be corrected later. (Somebody wasn't being careful when they did the captioning.) - As Sinclair notes when he arrives at B5, his status as ambassador is
pretty much gone after the coup.
- @@@833560520 Won't Earth ask where its ambassador is?
Well, Minbar isn't being very receptive to Earth at the moment, and will probably just put them on hold...indefinitely.... - @@@833442235 How did Sinclair get so cryptic so quickly?
He was kinda Zen when he left, frankly...and two years living among Minbari, learning their language, learning to think the way they do, learning the whole history of the shadow war...that can have a pretty profound effect on you. It obviously wasn't all hanging around the Hyatt Minbar and watching reruns of I Love Lennier for two years.... - @@@833179405 Sinclair wasn't on Mars during the riots in the first
season, so how does Sheridan know him from them?
It's been established that there have been previous riots on Mars, including the food riots referenced in, I believe, the pilot. - Will the relationship between Delenn and Sheridan cause problems
with Sinclair?
Well, remember that we never defined what those feelings were between Sinclair and Delenn; she had a great deal of respect and admiration for him, yes. And she had a fair measure of faith in him as well. Question is, what's the root of that? We'll learn some of that in the two-parter. As for Sinclair, he was mainly involved with Sakai. - @@@833442235 Sakai certainly wouldn't have wanted to get tied down to life on
Minbar, and Sinclair knew that his life would be difficult now with the
rangers, so they parted ways.
- @@@833442235 Marcus's look came because he overheard the Minbari-language
part of the discussion, and knew something was up. It made him more
watchful of Sinclair, which pays off in WWE2.
- @@@832144671 I like Zathras...he's just nuts.
- @@@832236521 Will we learn who Zathras' people are?
Eventually, though that answer isn't terribly important. - @@@832308936 Why didn't the Shadows destroy B5 before it went
online?
B5 wasn't destroyed because it wasn't the one that would be taken back. Yes, the prior stations would've looked more like B4 but they were sabotaged *very* early in the construction process. You'll learn why he didn't want Garibaldi along next ep. - @@@832444086 The B1-B3 sabotages had nothing at all to do with the B4
situation; it was just done by forces opposed to the very notion of the
Babylon Project.
- @@@833491960 The first 3 Babylon stations never got much past
the very earliest stages of construction, just some hull elements, that
sort of thing, nothing that could be recognized. Other forces took
them out, mainly for political reasons.
- @@@832308936 B4 survived the prior shadow war, but in very bad shape;
didn't last much longer after that.
- @@@839783104 Is the war room staffed continuously?
Yes, the war room would have to have support personnel there when the big guys are off having fun or sleeping. - @@@833178161 Why did Sheridan's clothes change?
His clothing is different because that's the future Sheridan, into whom the current Sheridan has sort of slid.... - @@@833442235 Was whatever destroyed Sheridan's stabilizer related
to the creature in "Knives?"
No, that was just the result of the blast. - @@@846743236
The energy being that got Sheridan in "Knives" had no relation to
anything in the ongoing story; it just existed outside our normal
universe, and got in and out via the rift (which also served to remind
us that it was still there).
- @@@833442235 Sheridan "leapt" into his future self, hence the difference
in wardrobe and appearance. Londo wasn't suprised to see him. If you
recall the Centauri guard when we first arrive in the Palace, he says,
"I think he's awake again, would you like to see?" The implication
being that he's been beaten into unconsciousness, hence Londo's line,
"Welcome back from the abyss." It was at that moment of
unconsciousness that he "slid" into his future self.
- @@@832443782 The time-flash (which in Sheridan's case is much more
pronounced than what we've seen before) slides you forward or backward
in time to where you are at that moment. At that moment, 18 years from
now (in the story), Sheridan was/will be on Centauri Prime. So when he
slid along the time line, that's where he ended up. Just as in Babylon
Squared, when Garibaldi had a timeflash back to his time on Mars. It
blips your perception to another point in your life, wherever you
happen to be.
- @@@833560655 Sheridan slid forward in time, to wherever he was
at that moment in the future. He didn't just go hopping around
aimlessly; if he flipped 10 days ahead, he'd come into his body at that
point 10 days from now, wherever he happened to be. At that moment, 17
years down the road, he happened to be on Centauri Prime.
- @@@865188944 I'd rather let part 2 get into what exactly happened to
Centauri Prime....
- @@@832444086 Has Sheridan slid past his death on Z'ha'dum?
Well, who can say at this point *what* happens on Z'ha'dum...? - @@@833560145 Would the future Sheridan notice being slid
into?
The future Sheridan would have a little memory of what happened during that time, but it'd be almost dreamlike, two steps removed. - @@@833475135 How did the Shadows know about Babylon 4?
Well, if the Minbari had records of B4's visual look, given that the Shadows are advanced, would they not also have the potential to recognize it for what it was once it was nearing completion from their own records? - @@@832444086 Did the Minbari agree to help fund B5 because they
knew about B4?
No, because if you remember, even Delenn didn't know where B4 came from until she came to B5, well after completion. - @@@839190055 Why don't the Minbari have many records of the last
war?
It was also a very devastating war, and one of their mistakes was that there were those who were entrusted to keep the past, sort of a more advanced version of storytellers, who put all their data in one basket, as it were...very possessive and jurisdictional. When they and that center of data were taken out, a lot was lost. One drawback of a very rigid and structued society. - @@@839190055 But if that happened early in the war, wouldn't they
have records from after that point?
Certainly it would've occured in the last days of the war. - @@@833179293 Do the Minbari have time travel?
They've played with some research in this area, but they aren't anywhere near the tech required to actually do anything with time. - @@@833179293 Why hasn't Minbari ship design changed?
The design *has* changed; the main section is much longer, and more primitive looking, less tricked out. You can see a bit of it there, but you will see them in more detail in part two.Sinclair was scarred during ranger training duties.
- @@@839784051 Would arguing with Kosh in
"Interludes and Examinations"
have been the original source of the scar?
No, because you'll note that Sheridan isn't scarred by it. No, you have to remember that one doesn't just transplant one storyline onto another. It doesn't work that way. Sinclair has his arc, Sheridan has his own. - @@@839784051 Sheridan wasn't a "backup"
for Sinclair, he was brought in specifically because I needed somene
who could and would do things in a different way, and had a different
arc. If it was going to track 1-to-1 you wouldn't *need* a new
character.
And the swipe Kosh took at Sheridan wouldn't be *nearly* enough to cause a huge scar like that.
- @@@832493213 "1) Assuming the present is the time period during which
we watch Babylon 5 and the period we saw at the beginning of the WWE
episode, does the possible fall of B5 (if the mission fails) take
place in the past or the future? We see Ivanova screaming in the
mysterious transmission that "they're killing us" and that the
Captain is dead, so I assume this indicates that the possible fall of
B5 takes place in the future since Sheridan is the only Captain
(Sinclair was a Commander, non?). But we also see Sinclair reliving
his flashback with Gerabaldi from Season one in which B5 falls, and
he then seems to indicate that his mission is to prevent such a
catastrophe. Since Sinclair is there, with Gerabaldi, this would
seem to suggest that the fall of B5, if the mission fails, takes
place in the past in relation to the present with which we are all
familiar.(Breath) So, if the mission fails, when will B5 fall; past
of future??? Or perhaps put another way: Will B5 possibly fall
under Sheridan's command or Sinclair's? <-- God, that's
complicated."
Nope. The scenes are all in the future. Garibaldi specifically identifies the distress call as coming from 8 days in the future. Sinclair's vision wasn't a flashback, but a flash forward; even the blowing of B5 was identified by Lady Ladira as in the future. It's *always* been placed in the future, though most of this was in the first season, which hasn't been reshown. Also, in the first act, Garibaldi again *specifically states* that when they went to B4, there was a glimpse of the future and the fall of B5.
"2) Faced with the end, why would the bloodied Ivanova feel compelled to deliver a play-by-play to a non-existant audience? Or even to one that is there? I found that strange."
First she was trying to get help. Second, there should be some record of what happened for those who would investigate. They would need to know, just the way a signal operator sends out a distress call for as long as possible as the ship sinks. SOP.
"4) About Delenn's slide show: It looks as though Minbari ships have remained basically the same for the past 1000 years. I could not see one change. Why is that?"
Because you weren't looking closely enough. The older Minbari ships are much longer and tubular in design; you'll see them better in the second half, but there's definitely a difference.
"5) The preview showed Gerabaldi giving 'em hell with a big gun. Why wasn't that in the episode (I know, some scenes in previews don't show up in the actual ep, but it seemed important)?"
Because we were seeing the sequence from Sinclair's point of view; he was gone by the time Garibaldi began firing, so he wouldn't have seen it. Story logic.
"7) Londo spoils us all by telling us Sheridan wins the war--suspense exit stage left--unless the time line is somehow further altered, which would go against the inevatability theme JMS seems to be playing."
Okay, everybody who thought I was going to have our heroes fight a war for two whole years or so, and then *lose it*...a major dramatic disappointment to say the least...raise your hands.
In any event...quite frankly, several of your "serious nitpicks" are actually incorrect, and come from making assumptions or simply not paying attention when someone says something clearly in dialogue, as Garibaldi does, that the flash was of future events, and then IDs the signal as from 8 days ahead.
- @@@839783104 If Sinclair had stayed with the station, who would
have been transported to Centauri Prime?
I appreciate the questions, but there are so many alternate timelines flying around right now...I'm not sure I want to further complicate the issue. - @@@865282881 I could answer this, but if I expand the time paradox loop
any further, I would end up not answering it because I'd already
answered it, which means it wouldn't get answered, requiring me to
answer it now, and pretty soon the universe implodes, and I don't want
that on my conscience.
- @@@833177878 There are no alternate univeses, only alternate or possible
futures. If they didn't go back, the future in which Sinclair is there
with Garibaldi -- having come back to see through the final battle --
and in which Sheridan is killed, and Ivanova is calling for help...that
future will come true.
- @@@832554014 Why was Garibaldi left behind?
It's a story point, and it'll be explained clearly in part two. What, you think I'd have something this odd going on and not explain it?It's coming. Be patient.
- @@@833179293 The flash to the firefight was Sinclair's, not
Garibaldi's.
Actually...incorrect. Whenever there's a timeflash, people see one thing or another. When Sinclair and Garibaldi first came aboard, there was a timeflash. We saw what Sinclair saw, we have no idea from that scene what Garibaldi saw. No reason he couldn't have seen something from about that same period. It wasn't stated either way at the time. - @@@839747849 But Krantz said it was different for
everyone.
Hey, who're you gonna believe, Krantz or me?Besides, it could've been a sequence from the fall of B5, but not that exact MOMENT, so it WOULD be different, so NYAH.
(suddenly I'm five years old)
- @@@833177826 How did Zack know about the White Star?
The White Star has been common knowledge ever since it came in at the end of "Severed Dreams." Certainly, by virtue of being Garibaldi's second in command, he'd know about it. At this point, most everything is out in the open now. - @@@833475135 I'm sure Garibaldi will eventually end up on the White
Star; and the Minbari will also probably begin slowly acquiring
English, and vice versa.
- @@@846743236 Why was Delenn so nervous after Sheridan
vanished?
She didn't know what was coming, and that worried her. She is most secure when she has a definite plan of action, and variables aren't something the Minbari are good at in any event, they're very rigid and structured.And we'll be seeing the Sigma walkers again in the not too distant future. And some of their pals.
- @@@837967816 Was Sinclair speaking Minbari during his entire
conversation with Delenn, with English presented for the viewers'
benefit?
No, he slid into Minbari at that point to try and conceal what was being said from the others on the bridge. - @@@833177985 Why did Ivanova claim B5 was
an Earth Alliance station?
The name of the station is still the same; it was built by the Earth Alliance. So that's how she'd refer to it.
War Without End, Part One
Synopsis by Matthew Murray (mmurray@wsu.edu)
In a large building on Minbar, a Minbari, Rathenn, holding a large box,
chases after a robed figure. He tells the figure, who he calls
Entil'za, that the ancient books told the Minbari to enter the sanctuary and
open the box, which has remained sealed for over 900 years. The robed
figure opens the box to see an envelope inside, with the words "Jeffrey
David Sinclair" written on it. The figure removes his hood to reveal
he is indeed Ambassador Sinclair. "How did he know that you would be
here?" Rathenn asks. "How did he know your name?"
Back on Babylon 5, C&C detects a distress call coming from sector 14,
which surprises Ivanova since it has been quarantined for nearly 3
years after Babylon 4 disappeared there. Lt. Corwin plays
the message, and it is Ivanova's own voice, which a computer voice
scan confirms. "They're coming through," Ivanova's voice cries out
desperately, "repeat, they're coming through. This is Earth Alliance
Station Babylon 5. They're all over the place! They're killing us.
Can anyone hear me? They're killing us!"
On Minbar, Sinclair sits by himself, contemplating what he has read.
Rathenn returns, saying that Sinclair's ship has been prepared.
Rathenn offers to listen to whatever Sinclair might have to say, but
Sinclair says the message was meant for him alone. He tells Rathenn to
have the others continue the work in his absence, and that he
appreciates Rathenn's trusting him when he first arrived -- something no
one else did. Rathenn merely says that it is because of Delenn, and
that he has done nothing extraordinary. Sinclair tells him that his
help has been invaluable, and that the Rangers will finish the work
ahead. He walks away, and Rathenn knows he will not see Sinclair again. A
Vorlon comes up behind him and offers, "He is the closed circle. He is
returning to the beginning." Rathenn asks what the Vorlon means, but
it walks away instead of responding.
Ivanova plays back the distress signal for Sheridan and Garibaldi, but denies ever having sent the message. Garibaldi corrects her, saying that she hasn't yet, but since it comes from sector 14 -- a place where time doesn't work right -- anything is possible. Garibaldi relates to the others that, when he visited Babylon 4 two years earlier, he had a flash-forward in which he experienced the fall of Babylon 5, which could very well be the same thing to which this message refers. Garibaldi tells Sheridan he wants to check it out, and Sheridan agrees.
Zack Allen is having quite a time trying to process the identicards of
those in the station's docking bay, but while he is processing them, he
comes across a very interesting one -- that of Ambassador Sinclair.
Zack welcomes Sinclair back to the station, and asks him if he plans to be
staying long. Sinclair says that is a more interesting question than
Zack probably knows, and disappears into the crowd.
While Garibaldi begins the long trip to sector 14, Lennier enters
Delenn's quarters. She asks him if "he" is here, and Lennier tells her
yes. Lighting, a candle, she recites, "We are Grey. We stand between
the candle and the star." She tells Lennier that "he" is her friend.
Lennier tells her that he knows, but that "it must be done, or the
dream will die, and countless others will die with it." She says she
wishes she had more time, but that time is all they have. They both
walk away, leaving a letter, hand-addressed to Delenn, behind.
Marcus and Sheridan are in the war room talking when Delenn arrives,
telling them that they must both accompany her to the White Star, with
Ivanova, and one other. The other is Sinclair, who enters the war
room. He tells Sheridan that he appreciates
the work he has done looking after the station. Garibaldi calls
in, reporting that the temporal rift in sector 14 is twice as large as
it was before, and that it is being created by a tachyon beam emanating
from Epsilon 3.
On Epsilon 3, Zathras and another caretaker watch what is happening
to the Great Machine, which Zathras describes as "not good." The other
caretaker suggests they tell Draal, but Zathras knows that it is taking
all of Draal's power to control the machine. Zahtras knows
what he must do, and he will do it, or else there might be great
death.
Sheridan asks Delenn why they are going to the White Star instead of to Epsilon 3, but Delenn simply insists that they must go to sector 14. Sheridan doesn't understand, but Delenn promises to explain everything when the time is right. Meanwhile, Garibaldi finally arrives at sector 14, and performs a scan on the temporal rift formed there.
Two ships depart from Babylon 5, carrying those going to the White
Star. Sheridan tells Sinclair that he was very surprised to see him in
the war room, but Sinclair says that he was just as surprised to be
there. Sheridan mentions that Sinclair's timing seems to be more than
a coincidence, to which Sinclair replies that there are no
coincidences. Marcus tells Sheridan to quit while he's ahead, since
Sinclair has a reputation, back on Minbar, for seldom giving straight
answers to questions.
Garibaldi, after increasing power to the scanners, picks up the distress
message from Ivanova, which he records. Ivanova reports that the
captain is dead, and their defenses are down. She says that the
enemy is boarding from all over, and that Garibaldi is rigging the
fusion reactors. She switches to external cameras, and the enemies
attacking the station are indeed Shadows. It is not long before they
deliver their final blow, and Ivanova's message is terminated.
Everyone arrives in a conference room in the White Star. Delenn asks Sheridan if he trusts her, and he admits that he would trust her with his life. She invites them all to sit down. She begins by telling them that she was aware of the transmissions from Epsilon 3 several hours before they left, the same time that other information came into her possession. "As you know," she explains, "our last great war against the Shadows was a thousand years ago. With the help of the Vorlons and a few others, we were able to defeat them, driving them from their homeworld, Z'ha'dum. But... there is something you do not know. What you are about to see has never been shown to anyone outside the Grey Council."
She touches a small device, and on the wall behind her, an image
appears showing a great space station, with many ships around it,
fighting. "This is one of the few surviving records from that war.
Toward the end, the tide of battle had turned against us. Our greatest
starbase, the center of our efforts in the war, had been destroyed by
the Shadows. Without a long-range base of operations from which to
launch our forces, we were doomed to lose the war. Then, as if in
answer to our prayers, a replacement arrived." She touches the device
again, and something very familiar appears on the screen.
"Babylon 4!" Sheridan says in amazement.
"Oh my God," Ivanova says. "We always knew that Babylon 4 had been taken to somewhere in time, but we assumed it was into the future."
"No," Delenn says, "it was taken into the distant past, where it helped us defeat the Shadows. Without Babylon 4, we would have lost the war, or it would have ended in a stalemate."
"So you're saying the Minbari... that you stole Babylon 4...?" Sheridan says.
"Not quite," Delenn tells them. "Before coming to you, I received two additional records from Draal. Remember, the Great Machine on Epsilon 3 has been there for over 500 years. During that time, it recorded much of what happened in this area of space." She changes the image to Babylon 4 again. "After Babylon 4 vanished six years ago, it reappeared again, two years ago. Ambassador Sinclair and Mr. Garibaldi traveled there at great personal risk to help evacuate her crew before it vanished again."
"It was a close call," Sinclair tells them, "we almost didn't get out. We never did find out who was behind it."
"And that is about to change," Delenn replies, changing the image again. "This was recorded shortly before the station first disappeared six years ago. As Babylon 4 neared completion, the allies of the Shadows recognized it for what it was, and sent these ships to destroy it. Striking without warning, they would have succeeded in their attack, but something stopped them." A ship appears on the screen, firing at the Shadow fighters.
"The White Star?" Sheridan asks.
"Delenn, are you saying we stole Babylon 4?" Marcus asks.
"But that was years ago!" Ivanova says.
"Yes!" Delenn says. "And that is exactly where we must go. At this moment, the Great Machine is using all its power to enlarge the temporal rift in sector 14. We will use it to go back six years into the past. Once there, we must prevent the destruction of Babylon 4, and take the station with us through time. Because, if we fail to save Babylon 4, Babylon 5 will also be destroyed."
Sheridan can't believe that he is responsible for the disappearance of
Babylon 4, but Delenn says that it has already happened, and all they
must do is establish the past. No one knew where the replacement station had
come from until she came to Babylon 5, and she was afraid to say
anything, for fear of changing the future. Marcus says he isn't sure
how moving Babylon 4 through time will save Babylon 5. Delenn answers
that, without Babylon 4, the Shadows would come out of the last war much
too strong -- something with which Sinclair agrees. Sheridan asks where
the information came from, but Sinclair just says a reliable source.
Marcus says that, if Sinclair believes it, he believes it. Delenn says
that, if they do not proceed, in the next major attack by the Shadows,
Babylon 5 will be destroyed. Sheridan calls Garibaldi, who says that
he has been recording everything he can, and that the time stamp on the
distress messages is eight days in the future. Based on this, Sheridan
reluctantly agrees to go along with the plan. He calls Garibaldi and
says they will investigate further, and that he should return to
Babylon 5.
Lennier appears on the screen, and tells them that they are being
followed by something he believes comes from Epsilon 3. Delenn
explains that only the Great Machine can control such an unstable time
field, and that the ship that is following them will assist them in
helping control the time field. The ship docks, and Delenn, Sheridan,
and Sinclair go to meet it. Delenn explains that a homing device must
be placed in Babylon 4's central power core so that the Great Machine
will find a clearly defined target, and that Draal has sent one of his
aides to assist. That aide turns out to be Zathras, who clumsily
crashes into another Minbari. As Zathras approaches and tries to
introduce himself, Sinclair
remembers having met him before. Zathras is confused, but
Sinclair explains it is in his own past. He warns Zathras not to say
anything to him that might change the past. Zathras is very confused,
but agrees. Zathras tells both Sinclair and Sheridan that he is
honored to meet them, but for different reasons. Sheridan asks what
the reasons are, but Zathras will not say, since Draal advised him not
to mention that, as well as other things, which he doesn't
remember. Delenn arrives and tells them that Zathras' equipment is
being unloaded, and that they are ready to proceed. Delenn leads
Zathras away, leaving Sinclair and Sheridan alone. Sinclair tells
Sheridan he needs a favor.
As the White Star meets Garibaldi's Starfury, Sheridan tells Garibaldi
it is important to go back to Babylon 5, even though Garibaldi very
much wants to go with them back to Babylon 4. Garibaldi doesn't
understand, but complies. After Garibaldi has gone, Sheridan asks
Sinclair if he didn't want to talk to Garibaldi himself, and Sinclair
tells him he did. He walks away to a viewscreen, where he watches Garibaldi's
ship fly off. He remembers the flashforward he experienced on Babylon
4, as well as the destruction of Babylon 5 he saw a couple years
earlier in Ladira's vision. He promises himself that he won't let it happen.
The White Star arrives in sector 14, and Zathras hands out small
devices to everyone, saying that without them, they may become unstuck
in time. These devices, time stabilizers, will protect them and keep
them from drifting. After everyone has put on their time stabilizers, the
White Star moves into the temporal rift.
As the White Star makes its journey into the past, Garibaldi arrives back at the station, where he meets Zack, who tells him that Sinclair was there. Garibaldi is shocked, unable to believe Sinclair would leave without saying anything.
The White Star emerges from the temporal rift, and before long,
detects the ships sent to destroy Babylon 4, which are escorting
very powerful fusion bomb. The White Star moves to intercept the
ships. The ships fire on the White Star, but there is neglible damage
due to, Lennier explains, the ability the ship has to learn from
previous encounters.
Garibaldi arrives in his quarters to find a message from Ambassador
Sinclair, but it requires a password.
It isn't long, though, until Garibaldi is able to guess the
password, "Hello, old friend." The message from Sinclair apologizes
for not saying goodbye. Sinclair says that, if he had met with
Garibaldi, neither of them would be returning from Babylon 4, and that
Sinclair had to do whatever he could to protect his friend.
Though the weapons are outside optimum firing range, Ivanova is able to fire at the ships manually, destroying the fusion bomb. A huge blast is created, and the White Star is caught in it. Sheridan's time stablizer is hit by a blast of energy, and he vanishes. Zathras runs up to the damaged stabilizer, and explains that Sheridan has become unstuck in time, and could be in either the past or the future. Though everyone is very concerned and wants to find Sheridan, Sinclair knows that the mission is what is truly important, and if they wait too long, they may lose their one chance to move in under Babylon 4's damaged scanners.
Sheridan is thrown down onto the floor and kicked. He is picked up by
several guards, who say that he is awake again. Sheridan looks at the
figure on the throne, and recognizes it as Londo, who looks quite a bit
older than Sheridan is used to him.
The White Star moves to grapple onto a stable area of Babylon 4.
Delenn has been deeply disturbed by Sheridan's disappearance. Sinclair
insists that he will be all right, and, to her stunned surprise, tells
her in Minbari that he
knows what is coming. He asks if she is all right, and she says she
isn't. She says she is sorry, but he doesn't want her to be. Sinclair
tells her that he never knew before now where he belonged in life, but
that now, his path is clear.
Sheridan asks Londo why he is there, and Londo tells him that he is
finally going to put Sheridan out of Londo's own misery, finally
punishing him for his crimes of neglect and convenience. Londo tells
him that, during the war, he drove away the Shadows, but that the
Shadows' servants came to Centauri Prime, and Sheridan allowed it to
happen. Sheridan is taken to a window, where he looks out upon the
burning, smoking city around him. "There's the legacy of your war,"
Londo tells him.
The White Star connects to Babylon 4, and the crew exits the ship. Though the configuration of the station is different, Ivanova believes she can find her way around. Ivanova needs to secure the primary corridors while they place the homing device, and Marcus goes off with her to help. Sinclair asks Zathras if he will be able to unload and prepare the equipment by himself, and Zathras indicates he can.
"Ready?" Sinclair asks Delenn.
"Why do your people always ask if someone is ready before you're going to do something massively unwise?" she asks him.
Smiling, he answers her. "Tradition." The two of them move off down the corridor, to set the plan into motion.
War Without End, Part Two
Overview
Ambassador Sinclair returns to pull Babylon 4 through time ("Babylon Squared.") Part 2 of 2. Michael O'Hare as Ambassador Sinclair. Tim Choate as Zathras. Kent Broadhurst as Major Krantz.
P5 Rating: 9.40 Production number: 317 Original air week: May 20, 1996 DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Mike Vejar
An episodic soundtrack is available.
Note: this episode resolves several mysteries from past episodes. Think twice before proceeding to the spoilers if you haven't seen it.
Plot Points
- @@@832578586 Sinclair and Zathras travelled back in time with Babylon 4. Since the Minbari would never accept a station commanded by a human (a race they hadn't encountered yet,) Sinclair entered a chrysalis using the same kind of device Delenn used to become half human. His transformation was complete, though, not halfway; to all appearances he became a Minbari. When he arrived in the past, he was accompanied by two Vorlons. He introduced himself to the Minbari as Valen, and went on to lead the war and form the first Grey Council.
- @@@832578586 Later, he wrote himself a note describing what was to come, and what he would have to do. He also wrote a note to Delenn.
- @@@832609266 Sinclair's transformation caused the start of the migration of Minbari souls to human bodies by linking the two species. Delenn's transformation in the other direction was, in part, an attempt to restore the balance that had been upset. (See Notes)
- @@@832610961 "The One," explains Zathras, is really three: Sinclair is The One who was, Delenn is The One who is, and Sheridan is The One who will be. The three are a whole, consistent with the Minbari tendency to divide things into threes. (Or, perhaps, The One is responsible for that tendency somehow, maybe due to Sinclair's teachings.)
- @@@832578586 Sheridan and Delenn, in at least one possible future, will have a son named David.
- @@@832578586 Londo, as emperor of a wrecked Centauri Republic seventeen years after the start of the Shadow War, will be made to wear a "keeper," a creature of some sort attached to the side of his neck. It's visible only when asleep. When it's awake, it forces him to do its bidding, apparently on behalf of the Shadows. In the end, he will ask G'Kar to kill him before the keeper forces him to betray Sheridan and Delenn. But the keeper will awaken as G'Kar strangles Londo, and the two will die at each other's hands, leaving an astonished Vir to pick up the imperial emblem.
Unanswered Questions
- @@@832578586 Who was at the door in Delenn's flashforward? (See Analysis)
- @@@832578586 Was one of the Vorlons accompanying Sinclair Kosh? Was the other the Vorlon who later spoke to Rathenn on Minbar in part 1? The two encounter suits were the same as that Vorlon's.
- @@@832963592 Why was there an explosive discharge when Sinclair touched Delenn's suited hand?
- @@@832964609 What became of Zathras? Did he have a hand in the planning of the Great Machine?
- @@@846701420 Is Sheridan's vision of the future inevitable?
- @@@846993314 What is the price of victory over the Shadows, and why was Delenn so dismayed about it?
Analysis
- @@@832888831 How did Sinclair get the chrysalis machine? Did the
Vorlons supply it? It seemed to do a much more thorough job on
Sinclair than it did on Delenn; in appearance, at least, Valen
was a pure Minbari, not half-human.
An odder explanation is that Sinclair got it from Delenn, who got it (indirectly) from Valen; in that case, the machine was never actually invented.
- @@@832578586 When and how did the Vorlons board Babylon 4? There
were two Vorlon ships next to the station when the Minbari cruisers
approached it; did they come back in time with Sinclair, or did
the Vorlons of a thousand years ago know where and when B4 would
appear? Perhaps Sinclair called them.
- @@@832964609 Delenn's transformation took several weeks. Presumably
Sinclair's was comparable. Did it take that much subjective time
to travel back 1000 years, or did the station sit unnoticed in the
past until Sinclair was ready? If the former, then the Vorlons
must have boarded the station while it was in transit through time
(assuming they gave Sinclair the machine.)
- @@@832578586 Why did Sinclair choose to call himself Valen? Was it
simply because of the contents of his letter? In that case, nobody
ever actually invented the name; it was chosen because it was the
name he ended up using.
- @@@832578586 Did the Grey Council realize that they'd captured Valen
at the Battle of the Line? Most likely not, or Delenn's counterpart
wouldn't have ordered her to kill him if he remembered what happened
("And the Sky Full of Stars.")
- @@@832609266 On the other hand, if Delenn's transformation was really
in part an attempt to restore the balance upset by Sinclair's change a
thousand years earlier, then Delenn must have known about Valen's
true nature for quite some time. Perhaps she alone recognized
Sinclair's true identity at the Line, but couldn't tell the rest of
the Council, who almost certainly would refuse to believe what she'd
discovered.
- @@@846743959 Why did the machine transform Delenn into a hybrid human
and Minbari, while Sinclair (from all outward appearances) was
transformed into a full Minbari? Did Delenn choose to only transform
herself halfway? If so, has she truly restored the balance between
humans and Minbari, or is there still something left to do?
- @@@835077089 Besides Delenn and the people on the White Star bridge,
how many others know Valen's true identity? If it became widespread,
the information might seriously alter the face of Minbari religion;
learning that their greatest spiritual leader was actually a member
of a race many of them hold in contempt would probably test the faith
of many Minbari.
- @@@833151417 Sinclair flashed back to the Soul Hunter telling him that
he was being used, presumably by the Minbari
("Soul Hunter.")
Exactly what did he mean by that? Perhaps there was a Soul Hunter
present at Valen's death, and Sinclair was familiar to them already.
Or maybe the Soul Hunter found out about Sinclair's eventual identity
when he peered into Delenn's mind.
- @@@833151595 Probably of less significance, Sinclair's other memory
was of Neroon
("Legacies,")
who eventually ended up on the Grey Council. What impact, if any,
that had on Sinclair's tenure on Minbar is unknown. Given Neroon's
dismissal of the reason for the Minbari surrender at the Line
("All Alone in the Night")
it seems any respect he had for Sinclair was short-lived, and that
if the Council did know of Sinclair's true identity, Neroon didn't
believe it. Neroon was also Sinclair's prosecutor in comic issue 3,
"In Harm's Way."
- @@@832609266 Now that Sinclair has travelled back in time, the accuracy
of Valen's prophecies is probably at an end. Valen could predict
the start of the Shadow War, and the breaking of the Grey Council,
because he'd lived through it, but anything after his departure to
the past is a complete unknown to him (unless, of course, the
Vorlons have some way of telling him.)
- @@@832578586 The appearance of two Vorlons next to an unfamiliar
Minbari might not have been such a shock to the Minbari warriors
who found Sinclair. In
"In the Shadow of Z'ha'dum,"
Delenn claimed that the previous Shadow war marked the last time the
ancients walked openly among the younger races. So it's entirely
possible that the appearance of a Vorlon was, if not commonplace,
then nothing resembling miraculous.
On the other hand, the two Vorlons were flying above encounter suits; maybe they've been secretive all along, and even when they walked openly among the other races, always hid behind masks. That would make sense if they wanted to maintain the illusion of angelic appearance, since as Kosh said in "Matters of Honor," maintaining that appearance in front of a lot of people is a great strain on a Vorlon.
- @@@832964609 Did Babylon 4 travel through space as well as time, or
did it appear in what would later become Sector 14? If the latter,
does its appearance there have anything to do with the location of
the Great Machine?
- @@@832578586 What is Londo's "keeper?" Who gave it to him? What
exactly is it forcing him to do, and why? The fact that it's invisible
when awake suggests that it's associated with the Shadows, who have
mastered the art of invisibility.
- @@@832609644 Does Morden have a keeper too? Is that why the Shadows
treat him as an equal -- because they know he'll never betray their
cause?
Or maybe the Shadows are being controlled by some other party, though that seems unlikely.
- @@@832578586 "We all have our keepers," Londo says. Does that include
Sheridan and Delenn? Perhaps there's a connection between Londo's
guest and the dream sequence in
"All Alone in the Night,"
in which Ivanova and Garibaldi both have birds on their shoulders.
- @@@832889377 By granting a reprieve to Sheridan and Delenn, Londo may be
fulfilling one of his chances for redemption
("Point of No Return.")
Morella told him he must not kill the one who is already dead;
perhaps that refers to Sheridan -- who certainly qualifies as "the
one" now in another context. Londo's greeting in part 1, "Welcome
back from the abyss, Sheridan," tends to support this possibility,
though of course it's not clear what Londo meant by that.
Kosh's warning to Sheridan in "In the Shadow of Z'ha'dum" and "Interludes and Examinations," "If you go to Z'ha'dum, you will die," probably also ties into this, especially since, judging by Delenn's plea, it seems that Sheridan has gone to Z'ha'dum at some point in the intervening seventeen years. The "death" Kosh referred to may simply be the death of innocence as noted by Delenn, and not literal physical death.
@@@832964609 Londo's death at G'Kar's hand may also be the last part of Morella's prophecy; death may be Londo's greatest fear, or perhaps death with the knowledge that he hasn't righted his wrongs.
- @@@838503118 Londo's dream in
"The Coming of Shadows,"
in which he sees a fleet of Shadow ships flying overhead while he
stands alone in a desolate wasteland, may be a vision of the Shadows'
minions coming to Centauri Prime as he says they did.
- @@@838542344 Kosh's prediction to the Centauri Emperor in
"The Coming of Shadows"
appears to be literally true: For Centauri Prime, the war has
ended in fire.
- @@@832749664 What were the Centauri, or perhaps someone else, trying
to get out of Delenn? She refused to answer their questions, she says;
what were they trying to learn? It appears the Centauri captured her,
which implies there's still a conflict of some kind going on, even
after the Shadows have been driven off. The presence of Londo's
keeper makes it unclear that the Centauri were the ones trying
to question her.
- @@@833160676 "We created something that will endure for a thousand
years," Delenn tells Sheridan. What will they create? And what
happens in a thousand years -- will the Shadows return again and
break up their creation, much as Valen's creation, the Grey Council,
has recently been destroyed?
- @@@832578586 In the Centauri cell, Delenn tells Sheridan, "Our son is
safe. Nothing else matters." Why is David in danger, and what has
Delenn done to ensure his safety?
- @@@832964609 What could possibly happen to G'Kar in the intervening
seventeen years to cause Londo to refer to him as an "old friend?"
Londo, of course, may simply have been speaking facetiously -- but
in that case, what was G'Kar doing in the Centauri palace?
- @@@832578793 Is death at G'Kar's hands Londo's greatest fear, and
thus his final chance for redemption
("Point of No Return?")
Or is his fear more abstract than that, the fear that his death dream
will come to pass as he's envisioned it?
- @@@832578793 When Londo sees himself strangled by G'Kar in his dream,
does he know that it's at his own request? How much of the context
of his death does he know already?
- @@@832750357 In
Babylon Squared,"
the crewman who sees the blue-suited figure
appear in the hallway tells Krantz, "It's back." Presumably the
B4 crew had seen Sheridan appearing and disappearing, since Delenn had
only recently switched places with him.
- @@@832750004 Delenn appears in the hallway in the present time (or
rather, the same
timeframe she'd reached via the White Star,) so in that specific
instance there was no time-shifting, just movement through space.
How did she do that? Perhaps, as she implied in Part One, the Minbari
have the technology for rudimentary time manipulation, so she used
something from the White Star.
- @@@832608867 The woman at the door in Delenn's
flashforward causes her to drop the snowglobe in shock. Very few
people would cause someone as poised as Delenn to do that. One of
them, though, and one whose arrival has been foreshadowed, would be
Anna Sheridan.
- @@@832578586 Why does Delenn urge Sheridan to avoid going to Z'ha'dum?
If he has already gone there by the time she is thrown into the cell
with him, then Kosh's prediction about Sheridan dying if he goes there
is wrong, or at least not as immediate as it originally sounded.
On the other hand, the fact that they have a son is good evidence
the two of them will become much closer; perhaps the arrival of
Anna Sheridan (if that's who's at the door in Delenn's flashforward)
will complicate their relationship, and it's to avoid finding out
about Anna that Delenn tells Sheridan to stay away from Z'ha'dum.
- @@@833302690 Are the flashforwards completely random, or might there
be something guiding people to visions of certain events? The Vorlons
appear to have some perception that extends beyond time; perhaps they
are manipulating that perception when it appears, even briefly, in
others.
- @@@832608867 The assumption at the end of the episode seems to be that
by successfully pulling Babylon 4 back in time, the crew has averted
the Shadow attack on Babylon 5 in eight days, in which Ivanova sends
out the distress call heard in part one. Does that mean that
Sinclair's flashforward to the firefight aboard B5 has also been
averted? What about Lady Ladira's vision of the destruction of
Babylon 5?
("Signs and Portents")
If all those glimpses of the future are no longer true, how much
validity do the remaining ones have? Each of them could be from a
completely different possible future, none of which will end up ever
taking place.
- @@@832610961 Was Zathras supposed to tell Sheridan, Delenn, and Sinclair
about The One? Were Draal's instructions simply to not reveal anything
until prompted by Sinclair?
Where did he come up with the term, and with its definition? If he knows Sheridan is The One who will be, he must have been using the Great Machine to peer forward in time (not unreasonable, given its obvious time-bending abilities.) Will Draal be able to do the same and offer insights into the events to come? Zathras implies that perhaps he can do things even Draal can't, and that may be one of them.
- @@@833149654 The distinction between the three members of The One echoes the migration of Minbari souls. Sinclair, after his transformation, appears to be fully Minbari, and is The One who was. Delenn is halfway between human and Minbari, and is The One who is. Sheridan is completely human and is The One who will be. Perhaps it's symbolic of a shift of power from the Minbari to humanity.
Notes
- Inconsistencies with
"Babylon Squared" (B2). See also
jms speaks.
- @@@832964609 Not an inconsistency per se, but in B2, there was no mention by Krantz of the explosion of the Shadow bomb or the presence of possibly hostile personnel on the station, which he definitely knew about in WWE2. If it's not an inconsistency, why didn't he mention it to Sinclair?
- @@@832578586 In B2, Krantz told Sinclair that Zathras was first seen in a conference room. "There was a flash, and there he was," Krantz said. In this episode, Zathras was discovered in a supply room by security guards.
- @@@832750005 Zathras tells Sinclair and Krantz that The One has stopped B4's motion through time to let the crew get off. But in WWE2, the station appears in 2258 by accident after Major Krantz unexpectedly powers up the time equipment. And the idea of faking a power drop in the fusion reactor to cause the crew to evacuate was Ivanova's, not any of The One's.
- @@@846722520 In B2, when The One appears in the corridor, there are audible grunts of pain; they're clearly in a male voice, not a female one.
- @@@832578586 When Sinclair returns to the station and removes his helmet, the B2 version of events includes a computer voice intoning, "Present time atmosphere now breathable." No such voice is heard in WWE2, though arguably Delenn was meeting him just inside an airlock, and the suit computer was referring to the fact that there was no longer a vacuum outside.
- @@@832578586 Delenn puts her hand on Sinclair's shoulder in B2, and her arm is draped in a red robe. But in WWE2, she's wearing much darker colors.
- @@@840127706 Another possible inconsistency:
Delenn claims that Sinclair's transformation began the migration of
Minbari souls to human bodies that ultimately led to the end of the
Earth-Minbari War. However, in
"Points of Departure,"
Lennier claims that the soul migration has been going on for roughly
two millenia, twice as far back as Sinclair took Babylon 4.
- @@@832608867 The voice at the door seems to be that of Bruce Boxleitner's real-life wife, Melissa Gilbert, though of course that doesn't imply anything about which character she'll be playing on the show. However, she's been announced as a guest star in the season finale, so the flashforward may well have been only a month or two ahead.
jms speaks
- YAAAAAAGGGGHHHHH.....
Well, I *finally* finished writing the two-parter, "War Without End," which is probably the toughest thing I've written for the series to date. Given everything that has to fit in here, and the fact that it's the other half of the B4 storyline (this ain't a spoiler, that'll be common knowledge in ads and the like), it became a pretty difficult job, moreso than when I'd originally thunk it up. It's kinda like cramming 20 pounds of potatoes in a 10 pound bag...but I *think* I got it all in, even though the initial drafts came out at about 7 pages too long. As I commented to one person, "I'm definitely dancing on the edge of my ability here." But I'm pretty sure I pulled it all off...and I think folks are going to be quite pleased.
But *man* that was tough....
Now, having written 16 and 17, only 5 scripts remain to be written for this season. And there's still an awful lot to fit in before the big season ender, which I suspect will raise quite a few eyebrows.
- In my last general posting to rastb5, I mentioned that from time to
time, I'd try to post the occasional "letter to home" just to keep folks
up to date on matters Babylonian. Now that I can catch a breather, I
figured I'd take this opportunity to do so (though since it's 3:15 a.m.,
this'll likely be short).
"catching a breather" refers to the script situation. I've just finished writing 316 and 317, the two parter, "War Without End," which was a very difficult task, given the amount of story and logistics that had to be put into it. While writing "Babylon Squared," to which this is the flip-side, I figured, "Oh, sure, yeah, I can get this all in on the other side, no problem," but when it came time to do it, it got awful tight, but finally I fit it *all* in. (Well, all except one teeny, tiny sentence, about where Zathras was first seen, and how, 'cause to do what I'd first had in mind would've taken another 3 pages, and I didn't have that, so that one element I'll have to just deal with later somehow. But that's it.) Hopefully, one need never have seen B2 in order to watch and follow WWE. (Which was one of the hard parts, since B2 may or may not be aired prior to this, all the background information *had* to be in the episodes, so that's a lot of background to include.)
This now leaves 5 episodes to be written for this season. At this point, Lyta should factor strongly in one or two of these, there will be some direct confrontations between our side and the shadows, then a really nasty final episode for year three.
- @@@865189224 "One would find it hard to believe that episodes like
"Severed Dreams", "I&E","A Late Delvery From Avalon" and of course,
WWE could be written by the same guy. The pace, dialog, everything
are adapted so well for each episode."
Suddenly I'm having an identity crisis....
I like to try different styles for different moods. I also like to vary the tone of the show; one will be more comedic, as with Sic Transit Vir, others much darker, like Ship of Tears. I enjoy trying new things, risking a bit, failing on occasion, but learning in the process.
- @@@832965926 As I wrote the episodes prior to WWE2, I kept leading up
to that first kiss, over and over, but deliberately never quite getting
there. I knew that when it came time to do it, I wanted to do it in
just the way you describe...it would and wouldn't be a first kiss,
both at exactly the same time. So there's the moment everyone's been
waiting for, but not in quite the way anyone had expected.
- @@@840126127 I knew everyone would be waiting for that
first kiss, so I made sure it was different, that it was a first kiss
for one of them, but not the other, that it was natural and totally
unforced and surprising. So for Sheridan, his first kiss of Delenn was
actually his second (by a long ways), and his second, when it comes,
will be her first.
Just can't do anything the conventional way on this show....
- @@@839749327 Did you write WWE at the same time as B2?
No, I didn't write them at the same time, but I did a basic outline of what the follow-up (WWE) would be, so it'd all match up when the time came to show that half of the story. - @@@839784231 It all has to hang together, or it's kinda useless.
It just required working out the details of what was, is, and will be.
Then I walked on water....
- @@@833178275 Did Sinclair's departure from the show cause changes
in the B4 storyline? Was it originally meant to go into the
future?
No, B4 was never intended to go forward in time. The aging was done pretty much as intended. And the Soul Hunter meant they're using him to create their old Leader. Still tracks. I'll have more to say about all this after everyone's seen the episode. - @@@865189224 The curious thing...the interesting thing...is that in
just about everything I've ever written, yes, I generally follow where I
want to go, end up where I want to end up, but once I get *into* it,
once the characters come alive on the page, I inevitably find better
ways of doing things, stronger and more muscular paths to the story,
more interesting side roads.
Also, this original story was worked out in 1986/87; that's nearly ten years ago. In those ten years, I've become -- or like to think I've become -- a better writer, learned more, written more, picked up some new tools I didn't have then. So you have a situation where the writer in 1996 looks at the writer in 1986 and says, "No, listen...there's a better way. Yes, we'll still get to Disneyland on time, you'll still have plenty of time to ride the haunted mansion...but if we go *this* way, we can stop off and also see Knotts Berry Farm, and the Winchester Mystery Mansion, and maybe even Hearst Castle on the way."
The destination is still the same..but I've found a *lot* more interesting ways of getting there. Which, after all, is what an outline is for: a safe home base that allows you to wander off, knowing that you can always return to it if you get lost.
- @@@833177794 Foreshadowing is tough, because it implies the audience
is going to BE there x-years down the road to Get It, and you have to
risk the audience going "huh?" one time too many and wandering
away...but nothing good comes without risk.
- @@@833477724 Why "War Without End?"
As Delenn says, the war is never entirely over...there are always new battle to be fought. If it ain't the shadows, it's the shadows over Earthdome of a more human nature. - @@@837965529 "When dealing with an ep with a lot of flashbacks or
reused footage (WWE, especially part 2), how much freedom does the
director have? Does he/she have to match the style of the previously
show footage (in terms of angles, close ups, pacing, etc), or is
there more room for the director's own style?"
In the case of WWE, you had to match lighting and composition pretty closely. That's about the only time it's really become an issue.
"(one more question: if someone other than you had written "Babylon Squared", would they have to be paid royalties for the reuse of parts of that episodes script and footage in "War Without End"?)"
Anyone who writes a scene which is reused gets residuals. Doesn't matter if it's me or anybody else, as a Writers Guild member, it's guaranteed and required. Also the actors, the director, and others get re-use fees of varying amounts depending on how long the sequence is.
- @@@833559802 The Garibaldi scenes in part 2 were all from the first
season.
- @@@839784231 Zathras looked familiar. Was the character created
by the actor?
Well, Zathras appeared in Babylon Squared, so you might have seen him there. Beyond that...no, the actor came to what was written on the page and made it come to life, but didn't invent the character. I just sorta thunk him up. It's what I do. - @@@832581591 Londo looks older, but Sheridan and Delenn
don't.
No, both Sheridan and Delenn *are* made up older. If you particularly look at Delenn out in the light of later scenes in WWE2, you can DEFINITELY see the difference. With Sheridan, it's a greying of the hair, and some lining on the face. Londo, though, if you recall, is much older than Sheridan to begin with. - @@@833179532 It was a good sendoff. (At one point, Bruce said to me
over lunch, with Michael sitting with us, "Hey, so how come HE gets to
go off and become the next best thing to God and I get the crap kicked
out of me?" I shrugged. "Seniority.")
- @@@833442235 The scenes with Zathras pinned under the
strut were the same scenes from B2, we didn't reshoot that material.
The hardest shot was matching the lighting and composition in the central corridor *exactly* for the Ivanova-on-the-link scene, and the walk by seconds later by Garibaldi and Sinclair. That came out pretty seamless.
- @@@833442235 Why does Krantz have a leather strap on his uniform,
when there weren't leather straps in "The Gathering?"
The leather strip was also present when we shot the original, Babylon Squared, in year one. I was kinda thinking at the time that the change was gradually being introduced in various divisions of Earthforce. Krantz is from the Marines division, I believe (note the brown uniform), from that part which functions sort of like the Army Corps of Engineers, overseeing the building of space stations and the like. Since it takes time to introduce a uniform change across divisions and light years, I figured some might have them earlier than others, or to try them out. So I gave Krantz the leather strip. - @@@833560255 The B4 insignia looks like a 3.
Those aren't 3s, those are Bs in which there's a stylized 4. - @@@832888831 About the
"Babylon Squared" inconsistencies
Yes, the conference room thing is a glitch, in that I had the way to do it, but it would've meant adding about 3 minutes to the episode, and I just couldn't fit it in.(It basically would've involved him being hidden in the room when there's a timeflash.)
Ivanova et al *were* working actively to get the crew to evacuate, using the fake reactor reading. If they hadn't really cared about it, they would've let the station continue running through time to its destination, or the present; they fought to stop it so they could let the crew get off.
No, Delenn hadn't been appearing/disappearing before this, but Sheridan *had*, so it's reasonable to assume he was seen. Also, we don't know how much time passed between the sighting we notice, and the alert to Krantz.
We couldn't match the clothing properly, so we dispensed with it.
- @@@833559802 I know about the sleeve...and actually she didn't touch
him in WWE2. It was one of those days when it was a hideous production
schedule, and I wasn't on set, and it slipped by everybody else.
- @@@833475135 The element I couldn't quite fit into War....
In B2, Krantz says they found Zathras when there was a flash, and he appeared in a conference room.
Now, I sketched out that scene when it came time to actually write the whole WWE two-parter. What happened, basically, was that Zathras was passing by a room where he saw the one piece he still needed to finish his repairs on the time stabalizer. He slips in, as best he can, unnoticed...the meeting goes on as he goes under a table to get the piece of equipment...he finishes just as there's another time-flash...as it ends, momentarily disoriented, he's discovered, and captured.
This would've matched what was in B2, as I'd intended. Unfortunately, it added several minutes of screen time that I couldn't afford. I would've had to cut something somewhere else, and that script was so tight it screamed as it was. So I had to fudge how I did that and let the small inconsistency go. The only other thing I could've cut, the one moveable piece, was Sinclair trying to radio Garibaldi at the end...and I didn't want to lose that.
- @@@839784231 No, WWE couldn't have been 3 episodes. Yes, it had enough
story for it, and then some, but you can't take one storyline and
stretch it out that far. I wouldn't have done it even if I could.
I'd've had to introduce a B story just to break it up a little, because
3 hours of just a straight line one-story plot is murder. And that
defeats the purpose of expanding it.
- @@@839232537 Will we see Garibaldi's reaction to finding out
about Sinclair being Valen?
I think it'd be hard to just drop in Garibaldi's attitudes about Valen without it having something to do with an episode; if it doesn't move that particular episode along, it shouldn't be there. So that sort of thing is tough to pull off, making the show more unfriendly to new viewers. - @@@839784648 Wasn't sending a message to Garibaldi a big
risk? And why didn't he tell Garibaldi before the shuttle
left?
I think his message to Garibaldi was a momentary lapse, it wasn't something he'd planned, his emotions momentarily got in the way of his reason. To do so would be dangerous, so it wasn't done by him. - @@@833559802 Throughout the episode, whenever there's a tachyon burst,
pretty much everyone has a timeflash of one sort or another (as also
mentioned in Babylon Squared).
- @@@833491921 Why did Delenn leave the White Star?
Mainly just a feeling she had, best to check everything out for herself, make sure things were going properly, since they were getting right down to the wire. Also, in case Ivanova got into trouble trying to get into C&C, she wanted to be closer to the situation to help, if necessary. - @@@839232874 When Delenn takes off her stabilizer and puts it on Sheridan,
taking on his suit for whatever small protection it might offer, at
that point he stabalized and she became lost/unstuck in time. So it
was she who appeared in the last sequence there. She took the risk to
ensure saving Sheridan.
- @@@832965264 1. Since you've stated that the Babylon squared time
travel incident
would be the only one for the entire series, is there any way we might
get answers to some of the questions that seemed to be raised from the
far future?
In a sense.
2. How much will sinclair's knowledge of the future affect what is to come?
Sinclair has no further knowledge of the future; he knows only what he saw up through and including the White Star.
3. The question I'm really dying for an answer to though, is this: Hasn't this episode in a sense made a large part of the arc anti-climactic? I mean, we now know that the forces of light are victorious again, at least to some degree, we know of David (named for sinclair?), we know what becomes of Londo etc. Whenever most of the major characters are in a life threatening situation, we now know that they survive it (it would seem).
We also "knew" that G'Kar would strangle Londo...what you didn't have was context. As we saw in part two, context is everything, and getting there is half the fun.
- @@@833442235 It's a literary...I hate to say the word trick, but it's the
most descriptive. You show somebody the end right off the bat, as we
did with the Londo/G'Kar scene. But how do we get there? What
happens? Yes, the war is eventually won...but what *was* the price?
And what does it mean to everyone involved?
The best magic is when it's right there in your face, and you can't see how it's being done.
- @@@833442235 What happens with the future of Londo and G'Kar...is what
you see. Course, how they got there is the meat of the story.
- @@@833559802 Showing the end of a story at or near the middle is a
literary device that's sometimes used by novelists that can be very
effective, if used properly. It shows you what happens, but leaves
open *how* you got there, and what it means.
- @@@839784648 The storyline began millions of years ago.
We're coming in in the middle of the story.
But then, that can be said of all of us.
- @@@833177934 Does this blow the mystery of whether Sheridan goes to
Z'ha'dum?
Who said there was a mystery about Sheridan going to Z'ha'dum? Kosh seems to treat it as a fait accompli; so does Sheridan. It seems fated that he will go...the question is when, why, and under what circumstances, with what results?See, sometimes the story works in the shadows (so to speak)...and other times we're right out in the open, we hand you the playbook and tell you we're coming right up the middle. And *that's* when you've got to really worry.
- @@@833442235 Sheridan wouldn't know anything of what happened after
he blipped out of that future situation.
As for David, remember that Sheridan's father is also David.
- @@@833442235 Sheridan's stabilizer basically broke into two major pieces,
the front section which fell off in the White Star, and the back half
which was still clipped to his belt, and later came off as Zathras
watched.
- @@@833475135 Is David the Third Age of Mankind?
Not as such. - @@@846743399 Will we see him?
Well, I wouldn't want to preclude anything at this point. - @@@833178090 Were the Minbari fighting amongst themselves before
Valen arrived?
There was certainly some division among Minbari; Valen straightened a lot of that out. - @@@833179114 That divisiveness has been growing lately, culminating in
the breakup of the Grey Council which Valen formed. There's bound to
be some fallout....
- @@@833179114 Did the Council know Sinclair was Valen when they
demanded he be B5's commander?
No, they didn't know at the time; most of them were still trying to figure the whole damned thing out; some refused to accept it, and if he was indeed bogus, wanted him killed to avoid becoming a false prophet and undoing Minbari society; some *did* believe it was him. This disagreement in a sense became the first loose thread in unraveling parts of Minbari society. - @@@845974843 Did Delenn know?
She had suspicions starting from the Battle of the Line; we'll have more on that later.Yes, the Grey Council knows [now], but the general Minbari population does not know.
- @@@833178275 Where did the chrysalis machine come from?
The machine came up with Zathras from Epsilon 3. It first appeared with Sinclair, then later got into Delenn's hands. So she still has that version of it. - @@@833442235 Re: the Chrysalis device...it came from Epsilon 3. There
was one shot that should've been made more of, where we see a long box
with a silver triangle on one side being set up, and left.
Unfortunately,
the shot didn't make much of it (you can see Zathras putting it out
there), and a later shot we dropped showing it again because it wasn't
properly featured and you couldn't really tell what it was. There was
so much in this episode that had to be pulled off, in a short amount of
time, that sometimes things in the background don't get framed as they
might be. But that's where it came from: from Epsilon 3 to Sinclair to
Delenn, who still has it.
- @@@833560255 It was on Epsilon 3, then taken into the past
with B4, held on Minbar until Delenn got it, and still has it.
- @@@840214151 And the triluminary?
It originated on Epsilon 3. - @@@833179114 The Londo stuff is just incredibly powerful...very moving.
As for the voice...well, we'll just have to wait a bit, won't we?
- @@@833179114 Re: G'Kar and Londo changing positions as Sinclair and
Sheridan have done, these two moving from certainty to uncertainty in
either direction, that ain't bad. That ain't bad at *all*. I like
symmetry, and both journeys are interesting explorations. What I've
been doing in complex terms, you explained in an astonishingly few
words.
- @@@839784231 I seem to recall, after that Londo/G'Kar
scene was shown the last time, posting somewhere that folks now knew
*what* has happened, but they don't yet know the *context*. Very few
picked up on that and thought to actually reverse what they *thought*
they were seeing to what they *might* be seeing.
- @@@839784648 Will you see Londo and G'Kar together later this season?
Hmmmm......
Yes and no.
- @@@833179114 Whose eye opened during the strangulation?
The eye was of the keeper on Londo's shoulder, you can see G'Kar's fingers gripping a part of it. It woke up. - @@@834865716 About G'Kar's eye
One of his eyes had been plucked out some time before. - @@@833475135 Londo does not currently have a Keeper attached to him.
- @@@833492263 You needn't concern yourself with the keeper...for a while
yet.
- @@@833559874 Vir doesn't have a keeper. They would, of course, try to
take care of that detail afterward.
- @@@833697128 It's not a shadow host, no, but one of the many things
that work for them.
- @@@832236720 Will we see Kosh in the past?
Not exactly, not as you might think, but in a sense.... - @@@833179347 Suffice to say that Kosh knew Valen from way, way back....
- @@@839190199 If Kosh recognized Sinclair as Valen, why were the
Vorlons so anxious to extradite Sinclair in
"The Gathering?"
He could only recognize him once he actually saw him, and that didn't happen until he arrived at B5, after which he wasn't in any condition to talk to anyone until after things were over. - @@@839220595 But surely they must have known he was B5's
first commander?
Bear in mind that there have been lots of folks named Sinclair in the last 900 years; that we don't know how much Valen told anyone about his prior life; that the Minbari had had little to no direct contact with the Vorlons in well over a hundred years and likely would not have told them what they found at the Battle of the Line until such time as personal contact had been made again, which only happened at Kosh's arrival...and there wasn't exactly time to make a report after he rolled into B5 for the first time. - @@@846721620 How did they know to meet Babylon 4?
Prescience?
Well, the other obvious solution, since the Vorlons were then out and running around and actively involved in the war of that time period, he just sent out a signal, and they got there first. - @@@846721856 But they accepted the station right away.
Given that there's a massive war on, they just had their major starbase destroyed, they were left without a platform from which to stage the last part of the war...and here comes someone offering a 6 mile long, perfectly empty and eminently useable base for the last phase of the war, no charge...hell, I'd take him up on it too. - @@@846722408 Did B4 have more firepower than B5?
Yeah, B4 had more firepower, and it had one thing B5 doesn't...engines that can move it forward if necessary. - @@@833492165 Did the Minbari recognize the Vorlons?
They'd recognize them from legends of their own past, yes. But bear in mind that the Minbari and Vorlons had already been working together in the war effort. - @@@865189224 The Vorlons were called in after B4 arrived.
- @@@839784231 When you see a LOT of vorlons together, that's when it's
time to run like hell.
- @@@833442235 How long did Sinclair live after going back?
He lived close to a hundred years as a Minbari; they're a long lived race, and they did all they could to maintain his health as one of their truly great figures. - @@@839749239 Valen did not have any children. And there's some
difference of opinion over exactly what Valen's final fate was.
- @@@846721989 There are some legends about Valen returning someday,
but so far they've been only legends, nothing more.
- @@@839125979 The Valen aspect was set up in the first season, long
before anything was decided about Michael.
- @@@833442235 I'd love to someday tell the story of Valen and
Zathras in the most recent shadow war. It's quite a tale, actually....
- @@@834982322 Is this Zathras' exit from the series?
I'd love to see Zathras again somehow.... - @@@846743399 I'm often tempted to create Zathras' brother, Mathras, or
somesuch, if only for the look of terror in their eyes when he says, of
Zathras, "Ah, yes...Zathras...was the quiet one in the family...."
Who knows, it might be something I might do someday....
- @@@833492165 Is Zathras "the man in between" from Sheridan's dream
("All Alone in the Night?")
No, Zathras isn't the man in the middle. Someone else is. And it isn't/wasn't Sinclair, either. - @@@844880098 Valen only knew what Sinclair would've known. Zathras
wasn't speaking from what Sinclair had told him, but on the basis of
things he'd figured out on his own.
- @@@865282994 Sinclair went back because he would always go back and
always went back; the "alternate" timeline phrase isn't quite correct...
t's more like the moment when the two possible wave forms of
*possibilities* must collapse into one probability or certainty, both
tugging at the same time. For instance, you've got Shroedinger's cat,
put into a box, with a 50/50 chance of a poison gas capsule opening and
killing the cat. At the instant before you open the box, Shroedinger
said, the cat is neither dead nor alive, but *both*, until you open the
box and the two possibilities collapse into one. It isn't that the cat
had two alternate timelines, only that there were two possibilities
fighting it out to become the real one.
That's my story and I'm sticking to it.
- @@@843504961 What happened to Babylon 4?
B4 survived the prior shadow war, but in very bad shape; didn't last much longer after that. - @@@833179532 Does the future with the Shadow attack no longer
exist?
Yes. Up until that moment, the total forces available to the shadows were an unknown to us...sort of like Shroedinger's Cat, is it alive in the box or is it dead? It could be either one. If they didn't go into the past, didn't affect the outcome, it would be one reality; if they did, then it'd be another. As soon as they achieved one or the other of those two, the two possible results collapsed into the one, singular possibility. - @@@833475136 Will Delenn and Sheridan have to pay too high a price
for their victory and happiness?
Depends on how you define "too high" a price. - @@@833697232 What they were after from Delenn was info relevant to that
time, some of it related to their son.
- @@@833559802 The reason Delenn dropped the globe will be gone into by
the end of the season; as for "when will (you) no longer be confused?"
that's rather outside my purview. Have you considered meditation?
- @@@833697232 Was Delenn a passive observer in her flash?
She more just saw it as a passive recipient, whereas he was actively There. - @@@839784232 There's not much point to asking me "when are we going to
learn who Delenn saw in her flashforward." Or similar questions. I
will not throw away the impact of something happening in an episode by
blowing it out in a message. There have to be surprises along the way.
You'll see it when it happens.
- @@@865189225 You'll have to wait and see who entered the room.
- @@@833560256 Time travel isn't that easy, and at this juncture it will
never happen again in the B5 universe.
- @@@836932214 Sheridan, by taking the actions he took to keep history on
track, has now pretty much assured that the events we see *will*
happen.
- @@@836932402 Events will unfold as we saw them. Sheridan might try to
use his knowledge to change things...but who knows, that may just bring
them about.
- @@@836932553 Of course there's free will. But if I pull a trigger, and
the bullet flies out hitting someone in the head, what happens between
the moment of the trigger, and the impact, has nothing to do with free
will. Sheridan made the choice -- free will -- to do what was done in
WWE. There were two probable results, depending on whether he did or
didn't do as asked. Once he did that, the two probabilities folded
into one actuality (a la Shroedinger's Cat).
Which doesn't mean to say he won't *try* to change things....
- @@@839784648 What did Zathras mean when he said he was the oldest
living caretaker of the Machine?
Just that Zathras has worked on the machine, and survived it, the longest of all the others. - @@@856979423 From George Johnsen, co-producer
The Zathras tool is not a speed loader, but a wrench of some sort.There is this wonderful electronic surplus store down the street from the stage, and the place is swarming with art directors from all over the basin. Our folks also frequent this place, and came back one day with a box marked "interesting shapes $10". At any other place in the world, this would be a box of recyclables at best or a box of garbage at worst. In Hollywood, however........ it is a box of tools for Zathras!
War Without End, Part Two
Synopsis by Matthew Murray (mmurray@wsu.edu)
Sheridan is brought around to face Londo, and Sheridan insists that what he sees on Centauri Prime couldn't happen. He demands to know what year it is, and Londo tells him it is the last year, day, and hour of Sheridan's life -- seventeen years after he began the war against the Shadows. Londo tells the guards that he is tired, and wants Sheridan taken back to his cell. Londo promises Sheridan he will meet whatever God he worships when next they meet, and Sheridan is taken away.
On Babylon 4, Major Krantz arrives on C&C to find that there is still
another hour or hour and a half until the sensors are back online
following the explosion. He says that he wants search teams increased
so that they are prepared in case anyone tries to breach the hull.
Ivanova and Marcus are searching through the station for an access
panel, and though Ivanova thinks it will take a bit of luck to find
one, Marcus insists he doesn't believe in it. Ivanova, however,
keeps walking and doesn't notice that Marcus has disappeared until she
is trapped in the corridor between two security guards. Marcus,
however, drops down on them from above, and they are able to easily
dispatch the guards. After Marcus accidentally dislodges the cover
from an access panel with his staff, Ivanova is able to get right to
work.
Even though Sheridan is alone in his cell back on Centauri Prime,
without his time stabilizer, he is still unstuck in time, and reappears
briefly upon Babylon 4, noticed only by Zathras, as he reaches, in pain,
for a time stabilizer. Meanwhile, Sinclair and Delenn prepare to set
up their equipment, but the room in question is currently occupied by a
group of officers. Delenn is then overtaken by a strange feeling, which she
describes as someone walking over her grave.
Sheridan reappears back in the future just in time to have a
visitor -- an older Delenn. He asks why she is there, and she insists that
she didn't tell them anything, and that there is nothing they can do to
her. She was allowed one last moment with him, and she tells him that she
isn't afraid, that their son is safe. She tells him that she loves him,
and kisses him.
Ivanova finishes her tampering, and the computer announces a hull breach in the area. The pressure doors fall down behind the evacuating crewmembers, leaving Sinclair, Ivanova, Delenn, and Marcus to do what they need to until the station personnel manage to burn through the door.
Sheridan tells Delenn in the future that he isn't really there, and
that he isn't supposed to be -- he tells her that the last thing he
remembers was his time stabilizer being hit. She believes him, and
remembers that he had told her, a long time ago, that he had seen this
moment in their future. She tells him that there is much pain and
grief ahead of him, and that she sees in his eyes an innocence he lost
long ago. Delenn tells
him that the war against the darkness can never truly be won, but that
they've created something that will endure for a thousand years, that they
succeeded at everything they set out to do, but at a terrible price.
Sheridan asks if there is anything he can do, but Delenn knows the only
way to change this future is to surrender to the Shadows -- a price too
high to pay. The guards arrive again, and it is time for them to
leave.
Sheridan and Delenn are once again brought before Londo, who has
apparently been drinking quite a bit. Londo says he has to drink,
since it is the only way they can be alone -- he has no desire to wake
"it" -- his keeper. It doesn't care why he does what he does, as long as
he does it, and as long as Sheridan ends up dead. Londo sits forward,
painfully, showing the keeper attached to his neck. The alcohol is the
only way Londo can control himself for any period of time, though he
has very little time left. Londo tells them that his world and all he
hoped for is gone. He tells them that they are his last chance for the
Centauri, and his own redemption. He tells them he has a ship hidden
behind the palace, but that, in exchange for their lives, they must help to
free the Centauri. Londo tells them to leave quickly, since his keeper
is beginning to wake. They leave the throne room quickly, and are taken
away by a guard. After they have gone, another visitor comes to
Londo -- G'Kar, whom Londo refers to as "old friend." Londo says they
have no hope if the keeper wakes up and sees what he has done. They
have unfinished business, and Londo wants it to end before the keeper
stops him. He says he is as tired of his life as G'Kar is, and G'Kar
knows what to do. He places his hands around Londo's throat, but after
G'Kar begins to choke Londo, the keeper wakes up, and Londo puts his
hands around G'Kar's neck as well.
As Sheridan and Delenn move toward the ship, Sheridan lurches suddenly,
and knows he's being pulled back again. But, before he goes, Delenn
gives him words to take with him back to the past. "Treasure the
moments you have. Savor them for as long as you can, for they will
never come back again. John, listen to me. Do not go to Z'ha'dum. Do
you understand? Do not go to Z'ha'dum!" Upon hearing these last
words, he falls to the floor, and is pulled away in time.
In the throne room, both Londo and G'Kar lie on the floor, dead.
Another figure, however, arrives and picks up the imperial medallion Londo wore
around his neck. It is Vir.
While the others move to set up the equipment, Zathras tells them that
he believes that the power supply in a spare blue space suit may be
able to make the time stabilizer work long enough for Sheridan to be
rescued. Though Marcus isn't convinced that Sheridan will reappear in
the suit, Zathras' plan succeeds, and that is indeed where he
reappears. Sheridan comments, however, that he feels like he could
drift away again at any moment. Marcus tells Sheridan that they have
secured a path to the central power core, and Sheridan plans to go with
Sinclair, until Delenn arrives, glad to see that Sheridan has
returned. He doesn't, however, tell her what he learned in the
future.
Sinclair and Sheridan are nearly done placing the homing device in the power core, while Ivanova reports to them that she has rigged the scanners to make it look like the station is about to explode. C&C discovers this, but Major Krantz insists that they increase the output to the power core, despite its not having been tested. The sudden increase throws Sinclair and Sheridan away from the station just as the surge of tachyon particles increases, and Babylon 4 begins its journey through time.
Zathras understands the problem, but insists it isn't his fault. He is able to stop the station's movement through time, but not before Sheridan becomes unstuck in time yet again. Zathras tells them that the time device placed in the core activated prematurely, sending them four years into the future, to when Babylon 4 reappeared before. Zathras says they can't do anything else until they adjust the time system. Ivanova tries to contact Sheridan, but Sinclair reports that he has gone again, and that they have a slight problem.
On C&C, the first officer convinces Major Krantz that, despite all
their work, it is necessary to evacuate to protect the lives of those
on the station. Krantz reluctantly agrees and orders a distress signal
to be sent out. Just as they are sending it, though, another increase
of tachyon particles hits the station, and Delenn...
...is standing against a wall in Sheridan's quarters, watching him sleep
peacefully.
She walks over to a nearby table, and picks up a snow globe, which she
turns over, and admires. Without warning, the door to the quarters
opens, and a woman's voice says, "Hello." Delenn, in shock, drops the
snow globe, which shatters at her feet...
...just as she finds herself again aboard Babylon 4. Zathras explains what she experienced was a timeflash, where one sees oneself forward or backward in time, due to the instability of the system. Sinclair arrives, but he isn't quite the Sinclair they knew -- he now appears much older. He explains that, when he and Garibaldi went to Babylon 4 previously, they were exposed to the time field without any protection. He didn't want Garibaldi along because he knew that Garibaldi, too, would have something similar happen to him if they should be exposed to it again. Sinclair says they need to finish their job, and that they need to get Sheridan back. Zathras says he can fix the time stabilizer, but needs equipment. Ivanova and Zathras leave to try to find the equipment elsewhere on the station. Sinclair says he is going back to the core to readjust the equipment, and tells Marcus and the rest to stay with the White Star and monitor the readings.
While Zathras searches through some equipment to find the tools he
needs to repair the the time stabilizer, Lennier reports to Sinclair
that seven ships are approaching the station -- one of which contains
Garibaldi and another Sinclair. Zathras finally finds what he needs to
repair the time stabilizer, and finishes just as he is discovered by
several security guards who level their PPGs at him.
Zathras tries to explain to the security guards that he means no harm
as he takes them away, and Ivanova sees this and reports back to the
White Star. Marcus tells her that it will take them another two hours
to finish the repairs, but Ivanova knows they don't have that much
time. She says she will find a way to get to C&C to adjust the power
there.
While Major Krantz brings the other Sinclair and Garibaldi onto the station, explaining to them what happened aboard the station before it was brought forward in time, Delenn arrives back in the station from the White Star and sees Sheridan, still in his space suit, reappear.
Krantz introduces the other Sinclair and Garibaldi to Zathras, who
looks up at Sinclair, and says, "Not the One." This confuses Sinclair,
but Zathras won't say anything else to him, and claims merely that he
does what he is told.
Everyone on C&C evacuates, leaving Ivanova free
to sneak in and begin readjusting the power to the fusion reactors.
Zathras tells Sinclair and Garibaldi that they need Babylon 4 for a great war, as a place to gather to fight and organize, to help save the galaxy "on the side of Light." Zathras explains further, saying that, without the station, it is the end of everything. "The One leads us. The One tells us to go, we go."
Two security guards arrive in the corridor to find a figure in a blue space suit, appearing and disappearing. The guards run and tell Major Krantz, and everyone leaves the room where Zathras was being questioned, including Zathras. They find the figure in the space suit, which Zathras identifies as being the One. The figure in the space suit apparently is having difficulty standing, and Sinclair begins approaching it.
Ivanova finishes what she is doing, and warns Sinclair, who has finished readjusting the homing device in the core, to back off, as it will soon become operational.
The other Sinclair approaches the blue-suited figure and touches its outstretched hand, but is thrown back by a large blast. In the resulting commotion, Zathras runs to the figure and gives it the repaired time stabilizer, warning the figure to take it and leave quickly. The figure vanishes.
Ivanova activates the station, and it begins moving. Zathras warns the others to leave quickly, or else be trapped there forever. As Sinclair moves away from the power core, Marcus discovers Sheridan, once again on Babylon 4, with a new time stabilizer. Sheridan says that someone must have put it on him and switched places. This confuses Marcus, who doesn't know who has been running around Babylon 4 in the blue suit.
The other Sinclair and Garibaldi, while trying to escape with Zathras, lose him as he becomes trapped under a fallen pipe. Though Sinclair tries to save Zathras, Zathras insists that he leave, telling him that he has a destiny. Sinclair, though clearly confused, does as he is told, leaving Zathras behind.
As the ships carrying the Babylon 4 crew and the other Sinclair and
Garibaldi leave the station, Sinclair, just leaving the station's core,
stands on the outside of the station and activates his communicator, to
try to deliver one last message. "Babylon 4 to Garibaldi, Babylon 4 to
shuttle one. Garibaldi, do you read me? Watch your back, Michael.
Watch your back." But the target is outside of communication range.
Sinclair moves toward the airlock, just as Babylon 4 begins to vanish
one final time.
Zathras, still trapped under the pipe, is approached by the figure in
the blue space suit. He looks up, and smiles. "Zathras knew... you
would not leave him. Zathras trusts... the One." The figure removes
its helmet; it's Delenn. The station vanishes again.
Sinclair, inside the airlock, removes the headpiece from his own space suit. "I tried," he says. "I tried to warn them. But it all happened... just the way I remember it."
"I know," Delenn tells him. "It's time. We have to go. They're waiting for us." Delenn, and a morose Sinclair, leave to join the others.
Sinclair and Delenn arrive on C&C, and Ivanova says that the time-shifting controls can now be controlled from C&C. Sinclair says he will set them off by himself and then return to the White Star, but Marcus doesn't believe it. He knows that the system isn't fully automatic, and that someone has to ride Babylon 4 back into the past. Though he offers to do so, Sinclair won't allow it. "I'll take it back because I've always taken it, and I always will. It's already happened."
"You don't know that," Ivanova protests.
"Yes I do," Sinclair tells her. "You asked what brought me here.
Before I left Minbar, I was given a letter... from nine hundred years
ago." He hands the letter to Sheridan.
"Whose handwriting is this?" he asks.
"Mine," Sinclair explains. "I wrote this from the past... nine hundred years ago. I went. It's as simple as that."
"He's telling the truth," Delenn says. "I received one as well."
"No," Ivanova insists, "I can't accept this."
"If I go back to our time, the aging effect will probably kill me. Isn't it better to choose life?"
"Damn it, Jeff, I..."
"Susan, it's all right. My whole life has been leading to this,"
Sinclair tells her. He asks her and Marcus to leave them for a
moment, so they can discuss something alone. After they have gone,
Sinclair asks Zathras why he pointed to Delenn when he said he followed
the One.
Zathras explains that he is the oldest living caretaker of the Great
Machine, and knows things about it that even Draal doesn't. He tells
them that he knows all three of them. "All Minbari belief is around
three. Three castes -- worker, warrior, religious. Three languages.
Light, Dark, and Grey. The Nine of the Grey Council -- three times
three. All is three... As you are three. As you are one... As you are
the One." He turns to Sinclair. "You are the One Who Was." He turns
to Delenn. "You are the One Who Is." He indicates Sheridan. "You are
the One Who Will Be." He again refers to them in turn. "You are the
beginning of the story, and the middle of the story, and the end of the
story that creates the next great story. In your heart, you know what
Zathras says is true. Go now. Zathras' place is with the One Who
Was. We have... a destiny." Sheridan and Delenn both say their
silent goodbyes to Sinclair, and return to the White Star.
Sheridan sits down in the captain's chair, and though it is clear that everyone will miss Sinclair, Sheridan says they need to leave and respect Sinclair's wishes. They break the docking seal, set the engines to maximum, and head back home.
The White Star emerges from the temporal rift, which closes behind it, Sheridan assumes, to make sure no one else is trapped there. "That door is closed forever," Delenn tells him. "And it is not the only one. Lennier told you that a thousand years ago, human and Minbari souls began to merge -- Minbari souls were being born in human bodies. Something happened that opened that door between us. My change was, in part, to even the scales and restore balance between our races, using a device my people discovered a thousand years ago. You see... if my people had found Babylon 4 with a human aboard, they would never have accepted it."
Marcus instantly knows what this means. "Dear God... 'A Minbari not
born of Minbari.'"
As Babylon 4 continues its journey through time, Sinclair places
a Triluminary in the top of a machine -- the same one
Delenn used to begin her change. The machine glows a bright light, and
a new chrysalis begins to form, as Sinclair remembers his year
aboard Babylon 5, and how his whole life had, indeed, led up to where
he is now. As time passes, he finds himself inside the chrysalis,
beginning a change of his own.
War Zone
Overview
As Earth reacts to the Drakh plague, the Excalibur sets out on its mission to find a cure.
Production number: 108 Original air date: June 9, 1999 DVD release date: December 7, 2004 Written by J. Michael Straczynski Directed by Janet Greek
Plot Points
- @@@929003660 Earth has been quarantined since the Drakh plague was released.
- @@@929004549 The Excalibur has captured the first Drakh prisoner of war.
- @@@929003660 Galen saved Gideon's life nine years ago, during the technomages' exodus from known space ("The Geometry of Shadows").
Unanswered Questions
- @@@929003660 Why was Gideon's ship destroyed nine years ago?
- @@@929003660 What are the new rules regarding telepaths? Clearly they aren't exactly the same as the old Psi Corps rules; Matheson, for example, wasn't wearing gloves. Who enforces the rules now?
Analysis
- @@@929081490 How strong a telepath is Matheson? Would he have been of any use in the interrogation of the Drakh commander? Or is such probing forbidden by the new rules governing telepaths?
- @@@929003660 Gideon referred to the Excalibur as the most advanced warship ever built by humans. Is he aware of the Minbari involvement in the ship's construction?
- @@@929004549 The Drakh commander referred to himself as a councilman. Is there a Drakh government distinct from the military? What is the relationship between the two apparently different species who make up the Drakh?
Notes
- @@@929003660 Assuming the technomages all departed at once and weren't in transit for a very long time, this episode takes place in 2268. The technomages departed B5 in 2259 ("The Geometry of Shadows") and Gideon said he'd been rescued nine years earlier.
- @@@929003660 Explorer-class ships such as the one commanded by Gideon before he was assigned to the Excalibur were first introduced in "A Distant Star." Their missions typically take them far beyond known space for extended periods of time, mapping out new systems and making contact with alien civilizations.
- @@@929003660 The question of whether life ever existed on Mars is still unresolved in 2268.
- @@@929004316 Effects oddity: the fire burning in front of the crashed Drakh ship is symmetrical.
jms speaks
- @@@929037218 Just for the record: I think the first one -- the only one
written directly at TNT's behest -- is probably the weakest one,
certainly the one I find least interesting. It's lumbered with buckets
of exposition, explaining things that don't need explaining, too many
fights, too many explosions, too much swaggering around, all stuff the
net wanted.
Then we go back to the show we wanted to make...Path of Sorrows is terrific, Well of Forever is a solid character story, The Long Road is just pure fun (that's pretty much reverse broadcast order, btw)... there's one or two in the bunch that are a bit slower than I'd like, but those are the exception rather than the rule.
Just to get my own feelings on this out there.
- @@@929221939 My take on #1 is that this is the weakest of the bunch,
because this is the only one written at the behest of TNT; it's
exposition heavy, too much swaggering macho stuff, no real depth, just
stuff blowing up. The ones that follow are much better.
- @@@929221939 All that exposition is what TNT wanted...and one of the
reasons was that they weren't going to rerun
ACtA
before it...then they
were, which made it all unnecessary...then they ran ACtA AFTER the
ep...which makes NO kind of sense.
- @@@929221939 "The mutiny was clumsy, but I like Gideon, Galen, Dureena
and Trace. (And from the way it opened, my first thought was, "this
must be some of the extra violence TNT wanted. Ugh.")
Ding.
"Will we find out why Gideon wouldn't have his exec scan the Drakh?"
The rules about unauthorized scans still apply. Matheson has to operate even under stricter rules re: privacy now than before. You'll see more on this later.
"The only really weak spots, to me were the " Earth in a panic" scenes, which looked an awful lot like newsreel footage"
TNT note: we need to SEE Earth in turmoil, if we just hear about it nobody's going to get it. They had us insert that.
- @@@929221939 "The opening scene cracked me up. Look there's a fight,
as close to wrestling as you can get on a starship."
Yep. That's one of the mandates they put on the first ep...they wanted to start with a fist-fight.
- @@@929221939 Were any of the riot scenes staged?
It was all real footage.As for the exposition...one reason they asked for so much was because they said it was going to air months after ACTA, and nobody'd remember, and it wouldn't get rerun...then after we shot WZ they decided they *would* rerun ACTA before WZ...then a few weeks ago they decided to run ACTA -- which has all the info needed for WZ -- AFTER WZ.
Now perhaps you get a small sense of what we've been up against.
- @@@930036787 "I admit, I'm one of the folks who didn't
particularly warm to the [riot] footage. It seemed not to fit."
It didn't. Moreover, the order for that stuff came in about two days before we were supposed to begin shooting, so we had to hurriedly redesign the set to include the wall monitor, and change other aspects of the filming, then hurriedly find some footage that would work (sorta).
"I suppose there were few options."
None. What you have to understand is that we were at this point, in the writing of this episode, on hiatus...awaiting the okay to go back into filming. And though it was never said overtly, there was always the undercurrent of "If TNT doesn't get this one script the way they want it, they may not give the OK. So give them what they want just this one time."
I did what I could with what they demanded, and tried to fight as much as I could. For instance, in one scene, where Gideon tells the others to meet him in the conference room, the TNT note was, "How does Gideon know where the conference room is? We should have a scene where he's shown the conference room."
My reply: "He knows where the conference room is because when he's escorted to the bridge by Matheson, *HE CAN SEE IT FROM HIS CHAIR*."
(It was one of those bang-your-head-against-the-wall moments.)
The overall problem, which many folks don't understand, is that in a script you have a finite number of minutes and pages. Let's say 42 pages. Now, the script is written the way you want, kinda, with some nice character moments and stuff. Then they want more exposition. You can't just append it to the page count, you have to stay at 42 pages. So you have to cut stuff *out* to make room for the stuff they want put *in*. The first thing out the door is character, followed quickly by humor.
There was, for instance, a nice clash with the senator and the intelligence guy over Gideon's background, why he's the wrong person for the job, why Sheridan picked him specifically for the job...which had to go in order to put in more exposition (and lengthen the opening fight scene in the teaser by about a third, another TNT request).
For me, a lot of what makes an episode fun are the character moments, but there was no longer room for them...they had to go out to make room for dry expositional stuff or stuff blowing up.
Which is why I picked "The Long Road" as the one to follow in the broadcast order...it's one big character piece, with a fair amount of humor, and just fun. A little expository in the second act, but nothing unreasonable.
Stil, I'm proud of what we did with "War Zone," because it was a little like someone handing you an inner tube and a tree branch and telling you to make a radio telescope out of it. It ain't pretty, but it does the job we had put in front of us.
(One aside...some folks on the net picked up my comments about War Zone made here earlier and said I was apologizing after the fact for the episode, once the reactions came in...but the date stamp on the message, here and on the nets, clearly indicate that I made those statements BEFORE the episode aired. I know *exactly* where the faults are in the eps, where they work and where they don't work, and have always tried to be the first one on record about them because that seems right to me. This is, after all, about the process of educating people about how TV works, the decisions that get made and how you deal with them.)
- @@@930036787 Why did the scene with the senator and the
intelligence guy have to be cut?
Because something had to go time-wise to make room for other stuff. If we'd kept *that*, then something ELSE of similar time would have to go, such as Dureena's scene in the cell with Gideon, or the like. The amount of air time we have per episode does not change.Also...they said the senator scene was too long (which it *wasn't* before the big montage/video/the senator explains it all for you sequence was added in), and to cut stuff out of that scene and add it to the fight in the beginning.
- @@@930036787 Why did Sheridan pick Gideon?
Sheridan picked him for the qualities that made him exactly the *wrong* person from their point of view...obstinate, difficult, independent, not prone to following orders from home, not politically astute...but he'll get the job done. - @@@929221939 "Somehow I get the feeling that the reason the Detroit
Free Press reviewer said that Crusade looked "like it came from the
planet Cheez-Whiz" can be summed up in 3 letters.... TNT.
Unfortunately, if the first episode were all I had to go by I'd have to
agree with him."
And I would as well.
That's the thing about all this...in the negative comments about War Zone -- and actually there have been far fewer than I'd anticipated -- there ain't much that I'd disagree with. If anything, they've tickled me because they reflect EXACTLY what I'd said when these things were asked for. It's been a massive validation.
- @@@929221939 "Did they at least give you a blindfold and a cigarette?
" Not orally, no.
- @@@929221939 "And the differences were SO transparent (the fist fight, the earth scenes, the posturing, etc.) I sure wish I could have seen a JMS script as opposed to a "JMS with TNT" script."
The other 12 fit the bill.
- @@@929221939 "And yet I don't recall a scene in which you fragged the head of ITN or any other network."
No, but there were occasional little hidden messages in the episode, as when a character says, "We've had to make some compromises to get this show on the road." No one noticed that one, despite being rather literal.
- @@@929221939 "In the scenes with the Senator on Mars I wasn't sure Cole was in the same room with the other two during the dialogue. Too many cuts back and forth and his eyes seemed to move around oddly. Was this scene editted back together from separate filmings?"
At one point in editing we needed some close-ups, and there weren't any in that part, so we kind of borrowed some from earlier in the sequence. We do this a lot, when there isn't coverage of some parts of scenes, rarely does anyone notice the eyeline difference.
- @@@930036787 Why does Dureena give the impression she's never seen the Excalibur before?
Actually, she never gives that impression; her reaction to the others seeing the ship and being impressed is to shrug and say, "It'll do." She's not impressed because she's already been there. - @@@929221939 "And the differences were SO transparent (the fist fight, the earth scenes, the posturing, etc.) I sure wish I could have seen a JMS script as opposed to a "JMS with TNT" script."
War Zone
Whatever Happened to Mr. Garibaldi?
Overview
G'Kar tries to avoid capture by the Centauri while continuing his search. Delenn urges the Rangers to strike against the Shadows. Wayne Alexander as Lorien. Wortham Krimmer as Emperor Cartagia. Lenny Citrano as Isaac. Anthony DeLongis as Harry.
P5 Rating: 8.98 Production number: 402 Original air week: November 11, 1996 DVD release date: January 6, 2004 Written by J. Michael Straczynski Directed by Kevin Dobson
An episodic soundtrack is available.
Plot Points
- @@@847699354 Garibaldi's Starfury was found abandoned in space, but someone from Interplanetary Expeditions ("Infection," "Z'ha'dum") knew where to find it. Garibaldi was captured and is apparently in the custody of Psi Corps.
- @@@847699354 Lorien claims to be the first of the First Ones, and lives deep within Z'ha'dum. He says the Shadows return to Z'ha'dum because he's there, and that Kosh knew about his presence when he told Sheridan to jump.
- @@@847907490 G'Kar has been captured by the Centauri. In exchange for help overthrowing Emperor Cartagia, Londo has promised G'Kar that the Centauri will withdraw from Narn after Cartagia is gone.
Unanswered Questions
- @@@847699354 Exactly who captured Garibaldi, and why? The Psi Corps, or some other group associated with them? How did they recover him from the inside of a Shadow vessel? Did the Shadows give him up voluntarily?
- @@@847699354 Why did they want to know what he remembered?
- @@@847699354 Is Lorien's claim true? Is he a member of a race of elder beings, or is he somehow the first intelligent lifeform in the galaxy? What is he, exactly?
- @@@848432708 When, and under what circumstances, did Lorien meet Kosh?
- @@@847699354 How is Londo planning to use G'Kar to unseat Cartagia?
Analysis
- @@@847907011 If Garibaldi has indeed been captured by the Psi Corps,
why do they need to question him? Presumably they could just pick
whatever information they need out of his mind. Perhaps they're
simply trying to get him to cooperate, on the assumption that if he
cooperates in one area, he'll be more malleable in others.
@@@848787762 Alternately, perhaps they're making sure he doesn't remember what happened to him because they've done something to him and wiped his memory of the event. That would explain the conclusion of the interrogation scene; they gassed him to transport him elsewhere once they were satisfied that their memory wipe was solid.
- @@@847907011 Centauri torture is likely to result in the loss of
G'Kar's left eye
("The Coming of Shadows,"
"War Without End, Part Two.")
Whether that eye is the subject of Lady Morella's prophecy
("Point of No Return")
isn't clear; it's certainly plausible that Londo could redeem himself
by halting the torture of G'Kar, but there are other eyes that don't
see (e.g. the Shadows' Eye at Z'ha'dum in
"The Hour of the Wolf,"
or the Centauri Eye from
"Signs and Portents.")
- @@@865731365 Given Lorien's assessment of his situation,
Sheridan presumably qualifies as "the one who is already
dead" in Morella's prophecy. And, in fact, Londo spares his life 17
years in the future
("War Without End, Part Two.")
Assuming the prophecy is correct and Londo was thus redeemed, obviating
the need for a third chance, what form would that chance have taken?
- @@@847699354 Why is Lorien so interested in what happens to Sheridan?
He said Sheridan was "the only one to make it this far." Was he
referring to the physical descent down the chasm, or some more
spiritual journey?
- @@@848360087 Lorien said neither Kosh nor Sheridan wanted to die.
Assuming he was able to resurrect Sheridan, is Kosh also still alive?
If so, what did Kosh find to live for?
- @@@847913276 Lorien said he had been waiting for someone to talk to.
He also said, several times, that Sheridan was trapped between life and
death, between seconds. Given that he was there with Sheridan, and
that Kosh knew about Lorien's presence, it's plausible that Lorien, not
Justin, is in fact "the
man in between" from Sheridan's Kosh-induced dream
("All Alone in the Night.")
If so, what will he do now that he's found Sheridan?
- @@@847699354 Lorien, if that's who the formless being in Sheridan's
dream is, asked both the Vorlon and the Shadow questions. Why are
those questions significant to him? He said that there was no good
answer to "Who are you," implying perhaps that the search for an
answer is what matters.
Did the Shadows and the Vorlons get those questions from Lorien? Lorien claims to have met Kosh (who, oddly, he knew by name, which would seem to contradict the new Kosh's statement that "we are all Kosh") so presumably he has also met the Shadows. Perhaps each race latched onto one of the two questions, adopting it as its own.
- @@@848344773 Later, however, Lorien asked Sheridan three
questions: who he was, why he was, and what he wanted. The middle
question is new. If the Vorlons and the Shadows are supposed to
ask the first and last questions, is there supposed to be another
group asking the second? (See
jms speaks)
- @@@848612588 One person did ask all three questions once: Sinclair,
when he was captured during the Battle of the Line
("And the Sky Full of Stars.")
- @@@850550166 Kosh may have implied the presence of a third question in
"Deathwalker"
when he told Talia, "Understanding is a three-edged sword."
- @@@854122542 Lorien echoed another statement of Sinclair's, also from
"And the Sky Full of Stars."
Sinclair said of his wingman Mitchell, "I tried to warn you, but
you wouldn't listen... you never listened." Lorien said the same
of the Shadows and Vorlons, or so it seemed, though he didn't provide
any more context or explanation.
Vir made a similar comment to G'Kar in "Comes the Inquisitor:" "I wish... there was something that I could do. I tried telling them, but they wouldn't listen. They never listen..."
- @@@867026668 In
"Infection,"
Garibaldi observed to Sinclair that people look for things to die for,
because it's easier than finding something to live for. Lorien echoed
that sentiment at the end of this episode.
- @@@847699354 Lorien said he hated to see his children fighting. Does
that imply he doesn't approve of Sheridan's war against the Shadows?
For that matter, does it mean he doesn't approve of the Vorlons and
the Shadows fighting? If so, can he do anything about it?
- @@@847699354 Can Lorien leave Z'ha'dum? Perhaps the planet is part
of him, or he's bound to it in some way; in that case, Delenn's plan
to attack Z'ha'dum could prove disastrous, assuming the Vorlons are
as interested in Lorien as the Shadows are.
- @@@847907011 Lorien said the Shadows think they return to Z'ha'dum to show him respect, but that they don't understand any more. What don't they understand? Why did they originally start returning to Z'ha'dum, and why don't they understand now what they did long ago?
Notes
- @@@847907490 The lighting at the end of the prison cell scene is symbolic; as soon as Londo agrees to free Narn, the cell door opens and G'Kar is bathed in white light, his life's goal finally within reach.
- @@@848345720 The passage of time on Z'ha'dum, or at least in Sheridan's condition, is similar to the effect of a black hole at the event horizon: time slows down to a standstill from the point of view of an outside observer.
- @@@870367756 As originally broadcast, Franklin cites the date as January 8 in his opening monologue, and says it's been 14 days since Sheridan disappeared. In the second US broadcast of the episode Franklin's opening monologue was fixed to say it was 9 days since both Sheridan and Garibaldi disappeared. (See jms speaks) However, the UK broadcast, and possibly others, used the original incorrect date.
- @@@905790308 The engine part G'Kar handed to the man in the bar is an overthruster prop from "Buckaroo Banzai."
jms speaks
- @@@846744605 I just got a copy of the ad that's going to run in TV
Guide for "Whatever Happened to Mr. Garibaldi?" in two weeks. It's a
great ad, well composed, well done, but it's also a major spoiler for
something you will NOT want spoiled. So avoid the ad if possible.
- @@@847907011 The script was easy to write story-wise, I think it
only took me a few days (in general, the faster the write, the better
the script, when it comes to something like this...writing in white
heat is best), but *very* difficult from an emotional standpoint. I
was just about as wasted after writing it as you were after seeing
it. There's a lot of stuff in there that's difficult or painful to
touch, and you can only hope that it comes out okay. I'm happy it
did.
- @@@848311051 Sheridan's fall was like Gandalf's in "The Lord of
the Rings," or like the descent into the underworld in Dante's
"Inferno."
I've mentioned elsewhere that I was going more for the roots of this. Though the Dante thread you mention is closest in many ways (again, you dig into archetypes you end up with similar structures, that's the nature of the beast), it was Orpheus going into the underworld for his wife, and losing her, that was in the back of my head when I was blocking out that part of the story. (You can also toss in Christ's temptation by the devil, and descent into the wilderness, if you want.)This will probably get me in trouble, but...on the one hand, I am always delighted and impressed with the breadth and depth of analyses and thought of the larger group of SF fans, and the insightfulness with which they apply those perceptions.
On the flip side of this discussion...for a certain percentage of them, that breadth and depth is only or primarily within SF and mainstream fantasy. The wellspring of material from which to draw when making comparisons is not often as broad as it should be in classical literature, mythology, medieval studies, and so on. They see a drop into a chasm, they think "Oh, Gandalf." Not understanding that the root of this goes back way, way, way further...to Orpheus and his kindred spirits.
I was copied a note from someone on another newsgroup who insisted that everything in the show had an elvish/Tolkein base, including and *especially* the names of everyone, citing the Agamemnon as meaning something or other in LoTR elvish. The symbol is RIGHT THERE, in the name, Agamemnon, and the whole unfortunate history of that character and his wife, and the Cassandra character (which is at the center of G'Kar's character)...and yet she says, "No, no, it's all a clue, it means this thing over here."
My background is as an SF fan myself, so I offer the above without stereotype or pejorative intent. But as well as reading SF, I spent most of my early adult life reading from classical sources. Goethe's FAUST informs Londo in many ways, as well as the history of early Rome, and Hegelian notions on the role of conflict, and the divine role of the emperor. You're talking to someone who read Plotinus' The Aenneads just for kicks, and whose favorite character was Zeno and his paradoxes. You want to talk Plato's perfect forms? The Socratic method of teaching? Greek tragic structure as embodied in Oedipus? The overall work of Sophocles? The Bible? I've read that one cover to cover twice...anyone else in the room who's done that, raise your hands and tell me you didn't fall asleep halfway through Numbers and Deuteronomy, the two most boring books in the whole darned thing.
There was a period in my life -- from around 1976 through 1981 -- when I devoured everything I could in these areas. Mythology. Existentialism. Zen. 18th century literature. I took part time jobs in libraries so I could get access to the widest possible range of books, especially new ones in areas that interested me. A lot of the details have washed away over the years, but the cumulative *sense* of that remains. I can still remember how excited I was when a brand new translation of the Inferno, the Purgatario and the Paradisio came out (from Penguin, I think), putting it all back into the proper lyric form, and I devoured them, one day each, then read them all again using the footnotes and marginalia.
All that time, I never knew I was preparing myself to write this show, because it could *only* be done with a generalist background, knowing a little about a lot of areas...just enough to get into trouble, ususally, but still the grounding is there.
Funny thing...about two, three weeks ago, I got an email from a woman who is a professor of medieval studies at a major university, who said she'd been nudged into watching the show by her graduate students, and is now a big fan of the show. She said that as she watched, she "clicked" constantly on the sources from medieval and classical literature, mythology, and other deep well sources, and was pleased to see them being used in a contermporary or futuristic venue.
Anyway, it's what I've always said about this show...you see the paradigm with which you are most familiar. Sometimes that's great, and sometimes it's a curse.
- @@@851242973 But the thing is, I wasn't *thinking* of LoTR...I was
thinking of Orpheus going into the underworld, of the classical notion
of descending into hell to find oneself or something else...it just
bugs me when someone assumes that they know what was in my head at a
time when I wrote something, and then take that as a given and start
making me explain it or acting as if this is true, when it ain't.
- @@@843865104 Larry DiTillio made the point, while on the
show, that some SF
fans reared on ST expect everyone to talk like English earls, very
proper. We go for vernacular every time. I like the rough edges, the
hesitations, the stumbles. In editing 402 the other day, there's
several takes to choose from in a particular scene, but I picked the
one where the actor slightly stumbled over the line, because it was at
the heat of the moment, and in that kind of situation, we all get
flustered. It made it feel more real.
Slang and idiom have been with us forever, and always will be. Now, on the other hand, I don't go full-tilt bozo with it, by peppering the dialogue with lots of techtalk and futureslang because I think it becomes intrusive. So we try to find a balance. Some people don't like it, and like their SF to all sound the same. That's fine. Tastes vary.
Also, I use some dialogue styles that lean toward the theatrical, what you'd see on the stage, or hear in a radio drama. Other times I'm right in the gutter. You use different tools for different jobs. My influences are from Rod Serling and Charles Beaumont and Norman Corwin and Ray Bradbury, so you're going to hear those colors from time to time, and because you don't hear a lot of that particular style in TV these days, some people think it's bad...no, it's just a different approach to dialogue.
Look at Harold Pinter, then look at Christopher Fry, then look at Joe Orton. Between just those three you've got three very stylized, consistent approaches to dialogue, not like the other two at all, and between them more diversity than in a hundred TV shows. In theater, which is where I cut my teeth, it's *okay* to have dialogue that's somewhat stylized, or a bit more formal, a bit more literate, or whatever. In TeeVee it's all gotta be the same. To which I say...why?
(I've also made the mental assumption of a return to a new formality in 2260, since styles go in and out of fashion. People use the word Mr. and Ms. more often, there's a more formal stance with people you often get when a culture comes out of a major war, as we did after WW2.)
But dialogue tastes are utterly individual; what works for one may not and likely will not work for someone else. And that's okay. That's as it should be. As long as the totality works.
- @@@848344884 "I watched _What Ever Happened to Mr Garibaldi_ last
night and was struck by the scene where Mr. G was being questioned by
the disembodied voice. That scene was very similar to the style of
another one of my favorite shows _Homicide: Life on the Streets_. I'm
just wondering if that was an intentional nod to that show."
This is kind of embarrassing, but...see, I don't watch much TV anymore. I don't have time. I think I've seen maybe two episodes of Homicide, total. So we were in with the editor to do our producer's cut of 402, and I was trying to describe what I wanted...jarring, disorienting cuts, don't worry if it matches, use conflicting takes or overlaps of takes...and finally the editor said, "Oh, you mean the Homicide look." And it'd been so long that I asked them to explain to me what that meant, and John got into it, me with him, and ended up with what we've got. I've got to start watching TV again, beyond X-Files, 60 Minutes and Simpsons. (Well, I've added Millennium, so that helps.)
- @@@848389230 Actually, the Garibaldi intercuts like that were something
that I came up with in the editing room, and John Copeland and I
thereafter assembled it, with the editor.
- @@@864607391 This one's a favorite of mine as well. On the
Garibaldi scene, it was shot fairly conventionally, but as we got into
editing, I said, "Let's do something we don't normally do, let's try a
visual approach that's not usually part of SF shows." So we put that
sequence together. Again, my feeling is, break your format once in a
while or get stuck in a rut. Take chances. The worst that'll happen
is that you'll fail.
It's a lovely episode.
- @@@864607391 Is the director the same Kevin Dobson who was on
"Kojak?"
No, this Kevin is an Australian director. - @@@864607391 About the voiceover recap at the top of the
episode
I figured, since this year was much more serial than in the past, you kinda *had* to put little recaps at the top...also, it gives it a different, narrative feel, which I kinda like. - @@@848360273 Franklin said it was 14 days
since Sheridan's death
and 9 days since Garibaldi's disappearance, but the two happened
at the same time.
This is a case where jms screwed up.Originally, the script read, "It's now 14 days since Captain Sheridan left for Z'ha'dum and was presumed killed. Nine days since Mr. Garibaldi disappeared while on patrol."
I went to edit the first sentence to make it active rather than passive syntax. In handwriting on the page (after the first draft, the typists take revisions and implement them), I meant to write, "It is now 9 days since Captain Sheridan was presumed killed at Z'ha'dum." I either missed changing the days, or the typist didn't put it in (it happens), and that draft of the script is long gone. But without knowing which, I'll just take the rap for it.
- @@@848607080 I'm considering revoicing it...we just didn't catch it until
it was gone.
- @@@850298170 "In WHTMG, Marcus is talking to G'Kar about his friends
and says he's had "Damn few of them, and most of them are dead." My
instant reaction was "That can't be an allusion to Return to Zork." Can
it?"
Y'know, if I were to read this group as an outsider, I'd think that this jms person was incapable of coming up with a single line on his own.
NO, it wasn't a Zork reference, for chrissakes. Can we possibly get any more obscure here? I don't even know what this REFERS to. Marcus came from a mining colony. The shadows struck, and killed everyone there. Hence, the line above.
There was some goofing around with SF references early on in the show; this got out of hand, and it stopped. I don't sit here, thinking, "Oh, goody, I can make a reference to The Day The Earth Stood Still here," or some other show. I write what is appropriate for the character to say. Period.
I'm sorry if I'm a bit cranky in answering this, but jesus christ, people, give it a rest and stop looking for references that don't exist. There are only so many permutations in the english language, and something has got to echo somewhere for everyone...but that ain't the source. "Oh, look, he use the word THE in this episode, he must be nodding at "The Ipcriss Files" or "THEM" just leaving off the M to throw us off."
Your point of reference is your point of reference, it's nothing to do with me. It's like a Rorscharch test, you see what you're familiar with.
As a writer, you work your brains out trying to come up with something, and you try your damndest to make it original, and fresh, and interesting...do you have any idea how infuriating, how maddening, how bottomlin *insulting* it is to have 10,000 people parsing every sentence and saying, "Oh, here, did you take this from that? Is this a reference to this over here?"
NO, IT'S NOT.
I allowed a little of that in the first season or so, often in scripts by other people, on a couple of occasions by myself, but that's the end of it, because everyone decided that the show was one big easter egg hunt. Fanfic is full of this stuff, which is perhaps why everyone keeps looking for it here.
If it's an absolutely blantant, and extremely recognizeable line, like the Tolkein reference in year two's "Geometry," then yeah...but some of this is getting so obscure and ridiculous that it's starting to make me crazy.
Can we *please* declare a moratorium on this for a while?
- @@@848469520 About the final scene with Sheridan remembering
Delenn
During the music spotting session, where I indicate where music comes in and goes out, my main note to Chris on that final sequence was, "Break our heart."He did.
- @@@848469520 About the shot of Sheridan as he sees the pit
"Was this scene redone for WHtMG? I'd have to compare, but I think I would've noticed that hopeful smile at the end of Z. It would've been just a -little- out of place, under the circumstances."It's *exactly* the same footage, frame for frame. Only your perspective has changed.
Sort of like Shroedinger's TV show.
- @@@848310677 About Peter Jurasik and Andreas Katsulas
Yeah, those two are terrific. You know you can write *anything* for them, and they can play it. Just terrific stuff. - @@@848389230 Who thought up the cat sound when G'Kar extended
the pike?
The cat was my idea. Cats are endless sources of humor. - @@@848346518 Ivanova wasn't in this episode. Was she supposed to
be the one cleaning out Sheridan's quarters?
No, those scenes were always written with Franklin in mind. There was a brief scene with Ivanova originally in the ep, but it was snipped for time.
The scene was inserted into the next episode. - @@@848607080 Londo is very careful with his wording around
Cartagia.
Which is why Cartagia likes Londo...he stands up to Cartagia, but does so in such a way that Cartagia can't touch him...doesn't give him any excuse or way in. He's got nowhere to go...and in a way, he admires and respects that. - @@@850299355 I will, on *rare* occasions, address a note or correction
directly to an actor while we're shooting, but in general I give any
notes to the director on the set, who passes them on to the actor.
There really can't be a multiplicity of voices talking to actors on the
set...it can become confusing, and they can get contradictory
directions. They can get skittish and lose concentration.
One occasion where I *did* do this recently...in the scene where Londo explains to Cartagia why he shouldn't be killed for being late, the director had Londo playing that scene submissive and nervous in rehearsals, didn't understand that the whole point of the exercise was Londo standing up to Cartagia, but doing so in a very sly way, not giving him any room to maneuver. Cartagia likes Londo because there's intelligence and steel, in a very manipulative fashion..."you think the same way I do," Cartagia says. So before we shot the scene, I pulled Peter aside and gave him the correction, and that's how we shot it.
But, again, those incidents are fairly rare.
- @@@850299471 Do actors ever ask you for clarification?
That, yes...very often, while the actor is prepping, they'll come by my office, or at lunch ask about a particular passage, for clarification on my part, as opposed to an adjustment on their performance. - @@@848607080 Wasn't Londo afraid G'Kar's cell was bugged?
I figured Londo would've bribed the guards to shut down the bugs. Also, there's reason to bug a political figure's quarters...but a cell in which there is just one person, who in theory has no allies with whom to conspire...that would likely have a low priority. - @@@848310677 Female is an irrelevant concept to the vorlons.
- @@@850550307 I think Lorien is beyond concepts of male and female as they
pertain to the Vorlons...that's our perception of them, not his.
- @@@848311051 How long can bits of Vorlon consciousness
survive?
They can't survive for long on their own. - @@@850298282 What did the Vorlons tell Lyta about their
intentions?
Only that they'd still respect her in the morning. - @@@848311423 Was there a reason the Psi-Cop had the same build as
Bester and wore an opaque mask?
Who would do a thing like that? - @@@848786247 Did the interrogation scene actually happen, or is it
an implanted memory?
No, that scene happened in reality. - @@@848346604 About Sheridan and G'Kar
"They are being made to choose between life and death, action and inaction, hope and despair. They are in the position of having to either lose faith, or keep it."Yup. Got it in one....
- @@@848389230 Is Lorien God?
The first sentient being. He ain't god in any sense of the word. That he's still puzzling out this "word/thought" business shows that, even after all this time, he's still trying to suss things out.... - @@@848472561 The first being, or the last survivor of his
race?
First, as far as he knows. To quote from a later episode, "So we left, and found no others like us." - @@@848786174 He'll discuss his origins at considerable length in
about 3 or 4 more episodes.
- @@@850298839 Well, technically speaking, I suppose you could say that the
Vorlons and Shadows are second ones, since Lorien's people came first,
about which you'll hear more in the next batch of eps.
- @@@851907233 Was Lorien waiting for Sheridan in particular?
He was waiting for whoever would be first to get that far. - @@@884020583 About the questions
"Why are you here?" asked by Lorien, is #3. The balance point between the two.There's a fourth question coming, though.
Whatever Happened to Mr. Garibaldi?
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
"Personal Log, January 8, 2261, Doctor Stephen Franklin reporting. It's been fourteen days since Captain Sheridan was presumed killed on Z'ha'dum--nine days since Mr. Garibaldi disappeared on patrol outside the station. MedLab's quiet these days. The League of Non-Aligned Worlds has broken up and everyone's going back to their homeworlds to prepare for the next stage of war. We know the enemy's gonna strike back. Rumor has it that this time's gonna be the last time. This time, they're gonna end it. All we can do now is wait for the other shoe to drop, or try and find something useful to do before the end. And right now, short of hand-holding or a sympathetic ear, I can't think of one damn thing..."
Lennier enters MedLab as Franklin is recording and tells him that he is committing a breach of protocol, but that there is a problem with Delenn.
Sheridan is floating deep in blackness, facing a creature glowing with
an inner light--its two tentacles hold him firm, and a voice resonates
two questions "Who are you?" and "What do you want?" over and over
again. Sheridan wakes up, and the figure standing over him asks him
what he was dreaming about. The man already knows he's thinking about
escape, and tells Sheridan he should give up the attempt. The man
knows Sheridan still wants to know his name; he says it's
Lorien, and asks a series of questions, eventually ending
in the conundrum of which came first--the word that created the
universe, or the thought behind it? Lorien knows Sheridan is still
involved in the question he wants to ask--Who are you? Sheridan is
surprised Lorien knows the significance of that question, and Lorien tells
him the point of the question is that there is never a good answer. He
tells Sheridan further that the question of what Sheridan is is
easy--he's dead. Sheridan doesn't believe him, but can find no
proof, even in the form of a pulse, that he is actually alive.
Sheridan refuses to believe that he's dead, and insists it's a trick.
Lorien asks him what the last thing he remembers is. Sheridan only
remembers falling, seemingly forever. Lorien tells him that nothing
goes on forever, and that everyone hits bottom sooner or later. Lorien
asks Sheridan if he hit the bottom of the abyss, but Sheridan doesn't
know. Either Sheridan did, and he is dead, or he didn't, and is still
falling. Lorien also suggests he could be in-between, and Sheridan
asks what he could be in between.
"Between moments," Lorien tells him. "When we are born, we are
allocated a finite number of seconds. Each tick of the clock slices
off a piece of us. Tick. A possibility for joy is gone. Tock. A
careless word ends one path, opens another. Tick, tock. Tick, tock.
Always running out of time. Yours is almost used up. You're between
seconds--lost in the infinite possibilities between tick and tock.
Tick. You're alive. Tock.... Well, it was a good life, but a short
one. Tick, tock. Tick, tock. Tick..."
Sheridan grabs Lorien and demands to know what's going on, if he's behind it all. "Who are you?" he asks, and remembers part of his dream.
"You're closer now, aren't you? Yes, I see you are. But closer to
tick or closer to tock? I don't know. Only time will tell. And here,
between the moments, we have all the time in the world..."
G'Kar walks into a tavern filled with people and the strains of loud
futuristic rock music. He steps over to a table and speaks to a man,
telling him he heard he could find information about a piece of
Starfury the man sold to a trader elsewhere. The man says it was
salvage, and therefore legal, but G'Kar wants to know where it came
from, since it belongs to the Starfury Garibaldi was in when he
disappeared. The man doesn't want to talk, but G'Kar demands to know
how he knew where to find it. When things begin to turn violent, the
bartender intervenes, and tries to kick G'Kar out, something G'Kar
doesn't like. Before the bartender can do anything else, a man nearby
raises up his hood, revealing himself as Marcus, and a short fight
ensues, during which both he and G'Kar escape. The bartender sends two
Centauri guards after them, while he speaks to another one about
another matter.
The chime on Delenn's quarters rings several times before she answers
it and Dr. Franklin steps in. She asks if there is a problem, and he
asks her if she is having a problem, since she hasn't had anything to
eat or drink in a week, which, although commonplace for normal Minbari,
may not be healthy for her. Delenn says that justice is served by her fast,
and everything that has happened has been her fault, and she tells
Franklin she is very upset that she broke the bond and the trust
between she and Sheridan. She admits that she loved him and wanted to
protect him, but thinks she should have trusted him more than she did.
She tells Franklin that her fast will continue, and that should
Sheridan be dead, her soul will join his, and she will see him again,
in "the place where no shadows fall." Franklin leaves her alone with
her grief.
Marcus comes in from the outside, and reports to G'Kar that the Centauri guards are still chasing them. G'Kar doesn't know why, and Marcus explains that he is worried for exactly that reason. G'Kar says he thinks Marcus worries too much, but wants to know why he's there. Marcus says he came to look after him in case he got into trouble. G'Kar tells Marcus that he is planning to go back later and find out more about Garibaldi's Starfury, but Marcus offers to do it instead, since the guards are all too eager to find G'Kar. Marcus asks G'Kar why he is risking so much for Garibaldi, and G'Kar tells him that he is doing it because Garibaldi was his friend, and he never had a friend who wasn't a Narn. Marcus says he's doing it because he never had a friend who was a Narn--when he had them at all. G'Kar picks up Marcus' pike and looks at it, accidentally extending it while doing so. G'Kar says he likes the weapon very much.
The Centauri guards are with the bartender, looking through several photos of Narns that may have been involved in the altercation in the bar, and he eventually finds a photo of G'Kar and is able to identify him. The guards tell him there is a reward on G'Kar--dead or alive. Meanwhile, the man from the bar awakens--due to Marcus dripping water in his face. Marcus threatens him, and demands to know where he got the piece of the Starfury.
Delenn arrives in Captain Sheridan's quarters, where Franklin is going
through Sheridan's personal effects on Ivanova's orders. While
looking through Sheridan's files, he found something he felt Delenn
should see. He hands her a data crystal which she plays as soon as
Franklin leaves.
"Personal log," says Sheridan on the screen, "May 14, 2260. We
actually had a quiet day today--it's hard to believe with so much going
on lately. Now that we've broken away from Earth, everything has hit
the fan. It's not what I wanted. Frankly, it scares the hell out of
me, but it had to be done. The job now is to turn this around and make
it into something positive. My dad always told me that's the only way
you deal with pain. You don't surrender, you don't fight it--you turn
it into something positive. He used to say, 'If you're falling off a
cliff, you may as well try to fly. You've got nothing to lose.' And
in a way, I feel the same way about Delenn. During the war, I fought
Minbari, I killed Minbari, saw many of my friends die at Minbari
hands. Here I am, in love with one of them. For a long time, I
thought about not saying anything, but... The moment my heart crossed
that line, there wasn't much I could do but see it through. Yeah, I've
fallen off one hell of a cliff, but when I look in her eyes, I let
myself think, maybe I really can fly."
Marcus explains to G'Kar that the man got the location of the Starfury
from Interplanetary Expeditions, and that person would get one tenth of
the purchase price. G'Kar says he plans to go to the place where the
ship was found to search out for more information. G'Kar says that
Marcus should go back to Babylon 5 and search for the person from
Interplanetary Expeditions, and that Marcus should leave before he gets
offended. G'Kar says he needs Babylon 5's resources more than he needs
Marcus' help. Marcus leaves as G'Kar lays down to sleep.
G'Kar awakens to the sound of footsteps, and sees shadows outside. As
they come closer, he grips his firearm tightly, but when they enter the
room, even though he gets off a few shots, he is taken down and knocked
unconscious.
Delenn and Lennier stand before the gathering of Rangers, and Delenn
tells them that, even though most of their work has, until this time,
gone unnoticed, they must strike a blow that will serve as an example
to all the others. Lennier explains to them that the League of
Non-Aligned Worlds has dissolved, and that they must find those who
still believe in their cause. He says they need a single rallying cry,
and Delenn wants it to be the Rangers. She says their plan is to wait
seven days, for any other ships, and then attack Z'ha'dum. They have a
small chance of success, but they must try anyway. She tells the
Rangers that, with this attack, she is offering them the same chance to
fly that she heard in Sheridan's log.
There is a knocking at Londo's door, and after taking up a weapon in
case of danger, he answers the door to find the Emperor's advisor,
who says the Emperor wants Londo to come immediately. Londo
changes out of his night clothes and goes to the Emperor's throne
room. Though Emperor Cartagia is initially upset at the delay, he
tells Londo that he wishes to present him with a gift. Londo attempts
to refuse, but Cartagia won't let him, and knows it's something Londo
has been waiting for for a long time. Cartagia activates a signal, and
two Centauri guards enter flanking G'Kar, who is wearing a yoke. Cartagia
says G'Kar is there for their amusement and that, should the amusement
cease, G'Kar will die. Londo, not knowing what to say, decides only to
thank Cartagia for the gift. Cartagia asks G'Kar if he has anything to
say, and G'Kar asks him only if he knows where Garibaldi is. "Who?"
asks Cartagia.
Garibaldi is, in fact, in a solidly built, round room, as if an
observation room, with no windows and a well-sealed door. Garibaldi
pounds against it, but to no avail. A voice coming from unseen
speakers tells him to refrain, as he might hurt himself. Garibaldi
asks why they can't allow that, and the voice says merely that they
have their orders. Garibaldi asks who the orders came from, but the voice
won't tell him. The voice wants only to know what happened after he
left Babylon 5, and Garibaldi insists he doesn't remember, but the
voice says his vital signs indicate he isn't being honest. This
outrages Garibaldi, but the voice only wants to hear the truth. It
asks him time and again what happens, but Garibaldi insists he doesn't
remember. Garibaldi loses control and begins smashing everything in
sight, including his chair and the lights in the room. His rampage is
soon stopped, however, when a gas pours from vents in the floor,
knocking him unconscious. The door to the room opens and someone
wearing a gas mask--atop their PsiCorps uniform-- steps into the room.
Londo enters G'Kar's cell, where the Narn is sitting in the corner. Londo
says it was foolish for G'Kar to leave Babylon 5, and that he was
followed as soon as he left. Londo tells G'Kar that, if he wanted to
die, he could have attended to it, but that, on Centauri Prime, he will
be afforded no such courtesy, and he will be tortured by
Cartagia--treated as a toy. G'Kar will suffer for days, weeks, or
months, but when they are done, G'Kar will die a very time-consuming
and painful death, each of his organs being removed one at a time.
G'Kar asks if the idea pleases Londo, and Londo admits that it doesn't,
and that it never would have. Londo says he would not wish G'Kar's
fate on anyone. Londo tells G'Kar that Cartagia is a monster, and that
he must be removed. G'Kar may be the means by which it can
be accomplished, but he will suffer greatly--something Londo
can't prevent. Londo tells G'Kar he must endure until the time is
right, at which point Londo will act. Londo asks if G'Kar will help,
but he doesn't answer. Londo begins to leave, and G'Kar tells him the
price for his assistance--he will help remove Cartagia only if Londo
will free Narn. Londo promises this to G'Kar, and then leaves the
room, casting a bright light onto G'Kar as he exits.
Sheridan, still trekking through the tunnels in Z'ha'dum, finds the fire he set when he first woke up. He realizes he has come full circle, and Lorien says everyone does eventually. Sheridan knows there must be some way out, but Lorien says that the only way out is to surrender to Tock. Sheridan says he can't die, since he must aid the Army of Light in the war, to prevent billions of deaths.
"It's a terrible thing when your children fight," Lorien tells him. "I warned the others, but they didn't listen. They never listen."
"Your... children?" Sheridan asks.
"Metaphorically speaking. Those who came after me. Children. Younger siblings."
"How long have you been here?"
"A long time. So long... I was old when the molecules of your world joined and called themselves land and sea and fish and man."
"You're one of the First Ones."
"No, not one of the First Ones. I am The First One."
Sheridan knows Lorien knows a way out of Z'ha'dum, but wants to know
why he has stayed for so long. Lorien says he's waiting for someone,
and that Sheridan is the first to make it as far as he has. Sheridan
asks if the Shadows know, and Lorien says they do-- that's why they come
back to Z'ha'dum. They believe they're showing respect, but they
don't understand. "They used to," Lorien says, "but that was a long
time ago. A million years." Sheridan says Lorien doesn't look as old
as he is, and Lorien says he doesn't at the moment. Sheridan finally
realizes his dream was of Lorien.
"Did you know you have a Vorlon inside you?" Lorien asks. "Well, a piece of one."
"If you go to Z'ha'dum, you will die," Sheridan remembers Kosh saying. "Jump... Jump now..."
"Kosh..." Sheridan realizes.
"Is that its name? I think I met it once, long ago."
"He told me to jump. Did he know..."
"That I was here? Almost certainly."
"How..."
"They can break off pieces of their conciousness and put it into other organisms. It allows them to travel hidden through the galaxy, using others as their eyes and ears. Kosh is in you, and he's part of the problem. You're the other part. You're both still clinging to life, both afraid to let go. You must lay down the burden of life, both of you, and surrender yourself to Tock."
"No, I can't," Sheridan says. "The others need me..."
"You can't turn away from death simply because you're afraid of what might happen without you. That's not enough. You're not embracing life, you're fleeing death. So you're caught in-between, unable to go forward or backward. Your friends need what you can be when you are no longer afraid--when you know who you are, and why you are, and what you want. When you are no longer looking for reasons to live, but can simply be."
"I can't... I don't know how to do that."
"Then I cannot help you, and you will be caught forever in-between. You must let go. Surrender yourself to death. The death of flesh. The death of fear. Step into the abyss... and let go."
"It's getting darker," Sheridan says, and the light around him starts to vanish.
"I know. You're close, friend. Very close. It's easy to find something worth dying for. Do you have anything worth living for?"
"I can't see you anymore..."
"As it should be."
"What if I fall? How will I know if you'll catch me?"
"I caught you before."
"What if I die?"
"I cannot create life, but I can breathe on the remaining embers. It may not work."
"But I can hope..."
As the world around him disappears completely, the words of Lorien continue to echo. "Hope is all we have."
Sheridan then begins to reexperience his emergence onto the balcony above the abyss, and his leap into it, as Lorien's voice echoes, asking him again, "Do you have anything worth living for?"
While he falls, he remembers the voice of someone, a long time ago, on the original White Star. "Sleep now. I will watch, and catch you if you should fall."
Lorien stands over the body of Sheridan, outstretched at the bottom of the abyss, after Sheridan delivers his answer, in the form of a single word.
"Delenn!"
Z'ha'dum
Overview
Third season finale. A face from Sheridan's past takes him on a dangerous mission to meet his Shadow counterpart. Londo receives important news about his political future. The Shadows mass a fleet against Babylon 5. Melissa Gilbert as Anna. Ed Wasser as Morden. Jeff Corey as Justin.
P5 Rating: 9.73 Production number: 322 Original air week: September 22, 1996 (UK) October 28, 1996 (US) DVD release date: August 12, 2003 Written by J. Michael Straczynski Directed by Adam Nimoy
An episodic soundtrack is available.
Warning: This episode reveals a lot of information, and there are spoilers below. Think twice before reading on if you haven't seen the episode.
Backplot
- The Shadows claim that the Icarus was sent to Z'ha'dum by Earth after Interplanetary Expeditions planted a homing device on the Shadow ship discovered on Mars ("Messages from Earth") and traced its path through hyperspace.
- A million years ago there were many immensely powerful species roaming the galaxy, but most left for "greener pastures," leaving the Vorlons and the Shadows behind.
- The Shadows claim they and the Vorlons are "shepherds," guiding younger races through the evolutionary process, though they have different methods: the Vorlons are like parents, trying to get their children to play nice and get along, while the Shadows believe that only through conflict and death can races become stronger and more advanced. They also claim that by enlisting the help of the Minbari and others against the Shadows, and by manipulating the younger races genetically, the Vorlons haven't been playing by the rules.
- The Shadows claim that the Vorlons' genetic tinkering is responsible for the sudden appearance of telepathy in humans, and that they got involved with Psi-Corps to try to minimize the threat to themselves.
- The Shadows' own name for themselves is 10000 letters long, and unpronounceable.
- Z'ha'dum is, according to Delenn, the Shadows' homeworld.
- The Shadows badly want to have Sheridan on their side because he has succeeded in uniting the various races into the "Army of Light," something that's anathemic to their goal of growth through universal conflict. If he unravels the Army of Light, it'll stay unravelled, but past experience has shown that killing him would simply cause someone else to take his place.
Unanswered Questions
- If the future as seen in "War Without End" is unchangeable, then how does Sheridan survive?
- What was left of Anna after she was removed from the Shadow ship and sent to Sheridan?
- @@@847097295 Was the entire crew of the Icarus put inside Shadow ships, or were some of them killed?
- @@@847043767 What was behind the door Anna wouldn't let Sheridan open? (See JMS Speaks)
- How much truth is there in the Shadows' statements?
- Why did the Vorlons and Shadows stay behind when the other First Ones left?
- Where exactly did the other First Ones go, and why?
- Were the Vorlons also responsible for telepathy in Narns and Minbari around the time of the last war?
- @@@847218922 If the Vorlons and the Shadows are trying to guide the evolution of the younger races, do they have an objective in mind? If so, what?
- Who or what is Justin? Where did he come from? Was he also a member of the Icarus crew?
- What is the pit Sheridan jumped toward? (See Analysis)
- @@@846912771 Anna told Sheridan that time doesn't work the same way on Z'ha'dum as elsewhere. How does time work there, and why is it different?
- Was the destroyed city the only city on Z'ha'dum?
- How badly have the Shadows been hurt?
- Did Morden and/or Justin survive?
- Did Londo get off the station after his warning?
- @@@847444283 Where were the Minbari ships shown at the beginning of the episode when the Shadows appeared?
- Why did the Shadows take Garibaldi? Luck? Their plan? His plan?
- What ever happened to Mr. Garibaldi?
Analysis
- Given that Anna most likely lied about the fate of the Icarus' crew,
and that they tried to mislead him about what had been done to her,
much of what Sheridan was told may be lies or misrepresentation as
well, and it's possible that important elements of the relationship
between the Vorlons, Shadows, and the other First Ones were left
unsaid.
- The Shadows have a similar worldview to that of the Lumati
("Acts of Sacrifice,")
namely that individuals deserve to fall by the wayside if they aren't
strong enough to fend for themselves. The Drazi and others might
also come to agree with the Shadows' motives if they were explained.
Assuming Sheridan has survived somehow, what will Delenn and Kosh
do to keep the Shadows' side of the story from becoming public?
- Anna told Sheridan, "It was supposed to be an equal balance between
our side and the Vorlons." According to who?
Did both sides agree to follow rules of conduct? Are they
acting on behalf of some other party who wants to see which
style of evolutionary help will prove more fruitful?
- Some part of Kosh is definitely in Sheridan's head -- Sheridan sees
or hears him twice. The first time is just before he leaves for
Z'ha'dum, when Kosh says, "If you go to Z'ha'dum, you will die." The
second time is just before the White Star crashes into the Shadow city,
when he tells Sheridan to jump into the pit.
- Sheridan decides he is willing to sacrifice himself in the nuclear
destruction of the Shadow city for two main reasons -- first, to help
defeat the Shadows, and second, to try to avoid the destruction of the
Centauri Homeworld he has foreseeen
("War Without End.")
His willingness to sacrifice himself also brings to mind the judgment
of Sebastian
("Comes the Inquisitor")
that both Sheridan and Delenn can sacrifice themselves for their cause.
Delenn also told Sebastian the same thing the Shadows told Sheridan:
that if they were killed, another would come along to take their place.
- @@@846743775 Anna claims that the Shadows believe they'll die if
anything Vorlon touches Z'ha'dum. Is that simply a superstition, or
do they have some reason to think that's true? Perhaps they foresaw
the detonation of the White Star in some way -- as it turned out, that
belief wasn't too far from the truth.
- Justin is probably "the man in between" from Sheridan's dream
("All Alone in the Night")
-- Sheridan's counterpart. But if he's truly equivalent to
Sheridan, does that mean he's in control of the Shadows? Of
course, given the amount of manipulation by the Vorlons and the
Minbari, it's questionable whether Sheridan is really in control
of the army of light in any meaningful way; Kosh and Delenn have
steered him toward their viewpoints from the beginning. Still,
if Justin is Sheridan's counterpart, he's more than a simple
spokesman, and if that's the case, it begs the question, how did
he achieve that position?
- @@@846746561 Another interpretation is that "the man in between"
implies that there's a third person, a "man on the other side."
The presence of Garibaldi and two versions of Sheridan in his dream
supports that interpretation. In that case, who is Sheridan's
opposite? Perhaps it's Sheridan himself: if Justin had managed to
convert him to the Shadows' side, he would have become the man on
the other side.
- Both Justin and Sheridan drink tea to help them sleep
("And the Rock Cried Out, No Hiding Place.")
- @@@847044315 Sheridan's first question to Justin is, "Who are you?"
That's the same question Sebastian asked Delenn and Sheridan
("Comes the Inquisitor.")
One could plausibly consider it the Vorlon question, their version of
the Shadows' "What do you want?"
("Signs and Portents.")
Significantly, Justin refuses to answer the question in any direct
way, even claims it's not important who he is. That probably points
to a major philosophical difference between the Vorlons and the
Shadows.
- @@@847134359 Justin claimed there were two elder races left behind.
Does that mean the Shadows don't know about the Walkers at Sigma 957
("Voices of Authority?")
Or would they not consider that race to be remaining behind?
- @@@847044425 What did Justin mean when he called Sheridan a nexus?
Does it imply there's something inherently special about Sheridan,
or does one become a nexus simply by being in the right place at
the right time? Certainly Sheridan's decisions affect the fates of
millions of people now, but was that destined to be the case?
- @@@847013287 Delenn said that nobody returns from Z'ha'dum the same
as they arrived. How does she know, and what does she mean by that,
exactly? Is it simply a matter of all visitors to Z'ha'dum being
put inside Shadow warships?
- The Shadows don't seem to have very good security, given that they
failed to detect that Sheridan was carrying a second gun. On the
other hand, it's possible they did detect it, but elected
for some reason not to do anything about it.
- @@@844646097 Z'ha'dum's defenses are similarly flawed; the White
Star was able to crash into the surface of the planet intact, apparently
with no opposition on the way down. Why weren't the Shadows vigorously
protecting their homeworld? Obviously they left the White Star alone
while it was in orbit because of their guarantee to Sheridan, but
once it started plummeting toward one of their cities, it's odd
that they didn't shoot it out of the sky.
- The pit Sheridan jumped into
was more than a simple depression; as he fell, just before the
White Star detonated, he appeared to be passing through a tunnel
of some kind. Perhaps he was transported to safety by some means;
that would explain Kosh urging him to jump. If so, what is the
pit, and did the Shadows build it, or are they merely taking
advantage of something that predates their presence on Z'ha'dum?
If the latter, was the city surrounding the pit a Shadow installation,
or was it peopled by someone else?
@@@844646097 It's also odd that, given that they moved their base underground "for security purposes," the Shadows would build a large, exposed dome above the pit.
- @@@847013010 Perhaps the pit is related to the Shadows' absence. In
"Chrysalis,"
Delenn asked Kosh, "Have the Shadows returned to Z'ha'dum?" That
implies they'd been somewhere else. Perhaps the pit is a gateway
of some kind, and Sheridan will survive by passing through it.
- @@@845621508 Is Sheridan's descent into the pit related to Londo's odd
greeting in
"War Without End, Part One,"
"Welcome back from the abyss, Sheridan?" If so, does that mean he
somehow spends the intervening seventeen years either in the pit or
associated with it in some way? The former is unlikely if Sheridan
and Delenn already have a son seventeen years later.
A parallel to Tolkien's "The Lord of the Rings" is possible: Gandalf fell into the pit at Khazad-dum with the Balrog, died (as Sheridan will, according to Kosh) and was reborn as Gandalf the White, an even more powerful figure.
- @@@847013010 Sheridan may also, if he survives in some fashion,
qualify as "the one who is already dead" from Lady Morella's prophecy
("Point of No Return.")
It's an even closer fit since Sheridan would be The One who is already
dead.
- @@@847134359 In
"Interludes and Examinations,"
Kosh said he wouldn't be there to help if Sheridan went to Z'ha'dum.
But that's not how it turned out; Kosh was there, though it's not
yet clear how much help he was. What would Kosh have done for
Sheridan on Z'ha'dum if he hadn't been killed?
- @@@846887775 This is the second time Sheridan has leapt from great
heights to avoid a bomb
("The Fall of Night.")
And both times, Kosh was involved, though Sheridan didn't know that
when he leapt the first time. Will Kosh's presence in Sheridan's
mind somehow save him once again?
- @@@847137184 Ivanova's plan (or possibly Sheridan's) to plant mines
near an upcoming Shadow attack is the same strategy Sheridan used to
defeat the Black Star in the Earth-Minbari War
("There All the Honor Lies.")
How will the Minbari, who denounced Sheridan's tactic as dishonorable
then, feel about its use against the Shadows? Perhaps they'll have
no problem with it, since presumably Ivanova won't use a fake distress
call to lure the Shadows in as Sheridan did to the Minbari.
- @@@865727965 Sheridan has now destroyed both the Black Star and the
White Star, further justifying the Minbari nickname for him, Starkiller
("Points of Departure.")
- @@@847217835 If the Shadows were planning to implant Sheridan, as the
arrival of the Shadow implied, why did they surround the station?
Would they have attacked? Their warning to Londo implies so.
Perhaps they came both to attack if necessary and to pick up
Garibaldi.
- @@@847134359 Shadow ships seem to have instantaneous communication
with Z'ha'dum; they left Babylon 5 as soon as the explosion occurred.
That's perhaps not so remarkable; B5 has near-instantaneous contact
with Earth, and it's not clear how far Z'ha'dum is from B5.
- @@@847013593 The Shadows may have taken Garibaldi to try to alter him
and get him to work for them. Justin said, "Once you've been inside of
one of those ships for a while, you're never quite whole again. But
you do as you're told." Garibaldi may already be altered by virtue of
his transportation in the belly of the Shadow ship.
- @@@847042174 Ivanova immediately knew that Sheridan was gone. Simple
deduction based on the missing bombs and White Star and the sudden
departure of the Shadows, or did she sense something telepathically?
- @@@845427732 If human telepathy is the result of Vorlon genetic
tampering, is the same also true of Minbari and (former) Narn
telepathy, and of other races as well? What, then, of the Centauri,
who (to judge by Londo's failure to see Kosh in
"The Fall of Night")
haven't been altered by Vorlons? Where did they get their telepathy?
- @@@845427732 Again assuming that all human telepaths owe their
abilities to Vorlon modifications, Ivanova's genes, or rather those of
her ancestors, have been altered by the Vorlons. What other changes
did the Vorlons make in addition to granting telepathy? Will Ivanova,
for instance, be more susceptible than other crewmembers to images
projected by the new Kosh?
- @@@845427732 The Vorlons may have had more than one motive for
creating telepathy among the younger races. There's the obvious reason,
namely that telepaths are useful as weapons against the Shadows. But
it may also be that the Vorlons' goal of universal cooperation, if
Justin's representation is to be believed, is furthered by widespread
telepathy. Presumably people are less likely to fight if they can
feel their blows landing on an opponent's body from the other person's
point of view, and certainly direct mind-to-mind contact would enable
much more productive cooperation. The Vorlons may feel that telepathy
is ultimately most useful as a means of pacification, not as a weapon.
If so, the path to that goal cuts straight through Shadow territory; the Psi Corps, as represented by Bester in "Ship of Tears," is perhaps internally cohesive, and its members cooperate with one another effectively, but its leaders hold the rest of the human population in contempt ("Normals are expendable," as Bester put it.) It's plausible that eventually that will lead to conflict between telepaths and normals, with the winners in charge afterwards -- exactly the process the Shadows advocate.
- @@@845427732 Likewise, the Shadows' actions seem to be at odds with
their stated goal. As Morden said to Sheridan, every time the Shadows
come out and try to put their plans in motion, someone tries to unite
all the other races against them. Given that the Shadows seem to have
been defeated in at least the last two wars, and probably many others,
it's likely that someone succeeds in uniting all the races
against them every time. By attempting to create conflict, they
instead promote unity and cooperation.
Of course, it could be that the Shadows and Vorlons actually want exactly the opposite of what Justin claimed, and they realize that if they push in one direction, the younger races will move in the other.
- @@@846186676 The Vorlons' tinkering with humans may have been
foreshadowed as far back as
"The War Prayer,"
in which Kosh told Sinclair, "We take no interest in the affairs of
others," while he was studying images of Earth history. Perhaps he
was simply studying the effects of Vorlon intervention.
- @@@847218922 Morden seemed disgusted by the thought of the Vorlons tampering genetically with humans. Why is that more objectionable to him than the Shadows' implantation? Perhaps it's because the Shadows aren't aiming to directly modify the species with their tinkering; presumably humans who are put inside Shadow ships never return to human society.
Notes
- The episode's title, originally under wraps as mentioned below, was announced by JMS at the San Diego Comicon on July 6, 1996.
- @@@847044592 The concept of someone being a nexus also appeared in the novel "The Demolished Man" by Alfred Bester, which also contains the inspiration for the Psi Corps. In the novel, the term is "focal point," and it's suggested that a focal point can cause tremendous changes not only to the lives of other people, but to the very structure of the universe.
- @@@852599233 Delenn's rendition of the human saying, "What is past is prologue," is from Shakespeare's "The Tempest."
jms speaks
- I'm going to hold the title of 22 confidential as long as
possible.
- By the last few episodes, pretty much all of my cards are on
the table. But by the last episode of this season, we find that the
game we've assumed we've been playing ain't necessarily the game at
all. The show takes a fairly subversive direction, and of all the
seasons so far, the one that follows, year four, represents the
greatest writing challenge to make this actually work.
Which is another reason why it's important to get the B4 storyline and several other threads out in the open, and clear the decks, because this is gonna take every bit of whatever talent I've got to pull off.
Year four is the point in the novel when you're just past the halfway mark; you know the reader thinks he or she has got the story sussed out. The reader knows all your tricks by now, or thinks he/she does. You've been pulling doves out of your hat for 243 pages.
Now you'd damned well better be able to pull out an alligator.
- February 27, 1996
Well, it's done. I have today turned in the first draft of script #22 for year three, which I suppose could be called a cliffhanger episode. This marks the first time in the 50+ year history of American television that one person has singlehandedly written an entire season of a series. (The closest record is Terry Nation, who wrote the 13-episode first season of Blake's 7.)(I have no plans to do this next season, btw; this was necessary because of the substantive changes in the B5 universe this season. Next season is a very different story...literally as well as figuratively.)
So far the film based on those 1,000+ pages represents some of our best work on Babylon 5. There's some nifty stuff coming.
We are currently filming episode #18. Four more after this, and we'll be finished shooting year three, as of April 9th. Not long after, we should get the word on year four, probably by late April/early May. But the writing is finished...and for the first time in 8 months, I will be able to go out, see a movie, play Wing Commander, find something that vaguely resembles a life. This is where I now also become a director's worst nightmare: a writer-producer who's finished writing and finally has time to hang out on the set and give lots and lots of helpful advice.
It was a hideous task; two-thirds through I began to understand that there was a *reason* nobody's ever done this before...you'd have to be outta your ever-loving mind to even try. But as with everything else on B5, if we don't know it's impossible, we just go ahead and do it.
The title, as stated elsewhere, is classified, though you may get a sense of what's coming in the two eps that precede it. Regardless, the writing on year three is now complete. Overall, I'm quite pleased, and I think by the time you hit this episode, you'll feel the same.
- Well, there's what one would *prefer*, and there's that which is
*sensible*. And the sensible answer is that no, once the last S3
episode airs in the UK, there's no way on earth you're gonna keep that
out of the public eye, and there ain't much sense to protecting it or
hitting it with spoiler regs. I'd let it go at that point.
(And, frankly, it'll probably slip out some time before that; when it hits, it hits, I've decided to let it go at that point...you just ain't gonna hear it from ME, that's all.)
- "Or is it a matter of the title being a spoiler for an episode between
now and then?"
Yes, that's my concern.
While I'm on the subject, an advisory: I gave a short interview to Entertainment Weekly the other day for their story about cliffhanger endings for various shows. Now, the piece is going to run in May since that's when most shows (most *sensible* shows) will be doing their cliffhangers. Ours won't run until July or October, depending on who you talk to.
There's a point where you have to decide between publicity (good for show) and secrecy (good for viewers), in the process of keeping the show on the air (also good for viewers). So I let a few things out of the bag. If you don't want to be spoiled, then you may want to avoid picking up and reading that story.
- Why a cliffhanger, if WB is likely to delay the final episode
until the start of season four?
Because the story calls for it. Whether they show the cliffhanger three months or two weeks before the fourth season (assuming renewal), this is where the story goes. It was constructed like a series of novels, a multi-volume saga, and like any good series of novels, you end on something big.And this year, season three ends on something really honking big.
- It has some surprises, with teeth....
- Why did you reveal the title at the San Diego
convention but refuse to do so earlier in Chicago?
At Chicago, the assumption was still that the UK wouldn't be getting the final 5 until the US did. But since now they'll be getting new (to the US) episodes starting in August, keeping the title quiet now seems kind of a moot issue. - I'm definitely looking forward to the reaction.
Today, for
instance, we did the final audio mix of "Z'ha'dum," our third season
ending episode. All of the EFX were in place, the sound, the
music...and after we did the piecemeal mix, layering in things in a
stop-and-go fashion, we did our playback, watching it straight through.
I don't think anyone was breathing for the fourth act. Everyone was
just wog-boggled. The emotional impact of it all is quite strong.
When the lights came up, and I looked around to the stunned faces in the room, the only thing I could say was, "Welcome to history, gentlemen."
- Who was in the room?
The only people in the room are those involved in the mix, this isn't a screening, it's part of post-production. It's me, John Copeland, co-producer George Johnsen, the sound editors, mixers, sound supervisor, a few others on the periphery.At one point, one of the mixers was working on putting in the sounds as he went, hadn't yet gone through it all...and kept telling the sound supervisor (who was asking questions about how we wanted to handle some later scenes) "don't let me hear this, I don't want to know, I just want to see what happens next, this is great." Which in this town, from folks who work on a lot of shows, is a good reaction.
- It's a lovely episode. This is the one where, after we
watched the final audio mix playback, prompted me to say to the other
producers working on the show, "gentlemen, we have just entered
history."
- One of the things I like about the episode is the emotional
content, as it builds toward the end of the ep. I've watched it (in
finished form) a half dozen times or more...but certain sequences never
stop being interesting.
- An emotional rollercoaster is a good image for that episode;
it takes you in every direction and then just drops you.
Re: the Revelations scene...we actually shot that entire sequence, with the notion of possibly re-editing "Revelations" and inserting the Melissa piece instead...sort of TV by way of soviet revisionism...and of course it was *always* that way...what other version was there?
- @@@865283090 It's something we're considering; we had her do the entire
message, and shot Bruce in those sequences, so we have that option.
Sort of a Soviet revisionism approach to television....
- @@@844381404 Was using Melissa Gilbert instead of Beth Toussaint
Bruce's idea?
No, since it was my idea re: Melissa. It was a scheduling situation involving availabilities. If it wasn't her, it would've had to be someone else...so I figured, why not? - @@@847444370 Were the wedding photos in the episode actually photos
from Bruce and Melissa's wedding?
Yes, we used their actual wedding photos. - The flashforward in "War Without End" seemed to not be quite the
same as the scene in this episode.
Sometimes there are practical considerations in the overall staging; when we shot the flash-forward, Melissa wasn't there, so when she was, there was some interest in restaging things. - @@@844028475 As for the music, no, it's the same orchestra Chris
has always used. I've seen times when people assumed he was using synth
and wasn't. He uses the Berlin Film Symphonic Orchestra for a goodly
amount of the work for the show.
- The other crew of the Icarus shown on Z'ha'dum were all done CGI.
- Was G'Kar's makeup different, or was it just the lighting?
Probably the lighting. - "So basically, what I'm asking is does the fact that
G'Kar gets the last major speech in season 3 mean that he gets to do
the voiceover for season 4?"
Not as such, no....
- Andreas did a terrific job on the end monologue. Very
moving.
- @@@852060283 Andreas did two takes on it; I think we used the first of
the two.
The writing of it...this is just an estimate, trying to remember, but I think it took me about 10-15 minutes. Which is actually a long time for me to stay parked on any part of the page. Obviously I already had kind of a sense of what was going to go into it before hitting the page, but the actual shape of it had to come in the moment.
- Is G'Kar's willingness to sacrifice himself a sign that he'd be
sympathetic to the Shadows?
I think that reasoning can be applied to any side. - "I hate you."
Thank you. I try.
- Was the destruction of the vessel in "Walkabout" the catalyst that
caused them to send Anna?
It's certainly gotten their attention...but it's the events in "Shadow Dancing" that tipped them into moving directly. - If the Shadows can get to Kosh and kill him, why
are Delenn and Sheridan still alive?
A good question, which we'll answer in the last episode of this season. - @@@847613747 The shadows are *much* older technologically than a
thousand years...that's just what Anna promised Sheridan we could jump
ahead, between 1 and 10,000 years. They're profoundly older than that.
- @@@851907372 What was behind the door
Anna warned John away from?
In a way, I was going more for the visual, the image...the whole show is a matter of what door you choose to go through, and the door not taken. If you wanted to take the scene *absolutely* literally, then since that room adjoined Justin's, the shadows were inside. Or you can take it a little more metaphorically. - The portrayal of [the Shadows'] motives is somewhat more elaborate, but
the sense is there, and as you yourself note, there's a certain cold
logic there which can be agreed with at some level.
- Is the Shadows' story true?
What Sheridan is told, in that episode, by them, concerning their motives, is absolutely true, certainly from their point of view. - Does the Shadows' story "explain it all" about this
subject?
Well, it sorta answers all the questions...it's hard to explain until you've seen the episode and the ones that follow. - @@@847081639 If that's really their goal, why are they attacking
the younger races directly?
Well, look what happened when the shadows came out and attacked a couple of places...first they did so without anyone knowing it was them doing it, as we've shown. So now everyone's running around like ants, scurrying for cover and trying to figure out what the hell's going on, accusing one another...then the Centauri got the credit/blame for it, causing further conflict...then they came out and sent everyone scurrying again, some to make alliances they thought would protect themselves (and thus enable them to make war on their neighbors, as shown), only to have that fall apart and they turn on themselves/each other. - The First Ones, Vorlons and Shadows aren't parents in any sense of
the word...we all evolved on our own, there's no common genetics, and
they didn't seed life here or elsewhere.
- What do the Vorlons and Shadows get out of this game? Why did
the other First Ones leave?
All those get answered in the first part of season four, so I'd rather leave it to that. - @@@864690715 The Vorlons and Shadows don't seem to know who they
are or what they want.
That's an extremely good and cogent analysis. And you hit the theme right on the head, one we'll explore in year four with the Vorlon/Shadow situation...and which was presaged in "Infection," right in the first season, the first episode shot. Sinclair says, in the ultimate moment in that conflict, "You forgot the first rule of the fanatic: When you become obsessed with the enemy, you *become* the enemy." That is what is happening here, with these two and other parties.It all comes together....
- @@@864690715 Did either side foresee Sheridan's leap?
I think the two sides have been too caught up in their own agendas to realize what was happening right under their noses until it was too late... except for Kosh, whose last traces did what they did...for a number of reasons. - @@@844393914 I thought I heard Kosh say, "If you go to Z'ha'dum,
will you die?"
No, he says "you will die." Very odd...check it again. We used the same audio track from before. - @@@844381405 I've checked it, and I think it was just the actor sliding a
vowel to make it clearer; "if you go to Z'ha'dum (ah) you will die."
- @@@844394086 Did Justin go to Z'ha'dum on the Icarus?
No, he was assigned there later. - @@@846737717 Was Justin's description of who he was and who he
worked for a reference to anything?
No, it's not from anything I'm aware of, though it's a concept that seems very natural. - @@@846745468 What influence did Justin have over the Shadows?
Justin thought he had some influence...but perception and reality are often at odds. - @@@846746561 Justin is the man in-between...the "middle man," as he
describes himself.
- Why weren't there ships guarding B5?
Most would've been getting repaired from their recent engagement. And the shadows phased in too close to B5 for either ship to ship combat, or anything from Epsilon 3. Any attack on them would've also destroyed B5. - One thing to also note is that when the shadows appeared, they swarmed
all OVER B5 as fast as they could, circling it without slowing down
much. So if Draal *did* launch an offensive, it'd take out B5 in doing
so.
- @@@847070040 The props department found the teapot, and found it very
suiting to the environment, so they went with it.
- Why didn't the door make a sound as it opened to let the Shadow
in?
The shadows entered through a different door/entrance; it was to the right of the room, which would've adjoined the room next door. Anna and John came through the door on camera left. - It's just a sound of stone grinding on stone. With a slight animal
like sound, as though entering someone's maw. Which is what I wanted.
- How did Sheridan get bloodied?
Basically, my thought was that it was just the one shadow in the room, and there was a tussle with some others, and he started running, made a break for it...didn't seem worth the time to show what would've been only a few minutes of hit 'em and run. - @@@844381405 He was in close quarters with a small group, and fought
his way out. This picks up right after that.
- @@@850938149 The PPG bursts would've wounded the shadow, allowing him
time to scramble out of there before Morden could draw. He then had
to fight some other humans in the area, scramble down some ridges into
the cave areas, and then walk out.
- @@@844393863 Were the creatures chasing Sheridan actual Shadows,
or just their servants?
No, those were definitely shadows. - @@@844028475 The final fate of the first White Star is very moving,
like some great silver bird plunging on fire out of the sky, bringing
retribution and striking one last time. That kind of image is a very
powerful one to me, and it works very well here.
As for what Morden and Justin told Sheridan...I'd say it was pretty much the truth.
- @@@864690715 Do you agree with the Shadows?
Sometimes I do, sometimes I don't. Motives are one thing; the means to achieving that motive, however, are a different issue. And those means I do not agree with. But on some level, their motives can make sense...as can the Vorlons' motives.... - @@@864690715 It's...not that easy. Can I make a pretty good argument
for some elements of what they're about? Yes. (And did, in the ep.)
It's a matter of extremes...their notion is fine, taken in small
doses...in larger doses, no.
- @@@864690715 Why didn't the Vorlons reveal the Shadows'
motives?
Because they don't trust us. They know what's best for us, and would rather make the decisions for us. That means controlling information. - @@@864690715 Aren't the Shadows defeating themselves by giving
everyone a common enemy?
Nope. First they attacked careful to not let anyone know who was doing it, so they'd accuse each other. Then they'd let another take the credit/blame for it, the Centauri in this case. That'd spin off new alliances and new...wars, and everyone's scurrying for cover. THEN they reveal themselves, and now you've got re-scurrying, some who try to make deals, and then attack others (as stated) thinking they have an unbeatable ally....most of the killing up until this point was done by the others, not the shadows. This current campaign would also lead to scattering the pins, and watching as they restructure, and they'd pull out again to let them scurry...and keep chewing at each other, only coming out when necessary to tip things over, then recede again into the....shadows. - @@@844028475 Did the White Star have a Vorlon consciousness, and
if so, did it eject before the ship exploded?
No, the White Star didn't have any substantial consciousness to eject before impact. It's gone.And thanks, on it all... G'Kar's final litany is very moving, and the music throughout works so well...as you say, it's going to be hard to beat.
But that's what we do around here. Because if we ain't pushing it every day to get better, what's the point of living?
Having now seen the first two finishedS4 episodes...I think people are going to be pleased. What strikes me about the new season is that it seems suddenly very mature, more filmic...everyone's very excited about it here.
- Who programmed the White Star?
Garibaldi programmed it from the intructions given him by Sheridan; it would've been set to explode at a certain point. He [Sheridan] gave it final detonation instructions when he signaled it via his link. - Was the talking bomb a nod to the movie "Dark Star?"
No. - Why were the bombs speaking English?
Who said they were speaking English? In a WW II movie, when you go to the Germans, you can understand what they're saying on the premise that yes, it's German, but we're hearing it as English. On the other hand, if Garibaldi programmed them, then they may have been in English...there's no way to tell exactly. - @@@846748272 The White Star blowed up real good, so it couldn't save
Sheridan.
- Refering to the shot of Sheridan above the city
The parapet shot was one I was very particular about, I really wanted it to feel *high*, and impressive. That whole sequence is one I run again and again, it's very moving. - @@@850550019 Why build an easily penetrable dome over an underground
city?
It's an efficient way of lighting an underground city several miles across; you can open or close it to allow the big vessels in for construction purposes, and so on. If you build something that big, you need some way of getting stuff IN there, then lighting it without consuming vast amounts of energy. - Yes, you're right, and the first one to pick up on that aspect, that
with Anna, he never had the chance to say goodbye. Finally, here...he
did, with Delenn. Also, the look on his face as he turns to her at the
parapet...you feel every inch of his loss, being trapped, the end of the
road. He did a great job.
- @@@848311263 About Delenn and Sheridan's relationship
I don't think Minbari galvanize in quite the same way...with them, I think it's more a gradual, growing relationship, and as many do, there's just one day when the closeness crosses a point without you almost being aware of it...and there it is. - Whose voice told Sheridan to jump?
That was Kosh's voice, treated the same as always. - Well, it was either jump or get vaporized....
In that sense, as someone else once pointed out, Sheridan is a hero in the Heinleinian tradition. He does the logical thing, whatever that is, to survive. "Okay, I'm about to get vaporized...but if that hole is several miles deep, it might shield me and keep me alive for another 10 seconds. Yes, there's the *splat* at the end problem, but I'll have 10 seconds in which to figure out that problem...."
- @@@844381405 Is the hole a jump gate?
Nope. - @@@864690715 How deep is it?
Several miles deep, maybe a lot more.
- Was Sheridan's line in
"In the Shadow of Z'ha'dum,"
"I won't go down easily and I will not go down alone," foreshadowing
of his leap here?
The leap was always in mind, yes, but that line always kinda stood on its own. - @@@844795579 Sheridan murdered a city full of Shadows!
If someone pointed to an aggressor city (and for the shadows there's no distinction between civilian and military, it's all the same, the only thing that drives them on), which was unified by its desire to wreak havoc and commit massive warfare, and said, "By eliminating that city of 100,000 agressors you will save the lives of 8 billion innocent bystanders," I'd push that button in a hot second, and never regret it. - @@@864690715 The city didn't look very alien. Was that meant to
imply it was inhabited by humanoids?
That wasn't the intent, no. I think it's more the way it ended up. And it does have some nice elements, but it could've been stranger...if we'd had more time and more money. - What happened to Anna?
She's an ex-Sheridan. - @@@847081639 What about Morden? Oh, wait about 7 days, you'll find out.
- "Was he [Garibaldi] captured, or did he volunteer?"
We'll have to see....
- @@@844394086 There was a very specific reason why Garibaldi was picked
up, and there's a suggestion of it in what Justin says at one point to
Sheridan.
- @@@844945885 Nope, I never identified Garibaldi as the support
mechanism, only B5.
- Was Garibaldi going with the Shadows to rescue Sheridan?
Well, given that Garibaldi is any number of light years away at the moment at which Sheridan is dropping, I'd say any attempt to arrive before Sheridan would hit bottom would be less than useless. - If the Shadows were in league with EarthGov, why did IPX send a
ship to Z'ha'dum?
Two different things...the allies of the shadows can know about us, can have used influence to start infiltrating the Psi Corps, long before we found out about them. And bear in mind that Earth is not monolithic; the FBI may not know what the CIA is doing. That some in the Psi Corps may have had something going on there doesn't mean anyone from IPX knew about it. - @@@846737717 Then why didn't the Corps notice the big building
next to the dig site, as shown in the comic?
The building was a lot bigger in the book than it should've been, more like a quonset hut arrangment hastily erected. - @@@846716619 "1) Why has Z'ha'dum not been destroyed by the Vorlons et
al in one of the previous wars to prevent the Shadows return?"
Funny, that...you'd think maybe there was something of interest there.
"2) If the planet has been there for so long, would not the star that it orbits have died quite some time ago, given that the Shadows are so old?"
I don't think so. Stars live an awfully long time.
- @@@846742028 Oh, be assured, the interesting times for
Londo haven't even *started* yet.
But they will, real soon.
- Would the Hugo people make an exception to their usual rules of
nomination for dramatic presentations and allow all of season 3 to
be nominated as a unit, since you wrote the whole thing?
But is it really an exception? You have two books as potential nominees. One is 100,000 words long, the other is a huge 300,000 word potboiler. But they're both written by one author, so they're both eligible. If a two-part episode can be considered a dramatic unit because it has one author, and a single episode can be considered because it has one author, then why not a 22-parter with only one author? Just because the unit has more pages shouldn't mitigate against it any more than the 300,000 word novel should be disqualified.If you stop and think about it dispassionately for a moment, the exception would be in NOT allowing a whole one-author season be nominated. The committee has already allowed the notion of multiple-part nominees by accepting two-parters. You've crossed the one-episode barrier already. So logically if you've accepted that, why suddenly change it to just one episode?
Conceivably, I could take all 22 scripts, put a huge binder on it, and slap a cover page on it reading SEASON THREE, WRITTEN BY J. MICHAEL STRACZYNSKI, and drop that one single unit on the desk of the committee and say, "Here, here's one dramatic unit."
On one level, it's really kind of an intellectual exercise; I like to feather around the rules and see what things mean when little things get changed, and what the *sense* of the rule is vs. how it's applied sometimes.
- What about the entire 5-year run?
Actually, I'd mitigate *against* the 5-year story being considered as a whole dramatic unit because it has multiple writers. I think that would tend to violate the spirit of the Hugos.
Originally compiled by Jason Snell.
Z'ha'dum
Synopsis by Matthew Murray (mmurray@cc.wwu.edu)
"Humans have a phrase," Delenn narrates, as we see a recap of events leading up to the present, while she watches over Sheridan as he sleeps. "'What is past is prologue.' Minbari also have a phrase. 'What is past is also sometimes future.'"
The door to Sheridan's room bursts open, and he emerges, mouth agape, staring at Anna. He can't believe what he is seeing, and asks her what she's doing there. She asks him if that's the best she can do, but, indicating Delenn, says she can understand under the circumstances. Delenn rushes out, and Sheridan tries to stop her, but Anna lets her leave. He tells Anna that he thought she was dead, and she expresses surprise that Delenn didn't tell him. She says she's sorry she couldn't tell him herself, and that she had to leave him alone for so long with no word. But that's behind them now, and they're together again. He pulls away, and she tells him she understands his doubts, based on what Delenn told him. She tells him she will take any tests and answer any questions to prove she is his wife. She says she's here to explain everything to him to help him understand what it's really all about. She says all he needs to do is come with her.
"Where?" Sheridan asks.
"Where else?" Anna replies. "To Z'ha'dum."
As G'Kar and Ivanova walk through a storage bay, G'Kar explains that the devices around them were delivered by the Gaim ambassador, and that each of the weapons can deliver a blast of between five and six hundred megatons, and they are very difficult to detect. Ivanova plans to use them as mines to destroy Shadow vessels when they come out of hyperspace.
Sheridan watches in MedLab as a group of medical personnel examine Anna. Dr. Franklin emerges and tells Sheridan that Anna is human, and that all of her old medical records match up perfectly: It is his wife. Sheridan protests that she died at Z'ha'dum, and Franklin asks why he isn't glad she's back. Sheridan explains that he had to move beyond her death, and now, with Delenn, things are even more complicated. He asks Franklin if there is anything else, and Franklin mentions that he found some epidermal scarring above the nape of her neck, and that he doesn't yet know what caused it. Franklin promises to run some tests, and Sheridan tells him that he has to know whether or not it's really Anna.
Sheridan, in his office, demands to know from Delenn if it really is
Anna. Delenn says she doesn't know, but Sheridan doesn't accept that
answer--the pictures she and Kosh showed him led him to believe she was
dead, but he wants to know why they did that if they didn't know for
sure. Delenn said she was sure Anna would not serve the Shadows, but
she admits she might have been wrong. Sheridan is adamant in believing
Anna would never go along, and Delenn says she has no other
explanation, but Sheridan can't accept that. He demands to know why
she didn't tell him if there was even the slightest chance she was
still alive. She says, that if she had, he would have gone to Z'ha'dum
after her, and they couldn't allow that.
"You and Kosh... You couldn't allow it," Sheridan says. "I trusted
you, Delenn, I cared for you. I let myself start to love you. Do you
know what that means? Do you know how hard that was for me? All along
a little part of me was still in love with Anna, even though she was
gone--I had to fight that part off. Everytime I thought about you...
about holding you, about building a life for the two of us..."
"John, you must believe me, I didn't know she was alive. We assumed that she had died with the rest of the crew of the Icarus, that only Morden had survived."
"And had you known, would you have told me?"
"That would depend. It would depend on what she had become. Z'ha'dum is the homeworld of the Shadows. No one leaves there the same as they arrived."
"You... you would have denied me the right to make that choice. How can you say that and expect me to ever trust you again?" He starts to walk out, but Delenn stops him.
"John, I do love you. If you believe nothing else I ever say,
please... please believe that." Sheridan, without responding, walks out
of the office.
Londo and Vir are in the Zocalo, and Vir asks Londo why he has been
drinking so much since a diplomatic pouch arrived. Londo explains
that he has been promoted, to the position of advisor to the emperor in
matters of planetary security. Vir thinks that's great news, and
doesn't know why Londo is upset. Londo tells him that it's because it
didn't come twenty years ago, when he could appreciate it, but now,
since they are afraid of him, they want to put a leash on him so they
know what he's doing at all times. He knows that, if they see him
doing anything suspicious, he will soon be killed. A man, who
identifies himself only as "a friend" approaches the table. He says he
was sent by their "mutual associates" and tells Londo to
leave the station at once. Londo says he doesn't want to, and the man
says that, if he won't go, he won't be responsible, but that Londo must
leave quickly if he values his life. Londo and Vir know that it was
more than likely a friend of Morden's, and Londo doesn't like the sound
of the warning at all.
As Dr. Franklin looks over the medical records, searching for an explanation for the epidermal scarring, Anna tells Sheridan, in his quarters, that she has never been examined in such deatil--by anyone other than him. She tells him that the medical reports have confirmed that she is Anna, but Sheridan doesn't understand what she has been doing on Z'ha'dum for so long, and why she picked now to come back. She can't tell him that, but says that he needs to come back with her, and that they are eager to meet him. Sheridan asks what will happen if he doesn't go, and Anna says she will leave without him, and he'll never know the truth. She promises no threats and no ultimatums--merely an opportunity to hear their side of the story. Sheridan asks why she wants to go back, and Anna tells him it's her home now, and she's doing important work, and that he'll understand when he goes there. Sheridan still refuses until he gets some answers--he wants to know what happened to the Icarus and its crew when they landed there. Anna asks him if, when she tells him, he promises to go back with her. Sheridan agrees.
"Interplanetary Expeditions said that one of their probes out on the Rim had found the ruins of an ancient civilization," begins Anna. "Dr. Chang was putting together a follow-up expedition and he wanted me on his team. It was the find of a lifetime. What he didn't tell me, or most of the crew, was where he really got the information.
"A few years earlier, IPX had found an alien ship buried beneath the surface of Mars. It was unlike anything they had ever seen before. As soon as it was exposed to daylight, an automatic beacon on board sent out a coded message. They knew whoever the ship belonged to would be coming in fast to pick it up, so they moved quickly. They analyzed the ship, took pieces of it for study later, and planted a homing device inside. Three days later another ship turned up and was digging it out of the ground. When it left, IPX was able to track it through hyperspace to a world out on the Rim."
"Z'ha'dum," Sheridan realizes.
"We didn't have a name for it at the time," Anna continues. "And Chang was under strict orders from EarthForce New Technologies Division to keep this top secret. As soon as we landed, we picked up an energy source. We were told to check it out. And that's where we found them."
"The Shadows."
Anna tells him that that is not a descriptive name, nor their true
name, which is very long and nearly unpronouncable. She says they were
quite approachable, but Sheridan tells her to tell that to the rest of
the crew. Anna says that there was an accident, the crew was killed,
and the comm system was destroyed. They had no way to contact anyone
else. She says that, since the Shadows had just come out of
hibernation, they made a deal with the crew: If the humans would stay silent,
the Shadows would let them study their technology, which would solve nearly
all of Earth's problems and let them leap forward 10,000 years. Anna
says she didn't want Sheridan to think she was dead, but that he knows
he always said his first duty was to Earth. In addition, time doesn't
work quite the same on Z'ha'dum as it does everywhere else. She tells
him that, now that she's back, she'll take him to Z'ha'dum, so the
Shadows can tell him what it's really all about. She says that Delenn,
Kosh, and the others have misled him, and it's time to learn the
truth. He agrees and embraces her, but while he does so, his gaze falls
on Franklin's medical report on a table across the room.
Garibaldi enters Sheridan's office and asks if there's anything he can
do to help. Sheridan tells him that, since the Minbari crew of the
White Star has never been logged into the security net, he wants
Garibaldi to begin that right away. The White Star can orbit the
station on autopilot. Garibaldi reluctantly agrees. Sheridan says
he also as a few other things for him to do, and hands him a list.
Garibaldi agrees to do it, but is more than surprised by what he sees.
Sheridan, in his quarters, prepares for his trip to Z'ha'dum, by making
sure he is armed with a PPG at his side. He pulls another one out from
a drawer and looks at it critically in the mirror. As he gazes into
its surface, he realizes he is not alone.
"If you go to Z'ha'dum, you will die," says the old Kosh, whose image is also
in the mirror. But when Sheridan turns around, there is no one else
there. Sheridan turns back around, and looks at himself in the mirror
for a moment, before walking to his comm screen. He tells the computer
he wants to record a time-delayed message for Delenn.
Aboard the White Star, Anna asks if Sheridan is sure he can run the ship by himself. Sheridan thinks he probably can, as the design is pretty intuitive, and Anna assures him he is guaranteed safe passage. "Next stop," Sheridan says, "Z'ha'dum."
On the journey through hyperspace, Anna examines the White Star, and says she wishes they could have taken a different ship. As it is based partly on Vorlon technology, it could be dangerous; the Shadows believe they will die if anything even remotely Vorlon were to touch the surface of Z'ha'dum. Sheridan says he won't take any chances, and they'll take the shuttle down to the surface.
Back on Babylon 5, Franklin catches up with Ivanova as she walks down
the corridor. Franklin asks why Sheridan left, and tells her that he
knows Sheridan read the report he gave him. Ivanova doesn't know what
he's talking about, and Franklin tells her it's about Anna.
The shuttle lands on the surface of the planet, and Sheridan and Anna,
wearing oxygen masks, make their way through the harsh atmosphere to
the entrance of the structure. The air inside is breathable, and Anna
explains, for security reasons, the structure was moved underground
many centuries ago. They are about to go further, but Anna takes
Sheridan's PPG before she will let him go further. She explains this
part of the complex was designed specifically for them. She takes him
down a corridor, and to a door. She knocks, and a voice inside tells
her to enter. She does so, and inside are two humans. One is an older
gentleman, and the other is a very familiar face: Morden.
Sheridan asks the older man who he is. The man insists
it isn't important, but Sheridan demands to know. "Who decides that the
work day is from 9 to 5 instead of 11 to 4? Who decides that the
hemlines will be below the knee this year, and short again next year?
Who draws up the borders, controls the currency, handles all the
decisions that happen transparently around us?" Sheridan admits he
doesn't know. "Ah," says the old man. "I'm with them. Same group,
different department. Think of me as a sort of middleman. And the
name is Justin."
Delenn receives a time-delayed message from Sheridan. "Delenn,"
the message says, "by the time you get this message, I will be at
Z'ha'dum... with Anna. I can pretty much guess your reaction when you
hear this, but I think it's the only way. When you and I were in the
time rift with Babylon 4, for a moment, I jumped forward in time. We'd
won the war, but Centauri Prime had been devastated. You said that
this future couldn't be changed. You also told me, 'Do not go to
Z'ha'dum. Do you understand? Do not go to Z'ha'dum!' I began to
wonder... What if that future happened because I listened to your
warning and didn't go to Z'ha'dum? What if... what if I could prevent
the fall of Centauri Prime and end the Shadow War by going there? What
I want... is to stay alive, to be with you. But you were right
before. This is about more than what I want. So I'm going, even
though I know it's almost certainly a trap."
"You see, John," Justin explains, as he pours tea, "back, a million
years ago, there were forces prowling around the galaxy beyond anything
that we could understand. And, like anything else, most of them
outgrew this little corner of the universe, and headed off toward
greener pastures. Now, two of them stayed behind, shepherds, you might
call them. They wanted to look after the younger races, bring them
around, help them evolve into something better."
"One of these was the Vorlons," Morden tells Sheridan. "The other was what you call the Shadows."
"The Vorlons are like your parents, I suppose," Justin continues. "They want you to play nice, clean your room, do it by the rules. I guess you could call them lords of order."
"The others," Anna says, "the ones who live here, believe that strength only comes from conflict. They want to release our potential, not bottle it up."
"It's really simple," Justin explains. "You bring two sides together, they fight, a lot of them die. But those who survive are stronger, smarter, and better."
"It's like knocking over an anthill," Morden says. "Every new generation gets stronger. The anthill gets redesigned, made better."
"So that's what the Shadows do," Sheridan says. "Come out every few thousand years, and kick over all the anthills, start wars, destroy entire races."
"A few get lost along the way, yes," Justin admits, "and that's
unfortunate. I don't think it was ever easy, but you can't let that
get in the way of the dream."
On Babylon 5, Corwin reports to Ivanova that he is picking up a
disturbance coming from all around them. Many Shadow ships are
appearing outside, encircling the entire station. Ivanova orders a red
alert, and all the fighters are scrambled. None of the Shadow vessels
are attacking, but Ivanova still orders the fighters to launch, but not to
approach until she authorizes it.
"Think about it, Captain," Morden says. "Look at the long history of human struggle. Six thousand years of recorded wars, bloodshed, atrocities beyond all description. But look at what came out of all of that! We've gone to the stars, split the atom, written sonnets... We never would have come this far, if we hadn't been at each others' throats evolving our way up, inch by inch."
"It was supposed to be an equal balance between our side and the Vorlons," Anna says. "But the Vorlons decided that their way was the right way. They enlisted the support of the other worlds, like the Minbari. They even started interfering with the development of younger races."
"When you look at a Vorlon," Morden says, "you see what they want you to see. They've manipulated us so we respond favorably to them. They've even at a genetic level, taking humans and adjusting them. Why do you think certifiable telepaths came out of nowhere a hundred years ago?"
"They created telepaths on a hundred worlds to use as cannon fodder for the next war," Justin explains. "But fortunately, our friends got there first and with the help of the Psi Corps, made sure that they came out on our side. John, they think that the human race shows great potential. When all this is over, we can be riding high, the first to rebuild, making things our own way. But the only thing that's standing in our way now is you. So, we can either work together now, or we can remove your support mechanism."
The fighters begin to mobilize around the Shadow vessels, and Garibaldi is among them. Ivanova tries to get through to Draal, but communications are being jammed. Ivanova knows the ships' appearance has something to do with Sheridan, but has no idea what it is, or why they are waiting.
"Everything depends on getting the other races to fight each other," Anna says, "to create conflict in order to promote growth and evolution. By getting them to cooperate, you are working against that goal."
"Whenever this starts," Morden says, "there's always someone who tries to organize the other races. You've done it. That's a commendable achievement, but as far as our goals are concerned, unproductive."
"So why don't you just kill me?" Sheridan asks.
"It doesn't work," Justin says. "Somebody'd just come around and replace you. That's always been the trouble with creating martyrs. We brought you here hoping you'd understand us, work with us, not against us. You're important. You're what they call a nexus. You turn one way, and the whole world has a tendency to go the same way. Let go of those other races. You can't hold them together. Evolution will be served one way or another. You can work with us, or..."
"Or you'll do to me what you did to Anna," Sheridan says.
Justin, Anna, and Morden all look at each other. "I don't know what you're..." Anna begins.
"The memories are there, the voice is there, the DNA is there... But the personality, the look in her eyes... The woman I loved, the woman I married isn't there. She would never go along with this."
"You're right," Justin tells him. "Just so. You see, when she came here five years ago, she was given a choice. The same choice that we're giving you. She made the mistake of choosing badly." As Justin is talking, Sheridan's hand creeps down toward his leg.
"You stuck her in one of those ships, didn't you?" Sheridan asks. He uncovers a PPG strapped to his leg, beneath their field of view.
"How did you know?" Morden asks.
"A few months ago," Sheridan tells them, "we intercepted a ship full of people who were going to be merged with the Shadow vessels. They had implants in the brain stem, right back here. The scars in the back of her head are in exactly the same place."
"Our associates needed fresh bodies for the central processing units in their ships," Justin explains. "But we pulled her out as soon as we found out who she was and who you are. But once you've been inside of one of those ships for a while, you're never... quite whole... again. But you do as you're told!" Behind Sheridan a door opens, and a Shadow begins entering the room, and Sheridan sees it out of the corner of his eye. "And so will you!" As soon as Justin finishes, Sheridan jumps up and begins firing the PPG at the Shadow.
G'Kar runs into C&C. Ivanova asks if they can get the bombs outside,
but G'Kar says it would be too dangerous -- the blasts would take out
Babylon 5 as well. Ivanova is willing to risk it, and asks how many
they have. G'Kar explains that's why he's there -- two of the devices
are gone.
A bleeding Sheridan makes his way through a rocky corridor, and
eventually comes to a balcony overlooking a Shadow city. Directly
beneath him is an enormous black abyss, and above him, a glittering
ceiling, seperating this place from the outside atmosphere. Sheridan
types in some commands on his commlink, and the White Star begins to
come alive. Inside, a voice from the bombs says, "Thermal fusion system
armed for detonation," and the White Star begins moving toward the planet.
"John," Anna says, as she arrives. "There's nowhere to run. Come back
inside. We can work this out." As the White Star hurtles toward the
surface, Anna continues. "I know this isn't the Anna that you knew.
What I am is what was made in her. A new personality. She can never
come back. But I can love you as well as she did."
"Finally," Sheridan's message concludes, "I heard what you said when I left.
I want you to know, I love you Delenn. Goodbye." Delenn touches the
screen, and as the message ends, she collapses against the wall,
crying.
Sheridan looks through the semi-transparent ceiling, and sees the White
Star on its way. He looks down into the abyss, and hears a familiar
voice--that of Kosh in his mind. "Jump... Jump now!" the voice urges.
As Anna and a group of Shadows begin to move closer, Sheridan climbs
over the edge of the balcony and leaps into the abyss below. Anna
watches, stunned, but has little time to contemplate what's happening.
The White Star crashes through the ceiling, and she lets out a blood
curdling scream as a white light floods the balcony. The White Star
impacts in an enormous exlosion.
The Shadow vessels, without warning, all vanish immediately, and while
Garibaldi watches, a shadow comes over his viewport. No one on C&C
understands the sudden departure, unless it is because they are no longer a
threat, as G'Kar suggests. Ivanova believes she knows why, though. "He's
gone."
As Delenn and Lennier pray over candles, we hear G'Kar's voice. "It was the end of the Earth year 2260, and the war had paused, suddenly and unexpectedly. All around us, it was as if the universe were holding its breath. Waiting... All of life can be broken down into moments of transition or moments of revelation. This had the feeling of both..."
Corwin reports to Ivanova that there has been no further word on the Captain, but that they can't communicate with the White Star--he thinks it's been destroyed. In addition, one of the fighters sent out didn't return. Ivanova asks who the pilot was, and Corwin tells her, "Mr. Garibaldi."
G'Kar continues speaking. "G'Quon wrote, 'There is a greater darkness than the one we fight. It is the darkness of the soul that has lost its way. The war we fight is not against powers and principalities, it is against chaos and despair. Greater than the death of flesh is the death of hope, the death of dreams. Against this peril we can never surrender. The future is all around us, waiting, in moments of transition, to be born in moments of revelation. No one knows the shape of that future or where it will take us. We know only that it is always born in pain.'"






